





































Education, Language and Sociology Research 

ISSN 2690-3644 (Print) ISSN 2690-3652 (Online) 

Vol. 4, No. 5, 2023 

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84 
 

Original Paper 

The Study of Pun Translation in Zhu Shenghao’s Chinese 

Version of King Lear from the Perspective of Relevance Theory 

Bingbing Li1 

1 School of English Studies, Xi’an International Studies University, Xi’an, China 

 

Received: November 8, 2023  Accepted: November 25, 2023   Online Published: December 14, 2023 

doi:10.22158/elsr.v4n5p84         URL: http://dx.doi.org/10.22158/elsr.v4n5p84 

 

Abstract 

As one of the most commonly used rhetorical devices by Shakespeare, pun plays a significant role in 

Shakespeare’s works. In the translation of pun, it is quite important to handle it well so that the target 

text readers can understand Shakespeare’s works better. There are plenty of puns in King Lear, which 

brings great challenges to translators. By analyzing the pun translation in Zhu Shenghao’s version of 

King Lear from the perspective of relevance theory, this paper attempts to prove the explanatory power 

and guiding role of relevance theory in pun translation. By analyzing the translation of puns, it can figure 

out whether the translators have provided the best contextual effects and realized the optimal relevance 

in their translations. 

Keywords 

relevance theory, pun translation, King Lear 

 

1. Introduction 

William Shakespeare (1564-1616) is widely regarded as one of the greatest playwrights and poets the 

world has ever known. Throughout his life, Shakespeare not only wrote many long poems and sonnets, 

but also left the world thirty-seven splendid plays, which cover a wide range of subjects and themes. 

Among those plays, King Lear occupies an incomparable status due to its flexible use of language, 

successful shaping of characters and the skillful application of rhetorical devices. With an increasing 

cultural exchanges between countries, Shakespeare’s works have been translated into various languages. 

It is necessary and meaningful to conduct studies on King Lear and its translations. Among those Chinese 

versions of King Lear, the version of Zhu Shenghao enjoys a great reputation. Therefore, this paper 

chooses Zhu Shenghao’s version of King Lear as the study text, analyzing the pun translation from the 

perspective of relevance theory. 



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According to the dictionary of Merriam-Webster, pun refers to the usually humorous use of a word in 

such a way as to suggest two or more meanings or the meaning of another word similar in sound (1842). 

Pun utilizes the structural features of language so as to perform certain communicative functions. Due to 

a different language structures, it is not easy to retain the phonological and semantic features of puns 

when translating into another language. Thus, it poses a question to translators and scholars that whether 

puns are translatable or not. By analyzing the translation of puns, it can figure out whether the translators 

have provided the best contextual effects and realized the optimal relevance in their translations. 

 

2. Literature Review 

Research on pun translation mostly focuses on the translatability of puns and the translation strategies of 

puns. Ke Ping (1998) claimed that puns were untranslatable because the dual senses of puns involved the 

phonetic and semantic features within the language which were conveyed as the information content in 

puns. Some scholars believed that the translatability was a question of degree. For instance, Li Guonan 

(1988) mentioned that translation had its limits but not all the puns were unable to translate. For 

translatable puns, it is suggested that puns should be preserved in the translation as much as possible; for 

untranslatable puns, the translator can choose the translation methods flexibly such as using other 

rhetorical techniques in Chinese to attempt to preserve the artistic effect of puns in the original text. In 

Theory of Functional Equivalence in Pun Translation, Jian Lihua and Xu Hualing (2006) believed that 

in order to translate puns, translators must get rid of the shackles of language form, devote themselves to 

language effect, find the best balance between being loyal to the original author and to the translator and 

readers, and pursue the maximum functional equivalence. In terms of pun translation techniques research, 

Lv Jun (1983) made a generalization about pun translation methods which included translating puns by 

puns, preserving the denotation of puns, preserving the connotation of puns, and adding comments or 

explanations. Xu Zhongbing (1988b) made a preliminary discussion on the categories and Chinese 

translation of English puns. He claimed that it was the most ideal translation method to retain the meaning 

of pun after translating into Chinese, besides which he also proposed methods of compensation, adding 

explanations, etc.  

