io but a product of the laboratory of life, associated with every deep human concern, and allying itself with the great causes of religion and politics and the conflict between the ideals of individual liberty and social justice. What would Juvenal mean to us were he deprived of the temper with which he denounced the corruptions of the declining Empire? What would remain of Swift were the burning passages of indignation stricken out of his record? What was it but the note of indignation that gave Rousseau the power to impel a revolution of the social order, or Burke the power to smite the besotted con- science of a government intent upon the oppres- sion of the American colonies and thus recreant 342 [Nov. 1 THE DIAL to the hard-won principles of human liberty, with the passionate cry: "The question is not whether their spirit deseryes blame or praise, but what, in the name of God, shall we do with it?" It was the indignation of Mazzini that unloosed the regenerative forces that redeemed Italy from the bondage of foreign tyranny and made it a nation; it was the indignation of Hugo that opened men's eyes to the monstrous inner significance of the Second Empire and made it a loathsome memory of the past. As Lord Morley once pointed out, such writings are more than books, being acts, and it is the indignation which inspired them that gave them the vis viva of their irresistible impact upon what seemed to be the firmly established order of things. Shelley's Greek patriot hurled his dying words of defiance at the Turkish oppressor, "Then held his breath, and after a brief spasm The indignant spirit east its mortal garment Among the slain — dead earth upon the earth 1" And it was the driving power of Shelley's in- dignation, concentrated in such foci as "Queen Mab," " The Masque of Anarchy," and " Hellas" that made it possible for Brandes to say of him that his life, begun in August, 1792, "was to be of greater and more enduring significance in the emancipation of the human mind than all that happened in France" during that fateful month. It is, indeed, to the poets that we must go for the most impassioned and moving ex- amples of that indignation in whose presence wrong cowers and spiritual darkness is overcome. The last great voices of indignation in English poetry were those of Tennyson and Swinburne — Tennyson with his: "Bring the old dark ages back without the faith, with- out the hope, Break the State, the Church, the Throne, and roll their ruins down the slope. "Authors — atheist, essayist, novelist, realist, rhyme- ster, play your part, Paint the mortal shame of nature with the living hues of Art, "Kip your brothers' vices open, strip your own foul passions bare; Down with Reticence, down with Reverence — forward — naked — let them stare. "Feed the budding rose of boyhood with the drainage of your sewer; Send the drain into the fountain, lest the stream should issue pure. 'Set the maiden fancies wallowing in the troughs of Zolaism,— Forward, forward, aye and backward, downward too into the abysm." Swinburne with his: "Bow down for fear, then, England; bow Lest worse befall thee yet; and swear That naught save pity, conscience, care For truth and mercy, moves thee now Td 1913] 343 THE DIAL nation has not yet completed its task, but it is working in the national conscience, and the outlook is promising. Meanwhile, it is cause for congratulation that the noblest of our recent poets— perhaps of all our poets—was wrought to white heat by this monstrous wrong, and gave us one of the finest examples of indigna- tion in English poetry when he wrote his "Ode in Time of Hesitation." "I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys. « Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead. The cup of trembling shall be drained quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent." A certain amount of prejudice is necessary for the effective manifestation of indignation. We mean, of course, prejudice in the good ety- mological sense of fixed judgment determined, not by passion, but by a clear intellectual envis- agement of the evil in view, and of its probable consequences if permitted to prevail. The time for passion is after the judgment has been reached, not during the process of its formation. After that, indignation cannot burn too fiercely, or express itself in terms too severe. Prejudice in the bad sense is born of passion at the start, or at least of some unreasoning dislike, if not of some desire for personal advantage, and its causes will not bear close scrutiny. A great deal of spurious indignation, the outcome of this sort of prejudice, finds voice all about us, in religion, in politics, and in sociology, and often the utterance is so vehement that it deceives all but the few whose ears are trained to catch the note of intellectual insincerity. If ever the indig- nation of bias is justifiable, it is as a weapon in the warfare against the fanatic, whose own bias is so unreasoning that it would pull down the very pillars of the temple if by so doing it might accomplish its petty purpose. The fanatic is constitutionally incapable of "playing fair," and the workings of his unbalanced mind practically force the defenders of civilization to resort to exaggerated statements of their cause. Extremes of affirmation must sometimes be met by extremes of denial, and the spirit of calm deliberation which would gladly say: "Come, let us reason together," finds itself forced to abandon temperance because it is sure to be taken by the enemy as implying a confession of weakness. "Uncle Tom's Cabin" would not have ceased to be a mere book, and become one of the great facts of history, if its author had been willing to parley, and to weigh dispassion- ately the plausible defences of slavery that came from the rostra and pulpits of the Southern States. It was the virtue of that flaming fiction that it saw only one side of its subject, but pre- sented that side so intensely that the conscience of the nation was effectively aroused. It sometimes happens that indignation of the most righteous and salutary sort needs to be expended upon objects that do not seem at the time to deserve such reprobation. The philo- sophic mind looks far ahead, and realizes that eternal vigilance is indeed the price of liberty, which as a practical precept means nothing to the masses of mankind. It discerns the under- mining and corroding influences in thought and life when their destructive work is just begin- ning, and is up in arms before the multitude has taken alarm. To these watchers from the masthead the world owes more than it knows, and their indignation, which often seems dis- proportioned to its exciting cause, averts many a shipwreck of ideals. That wise man, Lord Acton, never wrote wiser words than when he said, speaking of the example of Washington and Hamilton in our national life: "It teaches that men ought to be in arms even against a remote and constructive danger to their free- dom; that even if the cloud is no bigger than a man's hand, it is their right and duty to stake the national existence, to sacrifice lives and fortunes, to cover the country with a lake of blood, to shatter crowns and sceptres and fling Parliaments into the sea." THE NEW BRONTE LETTERS. On July 29, 1913, more than a year after the appearance of my book, "The Three Brontes," the editor of the London "Times" published, with every circumstance of advertisement, four letters of Charlotte Bronte to M. Constantin Heger—all that remains of the correspondence. The originals are now in the British Museum, the gift of M. Heger's son, Dr. Paul Heger, to the nation. One of them is torn in two and mended again. 344 [Nov. 1 THE DIAL It might have been more decent if M. Heger had finished his work of destruction (if it was his work); but since he did preserve the letters and they passed from his keeping to his son's, no other course was open to Dr. Heger than, in his own words, "to offer them to the British Museum as the official custodian on behalf of the British people." The responsibility for their publication rests with the editor of "The Times." The letters were written after Charlotte's final return from Brussels in February, 1844. They are dated respectively July 24,1844, October 24, 1844, January 8,1845, and November 18 (?), 1845. Ex- tracts from three of them are given by Mrs. Gaskell in her "Life of Charlotte Bronte." It is not known whether she had the letters in her hands, or whether she merely used such discreet selections as were given to her. Possibly Mrs. Gaskell may herself have made discreet omissions. As they now stand, unaltered and unabridged, they throw considerable light on that obscure and contested point of "tragic passion." So much light that, personally, I think they ought never to have been given to the world. But, since Mr. Spielmann has seen fit to give them, I am bound to unsay much that I have said, and to admit that some passionate element, inno- cent and unconscious, was, for all its innocence and unconsciousness, present unmistakably in Charlotte Bronte's feeling for her " Master." All that I wrote on this subject was written more than two years before the appearance of this additional evidence. I was then entirely justified in maintaining that, as far as "tragic passion" goes, we have no evidence to prove it, and that what we have points all the other way.* And if I said that tragic passion was, on the evidence, improbable, I nowhere said that it was impossible. Sir William Robertson Nicoll, in his letter to "The Times" of July 30, says: "It has been very seriously and ably argued that Miss Bronte's regard for M. Heger was nothing more than an ordinary friendship. To suppose it went further is 'pitiful and silly.' ... It will now be seen that those were right who took another view." You seem to hear a certain note of triumph, as if he said, "Aha! who was right and who was wrong, after all?" And it was necessary to remind my critic that I never said that Miss Bronte's regard for M. Heger was nothing more than an ordinary friendship, that, on the contrary, I was at some pains to show that it was a most extraordinary one. Well, I own that the now positively notorious passage about Charlotte's "peace of mind" may, after all, have referred to "Miss Bronte's regard for M. Heger"; and that when Charlotte says that day and night she finds neither rest nor peace; that if she sleeps she is disturbed by tormenting dreams in which she sees her Master, "always severe, always grave, always incensed " against her; when she says that the poor have not need of much to sustain them — they ask only for the crumbs that fall from the * " The Three Brontes," pp. 82-95. rich man's table, but that if they are refused the crumbs they die of hunger; and that to forbid her to write, to refuse to answer her, would be to tear from her her only joy on earth, to deprive her of her last privilege; and that when day by day she awaits a letter, and when day by day disappoint- ment comes to fling her back into overwhelming sorrow, then fever claims her, she loses appetite and sleep, she pines away,— we have here the language of subconscious love-sickness underlying a perfervid intellectual passion. And if any room for conjecture yet remains, there can be no doubt as to Charlotte's state of mind when she assures M. Heger that his "deux discours prononces a la distribution des prix de l'Athe'ne'e royale" are worth the PensSes de Pascal and the complete works of Bernardin de Saint Pierre. But we have no business to read what she says. Her case raises a large question of literary ethics, of the public's "right to know," of the biographer's right to publish what was never meant for publica- tion. In the innumerable discussions that followed the appearance of these letters it was abundantly evident that to the ordinary decent man and to the ordinary decent woman Mr. Spielmann's act did not appear the fit and beautiful thing it appears to him and to Sir William Robertson Nicoll. Had any ordinary decent man found himself with these letters of Charlotte Bronte's in his hands, nothing, I think, would have induced him to give them to the world. He wouldn't have cared a rap about defrauding the public of its "right to know." He would have considered that the public has no right to know about Charlotte Bronte dead what Charlotte Bronte living would have died rather than make known. Of course, you have the notorious case of the Browning letters which may be pleaded as pre- cedent, but publication of even this unique corre- spondence was regarded by many scrupulous people as more or less an outrage against perfect decency. Still, it may be said that if the Browning letters had not been given to the world the world would have been considerably the poorer by their loss. They stand as the expression of a unique and perfect passion. You will not find in them one word which either Robert Browning or his wife could have wished not to have written. Whether they would have wished them to be published is another matter; but in no sense was Mr. Browning dishonoring his father and his mother when he gave their love- letters to the world. This cannot be said of the love-letters (if they are love-letters) of Charlotte Bronte. True, there is nothing in them dishonoring to the writer; but there is much which she would have wished not to have written. They are not the expression of a perfect love, acknowledged and crowned. They are the pitiful, almost abject cry of a passion — secret, unac- knowledged, incomplete, such passion, as, with all its innocence, abhors publicity. To have published them simply as they stand is to have done their writer a gross wrong. To publish them with the 1913] 345 THE DIAL, accompanying editorial comments is to add insult to injury of the dead. Nor can I find in them any excuse for their publication. There is nothing unique about them. They are not, as Sir William Robertson Nicoll thinks, "priceless." They are the expression of a very ordinary love-sickness, writh- ing under its veil of intellectual passion. They add nothing of any value to our knowledge of Charlotte Bronte, even supposing that we had the right to know. Many harsh things have been said of Mrs. Gas- kell's indiscretion, and it may be admitted that where other people were concerned she was, even for a biographer, more than usually indiscreet; but in all that related to Charlotte Bronte she was a perfect example of that loyalty which the living owe to the dead. As we do not know whether she had access to these letters, we have no evidence for sup- posing that she guessed Charlotte Bronte's "secret." But we can be pretty certain that, had she guessed it, she would have died rather than give it to the Press. This inability to do the indecent thing may make a poor biographer and a poorer editor — that depends on what you consider to be the important truth about an author. Mr. Spielmann, referring to Mrs. Gaskell's extracts from the letters, says rather gratuitously that "they have — inevitably, no doubt, at that time, for the biographer's peculiar purpose — been garbled in a manner rare in a frankly and candidly conceived narrative," so that "the real burden and significance of the corre- spondence are thus ingeniously and successfully concealed." Now, if, as Mr. Spielmann admits to be possible, Mrs. Gaskell "had no part in it," if she " sever had possession of the letters themselves," she was hardly responsible for the garbling. What then was her peculiar purpose? What was it that she so ingeniously and successfully concealed? If, on the other hand, she did have possession of the letters, her purpose of concealment was plain. She suppressed, that is to say she discreetly omitted, all that she considered she was not at liberty to reveal. She concealed deliberately the secret which her sense of honor told her she had no right to know. But the modera editor is not worried by any of these scruples. And so, after all these years, we have Charlotte Bronte's poor little secret dragged into the daylight for all Fleet Street to gloat over. We have headlines in the papers: "Pathetic Heart- Cry," "Hysterical," "Six Months' Silence." We have a "Vindication of Charlotte Bronte " by Sir William Robertson Nicoll. We have reporters interviewing biographers in the hope of extorting an opinion on the great discovery that, after all, Charlotte Bronte had a heart; we have Sir William Robertson Nicoll and Mr. Clement Shorter both declaring stoutly — almost too stoutly, as if they were champions of a lost cause—that they honor her all the more for writing these letters; we have the editor who gave her away protesting with a supreme stoutness that the secret he has exposed was entirely innocent, — as if Charlotte Bronte's innocence was ever seriously called in question; we have a tre- mendous display of chivalrous emotion all round; and we have decent average people feeling nothing but the sickness of disgust. Mr. Spielmann in his leader says (and it sounds very noble): "It is impossible for any but the stupidest to feel a. prurient curiosity about these emotions which she has so innocently laid bare . . . to discuss them one needs a purity of thought and language equal to her own." This would be all very well if Mr. Spielmann had not drawn our particular attention to the fact that M. Heger had scribbled the address of his bootmaker on the margin of Charlotte's last and most passionate appeal; it is more than suggested that M. Heger was entirely indifferent to these outpourings; we are, in fact, invited to look on while an unhappy woman gives herself, with every letter, more utterly away, and to note well the coldness and propriety of Monsieur. We have Mr. Spielmann's most uncalled-for editorial rendering, "hysteric or neu- rotic," for "exalt6e," that word with which M. Heger in his "affection presque patemelle" is supposed to have reproved her. And so the real secret is out. It is not a vindi- cation of Charlotte Bronte at all; it is a vindication of M. Heger. Under all the urbanity, all the pro- testing, all the manly chivalry, the reiterated state- ments of what was never doubted, the real motive is apparent. Dr. Heger, tossing back to the British public these torn fragments of Charlotte Bronte's heart, endorsed with the address of M. Heger's bootmaker, is not concerned with Charlotte Bronte. He is purely and simply defending his father. That bootmaker's address is to stand as a perpetual proof that M. Heger was innocent of any, even the faintest, response to Charlotte Bronte's "passion." Now, nobody ever seriously suspected either Charlotte Bronte or her master of any attachment that was not wholly innocent. And but for the pub- lication of these letters the question might have lain over till the day of judgment. As it is, in try- ing to prove that his father was indifferent to the verge of brutality, it seems to me that Dr. Heger has tried to prove too much. He has still to explain why the letters were preserved; why, in particular, that last letter lay in M. Heger's waistcoat pocket so handy for the bootmaker's address. Dr. Heger states in writing to Mr. Spielmann about the letters that "there have never been any others than those I send you." And yet Charlotte, writing in Octo- ber, 1844, asks M Heger if he heard from her at the beginning of May and "again in the month of August." On the 18th of November, presumably 1845, she says: "It is now the 18th of November; my last letter was dated (I think) the 18th of May." In the first of the four letters, dated July 24,1844, she says: "Ah, Monsieur! I once wrote you a letter that was less than reasonable, because sorrow was in my heart. I will do so no more." It may be that this letter was never sent, but there are still 346 [Nov. 1 THE DIAL three letters unaccounted for. And as the six months' regulation apparently did not come into force in the beginning of what Dr. Heger calls "the one-sided correspondence," we may presume that there were many more letters sent than he supposes. And we have still to wonder why Madame Heger disapproved of the "one-sided correspondence" so strongly that her husband had to propose to Char- lotte that clandestine arrangement which Charlotte very properly refused to adopt* More than all, we are left wondering why, if the master sus- pected his pupil of a regrettable passion for himself (and it is more than suggested that he did suspect her), why on earth did he make that scene, described in one of Charlotte's earlier letters, when she was anxious to return to England, and he implored her to remain? That is not the conduct of an honorable man suspecting a woman's regrettable passion for himself, neither is it the conduct of a man altogether indifferent to that woman; though it may very well be that of a man innocently unaware of the nature of his own feeling and of hers. And the theory of complete indifference is irre- concilable with the evidence of the letters them- selves. Can anybody whose judgment is not en- tirely warped by a theory really think that Charlotte Bronte, proud, reticent, self-distrustful to the last degree, — the Charlotte whom we know in all her other letters, — would have let herself go to such an extent, would have appealed so humbly, so almost abjectly, to a man whom she knew to be com- pletely indifferent to her? If there is nothing dis- honoring in Charlotte's feeling for M. Heger, if, with Mr. Speilmann, we are to " admire her all the more for it," why should there be anything dishon- oring in M. Heger's possible feeling for Charlotte Bronte? Why should n't we admire him all the more for it? There is nothing admirable in the figure that he cuts on the hypothesis of complete indifference. It is conceivable that he should have seen fit to end a rather trying correspondence on grounds far other than indifference; that his feeling evaporated gradually, and that he became bored with Charlotte's letters, is also conceivable. What his precise feeling was nobody will ever know; but that he began with indifference is contrary to the little, the very little, that we do know. What is more: on the total evidence I am con- vinced more than ever that until the moment for her final departure from Brussels, until the "scene" that M. Heger made, Charlotte had no "feeling" for him to speak of. I see no reason to modify any- thing that I have written in reference to the periods preceding her return to England in 1844. It was, I suspect, that scene that woke her up, that started the whole train of the longing that finds expression in the four letters,— longing accentuated to torture by the loneliness and tragedy of her surroundings, •According to the statement Charlotte made to Miss Fastitia Wheelwright, he asked her to address her letters to The Athenee Royale instead of to his home, on the grounds that the correspondence was disagreeable to his wife. longing that was finally appeased when her genius woke also and came into its own. However that may be, it does not, I take it, greatly matter. What greatly matters is the genius that appeased her; and the publication of these let- ters does not affect in the least my main contention that that genius owed nothing to her " master," that (in spite of her brief obsession) it was independent of all that he could do to her or make her feel. The proof is the use, the deliberate and unimpas- sioned use, it made of him. Tou cannot have it both ways. If you insist that the figure of M. Paul Emanuel is a portrait from the life, you may measure the extent of her inde- pendence by her amazing mastery of the material at her hands. M. Heger may have been able to say, "I was adored once." But M. Paul Emanuel is the portrait, not of a god, but of a mortal, exposed, if you like, in all the charm, but also in all the weakness, the vanity, the pathos, of his mortality. May Sinclair. CASUAL COMMENT. The pursuit of learning under difficulties well-nigh inconceivable in this luxurious age is what we find in tracing the beginnings of Amerian scho- larship. Some of the "old boys" among our college graduates can even now recall the sufferings endured in poorly heated and dimly lighted recitation rooms, the bleakness of barn-like dormitories, and the insufficiency of appetizing food furnished at the college "commons." But no man now living can describe as an eyewitness the crudities of Harvard's first building, where the ground floor was devoted to academic uses, religious and literary exercises, and the purposes of refectory, kitchen, and buttery, while above were students' quarters, mere cells of the rucfest sort. Though clapboarded and shingled, the building was far from weather-proof, and more air than light was admitted by the windows, which were only partly glazed, oiled paper serving else- where to let in a few of the sun's rays and keep out the "coarsest of the cold," as Artemus Ward said when he hung an old hoopskirt over his chamber window at a country hostelry in mid-winter. Not even the most rudimentary of table-equipment was supplied at the college eating-room. His own knife and fork were carried with him by each student when he went to dinner, and after he had finished he wiped them on the table-cloth. The first president of Harvard, the Rev. Nathaniel Eaton, could have given points to Wackford Squeers on the best way to abuse and cheat ingenuous youth. Even his usher, Nathaniel Briscoe, he nearly did to death by his brutal treatment. But he met with his deserts, being excommunicated by the church and ending his days in a debtors' prison in England. Mr. Arthur Stanwood Pier brings these half-forgotten details to our attention in his readable book, "The Story of Harvard." 1918] 347 THE DIAL Those who have no use for public libraries, though the library stand with hospitably open doors in their very street, are more in number than libra- rians like to believe, and more in number than they will be, it is to be hoped, a few years hence. The "Library Occurrent," issued quarterly by the Indi- ana Public Library Commission, says, editorially: "Once in a while a librarian is found who actually believes, or says she believes, that her library reaches all of her community that it can serve; that everybody knows about the library, and makes use of it, or if he does not make use of it, has no use for it. Of course, no library's registration list will bear out any such statement, but the librarian of this type can explain away any questions on that score with a wave of the hand — that's the most important part of her reply—and a statement that 'the children all have cards and they take books home to their parents.'" Some significant figures from five Indiana cities with good libraries are printed, in proof of a too-common ignoring of one of the most valuable privileges open to the citizen. At Plainfield a little more thaa half the inhabitants are strangers to the library, so far as can be ascer- tained; at Hartford City nearly three-quarters know not its benefits; at Muncie the record is about the same; at Fort Wayne more than two-thirds of the residents are recreant; and at Indianapolis not far from nine-tenths are equally blind and deaf to their own best good. In general, the larger the city, the smaller seems to be the proportion of card-holders and library-users. . . . Coordinating English with other studies, and thus making it appear less remote from the in- terests and tastes that govern a student's selection of the particular course to be followed by him in laying the foundations of his education, the English Department at Harvard is this year making an ex- periment that is thought to promise good results. Hitherto the twenty small sections in first-year English have each been composed of about thirty students, grouped together with no regard to their special lines of study. By the new plan, adopted in accord with President Lowell's desire for a greater coordination of studies, there will be but nine sec- tions, each section embracing a group of students of similar tastes and pursuits. Thus there will be four divisions of those taking courses in civil government, three of those following the call of philosophy, one of those electing history, and one composed of classical students. Assigned readings and required themes will have some reference to these several lines of study. At the same time, however, a partial continuance of work under the old plan will furnish means for comparing the two methods and for deter- mining whether the innovation is productive of the hoped-for good results. Professor Greenough, of the English department, says of the new plan: "It is hoped that by the new arrangement English com- position may be thought of as standing less apart from man's other studies than often seemed to be the case under the older plan. The mixed sections will not be given up or their number greatly dimin- ished unless the new plan clearly proves its super- iority. It has not been attempted before, so far as we know, and it will be very encouraging from every standpoint if it succeeds." A SUCCESSFUL TEACHER OF ENGLISH LITERA- TURE, supposing English literature to be a teachable subject, is not to be found in every institution of learning. Dartmouth College was distinguished and fortunate in enjoying the services and the inspiring presence of one who seems to have been able to treat this subject pedagogically and yet not instil a lasting hatred of it in his pupils. Professor Charles Francis Richardson, who died on October 8 at Lisbon, N. H., in the prime of his useful life, is best known to gen- eral readers as the author of "The Choice of Books," which has given pleasure and profit to hundreds of young persons eager to know the best that has been thought and written by the great ones of the past. His "Primer of American Literature," his two- volume work on American literature, his novel, "The End of the Beginning," his book of poems, "The Cross," his "Study of English Rhyme," and the various products of his editorial industry, have had fewer readers. He was born at Hallowell, Maine, May 29,1851. was graduated in 1871 from the college to which he gave the best years of his life, was editorially connected with "The Independent," "The Sunday-School Times," and "Good Litera- ture" in the years preceding his call to Dartmouth, and for twenty-nine years was a successful and be- loved teacher of his favorite subject at that college. Not even President Emeritus Tucker was more popular with Dartmouth men than was the professor whom they had long ago humorously nicknamed "Clothespins." A sentence from one of his last let- ters may partly indicate why he was so universally liked. "Somehow," he wrote to Colonel Melvin O. Adams of Boston, -'the boys that you like, you like better and better as the fugacious years fly by." A SAD LACK OF GOOD BOOKS FOR GIRLS is one of the manifold ills with which the modern world has to contend. This is not saying that the ancient world was any better off in this respect; its condi- tion was undoubtedly much worse, since there seem to have been no books at all for the amusement and recreation of either girls or boys. Miss Clara W. Herbert, head of the children's department of the Washington (D. C.) Public Library, contributes to the Springfield " Republican " some of the results of her experience in ministering to the literary needs of girls, and takes occasion to lament that "at present there are hardly thirty girls' stories which add any- thing to her [the girl] mentally." She has found that "it is almost impossible to make the average girl read a story not laid in the present time and in surroundings and circumstances similar to her own. Historical tales, and those dealing with life in other lands, are not generally popular, as are the stories 348 [Nov. 1 THE DIAL of school and neighborhood life, or those in which the heroine assumes charge of the family daring the illness, or after the death, of one of the parents. Authors have learned that this is a popular basis for girls' stories. Thus the difficulty is to give to the girl books in sufficient numbers, satisfying this real need of hers—and she will not read them unless they do meet this need in some way — and still give her anything that will be stimulating intellectually." Thankful indeed must the writer of juvenile books be that the boy's craving makes him interested in a wider range of subjects: history, biography, travels, science, invention, and discovery may all be worked up acceptably in stories or other books for boys. Here and there, too, one finds a girl who has a healthy appetite for boys' books and turns away disdainfully from the Elsie Dinsmore series. On the whole, there seems to be a field open for arousing fresh interests in girl readers and for supplying the books that shall touch upon those interests in an attractive way. Training for citizenship, with all the aid that reading and lectures and class-room instruction can render, is too obviously advisable to call for any argument in its favor on our part. Almost anyone ought to have the making of a good citizen in him if he is caught young enough and properly instructed. Our universities and colleges are of late paying increased attention to the instruction of their stu- dents in the duties of intelligent citizenship. At Cornell the regular work of the College of Arts this year includes a "course in citizenship," in which non-resident lecturers will give weekly lectures, as will also members of the Department of Political Science, and Dr. Devine's manual on "The Family and Social Work" will be used as textbook. In the syllabus of the year's course are to be noted such lectures as that by Mr. Clinton Rogers Wood- ruff on "The Citizen and His Community," and that by Mr. Lee F. Hanmer on "The Citizen and the Recreation Needs of the Community," as also Mr. Clarence Arthur Perry's address on "The Citizen and the Schools," Dr. Hermann M. Biggs's discourse entitled " The Citizen and Public Health," Dr. Devine's treatment of "The Citizen and Prob- lems of Crime," and Mr. Franklin Matthews's lec- ture on "The Citizen and the Press." Much good ought to result from such a course as this, and not the least of the benefits accruing may prove to be the more general establishment of similar courses at other like institutions of higher learning. What to read about Japan, in order to gain some adequate conception of the remarkable people who are causing so much discussion and debate in our own country and elsewhere, is a question at present asking itself in many an inquiring mind and getting itself voiced in many a bookshop and public library. The Japan Society, in reply to the great number of persons who appeal to it for suggestions in this department of reading, has prepared a short list of helpful and authoritative works. They are, as announced by the Society: "Intercourse between the United States and Japan," by Nitobe; "The Japanese Nation," by the same author; "Ancestor Worship and Japanese Law," by N. Hozumi; "Polit- ical Development of Japan," by Uyehara; "Japan: An Interpretation," by Lafcadio Hearn. Important as are the works of native writers, and interesting as is the native author's way of viewing his sub- ject and expressing his thoughts, readers will find it profitable not to neglect the writings of western authors on Japan, who better appreciate the western student's difficulties and pointof view in approaching the subject. A foreign language is commonly best learned from one who, having the same native tongue as the learner, has himself thoroughly mastered the language and not unconsciously assimilated it in childhood. So it is that Lafcadio Hearn's and Pierre Loti's pictures of Japan are more intelligible to us than some other and perhaps more minutely faithful productions from a native hand. Simplification and mystification meet and join hands, with the cordiality characteristic of the junction of extremes, in the pages of "The Pioneer of Simplified Speling," the official monthly publica- tion of the English "Simplified Speling Sosieti." The leading article in the latest number at hand begins thus: "Shoelderz tu the wheel! Aulthoe The Pioneer iz not isyud for tuu months in the sumer, our campain goez on unbroecen. Indeed, tu juj from the formidabl piel of pres-cutingz befor us (thai ar sumariezd in anuther colum), the public interest in our muuvment haz never been so ceen. Ever mor rair ar the contribyushonz tu the Pres that shoe compleet ignorans ov our wurc and our aimz; ever graiter iz the number ov thoez hu taic our sied." A little further on the editor takes occa- sion to "thane our well-wisherz for thair help in the paaat. It wood be tuu much tu ecspect that aul wood be satisfied with everi deetail ov our sceem, with every feetyur ov our propaganda." To an un- simplified speller a page of typographical contortions of this sort is not the easiest of reading: it mystifies more than it simplifies, although of course one might in time get used to such verbal puzzles as "ceen," "sceem," "juj," "taic," "wurc," "tuu," and so on. In comparison with "The Pioneer," our American "Simplified Spelling Bulletin" is a hidebound con- servative in its treatment of the written language. If it were not for the English reminder and warning of what we may be coming to by sanctioning even the slightest initial license in spelling, one might turn from "The Pioneer" and hail with glad relief the "Bulletin." Mr. Hall Caine's protest against the exclu- sion of his novel, "The Woman Thou Gavest Me," from certain American public libraries, is an utter- ance natural to one who feels that he has put into the censured book all the resources of his brain and all the forces of his soul, as Mr. Caine expresses it, and who avows himself conscious of no unworthy 1913] 349 THE DIAL motive in writing the story. He says: "I specially desire to reach the large and sincere audience that depend for their literature on the great Free Libra- ries of your country [i. e. America]. I belonged to that audience myself in England in my youth and early manhood"—which is a somewhat puz- zling statement if taken literally. "I only ask," he pleads, "that in judging a book let the basis of consideration be the aim of the author." And fur- ther: "Behind any book is the man who wrote it, and if he is a man of pure aims, and at the same time a true artist, he can teach a powerful lesson by an intimate study of any side of life, no matter how disgusting and revolting it may seem." The fallacy of that doctrine needs no demonstration here. The Manxman's appeal to the American librarian's sense of fairness is made through his American publishers, and will doubtless be printed in full in many journals. It is to be hoped that it will be read by all to whom it is addressed, and that it will receive due consideration. Library economy in bookbgying is a kind of economy every public library tries to practice, and the liberal discounts allowed to libraries by the book dealers help to make the book fund go as far as pos- sible. At Bristol, Connecticut, as we learn from the current report of its public library, the average cost of books bought during the year was kept down to a figure remarkably low, if the books were all of fairly excellent quality. The average cost per vol- ume is given as seventy-seven and one-half cents, as compared with one dollar and two cents at the Hart- ford Public Library, one dollar and fourteen cents at the New Britain Institute, one dollar and three cents at the New Haven Public Library, and eighty- four cents at the Waterbury Public Library. Pur- chasing orders were widely distributed, no fewer than forty-nine bookselling houses and individuals being called upon for one or more volumes each. In its percentage of total annual outlay devoted to book-buying the Bristol library far outstripped its neighbors named above. The figure attained was thirty-eight per cent, against thirteen to twenty-eight recorded by the other libraries. COMMUNICA TION. MILTON'S EPITAPH ON SHAKESPEARE. (To the Editor of Thb Dial.) I think it will be of great interest to your readers if you will kindly permit me to say a few words iD your valuable paper apropos of the paragraph on pages 133-4 of your September 1 issue, which I have just seen. "Starre-ypointing" has been the despair of English grammarians for more than 250 years. I am the chair- man of the London University College School, and our Headmaster tells me that as a boy he was catechised upon Milton's extraordinary blunder; because "y," like the German "ge," is never prefixed to a present parti- ciple, but only to a past participle. Lathom and practi- cally all other grammarians were astounded that Milton, the most accurate of scholars, should have committed such an absurd grammatical error. So the matter re- mained until about six months ago, when I called atten- tion to the fact that my copy of the second folio of Shakespeare's plays, 1632, contained an inserted page in which Milton's Epitaph is correctly printed with "starre-ypointed." I sent out enquiries all over the world, with the result that two other copies of the correctly-printed page have been discovered,— one in the New York Public Library, and one in the library of Queen's College, Oxford. All the experts are agreed that " this page is evidently an original and contemporary print, not a reproduction in any modern sense. . . . The paper is contemporary." Writing in " Notes and Queries," London, on September 6 last, Dr. McGrath agrees with the above, and Col. Prideaux describes it as a "cancel leaf . . . printed after the book had been placed on sale . . . issued to purchasers in the same way as cancel leaves are occa- sionally issued at the present day." But I ask how comes it that after months of enquiry only two copies besides my own have been reported; and how is it that in the third folio of the plays, printed in 1663-4, the ungrammatical word "starre-ypointing" remained uncorrected? The answer is obvious. The corrected page could only have been issued to those to whom the preservation of Bacon's secrets had been en- trusted. The page reveals to us, and it was intended to reveal to us, the name of the real author of the plays, to whom Milton addressed his Epitaph, the important part of which is contained in the first six lines (I quote from my own special page in the 1632 folio): "What neede my Shakespeare for his honour'd bones, The labour of an Age, in pilid stones, Or that his hallowed Keliques should be hid Under a starre-ypointed Pyramid? Dear Source of Memory, great Heire of Fame, What needst thou such dull witnesse of thy Name?" Now " Reliques" must mean "what he hath left us"; and Ben Jonson addresses his noble verses of commen- dation, which precede the plays in the folios, "To the memory of my beloved the Author . . . and what he hath left us," — meaning thereby the immortal plays themselves. And that is exactly what Milton means by "his hallowed Reliques." A " starre-ypointed Pyramid " can only mean a pyra- mid with a star upon its point (its apex); just as a ball- pointed pen means a pen with a ball upon its point, a diamond-pointed drill means a drill with a diamond upon its point,— such instances might be multiplied indefinitely. Now a pyramid with a star upon its apex is a " Beacon" (pronounced "Bacon," — " Bacon great Beacon of the state,"— just as at that period "tea was pronounced "tay," "sea" was pronounced "say," etc.) Milton then proceeds to say: "What needst thou such dull witnesse of thy Name?" This is evidently intended to tell us that people ought to have wit enough to perceive that Bacon was the name of the all-wise, all-learned author of the plays, without it being neces- sary to put the dull witness of a Beacon (Bacon) upon these marvellous works. In quite a number of the books of the period, to which the name of Bacon has not yet been attached, there will be found engravings representing a pyramid or a beacon, to reveal to the initiated the name of the real author. Edwin Durning-Lawrence. London, England, Oct. 6, 191S. 350 [Nov. 1 THE DIAL She |tfto $3oahs. Stage Memories of Sixty Years.