id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
currentmusicology-8811	Timmermans, Matthew	Opera, Sound Recording, and Critical Race Theory: Making a Sub-Field Audible 	2021	25	.pdf	application/pdf	10954	524	54	The field-altering work that Mackey and Moten have each executed by way of issuing what amounts to a series of poetically rendered correctives—about, for instance, the presumed “legibility” and tenacious resonances of Black sound—are crucial to any study of modern sonic culture because their work forces us to confront with, among other things, the long historical arc of Black phonic meaning that precedes, rivals, and runs parallel to the characters whose acts are “really happening” in Marcus’s study. [(1992)] have made such dazzling inroads in Black sound studies by altogether pushing the language that we use to talk about the prodigious complexity of Black music, the magnitude of its weight and depth.	cache/currentmusicology-8811.pdf	txt/currentmusicology-8811.txt