id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5194	Fishbeck, Luke	Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum	2010	7	.pdf	application/pdf	2687	113	47	In some ways it follows from where LaBelle began in his 2006 historical survey of sound art practices, Background Noise, now juxtaposing case studies and theoretical writing on sound with examples of artistic intervention, intentionally blurring the already vague boundaries between sound culture and sound art, traveling from site to site without historical linearity. (LaBelle 2006:ix) By choosing to elaborate on those relational networks that arise through the act of listening, LaBelle avoids direct overlap with other contemporary investigations into the materiality of sound per se, such as David Toop's Sinister Resonance (2010, also published by Continuum)-which constructs Luke Fischbeck a history of listening, unpacking the literary and artistic use of sound as a metaphor for the intangible and uncanny.	cache/currentmusicology-5194.pdf	txt/currentmusicology-5194.txt