# bib

id: dancecult-1074
title: dancecult-1074
extension: .htm
mime: text/html
words: 903
sentence: 50
flesch: 55
cache: cache/dancecult-1074.htm
txt: txt/dancecult-1074.txt
summary:
  As a composer of Western classical music, my work has always leaned towards algorithmic patterning, and live coding has become the ideal tool to express my musical thought, as well as to generate a space for questioning given paradigms about contemporary music. Algorave (a portmanteau of Algorithmic Rave) is a scene that promotes the creation of (often live coded) music for the dance floor, putting together the apparent disparate disciplines of computer programming, dance music, live veejaying, and musical composition in real-time.


id: dancecult-1082
title: dancecult-1082
extension: .htm
mime: text/html
words: 1182
sentence: 56
flesch: 51
cache: cache/dancecult-1082.htm
txt: txt/dancecult-1082.txt
summary:
  Having used algorithmic music systems for over 20 years and having also studied piano, I felt intuitively this was not the case. A person sitting at a piano lacks the endurance, creativity, and speed to execute the range of patterns which can be generated by algorithmic systems; the limitation is more stark if you consider the necessity for the human piano player to practice.


id: dancecult-1000
title: dancecult-1000
extension: .htm
mime: text/html
words: 1051
sentence: 39
flesch: 56
cache: cache/dancecult-1000.htm
txt: txt/dancecult-1000.txt
summary:
  By his own admission, James Braxton Peterson is “one of the earlier professors to teach Hip-Hop at the collegiate level”, and Hip-Hop Headphones is a great representation of Peterson’s 20+ years of engagement with hip-hop at this scholarly level. Hip-Hop Headphones: A Scholar’s Critical Playlist James B. Peterson New York: Bloomsbury Academic, 2016.


id: dancecult-1228
title: dancecult-1228
extension: .htm
mime: text/html
words: 1261
sentence: 61
flesch: 66
cache: cache/dancecult-1228.htm
txt: txt/dancecult-1228.txt
summary:
  These didn’t come without considerable risk and Smokescreen parties in Derbyshire and Nottinghamshire were busted, people arrested and equipment confiscated. But their roots remain, and Smokescreen are as popular now as they were during their hedonistic heyday over the course of the 90s, and now attracting the next generation of party people who come out to dance with the old-school heads (some of whom are their parents!).


id: dancecult-1108
title: dancecult-1108
extension: .htm
mime: text/html
words: 1199
sentence: 37
flesch: 37
cache: cache/dancecult-1108.htm
txt: txt/dancecult-1108.txt
summary:
  Recently, his enduring creative efforts have expanded toward book writing, again exploring some of the most unconventional electronic music genres. Two things are, however, clear and plain: first, that Frankenstein goes to Holocaust is a tribute to the culture, practice and aesthetics of plunderphonics and music plagiarism, and a useful and inspiring read for musicians and listeners who fell in love with making music by cutting and pasting sounds produced by other; secondly, that Balli’s book is above all an act of creative writing or, even better, an imaginative attempt to compose a book that is completely dissimilar to any other book about music I have come across.


id: dancecult-1065
title: dancecult-1065
extension: .htm
mime: text/html
words: 1552
sentence: 74
flesch: 58
cache: cache/dancecult-1065.htm
txt: txt/dancecult-1065.txt
summary:
  I played at my first algorave in 2013 in Brighton, although I didn’t do much coding on stage other than run a mass of SuperCollider code at the beginning, before playing the gig with various controllers. This may be because livecoding performance has made the way I think about music more algorithmic.


id: dancecult-1073
title: dancecult-1073
extension: .htm
mime: text/html
words: 1405
sentence: 92
flesch: 64
cache: cache/dancecult-1073.htm
txt: txt/dancecult-1073.txt
summary:
  Also, he developed CineVivo, a graphics render engine for rendering live coding languages. “Extramuros: Making Music in a Browser-Based, Language-Neutral Collaborative Live Coding Environment”.


id: dancecult-1106
title: dancecult-1106
extension: .htm
mime: text/html
words: 1463
sentence: 63
flesch: 40
cache: cache/dancecult-1106.htm
txt: txt/dancecult-1106.txt
summary:
  His aims are ambitious, and the breadth of topics covered in the seven chapters (including online music consumption, digital music production, mobile listening and the connections between music and video games) is evidence of the author’s broad and in-depth knowledge of relevant fields and debates, as well as the importance and ubiquity of digital technologies in the worlds of contemporary popular musics. The breadth of topics that the book touches on is commendable, and it was a pleasant surprise to read a chapter dedicated to music and video games alongside an in-depth analysis of software for audio manipulation and circulation (an often overlooked yet important element of contemporary digital music production).


id: dancecult-1155
author: St John, Graham
title: Ten Years of Dancecult
date: 2019-11-11
pages: 5
extension: .pdf
mime: application/pdf
words: 1451
sentence: 96
flesch: 48
cache: cache/dancecult-1155.pdf
txt: txt/dancecult-1155.txt
summary:
  ISSN 1947-5403 ©2019 Dancecult Published yearly at <http://dj.dancecult.net> International Advisory Board Sean Albiez (Southampton Solent University, UK), Eliot Bates (University of Birmingham, UK), Andy Bennett (Griffith University, AU), Mark J Butler (Northwestern University, US), Anthony D’Andrea (University of Limerick, IE), Rebekah Farrugia (Oakland University, US), Kai Fikentscher (DE), Luis-Manuel Garcia (University of Birmingham, UK), François Gauthier (University of Fribourg, CH), Anna Gavanas (Institute for Futures Studies, SE), Ross Harley (University of New South Wales, AU), Tim Lawrence (University of East London, UK), Geert Lovink (University of Amsterdam, NL), Alejandro L. Madrid (University of Illinois, Chicago, US), Paolo Magaudda (University of Padova, IT), Charity Marsh (University of Regina, CA), Andrew Murphie (University of New South Wales, AU), Alice O’Grady (University of Leeds, United Kingdom), Christopher Partridge (Lancaster University, UK), Anne Petiau (ITSRS / Université Paris 5, FR), Hillegonda C Rietveld (London South Bank University, UK), Geoff Stahl (Victoria University of Wellington, NZ), Sonjah Nadine Stanley-Niaah (University of West Indies, JM), Graham St John (University of Fribourg, CH), Jonathan Sterne (McGill University, CA), Will Straw (McGill University, CA), Rupert Till (University of Huddersfield, UK), tobias c. van Veen (Université de Montréal, CA), Michael Veal (Yale University, US), Dave Payling (Staffordshire University, UK) Reviews Editor Toby Young (University of Oxford, UK) Operations director Botond Vitos (University of Fribourg, CH) Managing Editor Tommy Colton Symmes (Rice University, US) Community Manager Katrina Loughrey (GE)


id: dancecult-1147
title: dancecult-1147
extension: .htm
mime: text/html
words: 2799
sentence: 193
flesch: 82
cache: cache/dancecult-1147.htm
txt: txt/dancecult-1147.txt
summary:
  They said I'm strong, that I'm amazingly fit in other ways for my age. Then there's applying William S. Burroughs and Brion Gysin's cut-up techniques in their extreme pandrogyne project (NPR 2014), a melding of bodies with P-Orridge’s late partner Lady Jaye, involving hundreds of thousands of dollars of plastic surgery.


id: dancecult-1229
title: dancecult-1229
extension: .htm
mime: text/html
words: 2722
sentence: 150
flesch: 52
cache: cache/dancecult-1229.htm
txt: txt/dancecult-1229.txt
summary:
  As this reflection will show, there is a need for greater understanding of the demographic, social, political and economic push and pull factors (Latukha 2022: 2226-7) which influence electronic music talent migration in Northern Ireland, but also attract such electronic music talent from other global scenes. After attendance of other parties and the dying nature of our own in recent months - this magic has died (Fahad 2022).[1] The lack of progressive night time policies in Northern Ireland also plays a significant factor in electronic music sustainability and is an encompassing push factor for electronic music migration.


id: dancecult-1066
title: dancecult-1066
extension: .htm
mime: text/html
words: 3195
sentence: 157
flesch: 53
cache: cache/dancecult-1066.htm
txt: txt/dancecult-1066.txt
summary:
  Mexican music genres such as Banda, Huapango and Son are persistently heard in the streets, on public transportation, at parties, bars and clubs. Despite an active participation of women in the creation, interpretation and development of electronic music, often male names are the ones that survive in archives and historical retellings.


id: dancecult-1064
title: dancecult-1064
extension: .htm
mime: text/html
words: 3546
sentence: 195
flesch: 50
cache: cache/dancecult-1064.htm
txt: txt/dancecult-1064.txt
summary:
  Mean (M) and standard deviations (SD) of participants’ rating on live coding experience for EDM. They concluded that live coding environments may be involved in the creation of higher-order conceptual representations of time-based art.


id: dancecult-1142
title: dancecult-1142
extension: .htm
mime: text/html
words: 3731
sentence: 207
flesch: 72
cache: cache/dancecult-1142.htm
txt: txt/dancecult-1142.txt
summary:
  In an interview with producer/rapper Clebin Quirino, we talked about boom bap rap and he stated that the predilection for boom bap beats is part of the experience of a particular generation of artists and audience: Rappers who sing over trap beats also sing over boom bap beats.


id: dancecult-1227
title: dancecult-1227
extension: .htm
mime: text/html
words: 3378
sentence: 233
flesch: 58
cache: cache/dancecult-1227.htm
txt: txt/dancecult-1227.txt
summary:
  There were DJs who spoke out and directly condemned Plague Rave DJs such as the UK’s Dave Clarke, Bicep and Bushwaka. This data was supplemented with reflections from survey respondents and in depth semi-structured interviews with dancers and local scene infrastructure practitioners [n=29], to examine how scenes responded to the idea of Plague Rave DJs and what resonance this may have, if any, within dance music cultures after the pandemic’s long moment.[1] Reactions to illegal raves generally deemed these irresponsible, despite most sympathising with participant’s desire to dance again.


id: dancecult-1232
title: dancecult-1232
extension: .htm
mime: text/html
words: 3588
sentence: 193
flesch: 58
cache: cache/dancecult-1232.htm
txt: txt/dancecult-1232.txt
summary:
  The section of the questionnaire related to music genres was one of the most challenging to draft. The Problems of Calling Musics by their Names Drafting a classification of music genres that can be recognised within different SST scenes around the globe shows up the theoretical and political implications of the survey tool.


id: dancecult-1005
author: Farrugia, Rebekah; Olszanowski, Magdalena
title: Introduction to Women and Electronic Dance Music Culture
date: 2017-11-14
pages: 11
extension: .pdf
mime: application/pdf
words: 4745
sentence: 284
flesch: 52
cache: cache/dancecult-1005.pdf
txt: txt/dancecult-1005.txt
summary:
  Photo by Magdalena Olszanowski http://dj.dancecult.net Volume 9 Number 1 2017 Introduction to Women and Electronic Dance Music Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . It was our hope that this issue Farrugia and Olszanowski | Introduction to Women and Electronic Dance Music Culture 5 of Dancecult would bring electronic dance music into this conversation, and while it was unable to do so, we note the consideration of how much work needs to be done within our discipline and welcome readers to do so!


id: dancecult-1022
author: Savery, Richard James
title: An Interactive Algorithmic Music System for EDM
date: 2018-11-23
pages: 17
extension: .pdf
mime: application/pdf
words: 6531
sentence: 405
flesch: 59
cache: cache/dancecult-1022.pdf
txt: txt/dancecult-1022.txt
summary:
  Artiin was created to explore how continuing developments in music generation, interactive music systems and music information retrieval can be applied to an EDM system. The “listen to” options allow the user to choose up to three incoming streams of either audio or MIDI, including other Artiin instruments.


id: dancecult-1054
author: Phillips, Matthew T
title: Dancing with Dumont
date: 2021-12-14
pages: 13
extension: .pdf
mime: application/pdf
words: 6585
sentence: 396
flesch: 58
cache: cache/dancecult-1054.pdf
txt: txt/dancecult-1054.txt
summary:
  Graham St. John suggests that the term is derived from “vibration” and that it designates “an ‘intuitive signal’ that may be picked up from other people and the atmosphere” Dancecult 13(1)94 (2012: 79). This occurs through various exercises, such as breathing or touching , targeting the body’s “energ y field” to “tune” into the energies of other people and places and “learn how they affect us” (Manné 2004: 125).


id: dancecult-1214
author: Nye, Sean
date: 2021-12-14
pages: 16
extension: .pdf
mime: application/pdf
words: 7124
sentence: 289
flesch: 51
cache: cache/dancecult-1214.pdf
txt: txt/dancecult-1214.txt
title:
  Dutch Dance, 1988-2018: How the Netherlands Took the Lead in Electronic Music Culture (Mark van Bergen, Trans. Andrew Cartwright)

summary:
  The topic of this book is primarily the history and rise of Dutch dance music both within Holland and abroad. In the 1980s chapter, van Bergen primarily explores the reception of disco, house, techno, and new beat in Holland, emphasizing the foundations of dance music in queer and Black American dance cultures.


