p a t r i c k g a r d n e r originally from sacramento, ca, is a senior i n the college of arts & sciences and wi l l graduate i n the spring with a b.a. i n english and communications. after graduation, he plans on moving to new york city and pursuing a law degree. his article, "the de-evolution of fema," was written for donald fishman's crisis communication course. m a r i a l a g o r i o wil l graduate from boston college i n may 2008 with a b.a. i n history and a concentration i n hispanic studies. a native of lynnfield, massachusetts, maria enjoys exploring the lives of historical figures hailing from the state she calls home, from benjamin franklin to mary baker eddy. currently, she works at the connors family learning center, where she tutors a number of subjects. next year, maria wi l l join the alliance for catholic education (ace) through the university of notre dame. she wishes to thank her history professors over the years for their dedication and inspiration. c o n o r m c c o v e r n ' is a member of the arts & sciences class of 2009, double majoring i n history and slavic studies. he is a native of albany, new york. his main academic interests lie i n the study of the culture and history of the balkans, especially the former yugoslavia and bosnia-herzegovina i n particular. m i c h a e l m i n k o f f is a senior i n the college of arts & sciences and is a philosophy major and a music minor. michael is a member of alpha sigma nu, the boston college "screaming eagles" marching band, and bc bop! he hopes to continue his study of philosophy at the graduate level. michael dedicates his article to his loving girlfriend lindsey for her constant support. • • • • • • • • • • • • i •• •• •• •• 4 •• •• 4 •• •• •• •• i • • • • • • • • 4 • • • • • • • • • • i •• •• •• •• •• 4 t l m m o o n ey hails from grand rapids, michigan. a senior political science major, t im has worked as a research assistant for professors david deese, and kay schlozman. t im spent the summer of his sophomore year on an advanced study grant, researching "casino proliferation i n the great lakes region," a project which helped spur the paper published here and which has formed the basis for his senior thesis. he served two years on the heights editorial board as special projects editor and opinions editor, and has signed on to work as a business analyst with deloitte consulting after graduation. w i l l i a m s a d d is a member of the lynch school of education class of 2009, double majoring i n secondary education and history, with a minor i n eastern european studies. his research interests include state-building i n fractured societies, contemporary desovietization, competing historiographical perspectives i n the former soviet union, separatism i n russia's borderlands, and inter-ethnic relations and language policy i n the south caucasus. this past summer, william interned as a research assistant for the kluge center at the library of congress studying the georgian-abkhaz conflict. in the future, william plans to study ethnosymbolism i n the former soviet republic of georgia. n i c o l e w o n g is a senior majoring i n english with a minor i n american studies. originally from santa monica, california, she has been a lifelong fan of ieil-0 pudding and american cheese. she is fascinated by the connections between literature, pop art, and consumer society. written for professor laura tanner's junior english honors seminar, nicole hopes her essay wi l l help guide her through the "never-ending neon." list of a r t w o r k 1 i in ole vircinny i l l u s t r a t i o n © bettmann/corbis s e c o n d a n n u a l o z o n e awards backstage a n d s h o w © ray tamarra/getty images special cast a n d crew s c r e e n i n g of l i o n s gate fi lm s' " i n t h e m i x ' © vince bucci/getty images president bush makes a s t a t e m e n t o n iraq © w i n mcnam.ee/getty images bust of father of soviet u n i o n , v l a d i m i r l e n i n © 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ti l l sonburg/ istockphoto c r i n k l e d dollar bill i n h a n d © narvikk/ istockphoto russia russan jou rnalist a n na politkovskaya © peter endig/corbis v l a d i m i r l e n i n a d d r e s s i n g large c r o w d © fpg/getty images print of police s e a r c h i n g a p r i n t i n g press © bettmann/corbis russian prime m i n ister v l a d i m i r p u t i n © afp/stringer/afp/getty images thanks we would like to thank boston college, the institute for the liberal arts, and the office of the dean for the college of arts and sciences for the financial support that makes this issue possible. questions & contributions if you have any questions, please contact the journal at elements@bc.edu. all submissions can be sent to elements. submissions@gmail.com. visit our website at www.bc.edu/elements for updates and further information. cover mosque in queens, new york © michel setboun/photononstop/corbis periodicity elements is published twice an academic year in the fall and spring semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. elements, undergraduate research journal, volume 11, issue 1, spring 2015 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printed by flagship press,150 flagship drive, north andover, ma 01845 copyright © 2015 by the trustees of boston college elements staff editor-in-chief marissa marandola managing editor frank a. direnno deputy editor ellen white layout brandon bavier, senior editor betty yunqing wang, editor kelsey xizi zhang, editor treasurer lydia orr humanities grace west, senior editor patty owens, senior editor jacob ciafone, editor domenick fazzolari, editor annie kim, editor marie pellissier, editor sciences corleone delaveris, senior editor saljooq m. asif, editor david fu, editor alex gilligan, editor michelle kang, editor alessandra luedeking, editor jingzong yan, editor nick yu, editor faculty advisor elizabeth chadwick dear readers, as an undergraduate research journal, we often confront the question of “so what?” yes, this article is well written, meticulously sourced, and clearly developed; yes, it presents an interesting concept about a topic rarely considered in depth, but why should i read it? how is it related to my life? why is this research significant in any sense beyond the purely academic? the “so what” problem presents a challenge to publications like elements that gather work done by students in a wide variety of disciplines without a clear benchmark for “real world” applications. we find ourselves carrying an indispensable obligation to justify the relevance of research to our fellow students. this issue of elements seeks to meet that burden by presenting a unique collection of pieces that clearly articulate why original research is more important in our increasingly complicated, globalized 21st century world than ever before. in our cover article, saljooq asif tackles the endemic post-9/11 problem of “muslim identity in 21st century america” through the lens of author ayad akhtar’s works. given the rise of the islamic state of iraq and syria (isis) in the middle east, the recent shooting of three muslim students at the university of north carolina chapel hill, and the impending trial of alleged boston marathon bomber dzhokhar tsarnaev, the questions and conflicts saljooq explores hold great importance to present and future efforts to resolve the problem of radical islam and to offer full acceptance to muslim americans. rachel aldrich’s “trauma, fear, and paranoia” further studies the domestic implications of 9/11 for muslims in america, while caitlin toto examines the international consequences of these sociopolitical phenomena in “behind the veil.” these three articles, constructed through approaches and views from three distinct academic fields, offer us insight into some of the most pressing dilemmas, on a national and global scale, that our generation confronts. research allows us to better understand the world in which we operate. david querusio contextualizes the constant debates about michelle obama’s role as “mom-in-chief” within the parallel traditions of black and white feminism in “from mammy to mommy.” the historical and sociological narrative he creates helps the casual cnn viewer to grasp the layered issues underlying a seemingly superficial controversy. this function of research is not limited to matters of culture or politics, but also extends to our comprehension of the natural world. in “new research in solar cells,” michelle solomon and alison johnson explain how recent advances in the study of urbach tails open a wide range of possibilities for innovative forms of alternative energy. the potential implications of her work present dynamic options for how we will think of fuel and power in generations to come. the articles we publish make critical connections between events and issues past and present, tracing threads of intellectual and popular life through the centuries to their contemporary iterations. if elements features a student’s work that provides analysis of the legal and technical nuances behind the comcast-time warner merger, as harrison tune’s “positive law vs. good intentions” does, or unravels some of the complex historical strands that inform our ongoing debates about race in america, a task attempted by danielle nista’s “a vigorous affirmation of life,” then we continue to prove the pertinence of research, of a liberal arts education, and of the university model itself. a publication like elements ties together the toooften separated fields of research at a university like boston college. we encourage you, as you peruse these pages, to look for the ways in which the diverse disciplines we have highlighted inform each other. happy reading! best, marissa marandola editor in chief editor’s note t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with this issue of elements: keit h ake, assistant director of marketing and design dan i el bai ros, technology consultant ben birnbaum , executive director of the office of marketing communications cut bert o garza, provost and dean of faculties d on ald hafn er, vice provost for undergraduate studies joyce mannix, business manager for the college of arts and sciences david q ui cley, interim dean of the college of arts and sciences barbara v i ech n i cki , associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. please consider submitting your own research to the next issue of elements. our next deadline is friday november 7, 2008. for submissions guidelines, visitwww.bc.edu/elements. cover man on ladder © john henley/corbis p e r i o d i c i t y elements is published twice an academic year i n the fall and spring semesters. elements, undergraduate research journal, volume 4, issue 2, fall 2008 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 copyright © 2008 by trustees of boston college e l e m e n t s staff ed i t o ri n ch i ef t i m kelly m a n a g i n g ed i t o r eri n e. ei c h a n d epu t y ed i t o r jen n y bress h u m a n i t i es sv et lan a t uro v a, senior editor alyssa d u q u et t e, editor kat ie h alsey, editor z ach ary m arkari an , editor m ary sasso , editor n i c o le wo n g , editor n a t u ra l sc i en c es a n n e ko rn a h ren s, senior editor eri n c r o d en , editor ka t h eri n e wu, editor so c i a l sci en c es est eban uri be, senior editor joy batra, editor jen n y bress, editor evan speec e, editor brian v ari an , editor paul wen d el, editor l a y o u t alyssa d u q u et t e, senior editor brian vari an , editor web m a n a g er jen n y bress f a c u l t y a d v i so r eli z abet h c h a d wi c k the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. mailto:elements@bc.edu http://visitwww.bc.edu/elements e d i t o r ' s n o t e as boston college itself plans for future development with the establishment of the io-year master plan, it at times seems overwhelming to consider the changes the future might hold. it is important to remember that the core mission of the university is nonetheless carried out by its students, whether it be i n classrooms on the heights or in far off areas, of the world. the excellent work done by students speaks volumes of the university itself. our nation is closing i n upon an election that promises to break ground with either the first black president or first female vice president; it is, perhaps, a good time to thoughtfully examine what we may assume in a variety of fields. the papers we've selected ask us to reconsider our preconceived notions about a variety of topics. reminiscing and daydreaming takes a closer look at the l ink between memories and imagination, emphasizing the similarity of the two processes, and challenges assumptions about their difference. irish vernacular poetry brings to light important facts about the irish and their struggle against british rule. root root root for the ??? team invites us to reflect on the way professional sports teams become identified with their city and to what extent owners are beholden to their fans. this edition of the journal also highlights the variety of fields that boston college undergraduates are interested in . abusive tax shelters analyzes the sometimes shady actions of individuals and corporations in their efforts to reduce tax payments. drips, scratches, and strokes examines the role of edvard munch as the father of the abstract expressionist movement. elements, once again, hopes to showcase a variety of the work produced by boston college undergraduates. submissions continue to become more competitive and each semester the staff of elements makes tough decisions in selection to the journal. this issue was no exception and the articles were chosen from a larger base of qualified and well-written papers. elements is beginning its 5th year here at boston college, and we begin it with a renewed interest i n bringing to the community intellectually stimulating pieces. there is much we can learn from the work of our peers, and we hope that you find this edition both informative and thought-provoking. sincerely, tim kelly editorinchief is a senior in the school of arts and sciences at boston college. he plans on studying neuroscience at a graduate level after graduating from bc. a native son of new jersey when not committed to his studies, kyle can often been found hiking, canoeing, or simply enjoying the great outdoors. is from dekalb, illinois and is currently a junior in the college of arts & sciences, spending the year abroad at university college cork. she is pursuing an independent major in irish studies. research for her essay began in her history class entitled "ireland before the famine." sara would like to extend many thanks to professors kevin o'neill and joe nugent for their help and inspiration in writing this paper. evan speece is a senior in the carroll school of management at boston college. he is originally from blue bell, pennsylvania, a small suburb just northwest of philadelphia. evan is concentrating in finance and accounting at bc and is hoping to pursue a jd/mba joint degree after graduating from bc. he would like to thank his professor, greg trompeter, for his guidance and aid during this research. is a senior majoring in art history with a minor in hispanic studies. originally from belarus, svetlana came with her family to the united states when she was six years old. she received an advanced study grant to study french in montreal in 2007 and spent the 2008 spring semester studying abroad in quito, ecuador. her article was written for the art history seminar "symbolism and art nouveau." many thanks go to her professor and advisor, jeffery howe. c a i t l i n p e t e r s o n is a graduate of the college of arts and sciences honors program as of may 2008 with a major i n history and a minor in latin american studies. during her senior year at boston college, she interned at physicians for human rights, a non-profit that promotes international human rights from a medical perspective, as well as neighbor to neighbor massachusetts, a small organization that fights for the rights and political involvement of working-class state residents. she is particularly interested in public policy, specifically in the fields of health and international relations, and plans to pursue a law degree and a career in the policy arena. k r i s t i n a a s t e is a senior in the college of arts & sciences. a double major i n music and english with a minor in philosophy, krishna loves to explore interdisciplinary connections. originally written for professor laurie shepard's course "dante's divine comedy," her essay also provided the inspiration for her english honors thesis, which wi l l discuss how seventeenth century musical trends influence john milton's paradise lost. accepted to the