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dancecult-1032	dj.dancecult.net	http://dj.dancecult.net
dancecult-1032	dx.doi.org	http://dx.doi.org/10.12801/1947-5403.2018.10.01.02
dancecult-1032	dx.doi.org	http://dx.doi.org/10.12801/1947-5403.2018.10.01.02
dancecult-1032	livecode.slack.com	https://livecode.slack.com>
dancecult-1032	livecode.slack.com	https://livecode.slack.com
dancecult-1032	girlswhocode.com	https://girlswhocode.com/about-us
dancecult-1032	www.tech-girls.org	http://www.tech-girls.org/latestresearch.html
dancecult-1032	github.com	https://github.com/danhett
dancecult-1032	talk.lurk.org	https://talk.lurk.org/home
dancecult-1032	modalityteam.github.io	https://modalityteam.github.io/team>)
dancecult-1032	github.com	https://github.com/ojack>)
dancecult-1032	doi.org	https://doi.org/10.5281/zenodo.18748>
dancecult-1032	doi.org	https://doi.org/10.1386/jmte.8.2.129_1>
dancecult-1032	mixmag.net	http://mixmag.net/feature/female-coders-algorave
dancecult-1032	doi.org	https://doi.org/10.1017/s135577180300030x>
dancecult-1032	doi.org	https://doi.org/10.1080/14794713.2016.1227597>
dancecult-1032	doi.org	https://doi.org/10.1002/(sici)1098-2736(199908)36:6<637::aid-tea4>3.0.co;2-9>
dancecult-1032	doi.org	https://doi.org/10.1016/s0277-5395(00)00166-7>
dancecult-1032	girlswhocode.com	https://girlswhocode.com/about-us
dancecult-1032	www.tech-girls.org	http://www.tech-girls.org/latestresearch.html
dancecult-1032	github.com	https://github.com/danhett/algoraveconduct/blob/master/conduct.md
dancecult-1032	github.com	https://github.com/danhett/algoraveconduct/blob/master/conduct.md
dancecult-1032	talk.lurk.org	https://talk.lurk.org/home
dancecult-1032	modalityteam.github.io	https://modalityteam.github.io/team>)
dancecult-1032	github.com	https://github.com/ojack
dancecult-1032	doi.org	https://doi.org/10.5281/zenodo.18748
dancecult-1032	doi.org	https://doi.org/10.1386/jmte.8.2.129_1
dancecult-1032	mixmag.net	http://mixmag.net/feature/female-coders-algorave
dancecult-1032	doi.org	https://doi.org/10.1017/s135577180300030x
dancecult-1032	doi.org	https://doi.org/10.1080/14794713.2016.1227597
dancecult-1032	doi.org	https://doi.org/10.1002/(sici)1098-2736(199908)36:6%3c637::aid-tea4%3e3.0.co;2-9
dancecult-1032	doi.org	https://doi.org/10.1016/s0277-5395(00)00166-7
dancecult-1032	dx.doi.org	http://dx.doi.org/10.1080/07494467.2016.1176767>
dancecult-1032	doi.org	https://doi.org/10.1177/0263276408097794>
dancecult-1032	doi.org	https://doi.org/10.1080/08164649.2018.1517251>
dancecult-1032	www.jstor.org	http://www.jstor.org/stable/25474498>
dancecult-1032	doi.org	https://doi.org/10.1162/lmj_a_00056>
dancecult-1032	doi.org	https://doi.org/10.1080/14794713.2016.1227596>
dancecult-1032	doi.org	https://doi.org/10.5281/zenodo.19350>
dancecult-1032	doi.org	https://doi.org/10.1145/543812.543837>
dancecult-1032	doi.org	https://doi.org/10.1162/comj_a_00218>
dancecult-1032	doi.org	https://doi.org/10.1016/j.compedu.2008.01.003>
dancecult-1032	dx.doi.org	http://dx.doi.org/10.1080/09589236.2015.1087309>
dancecult-1032	dx.doi.org	http://dx.doi.org/10.1080/07494467.2016.1176767
dancecult-1032	doi.org	https://doi.org/10.1177%2f0263276408097794
dancecult-1032	doi.org	https://doi.org/10.1080/08164649.2018.1517251
dancecult-1032	www.jstor.org	http://www.jstor.org/stable/25474498
dancecult-1032	doi.org	https://doi.org/10.1162/lmj_a_00056
dancecult-1032	doi.org	https://doi.org/10.1080/14794713.2016.1227596
dancecult-1032	doi.org	https://doi.org/10.5281/zenodo.19350
dancecult-1032	doi.org	https://doi.org/10.1145/543812.543837
dancecult-1032	doi.org	https://doi.org/10.1162/comj_a_00218
dancecult-1032	doi.org	https://doi.org/10.1016/j.compedu.2008.01.003
dancecult-1032	dx.doi.org	http://dx.doi.org/10.1080/09589236.2015.1087309