id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5219	Crawley, Ashon	Harriet Jacobs Gets a Hearing	2012	23	.pdf	application/pdf	9714	541	67	Thus, I quoted Mackey because the passage is illustrative of the ongoing preoccupation with movement and compression, antiphony and texture, that animated Jacobs’s performance, which vivifies black sonic performance traditions from Spirituals to Gospel, from Blues to Jazz. The screams Jacobs recounts give the gift of withholding relation and relationality, a relationality of antirelationality.	cache/currentmusicology-5219.pdf	txt/currentmusicology-5219.txt