id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-945	Busby, Lisa	Like so many things I both know and don't know	2017		.htm	text/html	4445	245	62	The nomadic stance—embodied in embracing outdoor or other unexpected locations, un-staged performances when in more traditional venues, and the decision to restrict ourselves to battery power only. i left my performance area to talk to him i felt torn but equally if this is in part about engaging other people i’m not interested in denying people their own way in, that comfort through dialogue 22/9/14, Gathörnet Västra Strandgatan (a street in town, near the river and some ex-industrial buildings) the night before the temperature dropped suddenly by performance time the wind was high and so weather moved through quickly it felt like I experienced all the weather the city offered on this day i kept taking off and putting on layers, by the end of the day I was huddled under a bridge to shelter from a snow shower 24/9/14, Naturvetarstråket, Ålidhem (a park and playground) this day I really enjoying finding spots to sit quietly and be with the sound I was handling, probably the first time felt in the zone for extended periods of time various children came to see me and examine extensively my equipment and bike cart, climbing trees and on rocks i wondered if I disturbed their playing, and if I had the right to be here 25/9/14, Skulpturparken Aktrisgränd (a sculpture park and open wooded area, near residences) there was a turn today, an oppressive loneliness characterised the performance i had to deal with the sun setting and working in the dark, in a more rural setting, for the first time i was terrified even though I knew I must be safe[4] 28/9/14, Nydalasjön (a lake) the first time it rained and I had no real shelter i dropped a record player in the wet sand, I think the needle’s still okay i wonder about how hard it is to mix for 8 hours, and is contributing to this the fact that in some locations there is no audience but my experience has been more about creating a landscape in response and collaboration with the surroundings, moment to moment can the physical landscape be my audience these zones I am creating—who are they really for? to be honest I wonder if this is a work for me 1/10/14, Grillplatsen mitt i Gimmonässpåren och olika platser i skogen (a forest) this location was far and hard to get to, and I wanted to go into the forest, not sit on the edges i found a hut at the end of the day, and my friend organised a little party of people to camp there with me, to listen to my mix in the final few hours we ate sausages, it was kind of them this was an unsettling location again, particularly in the darkness i don't really understand this uncontrolled reaction, i’m not exactly doing something that puts myself at risk, so it seems melodramatic to feel scared i guess the courage that is part of this self-imposed methodology, manifests somehow in not just the endurance but actually channeling a focus to mix given the conditions, and my own feelings about them it doesn't always work	cache/dancecult-945.htm	txt/dancecult-945.txt