fifth year master's program in english secondary education, krishna also hopes to pursue a doctorate in early modern studies. b r y c e d o n o h u e is a native of baltimore, maryland, and graduated from the college of arts and sciences i n may 2008 with a b.a. in history and philosophy. he currently attends law school at the university of maryland baltimore and plans on becoming a judge. he would like to thank professors gelfand and lowell for their guidance. the development of various emerging photovoltaic technologies, as classified by the national renewable energy laboratory, has experienced very different rates of progress over the last five to ten years. in particular, two thin-film technologies, quantum dot solar cells and perovskite-based solar cells, have achieved drastically different values for power conversion efficiency as quantum dots have failed to keep up with perovskites. clearly, the materials are very different, but in order to quantify the discrepancy in efficiency, we focus on measuring the tail of the absorption past the nominal band edge and therefore the urbach energy of the two materials. we discuss a theoretical relationship between urbach energy and open circuit voltage based on the original considerations by shockley and queisser on the efficiency limits of solar cells. new research in solar cells urbach tails and open circuit voltage michelle solomon and alison johnson one of the main concerns of photovoltaic technology for the consumer is the cost, specifically the fabrication cost per unit of energy or power produced. one way to minimize the cost is to decrease the amount of material by using thin film solar cells. thin films also have potential for nonconventional realizations of solar cells that require only simple mounting apparatuses, even as simple as a sticker. however, a key issue that arises with most thin films is a low power conversion efficiency compared to thick, crystalline cells. both the path length of the light within the absorptive layer of the cell and the path length of electrons excited by the absorbed light decrease in a thin film, which creates a tension of optimization. the former feature makes it difficult for a thin film cell to absorb light, while the latter makes it easy for the electrons to get out as electric current. thus, if the layer is made too thin, little light is collected, but if it is made too thick, the conversion efficiency again decreases. this issue has stalled many thin film technologies, but emerging research is taking different approaches to attempt a solution. two areas in particular, quantum dot solar cells and perovskite-based solar cells, have experienced similar popularity, but very different rates of progress toward increased power conversion efficiency. quantum dot photovoltaics first gained popularity in the early 2000s, when it was predicted that quantum confinement should lead to a quantized density of states in the zero-dimensional nanoparticles. such a property, in contrast to the quasi-continuous nature of energy levels in a bulk semiconductor, should then allow the electron relaxation time to increase, potentially allowing for either multi-exciton generation or extraction of hot electrons. this, in addition to the tunability of absorption into the near infrared region should allow for an unprecedented increase in efficiency of photovoltaics, up to 66%.1 however, experiment has not nearly reflected this theoretical increase, as quantum dot solar cells have only reached a maximum efficiency of 8.55%.2 lead-halide perovskites, in contrast, have seen rapid progress, up to the current confirmed record of 17.9%.3 perovskites have a highly ordered crystal lattice that allows for good optical and electrical properties, but they are not unique in this characteristic. crystalline silicon, for example, is similarly ordered. the interest in perovskites, then, stems from their potential as a particularly thin, and therefore cheaper, crystalline material. perovskites have been synthesized with a diffusion length of up to 1 micron, which is an order of magnitude higher than the absorption depth, which can be as small as 100 nm. crystalline silicon, with its similar amount of order exhibits a longer diffusion length, but its optical properties are not as good, and its absorption depth nears 100 microns in the vis-nir range that is of interest for photovoltaic applications.4 here we will address a fundamental optical property, the urbach energy, of the two materials (lead-halide perovskites and lead sulfide quantum dots) that can provide a more quantitative explanation for the discrepancy in the efficiencies seen in the two materials. theory the urbach energy is connected to the theoretical limit of the efficiency of a single p-n junction solar cell, but goes past the treatment given by shockley and queisser in their famous detailed balance limit. this limit, initially derived for material with a band gap of 1.1 ev, gives a value given for efficiency, η, that depends on four terms: the first term, ug, is defined as the ultimate efficiency, and represents the efficiency the cell would have if every photon with energy above the band gap of the material in question were to excite an electron that would then provide the exact energy of that photon to the cell. the third is an impedance matching factor that accounts for the balance between the highest possible values for voltage and current, which cannot occur simultaneously. the fourth is the probability that a photon with energy greater than eg will excite an electron and produce and electron hole pair; the value’s upper limit is 1. the second term, v, is the ratio of the operational output voltage to that of the band gap, and it is of particular interest here. it accounts for recombination processes in the cell, making considerations for both radiative and nonradiative recombination. to find the maximum value for the open circuit voltage that a solar cell can attain, and therefore the ratio of that open circuit voltage to that of the band gap, shockley and queisser first consider the steady-state condition that will occur when the cell is surrounded by a blackbody of temperature tc. in this state, the rate of radiative recombination is given by a value fc0. this is determined by the numη(χg,χc, f , ts) = ug(χg)v(χg,χc, f )m(χg,χc, f )ts 1 46 elements : : spring 2015 ber of photons incident upon the cell with energy greater than eg, which is derived from the blackbody spectrum at tc. when solar radiation hits the cell, the original state is disrupted and the new steady-state is given by where fs is the rate of electron-hole pairs generated due to solar radiation (and is determined by the blackbody curve of a body at 6000 k), fc(v) is the new rate of radiative recombination, r(0) is the rate of radiative recombination, r(v) is nonradiative generation, and i is the external current. in the ideal situation, nonradiative processes will obey the ideal rectifier equation, and the fc(v) term is determined by the new concentration of electrons and holes after the fermi-level split into quasilevels due to the incident radiation, and is therefore defined as equation (1) can also be written as where the term in the brackets represents the net rate of generation of electron-hole pairs when a cell is surrounded by a blackbody at temperature tc, since fs – fc0 will be zero at that point. using this term, the fraction of recombination that will be radiative can be written as the steady-state can now be expressed as setting i equal to zero in order to find the maximum value for v, and using the definition in (3) solving for v, since fs, based on the blackbody curve at 6000 k, is much greater than all other terms, as long as fc, which is assumed to be 1 in the final calculation, is not too small.5 the absorption coefficient for solar energy striking the surface of the cell is also assumed to be 1. in other words, the assumption is made that photons with energy higher than eg are absorbed and excite an electron with a probability of 1, while photons with energy below eg are absorbed and excite an electron with a probability of 0. however, this assumption does not hold for the low values of fc that the detailed balance limit does not consider. in such a case there will be an exponential tail present in the absorption spectrum of the material being studied. highly ordered crystalline materials exhibit very sharp absorption edges, but for both amorphous materials and films of quantum dots the disorder leads to a broad absorption tail below eg. the breadth of this absorption tail is often well described by a value eu, the urbach energy, and an exponential such that the open circuit voltage of the cell, when the absorption tail is considered, can now be represented as6 here, α(e) is defined as the exponential absorption edge below eg and 1 above eg. when voc is calculated for different values of t and eu, this inverse relationship becomes clear. as is evident from the calculations, eu, when greater than kbt at different values of t, leads to a significant decrease in voc compared to the given value of eg, which was taken to be 1.3 ev for the purpose of the calculations. also noteworthy is the trend toward zero of the difference eg – voc as both t and eu go toward zero as well, which is in agreement with the predictions of shockley and queisser. literature data, gathered by de wolf et al., show a nearly linear relationship between urbach energy and losses in voc. these are shown in figure 2 along with the calculated value from eq.10. except for one point, the calculated voc is larger than the experiment which is fine since the calculation does not introduced additional efficiency losses. the same positive relationship can be seen between eu and losses in voc in both calculation and experiment.7 0 = fs −fc(v )+r(0)+r(v )− i q (1) 1 r(v ) = r(0)exp ( v vc ) (2) 1 fc0 = fc0 exp ( v vc ) (3) 1 0 = fs −fc0 +[fc0 −fc(v )+r(0)+r(v )]− i q (4) 1 fc = fc0 −fc(v ) fc0 −fc(v )+r(0)−r(v ) (5) 10 = q(fs −fc0)+ q(fc0 −fc(v )) fc − i (6) 1 fs −fc0 = fc0 fc ( e v vc −1 ) (7) 1 v =vc ln ( fcfs fc0 − fc +1 ) (8) 1 α(e) = α0 exp ( e −eo eu ) (9) 1 voc = kt e ( ln ( ∫ ∞ 0 α(e)φs(e,t )de∫ ∞ 0 α(e)φt (e,t )de ) +1 ) (10) 1 47 new research in solar cells this relationship indicates that the value for the urbach energy should give a prediction as to the upper limit that the open circuit voltage of solar cell can attain based on its material characteristics, taking into consideration more than simply the band gap of those materials. methods to confirm the value of this prediction, we compare eu for quantum dots and perovskites, specifically lead sulfide dots with absorption peak near 950 nm and lead-halide perovskites with absorption edge near 800 nm, in order to better understand the power conversion efficiencies that have already been attained with such materials. the synthesis used for the lead sulfide quantum dots is based on a modified version of the hines and scholes method.8,9 briefly, 0.09 g pbo, 0.27 ml oleic acid, and 3.8 ml octadecene (ode) were mixed under a schlenck line in a three-neck flask. the mixture was degassed at 95105ºc for 10 minutes and then heated to 150ºc under argon for another 50 minutes. 42 µl of bis(trimethylsilyl) sulfide (tms) was dissolved in 3 ml ode in a glovebox and then injected into the heated solution. the mixture turned to a dark brown within a second of injection. the temperature dropped to around 115ºc at which it was allowed to react for 20-30 seconds. the flask was cooled back to room temperature using air flow. the quantum dots were precipitated with ethanol and/or acetone, and dissolved in a 9:1 hexane/octane solution. the lead sulfide substrates were prepared by cross-linking with ethanedithiol (edt). a glass slide was cleaned using acetone and ethanol. the glass was then covered with 3-(mercaptopropyl) trimethoxysilane (mpts) to bind the quantum dots to the glass. the methoxy groups bind to the glass and the thiol groups are available to bind to the pb. the cleaned pbs qds were dropped onto the glass slide, which formed a thin film on the surface. the film was covered with edt in ethanol for a few seconds before washing with ethanol. the films were dried and the process was repeated until a dark, smooth layer was formed. these films were measured with the cary uv-vis or pds before any degradation from air could take place. the method for the synthesis of lead iodide perovskites was based on that used by im, et al.10 the methylammonium iodide precursor was prepared by reacting methylamine (2.0 m in methanol) and hydriodic acid (57% in water) for 4 hours at 0ºc. the methylamine solution in methanol was prepared by bubbling methylamine gas through 223 ml of methanol while swirling the flask. this resulted in a 1-2 m solution. the hi was added slowly drop-wise to the methylamine which had been cooled to 0ºc. the solution changed color from clear to yellow upon addition of hi, and the solution was a reddish hue by the end of the 4 hour reaction. the precipitate was collected using a rotary evaporator overnight at 80ºc. the precipitate was redissolved in 3.5 ml ethanol at 70ºc and recrystallized to remove impurities. the crystals were washed with diethyl ether and filtrated. because the crystals still had a yellow tinge, they were recrystallized until a white powder was obtained. the powder was dried overnight in a vacuum oven at 100ºc. in a glovebox, approximately 0.5 g of lead iodide and 1.3 g of methylammonium iodide were dissolved into 2.3 ml γ-buteralactone, heated to 80° c, and reacted for 2 hours. the perovskites were then spin coated onto glass coated with polyethleneamine and rinsed with water at 6000 rpm, and baked at 100° c for 15 minutes. the perovskites were never exposed to air throughout the synthesis and measurements. to measure the absorption spectrum of the materials, and therefore the urbach energy, photothermal deflection (mirage) spectroscopy (pds) was used. the measurements were done using a 100 w tungsten lamp as a white light source, a monochromator based on a 1200 groove/mm diffraction grating blazed at 1000 nm and 1 mm slits, and a 635 nm red laser. the resolution of the monochromator was calculated to be approximately 0.7 mv (where the slit width was taken to be 1 mm and the focal length was taken to be 10 cm), which is well within the resolution needed to measure the steepest absorption tail expected, around 1020 mv. the white light is modulated at a frequency of 20 hz, and after passing through the monochromator, is focused to a 5 mm by 0.5 mm area on a 5 mm wide sample, which is immersed in filtered hexane and sealed in an airtight quartz cuvette. the red laser skims the surface of the sample perpendicular to the diffracted monochromatic light. therefore, when the sample absorbs a certain wavelength of light, it heats the hexane, changing the index of refraction and bending the red laser beam. the change in position of the red laser beam is the direct measurement, from which the absorption spectrum is obtained after normalization with the spectrum of the lamp measured using an opaque graphite sample. filters are used to block the second order diffraction and extend the measurement into the near infrared region. the absorption spectrum can be plotted on a logarithmic scale, with the steepest slope corresponding to the minimum value of eu 48 elements : : spring 2015 results and discussion the absorption spectrum was measured for pbs quantum dots using pds, and is shown in figure 3. there are two distinct linear areas when plotted on a logarithmic scale, corresponding to two different tails. the minimum slope is 98 mev, measured through an order of magnitude, which is therefore the minimum urbach energy measured for these dots. this value for the urbach energy, at room temperature, can be calculated to correspond to losses in voc from eg in the range of 0.8 v – 1.0 v at room temperature, 270 k (see figure 1). this is further supported by experimental values; the maximum reported value of voc for a pbs quantum dot solar cell, to our knowledge, is 0.692 ± 0.007 v, attained from dots of 2.9 nm with a band gap of 1.4 ev – a loss of 0.7 v. a range of dots of different sizes and band gaps were fabricated and measured by yoon, et al., as seen in figure 4.11 a linear fit to these points gives the relation voc = 0.519(eg) – 0.0221 which indicates that the maximum open circuit voltage achieved from a photovoltaic device fabricated from pbs quantum dots has only slightly exceeded approximately 50% of the measured value of eg, which, in order to absorb in the desired region of the near infrared, is generally near 1.3 v, as is the band gap in the dots that we fabricated as well. this relationship