* A follower of the stage in his boyhood, Mr. William Winter began writing about it in youth, and has been writing about it ever since. His biographies of Edwin Booth, Joseph Jef- ferson, and Richard Mansfield have found favor with readers, and he is now preparing a book on Sir Henry Irving and Miss Ellen Terry. These celebrities of the stage, therefore, are omitted from his present series of dramatic memories, "The Wallet of Time," as are also a considerable number of other noted actors and actresses whom he hopes to write about in a subsequent work. The two volumes now put forth are certainly not lacking in wealth of material; they extend to nearly fourteen hun- dred octavo pages, and are as rich in illustra- tions as one could wish. Mr. Winter's well-known heartiness of com- mendation for what he approves, and uncom- promising censure for what he disapproves, are to be met with in abundance in his comprehen- sive "Wallet" — a name, by the way, that he takes from the passage in "Troilus and Cres- sida" that begins, "Time hath, my lord, a wallet at his back. . . ." Whatsoever things are pure, lovely, and of good report, in play- acting, he stanchly upholds and warmly praises; but for the follies and fads of the modern stage he has nothing but withering scorn and biting sarcasm. In the things of his profession he is a splendid hater of what he dislikes, a valiant champion of what he deems praiseworthy. For instance, he declares at the outset—and nobody can dispute him — that "administration of the business of the American Theatre, in recent years, has been characterized by a policy of covetous, despotic, sordid commercialism, which ought to be rebuked and steadily opposed." He takes pains to emphasize his belief as a dramatic critic that "ethical principles are more impor- tant than artistic principles," and adds: "The whole experience of my life sustains the con- viction that, while the dramatic artist, whether author or actor, should never undertake directly to inculcate a moral, it is the first duty of the critic to ascertain and declare the moral influ- ence consequent on dramatic expression." No such thing as "art for art's sake" enters into his *Thr Wallet or Timk. Containing Personal, Bio- graphical, and Critical Reminiscences of the American Theatre. By William Winter. In two volumes. Illustrated. New York Moffat, Yard & Co. conception of the drama, as the drama should be. One sentence in his preface, more than all the rest of it put together, indicates the tone of the book: "It would be contemptible affec- tation on the part of any writer possessed of knowledge, experience, conviction, and trained literary faculty to pretend diffidence in writing on a subject which he is equipped and compe- tent to treat." After this we are prepared to find Mr. "Win- ter's views of Ibsen and Ibsen's plays expressed in terms both vehement and picturesque. Some of the Norwegian's compositions he considers nasty, and all of them ponderous and dull. Of the principal character in "Hedda Gabler " he says: "A nastier little female reptile has not been depicted, even by Ibsen, — 'whose spirits toil in frame of villanies,' and whose whole fabric of dramatic writing is a pollution to the Stage, a wearisome burden upon contemporary thought, a darkness to the eyes of hope, and a blight to everything that it can touch of nobil- ity, beauty, and joy. Perhaps such persons as Hedda Gabler exist: the Lunatic Asylum is the place for them; not the Theatre. . . . The play of 'Hedda Gabler' is a long-winded, col- loquial exposition of disease, and its heroine is an insane cat. No other phrase can as well describe such a monstrous union of vanity and depravity." To Mr. Winter the author of "Mrs. Warren's Profession" is, in short and simple phrase, "a crack-brained, mischief- making English-Irish socialist," and the play itself a "nuisance." Other and even more remarkable specimens of Mr. Winter's caus- ticity might be adduced from his sprightly pages—as where he says of the author of "The Christian" that he "registers himself as a blathering rhapsodist, flatulent with the wind of doctrine and giddy with self-conceit" — but it will be better to pass now to his generous, whole-hearted, soul-stirring enthusiasm for what he admires and enjoys in dramatic art. Mrs. Gilbert, still agreeably remembered by many a theatre-goer, inspires him to the following strain: "She was a never-failing delight and constant moni- tion. Her sympathy with the young was deep aud quick: she was always ready and glad to speak the word of genial encouragement to inexperience and to back it with shrewd suggestion and wise advice. In one expedient of acting, in particular, she was preemi- nently expert,— the use of time. It was a technical education to watch and study her employment, in speech, movement, and gesture, of pause, rapidity, or deliberation. She never obtruded herself. Each of her performances possessed the invaluable attribute of seeming inevitability. What she did she made to seem 1913] 351 THE DIAL. exactly right to be done, and as though, under the given circumstances, nothing else could possibly occur. To age she would not surrender, and she was indescrib- ably amusing, and often a little pathetic, in her politely brusque resentment of any intimation that she was old or required attention or assistance. ... As example of artistic cooperation, the ability and willingness to 'play together,'for the right effect, without regard to self, I have seen nothing finer than Joseph Jefferson and W. J. Florence, in 'The Rivals,' and Mrs. Gilbert and James Lewis, in the Daly comedies. Mrs. Gilbert and Lewis, though they viewed each other with respect and ad- miration, were not close friends, and in their attitude toward each other, as age clawed them in his stealing clutch, they were comic. 'Poor old lady!' Lewis would say; * I'm afraid she's beginning to break up.' 'Poor James!' Mrs. Gilbert would remark; 'he's getting on — getting on.'" Discussing the merits of a certain gifted English actor whose recent retirement from the stage his many admirers cannot but deeply regret, the author shows both himself and the object of his encomium at their best. "Willard's representation of Cyrus Blenkarn stamped him as one of the best actors of the age. His repre- sentation of Judah Llewellyn deepened that impression and reinforced it with a conviction of marked versatility. In his utterance of passion Willard showed that he had advanced far beyond the Romeo stage. The love that he expressed was that of a man — intellectual, spiritual, noble, a moral being and one essentially true. Man's love, when it is real, adores its object; hallows it; invests it with celestial attributes, and beholds it as a part of heaven. That quality of reverence was distinctly con- veyed by the actor, and, therefore, to observers who conceive passion to be sensual abandonment (of which any animal is capable), bis ardor might have seemed dry and cold. It was nevertheless true. He made the tempestuous torrent of Judah's avowal the more over- whelming by his preliminary self-repression and his thoughtful gentleness of reserve; for thus the hunger of desire was beautiful with devotion and tenderness; and while the actor's feelings seemed borne away upon a whirling tide of irresistible impulse, his exquisite art kept a perfect control of face, voice, person, demeanor, and delivery, and not once permitted a lapse into extrav- agance. The embodiment was a memorable image of dignity, sweetness, moral enthusiasm, passionate fervor, and intellectual power; but, also, viewed as an effort in the art of acting, it was a type of excelling grace, a beautiful personification of a noble ideal clearly con- ceived." Of course these passages of dramatic criti- cism with which the work abounds are largely if not wholly — or thus one is left to infer — culled from the author's published reports in the daily press, or from his unpublished notes, and so constitute a sort of patchwork rather than an organic and symmetrical whole; but no other dramatic critic now living could have made a book covering so long a period and embracing so wide a range of experience, dis- tinguished by such grace and charm of style, and revealing so close an acquaintance with a host of actors of many lands, from the days of George Holland and the elder Wallack, of John Gilbert and Charlotte Cushman, down to the present time. His collections for the enrich- ment of such a series of professional reminis- cences appear to be of the richest kind, and he scatters his treasures with liberal hand. An appendix brings together some remarks on "Ibsen and the Ibsenites,"achapter on "Ameri- can Actors Abroad, and How They 'Fail' There," and a deliverance on the subject of "The Theatre and the Pulpit." In the Ibsen article the reader is again made aware of Mr. Winter's very poor opinion of the Norwegian, whom he takes occasion to rate far below Charles Reade — an unexpected comparison, to say the least. "A reformer who calls you to crawl with him into a sewer, merely to see and breathe its feculence, is a pest." With that as a closing specimen of the author's trenchant manner, we bring to an end this account of his memorable work. Percy F. Bicknell. Disease and Genius.* We all have by heart Macaulay's brilliant parallel between Luxembourg and William of Orange, — between "the hunchbacked dwarf who urged the fiery onset of France and the asthmatic skeleton who covered the slow retreat of England." Both, Macau lay goes on to say, would in ancient Sparta have been exposed at infancy. We remember, too, Charlotte Bronte's tribute to Nelson, —"The little lamiter who wielded England's might on the sea." Whether great talent is a cause or an effect of disease and physical deficiency, the two things seem inseparable. Of course the light of fame brings out flaws which would not be apparent in ordi- nary people; but still it is impossible to doubt that genius has to bear more than its share of such inflictions as insanity, nervous derange- ment, drunkenness, consumption, scrofula, and blindness. Does talent by its rapid absorption of life force throw off toxines which produce these diseases, or do the diseases by their irri- tant power produce talent? The chemistry of character and ability is utterly unknown; and when the most modern fad, eugenics, pokes a clumsy finger into this mystery, it may produce unexpected results. Certainly, if the past is to be taken as a guide, a sane mind in a sound body is most sedulously to be avoided, if we •In Spite ok Epilepsy. By Matthew Woods, M.D. New York: The Cosmopolitan Press. 352 [Nov. 1 THE DIAL want to arrive at high spiritual, moral, or intel- lectual values. Once in the world a community set to work to breed men like prize cattle. For a time Sparta did produce a race of powerful fighting machines. But even in arms these never more than held their own with the intel- lectual Athenians. Pericles told his fellow- citizens, " We can do all that the Spartans can and many other important things." In the end the men of Laconia went down before the Mace- donian barbarians, led by the drunkard Philip and the half-mad Alexander. These considerations are suggested by Dr. Matthew Woods's book," In Spite of Epilepsy," which contains studies of three great epileptics, —Julius Caesar, Mohammed, and Lord Byron. Dr. Woods's treatment of these three cases from the medical standpoint is of the briefest, and his sketches are really illuminating essays in biog- raphy. But he offers them to show the great army of epileptics that epilepsy, in appearance at least one of the most frightful of diseases, need not prevent a long life and an important career. Dr. Woods is a promising recruit for the small group of Americans who know how to write. He apologizes because his work has been done in the hurried intervals of professional occupation. Truth to say, good proofreading would have removed a number of misprints and errors of reference. It might also have reformed some of the sentences which have lost their right grammatical alignment, or which are wild and whirling in meaning. Occasionally, too, his live- liness becomes cheap or smart. But these are slight blots. He has that instinct for saying things which lifts writing into literature and makes books readable. The great cause which is being tried in the world to-day is that of Genius vs. Democracy. The people everywhere are refusing to admit the existence of superiorities. Hence what M. Faguet calls "the Cult of Incompetence." On the other hand, the trend of philosophical thought, in Europe at least, is as decidedly against Democracy. Democracy in art and liter- ature is certainly unthinkable, a contradiction in terms. These things are of and for the few,— the many simply do not know what to make of them; only in their weakest or most utilitarian forms do they appeal widely. So powerful in America, however, is the set of the democratic current that nothing can make head against it. Preachers, professors, politicians, presidents, — all, like the Sausage Seller in Aristophanes, bring their sweet little honey-cake to the great Demos. They return in flattery what they get in pay. If an infinitesimal part of the effort and expense which with us have gone to make the intellectual halt half-whole or the intellectual blind capable of groping, had been given to develop promising talent, we should be to-day all one blaze of glory. But our motto has been, "Let us rally round our mediocrities, for our geniuses can take care of themselves." These things are spoken of here because Dr. Woods is decidedly on the side of genius, and he devotes himself to great fames with an enthusiasm which is rare enough in our arid life. His sketch of Caesar is the slightest and most negligible part of his book. This is natural enough; for while it is possible to add a stone to the mountainous cairn already raised to Caesar, it is not possible to alter the outline or contour of that monument. With Mohammed, however, Dr. Woods has, in English, a com- paratively virgin field, and his admiration and enthusiasm for the Prophet has built up a memorial of great freshness and charm. His enthusiasm, indeed, reminds us of that story of Carlyle who at an evening party, after declaim- ing with great vehemence in favor of Moham- medanism, could not in starting to leave find his hat. "Perhaps," stammered Charles Lamb, "the gentleman came in a turban." Dr. Woods would entirely alter our conception of the land East of Suez, —" Where there ain't no ten commandments, an' a man can raise a thirst." Probably he is more than half right, and the Unspeakable Turk is very much the same com- pound of human nature as the rest of us. We think Dr. Woods is wrong, though, in a number of points relating to Mohammedanism. It is a parasitic religion. It originated less, and has certainly less to say to us to-day, than any of the other great Asiatic religions — Juda- ism, Zarathustranism, Brahmanism, or Bud- dhism. Mohammed took his central concept, the unity of God, from the Jews. He took his model and methods from Christianity. The later philosophy of the creed was Greek. Avi- cenna and Averrhoes were followers of Plato and Aristotle, — Schoolmen born out of place. Again, Dr. Woods seems to think that Moham- medanism is all of a piece, that it has held to the original tenets of its founder. In the gen- eration succeeding Mohammed there was a great split in the religion which endures to-day. And it is probably divided into as many minor sects as Christianity. That Mussulmans conform more closely than Christians to the moral teachings of their faith seems to be another conviction of 1913] 353 THE DIAL Dr. Woods. Judging from their history and literature, they could give the Christians meal for their malt in all matters of immorality. It would be pretty hard to find any Western book which can beat the Arabian Nights in indecency; and Hafiz, Jami, and other lyric poets are free enough. Omar, translated, has become the bible of the bibulous. Dr. Woods repeats the statement that the Arabs saved Greek literature and philosophy for the world. To a certain extent they may have done so; but they probably destroyed a thousand times as much as they preserved. Omar's order to burn the Alexandrian library may be apocryphal, but something of the kind must have happened. The Arabs and their fellow religionists swept over all the regions which were centres of Greek culture. When they had done their work, only a few books and monuments remained to tell us what Greek civilization was. In spite of Dr. Woods's rose- colored view of the Mohammedan mind and character, we cannot believe that what they substituted was equal to what they erased. Dr. Woods's study of Byron, though largely a cento of anecdotes and quotations, seems to us one of the best presentations of that poet's life and character that has been put forth in recent years. It displays the good sense of a man of the world, and the acute knowledge of a physi- cian who can make allowances for Byron's un- fortunate physical inheritances. Particularly does it unravel that most remarkable trait in Byron's character,— what might be called his hypocrisy of vice. From the beginning of his career he seems to have circulated defamatory reports about himself which were baseless. We believe that it is not uncommon for physicians to have to deal with a tendency of this kind, but Byron's hints and tales about his wickedness were "too tall." The thing, however, is easily understandable in a man of genius. Genius at first is geniality. It is frank, open, warm. It feels that it is great enough to be known as it is,—to be painted with the warts. Then it looks abroad and sees how the average prudent human being hides his errors and failings, and in sheer disgust at such hypocrisy it blurts out ten times more than the truth about its own de- merits, and gives the eternal whipper-snapper a hold over it. Stripped of such self-imputations, Byron's character would not show any worse than nine-tenths of his contemporaries of like position. Dr. Woods rejects the charges of Mrs. Stowe and Lady Byron's friends, though he does not go into any disproof of them. Leaving all this aside, there was in Byron an energy, cour- age, and scornful strength of character which would have made him notable even without the splendor of his genius. The filagree poets and measurers of syllables have in recent times writ- ten him down; but it is safe to say that he will outlive them, and rank with the great poets of the world. Charles Leonard Moore. Trumbull of Illinois.* If the memory of Lyman Trumbull has waited long for formal biographical recogni- tion, it has at least fared well in the selection of a biographer. Mr. Horace White was the choice of Mrs. Trumbull herself, and of course the inevitable choice, since to high rank in the world of letters and active participation in the public life of the time was added the advantage of long years of intimate acquaintance. With a voluminous store of personal recollections to draw upon, it would have been an easy matter for Mr. White to write a "life" of Senator Trumbull on very short notice; but he has never fallen into that obvious temptation of a jour- nalistic career. For several years he has been patiently working over the subject, and the re- sult is a thoroughly adequate setting of the man in relation to his time. Many a well-informed reader will lay down this volume not merely with a new store of knowledge concerning Lyman Trumbull but with a broader and surer grasp of the essential facts and philosophy of the war and reconstruction period than he had ever before possessed. In his preface, the author makes the admis- sion that the careful study which the composition of this book has forced upon him has convinced him that his views upon one important point had been wrong from the beginning. He is now persuaded that the reconstruction policy of Andrew Johnson was that toward which Presi- dent Lincoln himself had been working, that it was the true policy demanded by the situation, and should never have been departed from. Of course this does not blind his eyes to many errors in Johnson's course, and to those obvious personal defects which in themselves contrib- uted largely to the disastrous break between the President and his party. In his acknowledg- ments of indebtedness, the recently published "Diary of Gideon Welles" takes first place, and is pronounced " the most important contribution •The Life of Lyman Trumbull. By Horace White. With portraits. Boston: Houghton Mifflin Co. 354 [Nov. 1 THE DIAL to the history of the period of which it treats that has yet been given to the public." When Trumbull entered official life as a member of the Illinois legislature, at the age of twenty-seven, those characteristics which stood out in his later senatorial career were already well marked. "His style of speaking was devoid of ornament, but logical, clear-cut, and dignified, and it bore the stamp of sincerity. He had a well-furnished mind, and was never at a loss for words. Nor was he ever intimidated by the number or the prestige of his opponents. He possessed calm intellectual courage, and he never de- clined a challenge to debate; but his manner toward his opponents was always that of a high-bred gentleman." As a debater, one sees in this description his close affinity with Fessenden, of Maine, with whom his name became so closely linked by the vicissitudes of the impeachment of President Johnson. The two were not always in harmony, but they were alike in keen intellectual vigor and rugged honesty of act and purpose. When the death of Fessenden was announced in the Senate, Trumbull said of him: "As a debater engaged in the current business of legislation, the Senate has not had his equal in my time. No man could detect a sophistry or perceive a scheme or job quicker than he, and none possessed the power to expose it more effectually. He was a practical, matter-of-fact man, utterly abhorring all show, pretension, and humbug." Mr. White's comment at this point is that with Fessenden passed away " the most clairvoyant mind, joined to the most sterling character, that the State of Maine ever contributed to the national coun- cils." After all, what is the lasting worth of the glamour that later gathered around the person of Maine's "plumed knight," or her "Czar," in comparison with two such judgments as these? While Trumbull was a thorough hater of slavery, a vigorous supporter of the Union dur- ing the war, and an active champion of meas- ures for the protection of the freedmen after emancipation, he never lost sight of the solemn duty of proceeding with due respect to official oaths and constitutional obligations. His feel- ing against the temptation to defy law in assailing evil is well brought out in a speech made when the Senate was considering a pro- posal to investigate the John Brown raid. "No man who is not prepared to subvert the consti- tution, destroy the government, and resolve society into its original elements, can justify such an act. No mat- ter what evils, either real or imaginary, may exist in the body politic, if each individual, or every set of twenty individuals, out of more than twenty millions of people, is to be permitted, in his own way and in defiance of the laws of the land, to undertake to correct those evils, there is not a government on the face of the earth that could last a day." And so during the trying years that followed, while he was generally to be classed with the more radical wing of his party, we nevertheless find him repeatedly holding back when his own judgment and conscience told him that the con- stitution, honestly interpreted, stood in the way. On this ground he firmly opposed the Ku-Klux Bill of 1871: "I am not willing to undertake to enter the states for the purpose of punishing individual offences against their authority, com- mitted by one citizen against another. We, in my judgment, have no constitutional authority to do that. When this government was formed, the general rights of person and property were left to be protected by the states, and there they are left to-day." At the outbreak of the war, he took strong ground against arbitrary military arrests, and later used his influence to bring the suspension of the writ of habeas corpus within due limits. And it was of course the same spirit that nerved him to stand firmly and successfully against the abuse of the power of impeachment in the case of Andrew Johnson. For putting blocks in the way of some of Sum- ner's more radical measures, he was angrily charged with betrayal of the cause of freedom, but that did not hinder him from coming strongly to the aid of Sumner when the latter was unjustly forced out of his position as Chairman of the Senate Committee on Foreign Relations, through the influence of President Grant. It fell to his lot to draw the Thirteenth Amendment, abolishing slavery forever from the United States and from all places under their jurisdiction, towards which the Emanci- pation Proclamation of President Lincoln was merely a preparatory step, of value in its psy- chological effect on public opinion in the North rather than in actually freeing any large number of slaves, which under the circumstances it could not do. The man who drew this amendment, says the author,"will never be forgotten as long as the love of liberty survives in this land." There are many points on which one would be glad to dwell, but there are other demands upon these columns, and their space is limited. Mr. White has rendered a great service in pro- ducing this book. The young Americans who are growing up to-day to control the destinies of this nation need the tonic of a clean-cut presen- tation of just such lives as that of Trumbull. It should be in every public library in the land, and discriminating librarians should exert themselves to promote its circulation, w. H. Johnson. 1913] 355 THE DIAL The Kittredge Anniversary Volume.* For many years now, when a notable scholar and teacher has come near the end of his active service, it has been the pleasant custom for his friends and pupils to do him honor by con- tributing to a volume of essays — samples, as it were, of the scholarly accuracy and habits of research which the master has inculcated. Such a book, for example, was the "Miscellany pre- sented to Dr. Frederick J. Furnival in honor of his seventy-fifth birthday"' in 1901; and the "Studies in Language and Literature in Honor of James Morgan Hart" published on his sev- entieth birthday in 1909. The Italian, Fran- cesco Torraca, was so honored; the Spaniard, Menendez y Pelayo; the Germans, Sievers and Morsbach; and, in America, Professors Gum- mere, Putnam, and Toy—to mention only a few. As a rule, however, these testimonies have come after a long generation of devotion to scholarship. The "Anniversary Papers" pre- sented to Professor George Lyman Kittredge on the completion of his twenty-fifth year of teaching in Harvard University are therefore somewhat out of the ordinary. Although twenty- five years of teaching is a respectable achieve- ment, Professor Kittredge, now in the full vigor of middle life, promises to be good for another quartergcentury of equally brilliant and faith- ful service. Both the volume and the occasion of its presentation furnish opportunity for a brief review of the developments in American scholarship and higher education which have made Professor Kittredge's term of service so noteworthy. When Professor Kittredge joined the Eng- lish Department at Harvard in 1888, graduates of American colleges were just beginning to find out that it was no longer essential to go abroad for graduate study. To be sure, Mr. Henry Cabot Lodge, one of the first of Harvard's Doctors of Philosophy, had taken his degree in 1875; but in 1888 Harvard was giving only two or three Ph.D.'s a year, as against her present average of twenty-five or thirty. The astonish- ing growth of the Harvard Graduate School since,— a growth paralleled in other universities all over the country, — accompanied by an un- precedented demand for advanced teachers, has given Professor Kittredge and his colleagues an exceptional opportunity to leave the impress of •Anniversary Papers by Colleagues and Pupils or Geo roe Lyman Kittredge, presented on the completion of his twenty-fifth year of teaching in Harvard University, June, MCMXIII. With portrait. Boston: Ginn & Co. their personality, their scholarship, and their teaching upon hundreds of men who have gone from their work at Harvard into college and university faculties. Some of the changes which this last quarter of a century has brought are reflected in the volume under review. For example, every one of the forty five contributors to these "Anni- versary Papers " is a college teacher, and twenty- three of them represent sixteen institutions other than Harvard. If time had served, the number of contributors might easily have been tripled, and the list of institutions represented extended very greatly. The conclusion is obvious, that in America almost the only road to scholarly pursuits, of the humanities at least, is offered by teaching. With us, men of means who take to scholarship are likely either to find teaching positions or to become bibliophiles with a leaning toward fancy bindings and volumes whose rarity sometimes has little to do with their intrinsic importance. In America, men like the late Dr. Fitzedward Hall or the late Dr. Furness are exceptional. In England such men are and long have been numerous. The fact, of course, is not necessarily disparaging to us. It means, for one thing, that men of exceptional bent toward scholarship find a main opportunity for service in direct contact with younger students. But it means also that many an American professor, with exceptional ability in research, is forced by our educational system to spend much time and energy on routine matters, when he might be of more service to his generation and to his college if he could devote himself more entirely to study. We do need in this country research professor- ships, and funds for publishing the results of investigation. Mr. Rockefeller and Mr. Car- negie have made a start in science. Who will help out the humanities? Another comment which a glance at the table of contents suggests is that all but six of the forty-five contributors are Doctors. Of the six, the four A.B.'s are Professors at Harvard, and the two A.M.'s are at Columbia, and their degrees date back to near the beginning of Professor Kittredge's incumbency. Time was when a man might be too busy with teaching and research (as Professor Kittredge and some of his colleagues have been) to acquire a Ph.D. But that day has passed in America, for the president of any little freshwater college may demand and get a Ph.D. to fill even an instruc- torship at almost any salary between $600 and $1000. This is not, however, the place to dis- 356 [Nov. 1 THE DIAL cuss various absorbing problems connected with this change; it is enough here to note its com- pleteness. Another remark which offers itself is that, although all of the contributors to this volume are teachers, not one of the papers even sug- gests pedagogy. They are all, as we have said, samples of the patient research and the dis- criminating and acute appraisal of facts which have made Professor Kittredge's scholarship and instruction so stimulating. Lest someone think "samples" a disparaging word, let us hasten to explain that the papers range in length from three or four to fifteen pages, and that the subjects treated are necessarily either such relatively minor matters as "The Date of Hegetor" or an interpretation of "Des Tors D'Arcaise" (a phrase in the Old French "Alis- cans"), or else carefully limited discussions of one or two phases of a large topic, such as "The Modernness of Dante," "Johnson and his Friendships," or "Hamlet and Iago." Another phase of the change which Professor Kittredge has had so large a share in is the broadening of the field of scholarly activity. Nearly half of the papers in this volume deal in one way or another with comparative litera- ture and the study of origins. Those who used to complain that doctoral dissertations prepared under Professor Kittredge's direction treated with too monotonous a frequency the minuter and more technical Chaucerian questions will doubtless rejoice to see that only five of the papers deal with Chaucer at all. The general reader would probably turn first to Professor Barrett Wendell's "Fantasy concerning the Epitaph of Shakespeare," in which the writer sets forth a quaint but practical reason why our greatest poet may have deliberately chosen to phrase his epitaph in doggerel. Of the other purely literary papers, one of the most search- ing and instructive is Professor Brewster's on "The Logic of Literary Criticism." Indeed, the variety of the topics discussed here testifies to the wide range of Professor Kittredge's interests. His pupils have drawn inspiration not merely from his thoroughgoing methods of research, but from his eager interest in and surprising knowledge of the whole field of lit- erature as well as philology. The volume is printed, after the American fashion, on paper so heavy that its comfortable perusal demands a Morris chair and a book- rest. It is almost as ponderous a tome as the "elephant folios" of the seventeenth century, which were kept in window recesses or chained (needlessly) on great desks. But the printing' and the proofreading have been done with unusual care, and perhaps the book's imposing dignity is all one should seek. Edward Payson Morton. Napoleonic Centenaries.