id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5213	Cairns, Elliott S.	Review of Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press	2011	5	.pdf	application/pdf	2107	59	42	In Changing the Score, Poriss seeks to trace the practice of aria insertion and its role in performances of bel canto operas during the first half of the nineteenth century, the pivotal stage ... during which the practice inched slowly toward extinction (5). It was during this time that singers ofItalian opera had to confront the rise of the work-concept as described by Lydia Goehr (1994), either asserting their own authority in performance by attempting to perpetuate the practice of aria insertion, or surrendering their authority to that of the composer's original vision.	cache/currentmusicology-5213.pdf	txt/currentmusicology-5213.txt