id: dancecult-1196
author: von Pawel-Rammingen, Katharina
title: Black Feminism and the Violence of Disco
date: 2021-12-14
pages: 14
extension: .pdf
mime: application/pdf
words: 7212
sentence: 369
flesch: 55
cache: cache/dancecult-1196.pdf
txt: txt/dancecult-1196.txt
summary:
  Both Lawrence and Shapiro include women in their histories, but neither significantly engage with the meanings of Black women’s contribution to disco for Black women themselves, and they certainly fail to incorporate a Black feminist perspective.2 Consequently, the lack of representation of Black women in these historiographies is unable to include Black women’s musical practices as expressions of Black feminist thought and thus, shaping of 1970s American culture. Instead, an analysis through Black feminist informed ideas has attended to the absence of Black women in discographies and located specific instances of epistemic violence.


id: dancecult-277
author: Vitos, Botond
title: The Inverted Sublimity of the Dark Psytrance Dance Floor
date: 2009-09-24
pages: 5
extension: .pdf
mime: application/pdf
words: 1539
sentence: 65
flesch: 46
cache: cache/dancecult-277.pdf
txt: txt/dancecult-277.txt
summary:
  Such dance floors incorporate crowds of varying sizes, influenced by psychedelic drugs, and dancing through the night (and sometimes through the morning ) on a music which can be considered the hard core of psytrance. Photo by Richard Cattien Based on my experiences and understanding of Hungarian, Czech and Greek psy- trance parties, this text offers a concise view on the aesthetic categories triggered by dark psychedelic dance floors.


id: dancecult-1230
author: Diaz, Juan Diego; Díaz Pinto, Ana María
title: The Boy from Medellín (Dir. Matthew Heineman)
date: 2022-11-14
pages: 18
extension: .pdf
mime: application/pdf
words: 7847
sentence: 327
flesch: 50
cache: cache/dancecult-1230.pdf
txt: txt/dancecult-1230.txt
summary:
  Of course, Balvin and other reggaetón artists are not the first popular musicians to have experienced pressure from their audiences to take political stances at critical junctures. The documentary features various pieces in this tradition such as “Ay Vamos,” “En mi,” and “Obra de Arte,” which can be contrasted with the confrontational style that characterized early Colombian productions such a “Tiradera Pa’l Guru,” a piece first performed in 2003 by a collective of reggaetón artists called Colombian Flow.1 The main theme and source of tension in the film is Balvin’s dilemma: one the one hand he has come to his home city to reconnect with his family, friends and fans, to visit the neighborhood where he grew up, and to perform what he called “the most important concert of his career” in Medellín’s largest venue (a local football stadium).


id: dancecult-275
author: Fisher, Mark
title: The Abstract Reality of the "Hardcore Continuum"
date: 2009-09-24
pages: 4
extension: .pdf
mime: application/pdf
words: 2084
sentence: 76
flesch: 44
cache: cache/dancecult-275.pdf
txt: txt/dancecult-275.txt
summary:
  This decade’s dance music is held to have moved beyond critical models established in response to the music of the 1990s, and the disputes here bring into play a certain generational antagonism, the devotees of this decade’s dance music arguing that those who continue to talk about the HCC are out-of-touch nostalgics. In other words, the theory exists and has certain effects – how it influences other forms of production, how it adds to our own experiences of music.


id: dancecult-1032
author: Armitage, Joanne Louise
title: Spaces to Fail in: Negotiating Gender, Community and Technology in Algorave
date: 2018-11-23
pages: 15
extension: .pdf
mime: application/pdf
words: 7516
sentence: 390
flesch: 55
cache: cache/dancecult-1032.pdf
txt: txt/dancecult-1032.txt
summary:
  Dancecult 10(1)36 More than the visibility of role models, the social dimensions of coding workshops and the critical mass of women in the algorave scene though, what many women cited as important was the performative dimensions of algorave as something that was a turning point in terms of their coding and involvement in algorave: Algoraver 1:  We were told that there was an algorave coming up, and anyone who wanted could have a go. Many women interviewed discussed their approach in abstract and intangible terms that are not goal orientated but felt experiences.


id: dancecult-1166
author: Chambers, Paul
title: The Studio as Contemporary Autonomous Zone
date: 2020-11-13
pages: 18
extension: .pdf
mime: application/pdf
words: 9047
sentence: 484
flesch: 56
cache: cache/dancecult-1166.pdf
txt: txt/dancecult-1166.txt
summary:
  Sharing some parallels with Cooper’s conception Everyday Utopias, the city’s sonic socialities and music studios could be viewed as networks and spaces that offered the chance to perform everyday life in a different fashion, creating change by building new forms of experiencing the world (2014: 227). The stories of dedication, invention and becoming through music practice, I argue, were suggestive of Stirnerian strategies of self-construction.


id: dancecult-276
author: St John, Graham
title: 12 Noon, Black Rock City
date: 2009-09-24
pages: 10
extension: .pdf
mime: application/pdf
words: 2647
sentence: 132
flesch: 65
cache: cache/dancecult-276.pdf
txt: txt/dancecult-276.txt
summary:
  Photo by Graham St John As night falls over Black Rock City, it explodes with a collective charge unparalleled anywhere on the planet. St John • 12 Noon, Black Rock City 129 Camp Low Expectations.


id: dancecult-1220
author: Whitehead, Gareth
title: Exploring Personal Spectres in Electronic Music
date: 2022-11-14
pages: 21
extension: .pdf
mime: application/pdf
words: 9469
sentence: 521
flesch: 50
cache: cache/dancecult-1220.pdf
txt: txt/dancecult-1220.txt
summary:
  Electronic music artists have been able to explore hauntological themes with less effort for over 30 years because it has been possible to, quite easily, sample music from different historical periods (Sexton 2012: 562). However, as discussed in my original works portfolio, I have proposed an alternative strateg y in which electronic music artists might engage with a variety of hauntological vehicles.


id: dancecult-1026
author: Smith, Ryan Ross; Lawson, Shawn
date: 2018-11-23
pages: 20
extension: .pdf
mime: application/pdf
words: 8350
sentence: 453
flesch: 57
cache: cache/dancecult-1026.pdf
txt: txt/dancecult-1026.txt
title:
  Rogue Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum

summary:
  Still, however insignificant this conceptual basis might be, it is worth noting the in-between space of VJing and live cinema: A third, and lesser-known type of audiovisual performance practice operates within a performing arts context while also drawing from conceptual, performance art, and new media art practices. The first performance set we created, if it can be called that, was hastily thrown together for an evening of audiovisual performances held at the Electronic Media Performing Arts Center (EMPAC) in Troy, NY in April, 2014.


id: dancecult-1159
author: Symmes, Tommy Colton
date: 2019-11-11
pages: 20
extension: .pdf
mime: application/pdf
words: 9172
sentence: 420
flesch: 50
cache: cache/dancecult-1159.pdf
txt: txt/dancecult-1159.txt
title:
  Fyre Fraud (Jenner Furst & Julia Willoughby Nason, dirs.) & Fyre: The Greatest Party That Never Happened (Chris Smith, dir.)

summary:
  Whilst every chapter in this rich volume warrants detailed discussion, two essays from Fales and Robert Fink, which deal with timbre in electronic dance music and bass cultures respectively, are of particular interest to Dancecult’s readership. For EDM scholars, the ideas presented this book offer a potential way out of the music-analytical stalemate that has dogged our subfield since its inception, by showcasing approaches that enable us to engage more directly with the “matter” (i.e. the sounds and technologies) of electronic dance music.


id: dancecult-274
author: Gilbert, Jeremy
title: The Hardcore Continuum?
date: 2009-09-24
pages: 5
extension: .pdf
mime: application/pdf
words: 3262
sentence: 161
flesch: 45
cache: cache/dancecult-274.pdf
txt: txt/dancecult-274.txt
summary:
  Put simply, Reynolds has argued for the existence of an identifiable continuity between the producers of and audiences for a sequence of dance music forms to have emerged from urban London since the early 1990s, and has argued for the extraordinary vitality of the creative matrix which has produced “hardcore” techno, jungle, drum & bass, UK garage, grime, dubstep and “funky”. Like it or not, the flattened-out relationships of the digital universe just don’t produce musics which carry the same affective charge as those emerging from dense locales of shared lived experience.


id: dancecult-267
author: St John, Graham
title: Editor's Introduction and Masthead
date: 2009-09-24
pages: 6
extension: .pdf
mime: application/pdf
words: 3128
sentence: 182
flesch: 44
cache: cache/dancecult-267.pdf
txt: txt/dancecult-267.txt
summary:
  Journal of Electronic Dance Music Culture is a peer-reviewed, open-access e- journal for the study of electronic dance music culture (EDMC). The feature articles in this first edition offer an engaging crosscurrent of work in EDMC studies, addressing a variety of themes in research from various regions ob- served from the vantage points of multiple disciplinary perspectives.


id: dancecult-284
author: St John, Graham
title: Editor's Introduction and Masthead
date: 2010-07-28
pages: 4
extension: .pdf
mime: application/pdf
words: 1335
sentence: 49
flesch: 40
cache: cache/dancecult-284.pdf
txt: txt/dancecult-284.txt
summary:
  Anne Petiau ITSRS / Université Paris 5 (France) Hillegonda C Rietveld London South Bank University (UK) Geoff Stahl Victoria University of Wellington (NZ) Sonjah Nadine Stanley-Niaah University of West Indies (Jamaica) Will Straw McGill University (Canada) Rupert Till University of Huddersfield (UK) tobias c. van Veen McGill University (Canada) Michael Veal Yale University (US) Dancecult: 0.


id: dancecult-1233
author: Iten, Moses; Marquez, Israel
title: Digital Cumbia
date: 2022-11-14
pages: 16
extension: .pdf
mime: application/pdf
words: 7265
sentence: 352
flesch: 54
cache: cache/dancecult-1233.pdf
txt: txt/dancecult-1233.txt
summary:
  This type of cumbia is generally known as electronic cumbia, cumbiatronica, new cumbia, or nu-cumbia. But they did know how to create a platform to give visibility to the phenomenon and approach electronic cumbia from a commercial point of view.


id: dancecult-1036
author: McLean, Alex; Fanfani, Giovanni; Harlizius-Klück, Ellen
title: Cyclic Patterns of Movement across Weaving, Epiplokē and Live Coding
date: 2018-11-23
pages: 26
extension: .pdf
mime: application/pdf
words: 12310
sentence: 523
flesch: 50
cache: cache/dancecult-1036.pdf
txt: txt/dancecult-1036.txt
summary:
  The mechanism of epiplokē encourages us to see these sequences as a cycle of interwoven ionic- choriambic dimeters rather than as segmented cola, with rhythmical ambiguity as a meaningful part of the poetic design: -⏑⏑-×-⏑--|⏑⏑-×-⏑-⸣-⸤⏑⏑-×-⏑--|⏑⏑-×--. The epiplokē of choriambic and ionic (also contemplated by the ancient doctrine), acting in the context of strophic responsion, should be seen as a continuous rhythmical cycle with interweaving demarcations and encompassing both the metra (⸣-⸤⏑⏑-×-⏑-⸣-⸤⏑⏑-×-⏑-⸣-⸤⏑⏑-⏑--), rather than being disambiguated as featuring either one or the other meter.


id: dancecult-1235
author: Bird, Jacob Mallinson
date: 2022-11-14
pages: 18
extension: .pdf
mime: application/pdf
words: 7847
sentence: 327
flesch: 50
cache: cache/dancecult-1235.pdf
txt: txt/dancecult-1235.txt
title:
  Do You Remember House? Chicago’s Queer of Colour Undergrounds (Micah E. Salkind) and Fabulous: The Rise of the Beautiful Eccentric (Maddison Moore)

summary:
[cell repeats an earlier one in this file: 848 characters]


id: dancecult-269
author: Chew, Matthew M
date: 2009-09-21
pages: 13
extension: .pdf
mime: application/pdf
words: 7496
sentence: 387
flesch: 60
cache: cache/dancecult-269.pdf
txt: txt/dancecult-269.txt
title:
  Decline of the Rave Inspired Clubculture in China: State Suppression, Clubber Adaptations and Socio-cultural Transformations

summary:
  But Chinese dance clubs, VIP rooms within dance clubs, karaoke boxes within a host- ess or karaoke establishment, private apartments or hotel rooms cannot be the contexts for such a collective atmosphere. But the interior spatial arrangement of Chinese dance clubs do not facilitate sociality so strongly.


