id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5193	Polymeropoulou, Marilou	Review of Joanna Demers. 2010. Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford, UK: Oxford University Press. Nick Collins and Julio d’Escriván. 2007. The Cambridge Companion to Electronic Music. Cambridge, UK: Cambridg	2010	5	.pdf	application/pdf	1841	83	46	Reviewed by Marilou Polymeropoulou Electronic music is the mainstream,begin Nick Collins and Julio d'Escrivan in the Cambridge Companion to Electronic Music (CCTEM), referring to the impact of electronic music and technology on twentieth- and twenty-first century music making (1). The editors of the volume synthesize a history of electronic music based on perspectives by composers and scholars from a variety of disciplines, including communication studies, musicology, visual arts, music technology, psychology of music, and computer science.	cache/currentmusicology-5193.pdf	txt/currentmusicology-5193.txt