holds true not only for high voltage cells, but also for high efficiency cells, which is logical since η depends on voc. the highest reported efficiency for a pbs solar cell to date is 8.55%, which was achieved with dots with eg 1.3 v. the maximum open circuit voltage attained for these cells was 0.6 v, using dots capped by 1,2 and 1,3-benzenedithiol ligands. again, we see a loss of about 0.7 v from the band gap voltage for a lead sulfide quantum dot solar cell.2 the width of the urbach tail is indicative of the level of disorder in a material, which for quantum dots, with a high surface area to volume ratio, is fundamentally connected to the nature of the surface of the dots. imperfections in stoichiometry and passivation at the surface, as well as the type of ligands that cap the dots are often the most significant sources of disorder. it is therefore possible to increase the sharpness of the tail by optimizing the types of ligands used. for example, different ligands can either passivate the surface more or less efficiently, affecting the amount of trap states on the surface. furthermore, urbach energy generally increases with increasing ligand length, possibly due to decreased coupling between dots.12 the effect of different ligands on the urbach energy in cdse dots has been explored using pds, and was found to be significant, with cdse dots caped by hda exhibiting a minimum eu of 25 mev, while the same dots capped with s2had an increased minimum urbach energy of 80 mev.13 clearly, then, there is some potential in this area for improvement in the absorption tail of quantum dots, but attempts at optimizing ligand use has not lead to the increases in efficiency that were originally predicted, indicating that the urbach energy for pbs qds is still too high to attain the necessary values for voc. perovskites, with their crystalline structure, are inherently more ordered than quantum dots, leading to a much lower value for the urbach energy, and therefore higher values for the open circuit voltage. for example, the highest value for open circuit voltage attained up to this point is 1.40 v, which was achieved using a wide band gap bromine based lead perovskite with a band gap energy of 2.30 v. to make a more direct comparison to measurements made here, the highest value achieved for ch3nh3pbi3, is 1.05 v, from a band gap of 1.57 v.14 the most efficient perovskite cells have been based on mixed-halide perovskites, of the form ch3nh3pbclxi3-x, which have the same band gap as pure iodide perovskites, but a higher reported value for voc, at 1.13 v.15 the absorption spectrum measured for ch3nh3pbi3 using pds is shown in figure 5. the exponential curve is fitted to a region that stretches through two orders of magnitude, giving a value of 45 mev for eu. this is somewhat higher than the lowest reported value of 15 mev, but it is substantially lower than the measured value of 98 mev for the pbs qds. when compared with the highest reported value for voc above, it agrees well with the calculation, which predicts that an urbach energy of 45 mev should give a loss of just over 0.5 v from the 1.57 v band gap. considering the brief period of time that perovskite research has had to mature, it is likely that 1.05 v is not the maximum value that a solar cell fabricated from ch3nh3pbi3 can attain for voc. a larger voc is also predicted by the lower 15 mev reported value for eu. some reasons for the discrepancy between reported data and measured data in49 new research in solar cells clude high noise levels–ideally we would measure the absorption tail through another order of magnitude to get a more accurate number–as well as difficulties forming a film thick enough to see a high signal in pds measurements. conclusions and future work the values measured using photothermal deflection spectroscopy for the minimum urbach energy of lead sulfide quantum dots and lead iodide perovskites are 98 mev and 45 mev, measured over a maximum of two orders of magnitude. these values lead to a good agreement between the calculated open circuit voltage and the reported values attained by solar cells fabricated with these materials. although a little bit more work needs to be done to obtain a more precise determination of the urbach tail with these materials with absorption data extending over more orders of magnitude, the initial results are very promising in showing that the consideration of the urbach tail is a very valuable input to choose the best materials for solar cells. endnotes 1. nozik, 2002. 2. brown et al., 2014. 3. green et al., 2014. 4. stranks et al., 2013. 5. shockley et al., 1961. 6. guyot-sionnest, 2012. 7. de wolf et al., 2014. 8. hines, 2003. 9. lu et al., 2009. 10. im et al., 2012. 11. yoon et al., 2013. 12. erslev et al., 2012. 13. guyot-sionnest et al., 2012. 14. ryu et al., 2014. 15. lee et al., 2012. references nozik, a.j. “quantum dot solar cells,” physica e. 2002. 14, 115-120. p.r. brown, d. kim, r.r. lunt, n. zhao, m. bawendi, j. c. grossman, and v. bulovi, “energy level modification in lead sulfide quantum dot thin films through ligand exchange,” acs nano 2014. 8, 5863-5872. green, m.a., ho-baille, a., snaith, h.j. nat. photon., 2014. 8, 506-514. s. stranks, g. eperon, g. grancini, c. menelaou, m. alococer, t. leijtens, l. herz, a. petrozza, h. snaith. “electron-hole diffusion lengths exceeding 1 micrometer in an organometal trihalide perovskite absorber.” science, 2013. 342, 342-343. shockley w. and queisser, h.j. “detailed balance limit of efficiency of p-n junction solar cells.” j. appl. phys. 1961, 32, 510. guyot-sionnest, p. “electrical transport in colloidal quantum dot films.” j. phys. chem. lett. 2012. 3, 1169-1175. de wolf, s., holovsky, j., moon, s.j., löper, p., niesen, b., ledinski, m., haug, f.j., yum, j.h., ballif, c. “organometallic halide perovskites: sharp optical absorption edge and its relation to photovoltaic performance.” j. phys. chem. lett. 2014. 5, 1035– 1039. hines, m.a.; scholes g.d. “colloidal pbs nanocrystals with size-tunable near-infrared emission: observation of post-synthesis self-narrowing of the particle size distribution.” adv. mater. 2003. 15, 1844-1849. lu, s.; lingley, z.; asano, t.; harris, d.; barwicz, t.; guha, s.; madhukar, a. “photocurrent induced by nonradiative energy transfer from nanocrystal quantum dots to adjacent silicon nanowire conducting channels: toward a new solar cell paradigm.” nano. lett. 2009. 9(12), 45484552. im, j.-h.; chung, j.; kim, s.-j.; park, n.-g. “synthesis, structure, and photovoltaic property of a nanocrystalline 2h perovskite-type novel sensitizer (ch3ch2nh3) pbi3.” nanoscale res. lett. 2012. 7, 353, 1-7. yoon, w.; boercker, j. e.; lumb, m. p.; placencia, d.; foos, e. e.; tischler, j. g. “enhanced open-circuit voltage of pbs nanocrystal quantum dot solar cells.” sci. rep. 2013. 3, 2225. p.t. erslev, h.y. chen, j. gao, m.c. beard, a.j. frank, j. van de lagemaat, j.c. johnson, j.m. luther. “sharp exponential tails in highly disordered lead sulfide quantum dot arrays.” phys. rev. b 2012. 86, 155313. p. guyot-sionnest, e. lhuillier, h. liu. “a mirage study of cdse colloidal quantum dot films, urbach tail, and surface states.” j. phys. chem. 2012. 137, 154704. 50 elements : : spring 2015 s. ryu, j.h. noh, n.j. jeon, y.c. kim, w.s. yang, j. seo, s.i. seok. “voltage output of efficient perovskite solar cells with high open-circuit voltage and fill factor.” energy environ. sci. 2014. 7, 2614. m. lee, j. teuscher, t. miyasaka, t.n. murakami, h.j. snaith. “efficient hybrid solar cells based on meso-superstructured organometal halide perovskites.” science, 2012. 338, 643−647. figure 1: voltage drop from band gap energy vs. urbach energy figure 2: voltage drop from band gap energy vs. urbach energy table 1 material eg (ev) eu (mev) eg-voc (ev) (experiment) eg-voc (ev) (calculated) gaas 1.42 7 0.3 0.213 c-si 1.12 11 0.37 0.199 ch3nh3pbi3-xclx 1.57 15 0.41 0.24 cigs 1.18 23 0.57 0.237 a-si 1.75 48 0.88 0.939 51 new research in solar cells size (nm) eg (v) voc (v) 2.9 1.40 0.692 3.1 1.30 0.657 3.3 1.24 0.629 3.5 1.18 0.602 3.8 1.09 0.545 4.0 1.05 0.542 4.1 1.03 0.483 table 2 figure 4: open circuit voltage vs. energyfigure 3: absorption vs. energy figure 5: absoprtion vs. energy 52 elements : : spring 2015 on november 21st, 2013, politico magazine published michelle cottle’s piece titled “leaning out: how michelle obama became a feminist nightmare.” cottle pinpoints several explanations for obama’s degeneration into such a “nightmare,” including the first lady proclaiming to be a “mom-in-chief” and focusing on healthy eating. melissa harris-perry, correspondent for msnbc, retaliated quickly and criticized cottle for her remarks, insisting that she should better study her black feminist history. this article argues that cottle is oblivious to obama’s standpoint as a black woman, and that by embracing motherhood, obama is doing what many black women have been prevented from doing throughout history. this article draws from both historical accounts of black women during slavery and modern constructions of black femininity to address cottle’s claims. from mammy to mommy michelle obama and the reclamation of black motherhood david querusio instead of being a unifying experience for women to celebrate, motherhood has actually divided women throughout history. societal norms and conventions have constructed various versions of motherhood that have evolved with different trajectories. however, many white feminists still view motherhood through a universal lens that omits the collective and unique histories of mothers of color. michelle cottle’s article, “leaning out: how michelle obama became a feminist nightmare,” demonstrates this basic lack of understanding of the differences between black and white motherhoods. cottle pinpoints obama’s self-appointed title as “mom-in-chief” as problematic and simply exacerbates the distance between black and white feminists and their struggles to understand each other’s standpoints. melissa harris-perry responded scathingly to cottle’s argument and denounced her for her narrow characterization of black motherhood. the tension between melissa harris-perry’s and michelle cottle’s views of michelle obama echoes years of distance between white and black feminisms, as white women vie to free themselves from the very domestic sphere that black women struggle to enter. white women have a tumultuous relationship with the role of motherhood, due to white males historically manipulating white women’s reproductive capabilities to ensure racial purity. coerced into certain parameters of what the patriarchy wanted motherhood to be, white mothers had very little agency when it came to how they used their own bodies. because white women perpetuated whiteness through their lineage, the patriarchal white supremacy institutionalized tactics to control their behavior and “instead of protecting white women according to the southern code of chivalry, they undermined white women’s cultural value and social power and isolated them within their own racial group.”1 one such tactic was the 1924 preservation of racial integrity act in virginia, which “codified the one-drop rule by restricting white status to persons having no ‘discernable trace’ of non-white (negro, indian, or asian) blood, which prevented near-whites from claiming the benefits of whiteness. as in most anti-miscegenation regulations, however, white women’s relationships with black men were the real focus of the act.”2 subjugated and confined, some white women obviously felt natural tendencies of aggression towards the system. cermichelle obama at mary’s center for maternal and child care in washington, d.c. (courtesy of wikimedia commons) 54 elements : : spring 2015 tain laws emerged that were meant to assuage the fear of deviant women who adhered to the feminist prototype of the new woman, as scientist francis galton called for laws that “particularly chastised the white, upper-middle-class, educated new woman who seemed most in danger of devaluing or foregoing motherhood.”3 there was even a proposed amendment to the aforementioned preservation of racial integrity act that would have addressed white men’s roles in miscegenation, but it was never passed, again proving the misogynistic edge of the legal system.4 the socalled new woman was inherently white, implying that only they were capable of challenging conventions and endangering the purity of the race by rejecting motherhood. with such a history of coercion into the domestic sphere and subsequent rebellion, white feminists still feel remnants of this oppression even today through their wariness of privileging motherhood over a career. as white women fought the restrictive institutional practices of the 18th, 19th, and even 20th centuries, black women were fighting just to be seen. doubly oppressed, black women faced sexism from their black male counterparts and indifference from white males who perceived black women as bodies that could only produce undesirable black children. while laws were almost obsessively focused on monitoring white female activity, “the legal system became less interested in black women or mulattas, since they could still transmit only black blood, as far as the law was concerned. white supremacists ignored black mothers because they figured very little in the calculus of white blood domination.”5 of course, most white women were not too eager to offer support to black women, either. they were constantly grappling with their own reputations, and “perhaps it was the strain of that balancing act that kept so many white women from empathizing with their black sisters, who were effaced almost entirely by their underserved licentious reputation among whites and had no legal standing to make rape charges against the white men who had historically committed the most interracial rapes.”6 white men exerted control over both black and white women to affirm their own masculinity and racial status, since dismissing women’s agency in their own sexual bodies helped to solidify white men’s power. white women’s obedience and fidelity bought them the protection they allegedly needed against black men. black women had no bargaining power at all, since even their protests did little to contradict the widespread belief in their need and desire for white men’s sexual advances.7 white women were monitored closely by the patriarchy, but they at least had protection – black women were left voiceless and bereft of agency. despite both being victims of patriarchal rule and manipulation, white and black women had very little solidarity. such societal invisibility and lack of solidarity with their white counterparts was and still is a major historical barrier preventing black women from embracing their roles as mothers. there is a fundamental difference, derived from class distinctions, between black and white motherhoods that originated during slavery and still persists today. writing for clutch magazine, tami winfrey harris cites author deesha philyaw, who “writes that historically, black women have rarely had the privilege to choose motherhood over career. black women have always worked outside of the home– have almost always had to–even when society forbade ‘good’ white women from leaving their pedestals. we have ploughed the fields and raised other folks babies, as well as our own.”8 harris, through philyaw, argues that while white women were fighting for the right to pursue a career instead of motherhood, black women wanted the opposite. she illustrates the tension between cottle’s white feminist standpoint that views motherhood as a remnant of patriarchal oppression and black feminism’s desire to claim motherhood in its purest sense. as harris mentions, economic class plays a major role here. this economic barrier prevented black women from truly embracing their identities as mothers. additionally, slave masters “figured that slave mothers were less likely to escape than slave men because of their attachment to their children…and they were mostly right. few women escaped with their dependent children.”9 black mothers were simply unable to relinquish their position for freedom due to their children, depriving them of their autonomy and establishing a nega“as white women fought the restrictive institutional practices of the 18th, 19th, and even 20th centuries, black women were fighting just to be seen.” 55 from mammy to mommy “obama actively subverts the historical traditions of black women having to compromise their motherhood due to white patriarchal supremacy and provides black women with a new model to follow.” tive precedent when it came to their experiences with motherhood. most white women can afford to either just pursue a career or be a