f its trustees. One of these subjects is that of English literature, in the largest sense; and we wish to offer, as our contribution to the discussion, the suggestion that this be made the main subject of the Crerar collection. The reasons for this suggestion, if reasons be needed, must be left for future discussion. 326 [Dec. 1, THE DIAL COMMUNICA HONS. MR. BURROUGHS ON "MERE LITERATURE." (To the Editor of The Dial.) May I add a word to what Mr. John Burroughs so finely and nobly gays on "Mere Literature," in your issue of Nov. 1? A reviewer in "The Nation" some time ago used this language: "To tell the truth, Carlyle was not, properly Breaking, a literary man. He felt that he had a moral message to deliver to the world, and for the purpose of delivering it he invented an extraordinary literary vehicle, which he used with great effect. Bnt his interests were all ethical." The contrast here between ethical interests and literary interests is tolerably plain. A man with a message, like Carlyle, may speak in perfect literary form (I do not say that Carlyle did), but this form is never an end in itself to him. He does not write to please, to delight, but to stir and inspire. The "literary " man, on the other hand, delights in perfection of literary form for its own sake, and satisfies that delight in others. The difference is not in the subject-matter, the content of what is said, but in the point of view. Docs not Mr. Henry James seem to be an instance of the man whose interests are mainly literary, who if he produces a work of art is satisfied, and who would find it almost vulgar to have any purpose beyond this? And yet that perfection of literary form need not hinder one from rising out of the rank of " men of let- ters " altogether, seems to be proved by the case of the late Dr. Newman. Where shall we find more finish— even in his " Parochial and Plain Sermons "—and yet where more power? Who more entirely wrote to con- vince, to move, to persuade? It was he who in his " Let- ter to the Duke of Norfolk on Occasion of Mr. Glad- stone's Recent Expostulation" (1875), after a great and almost classical passage on Conscience, used this lan- guage: "Noble buildings have been reared as fortresses against that spiritual, invisible influence which is too subtle for science and too profound for literature." William M. Salter. 1415 Walnut St., Philadelphia, Nov. 9, 1894. THE SOCIAL DISTRIBUTION OF CRUELTY. (To the Editor of The Dial.) I was a little amused at the tone of a recent book- notice in The Dial (Oct. 1, p. 200), headed " Poultry- killing as a Fine Art," in which the character of the British sportsman came in for a sharp scoring. With your writer's humanitarian views I heartily agree; but to his unfair and thoroughly American intimation that the barbarities of British "sport" are confined to the gentry, as contradistinguished from the mob (or per- haps one should say nowadays the proletariat), I beg leave to demur. If aristocratic Hurlingham has its pigeon-matches, vulgar Whitechapel has its rat-pits; and the British tradesman, for all his supposed monop- oly of the national virtues, is certainly quite as prone as his social betters to regard a fine day mainly as the pro- verbial invitation to "go and kill something." As a matter of fact the passion for amateur butchery is shared in, in England, by all classes alike (not forgetting the clergy, a distinguished member of whose sporting wing is now lecturing in America) from the peer to the cos- termonger; and our cis-Atlantic habit of mentally as- sociating the vices with "the classes " and the virtues with " the masses " should not blind us to the truth that it is largely to " the classes " that the growing human- itarian movement is due. One of its foremost cham- pions, for instance, is Lady Florence Dixie; and I may say that a letter from her ladyship to the " Pall Mall Gazette " on the subject of pheasant-driving quite bears out your reviewer's estimate of that singularly brutal pastime, in which tens of thousands of tame hand-reared birds are butchered yearly in the name of " sport." But is sport-loving England, after all, the only fruitful field for the humanitarian propaganda? There is perhaps more than a grain of ugly truth in " Ouida's " charge that "If in a mob of Londoners, Parisians, New Yorkers, Berliners, Melbourners, a dove fluttered down to seek a refuge, a hundred dirty hands would be stretched out to seize it, and wring its neck; and if anyone tried to save and cherish it, he would be rudely 'bonneted ' and mocked and hustled amidst the brutal guffaws of roughs, lower and more hideous in aspect and in nature than any animal which lives." Truly, they order these mat- ters better in the Orient, where religion has thrown its shield over the dumb creatures, and where the hard- and-fast Scriptural distinction between man and beast is unknown. A. W. G. Toronto, Canada, Nov. 27, 1894. [The reviewer disclaims any thought of imputing the "barbarities of British ' sport' " to "the classes" exclusively. The form of "sport" singled out for condemnation was the " drive," as practised on the grouse moors of the great landed estates. This pastime, like many others, is surely well out of reach of proletarian pockets.— Edr. Dial.] WHAT DO WE MEAN BY "LITERATURE"? (To the Editor of The Dial.) After reading the many valuable articles published in The Dial on English in the several Universities represented, and looking in vain for someone to tell us just what he means when he speaks of "literature," I am led to wonder whether any well-defined idea exists as to what impression each produces upon the other when the word " literature " is used. We have had one unbroken succession of wise and willing critics, from Aristotle to men now living, who have told us what lit- erature ought to be, and where it falls short in certain cases. The line of march of literary criticism is strewn with the bleaching skulls of innumerable law-givers and dogmatists, but the Darwin and the Spencer of litera- ture are yet invisibly distant in the future. For me to say what literature is, or how it should be studied, places me upon the same dangerous ground upon which wiser ones have stood and have fallen, and would make me no less dogmatic than those I question. If I were required to offer a starting-point in the study of literature, it would be a proposition so simple that I believe no one could take exceptions; and while I should not offer it as a panacea for all the ills that literary study is heir to, I am constrained to believe that it is founded upon safe principles of studentship and may be helpful as a suggestion. My proposition is this: The literature of any selection is permanent. What- ever of literature is in Chaucer's Knight's Tale now was in it the day it was written, neither more nor less, and there is no literary question in it for me that was not there for the author's contemporaries. The literature 1894.] 327 THE DIAL of Browning and Whitman will be in the twenty-ninth century what it is in the nineteenth. True, no doubt, future generations must study our ethics, religion, so- ciology, and language, in order to understand our art impulses and tendencies; but it is to be hoped they will not misname these preparatory studies "literature," as their ancestors did. If the proposition set forth is of any value, there is one thought to be emphasized. If I am studying the literature of Sidney to-day, I must deal with the same material which his contemporaries dealt with. If his language was to them a problem, it is so to me; if not to them, it can be only a preparatory study for me—only a clearing-away process. The religion and sociology of Piers Plowman is for me a study, but only prepara- tory, for these facts were generally known to his con- temporaries. And on the other hand, if sentence struct- ure, figures of speech, mythological references, verse, stanza, and rhyme are art devices now they were cer- tainly art devices when used by an early author, and are therefore appropriate for consideration; yet they are only devices. To the student of literature, looking from the proposi- tion announced, there is one test for each question that he shall consider: Did this question exercise the thought, feeling, or will of the artist? If not, why should it ex- ercise me as a student of the thought, feeling, and will of the artist? \y. E. Henry. The Univertity of Chicago, Nov. S, 1894. Efje Nefo Books. The IjIfe and IjEtters of "Whittier.* Mr. Pickard's " Life and Letters of John Greenleaf Whittier" meets at all points the pleasant anticipations we had formed of it, and the author is to be credited with perhaps the best and most satisfying piece of literary biog- raphy since Mr. Cabot's "Emerson." It is a definitive work which all lovers of the laureate of rural New England and the anti-slavery cru- sade will receive with gratitude, and one which no American who loves his country and feels a proper pride in the movement which finally erased from the scutcheon its one damning blot should leave unread. Mr. Pickard began his work with the double advantage of an engaging theme and an abundance of correct data. Pos- sibly Mr. Whittier felt the force of Brougham's remark that death has an added sting for emi- nence, in the form of lying biography ; for we find that ten years before his death he took the precaution to begin arrangements for the pres- ent Life, authorizing the collection of material for it, freely aiding the author with general sug- gestions, and giving information that led to •Life and Letters of John Gheekleaf Whittier. By Samuel T. Pickard. In two volumes, with seven etchings. Boston: Houghton, Mifflin & Co. a large collection of letters illustrating every period of his life. The work thus not only bears the hall-mark of his express sanction, but it is to some extent the result of his personal cooperation and supervision. Every phase of Mr. Whittier's career is fairly and satisfac- torily shown — his boyhood on the ancestral farm, his scanty school-days, his earlier literary and journalistic ventures, his editorial experi- ences at Boston, Haverhill, and Hartford, his excursions into the field of practical politics (he barely escaped Congress in 1832 by being under the Congressional age), his anti-slavery apostolate, and the more familiar phases of his later life. But little has been known hitherto of the first thirty years of Mr. Whittier's career — a period during which his ambition was clearly political rather than literary, although he was at the same time winning some credit as a poet by verses which the riper judgment of his later years suppressed. It was not, indeed, until he was about twenty-seven years of age that he found his true poetical utterance. Up to that time the hundreds of poems he had written were mere metrical and rhetorical exercises, jejune enough mostly, and sadly unsuggestive of "those brave translunary things " that are born of inspiration and elude effort. But after 1833, a date marking a spiritual crisis with Mr. Whittier, a sudden and magic change came over the quality of his verse. It was with his resolve to champion the cause of the slave that the long-courted afflatus came; and he passed at once from poetaster to poet. Says Mr. Pickard: "His pen was kept busy in advocating the cause he had espoused, and the poems known as the 'Voices of Freedom' came rapidly one after another, — hammer strokes against flinty prejudice. Sparks followed each blow. Those who are old enough remember how these spirited verses stirred and warmed the young hearts of the North, and prepared the soil from which sprang the great political party which took from him the watch- word, ' Justice the highest expediency.'" Whatever may be Mr. Whittier's title to purely literary fame, it is his true distinction to have been the Tyrtasus of the only war in history spontaneously waged by a great people to vindicate a moral principle. The story of Mr. Whittier's boyhood and early youth is interesting in itself and in its bearing upon his after life. It tells of a pretty constant struggle with the stony acres of the New England farm, and with the difficulties of getting an education; yet it is lighted with many a bit of quaint humor, the source of which 328 [Dec. 1, THE DIAL is unmistakable. The Whittiers held a leading social position in the East Parish, and their religious views, though shared in by none of their neighbors, were respected. Religion was a matter of daily theme and practice in the Quaker household. "A portion of the afternoon was generally spent by the assembled family in reading the Scriptures. . . . To this faithful teaching in the home may be attributed in large measure Whittier's familiarity with Holy Writ and the frequent quotations therefrom in his writings. As Stedman has truly said, < The Bible is rarely absent from his verse, and its spirit never.'" Quaker meetings were sometimes held in the great farm-kitchen of the Haverhill homestead; and Mr. Whittier used to tell with great glee how on one such occasion a favorite ox, known to the family as " Old Butler," thrust his head in at the window, and benignly yet critically surveyed the assemblage. "While a sweet-voiced woman was speaking, 'Old Butler' paid strict attention, but when she sat down and there arose a loud-voiced brother, he withdrew his head from the window, lifted his tail in air, and went off bel- lowing. This bovine criticism was greatly enjoyed by the younger members of the meeting." There was another comical incident of his boyhood that Mr. Whittier was fond of tell- ing. When he was nine years old President Monroe visited Haverhill, and it happened that on the same day there was a rival attraction in the shape of a menagerie. Both spectacles, it seems, savored of vanity to the elder Whittiers; and the Quaker boy was forbidden to see either the wild beasts or the nation's Chief Magis- trate. "He did not care much for the former, but he was anxious to see a President of the United States. The next day he trudged all the way to Haverhill, deter- mined to see at least some footsteps in the street that the great man had left behind him. He found at last an impression of the elephant's foot in the road, and supposing this to be Monroe's track, he followed it as far as he could distinguish it. Then he went home, sat- isfied that he had seen the footsteps of the greatest man in the country." An altogether stupendous event to the farm- bred boy was his first trip to Boston. He wore, as he used to relate, on this great occasion his first "boughten buttons," and a special broad-brim that would have credited George Fox, "made for him by Aunt Mercy out of pasteboard, cov- ered with drab velvet" ; and he was rather sur- prised to find that his gala attire failed to im- press those who passed him ou the street. A notable incident of this visit was his purchase of a copy of Shakespeare. That temptation he could not resist — as he did one scarcely less alluring. "He had been strictly cautioned by his mother to avoid the theatre, and when he bjarned that a brilliant lady he met at the table of his hostess, who had been very kind in her attentions to the quaint, shy boy, and who had quite won his heart by her simplicity and grace, was an actress, it was a great shock to him; but he had the courage to refuse her invitation to the play-bouse, and cut short his visit to the city to avoid the terrible temptation to which he was subjected. He had gone quite too far in buying Shakespeare's plays, and fled homeward lest he should bring disgrace upon his Qua- kerism." It may be inferred from this story that the Whittier library was a slender one. There were about thirty volumes in all—journals and reli- gious disquisitions of the pioneers of Quaker- ism, most of them, and rather juiceless aliment for an imaginative lad in his teens. Yet he devoured them all, and knew them nearly by heart. He used to say in later life that he read the journals of Friends so much that he had steeped his mind with their thoughts. "He loved their authors because they were so saintly, and yet so humbly unconscious of it." For some time, as it seems, these meagre, if pious, productions filled young Whittier's ideal and rounded his literary horizon. But sud- denly a richer world, a world of matchless song and unpremeditated art, of pathos the tender- est, tears the saddest, and laughter the mer- riest, opened as if by magic before him. The Merlin who (all unconsciously) wrought the wonder was the district teacher, who, accus- tomed to read aloud to the Whittiers as they sat round the evening fire, brought with him one memorable night a copy of Burns. From this copious fount he read many pages, explain- ing the Scottish dialect as he proceeded; and young John Greenleaf listened spellbound to the end. 11A fire was that evening kindled upon an altar that grew not cold for seventy years. The reader had only thought of his older listeners as he read and explained. . . . He recalled the lad to his ordinary senses by offer- ing to leave the book with him, if he was interested in it. The offer was, of course, gladly accepted. What this little volume thus loaned to him was to young Whit- tier, has since been told in one of the finest tributes to Burns that has yet been written." Thus inspired, the boy soon began to try his own wings; but it must be owned his early numbers were perhaps the feeblest poetic flut- terings that ever heralded the upward flight of bard. There is a tradition that his first rhymes were written upon the beam of his mother's loom—and the story is not without its symbol- ism; for there is nearly always a certain sug- gestion of homespun in Whittier's verse. One of his first effusions, happily rescued from ob- 1894.] 