id: dancecult-272
author: Montano, Ed
title: DJ Culture in the Commercial Sydney Dance Music Scene
date: 2009-09-21
pages: 13
extension: .pdf
mime: application/pdf
words: 8036
sentence: 273
flesch: 61
cache: cache/dancecult-272.pdf
txt: txt/dancecult-272.txt
summary:
  The article is intended to complement analysis that has previously been con- ducted on Sydney, and Australian, dance music culture (examples being Murphie and Scheer 1992; Homan 1998; Gibson and Pagan 2000; Brookman 2001; Luckman 2002; Slavin 2004; Brennan-Horley 2007). With its quick turnover of music, fashions and styles, dance music culture is very much based on contemporary happenings, with constant attention being given to new music, and with a “strong emphasis upon the ‘here and now’” (Malbon 1999: 182).


id: dancecult-289
author: Reynolds, Simon
title: The History of Our World: The Hardcore Continuum Debate
date: 2010-07-28
pages: 8
extension: .pdf
mime: application/pdf
words: 4153
sentence: 162
flesch: 56
cache: cache/dancecult-289.pdf
txt: txt/dancecult-289.txt
summary:
  For in- stance, the role of the MC in hardcore continuum genres was not paralleled in Big Beat, nor was the rewind as derived from Jamaican sound system culture, and as far as I’m aware, dubplates were not part of Big Beat. This relates to the notion I broached above of music history having become spatialized, splayed out like an atemporal smorgasbord.


id: dancecult-291
author: St John, Graham
title: Sound System Nation: Jamaica
date: 2010-07-28
pages: 11
extension: .pdf
mime: application/pdf
words: 3357
sentence: 154
flesch: 63
cache: cache/dancecult-291.pdf
txt: txt/dancecult-291.txt
summary:
  Amid the dry heat and fugue triggered by sleep-interrupted nights in thin-walled campus apartments, I ran a panel on tension and change within electronic dance music cultures called “Uncertain Vibes”. At these all-night parties, drawn out and fatigued, I ventured to a crossroads in electronic dance music culture, the home of the rave, if not the term “rave” itself, a possibility entertained by Helen Evans in “Out of Sight, Out of Mind: An Analysis of Rave Culture”.


id: dancecult-302
title: dancecult-302
extension: .htm
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sentence: 136
flesch: 59
cache: cache/dancecult-302.htm
txt: txt/dancecult-302.txt
summary:
  Moreover, in EDM culture, struggles for oppressed groups to claim sonic space as well as “struggles for the right to dance”, are crucial battles in contexts where authorities seek to regulate the activities of certain groups in specific areas (Buckland 2002). 1, approach the central themes in EDM culture described above: Resolution Intent Mind States Struggle Communitas Belonging Resistance 1.


id: dancecult-271
author: Gregory, Julie
title: Too Young to Drink, Too Old to Dance: The Influences of Age and Gender on (Non) Rave Participation
date: 2009-09-20
pages: 16
extension: .pdf
mime: application/pdf
words: 8590
sentence: 414
flesch: 59
cache: cache/dancecult-271.pdf
txt: txt/dancecult-271.txt
summary:
  According to this account, men are not necessarily exempt from having to think about responsibilities outside and/or beyond rave, but they are more likely than women to remain active in rave scenes – even as they age. Given these findings, while it may be fair to claim that rave-going fosters and is fostered by feeling of peace, love, unity and respect (PLUR) (see, Hutson 2000; Mar- tin 1999; Weber 1999), analyses must not end here; following the above discussion, rave scenes and related experiences also must be understood as embedded in historical, political and discursive processes of exclusion and discrimination (see also, Saldanha 2000) – or what I term “HATE” (hostility, antagonism, tension and elitism).15


id: dancecult-279
author: Nye, Sean
title: Lost and Sound: Berlin, Techno, und der Easyjetset (Rapp)
date: 2009-09-24
pages: 15
extension: .pdf
mime: application/pdf
words: 8390
sentence: 377
flesch: 55
cache: cache/dancecult-279.pdf
txt: txt/dancecult-279.txt
summary:
  DOI: 10.12801/1947-5403.2009.01.01.16 LUCY GIBSON University of Manchester (UK) Dina Perrone’s study of “club kids” based in New York City presents an illuminating analysis of the cultural and situational context in which club drugs are used. Moreover, the chapter describes the ethno- graphic field methods deployed to study the participants’ use of club drugs such as MDMA, methamphetamine (crystal meth), ketamine and GHB.


id: dancecult-280
author: D'Andrea, Anthony
date: 2009-09-24
pages: 15
extension: .pdf
mime: application/pdf
words: 8390
sentence: 377
flesch: 55
cache: cache/dancecult-280.pdf
txt: txt/dancecult-280.txt
title:
  Chromatic Variation in Ethnographic Research: A Review of Psychedelic White: Goa Trance and the Viscosity of Race (Saldanha)

summary:
  DOI: 10.12801/1947-5403.2009.01.01.16 LUCY GIBSON University of Manchester (UK) Dina Perrone’s study of “club kids” based in New York City presents an illuminating analysis of the cultural and situational context in which club drugs are used. Moreover, the chapter describes the ethno- graphic field methods deployed to study the participants’ use of club drugs such as MDMA, methamphetamine (crystal meth), ketamine and GHB.


id: dancecult-290
author: Farrugia, Rebekah
title: “Let’s Have At It!”: Conversations with EDM Producers Kate Simko and DJ Denise
date: 2010-07-27
pages: 7
extension: .pdf
mime: application/pdf
words: 4016
sentence: 215
flesch: 65
cache: cache/dancecult-290.pdf
txt: txt/dancecult-290.txt
summary:
  Not only can Spectral take credit for its anomalous discovery but Simko’s presence is an element it can potentially use to differentiate itself from other EDM labels, most of which do not have any women on their rosters. Relying on personal interviews with both producers, this essay describes their experiences in order to highlight their different approaches to music production and distribution.


id: dancecult-297
author: St John, Graham
title: Editor's Introduction and Masthead
date: 2011-03-09
pages: 6
extension: .pdf
mime: application/pdf
words: 2094
sentence: 181
flesch: 63
cache: cache/dancecult-297.pdf
txt: txt/dancecult-297.txt
summary:
  Botond Vitos (Monash University, AU) Operations Assistant Neal Thomas (McGill University, CA) Copyeditors Catherine Baker (University of Southampton, UK) Katrina Loughrey (AU) Dancecult Journal of Electronic Dance Music Culture Issue 2 (1) 2011 ISSN 1947-5403 ©2011 Dancecult Published twice yearly at: <http://dj.dancecult.net> International Advisory Board Eliot Bates (University of Maryland, College Park, US), Andy Bennett (Griffith University, AU), Mark J Butler (Northwestern University, US), Anthony D’Andrea (University of Limerick, IE), Rebekah Farrugia (Oakland University, US), Kai Fikentscher (DE), François Gauthier (Université du Québec à Montréal, CA), Anna Gavanas (Institute for Futures Studies, SE), Chris Gibson (University of New South Wales, AU), Jeremy Gilbert (University of East London, UK), Ross Harley (University of New South Wales, AU), David Hesmondhalgh (University of Leeds, UK), Tim Lawrence (University of East London, UK), Geert Lovink (University of Amsterdam, NL), Gordon Lynch (Birkbeck University of London, UK), Rene Lysloff (University of California, Riverside, US), Alejandro L. Madrid (University of Illinois, Chicago, US), Charity Marsh (University of Regina, CA), Tony Mitchell (University of Technology Sydney, AU),Karenza Moore (Lancaster University, UK), Andrew Murphie (University of New South Wales, AU), Christopher Partridge (Lancaster University, UK), Anne Petiau (ITSRS / Université Paris 5, FR), Hillegonda C Rietveld (London South Bank University, UK), Geoff Stahl (Victoria University of Wellington, NZ), Sonjah Nadine Stanley-Niaah (University of West Indies, JM), Graham St John (University of Queensland, AU), Will Straw (McGill University, CA), Rupert Till (University of Huddersfield, UK), tobias c. van Veen (McGill University, CA), Michael Veal (Yale University, US) Dancecult: Dancecult 2.1 - Cover, TOC and Editor's Introduction Volume 2 Number 1 2011 Executive Editor Graham St John (University of Queensland, AU) Managing Editor tobias c. van Veen (McGill University, CA) Reviews Editor Karenza Moore (Lancaster University, UK) Art Director Cato Pulleyblank (Fairy Punk Creative Studio, CA) Production Director Gary Botts Powell (Texas A&M University, US) Production Assistants Luis-Manuel Garcia (University of Chicago, US) Ed Montano (RMIT University, AU)


id: dancecult-305
title: dancecult-305
extension: .htm
mime: text/html
words: 3423
sentence: 188
flesch: 62
cache: cache/dancecult-305.htm
txt: txt/dancecult-305.txt
summary:
  This essay reviews this recent discourse and traces it back to earlier theories of crowd psychology as well as current debates about crowds. Out-of-control affect (feelings, emotions) is a key concern for theorists of crowds, often serving dual-duty as both the cause and effect of crowd behavior.


id: dancecult-287
author: Alwakeel, Ramzy
title: The Aesthetics of Protest in UK Rave
date: 2010-07-27
pages: 13
extension: .pdf
mime: application/pdf
words: 7438
sentence: 374
flesch: 61
cache: cache/dancecult-287.pdf
txt: txt/dancecult-287.txt
summary:
  In being its own object, rave culture itself says “rave sounds like this” or “rave makes you feel like this” or, more generally, “rave is”. Accordingly, there is no model to be found within rave music for its response to the world outside itself.


id: dancecult-268
author: Alwakeel, Ramzy
date: 2009-09-20
pages: 21
extension: .pdf
mime: application/pdf
words: 11968
sentence: 534
flesch: 52
cache: cache/dancecult-268.pdf
txt: txt/dancecult-268.txt
title:
  IDM as a "Minor" Literature: The Treatment of Cultural and Musical Norms by "Intelligent Dance Music"

summary:
  Humanism/mechanism; the mechanical subject-object A variety of IDM texts explore the meshing of human and mechanism, often by the location of “mechanical” forms within the human or of “subjective” forms within ma- chinery. Not only does this set up a difficulty between IDM and its supposed genealog y as a type of dance music: it resists any unmediated incorporation into IDM of the progressive rock “text”.


id: dancecult-294
author: Peter, Beate
title: Rave Culture: The Alteration and Decline of a Philadelphia Music Scene (Anderson)
date: 2010-07-28
pages: 16
extension: .pdf
mime: application/pdf
words: 8641
sentence: 429
flesch: 57
cache: cache/dancecult-294.pdf
txt: txt/dancecult-294.txt
summary:
  However, the speed of techno city Berlin is reinforced with shots of the TV Tower at Alexanderplatz, techno’s preferred counter-monument of modern Berlin against the Brandenburg Gate. However, it offers important insights into changes in Berlin techno since the 1990s.


id: dancecult-288
author: Wu, Eileen M
date: 2010-07-23
pages: 16
extension: .pdf
mime: application/pdf
words: 8640
sentence: 420
flesch: 66
cache: cache/dancecult-288.pdf
txt: txt/dancecult-288.txt
title:
  Memory and Nostalgia in Youth Music Cultures: Finding the Vibe in the San Francisco Bay Area Rave Scene, 2002-2004

summary:
  Finding the Vibe in the San Francisco Bay Area Rave Scene, 2002-2004 EILEEN M. WU INDEPENDENT SCHOLAR Abstract In the wake of the major commercial success of rave scenes in the San Francisco Bay Area, accompanied by an increasing crackdown on venues and promoters in the electronic dance music scene, this article follows the “death” of a rave scene and looks at some of the ways young people imagined and engaged with rave culture during that time. Keywords nostalgia, youth studies, cultural studies, rave scenes, San Francisco Bay Area Introduction 2002.


id: dancecult-304
title: dancecult-304
extension: .htm
mime: text/html
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sentence: 377
flesch: 64
cache: cache/dancecult-304.htm
txt: txt/dancecult-304.txt
summary:
  Love Parade posters (1994). <http://dx.doi.org/10.12801/1947-5403.2011.02.01.14> Love Parade poster (1994).


id: dancecult-350
title: dancecult-350
extension: .htm
mime: text/html
words: 1699
sentence: 86
flesch: 67
cache: cache/dancecult-350.htm
txt: txt/dancecult-350.txt
summary:
  The director originally hoped to explore the origins and culture of hip hop with the aim of educating the Dutch TV viewer whose perception of the style may have been tainted by exposure to novelty material such as Dutch act MC Miker G and Deejay Sven’s 1986 hit “Holiday Rap”. Explaining the origin of the style entirely on educational cutbacks somewhat over-simplifies the origins of hip hop.


