EDITOR-IN-CHIEF: MARGARET ROSS GRIFFEL GENERAL EDITOR: Thomas W. Baker SPECIAL PROJECT EDITOR: Leonie Rosenstiel ASSOCIATE EDITORS: Jack Light Faye-Ellen Silverman Maurie Sommer ASSISTANT EDITORS: Anne Bagnall Peter Dedel Robert Fuller Gabriel Ghirlando, S. J. Richard Koprowski Douglass Seaton George Stauffer Cornelia Weininger EDITORIAL ASSISTANTS: Rodney Buckins, Emma Butler, Laura DeMarco,Jane Fulcher, Lani Kennedy, Vladia Kunzmann, Lowell Lacey, Virginia Marion, Brenda Szafir, Thomas Tracey, Barbara Turchin BUSINESS DEPARTMENT: Thomas W. Baker, Treasurer Jack Light, Advertising EDITORIAL ADVISOR: L. Michael Griffel FACULTY ADVISOR: Joel Newman Copyright © 1973, The Trustees of Columbia University in the City of New York Printed in Great Britain by William Clowes & Sons, Limited London, Beccles and Colchester CORRESPONDING EDITORS: Domestic Susan Gillerman Carla Pollack Harriet Franklin Myrl Hermann Harrison M. Schlee Jurgen Thyme Robert E. Houston Adrienne F. Block Anne Gugliotta Rita Mead Monica Grabei Jack Light Laurel Fay Betty J. Scott Susan Youens James C. Griesheimer Lionel Party Samuel O. Douglas Marek Sowinski Dale Hunter William Penn Barbara Petersen Norman Rubin Christopher Wilkinson Ann Witherell Michael A. Keller Thomas N. Rushing Jeffrey Weinstein Carol Quin James Ladewig Sue Vinks Hough Lester Brothers Mary Badarak Warren Spaeth Nancy Malitz John H. Hajdu Anne Amerson Margaret Grossman Gordon S. Rowley John Martin Lee Patrick Ramona H. Matthews Jack Crawford David M. Carlson Judith J. Warmanen R. Theodore Staton & Julie A. Smith Josephine Hart Frank Carey Norman Sanger Carol Lee Irwin Robert D. Lynch Boston University, Boston, Mass. Brandeis University, Waltham, Mass. Brown University, Providence, R.1. Bryn Mawr College, Bryn Mawr, Pa. Carnegie-Mellon University, Pittsburgh, Pa. Case Western Reserve University, Cleveland, Ohio Catholic University of America, Washington, D.C. City University of New York, New York, N.Y. 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Lewis Thom Lipiczky Glenn L. Gore Arsen R. Papakhian George Loomis Laszl6 Somfai Georges Franck L. Gene Strasbaugh A. Schneider- Klement Don Harran Jacques Chailley Ivo Supicic Winfried Kirsch Othmar Wessely Bernd Baselt Rudolph Angermuller Horst Heussner Jose L6pez-Calo Francis Cameron A. Annegarn Axel Helmer John M. Jennings Niels Martin Jensen Susette Clausing Anne-Marie Riessauw Warwick A. Edwards Georg Borchardt Anthony Ford G. R. Rastall Anne-Marie Bragard Andrej Rijavec Davitt Moroney Ladislav Reznicek Bojan Bujic Wolfgang Sieber Eric Grabner Giorgio Pestelli Walter Pass Hans Conradin University of Texas, Austin, Tex. University of Toronto, Toronto, Ontario, Canada University of Washington, Seattle, Wash. University of Western Ontario, London, Ontario, Canada University of Wisconsin, Madison, Wis. University of Wyoming, Laramie, Wyo. Wesleyan University Middletown, Conn. West Virginia University, Morgantown, W. Va. Western Michigan University, Kalamazoo, Mich. Yale University, New Haven, Conn. Bartok Archives, Budapest, Hungary Brussels, Belgium Free University of Berlin, Berlin, Germany Friedrich-Wilhelms-University, Bonn, Germany Hebrew University, Jerusalem, Israel Institute of Music and Music Education, Paris, France Institute of Musicology, Zagreb, Yugoslavia