id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-376	Reddell, Trace	Ethnoforgery and Outsider Afrofuturism	2013	25	.pdf	application/pdf	12441	636	51	collision of vernacular Western music with African music” (quoted in Kelly 1995). This media collision marks the moment of Afrofuturism’s emergence as a unique strategy for engaging technologies across media not only to achieve ethico-aesthetic contact with the cultural flux—that is, “the collective assemblages of enunciation” that have the potential to yield “new Universes of reference” (Guattari 1995: 19)—but also as a strategy for new modalities of polyphonic subjectivity: African music underlies practically everything I do—even ambient, since it arose directly out of wanting to see what happened if you ‘unlocked’ the sounds in a piece of music, gave them their freedom, and didn’t tie them all to the same clock.	cache/dancecult-376.pdf	txt/dancecult-376.txt