id: dancecult-347
title: dancecult-347
extension: .htm
mime: text/html
words: 1599
sentence: 44
flesch: 42
cache: cache/dancecult-347.htm
txt: txt/dancecult-347.txt
summary:
  Groove Music: The Art and Culture of the Hip-Hop DJ Mark Katz New York: Oxford University Press, 2012 ISBN: 978-0-19-533112-7 RRP: US$24.95 Murray Forman Northeastern University (US) Mark Katz provides a beautifully written account of the DJ’s evolution in Groove Music: The Art and Culture of the Hip-Hop DJ that is sure to stand as the go-to text for anyone seeking knowledge about the who, what, when, where, why and how of DJ culture.


id: dancecult-349
title: dancecult-349
extension: .htm
mime: text/html
words: 1100
sentence: 33
flesch: 42
cache: cache/dancecult-349.htm
txt: txt/dancecult-349.txt
summary:
  While all of this is nothing new for the scholar of EDM, the attention given to dance music and club culture is an acknowledgement of EDM’s standing in the development of popular music, Brabazon going beyond the rock-centred orientation of much popular music writing. For students of popular music there is no shortage of books, with the field now firmly established in the corridors of academia and interpreted through a body of literature as diverse and as vibrant as the music itself.


id: dancecult-364
title: dancecult-364
extension: .htm
mime: text/html
words: 1267
sentence: 54
flesch: 44
cache: cache/dancecult-364.htm
txt: txt/dancecult-364.txt
summary:
  The final chapter, “Recording the Revolution: 50 Years of Music Studios in Revolutionary Cuba”, by Jan Fairley and Alexandrine Boudreault-Fournier, offers a contrasting non-Western perspective on recording practice, providing cultural considerations for recording practices in recording studios in Cuba. She considers this through the context of the work of Brian Wilson, a pioneer in the confluence of recording practices and composition in popular music.


id: dancecult-361
title: dancecult-361
extension: .htm
mime: text/html
words: 1445
sentence: 66
flesch: 53
cache: cache/dancecult-361.htm
txt: txt/dancecult-361.txt
summary:
  During an interview with an important staff member in 2010, I began the conversation discussing my credentials as a doctoral student with experience conducting research projects in other queer dance spaces, assuming it would be important in this case. He thought it was unbelievable, and very exciting, that someone in academia would be interested in dance club cultures.


id: dancecult-363
title: dancecult-363
extension: .htm
mime: text/html
words: 1339
sentence: 53
flesch: 45
cache: cache/dancecult-363.htm
txt: txt/dancecult-363.txt
summary:
  Finally, this study could be used as a blueprint by future researchers wishing to undertake ethnographic research into the worlds of drug dealers and consumers. Chapter Three explores the friendship networks, groups and styles associated with drug use and distribution.


id: dancecult-344
title: dancecult-344
extension: .htm
mime: text/html
words: 2463
sentence: 133
flesch: 69
cache: cache/dancecult-344.htm
txt: txt/dancecult-344.txt
summary:
  Bangface Weekender 2010 had a “Juracid Park” theme to mark “the 65 millionth anniversary of the extinction of the dinosaurs” (Bangface 2012c). The First Four Years of Bangface Weekender: An Overview Eric Turner University of New Mexico (US) <http://dx.doi.org/10.12801/1947-5403.2012.04.02.09> The Setting Is Bangface Weekender a festival?


id: dancecult-286
author: van Veen, tobias c.
title: Technics, Precarity and Exodus in Rave Culture
date: 2010-07-28
pages: 21
extension: .pdf
mime: application/pdf
words: 11734
sentence: 629
flesch: 53
cache: cache/dancecult-286.pdf
txt: txt/dancecult-286.txt
summary:
  Art2-typeset-ver1 Technics, Precarity and Exodus in Rave Culture TOBIAS C. VAN VEEN MCGILL UNIVERSITY Abstract Without a doubt, the question of rave culture’s politics – or lack thereof – has polarized debate concerning the cultural, social and political value of rave culture not only within electronic dance music culture (EDMC) studies, but in disciplines that look to various manifestations of subculture and counterculture for political innovation. Rave culture, cut off at last from the dangerous rhetoric of DIY collectivism and the even more suspect impulses of an-archic desire, and carefully severed frofm the greater social body of travelers, hippies, anarchist enclaves, punks, hackers and freaks, was safe for public consumption once again.


id: dancecult-351
author: St John, Graham
title: Executive Editor's Introduction
date: 2013-05-12
pages: 5
extension: .pdf
mime: application/pdf
words: 1367
sentence: 95
flesch: 51
cache: cache/dancecult-351.pdf
txt: txt/dancecult-351.txt
summary:
  Graham St John (Griffith University, AU) Reviews Editor Ed Montano (RMIT University, AU) Foreign Languages Editor Luis-Manuel Garcia (University of Chicago, DE) Production Editor Botond Vitos (Monash University, AU) Operations director Ed Montano (RMIT University, AU) Copyeditors Luis-Manuel Garcia (University of Chicago, DE) Jerome Hansen (UK) Sheena D. Hyndman (York University, CA) Katrina Loughrey (AU) Kath O’Donnell (AU) Production Assistants Martin Koszolko (RMIT University, AU) Marc Kushin (Goldsmiths, University of London, UK) Garth Sheridan (RMIT University, AU) Alejandro L. Madrid (University of Illinois, Chicago, US), Charity Marsh (University of Regina, CA), Tony Mitchell (University of Technology Sydney, AU), Karenza Moore (Lancaster University, UK), Andrew Murphie (University of New South Wales, AU), Christopher Partridge (Lancaster University, UK), Anne Petiau (ITSRS / Université Paris 5, FR), Hillegonda C Rietveld (London South Bank University, UK), Geoff Stahl (Victoria University of Wellington, NZ), Sonjah Nadine Stanley-Niaah (University of West Indies, JM), Graham St John (Griffith University, AU), Will Straw (McGill University, CA), Rupert Till (University of Huddersfield, UK), tobias c. van Veen (McGill University, CA), Michael Veal (Yale University, US), Andrew Whelan (University of Wollongong, Australia) Dancecult:


id: dancecult-303
title: dancecult-303
extension: .htm
mime: text/html
words: 9621
sentence: 450
flesch: 59
cache: cache/dancecult-303.htm
txt: txt/dancecult-303.txt
summary:
  To top it off, a major player in Dortmund city politics, Ullrich Sierau, who was elected mayor of Dortmund just a year later, counted from his helicopter roughly the same number as was concluded by Dortmund police: the Love Parade in Dortmund had 1.6 million participants and had thereby achieved the all-time record for Love Parade participants. With a 21-year long history that ended in the deaths of 21 people and the injuring of hundreds more at the 2010 Love Parade, a shadow has been cast across the Love Parade's legacy.


id: dancecult-285
author: St John, Graham
title: Making a Noise – Making a Difference: Techno-Punk and Terra-ism
date: 2010-07-27
pages: 28
extension: .pdf
mime: application/pdf
words: 11970
sentence: 610
flesch: 56
cache: cache/dancecult-285.pdf
txt: txt/dancecult-285.txt
summary:
  By contrast with nihilists identifying with an exclusively shocking and anti-authoritarian aesthetic which would itself be subject to consumerist normaliza- tion, DIY milieus exemplified by the anarcho-punk band Crass and the free food “distro” activists Food Not Bombs would demonstrate commitment towards volunta- rism, social justice, human rights and ecological sustainability (McKay 1998).7 Imply- ing an historical trajectory, Dylan Clark (2003: 233) argues that with post-punk “the performance of anarchy” found in early punk would be replaced by “the practice of anarchism”. It is of course curious that, often misrepresented and dismissed as apathetic, gullible and naïve in popular media throughout the 1970s and 1980s (see Stephens 1998: 79), the sixties counterculture (hippies) were generally despised by earlier punks.


id: dancecult-359
title: dancecult-359
extension: .htm
mime: text/html
words: 3650
sentence: 141
flesch: 56
cache: cache/dancecult-359.htm
txt: txt/dancecult-359.txt
summary:
  Ali's aspirations for increased fame and social recognition are set against the backdrop of insecurity associated with sectarian political fragmentation and the weak Lebanese state.[4] Ethnographic Reflexivity at a Rooftop Nightclub in Beirut Caitlin Robinson SOAS, University of London (UK) <http://dx.doi.org/10.12801/1947-5403.2013.05.01.13> Over the course of my year-long fieldwork in Beirut, I often joked with Ali, a prominent Lebanese DJ and electronic music producer, about how he would make an excellent anthropologist.[1]


id: dancecult-360
title: dancecult-360
extension: .htm
mime: text/html
words: 3866
sentence: 127
flesch: 51
cache: cache/dancecult-360.htm
txt: txt/dancecult-360.txt
summary:
  When it came to discerning the effects of remixed music consumption on the listening habits of my non-musician audience respondents, this broad approach allowed me to gain insight on why it is that people listen to remixed music in a variety of different contexts. I didn’t want to hear only from people who enjoy and regularly consume electronic music, and I hoped to be able to add dissenting voices to my conversation about remixing in addition to the perspectives of die-hard fans and the people who only occasionally come into contact with remixed music.


id: dancecult-300
author: Gholz, Carleton S.
title: Maintaining "Synk" in Detroit: Two Case Studies in the Remix Aesthetic
date: 2011-02-14
pages: 18
extension: .pdf
mime: application/pdf
words: 8471
sentence: 415
flesch: 62
cache: cache/dancecult-300.pdf
txt: txt/dancecult-300.txt
summary:
  Mills and Hawtin have much to contribute to this apparent impasse. Multiple shots of the crowd, split- screen shots of Mills and video images on the huge screen behind and above Mills’ multiple pieces of equipment, not to mention the huge mirror ball, made the space di$cult for the viewer—and we presume the club-goer—to navigate.


id: dancecult-358
title: dancecult-358
extension: .htm
mime: text/html
words: 3866
sentence: 262
flesch: 65
cache: cache/dancecult-358.htm
txt: txt/dancecult-358.txt
summary:
  In the piece, I reflect upon some of my doctoral research experiences of participant observation in Edinburgh techno club nights. Alienation The first intersection depicts the habitual patterns of my attendance at techno club nights, and introduces the possibility that these patterns can be perceived as problematic for research.


id: dancecult-365
title: dancecult-365
extension: .htm
mime: text/html
words: 2769
sentence: 134
flesch: 50
cache: cache/dancecult-365.htm
txt: txt/dancecult-365.txt
summary:
  It will thus be of interest firstly for anyone whose research interests are in such fields as music, sound art, cinema, media (including radio, television, video games and the Internet), linguistics, drama, dance, sound design, architecture, disability, sound storage and reproduction, telecommunications and psychoacoustics, that is, where sound is already a central object of study. With this reader, however, Sterne does not intend to establish a new academic field in the traditional sense, that is, by cocooning an embryonic discipline within a given set of theoretical concerns and epistemological boundaries, but rather to advance a dynamic and open concept of sound studies as “a name for the interdisciplinary ferment in the human sciences that takes sound as its analytical point of departure or arrival” (2).


id: dancecult-362
title: dancecult-362
extension: .htm
mime: text/html
words: 3570
sentence: 169
flesch: 55
cache: cache/dancecult-362.htm
txt: txt/dancecult-362.txt
summary:
  Whereas realist fieldnotes try to avoid interpretation, poetic fieldnotes explicitly interpret experience while also inviting further interpretation on the part of the reader. In general, the poetic genre is employed less frequently in ethnographic fieldnotes, but it nonetheless did appear regularly in the notes of almost all of the researchers in our team.


id: dancecult-298
author: Rietveld, Hillegonda C.
title: Disco’s Revenge: House Music’s Nomadic Memory
date: 2011-03-09
pages: 20
extension: .pdf
mime: application/pdf
words: 10074
sentence: 623
flesch: 56
cache: cache/dancecult-298.pdf
txt: txt/dancecult-298.txt
summary:
  Revenge: House Music’s Nomadic Memory Hillegonda C. Rietveld London South Bank University Abstract This article addresses the role of house music as a nomadic archival institution, constituted by the musical history of disco, invigorating this dance genre by embracing new production technologies and keeping disco alive through a rhizomic assemblage of its affective memory in the third record of the DJ mix. Keywords: house music, DJ practices, third record, cultural memory, nomadolog y Dr. Hillegonda Rietveld is Reader in Cultural Studies at London South Bank University, UK, where she teaches and supervises topics in sonic culture.


id: dancecult-366
title: dancecult-366
extension: .htm
mime: text/html
words: 1577
sentence: 63
flesch: 53
cache: cache/dancecult-366.htm
txt: txt/dancecult-366.txt
summary:
  The discussion of frequency ranges, transients and pitch shifts within certain bass drum sounds shows an increasing trend to deploy bass drums with descending pitch shifts over the last three decades. Danielsen's introduction summarizes key concepts of groove research such as basic pulsation; the synching of different rhythms on a material level or a perception level called entrainment; the idea that an abstract model of a rhythm exists and that each played actualization diverges from the abstract model; and the notion that inter-onset-intervals are the fundamental criteria for perceiving the structure of a rhythm.