* The widespread ignorance of Russian history accounts for the fact that the events of 1812 are remembered in Western Europe and America, almost solely because of the terrible disaster which overwhelmed Napoleon's army. The heroic attitude of the Russian people, the enor- mous sacrifices they made to repel the invader, and their grim determination to abandon all rather than negotiate with him on Russian soil, are ignored. The memories associated with 1813 are, on the contrary, popular rather than military. The idea of liberation or national resistance, voiced in the stirring appeals of poets and philosophers and expressed in the desperate efforts of the German armies, commands the greater share of attention. Such thoughts have, doubtless, presided over the recent anniversary of the "Battle of the Nations" at Leipsic. The renewed interest in the Russian campaign has led to the republication, in English dress, of the earliest complete narrative of it, "Rela- tion circonstanciee de la Campagne de Russie," written by Lieut.-Colonel Labaume and printed in 1814. During the campaign Labaume was with the Fourth Corps, which the Viceroy Eugene had brought from Italy. He loses no opportunity to praise the conduct of Eugene, while at the same time he writes bitterly of Napoleon, which has enabled the translator to give the book a new title. The special cause of the animus is probably the fact that the book was addressed to a Restoration audience. It was immediately popular, reaching a third edi- tion before the year was out. It continued to be reprinted until the publication of Segur's •The Crime of 1812 and Its Retribution. From the French of Eugene Labaume. Translated by T. Dnndag Pillans. With an Introdnetion by W. T. Stead. With map. New York: McBride, Nast & Co. Napoleon's Last Campaign in Germany: 1813. By F. Loraine Petre. Illustrated. New York: John Lane Co. A Polish Exile with Napoleon. Embodying the letters of Captain Piontkowski to General Sir Robert Wilson and many documents from the Lowe Papers, the Colonial Office Records, the Wilson Manuscripts, the Capel Lofft Correspondence, and the Frenoh and Genevese Archives hitherto unpublished. By G. L. de St. M. Watson. Illus- trated. Boston: Little, Brown & Co. The Personality of Napoleon. By J. Holland Rose, Litt.I). The Lowell Lectures for 1912. With maps. New York: G. P. Putnam's Sons. 1913] 857 THE DIAL. narrative ten years later. The story of the re- treat occupies only a small part of the volume. The flavor of personal experience is not so strong as in some other accounts, notably that of Ser- geant Bourgogne. The author has attempted to keep the balance between reminiscences and an exposition of the military aspects of the cam- paign. His explanations presuppose on the part of the reader more familiarity with names and places than can be expected a century after the event. Mr. Petre's volume on "Napoleon's Last Campaign in Germany " is opportune. Nothing in English presents with such painstaking exact- ness the complexities of the struggle. Indeed, the book errs, if anywhere, in the minuteness of its military descriptions. The narrative must be followed step by step with Mr. Petre's sketch maps in hand, otherwise the reader will be confused by the moves and counter-moves of battalions, brigades, divisions, and corps. The comments on the topography of the battlefields are instructive. They would be still more help- ful were they accompanied by photographs of the countryside, such as Mr. Petre has furnished in his other volumes on the campaigns of Napo- leon. The special merits of the book will be found in its new information in regard to the composition of Napoleon's army and in the illuminating remarks upon the causes of French failure. Mr. Petre corrects the views current about the character of the army at the outset. He regards it "as a good instrument of war." The personnel of the cavalry was good, but it was weak in numbers. The army used for the operations after the armistice was not so good. The numbers of cavalrymen had been increased, but they were inexperienced. Mr. Petre's opin- ions upon Napoleon'8 conduct of the campaign are equally interesting. He thinks Napoleon was influenced in September and October more by political than by military considerations, acting as an emperor rather than as a general. Such considerations led him to cling to the line of the Elbe too long and influenced him to delay the order to retreat from Leipsic. Mr. Petre believes that Napoleon did not show the power of quick decision which he once had. Too much was left to subordinate commanders whose initi- ative, hitherto suppressed, was unequal to the occasion. St. Helena literature still accumulates. The most recent accession is the letters of Piont- kowski, a Polish officer who shared Napoleon's exile a short time. Mr. Watson, the editor of the letters, has prefaced them by a full Intro- duction and a "Biographical and Critical" sec- tion. He is evidently a devotee of the Napoleon cult. In his Introduction he labors assiduously to call in question the good faith of Forsyth, who fifty years ago published a History of the Captivity based on the Lowe papers and other official documents. A part of the critical sec- tion is given to a similar attack upon Masson's "Autour de Ste. Helene." Piontkowski's let- ters give new details about Napoleon's last days in France, but his account of the situation in St. Helena seems to have been written for political use, and even the editor acknowledges that it is not in all respects trustworthy. Dr. J. Holland Rose's study of "The Per- sonality of Napoleon" is the most important attempt to present a complete conception of the great man's characteristics since Taine pub- lished the first part of his "Modern Regime." The treatment suffers a little from the limita- tions of the public lecture. Much is said which would appear more naturally in a biography, but a sufficient knowledge of which could not be assumed even in a Boston audience. Dr. Rose's conception of Napoleon will, therefore, be found only by bringing together opinions dispersed through the eight lectures which make up the volume. Perhaps he would disclaim the intention of presenting his conception in a sin- gle comprehensive analysis. In the last lecture he says, "It is futile to sum up Napoleon in any one category." In the lecture on "The War- rior" only a slight attempt is made to explain the elements of Napoleon's strategy. The im- pression is conveyed by descriptions of two or three typical campaigns. The little that is said about strategy might as well be left unsaid. What real information can be gained from such a statement as "prompt advance in as great force as possible along the best line of opera- tions" was a fundamental principle? Almost any commander would try to do this; but the question is, how? A military writer in a recent number of the "Revue des Etudes Napoleoniennes" argues that Napoleon had two methods: first, an enveloping operation upon the enemy's line of communications, when his own superiority was decisive; the second a manoeuvre upon the enemy's central position, with the idea of dividing his forces and beating him, if his army was larger. It may be unsafe to apply such formulas to so many widely vary- ing campaigns, but it is more satisfactory than to stop with vague generalities. The most pen- etrating observations on Napoleon's character appear in the lecture on " The World-Ruler." 358 [Nov. 1 THE DIAL Dr. Rose concludes that as a result of the astonishing successes of the early years Napo- leon suffered from a form of megalomania, and could no longer discern the limitations of his own work. In this later period the emperor would not listen to advice, and frequently took his wishes for facts. As a partial explanation of his earlier successes, Dr. Rose might have made more of the aid received from the extraor- dinary group of ahle men by whom Napoleon was wise enough to surround himself. Aside from his military abilities, Napoleon's genius seems to have lain in the driving power over men which he possessed and in his unmatched skill as an organizer. Henry E. Bouhne. Recent Fiction.* Ian Hay seems to be only a part of the name of the novelist to whom we owe the pleasant diversions of "A Safety Match" and "A Man's Man"—two books of clean entertainment to which we have paid our compliments in the recent past. This we gather from the copyright notice of "Happy-Go-Lucky," the author's new novel, which records him as Ian Hay Beith. The volume offers us light-hearted comedy of just the sort the title would indicate. Dicky Mainwaring, the central figure, is an engag- ing youth whose acquaintance we first make in his university days, and the opening chapters, which are a sort of prologue to the more serious matter that follows, invite us into the company of a merry set of boys at Grand wich— which seems to be Cam- bridge. Afterwards we are concerned with Dicky's great love affair, which runs counter to the plans which the family have made for him, but is saved from disaster by the determination which lies at the base of his happy-go-lucky character. He sees the girl mounting a bus, runs after her, climbs up beside her, and establishes an acquaintance. She is a good sort, but handicapped by a shiftless father, a vulgar mother, and a socially impossible brother. The family keep a lodging-house in Bloomsbury, and * Happy-Go-Luoky. By Ian Hay. Boston: Honghton Mifflin Co. Thk Woman Thou Gavrst Mk. Being the Story of Mary O'Neill. Written by Hall Caine. Philadelphia: J. B. Lippincott Co. Round thk Cobnkh. Being the Life and Death of Francis Christopher Folyat, Bachelor of Divinity and Father of a Large Family. By Gilbert Cannan. New York: D. Appleton & Co. The Red Colonel. By George Edgar. New York: D. Appleton & Co. West ways. A Village Chronicle. By S. Weir Mitchell, M.D., LL.D. New York: The Century Co. The Way Home. By Basil King. New York: Harper & Brothers. The Ikon Trail. An Alaskan Romance. By Rex Beach. New York: Harper & Brothers. Otherwise Phyllis. By Meredith Nicholson. Boston: Houghton Mifflin Co. when Lady Adela Mainwaring descends upon them, bent upon investigating the extent of Dicky's per- versity, we have a delicious account of their attempt to put on appearances. The bubble is pricked, but Dicky is no snob, and will not allow the girl to escape him. The story is no great matter, but it is kept alive at all points by the author's effervescent humor, which can make the most commonplace happenings rich in delight. His characters are real people, incisively drawn, and we would not willingly spare the least considerable of them. A more refreshing story we have not read for many a day. Mr. Hall Caine requires nearly six hundred pages in which to tell the story of Mary O'Neill, the heroine of "The Woman Thou Gavest Me." One hundred would have sufficed for all the story he has to tell, but the greater number permits him to slobber over his theme in the unrestrained and nauseating fashion that somehow seems to secure him a large following of readers. He draws his support from that subterranean or submerged public that is an eternal mystery to the critical intelligence, the public that is swayed by crude emotionalism, and upon which it seems possible to inflict any form of literary atrocity without incurring its resentment. Here is a book that will probably prove a "best seller," along with the lucubrations of Miss Corelli, Mr. Wright, and Mr. Chambers, and yet a book so offensive to anyone having the rudiments of good literary taste that its popular acceptance presents a problem in psychology that would have baffled even the com- prehensive sympathies of William James. In its essence, the story seems to be a plea for the sanctity of illicit love, a brief for adultery, and an argument against the salutary laws by which church and state protect the marriage relation. Free-and-easy divorce is the ideal preached by so many of our moralists in fiction that marriage is fast losing, in the popular mind, not only its sacramental character, but even its validity as the essential basis of any civilized social order. It is the easiest thing in the world to construct such a situation as is presented in Mr. Caine's novel. Take an innocent girl, keep her igno- rant of the seamy side of life, give her a training which brings her to womanhood with a flabby will and no sense of personal responsibility, and tie her by the marriage bond to a libertine and a profligate. Then let life become to her a hell upon earth, and pile up the agony with all the devices of sensational rhetoric. Then let the man whom she should have married appear upon the scene, and pile up more agony as she struggles against temptation. Finally, let her succumb, desert her husband, and have ille- gitimate issue by her lover. This is the approved formula, and when properly worked, makes a power- ful appeal to the sympathies. Of course, the hus- band's brutality must be unmitigated, the seducer's virtues abundant and gloriously manifest, and the wife's saintly endurance carried to the point of heart-break. Thus the novelist" puts it over," ignor- ing only the vital facts that men and women are not as beasts of the field, that sacrifice is sometimes the 1913] 359 THE DIAL appointed agency of the soul's salvation, and that the social obligation is paramount to the most im- perious demands of the hot individual will. Mr. Caine has the whole evil argument at his tongue's end, urging all the old sophisticated pleas for mak- ing the worse appear the better reason, and failing only of his desired effect because of his capacity for slobbering, because of the almost incredible rawness of bis style, and because of his inability to make of even his leading characters anything more lifelike than wooden dummies upon which to hang his dis- cussion. His own public will not be disturbed by such things as these, but will wallow delightedly in the trough of his slimy emotionalism, spiced as it is with bits of description as salacious as he dares to make them. Mr. Gilbert Cannan's "Round the Corner" stands clearly out as one of the most remarkable novels of recent years, a work of serious and convincing art, a picture of life having the vitality that creative genius alone can bestow. We understand that it has suffered in England, along with Mr. Hall Caine's new novel, from the sort of unofficial cen- sorship that is sometimes exercised by the great circulating libraries. This fact illustrates how indis- criminate censorships may be, for Mr. Cannan's sincere study and Mr. Caine's thoroughly meretri- cious performance are as far apart as the poles in every essential respect. The Caine novel splurges in every chapter and is distinctly unwholesome; the Cannan novel is quiet, restrained, faithful to fact, and exquisitely artistic iu execution. Mr. Cannan has got the trick of Mr. Bennett, and knows how to write of the most commonplace people and situ- ations in a manner to make them fairly glow with interest Since "The Old Wives' Tale" we have read nothing so good in this kind. The novel is concerned, as the title-page informs us, with "the life and death of Francis Christopher Folyat Bachelor of Divinity and father of a large family." The scene, at first laid in Cornwall, is soon shifted to an ugly commercial town in the north of En- gland, whither the clergyman removes and his family takes root At first we took the title to imply that we had only to look "round the corner" to come upon just such interesting human revela- tions as are here made, bat toward the end we come upon the author's own explanation, which is a shade more subtle. "Modern life is theatrical. Every- body is playing a part, because they are without understanding. Life for modern men and women is forever round the corner because they attempt to tackle their affairs with the minds of children, children who believe everything they are told and examine nothing. They play with everything. They can do nothing else. Unhappily, life is a serious business which yields its reward of joy only to simplicity, sincerity, and purity, or, if you like the old trinity better—faith, hope, and charity." These words occur in a letter to the Rev. Folyat from his oldest son, who has left home at an early age, and returned with widened outlook to the family hearth. His coming "lets in the air," but it cannot completely ventilate the stuffy recesses of the family life. The father, weak and easy-going, is incapable of convincing his children of the rela- tive values of life, as of dealing with the problems that confront him as they grow up. The mother, petty, selfish, and sentimental, is worse than useless as a guiding and restraining force. So the children grow up like weeds, knowing only mean ambitions and having only sordid ideals; the girls are in par- ticularly sad case, because marriage is the only possible solution of the problem of life for them, and it proves a most unsatisfactory one. Mr. Cannan has set himself the task of portraying life just as it is, without gloss or romantic glamor, smoldering for its time in a deadening atmosphere, and gutter- ing out at last. His tale is saved from being unre- lievedly dismal by the objective way in which the facts are observed. We think that he piles on the agony a little too much, for the life of the Folyats, who have a fair social position, and means that remove them far from penury, could hardly be quite as miserable as the author would have us believe. The real fault, of course, is not in their material restrictions, but in their failure to realize that there is in the human soul a spring of inward joy which, if only allowed to flow, can sweeten life in almost any environment. This is the teaching implicit in this very fine work of fiction, and the artistic justi- fication for what may seem its over-emphasis upon sordid detail. "The Red Colonel," by Mr. George Edgar, is a story that impels us to draw upon the unliterary vocabulary for some such word as "corking" or "rattling." Either of those expressive metaphors will serve better to describe it than the more aca- demic forms of expression. It deals with the exploits of the Red Four, a company of international thieves and murderers, who put each other out of the way until only one of them—the Red Colonel—remains alive, to be tracked down and driven to suicide by the persistence of a young English physician turned detective. What we like about Waring, the physician-sleuth in question, is that his wits are a match at every point for the arch-villain whom he runs to earth, and that he is never guilty of those silly lapses from caution which, in most stories of this type, bring the hero into desperate danger in order that an escape by the skin of his teeth may be devised for him by the author's ingenuity. Waring keeps his head all through, and does not make a single false move. The story is of the most exciting description, sprinkled plentifully with thrills, and holds the attention breathless as it progresses from plot to counterplot and from complication to com- plication. It is, moreover, written in the English language, and spares us the thieves' jargon thought necessary by most writers to give realistic color to stories of this description. With his faculties still undimmed in extreme age, Dr. S. Weir Mitchell, in the latest of the long series of novels which have occupied him daring the last 360 [Nov. 1 THE DIAL quarter-century, gives us a work which must be reckoned among the very best that he has written. Few novelists can so temper the results of observa- tion with the ripe wisdom of the philosophic mind, or bring to bear upon a Active invention so wide an experience of life and so seasoned a reflective com- mentary. He uses in the portrayal of a character the method of life itself, revealing to us the traits one by one, as they are brought out by circumstance, instead of employing the method of the facile novel- ist, who usually gives us the character outline at the start, and works it out in detail according to the preliminary specifications. Dr. Mitchell, no doubt, has the preconception clearly mirrored in his mind, but he imparts it to us only piecemeal, and we do not shape it for ourselves until life has progressively shaped it into unity. Each new manifestation comes to us as a surprise, but in the end the parts are all seen to fit themselves together as they do in our acquaintance with an actual person whom we have known for years. In "Hugh Wynne" and "The Red City," he has vitalized the revolutionary and post-revolutionary periods of our national history; in "Westways," he performs a similar task for the period between the days of Clay's compromise, fondly but fatuously expected to calm the waters stirred by the moral uprising against slavery, and the closing days of the cataclysm which well-nigh rent our nation in twain, and blotted out forever the black disgrace of the peculiar institution. "Long before the Civil War," he says, "there were in the middle states, near to or remote from great centres, villages where the social division of classes was tacitly accepted. In or near these towns one or more families were continuously important on ac- count of wealth or because of historic position, gener- ations of social training, and constant relation to the larger world. They came by degrees to constitute what I may describe as an indistinct caste, for a long time accepted as such by their less fortune-favoured neighbors." Such a village is Westways, on the western slope of the Allegbanies in Pennsylvania, and such a family are the Penhallows, James, landed proprietor, ironmaster, and retired army officer, and his wife Ann, an aristocratic daughter of Maryland. The young people of the novel are John Penhallow and Leila Grey, James Penhallow's wards, and respectively his nephew and niece: John, orphaned by his mother's death in Switzerland, comes to live with his guardian in 1855, at the age of fifteen, and here the story begins. It is at first concerned with the making of this formal and self-conscious lad into a sturdy young American, and later with his life at West Point and his career as an engineer in the Civil War. The matters of historical import that are reflected in the ante-bellum chapters of the novel are the growth of the new Republican Party, the campaign of Buchanan and Fre'mont in 1856, the intense feeling aroused by the Fugitive Slave Law, and John Brown's insensate raid. Then we are carried all through the war, from the attack upon Sumter to the surrender at Appomattox, and the figures of Lincoln, Grant, and Stanton flit for moments across the pages. The relations of the Penhallows, husband and wife, are set at odds by politics, Ann being a stout partisan of Buchanan and a sincere believer in slavery, James coming more and more to feel that in the party of Fre'mont and Lincoln lies the only salvation for the imperilled union, and finally taking the field at the head of a regiment at Gettysburg. They debar politics from their conversation, but life forces politics upon them, and the deep affection that exists between them tri- umphs over the theories that would tear them apart. This is fundamentally a historical novel, but the history comes in only episodically, as its march affects the lives of those whose lot is cast in the little village. The love-story of the boy and girl runs like a golden thread through the narrative, but it is never sentimentalized, and neither the one nor the other allows it to become the whole of life. Leila is away for years at school, and John for years fighting with Grant, on the Mississippi and in the Wilderness, but in time's due course their lives be- come united, as they were all the while destined to become. Dr. Mitchell has aimed to give us an "impression of the multitudinous contacts which affect human lives," and this he has done, minutely and with unfailing sympathy and insight. It is good for us to know these people, and it was good for them to have lived in the critical time in which their lot was cast. We have here a cross-section of typical American life during the decade 1855-65, and prob- ably no other writer than Dr. Mitchell could have exhibited it to us in such just proportion and in so humane and philosophical a spirit. It has long been an open secret that the anony- mous novel "The Inner Shrine" and its two suc- cessors were the work of Mr. Basil King, and the authorship is now admitted on the title-page of his new novel, "The Way Home." We find this work less interesting than its predecessors, although it is fairly their match in character delineation and subtle analysis of motive. It fails, perhaps, more from an obtrusive didacticism than from anything else, for the author is too evidently sitting in judg- ment upon his hero instead of leaving the reader's decision to shape itself as the character is unfolded. Charlie Grace is the son of a clergyman, and is himself intended for his father's profession. But his growing manhood revolts against the hypocrisies that hedge that profession round, and his pleasure- loving instincts demand for their satisfaction a more worldly form of success. He goes into business and becomes materially successful, but in so doing hardens his heart toward his fellows, and does not hesitate to seize the opportunities within his grasp, building his achievement upon the failure of his rivals. At the climax of his selfish endeavor, he overreaches himself, and his plans are thwarted by the man whom he has supplanted. Married to a woman morally far too good for him, he becomes faithless to her in thought, although not in act, and is brought back to her in the end by the need of her 1913] 361 THE DIAL support when he is pulled up short in his career by a physician's indeterminate death-sentence. It is thus that he finds "the way home," but we doubt if he would have found it otherwise. There is much beautiful and impressive writing in these pages, but it smacks a little too much of the pulpit, and the process by which the hero's soul is supposed to be saved (by a narrow squeak) too closely resembles "conversion" to be taken for an unimpeachable ethical regeneration. The American interest in "doing things" is chiefly responsible for the popularity of such books as Mr. Rex Beach's "The Iron Trail." The hero of this novel, an Alaskan promoter and railway contractor named Murray O'Neil, is the kind of man who accomplishes his purpose, no matter what the obstacles, and the fact that physical violence and general lawlessness are resorted to as a matter of course whenever they are found necessary only endears him the more to the readers who follow his fortunes with breathless interest. The big thing that O'Neil does is to wrest an Alaskan pass from the clutches of a rival claimant, and to carry a railway through it in the face of formidable diffi- culties. The difficulties are not those offered by nature alone, for in addition he has to contend with underhanded opposition, treachery, legal chicanery, and the failure of funds at the critical moment. It makes a big vivid story, crammed with action and sweetened with sentiment. Mr. Beach knows his Alaska well, and can describe its terrifying aspects very effectively. Otherwise, his book has not much style to speak of, and does not seem to need it by reason of its surplusage of dramatic interest. There are two girls mixed up with the action, and O'Neil, after dallying with one of them half-way through the book, shifts to the other and carries her off. In the course of the narrative, he has occasion to make much caustic comment upon the policy of the Inte- rior Department in opposing the exploitation of Alaskan resources for private gain, and is evidently on the side of the men who go into the wilderness to win for themselves individual fortunes. Of course his vision is blinded by local prejudice, but he comes near to carrying our sympathies with him. "Otherwise Phyllis" is a new "Hoosier Chron- icle," even richer and racier than the earlier one, which marked Mr. Nicholson's transition from the ranks of the irresponsible entertainers to the small company of novelists who go about the exercise of their art seriously and hold it in respect. When we have completed the story of Phyllis, we have not only made the charming acquaintance of a real girl, but we have also learned more about life in Mont- gomery, Indiana, than several years of actual resi- dence would have been likely to impart to us. We know the leading citizens of the town in their private characters and in their social and business relation- ships; we know the home?, the farms, the banks, the business offices; and we know the shady history of the Sycamore Traction Company. The outstanding characters in this novel are Montgomerys and Holtons. Many years before the story opens, Lois Montgomery had married Tom Kirkwood, a pro- fessor in the local college and afterwards a lawyer somewhat neglectful of his profession. Then Lois had scandalized the community by running away with the black sheep of the Holtons, leaving her husband with a baby daughter, "Otherwise Phyllis." Later, a divorce had set Kirkwood free, and marriage with Holton had regularized the social status of Lois, living on the Pacific coast. When we have got fairly well acquainted with the grown-up Phyllis, which means taking her to our hearts, and when we have come to know intimately her lovable father, her three fussy and snobbish aunts, and her substantial and crusty uncle, to say nothing of various Holtons, good and bad, we are prepared for the appearance of Lois upon the scene, and the complications that follow. Here is where the author scores heavily, for Lois does not return as the repentant sinner, begging to be forgiven, but as a level-headed woman of the world, who has long since sent the partner of her flight about his business1, and who has made a large for- tune in Western investments. She knows that her youthful escapade was foolish, but she has long since paid the penalty for that, and thinks the world should call it square. There is nothing morbid or brooding about her; she enjoys life and gets a good deal out of it; and she returns to Montgomery to see what sort of a girl her daughter has grown to be. She has reason to be entirely satisfied with Phyllis, and the affection which she offers is returned in full measure. From the standpoint of Phyllis, this newly-found mother is brilliant, companionable, and sympathetic, and why should she reject the love so freely offered because of those old, unhappy, far-off things that are to the girl nothing more than a misty family tradi- tion. The way in which Mr. Nicholson steers clear of sloppy sentiment in all this business deserves our profound gratitude. The quality of matter-of- factness attaches to this story throughout, and this is what makes its art so genuine. The humor of the book is particularly deft; it is never made obtrusive, but it suffuses the entire narrative with a genial glow, and constitutes one of the chief elements of its charm. William Morton Payne. Biukfs on New Books. The tpirituai What a man thinks and feels and development ota believes is always so much more m-eat Unitarian, important than what he does, that in the case of any interesting personality we would, if we could, gladly exchange the outer facts for the inner impulses. But to give the true story of one's own inner life is so difficult that not often are we granted the privilege of such self-revelations. In "Charles Gordon Ames: A Spiritual Autobi- ography" (Houghton), we have a book of intense interest, especially for those who knew the magnetic personality of the man during his life. But even those who never met him, to whom even his name 362 [Nov. 1 THE DIAL may be unknown, can hardly fail to follow with keen satisfaction the charmingly written story of the development of a soul. Certainly, no one can read unmoved the first chapter, "The Religion of a Boy," revealing what a child can suffer from being misunderstood. Like many another youngster, he was regarded as heedless, perverse, unfaithful; his quickness to learn was merely a misfortune because it left him all the more time for mischief. Yet he was never long without serious thoughts; there was never a day when he could not have been reached by love and sweet reasonableness. The chapter entitled "How I Became a Preacher" is scarcely less touching. Before he was quite eighteen years old, his fellow church-members gave him a hearing in order to determine whether his "call to preach" was a true one. He was the janitor of the church, and lighted the vestry for the occasion. They listened to his sermon, held a meeting afterward, and voted to approve Brother Ames in publicly "improving his gift" His little vessel was launched and he felt himself in the ministry. Then followed experiences baffling enough to discourage any but the stoutest heart. Minnesota in the fifties was in its frontier stage; hither he went, established a church, and on a salary of two hundred dollars a year managed somehow to support his family, not- withstanding an expostulation from one member of his congregation on his extravagance in money matters! The important event of this period was a gradual change of his own religious views so great that conscience forced him to withdraw not only from the Free Baptist Church of Minneapolis, which he had organized five years before, but from the denomination altogether. The story of the next half-century is told in the concluding chapter, called "Fifty Years among the Unitarians." The Epi- logue, written by Dr. Ames's daughter, Alice Ames Winter, contributes many interesting reminiscences and some fine tributes from personal friends. One of these tributes characterizes him as "the last figure of the great Unitarian group. There was no other quite so Emersonian. A hundred of his sermons were almost Emerson essays. He had Emerson's firm and quiet faith, his penetration and poetry of nature, his wit and humor and sententiousness, his gift for homely illustration, his buoyant optimism, and his democracy." Reconciling "The Meaning of Evolution" (Mac- reUgion and millan), by Mr. Samuel Christian DarwinUm. Schmucker, is a latter-day attempt at reconciling religion and Darwinism. According to one's point of view such a task will be regarded as either a work of supererogation or an impossi- bility. Looked at either way, this particular book does not impress one as an especially strong or deep contribution. Its style has a bit too much of Pecksniffian unctuosity to be relished. Even our theological faculties of the present day demand sterner and more filling intellectual pabulum than is furnished by Mr. Schmucker. A very diluti account of the principal factors and the course of organic evolution forms the concrete subject matter. From the biological side, the reviewer has not been able to discover in the book one single new idea, or even a novel development of a well-known one. The whole theory of the method of organic evolu- tion is just now passing through a most interesting stage of development. Old ideas are being criti- cized, and new ones are being tested, with such rapidity as to make it a matter of some diffi- culty even for the specialist in this field to form a just estimate of the immediate status of expert opinion about the method of evolution. This con- dition of affairs would seem to afford both an opportunity and a stimulus to the popular writer. Liveliness and life seem somehow to be related. How far ahead of Mr. Schmucker are topics of current interest in evolution is indicated by the fact that the names of Mendel, Bergson, Driesch, Galton, and Karl Pearson are not even mentioned in his pages. The sole concession to modernism is a scant two pages (and a portrait) devoted to De Yries and his mutation theory. This discussion closes with the following truly precious thought: "Just at present it seems premature to believe that all evolution is by mutation, although quite possibly some of it is." The personal field-observations of the author, especially some of those on birds, form the one redeeming feature of the book. It has been said that a nearly infallible test of a writer's com- petency to discuss evolution is afforded by the way in which he spells the name of the most distin- guished Neo-Darwinian. By this test the present author fails, since throughout the text "Weissman" is written, while curiously enough the legend of the plate facing p. 238 (presumably furnished by the publisher) correctly states that the gentlemen por- trayed is "August Weismann." Et de hoc satis. Greek art at ^n *ne diffusion of an intelligent love the expreuion of art, the Bureau of University o/ Greek li/e. Travel in Boston has played an im- portant part with its prints and publications; and its president, Dr. H. H. Powers, has been its leading apostle. As personal conductor, as lecturer, as author, he has spread the gospel of the beautiful in all parts of the land; and his utterances, on Italian art espe- cially, are of wide acceptance. To these he has now added a volume on "The Message of Greek Art" (Macmillan), which will well repay careful study. From Winckelmann down, we have had many a history of Greek Art; but they have all stuck pretty close to their text as conceived in the word "Art." Dr. Powers apprehends that the emphasis would better be laid on "Greek." To him, "the subject is never dissociated in thought from its great back- ground of Greek civilization, and it derives its chief interest to the writer from the fact that it so con- stantly reveals and interprets this larger fact. It is therefore the message of Greek art, what it has to tell us of the Greeks, of their personality, their ideals, and their experiences, that will chiefly concern us 1913] 363 THE DIAL rather than considerations of process or later acci- dent." To this conception of his task the author generally holds true; the result being that we have a history of Greece and one of Greek art running in parallel channels, and each explaining the other. A difficult undertaking; and achieved, it must be admitted, with a high degree of success. Dr. Powers has never lost sight of the Greek national character as interpreted in art forms. Thus the curves of rosette, scroll, and cuttle-fish tentacles, so universal in Mycenaean decoration, are indicative of a gentle and effeminate civilization, just as "the harsh zig- zags and bristling angles which marked the pottery of that civilization's successors and conquerors reflected in its turn a more rugged and martial nature." So again, in the elaborate coiffures, frills, and edgings which ornament the draped female figures of the