mother, but black women often had and still have to balance both. the ironic objectification and sexualization of black women by the white patriarchy, in spite of their inferior status in society, further obstructed the path to black motherhood. white men focused heavily on maintaining the purity and chastity of white women, but they had few issues with perpetuating stereotypes of black female’s hypersexuality and “exotic” bodies, even as they ignored their status as human beings. in fact, scientists were particularly fascinated with african bodies and the “protuberance of the buttocks…and the remarkable development of the labia minora, which were sufficiently well marked to distinguish these parts from those of any ordinary varieties of the human species. the racial difference of the african body…was located in its literal excess, a specifically sexual excess that placed her body outside the boundaries of the ‘normal’ female.”10 because of the emphasis placed on their genitals and excess, black women had to fend off rumors of licentiousness and sexual promiscuity, which conflicted directly with the virtue of motherhood. the very physicality of african women’s bodies “became increasingly associated with sexual availability…those associations helped to establish a hierarchy between the races.”11 with a history of these stereotypes, black women struggled to enter the domestic sphere as simply mothers while fighting the promiscuous jezebel label. the historical context of the suppression of white women’s agency in terms of their reproductive capabilities and confinement to the domestic sphere provides readers with a better understanding of cottle’s limited standpoint in her analysis of michelle obama’s motherhood. to cottle, obama’s celebration of motherhood comes off as resignation and compliance instead of as a move of activism. cottle uses language of confinement, which was once used against white women, to describe obama’s role in the white house, declaring, “the 2012 election did not set her free. even now, with her husband waddling toward lame duck territory, she is not going to let loose suddenly with some straight talk about abortion rights or obamacare or the common core curriculum debate. turns out, she was serious about that whole ‘mom-in-chief’ business.”12 cottle’s very word choice, insisting that the first lady is still confined and unable to let loose, emanates contempt for obama’s opting for motherhood. she even references how feminists hoped that the reelection would liberate her. as a white feminist, cottle has an inculcated aversion to domesticity that she equates with patriarchal complacency, a remnant of the historical context of white male subjugation. cottle even takes to objectifying and criticizing obama for flourishing her body, as she states snidely, “flotus has managed to remain above the fray—with her toned arms and her veggie garden and her radiant mom-in-chiefness.”13 another feminist cited in the article comments on obama’s arms, complaining, “i for one have seen enough of her upper appendages and her designer clothes.”14 maybe for cottle, a “mom-in-chief” who displays her body is a feminist nightmare, but she lacks the historical authority to speak for the experience of obama and black women as a whole. applying her white history to obama’s black present, cottle fails to notice the nuanced distinctions within her monolithic definition of motherhood. melissa harris-perry retorts derisively to the idea that obama is playing it safe. in reality, obama dismantles the historical obstacles (invisibility, economic dependence, and objectification) that have obstructed the path to black motherhood for years. michelle cottle insists that obama sticks to mild and almost irrelevant tasks: she cites one feminist who asks coolly, “how can you hate a vegetable garden?”15 this construction of a demure and safe first lady recalls black female voicelessness throughout history. black women have a history of being ignored for their 56 elements : : spring 2015 deeds, and cottle offers a similar argument surrounding obama’s ostensibly innocuous campaigns. melissa harris-perry efficiently counters this argument by citing the impact of obama’s childhood obesity campaign, along with the controversy surrounding her desire to help lower income students attend college. harris-perry declares the first lady is not playing it safe with this work. she has drawn plenty of right-wing criticism. no, ms. cottle, not everyone loves a vegetable garden… the president has been ridiculed as an elitist for suggesting that more people go to college. so if you think there’s no political risk, maybe you haven’t been paying attention. also, you misunderstand the place michelle obama occupies as the first african-american first lady.16 harris-perry’s most important argument comes from her assertion that cottle merely fails to understand the place obama occupies. cottle, ignorant of the historical context of black women and their own version of motherhood, cannot speak accurately on that topic’s behalf. as harris-perry illustrates, obama actually dismantles historical bondage that once deprived black women of their voices and exerts her own agency to make her country finally listen to a powerful, black, and female voice. after explaining how influential and controversial obama’s platforms are, harris-perry makes another major point — obama’s declaration of motherhood rejects the role of the mammy. despite what cottle thinks, what makes obama so revolutionary is that, “instead of agreeing that the public sphere is more important than sasha and malia, she buried mammy and embraced being a mom on her own terms.”17 obama is able to do what black women have sought for centuries — just be a mom. a belittling title to white feminists, black motherhood carries connotations of autonomy and independence from white patriarchal stereotypes rather than the submission associated with white motherhood for some feminists. the mammy stereotype implies economic dependence and inadequacy that force black mothers to work in order to support their children; but obama, by placing her children first, reclaims wholly both that domestic space and economic agency. she, unlike many of the black slave mothers before her, leaves the plantation that is the modern day public arena for her children. obama actively subverts the historical traditions of black women having to compromise their motherhood due to white patriarchal supremacy and provides black women with a new model to follow. obama even challenges the objectification of the black female body. kat stoeffel writes for new york magazine about how harris-perry saw michelle as subverting expectations in more subtle ways. take her anti-obesity and fitness campaigns. where cottle’s feminists see a policy issue domestic enough for the “lady of the manor” to dip her “fashionably shod feet” into, the msnbc host sees a defiant response to the media that reduced her to a set of upper arms. “for me, the immediate rational, reasonable response to that is to stop performing your body, to cover it up,” harris-perry said. “instead the first lady did this extraordinary thing where she’s like, oh you want to scrutinize? here i am. she went more sleeveless.18 stoeffel brings up an interesting point about how obama once again actually defies expectations rather than simply playing it safe as cottle suggests. instead of succumbing to the white male gaze, obama finds empowerment through her body, and she does not care how tired white feminists are of seeing her arms. while this opinion of harris-perry comes from a source outside of her direct letter to cottle, her point still stands. of course, as a white feminist, cottle’s perspective of obama is influenced by the experience of white females and patriarchal control of their sexuality, rather than a point of view supported by intersectionality and inclusion. the lack of understanding on cottle’s part illustrates the history of tension between black and white women in their respective quests for equality; white women assumed that their struggle against forced domesticity was and is universal, despite black women hoping to just occupy that sphere. black women have had to overcome certain economic and social barriers to enter the domestic sphere, while white women broke free from restrictions that confined them to such a sphere. cottle’s white, narrow-minded, and implied “universal” feminism is more damaging than obama’s proud allegiance to her daughters. melissa harris-perry offers her more appropriate standpoint and perspective to analyze the situation and determines that, in fact, michelle obama’s title of “mom-in-chief” redefines and reclaims black motherhood after a history of oppression. feminism fails to be feminism when it discounts the histories and differences of all types of women — there is no set of feminist rules up to which cottle can hold obama, making her groundless hyperbole the real feminist nightmare. 57 from mammy to mommy endnotes 1. kitch 150. 2. kitch 153. 3. kitch 152, emphasis added. 4. kitch 154. 5. kitch 151. 6. kitch 148. 7. kitch 84, emphasis added. 8. harris. 9. kitch 150. 10. somerville 26. 11. kitch 74. 12. cottle. 13. ibid., emphasis added. 14. ibid. 15. ibid. 16. harris-perry. 17. ibid. 18. stoeffel, emphasis added. references cottle, michelle. “leaning out : how michelle obama became a feminist nightmare.” politico magazine. november 21, 2013. accessed december 23, 2013. harris, tami w. “a black mom-in-chief is revolutionary: what white feminists get wrong about michelle obama.” clutch magazine 11 sept. 2012. harris-perry, melissa. “michelle obama a ‘feminist nightmare’? please.” msnbc.com. nbc news digital, 01 dec. 2013. kitch, sally. the specter of sex: gendered foundations of racial formation in the united states. albany: state university of new york, 2009. somerville, siobhan b. queering the color line: race and the invention of homosexuality in american culture. durham: duke up, 2000. stoeffel, kat. “michelle obama is no one’s feminist nightmare.” new york magazine. 22 nov. 2013. 58 elements : : spring 2015 "emotion must not be discarded by logicians as inherently fallacious; however, it must also be used cautiously by rhetoricians in order to secure influence over an audience without infringing upon the veracity of one's assertions." i n t r o d u c i n g e m o t i o n : the use of emotion and character in presidential speeches t i m h e n d e r s o n t h i s p a p e r e x p l o r e s t h e re l a t i o n s h i p b e t w e e n t r u t h a n d e m o t i o n i n r h e t o r i c w i t h s p e c i a l f o c u s o n t h e o p e n i n g m o m e n t s o f t h r e e s p e e c h e s b y a m e r i c a n p r e s i d e n t s , t h e f i r s t c r u c i a l m o m e n t s o f a s p e e c h a r e p r i m e o p p o r t u n i t i e s t o a p p e a l t o t h e e m o t i o n s o f t h e a u d i e n c e , a p r a c t i c e w h i c h i s a r g u a b l y o f d u b i o u s v e r a c i t y . t o c o u n t e r t h i s s u p p o s e d f a l l a c y , t h i s p a p e r e x p l o r e s t h r e e s p e e c h e s w h e r e e m o t i o n i s u s e d t r u t h f u l l y a n d e f f e c t i v e l y . g i v e n t h e s e r e s u l t s , t h e u s e o f e m o t i o n i n p r e s i d e n t i a l r h e t o r i c i s s e e n t o b e n o t o n l y p e r m i s s i b l e , b u t n e c e s s a r y t o i n f l u e n c i n g o n e ' s a u d i e n c e . i n t r o d u c t i o n during the crucial opening moments of speeches to the american people, american presidents often use emotion i n an attempt to influence their audience's views. without a convincing and intriguing introduction, rhetoricians are likely to fail in their later attempts to persuade their audience. but the appeal to emotion is often considered a logical fallacy because of the supposed inconsistency of emotion in judgments of truth. i n order to judge the relationship of these emotional introductions to truth, three introductions to presidential speeches are defined according to three emotion-based argumentative tactics identified by douglas walton in the place of emotion in argument. the tactics are the argumentum ad populum, argumentum ad baculum, and argumentum ad hominem. speeches by presidents lyndon b. johnson, john f. kennedy, and george w. bush serve as examples of these arguments in political rhetoric. each speech enhances its appeal to emotion through the use of allusion to character, a tactic treated by alan brinton in his article, "character i n ithotic argument." brinton's three examples relate to seneca's works, but they also shed light on these cases, i f i n slightly different forms. a n examination of these three introductions demonstrates that the opening moments of the presidents' speeches are based on logical, yet emotionallycharged, arguments. although usually suspect in the field of rhetoric, both walton and brinton support the claim that emotion can be used effectively and truthfully in political discourse. the speeches below offer views of the president playing the roles of unifier, commander-in-chief, and politician. although the admiration and trust held by the american people for their president has without doubt declined i n the past decades, there is still an expectation that political leaders wi l l speak truthfully to their audiences. this paper considers only the beginning of each of these speeches to consider the way in which an appeal to emotion at the beginning of a speech is meant to immediately impact the audience and prime them for greater persuasion. this paper wi l l focus especially on the importance of the introduction in american political rhetoric and the unique relationship between the president and his fellow citizens. walton describes the argumentum ad populum as an "appeal to popular sentiment or opinion" in argumentation. 1 this appeal presupposes that the audience of the speech has some widely held beliefs which the speaker can safely assume hold universal appeal. but walton identifies a number of reasons why many logicians immediately discredit the argumentum ad populum as fallacious. most significantly, they maintain that the appeal to emotion automatically makes the argument invalid and assumes a universal audience where one does not exist. 1 1 walton states that neither of these reasons is sufficient to discount the truth of some arguments based on popular appeals. most basic to walton's argument against the discrediting of the ad populum is the mistaken presumption that "appeals to popular emotions are in a separate category from logical reasoning." 