id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5280	Czerner, Dorota	Listening in Poppies	2013	5	.pdf	application/pdf	1097	19	29	Other than I the voice the voice transcending a horizon of everything that I would take to be “maki...” as is or just so, a cell this here is efflorescence hardened from the sun’s chemistry alive now and under its influence the distinction between the intention and the display of appearances dissolves somehow so able to show, unshow all its loveparts all being one event leaving a centrifugal awareness of speaking, a stem along which chromosounds migrate as I lay there, warming myself in this fire, myself a thread between solutions super~saturated Language to the opposite ends of a figure surfacing: Current Musicology 116 “że maki” “są, że maki” “są maki, że” pre~language, pre~objects for crystals not quite what, to grow around, yet what they may or almost are interpenetrating, branching out, multi~stratal “.........maki są tak.......” sensations now enfolded, twice fastened to the sound in self, within running patterns becoming a succession of Myselves, eating away at becoming, sounding the gum bleeding somewhere between the envelopes of a twofold cloak through everything that spans over the direct me together with sound the feeling, experiencing me dotted sewn through the time~continuum, swarming on to the face of the real now becoming, now language becoming me as speaking is as is identity made own traced in various voicings a flower that swalllows the pleasure of surrendering unpredictable but already involved in a metamorphism from the unknown to familiar, being in/ /out birthed image events encrypted in word events being in, the second figure prefigured in the first encrypted in what/ being out “I am a memory coin, flipped”: word~image, flipped: it~me, being, and at every stage both expressing both the pleasure of watery pulsation being Dorota Czerner 117 birthed from color heard birthed as much as furthering of the sense recollected then transferred “poppies I remember” as my individual signing of being “freckles of the wind” onto the fabric of this, this language, the immanence of sense “a simple vocabulary of movement” roaming off in the arborescence of meaning myself psychedelic elided between “their frail shadows” the folds articulated from there on ~ Origins and chronology: I. October 2003. In parallel with ongoing sessions with Ben’s piano music (but also in response to Ben’s suggestion of my writing a text whose expression would be strictly framed by “thinking, that is, intellectual utterances,” to the exclusion of any conscious usage of a sensual image), I compose a dia–phonic poem “Listening in Poppies”—a personal take on poetic image, voice and its utterance, emergence and articulation of sound, or language identity, within an experience of music.	cache/currentmusicology-5280.pdf	txt/currentmusicology-5280.txt