id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-274	Gilbert, Jeremy	The Hardcore Continuum?	2009	5	.pdf	application/pdf	3255	127	40	Put simply, Reynolds has argued for the existence of an identifiable continuity between the producers of and audiences for a sequence of dance music forms to have emerged from urban London since the early 1990s, and has argued for the extraordinary vitality of the creative matrix which has produced “hardcore” techno, jungle, drum & bass, UK garage, grime, dubstep and “funky”. Like it or not, the flattened-out relationships of the digital universe just don’t produce musics which carry the same affective charge as those emerging from dense locales of shared lived experience.	cache/dancecult-274.pdf	txt/dancecult-274.txt