id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5242	Gutkin, David	Editor’s Note	2013	11	.pdf	application/pdf	4738	167	47	This may partly stem from the “conceptual” drift of much music from the last half– century or so, but seminal earlier examples should be recalled: Schumann’s adoption of semi–imaginary personae (with names like Florestan and Eusebius) in his work as a music critic, or Wagner’s voluminous corpus of socio–aesthetic writings. Thus we have the pleasure of learning about an important body of new music through the questions and instigations of an especially perceptive interlocutor.	cache/currentmusicology-5242.pdf	txt/currentmusicology-5242.txt