1" rather, as wi l l be seen i n the beginning of lyndon johnson's speech "we shall overcome," the appeal to popular sentiment can draw truthful conclusions. l y n d o n b. j o h n s o n speaking during the tumultuous civil rights era, president lyndon johnson appeals to the universal themes of "the dignity of man" and the "destiny of democracy" in his argument for greater equality for african americans. although these themes are expressed i n phrases with positive connotations, president johnson's opening remarks .. the opening moments of the presidents' speeches are based on logical, yet emotionally-charged y arguments." e l e m e n t s s p r i n g 06 are meant to suggest a lack of equality. that is, by suggesting "dignity" and "democracy" he is really referring to the injustice and inequality in america, triggering in his audience an emotional response of shame and regret. while it could be argued that the appeal to emotion i n this argument makes it immediately erroneous, the issues of race and discrimination are more adequately discussed by a "mutual interaction of thinking and feeling in ethical decision making. " 1 v indeed it would be nearly impossible to discuss the racial inequalities i n america at this time without infusing some elements of emotion into one's argument. topics such as human dignity do not lend themselves to discussions based solely on facts and data. as president johnson implores his people to look to selma, alabama as an example of the undeniable prejudice i n america, the truth of his argument is not threatened by its use of emotions. the topic of johnson's speech suggests, however, that the larger audience is not a universally coherent group. the divisions within america at this time need to be discussed i n relation to the second criticism of ad populum arguments, that they make a unified audience out of a limited group. president johnson states that i n order for racial inequality to be erased in america, "members of both parties, americans of all religions, and of all colors, from every section of this country, [must support] that cause." the american populace is a large and varied group, with different viewpoints and values, which could call into question the use of the ad populum, challenging the existence of a unified opinion to which to appeal. but walton states that it is more important that "the audience to whom the argument is directed accepts these premises enthusiastically" than that the premises are universally valid. v it is certainly easier to speak to people who already agree with the speaker's position. in this case, however, it can be assumed that at least the majority of the population agreed in principle with the goals of achieving "dignity" and "democracy." this practical approach offers the speaker more flexibility in his approach while still being able to maintain a level of relative truth. although this is not a perfect and undeniable truth, relative truth can be acceptable in complicated cases. the people who president johnson most needs to convince are those who hold racial prejudices. these same people would contest the notions of dignity and democracy being inclusive of african americans and thus call into doubt the veracity of the argument. walton again offers important insight in stating that one must be a "rational respondent" i n the audience to qualify as an important judge of an argument. v l the argument could be made here that those who believe that african americans are not worthy of equal treatment are themselves not rational. this may be using i n t r o d u c i n g e m o t i o n ! t h e use of e m o t i o n a n d cha ra cter i n p r e s i d e n t i a l speeches historical hindsight, but it must be considered that in this case the possibility of having a universal audience in america is not plausible. while it is important for the president to convince those who do not agree with h im, it is more practical to try and convince those who do not hold radical views. indeed the message of the speech is to rally support behind the president's racially unifying policies i n the hope that an american consensus may be forged. so while the president's ad populum argument is based on some important presumptions, these assumptions are both reasonable and necessary to the continuation of the discussion. having established the necessity of emotion in president johnson's introduction, it is possible to examine how the president expands upon his original appeal to emotion through the first of brinton's appeal to character. following his universal appeal to extinguish the flames of inequality i n america, president johnson refers to the "unending search for freedom" which has roots i n places like lexington, concord, and appomattox. much like the events in selma, alabama which spurred the president's remarks, the battle of appomattox is one symbol of the struggle to secure the freedom of african americans. many years after the end of the civil war, african americans during the 1960s were still unequal citizens. one of the three appeals to authority comes in the form of what brinton calls "the exemplar. " v u described as a "reference to actual historical examples," the audience is encouraged to remember the importance of this event, and the people who died to establish a precedent of racial equality. v l l i president johnson's earlier exhortation to realize the "destiny of democracy" is supported by the sacrifice and principles that led the soldiers of the north to fight against the injustice of slavery in the south. by using this exemplar, president johnson's abstract appeal to emotion is given a more tangible representation by referencing america's history. as brinton suggests, the exemplar suggests the virtuous actions which should be emulated by the audience. ix in this sense, the exemplar provides factual evidence to support what was previously an almost entirely emotional appeal. although most in the audience had no personal involvement in the civil war, they all knew what occurred and what was at stake. by drawing the connection between the 1860s and the 1960s the president hopes that the shame of america's continuing inequalities wi l l be intensified. rhetorically speaking, the argument is based less on strict emotional appeal, being supported by this reference to the past. j o h n f. k e n n e d y the argumentum ad baculum is defined by walton as an "appeal to threat of force or to fear ... in a critical discussion.'^ walton spends considerable time discussing this definition and whether or not an ad baculum argument must include a threat or i f fear alone can define the ad baculum.™ walton also states that the "context of the dialogue" determines whether the ad baculum wi l l be deemed valid or fallacious. x n for the purposes of this discussion, the situational definition proves more enlightening to the discussion of the truthfulness of his claims. it would be inappropriate for a direct threat to be made in a speech. it would be more appropriate to carefully use threat or fear i n an argument in what walton describes as a "negotiation dialogue." x u 1 i n the case of a negotiation, there is a greater expectation on the part of both parties that threats may be used should resolution of a conflict reach an impasse. the following speech by president john f. kennedy is an interesting variation on the typical negotiation dialogue between a speaker and an opponent. rather than a threat of force against his or her opponent, the third party of communist russia serves as the threat to both speaker and audience. nevertheless, this is an ad baculum argument because of the fear the president's argument is meant to arouse in his audience. a n examination of president kennedy's "the berlin crisis" wi l l then serve as an example of the use of the emotions aroused by fear in an argument. domestically and internationally, the perceived threat of communism had created a climate of fear in post-world war i i america. fears were realized when, in 19 61, soviet russia contested america's claim to parts of the city of e l e m e n t s s p r i n g 06 berlin, which had been divided at the end of world war i i . in this time of crisis president kennedy spoke to the american people about the threat facing them and the need to meet this crisis with fortitude. to begin his speech, president kennedy referenced the "grim warnings about the future of the world" offered by russian premier khrushchev weeks earlier. although the american people would not be directly harmed by this action, there is an implied threat that i f the soviets forced the americans out of berlin, they could emerge anywhere. in this case the threat could do harm to both members of the dialogue; both parties in this speech could be harmed by the same source. it is apparent that the emotions aroused in both parties as a result of this speech are fear and uncertainty. but does this use of emotion constitute a logical fallacy? this question may be better answered by examining the larger purpose of the speech. later in his speech, president kennedy asks congress for more money and support for the armed forces to help the people of berlin. but the president also states that the american people must be aware of "new threats in berlin or elsewhere" because "[americans] cannot afford not to meet this challenge." president kennedy's aims in this speech are more wide-reaching than simply freeing the oppressed people of berlin. as a means for asking for more money and supplies to fight this threat, the president evidences his appeal to fear with an event occurring at the moment. although the president hopes to use this incident as a means for building up the military, there was at least some semblance of a threat to american interests to warrant this reaction. so while historians have and wi l l argue about the actual threat of communism, in this case it can be said that the argument ad baculum was based upon evidence. the appeal to fear i n this case was a truthful representation of the situation facing the united states at the time. his argument appeals to the emotions of the american people, and president kennedy uses techniques to rhetorically exploit these emotions. president kennedy completes his ad baculum argument by becoming the savior of the american people, the suppressor of their fears. by speaking "frankly" and "openly" about the situation, the situation does not seem so grave. to conclude his introduction, president kennedy uses an allusion to the past to shore up his ad baculum argument and appeal to fear. exploiting the division between security and anxiety, the president references the victory of the allied powers over nazi germany which led to the partitioning of berlin. here we find another example of an appeal to character and authority as defined by brinton. this reference to nazi germany may be defined as a mix of an "exemplar" and a "spectator."x l v the spectator is defined by brinton as an example which forces the members of the audience to ask themselves: what i n t r o d u c i n g e m o t i o n : t h e use of e m o t i o n a n d cha ra cter i n p r e s i d e n t i a l speeches would this person do in this situation or what would i do i f this person were watching? in this context the exemplar reminds the audience of the courage and sacrifice required to win that war and the spectator asks them what those who sacrificed for that war would do i n this situation. many in the audience had fresh memories of either fighting in the war or living during war time and would have easily drawn the parallels between this new dilemma and w w i i . this is another reversal in language in president kennedy's introduction. after the strength conveyed in the second paragraph, the president again resumes his somber-toned allusion to a time of victory achieved through great hardship. by constantly shifting the emotions he is appealing to, president kennedy further exploits the alarm created in the first lines of his speech and garners more leverage to convince his audience of his proposals later i n the speech. this allusion to w w i i is the final piece of the ad baculum because it references a threat that had already been faced and defeated. but this allusion also implies that without similar sacrifices the new enemy, unlike the old one, may be victorious. it is apparent that the ad baculum argument must be carefully used. clearly the united states was facing a threat and the president wished to inform his people. but the repeated appeal to fear is cause for reasonable suspicion of the truthfulness of his argument. as walton suggests, the ad baculum argument may be used as "scaremongering." x v it is difficult to believe that many americans at the time viewed the president's remarks as such given the larger situation. instead, it should be remarked that the president met this situation with appropriate concern and persuasive rhetorical techniques. the leaders of the soviet union were listening to the president's speech and were themselves targets of the president's attack. in this sense, the speech could function on two levels according to walton's division of the ad baculum.xy1 on the level already discussed, the president's use of fear was indirectly targeted towards the american populace in order to stir an awareness of the situation and support kennedy's cause, what walton describes as a "non-threat. , , x v 1 1 on the other hand, i f viewed as being directed towards the soviet union, this speech could be viewed as an indirect threat, because it is not specifically addressed to the soviet u n i o n . x v i i i while the president knew the soviet leaders would be listening, it was the support of his constituency, the american nation, that was most important to h im. they serve as the primary audience of his ad baculum argument. george w . b u s h in the final emotion-based argument, the argumentum ad hominem, president george w. bush contends that his opponent i n the 2 0 0 4 presidential election, senator john kerry, has dubious credibility for the position of president because of his inability to establish consistent policy positions. according to the subdivision of the ad hominem arguments by walton, this argument by president bush should be classified as a circumstantial ad hominem or the "questioning of an arguer's position by citing a presumptive inconsistency within that posit ion." x , x in fact, president bush's attack is a textbook case of this type of argument, one that many raised against senator kerry during the election. at the beginning of his opening statement, president bush (referring to kerry) states he "can see why people think he changes positions a lot, because he does." the president uses as evidence in his introduction senator kerry's record with regard to the war in iraq: he supported the war before it occurred, but condemned it when popular sentiment changed and his opponent howard dean spoke out against it. president bush is implying, and later explicitly states, that because of such uncertainty, senator kerry's ability to lead the country in a time of war is dubious. president bush does not concentrate on his own policies directly, but does this indirectly by pointing to the matters which senator kerry has changed positions on and he has continued to support. the strength of this argument relies on the audience's belief that what the president has done has been beneficial, but most important is that bush defends the consistency of his own actions. in his introduction, president bush sets himself up against senator kerry as a man of deep-seated beliefs, worthy of a second term as president. undecided voters are left wondering about the elem ents s p r i n g 06 character of senator kerry in opposition to the president who has not wavered from his position despite controversy. by placing this attack at the beginning of the debate the president is able to point out this character flaw throughout the debate. the ad hominem in the introduction of the debate can serve as the theme of the debate, to which the president may continually return. although the argument is backed up with examples by president bush, it is primarily an appeal to the abstract, emotional characteristics senator kerry exemplifies. president bush's reference to senator kerry's record to call into doubt his character is another use of one of brinton's appeals to authority. in this case, the president is appealing to a very straightforward "citation" of his opponent's voting record. x x the citation is described by brinton "as a form of ithotic argument [which] involves the direct or indirect quotation of a source with the intention that identification of the opinion or attitude expressed with the source wi l l influence hearers or readers toward acceptance."3041 it is clear from the discussion above that president bush's quotation is an indirect one which references changes in senator kerry's beliefs on a number of issues. this example relies on the premise that the american populace is suspicious of politicians who do not keep their word and are unsure of what they support. through this example, the president hopes to show that the senator is unfit to be president. in making this argument the president insists that he represents the opposite of the values which he claims senator kerry has exhibited in his "wishy-washy" voting record. as a means of rhetorical strategy, this argument both condemns one's opponent and extols the virtue of the speaker. this is a dual nature which has not been seen i n any of the previous arguments and is an important device for speakers to use. although the ad hominem has a reputation for being fallacious, and nothing more than an attack on one's character, i t should be considered relevant and important criticism in a critical discussion. according to walton, this importance is primarily derived from the personalization which occurs when an ad hominem is used because it concentrates its attack on the character of one's opponent.