329 THE DIAL livion by the memory of an older sister, ran thus: "And must I always swing: the flail, And help to fill the milking-pail? I wish to go away to school; I do not wish to be a fool." A production even more unpromising than the above was an attempt at a rhymed catalogue of his father's library—a theme, however, that must have heavily handicapped a stronger Muse. Here are four of the verses: "William Penn'B laborious writing'. And a book 'gainst Christians righting. "A book concerning John's Baptism, Elias Smith's Universalism. "How Rollins to obtain the cash, Wrote a dnll history of trash. "And Tufts, too, though I will be civil, Worse than an incarnate devil." It is pretty hard to reconcile these harrow- ing pieces with the boy's honest admiration for and study of the memorable volume of Burns; but Mr. Whittier's talent, as we have shown, was late in flowering. Touching the rhymed wish, quoted above, "to go away to school," it is interesting to note that its fulfilment was brought about partly through the intercession of Whittier's future co- laborer, William Lloyd Garrison, then (1826) editor of the weekly "Free Press," in New- buryport. Whittier had contributed a poem (probably a vast improvement upon the above productions), entitled "The Deity," to this journal; and Garrison thought so well of it that he not only drove out fourteen miles to see his new contributor, but introduced his poem editorially as follows: "The author of the following graphic sketch, which would do credit to riper years, is a youth of only six- teen, who we think bids fair to be another Bernard Bar- ton, of whose persuasion he is. His poetry bears the stamp of true genius, which, if carefully cultivated, will rank him among the poets of his country." It would seem from this that Garrison, the destined hero of the anti-slavery agitation, was the first to point out the poetic promise of its future bard. Mr. Pickard's second volume is largely made up of Mr. Whittier's letters; and these singu- larly frank and unstudied missives enable us better than volumes of labored analysis to see and understand the writer. The letters to Holmes, Emerson, Lowell, Channing, Sumner, Bayard Taylor, and others, offer a rich field for quotation, but we must limit ourselves to the following, addressed to Dr. Holmes, Dec. 17, 1879: "Thy note received the evening before my birthday made me very happy. Among the many kind greetings which reach me on this anniversary, thine has been most welcome, for a word of praise from thee is prized more highly than all, though I do not undervalue any one's love or friendship. I have often since I met thee in Boston thought of thy remark that we four singers seem to be isolated—set apart as it were—in lonely compan- ionship, garlanded as if for sacrifice, the world about us waiting to see who first shall falter in his song, who first shall pass out of the sunshine into the great shadow! There is something pathetic in it all. I feel like clasp- ing closer the hands of my companions. I realize more and more that fame and notoriety can avail little iu our situation; that love is the one essential thing, always welcome, outliving time and change, and going with us into the unguessed possibilities of death. There is noth- ing so sweet in the old Bible as the declaration that 'God is Love.' I am no Calvinist, but I feel in looking over my life—double-motived and full of failures—that I cannot rely upon word or work of mine to offset sins and shortcomings, but upon Love alone. "Dear H., we began together in Buckingham's1 Mag- azine,' and together we are keeping step in the 'At- lantic' Not evenly, indeed, for thy step is lighter and freer than mine. How many who began with us have fallen by the way! The cypress shadows lie dark about us, but I think thee contrive to keep in the low wester- ing sunshine more than I can." Mr. Pickard's book is likely to meet the wide appreciation it deserves; for Whittier is of all our considerable poets the one nearest the pop- ular heart and understanding. He is the most essentially and uniformly native of all; and in his works if anywhere is found that "flavor of the soil" that we read so much about nowa- days — and meet sojlittle of. He is the true Theocritus of " stern New England's hills and vales"; and the voice of her streams, the song of her birds, and the scent of her flowers is in his verse. This distinctive home-keeping qual- ity has found touching recognition. When the "low westering sun" had vanished, and the "cypress shadows " were merged in final dark- ness, it was in a grave lined with the native fern and golden-rod that Whittier was laid to rest. The thought thus beautifully symbolized finds expression in a verse from Dr. Holmes's tribute to his friend: "The wild flowers springing from thy native sod. Lent all their charms thy new-world song to fill,— Gave thee the mayflower and the golden-rod To match the daisy and the daffodil." E. G. J. The second volume of Mrs. Garnett's new translation of Tourgue'nieff gives us "A House of Gentlefolk," which title, we need hardly say, corresponds to the more familiar " Lisa" and " A Nest of Noblemen." "Step- niak," who contributes an introduction, outlines the his- torical and social significance of this immortal work, and hints once or twice at an esoteric sense in which it should be taken to be fully understood. The transla- tion, which we understand to be made directly from the Russian, is excellent. 330 [Dec. 1, THE DIAL The Antiquity of Evolution.* Professor Henry Fairfield Osborn has ren- dered an important service by the preparation of a concise history of the growth of the idea of Evolution. The chief contributions of the different thinkers from Thales to Darwin are brought into clear perspective, and a just esti- mate of the methods and results of each one is reached. The work is extremely well done, and it has an added value of great importance in the fact that the author is a trained biolo- gist. Dr. Osborn is himself one of the author- ities in the science of Evolution, to which he has made important contributions. He is there- fore in a position to estimate the value of sci- entific theories more justly than would be pos- sible to one who approached the subject from the standpoint of metaphysics or that of litera- ture. Dr. Osborn has endeavored to make clear the fact of the continuity of thought in Evolution: "Evolution has reached its present fulness by slow additions during twenty-four centuries. When the truths and absurdities of Greek mediteval and sixteenth to nineteenth century speculation and observation are brought together, it becomes clear that they form a con- tinuous whole, that the influences of early upon later thought are greater than has been believed, that Darwin owes more even to the Greeks than we have ever rec- ognized. . . . The Evolution law was reached, not by any decided leap, but by the progressive development of every subordinate idea connected with it until it was recognized as a whole by Lamarck and later by Darwin." The study of the work of these various thinkers as contained in this book suggests to us, however, that the year 1858, before which "speculation far outran fact," does mark a very decided "leap" in the history of Evolu- tion as a science. The "leap" was not that of a change in thought or in theory, but in method of work. The pre-Darwinian writers, for the most part, had been engaged with the theory of Evolution and with its factors as determined by the methods of philosophy. The facts of nature served them as illustrations of their theories, not as the basis from which their theories must of necessity arise. Darwin de- termined to "collect blindly every sort of fact which could bear in any way" on what are species. On the collection of such facts, in this spirit, by the great biologist of our century and by his successors, the fabric of Evolution as we know it to-day must rest. The process •From the Greeks to Darwin. An Outline of the De- velopment of the Evolution Idea. By Henry Fairfield Osborn, D.Sc. Columbia University Biological Series, I. New York: Macmillan & Co. of philosophical deduction has contributed little to its progress. Given the facts as we know them now, or even as given us by Darwin alone, and our chief conclusions could be reached by an automatic logic machine, if such a contriv- ance could be devised. The main inductions are plain, and the unsolved problems still re- maining can be solved only by a return to the same methods. It is certainly true, I think, that all the known factors in organic Evolution were known to the ancients, and the reality of each individual one of them has been insisted upon by many differ- ent writers before Darwin. Their relative im- portance and their interrelations were less fre- quently recognized. It is true, also, that the fact of derivation itself has never been wholly absent from philosophic thought. But the fol- lowing considerations seem to mark a break in continuity as a result of Darwin's method: (1) The doctrine of Special Creation was never so strongly intrenched, either in the popular mind or in scientific literature, as in 1858, in spite of the onslaughts of all the earlier evolu- tionists. The minor errors of fact in the illus- trations chosen by Lamarck and his successors counted for more than the truth in their phil- osophic speculations. The errors were tangi- ble, the truths were not. In the aggregate no progress had been made toward the reception of these truths. But the doctrine of Special Creation crumbled with the advent of the Ori- gin of Species. This was not due to the weight of Darwin's authority, nor to the boldness of his speculations. It was due to the soundness of his method. He appears as the interpreter of nature; and the naturalists who followed him became " Darwinians" because their own studies led them to the same results. No other conclusions were possible to them. At the same time, no one could forecast the conclusions of one who should follow the " method " of Eras- mus Darwin, or of Buffon, or of Lamarck, or of any other writer whose study of details served to illustrate a philosophical conception. (2) Had Darwin's studies resulted otherwise, had his collection of facts led us to wholly dif- ferent conclusions, whatever these were, we should still be able to show the continuity of speculation. In any case, Darwin's indebted- ness to his predecessors would be exactly what it is now. In other words, there is probably no philo- sophical conception of the operations of life, whether true or false, that has not been held by someone. Every conceivable theory has been 1894.] 331 THE DIAL thought out. It is the business of science to test these theories by the slow but certain method of induction,—to collect, "more or less blindly, every sort of fact," and to follow whith- ersoever these facts lead. David Starr Jordan. The Problem of the Unemployed.* Mr. Geoffrey Drage, the able secretary of the recent Royal Commission on Labor in England, has written a suggestive book upon the unem- ployed. His facts are those secured by the Royal Commission largely through his own efforts, and by the Board of Trade of England. The book is the best summary of what had been done in Europe to help the unemployed prior to the summer of 1893. The results of the very interesting municipal experiments to re- lieve the unemployed by work in the winter of 1893-4 were not published in time for Mr. Drage's use. The writer well divides the prob- lem into the removal of the causes of the un- employed and into relief for the unemployed who are present with us. In the matter of pre- vention, he suggests moral, intellectual, and technical education, better sanitation, factory legislation, the building, by municipalities and private benevolence, of model tenement homes, and some check, if possible, upon the rush of country people to displace the workers in the city. These remedies would deal with the pre- vention of a permanent surplus, he thinks, pro- viding the contaminating influence of the exist- ing stock of unemployed could be eliminated by the relief measures which are further re- ferred to. As for the temporarily unemployed, our au- thor holds that much of this evil is inevitably caused by the dependence of industry upon the supply of materials from abroad; by the state of the weather; by the uncertainty of foreign in- vestments, and lack of confidence in them. He suggests that certain of these causes are remov- able,—for example, (1) capricious changes of fashion, for which the public must realize they are responsible; (2) fluctuations in demand, due to changes in seasons,—a matter for which employers and the public must realize their re- sponsibility, and give their orders more in ad- vance; (3) excessive and immoral speculation, leading to loss of commercial confidence, — a matter in which he again invokes public opin- * The Unemployed. By Geoffrey Drage. New York: Macmillan & Co. ion, holding employers to moral responsibility, but also urges a revision of the laws relative to trade speculation, adulteration, and fraudulent bankruptcy; (4) inability to forecast fluctua- tions of trade,—a partial remedy for which is reliable government trade statistics; (5) trade disputes, demoralizing industry,— his remedy being more of conciliation and arbitration; (6) immobility of labor, — his remedy being the development of trade-union and voluntary em- ployment bureaus, nationally and locally con- ducted without an eye for profit. But the remedy urged by the socialist for disorganized labor, he dismisses as not immediately prac- ticable. As regards the relief measures for the pres- ent unemployed, our author thinks we must divide the problem into relief for the perma- nently and for the temporarily unemployed. For the former, he suggests a rigid execution of the English poor-law and the use of chari- table and religious agencies. Labor colonies, he thinks, have been shown in Germany to be of little value for the mass of workers, but they are most useful for discovering those who are reclaimable among the permanently and chron- ically unemployed. Mr. Drage would have the labor colony located in country districts to which the permanently unemployed might be sent. If, after awhile, they do not earn their maintenance, they should be handed over to the harsher treatment of other agencies. It is in the treatment of the temporarily unemployed that Mr. Drage has written most at length. He believes in voluntary relief works, main- tained locally, but national in application, and conducted in harmony with a central voluntary office or bureau, to prevent a rush of the un- employed to the districts where relief work is given. Employment bureaus should be both local and central, and voluntary, not state. The men given work should earn the wages paid, but should work but half time, in order to have time on their hands to seek permanent situa- tions, and in order to prevent sufficient earn- ings to draw a man from regular industry. In case the unemployed are concentrated in a few places and there is work in other places, they are to be forced to remove to where the central employment bureau showed that there was work, on penalty, Mr. Drage probably means, of losing all relief. Only in times of excep- tional distress does Mr. Drage believe in local public relief works, because he greatly fears that such relief will foster the idea that the State ought to find work for its citizens, and 332 [Dec. 1, THE DIAL because public authorities cannot so easily in- vestigate the character of applicants as can pri- vate agencies for their relief. Despite these weaknesses of public relief work, it seems sure to grow, and to be necessary where private re- lief work proves insufficient. Amid growing democracy and socialistic feeling among the masses, private charitable agencies cannot con- trol the field unless they seek the cooperation on their committees of labor leaders. Even then, public relief work will make much pro- gress. In considering Mr. Drage's suggestions, we must judge them with reference to what is im- mediately practicable, since the suggestion of such remedies is all he means to give. Looked at in that light, his book has great suggestive- ness and value; though as a keen study of the permanent causes of the unemployed, it is not equal, by any means, to certain chapters in Hobson's "Evolution of Modern Capitalism," and some other economic discussions. This book of Mr. Drage should be read in connec- tion with the clear and concise article in the July " Annals of the American Academy" on "Charity and the Unemployed," by J. G. Brooks. E. W. Bemis. A Cextury of Stories.