id: dancecult-389
title: dancecult-389
extension: .htm
mime: text/html
words: 886
sentence: 34
flesch: 41
cache: cache/dancecult-389.htm
txt: txt/dancecult-389.txt
summary:
  Through the interweaving of footage filmed at festivals and interviews, outdoor parties are presented as religious gatherings. Indeed, the film has been screening at outdoor parties and chill out spaces globally to great response since 2011.


id: dancecult-299
author: Pope, Richard
title: Hooked on an Affect: Detroit Techno and Dystopian Digital Culture
date: 2011-02-14
pages: 21
extension: .pdf
mime: application/pdf
words: 10680
sentence: 446
flesch: 51
cache: cache/dancecult-299.pdf
txt: txt/dancecult-299.txt
summary:
  Similarly, as Detroit techno is now nearing thirty years of age, markers of its identity have been produced and continue to be circulated, though it nevertheless remains the case that there is no recognizable style for Detroit techno fans (whereas one can detect ravers at a glance). Fixated on the Real of dystopian affect, Detroit techno thereby marks a kind of shadow culture for those who do not turn their radar away from the dystopia of the dehistoricized and desubstantialized present and the “future” which is its necessary result.


id: dancecult-367
title: dancecult-367
extension: .htm
mime: text/html
words: 1466
sentence: 42
flesch: 34
cache: cache/dancecult-367.htm
txt: txt/dancecult-367.txt
summary:
  The anthology commences with a contentious piece by John Williamson and Martin Cloonan which problematizes much of the previous writing on recording industries and argues that these industries are indeed far from homogenous and best studied in terms of component parts (notably recording, live music and publishing). C. Michael Elavsky describes a Czech music culture that is both fully integrated into global industry practices but highly resistant to the Westernising cultural imperialism of copyright and intellectual property regulations.


id: dancecult-668
title: dancecult-668
extension: .htm
mime: text/html
words: 1525
sentence: 52
flesch: 41
cache: cache/dancecult-668.htm
txt: txt/dancecult-668.txt
summary:
  Why Music Matters is an important contribution to sociology and music, but it also delves into philosophy, anthropology, musicology, ethnomusicology, psychology, political theory and music history. This is followed by a discussion of how dance music enriches people’s lives through the bodily experience of dancing.


id: dancecult-306
author: Bodenheimer, Rebecca
title: Hip Hop Underground: The Integrity and Ethics of Racial Identification (Anthony Kwame Harrison)
date: 2010-12-30
pages: 25
extension: .pdf
mime: application/pdf
words: 11623
sentence: 479
flesch: 50
cache: cache/dancecult-306.pdf
txt: txt/dancecult-306.txt
summary:
  Initially the protestival was concerned with the regulation of dance music culture, but has since been harnessed to a range of different causes. Graham St John is a cultural anthropologist whose latest publication explores “themes of counterculture and resistance” in global electronic dance music culture (EDMC).


id: dancecult-737
title: dancecult-737
extension: .htm
mime: text/html
words: 1647
sentence: 64
flesch: 37
cache: cache/dancecult-737.htm
txt: txt/dancecult-737.txt
summary:
  Sonic Bodies manages to achieve Henriques’ intentions of departing from the established literature and presents a theoretically fresh approach to the study of Jamaican sound system culture. Chapter Four establishes a historiography of sound system development through the prism of engineering and the tradition of apprenticeship.


id: dancecult-392
title: dancecult-392
extension: .htm
mime: text/html
words: 2416
sentence: 103
flesch: 46
cache: cache/dancecult-392.htm
txt: txt/dancecult-392.txt
summary:
  On the other channel, as Womack emphasizes, and following her similar meditations in Post-Black, Afrofuturists not only redefine contemporary as well as past/future “notions of blackness” (9), but articulate how race is “a creation too” (27). In her discussion of Afrofuturist scholarship, Womack places emphasis on the role of representation, in which scholars are apparently “dedicated to the study of works that analyze dynamics of race and culture specific to the experiences of black people through sci-fi and fantasy works” (23).


id: dancecult-809
title: dancecult-809
extension: .htm
mime: text/html
words: 1275
sentence: 51
flesch: 57
cache: cache/dancecult-809.htm
txt: txt/dancecult-809.txt
summary:
  Fontanari narrates how he built up the character of the ethnographer so as to become another—rather than the other—and thus conveniently circulate among periphery DJs and partygoers; among residents of the working-class neighbourhoods where periphery DJs and partygoers lived; among people in the unmarked territories periphery DJs and partygoers named the centre; and to cross these boundaries without attracting hostility or unwanted attention. He explains: “For this reason, the most valued performances were those by periphery DJs who had followed the longest trajectories, individualizing and personalizing themselves to the utmost degree in relation to the periphery audience” (112).


id: dancecult-355
author: moore, madison alexander
title: Looks: Studio 54 and the Production of Fabulous Nightlife
date: 2013-05-12
pages: 14
extension: .pdf
mime: application/pdf
words: 7467
sentence: 349
flesch: 65
cache: cache/dancecult-355.pdf
txt: txt/dancecult-355.txt
summary:
  Nonetheless, Studio’s strenuous door policy marks the beginning of the popularization as well as the mainstreaming of “door culture” in New York nightlife. For Siano, in other words, Studio 54 featured the superfluous and perhaps more commercialized aspects of nightlife culture, not necessarily the vibe, the music or even the DJs.


id: dancecult-732
title: dancecult-732
extension: .htm
mime: text/html
words: 2999
sentence: 194
flesch: 60
cache: cache/dancecult-732.htm
txt: txt/dancecult-732.txt
summary:
  The techniques of the sound system remain at the heart of what Linton Kwesi Johnson termed “bass culture” (on his 1980 album of the same title) and they continue to reverberate in the belly of “bass music”, the category applied to several genres today. My interest here is primarily in how a few of dub’s techniques pervade electronic dance music culture and mediate the representations and affects of violent conflict, particularly since 9/11 with the “war on terror”, the wars on Afghanistan and Iraq, and the growth in the western hemisphere of surveillance and securitization.


id: dancecult-916
author: St John, Graham
title: Masthead
date: 2016-11-18
pages: 3
extension: .pdf
mime: application/pdf
words: 654
sentence: 60
flesch: 57
cache: cache/dancecult-916.pdf
txt: txt/dancecult-916.txt
summary:
  Jerome Hansen (UK) Jonathan Karpetz (McGill University, CA) Katrina Loughrey (AU) Kath O’Donnell (AU Magdalena Olszanowski (Concordia University, CA) Production AssistantS Paul Jasen (Carleton University, CA) Garth Sheridan (RMIT University, AU) Dancecult Journal of Electronic Dance Music Culture Issue 8(1) 2016 ISSN 1947-5403 ©2016 Dancecult Published yearly at <http://dj.dancecult.net> International Advisory Board Sean Albiez (Southampton Solent University, UK), Eliot Bates (University of Maryland, College Park, US), Andy Bennett (Griffith University, AU), Mark J Butler (Northwestern University, US), Anthony D’Andrea (University of Limerick, IE), Rebekah Farrugia (Oakland University, US), Kai Fikentscher (DE), Luis-Manuel Garcia (University of Birmingham, UK), François Gauthier (CA), Anna Gavanas (Institute for Futures Studies, SE), Ross Harley (University of New South Wales, AU), Tim Lawrence (University of East London, UK), Geert Lovink (University of Amsterdam, NL), Alejandro L. Madrid (University of Illinois, Chicago, US), Paolo Magaudda (University of Padova, IT), Charity Marsh (University of Regina, CA), Ed Montano (RMIT University, AU), Andrew Murphie (University of New South Wales, AU), Alice O’Grady (University of Leeds, United Kingdom), Christopher Partridge (Lancaster University, UK), Anne Petiau (ITSRS / Université Paris 5, FR), Hillegonda C Rietveld (London South Bank University, UK), Geoff Stahl (Victoria University of Wellington, NZ), Sonjah Nadine Stanley-Niaah (University of West Indies, JM), Graham St John (University of Fribourg, CH), Jonathan Sterne (McGill University, CA), Will Straw (McGill University, CA), Rupert Till (University of Huddersfield, UK), tobias c. van Veen (Université de Montréal, CA), Michael Veal (Yale University, US), Botond Vitos (DE) Dancecult: Graham St John (University of Fribourg, CH) Reviews Editor Ed Montano (RMIT University, AU) Foreign Languages Editor Luis-Manuel Garcia (University of Groningen, NL) Production Editor Botond Vitos (DE) Operations director Ed Montano (RMIT University, AU)


id: dancecult-767
author: Rietveld, Hillegonda C.; van Veen, tobias c.
title: Introduction to Echoes from the Dub Diaspora
date: 2015-11-11
pages: 7
extension: .pdf
mime: application/pdf
words: 2286
sentence: 113
flesch: 49
cache: cache/dancecult-767.pdf
txt: txt/dancecult-767.txt
summary:
  Editor's Introduction, Masthead and Table of Contents Volume 7 Number 2 2015 Echoes from the Dub Diaspora Guest Editors tobias c. van Veen and Hillegonda C. Rietveld Executive Editor Graham St John (Griffith University, AU) From the floor Editors Alice O’Grady (University of Leeds, UK) ©2015 Dancecult Published twice yearly at <http://dj.dancecult.net> International Advisory Board Sean Albiez (Southampton Solent University, UK), Eliot Bates (University of Birmingham), Andy Bennett (Griffith University, AU), Mark J Butler (Northwestern University, US), Anthony D’Andrea (University of Limerick, IE), Rebekah Farrugia (Oakland University, US), Kai Fikentscher (DE), Luis-Manuel Garcia (University of Groningen, NL), François Gauthier (Université de Fribourg, CH), Anna Gavanas (Institute for Futures Studies, SE), Chris Gibson (University of New South Wales, AU), Jeremy Gilbert (University of East London, UK), Alice O’Grady, University of Leeds (UK), Ross Harley (University of New South Wales, AU), David Hesmondhalgh (University of Leeds, UK), Tim Lawrence (University of East London, UK), Geert Lovink (University of Amsterdam, NL), Rene Lysloff (University of California, Riverside, US),


id: dancecult-966
title: dancecult-966
extension: .htm
mime: text/html
words: 1094
sentence: 47
flesch: 66
cache: cache/dancecult-966.htm
txt: txt/dancecult-966.txt
summary:
  Rest in peace Marcus Intalex. Within two days of the news breaking, MC DRS and Luke LSB released a track called “Angels Fall” (DRS and LSB 2017) originally on bandcamp.com and announced that all proceeds would be used to help pay for funeral costs for Marcus’ family: We are still very much mourning the sad and sudden passing of our beloved friend Marcus Kaye, known to many as Marcus Intalex or Trevino.


id: dancecult-343
author: Morrison, Simon Andrew
title: “Clubs aren’t like that”: Discos, Deviance and Diegetics in Club Culture Cinema
date: 2012-11-06
pages: 19
extension: .pdf
mime: application/pdf
words: 8852
sentence: 410
flesch: 57
cache: cache/dancecult-343.pdf
txt: txt/dancecult-343.txt
summary:
  As Hebdige remarks, music (in film terms, the soundtrack) is of paramount importance to subcultures, and therefore the films that fall within the EDMC film canon, and have music itself at their core. For clarity let us refer to these two functions of film texts as Beeler’s 1st and 2nd law.


id: dancecult-912
title: dancecult-912
extension: .htm
mime: text/html
words: 2387
sentence: 75
flesch: 46
cache: cache/dancecult-912.htm
txt: txt/dancecult-912.txt
summary:
  Achtermann uses Eno’s ambient output to consider how one defines such music, and the extent to which it can be considered as actual music, concluding that Eno’s work, while presented as art, also calls into question the nature of art, encouraging listeners to “reappraise their understanding of music and the uses of music” (103). Eno’s production work on Ferry’s compositions helped to position him as a key figure in the popular music landscape in the 1970s, and even if his time in the band was only brief, Pattie demonstrates how Eno was beginning to formulate some of the key principles that have continually informed his work since.


id: dancecult-391
title: dancecult-391
extension: .htm
mime: text/html
words: 4592
sentence: 179
flesch: 55
cache: cache/dancecult-391.htm
txt: txt/dancecult-391.txt
summary:
  Arts movements, are usually way too European. One of the main issues I always, always, always see in arts movements like Afro-Futurism is a kind of informal Apartheid between use-practice in the everyday world—gasp, multiculturalism!!!—and the basic sense of theory and ideas that drive the agenda of an art movement.


