id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-450	Sheridan, Garth	Fruity Batidas: The Technologies and Aesthetics of Kuduro	2014	14	.pdf	application/pdf	6706	374	51	“‘Estámos Sempre a Subir’: kuduro music in Angola and Portugal” University of Notre Dame (Notre Dame) Africa in Portuguese, the Portuguese in Africa: http://norient.com/en/academic/kuduro http://oskuduristas.com/en/posts/8 http://oskuduristas.com/en/posts/8 http://dx.doi.org/10.1215%2F01642472-2009-063 http://kuduro.podomatic.com/entry/2009-09-16T14_15_11-07_00 http://kuduro.podomatic.com/entry/2009-09-16T14_15_11-07_00 http://dx.doi.org/10.1017/S0261143010000449 Dancecult 6(1)96 An International Research Conference. Furthermore, I argue that kuduro producers and performers have developed a range of aesthetic and performative practices that reflect material, technological and social restraints common to life in contemporary Angola.	cache/dancecult-450.pdf	txt/dancecult-450.txt