* How important a part the short story plays in the fiction of to-day is evidenced not only by the popular magazines, which seem to give an increas- ing preference to the short story over the serial, but • Rofnd the Red Lamp. Being Facts and Fancies of Medical Life. By A. Conan Doyle. New York: D. Apple- ton & Co. Eld eh Conk lis, and Other Stories. By Frank Harris. New Tork: Macmillan & Co. The Bell-Ringer of Angel's, and Other Stories. By Bret Harte. Boston: Houghton, Mifflin & Co. The Burial of the Guns. By Thomas Nelson Page. New York: Charles Scribner's Sons. Peak and Pkairie. From a Colorado Sketch-Book. By Anna Fuller. New York: G. P. Putnam's Sons. Before the Gringo Came. By Gertrude Atherton. New York: J. Selwin Tait & Sons. Marsena, and Other Stories of the Wartime. By Harold Frederic. New York: Charles Scribner'B Sons. The Chase of Saint-Cabtin, and Other Stories of the French in the New World. By Mary Hartwell Catherwood. Boston: Houghton, Mifflin & Co. A Scarlet Poppy, and Other Stories. By Harriet Pres- cott Spofford. New York: Harper & Brothers. The Water Ghost and Others. By John Kendrick Bangs. New York: Harper & Brothers. Lillian Morris, and Other Stories. By Henryk Sienkie- wicz. Translated by Jeremiah Curtin. Boston: Little, Brown, & Co. Tales from the ^Eoeax. By Demetrioe Bikdlas. Trans- lated by Leonard Eckstein Opdycke. Chicago: A. C. Mc- Clurg & Co. also by the increasing number of volumes into which the better of these stories are thought worthy of collection. We fancy that the symptom is not unrelated to the tendency which, in our newspapers, is condensing editorials into paragraphs, and which, in our popular entertainments, is substituting " acts" and "features " for presentations of sustained and coherent art. We do not object to the short story per se, but it is possible that we have something too much of it, even allowing for all the refinements and the subtleties that so many writers are lending it nowadays. The last few weeks' output of fiction, for example, includes no less than a dozen collec- tions — containing, in all, close upon one hundred stories—of such merit, or signed with such names, that they cannot pass unnoticed, besides many oth- ers that we have not space to discuss. One of the latest of these collections presents our recent visitor and old friend, Dr. A. Conan Doyle, in a new light. The title, "Round the Red Lamp," covers a multitude, numbering no less than fifteen, of stories and sketches based upon, or suggested by, the author's professional experience as a medi- cine man. There is a great deal of " shop" in this volume, and a zest not altogether pleasant is given by the grewsome incidents with which the tales are provided; but the most difficult situations are car- ried off with the literary cleverness that makes of the Sherlock Holmes series so much more than a string of mere detective stories, and invests seem- ingly unpromising material with fascination, grim though it may be in the present instance. This sort of thing is not, any more than the detective series already mentioned, representative of Dr. Doyle's real powers, and, skilful as it is, we cannot help grudging the time thus spent by the author of such noble historical fiction as "Micah Clarke" and "The White Company." Some three or four years ago, the readers of "The Fortnightly Review " were regaled with a peculiarly nauseating compound of piety and im- morality in the shape of "A Modern Idyll," a story by Mr. Frank Harris, the editor of the "Review." It introduced to us a Baptist clergyman of Kan- sas City, in love with the wife of one of the deacons of his church, the affection not unrequited. Other delineations of American society in the far West appeared in later issues of the " Review," and the astonishment of its readers was not permitted to subside. Presently the " Revue des Deux Mondes," always on the watch for queer American things, translated one of these stories, "Elder Conklin" by name; and the sapient Frenchman, as he read of the extraordinary doings of " Conklin l'Ancien," doubtless opened his eyes very wide, and said to himself: "This is surely the real thing; now we see ces Amirvcains as they actually are." There are six of the stories in all, and they form a volume to which " Elder Conklin " gives his name. As tran- scripts of American life, even in Kansas and other remote localities, they are grotesquely inadequate, 1894.] THE DIAL 333 and their very crudity is doubtless what recom- mends them to the foreigner unacquainted with our civilization. Many an Englishman, we fancy, will take them very seriously—as seriously, for example, as he took Mr. Howe's " Story of a Country Town" a few years ago. To us, who can make the neces- sary allowances and supply the missing links, they are merely amusing; but it is not to be denied that they are that, in a marked degree. It is instructive to compare these stories with Mr. Bret Harte's masterly treatment of similar ma- terial, and opportunity for the comparison is just now afforded by the eight stories which "The Bell- Ringer of Angel's" leads off. In place of the baldness of Mr. Harris's superficial delineations, we have equally dramatic incidents, interpenetrated with humor, and set against a richly romantic back- ground. Will Mr. Harte never exhaust his imag- inative resources? A few years of early manhood spent in contact with the civilizations of the West —the new civilization of the American pioneer and the old mellow civilization of the Spaniard — and behold, a supply of incident available for a lifetime of production. Besides the novels of more ambi- tious scope, Mr. Harte must have penned something like two hundred sketches and stories of Western character, and there is hardly a trace of weariness in the newest of the collections. The present vol- ume is, however, diversified by some Scotch consu- lar experiences, by the fascinating "Johnnyboy," which simply cannot be described, and by a humor- ous reminiscence entitled "My First Book." The book in question was an anthology of California poets, and the humor is in the depiction of the "woolly" journalism of the Coast. Mr. Thomas Nelson Page, the unreconstructed, displays his usual strength, penetration, and feeling in " The Burial of the Guns," which, with five other numbers, makes up his latest volume. They are studies of character rather than stories, and breathe the warmest devotion to the State and the Cause already so many times celebrated by the author. Whatever one's attitude towards the Southern Con- federacy, he can hardly fail to be moved by the purely human quality of these sketches, some of which do not even touch upon the debatable ground, and all of which are written straight from the heart. The story of "Little Darby," in particular, is one of those tales of unrequited humble heroism that are irresistible in their appeal to the sympa- thies. As for " My Cousin Fanny," with its soupqon of irony, and its gentle humor, it is a delineation masterly in every stroke. The good work of observing and recording the evanescent phases of local civilization upon this vast American continent goes steadily on. The army of workers is a large one, and the future student of our shifting life will find few nooks and corners of the land that have not had their artist. If noth- ing more can be said of the majority of these work- ers than that they are painstaking and truthful, it will be enough to entitle them to the thanks of those who come after. Miss Anna Fuller's thir- teen transcripts from a Colorado sketch-book, col- lectively named "Peak and Prairie," are certainly both truthfully and carefully wrought. They reflect the stir, the freshness, and even the crudity of the pioneer region with which they deal. Hardly elab- orate enough to deserve the name of stories, they are, within their limits, singularly engaging, and their interest, although quiet, is none the less gen- uine. A more romantic background than the mining camps of Colorado can supply relieves the eleven stories—for they are stories, this time — told by Mrs. Atherton, of Old California in the days "Be- fore the Gringo Came." The stories more than verge upon the melodramatic, and their passion seems a little too theatrical to be justified even by the hot-blooded race of which they are told. Nor is the language any more restrained than the senti- ment. Those which deal with the actual arrival of the "gringo" are the best, and we get from them some vivid glimpses of the fascinating history of the place and period concerned. The four somewhat inconclusive tales or sketches that make up "Marsena and Other Stories of the Wartime" are by no means to be reckoned with Mr. Frederic's best work, but they contribute an acceptable mite to our knowledge of what men were thinking and doing in the rural districts dur- ing the four years of our great civil convulsion. Most of us who were boys at that time have suffi- ciently vivid recollections of the period to enter with close sympathy into the feeling of these homely episodes, typical as they are of what was going on in thousands of other Northern hamlets. It is well that even boyish impressions of the period should be fixed before time has faded or effaced them, and Mr. Frederic here, as well as elsewhere, has done his full share of the work. The special field of Mrs. Catherwood's labors lies far back of the reach of recollection, but she is one of the few writers who can really project them- selves into the remote past, and whose sympathies can find in the mustiest of records the palpitating life that most of us can find only in the memory of what we have personally known. To praise her new volume of seven stories, headed by "The Chase of Saint-Castin," is but to repeat what we have said upon many earlier occasions, for the touch is still delicate and firm, the charm unfailing. The Illi- nois country is the field of two of these tales; the others lie about the St. Lawrence, one of them— "Wolfe's Cove "— casting a side light upon the momentous scene upon the Heights of Abraham that fixed the destinies of two nations. In the excellent company of Mr. Henry James and Mr. Brander Matthews, and in the tasteful form of the series known as " Harper's American Story Tellers," there come to us two volumes fathered (or mothered) respectively by Mr. John 384 [Dec. 1, THE DIAL Kendrick Bangs and Mrs. Harriet Prescott Spof- ford. Mrs. Spofford's book, "A Scarlet Poppy and Other Stories," comes as a reminder that the younger generation is not yet to be permitted a monopoly of story-telling, and, indeed, as an exam- ple of work so artfully conceived that most of the younger generation would do well to profit by its example. These seven tales, with their shrewd and gentle humor, their unquestionable hold upon hu- man life, and their touches of the fantastic, make us regret that we hear so little of late from the Merrimac island-home of their writer. They do new honor even to Mrs. Spofford's already honor- able place in our literature, and may be read with unalloyed satisfaction from the first page to the last. If there is a touch of fantasy in Mrs. Spofford's volume, there is hardly anything but the fantastic in "The Water Ghost and Others." In these eight stories by Mr. Bangs, the freakish humor known to readers of "Mr. Toppleton's Client" dis- ports itself unchecked. The old ghost story took the supernatural too seriously; the new, as exem- plified by Mr. Stockton and the present writer, makes it chiefly a vehicle for fun, and we may add that the new is a great improvement upon the old. Anything more delicious in their way than " The- Ghost Club " and " The Spectre Cook of Bangle- top" is not often met with. So delightful a com- mingling of the prosaic with the weird as the story of the "Psychical Prank," which filled a New York street-car with astral bodies, or the tale of the too material spoons which the ghostly King Ferdinand presented to the too-confiding nephew of a conser- vative uncle, deserves more than passing mention. To imagine such things at all is a gift; to set them forth with their present verisimilitude is an art in its kind almost incomparable. Mr. Jeremiah Curtin is indefatigable in trans- lating into English the works of Henryk Sienkie- wicz. Just now he offers us a volume of relatively trifling worth, containing four stories or sketches. They will not lack an audience, for the name of their author claims attention for anything he may have written; but they hardly suggest the genius that conceived the great Polish trilogy of love and war, or even the keen analyst to whom we owe "Without Dogma." Only one of the sketches is Polish in subject; another describes a Spanish bull-fight; the remaining two — " Lillian Morris" and " Sachem "—are fruits of the author's sojourn in the regions of our own pioneer civilization. In dealing with American themes, the author is not quite dans son assiette, and his descriptions are not altogether in touch with American feeling. Still, there is a certain impressiveness, particularly in the longest story of all, which tells of a band of forty- niners who took the overland route to the Califor- nian El Dorado, and endured grim hardships in their quest. It is curious to find the Chicago of 1849 described as a "poor, obscure fishing village, not found on maps." This is one of many trifles which go to show that the author does not know his subject as well as, say, seventeenth-century Polish history. The collection of translated stories just mentioned may be coupled with the volume of "Tales from the iEgean," by Demetrios Bikelas, which the Mar- quis de Queux de St. Hilaire translated from Greek into French, and which have been turned from French into English by Mr. Opdycke. These facts, and many others of interest concerning the author of the tales, may be gleaned from the interesting introduction written for this translation by Major H. A. Huntington. As for the author, he is already known to English readers by a translation of "Lou- kis Laras," his tale of a modern Greek merchant, who started in life as a shop-keeper, and who re- mained a shop-keeper at heart through all the stir- ring times of the Revolution. His literary activity has also been marked in several other directions, and he has a distinct claim upon our English grat- itude as the Greek translator of six of the plays of Shakespeare. This translation is into colloquial Greek, and the iambic metre of fifteen syllables is employed. As Major Huntington puts it, he has "lent to the strongest and sweetest voice in the English choir almost the accents of ./Eschylus." This were a feat indeed, but doubts as to the pos- sibility of its accomplishment need not lessen our thankfulness to the man who has attempted it. Certainly, the reader of the eight tales now pub- lished will be prepared to share in any moderate enthusiasm for their writer. "Simple in motive, pure in sentiment, sometimes enlivened with humor, out oftener pervaded with ideal melancholy," they come to us as a joyful surprise, and invite compari- son with the great masters. Particularly do they suggest Tourguenieff, whose method and whose re- straint they exhibit in a remarkable degree. We should be much surprised to learn that the author had not carefully studied, and been profoundly in- fluenced by, the work of the great Russian. Hun- dreds of little touches reveal the spiritual kinship of the two men, although the deep tragic note seldom missing in the analyst of the steppe becomes muted in the pages of our vEgean analyst. William Morton Payne. Mr. Walter Besant has this to say of the workings of our Copyright Act: "It is impossible to escape the conclusion that the Copyright Act has given a great im- petus to American work. While English work could be had for nothing, the American author in every branch was fatally overweighted. This obstacle removed, we begin to see what we expected—the great bulk of the literature of the States written by their own people, and only the exceptionally useful and popular authors of this country being published there. This proportion we may expect to find every year greater in favor of American writers. At the same time there will be found on both sides of the Atlantic a great and always increasing demand for the work of the first and best." 1894.] 335 THE DIAL Holiday Publications. L Pursuant to our custom, the Holiday Publications received for review by The Dial will be noticed in two instalments—the earlier arrivals in the pres- ent issue, the later ones in that of December 16. Priority of mention does not necessarily imply pri- ority of importance, some of the more notable of the season's books often being late in making their appearance. The output of the season promises to be a fairly good one — surprisingly good, in fact, when one considers the uninspiring commercial con- ditions that prevailed six months or more ago, when the works that are now appearing were being planned. The publishers have wisely pursued a somewhat conservative course in their holiday un- dertakings. There is a lack of the gorgeous quarto and folio volumes, representing enormous outlays to the publisher and costing the purchaser from fif- teen to fifty dollars, which have been so marked a feature of former years; and in place of these we have the modest but attractive reprints of standard works, which are always unexceptionable for the purposes of holiday gifts. A book costing more than ten dollars—excepting works in sets — is, indeed, something of a rarity this season. A few ambitious and costly volumes have appeared, and there are other less expensive works representing the best ef- forts of our artists and publishers, and presenting to us some old favorite or newly-found friend decked in winning and irresistible charms. Among them all, those tastes and wishes must be hard to suit which do not find their due account. Our list may be suitably headed with a sumptu- ous four-volume edition, limited to 1000 copies and re-edited by Mr. G. F. Russell Barker, of Horace Walpole's " Memoirs of the Reign of George III." (Putnam). In the material features of these beau- tiful volumes the most captious will find little to cavil at. With their moderate-sized yet clear type, elegant hand-made paper, fair margins, and sub- stantial covers of crimson buckram stamped in gold with the Walpole arms, they present an ensemble which the finical owner of the Strawberry Hill Press might himself have approved of. Like almost every- thing Walpole wrote, the Memoirs are immensely readable. They cover a period of great political importance; and while their life and piquancy are patent, their serious historical value is sometimes lost sight of. They belong to the good old-fashioned type of history which aims to be a narrative, and little else; and history, as M. Scherer says, " is first of all a narrative." If Walpole is seldom deep, he is never dull; if he is seldom weighty, he is never pedantic. He had to a rare degree the gift of making his dramatis personce live and act out their parts before us. They are people of flesh and blood — not the mere names or abstract arithmet- ical units of more philosophical historians. Says Mr. Leslie Stephen: "Turn over any of the proper decorous history books, mark every passage, where for a moment we seem to be transported to the past — to the thunders of Chatham, the drivellings of Newcastle, or the prosings of George Grenville, as they sounded in contemporary ears—and it will be safe to say that, on counting them up, a good half will turn out to be the reflections from the illuminating flashes of Walpole." Gossipping Hor- ace will live long after many a more pretentious historian has been relegated to the dust-bin; and the present holiday edition of his best historical work will doubtless continue for some time to be a model one. The term "holiday gift-book" is necessarily a somewhat elastic one, and can by no means be lim- ited to the elegant specialties that are designed pri- marily for Christmas sales. Any good book is of course a suitable gift-book, especially when embel- lished with attractive illustrations and clad in hand- some dress. Foremost among the season's elegant editions of standard books is the Lippincott Co.'s reprint of Thiers's great historical works, "History of the Consulate and the Empire of France under Napoleon" and "History of the French Revolu- tion," the former in twelve volumes and the latter in five, uniform in typography and binding, and in illustrations from steel plates. The sets are sold separately. Of the works themselves it is of course not necessary to speak; they are among the most standard of historical works, and indispensable for the field they cover. The translations are the au- thentic ones of Campbell and Stebbing for the "Consulate" and