id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
dlr-2665	Hampshire, Kathryn	Man's Hatred Has Made Me So: Freakification and the Shifting Gaze in The Phantom of the Opera (1925)	2016	17	.pdf	application/pdf	6322	290	61	Indeed, Ian Conrich points out that freak shows and horror films alike explore “the boundary separating beast and mankind [that] is often challenged” by the monstrous portrayals characteristic of these movies (47). This scene of set destruction reinforces the preconceptions that audience members would have had based on freak shows, a context that would have insinuated that the freak, being less than human, does not belong in the company of man.	cache/dlr-2665.pdf	txt/dlr-2665.txt
