id	domain	url
dancecult-1201	dj.dancecult.net	http://dj.dancecult.net
dancecult-1201	dx.doi.org	https://dx.doi.org/10.12801/1947-5403.2021.13.01.01
dancecult-1201	dx.doi.org	https://dx.doi.org/10.12801/1947-5403.2021.13.01.01
dancecult-1201	doi.org	https://doi.org/10.2307/3519832>
dancecult-1201	doi.org	http://doi.org/10.30535/smtv.6.4>
dancecult-1201	doi.org	https://doi.org/10.7551/mitpress/10192.001.0001>
dancecult-1201	doi.org	https://doi.org/10.1093/acprof:oso/9780195393613.001.0001>
dancecult-1201	doi.org	https://doi.org/10.1017/cco9781139775298.026>
dancecult-1201	doi.org	https://doi.org/10.2307/3519832
dancecult-1201	doi.org	https://doi.org/10.7551/mitpress/10192.001.0001
dancecult-1201	doi.org	https://doi.org/10.1093/acprof:oso/9780195393613.001.0001
dancecult-1201	doi.org	https://doi.org/10.1017/cco9781139775298.026
dancecult-1201	doi.org	https://doi.org/10.1093/oxfordhb/9780190460242.013.27>
dancecult-1201	doi.org	https://doi.org/10.5040/9781501334054.ch-018>
dancecult-1201	doi.org	https://doi.org/10.5749/minnesota/9780816677665.003.0004>
dancecult-1201	doi.org	https://doi.org/10.1525/jams.2011.64.1.179>
dancecult-1201	doi.org	https://doi.org/10.1007/978-3-658-25253-3_14>
dancecult-1201	mtosmt.org	https://mtosmt.org/issues/mto.05.11.4
dancecult-1201	doi.org	https://doi.org/10.3898/newf.77.03.2012>
dancecult-1201	doi.org	https://doi.org/10.1093/oxfordhb/9780190460242.013.27
dancecult-1201	doi.org	https://doi.org/10.5040/9781501334054.ch-018
dancecult-1201	doi.org	https://doi.org/10.5749/minnesota/9780816677665.003.0004
dancecult-1201	doi.org	https://doi.org/10.1525/jams.2011.64.1.179
dancecult-1201	doi.org	https://doi.org/10.1007/978-3-658-25253-3_14
dancecult-1201	mtosmt.org	https://mtosmt.org/issues/mto.05.11.4/mto.05.11.4.garcia.pdf
dancecult-1201	mtosmt.org	https://mtosmt.org/issues/mto.05.11.4/mto.05.11.4.garcia.pdf
dancecult-1201	doi.org	https://doi.org/10.3898/newf.77.03.2012
dancecult-1201	www.arpjournal.com	https://www.arpjournal.com/asarpwp/lateral-dynamics-processing-in-experimental-hiphop-flying-lotus-madlib-oh-no-j-dilla-and-prefuse-73/>
dancecult-1201	doi.org	https://doi.org/10.5040/9781501311413.ch-002>
dancecult-1201	doi.org	https://doi.org/10.1111/1540_6245.jaac24.3.0337>
dancecult-1201	doi.org	https://doi.org/10.1525/can.1987.2.3.02a00010>
dancecult-1201	doi.org	https://doi.org/10.1215/17432197-3755144>
dancecult-1201	doi.org	https://doi.org/10.1177/0263276412454552>
dancecult-1201	doi.org	https://doi.org/10.1177/1468794104041105>
dancecult-1201	www.kulturwissenschaften.uni-hamburg.de	www.kulturwissenschaften.uni-hamburg.de/personen/moellenkamp-2014-paradigms.pdf>
dancecult-1201	doi.org	https://doi.org/10.5749/minnesota/9780816679959.003.0011>
dancecult-1201	www.arpjournal.com	https://www.arpjournal.com/asarpwp/lateral-dynamics-processing-in-experimental-hip-hop-flying-lotus-madlib-oh-no-j-dilla-and-prefuse-73
dancecult-1201	www.arpjournal.com	https://www.arpjournal.com/asarpwp/lateral-dynamics-processing-in-experimental-hip-hop-flying-lotus-madlib-oh-no-j-dilla-and-prefuse-73
dancecult-1201	doi.org	https://doi.org/10.5040/9781501311413.ch-002
dancecult-1201	doi.org	https://doi.org/10.1111/1540_6245.jaac24.3.0337
dancecult-1201	doi.org	https://doi.org/10.1525/can.1987.2.3.02a00010
dancecult-1201	doi.org	https://doi.org/10.1215/17432197-3755144
dancecult-1201	doi.org	https://doi.org/10.1177/0263276412454552
dancecult-1201	doi.org	https://doi.org/10.1177/1468794104041105
dancecult-1201	www.kulturwissenschaften.uni-hamburg.de	https://www.kulturwissenschaften.uni-hamburg.de/personen/moellenkamp-2014-paradigms.pdf
dancecult-1201	www.kulturwissenschaften.uni-hamburg.de	https://www.kulturwissenschaften.uni-hamburg.de/personen/moellenkamp-2014-paradigms.pdf
dancecult-1201	doi.org	https://doi.org/10.5749/minnesota/9780816679959.003.0011
dancecult-1201	doi.org	https://doi.org/10.1177/1532708616655765>
dancecult-1201	doi.org	https://doi.org/10.7312/wein17214-008>
dancecult-1201	doi.org	https://doi.org/10.5040/9781350014725.ch-002>
dancecult-1201	www.top40theory.com	https://www.top40theory.com/blog/everything-you-need-to-know-about-the-postchorus>
dancecult-1201	doi.org	https://doi.org/10.5040/9781501324871.ch-005>
dancecult-1201	doi.org	https://doi.org/10.12801/1947-5403.2014.06.01.04>
dancecult-1201	doi.org	https://doi.org/10.1177/1532708616655765
dancecult-1201	doi.org	https://doi.org/10.7312/wein17214-008
dancecult-1201	doi.org	https://doi.org/10.5040/9781350014725.ch-002
dancecult-1201	www.top40theory.com	https://www.top40theory.com/blog/everything-you-need-to-know-about-the-postchorus
dancecult-1201	www.theguardian.com	http://www.theguardian.com/music/2012/aug/02/how-rave-music-conquered-america
dancecult-1201	www.theguardian.com	http://www.theguardian.com/music/2012/aug/02/how-rave-music-conquered-america
dancecult-1201	doi.org	https://doi.org/10.5040/9781501324871.ch-005
dancecult-1201	doi.org	https://doi.org/10.12801/1947-5403.2014.06.01.04
dancecult-1201	www.discogs.com	https://www.discogs.com/master/1193114-katy-perry-witness
dancecult-1201	www.discogs.com	https://www.discogs.com/release/9742067-martin-garrix-dua-lipa-scared-to-be-lonely
dancecult-1201	www.discogs.com	https://www.discogs.com/release/11104981-post-malone-feat-21-savage-rockstar
dancecult-1201	www.discogs.com	https://www.discogs.com/master/1193114-katy-perry-witness
dancecult-1201	www.discogs.com	https://www.discogs.com/release/9742067-martin-garrix-dua-lipa-scared-to-be-lonely
dancecult-1201	www.discogs.com	https://www.discogs.com/release/11104981-post-malone-feat-21-savage-rockstar