of Frederick Shoberl for the "Rev- olution." The works are printed from new type, and purchasers of the more substantial sort of gift- books will thank the enterprise of Messrs. Lippin- cott for providing these really sumptuous editions. Messrs. Macmillan & Co. issue a new and en- larged edition of Mr. Joseph Pennell's standard treatise on " Pen Drawing and Pen Draughtsmen," a study of the art as practiced to-day, with techni- cal suggestions. There are over four hundred illus- trations from originals by Sir F. Leighton, Messrs. J. E. Millais, F. Burne Jones, Abbey, Holman Hunt, A. Parsons, Aubrey Beardsley, and many others, the value of which to the art-student can scarcely be over-estimated. Mr. Pennell's book, at the date of its first appearance in 1889, met with the cordial and general approval of those best qual- ified to judge of it; and it is safe to pronounce it hors concours in its class. As an art-work of actual and solid value, nothing on our list surpasses it. Mrs. Oliphant's recent articles in "The Century Magazine " on " The Reign of Queen Anne " have, very fittingly, been formed into a fine gift-book — one of the best of the season — by the Century Co. The theme is perennially attractive, and Mrs. Oli- phant treats it with her usual freshness and anima- tion. The characters of the Churchills, Harley, Godolphin, St. John, Swift, Berkeley, Defoe, Addi- son, Steele, and other more or less brilliant satel- lites of that comparatively rayless primary the stupid 336 [Dec. 1, THE DIAL and all too trusting Anne, are admirably drawn. For the Queen herself —" the church's wet-nurse, Goody Anne," as flippant Walpole styled her—Mrs. Oliphant has some words of judicious kindness. Anne has been roundly snubbed and laughed at by everybody, from Macaulay down; but the fact re- mains that she was one of the few sovereigns who may without hyperbole be said to have been loved in her day. She was a good wife, a good woman, a good friend, and—what was then politically very much to the purpose — a good Protestant. Mrs. Oliphant's book is pleasant reading, and it makes a goodly show outwardly, with its fine print and pa- per, its richly tooled binding, and its thirty-three sound wood-engravings. Among the latter are por- traits of Anne, John Evelyn, Defoe, William III., the Marlboroughs, Burnett, Swift, "Stella," and Addison. Messrs. Houghton, MifSin & Co.'s dainty holiday edition, with illustrations by Messrs. George Whar- ton Edwards and F. Hopkinson Smith, of Dr. Holmes's "The Last Leaf" appears with a melan- choly opportuneness. In the touching letter, dated July 12, 1894, prefixed in facsimile to the volume, Dr. Holmes says: "I am one of the very last of the leaves which still cling to the bough of life that budded in the Spring of the nineteenth century"; and now this leaf too has fluttered to earth, and the bough is indeed forsaken. Walt Whitman draws somewhere a fine and just distinction between "lov- ing by allowance " and " loving with a personal love"; and in the limited class of authors whom we love— as we do Lamb and Goldsmith — with " a personal love," and not, as it were, by convention, the cheery Autocrat surely takes his place. The little book forms a timely and charming souvenir of its author. The poem is printed entire on the opening pages; after which follow separate lines and stanzas, with decorative designs and illustrations interspersed. A history of the poem, written by Dr. Holmes in 1885, is appended. Messrs. T. Y. Crowell & Co.'s inexpensive two- volume edition of "The Count of Monte Cristo" brings a neat, well-printed, fairly-bound copy of Dumas's kaleidoscopic romance within range of all purses. There are eighteen illustrations by Mr. Frank T. Merrill, and commendable pains have been taken to secure a good text, ordinary English versions of the story having been tinkered into shape from some strange original that must itself have been bad enough in all conscience. Omissions have been supplied, additions expunged, solecisms corrected, nautical terms " experted,"—and, in short, the English "Monte Cristo" has been, to quote Sid- ney Smith, metaphorically washed, shaved, brushed, and forced into clean linen, by the present editors. The publishers are to be credited with more than one praiseworthy deed in the way of making good editions of good books popularly accessible. Messrs. G. P. Putnam's Sons' luxurious "Van Ta8sell " edition of Irving's "Sketch Book " is gen- erally similar in style to the "Agapida," the "Darro," and the "Van Twiller" editions of "The Conquest of Granada," "The Alhambra," and the "Knickerbocker's History of New York," respect- ively, of former seasons. To our thinking the lat- est publication is even more attractive than its pre- decessors. The border designs this time are dainty festoons of leaves and berries, etc.; and there are thirty-two illustrations by Messrs. Church, Barraud, Rackham, Rix, and Van Deusen. The " Van Tas- sell" edition should prove one of the marked suc- cesses of the season. Little need be said in characterization of form or matter of Messrs. Harper & Brothers' superb two volume edition of Charles Kingsley's " Hypa- tia." The work is generally uniform with the same firm'8 well-known editions of " Ben Hur " and "The Cloister and the Hearth"—bindings of sea-green silk, lightly glazed paper, dainty typography, and a profusion of full-page and marginal drawings by Mr. William Martin Johnson. Kingsley's master- piece ranks with the classics of fiction; and it is, to our taste, worthier of its present sumptuous set- ting than either of its popular predecessors—assur- edly than the earlier of them. As an example of an art work resulting from the union of ripe learn- ing and forceful imagination, "Hypatia" has few rivals in its class in any language. Mr. Johnson's drawings are for the most part well done, and form a running pictorial exposition of the text at once ornamental and instructive. A very taking and desirable edition, in two trim volumes, illustrated with fifty small drawings and eight full-page photogravures by Mr. Edmund H. Garrett, of Dickens's "A Tale of Two Cities," is issued by Messrs. Dodd, Mead & Co. Like Thack- eray's "Esmond," this novel is, when viewed with the body of its author's works, something of a book apart; and the publishers have done well in select- ing it for a special reprint. Good critics have pro- nounced it the author's greatest novel; and, consid- ered as a piece of pure constructive art, it probably is so. If he nowhere in it quite touches his highest level, there is certainly no other work of his in which the level reached is so well sustained. In his more characteristic books, Dickens sinks all too often into a bizarrerie of style, and a commonness, even a mawkishness, of sentiment, that offend his discriminating admirers. But in "A Tale of Two Cities " his taste seldom lapses, his inspiration sel- dom Hags. "There is," says Forster, " no other in- stance in his novels of a deliberate and planned departure from the method of treatment which had been preeminently the source of his popularity." The present edition is handy, sightly, and, style con- sidered, inexpensive. The true stories of " Three Heroines of New En- gland Romance," Priscilla Mullins, Agnes Surriage, and Martha Hilton, are gracefully set forth by Mrs. Harriet Prescott Spofford, Miss Alice Brown, and Miss Louise Imogen Guiney, in a tasteful volume 1894.] 337 THE DIAL profusely illustrated by Mr. E. H. Garrett, and pub- lished by Messrs. Little, Brown, & Co. Priscilla is, of course, modest John Alden's Priscilla; Martha Hilton (afterwards Lady Wentworth) figures in his- tory and in Longfellow's pretty ballad; while Ag- nes Surriage was a Marblehead lass, who, after an unusually stormy experience of the proverbial "course of true love," married the man of her heart, and, as Lady Agnes Frankland, ''lived happy ever after," as the story-books say, and as she certainly deserved to do. The subjects have furnished am- ple opportunity for the illustrator's best work, and Mr. Garrett has on the whole acquitted himself creditably. Mr. G. S. Layard's "Tennyson and his Pre- Raphaelite Illustrators" (Copeland & Day) is a book about a book, or, better, about the illustrators of a book — that is, of the Tennyson quarto pub- lished by Moxon in 1857, and soon to be repub- lished by Messrs. Macmillan & Co. (And we may add, en passant, that we hope the latter firm will note Mr. RuBkin's statement that the original wood- cuts were in a few cases "terribly spoiled in the cutting, and generally the best part, the expression of feature, entirely lost." These designs should cer- tainly be re-engraved.) In his appreciations of the quarto of 1857, "the most intrinsically valuable," he thinks, of all Tennysonian volumes, Mr. Layard devotes himself mainly to the work of the three more prominent pre-Raphaelites—Rossetti, Millais, and Holman Hunt, to each of whom a separate chapter is given. There are a few interesting pages on the origin of the P. R. ]}.; and here the au- thor joins issue with Mr. Quilter, crediting the movement to Holman Hunt, rather than to Ros- setti's first master, the eccentric F. Madox Brown. Tennyson, who was as insensible to pictorial art as Shelley was to music, seems to have left his illus- trators to their own devices; though in one or two cases he raised rather captious objections— for in- stance, to Hunt's noble, if rather dishevelled, " Lady of Shalott." "My dear Hunt," he exclaimed, on first seeing this plate, "I never said the young wo- man's hair was flying all over the shop!" "No," calmly replied the painter, "but you never said it was n't"—and, happily, the design stood. Mr. Lay- ard's book is interesting and critical in tone, and the nine illustrations (including two after water-color drawings by Mrs. Rossetti) are well chosen and well reproduced. Jane Austen illustrated by Hugh Thomson forms a combination that discerning book-buyers should find hard to resist. Messrs. Macmillan & Co.'s new edition of "Pride and Prejudice" offers these joint attractions; and to round off the volume there is a capital introduction by Mr. George Saintsbury. Touching the friendly strife among Miss Austen's adherents as to the relative merits of her books, Mr. Saintsbury unhesitatingly awards the primacy to the present work. He finds it "the most perfect, the most characteristic, the most eminently quintessen- tial " of them all; its hero is "by far the best and most interesting of Miss Austen's heroes"; while as to its heroine he concludes, after calmly weigh- ing the competing charms of her rivals in his affec- tions, that "to live with and to marry, I do not know that any one of the four can come into com- petition with Elizabeth." The volume is uniform in make-up with the same firm's well-known editions of "Cranford," "Our Village," etc. In her " Schools and Masters of Sculpture" (Ap- pleton), Miss A. G. Radcliffe essays to tell "clearly, vividly, and accurately " the story of the progress of plastic art from archaic times down to the pres- ent day—a pretty difficult task in a moderate-sized 12mo volume of 560 odd pages. The author con- fines herself closely to facts, and these have been carefully and judiciously winnowed. Successive schools of sculpture—the Egyptian, Assyrian, Greek, Roman, Mediaeval, and Modern—are shown by the flash-light of single chapters, and the personality of the great masters is briefly set before us. Miss Radcliffe has evidently "got up" the authorities carefully; and her book, like its companion volume on painting, affords a useful and accurate birdseye view of the subject, and it should prove serviceable as a larger guide-book to European and American galleries and museums. There are thirty-five full- page plates in halt-tone. Mr. Laurence Hutton's "Portraits in Plaster" (Harper) is a vastly interesting,attractively mount- ed work—though not, to our thinking, one exactly suggestive of Christmas cheer. Mr. Hutton, as the readers of "Harper's Magazine" have been made aware, is the happy possessor of the largest and fullest collection of death-masks in the world; and the present volume contains photographic repro- ductions of seventy-two of them. The earliest casts are those of Dante and Tasso; the latest one is that of Edwin Booth. They range from Sir Isaac Newton, the wisest of men, to Sambo, the lowest type of the American negro; from Cromwell to Clay; from Bonaparte to Grant; from Keats to Leopardi; from Pius IX. to Tom Paine; from Ben Caunt, the pugilist, to Dr. Chalmers, the light of the Scotch pulpit. Marat, Robespierre, Burke, Washington, Tom Moore, Mme. Malibran, Swift, Brougham, Sherman, and other celebrities, stare stonily at us from Mr. Hutton's pages-—with an effect, as "Mr. Wegg" delicately said of the home of his friend, "Mr. Venus," "rather ghastly, all things considered." The nucleus of the collection was a half-dozen plaster casts found by a boy in a dust-bin. They came into Mr. Hutton's possession by chance, and from that time on he has been a collector, an amateur, of death-masks. Some would have chosen a more cheerful line of connoisseur- ship; but, as Yorick says, "there's no disputing about hobby-horses." The tale of Mr. Hutton's researches in the museums, studios, plaster-shops, and curiosity shops of half the capitals of Europe and America would, he tells us, fill a fair volume; 338 [Dec. 1, THE DIAL and he has traced and identified his trophies with much care. He is sure, for instance, that his is the actual death-mask of Aaron Burr, because he has the personal guarantee of the maker of the mould; he is equally certain of another cast, because he saw it made himself; while as to a third, he has no manner of doubt, because, he frankly admits, "I know the man who stole it." Mr. Hutton's book is unique, and it has a decided (albeit rather grew- some) fascination. The value of the masks as por- traits is beyond question, and the descriptive text is chatty and informing. It seems a pity that so exquisitely artistic a set- ting should be lavished on so nonsensical a produc- tion as Mr. Edward Garnett's " An Imaged World" (Dent & Co., London). What Mr. Garnett is really driving at in his "Poems in Prose," as he calls them, must, for the most part, remain a secret be- tween himself and his Maker; but his illustrator, Mr. William Hyde, has wrestled manfully with the problem, and has produced some pretty, if pardon- ably vague, drawings that partly redeem the text. The " poems " consist largely of rhapsodic addresses to Nature, mingled with amatory caterwaulings ad- dressed to no one in particular, of which the follow- ing may serve as a sample: "Flower of my heart, would thou wert here on the hillside this dark eve of grey and windy autumn, and the dim greyish heavens and fleeing clouds were over our two heads. O Girl, the sad wind is rising, O Girl, this night that is falling will bring desolation into the heart of the world. I would thou wert by my fireside this night; ah, Girl-flower "—and so on for over a hundred pages. That a man should be willing to rush into print with this sort of thing in the age of Spencer, and Darwin, and Huxley, and common- sense generally, passes understanding. A neat illustrated edition of Mr. Howells's "Their Wedding Journey "—the inimitable account of the bridal tour of a couple " no longer very young, but still fresh in the light of their love," in which the author takes occasion to "talk of some ordinary traits of American life ... to speak a little of well-known and easily accessible places, to present now a bit of landscape and now a sketch of char- acter,"— is issued by Messrs. Houghton, Mifflin & Co. The book is essentially a series of Ameri- can travel pictures and character sketches, thrown off with the author's usual photographic and phono- graphic accuracy, and it is one of his crispest and cleverest works. Mr. Clifford Carroll's drawings are acceptable, but hardly equal the snap and verve of the text. A second series of Mr. Austin Dobson's " Eight- eenth Century Vignettes," that will doubtless repeat the success of its popular predecessor of last year, is issued by Messrs. Dodd, Mead & Co. There are twelve papers in all: "The Journal to Stella," "The Topography of ' Humphry Clinker,'" "Rich- ardson at Home," "Johnson's Library," "Rane- lagh," etc. — themes in which Mr. Dobson is very much at home, and which he handles with his usual piquancy and lightness of touch. The portraits of Swift, Dodsley, Richardson, Garrick, Smollett, Rou- billiac, and others, are notably good, and the volume altogether is a choice piece of book-making. Mr. Mowbray Morris's compact edition of Bos- well's "Life of Johnson" is issued in a neat two- volume reprint by Messrs. Crowell & Co. The type is new, bright, and open, the paper is good, the thirty-four full-page portraits are well chosen and well executed, and the price (three dollars) is low enough, certainly, for a sound copy of one of the richest works in any language. In annotating his work, Mr. Morris did little more than to cull from his editorial predecessors, and he left Boswell's notes intact. The present American editor has added some judicious selections from Dr. Hill's notes, and he has wisely followed the latter's exam- ple in restoring the original spelling of Dr. John- son's and his friends' letters. The edition is, we should say, decidedly the best to be had for any- thing like the money. Another desirable reprint of standard literature from the press of Messrs. T. Y. Crowell & Co. is an edition in two octavo volumes of "The Complete Poetical Works of Sir Walter Scott." By printing the poems in double columns, compactness has been secured without unduly sacrificing size and clear- ness of type; and the volumes, like other similar publications of this firm, challenge comparison with editions considerably more costly and pretentious. The text is carefully edited; there is an admirable Introduction by Professor Charles Eliot Norton, and a Biographical Sftetch by Nathan Haskell Dole. The frontispiece portrait of Sir Walter is one of the best plates of the kind that we remember to have seen. The charm of "Paul and Virginia " is perennial, and older readers who have experienced its delights, and desire their younger friends to share them in their turn, will welcome the new edition of the French classic issued by Messrs. Apple ton & Co. The translation includes a brief memoir of Saint- Pierre, and the pretty but inexpensive volume is profusely illustrated with the drawings of Leloir. Cost considered, we know of no comelier and handier shelf edition of Irving's ever-charming "Sketch-Book " than the one now issued in two vol- umes by the J. B. Lippincott Co. The volumes throughout are models of quiet tastefulness and Bound workmanship. They are printed from new type, and contain the familiar wood-cuts of the "Artists' Edition." The desiderata of good taste and inexpensiveness are happily blended in The Century Co.'s tiny book- lets, "Writing to Rosina," a novelette by Mr. W. H. Bishop, and "P'tit Matinic," a sheaf of thumb- nail sketches by Mr. George Wharton Edwards. Both volumes are prettily illustrated and daintily bound in embossed sheep, and either may be slipped into the waistcoat pocket. 