Researches on the translation of puns in Shakespeare’s works focus more on case studies which analyse 

the text from different perspectives to study the translation strategies of translators or give suggestions 

on the translation of puns. Malcolm Offord (1897) analyzed the translation strategies adopted by different 

translators in dealing with Shakespeare’s puns. Xu Zhongbing (1988a) took examples from Zhu 

Shenghao’s translation of Shakespeare and generalized four translation strategies for translating puns by 

analyzing concrete cases. Li Jingjing (2013) conducted a cognitive study on the translation of puns in 

Shakespeare’s plays based on meaning conceptual principles of Conceptual Blending Theory by 

analyzing puns from Hamlet, Romeo and Juliet, Love’s Labour’s Lost, Measure for Measure, Henry Ⅳ, 

and Much Ado about Nothing. In relevant literature, we can find that most scholars selected Hamlet as 

the study text to research on the translation of Shakespeare’s puns, followed by Romeo and Juliet, Much 



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Ado about Nothing, Love’s Labour’s Lost, etc. For example, Miao Linna (2010) compared and analyzed 

the pun translation of two Chinese versions of Hamlet by Zhu Shenghao and Liangshiqiu on the basis of 

Delabastita’s pun translation theory. 

Most of studies on King Lear focus on the connotation interpretation, linguistic meanings or rhetorical 

devices of the original text. For example, Ma Guangli (2007) studied the power discourse in King Lear 

from the aspect of New Historicism. Ma Fenying (2012) investigated the mad images in King Lear and 

the cultural implication conveyed by these mad images. For the translations of King Lear, most scholars 

tended to adopt different approaches to conduct comparative studies. For instance, Li Hong (2006) 

analyzed the three translations of King Lear in different periods on the basis of dynamics adaptability, 

and pointed out that the translation standards should be constantly reinterpreted so as to adapt to different 

times, contexts, and communicative purposes.  

There are few literature that study and discuss the pun translation of King Lear, especially from the 

perspective of relevance theory. Therefore, research on the pun translations of Zhu Shenghao from the 

perspective of Relevance Theory is of great necessity and importance.  

 

3. Introduction to Relevance Theory 

Put forward by the French linguist Dan Sperber and the British linguist Deirdre in their book Relevance: 

Communication and Cognition, Relevance Theory is the principle that the communication process 

involves not only encoding, transfer, and decoding of messages, but also numerous other elements, 

including inference and context. It is also called the principle of relevance. Sperber and Wilson have 

expanded and deepened discussions of relevance theory in numerous books and articles. They defined 

relevance as an assumption which “is relevant in a context if and only if it has some contextual effect in 

that context” (Sperber & Wilson, 2001). In communication, when the content of the information from 

the communicator is worthy of people’s efforts to understand, the information is relevant and will achieve 

contextual effects. Information has relevance only if it has contextual effect in that context. The concept 

of relevance is a comparative concept. It is decided by two factors—processing effort and contextual 

effect. The more effort the reasoning process needs, the weaker the contextual effect will be and the 

weaker their relevance will be.  

Relevance Theory is a communicative theory, in which communication is an ostensive-inferential process, 

a cognitive activity going on with the help of inference. Ostension and inference are two aspects of 

communication. For the speaker, communication is the process of ostension, which means to clearly 

express the communicative intentions when communicating. If the listener can understand the speaker’s 

intention, then the act of ostension is successful. For the listener, communication is a process of reasoning. 

By decoding the intention of the speaker’s ostension, and combining the previous information and the 

cognitive context, the listener can infer and get the right understanding of the information expressed by 

the speaker. 



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Relevance Theory is based on the Cognitive Principle and the Communicative Principle. The first one 

means that human cognition tends to seek the maximization of relevance and the second one means that 

every act of ostensive communication communicates a presumption of its own optimal relevance (Li, 

2007). Furthermore, in discussion of relevance degree, Sperber and Wilson found that from a cognitive 

point of view, people usually use the least cognitive effort to achieve the greatest cognitive effect in the 

process of understanding content. 