Acropolis, Dr. Powers sees the influ- ence of the benevolent but cramping tyranny of Pisistratus, under which true liberty was shackled and personality repressed. When he comes to the Great Age, it is Phidias who looms before him as a great statesman, whose life-work was to assist Pericles in making Athens imperially great, rather than that of a "mere" sculptor absorbed in his art. These are not all new views; but we have never seen them urged so eagerly and eloquently. Dr. Powers writes with an enthusiasm which is more of a challenge than an appeal; his style is high-colored, and rich in epigram and colloquialisms. Occasion- ally he forgets his perspective, as in his extended discussion of the nude in art, and his invective against some of the yardstick critics and Philistines who are found even in studios and lecture-rooms. The book is fascinating throughout; but, like other fascinating books of criticism, must be read with some reserves. The 137 illustrations are beautiful and well-chosen; some of them reproducing statues which we have not seen in other works of the kind, — e. g., the Vatican Eros and the Boston Zeus. In speaking of the marble copies of Polyclitus's Hera, the fine head found by the American School at Argoe, and now in Athens, is rather oddly omitted. A few misprints should be noted: "Lybia" (p 41), "Colonnus" (p. 128), "properous" (p. 129), "cor- alled" (p. 210). A high-spirited daughter of the Con- in "war-time" federacy has left a vivacious record of harrowing war-time experiences in a volume now published by her son after her death, and entitled by him "A Confederate Girl's Diary" (Houghton). Sarah Morgan, afterward Mrs. Sarah Morgan Dawson, as her name appears on the title- page, was the daughter of Judge Thomas Gibbes Morgan of Baton Rouge; and it was at or near Baton Rouge and New Orleans that she lived through such times as may well have tried men's souls, to say noth- ing of women's. Her diary, begun in the spring of 1862 as a distraction from the glooms and horrors of the period, extends to the summer of 1865, and is necessarily devoted mostly to the minor and nearer happenings in the writer's little world. But as death and disaster visited her home and neighborhood in the progress of the war, she developed a cordial hatred of the Yankees and expressed herself vigor- ously in denunciation of their atrocities. "And this is war!" she writes on an early page. "Heaven save me from like scenes and experiences again." There was worse to come, however. Her description of the wrecked and pillaged homestead at Baton Rouge is moving indeed. In her satirical thrusts at "good, kind General Butler" we see her laughing through her tears. Her account, as an eye-witness, of the burning of the Confederate vessel "Arkansas" by her crew after her machinery had broken down, in order to prevent her capture by the " Essex," would seem to throw new light on what has hitherto been accepted as a Federal victory. As the production of a young girl of little formal education, the diary is surprisingly vivid and vigorous in its style. Writ- ten often in the hurry and panic of perilous times, it maintains a certain unstudied finish of manner that is remarkable. Mr. Warrington Dawson, the diar- ist's son, who transcribed the faded pages for publi- cation, gives assurance that he has altered nothing, only omitted a few passages of purely personal or family interest. He has furnished the book with a biographical introduction, and there are portraits and other illustrative material. Siudiei in The posthumous volume of studies American by Erank Egbert Bryant, Associate scholar. Professor of English in the Univer- sity of Kansas, entitled "The History of English Balladry, and Other Studies" (Badger), brings together a notable group of essays on subjects con- nected with the English language and literature. The title-essay is the outgrowth of a doctoral thesis at Harvard, and presents a valuable account of the emergence of the English ballad in early times, and of its development through the reign of Elizabeth. Wise and deep scholarship are reflected here in a study which, although uncompleted, will be of con- stant service to students in this field. It is unfor- tunate that the proofreading has not been done by someone familiar with Middle English, for there are instances in which thorn and the letter p have been sadly confused. The second essay, on Lead- ing's "LaocoOn," was printed in 1906, at the Uni- versity of Michigan, and has already received praise from eminent authorities in America and in Europe. A clear and penetrating analysis is made of Less- ing's dicta regarding Description, and his inconsis- tencies are laid bare; then the essay goes on, progressively, building up a theory of Description which contains matter very suggestive to students of this subject. As an instance of acute application of the newer views of psychological aesthetics, this study deserves close attention, especially from young teachers. The brief papers that form the latter part of the volume are connected with subjects linguistic and phonetic, appealing chiefly to the specialist,— although the study of "Conservation in Language" 364 f Nov. 1 THE DIAI, will engage the interest of any thoughtful reader. The loss that American scholarship has suffered in Professor Bryant's death at the outset of his career is a loss that can be ill-sustained. We need, very greatly, just such scholars,—quiet, profound, and tireless in their scrutiny of facts and of theories. Sound knowledge, combined with power of resist- ance to conventional dogma and a tenacious skill in penetrating to the centre of matters, character- ized the work of Dr. Bryant. With years of study under leaders at Michigan, at Yale, and at Harvard, with experience in libraries abroad, and with the prestige of work already noted in high places, he was equipped to enter upon a life of unusually vital scholarship. This volume is a significant contribu- tion to our library of critical investigation in the field of English. New gleaning, The v°lume entitled "A Pilgrimage from the prose of Pleasure: Essays and Studies" of Swinburne. (Badger) by Algernon Charles Swin- burne is made up of gleanings from the scattered prose writings of the poet. Some of the eight num- bers included — the "Dead Love" of 1862, the essay on Dickens published in the "Quarterly Re- view," 1902, and "An Unknown Poet [Wells] " pub- lished in the "Fortnightly Review," 1875—are not so difficult of access aB to make the present reprint a particular boon, but for the others we may well be grateful, as for the full bibliography that has been prepared by Mr. Edward J. O'Brien. "A Pilgrimage of Pleasure" is taken from "The Children of the Chapel," a tale by Mrs. Disney Leith, published in 1864. It is a morality, accepted as Swinburne's by most of the bibliographical specialists, and in our opinion bearing the sign manual of the poet upon almost every line. It exhibits Swinburne's uncanny imitative powers as unmistakably as any of the pieces in the first "Poems and Ballads " or as the border ballads of a later date. The critical essay on Bau- delaire and the note on Meredith's "Modern Love" may both be found in the files of the "Spectator" for 1862, but we are glad that we no longer have to resort to that source to read them. The Baude- laire essay, indeed, belongs with Swinburne's most finished critical studies. The notes on Simeon Solomon are dated 1871, come from a forgotten ephemeral periodical, "The Dark Blue," and call our attention to a forgotten artist, whom even a Swinburnian eulogy has not been sufficient to save from oblivion. Much the same may be said of John Nichol's "Hannibal," which the poet eulogized in the "Fortnightly Review" for 1872. The chief interest for us of Mr. O'Brien's bibliography is the revelation which it affords of the great number of fugitive items, existing only in private editions of twenty copies or less, which the general reader has no chance of seeing. Surely something must be done to make these things accessible. We note that the bibliographer gives recognition to The Dial for being the first to publish two of Swinburne's poems (vol. xlvii., pp. 504-5). Walks and A work offered as -'a handbook for talks in youngpeople"which many grown ups musiciand. will also welcome is "In Music Land" (Browne & Howell Co.), by the veteran musical critic, Mr. George P. Upton. Its purpose is to introduce the reader to an acquaintance with the life-stories of the great composers, with the origin and structure of the most popular forms of musical composition, and with the chief musical instruments used by the orchestra and the special qualities of each as mediums of conveying musical thoughts and feelings. Precisely such a work as thip, so entirely free from technicalities, has not been undertaken before; and Mr. Upton is precisely the man. best fitted to have written it. For not only does he understand and love music, but he understands and loves children; and we venture to guess that "Dorothy" and the others to whom the stories are told regard him as quite one of themselves. In the twelve biographies beginning with Bach and ending with Verdi, perhaps the most notable fact brought out by the writer is the almost invariable sadness and harshness of these musicians'childhoods. Men- delssohn seems almost the only exception. Com- menting on this, Mr. Upton philosophizes thus: "Perhaps that is one reason why his music is always graceful, refined, and beautiful, though it is not as great as that of the composers who have suffered. . . . When Elf-Land seems far away, and the leaves are falling, and the sky grows gray, you will turn to the greater masters." Discussing the Orchestra and its instruments, the author is partic- ularly happy in his characterizations. For example, the harp is called "the hermit thrush of the family because it is a lovely singer . . . the only one that has got into Heaven . . . the favorite of the angels." The "Postlude" is eloquent, and surely should do much to banish from the youthful mind the tendency to regard the study of music as drudgery, or, at best, a mere frill to more serious pursuits. "It is the one art which above all others enhances the joy of the world, the one which above all others inspires to action, the one above all others which rests you when weary, which consoles you when sor- rowful. . . . No other labor brings such rich spiritual compensation or abundant pleasure." Many quaint illustrations by Mr. James Bloomfield help to make this volume a particularly choice gift for all, young or old, who seek elementary musical knowledge. An Admiral's A native "facultv for making things recollections happen" was responsible for sundry of two wars. exciting and not always agreeable occurrences in the boyhood and youth of Admiral Dewey, and it came near to causing his premature and inglorious departure from Annapolis at the end of his first year in the Naval Academy. But it was his destiny to make a more graceful exit three years later, and very soon afterward to show him- self as capable a disciplinarian and commanding officer as he had been daring and resourceful in defying authority. His "Autobiography" (Scrib- 1913] 865 THE DIAL ner), written at last in his seventy-sixth year with the natural reluctance of a man of distinguished achievement to talk about his deeds, and only pro- duced at the repeated solicitation of friends, as his preface duly sets forth, gives with conciseness, and yet in a style that proves highly readable, the main facts of his ancestry, education, naval experience under Farragut at New Orleans amd his later ser- vice in the Civil War, in the course of which he was the executive officer of nine successive ships, his part in the building of our modern navy, his appointment to the command of the Asiatic squad- ron, the battle of Manila Bay and the complex responsibilities imposed upon the victor immediately thereafter, and the chief events of his later peaceful years. In his account of the naval operations directed by Farragut, of the subsequent assault on Fort Fisher under Admiral Porter's leadership, and of the operations that ended in the complete destruc- tion of the Spanish squadron at Manila, there is no lack of movement and thrill. Appended documents treat of details in the important occurrences in the Philippines during those critical months of 1898. Pictures of war vessels and portraits of their officers abound. A confusing error in dates occurs (p. 205) in the account of movements immediately preceding the battle of Manila Bay. Otherwise, with few exceptions, the book shows evidence of adequate care in its preparation, for which indebtedness is acknowledged to Mr. Frederick Palmer. j. ^ The late Edward A. Moseley, Sec- One who tided •" with the retary of the Interstate Commerce under dog. Commission from its organization in 1887 until his death in 1911, was a whole-hearted champion of the defenceless employee whose occupa- tion exposed him to peculiar risks resulting in loss of life or limb. His part in securing the passage of the first safety-appliance act and the employers' liability act, with other services to his fellow-men, is well and fully told by Mr. James Morgan, a close friend of his for many years, in a substantial volume entitled "The Life Work of Edward A. Moseley in the Service of Humanity" (Macmillan). Though the son of a wealthy father and belonging by birth to the aristocracy of Newburyport, Moseley was a democrat at heart, a strenuous toiler by choice, and always the true friend of the people, with whom he mingled unaffectedly all his life. A year's experience as a common sailor under the harshest of captains and with the roughest of shipmates had early proved of what stuff he was made. Characteristic of the man was his organizing of a strike among the work- men of his own firm, in order to have a pretext for raising their wages. The book abounds in similar instances of disinterested endeavor, usually success- ful, to improve the condition of the laboring classes. Extracts from his correspondence and from other documents of interest are inserted here and there. A link connecting Mr. Moseley with the literary world is found in his relationship to Mrs. Harriet Prescott Spofford, whose sister he married, and with whom he and his family maintained terms of inti- macy. Portraits, views, appended matter, and index round out the bool's equipment as a well-executed piece of work. c. ... i Miss Bertha Thomas well knows how Short tketchet . , . of Weith u/e • to sprinkle her page with Doric dia- and character. i0gUe ;n 8UCh wi8e ag to impart an air of verisimilitude to what might otherwise be a bald and unconvincing narrative. Her "Picture Tales from Welsh Hills" (Browne & Howell Co.) consists of nine stories and sketches abounding in rapid portraiture of Welsh character and customs, Welsh oddities and superstitions, Welsh habits of thought and speech. In the opening story, "The Madness of Winifred Owen," the heroine rids her- self of the attentions of an unwelcome lover by taking a subtle poison that renders her temporarily insane, and afterward marries the man of her choice. The longest tale in the book, "The Way He Went," gives the history of a phenomenally intellectual country lad who achieves an Oxford education, grieves his mother by taking to wife a girl not of his own country, and dies an early death. A sketch entitled "Comic Objects of the Country" presents in amusing form the impressions of a London gamin on being sent to an industrial school in rural Wales. Of such trifles is the book compounded, but the story-teller's art makes them worth while. Even the minor characters are made to stand out in dis- tinct shape by a skilful stroke or two of the pen, as the schoolmaster Macpherson, "whose career had been checked by a moral scrape of his youth," and whose ambition, "under the slur of it, had finally settled down to the lifelong position of an assistant master, manufacturing brilliant products rather than shining as one himself." Some aberrations in the writer's English, perhaps attributable to the con- tagious influence of the Welsh idiom, will be noted here and there by a critical reader, who will grieve at Miss Thomas's unabashed use of "enthuse," without apologetic quotation marks, and at her dis- regard of a good old rule of grammar in speaking of "the unkindest cut of the two." BRIEFER MENTION. "The Poems and Ballads of Robert Louis Steven- son," in complete form, are now for the first time brought within the covers of a single volume, of good typography and comfortable dimensions. A photo- gravure portrait of the author is included by way of frontispiece. Messrs. Scribner are the publishers. To have offered him in good cloth-bound editions at fifty cents each three such valuable works in his field as Dr. Ely's "Evolution of Industrial Society," Mr. Franklin Pierce's "The Tariff and the Trusts," and Dr. Devine's "Misery and its Causes" is a boon for which the student of public affairs cannot fail to be sincerely grateful. These volumes comprise late addi- tions to the "Macmillan Standard Library." To this series have also been added Professor F. B. TarbelPs "History of Greek Art "and Mr. W. H. Goodyear's "Renaissance and Modern Art." 366 [Nov. 1 THE DIAL Notes. Mr. Gilbert K. Chesterton is preparing a volume on Charles Kingsley for the "English Men of Letters" series. M. Jean Finot, author of "Problems of the Sexes," has recently completed a volume which Messrs. Putnam will soon publish in an English translation entitled "The Science of Happiness." The extended biography of Francis Thompson, upon which his friend Mr. Everard Meynell has been at work for two or three years past, will shortly be issued in this country by Messrs. Scribner. Mr. Howard Elliott, recently appointed president of the New York, New Haven, and Hartford lines, has written a book entitled "The Truth about the Kail- roads," which Houghton Mifflin Co. will publish at once. A life of Dr. Munger of the United Church of New Haven, by his friend and fellow-minister, Dr. Benjamin Wisner Bacon, is announced by the Yale University Press. The book is to bear the title, "Life of Dr. Theodore Thornton Munger, New England Minister." The works of Samuel Butler, the gifted author of "Erewhon" to whom we devoted an article in our last issue, are gradually being issued in American editions. Messrs. Dutton now announce his travel book, "Alps and Sanctuaries," in a new edition edited by Mr. R. A. Streatfeild. "The Constitution of Matter," to be published this month by Houghton Mifflin Co., is made up of six lec- tures delivered by Professor Joseph Sweetland Ames of Johns Hopkins University. They set forth the latest discoveries and theories in regard to molecules, atoms, radiation, etc. Stephen Jenkins, whose death at the age of fifty-six was reported two weeks ago, had recently completed a volume on " The Old Boston Post Road," which Messrs. Putnam will publish this month. Mr. Jenkins was also the author of "The Greatest Street in the World " and "The Story of the Bronx." Three books just announced by Mr. John Howell, a San Francisco bookseller who is now to enter the pub- lishing field, are the following: "Brunelleschi," by Mr. John Galen Howard; "The Fall of Ug: A Masque of Fear," by Mr. Rufus Steele; and " The Runner's Bible," compiled and annotated by Mr. N. S. Holm. The well-known "Photogravure Series" published by the John C. Winston Co. will soon receive the addition of a volume on "French Canada and the St. Lawrence: Historical, Picturesque, and Descriptive," by Mr. J. Casteil Hopkins. Twelve photogravure plates, from original photographs, will illustrate the work. "English Dramatic Poetry," by Professor Felix Schelling, "English Elegiac, Didactic, and Religious Poetry," by Very Rev. H. C. Beeching, and "English History and Schools of History," by Professor Richard Lodge, are three shortly forthcoming volumes in Messrs. Dutton's "Channels of English Literature" series. Mr. Edwin A. Brown is a well-to-do citizen of Den- ver, who believes that the way to investigate social conditions is to put yourself in the other fellow's place. He also believes that the great problem before us to-day is the problem of taking care of the temporarily unem- ployed — the wandering, homeless, penniless working- man. To find ont what our big cities are doing to meet this problem, Mr. Brown set out on a tour of the country in the guise of a man without employment, but willing to work. His experiences will be published this month by Browne & Howell Co., under the title "Broke: The Man Without the Dime," and will be illustrated from photographs. Mrs. Sara Andrew Shafer, an occasional contributor to The Dial and the author of several published books, was killed in an automobile accident on October 18, near her home in La Porte, Ind. Her writings include "The Day before Yesterday," "Beyond Chance of Change," "A White Paper Garden," and volumes on Annapolis, Frederick, and Mackinac in the "Historic Towns " series. "The Life of Florence Nightingale" will be pub- lished very shortly by Messrs. Macmillan. It is from the pen of Sir E. T. Cook, who has had access to the family papers, and so has been enabled to give for the first time a full account of this remarkable woman. The biography will be found to possess a special sig- nificance as correcting and supplementing what its author describes as "a popular legend," though only in the direction of enhancing the greatness of a noble life. It will consist of two volumes and will be fur- nished with interesting portraits and other illustrations. A collection of " Folk-Ballads of Southern Europe," transcribed and translated from many Romance lan- guages and dialects by the late Sophie Jewett, will be published immediately by Messrs. Putnam. Miss Jewett's last work was done on these ballads, and they are said to reveal her art in its delicacy and in its strength. The original texts are printed on pages facing the translations. Notes giving the history of ballad- texts and indicating the analogues of the different bal- lads have been added by the editor, Professor Katharine Lee Bates, who has incorporated many extracts from the lecture notes of Miss Jewett's college course on the ballads and many of her rough translations not included in this collection. William Garrott Brown, an historical writer of not- able achievement and promise, died at New Canaan, Conn., October 19, at the age of forty-five. From 1893 to 1901 he was assistant librarian at Harvard, and dur- ing the following year lectured there on American his- tory. Besides an "Official Guide to Harvard Univer- sity " and numerous contributions to "The Atlantic" and other periodicals, be is the author of "A History of Alabama,'' "Andrew Jackson," "Stephen Arnold Douglas," "The Lower South in American History," "Golf," "A Gentleman of the South," "The Foe of Compromise and Other Essays," and a " Life of Oliver Ellsworth" Since 1908 he had been on the editorial staff of " Harper's Weekly." Harvard University and the Massachusetts Institute of Technology have united in establishing a School for Health Officers, and the "Catalogue and Announce- ment," an interesting pamphlet of forty-one pages, will be sent to applicants by Mr. Roger Pierce, President's Office, Harvard University. The new school is not to be confused with the Harvard course leading to the degree of Doctor of Public Health (Dr. P. H.); the two are independent of each other, and the school will confer no degree, but will give a Certificate of Public Health (C.P.H.) "to candidates who have satisfactorily com- pleted the studies in their approved schedule, who have spent not less than one academic year in residence, and I who have otherwise complied with all requirements." DIAL 367 B>!ouj. The Princeton University Press, recently organized, ¥°jm.< announces the formation of a Committee on Publica- pnkliks'. tions, composed of Dean William F. Magie, Professor Jettfe j Edward Capps, Professor Frank Jewett Mather, Jr., 'aid T;, Professor Frank Albert Fetter, and Professor Varnuni Lansing Collins. This Committee will consider all I eontiW manuscripts and proposals for publication, and the lisisiU right to authorize publications with the imprint of the fJftnL.1. Press rests solely with this Committee. Since organi- zation, the University Press has been developing its manufacturing business, which is now self-supporting and housed in a handsome and well-equipped building. With their organization perfected and with their own plant capable of manufacturing any publications they may issue, the University Press now looks forward to a steady development of its publishing business. Already a few books have been issued, and many more are pro- jected. Among the latter are "The Beginnings of Libraries," by Mr. Ernest C. Richardson, to be pub- lished this year. News of several promising autumn biographies, not yet announced on this side, reaches us from London. Among others we note the following: "Memories of Charles Dickens," by Mr. Percy Fitzgerald; "Life of Wagner," by Mr. John F. Runciman; "J. M. Synge and the Irish Literary Theatre," by M. Maurice Bour- geois; "George Borrow and His Circle," by Mr. Clem- ent K. Shorter; ' Life of Meredith," by Mr. Thomas Seccombe; "Goldwin Smith: His Life and Opinions," by Mr. Arnold Haultain; "Oscar Wilde and Myself," by Lord Alfred Douglas; "Coleridge and Wordsworth in the West Country: Their Friendship, Work, and Surroundings," by Professor Knight; "Contemporary Portraits," by Mr. Frank Harris; "Life of James Hinton," by Mrs. Havelock Ellis; "Twenty-Five Years: Reminiscences," by Mrs. Katharine T. Hinkson; "Memoir of Arthur John Butler," by Sir A. T. Quiller- Couch; " Shakespeare Personally," by the late Professor Masson; ' Lord Lister: His Life and Work," by Dr. G. T. Wrench; and "Ouida: A Memoir," by Miss Elizabeth Lee. Reuben Gold Thwaites, whose work in the field of Western history has made his name familiar to every American historical student, died in Madison, Wis., on October 22. He was born in Dorchester, Mass., in 1853, and in 1866 removed to Wisconsin. From 1876 to 1886 he was managing editor of the "Wisconsin State Journal," published in Madison. In 1886 he was elected secretary of the State Historical Society of Wisconsin, and editor of the society's "collections," which positions he has occupied continuously since. He was President of the American Library Association in 1900, and has held various other prominent offices of an active or honorary sort. His first published work, "Down Historic Waterways," appeared in 1888; this was followed at intervals of two or three years by "The Story of Wisconsin," " The Colonies, 1492-1750," "Our Cycling Tour in England," "On the Storied Ohio," volumes on Father Marquette and Daniel Boone in the "Pioneers of America" series, a "Brief History of Rocky Mountain Exploration," "France in America," a volume on Wisconsin for the "American Common- wealths" series, besides several other books of educa- tional or other more specialized character. Perhaps Dr. Thwaites's most valuable work was his editorial labors upon "The Jesuit Relations," published in seventy-three volumes during 1896 1901, which will always remain a noble monument of historical scholar- ship. He also edited the series of "Early Western Travels, 1748-1846," in thirty-six volumes, author- itative editions of the Lewis and Clark Journals, Father Hennepin's "New Discovery," Lahontan's "New Voyages to North America," Kinzie's "Wau Bun," and several other middle Western historical sources. Older readers of The Dial will recall with pleasure Dr Thwaites's not infrequent contributions to these pages in the eighties and nineties. During the autumn the Oxford University Press will add the following titles to their various well-known series. In the " Oxford Poets," " The Poetical Works of William Blake," edited by Mr. John Sampson, and "A Century of Parody and Imitation," edited by Messrs. W. Jerrold and R. M. Leonard. In the "Oxford Edi- tions of Standard Authors," " Andersen's Fairy Tales," edited by Mr. W. A. Craigie; Goldsmith's "The Bee," "Essays," and "Life of Nash"; Kingsley's "Heroes: Greek Fairy Tales for My Children"; Kingsley's Poems, 1848-70; Macaulay's Essays; William Morris's Prose and Poetry, 1856-70; and Dante Gabriel Rossetti's Poems and Translations, etc., 1850-70. In the " World's Classics," Keble's "Christian Year "and "Lyralnnocen- tium"; William Morris's " Defence of Guenevere, Life and Death of Jason, and Other Poems"; Christina Rossetti's "Goblin Market, The Prince's Progress, and Other Poems''; Whittier's " Selected Poems '; Words- worth's " Selected Poems"; Mrs. Gaskell's " Round the Sofa," with Introduction by Mr. C. K. Shorter; "The Lord of the Harvest," by Miss M. Betham-Edwards, with Introduction by Mr. Frederic Harrison; "Selected English Letters (XV.-XIX. Centuries)," edited by Messrs. M. Duckitt and H. Wragg; and "Selected English Speeches, from Burke to Gladstone," edited by Mr. Edgar R. Jones. Topics tn Leading Periodicals. November, 1913. America, Talks to. G. K. Chesterton Century America, The Riddle of. Quglielmo Ferrero . . Atlantic Anthropology, Fifty Years of. Ernst Haeckel . No. Amer. Art, The Paradox of. Walter M. Cabot .... Forum Australian Bypaths. Norman Duncan .... Harper Australia's New Capital. Hugh H. Link .... Forum Babylon, A Day at. Lewis R. Freeman .... Atlantic Beauty, The Gospel of—III. Nicholas V. Lindsay Forum Blackburn, Mount, First Up. Dora Keen . World's Work Bulgaria and the Treaty of Bucharest, Svetozar Tonjoroff North American Business Success Secrets—I. E. M.Woolley World's Work Butterflies, Peruvian. Millioent Todd Forum Catholic Church, A. L. J. Eddy Forum Child Development, Scientific Study of. J, B. Miner Pop. Sci. Civic Progress in America. Victor Branford . . . Forum College Democracy, The Straggle for, John Corbin Century Conversation. Agnes Repplier Century Currency, Elastic. James R. Merriam . . World's Work Currency Bill, How to Amend the. F. A. Vanderlip N. Amer. Democracy, A Practicable Organization of. J, N. Lamed Atlantic Design, Ideas of, in East and West. Laurence Binyon All. Dietetics, The History of. J, B. Nichols Popular Science Diplomatic Service, Our Disorganized. J. D.Whelpley Century Diplomat's Wife, A, in Washington. Madame de Hegerraann-Lindencrone Harper Education, A Revolution in, and Its Cause. Leonard P. Ayres Lippincott Eglinton, John. Ernest A. Boyd , . . North American 368 [Nov. 1 THE DIAL Electrification, Contact. Fernando Sanford . Pop. Science Employment Plan, A Scientific. B. J. Hendrick Bev. of Revs. England, Notes on. Vernon Lee Scribner Englishman, The Heretical. Carl S.Hansen . . . Forum Eskimo, Religious Beliefs of the. Vilhj&Iniur Stefansson Harper Eugenics. Economic Factors in. W. L. Holt Pop. Science Flying. Ida M. Tarbell American Gettysburg, The Vision of. Robert V. Johnson No. Amer. Girl,' The English, in Fiction. Mrs. W. L. Courtney North American Glow-Worm, The. Henri Fabre Century Guiana, Falls of, and Beyond. Henry E. Crarapton Harper Health Menace, The, of Alien Races. Charles T. Nesbit World's Work Homesteader, Letters of a—II. Elinore Rupert Atlantic Housing, Good, The Progress of. S. M. Cragier Rev.of Revs. Ulegitimacy in Hungary. G. Townley-Fullam . . Forum Immigration, Economic Consequences of. E.A.Ross Century Industrial Conciliation, Art of. M. M. Marks Rev. of Revs. Japan. Motoring in. Melvin A. Hall Century Job, Call of the. Richard C. Cabot Atlantic Justice, Swift and Cheap — II. George W. Alger World's Work Land Values. American, Increase of. Scott Nearing Popular Science Law, Equality before the. A. L. Hudson . . . Atlantic McKinley, Mt., Ascent of. Hudson Stuck . . . Scribner MoReynolds, JamesC. Burton J. Hendrick World'sWork Manchn Court, Secret Annals of the. E. Backhouse and J. 0. P. Bland Atlantic Medical Education, German Side of. Abraham Flexner Atlantic Men of Mark. Alvin Langdon Coburn Forum Militant Women, The, and Women. Edna Kenton. Century Mississippi, Petrified Forest of. C. S. Brown. Pop. Science Morals, Our Supervised. Louise C. Willcox. N. American Motor Trucks, Buying and Operating. W. A. McDermid Review of Reviews Mutual Aid, The Art of. John L. Mathews. . . Harper Navy, The Newer. Enrique Muller, Jr. . World's Work Palestine, Jewish Colonization in. O. F. Cook. Pop. Science Panama, Glory of. Ray S. Baker American Politics, The New World in. Jesse Macy. Rev. of Reviews Primary, The Direct. Karl A. Bickel. . Rev. of Reviews Prisoner, The. — II. Winifred Louise Taylor. . Scribner Public Man, The High-Minded. W. D. Howells. No. Amer. Public School Teacher. Day's Work of a. Adele M. Shaw World's Work Puritan, The, and the Prodigal. Mrs. Havelock Ellis Forum Rhinoceros and Hippopotamus, The African. Theodore Roosevelt Scribner Rocks, The Friendly. John Burroughs .... Harper Royce, Professor, and the Problem of Christianity. John T. Driscoll . North American Uural Schools, Problems of. Mary A. Grupe. Pop. Science. Samaritan, Good, The World's. Carl Crow. World's Work Slum, The Battle with the. Jacob A. Riis. . . Century Smith, Goldwin, — Why He Came to America. Arnold Haul tain ........ North American Syrian Household, A. A. M. Rihbany .... Atlantic Thompson, Francis, Poetry of. M. D. Armstrong . Forum Time, Past Masterof Illusion. C. L. B.Shuddemagen Forum Traubel, Horace: Democrat. Paul Haiina . . . Forum Ulster, The Problem of. Sydney Brooks North American Underwood-Simmons Tariff. The. N. I. Stone Rev. of Revs. Union-Pacific-Southern-Pacific Egg, Unscrambling the. Edward S. Mead Lippincott Venice, Unusual. Mary Heaton Vorse .... Harper Vision, Color, and Modern Art. H. 0. Keller and J. J. R. Macleod . . . . . . . . Popular Science War. Bernard Iddings Bell . Atlantic Wilson. " Chinese " — Plant Hunter. Leonard Barron World's Work Wilson, Six Months of. George Harvey . North American Zoological Garden, The National. R.W.Shufeldt Pop. Sci. LIST of New Books. [The following list, containing 24'3 titles, includes book* received by The Dial since its last issue.] BIOGRAPHY AND REMINISCENCES. Memoirs of an American Prima Donna. By Clara Louise Kellogg (Mme. Strakosch). Illustrated in photogravure, etc., Svo, liSi! pages. G. P. Put- nam's Sons. $2.60 net. Mrmolra of LI Hung Chans. Edited by W. F. Man - nix; with Introduction by John W. Foster. "With frontispiece in photogravure, large Svo, 298 pages. Houghton Mifflin Co. $3. net. Early Memories. By Henry Cabot Lodge. Large Svo, 362 pages. Charles Scribner's Sons. $2.50 net. Anthony TroIIopei His Public Services, Private Friends, and Literary Originals. By T. H. S. Fscott. Illustrated, large 8vo, 351 pages. John Lane Co. $3.50 net. Fifteen Yearn of a Dancer's I,lie: With Some Ac- count of Her Distinguished Friends. By Loie Fuller; with Introduction by Anatole France. Illustrated, 8vo. 288 pages. Small, Maynard & Co. $2. net. William of Germany. By Stanley Shaw, LL.D. With photogravure portrait, 8vo, 395 pages. Macmlllan Co. $2.50 net. The Public Prosecutor of the Terror 1 Fouquler- Tinvllle. Translated from the French of Al- phonse Dunoyer by A. W. Evans. Illustrated In photogravure, etc., large 8vo, 320 pages. G. P. Putnam's Suns. $3.75 net. I iiruly Dnujrhters: A Romance of the House of Orleans. By H. Noel Williams. Illustrated in photogravure, etc., 8vo, 379 pages. G. P. Putnam's Sons. $4. net. A Woman Rice Planter, By Patience Pennington; with introduction by Owen Wister. Illustrated. Svo. 450 pages. Macmlllan Co. $2. net. Aaron Hill! Poet. Dramatist. Projector. By Dorothy Brewster. Ph.D. With portrait, 12mo, 300 pages. Columbia University Press. $1.50 net. HISTORY. Chicago and the Old Northwest. 1673-1835: A Study of the Evolution of the Northwestern Frontier, together with a History of Fort Dearborn. By Mllo Milton Quaife. Ph.D. Illustrated, large Svo, 4S0 pages. University of Chicago Press. $4. net. The Hunkers in Great Britain and America! The Religious and Political History of the Society of Friends from the Seventeenth to the Twentieth Century. By Charles Frederick Holder. LL.D. Illustrated, large Svo, 669 pages. A. C. McClurg & Co. $6. net. The Renaissance! Savonarola, Cesare Borgia, Julius II., Leo X., Michael Angelo. By Arthur Count Gobineau. English edition, edited by Oscar Levy. Illustrated, Svo, 348 pages. G. P. Putnam's Sons. $2.75 net. Twenty Centuries of Paris. By Mabell S. C. Smith, illustrated, Svo, 400 pages. Thomas Y. Crowell Co. $2. net. Famous Modern Battles. By A. Hilliard Atterldge. With maps, 8vo, 401 pages. Small, Maynard & Co. $1.75 net. The Federal Systems of the United States and the British Enipirei Their Origin, Nature, and Devel- opment. Bt Arthur P. Foley. 8vo, 453 pages. Little. Krown & Co. GENERAL LITERATURE. Letters of Charles Eliot Norton. With biograph- ical comment by Sara Norton and M. A. De Wolfe Howe. In 2 volumes; illustrated In photo- gravure, etc. Houghton Mifflin Co. $5. net. Our Eternity. By Maurice Maeterlinck; translated from the French by Alexander Telxeira de Mattos. 12mo, 258 pages. Dodd, Mead & Co. $1.50 net. American Ideals: Character and Life. By Hamilton Wright Mabie. 12mo, 341 pages. Macmlllan Co. $1.50 net. Dandles nnd Men of Letters. By Leon H. Vincent. Illustrated, large 8vo, 314 pages. Houghton Mifflin Co. $3. net. The Drama To-day. By Charlton Andrews. 8vo, 2 3 6 pages. .1. B. Lippincott Co. $1.50 net. 1913] 369 THE DIAL A Kingdom of Tirol A True Romance of Country Life. By Helen R. Albee. Illustrated, 12mo, 322 pages. Macmlllan Co. $1.50 net. Thoughts and After-thoughts. By Herbert Beer- bohm Tree. With frontispiece, 8vo, 316 pages. Funk & Wagnalls Co. 11.50 net. Roads from Rome. By Anne C. E. Alllnson. 12rao, 215 pages. Macmlllan Co. $1.25 net. New Brooms. By Robert J. Shores. 12mo, 262 pages. Bobbs-Merrlll Co. $1.25 net. L'Amerlque et le RSve Exotlque dans la Litera- ture Frangalse. 12mo, 448 pages. Paris: Li- bralrle Hachette et Cie. Paper. The Art of Short-Story Writing Simplified. By Modeste Hannis Jordan, Litt.D. 18mo, 57 pages. New York: Hannis Jordan Co. 50 cts. net. BOOKS OF VERSE. Lyrics and Dramas. By Stephen Phillips. 12mo, 179 pages. John Lane Co. $1.25 net. Last Poems, Including "Afterglow" and "Beyond the Sunset." By Julia C. R. Dorr. With photo- gravure portrait, 12mo, 206 pages. Charles Scrlbner's Sons. $1.50 net. The Poem Book of the Gaeli Translations from Irish Gaelic Poetry into English Prose and Verse. Selected and edited by Eleanor Hull. 12mo, 370 pages. Browne & Howell Co. $1.60 net. A Wand nnd Strings, and Other Poems. By Benja- min R. C. Low. 12mo, 137 pages. John Lane Co. $1.26 net. Love and Liberation! The Songs of Adsched of Meru, and Other Poems. By John Hall Wheelock. 12mo, 211 pages. Sherman, French & Co. $1.50 net. The Faun, and Other Poems. By Genevieve Far- nell-Bond. 12mo, 91 pages. Sherman, French & Co. $1. net. Poems. By Sister M. Blanche. 