1894.] 339 THE DIAL Books fok the Young. L This season's publication of books for young readers is not only unusually large, but on the whole may be said to be of rather unusual interest and value. Some of our best writers, alive to the importance of this field, are sharing in the production of books of information, useful but by no means dry; and in a few cases juveniles combining attractive narrative with a pure literary in- terest are offered. Even the fiction work—with the ex- ception, possibly, of that of Jules Verne and a few of the more trivial books for girls,—has, it would seem, to assume an air of seriousness in order to get itself into no- tice. While there is good fun and plenty of it among the season's publications for the young, such books as " The Story of Alexander," "Czar and Sultan," and "The Century Book for Young Americans " have a quality that makes for usefulness in any developing mind; and there is this year rather less than the usual amount of that "writing down" to young readers which does so much barm. There is, of course, no real necessity for lowering artistic standards in order to reach the com- prehension of children, as their uncorrupted taste is ca- pable of enjoying the best art, provided it be simple; and the recognition of this fact is improving the quality of children's books. The reproduction of the great works of the older writers, in suitable form for the chil- dren of to-day, is much to be commended. Why should not certain stories from Homer, following closely the Butcher and Lang translation, be edited and illustrated as superbly as is that narrative of old, "The Story of Alexander"? And that tale of the middle ages, the friendship of Amis and Amile, to whose exquisite charm Mr. Pater calls attention, would also, edited for children, have great literary value, to say nothing of its ennobling power. The tenderest age is none too early to begin setting before the child the simpler elements of literary beauty. The unexplored charm of new books is enhanced by illustrations which stir the fancy and train the eye. Those pictures which do not really illustrate detract from rather than aid the printed page, for most children have plenty of imagination of their own, and the great value to them of illustration is in properly directing their imagination and familiarizing them with good models in art. Mr. Andrew Lang's annual "Fairy Book" (Longmans) has not always been so well illus- trated as it is this year by Mr. Ford, and even now a timid child might well be alarmed at the frightful witches who have smuggled themselves between the covers. In his preface, which is really only a familiar talk with his young readers, Mr. Lang pays his respects to Mr. Laurence Gomme, President of the Folk-Lore Society, who " does not think it very nice to publish fairy books, and above all, red, green, and blue fairy books." Though Mr. Lang takes the liberty of mis- quoting Mr. R. L. Stevenson, his quiet sarcasm redeems him. Anyone who reads his grave assurance that the existence of fairies is a difficult question,—that Profes- sor Huxley thinks there are none, though the Reverend Mr. Baring-Gould saw several when he was a boy trav- elling with the Troubadours, and that " probably a good many stories not perfectly trne have been told about fairies, but such stories have also been told about Napo- leon, Julius Cwsar, and Joan of Arc, all of whom certainly existed,"—may feel he would rather hear Mr. Lang mis- quote than to hear other people recite volumes. "The Enchanted Swans," the source of Reineke's cantata, is in this " Yellow Fairy Book," and also a Chinese tale, rescued from oblivion, from which the expression "A little bird told me " probably took its origin. Though the tales are gathered from many lands, and from such accomplished writers as Andersen, Grimm, and Madame D'Anlnoy, none are more poetic or spiritual than those from the Red Indian, one from the Iroquois strongly suggesting, in its pathetic ending, the story of Orpheus and Eurydice. A new edition of " Tales from Hans Andersen" (Lip- pincott) is illustrated by Mr. E. A. Lemann, who has endeavored to embellish the tales more fitly than has been done before. This is, however, rather like paint- ing the lily; since the chief interest remains in the tales themselves. Though Mr. Lemann has been moderately successful, the illustrations are on the whole common- place. Mr. Palmer Cox, inimitable as ever, has this year sent "The Brownies around the World" (Century Co.). Poor sprites I They look dreadfully ill on their demo- cratic raft, but they learn the sage lesson that "You can't through foreign countries roam And have the comforts of a home." They scale the Alps, they ride the crocodile; they mor- alize soberly on the follies of idol-worship while toying with the gold ear-ring of Buddha; but in the end they reach home safely, after having made the world their own. Adventures like these are sure to please the chil- dren. Mr. Cox, as usual, furnishes his own capital illus- trations. Though Mr. Lang believes the successful invention of new fairy stories is rare, two at least are brought out this season. They are quite different in style, however, one by the Countess of Jersey, entitled "Maurice, or the Red Jar" (Macmillan), having an air of reality which makes it fascinating. It contains the conven- tional ingredients of fairy tales — an enchanted castle, nixies, old dames, and the spirits of earth, water, and fire. These are combined in so novel a manner that one hardly regrets the absence of a princess. The cen- tral idea — that expiation through suffering is the only cure for disobedience — is very well worked out. No serious purpose, only amusement pure and simple, is the object of Mr. Tudor Jenks, whose " World's Fair Book" was among the more interesting of last year's publications for boys and girls. "Imaginotions " (Cen- tury Co.) is likely to prove very popular, as it is a clever combination of wit and fancy, fact and fable. It would seem as though Mr. Jenks must have had a prelim- inary view of all the fairy books of the season, for he has burlesqued them all. "The Sequel," which is one of the best of the stories, describes the woes of the Hero after he marries the Princess, and tells how he lived unhappily ever after until he succeeded in throwing off the shackles of royalty. It is difficult to say which is funnier, "The Sequel " or the "Kaba beu Ephraf," the latter being a matter-of-fact individual who succeeds in life through a free use of the simple motto, "If you do n't see what you want, ask for it." The comical idea of the Professor, who is convinced by the scientific rea- soning of the Patagonian Giant that it is his duty to let himself be eaten by that eloquent monster, is carried out with a dash and humor which " Mark Twain " himself has scarcely excelled. The book is worthily illustrated by Messrs. Birch, Drake, Bensell, Dan Beard, and Oli- ver Herford. Some of the stories have previously ap- peared in "St. Nicholas." 340 [Dee. 1, THE DIAL "The Story of Alexander, Retold from the Originals by Robert Steele, Drawn by Fred Mason and Published by Macmillan and Co.," is the imposing title of what is probably the most marked departure from the conven- tional juvenile book of the present season. With pic- tures in black and white suggestive both of Mr. Elihu Vedder and Mr. Walter Crane, a rich and artistic bind- ing, and unexceptionable paper and print, the traditions that gathered round the figure of Alexander the Great have here received a truly noble setting. The tale is told with Homeric simplicity — a tale of conquest and love, and of an unconquerable spirit. The bibliography of the story is of such interest that eight pages of the author's "Afterwords" do not suffice to tell all the forms it has undergone. Probably many of the tradi- tions grew up soon after the death of Alexander, and since that time it has received additions from many tongues in many ages. But young readers are advised not to annoy their teachers in Greek history by putting any of it into their examination papers — and, indeed, such a course would be dangerous, since the book con- tains no dates. Perhaps its purpose is best told in these lines from the " Open Letter " which takes the place of a preface: "If it pleases you and shows you who were the heroes of our ancestors, and what were the stories they delighted in, it will have reached the object of your loving liegeman, R. S." The full-page illustra- tions, noble in design and execution, are worthy of se- rious study, and the head and tail pieces are rich in alle- gorical meaning. Mr. Frost's fortunate auditor in his " Wagner Story Book" (Scribner) is a little girl; though these enno- bling tales, like all folk-lore, are no less suitable for boys. The author's style, in dealing with stories some- what involved, is clear, and while there is a certain awk- wardness in the use of the present tense throughout the book, another form would require the sacrifice of the conceit that the stories are being enacted in the burn- ing coals,— an idea which gives life to the whole, and is always well sustained. A delicate fancy plays about the immortal German myths, and in the flames are seen Wotan and the river nymphs, Parsifal and Elsa, while the " Magic Fire Scene " glows again before the reader. The text is so picturesque that the illustrations might have been dispensed with, especially as their workman- ship is often indifferent. A curious contrast to the German myths, with their powerful human interest, is formed by the no less at- tractive Pueblo Indian folk stories written out for boys and girls by Mr. Charles F. Lummis in " The Man who Married the Moon " (Century Co.). Great friendliness has sprung up between Mr. Lummis and this interest- ing Indian tribe, about whom he knows and tells us much. Tales of craft abound, though the one which gives the book its title is full of poetry, and a keen sense of humor is everywhere apparent. The many predicaments of the coyote, in his domestic and social relations with other animals, are particularly laughable; and the stories — many of which are much older than the Spanish invasion of North America — have also an ethnological interest. Altogether, the book, with its good drawings from photographs by the author, is full of charm both for young people and their elders. The adage " Too many cooks spoil the broth " is well illustrated in " Bible Stories for the Young " (Harper), where various scraps of scriptural meat are served up for young readers. Several well-known divines have assisted in the task, with the result that the flavor is by no means uniform. The stories of " David and Jona- than " and of "Mary in the Garden of Gethesemane" perhaps suffer less in the telling than the others; but the Rev. Mr. Park hurst has wholly destroyed the sim- ple sweetness of the "Story of the Nativity." The Bible story of Isaac and Rebekah, too, gains nothing from its writer's suggestion that " Rebekah knew more than we are told about Isaac, when she said so readily 'I will go,' and started right off." "The Century Book for Young Americans " (Century Co.) is issued under the auspices of the National So- ciety of the Sons of the American Revolution. The purpose of the book, its scope and thoroughness of treat- ment, entitle it to a prominent position among the more serious juvenile publications. Under the guidance of a well-informed and kindly-disposed uncle, a party of young people visit Washington, to study the workings of the Government. The conversation of the tourists introduces, without effort, the historical cause for the creation of the different governmental departments, and the functions of each. The book is enlivened by glimpses of the social life of the capital, and by excursions to Mount Vernon, Arlington, and other points of romantic interest. The comments of the young visitors should excite the patriotism of every youthful American. Ex- cellent portraits of men who have distinguished them- selves as statesmen, soldiers, and citizens, as well as cliarming pictures of Washington itself, embellish the work. It may be mentioned, in passing, that an un- mistakable picture of the Woman's Temple is entitled "One of Chicago's tall Buildings — the Masonic Tem- ple "; an error which the author, Mr. Elbridge S. Brooks, should not have allowed to pass into print. Of books about foreign countries, "The Land of Pluck" (Century Co.), in its dress of " Dutch pink," is one of the most attractive. An idea of life in Holland, and of the determination and patience of that brave lit- tle country, is given with much picturesqueness, and with that simplicity of style which contributes so greatly to the success of its author, Mrs. Mary Mapes Dodge, in writing for children. The text is ably supported by the pictures, which, in addition to several by Mr. George Wharton Edwards, number several reproductions of the old Dutch masters, chiefly pictures of children. The se- ries of Dutch sketches is an amplified form of an arti- cle which appeared in "St. Nicholas " some years ago; but the short stories that make up the second part of the volume, though not entirely new, have never before been published in book form. They are very sweet and wholesome in tone, in every way suitable for children. "Czar and Sultan" (Scribner), a large volume of several hundred pages, is written with that fondness for circumstantial detail and love of anecdote which so facile a war correspondent as Mr. Archibald Forbes would be apt to display. Though the author assumes the modest part of the young son of a Scotch grain mer- chant in Eastern Europe, it is plain that the book is largely one of personal reminiscences of the Russo- Turkish campaign. Mr. Forbes says as much in his preface, at the same time acknowledging his indebtedness to his colleagues, MacGahan and Mr. Frank Millett, as well as to other sources. Of Mr. Millet he says that his let- ters always read as if they had been written with a paint brush. In spite of his Russian sympathies, Mr. Forbes is not slow to recognize the brave spirit of Osman Pasha, as well as the splendid fighting powers of his subjects. A thrilling account of the dreadful suffering of the rem- nants of both armies after the fall of Plevna sufficiently 1894.] 341 THE DIAL indicates that the Russians, if less inclined to butchery than their enemies, were yet capable of the passive cru- elty of neglect and an indifference to human distress of which it is difficult to conceive outside of barbarism. Just at this time the work is of especial interest, even beyond the circle of readers for whom it is intended, as the recent death of the Czar greatly enhances the value of anecdotes concerning him and Nicholas II. Clearly, as seen through Mr. Forbes's eyes, Alexander III. was a monarch who took very much to heart the anxieties of the campaign, while Nicholas displayed a moody coldness which won him no love. General Sko- beleff denounced Nicholas with vigor. "I've a good mind," said he to MacGahan, " to desert and join the Turks — I am so mad with our idiots of the headquar- ters staff. I don't speak of the Grand Duke Nicholas; he is a mere figure-head, and has about as much notion of conducting a campaign as I have of the differential cal- culus." Nevertheless, in his salutation of Osman l'asha, after the fall of Plevna, Nicholas showed that he could be both just and gracious. The book contains a number of illustrations, of indifferent merit, most of them from portraits in the possession of Mr. Forbes. The fifteenth volume of the time-honored " Boy Trav- ellers" series (Harper) is devoted to the adventures of the " Boy Travellers in the Levant." Colonel Knox has, as usual, spared no pains to make this volume both in- teresting and instructive. The pictures are not all new; in some cases they appear to be from worn plates, and are lacking in clearness. After the difficulty of its peculiar jerkiness of style is overcome, the book of travel " To Greenland and the Pole" (Scribner) proves very interesting. It is full of the fresh atmosphere of the northern countries, and de- scribes faithfully the ice-fields of virgin snow and the dangers of Polar travel. There is no straining after effect, only a straightforward narrative, which, while it has its lighter phases, touches also tragic cords. Its author is Mr. Gordon Stables, M.D., R.N., whose pro- totype for the chief hero is Nansen, while several of the other figures are sketched from living models. Much of the interest of the narrative centres, however, in the two brave lads, Colin and Olaf, whose northern birth makes them susceptible to the awful fascination of "dead nature in her winding-sheet," and endows them, also, with something of its austere charm. Another book by the same author is a tale of a seafaring lad and his love, called " As We Sweep through the Deep " (Nelson). Mr. Kirk Monroe's story of " The Fur Seal's Tooth" (Harper) is more conventional than that of Mr. Stables, and at the same time more improbable. The scenes are in and about Alaska, and the plot is loosely woven around an Alaskan charm carved from the tooth of the fur-seal. The cruelty of the slaying of mother-seals is clearly impressed on the mind of the reader. Mr. J. Macdonald Oxley's " In the Wilds of the West Coast" (Nelson) is another story of sea and land in and about Alaska. Professor John Trowbridge, in " Three Boys in an Electrical Boat" (Houghton), describes the adventures of three boys on board an American warship, where they make themselves useful in