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E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
DOAJ Indexed (Since 14 Sep 2015) 
ISSN 2338-2449                                                                                    https://ojs.unud.ac.id/index.php/ecs/ 

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THE EXISTENCE OF BATAK ULOS IN THE AREA OF HEGEMONY  

 
Mangido Nainggolan 

 
Medan State University 

 
Email: golanbatuara71@gmail.com 

 
 

 
Received Date : 10-02-2020 
Accepted Date : 25-04-2020 
Published Date : 31-05-2020 

 
ABSTRACT 

 
Adat or custom is made by humans for the sake of human interest, it is hoped that the stability 
and order of the community are maintained through the customs that are imposed on these 
community groups. Culture will continue to move along with the movement of global economic 
activity, it also influences the development of every existing culture. The Toba Batak culture 
is also inseparable from these clashes. The label as an idol worshiper is synonymous with 
the Toba Batak culture. There are many issues and views that explain why this happened, 
including the result of local religious practices practiced by the Toba Batak community today 
such as the Ulus ritual labeled by Charismatic Christian Missionaries as Atheist teachings. 
According to them, Ulos must be destroyed because it is considered a magic object in which 
magical powers are attached and “save” the power of evil spirits. The hegemony of 
modernization and globalization, reinforced by the influence of religion, has made Ulos an 
object that has high values of civilization, starting to erode, especially in terms of the nature 
and meaning of it. In this regard, the aim of this paper is to explain the existence of Ulos in 
relation to the hegemony of modernity and the pressure of Charismatic Christian missionaries 
on the indigenous Batak culture. The data analysis and approach method used in this study 
is qualitative with the perspective of cultural studies. The results showed that the shift in 
meaning was getting out of control because the perpetrators were the Batak people 
themselves who had been exposed to a new ideology that was centered on spiritual issues. 
The reason that seems so biblical is used as a tool to legalize the extermination in the form 
of burning Ulos against his followers because Ulos is labeled loaded with demonic powers. 
The process of eliminating the meaning of the ancestral heritage becomes faster because 
the adat institutions no longer have the legal power to oppose the hegemony and dominance 
that continues. 
 
Key words: Ulos Batak, hegemony, charismatic Christianity 
 

  



E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
DOAJ Indexed (Since 14 Sep 2015) 
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INTRODUCTION 

In the local community there are always values that are sacred or sanctified in the form 

of symbols, from the values and beliefs that are held. Sanctity as the ultimate value of a 

community is not only maintained by punishment but by rite. Meanwhile, the rites are held 

collectively and regularly so that society is refreshed and returned to collective knowledge 

and meanings. Likewise, rites become a medium for community members to remain rooted 

in their cultural values. One of the traditional rites practiced by the Batak tribe is Ulos, which 

has deep philosophical meanings and values for their cultural activities. However, this culture 

is now increasingly pressed for existence due to the practice of domination and religious 

hegemony from outside, namely Charismatic Christianity. In this connection, the purpose of 

this paper is to explain the existence of Ulos in relation to the hegemony of modernity and the 

pressure of Charismatic Christian missionaries on the indigenous Batak culture. The data 

analysis and approach method used in this study is qualitative with the perspective of cultural 

studies. 

 

RESULTS AND DISCUSSION 

History of the Development of Religion and Batak culture 

The Batak region has been influenced by several different religions. Islam and 

Protestant Christianity entered the Batak area since the beginning of the 19th century. Islam 

was broadcast by the Minangkabau people since around 1810 which at this time is mostly 

adopted by the Batak people who live in the south, namely Batak Mandailing and Batak 

Angkola. Those who live in the northern area are the Toba Batak (Koentjaraningrat, 1979: 

112). 

In the XIX century, especially in post-World War II in 1945, the Charismatic Movement 

experienced a triumph. After American victories in many places, including the Korean War 

(1950). America experienced development in industry and an abundance of materials. But 

spiritual emptiness also cannot be ignored, so the Charismatic Movement is easily liked by 

the public. One reason is that this school also teaches the Theology of Success. 

