id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5192	Marshall, Wayne	Review of Dave Tompkins. 2010. How to Wreck a Nice Beach. Chicago and Brooklyn: Stop Smiling/Melville House. Steve Goodman. 2010. Sonic Warfare. Cambridge, MA, and London: MIT Press.	2010	11	.pdf	application/pdf	4809	213	51	Goodman hears and feels the forceful-and often subsonic-projections of sound systems, whether playing dub reggae or funk carioca, as meeting a certain masochistic desire for the active production of dread (27) that he describes as fear activated deliberately to be transduced and enjoyed in a popular musical context (29). But while such subtle linguistic choices may stem from efforts to resist an ocularcentric framework, Goodman's focus on sound as physical force, as something subpolitical and pre-ideological, is intended to needle the more profound bias in music and sound studies toward an overriding emphasis on phenomenology and signification, rather than ontology and affective mobilization.	cache/currentmusicology-5192.pdf	txt/currentmusicology-5192.txt