™ 1 but rather than considering this personalization as a negative aspect of discussion, walton goes so far as to say that this is "the most important single benefit of a successful critical discuss ion. " x x l i i while it is clear that raising character issues is important to debate, it is also important to recognize that there is the possibility that such arguments can be used excessively and insultingly. in such cases, the ad hominem loses its effectiveness with the audience, which is also able to recognize the subtlety and importance of the argument when used well. the overuse or abuse of the ad hominem can be more injurious to the speaker than the intended target of criticism. when used i n t r o d u c i n g e m o t i o n : t h e use of e m o t i o n a n d cha ra cter i n p r e s i d e n t i a l speeches in president bush's opening remarks during the debate, however, the ad hominem immediately imprints a negative image of senator kerry's character upon the audience. whether or not he directly addresses this again is not as important as the fact that it remains i n the back of the audience's mind throughout the rest of the debate. this is then an exceedingly effective method to use during a debate because it figures greatly into the later discussions without having to be mentioned. c o n c l u s i o n from this discussion it is apparent that the opening lines of presidential speeches are often filled with rhetorical strategies that are primarily based on emotions. this discussion has focused on three introductions, three arguments based on emotion, and three appeals to character. in light of each of these sources the richness and complexity of introductions to rhetoric is undeniable. without a convincing and appealing introduction, a speaker's ability to influence an audience later in the speech is greatly inhibited. the importance of emotion, as discussed through walton's presentation of the emotion-based arguments, has shown that, practically speaking, emotions are sometimes the most accurate judges of truth available. similarly, brinton's article offers three appeals to character which have been shown to enhance arguments based on emotion. the argumentum ad populum, argumentum ad baculum, and argumentum ad hominem must be used with appropriate decorum to the situation to be persuasive. should these arguments extend beyond the boundaries of decency in a civilized forum, such as the president's podium, the audience may be unconvinced and the fallacious argument wi l l harm the speaker instead of his opponent. emotion must not be discarded by logicians as inherently fallacious; however, it must also be used cautiously by rhetoricians in order to secure influence over an audience without infringing upon the veracity of one's assertions. e n d n o t e s i . walton, (65) i i . walton, (66) i i i . walton, (67) iv. walton, (67) v. walton, (70) v i . walton, (69) v i i . brinton, (252) v i i i . brinton, (252) ix. brinton, (253) x. walton, (145) xi . walton, (152) x i i . walton, (144) x i i i . walton, (144) xiv. brinton, (252-254) xv. walton, (174) xvi. walton, (180) xvii . walton, (180) xvii i . walton, (181) xix. walton, (202) xx. brinton, (251) xxi. brinton, (251) xxii . walton, (192) xxii i . walton, (192) references brinton, alan. 1986. "character i n ithotic argument." history of philosophy quarterly, 3, pp. 245-258. bush, george w. 2004. "second presidential debate of 2004 election." retrieved f rom http: //www.cbsnews.com/stories/2004/10/08/ politics/main648302 .shtml. johnson, lyndon. 1965. "we shall overcome." speech. retrieved f rom http://www.tamu.edu/ comm / pres / speeches/lbjovercome.html. kennedy, john f. 1961. "the berlin crisis." speech. retrieved f rom http://www.tamu.edu/ comm/pres/speeches/ j fkberl in.html. walton, douglas. 1992. the place of emotion i n argument. university park: pennsylvania state university press. e l e m e n t s s p r i n g 06 http://www.cbsnews.com/stories/2004/10/08/ http://www.tamu.edu/ http://www.tamu.edu/ "paradigms and brain imaging technologies art becoming progressively more exacting, allowing cognitive scientists to investigate the ... neural circuitry responsible for abstract and uniquely human traits." r e m i n i s c i n g a n d d a y d r e a m i n g investigating the similarities between episodic memory recall and imagination k y l e f i s c h e r t h e p o w e r o f i m a g i n a t i o n h a s l o n g b e e n t o u t e d a s a d i s t i n c t i v e p r o p e r t y o f h u m a n c o g n i t i o n a n d r e m a i n s a h e a t e d t o p i c a m o n g s t p h i l o s o p h e r s , s c i e n t i s t s , a n d d a y d r e a m e r s a l i k e . d e s p i t e p l a y i n g a c r i t i c a l r o l e i n t h e m a j o r i t y o f h u m a n i t y ' s f i n e s t a c h i e v e m e n t s , l i t t l e is k n o w n a b o u t h o w t h i s f a c u l t y a c t u a l l y w o r k s . r e c e n t f i n d i n g s f r o m l e s i o n p a t i e n t s p o i n t t o t h e i n v o l v e m e n t o f t h e h i p p o c a m p u s in i m a g i n i n g n e w s c e n a r i o s . t h e h i p p o c a m p u s is h i s t o r i c a l l y a s s o c i a t e d w i t h l o n g t e r m m e m o r y c o n s o l i d a t i o n , a n d m e m o r y m o d e l s a r i s i n g f r o m n e w f i n d i n g s in t h e m o l e c u l a r p a t h w a y s o f m e m o r y a l l o w f o r a m o r e f l u i d t r a n s i t i o n b e t w e e n i m a g i n a t i o n a n d m e m o r y . e l i z a b e t h l o f t u s ' f a m o u s s t u d i e s o f f a l s e e p i s o d i c m e m o r y r e c o v e r y f u r t h e r d e m o n s t r a t e o v e r l a p b e t w e e n i m a g i n e d a n d r e c a l l e d e v e n t s . f i n a l l y , a n f m r i s t u d y i s p r o p o s e d t o c o m p a r e b r a i n a c t i v i t y d u r i n g b o t h e p i s o d i c m e m o r y r e c a l l a n d t a s k s t h a t r e q u i r e i m a g i n a t i o n in o r d e r t o p i n p o i n t r e g i o n s f o r f u r t h e r i n v e s t i g a t i o n . as the field of neuroscience expands, it is increasingly entering uncharted territory; the pieces of human experience that were once major arguments for cartesian dualism, including morality, foresight, and theory of mind, are quickly finding neural homes. paradigms and brain imaging technologies are becoming progressively more exacting, allowing cognitive scientists to investigate the brain regions and neural circuitry responsible for abstract and uniquely human traits. one of these traits is imagination, the ability to produce vividly detailed episodic events. recent studies of hippocampally-lesioned patients have shown that these injuries result in the inability to formulate new imaginative experiences,1 suggesting that these regions, classically linked with memory, are also necessary for imagination. new findings i n memory research have offered a modified memory model 1 1 suggesting a fluid continuum between real episodic memories and episodic imaginative experiences. the error-prone nature of episodic memories as evidenced by false memory experiments 1 1 1 supports the theory of a synonymous relationship between what is currently conceived as episodic memory and imagination. i n light of this evidence, we wi l l discuss a possible experimental paradigm that wi l l investigate similarities i n brain activity induced by episodic memory recall and the production of an imaginative narrative. imagin ing a dragon is a process wh ich likely occurs in t h e h ippocampus. episodic memory is a uniquely human trait that expresses information i n a detailed narrative fashion, coding for who, what, where, when, and why . l v v when conventional speech refers to 'memories', it is most likely referring to episodic memories. for example, recall a childhood memory, perhaps your first baseball game. you may remember stepping up to home plate, hearing your mom and dad cheer, and striking out in humiliation. perhaps you may remember the smell of the grass, the warm summer light, or the taste of the snacks back in the dug out. now imagine a completely fanciful event, perhaps a dragon attacking a ship full of vikings. again, you can hear the sea, taste the salt water, and feel the heat of the dragon's breath. as a final exercise, try integrating the two; while stepping up to the plate in your first baseball game, have a dragon stroll out into left field. ridiculous, perhaps, but this brief exercise illustrates that as far as the nature of the mental experience is concerned, imagination and episodic memory seem, i f only anecdotally, identical. although some nonhuman animals have displayed episodic-like memories,v 1 homo sapiens are the only known species to possess this ability.v 1 1 as one might surmise from the previous exercise, classical false memory studies have been able to modify, falsify, and even produce new fictitious memories of fantastic proportions. one of the more classical studies, by loftus, v m asked participants to recall a series of childhood memories that were given to the researchers by the participants' parents. during these sessions, the investigators would also ask the participants about having been lost i n the mall as a child, which the parents of the participants confirmed had never happened to their children. nonetheless the participants recalled confidently the fictitious event, even creating precise details. 1 x the suggested nature of episodic memory supports the fluid model, which integrates imagination and episodic memory, but an understanding of the underlying mechanism of memory production is necessary to further investigate this theory. memory is comprised of past events, but the function of memory is strictly future-based. a n e l e m e n t s f a l l 08 ever-changing environment behooves an organism to record responses in the chance that similar events occur in the future. in humans, the seat of memory is the hippocampus, a bilateral pair of horns that curl in the subcortical region of the brain, ending with the amygdala.x as lesion patient studies have shown, loss of the hippocampus results in profound short-term memory loss, as well as a deficit in the ability to create new long-term memories.x 1 the findings from these and other memory studies have led to the proposal of a memory model in which short-term memories, lasting from a few seconds to a few hours, are recorded i n the hippocampus and are later consolidated to the cortex as long-term memories, where they can remain for a l i fet ime. x 1 1 ' x 1 u synapses. subsequent co-activation of these two synapses further increases a m pa numbers unti l these neurons fire swiftly with the smallest synaptic activity.™ behaviorally, the pavlovian response is observed; if, for example, a rat hears the tone that is followed by an electric shock, it wi l l quickly behave in response to the tone as i f it were being shocked. the activation provided by the neurons responding to "tone", after a repeated exposure to the tone-shock pairing that induced long-term potentiation, is enough to elicit a shock response without co-stimulation. the manner in which the hippocampus codes for the information that comprises such memories remains unknown. however, injection of a protein synthesis inhibitor such as anisomycin during training sessions blocks "memory is comprised of past events, but the function of memory is strictly future-based. an ever-changing environment behooves an organism to record responses in the chance that similar events occur in the future." recent neurobiological research has challenged, or at least modified, this long-standing memory dogma. at the neural level, memory encoding begins with a process called long-term potentiation, in which the co-stimulation of a neuron by two separate neurons at the same time molecularly increases the efficiency by which that neuron can later be activated under a similar circumstance. x i v this coincidental strengthening is often referred to as hebb's law, expressed as "neurons that fire together, wire together." x v costimulation leads to molecular changes facilitated by magnesium ions and voltage-gated nmda channels, which respond to the excitatory neurotransmitter glutamate, causing an influx of calcium ions and, after a short metabolic pathway, protein synthesis that produces a m pa receptors that are inserted specifically in the activated the production of a m pa receptors, long-term potentiation, and subsequent memory of the association between tone and shock. x v n surprisingly, recent findings from nader x v m show that i f a protein synthesis inhibitor is injected when the learned behavior is recalled at a later date, the presentation of a tone long after the inhibitor has worn off wi l l elicit very little behavioral response. in effect, the memory is erased when it is recalled in the presence of a protein synthesis inhibitor. nader has proposed that instead of a shortterm and long-term memory system, memories are rather in a labile, active state or an inactive, consolidated state, and the process of consolidation and reconsolidation are practically identical. x l x r e m i n i s c i n g a n d d a y d r e a m i n g the study has caused much excitement and controversy in the psychology field due to its potential as a therapy to erase or dull traumatic memories, but it also raises questions as to the evolutionary selection of such a memory system. according to the active/inactive state memory model, every time a memory is recalled it is liable to be disrupted. the nature of this model seems very unstable, especially when one considers that those memories that are recalled the most are probably the most important. however the system seems highly evolutionarily conserved, with the same effects of protein synthesis inhibitors dulling or erasing behavioral memory responses i n rats, chickens, and crabs. x x the positive attribute of this system is that the labile state achieved i n recalling a memory allows it to be brought back to the mental drawing board, where it is open to editing. thus an individual can continually add to several memory scripts; a memory for "tone = shock = freeze" recalled to a labile state can easily have another stimulus added to it , increasing the efficiency of behavioral learning, a trait that could dramatically increase the survival of an individual. for example, a rat that remembers "tone = freeze" wi l l very quickly learn "light flash = freeze" when a light flash is placed directly before the tone/shock training. in humans, lesion patients without the facility of a hippocampus are unable to arrange remembered events in a correct order, supporting the idea of the hippocampus as the region responsible for the assembly of a memory narrative.™ it could also be possible that the only memories prone to error in an active/inactive memory model are episodic memories. memories are split into two categories: declarative and nondeclarative. declarative memories are further split into episodic and semantic memories, the latter of which deals with facts and certain language skills. nondeclarative, or implicit memories, record procedural memory, perceptual representation systems, classical conditioning, and nonassociative learning. x x i i few nonhuman animals display semantic memory capabilities, but the majority of cognoscente species have nondeclarative faculties.x x u 1 i n an active/inactive model of memory, the implicit information coded by these types of behavior, like a tone beep or the motions used for riding a bike, are unlikely to be falsely modified as the only equivalent data that can replace the coded information is derived from environmental stimuli. as we have seen from false memory studies, episodic memory seems to have the unique characteristic of being highly susceptible to thought-provoked reconsolidation error. interestingly, it wasn't unti l 2007 that hippocampus lesion patients were tested for their ability to create mental images in response to a verbal prompt . x x i v episodic memory production is practically nonexistent i n these individuals, and i f imagination is synonymous with episodic memory recall, one would expect to see retarded imaginative processes. compared to control individuals of the same age and iq, the responses of the amnesic patients were severely fragmented, labored, and non-descriptive, leading the research team to conclude that imagining new events was impossible for hippocampally-lesioned patients. to decisively test whether episodic memory and episodic imagery are the same wil l require a comparative study of brain activation during both tasks. before the experiment begins, participants wi l l be asked to send their parents a short questionnaire about events from their child's past. while lying i n a function magnetic resonance imaging (fmri) machine, the participants wi l l be prompted with either one of their childhood memories or an event that never occurred. they wil l then be asked to recall the event and mentally relive the experience, regardless of its validity. i f the prompt is of a familiar event, the participant wi l l be asked to recall the specific memory. i f the prompt doesn't ring a bell i n the mind of the participant, they wi l l be asked to imagine the event as i f it had truly occurred. for the comfort of the participant, the parents wi l l be asked for only positive events. the participants wi l l be told to be as vivid as possible in recalling the memory, and upon finishing the session, lasting only a few minutes, they wil l need to describe their mental responses. the participants wi l l also be asked to acknowledge which scenarios they recalled and e l e m e n t s : : f a l l 08 e n c o d i n g