navigating a submarine boat. Two of them, the real heroes, have run away from school to embark; and their virtue is rewarded by their finding in the Governor-General of Bermuda their father, who had supposed them drowned in infancy. The details of the story are very exciting, but the plot is improbable and the moral questionable. Nearly all the distinctively boys' books have this year an historical foundation, by far the most inter- esting of them being those of Mr. G. A. Henty, who appears with three good books (Scribner), each sure to delight the "dear lads " to whom he addresses himself. Two of the books are historical, "Wulf the Saxon" rather surpassing in interest " When London Burned," though the latter is very entertaining. But the primi- tive simplicity of the life of the Saxons before the battle of Hastings has a charm which the story of the Restora- tion period lacks, and Wulf is rather more human than Cyril Shenstone, who almost is too bright and good for human nature's daily food. But Mr. Henty's lads are all brave and manly. He has placed one of them "In the Heart of the Rockies," and there, as elsewhere, dur- ing the hardships of a winter on the frontier, courage and integrity win love and respect. It shows the sound- ness of boys' hearts, that they respond to the note Mr. Henty strikes, and they freely testify that he writes the best boys' stories published. The strongest feature is their direct simplicity. Each phrase contributes vigor to the whole, and the dramatic element is never over- done. His characters are decidedly alive. Old fires are stirred and the embers live again in the pages of Mr. Hezekiah Butterworth's "The Patriot Schoolmaster" (Appleton). That "Father of the Rev- olution," Sam Adams, is its hero, and a brave boy marches boldly by his side to the tune of "Yankee Doodle "—the interesting history of that good old air being completely set forth. The adventures of the "four cannon which constituted the whole train of field artillery possessed by the British Colonies of North America at the commencement of the war," form the motive of the book. Mr. Butterworth has performed a good deed also in telling the curious history of Phillis Wheatley, the first American colored poet, whose bust was made for the World's Fair through the influence of the colored women of Alleghany County, Pennsyl- vania. A certain disconnectedness of style throughout the book is easily forgiven, for it is fabricated of good stuff; its heroes live and are full of interest. The illus- trations, by Mr. R. Winthrop Peirce, are so excellent as to make one wish they were more numerous. A period which is conceded to have received less at- tention than it deserves—that of the War of 1812—is the subject of " The Search for Andrew Field " (Lee & Shepard), in which Mr. Everett T. Tomlinson describes the adventures of boys with smugglers at the outbreak of the war. Another war story is contributed by "Ol- iver Optic," who writes for the lads of to-day the first of a series of six books to be called " The Blue and the Gray on Land and Sea." The boys for whom he wrote forty years ago are long since gray, but" Oliver Optic" is still popular. The scene of his present book, " Brother Against Brother " (Lee & Shepard) is laid in Kentucky; and the thoroughness of the work is attested by the au- thor's account, in the preface, of his preparatory study of the subject. The same author completes the second series of the " All-over-the-World Library " in the vol- ume on "Asiatic Breezes" (Lee & Shepard). The exterior of the biographical romance of" Olaf the Glorious" (Scribner) is not prepossessing, but Mr. Robert Leighton has imparted a living interest to its Viking hero. The book might be improved by the omission of many names, so briefly mentioned that their enumera- tion somewhat cumbers the narrative; but the stirring and bloody battle scenes would doubtless compensate most boys for uninteresting details, which they would 342 [Dec. 1, THE DIAL be likely to skip anyway. The picture of the life of the Norseman in the tenth century is at once interesting and instructive. '" The Sons of the Vikings" (Nelson) are the heroes of au Orkney story by Mr. John Gunn, which describes the daring, in modern warfare, of two brave descendants of more primitive men. The time is that of the great na- val war with France; and though the plot is slender, the events are not without interest and the tone of the book is wholesome. A third and somewhat different book about still younger Norsemen is Mr. H. H. fioyesen's " Noraeland Tales," which relates the adventures, often pathetic, of Norwegian boys in other countries and of foreign chil- dren in Norway. They are bright and simple tales, "The Feud of the Wildhaymen " and the " Sun's Sis- ters" having the Norse atmosphere more clearly than the others. The ten stories form a pleasing but not ex- citing volume. A truly delightful book, racy of the sea, is Mrs. Molly Elliot Seawell's "Decatur and Somers" (Appleton). Its style is vigorous and free, its atmosphere bracing, and a rich humor abounds. A brave, sad life was that of Somers, and his tender friendship for his comrade touches the heart. With so many authors who introduce treacherous unwholesome characters into books for boys, it is refreshing to read a story which is full of noble thoughts and deeds, yet loses none of its exciting inter- est. The company of heroes such as these, and the interest centring perpetually about the frigate " Con- stitution," combine to make this a particularly attract- ive book. The writings of Miss Charlotte M. Yonge are so well known that " The Cook and the Captive" (Whittaker) requires no detailed description. It is a story of the Franks in the sixth century, and of the introduction of Christianity; and it is eminently safe and appropriate for Sunday-school libraries. A continuation of Mrs. Sarah K. Bolton's "Famous Leaders among Men " (Crowell) contains sketches of Bonaparte, Nelson, Phillips Brooks, Beecher, Spurgeon, Bunyan, Dr. Arnold, Charles Kingsley, General Sher- man, and Wendell Phillips. The group seems perhaps incongruous, but the fact that each fought a good fight, either in church or secular warfare, gives the collection a certain uniformity. The illustrations in Mr. Clifton Johnson's "The Farm- er's Boy" (Appleton) are very attractive. They are from photographs, and tell the story of farm-life with more skill than the text itself, which is somewhat com- monplace. Boys and girls would probably take but a mild interest in the rambling narrative, which would leave them with the impression that a farm is a good place to keep away from. The same vein of sentiment that runs through her past work lends attraction to Miss Plympton's little story of " Rags and Velvet Gowns " (Roberts), a taste- fully bound book with illustrations by the author. It lightly touches on the social problem of rich and poor,— a little child at Christmas-time leading her father to re- member the responsibility which his wealth entails. It is a sad story, with a death as its climax; but out of sadness grows sympathy for sorrow. Like Miss Plymp- ton's story of " Dear Daughter Dorothy," however, the more delicate touches, such as the misunderstood na- ture of the little heroine, would be apt to escape young readers. Dedication and Inauguration at the University of Illinois. (Special Correspondence of Thb Dial. ) Thursday, November 15, was an important day in the history of the University of Illinois. The occasion was the inauguration of the newly-elected President, Dr. Andrew S. Draper, and the dedication of the handsome new Engineering Hall. Very seldom has more enthu- siasm been manifested by either the students or friends of the University than was then shown. It was a per- fect November day; the buildings everywhere were gay with orange and blue, the University colors; and prominent men were present from all over the country. Governor John P. Altgeld presided, and twelve college presidents lent dignity to the occasion. The programme was in two parts, that in the after- noon consisting of short addresses from members of the Faculty, of the Alumni Association, of the Board of Trustees, and of the student body, who all welcomed the President to his new work. These were followed by the inaugural address of President Draper, who dis- cussed at some length the relation of the State to the University. The dedication programme in the evening consisted of introductory remarks by President Draper, a short talk by General William Sooy-Smith, of Chicago, and an able address on University Ideals, by Dr. Charles Kendall Adams, President of the University of Wiscon- sin. Dr. Adams made suggestions which Illinois might well adopt in its relations with the State University. Excellent music was furnished for both programmes by the various musical organizations of the University. The Military Battalion had charge of the movements of the four thousand people present, and a more suc- cessful management of the large assembly could not be imagined. At the close of the evening programme, the Presi- dent and Deans of the Colleges, with their wives, held a reception in the new Engineering Building, which was attended by at least two thousand people, who were, for the first time, given an opportunity to examine the inte- rior of the new hall. The new building is probably the largest and best equipped of any in the country used exclusively for engineering purposes. It was designed by an alumnus of the State University, and was built at a cost of $160,000, the sum having been appropri- ated by the Legislature for that purpose. The building is 200 feet front, with wings at each end 76 feet long, while the central part extends back 140 feet. It is four stories in height. The new President, Dr. Andrew Sloan Draper, is too well known among educational people to need an intro- duction. Coming from his recent successful career as State Superintendent of the schools of New York, and head of the Cleveland, Ohio, schools, he is even at this early date beginning to show what he will do for Illi- nois. He is a man of remarkable diplomacy and execu- tive ability, and has quite captivated the hearts of all connected with the University, both students and fac- ulty. During his brief connection with the institution he has displayed excellent judgment in adapting him- self to his new surroundings, and the friends of the Uni- versity feel that his coming will mark a new era in the progress of the institution. The entire success of the recent exercises seems to point in that direction. T. A. Clark. The University of Illinois, Urbana, III., Nov. 19,1894. 1894.] 343 THE DIAL New York Topics. New York, November 26, 1894. It was .1 pleasant thought to gather in one volume the romances of the three New England heroines, Pris- cilla, Agnes Surriage, and Martha Hilton; and Mr. Edmund H. Garrett has faithfully and tastefully illus- trated the little book in quite an Abbey-like vein. If he had rested there, I should have no quarrel with him; but he has added some notes to the volume, in which he does a real injustice to one of the most commendable performances in the way of preserving historic antiqui- ties which have taken place in New England. In speak- ing of the old Wentworth bouse at Portsmouth har- bor, Mr. Garrett refers to its former appearance as venerable, and to its present appearance as "spick- span in yellow and white paint, and set back in a well- groomed lawn," with a flout at this latter condition of things. No doubt there was much spick-spanness about the house when Martha Hilton lived there as the wife of Governor Wentworth, and no doubt, too, the " venerable " grayness of some ten years ago was picturesque enough in its way. It is a question, how- ever, as to how long the old house would have lasted be- fore falling to pieces, had it not been taken in hand by its last purchaser, Mr. J. T. Coolidge, the Boston art- ist. Having been a witness of the restoration of the old mansion during three or four summers, I can truth- fully declare that never was a similar task more lov- ingly carried out. Without doubt, the house in shape and appearance is precisely what it was in colonial days. To reproduce the old shutters, a few specimens of which remained, it was necessary to forge certain carpenter's tools now no longer in use; and this detail is given as an example of Mr. Coolidge's fidelity to old traditions. He bought the house for his summer home, and so he has made it inhabitable and incidentally has put it in order for another hundred years. As to the color of the outside, now and formerly, Mr. Coolidge and Mr. Garrett both being artists, it is useless to dispute about tastes; but for my part, since so many brand-new cot- tages by the sea are made to look "venerable " and "weather-beaten" before their fires of chemically man- ufactured " driftwood " are lighted for the first time, it is something of a relief to see a last-century mansion restored to its original splendor. This little discussion is based on a copy of " Three Heroines of New England Romance," published by Messrs. Little, Brown, & Co., which, as I have already intimated, will repay more than a passing glance. The Bryant centennial celebrations and memorial meetings have now all been completed, separate affairs having taken place at different dates in Cummington and Great Barrington, Mass., and in Brooklyn and this city. A volume containing an account of the memorial exercises which took place at Cummington, the poet's birthplace, together with the speeches and poems that were delivered on that occasion, will soon be issued by the committee in charge. It will be illustrated with portraits and views, and will be sold in two bindings to suit purchasers. Mrs. Henrietta S. Nahmer, secretary of the memorial committee, may be addressed at Cum- mington, Mass., in the matter of subscriptions. Literary readings and lectures, and meetings of social- literary clubs, are more frequent than usual this season. Dr. Horace Howard Furness, of Philadelphia, the Shake- spearean scholar, has just given a reading and interpre- tation of " As You Like It" before a dramatic club of this city. Mr. L. J. B. Lincoln's "Uncut Leaves" so- ciety listened this week to readings from Mr. Cable, Mrs. Wiggin, and others. This society, which meets monthly, has now reached a membership in this city alone of some six hundred. Mr. Paul Blouet (" Max O'Rell") arrived a week ago for a lecture tour which will embrace this country and Canada. He was put down by his manager for a lecture on the very day his steamer was due; and he was able to fulfil the engage- ment. Mr. Blouet, who has been renewing old friend- ships here, thinks that this tour will complete his ca- reer as a lecturer. Messrs. Dodd, Mead & Co. have on sale a number of interesting manuscripts of the late Dante Gabriel Ros- setti. The same firm will follow up Ian Maclaren's suc- cessful volume of Scottish tales, "Beside the Bonnie Brier Bush," with a novel of Somerset life, " Love and Quiet Life," by Walter Raymond. Both these volumes were recommended for publication by Dr. Nicoll, who is said to have discovered Barrie and Jane Barlow. The differentiation of English fiction according to the sev- eral shires goes merrily on. Somersetshire seems to be a new field and a new dialect, at least as far as the present year is concerned. The book in question is a pleasant study of English rural life. Arthur Stedman. Literary Notes and Miscellany. Messrs. T. Y. Crowell & Co. will soon publish a vol- ume of poems by Mrs. Sarah Knowles Bolton. "Factors in Organic Evolution," by President David Starr Jordan, is just issuing from the press of Messrs. Ginn & Co. A new edition of Herr Bjiirnson's novels is promised by Messrs. Macmillan & Co. We presume it to be the same as that announced in London by Mr. William Heineman. Signor Hoepli, of Milan, has begun the publication of Lionardo da Vinci's " Codice Atlantico." There are to be thirty-four parts, and the edition will be limited to two hundred and eighty copies. Our statement, in the last issue, that Philip Gilbert Hamerton died at Autun was a mistake. It seems that his death took place at Boulogne-sur-Seine, where he has spent much time of late years. London has just been having a Gibbon centenary, and the French have been talking, although to little pur- pose, of a celebration of Voltaire's two-hundredth anni- versary, which also falls this year. Walter Pater's unpublished papers are being pre- pared for the press by Mr. C. L. Shadwell, the trans- lator of Dante. One volume will be a collection of "Greek Studies "; another will be similar to " Imagin- ary Portraits." During the past year, there have been published in Russia (exclusive of Finland) no less than 10,242 sep- arate works, of which nearly 34,000,000 copies were printed. Perhaps the Muscovite is not such a barbarian as some people think, after all. The Knox College celebration of the Bryant Centen- nial was described in our last issue. We now learn that the proceedings are to be printed in a limited edi- tion, copies of which, numbered and signed by Mr. John Howard Bryant, may be subscribed for with Mr. E. E. Calkins, Galesburg, 111. 