id: dancecult-993
title: dancecult-993
extension: .htm
mime: text/html
words: 1259
sentence: 44
flesch: 44
cache: cache/dancecult-993.htm
txt: txt/dancecult-993.txt
summary:
  Hosken argues that principles of music technology should be analysed in the context of practical work, and throughout the text he provides suggested activities, complementing the core content. While a good understanding of the fundamental knowledge related to computer hardware and software is very helpful in troubleshooting of the technical problems as well as the efficient day-to-day work with music technology, the priority in the volume is given to sound-related topics, which is a sensible choice.


id: dancecult-973
title: dancecult-973
extension: .htm
mime: text/html
words: 2869
sentence: 147
flesch: 54
cache: cache/dancecult-973.htm
txt: txt/dancecult-973.txt
summary:
  I started to go to nightclubs at the age of 14 years old and I grew up listening to dance music, which at the time (around 1988) coincided with the birth of house music. The objective when I compose/perform is to feed into what sounds good to me and into different models of musical decision-making such as adding or removing music loops, or by filtering the sonic content of the music.


id: dancecult-996
title: dancecult-996
extension: .htm
mime: text/html
words: 1512
sentence: 53
flesch: 40
cache: cache/dancecult-996.htm
txt: txt/dancecult-996.txt
summary:
  In Techno Studies, he writes three short essays concerning the practical and epistemological problems of writing reviews of techno tracks. As a consequence of the methodological difficulties involved in analysing techno tracks, she suggests a combination of traditional and new methods including participant observation, and descriptions of sounds and aural textures.


id: dancecult-976
title: dancecult-976
extension: .htm
mime: text/html
words: 2914
sentence: 154
flesch: 77
cache: cache/dancecult-976.htm
txt: txt/dancecult-976.txt
summary:
  I always found it interesting, the concept of being at work and the need to deflect advances (almost like going to your job and people assuming that maybe you were only there because you wanted to get “on the job”). The positive feedback from people who enjoyed what I did was enough to keep me going forwards.


id: dancecult-997
title: dancecult-997
extension: .htm
mime: text/html
words: 1297
sentence: 40
flesch: 42
cache: cache/dancecult-997.htm
txt: txt/dancecult-997.txt
summary:
  Given the spiralling of this book towards a final concluding chapter on hyperrealism in digital art, this movement from mapping to tracing seems to be no coincidence, perhaps presenting a subtle meta-critique of the relationship between the fluid nature of digital arts and the pedagogical need to linearize a field which is still very much a boundary-less network space (pace Latour), perhaps even a vulnerable space loosely encompassing a group of discrete disciplines with shared processes but not necessarily goals. The opening chapter in particular is a stroke of genius in this respect, presenting the context of digital art as a cartography—a brilliant alternative to either the repertoire-based canonic approach taken by Cox and Warner (2004) or the techno-centric focus of Demers (2010).


id: dancecult-999
title: dancecult-999
extension: .htm
mime: text/html
words: 1803
sentence: 65
flesch: 46
cache: cache/dancecult-999.htm
txt: txt/dancecult-999.txt
summary:
  As Jasen reveals, bodies of myth science accumulate around unusual vibratory milieus (28), and Sun Ra’s own “tale of becoming”, how he categorized and philosophized about his experiential knowledge, serves as an excellent parergon to Jasen’s own attempt at rigorous speculation on the sound body. Thus, not meaning to be definitive, Jasen intends for the book to be an “experiment” (187), its own kind of myth science, a work that “strives instead to engender a mode of thought that draws sound-related scholarship into unfamiliar territory, and help nudge the humanities more broadly towards a greater appreciation of material agencies” (19).


id: dancecult-378
author: Fisher, Mark
title: The Metaphysics of Crackle: Afrofuturism and Hauntology
date: 2013-10-24
pages: 14
extension: .pdf
mime: application/pdf
words: 6890
sentence: 402
flesch: 64
cache: cache/dancecult-378.pdf
txt: txt/dancecult-378.txt
summary:
  In Derrida’s work, “hauntolog y” was a play on “ontolog y”. Around 2006, writers such as Simon Reynolds and myself turned to the concept of hauntolog y when spectrality started to emerge as a theme—and a practice—in the work of producers from a range of backgrounds, including experimental rocker Ariel Pink, composer William Basinski, turntablist Philip Jeck, and the dubstepper Burial.


id: dancecult-357
title: dancecult-357
extension: .htm
mime: text/html
words: 10768
sentence: 655
flesch: 53
cache: cache/dancecult-357.htm
txt: txt/dancecult-357.txt
summary:
  A Space Odyssey—the open-ended and desirable consequences of surrendering control is burlesqued.[15] Cultural datafacts may then be purposed to gnostic clarity, while at other times, on other dance floors, and under the direction of other DJs, or perhaps within the same track, they may be purposed to subvert, confuse, mystify. In the “second life of the people”, disorder, freakiness, the anomalous, hold sovereignty, a rollicking circumstance fuelled by mind-alterants such as the psychoactive compounds and research chemicals circulating within EDM event cultures, like THC, 2C-I or methoxetamine.


id: dancecult-977
title: dancecult-977
extension: .htm
mime: text/html
words: 6299
sentence: 417
flesch: 83
cache: cache/dancecult-977.htm
txt: txt/dancecult-977.txt
summary:
  “Teri Thornton is Dead at 65; Jazz Singer Had Hits in 1960s”. However, now I have created a situation where I can do other things creatively and I can get paid for them and enjoy them and I don’t have to change the way I do music to make money.


id: dancecult-372
author: Montano, Ed
title: Ethnography From the Inside: Industry-based Research in the Commercial Sydney EDM Scene
date: 2013-10-24
pages: 18
extension: .pdf
mime: application/pdf
words: 9147
sentence: 490
flesch: 60
cache: cache/dancecult-372.pdf
txt: txt/dancecult-372.txt
summary:
  As a method of research into music scenes, ethnography has been, and remains, a useful and productive approach. Tourists are a very different demographic because, by their nature, they are freed up from the restrictions or rules of their other life back home, so as a tourist you do things you wouldn’t otherwise do, and that’s the lifeblood of commercial clubs for sure.9 Montano | Ethnography from the Inside 121 Research on local music scenes needs to be connected to the broader transnational processes that facilitate the global spread of culture.


id: dancecult-387
author: Fraser, Alistair
title: On the Content and Contribution of MCs in British Drum 'n' Bass
date: 2014-11-15
pages: 19
extension: .pdf
mime: application/pdf
words: 9838
sentence: 475
flesch: 65
cache: cache/dancecult-387.pdf
txt: txt/dancecult-387.txt
summary:
  Representing drum n bass. Such practices mean that drum ‘n’ bass audiences develop knowledge about what the response might be to specific calls, for example, by no means was it inevitable that everyone in an audience would know “Bo!”


id: dancecult-371
author: Vitos, Botond
title: “An Avatar ... in a Physical Space”: Researching the Mediated Immediacy of Electronic Dance Floors
date: 2014-11-15
pages: 21
extension: .pdf
mime: application/pdf
words: 9851
sentence: 510
flesch: 46
cache: cache/dancecult-371.pdf
txt: txt/dancecult-371.txt
summary:
  Similar accounts were stated by my interlocutors, with one describing the influence of such drugs through the analog y of using coloured sunglasses. Attempting to address the possible ontological status of drug worlds, during a focus group I enquired about Second Life, the online virtual world where users interact with each other through “avatars”.4 The expression had been spontaneously applied to techno parties by Stuart, and subsequently adopted by other participants of the same focus group.


id: dancecult-370
author: Lalioti, Vassiliki
title: Stay in Synch!: Performing Cosmopolitanism in an Athens Festival
date: 2013-10-24
pages: 21
extension: .pdf
mime: application/pdf
words: 10244
sentence: 578
flesch: 52
cache: cache/dancecult-370.pdf
txt: txt/dancecult-370.txt
summary:
  Participating in Synch festival is a complex activity. However, according to participants, the history of Synch festival shows a process of the two cultural poles of high-brow and low-brow (Levine 1988; Peterson and Kern 1996) merging , while mainstream dance-based styles and experimental music and artists become Lalioti | Performing Cosmopolitanism in an Athens Festival 143 more mixed.


id: dancecult-951
author: Hancock, Maren
title: Lick My Legacy: Are Women-Identified Spaces Still Needed to Nurture Women-Identified DJs?
date: 2017-11-14
pages: 17
extension: .pdf
mime: application/pdf
words: 8657
sentence: 446
flesch: 65
cache: cache/dancecult-951.pdf
txt: txt/dancecult-951.txt
summary:
  This study concludes that although female DJs are becoming more common in Canadian nightclubs and festivals, networks such as the one fostered by Lick are still significantly important to the careers of DJs whose identities do not afford them access to the “boys’ club(s)”. The Power of DJ Networks Lick was different in that it was predominantly run by queer management, they actually promoted female DJs learning and working there; that had happened in the past but never in that kind of capacity. . . .


id: dancecult-958
author: Morgan, Frances
title: Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music
date: 2017-11-14
pages: 19
extension: .pdf
mime: application/pdf
words: 9336
sentence: 358
flesch: 44
cache: cache/dancecult-958.pdf
txt: txt/dancecult-958.txt
summary:
  The media play a key role in presenting , framing and delineating areas of music in which such traditional genre boundaries demarcating “popular” and “classical”, or, say, “EDM” and “ambient’, or “techno” and “noise” are blurred or problematised; they also, Dancecult 9(1)12 increasingly, present accounts of electronic music history, which might otherwise remain an area of specialist study, to a general public that includes groups such as record collectors, music technolog y enthusiasts and EDM fans. In “Pioneer Spirits: New Media Representations of Women In Electronic Music History” (Morgan 2017: 238–49), I argue that, “print and online media play a role in making visible certain aspects of electronic music history to consumers who might also be practising musicians, music scholars, and potential researchers”, while “[a]cademic writers and researchers exploring the relations between gender, sound and technolog y increasingly use the same platforms as online critics to discuss, promote and present their interests” (Morgan 2017: 239).


id: dancecult-369
author: Ratcliffe, Robert
title: A Proposed Typology of Sampled Material Within Electronic Dance Music
date: 2014-06-02
pages: 26
extension: .pdf
mime: application/pdf
words: 11748
sentence: 779
flesch: 50
cache: cache/dancecult-369.pdf
txt: txt/dancecult-369.txt
summary:
  Abstract The following article contains a proposed typolog y of sampled material within electronic dance music (EDM). Ratcliffe | A Proposed Typology of Sampled Material Within Electronic Dance Music 99 Figure 1: A proposed typology of sampled material within EDM.


id: dancecult-376
author: Reddell, Trace
title: Ethnoforgery and Outsider Afrofuturism
date: 2013-10-24
pages: 25
extension: .pdf
mime: application/pdf
words: 12476
sentence: 626
flesch: 51
cache: cache/dancecult-376.pdf
txt: txt/dancecult-376.txt
summary:
  I’d say that anything I’m doing is simply my misunderstanding of black music. In order to address head-on the relationship between black music and white music, Eshun’s discussion of Cybotron stages “futurity” as an overflow of the production of Reddell | Ethnoforgery and Outsider Afrofuturism 95 polyphonic subjectivities.


id: dancecult-381
author: St John, Graham
title: The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture
date: 2013-10-24
pages: 32
extension: .pdf
mime: application/pdf
words: 14356
sentence: 840
flesch: 54
cache: cache/dancecult-381.pdf
txt: txt/dancecult-381.txt
summary:
  Psytrance shares music production technologies and DJ techniques with other electronic dance music cultures (EDMCs), including “Detroit techno”. Keywords: alien-ation; psyculture; Afrofuturism; posthumanism; psytrance; exiles; aliens; vibe Graham St John is a cultural anthropologist and researcher of electronic dance music cultures and festivals.


