id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dianoia-12733	Bu, Chenyu	Sound as Silence: Nothingness in the Music of Anton Webern and John Cage	2020	10	.pdf	application/pdf	4602	193	55	As a result, every heard sound becomes based on a subjective situation constructed essentially by the relationship between sound and another sound (i.e. the sound of relative silence, rather than an objective situation where sounds are the negative of silence or vice versa20). 2 Charles B. Guignon, and Derk Pereboom, Existentialism: Basic Writings, (Indianapolis: Hackett, 2001), 325. 37Issue VII ◆ Spring 2020 Sound as Silence The notion of the silence of the infinite space invoked by Pascal, however, sheds light upon a broader interpretation of Sartrean nothingness beyond the paradigm of being; namely, to the world of sound.	cache/dianoia-12733.pdf	txt/dianoia-12733.txt