344 [Dec. 1, THE DIAL The seventh annual meeting of the American Eco- nomic Association will be held December 2G-29 at Co- lumbia College. An attractive list of papers is offered, and all interested in the science of economics are invited to attend the meetings as well as the reception given by President Low on the twenty-seventh. The magnificent "History of Ancient Art" by MM. G. Perrot and Charles Chipiez (Armstrong), of which past volumes have been reviewed by us, is now con- tinued with a two-volume" History of Ait in Primitive Greece," which we only mention upon this occasion, as we intend to review it at length in a later issue. Mr. Justin McCarthy protests very vigorously against the action of the American publishing house which lias, without any authorization or even notification, issued an edition of his "History of Our Own Times," with new chapters by an American hand. It appears that the author himself had in contemplation the work of bring- ing the history up to date. Carl Plong, poet and patriot, statesman and journal- ist, died at Copenhagen on the twenty-seventh of Octo- ber. When we read him twenty years ago, he seemed even then one of the old-timers, and we hardly realized that he existed in the flesh. And yet he was not only living, but was destined to survive until the present year, and to the ripe age of eighty-one. Mr. Walter Blackburn Harte's new volume of social and literary papers, "Meditations in Motley: A Bundle of Papers Imbued with the Sobriety of Midnight," has a fantastic and curious dedication. It runs: "I com- mend this little book to the Devil and Dame Chance, the two most potent deities in literary fortunes as in all other sublunary dispensations." The book is published by the Arena Publishing Co., of Boston. We take this bit of information from "The Athen- aeum": "The most important contribution yet published to the biography of Dante Gabriel Ilossetti is now in course of preparation, and is likely to be issued at a not very distant date. The book will consist of two sections, 1, a memoir of some considerable length, on which his brother, Mr. William Michael Rossetti, is now actively engaged; 2, Dante Kossetti's family letters, from his boyhood to the latest months of his life." "The Tragedies of Kuripides in English Verse " (Mac- millan), by Mr. Arthur S. Way, is to consist of three volumes, the first of which is at hand. Mr. Way has previously published translations of both "Iliad " and "Odyssey," and hence brings a practised hand to his new task. Certainly, a good verse-translation of Euri- pides is much needed, for half of the plays have been untouched since Potter, and the others have been spor- adically versified in English by a score of hands. Mr. Way's work is excellent, although it may hardly be called brilliant. The death of Froude has set in circulation a half-for- gotten skit, which recalls a passage at arms of many years ago. "While Froude assures the Scottish youth That parsons do not care for truth. The Reverend Canon Kingsley cries 'All history's a pack of lies.' *' What cause for judgment so malign? A little thought may solve the mystery; For Froude thinks Kingsley a divine, And Kingsley goes to Froude for history." Sir Frederick Pollock, the well-known authority on Copyright, writes as follows to "The Author" of Lon- don: "I have observed with uneasiness, in 'The Au- thor' and elsewhere, a teudency to revive the high metaphysical theory of copyright as a perpetual and immutable right of property conferred by the law of nature. This theory is, in my opinion, unsound, and at all events it has been definitely rejected by English and American law. Copyright is property, but not a prop- erty in ideas; it is a monopoly or exclusive franchise, created for reasons of policy, in particular forms whereby ideas are expressed." The mortuary record of the last fortnight includes the names of James McCosh and of Robert C. Win- throp, both of whom died on the sixteenth of Novem- ber; of Anton Gregor Rubinstein, who died on the twentieth, and of Jean Victor Duruy, who died on the twenty-fifth. These four men were born, respectively, in 1811, 1809, 1829, and 1811. When we sought to enumerate in a recent issue the American men of let- ters yet surviving from the first quarter of the century, the ink was hardly dried before we had to expunge the name of Dr. Holmes. Wintbrop was another of the veterans, and our list once more shrinks. He is best remembered by his orations, filling three large volumes, and by his " Life and Letters of John Winthrop." The death of Rubinstein emphasizes the loss of Tschai- kowsky, Gounod, and Bttlow, all of whom have left us within about a year. As for Dr. McCosh, of his three quarter-centuries and more only one has been passed in our midst, but he thoroughly identified himself with our life and institutions. His many published works were, with hardly an exception, of a religious or philosophical character. Among the works of Duruy the following should be mentioned: "Histoire de laGrece Ancienne," "Histoire des Romains," "Histoire de France," and "Histoire des Temps Moderues." A translation of the latter work is one of the latest publications of Messrs. Henry Holt & Co. THE THINNED RANKS OF OLDER ENGLISH AUTHORS. In its article on the death of Froude, the " Saturday Review" thus speaks of the mournful passing of the older group of English authors: "Last week English literature still had two leaders; now it has only one. Not since that rapid fall of the greatest writers of En- glish which in the early Thirties drew from Words- worth some of the best of his later lines, has there been such a thinning of the ranks of the captains of prose and verse as the last few years have seen. Lord Ten- nyson and Mr. Browning, Cardinal Newman and Mr. Arnold, had left us; Mr. Rusk in and Mr. Froude re- mained. There is no one but Mr. Ruskin now of the first class of veterans. The best of those who remain belong distinctly to the next generation and perhaps they are not very numerous; certainly not more than one or two of them are ever likely to be ranked by posterity with those who have just been named. What younger generations still may have in store time will show; but it is not ungracious to say that the very best man, be he who he may, who has not yet reached fifty, will have to make new and strange progress before he can be ranked with those of whom only Mr. Ruskin survives." THE HISTORY OF A PUBLISHING HOUSE. The romance of business has an interesting illustra- tion in "The History of a Publishing House " in the current number of " Scribner's Magazine." The house referred to is that of Messrs. Charles Scribner's Sons, and the particular occasion of the present history is its 1894.] 345 THE DIAL occupancy of its fine new building in Fifth Avenue, New York. The house is not yet quite fifty years of age, but it has long held its place among the foremost of American publishing-houses, and may well indulge iu these reminiscences of its remarkable career and fe- licitations upon its position and prospects. Great pub- lishing houses are not built in a day, hardly in a gen- eration; the real successes seem to come with the sec- ond or later generation of descendants or of partnerships. Such is the case with this house. Mr. Charles Scribner, Senior, who founded it in 1846, was a man of energy and sagacity, and conducted it for twenty-five years, when he was succeeded by his sons who form the heads of the present firm. It was during the elder Mr. Scrib- ner's administration that the old " Scribner's Monthly" (now "The Century Magazine") was established, in conjunction with Dr. Holland and Mr. Roswell Smith; and it is interesting to note that this magazine and the present "Scribner's" (founded in 187*7) were perhaps the two most powerful factors in the growth and prosperity of the firm. Of the older magazine the article states that it " set a virtually new standard for the illustrated pop- ular periodical; through its artistic side especially it had the chief part in the great progress in American illustration and wood-engraving which has been one of the notable things of our last quarter of a century; and the way iu which it revolutionized all former ideas of tiie possibilities of magazine circulation was epoch-mak- ing." The article gives many interesting details of the firm's career and of the more notable enterprises in which it has engaged. Portraits are given of deceased members of the firm, with exterior and interior views of its new home. Topics in Leading Periodicals. December, 1S04 (First List ). "Arts and Crafts," English. V. Champiez. Mag. of Art. Athletics for City Girls. Mary T. Bissell. Popular Science. Ballet, Art in the. Ulus. C. Wilhelm. Magazine of Art. Bashfulness in Children. J.M.Baldwin. Educational Rev. Christ Child in Art, The. Archdeacon Farrar. McClure. Country Club, The. Ulus. C. W. Whitney. Harper. Crerar Library, Chicago. Dial. Educated Men, The Need of. D. S. Jordan. Pop. Science. Evolution, Antiquity of. David S. Jordan. Dial. Genina, New Criticism of. Aline Gorren. Atlantic. Geologies and Deluges. W. T. Sollas. Popular Science. Ghosts. Agnes Repplier. Atlantic. Holmes's Poems, The Religion of. M. J. Savage. Arena. Immorality, Wellspringg of. B. O. Flower. Arena. Japan, Summer in. Ulus. Alfred Parsons. Harper. Maupassant, Guy de. Leo N. Tolstoi. Arena. Medicine, The Study of. A. L. Benedict. Lippincott. Moody, Dwight L. Henry Drummond. McClure. Paris, Show Places of. R. H. Davis. Harper. Pater, Walter. William Sharp. -4//an/i'e. Pithecoid Men. Ulus. E. P. Evans. Popular Science. Religious Parliament, The. F. Max Miiller. Arena. Scenery, Natural, The Geology of. Popular Science. Schoolhouse. Architecture of the. Atlantic. Shinto, the Old Religion of Japan. Popular Science. Sleep, the Chemistry of. Henry Wurtz. Popular Science. Sociological Study. G. E. Vincent. Educational Review. Stories, A Century of. W. M. Payne. Dial. "Taming of the Shrew." Ulus. Andrew Lang. Harper. Unemployed, Problem of the. E. W. Beniis. Dial. Watts, George Frederick. Ulus. Cosmo Monkhouse. Scribner. Whittier's Life and Letters. Dial. Women-Painters, Some Noted. Ulus. Magazine of Art. Women, University Opportunities for. Educational Review. IjIst of New Books. [The following list, containing 100 titles, includes books re- ceived by The Dial since its last issue.] ILLUSTRATED GIFT BOOKS. Memoirs of the Reign of King George the Third. By Horace Walpole; first published by Sir Denis le Marchant, Bart., and now re-edited by G. F. Russell Barker. In 4 vols., with 16 portraits, 8vo, gilt tops, uncut. G. P. Put- nam's Sons. $18. Hypstla; or. New Foes with an Old Face. By Charles Kings- ley. Holiday edition, illus. by W. M. Johnson. 2 vols., 12mo, gilt tops, uncut edges. Harper & Bros. Boxed, 87. Memoirs of the Duchesse de Gontaut, Qouvernante to the Children of France during the Restoration, 1773-1836. Trans, from the French by Sirs. J. W. Davis. In 2 vols., illus., 8vo, gilt tops, uncut. Dodd, Mead & Co. Boxed, $5. At the Ghost Hour: Ghost Tales. By Paul Heyse; trans, from the German by Frances A. VanSantford. In 4 vols., with decorations by Alice C. Morse, 18mo. Dodd, Mead & Co. Boxed, $4. Three Heroines of New England Romance. Their true stories, set forth by Harriet Prescott Spofford, Louise Imogen Guiney, and Alice Brown. With many picturings by Edmund H. Garrett. 12mo, pp. 175, gilt top. Little, Brown, & Co. $2. A Tale of Two Cities. By Charles Dickens. In 2 vols., illus. bv E. H. Garrett, li'rao, gilt tops, uncut. Dodd, Mead & Co. Boxed, 83.50. Goethe's Faust. From the German by John Anster, LL. D.; with an introduction by Burdett Mason. Illus. by Frank M. Gregory. 8vo, gilt top, uncut, pp. 250. Dodd, Mead & Co. Boxed, #3.50. Pride and Prejudice. By Jane Austen; with preface by George Saintsbury. Ulus. by Hugh Thomson, 12mo, gilt edges, pp. 476. Macmillan & Co. 82.25. Becket. By Alfred, Lord Tennyson. Illus. by F. C. Gordon. 12mo, gilt edges, pp. 187. Dodd, Mead & Co. 82. Eighteenth Century Vignettes, Second Series. By Austin Dobson. With portraits in photogravure, 12mo, gilt top, pp. 305. Dodd, Mead & Co. 82. The Victorian Age of English Literature. By Mrs. Oli- phant, author of " A Literary History of England." In 2 vols., illus. with photogravure portraits, 12mo, gilt tops. Lovell, Coryell & Co. Boxed, 83.50. Hoofs, Claws, and Antlers of the Rocky Mountains, by the Camera: Photographic Reproductions of Wild Game from Life. With introduction by Hon. Theodore Roosevelt. 4to, gilt edges. Denver, Col.: Frank S. Thayer. Boxed, $5. Paul and Virginia. By Bernardin de Saint-Pierre; with a biographical sketch. Illus. by Maurice Leloir, 8vo, gilt top, pp. 174. D. Appleton & Co. $1.50. Hans of Iceland. By Victor Hugo. Ulus. in photogravure, 12mo, gilt top, pp. 530. Little, Brown, & Co. 81.50. Bug-Jargal; to which are added Claude Gueux, and The Last Days of a Condemned. By Victor Hugo. Illus. in photogravure, 12mo, gilt top, pp. 408. Little, Brown, & Co. *1.50. The Bird's Calendar. By H. E. Parkhurst. Ulus., 12mo, uncut, pp. 351. Chas. Scribner's Sons. 81.50. Childe Harold's Pilgrimage. By Lord Byron. Ulus., 16mo, gilt top, pp. 283. Crowell's " Handy Volume Classics." Boxed, 75 cts. BOOKS FOR THE YOUNG. Chris, the Model Maker: A Story of New York. By Will- iam 0. Stoddard, author of " Little Smoke." Ulus., 12mo, pp. 287. D. Appleton & Co. $1.50. The Patriot Schoolmaster; or. The Adventuras of Two Boston Cannon, the "Adams " and " Hancock." By Heze- kiah Butterworth. Ulus., 12mo, pp. 233. D. Appleton & Co. 81.50. First in the Field: A Story of New South Wales. By George Manville Fenn, author of "Steve Young." Ulus., 12iuo, pp. 410. Dodd, Mead & Co. $1.50. Three Boys on an Electrical Boat. By John Trowbridge, author of " The Electrical Boy." 12mo, pp. 215. Hough- ton, Mi til 111 & Co. $1. When Molly Was Six. By Eliza Orne White, author of "Miss Brooks." Ulus., 12mo, pp. 133. Houghton, Mif- flin & Co. 81. 346 [Dec. 1,- THE DIAL Decatur and Somera. By Molly Elliot Seawell, author of "Little Jarvis." Dins., 12iuo, pp. 169. D. Appleton & Co. 81. Madeleine's Rescue: A Story for Girls and Boys. By Jeanne Schnltz, author of "Straight On." Illus., 12mo, pp. 176. D. Appleton & Co. $1. Stories from English History, from Julius Caesar to the Black Prince. By the Rev. A. J. Church, M.A. Illus., 12mo, pp. 240. Macmillan & Co. $1. Kittle Alone: A Story of Three Fires. By S. Baring-Gould, author of "Mehalah." 12mo, pp. 361. Dodd, Mead & Co. SI.25. Where Honour Leads. By Lynde Palmer, author of "A Question of Honour." 12mo, pp. 363. Dodd, Mead & Co. $1.25. The Lost Army. By Thomas W. Knox, author of " A Close Shave." Illus., 12mo, pp. 296. The Merriam Co. $1.50. The Captain's Boat. By William O. Stoddard, author of "Dah Kinzer." Illus., 12mo, pp. 272. The Merriam Co. $1.50. Asiatic Breezes; or, Students on the Wing. By Oliver Optic. Illus., 12mo, pp. 361. Lee & Shepard. $1.25. Otto's Inspiration. By Mary H. Ford, author of " Which Wins?" 12mo, pp. 243. S. C. Griggs & Co. $1. Wee Lucy. By Sophie May, author of "Little Prudy Stories." Illus., 16mo, pp. 164. Lee & Shepard. 75 cts. Marie. By Laura E. Richards, author of " Captain January." 12mo, pp. 96. Estes & Lauriat. 50 cts. Robinson Crusoe of York, Mariner. Told for "The Chil- dren's Library." Illus., 18mo, pp. 264. Macmillan & Co. 75 cts. The Land of the Changing: Sun. By Will N. Harben, au- thor of " White Marie." With frontispiece, 18mo, gilt top, uncut, pp. 233. The Merriam Co. 75 cts. HISTORY. A History of the United States Navy from 1775 to 1894. By Edgar Stanton Maclay, A.M.; revised by Lieut. Roy C. Smith, U.S.N. Vol. II.; illus., 8vo, gilt top, uncut, pp. 640. D. Appleton & Co. $3.50. 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By Lilian Whiting. lGmo, cloth, $1.00; white and gold, $1.25. 44 After all, it rests with ourselves as to whether we shall live in a World Beautiful."—Page 10. Father Gander's Melodies. For Mother Goose's Grandchildren. By Adelaide F. Samuels. Illustrated by Lilian Trask Harlow. Small 4to, cloth, SI.25. THE MINOR TACTICS OF CHESS. A Treatise on the Deployment of the Forces in Obedience to Strategic Principle. By F. K. Young and B. C. Howell. 16mo, cloth, $1.00. As a Matter of Course. By Annie Payson Call. lGmo, cloth, $1.00. This book aims to assist in the removal of nervous irritants. The Power of the Will; or, Success. By H. Kisborough Sharman. 16mo, limp cloth, 50 cents. The Great God Pan and the Inmost Light. By Arthur Machen. lOmo, cloth, 81.00. The Aim of Life. Plain Talks to Young Men and Women. By Rev. Philip S. Moxom. lOmo, cloth, $1.00. A Child of the Age. By Francis Adams. A Novel. With title-page de- signed by Aubrey Beardsley. American copy- right edition. 16mo, cloth, $1.00. Discords. A Volume of Stories. By George Egerton. 16mo, cloth, $1.00. THE LITTLE LADY OF THE HORSE. By Evelyn Raymond. With 21 Illustrations by Frank T. Merrill. Small 4to, cloth, $1.50. Not Quite Eighteen. By Susan Coolidge. A Volume of Stories. Illus- trated by Jessie McDermott. 16mo, cloth, $1.25. Another Girl's Experience. A Story for Girls. By Leigh Webster. Illustrated by Jessie McDermott. 16mo, cloth, $1.25. Penelope Prig, and Other Stories. By A. G. Plympton. Illustrated by the Author. Small 4to, cloth, $1.00. Rags and Velvet Gowns. By A. G. Plympton. Illustrated by the Author. Square 12mo, cloth back, paper sides, 50 cts. Jolly Good Times To-Day. By Mary P. Wells Smith. Illustrated by Jessie McDermott. 16mo, cloth, $1.25. The Kingdom of Coins. A Tale for Children of all Ages. By JonN Bradley Gilman. Illustrated by Merrill. A New and Improved Edition. Small 4to, 60 cts. For sale at all Bookstores. Sent postpaid on receipt of price. ROBERTS BROTHERS, Publishers, Boston, Mass. 1894.] 351 THE DIAL T. Y. Crowell & Company's New Books and New Editions. The Abbe Daniel. By Andre Theuriet. Translated by Helen B. Dole. Photogravure frontispiece, rubricated title-page, and 25 ex- quisite half-tone illustrations, ltimo, gilt top, $1.00. The Alhambra and Sketch Book. By Washington Irving. Printed on fine paper and illus- trated with 42 reproductions of photographs and original illustrations by eminent artists. Photogravure frontispieces. 2 volumes, 12mo, cloth, gilt top, $3.00; white back, gilt top, $3.00; half calf, gilt top, $6.00. Boswell's Life of Johnson. Edited by Mowbray Morris. Printed from new plates on fine paper, with 34 portraits. Photogravure frontispieces. 2 volumes, 12mo, cloth, gilt top, $3.00; white back, gilt top, $3.00; half calf, gilt top, $0.00. The Building of Character. By the Rev. J. R. Miller, D.D., author of "Making the Most of Life," etc. 16mo, white back, gilt top, boxed, $1.00; white and gold, gilt edges, $1.25; levant morocco, flexible, gilt edges, $2.50. The Count of Monte Cristo. By Alexandre Dumas. Complete and accurate translation. Printed from new plates on fine paper. With 18 new illus- trations by Frank T. Merrill. Photogravure frontis- pieces. 2 volumes, 12mo, cloth, gilt top, $3.00; white back, gilt top, $3.00; half calf, gilt top, $6.00. Faber's Hymns. With 50 illustrations by L. J. Bridgman. 16mo, cloth, gilt top, $1.25; white and gold, gilt top, $1.25. Pelleas and Melisande. A drama by Maurice Maeterlinck, the Flemish Shake- speare. Translated by Ervino Winslow. 16mo, cloth, gilt top, $1.00. Golden Words for Daily Counsel. By Anna H. and Huntington Smith. New Edition. Illus- trated with 16 portraits of eminent divines and authors. 16mo, white and colors, gilt edges, $1.25. History of the Christian Church. By H. C. Sheldon, Professor in Boston University, umes, 8vo, per set, $10.00. THE EARLY CHURCH. $2.00. THE MEDLEYAL CHURCH. $2.00. THE MODERN CHURCH. Part L $2.00. THE MODERN CHURCH. Part II. $2.00. THE MODERN CHURCH. Part in. $2.00. 