Later, Ernst August Gutt developed Relevance Theory of translation, which was published in 1991 as a 

book Translation and Relevance: Cognitive and Context. It was Gutt who, after reviewing many previous 

studies, first introduced relevance theory to translation. The relevance translation theory offers us a new 

inspiring perspective in translation and is both applicable and practicable. In Relevance Theory, relevance 

is capable of accounting for all the phenomena in translation studies. In Relevance Theory of translation, 

translation is a communication process of cognitive inferences. Gutt claimed that translation is an act of 

communication in nature and the speaker’s intentions and the listener’s expectations are two decisive 

factors for a successful communication (1991). Since translation is finished in line with the author’s 

intentions and the reader’s expectations, the translator’s top priority is to make the writer’s intentions and 

the targeted reader’s expectations meet. Therefore, translation, in essence, is an act of communication. 

In verbal communication, what the two communication parties express must be relevant to the content 

expressed by the overall topic. Only in this way can the listener understand the speaker’s intention. So, 

what Relevance Theory in translation pursues is the optimal relevance decided by optimal contextual 

effect. 

Translation, in line with the principles of communication, is a special communication between two 

languages. Translators hold dual responsibilities of inference. In the first place, translators have to infer 

what it means in the source texts. In the second place, translators should have full knowledge of the target 

reader’s cognitive context—the receptor’s culture. In other words, translators need to be well acquainted 

with whether the contextual assumption the source writer intends to express exists in the context of the 

target reader or not. If it does exist, how much effort does the reader need to make to understand？

Therefore, Relevance Theory plays an important role in restraining what the translation intends to convey 

and how to convey the intention to the target reader. 

 

4. Cases Study in Pun Translation 

As mentioned in the previous text, relevance theory plays an interpreting role in translation process and 

a guiding role in translation practice. In the first round of communication, the translator must have the 

cognitive environment of the ST readers so as to recognize the original author’s informative intention. In 

the second round of communication, the translator has to correctly evaluate the cognitive environment 

of the TT readers, and convey the informative intention of the original author so as to meet the 

expectations of the TT readers of relevance. In order to ensure the success of communication, the 

translator needs to choose appropriate translation strategies. 



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Considering factors such as the translator’s competence, translation purpose and the TT readers’ cognitive 

expectations. Therefore, the translator should flexibly choose the translation method according to the 

specific situation. Here are some examples of pun translation in Zhu Shenghao’s version. 

Example 1:  

GLOUCESTER: I have so often blushed to acknowledge him that now I am brazed To’ t.  

KENT: I cannot conceive you.  

GLOUCESTER: Sir, this young fellow’s mother could; whereupon she grew round-womb and had 

indeed, sir, a son for her cradle ere she had a husband for her bed. (Shakespeare, 2014, p. 10)  

Zhu’s version: 

格洛斯特：老哥，他的养育是我的责任。我常羞于认他，但次数一多，现在已经老脸皮了。 

肯特：我搞不懂您的意思 

格洛斯特：老哥，这小伙子的母亲可懂得搞；因此她的肚皮搞得远光，然后，老哥，枕边

还没个丈夫，摇篮里就先有个儿子。您看出这犯了忌吧？(朱生豪, 2019, p. 3) 

The word “conceive” in the original text is a homonymic pun, which means “to understand” or “to be 

regnant”. What Kent wants to express is that he cannot understand what Lear has just said. But Gloucester 

uses the other sense of “conceive” in his answer, indicating that this young fellow’s mother knows how 

to become pregnant, which brings about a punning effect. For the source text readers, they can easily 

deduce the original author’s informative intention as long as they understand the dual meanings of the 

word. According to relevance theory, the translator should not only obtain the original author’s 

communicative intention through inference, but also needs to consider how to manifest the informative 

intention to the target text readers. 

