id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-5382	Buffington, Adam	Through the Fabric of My Own: Louise Alenius and Embodied Interrelationality	2018	22	.pdf	application/pdf	8236	371	46	This amusingly wry remark from Danish composer Louise Alenius, 46 Current Musicology who perpetrated these staged acts of violence upon the performers, not only reflects an unforeseen prolonged aftereffect of the performance itself, but also encapsulates the extreme measures that Alenius, Öhman (or, in another performance, cellist Lea Emilie Brøndal) and violist Mina Fred were willing to enact and endure. Intertwined with this invitation into Alenius’ experience, to in some sense inhabit her skin, is an impulse to deepen performers’ engagement, to “wake them up” and “have them be as into it as I am” (Alenius 2017a), with Alenius expressing: “I almost ‘fall in love’ with the people I work with, but I also hate them in a way, because I have such high expectations, and no one can live up to them” (2017b).	cache/currentmusicology-5382.pdf	txt/currentmusicology-5382.txt