id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5187	de Martelly, Elizabeth	Signification, Objectification, and the Mimetic Uncanny in Claude Debussy’s “Golliwog’s Cakewalk”	2010	28	.pdf	application/pdf	11099	502	50	The composer draws upon many ragtime and cakewalk conventions in order to make Golliwog dance. Parisian Cakewalks.	cache/currentmusicology-5187.pdf	txt/currentmusicology-5187.txt