12mo, 68 pages. New York: The Devin-Adair Co. Perlen Engllschcr Dlchtung In Deutscher Fassung. 8vo, 221 pages. Published by the author. FICTION. The Coryston Family. By Mrs. Humphry Ward. Illustrated, 12mo, 329 pages. Harper & Brothers. $1.35 net. T. Tembarom. By Frances Hodgson Burnett. Illus- trated, 12mo, 518 pages. Century Co. $1.40 net. Hagar. By Mary Johnston. 12mo, 390 pages. Houghton Mifflin Co. $1.40 net. The Maid of the Forest. By Randall Parrish. Illus- trated in color, 12mo, 426 pages. A. C. McClurg & Co. $1.35 net. Van Cleve. By Mary S. Watts. 12mo, 396 pages. Macmlllan Co. $1.35 net. Watersprlngs. By Arthur Christopher Benson. 12mo, 369 pages. G. P. Putnam's Sons. $1.35 net. Robin Hood's Barn. By Alice Brown. Illustrated in color, etc., 12mo, 225 pages. Macmlllan Co. $1.25 net. The Honorable Senator Sage-Brush. By Francis Lynde. With frontispiece, 12mo, 411 pages. Charles Scrlbner's Sons. $1.35 net. The Twins of Suffering Creek. By Rldgwell Cullum. With frontispiece in color, 12mo, 367 pages. George W. Jacobs & Co. $1.25 net. Sons and Lovers. By D. H. Lawrence. 12mo, 517 pages. Mitchell Kennerley. $1.35 net. Valentine. By Grant Richards. 12mo, 317 pages. Houghton Mifflin Co. $1.35 net. The Poison Belti Being an Account of Another Amazing Adventure of Professor Challenger. By Sir Arthur Conan Doyle. Illustrated. 12mo, 252 pages. George H. Doran Co. $1.20 net. Rose of the Garden: The Romance of Lady Sarah Lennox. By Katharine Tynan. Illustrated, 12mo, 363 pages. Bobbs-Merrlll Co. $1.35 net. The Honour of the House. By Mrs. Hugh Fraser and J. I. Stahlmann. 12mo, 418 pages. 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By Florence Morse KIngsley. 12mo, 288 pages. New York: Frank- lin Blgelow Corporation. $1.20 net. TRAVEL AND DESCRIPTION. Picturesque New Zealand. By Paul Gooding. Illus- trated, large 8vo, 332 pages. Houghton Mifflin Co. $3.50 net. The Barbary Coast: Sketches of French North Africa. By Albert Edwards. Illustrated, 8vo, 312 pages. Macmlllan Co. $2. net. Along Germany's River of Romance: The Moselle. By Charles Tower. Illustrated In color, etc., 8vo, 332 pages. McBride, Nast & Co. $2.75 net. Hunting the Elephant In Africa. By C. H. Stlgand; with Foreword by Theodore Roosevelt. Illus- trated, large 8vo, 379 pages. Macmlllan Co. $2.50 net. Two on a Tour In South America. By Anna Went- worth Sears. Illustrated, 8vo, 312 pages. D. Appleton & Co. $2. net. A Tour through Sonth America. By A. S. Forrest. Illustrated, 8vo, 355 pages. James Pott & Co. $3. net. Our Neighbors: The Chinese. By Joseph King Goodrich. Illustrated, 12mo, 279 pages. Browne & Howell Co. $1.25 net. The Coming Canada. By Joseph King Goodrich. Illustrated. 12mo, 309 pages. A. C. McClurg & Co. $1.50 net. Guatemala and the States of Central America. By Charles W. Domville-Fife. Illustrated, 8vo, 310 pages. James Pott & Co. $3. net. Slam: A Handbook of Practical, Commercial, and Political Information. By W. A. Graham. Sec- ond edition: illustrated, 12mo, 637 pages. F. G. Browne & Co. $2.60 net. American Highways and Byways from the St. Law. rence to Virginia. Written and illustrated by Clifton Johnson. 12mo, 339 pages. "Highways and Byways Series." Macmlllan Co. $1.60 net. PUBLIC AFFAIRS AND SOCIOLOGY. Public Opinion and Popular Government. By A. Lawrence Lowell. 12mo, 415 pages. "American Citizen Series." Longmans, Green & Co. $2.25 net. Politician, Party, and People. By Henry Crosby Emery, LL.D. 12mo, 183 pages. Yale University Press. $1.25 net. Modern Cities: Progress of the Awakening for Their Betterment Here and in Europe. By Horatio M. Pollock, Ph.D., and William S. 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Unless otherwise ordered, subscriptions will begin with the current number. When no direct request to discontinue at expiration of sub- scription is received, it is assumed that a continuance of the subscription is desired. Advertising Rates furnished on application. All com- munications should be addressed to THE DIAL, Fine Arts Building, Chicago. Entered as Second-Class Matter October 8, 1S92, at the Post Office at Chicago, Illinois, under Act of March 3, 1879. Nc. 658. NOVEMBER 16, 1913. Vol. LV. Contents. PAGE THE MONEY OF FOOLS 393 ON EDUCATION. Charles Leonard Moore .... 395 CASUAL COMMENT 397 Humor in letters. — The birth of a new word.— The death of Mrs. SamuelJ. Barrows. — The futnre of England's Academic Committee. — Helps to read. — Fifty years of a librarian's life. — First aid to the foreigner. — Price Collier, author, sportsman, and traveller. — A monument to Henri Fabre. THE LITERARY AGENT IN ENGLAND. (Special London Correspondence.) K. H. Lacon Watson 399 COMMUNICATIONS 401 Milton's "Starre-ypointing Pyramid." Samuel A. Tannenbaum. "A Pilgrimage of Pleasure." W. MacDonald Mackay. A HERO OF THE GENTLE LIFE. Percy F. Bicknell 402 THE SOCIAL DEVELOPMENT OF MODERN ENGLAND. Laurence M. Larson 404 STUDIES OF THE ENGLISH LYRIC. Raymond Macdonald Alden 403 LINCOLN THE MAN. Wallace Rice 408 GERMANY'S DREAM OF EXPANSION. Frederic Austin Ogg 410 BRIEFS ON NEW BOOKS 411 The imperial development of ancient Greece.— Cabbages and the cosmos.—An argument for national supremacy in treaty-making. — The short story as literature and as merchandise. — A queen of shreds and patches. — The romantic story of California.— The problem of university control. — Things seen with the mind's eyes only.—An introduction to the study of Evolution. — Roman lessons for the United States. NOTES 415 LIST OF NEW BOOKS 416 THE MONEY OF FOOLS. "For words are but wise men's counters, they do but reckon by them; but they are the money of fools." Good old Thomas Hobbes was one of the wisest of men, and one of those least likely to find in a word anything more than its natural significance, and yet it may be questioned whether he were not himself betrayed or deluded into a strained interpretation of the very word which supplies a title for the great treatise upon political philosophy in which this famous dictum occurs. If he once crystallize into a metaphor some vast central concept, the keenest of thinkers will be unconsciously influ- enced by its accidental connotations, and find himself in danger of taking it too literally. The figurative habit of mind will play tricks with the best intelligence, and such terms as "levia- than" and "behemoth" lend themselves too easily to forced extensions of analogy beyond what is legitimate. The conception of society as an organism has its working uses, but it may, if not kept? under strict subordination to fact, lead to the wildest vagaries of fancy. There is something marvellous in the power of words to direct thought, and if we do not go so far as Max Miiller in declaring that thought without words is impossible, we must at least admit our dependence on them for all but the most ele- mentary mental processes. To keep them our servants, instead of permitting them to become our masters, requires a degree of vigilance of which few intellects are completely capable. They are lurking in all the corners of the mind, seeking to instil prejudice into our reasoning, and persuading us into taking the short cuts that will spare us the difficult task of analysis. It was a wiser man than Hobbes who em- bodied in diabolical argument the quintessence of intellectual cynicism when he made Mephis- topheles thus advise the inquiring student: "I in ganzen — haltet euch an Worte! Dann geht ihr durch die sichre Pforte Zum Tempel der Gewisaheit ein. Denn eben wo Begriffe fehlen, Da Stellt ein Wort zur rechten Zeit sich ein. Mit Worten lasst sich trefflioh streiten, Mit Worten ein System bereiten, An Worte lasst sich trefflich glauben, Von einem Wort lasst sich kein Iota ranben." How the history of thought is strewn with ex- amples of this precept in practical application! 394 [Nov. 16 THE DIAL Science, philosophy, ethics, politics, and theology afford countless illustrations of the use of words as current coin, in forgetfulness of the fact that they are but the counters shaped by the intellect for its own uses. Such words as "vitalism," "determinism," "hedonism," and "protection- ism" are charged with infinite possibilities of mischievous employment, and have arrayed intellectual squadrons against one another in mortal combat. In the case of words in the armory of theology, the combat has been phy- sical, deluging the world with blood, as the wars of religion eloquently witness. Think of the malignant power of words as exemplified in the way in which the partisans of homoousion have cut the throats of the partisans of homoiousion, or in the armies that have taken the field in the defence of, and in opposition to, the doctrine of transubstantiation, or even in the conflicts that have been waged in behalf of some demonstrable mistranslation of a Scriptural passage. Such words have been something considerably more than counters in a game of wits. In the world of to-day, catch-words and epi- thets which are verbalized prejudices play an active part in muddling men's minds, and enlist- ing the unthinking in behalf of causes which they would abhor were their concealed implica- tions once made visible. The most wild-eyed and subversive measure has only to be labeled with the word " reform" or " progress " to win the suffrage of that large section of the multi- tude to whom the new thing is the desirable thing. Of course all sensible people believe in reform and progress, and proposals which really mean deformation and retrogression find ready acceptance in the minds of thousands whose vision is blinded, and whose faculty of analysis is paralyzed by a single persuasive and question- begging word. The term " Socialism " is made a blanket to cover all sorts of aims, worthy and unworthy, and those who use it as a watchword are skilful in coating the pill of its sinister significance with the sugar of a sentiment which cannot fail to appeal to all generous hearts. In this country, we cover the iniquities of the alli- ance between government and special privilege with the smooth word "protectionism," and the evil thing is almost impregnably intrenched behind that innocent and high-sounding word. In England, on the other hand, the same bad cause is already half-won by the naive device of calling it "fair trade " and "tariff reform." Many people (who have votes) never get beyond that label. They say, "If a thing is 'fair' and a measure of 'reform,' of course we favor it," and they have no thought of probing its real meaning. "Temperance" is one of the most seductive of words, and yet what mean oppres- sions are committed in its name! "The rights of man" is a mighty phrase with which to con- jure, yet under its aegis the French Revolution developed into a carnival of crime at which the world has not ceased to shudder. In an article on "Language, Action, and Belief," Mr. J. C. Thomas, in the October issue of " Bedrock," discusses the mischievous power of words in the field of science. Speaking of ideas and beliefs, he says: "These mental elements are materialized in language, the words of which form their discrete bodies. Within these verbal embodiments man has imprisoned, distorted, and tortured the 'ideal soul,' which in revenge has retaliated by making speech a fertile and a perennial source of falsity in every department of thought. But it is in connection with beliefs that language has in- flicted upon humanity the full blight of its curse. Beliefs are our springs of conduct — our very guides in life — hence our weal and woe are bound up indissolubly with our opinions and onr creed. "It matters nothing that there exists no reality cor- responding to the idea which is the basis of belief; for that reality can be made to exist in the language which communicates it, by the simple device of coining terms and phrases which assume such existence. And these verbal embodiments have greater power of generating belief than even sense-impressions. A Roman youth found no difficulty in believing that Jupiter and Juno were real beings, for they were real beings in the language which conveyed to him the ideas." The writer then goes on to say that " we live in an age when language is strained to its utter- most to suggest and to engender belief in the untrue and the unreal." Taking for his special text the term " psychical research," he points out that its content is not psychical and its method is not that of research in any scientific sense. "Its nomenclature is a new coinage, bright from the mint, and specially struck off for the use of the Society [for Psychical Research]. It includes amongst others the terms: clairvoyance, clairaudience, astral-stage, psychic-force, telepathy, second-sight, levitation, auto- matic writing, rematerialization, double-sight, super- normal, thought-reading, and thought-transference — every one of which is a question-begging epithet; that is, its function is simply and solely to insinuate beliefs in ideas and not to store or revive them." Call it by its proper name, "occult" or "magi- cal," and the charm would vanish, for then it would stand on its own merits, and its cause would not be prejudged by its vocabulary. At the present day, the work of education is being thoroughly demoralized by the obsession of the word "vocational" and its countless derivative phrases, such as "practical educa- tion " and "training for life." Call Greek and Latin "dead" languages, and their defence 1913] 395 THE DIAL becomes hopeless against minds for whom the word is a coin and not a counter. Let the dead past bury its dead, and let us store the youthful mind with useful knowledge about farming and book-keeping and the art of advertising. The ultimate aims of education are clean forgotten, and only its immediate material aims are pursued. The old cultural ideal is a "fetish," and we know that a fetish is an object of ridicule to all sensible persons. We are calling all sorts of things fetishes now- adays, including the most precious and hard- won conquests of civilization. Mr. Jesse Macy has just declared: "We must cease to worship as a fetish a written Constitution whose framers knew it to be inadequate and defective," and Mr. Felix Adler said the other day of that document: "We have indulged in a kind of fetish worship of it, as if that remarkable in- strument had been directly revealed from on high." Now if ever the speech and gesture of fetish worship were justifiable, they would be so in the face of the ominous and scatter- brained attacks upon the Constitution that figure so largely in current political discussion. There are times when, as we remarked in our last issue, it is necessary to use exaggeration and over-emphasis in defence of a cause that is menaced by the sort of insidious and un- principled warfare now waged against the noblest work of political construction achieved in modern times. We may find morality itself characterized as a fetish before long—in fact, that is what Nietzsche has practically done, to the admiration of ingenuous iconoclasm all over the world. And pending the universal accept- ance of that belief, we have endless novelists and dramatists who are seeing to it that no specific virtue escapes being held up to ridicule as an outworn fetish of religion or ethics in the totem- pole stage of its evolution. Let the vices take the place of the virtues as the objects of our worship; they are likely to furnish a far more popular pantheon. Schopenhauer says some- where that if a child be taken early enough, and taught to say Mumbo-Jumbo with firmness and conviction a sufficient number of times, nothing that he learns later in life will shake his belief in that omnipotent spirit. Similarly, if we build up the association of "fetish" with any or all of these things on which St. Paul counselled us to think, we shall readily — so great is the maleficent power of a word—find better furniture for our minds, metal more attractive for the hommes sensuels moyens that most of us are. ON EDUCATION. Great nations at great epochs of their life think little of education. At such times the theory of doing things gives place to the art of doing things. Every man springs to his post, a wave of enthusi- asm and inspiration rolls over the land, great deeds are done, great arts and literatures are born,—all, as it were, on the spur of the moment. For a state to be over-concerned, to make a special fuss, about education, is almost a confession that the generation which is on the stage at the moment is of little account, and that the only hope is to prepare a new one which may amount to something. America is paying a great deal of attention to education to-day. Are we willing to accept this depreciatory estimate of ourselves? If, instead of spending so large a part of our income in educating for the future, we were to put some of the money into rewarding great and notable deeds, encouraging art and literature, erecting beautiful buildings, and laying out healthful parks and towns, it would be better both for us in the present and for the genera- tions to come. It is less important to educate ten thousand Philistines than to develop one great poet, artist, or thinker for humanity. Probably the present agitation and activity in the educational field are largely due to woman's increasing influ- ence in affairs. Women rarely believe in their hus- bands, but they always think their children are going to set the world afire. However, we must take things as they are; and it is worth while to try to assess a little what is being done in education, to review the main ideas and tendencies of our time in that respect. We have been reading lately a book entitled "Culture, Discipline, and Democracy" by Dr. A. Duncan Yocum of the University of Pennsylvania. It is a really admirable work, but it is perhaps too calm in its closely reasoned argument to attract the attention it deserves. If Dr. Yocum had any single panacea to propose to mankind,—if, like Rousseau, he rushed out into the streets crying "Back to Nature!" or like some modern propagandists, "Back to the land!"; or if, on the other hand, he preached the study of Sci- ence or any cultural discipline as a cure-all for our ills,— he would be more likely, we believe, to have a large following. But he tries to hold a balance between all the elements that enter into life or the preparation for life. He gives a view of the present status in educational matters, and shows the lessen- ing confidence in formal discipline, the increasing demand for direct preparation for life. He thinks the latter the more certain of the two. He makes an analysis of formal or general discipline, and the conditions favorable to it. He admits the compara- tive uselessness of the old disciplinary subjects, the classics and mathematics, for the average scheme of life. As regards the classics, we think he is mainly right; because the rise of modern languages and lit- eratures and the re-discovery of Asiatic literatures 39G [Nov. 16 THE DIAL and philosophies have disturbed the old balance of power in knowledge. He harks back, then, to the interdependence of culture and direct preparation for life, and has some most wise remarks about the folly of attempting to develop artistic expression at the expense of aesthetic appreciation. In the end he decides that a dominating system of education must be ensured primarily through direct prepara- tion, and secondarily through specialization. The "old" education and the "new" must be complemen- tary. Either one of them has been enough for the wits of youth in the past,—we don't know how they are going to stagger on under the burden of both. Masters of pedagogy are perhaps like doctors who think more of the colored drugs in their bottles than of the constitutions of their patients. Intel- lectually men are so different They differ as the fibre and grain of the trees in the wood do. Some trees cut up into timber which will bear great strain; some have a density and beauty of marking which fit them for polish and adornment; some are only good for firewood. Or they differ like the crystals of the rock in weight, color, lustre, and value. Men, trees, and crystals all bear witness to Nature's inexorable demand for an aristocracy. If we could only arrive at a system of education penetrating enough to detect these differences of quality in the youth of our race, flexible enough to fit each human being for his proper occupation, and opulent enough to give him a chance at it, then there would be little to complain about. We do not in the least mean that these differences in quality in mortals go by classes,—that the rich and the poor differ as fine and coarse. On the contrary, the precious gifts of the intellect are scattered pretty evenly through the whole structure of society. It follows that a large percentage of those who go through our universities and institutions of learning are educated far beyond their wits; while innumerable potential scholars, inventors, artistic creators, among the poor, do not get the education which would be good for them. We confine real education to the intellectual qualities because, like physical health and strength, the moral qualities of man — courage, endurance, sympathy, goodness — are so instinctive, so widely diffused, that they can hardly be considered sub- jects of education at all. They are in widest com- monalty spread. Of course they may be the better for organization, may be intensified by religious training; but every man who has gone through the usual experiences of life, every woman who has borne children or earned her living, has put forth some of the highest qualities of our nature. We live in the thick of heroes and heroines. Though we only realize this when some crisis occurs, when some girl telegraphist sticks to her post in the face of a flood, or some Marconi operator goes down in his ship calling for help, — yet the response to duty is so general and so ready that in this respect there is hardly a pin's-point of difference between ninety per cent of the members of the human race, edu- cated or uneducated. Of course different races and classes do vary in their ideas of morality and duty, but the primal instincts are everywhere the same. It is with the intellectual aptitudes, therefore, that culture and preparation must deal. And there are two methods: education and training. To educate is to educe, to draw out all the inherent capabilities of the student, to make him many-sided, refined, polished. To train is to inform him, exercise him, and make him efficient in one direction, usually that he may be able to earn his living by the practice of his profession, trade, or calling. The great mass of our youth, even if they had the ability, simply cannot give the time to cover both kinds of culture. They must choose one or the other. Even with stu- dents in the higher professions, the two courses can seldom be run together. Lawyers are acute but nar- row. Clergymen lack many-sidedness and knowl- edge of life. Doctors are apt to be materialists. For a hundred years in America, education, an- swering the democratic demand, has tried to give everyone a sip at all the fountains of knowledge. It has tried to give all the people an even chance. Of course with the time at the disposal of the great majority of students, anything like thoroughness has been impossible. And we have found out that this slight taste of many kinds of knowledge is about the worst possible preparation for the struggle of life. We have found out that it does not pay to try to educate fifty million prospective Presidents of the United States. The demand for vocational train- ing, therefore, has sprung up and is becoming daily more and more irresistible. Vocational training is a step towards the institu- tion of caste. It cannot hope to produce whole men, —men open to every influence of nature and life and art, capable of the profoundest appreciation of the work of the past, of the greatest joy in the ex- istence of the present, of the best planning for the future. The vocationalized or specialized man is bound to be more or less of a machine, driving at his own ends and oblivious of a great part of that which makes life worth living. But perhaps caste is a shade better than chaos. Once in the world a community of free men was really educated. The Athenian youth entered the gymnasium at an early age. He recited the works of Homer and Hesiod and the lyric poets. He learned music and the use of the lyre. He lived in the shadow of marble palaces and temples, and the statues of gods and goddesses looked down upon him to lure him on to rival their beauty. He took part in processionals and festivals. His body was trained in all athletic exercises, and he saw or contended in the great games of Greece. Growing older, he walked and talked with the philosophers and teachers of wisdom, under their porches or in the open air. He haunted the law courts, and heard the orators dis- cuss public questions and affairs of state. He gath- ered with the whole mass of his fellow-citizens in the great open-air theatre, and saw imaged forth the mighty myths of his race, its historic triumphs, or 1913] 397 THE DIAL the personages of the day in a guise of wit and satire. Then, at the call of battle, he took his place in the ranks of the hoplites, or light-armed troops, and fought for his country. If, as was probable, he had estates in the archipelago or Asian mainland he made voyages thither and saw strange lands and peoples. But all this was possible only because the twenty thousand freeman of Athens held in leash a hundred thousand slaves to do their work for them and give them leisure to be forever running about telling some new thing. They could indulge in the wittiest gossip, the divinest speculations of philos- ophy, the production of perfect works of art and literature, because they were not compelled to do anything else. Under conditions of life in America, the best we can hope to do will be, as the English statesman said, "to muddle through." It strikes us that in the end vocational education will be fatal to Democracy. It will leave all higher culture to the few who have wealth and leisure, or who have force and determi- nation enough to acquire it in spite of circumstances. Fortunately, genius, whose flowering seems to be the one certain purpose of life, is usually strong enough to force its way up through the hardest and most barren soil; though doubtless it flourishes best where the ground is prepared to nourish and dis- >*■ Charles Leonard Moore. CASUAL COMMENT. Humor in letters is like apples of gold in pictures of silver; it is humor in the very best set- ting that could be found for it. Accordingly one is pleased to find even an occasional outcropping of this vein amid the fine scholarship and exquisite taste that characterize Charles Eliot Norton's familiar cor- respondence (as published in the two rich volumes elsewhere reviewed in this issue). In a letter to Lowell in 1856, written in the Isle of Wight, Norton says, of London climatic conditions: "We had a fog there one day last week that was of a sort to keep up the reputation of this portion of the British Con- stitution. Old men who had gone down to the city every day of their lives got lost in the Strand, found themselves near Westminster Hall when they thought they were approaching Temple Bar. The robbers could not find the marks that Ali Baba had chalked up on the doors. Cabmen could not find the Bank, and Sir James Clark, who was to have gone to an important consultation, struggled vainly for three hours and then had to feel his way home. Even the blind beggars could not see approaching passengers and had the fog lasted two days longer half London would have been starved. But fine weather set in next day with a heavy rain." At a much later period, little more than a month before he died, we find dashes of humor, of a subtler and rarer flavor, in a letter to the congenial friend of his old age, Horace Howard Furness. Here is a random passage, again touching on things meteorological: "I agree with your boys in being glad that you did not have the chance to see and feel a West India hurricane. Even the sight of cows and chickens carried through the air would not make up for the horror of such an extravagant exhibition of the powers of nature. I do not like these noisy, violent convulsions of such uncontrollable forces. I feel as old Dr. Popkin did in regard to the character of the Greek tragedies,— 'They are too horrible.' He liked to see, as he said, everybody peaceful and happy, and I like to see Nature in her calm and beautiful moods rather than in her passionate excesses." Calm and beautiful are the moods in which Norton wrote his letters, and his wit and humor glow with a gentle radiance, never coruscate in blinding flashes. The birth of a new word, when the new word supplies a real need, is cause for rejoicing; but the careless introduction into the language of barbarous or hybrid or otherwise philologically objectionable terms is a thing to be deprecated. An offender already familiar to many is the verb "enthuse," which is being more and more freely used in both a neuter and an active sense. In a late number of "The Newarker" occurs this sentence: "They were stimulated and enthused by their communion with the live thinkers and workers of the world." A noteworthy publication of the season, Patience Pennington's "A Woman Rice Planter," which, even without its highly commendatory introduction from Mr. Owen Wister's pen, would win its way in the world, has at least one of its fair pages dis- figured with this vulgarism, used in all deliberation and seriousness; and the otherwise admirable "PictureTales from Welsh Hills," by Miss Bertha Thomas, cools the cordiality of our welcome by giv- ing its sanction to this misbegotten monster of a word. Why it is to be called misbegotten will be made plain by a little reflection or a brief study of the dictionary. Enthusiasm (or, in Greek, enthou- siasmos) is connected with the Greek verb enthou- siazein ; and the corresponding English verb, if we must have it, would be enthusiaze, just as we have dogmatize, from the Greek dogmatixein. To dog- mat would be just as allowable as to enthuse; and if we permit ourselves to enthuse and to be enthused, why should we not ecstase our neighbors and be ecstased by them? But the truth is, there is no call for any of these grotesque absurdities. We have the verbs, stimulate, animate, kindle, excite, electrify; and we have no need of enthuse. Never- theless, it has already secured a foothold in the language, and it would be safe to predict its unquali- fied recognition in the next edition of "Webster." The death of Mrs. Samuel J. Barrows, October 25, calls renewed attention to her recent admirable biography of her husband, whose death preceded hers by four years and six months. "A Sunny Life" is such a book as any man might be proud to have dedicated to his memory. Mrs. Bar- 398 [Nov. 16 THE DIAL rows was a remarkable woman. She was born at Irasburg, Vt., April 17, 1845; was educated at the Adams Academy, Derry, N. H., studied medicine in New York, Leipzig, and Vienna, and for a while practiced as an oculist. But journalism and other literary work drew her from her first profession into the ranks of writers. She was the first woman stenog- rapher ever employed by the State Department at Washington; she also served as phonographic sec- retary of the National Prison Association, and for seventeen years as secretary of the Lake Mohonk Conference and editor of its publications. For twenty years she assisted her husband in the editorship of "TheChristian Register," Boston, and at different times contributed editorials to "The Independent," "The Outlook," the New York "Evening Post," "The Survey," and other journals. With Mr. Bar- rows she wrote "The Shay backs in Camp," that early and still unsurpassed example of back-to-nature lit- erature. And with all these activities she found time to be a wife and mother; in fact, she was twice married, first at eighteen to William Wilberforce Chapin, a missionary in India, who died two years later, and then, in 1867, to Samuel June Barrows, whose record of manifold and notable achievement it was her privilege and pleasure to make public in "A Sunny Life." The future of England's Academic Com- mittee, which has bravely survived the jests and sarcasms directed against it at the time of its forma- tion in the summer of 1910, looks bright to Mr. Edmund Gosse, himself not the least eminent mem- ber of that body. In the current "Edinburgh Review" he begins an article on "The Foundation of the French Academy" with a few words on the similar but much younger institution in his own country, of which he says that "now, for more than three years, without claiming any excessive publicity, this Academic Committee, founded for the protection and encouragement of a pure English style in prose and verse, has occupied a position in letters which gives every evidence of persisting and increasing. It was assailed, as was natural and right, by satire and by caricature, but it has survived the attacks which were directed against it, and there can be little doubt that, with good luck, it will become a prominent feature of our intellectual and social system." Already, as he reminds his readers, the initial thirty-three have suffered losses that confer a certain solemnity, a certain increase of dignity, upon the young academy. Butcher, Verrall, Alfred Lyall, Andrew Lang, and Edward Dowden have followed one another to the grave in rather quick succession; and both their fellows on the Committee and the larger world still feel their loss. Helps to read was the old name sometimes applied to spectacles, and the passing years give most of us abundant proof of the appositeness of that designation. But an even greater help in read- ing, or rather a prime necessity, is a good light on the matter under perusal. The late convention of the National Gas Institute has called attention to the marked progress made in artificial illumination within the last few years, and it may also serve to remind us of the defects and also the excesses even now prevalent in our modes of lighting the printed page when inclination or necessity protracts our studies beyond the limits of daylight. It is a com- mon assumption that the stronger the artificial light, the nearer its approach to the illumination enjoyed from the sun, and hence the better for the eyes. But the assumption is erroneous. Sunlight is dif- fused, and unless turned directly upon the page before one is far less trying to the eyes than an equal amount of artificial light shining immediately upon the book or paper in hand. Hence the impor- tance of choosing a somewhat subdued light, like that of a good oil lamp, for reading, and of seeing that its rays are directed so as not to be reflected from the white paper into the eyes. As every schoolboy knows, and he need not be one of Macau- lay's schoolboys in order to know it, the angle of reflection is equal to the angle of incidence; and also highly glazed or "sized" paper is ruinous to eyesight; and, lastly, just as water dropping day by day will wear the hardest stone away, so a repeated disregard of proper rules for reading will in time reduce the strongest eyes to a condition prohibitive of any reading at all. • • • Fifty tears of a librarian's life form the link inseparably associating the name of Dr. Philip R. Uhler with the Peabody Institute Library of Baltimore. But it was science rather than letters that first made Dr. Uhler a worker among books. Born in 1835 at Baltimore, he early became familiar with country life, his father having bought a farm near Reisterstown, and he was especially drawn to the study of insects. Entering the service of the newly-started Peabody Institute in 1862, he attracted by his talents the attention of the elder Agassiz, who invited him to Cambridge to work in the great naturalist's museum of comparative zoology as as- sistant librarian, and afterward sent him to make explorations in Hayti. In 1867 the young entomol- ogist was again at the Peabody Institute, acting as assistant librarian and, upon leave of absence, pur- suing entomological researches in Colorado. The head librarianship came to him in 1870, and in d890 he was also made Provost of the Institute. Other dignities and numerous memberships in learned societies fell to his share as the years passed, but the best of his energies were devoted to the fine library in his charge, and he left his mark upon it in the modern system of cataloguing and classification that he introduced, and in the notable additions he made to its store of books, spending much time in Europe in quest of these works. Among his amiable peculiarities, of which many stories are told, was his readiness to grant leave of absence to an assistant wishing to attend a church picnic, and his hesitation in granting such leave when 1913] 399 THE DIAL the less joyous function of a burial was in question. He died October 21, after a retirement of two years, and is succeeded in the librarianship by his long-time assistant, Mr. John Parker. First aid to the foreigner, in his attempt to find his bearings in a new country, may often be best rendered by the public library. At a recent conference of educational and other workers at Springfield, Mass., discussion turned upon the best way to make the public library serviceable to the immigrant population. The lowly toiler of alien birth is seldom seen in the splendid balls of our city libraries. The books he needs and desires may be there, and the attendants eager and willing to serve him; but he does not come. Hence the necessity, as was urged, of a system of small branch libraries at the very doors of the foreign families, and with books in their several tongues served to them by assistants speaking those tongues. A small room, open an hour or two in the evening, will often do better service of this sort than a Carnegie library that employs a score of assistants and holds its doors open from eight in the morning till ten at night. The less awe-inspiring and formal the ap- pearance and methods of these branches or stations among the immigrants, the better will be the results attained; and from these humble training schools in library usage the Italian, the Hungarian, the Greek, and the Lithuanian are likely to graduate in time and find themselves fitted to avail themselves of the larger privileges of the central library; or at least their children are pretty sure to do so. Price Collier, author, sportsman, and traveller, whose "Germany and the Germans from an American Point of View" is one of the more important books of the season, died suddenly on the third of this month in the island of