id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-289	Reynolds, Simon	The History of Our World: The Hardcore Continuum Debate	2010	8	.pdf	application/pdf	4144	150	54	For in- stance, the role of the MC in hardcore continuum genres was not paralleled in Big Beat, nor was the rewind as derived from Jamaican sound system culture, and as far as I’m aware, dubplates were not part of Big Beat. This relates to the notion I broached above of music history having become spatialized, splayed out like an atemporal smorgasbord.	cache/dancecult-289.pdf	txt/dancecult-289.txt