id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5217	Kim, Ji Young	Review of Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press	2011	15	.pdf	application/pdf	6603	312	52	In addition to identifying the three authorities to which Riemann fre­ quently appealed and establishing an intimate relationship among them, Rehding unearths the element commonly found at these three poles: the notion of as-if;' an idea associated with nineteenth-century German phi­ losopher Hans Vaihinger. Riemann fre­ quently appealed to Nietzsche's authority in order to support his claim for the significance of motives, the smallest building block of musical struc­ ture, and Nietzsche, who was trained in classical philology, in turn gave approbation to Riemann's theory of phrase structure.9 In both the intro­ duction and epilogue, Rehding cites and compares two passages in which Riemann speaks of an analogy between architectural and musical forms, one excerpt from Wie Horen wir Musik?	cache/currentmusicology-5217.pdf	txt/currentmusicology-5217.txt