id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5177	Coleman, Kwami	Review of Patrick Burke. 2008. Come In And Hear The Truth: Jazz and Race on 52nd Street. Chicago and London: University of Chicago Press.	2010	8	.pdf	application/pdf	3356	121	52	Both of these discourses became commodities that jazz musicians came to use to their advantage. For Burke, Smith represents a reworking of the minstrel legacy that set a precedent for jazz musicians of the next generation, especially Dizzy Gillespie: one in which the black performer's cleverness is flaunted in the face of his white audience.	cache/currentmusicology-5177.pdf	txt/currentmusicology-5177.txt