id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-454	Morey, Justin; McIntyre, Phillip	The Creative Studio Practice of Contemporary Dance Music Sampling Composers	2014	20	.pdf	application/pdf	10335	434	56	This emphasis on timbre over melody further enforces the idea that the co-opted participants in sample based music will often be the musicians that played on the sampled track, and that moments of performance that are sonically pleasing are often of more interest to sampling composers than identifiable riffs or melodies. Perhaps the chief distinction between sampling composers and other popular music composers in this regard is that the foundations in their ground-up approach may often arrive ready-made.	cache/dancecult-454.pdf	txt/dancecult-454.txt