Funen, in the Baltic Sea, where he was visiting Count Weddel as member of a shooting party. He was born in 1860, son of the Rev. Robert Laird Collier, and was educated at Geneva and Leipzig, but fitted for the ministry at the Harvard Divinity School. After brief pastorates at Hingham and Brookline, Mass., he devoted himself to letters, acting as European editor of "The Forum" for two years, writing many magazine articles, and issuing a number of books, chiefly concerning his travels. He wrote also the volume on driving in Macmillan's "Sports- man's Library." Of his books not already noted, mention should be made of "America and the Amer- icans from a French Point of View," "England and the English from an American Point of View," and "The West in the East from an American Point of View." He held an officer's commission in the United States Navy in the Spanish-American War. Briskness, vigor, and alert observation showed themselves in his entertaining chapters of travel and foreign sojourn. A monument to Henri Fabre, the tardily rec- ognized genius whose researches in the insect world have proved him to be a naturalist and a thinker of rare insight and vision, will probably add not very much to the happiness of his remaining years, but it will at least gratify his increasing company of ad- mirers and the chosen few admitted to his intimate friendship to see his fame perpetuated not only in his books, themselves a monumentum (ere peren- nius, but also in some suitable erection of stone or bronze bearing his name and effigy. To this end a committee headed by the Mayor of Serignan, and numbering many French notables, has been formed, and a circular sent out in solicitation of subscrip- tions. It is hoped that the response will be prompt and generous. THE LITE BABY AGENT IN ENGLAND. (Special Correspondence of The Dial.) I am, unfortunately, old enough to remember the days when the Literary Agent made his first appearance in the world of writers, and was hailed with enthusiasm by the authors of that epoch as the harbinger of brighter days. For in those far-off times the Man of Letters knew himself to be no Man of Business: he confessed it even with a sort of pride. What had a writer of books to do with this pettifogging affair of getting paid for the books he produced? The publisher gave him some- thing for his trouble, and it was not the part of an artist or of a gentleman to cavil at the amount. We still had our literary traditions, dating from the days when Lord Byron considered it beneath his dignity to receive re- muneration for his copyrights. Mr. R. C. Dallas, who arranged for the publication of "Childe Harold " with John Murray, divided the profits of that transaction with the publisher. In a sense, he may be counted as the first Literary Agent of whom we have actual knowl- edge, and he was well rewarded for his pains. Our authors to-day are beginning to complain about the far more modest rate of commission charged by his suc- cessors in a growing trade. The Literary Agent, I suppose, evolved himself out of the Literary Executor. It was early recognized as a convenience that some duly authorized person, with some knowledge of business as well as of letters, should take over the task of collecting and publishing such stray fragments as might be left inedited at the writer's death. His pay varied. Sometimes it was considered that the honor of his position (with the opportunity of writing an Authorised Biography) furnished sufficient remu- neration; sometimes, on the other hand, the materials were left to him absolutely to use at his own discretion and for his own profit. Out of this welter of confusion emerged by slow degrees the great principle of the Ten Per Cent commission, in defence of which the agent of to-day is prepared to fight to the last gasp. It looks as though he may have to fight, too. For a long time, when his business was still a novelty, the Literary Agent received nothing but praise from the authors who employed him. Successful novelists used to button-hole their less successful brethren at clubs, and urge them, with tears in their eyes, to follow the path that led so easily to glory and increased royalties. And, one by one, the conservative gentlemen of the old 400 [Nov. 16 THE DIAL school, who exist in literature as in other professions, fell into line and began to talk about "my agent" with a pleasant sense of business acumen. It really was a great point to have a representative who could be trusted to do the unpleasant part of the business,—who could ap- proach the selling of a book without being hampered by any absurd considerations of sentiment, or any ridiculous qualms of nervousness. The publisher, of course, made a fuss over {he innovation: he talked a good deal about the good old times when there was a real friendship be- tween author and publisher; he trotted out a number of musty old stories about generous publishers of the past who had gone beyond the terms of their original agree- ments and handed over cheques for large amounts to writers who had made an unexpected success. He instanced firms who had undertaken, and paid liberally for, works that could not be expected to show a profit. This sort of thing, he intimated in conclusion, could not be expected to continue if the Literary Agent were allowed to interpose himself as a middleman. In a very little time the publisher would be squeezed dry: not a drop of the milk of human kindness would be left in him. In effect, he desired to point out that the author could not have it both ways. Either let him be a friend, or a grasping man of business; if he chose to be the lat- ter (by proxy) he must not complain if he were treated according to the strict letter of the agreement. In short, the author must not expect any more cheques by way of bonus if he employed an agent to make his agreements. The author, I regret to say, made fun of these pro- testations in a manner that must have caused his old friend and ally considerable pain. He said rudely that he did not want his friendship: that he preferred the cash; and that this so-called friendship, in any case, had been merely a cloak behind which the publisher had been wont to conceal his avaricious and grasping hands. It was now the author's turn, and he meant to do a little squeezing on his own account. I must admit that he triumphed rather too openly for my taste; he displayed something too much of that exultant pride so distaste- ful to the Greek tragedians; it was felt that he was pre- paring a whip for the Fates to use upon himself in his turn. And yet it is difficult to blame him severely. The sudden acquisition of money is at least as intoxicating as strong drink. And for centuries the author had been kept very short of cash. Since Samuel Johnson first turned for support from the patron to the bookseller, the capitalist had no doubt enjoyed the better share of the bargain. But then, the capitalist generally succeeds in business; if he fails, he soon ceases to be a capitalist. I do not know that the publisher had behaved worse to the author than the employer in general had to his laborers. But of late years Labor has been showing a decided tendency to squeeze Capital, and it was not to be expected that authors (whose work, after all, demands a modicum of brains) should lag behind their brother operatives. They could not very well organize a strike, but at least they could sell their wares to the highest bidder, and employ a man of business to superintend the sale and the subsequent collection of money that might become due. There are now, I suppose, some dozen or more Literary Agents of repute settled in this city of London. There are many more, no doubt, whose methods will not bear investigation, — men who live upon the fees they con- trive to extract from young authors before they make any pretence of exhibiting their work to editors or | publishers. But the few who are perched securely at the top of the tree have done very well for them- selves, — so well that the author, forgetful of the benefits he has reaped from their services in the past, is already beginning to turn round and ask why he should pay these high rates of commission for work that he could (as he sometimes says) do as easily him- self. Recently "The Author," which is the official organ of the Incorporated Society of Authors in this country, and is always ready to open its columns to the grievances, real or imaginary, of those who write, has been dealing with this matter of a ten per cent commission for the mere collecting of accounts. With the accumulation of wealth, it may be noted, Avarice increases. The author does not think of grumbling at the agent who deducts a sovereign from a ten pound account, or even ten pounds from a hundred; but when the amounts begin to run into higher figures he asks himself if the middleman is so indispensable after all. And of course the agent is by no means indispensable; he is merely a convenience. There are not wanting authors of eminence who declare roundly that they will have none of him, that they can manage their own affairs without his assistance, at a saving both in tem- per and in pocket. Mr. H. 6. Wells and Mr. Hall Caine are two of the most important writers who have thus declared their independence; ou the other hand, Mr. Arnold Bennett has acknowledged eloquently his indebtedness to the tribe of agents, and Mr. Charles Garvice assures us that the more his commission account comes to the better he is pleased. Which seems, on the face of it, a reasonable enough way of looking at the matter. The agent has done so much for the author during the last twenty years that it seems the basest ingrati- tude to cavil at the amount of his profit. It is all very well for the successful novelist to allege that he can make better terms for himself with the publishers, but it was the agent who showed him the way to do so. Yet it may be that the middleman has now become somewhat careless in the performance of his trust. Complaints are beginning to be made now that, when once the contract has been drawn up for the publication of a book or the production of a drama, the agent does nothing more to earn his commission. He does not, for example, keep his eye upon publisher or producer to see that the terms of the contract are fulfilled. In cases where there is delay in the furnishing of accounts (and publishers on this side of the Atlantic are often unconscionably slow in payment of royalties) the agent is too apt, they say, to make excuses. He has even been known to urge that, if he presses too hardly for immediate settlement, he may prejudice his position as to the placing of other manuscripts. When the accounts do at last come in, it is stated that they are too often not in accordance with the agreements. In short, the author is oppressed with doubts whether his new servant is not attempting the difficult task of serving two mas- ters. It is remarkable that the publisher no longer displays the old objection to the agent. Cases have been reported where, indeed, he has expressed a prefer- ence for dealing with them rather than with the author direct. This, not unnaturally, has given rise to horrid suspicions. What consideration does the publisher receive from the agent to induce thiB attitude? Some- how he seems to have made terms with his ancient enemy, and the soul of the author is vexed within him- The agent is suspected now of acting as principal,—of 1913] 401 THE DIAL having a financial interest in some of the firms with whom he deals. But the root of all this trouble is, I imagine, nothing but the ten per cent commission. It goes on and on: there is no getting rid of it; it is as certain as the income tax, and, like the income tax, it is deducted before the payment of dividends. So long as a book continues to sell, so long do the royalties come in shorn of their just amount by one-tenth. There will have to be an amending of the contract, and a time limit. The weak point of the author's position under the existing arrangement is that he has not (unless he has made some special arrangement) any power to stop his agent from collecting royalties on any work that has been once put in his hands and placed by his efforts. In his view, the placing of a book and the collection of the royalties thereon should be set in different cate- gories, and the author should have the power to take the latter function out of his agent's hands after a cer- tain agreed minimum had been reached. The point is one that is not likely to interest any but the successful writer; but it interests him very much indeed. E. H. Lacon Watson. London, Nov. S, 191S. COMMUNICA TIONS. MILTON'S "STARRE-YPOINTING PYRAMID." (To the Editor of This Dial.) Sir Edwin Durning-Lawrence's letter, in your last issue, on Milton's epitaph on Shakespeare seems to call for a reply even if for no other purpose than to show up the methods of Baconians when they set out to prove their obsession and the flimsy foundation whereon they build. Says Sir Edwin," starre-ypointing has been the despair of English grammarians for more than 250 years . . . because y, like the German ge, is never prefixed to a present participle, but only to a past participle." The augment ge has, as we know, wholly disappeared from modern English, notwithstanding its great popularity before the Norman Conquest. If Sir Edwin means that ge was limited to past participles he is mistaken; there is absolutely no question that during its lifetime ge was prefixed to any part of the verb. In later English the inflectional ge was reduced or softened to y (e. g., yclad, yclept, ysterved, etc.), i (e. g., iwis = gewiss) or e (e. g., enough = genug). So our beloved is the Saxon gelufed, belief is gelyfan, become (= to suit) is gecweman, belong is gelang, beseech is gesecan, beholden is gehealden, etc. This be, the representative of the old ge, occurs in numer- ous modern and Elizabethan infinitives and present parti- ciples. In Shakespeare we find the present participle beholding (= obligated) some twenty times, and the past participle beholder, not at all, some of his modern editors to the contrary notwithstanding. There is therefore nothing astounding in Milton's "starre-ypointing," as- suming that he wrote that and not, as has been con- jectured," starry-pointing." Starre-ypointed was as much an archaism in Milton's day as starre-ypointing. Sir Edwin makes much of the fact that only a few of the extant copies of the Second Folio read "starre- ypointed," a fact from which he draws the "obvious" conclusion that cancel pages containing the corrected reading " could have been" issued only to those pur- chasers of the volume to whom had been entrusted the preservation of Bacon's secrets. "The page reveals to us, and it was intended to reveal to us, the name of the real author of the plays." Of course it does. Does not Milton explicitly say, "What neede my Shakespeare . . . that his hallowed Reliques should be hid Under a starre-ypointed Pyramid?" But this is too simple for Sir Edwin; "reliques," he says, "must mean what he hath left us"; but common sense says it means the poet's mortal remains, his "honour'dbones." "A starre-ypointed Pyramid," continues Sir Edwin, " can only [sic] mean a pyramid with a star upon its apex, i. e., a Beacon, pro- nounced Bacon," although common sense says that a star-ypointing (or ypointed) pyramid means a monu- ment pointing to or directed at the stars. But it is not impossible, nay, it is highly probable, that Milton meant a monument so high that it seemed to touch the stars or to be surmounted by a star. Not even such a monu- ment could add one inch to " the great Heire of Fame." Moreover, Sir Edwin's paraphrase of "hallowed Reliques" as the immortal plays cannot be right be- cause Milton would never have applied the adjective hallowed to profane writings, not even to Shakespeare's. Hallowed does not, and never did, mean immortal. In no English dictionary known to me is "beacon" defined as a "pyramid with a star upon its point." Then how could any owner of the corrected Second Folio, unless he were a Baconian looking for such skimble-skamble stuff, know that the "starre-ypointed Pyramid" meant "a Beacon, pronounced Bacon"? Furthermore, even if, for the sake of argument, we admit that beacon was then pronounced like our bacon, that proves nothing, for it is more than likely that "Bacon" was then pronounced the way we would pro- nounce " backon" or "bahcon." "What needst thou such dull witnesse of thy Name?" means only "Thou needst no such dull testimony as that offered by a pyramid of piled stones to witness thy fame," and not that it was not "necessary to put the dull witness of a Beacon (Bacon) upon these marvellous works." That the Third Folio retains the word "starre- ypointing" is due to the fact that this edition of the poet's works was set up from an uncorrected copy of the Second Folio, and that the editors, not being of the "initiated," saw nothing ungrammatical in starre- ypointing. Samuel A. Tannenbaum. New York, Nov. 9, 191S. "A PILGRIMAGE OF PLEASURE." (To the Editor of The Dial.) With reference to the note on Swinburne's "A Pil- grimage of Pleasure," in your issue of Nov. 1, it may interest your readers to know that in a third edition of "The Children of the Chapel " by Mrs. Disney Leitb (the poet's cousin), published by Messrs. Chatto & Windus, London, in 1910, it was definitely stated that the morality play was by Swinburne. The title-page of this issue reads as follows: "The Children of the Chapel by Mrs. Disney Leith, including The Pilgrimage of Pleasure, a morality play by Algernon Charles Swinburne." No mention of this third edition is made in Mr. O'Brien's Bibliography. The "Spectator" letter of 1862 was reprinted for the first time in Mr. R. Le Gallienne's "George Mere- dith: Some Characteristics" (Lane, 1890),and in sub- sequent editions. yf MacDonald Mackay. Toronto, Canada, Nov. 5, 1913. 402 [Nov. 16 THE DIAL tyt Itto iooks. A Hero of the Gentle Life.* In closing his "Literary Friends and Ac- quaintance," written while Charles Eliot Norton was still alive, Mr. Howells speaks, with the restraint he knew would be desired by Mr. Norton, of "the creative sympathy of a man whose contributions to our literature only par- tially represent what he has constantly done for the humanities," and adds: "I am sure that after the easy heroes of the day are long forgot, and the noisy fames of the strenuous life shall dwindle to their essential insignificance before these of the gentle life, we shall see in Charles Eliot Norton, the eminent scholar who left the quiet of his books to become our chief citizen at the moment when he warned his countrymen of the ignominy and disaster of doing wrong." Somewhere else, unless memory is at fault, the same writer points to Mr. Norton as the finest example of one whose scholarly capacities have been cultivated to their fullest extent. It is this impression of continual growth in scholarship and refined taste and high sym- pathies that one receives in reading the two ample volumes of Mr. Norton's letters now carefully edited with biographical comment by his daughter, Miss Sara Norton, and Mr. M. A. De Wolfe Howe. First we see their writer young, ardent, eagerly acquisitive of knowledge and experience, and then, as the wisdom of age is added, reflective, reminiscent, philosophical, tasting the wine of life with a more keenly dis- criminating relish, infusing himself more and more into the generations growing up about him, and, in his letters to old friends, falling back at last on those mutual sympathies and comprehen- sions that are finally felt to be the really endur- ing and desirable things of existence. From the very beginning, too, he shows himself possessed of a singular maturity and poise, a capacity for inspiring confidence as an adviser and for winning hearts as a friend. Indeed, he had a veritable genius for friendship, high and noble, warm and lasting friendship, and it is signifi- cant that many of his earlier friends were men and women considerably older than himself. Reared as the companion rather than the son of a scholarly father, he early displayed an unusual development of mental powers, strength of • Lettkbs of Charles Eliot Norton. With biograph- ical comment by his daughter, Sara Norton, and M. A. De Wolfe Howe. In two volumes. Illustrated. Boston: Houghton Mifflin Co. character, and ripeness of judgment. Ruskin's attachment to and confidence in Norton is well known. In his "Praeterita," after describing their first meeting on that memorable day in Switzerland, he concludes: "And thus I became possessed of my second friend, after Dr. John Brown; and of my first real tutor, Charles Eliot Norton." The relationship of the two is well shown in the letters from Ruskin to Norton, as published a few years ago. An uninformed reader would not suspect the age of the " tutor" to be almost nine years under that of the pupil. Another Englishman of note who con- fessed himself indebted to the young American scholar's benevolence and wisdom, was Arthur Hugh Clough, also Norton's senior by nearly nine years. "Charles Norton is the kindest creature in the shape of a young man of twenty- five that ever befriended an emigrant stranger anywhere," writes Clough from Cambridge, where Norton was sagely advising him on the publication of his "Plutarch" and aiding him in reading the proofs. Striking instances of Norton's happy way of quickly ingratiating himself, without effort, wherever he went and whomsoever he met, are found in the record of his first journey abroad, that memorable voyage made by him as super- cargo to India, whence he returned, nearly two years later, by way of Suez, Cairo, and Europe. In Italy the Brownings appear to have felt his charm immediately, and to have given him their cordial friendship. The younger man's way of referring to Browning and other friends older than himself, and of addressing them in his let- ters, using often only the last name, is significant of his reception among them on a footing of perfect equality. That he viewed under no false glamour the celebrities among whom he moved and of whom he heard, is evident from such passages as the following, written to his mother after a tete-a-tete dinner with John Kenyon, Mrs. Browning's elderly cousin: "We talked much this evening of Coleridge and of Wordsworth. Mr. Kenyon said that much as he ad- mired and respected Wordsworth, there was hardly a more disagreeable man in some positions; that he was very selfish, and, as Sara Coleridge said of him, his sen- sibility seemed to be in him and not of him. Coleridge once said that if Wordsworth had a coat of arms, the crest should be a laurel crown, and the supporters, a bishop on the one side, and an attorney on the other. He was a man weak enough to care for the distinctions of rank, and to bow to them, and if you, his best friend, said Mr. Kenyon, met him in a party of lords and bishops, it was very likely that he would not know you while they were in the room. We talked, too, of Rogers, of Miss Mitford, who is still living at Three Mile Cross, and 1913] 403 THE DIAL who, being relieved from the necessity of writing, has laid aside her pen, to live quietly on her narrow bnt sufficient income." Side by side with this dinner at John Kenyon's should be placed Norton's evening at Lamar- tine's, where the clear-eyed young American detected at once the enormous vanity of his host. "The stories which are heard of Lamartine's vanity," he wrote home afterward, "would be almost incredible were they not confirmed and repeated on every side. Some of them are too bad to tell. By a little skilful drawing out one can any day induce him to say that he is physi- cally superb and morally sublime." But it is more profitable to dwell on Norton's admirations and enthusiasms than on the objects of his good- natured contempt—though that is too strong a word to describe his feeling. An early reference to the dearest friend of his maturity and later life occurs in a letter to Clough, written in Nor- ton's twenty-sixth year and while Lowell was still keenly feeling the loss of his first wife. "Lowell was with me last night till near one o'clock, —so that if I am stupid this morning there is no cause for wonder;—he was very bright and pleasant and we should neither of us be dull to-day, could we have sat talking all night and not gone to bed at all. My affec- tion and admiration for him quicken every time I see him; he bears the trial of his life, a loss which grows only more palpable in the course of time, with the best spirit, and the truest right feeling. Sometimes, after he has been long at home, surrounded only by those things which suggest continually to him his sorrow, I have found him very sad; but he quickly rallies, and no word of unmanliness or complaint ever shows that he has lost even for a moment the serenity and patience of his heart." An earlier letter to the same correspondent has a paragraph prophetic of the writer's attitude in a national crisis of almost half a century later, and not unprofitable reading for us at this very moment. "The administration have got a very pretty quarrel with Cuba, and will make the most of it. One of the New York steamers has been confiscated in Havana owing to informality in her manifest. The accounts as yet are all from one side and we have not heard the Spanish version of the story. But we do not care to wait for that and propose to seek redress whether Spanish laws are violated or not. Such an opportunity as this cannot be lost. So the President sends an undignified message to Congress, and all the passion that can be ex- cited is being stimulated by every proper means. . . . In the existing state of feeling in this country in regard to Cuba it was, so far as can be now seen, an immense mistake on the part of the Spanish authorities to commit such an inflammatory act as the seizure of this vessel." In a notebook kept by Norton at the time of his second visit to Europe there are found entries indicating the beginning of that course of study which was to make the young student, in process of time, our foremost Dante scholar. From 1856, therefore, to the end of his life more than half a century later, Norton is to be thought of as giving the best of his intellectual energies to the Italian poet. That his prose rendering of the "Divine Comedy" should be accounted the most faithful presentation of it in our language, need not surprise anyone who knows the translator's lifelong abhorrence of slovenliness in literary work. A passage from a letter to Mr. Edward Lee- Childe arrests attention because it so aptly applies to the writer himself. "You are leading a rational life, and in securing the best culture for yourself you are doing good service to society. There is great need of men who may keep up the standard of cultivation, without aiming at the cheap personal distinction for which most men strive. I know no worse calamity that can overtake a man than to have a thirst for publicity, and yet it is the common vice of able men in this epoch of the newspaper reporter." Passing now to the later letters, we select a passage from a communication to Goldwin Smith that reveals a healthy rationalism and a sane optimism such as not all the world has yet attained to. "You gave me a great pleasure in sending to me two or three months ago a copy of your book on the 'Kiddle of Existence.' It was a great satisfaction to me to find myself in entire agreement with you on every main point, and to have my own convictions set forth with such lucidity, temperance, and force. Possibly I regret less than you do the giving up of the old faith, and the being compelled to renounce as hopeless every attempt to solve the problems which excite our curi- osity. The position toward the universe in which we find ourselves seems to me on the whole the manliest which has been attained. We are thrown back on our own resources to make the best of our lives. A new sense of responsibility is aroused in us, and, by the narrowing of the limits of our hopes and expectations, we find ourselves more capable of using our faculties for legitimate and rational ends. I do not find it hard to quench the eagerness of curiosity about the unknow- able, and to accept as sufficient this brief, incompre- hensible existence on earth. Man seems to me to be for the most part in a very early stage of development, and the loss of religious faith among the most civilized portion of the race is a step from childishness toward maturity. That it will have many sad results I do not question, that the progress will be very slow and irreg- ular is certain, but in the long run I have no fear in regard to improvement in the general morality of the race. Our morals seem to me the result and expression of the secular experience of mankind. As such they have a solid foundation. The doctrine of love is the one ultimate achievement in this field. And the validity of that doctrine as the rule of life is but confirmed by such convictions as you and I have reached." In one of his last letters Norton cheerfully wrote : "The end cannot be far off, and although few men have more to leave than I, I am neither 404 [Nov. 16 THE DIAL reluctant, nor sentimentally sorry to leave it." Among those last letters, which are, naturally enough, the best letters in the collection, one finds and would like to quote from many a genial message of greeting to such sympathetic friends as Leslie Stephen, E. L. Godkin, Mr. Charles Francis Adams, Dr. S. Weir Mitchell, and Horace Howard Furness. Following the letters are twenty pages of delightful personal reminiscence from Mr. Arthur Sedgwick, Nor- ton's brother-in-law; then come appended items of interest, and, finally, an index that success- fully stands the test of repeated use. Portraits and other illustrations abound. Even more memorable than the appearance of Lowell's correspondence, which Norton himself edited, is this publication of the letters of him who was our most finished scholar and our most intelli- gently and fearlessly public-spirited citizen. In the best sense of those much abused words, this is emphatically the book of the year. Percy F. Bicknell. The Social, Development of Modern England.* The past century of English history has been a period of great and growing "unrest." As the years pass the disturbing forces appear to be increasing in number and strength. The situation has produced much perplexity among conservative Britons, and has inspired a con- siderable body of literature largely of the polemic order. Among the more recent works that have been called forth by these newer social facts is a historical study by Dr. Gilbert Slater, which he calls "The Making of Modern England." Dr. Slater belongs to a class of writers who sometimes speak of themselves as "sociological historians" (whatever that term may mean), and whose interest seems to be limited to the larger and wider aspects of social life and development. For such a study the recent history of England is surely not wanting in opportunity. The author states his purpose clearly in a brief preface from which the following sen- tences may be quoted: "My aim in this book is to set out in language as simple and clear as I can command those facts with regard to the recent history of our country which it is most important for English men and women to know. . . . For the citizen, historical study with the ulterior object of gaining light in the future and guidance in •Thk Making of Modern England. By Gilbert Slater, M.A., D.Sc. Boston: Houghton Mifflin Co. the present, is an imperative duty. ... I should have liked to lavish much more time and labor on this effort if it had been possible. As it is, I must now present it, for what it is worth, to those who are seeking for light from the past on the difficulties and dangers of this most critical moment in the life of our nation, of the empire, and of humanity." Dr. Slater is principal of Buskin College, an Oxford institution which is frequently spoken of as " the workingmen's college"; it was organ- ized a dozen years ago to give certain opportu- nities for study both in residence, by "extension" courses, and by correspondence, that were not to be found elsewhere. This position has brought the author into close touch with the most discontented of all the disturbing forces, — the workingmen. But it has also given him a view- point that the "more solid classes" will refuse to accept. There are no traces of Tory sym- pathies in Dr. Slater's work. "The Making of Modern England" is not a history in the traditional sense: the political element, which surely has had a large part in the " making " of that nation, is almost omitted. Only where politics and politicians are associa- ted with great social or industrial changes do they appear in the narrative; the first reform act, which paved the way for the social reforms of the thirties, is naturally treated in some detail. Gladstone and Chamberlain are prom- inent in Dr. Slater's narrative, but the greater number of the other famous parliamentary names are wanting; their places are taken by those of Brougham, Cobbett, Huskisson, Edwin Chadwick, who did such efficient work for san- itation, and the leaders of the trades union movement. But on the subjects that fall within the author's purpose he writes clearly and fully. They are chiefly such topics as parliamentary and municipal reform; the industrial revolution and factory legislation; the labor movement in its various phases; the corn laws and tariff re- form; the poor laws, educational reforms, and sanitation; and other related subjects. Three chapters are devoted to conditions in country and town in the years immediately following the close of the Napoleonic wars; and the picture is one of hopeless distress. Six chapters take up in detail the earlier reforms in constitution and industry; more than half of the work is given to the period prior to the Crimean War. The remainder of the volume is devoted chiefly to education, municipal activities, and changes in the industrial system. Dr. Slater has his views on present-day Eng- lish problems and movements, and expresses 1913] 405 THE DIAL, them without fear. On the subject of tariff reform he holds very moderate views. He seems to be a believer in state support for in- dustry, but sees little to be gained from the political programme of the Unionists. "It is unfortunate that the case between free trade and neo-protectionism has had to be argued before a public which has been denied any general education in economics, and therefore is not well prepared to under- stand the sounder arguments on both sides. The controversy has, therefore, degenerated, through the irresistible temptation offered to both sides to rouse pre- judices and to use arguments, however unsound, which happen to appeal to the aninstructed voter. . . . There is a tendency on both sides to grossly exaggerate the net economic gain or loss to the country as a whole of a system of free imports on the one side and of small importVluties on the other." He also fears that, as the political parties are rather evenly balanced, "the country may oscil- late between the two systems and so suffer greater loss and damage than from a continued adher- ence to even the worse of the two." For imperialistic ambitions, as the term is usually understood, he has no sympathy. Against the imperial system itself he brings a terrible indictment. "We are accustomed to think of the British Empire as consisting mainly of men of the Anglo-Saxon blood, and as being on the whole well governed, highly civilized and wealthy. As a matter of fact the Empire consists mainly of Asiatics; it is more cursed by deep poverty than any other great state, and the great majority of its adult population are unable to read and write." The greatest problem is the Indian service. England has too few civil servants in India; they are poorly trained and they govern accord- ing to obsolete ideas — "the ghost of the eco- nomic doctrine of laissez-faire " clings to actual practice. On the matter of training for the civil service the author is emphatic: "To vari- ous audiences I have urged that the first step for the salvation of the Empire must be to abolish compulsory Greek at Oxford and Cam- bridge and substitute compulsory geography." But he hopes that out of imperialism will grow internationalism, — that the Empire will serve as a long step toward the "federation of the world." With the feminist movement the author is in evident sympathy. English women demand the ballot because it is a symbol of equality and because they "believe in its overwhelming importance." "The state is equally concerned with men and women; its business is no longer the extension of territory, but chiefly the securing of a better environment for the coming generation; and the exclusion of women from a 9hare in that business can be defended only on the ground of their intellectual inferiority." The modern British industrial system Dr. Slater believes to be fundamentally wicked: "The whole structure of business of the modern type is built upon a foundation of injustice." Of the three groups that are interested in a public service corporation, — the shareholders, the laborers, and the public,—the first has the least personal interest. The capitalist, because of his scattered investments, becomes "less and less able to discharge the duties and responsi- bilities attaching to ownership"; his prudence in investing reduces him "to a mere parasite on the business which he, with his fellows, owns." The author looks for great changes in industrial organization; these may be Socialistic or Syndi- calistic, or possibly both forms will appear; but he does not believe that any new form will pre- vail to such an extent as to eliminate all the earlier types. It seems to the reviewer that Dr. Slater has been more anxious to interpret his facts than to find and state them; that he expresses his opinions too freely and too positively; and that consequently his work can scarcely be classed as history. But as a summary of the causes that have led to the disturbed conditions of the pre- sent, written from the viewpoint of one who is sympathetic toward the yearnings and strivings of the toiling masses, it has an interest and a value of its own. But it is an argument rather than a historical narrative. Laurence M. Larson. Studies of the English Lyric* Histories of literature continue to multiply. If the classics of our tongue were increasingly read in proportion as they can be increasingly read about, there would be cause for great grati- fication. It is to be feared, however, that the latter employment is too likely to be a substitute for the former, from the elementary schools up to women's clubs and the universities. Doubt- less this is no reason why we should be inhos- pitable to the new guides made for those who would read systematically and intelligently. But the difficulty of making such a guide both a practical manual and a readable history is very great; and one frequently lays down the book querying whether it is not, after all, a graceful tour de force, exhibiting how much ground may be covered with the greatest agility, •Lyric Poetry. By Ernest Rhys. "Channels of Eng- lish Literature." New York: E. P. Dntton & Co. The English Lyric. By Felix E. Schelling. "Types of English Literature." Boston: Houghton Mifflin Co. 406 [Nov. 16 THE DIAL without laying the writer open to charges of omission from his fellow-scholars and reviewers. For illustration, take such a sentence as this, from one of the two volumes now before us: "Passing Thomas Love Peacock, best recol- lected, notwithstanding a lyric or so of distinc- tion, for his incomparable wit and humor in rime, John Hamilton Reynolds, friend and com- panion in poetic adventure of Keats, and Lanian Blanchard, preacher, jester, and writer of society verses, we reach in Hood the most gifted of the poets that fall between the early romanticists and the great Victorians." Is this not skilful? And is it not at the same time suggestive of studying a subterranean water-system from an aeroplane? Or this: "It might be difficult to find four writers more in contrast as men and authors than Macaulay, Praed, Mangan, and Barnes; indeed, only their likeness in years and the circumstance that they all began to write well before the accession of Queen Victoria could justify the treatment of them together." Yes, there is one other justification, — that the writer was obviously in despair as to how to in- clude the necessary names in the pending chap- ter without frankly descending to the method of a text-book, and saying " 1, 2, 3, 4." The re- sult of such efforts is that the reader versed in the subject-matter of the book perceives that its author knew his material well, but that its sig- nificance is questionable for those not acquainted with the field. Such is the conspicuous case with the horde of brilliant literary histories turned out by Professor Saintsbury: any intelligent reader is eager to know what Mr. Saintsbury has to say of his favorite book, but one who would have the landscape mapped out for him must be directed to some guide at once humbler and safer. And the fault here is not with the author alone, but with the method of these compendia. Of late such suspicions as these have given rise to a new type of literary history in which each mode or kind is treated by itself, and more econ- omy and thoroughness are thereby made possi- ble. Two series of this sort are now well under way, one made in this country, called "The Types of English Literature," whose general editor is Professor W. A. Neilson; and its British coun- terpart, called "The Channels of English Lit- erature," under the direction of Mr. Oliphant Smeaton. The volumes treating of the lyric, in these two series, are now at hand, and both have been committed to writers of proved scholarship and assured competence in critical technique. That both are at once learned and readable may therefore be assumed without danger. It does not follow, however, that they escape altogether the queries which have been raised regarding the task they undertake to accomplish. If such a treatise can give us a real history of the form in question, discerning its evolution, its modify- ing environment, its quasi-organic life, then the type-history justifies itself in a special way. This is characteristically possible in a form like tragedy or novel, for there one may predicate a certain consciousness of type on the part of the authors concerned, as well as a fairly obvious series of vital influences. But the lyric is a form essentially unconscious and essentially individualistic; there is, therefore, less signifi- cance in treating its history among a given peo- ple than in the case of almost any other type. Try as we will, then, the task becomes in some measure the mere picking up of one name and the setting of it down to take up another. Mr. Rhys and Professor Schelling have miti- gated this tendency in quite different ways. The former has felt free to please himself by expanding his treatment of that period which at once evidently interests him most and is most susceptible of scientific and historical treat- ment,— the mediaeval. Here the evolution of the type is handled with more care, and more richness of illustration, than can easily be found elsewhere, and the result should prove very stimulating to any who can read Middle Eng- lish without difficulty. Professor Schelling, on the other hand, has consulted the interests of the general reader, which are sure to be dis- proportionately concerned with recent litera- ture, and gives nearly half his book to the English lyrists from 1798 to the present, the period where individuality is most marked, and the historical method least available.