id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-1224	Whelan, Andrew	The Discourse Community of Electronic Dance Music (Anita Jóri)	2022	18	.pdf	application/pdf	7828	323	49	The documentary features various pieces in this tradition such as “Ay Vamos,” “En mi,” and “Obra de Arte,” which can be contrasted with the confrontational style that characterized early Colombian productions such a “Tiradera Pa’l Guru,” a piece first performed in 2003 by a collective of reggaetón artists called Colombian Flow.1 The main theme and source of tension in the film is Balvin’s dilemma: one the one hand he has come to his home city to reconnect with his family, friends and fans, to visit the neighborhood where he grew up, and to perform what he called “the most important concert of his career” in Medellín’s largest venue (a local football stadium). Of course, Balvin and other reggaetón artists are not the first popular musicians to have experienced pressure from their audiences to take political stances at critical junctures.	cache/dancecult-1224.pdf	txt/dancecult-1224.txt