The spread of Charismatic Christianity in Indonesia, especially in big cities such as 

Medan, Jakarta and surrounding areas, is also felt to be very intense. In teaching the 

charismatic movement adopts various elements and teachings that focus on things above 

(heaven) rather than worldly things such as customary rules. They focus on charismatic 



E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
DOAJ Indexed (Since 14 Sep 2015) 
ISSN 2338-2449                                                                                    https://ojs.unud.ac.id/index.php/ecs/ 

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experiences, religious fervor, and the tendency of asceticism. For them, in this age, Satan is 

the ruler of the world, but Allah has given humans the strength and power to defeat him and 

to escape all activities that originate from the world, including cultural issues. 

The movement of charismatic groups to burn, and reject the existence of the Batak Ulos 

for reasons that seem theological is a very painful phenomenon against the harassment of 

the religious values of the Toba Batak tradition. The resistance of the Batak traditional haters 

group is getting out of control because there is no resistance from the lovers and owners of 

Batak culture through official institutions that have the legal power to provide resistance to 

the practice of arbitrariness against these ancestral objects. Indeed, that in the context of 

instilling values, religion has social values that can be shared with the community in order to 

properly regulate and optimize life together. Religious leaders are informal leaders who have 

a significant role in instilling good values in society (Simanjuntak, 2015: 28). This condition is 

even more ludicrous because the perpetrators of the rejection actually come from within the 

Batak community itself who have been exposed to a new ideology that campaigns for 

standard norms based on alkitabi but is wrong from the true meaning of the Bible itself. This 

group considers Ulos to be an unclean object and part of an idol product, so it must be 

destroyed. They do this with the assumption that obeying, living, loving and truly loving Allah 

should no longer be attached to worldly things. 

 

The Dynamics of Batak Tribe Identity 

Batak people often refer to themselves as Bangso Batak. This is in accordance with the 

inherent history of the Batak tribe which has its own kingdom, it is marked by its existence as 

a tribe that already has God with the name "Mulajadi Nabolon" (creator of everything that 

exists), has handicrafts, Batak script, has had separate money with the name Ringgit Batak 

(Ringgit Sitio Suara), a diverse musical instrument (uning-uningan na marragam) has its own 

culture and customs, and has a law (tuho) which functions as a standard of norms / rules 

inherent from generation to generation . 

Ulos (woven cloth) Batak is known as an identity for the Batak ethnic group according 

to their cultural and customary treasures. The Batak tribe has a handicraft called "Ulos Batak" 

which is interpreted as having its own values according to its type and function. Ulos means 

cloth woven specifically for custom. The woven cloth resembles Ulos but not for customary 

purposes, not Ulos (Sianipar, 1991: 222). The diversity of Ulos has been determined 



E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
DOAJ Indexed (Since 14 Sep 2015) 
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according to the meaning and purpose of the gift. The work of ancestral heritage is full of 

aesthetic values and at the same time as part of the identity of the Batak people themselves. 

As part of identity, in every activity of Batak community life, both in joy and sorrow, Ulos will 

become objects that stick and always color the life of the Batak community itself. 

For the Toba Batak community, Ulos is also interpreted as a symbol of warmth 

considering the weather conditions in the Batak region with cold and humid natural 

temperatures. Apart from Ulos, other symbols of warmth for the Batak people are: sun and 

fire. Apart from being a very important tool in supporting the continuity of their daily life, Ulos 

is also used as a medium to convey beautiful advices (blessings or messages) from the giver 

to the recipient of Ulos which is practiced through the rules and norms inherent in every 

process of implementing customs. 

The Batak ancestors creatively coined the term `` Ulos '' which cannot be rotten (Ulos 

naso ra bad), which is a plot of land or rice fields. In certain circumstances the hula-hula (party 

giver of the daughter) can also give the daughter (boru) a plot of land called Ulos, which 

cannot be rotten. In addition, the term Ulos is woven in a day (Ulos na tinonun sadari), which 

is in the form of money whose function is considered the same as Ulos. 