5 vol- The Life and Inventions of Thomas A. Edison. By W. K. L. Dickson and Antonia Dickson. With numer- ous drawings and photographs. 4to, cloth, gilt top, boxed, $4.50. Milton's Complete Poetical Works. With Introduction by David Masson, and biographical sketch by N. H. Dole. Printed on fine paper, with 34 illustrations. Photogravure frontispieces. 2 volumes, 12mo, cloth, $3.00; white back, $3.00; half calf, $6.00. Famous Leaders Among Men. By Sarah K. Bolton, author of "Poor Boys who became Famous," etc. With portraits of Napoleon, Wendell Phil- lips, Thomas Arnold, Charles Kingsley, and others. 12mo, cloth, uniform with previous volumes, $1.50. Scott's Complete Poetical Works. With Introduction by Prof. Charles Eliot Norton. Care- fully edited with explanatory notes. Printed from new plates on fine paper. With 34 illustrations by eminent art- ists. Photogravure frontispieces. 2 volumes, 12mo, cloth, gilt top, $3.00; white back, gilt top, $3.00; half calf, gilt top, $6.00. The Three Musketeers. By Alexandre Dumas. With new Introduction by his son, and 250 illustrations by Maurice Leloir. Photogravure frontispieces. Complete and accurate translation. 2 vol- umes, 12mo, cloth, gilt top, $3.00; white back, gilt top, $3.00; half calf, gilt top, $6.00. Twenty-five Years of Scientific Progress. A series of lectures by William North Rice, Professor of Geology in Wesleyan University. 16mo, 75 < HANDY VOLUME CLASSICS. Photogravure frontispieces and titles, and illustrations by the best artists. Vellum cloth, gilt top, 75 cts.; parti-cloth, gilt top, 75 cts.; silk, gilt edge, $1.00; half leather, gilt top, $1.25; half calf, gilt top, $2.00; half levant, gilt top, $2.25. This wonderfully popular series now comprises 44 volumes of choice works in Prose and Poetry, representing a variety that appeals to almost every cultured taste. The additions this season are as follows: CHILDE HAROLD'S PILdRlMAOE. By Lord Btkw. FAVORITE POEMS. Selected from English and American Authors THE LIOHT OF ASIA. By Sir Edwin Abhold. NATURE. Addresses and Lectures. By Ralph Waldo I REPRESENTATIVE MEN. By Ralph Waldo Emms TARTARIN ON THE ALPS. By Althosss Daudit. For sale by all Booksellers; or will be sent postpaid by the Publishers, on receipt of price. New Illustratated Catalogue and Announcement sent upon receipt often cents in stamps. THOMAS Y. CROWELL & COMPANY, 46 East Fourteenth Street, NEW YORK. 100 Purchase Street, BOSTON. 352 [Dec. 1, THE DIAL Charles Scribner's Sons' New Books THE SHERMAN LETTERS. Correspondence between General and Senator Sherman from 1837 to 1891. Thorndike. With Portraits. 8vo, 83.00. "A unique collection of letters, rich in material for future historical study, and viti tions of two eminent men of original power and strong characteristics. Valuable as a c of an enthralling character-study."—New York Tribune. Edited by Rachel Sherman j as a series of unconscious self-revela- y, it has the charm and fascination Three Score and Ten Years. Recollections. By W. J. Linton. With Portrait. 8vo, 82.00. These recollections cover an unusually long period of an unusually varied life, and reveal a rich fund of interesting reminiscences of eminent men and women, as well as of the events with which their names are associated. Sea and Land. Coast and Deep Sea Phenomena, with especial refer- ence to their Relation to the Life of Man. By Prof. N. S. Shaler. Illustrated. 8vo, 82.50. Written in the author's well-known, popular style, and fully illus- trated from his own photographs of curious and significant phases of the realm of nature with which he deals. A SHELF OF OLD BOOKS. By Mrs. James T. Fields. Illustrated with Portraits, Autograph Fac-similes, etc. 8vo, 82.50. A volume of unique literary interest. The late James T. Fields left a library remarkable for its character and associations, and espe- cially distinguished for its personal relics of eminent men of letters, including Scott, Leigh Hunt, Charles Lamb, Shelley, Keats, and others. Mrs. Fields presents here a sympathetic account of these treasures that will attract not only book-lovers but all interested in the personalities of literary men and women. The Bird's Calendar. By H. E. Parkhurst. With 24 Illustrations. 12mo, 81.50 net. The author describes with sympathy and enthusiasm the birds as they appear throughout the year in Central Park, the number and variety of which will surprise the general reader, for with this guide he will be able to identify every bird of importance. Wild Beasts. A Study of the Character and Habits of the Elephant, Lion, Panther, Leopard, Jaguar, Tiger, Puma, Wolf, and Grizzly Bear. By John Hampden Porter. Illustrated. Crown 8vo, $2.00. Mr. Porter presents here, in a most interesting form, the results of actual experience and of special study of the animals under dis- HISTORY OF THE UNITED STATES. By E. Benjamin Andrews, D.D., LL.D., President of Brown University. 2 vols. With Maps. Crown 8 vo, $4.00. Among the many histories of the United States Dr. Andrews's work will fill a unique position, being at the same time a genuine piece of literature and a comprehensive story of the whole growth of the country from the earliest times down to the present, in a form brief and easily to be grasped. Life and Letters of Erasmus. John March, Southerner. By James Anthony Froude. 8vo, $2.50. By George W. Cable. 12mo, $1.50. "The volume is one of rare value and must become a historical Mr. Cable's new novel displays his talents at their best. It is a standard."— Boitm Advertiser. remarkable picture of an old Southern town. POMONA'S TRAVELS. BY FRANK R. STOCKTON. A Series of Letters to the Mistress of Rudder Grange from her Former Handmaiden. Fully illustrated by A. B. Frost. 12mo, $2.00. "One of the most delightful books Mr. Stockton has ever written. It is capital reading, and will more firmly establish Mr. Stockton in his place with Bret Harte among contemporary American writers. Mr. Frost's pictures are admirable."—Sew York Times. TWO NEW BOOKS BY THOMAS NELSON PAGE. Polly: A Christmas Recollection. Illustrated by A. Castaigne. Small folio, $1.50. 14 In a companion volume to' Marse Chan' and * Meh Lady' comes 1 Polly,' another of Mr. Page's delightful tales of Southern life. The Illustrations are very effective and the volume is tastefully bound."— Bo»Um Times. The Burial of the Guns. 12mo, $1.25. Containing six stories, rich In pictures of old Virginia life and character. They are distinguished by humorous, pathetic, and dra- matic touches, and are told with that simple, exquisite art that stamps Mr. Page as the finest exponent of the old and new South in fiction. THE ODES OF HORACE. Translated by William E. Gladstone. 8vo, $1.50. The difficulty of turning the Latin of Horace into corresponding terse, compact, epigrammatic, and at the same time poetical English has been mastered by Mr. Gladstone in a manner that will recommend his volume to all lovers of the classics as an example of remarkably sympa- thetic and vigorous translation. William Shakspere. A Study of Elizabethan Literature. By Barrett Wendell. 12mo, $1.75. Musicians and Music Lovers, And Other Essays. By W. F. Apthorp. $1.50. Ravenshoe, 2 vols. HENRY KINQSLEY'S NOVELS. Austin Elliot, 1 vol. The Recollections of Geoffrey Hamlyn, 2 vols. 5 vols, in uniform style. Each, 112mo, $1.00. The set in a box, $5.00. CHARLES SCRIBNER'S SONS, 153-157 Fifth Ave., New York. 1894.] 353 THE DIAL FOUR GREAT HISTORICAL SERIES PUBLISHED BY LITTLE, BROWN, AND COMPANY /. Captain £Maban's Works on Sea Tower and History. The Influence of Sea Power upon History. (1CG0-1783.) By Captain A. T. Mahan, United States Navy, late President of the War College, Newport. With 25 charts illustrative of great naval battles. 8vo, cloth, gilt top, $4.00. The Influence of Sea Power upon the French Revolution and Empire. By Captain A. T. Mahan. With 13 maps and battle plans. 2 vols., 8vo, cloth, gilt top, $G.00. The two works together, in box. 3 vols., 8vo, cloth, gilt top, 310.00; half calf, extra, gilt top, 817.50. Captain A. T. Mahan'g great historical works on the " Influence of Sea Power," the importance of which was conceded st the time of their publication, are now in constant demand, and several editions for America and England have been printed within a few months. He is now universally admitted to be one of the great modern historians; and his books are recognized everywhere for their originality, power, and lucidity of style, and as historical contributions of the highest importance. "About Books," No. 7, giving full description, mailed to any address. //.. The Works of Francis Tarkman. 3^ow Complete. La Salle and the Discovery of the Great West. The Old Regime in Canada. Count Frontenac and New France under Louis XIV. A Half-Century of Conflict. 2 vols. (Mr. Park- man's last work.) Montcalm and Wolfe. 2 vols. The Conspiracy of Pontiac and the Indian War after the Conquest of Canada. 2 vols. The Oregon Trail. — Sketches of Prairie and Rocky Mountain Life. Pioneers of France in the New World. The Jesuits in North America in the Seven- teenth Century. In all, 12 vols. Library Edition. 8vo, cloth, $2.50 per volume. Popular Edition. 12mo, cloth, $1.50 per volume. Any work sold separately. *t Of all American historians he U the most peculiarly American, and yet he is the broadest and most cosmopolitan."— Pro/. John FUke. J'His name will lire long in human memory."—Pret. Eliot, Harvard College. III. The Historical T^pmances of Henryk Sienkiewicz. Translated from the Polish by Jeremiah Curtin. "With Fire and Sword. An Historical Novel of Poland and Russia. Crown 8vo, cloth, $2.00. The Deluge. An Historical Novel of Poland, Sweden, and Russia. A sequel to " With Fire and Sword." With photogravure portrait of the author, and map of the country at the period in which the events of " The Deluge " and "With Fire and Sword " take place. 2 vols., crown 8vo, cloth, $3.00. Pan Michael. An Historical Novel of Poland, the Ukraine, and Turkey. A sequel to "With Fire and Sword " and "The Deluge." Crown 8vo, cloth, $2.00. UNIFORM WITH THE ABOVE. Without Dogma. A Novel of Modern Poland. Translated from the Polish of Henryk Sienkiewicz, by Iza Young. Crown 8vo, cloth, $1.50. The complete series, Library Edition—" With Fire and Sword," 2 vols., "The Deluge," 2 vols., " Pan Michael," 1 vol., and « Without Dogma," 1 vol. In all 6 vols., crown 8vo, cloth, gilt top, $9.50; half calf, gilt top, 821.00. 'Such a writer as Sienkiewicz, the Polish novelist whose works belong with the very best of their class, and who has a kind of Shakespearean ness, virility, and power of characterization, is sufficient to give dignity to the literature of a whole generation in his own country. His three novels on the wars of the Polish Commonwealth, and his painful but superb psychological story, 'Without Dogma,' form a permanent addition to modern literature."— The Outlook. "About Books," No. 9, giving full description, mailed to any address. IV. The Historical l^pmances of ^Alexandre Dumas. Library Edition, choicely printed in clear type, and giving excellent and unabridged translations. 48 vols., 12mo, with etchings, photogravures, etc. Per volume, decorated cloth, gilt top, 81.50; plain cloth, gilt top, $1.25. For sale everywhere. Ask for Little, Brown, & Company's Complete Library Edition. "About Books," No. 8, a pamphlet giving lists of romances and full descriptions, mailed to any address. Sold by all Booksellers, or sent by mail, on receipt of the price, by LITTLE, BROWN, & CO., Publishers, No. 254 Washington Street, Boston. 354 [Dec. 1, THE DIAL NEW HOLIDAY BOOKS. 5: The C f Parthen AND ITS ENVIRONS. By CLARA ERSKINE CLEMENT, author of DC “A Handbook of Legendary and Mythological Art," " The Queen of the Adriatic," etc. Handsomely illustrated with 20 full-page plates in photogravure from photographs of historic scenes in and around Naples. Small 8vo, handsomely bound in extra cloth, with appropriate cover design, gilt top, slip cover, in a neat cloth case; price . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $3.00 A companion to the popular “Queen of the Adriatic," by the same author, and to “The Lily of the Arno” and “Genoa. the Superb” in the same series. The S on of 1904. The new volume of the original French edition of the grandest Art Annual of the age. T. 100 magnificent photogravure illustrations of the choicest paintings and statuary in this year's Salons. Imperial 8vo, red silk cloth with palette design, in gold and colors. VELLUM PAPER EDITION (limited to 400 · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · $10.00 Marie_Narcissa Two charming new books from the pen of LAURA E. RICHARDS, companion volumes to " Cap- d. tain January” and “Melody.” 16mo, cloth, price each ........... 50c. These two books will unquestionably rank as Mrs. Richards's best work so far, and it is perfectly safe to predict that no one who picks up either volume and commences to read will drop it until it has been read to a finish. Over 100,000 of this series have already been sold. America's Godfather. OR, THE FLORENTINE GENTLEMAN. Being the story of Amerigo Vespucci. By · VIRGINIA W. JOHNSON, author of “The Lily of the Arno," etc. Handsomely printed from large type on fine paper, and illustrated with 20 full-page plates in half-tone. 8vo, handsomely bound in cloth, extra, original and handsome cover design, gilt top; price ........................ $2.50% Kenilworth - Heart of Mid-Lothian Holiday edition of each. Edited by ANDREW LANG. Mag- do nificently illustrated with full-page etchings and photograv- ures. Printed on Imperial Japan paper. Each in 2 vols., 8vo, handsomely bound, with slip covers ; price .... $6.00 Chotterhoy 1904 Challen DOX, 1097. amount of circulation, is fully up to its standard of excellence this year. In fact it seems to This, the acknowledged king of all juvenile books published in the world, both as to merit and grow better every year, and is eagerly looked forward to by tens of thousands of young people as the holiday season approaches. It contains over 400 pages, and 200 original illustrations. Boards, $1.25; cloth, chromo side (formerly $2.25)... $1.75 Our Little Ones Annual, 1894. vice versa, this volume represents ably and carefully trained editors, 04. Instead of the oft-times misfit of stories ill-adapted to pictures, and authors, and artists ; and the cost of the stories and engravings in this volume alone exceeds $7500. It is a kindergarten in itself. Edited by OLIVER OPTIC. 370 beautiful engravings. With a handsome new cloth cover; price . . . . . $1.75 The Nursery 1894. The new volume for the little folks, more attractive than ever. Over 200 pictures ; price · · · · · · · · · · · · · · · · · · · · · · · · · · · $1.25 The Boys' Revolt A story of the street Arabs of New York. By JAMES Otis, author of "Tory Tyler," eto. Square 12mo, cloth, fully illustrated; price ............... $1.25 Uniform in style and price with “ Jenny Wren's Boarding House," a story of newsboy life in New York, by the same author. Don of Millbroni, By CHARLES CARLETON COFFIN, author of " Boys of '61," etc. With 8 full-page illustra- tions by MERRILL. Large 12mo, cloth; price .............. $1.50 A strong story of New England life by this famous writer. v With Excursions to the Neighboring Metropolis. By Hez- Y, EKIAH BUTTERWORTH. Profusely illustrated with full-page plates and text engravings. Small 4to, in a novel and attractive style of parti-cloth cover, extra ; price ..... 82.00 In this new volume of the most popular series of books of travel and story for American children ever issued, the reader is shown with graphic pen and pencil some of the wonders of the recent great World's Fair at Chicago. Zigzag Journeys in the White City, With Excursions to the Neighboring to The Parson's Miracle. OR, CHRISTMAS IN AMERICA. By HEZEKIAH BUTTERWORTH. A new volume in the series of " Christmas in Many Lands." A charming holiday story, with illustrations in color and a dainty cover; price ... ......... .......... ........ 50c. ** A COMPLETE DESCRIPTIVE LIST will be mailed free to any address upon application. The above books are for sale by Booksellers generally, or will be sent by mail, postpaid, on receipt of price, by ESTES & LAURIAT, PUBLISHERS, BOSTON. 1894.] 355 THE DIAL SOME GOOD BOOKS. THE SKETCH-BOOK. By Washington Irving. The Van Tassel Edition, uniform in general style with the Holiday edition of "The Alham- bra." 2 volumes, octavo, with artistic borders, and 32 illus- trations, cloth extra, $6.00; three-quarter levant, 812.00. THE *ARIEL SHAKESPEARE. (Now Complete.) Each play is in a separate volume, 3%x5 inches, printed from new type. The text is complete and unabridged, with 500 illustrations by Frank Howard. Now complete in 40 volumes, and issued in four styles: A. — Garnet cloth, each, 40 cents; per set, 40 volumes, in box, $16.00. B. —Full leather gilt top, each (in a box), 75 cents; per set, 40 volumes in a box, $30.00. C. — 40 volumes bound in 20, cloth, in box, per set (sold in sets only), $15.00. D. — 40 volumes bonnd in 20, half calf extra, gilt tops, in box, per set (sold in sets only), $35.00. THE STORY OF THE CIVIL WAR. A Concise Account of the War in the United States of Amer- ica between 1861 and 1865. By John C. Ropes, author of "The First Napoleon," etc. To be complete in three parts. Part I., Narrative of Events to the Opening of the Cam- paign of 1862. With 5 maps, 8vo, $1.50. THE WINNING OF THE WEST. By Theodore Roosevelt, author of " Hunting Trips of a Ranchman," "The Wilderness Hunter," etc. Volume HI. The Founding of the Trans-Alleghany Common- wealths, 1784-1790. 8vo, with map, $2.50. CICERO, iAnd the Fall of the Roman Republic. By J. L. Strachan Davidson. No. X. of the " Heroes of the Nations " Series. Large 12mo, illustrated, cloth, $1.50; half leather, gilt top, $1.75. PRINCE HENRY (the Navigator) of Portugal, And the Age of Discovery in Europe. By C. R. Beazlbt. No. XII. in the "Heroes of the Nations" Series. With illustrations, maps, and plans, 12mo, cloth, $1.50; half leather, gilt top, $1.75. THE STORY OF VENICE. From the Earliest Times to the Fall of the Republic. By Alethea Wiel. No. 42 in the "Story of the Nations" Series. 12mo, cloth, fully illustrated, $1.50; half leather, gilt tops, $1.75.