id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-1036	McLean, Alex; Fanfani, Giovanni; Harlizius-Klück, Ellen	Cyclic Patterns of Movement across Weaving, Epiplokē and Live Coding	2018	26	.pdf	application/pdf	12310	505	49	⏑ - - ⏑ ⏑ - - ⏑ ⏑ - ⏑ - ⏑ - - ⏑ ⏑ - ⏑ - ⏑ - - ⏑ ⏑ - ⏑ - ⏑ - - ⏑ ⏑ - ⏑ - - τόδε δ᾽ αὖ θαῦμά μ᾽ ἔχει, πῶς ποτε πῶς ποτ᾽ ἀμφιπλή- κτων ῥοθίων μόνος κλύων, πῶς ἄρα πανδάκρυτον οὕ- τω βιοτὰν κατέσχεν ⏑ ⏑ - - ⏑ ⏑ - - ⏑ ⏑ - ⏑ - ⏑ - - ⏑ ⏑ - ⏑ - ⏑ - - ⏑ ⏑ - ⏑ - ⏑ - - ⏑ ⏑ - ⏑ - - The mechanism of epiplokē encourages us to see these sequences as a cycle of interwoven ionic- choriambic dimeters rather than as segmented cola, with rhythmical ambiguity as a meaningful part of the poetic design: -⏑⏑-×-⏑--|⏑⏑-×-⏑-⸣-⸤⏑⏑-×-⏑--|⏑⏑-×--. A further application of epiplokē takes place within the structure of a single verse where rhythmical shifts are mediated by modulating sequences common to both metrical types (often ⏑ -). The epiplokē of choriambic and ionic (also contemplated by the ancient doctrine), acting in the context of strophic responsion, should be seen as a continuous rhythmical cycle with interweaving demarcations and encompassing both the metra (⸣-⸤⏑⏑-×-⏑-⸣-⸤⏑⏑-×-⏑-⸣-⸤⏑⏑-⏑--), rather than being disambiguated as featuring either one or the other meter.	cache/dancecult-1036.pdf	txt/dancecult-1036.txt