# url

id: dancecult-1214
domain: www.rollingstone.com
url:
  https://www.rollingstone.com/music/music-news/tiesto-commits-to-long-term-residency-in-las-vegas-48833


id: dancecult-1166
domain: www.helpmusicians.org.uk
url:
  https://www.helpmusicians.org.uk/assets/publications/files/can-music-make-you-sick-part2-qualitative-study-1.pdf>


id: dancecult-1228
domain: soundcloud.com
url:
  https://soundcloud.com/thecamouflageddisco/maxsmokescreencamouflaged-disco-mhyh-radio-show-02072021>


id: dancecult-1229
domain: www.belfasttelegraph.co.uk
url:
  https://www.belfasttelegraph.co.uk/entertainment/music/belfast-needs-to-create-more-venues-for-electronic-music-fans-says-ni-born-dj-41930081.html>


id: dancecult-1066
domain: thump.vice.com
url:
  https://thump.vice.com/es_mx/article/vv8nz8/una-mirada-a-la-influencia-latinoamericana-en-la-musica-electronica-mundial


id: dancecult-1227
domain: redbullelektropedia.be
url:
  https://web.archive.org/web/20210426170111/https://redbullelektropedia.be/article/belgian-djs-touring-abroad-during-the-pandemic-both-sides-of-the-argument/>


id: dancecult-1227
domain: ninapower.net
url:
  https://ninapower.net/2020/10/26/the-politics-of-care-rethinking-collective-being-in-the-wake-of-covid-19/>


id: dancecult-1227
domain: www.forbes.com
url:
  https://www.forbes.com/sites/oliverwilliams1/2020/09/20/how-the-rich-partied-during-coronavirus-lockdown/>


id: dancecult-1232
domain: jamaica-gleaner.com
url:
  https://jamaica-gleaner.com/article/entertainment/20160214/give-dancehall-its-due-richie-stephens-lisa-hanna


id: dancecult-1159
domain: www.theguardian.com
url:
  http://www.theguardian.com/artanddesign/gallery/2015/feb/26/the-toast-oftehran-irans-superstar-street-artist-in-pictures


id: dancecult-1159
domain: www.theguardian.com
url:
  http://www.theguardian.com/education/2019/aug/22/as-an-iranian-academic-im-fed-up-of-being-asked-to-focus-on-poverty-and-oppression


id: dancecult-1159
domain: www.theguardian.com
url:
  http://www.theguardian.com/artanddesign/gallery/2015/feb/26/the-toast-of-tehran-irans-superstar-street-artist-in-pictures


id: dancecult-1159
domain: www.vice.com
url:
  https://www.vice.com/en_us/article/a3ayma/fyre-festsfounder-is-going-to-prison-but-the-spirit-of-his-scam-lives-on


id: dancecult-1159
domain: www.vice.com
url:
  https://www.vice.com/en_us/article/a3ayma/fyre-fests-founder-is-going-to-prison-but-the-spirit-of-his-scam-lives-on


id: dancecult-1233
domain: musdig.music.ox.ac.uk
url:
  http://musdig.music.ox.ac.uk/wp-content/uploads/2013/07/bakerargentina-report-as-website-150515.pdf>


id: dancecult-1233
domain: musdig.music.ox.ac.uk
url:
  http://musdig.music.ox.ac.uk/wp-content/uploads/2013/07/baker-argentina-report-as-website-150515.pdf


id: dancecult-1233
domain: www.clarin.com
url:
  http://www.clarin.com/extrashow/musica/chancha_via_circuito-tremor-amansara-breaking_bad-miriam_garcia_0_1449455467.html


id: dancecult-1233
domain: www.sibetrans.com
url:
  http://www.sibetrans.com/trans/articulo/90/la-cumbia-villera-y-el-fin-de-la-cultura-deltrabajo-en-la-argentina-de-los-90


id: dancecult-1036
domain: classical-inquiries.chs.harvard.edu
url:
  https://classical-inquiries.chs.harvard.edu/on-weaving-and-sewing-as-technical-terms-for-ancientgreek-verbal-arts/


id: dancecult-1036
domain: classical-inquiries.chs.harvard.edu
url:
  https://classical-inquiries.chs.harvard.edu/on-weaving-and-sewing-as-technical-terms-for-ancient-greek-verbal-arts/%3e


id: dancecult-305
domain: www.psychologytoday.com
url:
  http://www.psychologytoday.com/blog/extreme-fear/201007/behind-the-love-parade-tragedy-the-psychology-stampedes>


id: dancecult-268
domain: groups.google.com
url:
  http://groups.google.com/group/alt.rave/browse_thread/thread/b8592fef4a3a14b4/af70a963a5002ddd#af70a963a5002ddd


id: dancecult-303
domain: www.fair-news.de
url:
  http://www.fair-news.de/news/waz+ruhr+2010+nach+der+loveparade++gedaempftes+fest++kommentar+von+gudrun+norbisrath-121938.html


id: dancecult-303
domain: www.rp-online.de
url:
  http://www.rp-online.de/wirtschaft/news/duesseldorf-die-schuldenfreie-landeshauptstadt_aid_478973.html


id: dancecult-303
domain: www.rp-online.de
url:
  http://www.rp-online.de/niederrheinnord/duisburg/loveparade/alle-loveparade-zahlen-gefaelscht_aid_887726.html


id: dancecult-303
domain: www.bild.de
url:
  http://www.bild.de/bild/unterhaltung/topics/loveparade/2010/06/17/techno-party-loveparade-2010/bild-de-uebertragt-live-aus-duisburg-oliver-pocher.html


id: dancecult-303
domain: www.bild.de
url:
  http://www.bild.de/bild/regional/ruhrgebiet/aktuell/2010/04/16/innen-ministerium-gibt-gruenes-licht-fuer/die-loveparade-in-duisburg.html


id: dancecult-303
domain: www.bild.de
url:
  http://www.bild.de/bild/unterhaltung/topics/loveparade/2010/07/12/loveparade/einsendungen-foto-wettbewerb-wladimir-klitschko-treffen.html


id: dancecult-303
domain: www.bild.de
url:
  http://www.bild.de/bild/news/bild-english/world-news/2010/07/28/love-parade-boss-grilled-by-bild/rainer-schaller-we-fulfilled-all-obligations-100-per-cent.html


id: dancecult-303
domain: www.bild.de
url:
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id: dancecult-303
domain: www.sueddeutsche.de
url:
  http://www.sueddeutsche.de/medien/loveparade-fall-fuer-presserat-bild-des-grauens-proteste-gegen-presse-1.980328


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url:
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id: dancecult-300
domain: www.artinfo.com
url:
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id: dancecult-300
domain: www.artinfo.com
url:
  http://www.artinfo.com/news/story/36680/techno-experimentalist-jeff-mills-puts-a-new-musical-spin-on-an-eisenstein-film


id: dancecult-298
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url:
  http://journals.cambridge.org/action/displayabstract?frompage=online&aid=2637704&fulltexttype=ra&fileid=s0261143000005535


id: dancecult-298
domain: www.djscene.nl
url:
  http://www.djscene.nl/party/reviews/2007/april_/can_u_feel_it?visitorid=966916bbe25a43a1a8dc946f86b673f7


id: dancecult-306
domain: www.metro.co.uk
url:
  http://www.metro.co.uk/metrolife/819812-donk-is-the-crazy-dance-sensationtaking-over-the-north-west-of-england>


id: dancecult-306
domain: www.metro.co.uk
url:
  http://www.metro.co.uk/metrolife/819812-donk-is-the-crazy-dance-sensation-taking-over-the-north-west-of-england


id: dancecult-732
domain: www.discogs.com
url:
  http://www.discogs.com/appleblim-shackleton-soundboys-bones-get-buried-in-the-dirt-volume-2/release/746804


id: dancecult-732
domain: www.discogs.com
url:
  http://www.discogs.com/king-tubby-observer-allstars-aggrovators-king-tubbys-special-1973-1976/release/155371


id: dancecult-357
domain: www.alternet.org
url:
  http://www.alternet.org/story/90958/emerging_from_the_drug_war_dark_age%3a_lsd_and_other_psychedelic_medicines_make_a_comeback


id: dancecult-951
domain: vancouversun.com
url:
  http://vancouversun.com/news/staff-blogs/is-vancouversdowntown-eastside-really-canadas-poorest-postal-code


id: dancecult-951
domain: vancouversun.com
url:
  http://vancouversun.com/news/staff-blogs/is-vancouvers-downtown-eastside-really-canadas-poorest-postal-code


id: dancecult-958
domain: www.musicradar.com
url:
  http://www.musicradar.com/news/tech/new-evidence-that-doctor-who-composerinvented-dance-music-165571


id: dancecult-958
domain: www.discogs.com
url:
  https://www.discogs.com/delia-derbyshire-and-elsa-stansfield-circle-of-light-originalelectronic-soundtrack/release/8823727>


id: dancecult-958
domain: www.discogs.com
url:
  https://www.discogs.com/bbc-radiophonic-workshop-music-from-the-bbcradiophonic-workshop/release/212869>


id: dancecult-958
domain: www.musicradar.com
url:
  http://www.musicradar.com/news/tech/new-evidence-that-doctor-who-composer-invented-dance-music-165571


id: dancecult-958
domain: www.discogs.com
url:
  https://www.discogs.com/delia-derbyshire-and-elsa-stansfield-circle-of-light-original-electronic-soundtrack/release/8823727


id: dancecult-958
domain: www.discogs.com
url:
  https://www.discogs.com/bbc-radiophonic-workshop-music-from-the-bbc-radiophonic-workshop/release/212869


id: dancecult-369
domain: www.sibetrans.com
url:
  http://www.sibetrans.com/trans/a13/bastards-and-booties-production-copyright-and-the-mashup-community


id: dancecult-376
domain: www.discogs.com
url:
  http://www.discogs.com/billie-holiday-and-her-orchestra-strange-fruit-fine-andmellow/release/1634405>


# ent

id: dancecult-1155
sid: 43
eid: 1
type: ORG
entity:
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id: dancecult-1227
sid: 106
eid: 1
type: PERSON
entity:
  https://www.liverpool.ac.uk/institute-of-popular-music/people/research-students/richard-anderson/ references bauman


id: dancecult-1227
sid: 195
eid: 1
type: ORG
entity:
  https://ninapower.net/2020/10/26/the-politics-of-care-rethinking-collective-being-in-the-wake-of-covid-19/


id: dancecult-1227
sid: 224
eid: 1
type: EVENT
entity:
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id: dancecult-1005
sid: 223
eid: 1
type: ORG
entity:
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id: dancecult-1214
sid: 216
eid: 1
type: PERSON
entity:
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id: dancecult-1032
sid: 304
eid: 1
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entity:
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id: dancecult-1032
sid: 377
eid: 1
type: PERSON
entity:
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id: dancecult-1196
sid: 348
eid: 3
type: PERSON
entity:
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id: dancecult-1224
sid: 181
eid: 1
type: PERSON
entity:
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id: dancecult-1026
sid: 18
eid: 1
type: PERSON
entity:
  http://dx.doi.org/10.12801/1947-5403.2018.10.01.04 http://animatednotation.com/ http://www.ryanrosssmith.com/ http://www.shawnlawson.com/ dancecult 10(1)64


id: dancecult-1220
sid: 461
eid: 1
type: PERSON
entity:
  https://www.acrwebsite.org/volumes/7324/volumes/v19/na-19 https://dx.doi.org/10.12801/1947-5403.2015.07.02.04


id: dancecult-1220
sid: 464
eid: 1
type: NORP
entity:
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id: dancecult-284
sid: 8
eid: 14
type: ORG
entity:
  françois gauthier université du québec à montréal (canada) ross harley university of new south wales


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id: dancecult-267
sid: 195
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id: dancecult-1233
sid: 297
eid: 1
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id: dancecult-1159
sid: 395
eid: 1
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sid: 266
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sid: 474
eid: 1
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id: dancecult-268
sid: 524
eid: 1
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entity:
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sid: 526
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id: dancecult-268
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sid: 347
eid: 1
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entity:
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id: dancecult-387
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id: dancecult-958
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type: FAC
entity:
  http://emusician.com/remixmag/artists_interviews/musicians/remix_innovate_evaporate/ http://emusician.com/remixmag/artists_interviews/musicians/remix_innovate_evaporate/ http://moggfiles.wordpress.com/ http://dx.doi.org/10.3943/001.2013.04.0104 dancecult


id: dancecult-369
sid: 610
eid: 1
type: ORG
entity:
  http://www.discogs.com/chemical-brothers-block-rockin-beats/release/58992 http://www.discogs.com/chemical-brothers-it-began-in-afrika/release/75738 http://www.discogs.com/chemical-brothers-galvanize/release/379091 http://www.discogs.com/coco-i-need-a-miracle/release/57473


id: dancecult-369
sid: 690
eid: 1
type: PERSON
entity:
  http://www.discogs.com/orb-the-orbs-adventures-beyond-the-ultraworld/release/13265 http://www.discogs.com/orbital-orbital-green-album/release/143056


id: dancecult-369
sid: 757
eid: 1
type: PERSON
entity:
  http://www.discogs.com/robbie-williams-millennium/release/37856 http://www.discogs.com/winstons-color-him-father-amen-brother/release/423956 http://www.imdb.com/title/tt0065462/


id: dancecult-376
sid: 546
eid: 2
type: PERSON
entity:
  http://www.discogs.com/billie-holiday-and-her-orchestra-strange-fruit-fine-andmellow/release/1634405