* But he takes care to meet the needs of the real student of the subject by providing at every point hints concerning the deeper matters to which indi- vidual poets are related, as well as bibliograph- ical references in an abundance just not too great to be practicable. On a subject so doubtfully defined as the lyric, one compares with interest the limits which the two critics seek to set for their * In this matter of proportion, then, neither book appears so much to advantage, despite their greater charm of style, as Professor Edward B. Reed's " English Lyrical Poetry," reviewed in The Dial for September 1,1!I12. Those seri- ously interested in the subject will perhaps find convenient a definite, not to say mechanical, comparison of the three books so recently published on the same subject. Reed's book, then, contains some 174,000 words, Rhys's some 14X.00O, and Schel- lings's some 87,000. To the medi.eval lyric Reed devotes about 14% of his space, Rhys 'J.'S%, and Schelling tj%; to the lyric of the lilth century Reed gives 21%, Rhys 111%, and Schelling 3X%. 1913] 407 territory. With Rhys it is primarily the rhyth- mical or musical element, the primitive spon- taneous impulse to song, to which the denning lines are always referred. "Lyrical," he tells us at the outset, "implies a form of musical utterance in words governed by overmastering emotion and set free by a powerfully concordant rhythm." This leads him to find his subject- matter, on occasion, even in narrative poetry,' as when he cites Chaucer's "lyric remark" about the Squire: "He sleep no more than doth a nightingale," adding, "One may think that not a lyric line at all, but in fact it is an enhancing of sound and sense alike by the poet's conscious and tuneful exuberance of pleas- ure in the fact he is communicating, and there lies the essence of the lyric principle." So of the "Comus" songs: you feel " the voice-chords strong in them; . . . there is an actual present music of the sounds apart from the syllabic and intelligible pattern of the words." This is admirably suggestive in both thought and phrasing. Elsewhere Mr. Rhys recognizes the development of the more literary element, which came in, for example, with Surrey, — "the silent lyric which is written and meant to be read to oneself"; while with Wordsworth, he says, "the converting of the lyrical to the sub- lyrical, the verse of sung melody and pure vocal rhythm to that of reflective and medita- tive expression, was complete."* One can see that with this tendency he is more or less impa- tient. He is suspicious of the sonnet, for example; and, though he admits that Shake- speare makes us forget that it is "a book-song, a lyric in a cabinet," he gives only a page to the Shakespearean collection. Professor Schel- ling is more catholic in temper, less interested in rhythm, and disposed to emphasize, as mod- ern literature inevitably emphasizes, the test of subjectivity rather than songfulness. Both writers, as we have said, are possessed of a skilled and liberal critical style, and pro- vide us with obiter dicta which are not the least valuable products of this handbook fashion. Here are some of the best of Mr. Rhys's: "Chaucer was the most delicately syllabic verseman who ever wrote in English, bo that, reading him after the later poets whose fashion is more like our own, we are impressed as by the clear but unusual enunciation of a child." "Sidney's poetry floats on that full stream of history •Compare Wordsworth's own words concerning his poems: "Some of these pieces are essentially lyrical, and therefore cannot have their due force without a supposed musical accompaniment; but, in much the greatest part, I require nothing more than an animated or impassioned reci- tation." [which characterized the Elizabethan court] like leaves on a broad river, whose water keeps them fresh." «The mode of perceptivity which Dryden and his school cultivated ties the imagination to the fence, and no matter how the wind blows, the range is determined by the rope." "The tough Saxon fibre remained, ... to give it something of that occasional stiffness of English poetry, which is apt to affect her verse-writers when they are not inspired, . . . and at the same time to give it that grip on the earth, which we found first in. Widsilh and Csedmon." And here is a hand-cull from Professor Schel- ling (whose book is characterized, however, not so much by salient passages as by the ample knowledge, catholicity, and gentle humor which underlie nearly all his judgments): "Elizabethan poetry revels in the art of song, in variety and experiment in verse, in the artifices of style; it plays upon words and elaborates ingenious figures of speech; it bubbles with voluble joy, or, if cast down, its despair or petulance are those of childhood." "It is not so much the possession of new or startling qualities that characterizes the artistic endowment of Shakespeare as it is the superlative degree in which he is endowed with qualities which are ordinarily associated with the sanity of talent as contrasted with the abnor- mality of genius." "Keats is the antithesis poetically of Wordsworth, in place of whose artistic thrift he practised a splendid liberality, in place of whose scrutinizing search for the hidden meaning of things he was content to blazon in a gorgeous heraldry of his own their outward glories." In connection with Professor Schelling's book, two or three queries suggest themselves, if only for the sake of varying the monotony of agree- ment which must, in general, meet the author's dicta. For Shakespeare's sonnets he contents himself with the easy traditional statement that they "are made up of two series," the first addressed to a youth, the second to a dark lady; this, despite the fact that the statement has never been undisputed, and that recent criticism has tended to react against it. Of Donne we are told that he is free " from the slightest interest in nature or in similitudes drawn from nature," a saying which gives us pause when we remember the lines "A pregnant bank swelled up to rest The violet's reclining head," the wonderful "Nocturnal upon St. Lucy's Day," and the metaphysical toying with the five-petaled blossom in "The Primrose." And is it not at least questionable to group Matthew Arnold with the poets who are more intent on form than on "the thing said "? A final comparison of the two volumes should revert to the humble matter of their practical service to the serious reader, and here the admi- rable bibliographical apparatus furnished by 408 [Nov. 16 THE DIAL Professor Schelling, as already noted, must have weight. The index to his manual, too, is worthy of more than the reviewer's usual part- ing word. By searching here, not merely for the names and titles with which the professional index-maker contents himself, but for such captions as "Celtic Revival," "Classical influ- ences," "Conceit,""Frenchinfluences," "Mad- rigal," "Oxford Movement," "Petrarchism," "Pre-Raphaelite," and the like, one may read- ily be enabled to follow out threads of topical importance which are not conspicuous in the main pattern of the book. In these respects Mr. Rhys's volume is conspicuously inferior. There are no accurate references; bibliography is provided in neither notes nor appendix; and the index is only of proper names. The proof- reading is also left with much to be desired; one may note particularly the illiterate spelling "Sampson" twice on page 228, and — what can hardly be laid to the printer's door—an unpar- donable garbling of Browning's lines on Shake- speare's sonnets, page 338. In view of the present progress of these undertakings in literary history, a concluding suggestion may not be untimely. We now have plenty of histories of English literature as a whole, and are coming to have plenty of such histories by types. The next step needed is to give the student who wishes to gain the view- point of what is awkwardly called " comparative literature" a view of the types without regard to national boundaries. It is desirable to get either a complete longitudinal section or a com- plete cross-section,—to see either the evolution of our literature as a whole, or that of one form of literature in the modern western world. Some of the volumes in Professor Neilson's series will perhaps approach this desideratum, at least if one may judge from the announcements already made; "the short story, mediaeval and mod- ern," one would think, can scarcely be confined within the boundaries of England, nor can one easily fancy Professor Irving Babbitt writ- ing a history of English criticism alone. But the value of Professor Thorndike's volume on tragedy, already issued and proved helpful, is impaired by the fact that to treat English tragedy by itself, especially in certain periods, is almost to throw away the possibility of under- standing it. In the lyric this is not so true. But eventually, when the training of our literary scholars has become more liberal without losing its soundness, we shall have a series dealing with the Novel, the Tragedy, the Lyric, and the rest, of modern Europe. Till then, students exploring these subjects in existing works will continue to feel like visitors to a public build- ing who find many alluring doors and galleries marked " Closed to the public for the present." Raymond Macdonald Alden. Lincoln the Man.* "When half-gods go," says Emerson, "the gods arrive." Perhaps no more than other peoples, but certainly to a marked degTee, we Americans tend to make our national heroes something more than merely human,—some- thing more, indeed, than demi-gods. In the process of ascribing to them characteristics suit- able to their eminence, we strip them of their humanity, until we find them lifted beyond our sympathies into monsters of perfection, — crea- tures much "too bright and good for human nature's daily food." As a consequent reaction, books are being written, like Mr. Owen Wister's "The Seven Ages of Washington," for the purpose of proving that the great Virginian, too, was hu- man; and his case seems to require proof that he could laugh upon occasion with any of us, quite as much as that he could suffer. In the latter contingency, we certainly lose the lesson that human sufferings can be nobly borne, as with Washington, seemingly setting him on a pedestal so remote that we can see neither his smiles nor his tears. The best compliment ever paid an actor is that recently accorded Sir John- ston Forbes-Robertson by a young girl who said of his Hamlet, "I never before thought it could happen." And many an American, it is to be feared, has dismissed the Father of his Country with the half-formed reflection that such a man never really happened. Abraham Lincoln is rapidly being accorded a similar elevation beyond our daily humanity; and the process can only be stopped, if it can be stopped at all, by such a book as the late Francis Fisher Browne's "Everyday Life of Lincoln," now rewritten to include everything worthy that has been brought to light since its first appearance twenty-seven years ago. If ever there was a thoroughly human man, it was the great Liberator. If ever an Ameri- can lived from whom his countrymen could derive comfort, not only for success but for failure, it was he. If any man in any age was wrought by the hand of destiny from common •The Everyday Life of Abraham Lincoln. By Francis Fisher Browne. New edition, enlarged and re- written. With portraits. Chicago: Browne & Howell Co. 1913] 409 THE DIAL clay into true nobility and imperishable har- mony, it was this same Lincoln. And if, in spite of all things, whether of good or ill repute, a great man ever remained a simple, sane, sweet, comprehensible human being, again it was Abraham Lincoln. Nothing is to be gained by trimming his words and deeds to fit the exi- gencies of a later and, it may be, a better age. In fact, he was so emphatically of his own time, its best, most typical, and most characteristic product, that all attempts to harmonize his life with another environment must end disastrously. No descriptive phrase accorded him has met with more general approval than Lowell's "the first American"; nothing is to be gained, but much lost, by seeking to make him also the last American. And Francis Fisher Browne, a man of Lin- coln's type if ever there was one, has brought together out of his great understanding and sympathy a mass of opinion, incident, anecdote from the most varied sources, fused them into a single whole, and left us a vivid portrait which shows Lincoln the Man — the man who was always himself. Some concession has been made to the spirit which would make him the man who was better than himself, but not much, and that only in the words of others; in the eloquent links which bind together the statements and sentiments of others, the feeling of the biogra- pher is clear: Lincoln was a man like ourselves, humbler, commoner, less "gentlemanlike" than any of us dare think ourselves, moulded by tremendous stress and strain into a figure unique in the annals of the world. Like Washington, he is one of Plutarch's men, but springing from the boundless prairie rather than from the closer vicinage of a classical age, — a Boeotian who loved beauty, a Spartan who could shed tears, a Roman who read entirely new meanings into the phrase, Imperium et libertaa. The plan of the book is simple. If anything dealing with Lincoln's life from its inhospitable beginning to its august close is fully authenti- cated and bears the mark of truth, it has been deemed worthy of inclusion. "Many of the stories told of Lincoln at the bar," we read on page 139, "are extremely ridiculous, and repre- sent him in anything but a dignified light. But they are a part of the character of the man, and should be given wherever there is reason to suppose they are genuine." Thereupon one prime reason for the book's excellence discloses itself: "Besides, they are usually full of a humor that is irresistible." And what follows is a warning to all solemn asses who would have it otherwise; for if there was anything human that Lincoln's heart did not warm to it was the solemn ass. It is not with history that this book is chiefly concerned,— it is with the man in history. Only such chronicle of the events that marked so portentous an epoch in the world's long life has been included as is needful for an under- standing of the individual who did so much to sway these events and bend them to his will. These are dealt with in a spirit that it is no exaggeration to call truly Lincolnian. Nearly all previous historians and biographers in this field, still moved, it would seem, by the bitter- ness of that age, have been partisans. Notably has this been the case in dealing with the relations between Lincoln and McClellan; the mere mention of the two names has seemed to call forth the challenge in "King Henry IV.," "Under which king, Bezonian? speak, or die I" But here we find portrayed two men, equally zealous, equally anxious, each in possession of knowledge he would impart to the other, each doomed by his own limitations to imperfect understanding of the situation; yet, in spite of all these things, good friends to the end, and upon the whole freer from acrimony than any of their followers. For it is no part of this book's purpose to make men and events out better than they were and are, nor yet to make them worse. Lincoln's own breadth of view and insight into human nature are shown to be in full control throughout. One can love Lincoln without hating McClellan, or admire the general's man- ifest good qualities without dishonoring the memory of his commander-in-chief. An equal catholicity of treatment is accorded such mooted questions as Lincoln's religion; he is shown in his everyday life to have been truly religious, and the lesser question of creed is left to take care of itself. Here and again something is said about his abstemiousness regarding liquor; it is made evident that he was one of the most temperate of men at a time when temperance was rather less valued than at present, — and that, surely, is all that need be proved. But such a book speaks more favorably for itself than any reviewer, however sympathetic, can possibly speak for it. As it stands, it is a monument of patient labor, almost as conspic- uous for what it rejects as for what it includes, for it is evident that everything has been duly weighed. Matters made public as recently as February last find due place in its pages; noth- ing has been neglected that adds to a rounded 410 [Nov. 16 THE DIAL conception of a great man. The book will stand as an impressive memorial both to its subject and to its biographer. In its external aspects the volume is dignified and comely. An analytical index, probably the fullest and most serviceable ever included in a Lincoln biography, will be welcomed by every reader and will give the work a unique refer- ence value in the library. Two portraits of Lincoln, one a strikingly characteristic study by Mr. J. N. Marble never before reproduced, together with a portrait of the author, are included. Wallace Rice. Germany's Dreams of Expansion.* "The vital factor in the modern interna- tional situation," asserts Professor Usher in his recently published treatise on Pan-Germanism, "is the aggression of Germany, her determina- tion to expand her territories, to increase her wealth and power." The general fact is one with which the world is familiar,—one which, indeed, the world is given little opportunity to forget. The full and final import of it, how- ever, is considered in some quarters to be such as few men even dream. In his description of the Pan-German movement, Professor Usher has sought both to lay bare the hidden forces of German aggrandizement, thus seriously con- ceived, and to forecast the consequences of it for the principal nations of Europe, for our own country, and for the world at large. The basal factors in the existing situation are assumed to be so obvious and so familiar as to call for little more than mention: the amazing rapidity of the growth of Germany as a national power, the phenomenal rate of increase of the Empire's population, the multiplication of in- dustries and the ever-growing pressure for mar- kets, the rapidly diminishing area of the lands remaining to be brought under profitable culti- vation. The logic of cold facts, it is declared, points, and can point only, to expansion. "To ask a German whether the expansion of Germany is desirable is merely to ask him whether he believes it desirable from any point of view for the German nation to survive. Of course there can be but one reply. Ex- pansion in Europe, however, can take place only at the expense of other and independent states, either the pow- erful rivals, France and Russia, or the weaker neighbors, Belgium, Holland, Denmark, Sweden; and even if such acquisitions were to be made the difficulty would not be solved, for the real problem is to find territory suitable for German exploitation and settlement which is not * Pan-Germanism. By Roland G. Usher. Boston: Houghton Mifflin Co. already heavily populated, at least not populated with men and women of an advanced type of civilization. The conclusion is that Germany must seek added dominion, not alone in Europe, but in the temperate and produc- tive portions of the outlying world; and not merely on land, but on the sea, to the end that she may command highroads to and from her possessions which shall be safe from the attacks of her enemies." These are the considerations upon which the Pan-Germans base their propaganda. The essentials of their programme are set forth by the writer as follows: "The Germans consider perfectly feasible the con- struction of a great confederation of states including Germany, Austria, Hungary, the Balkan States, and Turkey, which would control a great band of territory stretching southeast from the North Sea to the Persian Gulf. A railway from Constantinople to Baghdad would effectually tie the great trunk lines, leading from the Rhine and Danube valleys, to Constanti- nople and the Persian Gulf, and so establish a shorter route to India than that via Suez. Egypt, Syria, Arabia, Persia, India herself, the mother of nations, would fall into German hands and be held safe from conquest by this magnificent overland route to the East. Pan-Germanism is, therefore, in the first place, a defensive movement for self-preservation, for escap- ing the pressure of France and Russia, both bent on her destruction. It is, in the second place, an offensive movement directed against England, its object, the conquest of the English possessions in the Mediterranean and in Asia. She expects thus to obtain an outlet for her surplus population and manufactures and to create an empire as little vulnerable politically, economically, or strategically as any the world has yet seen." In so far as these purposes are known, they are denounced by other nations as involving a return to the methods of sheer force long ago outgrown, presumably, by the civilized world. The Germans, however, we are told, "derisively point to the presence of the English in India, of the French in Morocco, of the Russians in Manchuria, of the United States in Panama," and insist that their own aims and methods are "absolutely identical with those their de- tractors have so long employed." The question that arises perhaps most insistently in the reader's mind is, In how far is the programme thus outlined concurred in by, or even known to, the mass of the German people? In other words, Is Pan-Germanism essentially national in its constituency and spirit? Upon this point we are given no very definite information. Per- haps the obscurities surrounding the subject are so impenetrable that definite information cannot be had. "The extent to which the German nation as a whole," we are told, "is conscious of the existence of Pan-Germanism is not demonstrable. There can be no doubt that the Government has consistently attempted to shape public opinion in favor of it." That 1913] 411 THE DIAL Germans of all parties and sects appreciate the seriousness of the economic problem by which the country is confronted cannot be gainsaid; nor, indeed, that the impulse which constitutes the driving force of Pan-Germanism is present, and is realized in some measure, in other coun- tries even as in Germany. And in Germany at least, the tendency of government influence, of education, and of literature is distinctly to accentuate the high mission and the unlimited possibilities of the nation. Whatever the pres- ent situation, the Pan-German ideal appears not unlikely, as time goes on, to be stamped more indelibly than ever upon the national consciousness. In the judgment of Professor Usher, the pros- pect of the realization of the ideal is dubious. After due allowance has been made for the many elements of strength in the programme, the final impression seems rather to be one of essential weakness and uncertainty. The strongest evi- dence to be had at present of the feasibility of the Pan-German idea is affirmed to be the sheer fact that "the statesmen and diplomats of Europe, who know more about the situation than historians ever will, believe that its success is probable," and have so believed "for more than a generation"; and, furthermore, the fact that in the autumn of 1912 circumstances so shaped themselves that the Pan-German confederation was apparently within measurable distance of completion. After all, however, this is incon- clusive. And over against these considerations must be set the extreme difficulty of creating any such confederation as that which the Pan- Germans expect to bring into existence for the furthering of their plans. It is the belief of the author that the subversion of the naval and commercial power of Great Britain might more readily be accomplished than the proposed recon- struction of the continent; yet this is the second, rather than the first, point in the present pro- gramme. "Pan-Germanism," it is asserted, "is weakest at its centre. Its success is least prob- able at home. Without the cooperation of Aus- tria and Italy, the scheme is impossible"; and it is easy to show, not only that scarcely two gen- erations ago the relations of the present members of the Triplice were fundamentally hostile, but that the spirit of distrust and jealousy among them is still such as to threaten any great pro- gramme of political reconstruction involving their cooperation. The instability of the racial situation, the growth of socialism, and the tradi- tional effectiveness of English diplomacy and naval power are cited as additional obstacles of large import. Altogether, the programme seems too ambitious to be possible of more than very partial realization. But undoubtedly it will continue to supply a key to much that is vital in world politics and diplomacy. Frederic Austin Ogg. Briefs on New Books. The imperial Professor William Scott Ferguson, development of whose work on "Hellenistic Athens" ancient Greece. wag reviewed in The Dial last year, holds the chair of Ancient History at Harvard Uni- versity; and has apparently been devoting especial attention to the field of Hellenistic Greece. As a companion volume to the above-mentioned book, he has just issued a work entitled "Greek Imperialism" (Houghton Mifflin Co.), containing seven lectures delivered at the Lowell Institute, Boston, in Febru- ary of this year. In the earlier chapters the main lines of imperial development in Greece are traced. In the others, Mr. Ferguson discusses the imperial growths in the Greek city-states as illustrated in the empires of Athens, Sparta, Alexander, the Ptolemies, Seleucids, and Antigonids. Claiming continuity of constitutional development within the whole period, he insists that while the city-state reached its greatest efficiency in the time of Pericles, yet the federation was still being perfected two hundred years later. To which he adds the dictum: "In government, as in science, the classic age was but the youthful bloom of Greece, whereas its vigorous maturity—in which it was cut down by Rome—came in the Macedonian time." This is calculated to open the eyes of the intelligent reader who has been accustomed to think of the Hellenistic Age as a period of decline. The author's brief and original statement of his thesis is this: "The city-states of Greece were uni-cellular organising with remarkable insides, and the; were incapable of growth except by subdivision. They might reproduce their kind indefinitely, bat the cells, new and old, could not combine to form a strong nation. Thus it happened that after Athens and Sparta had tried in vain to convert their hegemonies over Greece into empires, a cancerous condition arose in Hellas, for which the proper remedy was not to change the internal constitutions of city-states, as Plato and Aristotle taught, but to change the texture of their cell walls bo as to enable them to adhere firmly to one another. With a con- servatism thoroughly in harmony with the later character of the Greek people, the Greeks struggled against this inevit- able and salutary change. But in the end they had to yield; saving, however, what they could of their urban separate- ness, while creating quasi-territorial states by the use of the federal system and deification of rulers." It must be admitted that the scientific working out of this theory will be followed with less interest than the detached and vigorous narratives which form its several supports. The explanation of the Athenian helicea (popular jury-courts) and ecclesia (popular assembly) is not very clear at first reading; while the description of the Senate of five hundred and its constituent prytanes—a somewhat perplexing ar- 412 [Nov. 16 THE DIAL rangement—is perfectly lucid; and Mr. Ferguson's characterization of the Athenians as a "nation of noblemen" and of their ecclesia as "high-class am- ateurs" is both striking and just. The curious and impressive contrast between Athens and Sparta is emphasized, and the little-appreciated fact brought out that Spartan institutions as we generally regard them succeeded a many-sided and progressive cul- ture, which was crushed out, to the end that her citi- zens might become trained soldiers having but one spirit, the esprit de corps of a professional army. A warning to some modern educators is contained in this remark of Mr. Ferguson's: "The singleness of purpose with which Sparta made vocational training the aim of her public education achieved the happy result that she had no men of letters to betray to posterity damaging secrets of state." The way in which the world-empire of Alexander the Great broke up at his death and threw off nebulous frag- ments each destined to become a powerful kingdom is graphically described by Mr. Ferguson in the chapters devoted to the empires of the Ptolemies, Seleucids, and Antigonids; and there is a brief but weighty concluding section tracing the fluctuations and transfers of power among the various leagues — Achaean, Hellenic, and others—with Macedon as the interfering and controlling factor, down to the time when the real world-conqueror stepped in, wrested from Macedon its chances, and began those attacks on Hellenic independence which culminated at Corinth in 146 B. c. The book is well printed, is provided with an index, and has a select bibliography after each chapter. On page 42 "pitch" is prob- ably intended for " pith ";" Chronus " (p. 143) should be "Kronos" or "Cronus." Some time ago we had the pleasure fhebco.m',and of ^viewing a book called « Survival and Reproduction" by Mr. Herman Reinheimer. This consisted of a vigorous plea, intended to be at once scientific and transcendental, in behalf of vegetarianism. The plea must have failed, in some degree at least, because the same au- thor now comes forward with another work, "Evo- lution by Cooperation: A Study in Bio-Economics" (Dutton), which in essentials is as like the former as two peas from the very same pod. The thinking here is just as muddy, and the diction just as tur- gidly technical, as ever. And best of all, "Bio- Economics" turns out to be our old friend vegetar- ianism in a new disguise. Now a vegetarian diet is undoubtedly a good thing for those who like that sort of thing. But to attempt to make it the basis of all evolution, philosophy, ethics, and the problems of sex is going a bit too far. It is open to question whether the method of injunction should not be brought to bear to restrain Mr. Reinheimer from correlating all things cosmic with cabbages, which he seems in a fair way to do unless somehow held in check. The present volume contains one novelty in the form of a most enticing mystery. At various places in the book, cryptic references are made to "Love-Foods." Nowhere are we told precisely what these delectable morsels are. One wonders. Ib a "love-food "anew sort of super-heated, steam-rolled, fine-combed breakfast cereal, or is it a Burbank creation—perchance a new variety of cucumber, or finally is it a new Eustace Miles entrSe? To pon- der the problem is only to become the more baffled. Mr. Reinheimer has a weakness for quotations as chapter headings. The range of authors so quoted extends all the way from King Solomon to Henry Drummond. For utter irrelevancy they are only to be surpassed by the concatenation of ideas in the text itself. There are six classic lines, however, whicli ought to stand at the beginning of the first chapter of each of Mr. Reinheimer's books. They fit the case more aptly than anything else which could be found in the whole realm of literature. They are: "' The time has come,' the Walrus said, 'To talk of many things: Of shoes — and ships — and sealing wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.'" An argument Mr. Edward S. Corwin's volume «up""mart/ in entitled "National Supremacy: treaiv-making. Treaty Power vs. State Power" (Holt) is a study of relations between the federal treaty power and the state police power. The author's thesis is that the treaty power is practi- cally unrestricted by constitutional limitations, the sole checks to its abuse being of a political nature. After disposing of all constitutional limitations on the treaty power, he undertakes to show that the federal treaty power is unrestricted by any state powers. Under the Articles of Confederation the treaty power was regarded as supreme. Paragraph 2 of Article vi. of the Constitution clearly indicates national supremacy in this regard, and the court* early adhered to this view. Though a different attitude was evolved in certain judicial dicta in the period of "states rights " agitation before the Civil War, the original precedents have never been over- ruled. By the theory of the federal Constitution, there are no "reserved" state powers which the federal government may not encroach upon if it does so in the pursuance of a constitutional power or a power "necessary and proper" for carrying into effect some specified constitutional authority. Present-day constitutional jurisprudence upholds national supremacy, as also does the vast prepon- derance of learned opinion on the subject; in proof of which the author cites Kent, Story, Calhoun, Cushing, and Willoughby. In concluding, Mr. Corwin summarizes his reasons for believing the treaty power to be supreme over state authority. He also points out several reasons why no vital dangers to the rights of the states need be appre- hended from this view. The political check offered by the Senate and frequently also by the House of Representatives, together with the consideration that national policy and state interests are in most cases identical, he thinks will always be sufficient 1913] 413 THE DIAL to prevent any abuse of the treaty-making power. The whole question is treated solely from a consti- tutional standpoint; and while the author intimates that political expediency will always be an impor- tant factor in the execution of treaties, this phase of the matter is not dwelt upon. The main theme of the work has to do with the treaty-making power, but the general question of federal suprem- acy in other fields is also discussed. The book is a careful and scholarly piece of work, and its argu- ment for national supremacy in the field of treaty- making seems to be irrefutable from a constitutional standpoint. The thort ttory Four recent works on the short story at literature and illustrate the different ways in which at merchandise. thig form of literature is viewed. Professor Henry S. Canby's "Study of the Short Story " (Holt), though intended for college classes and general readers, presents the results of scholarly investigations that have already won the respect even of those who differ most radically from the author's conclusions. The first seventy-five pages of the book trace the development of the short story in English, from mediaeval times to the present The remaining two hundred pages are occupied by eleven selected illustrative tales. Like all collections, this latter part will call forth individual question and protest. Why, for instance, is the work of Kipling, or even the uncopyrighted work of Kipling, represented by "On Greenhow Hill"? The preliminary essay is concise and interestingly written; and the fact that the author refers for evidence and fuller discussion to his earlier book, "The Short Story in English," defends him from the charge of being dogmatic on mooted questions. — Mr. Nathaniel C. Fowler, Jr., begins "The Art of Story-Writing" (Sully & Klein- teich) with the assertion that "The writing of stories . . . may be considered as a trade"; and his book is one of several which appeal to untrained persons who wish easy directions as to how to secure literary fame and large publisher's checks. The remarks on the construction and technique of the short story are very general, and many of them very trite. The directions regarding the form of MS., dealings with publishers, etc., are more explicit, and may be safely followed. These instructions regard- ing the mechanical matters of authorship may be useful to the man who by critical study and practice has come to understand the literary form that he attempts. Unfortunately, many of the readers of Mr. Fowler's manual will never see a book like Professor Canby's, and would lack the acquaintance with literature to appreciate it if they did.