Johann Wolfgang Goethe University, Frankfurt, Germany Karl-Franzens University, Graz, Austria Martin Luther University, Halle-Wittenberg, GDR Mozarteum, Salzburg, Austria Phillips University, Marburg, Germany Salamanca, Spain State Conservatorium of Music, Sydney, N.S.W., Australia State University of Utrecht, Utrecht, Holland Svenskt Music History Archives, Stockholm, Sweden University of Canterbury, Christchurch, New Zealand University of Copenhagen, Copenhagen, Denmark University of Erlangen-Nuremberg, Erlangen, Germany University of Ghent, Ghent, Belgium University of Glasgow, Glasgow, Scotland University of Hamburg, Hamburg, Germany University of Hull, Hull, Yorkshire, England University of Leeds, Leeds, England University of Liege, Liege, Belgium University of Ljubljana, Ljubljana, Yugoslavia University of London, London, England University of Oslo, Oslo, Norway University of Reading, Reading, England University of Regensburg, Regensburg, Germany University of Southampton, Southampton, England University of Turin, Turin, Italy University of Vienna, Vienna, Austria University of Zurich, Zurich, Switzerland Whenever possible, communications to the corresponding editors should be addressed care of the music department of the institution in question. Otherwise, they may be sent to the Editor of Current Musicology for forwarding. PUBLISHED The Music Department UNDER THE AEGIS OF COLUMBIA UNIVERSITY New York ADRIENNE FRIED BLOCK JAMES R. MCKAY RITA H. MEAD THOM LIPICZKY GEORGES FRANCK GEORGES FRANCK DON HARRAN LADISLAV :REzNicEK HANS CONRADIN AND ANDREAS WERNLI JOHN C. G. WATERHOUSE SIEGHART DOHRING DAVID S. JOSEPHSON JIfd ZALOHA RICHARD W. HARPSTER REPORTS From the Domestic Corresponding Editors: 7 New York: Doctoral Program at CUNY 15 Chicago: The Contemporary Chamber Players 18 Hunter College: The Electronic Music Studio 21 Wesleyan University: The Wesleyan World Music Program From the Foreign Corresponding Editors: 23 A Survey of the Relationship between Musicology and Performance at Sixteen Foreign Universities 32 Belgium: The Festival of Flanders, 1971 36 Hungary: Interforum for Hungarian Television 38 Israel: Testimonium II, 1971 44 Oslo: Musicology at the University 45 Zurich: The Musicological Institute 48 Belfast: Music at Queen's University in Its Provincial Context 52 Marburg: Musicology at the University 55 Announcement ARTICLES 56 Percy Grainger: Country Gardens and Other Curses 64 The First Opera Repertoire of the Castle Theater in Cesky Krumlov 73 Genius in the 18th Century: C. F. D. Schubart's Vom musikalischen Genie LEONIE ROSENSTIEL MALCOLM FRAGER EDMUND HAINES OTTO LUENING DAVID McALLESTER SUSAN THIEMANN SOMMER JOHN MORGAN LESLEY A. WRIGHT 81 83 88 92 95 98 101 The Spheres of Music: Harm.ony and Discord, Part II Introduction and Overview The Manuscript of the Schumann Piano Concerto A Composer Reacts to Musicologists Musicology and the Composer Cerebration or Celebration How I Felt on 14 March 1972 DISSERTATIONS Michael John Shott Hugo Wolf's Music Criticisms: Trans- lation and Analysis According to Pepper's Four World Hypotheses BIBLIOGRAPHICA 107 Roger Huntington Sessions: A Selective Bibliography and a Listing of His Compositions 126 Performance Practices Bibliography- Third Supplement 137 Publications Received 141 Contributors