 As a work that is full of high religiosity, Ulos has become part of an identity that has 

high cultural and civilizational values and has economic and social meanings. Therefore the 

distribution / distribution of Ulos will never proceed arbitrarily without adhering to the 

meanings and values that have been determined based on agreed customary rules and 

norms. This means that Ulos will be given and received by people who have been right based 

on the existing norms and rules by referring to the Batak Dalihan Natolu customary philosophy 

(Tungku nantiga) according to the type and meaning inherent in each of these Ulos sheets. 

As a symbol, the function and position of a person in the implementation of the Toba Batak 

traditional event will be known through the type of Ulos that is used, accepted, as well as a 

symbol of the existence of the recipient and giver in the traditional Batak order. 

Specifically in the pre-Christian days, Ulos or everyday textiles were used as a medium 

(intermediary) for giving blessings (pasu-pasu) from parents-in-law to daughters / daughters, 

grandparents to grandchildren, uncles (bones) to nieces (bere), and from the king to the 

people or to someone who is hired. Along with the process of embedding Ulos, the giver (who 

is respected) will give a string of beautiful and poetic words in the form of blessings (umpasa) 

and messages (tona) to warm the soul of the recipient. 



E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
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Batak ulos according to the type and variety, length and width varies greatly depending 

on the type and meaning inherent in it. There are times when it reaches approximately 2 

meters with a width of 70 cm (usually joined so that it can be used to wrap the body) which is 

woven by hand without the touch of modern technology. The time spent weaving one sheet 

of Ulos also depends on the type or variety, sometimes it takes weeks or months depending 

on the complexity of the motifs attached to the type of Ulos being worked on. Basically, Ulos 

workers (weavers) are women whose work is carried out under the house. 

 

Ulos shifting meaning 

Along with the development of modernization and globalization, various phenomena of 

human life have sprung up with very varied varieties and styles. For certain groups of people, 

there are times when they break away from the bondage of this culture because they are 

considered contrary to the values of the new culture that are adopted. The social movement 

he builds is by instilling a set of beliefs and actions to promote and hinder change in society 

(Atang, 2018: 63) 

The entry of Christianity brought by German and Dutch missionaries greatly influenced 

the shift in the meaning and function of Ulos in Batak society. At first, the Batak ancestors 

began to hegemony by imitating European costumes, namely men in shirts and trousers and 

Batak women in dresses and skirts imitating Western dress patterns. With this condition, Ulos 

slowly began to be abandoned as a costume or daily clothes, except for certain events. As 

Western influence increasingly entered the lives of the Batak people, the use of Ulos as daily 

clothing became increasingly rare. As a result, the existence, meaning and function of Ulos 

as everyday costumes (clothing) are increasingly reduced even considered as "sacred" items 

because the process of making, interpreting and placing them in accordance with the custom 

order is polarized in orientation as "magical" or "sacred" objects. 

The mindset of the Batak community towards the shift in the meaning of Ulos is in line 

with the hegemony of church teachings, the current of globalization and modernization which 

tends to be very effective in influencing everyone to shift more towards various modern-based 

products. With this phenomenon, some Batak people began to be suspicious (stereotyped) 

of the true nature of Ulos even though some of them still considered it to be a truly lucky and 

beneficial object for social life and community religiosity. 



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The most famous figurehead of Christianity in Batak land is Dr. Ingwer Lodewijk 

Nomensen under the zending flag RMG (Rheinische Mission Gesselschaft) based in Barmen-

Germany. The essence of Nomensen's teaching is to change the perspective of the Toba 

Batak people who are bound by atheist teachings to new teachings, namely knowing and 

acknowledging and practicing in their lives that the source of everything in human life is God 

who is in the person of Jesus Christ, not belief and belief in spirits and ancestral spirits with 

all the symbols attached to them. The source of salvation, warmth and success in human life 

comes from God, not human objects or products such as customs, traditions, Ulos and other 

objects of ancestral heritage. 

The rejection of the Nomensen teachings against traditional practices that are wrapped 

in the Toba Batak culture has met with very strong resistance from the Toba Batak community 

even though there are also some people who follow them which are then converted into a 

new form of understanding as understood and practiced by the Toba Batak community at this 

time. As a result, the Toba Batak people now live in a dualistic understanding, (completely 

ambiguous) which means that the Batak people continue to practice cultural teachings while 

at the same time adhering to Christian teachings under the influence of modernization and 

globalization. Amir Piliang (2006) states that postmodern humans are deconstructive, 

constructive, or dual (Ardika, 2015: 41). On the other hand, the Batak people who recognize 

themselves as Batak people but reject all forms of Batak cultural teachings by distancing 

themselves from traditional practices and even trying to get rid of them. 