—Similar in aim to Mr. Fowler's book is "The Art of Short Story Writing Simplified," in which Dr. Modeste Hannis Jordan of "The Writer's Magazine " gives in fifty diminutive pages the whole secret of winning editorial approval, including a two-page "list of verbs to indicate speech or reply."— Mr. Benjamin A. Heydriek's "Types of the Short Story" (Scott, Foresman & Co.) is a modest little volume intended primarily for students of secondary schools, but of possible value to other readers. It contains thirteen stories, the choice of which is perhaps as satisfactory, as that in most collections, with brief but sensible critical comments and good working bibliographies. a In his volume on "Mme. Tallien: ^4 Queen of ihredt Notre Dame de Thermidor " (Lane), andpatchet. M. Gastine appears less as a biog- rapher than as an avenging spirit. He confesses that he has been prompted to his severities "by thoughts of her guilty participation in the craven and criminal deeds of the Revolutionaries." He even expresses resentment at the attempts of the Chimay family, into which she finally married, to suppress the documents bearing upon her early adventures. The translator has emphasized this attitude by changing the secondary title from "Reine du Directoire," which the book bore at its publica- tion in Paris four years ago, to "A Queen of Shreds and Patches." The single deed to which the Tal- liens owed a brief popularity was the part they took in the overthrow of Robespierre. According to a familiar legend, Mme. Tallien, then the divorced wife of the Marquis de Fontenay and a prisoner at La Force, sent a letter to Tallien, her lover, accus- ing him of cowardice in leaving her to perish, accompanying the message by a Spanish dagger with which to strike down the "Tyrant." This legend M. Gastine seeks to discredit. He declares that Tallien could not have been spurred to action by love for his mistress "for the simple reason that he was incapable of a genuine affection." He also argues that the part taken by Tallien in the affair of the Ninth of Thermidor was unimportant. It has long been known that, while Tallien's rfile was spectacular, the real engineer of Robespierre's destruction was Fouche\ But anyone who reads without prejudice the story of the struggle in the Convention will not feel that Tallien was the coward M. Gastine believes him to have been. M. Gastine follows the discussion of this affair by an account of Mme. Tallien's adventures during the period of the Directory and of the Consulate. He treats more summarily the last thirty years of her life, after the voice of scandal ceased to be occupied with her, except retrospectively. His rhetorical denunciations of both the Talliens are multiplied wearisomely, and details are given which belong more appropriately in a chronique scandaleuse. The romantic 11 wonld interesting if one could ftorv of learn how the Latin races regard the California. earlier English settlements on the American continents. Do they, we wonder, find in these exploits any of the spirit of high romance that de Heredia found in the deeds of the Conquista- dores as indicated in that wonderful sonnet about them. For it is certain that even those of us who trace our American origin back to early Virginia and Massachusetts fail to find, even in the records of Pocahontas and King Philip, any of the thrill 414 [Nov. 16 THE DIAL that attaches to the early Spanish and French adventures in the New World. On this account, the most interesting portions of American history are not yet firmly fixed in the popular mind; for the southwestern and Pacific Coast commonwealths have seldom found historians and poets to do for them what has been done for the more northerly Atlantic States. All of which is merely preliminary to an expression of satisfaction that in "The Story of California" (McClurg), Mr. Henry K. Norton should have incorporated so much of the charm of the beginnings. The aboriginal inhabitants were devoid of charm; and there is a distinct loss of interest when the gold-seekers of 1849, Argonauts though they were called, arrive to destroy the older charm of the missions and the great estates of the Spanish. But this is only the romantic view; there was an abundance of event in California's history, and life in the state has not yet become dull. Mr. Norton is fortunate in holding little or no prejudice to distort bis pages. Even so quarrel-provoking a topic as that of Fremont's asserted conquest is treated with a dispassion that makes further quar- relling needless. The sub-title of the book notes that its story runs "from the earliest days to the present," and in fact the ground is covered from the days of the Digger Indian to the approaching exhibition in honor of the opening of the Panama Canal. Nothing of consequence is omitted, and the tale is told smoothly and animatedly. The book is heartily commended to all who wish to satisfy themselves that this nation really borders upon two oceans. The problem The appearance of the substantial o/univertdv volume on "University Control" control. (Science Press), edited by Professor J. McKeen Cattell, the chief contributor, gives op- portunity to reinforce the place of this vital move- ment in the present educational situation. The Dial has repeatedly expressed its approval of this desire for a professional status on the part of the university professor. The present volume makes it possible to present the basis of this reform in a dignified and impressive manner. It has a special message for those authoritatively connected with the administration of universities. The volume begins with a series of essays by Professor Cattell, indica- ting the undesirable status of the professor's present position, together with a brief account of its his- tory and a programme for reform. This is fol- lowed by a series of extracts from two hundred letters, in turn selected from a still larger number, presenting a variety of views but with an over- whelming agreement in favor of an urgent and com- prehensive change. The purpose of the reform is to give the faculty as a whole and the professor as an individual a decisive voice and an influential rep- resentation in the direction of university affairs. If it succeeds, it may save a career in serious danger of further degeneration, and may reinstate the Amer- can university on a footing comparable to the uni- versities of foreign lands. The third portion of the book contains a group of essays upon special phases of the problem of university control, contributed by ten writers. Eight of these are university pro- fessors; one is a man of business who has held a position of trustee; and the last is a university presi- dent. It is probable that these individual essays, carrying as they do a more direct appeal and a vigor- ous personal statement, will create the sympathetic atmosphere predisposing to a favorable hearing. The collection in a single volume of the data showing how universal is the protest against the status quo, a definite programme of reform, and a varied expres- sion of dissatisfaction, should succeed in giving this problem the right of way which its urgency demands. It is with more than the usual sense of approval and good wishes that this book is welcomed as an instru- ment in the cause of higher education. Thingt teen Miss Helen Keller's fine refusal of an with the mind'i endowment, and her determination eyet only. wm ner own way M one 0£ (jje world's workers, in spite of her tremendous handi- cap, have gained her the increased admiration and respect of her friends and of the larger public; and in her latest book, "Out of the Dark" (Doubleday), she again demonstrates her ability to stand on her own merits as a thinker and writer. She follows with alertness and understanding the news of the great world about her, and writes with conviction on such topics of general interest as "The Modern Woman," "How to Become a Writer," and "The New College Girl," as well as on subjects connected with the treatment and education of the blind and of the deaf. Bits of autobiography occur in such chapters as "How I Became a Socialist," "Christ- mas in the Dark," and "An Apology for Going to College." In fact, it is the writer's personality that gives peculiar interest and meaning to what she writes. One likes her modest answer to the blind boy asking her how to become a writer: — "Alas! I do not know how to become one myself. No one can be taught to write." But she gives him some good advice, good for the seeing as well as for the sight- less. Pathetic is her lament, in connection with a widespread report of her having become a socialist, that the subject is aired, not because the newspapers care anything about socialism, "but because I, alas, am a subject for newspaper gossip." The volume contains, as the preface announces, "all hitherto uncollected magazine articles and addresses which seem for any reason worth preserving in book form." It supplements in a notable manner "The Story of My Life" and "The World I Live In." An introduction "Working-men's lectures" were, in totheitudv Huxley's day, the occasion of some of Evolution. popular scientific writing which has never been surpassed in excellence. Apparently this kind of stimulus has not entirely lost its potency. Not long ago Dr. S. Herbert published, under the title of "The First Principles of Heredity," a series 1913] 415 THE DIAL of lectures given to a class of working-men. This is now followed by a similar series, dealing with a closely related topic, "The First Principles of Evo- lution" (Macmillan). The author has endeavored to give a simple, comprehensive, and scientific pres- entation of the problem of evolution, and the pro- gress which has been made towards its solution. It is fair to say that he has succeeded very well at this by no means easy task. Mr. Herbert writes in a clear, straightforward way, and shows excellent judgment in the choice and treatment of his mate- rial. The discussion of the "higher" aspects of evolution is much more adequate, both in amount and character, than is ordinarily the case in ele- mentary treatises. Special chapters are devoted to "Mental Evolution," "Moral Evolution," and "The Evolution of Society." Apparently the most pains- taking care has been given (as is proper) to the verification of quotations and proof-reading. But in spite of this punctiliousness, the reader who chanced to open the book at page 255 and looked at the run- ning head would be in doubt as to whether the chap- ter on "Morel Evolution" dealt with mushrooms or ethics. But these are crosses which everyone who writes must bear. The book as a whole may be rec- ommended without qualification as an excellent in- troduction to the subject of evolution, both for the general reader and for college classes in biology. Roman tenon, }t dwnjs gratifying to find men for the in public life who still adhere to United statet. Macaulay's tenet that history is phi- losophy teaching by examples, and believe that the wise statesman or economist of the present will con with eagerness the lessons of the past. As to the particular period of history that offers the most in- structive parallels to our own problems, there must be some doubt; but many thinkers would agree with Senator J. Hamilton Lewis, author of "Two Great Republics" (Rand, McNally & Co.), in selecting ancient Rome. "The five centuries of republican institutions on the banks of the Tiber still remain the richest quarry to which the student of republican governments is able to resort." In this belief the author reviews the course of Roman history to the establishment of the Empire, and sets forth the les- sons he has been able to read in the period. In the more strictly historical portions Senator Lewis does not hesitate to traverse the verdict of eminent men, like Mommsen, confidently and even pugnaciously,— as may be seen, for example, in,his trenchant treat- ment of Julius Caesar; but it would scarcely be expected that this should prove the significant fea- ture of his work. In fact its essence lies in the conclusions formulated in the first chapter and the two closing chapters of the book. Herein Senator Lewis is suggestive and stimulating, although the thoughtful reader will often find himself unable to see eye to eye with the author. To the reviewer, however, the interest of the volume is neither in the historical sketch nor in the conclusions per se, but in the fact that Senator Lewis has declared himself so forcibly and tangibly in favor of the spirit suggested in our opening sentence. If any country at any hour ever needed to be reminded that the path toward to-morrow cannot best be built by closing our eyes to the lessons of the past, surely it is our own country at the present hour. Notes. We understand that Mr. Frank Harris has in active preparation an elaborate study of the life and work of Oscar Wilde. A "Kirriemuir Edition" of the works of Sir J. M. Barrie, in ten octavo volumes, is now in course of prep- aration for early publication. Mine. Lilli Lehmann is the latest musician to write an autobiography; and her book, entitled "My Path," will appear early next year with the Putnam imprint. An illustrated volume by Mr. Nathan Haskell Dole, dealing with "The Spell of Switzerland," is promised for immediate publication by Messrs. L. C. Page & Co. The study of " John Millington Synge and the Irish Theatre " by M. Maurice Bourgeois, recently announced in these columns, will be published in an American edition by Messrs. Macmillan. Two new plays by Brieux, "Blanchette " and "The Escape," will be published this month by Messrs. John Luce & Co. A third volume of Strindberg's plays, and a collection of "Viennese Idylls" by Arthur Schnitzler, are also in press with these publishers. "The Income Tax Law of 1913 Explained " is the title of a new book by Mr. George F. Tucker of the Boston bar announced for immediate publication by Messrs. Little, Brown & Co. Mr. Tucker has provided a practical handbook for the layman that explains the new law in detail. Some forthcoming volumes of English poetry are Mr. Alfred Noyes's "The Wine Press: A Tale of War," "Poems" and "A Woman's Reliquary" by the late Edward Dowden, a new collection of poems by Mr. W. B. Yeats, Mr. Arthur Symons's "The Knave of Hearts," and Mr. Laurence Binyon's "Auguries." The Indian poet, Mr. Rabindranath Tagore, has gathered into a volume some of the lectures which he has been delivering in the course of the year to large audiences in Oxford, London, and elsewhere. The book will bear as title "Sadhana: The Realisation of Life," and will be published by Messrs. Macmillan. Mr. Laurence Binyon is about to issue, through Messrs. Macmillan, a work entitled "The Art of Bot- ticelli: An Essay in Interpretation." It is a handsome quarto volume, illustrated with twenty-three collotype reproductions in color of paintings by the artist, and an original etching by Mr. Muirbead Bone. An elaborate illustrated edition of Macaulay's "His- tory of England" is promised by Messrs. Macmillan. The work will be similar in character to the well-known illustrated edition of Green's "Short History of the English People," and will be edited by Mr. C. H. Firth, Professor of Modern History in the University of Ox- ford. It will consist of six volumes, containing no fewer than nine hundred illustrations, including forty plates in color and a photogravure portrait. Mrs. Emily Huntington Miller, a writer of graceful verse and for several years (1891-8) dean of the woman's department at Northwestern University, died 416 [Nov. 16 THE DIAL on the 1st of this month at Northfield, Minn. She was born in 1833. From 1867 to 1875 she edited "The Little Corporal," a Western magazine for children which was afterwards merged with "St. Nicholas." Mrs. Miller's published works include four volumes of poems, and a long list of stories for children. The annual list of " The Mosher Books " is so much more than a mere book catalogue that we feel justified, as heretofore, in warmly commending the new issue to our readers' notice. The unique and handsome typog- raphy, the interspersed lyrics from various out-of-the- way sources, the eloquent introductory tribute to Rus- kin, all go to make this brochure something that every proper book-lover should wish to possess for its own sake, quite apart from its character as a list of the most distinctive book-wares offered by any American publisher. A revised and enlarged edition of its " Handbook of the Libraries of the University" is published by the University of Chicago, giving a full history and descrip- tion of the Harper memorial building and information concerning the various book collections housed there and elsewhere in the University, with instructions for the intelligent use of these resources. A tine view of the new building, with plans of its several floors, and with other pertinent and interesting matter, will be found in the Handbook. Alfred Russel Wallace. The doyen of English scientists, Dr. Alfred Russel Wallace, died on the 7th of this month, in his ninety- first year. In the establishment of the doctrine of evolution on a scientific basis, his name will always be linked with that of Darwin, as he had independently thought out the theory on which Darwin's work is based before the latter's results were placed before the public; but in generously yielding the field to his rival he gave to the world perhaps the finest of all examples of that spirit of personal disinterestedness in which science is rich beyond any other field of human endea- vor. He was born January 8,1823, in Monmouthshire, and at an early age fitted himself for work as a sur- veyor and engineer. Soon, however, a marked bent for natural science began to assert itself. In 1848 he joined the South American expedition organized by H. W. Bates; and the following fourteen years of his life were mainly spent in scientific collecting and research work throughout South America and the Malay Archi- pelago. In 1886-7 he visited America, travelling from the Atlantic to the Pacific. Numerous scientific studies of the first importance have appeared from his pen. But it was not to science alone that he devoted his fine intellectual powers. Always an interested student of sociology, he had the keenest of eyes for detecting the rotten timbers in our social structure, and was fearless in expressing his carefully-reached convictions, however radical. The more fundamental tenets of Socialism had his endorsement; he was President for a long term of years of the Land Nationalization Society, advocat- ing constantly those policies with reference to the soil which the Liberal government in England is now putting into practice. As in the case of Ruskin, his heterodoxy brought upon him a liberal measure of abuse and ridicule from the hidebound of his own coun- try and ours; but, like Ruskin, he never recanted or compromised in the face of obloquy. His life has been a long and noble service to humanity, performed in a spirit of modest self-effacement as rare almost as the achievement itself. List of New Books. [The following list, containing 151 title*, includes book* received by The Dial tince it* last it sue.] BIOGRAPHY AND REMINISCENCES. The Life and Letter* of Harrison Gray Otis, Feder- alist, 1765-1848. By Samuel Eliot Morison, Ph.D. In 2 volumes; Illustrated in photogravure, etc.. 8vo. Houghton Mifflin Co. $6. net. Reminiscences of a Soldier's Wlfei An Autobiog- raphy. By Mrs. John A. Logan. Illustrated. 8vo, 470 pages. Charles Scribner's Sons. $2.50 net. George da Maurler: The Satirist of the Victorians. By T. Martin Wood. Illustrated in photograv- ure, etc., large 8vo, 198 pages. McBride, Nast & Co. $2.50 net. The Real Martyr of St. Helena. By T. Dundas Pil- lans. Illustrated, 8vo, 320 pages. McBride, Nast & Co. $1.75 net. Life and Writings of Maurice Maeterlinck. By Jethro Bithell. 12mo, 198 pages. Charles Scrib- ner's Sons. Jane Ansten. By Francis Warre Cornish. 12mo, 240 pages. "English Men of Letters." Macmillan Co. 75 cts. net. Yankee STransom Chapters from a Life at Sea. By Captain A. W. Nelson. Illustrated, 8vo, 374 pages Sturgis & Walton Co. $1.50 net. Brigham Yonng and His Mormon Empire. By Frank J. Cannon and George L. Knapp. Illus- trated, 12mo, 398 pages. Fleming H. Revell Co. $1.50 net. Paul Bourget. By Ernest Dlmnet. With portrait. 16mo, 124 pages. "Modern Biographies." Houghton Mifflin Co. 75 cts. net. HISTORY. History of the I'nlted Statea of America under the Constitution. By James Schouler. Volume VII., History of the Reconstruction Period, 1865-1877. 8vo, 398 pages. Dodd, Mead & Co. $2. net. I.ollardy and the Reformation In Englandi An His- torical Survey. By James Gairdner. Volume IV., edited by William Hunt. Svo, 422 pages. Macmillan Co. $3. net. A History of England. Edited by Charles Oman, M.A. Volume VII., England since Waterloo. With maps, 8vo, 558 pages. G. P. Putnam's Sons. $3. net. The American Civil War. By James Kendall Hos- mer, LL.D. New edition; in 2 volumes, illus- trated, 8vo. Harper & Brothers. $3. net. The Story of the Pony Express: An Account of the Most Remarkable Mail Service Ever in Exist- ence. By Glenn D. Bradley. Illustrated, 16mo, 176 pages. A. C. McClurg & Co. 75 cts. net. Social and Economic Forces In American History: Reprinted Chapters from "The American Na- tion." By Albert Bushnell Hart, LL.D. With map, 8vo, 523 pages. Harper & Brothers. $1.50 net. List of References on the History of the West. By Frederick Jackson Turner. Edition of 1913. 8vo, 129 pages. Cambridge: Harvard University Press. 75 cts. net. GENERAL LITERATURE. Shnkespere as a Playwright. By Brander Mat- thews. With photogravure frontispiece, large 8vo, 398 pages. Charles Scribner's Sons. $3. net. The Summit of the Years. By John Burroughs. With portrait. 12mo, 298 pages. Houghton Mifflin Co. $1.15 net. Loiterer's Harvest. By E. V. Lucas. Illustrated In photogravure, etc., 12mo, 255 pages. Macmillan Co. $1.25 net. Haslltt on English Literature: An Introduction to the Appreciation of Literature. By Jacob Zett- lin, Ph.D. 12mo, 441 pages. Oxford University Press. $1.26 net. The Greatest Books In the World: Interpretive Studies. By Laura Spencer Portor. 12mo, 295 pages. Houghton Mifflin Co. $1.25 net. Behind the Beyond, and Other Contributions to Human Knowledge. By Stephen Leacock. Illus- trated In color, etc., 12mo, 195 pages. John Lane Co. $1. net. 1913] 417 THE DIAL The Study of Literature. By P. H. Pearson. 12mo, 247 pages. A. C. McClurg & Co. $1.25 net. More about Shakespeare "Forgeries." By Ernest Law, B.A. Svo, 70 pages. London: O. Bell & Sons, Ltd. Burbage and Shakeapeare'a Stave. By Mrs. C. C. Stopes. 8vo, 272 pages. London: Alexander Morlng, Ltd. Keata and Shelley i Studies. By S. J. Mary Suddard, L.LA. 12mo, 128 pages. New York: Broadway Publishing Co. Shakeapeare and Germany! The British Academy Third Annual Shakespeare Lecture. By Alois Brandl. 8vo, IB pages. Oxford University Press. 25 cts. net. DRAMA AND VERSE. Collected Poem*. By Alfred Noyes. In 2 volumes, with portrait, 12mo. F. A. Stokes Co. $3. net. Minions of the Mooni A Little Book of Song and Story. By Madison Cawein. Illustrated, 12mo, 131 pages. Stewart & Kidd Co. The Gardener. By Rablndranath Tagore; trans- lated by the author from the original Bengali. With portrait, 12mo, 146 pages. Macmillan Co. $1.25 net. Plays. By August Strlndberg; translated from the Swedish, with Introduction, by Edwin BJOrk- man. Third Series. 12mo, 276 pages. Charles Scrlbner's Sons. $1.50 net. Georgian Poetry, 1911-1912. 12mo, 197 pages. London: The Poetry Bookshop. 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New Jersey, Free Public Library* A series of 13 pamphlets, each describing some aspect of library work, bound in half leather with full index, $12. Most of the pamphlets are still in print and are sold singly from 26c to $1. They include a " Course of Study for Normal School Pupils on the Use of a Library " and a " Course of Study for Normal School Pupils on Literature for Children." THE LIBRARIAN'S SERIES, edited by Henry W. Kent and John C. Dana. The Old Librarian's Almanack. $1.50. The Library and the Librarian. #1.50. The Intellectual Torch. $2.00. 420 [Nov. 16 THE DIAL Ancestral Records and Portraits A wide range of notable persons, riving early ancestors to present representative, concisely arranged. Interesting reading matter, commended as authentic by highest authority. Two volumes. 835 pages, handsome binding, 8H x 9%, with index, references, and profuse illustrations. Double-boxed, 110.00 net MARY WASHINGTON KEYSER, GENEALOGY Genealogy op tub WARNE Family in America, A most interesting and valuable history of this old American family, beginning with Thomas Warne, one of the Twenty-four Propri- etors of East New Jersey. One hundred or more other families connected by marriage are carefully recorded. Valuable mate- rial on the early history of New Jersey is also contained therein. Profusely illustrated. Prices: in cloth, 18.60; three-quarters Morocco, 18.60. Also Warne Arms and Lord Arms, $1.00 each. Address REV. GEORGE W. LABAW. R. R. No. 1. PATERS0N. N.J. Autograph Letters OF CELEBRITIES BOUGHT AN D SOLD Send for price lists Walter R. Benjamin, 226 Fifth Avenue, New York Established 1887. Pub. The Collector, $1. a year HEREDITY AND SEX By THOMAS HUNT MORGAN, Ph.D. Prof/nor of Experimental Zoology, Columbia University. limo, cloth, pp. ix. +■ 282. Illustrated. Price, Si.75 net: by mail, f 1.87. COLUMBIA UNIVERSITY PRESS Lemcke and Buechner, Agents 30 32 West 27th Street - - NEW YORK CITY THE STUDY-GUIDE SERIES FOR USE IN COLLEGE CLA 8SES STUDIES OF THE HISTORICAL PUTS OF SHAKESPEARE. Set of four. tt.00. Single copy, one play. 40 cents. Special price for use in classes. STUDIES OF THE HISTORICAL NOVELS. Romola, Henry Esmond. For advanced classes, clubs, etc. THE CREATIVE ART OF FICTION. writers of short stories, etc. THE STUDY.0F IDYLLS OF THE KING. study of poetic narrative art. Lilt for secondary schools nn request. A ddress H. A. DAVIDSON, THE STUDY-GUIDE SERIES, CAMBRIDGE, MASS An essay for advanced students Advanced and critical AUTHORS For IS years I have edited, criticised and sold authors' manuscripts. I can dis- pose of saleable work. Send 2-cent stamp for Writer's Aid Leaflet D. Book Scripts,Short Stories,Household, Juvenile, and feature articles wanted for publication. Manuscripts typed. HELEN NORWOOD HALSEY Herald Square Hotel NEW YORK CITY F. M. 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All com' munications should be addressed to THE DIAL, Fine Arts Building, Chicago. Entered as Second-Clou Hatter October 8, 1892, at the Poet Office at Chicago, Illinois, under Act ot March 3, 1879. Ni. 669. DECEMBER 1, 1913. Vol. LV. Contents. PAOB OLD FRIENDS IN NEW DRESS 463 CASUAL COMMENT 465 The region of the unroniantic. — A vanishing type of scholarship. — Intelligent bookselling. — Plea for a research institute. — The ideal editor. — The overworked phrase. — A big city without a public library.— This year's award of the Nobel prize in literature. — Alfred Russel Wallace's impatience of book-learning. — Extraordinary value in an almanac. COMMUNICATIONS 468 The Stevenson Fellowship Dinner. Helen Throop Pwrdy. Swinburne Bibliography. Edward J. O'Brien. THE GREATEST OF AMERICAN SCULPTORS. Lorado Tafl 469 CONTEMPORARY VERSE. Charles Leonard Moore . 472 A "NEW" DRAMATIST. Archibald Henderson . . 474 RECOLLECTIONS OF AN ACTIVE LIFE. Percy F. Bicknell 476 MR. ARNOLD BENNETT IN PARIS AND ELSE- WHERE. Edith Kellogg Dunton 477 HOLIDAY PUBLICATIONS. —1 47!) American Travel and Description. — Foreign Travel and Description. — Holiday Editions of Standard Literature. — Holiday Art Books. — Nature and Out-door Life. — Records of the Past. — Holiday Fiction. — Miscellaneous Holiday Books. THE SEASON'S BOOKS FOR THE YOUNG ... 493 NOTES 497 TOPICS IN DECEMBER PERIODICALS .... 498 LIST OF NEW BOOKS 498 OLD FRIENDS IN NEW DRESS. With the recurrent holiday season come recurrent books, old friends in new dress. Though the familiar features may often be of little importance and much disguised, yet they do not fail to show themselves, here and there, recognizable under all their bravery of new trappings and modern modes; and their pres- ence is by no means unwelcome. The Preach- er's despondent iteration of the truth that there is no new thing under the sun — that there is nothing whereof it may be said, See, this is new, for it hath been already of old time, which was before — strikes no responsive chord in the breast of one interested in noting the count- less combinations and permutations that take place among the limited stock of themes and motives available for the use of the literary craftsman. It is this very union of a familiar idea or plot with a novel setting that charms and delights; for it is sameness in variety that we crave, not an absolute newness, which would but bewilder and repel. When, for instance, a painting is exhibited in which a lady descend- ing a flight of stairs is represented by so novel a combination of lines and surfaces that the beholder cannot distinguish lady from stairs, or indeed discern any suggestion of either without a previous consultation of the catalogue, the feeling is one of mystification and vexation; whereas if the representation vividly recalls or even remotely suggests a certain concrete in- stance of lady and stairs, the resultant sensation may be highly pleasurable. The elder Disraeli long ago said, in the man- ner characteristic of his time, that "one of the most elegant of literary recreations is that of tracing poetical or prose imitations and simi- larities,"' and that "it forms, it cultivates, it delights taste to observe by what dexterity and variation genius conceals, or modifies, an original thought or image." The reader's enjoyment of Wordsworth is not lessened by his recogni- tion of an old acquaintance in the line, "The child is father of the man." Pope expressed the same thought when he wrote, "The boy and man an individual makes." Dryden put it, "Men are but children of a larger growth." And among minor poets, Lloyd has the couplet, "For men in reason's sober eyes are children 464 [Dec. 1 THE DIAL but of larger size"; while in Mallet occurs the line, "She kissed the father in the child," and someone has said in French, " C'est que l'enfant toujours est homme, c'est que l'homme est toujours enfant." When the young reader discovers that the one-eyed Polyphemus of the ninth book of the "Odyssey" is almost identical with the "tre- mendous black giant, as high as a tall palm- tree, with only one eye in the middle of his forehead," described in the third voyage of Sindbad the Sailor, and further remarks the slight variations in the two legends—as, for example, the employment of ten red-hot spits in the one version to perform the office of the single immense implement in the other — a new interest is imparted both to Homer and to the Arabian tales that are separated from Homer by many centuries of time. The usual order of reading the wanderings of Odysseus and the inventions of Scheherazade is, as indicated here, the reverse of the chronological, but need not therefore lessen the pleasure of tracing the re- semblances and differences in the two versions of the Cyclops myth. If also the young reader chances to discover a certain likeness to Sche- herazade in the biblical Esther, the interest is further enriched and enlarged. But, on second thought, it is altogether probable that the young reader, if he be not a prig, will care not a straw for these studies in comparative literature until he has grown into an old reader. Another familiar example. A reader of the Sherlock Holmes stories will enjoy them none the less for their reminding him of the preter- natural acuteness of observation displayed by Voltaire's Zadig in that ingenious episode of chapter three which begins, "Un jour, se prome- nant aupres d'un petit bois," etc. Also, to cite still another familiar instance, one's enjoyment of Tennyson's "Idylls of the King" is likely to be heightened by a previous acquaintance with the "Morte d'Arthur," despite the fact that Charles Eliot Norton feels bound to confess, in his recently-published letters, that he found the step from Malory to Tennyson a descent. "I like old Sir Thomas Malory better," he says. In the same department of literature, once more, the lover of Wagner's "Parsifal" will trace with zest the influence of Chretien de Troyes and Wolfram von Eschenbach. But enough of these ancient illustrations, which will more than suffice to emphasize the truth, lately re-affirmed by the genial author of "A One-Sided Autobiography," that it is "like meeting an old friend to come across the same plot, or incident, or figure, or even verbal expression, in writers of different times and different lands." In turning over some recent numbers of the "Easy Chair," attention was attracted to a witty and playful disquisition on current American fiction, in the course of which occurred the following (the immediate connection of which is unimportant): "The fact was interestingly illustrated a little while ago, in the contrasting receptions which American and English criti- cism gave an American novel treating of the average American life, in characters drawn from those wide levels of society which were once our boast. It was a simple story of the fortunes of a country minister and his family: kindly, hu- man folks, with the foibles as well as the virtues of their sort. The father was proud of his chil- dren and of his wife's housekeeping and thrift, and the mother was of a satisfaction in their sense and beauty, and his learning and righteous- ness, which extended to her own gifts of repartee and fatuous inconsequence of mind. A series of dramatic accidents deprived them of the little competence which they had enjoyed; the engage- ment of the eldest son was broken off by the par- ents of his betrothed; the youngest was buncoed out of part of the little money that remained. The father lost the parish where he bad long- been loved and honored, and was glad to find one among farmers and laborers, with whom his wife and daughters were obliged to associate. The elder daughter was deceived by a mock marriage, and the false lover had the effrontery to pursue the younger after the ruin of her sister. This scoundrel found means to persecute the father and to secure his imprisonment, while the family sank lower and lower into misery. Then, by the magic which novelists possess, the uncle of the wicked lover offers himself to the younger daughter, the father is freed from jail, and restored to the enjoyment of his property and his old parish; the daughter's marriage turns out to have been performed by a real clergyman; the eldest son's engagement is re- newed; the sharper who plundered the boy is arrested, and all ends happily." This unex- pected meeting with our old friend Dr. Primrose, even in skeleton, was an agreeable surprise, and it also aroused a momentary query whether by any possibility the writer could have had in mind an actual American work of fiction so unblush- ingly built upon this well-known English found- ation — a query rather encouraged than silenced by the fact that the outline, as here quoted, dif- fers from Goldsmith in one or two particulars, 1913] 465 THE DIAL as in the "series of dramatic accidents," which is wholly lacking in the " Vicar," and in making the youngest son, instead of the third from the youngest, the sharper's victim. But although the facetious occupant of the Easy Chair pre- serves his gravity throughout his subsequent dis- cussion of the supposed "American novel," we shall spend no time hunting for the book, nor shall we make miserable the lives of any libra- rians or assistant librarians in trying to procure its identification, content to have had this chance meeting with an old friend in epitomized form, and to have enjoyed the Easy Chair-man's innocent little hoax. In an actual American novel of the present year, and one that has figured conspicuously among the "best-sellers," a spiritual struggle is depicted that is essentially like that which made "Robert Elsmere" so engrossing with readers not of a frivolou