In Zhu’s translation, the word “conceive” is translated into “搞不懂”. In Chinese the word “搞” can be 

followed by a complement, such as “搞不懂”, which means “cannot understand”. At the same time it 

can also be used as a verb which means to have sex with someone. Therefore in this translation the 

original pun is perfectly reproduced with a Chines pun. The target text readers not only understand what 

the characters want to convey in a coherent way, but also obtain sufficient contextual effects with little 

effort. From the perspective of relevance theory, this translation realizes the communicative intentions of 

the original text. What’s more, with minimal processing efforts the readers of Zhu’s translation can 

inferred from the context the dual meanings which the original author aims to deliver. 

Example 2:  

KENT: Repose you there while I to this hard house—more harder than the stones whereof ‘tis 

raised, which even but now, demanding after you, denied me to come in—return and force their 

scanted courtesy. (Shakespeare, 2014, p. 78)  

Zhu’s version: 

肯特：这儿附近有一间茅屋可以替您挡挡风雨。我刚才曾经到那所冷酷的屋子里——那比

它墙上的石块更冷酷无情的屋子——探问您的行踪，可是他们关上了门不让我进去；现在

您且暂时躲一躲雨，我还要回去，非要他们讲一点人情不可。(朱生豪, 1994, p. 488) 



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The homonymic pun “hard” is used to describe the house and the stones, meaning “pitiless” and “solid” 

respectively. Kent plays with this word so as to satirize the callousness of those in Gloucester’s house. 

When the ST readers see the first “hard”, they will get the first information that people in the house are 

merciless by inferences. When they see the second “hard”, they can naturally deduce the connection 

between the two word of “hard” according to the context and realize the punning effect the original author 

intends to express. From the perspective of relevance theory, the ST readers can easily recognize the 

informative intention of the original author, so as to achieve the success of communication.  

Zhu Shenghao replaces the pun in the source text with a pun in the target text, in an attempt to restore 

the context in the original text and help the TT readers to strengthen the contextual effect. The Chinese 

pun he employs is “冷酷”, which means “heartless” when it refers to the people in the house, and “cold” 

when refers to “屋子”. Since Zhu’s translation provides the same explicit stimulus as the original text, 

the processing efforts and contextual effects of the TT readers are similar to those of the ST readers. In 

other words, the TT readers can get the optimal relevance through Zhu’s translation. From the perspective 

of relevance theory, although the pun used by Zhu is not exactly the same with that of the original text, 

it can still enable the TT readers to obtain sufficient contextual effects with minimal efforts, so that it can 

achieve the optimal relevance. 

The examples above show that the translator can find a suitable pun in the target text to translate the pun 

in source text. However, when the translator cannot find a suitable pun in the target text to replace the 

source text pun, he may adopt a compensatory translation strategy, which means rendering the ST pun 

into a rhetorical device so as to reproduce the effect of the ST pun. Here are the examples.  

Example 3:  

LEAR: What dost thou profess? What wouldst thou with us?  

KENT: I do profess to be no less than I seem. (Shakespeare, 2014, p. 31)  

Zhu’s version:  

李尔：你干什么的？你来见我有什么事？  

肯特：您瞧我像是干什么的，我就是干什么的。(朱生豪, 1994, p. 446)  

The word “profess” in the original text is a play on words. Kent changes the sense of “profess” from 

“profession” to claim and to declare, with which he subtly answer Lear’s question in the sense of humour 

and tease. Since the main purpose of the original author is to use the pun to highlight the humor of Kent’s 

language, its semantics is less important than its function. Due to the difference between source language 

and target language, it’s hard to find an equivalent Chinese pun as the translation. Therefore, the translator 

choose apply related rhetorical device of repetition to compensate for the missing pun effect. Zhu repeats 

the phrase “干什么” to replace “to be no less than”. By repeating the phrase “干什么” three times, the 

readers will recognize the use of repetition more easily so that they will be aware that Kent is deliberately 

playing word games with Lear. In fact, from the perspective of relevance theory, whether the meaning of 

the second “profess” is translated or not does not have much impact on the contextual effects. The TT 



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readers can understand the original author’s communicative intention with similar processing efforts and 

contextual effects.  