 

Meaning of the value of cultural religiosity 

Adat is made by humans for the sake of human interest, it is hoped that the stability and 

order of the community are maintained through and by custom (Daeng, 2008: 13). Culture 

will continue to move along with the movement of global economic activity, it also influences 

technological developments. So the logical consequence is that the uncontrolled exchange 

of information will have an impact on secularization and globalization, so that it will 

undoubtedly affect culture in every place on earth. As part of the impact of the strong de-

regionalization in modern times, it inevitably forces humans to re-conceptualize the culture 

that is being embraced and carried out in the continuity of their daily lives. 

Historical records show that culture too was a subject of frequent collision. He clashed 

with other cultures that came and came from outside and from within his own country. And 



E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
DOAJ Indexed (Since 14 Sep 2015) 
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the thing that most often clashes is the clash between culture and religion. In its turmoil, very 

often culture is higher than religion, or culture can become equivalent to religion, or a higher 

religion so that culture is neglected. Some even consider culture to be like an "enemy" that 

must be destroyed and destroyed because it is considered an idol or a manifestation of belief 

in ancestral spirits, but there are also those who try to integrate culture with religion, which in 

its development will become syncretic. 

The Toba Batak culture is also inseparable from these clashes. The label as an idol 

worshiper (Sipelebegu) is synonymous with the Toba Batak culture. There are many issues 

and views that explain why this happened, including the result of the practices practiced by 

the Toba Batak community today which are said to be still unchanged from the practices 

practiced by their ancestors who are full of cultural elements that are tied to Atheist teachings. 

Rituals such as digging up the bones of ancestors (mangongkal holi), monument parties, 

mangalahat horbo and others. One effect of the development of the paradigm is the practice 

of burning Ulos by charismatic Christian groups. According to them, Ulos must be destroyed 

because it is considered a magic object in which magical powers are attached and “save” the 

power of evil spirits. Its stream is a stream of exclusivity that does not recognize customs, 

only recognizes its teachings and groups of people (Napitupulu, 2012: 312) 

Rejection of this cultural product has clearly eliminated the aesthetic value inherent in 

any existing cultural heritage, they do not appreciate and appreciate the various benefits and 

meanings of each element of cultural heritage which has been proven to be able to present 

very positive bonds of social relations between community adherents. The aesthetic value of 

a cultural heritage can be enjoyed in the present regardless of the context in the past. Thus 

it does not rule out that the aesthetic value of today's society will be different from the aesthetic 

value of society in the past. (Ardika, 2007: 24) 

 

CONCLUSION 

Culture is indeed something that is very slippery, difficult to define, and is in constant 

motion. That is what makes him unique and must be closely monitored. Culture is something 

inherent in humans, so he holds a very central role in regulating human life itself. There are 

also many controversies or clashes in it and one of the cultural products that is (still) being 

discussed is the controversy of burning Ulos. There are several reasons why Ulos are 



E-Journal of Cultural Studies                                                  May 2020 Vol. 13, Number 2, Page 1-8   
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considered unclean by certain groups of people and this is their main motive until finally they 

confidently burn and destroy Ulos from their position as religious creatures. 

Attitudes towards culture must be selectively open, meaning that humans must remain 

open to existing customs and cultures, although not all types of culture must be completely 

accepted, they must still be selected which ones are good and which are not. In addition, 

culture must also undergo transformation or renewal, so that agents of change and innovators 

are needed to be able to make it happen properly. This is in accordance with the motto of the 

Batak ancestors who stated: Ompu parjolo martungkot siala gundi, pinungka ni parjolo 

sipadengganon na di pudi (what the ancestors have made, should be improved by the next 

generation.) The correct attitude towards culture is to make improvements to everything. 

Something that is proven to be contradictory to present values, not to eliminate or even harass 

it without any remedy. 

 

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