id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dancecult-958	Morgan, Frances	Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music	2017	19	.pdf	application/pdf	9303	367	45	The media play a key role in presenting, framing and delineating areas of music in which such traditional genre boundaries demarcating “popular” and “classical”, or, say, “EDM” and “ambient’, or “techno” and “noise” are blurred or problematised; they also, Dancecult 9(1)12 increasingly, present accounts of electronic music history, which might otherwise remain an area of specialist study, to a general public that includes groups such as record collectors, music technology enthusiasts and EDM fans. In “Pioneer Spirits: New Media Representations of Women In Electronic Music History” (Morgan 2017: 238–49), I argue that, “print and online media play a role in making visible certain aspects of electronic music history to consumers who might also be practising musicians, music scholars, and potential researchers”, while “[a]cademic writers and researchers exploring the relations between gender, sound and technology increasingly use the same platforms as online critics to discuss, promote and present their interests” (Morgan 2017: 239).	cache/dancecult-958.pdf	txt/dancecult-958.txt