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dancecult-1304	dj.dancecult.net	http://dj.dancecult.net
dancecult-1304	dx.doi.org	https://dx.doi.org/10.12801/1947-5403.2025.17.01.03
dancecult-1304	dx.doi.org	https://dx.doi.org/10.12801/1947-5403.2025.17.01.03
dancecult-1304	www.theguardian.com	https://www.theguardian.com/music/2011/may/10/charanjit-singhacid-house-ten-ragas>
dancecult-1304	www.theguardian.com	https://www.theguardian.com/music/2011/may/10/charanjit-singh-acid-house-ten-ragas
dancecult-1304	www.theguardian.com	https://www.theguardian.com/music/2011/may/10/charanjit-singh-acid-house-ten-ragas
dancecult-1304	doi.org	https://doi.org/10.4324/9780429200267>
dancecult-1304	doi.org	https://doi.org/10.1073/pnas.1721059115>
dancecult-1304	unesdoc.unesco.org	https://unesdoc.unesco.org/ark:/48223
dancecult-1304	doi.org	https://doi.org/10.1080/14746689
dancecult-1304	doi.org	https://doi.org/10.2307/25653086>
dancecult-1304	doi.org	https://doi.org/10.1177/1440783308097130>
dancecult-1304	doi.org	https://doi.org/10.1007/978-3-030-91995-5>
dancecult-1304	doi.org	https://doi.org/10.1080/13676261.2023.2174008>
dancecult-1304	doi.org	https://doi.org/10.4324/9780429200267
dancecult-1304	doi.org	https://doi.org/10.1073/pnas.1721059115
dancecult-1304	unesdoc.unesco.org	https://unesdoc.unesco.org/ark:/48223/pf0000141774
dancecult-1304	unesdoc.unesco.org	https://unesdoc.unesco.org/ark:/48223/pf0000141774
dancecult-1304	doi.org	https://doi.org/10.1080/14746689.2017.1407551
dancecult-1304	doi.org	https://doi.org/10.1080/14746689.2017.1407551
dancecult-1304	doi.org	https://doi.org/10.2307/25653086%20
dancecult-1304	doi.org	https://doi.org/10.1177/1440783308097130
dancecult-1304	doi.org	https://doi.org/10.1007/978-3-030-91995-5
dancecult-1304	doi.org	https://doi.org/10.1080/13676261.2023.2174008
dancecult-1304	yas.nic.in	https://yas.nic.in/national-youth-policy>
dancecult-1304	theprint.in	https://theprint.in/features/brash-delhi-vslaidback-bengaluru-how-indias-party-scene-changes-with-the-zone/147616/>
dancecult-1304	doi.org	https://doi.org/10.4324/9781003129370
dancecult-1304	doi.org	https://doi.org/10.4324/9781003129370
dancecult-1304	doi.org	https://doi.org/10.12801/1947-5403.2009.01.01.11
dancecult-1304	doi.org	https://doi.org/10.12801/1947-5403.2009.01.01.11
dancecult-1304	doi.org	https://doi.org/10.4324/9780203884393
dancecult-1304	doi.org	https://doi.org/10.4324/9780203884393
dancecult-1304	yas.nic.in	https://yas.nic.in/national-youth-policy
dancecult-1304	theprint.in	https://theprint.in/features/brash-delhi-vs-laidback-bengaluru-how-indias-party-scene-changes-with-the-zone/147616
dancecult-1304	theprint.in	https://theprint.in/features/brash-delhi-vs-laidback-bengaluru-how-indias-party-scene-changes-with-the-zone/147616
dancecult-1304	doi.org	https://doi.org/10.18653/v1/d16-1229
dancecult-1304	doi.org	https://doi.org/10.18653/v1/d16-1229
dancecult-1304	doi.org	https://doi.org/10.1177/152747602237283>
dancecult-1304	www.mckinsey.com	https://www.mckinsey.com/capabilities/mckinsey-digital/ourinsights/digital-india-technology-to-transform-a-connected-nation>
dancecult-1304	www.rollingstone.com	https://www.rollingstone.com/music/music-news/charanjit-singh-acid-house-pioneer-deadat-75-33725/>
dancecult-1304	dx.doi	http://dx.doi
dancecult-1304	doi.org	https://doi.org/10.1177/152747602237283
dancecult-1304	www.mckinsey.com	https://www.mckinsey.com/capabilities/mckinsey-digital/our-insights/digital-india-technology-to-transform-a-connected-nation
dancecult-1304	www.mckinsey.com	https://www.mckinsey.com/capabilities/mckinsey-digital/our-insights/digital-india-technology-to-transform-a-connected-nation
dancecult-1304	www.rollingstone.com	https://www.rollingstone.com/music/music-news/charanjit-singh-acid-house-pioneer-dead-at-75-33725
dancecult-1304	www.rollingstone.com	https://www.rollingstone.com/music/music-news/charanjit-singh-acid-house-pioneer-dead-at-75-33725
dancecult-1304	dx.doi.org	http://dx.doi.org/10.12801/1947-5403.2012.04.01.10
dancecult-1304	dx.doi.org	http://dx.doi.org/10.12801/1947-5403.2012.04.01.10
dancecult-1304	doi.org	https://doi.org/10.1080/09502380210128289>
dancecult-1304	doi.org	https://doi.org/10.1177/1468797602002001096>
dancecult-1304	doi.org	https://doi.org/10.1371/journal.pone.0155471>
dancecult-1304	doi.org	https://doi.org/10.4324/9780203847879>
dancecult-1304	doi.org	https://doi.org/10.1080/01438300600625259>
dancecult-1304	doi.org	https://doi.org/10.1177/0022022117709533>
dancecult-1304	doi.org	https://doi.org/10.1080/09502380210128289
dancecult-1304	doi.org	https://doi.org/10.1371/journal.pone.0155471
dancecult-1304	doi.org	https://doi.org/10.12801/1947-5403.2011.03.01.05
dancecult-1304	doi.org	https://doi.org/10.12801/1947-5403.2011.03.01.05
dancecult-1304	doi.org	https://doi.org/10.4324/9780203847879
dancecult-1304	doi.org	https://doi.org/10.1080/01438300600625259
dancecult-1304	doi.org	https://doi.org/10.1016/j.poetic.2015.06.005
dancecult-1304	doi.org	https://doi.org/10.1016/j.poetic.2015.06.005
dancecult-1304	doi.org	https://doi.org/10.1177/0022022117709533