# pos

id: dancecult-1229
sid: 130
tid: 2
pos: X
token:
  https://www.belfasttelegraph.co.uk/entertainment/music/belfast-needs-to-create-more-venues-for-electronic-music-fans-says-ni-born-dj-41930081.html

lemma:
  https://www.belfasttelegraph.co.uk/entertainment/music/belfast-needs-to-create-more-venues-for-electronic-music-fans-says-ni-born-dj-41930081.html


id: dancecult-1227
sid: 154
tid: 5
pos: PROPN
token:
  https://web.archive.org/web/20210426170111/https://redbullelektropedia.be/article/belgian-djs-touring-abroad-during-the-pandemic-both-sides-of-the-argument/

lemma:
  https://web.archive.org/web/20210426170111/https://redbullelektropedia.be/article/belgian-djs-touring-abroad-during-the-pandemic-both-sides-of-the-argument/


id: dancecult-1214
sid: 135
tid: 2
pos: ADP
token:
  https://www.rollingstone.com/music/music-news/tiesto-commits-to-long-term-residency-in-las-vegas-48833/

lemma:
  https://www.rollingstone.com/music/music-news/tiesto-commits-to-long-term-residency-in-las-vegas-48833/


id: dancecult-1166
sid: 373
tid: 2
pos: X
token:
  https://www.helpmusicians.org.uk/assets/publications/files/can-music-make-you-sick-part2-qualitative-study-1.pdf

lemma:
  https://www.helpmusicians.org.uk/assets/publications/files/can-music-make-you-sick-part2-qualitative-study-1.pdf


id: dancecult-267
sid: 163
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 164
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 165
tid: 2
pos: X
token:
  feff4f7f75288fd94e9b8bbe5b9a521b5efa7684002000410064006f006200650020005000440046002065876863900275284e8e9ad88d2891cf76845370524d53705237300260a853ef4ee54f7f75280020004100630072006f0062006100740020548c002000410064006f00620065002000520065006100640065007200200035002e003000204ee553ca66f49ad87248672c676562535f00521b5efa768400200050004400460020658768633002

lemma:
  feff4f7f75288fd94e9b8bbe5b9a521b5efa7684002000410064006f006200650020005000440046002065876863900275284e8e9ad88d2891cf76845370524d53705237300260a853ef4ee54f7f75280020004100630072006f0062006100740020548c002000410064006f00620065002000520065006100640065007200200035002e003000204ee553ca66f49ad87248672c676562535f00521b5efa768400200050004400460020658768633002


id: dancecult-267
sid: 169
tid: 2
pos: X
token:
  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

lemma:
  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


id: dancecult-267
sid: 171
tid: 1
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 172
tid: 2
pos: X
token:
  feff004b00610073007500740061006700650020006e0065006900640020007300e4007400740065006900640020006b00760061006c006900740065006500740073006500200074007200fc006b006900650065006c007300650020007000720069006e00740069006d0069007300650020006a0061006f006b007300200073006f00620069006c0069006b0065002000410064006f006200650020005000440046002d0064006f006b0075006d0065006e00740069006400650020006c006f006f006d006900730065006b0073002e00200020004c006f006f0064007500640020005000440046002d0064006f006b0075006d0065006e00740065002000730061006100740065002000610076006100640061002000700072006f006700720061006d006d006900640065006700610020004100630072006f0062006100740020006e0069006e0067002000410064006f00620065002000520065006100640065007200200035002e00300020006a00610020007500750065006d006100740065002000760065007200730069006f006f006e00690064006500670061002e000d000a

lemma:
  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


id: dancecult-267
sid: 174
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 175
tid: 2
pos: PROPN
token:
  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

lemma:
  feff05d405e905ea05de05e905d5002005d105d405d205d305e805d505ea002005d005dc05d4002005db05d305d9002005dc05d905e605d505e8002005de05e105de05db05d9002000410064006f006200650020005000440046002005d405de05d505ea05d005de05d905dd002005dc05d405d305e405e105ea002005e705d305dd002d05d305e405d505e1002005d005d905db05d505ea05d905ea002e002005de05e105de05db05d90020005000440046002005e905e005d505e605e805d5002005e005d905ea05e005d905dd002005dc05e405ea05d905d705d4002005d105d005de05e605e205d505ea0020004100630072006f006200610074002005d5002d00410064006f00620065002000520065006100640065007200200035002e0030002005d505d205e805e105d005d505ea002005de05ea05e705d305de05d505ea002005d905d505ea05e8002e05d005de05d905dd002005dc002d005000440046002f0058002d0033002c002005e205d905d905e005d5002005d105de05d305e805d905da002005dc05de05e905ea05de05e9002005e905dc0020004100630072006f006200610074002e002005de05e105de05db05d90020005000440046002005e905e005d505e605e805d5002005e005d905ea05e005d905dd002005dc05e405ea05d905d705d4002005d105d005de05e605e205d505ea0020004100630072006f006200610074002005d5002d00410064006f00620065002000520065006100640065007200200035002e0030002005d505d205e805e105d005d505ea002005de05ea05e705d305de05d505ea002005d905d505ea05e8002e


id: dancecult-267
sid: 179
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 180
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 181
tid: 2
pos: X
token:
  feff9ad854c18cea306a30d730ea30d730ec30b951fa529b7528002000410064006f0062006500200050004400460020658766f8306e4f5c6210306b4f7f75283057307e305930023053306e8a2d5b9a30674f5c62103055308c305f0020005000440046002030d530a130a430eb306f3001004100630072006f0062006100740020304a30883073002000410064006f00620065002000520065006100640065007200200035002e003000204ee5964d3067958b304f30533068304c3067304d307e305930023053306e8a2d5b9a306b306f30d530a930f330c8306e57cb30818fbc307f304c5fc59808306730593002

lemma:
  feff9ad854c18cea306a30d730ea30d730ec30b951fa529b7528002000410064006f0062006500200050004400460020658766f8306e4f5c6210306b4f7f75283057307e305930023053306e8a2d5b9a30674f5c62103055308c305f0020005000440046002030d530a130a430eb306f3001004100630072006f0062006100740020304a30883073002000410064006f00620065002000520065006100640065007200200035002e003000204ee5964d3067958b304f30533068304c3067304d307e305930023053306e8a2d5b9a306b306f30d530a930f330c8306e57cb30818fbc307f304c5fc59808306730593002


id: dancecult-267
sid: 182
tid: 2
pos: PROPN
token:
  feffc7740020c124c815c7440020c0acc6a9d558c5ec0020ace0d488c9c80020c2dcd5d80020c778c1c4c5d00020ac00c7a50020c801d569d55c002000410064006f0062006500200050004400460020bb38c11cb97c0020c791c131d569b2c8b2e4002e0020c774b807ac8c0020c791c131b41c00200050004400460020bb38c11cb2940020004100630072006f0062006100740020bc0f002000410064006f00620065002000520065006100640065007200200035002e00300020c774c0c1c5d0c11c0020c5f40020c2180020c788c2b5b2c8b2e4002e

lemma:
  feffc7740020c124c815c7440020c0acc6a9d558c5ec0020ace0d488c9c80020c2dcd5d80020c778c1c4c5d00020ac00c7a50020c801d569d55c002000410064006f0062006500200050004400460020bb38c11cb97c0020c791c131d569b2c8b2e4002e0020c774b807ac8c0020c791c131b41c00200050004400460020bb38c11cb2940020004100630072006f0062006100740020bc0f002000410064006f00620065002000520065006100640065007200200035002e00300020c774c0c1c5d0c11c0020c5f40020c2180020c788c2b5b2c8b2e4002e


id: dancecult-267
sid: 183
tid: 2
pos: PROPN
token:
  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

lemma:
  feff004e006100750064006f006b0069007400650020016100690075006f007300200070006100720061006d006500740072007500730020006e006f0072011700640061006d00690020006b0075007200740069002000410064006f00620065002000500044004600200064006f006b0075006d0065006e007400750073002c0020006b00750072006900650020006c0061006200690061007500730069006100690020007000720069007400610069006b007900740069002000610075006b01610074006f00730020006b006f006b007900620117007300200070006100720065006e006700740069006e00690061006d00200073007000610075007300640069006e0069006d00750069002e0020002000530075006b0075007200740069002000500044004600200064006f006b0075006d0065006e007400610069002000670061006c006900200062016b007400690020006100740069006400610072006f006d00690020004100630072006f006200610074002000690072002000410064006f00620065002000520065006100640065007200200035002e0030002000610072002000760117006c00650073006e0117006d00690073002000760065007200730069006a006f006d00690073002e


id: dancecult-267
sid: 184
tid: 2
pos: X
token:
  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

lemma:
  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


id: dancecult-267
sid: 187
tid: 3
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 188
tid: 2
pos: X
token:
  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

lemma:
  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


id: dancecult-267
sid: 189
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 190
tid: 2
pos: PROPN
token:
  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

lemma:
  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


id: dancecult-267
sid: 191
tid: 2
pos: PROPN
token:
  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

lemma:
  feff04180441043f043e043b044c04370443043904420435002004340430043d043d044b04350020043d0430044104420440043e0439043a043800200434043b044f00200441043e043704340430043d0438044f00200434043e043a0443043c0435043d0442043e0432002000410064006f006200650020005000440046002c0020043c0430043a04410438043c0430043b044c043d043e0020043f043e04340445043e0434044f04490438044500200434043b044f00200432044b0441043e043a043e043a0430044704350441044204320435043d043d043e0433043e00200434043e043f0435044704300442043d043e0433043e00200432044b0432043e04340430002e002000200421043e043704340430043d043d044b04350020005000440046002d0434043e043a0443043c0435043d0442044b0020043c043e0436043d043e0020043e0442043a0440044b043204300442044c002004410020043f043e043c043e0449044c044e0020004100630072006f00620061007400200438002000410064006f00620065002000520065006100640065007200200035002e00300020043800200431043e043b043504350020043f043e04370434043d043804450020043204350440044104380439002e


id: dancecult-267
sid: 192
tid: 2
pos: X
token:
  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

lemma:
  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


id: dancecult-267
sid: 193
tid: 2
pos: X
token:
  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

lemma:
  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


id: dancecult-267
sid: 196
tid: 2
pos: PROPN
token:
  feff005900fc006b00730065006b0020006b0061006c006900740065006c0069002000f6006e002000790061007a006401310072006d00610020006200610073006b013100730131006e006100200065006e0020006900790069002000750079006100620069006c006500630065006b002000410064006f006200650020005000440046002000620065006c00670065006c0065007200690020006f006c0075015f007400750072006d0061006b0020006900e70069006e00200062007500200061007900610072006c0061007201310020006b0075006c006c0061006e0131006e002e00200020004f006c0075015f0074007500720075006c0061006e0020005000440046002000620065006c00670065006c0065007200690020004100630072006f006200610074002000760065002000410064006f00620065002000520065006100640065007200200035002e003000200076006500200073006f006e0072006100730131006e00640061006b00690020007300fc007200fc006d006c00650072006c00650020006100e70131006c006100620069006c00690072002e

lemma:
  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


id: dancecult-267
sid: 197
tid: 1
pos: X
token:
  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

lemma:
  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


id: dancecult-305
sid: 171
tid: 5
pos: X
token:
  http://www.psychologytoday.com/blog/extreme-fear/201007/behind-the-love-parade-tragedy-the-psychology-stampedes

lemma:
  http://www.psychologytoday.com/blog/extreme-fear/201007/behind-the-love-parade-tragedy-the-psychology-stampedes


id: dancecult-1159
sid: 88
tid: 8
pos: NOUN
token:
[cell repeats an earlier one in this file: 121 characters]

lemma:
  http://www.theguardian.com/artanddesign/gallery/2015/feb/26/the-toast-of-tehran-irans-superstar-street-artist-in-picture


id: dancecult-300
sid: 402
tid: 2
pos: PROPN
token:
  http://www.artinfo.com/news/story/36680/techno-experimentalist-jeff-mills-puts-a-new-musical-spin-on-an-eisenstein-film/

lemma:
  http://www.artinfo.com/news/story/36680/techno-experimentalist-jeff-mills-puts-a-new-musical-spin-on-an-eisenstein-film/


id: dancecult-306
sid: 366
tid: 7
pos: PROPN
token:
  http://www.metro.co.uk/metrolife/819812-donk-is-the-crazy-dance-sensationtaking-over-the-north-west-of-england

lemma:
  http://www.metro.co.uk/metrolife/819812-donk-is-the-crazy-dance-sensationtaking-over-the-north-west-of-england


id: dancecult-958
sid: 342
tid: 2
pos: X
token:
  https://www.discogs.com/delia-derbyshire-and-elsa-stansfield-circle-of-light-originalelectronic-soundtrack/release/8823727

lemma:
  https://www.discogs.com/delia-derbyshire-and-elsa-stansfield-circle-of-light-originalelectronic-soundtrack/release/8823727


id: dancecult-958
sid: 344
tid: 12
pos: PROPN
token:
  https://www.discogs.com/bbc-radiophonic-workshop-music-from-the-bbcradiophonic-workshop/release/212869

lemma:
  https://www.discogs.com/bbc-radiophonic-workshop-music-from-the-bbcradiophonic-workshop/release/212869