Example 4:  

LEAR: How old art thou?  

KENT: Not so young, sir, to love a woman for sing, nor so old to dote on her for anything: I have 

years on my back forty-eight. (Shakespeare, 2014, p. 32)  

Zhu’s version:  

李尔：你年纪多大了？ 

肯特：大爷，说我年轻，我也不算年轻，我不会为了一个女人会唱几句歌而害相思；说我

年老，我也不算年老，我不会糊里糊涂地溺爱一个女人；我已经活过四十八个年头了。(朱

生豪, 1994, p. 447) 

The word “anything” in the original text is a sexual pun, with “thing” playing on the sense of “vagina”. 

It is an indirect way to play on words, expressing the underlying meaning about sex. Kent’s implication 

here is that he is not odd enough to spoil a woman for sex. Considering the implied meaning of the pun 

in the original text, Zhu choose to implicitly convey the sexual meaning in Kent’s words. The translator’s 

translation methods have greatly minimized the TT readers’ processing efforts in understanding what the 

original author intends to convey, which is helpful to achieve the optimal relevance. From the perspective 

of relevance theory, the translation strategy of rendering sexual puns into indirect expression combined 

with translation techniques can help the target readers get sufficient contextual effect. Therefore, when 

dealing with sexual puns, the translator can consider euphemisms if he cannot find an alternative pun in 

the target culture.  

All the examples above are good ones. They prove that Zhu’s translation are so successful that it can 

achieve optimal relevance according to the relevance theory. Nevertheless, there is also some translation 

that is not so suitable. Here is an example. 

Example 5:  

FOOL: But, for all this, thou shalt have as many dolours for thy daughters as thou canst tell in a 

year. (Shakespeare, 2014, p. 62)   

弄人：虽然这样说，你的女儿们还要孝敬你数不清的烦恼哩。(朱生豪, 1994, p. 474) 

In this example, Kent uses two puns in his words, conveying two different meanings through the 

collocation. The word “dolour” is a pun which has the same pronunciation as the word “dollar”. Therefore, 

it has double meanings of “grief” and “a silver coin” here. The word “tell” is the second pun which Kent 

uses in this sentence, which means “to count”. Kent’s intention is to manifest to the readers that Lear’s 

daughters will bring him endless grief which is as much as the amount of money he can count in a year. 

Since the ST readers are proficient in English, they can quickly associate the word “dolour” with the 

word “dollar” and grasp the implied meaning of the two puns. But the Zhu’s translation in this example 

expresses only the meaning of grief that Lear’s daughters will bring. It losses the second meaning about 

the “dollar” which can be inferred by the ST readers. To be exactly, the translation of the pun of “dolour” 



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is not successful. According to the relevance theory, it cannot achieve maximum relevance, nor can it 

fully realize the communicative intention from the author. Actually, Zhu can deliver the dual meanings 

of the pun by adding footnote which explains the use of puns in the original text as well as the implied 

meaning that Shakespeare intends to convey through puns. 

 

5. Conclusion 

According to the principle of relevance, the translator needs to accurately assess the communicative 

intention of the original author and the cognitive environment of the target readers, and then convey the 

informative intention of the original author to the target readers through various translation strategies, so 

as to meet the relevance expectations of the target readers. The thesis analyses some examples of pun 

translation in Zhu Shenghao’s version of King Lear from the perspective of relevance theory, proving 

that the relevance theory has strong explanatory power guiding role. A good grasp of the framework of 

relevance theory can not only deepen the translator’s understanding of the problems encountered, but 

also help the translator examine if his translation deliver the communicative intentions of the original 

text or if the translation have reach the TT readers’ expectation. Although Shakespeare’s puns are difficult 

to translate, they are not untranslatable. The translator can reasonably choose different translation 

methods based on the relevance principle, so as to match the TT readers with the original author’s 

intention. There is no denying that Zhu’s translation are successful and wonderful, but there are still some 

translations that can be improved. 

 

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