o f e p i s o d i c m e m o r i e s a c t i v a t e s n u m e r o u s parts o f t h e bra i n,as s e e n h e r e in t h i s s e r i e s o f mr i s . which they imagined occurring, and brain activities between these two groups wi l l be compared. past positron emission tomography (pet) studies have found different activations during the encoding and retrieval of episodic memories, x x v often termed 'hemispheric encoding-retrieval asymmetry > x x v 1. encoding activity has been shown to activate left prefrontal cortex and right hippocampal regions in the majority of individuals. retrieval has been shown to activate only the left prefrontal cortex, and i f imagining and episodic memory retrieval were of the same nature, one would expect similar activations. despite these illuminating results, the majority of the paradigms that produced these patterns of activation used single still images as cues, which are poor real world examples of episodic memory. the paradigm proposed here uses real autobiographical episodes rather than single images. also, retrieval required acknowledging familiarity when new and old images were presented to participants, while this proposed experiment requires a mental recount of each episodic event. although the cues used in these past experiments would qualify in content as episodic memories, they are poor examples of the powerfully expressive nature of human episodic memory. that being said, regions of activation could vary widely from these previous results in lateralization, but wi l l most likely still occur within the left prefrontal cortex, hippocampus, and anterior cingulate gyrus xxvii>xxviii other interesting considerations could be applied to further experiments; i f imagination and episodic memory utit h e brain u n d e r g o e s a complex process when ch ildren use the ir i m ag i n at ions. lize the same brain regions to function, does forcing one function hinder the production of the other? for instance, would accuracy in passive memory tasks decrease while a participant is daydreaming, or vice versa, while hippocampus activity remains the same? what roles do attention areas play in switching classically episodic regions from recording real life to reliving fictions? x x l x do these areas play a role in the dream production of rem sleep? the frontal lobes are known to play a large role in global brain activities, including working memory, novel object recognition, and planning for the future.30™*** 1 i f the frontal lobes are the region associated with baddeley's central executive, 5 0™ 1 is episodic memory one of the processes of a visuospatial sketchpad, the other being creative imagery? what role would the switch between the imagined and the real play i n a schizophrenic's notorious misinterpretations of imagined events? imagination is one of the cognitive abilities that, unt i l recently, most cognitive neuroscientists would not touch with a long pole; it reminds one too much of the ambiguously defined subsets of the dualist mind. with increased understanding of our species cognitive abilities, research scientists are quickly closing i n on subjects once left only to the discussions of philosophers. some of this research raises questions about the way we perceive imaginative processes. findings describing the neural basis for memory reconsolidation allow for a more fluid memory model that explains the errors notorious to episodic memory as seen in false memory studies. hippocampus lesion amnesiacs not only display a loss i n short-term memory and long-term memory production, but also the inability to create episodic narratives. as abstract as it may sound at e l e m e n t s f a l l 08 first, imagination is a concise cognitive ability that may be synonymous with episodic memory recall. understanding the mechanism underlying the similarities and differences between these two cognitive abilities could have implications in attention theories, rem dream theory, and memory models, as well as our perception of reality. e n d n o t e s i . hassabis (2007) i i . nader (2003) i i i . loftus (1997) iv. sudderdorf (2007) v. gazzaniga (2002) vi . gazzaniga (2002) v i i . sudderdorf (2007) v i i i . loftus (1997) ix. loftus (1997) x. gazzaniga (2002) xi . gazzaniga (2002) xi i . nader (2003) x i i i . gazzaniga (2002) xiv. frey & morris (1997) xv. gazzaniga (2002) xvi. frey & morris (1997) xvii. frey & morris (1997) xvii i . nader,(200o) xix. nader (2003) xx. nader (2003) xxi. shimamura (1990) xxii. gazzaniga (2002) xxiii . tulving (2005) xxiv. hassabis (2007) xxv. haxby (1996) xxvi. gazzaniga (2002) xxvii. cabeza (2003) xxviii. gazzaniga (2002) xxix. cabeza (2003) xxx. knight (1996) xxxi. henson (1999) xxxii. baddeley (1996) references baddeley, a. 1996. "exploring the central executive." the quarterly journal of experimental psychology 49a, 5-28. cabeza, r. et al. 2003. "attention-related activity during episodic memory retrieval: a cross-function fmri study." neuropsychologia 41, 390-399. frey, u. & morris, r. g. m . 1997. "synaptic tagging and longterm potentiation." nature 3 8 5, 5 3 3 5 3 6. gazzaniga, m . s. et al. 2002. cognitive neuroscience: the biology of the mind. 2nd ed. new york: w. w. norton & company. hassabis, d. et al. 2007. "patients wi th hippocampal amnesia cannot imagine new experiences." proc. of nat. asso. sci. 104, 1726-1731. haxby, j. v. al. 1996. "face encoding and recognition i n the human brain." proc. natl. acad. sci. 93, 922. henson, r. n. a. et al. 1999. "right prefrontal cortex and episodic memory retrieval: a functional mri test of the monitoring hypothesis." brain 122, 1367-1381. knight, r.t. 1996. "contribution of human hippocampal region to novelty detection." nature 383, 256-259. loftus, e. f. 1997. creating false memories. scientific american 277. nader, k. 2003. "memory traces unbound." trends in neurosciences 26, 65-72. nader, k. 2000. "fear memories require protein synthesis i n the amygdale for reconsolidation after retrieval." nature 406, 722-736. raby, c. r. et al. 2007. "planning for the future by western scrub-jays." nature 445, 919-921. sudderdorf, t. & corballis, m . c. "the evolution o f foresight: what is mental time travel and is it unique to humans?" behavioral and brain sciences 30. shimamura, a. p. et al. 1990. "memory for the temporal order of events i n patient w i t h frontal lobe lesions and amnesic patients." neuropsychologia 28, 813-813. scoville, w. b. & milner, b. 1957. "loss of recent memory after bilateral hippocampal lesions." journal of neurology, neurosurgery and psychiatry 20, 11-21. tulving, e. 2005. "episodic memory and autonoesis: uniquely human?" the missing link in cognition: origins of self-reflective conciousness. ed. terrace, h . s. & metcalfe, j: oxford university press. r e m i n i s c i n g a n d d a y d r e a m i n g after t h e fall! reevaluating whiteness in j.m. coetzee's disgrace brady sm ith i n l i g h t of t h e u n f a v o r a b l e way i n w h i c h m a n y w h i t e s o u t h a f r i c a n s h a v e reacted to black m a j o r i t y rule i n c o n t e m p o r a r y s o u t h a f r i c a , t h e r e has been a t e n d e n c y to read j . m . coetzee's 1999 n o v e l disgrace as a c o n d e m n a t i o n of t h e s o c i a l d i s r u p t i o n t h a t has c h a r a c t e r i z e d s o u t h a f r i c a n life s i n c e 1994. w h i l e t h e n o v e l c e r t a i n l y expresses a degree of u n e a s e over t h e p o l i t i c a l l y p r e c a r i o u s s i t u a t i o n of w h i t e s i n t h e new s o u t h a f r i c a , s u c h r e a d i n g s t e n d to i g n o r e t h e c o m p l e x i t i e s of b o t h t h e n o v e l a n d t h e p o l i t i c s of life after a p a r t h e i d . rather t h a n a n attack t h a t describes w h i t e life as n o w e s s e n t i a l ly i m p o s s i b l e , i try to u n de rstan d disc race as a m e d i t a t i o n o n t h e m e a n i n g of w h i t e n e s s i n t h e new s o u t h a f r i c a , o n e t h a t seeks to leave b e h i n d t h e racist a n d i m p e r i a l i s t d i s c o u r s e s t h a t p r e v i o u s l y d e f i n e d w h i t e n e s s as a s o c i a l i d e n t i t y . i n t r o d u c t i o n racial segregation has existed in south africa in various forms from the arrival of the first dutch settlers i n 1652. it was not unti l the 1930s, however, that a growing afrikaner intelligentsia began articulating a system of strict racial separation that would, i n theory, allow for the self-determination of coherent racial groups within their own politicalcultural space while at the same time providing an assurance that afrikaner identity would not be threatened by the assimilationist tendencies of a modern capitalist economy. 1 the institutionalization of south african identities began in earnest after the 1948 elections in which the afrikaner nationalist party won a majority of seats in parliament and thus seized control of the government under prime minister d.f malan." within two years of the nationalist victory, the new government enacted the prohibition of mixed marriages act, the immorality act, the population registration act and the group areas act, all of which sought to control interaction among races and in doing so ensured the privileged place of south africa's minority white population for decades to come. 1" it is not at all surprising, then, to witness the tremendous anxiety of many whites in the aftermath of south africa's transition to democracy. i f apartheid as a system sought to separate races and distribute rights along the hierarchical model enshrined in the south african union, it also sought to do so along the lines of power, something from which all whites i n south africa benefited whether they agreed with apartheid or not. thus the decline of apartheid is necessarily a challenge to the whiteness it helped to so clearly define. "south africans, willingly or unwillingly, successfully or unsuccessfully, are engaged i n one of the most profound collective psychological adjustments happening i n the contemporary world," writes melissa steyn in "whiteness just isn't what i t used to be" a study of whiteness in south africa after transition. i v those cited in her study frequently speak with anger at the fact that whiteness, formerly a sign of power, has become, in their eyes, a sign of vulnerability. "a few years ago," writes one rather short-sighted respondent, "being white did not have a serious affect on my life, but it is beginning to have an effect now." v e l e m e n t s s p r i n g 06 it is in the context of this reevaluation of whiteness in the new south africa that i want to consider j.m. coetzee's 1999 novel disgrace. while attacked as racist by south africa's ruling african national congress, the novel has been widely acclaimed elsewhere as a scathing indictment of the treatment of whites under anc rule. v i these readings, however, have by and large ignored the complexities of what is a profound and telling meditation on the meaning of whiteness in postcolonial south africa. v i i the novel, as david attwell notes, is written with a strong sense of 'post-ness,' a term he uses to describe the post-apartheid, postcolonial and, importantly, post-historical mood pervading i t . v m i n this environment coetzee traces the relationship between david lurie, a former cape town university english professor, and his daughter lucy in the aftermath of a brutal attack that leaves h i m literally burned and she reeling from a vicious rape. here we see not only a father and daughter trying to come to grips with a horrific trauma, but the attempt of two separate conceptions of whiteness to negotiate the radically altered power relations of postcolonial south africa and to forge an identity commensurate with life in this new society. through an examination of the interactions between the two, and in particular their private responses to lucy's rape, it becomes clear that, while whiteness is not a barrier to life in south africa after apartheid, as an identity its existence cannot continue on the terms of whiteness as historically constituted. while the theoretical implications of the fragmentation of apartheid's attempt at strict cultural borders wi l l always be complicated by south africa's complex social and economic realities, disgrace i l lustrates how the decline of apartheid is also the decline of whiteness as rigorously defined along the lines of western modernity. power a n d s u b j e c t i v i t y from the outset david lurie appears as an individual thoroughly defined through the discourse of this modernity and thus, for coetzee, one thoroughly implicated in a legacy of sexism, racism and imperialism. but there also exists a tension between lurie's identity, which is constituted through power, and the power relations of the new south africa which continually frustrate his attempts at realizing his own subjectivity. after a failed relationship with a prostitute named soraya, lurie turns his attentions to one of his students, a girl named melanie. in his first attempt at seducing her he tells her that she should give herself up "because a woman's beauty does not belong to her alone. it is part of the bounty she brings to the world. she has a duty to share i t . " l x this "bounty" is something lurie eventually decides to seize for himself when, in a troubling display of the relationship between power and lurie's status as a subject, he arrives unannounced at her home. here coetzee's choice to relate the story through a close third-person narrator allows h i m to relate lurie's thoughts and feelings while simultaneously commenting on them through the language he uses to do so. the scene is carefully described in the language of domination even though lurie, drawing on a western poetic tradition thoroughly awash in sexuality, bathes it in the language of desire. "strange love!" he thinks to himself as she crumples before h im, unable to rebuff his advance. "yet from the quiver of aphrodite, goddess of the foaming waves, no doubt about that." x yet no matter how fully he masks his urge towards power in flowery language he cannot, in the aftermath of his desire, ignore something of its underlying motivations. "not rape, not quite like that," coetzee writes, inhabiting lurie: but undesired nevertheless, undesired to the core. as though she had decided to go slack, die within herself for the duration, like a rabbit when the jaws of the fox close on its neck. so that everything that might be done to her might be done, as it were, far away.xl here the language of domination with which coetzee paints lurie seems to coincide, i f only briefly, with lurie's own momentary realizations about himself. the image of the crumpled marionette in which coetzee communicates lurie's actions at the beginning of the scene matches the image of the rabbit submitting, at the end of the chase, to the fox that wi l l consume the rabbit and further his own existence. the image thus suggests that whatever knowledge lurie gains about the relationship between power and his after t h e fall: r e e v a l u a t i n g w h i t e n e s s i n j . m . coetzee's disgrace own subjectivity, it is only significant by way of clarifying, not altering, the mode of his existence. the fox, after all, needs to eat. in the new south africa, however, the women upon whom lurie has preyed are endowed with the power to resist. while his previous falling out with soraya, the prostitute, was a purely private affair, melanie is a student and thus the incident is thrust into the public eye. lurie suddenly finds himself subordinated to the judgment of the community and a panel of colleagues established to decide his fate. in the absence of the power structures that once made possible lurie's sexual antics he is left vulnerable, i n particular, to the women whose subordination has hitherto underwritten his identity. lurie, in short, is put at the mercy of a radically new order. though the university is prepared to offer leniency, lurie, out of nothing more than stubbornness, refuses to cooperate and resigns. lurie's move to his daughter's small landholding i n the fields of the eastern cape is not, as it initially appears, a retreat from the complexities of life in postcolonial south africa. the primary importance of this shift from the cosmopolitan city to the site of south africa's historical frontier lies in coetzee's utilization of the conceptual space implied in the term 'frontier,' the space in which whiteness as a modern, western identity was formed in the crucible of colonial experience. this shift, then, involves for coetzee an appropriation of the historical relationship between european and african—one defined, by and large, by violence—in the service of a re-inscription of whiteness. though separated from the increasingly urban life of contemporary south africa, the countryside forms, i n the context of the novel, a theoretical blank slate upon which a new culture is to be formed. the drama that plays out on and around lucy's tiny strip of land is thus the drama of a south african future, one defined, at its inception, by lucy's brutal rape. "a h i s t o r y of w r o n g " it is in the aftermath of this attack that the relationship between father and daughter becomes a proxy for the decline of one conception of whiteness and the rise to prominence of another. the attack, in which both lucy and her father are brutalized, signifies, in the course of coetzee's examination of whiteness, a fundamental caesura in its history as a social identity in south africa. indeed in the aftermath of the fire that ravages lurie's face and head, coetzee deploys the perfective, in the words of attwell a "syntactic marker of aspect" that signifies an action carried through to its conclusion, and in particular one that "lies i n the recent, rather than the distant past." x l i coetzee writes "save for a patch over one ear, he seems to have no hair; his whole scalp is tender. everything is tender, everything is burned. burned, b u r n t . " x m the fire that marks coetzee's most straightforward attack on the character he criticizes throughout also announces the passage into a new kind of 'post-ness,' to borrow the term attwell uses to describe the effect of the perfective, one in which lurie wi l l face an irreversible decline. lurie's reaction to the attack is defined throughout by the way in which its implications contest his own status as a subject insofar as it is constituted through a power whose continued efficacy the attack calls into question. in the face of his inability to control the situation he posits the attack as inevitable, the result of a deterministic historical process over which individual human beings can have no control even though the post-historical mood coetzee utilizes negates such a sense of history from the outset. " i t was so personal. it was done with such personal hatred," lucy tells h im, trying to come to terms with her attack, "....why did they hate me so? i had never set eyes on them." x ' v though it is not clear that the question is one lucy meant to be answered, lurie does so anyway. " i t was history speaking through them," he tells her. "a history of wrong. think of it that way, i f it helps. it may have seemed personal, but it wasn't. it came down from the ancestors."x v but however inevitable he views the violence of the new south africa as being, it is not something he sees as justifiable, tolerable, or wholly attributable to the history of vioe l e m e n t s s p r i n g 06 lence defining the history of european colonialism in africa. the attack, for lurie, was a fundamental assault on his identity; and unable to uphold that identity through direct and overt expressions of power he continually conceptualizes his african counterparts, regardless of their relationship to those who attacked h im, as inherently barbaric. as he is beaten by his attackers, lurie imagines himself to be alone in a savage, foreign land about to be turned into a meal by the cannibals who besiege him: he speaks italian, he speaks french, but italian and french will not save him here in darkest africa. he is helpless, an aunt sally, a figure from a cartoon, a missionary in cassock and topi waiting with clasped hands and upcast eyes while the savages jaw away in their own lingo preparatory to plunging him into their boiling cauldron. mission work: what has it left behind, that huge enterprise of uplifiment? nothing that he can see. x v l the statement regarding lurie's linguistic prowess can be read equally as lurie's own admission of his utter alienation from the new south africa, a place he views as "dark" in the traditional colonial sense and as an instance of the narrator mocking lurie and his latent racism at the moment his disempowerment is realized. coetzee's final line, "nothing that he can see," however, is somewhat easier to grasp insofar as it is a sign that the question is lurie's own. still the question itself can be read in one of two ways. the suggestion that the missionary activity whose language he utilizes in describing his attack ultimately failed in its mission of upliftment could be, perhaps, an acknowledgment of the role violence and oppression in counteracting the benefits it sought to accrue. another reading, however, sees lurie as negating the possibility of "civilizing" african peoples because they are, in a very real way, prone to violence in a way that westerners are not. lurie's relationship with lucy's xhosa neighbors suggests that the latter is more accurate. suspecting petrus, lucy's neighbor, of being involved i n the attack, lurie generates a conspiracy theory in which petrus, i f he does not plan it, allows the attack to occur with the goal of forcing lucy off her land. yet, he qualifies this theory in another instance in which he sees violence as endemic to black south africa and not a product of the conditions under which it has existed for nearly 350 years: the real truth, he suspects, is something far more—he casts around for the word—anthropological—something it would take months to get to the bottom of months of patient, unhurried conversation with dozens of people, and the offices of an interpreter. x v i i the narrator's use of "he" to refer to lurie i n the passage indicates fairly clearly that the ideas in question belong to lurie, preserving distance between narrator and character i n a passage that would otherwise muddle the ideological rift coetzee has worked to create between narrator and protagonist. for lurie the savages preparing to burn h i m alive "mission work: what has it left behind, that huge enterprise of upliftment? nothing that he can see." are not an aberration but an essential part of the cultural fabric of southern africa. not only does the attack have meaning in the historical sense, it has a logic rooted in the anthropological foundations of african life. violence takes on the meaning of a "tribal" gesture he cannot so immediately understand but whose meaning can be uncovered in the course of careful research. thus petrus, his family and the xhosa people who live near them in the eastern cape are reduced to objects ultimately under lurie's own intellectual control. after t h e f a l l : r e e v a l u a t i n g w h i t e n e s s i n j . m . coetzee's disgrace p o s t c o l o n i a l perspective lurie's racist and typically colonial assumptions and presuppositions about the attack i n particular and life on the frontier generally are, i n almost every instance, countered by those of lucy, who is unburdened by the rigid constraints of her father's identity and possesses a particular connection to south africa that he does not. confronted by the complexities of the new south africa, lurie's first instinct is to return to the europe with which he so deeply identifies. "lucy, it could be so simple," he tells her. "close down the kennels. do it at once. lock up the house, pay petrus to guard it. take a break for six months or a year unti l things have improved i n this country. " x v i i i the assumption that flight to europe is a viable option is itself informed by the assumption that lurie and his daughter are essentially european but lucy, from the outset, is not. her concern is for her relationship with the south africa she sees as home: " i f i leave now, david," she says, calling h i m by his first name, " i won't come back. thank you for the offer, but it won't work. there is nothing you can suggest that i haven't been through a hundred times myself. " x i x this insistence on negotiating her identity as both white and south african governs the whole of her response to the attack. her distance from the europe of her father is also a distance from the fractious and destabilizing sense of identity he possesses. she refuses to deal with the abstractions she locates firmly within her father's system of thought: "be sensible," he tells her, trying to dictate her actions i n terms of his own logic. "things have changed, we can't just pick up where we left off," he says, sensing the shift announced in the attack. when lucy asks why he tells her simply "because it's not a good idea. because it's not safe." lurie speaks with an obvious ignorance his daughter immediately corrects. " i t was never safe," she reminds h im, "and it's not an idea, good or bad. i 'm not going back for the sake of an idea. i 'm just going back."** lucy's insistence on remaining in south africa and forging an identity commensurate with its post-apartheid, postcolonial and post-historical structures of power lead her to what, in her father's eyes, are incomprehensible extremes. lucy's consistent evasiveness with regards to whether or not she took the "appropriate measures" to avoid pregnancy culminates in the realization that not only is she pregnant, but she intends on keeping the child of her attacker. the difference between lucy and her father, and the difference between their disparate conceptions of whiteness, are exhibited even more clearly in the final resolution to the question of lucy's security at her rural home. petrus, whose own kin, it is realized, is one of rapists, ultimately proposes marriage, something lurie views as insanity. it is another instance in which the subject-object distinction structuring lurie's overtly western relationship to power enforces rigid and interminable conflict. "you wi l l marry lucy. explain to me what you mean," he fumes, unable to process the widely divergent meanings of marriage in western and xhosa culture. "no, wait, rather don't explain. this is not something i want to hear. this is not how we do things," lurie tells petrus. coetzee, emphasizing the unbridgeable difference between the two men and the cultures defining them, adds "we: he is on the point of saying, we westerners."™ lucy's manifestly diffuse, hybrid conception of whiteness, however, refuses to see things i n the terms of such a rigidly binary logic. " i don't believe you get the point, david" she {[lucy] never ceases, of course, to be white, but her imminent assimilation into the power structures of the new south africa drastically augments the meaning of the term." elem ents s p r i n g 06 tells her father. "petrus is not offering me a church wedding followed by a honeymoon on the wild coast. he is offering an alliance, a deal. i contribute the land, i n return for which i am allowed to creep under his wing. otherwise, he wants to remind me, i am without protection, i am fair game." x x n the narrator remains oddly silent for most of the exchange, allowing the debate between lucy and her father to speak for itself; however, as it becomes clear that lucy wi l l accept petrus's offer, coetzee reinserts the narrative voice. while the tone of the passage suggests that it should be aligned with lurie's own hopelessness about the place of whites i n the new south africa, coetzee leaves it empty of anything to indicate that the opinion is solely that of lurie, suggesting, at the very least, an undercurrent of unease on the part of the narrator: more and more she has begun to look like one of those women who shuffle around the corridors of nursing homes whispering to themselves. why should petrus bother to negotiate? she cannot last: leave her alone and in due course she will fall like rotten fruit.xxiii lucy's acceptance of petrus' offer announces, in effect, the impossibility of whiteness as a rigorously defined social identity i n a south african context. she never ceases, of course, to be white, but her imminent assimilation into the power structures of the new south africa drastically augments the meaning of the term. she becomes, in the truest—and perhaps most troubling—sense of the term, a white south african, one whose subjectivity is no longer constituted through a relation of domination but one whose identity exists in a state of true hybridity alongside a plethora of other new, post-apartheid identities. lucy becomes a part of a transitional new south african culture in which the former distinctions have no relevance. marrying into the family of one who raped her, she admits, is not dignifying or a thing done without fear, but insofar as her aim, as she says, is to stay on, to forge an existence in postcolonial south africa, it does not seem that there is any other choice. her father, at least, represents the utter impossibility of the alternative being a purely western existence, insofar as the term has been defined throughout south africa's long colonial history. as long as the term "postcolonial south africa" signifies a place in which the terms "white" and "power" are theoretically disengaged lurie, whose subjectivity, as we have seen, is constituted through domination, can have no legitimate place within it. this is depicted nowhere as powerfully than in what comes to be one of his primary distractions, the writing of an opera based on the life of one of byron's ex-lovers, an overweight, middle-aged woman named teresa. alone with only a handful of love letters to console herself she longs for the return of her lost lover. "come! come to me, i plead, my byron!" she calls. 5 0™ the character, with which lurie increasing identifies, becomes by the end of the novel nothing less than the projection of lurie's dispossessed self in its necessarily female form. byron, in this context, takes on the position of the west itself, long dead, leaving nothing but a pile of paper and a few dejected lovers. teresa's longing for byron is lurie's longing for the west, a culture that in its clearly defined form has vanished from the african continent. c o n c l u s i o n this sense of dispossession has, by and large, defined white responses to the politics of south africa after apartheid. many young people claim that jobs are difficult to come by, many professionals claim to have been arbitrarily replaced by less experience, less qualified black employees and many whites have followed lurie's suggestion to his daughter emigrate, frequently to britain or australia. x x v and as i have already said, this sense of dispossession has largely defined responses to coetzee's novel and to related examinations of the new south africa i n general. indeed to paint the country as i t exists today in broadly optimistic terms would be to grossly misrepresent the situation there. while whites still enjoy relative privilege, the country's sizable african population labors in poverty, suffering from continuing violence, the hiv/aids epidemic and living in an economy that offers few opportunities beyond mining for the legions of unskilled workers apartheid left behind. after t h e fall: r e e v a l u a t i n g w h i t e n e s s i n j . m . coetzee's d i s g r a c e just as it would be a disservice to paint the new south african in utopian terms, it would not be correct to call disgrace, in most senses, an optimistic novel. but there exists, nonetheless, a glimmer of hope i n its pages that in postcolonial africa an inclusive, hybrid and non-oppositional culture can be formed that erases the rigid social divides erected in the preceding centuries. the collapse of the apartheid regime brought about the decline of whiteness as an institutionalized sign of superiority, laying the groundwork for a democratic, cosmopolitan south africa i n which the power relations inscribed by apartheid become, in theory at least, impossible to uphold. this shift in power relations, this impossibility of whiteness as historically constituted marks a fundamental challenge to the concept of identity as constituted through expressions of power. i f so then we find in the structure of truly postcolonial societies, for all their difficulties, the kernel of a world i n which subjectivity is not a function of power and in which difference is not a cause of confrontation. thus in lucy we see, at the novel's end, the expectant mother of a new nation, a new order at the threshold of its being. e n d n o t e s i "afrikaner" is the term used to describe afrikaans-speaking south africans of dutch colonial ancestry. the brutality of the anglo-boer war, fought between british and afrikaner forces between 1899-1902, instilled i n the descendents of south africa's original colonizers a deep sense of animosity towards the british, wi th whom they were forced to live as inferiors i n the racially stratified south african union that was formed i n 1910. at the beginning of the twentieth century, british south africans controlled almost all of south africa's rapidly emerging industrial economy, an economy i n which afrikaners found themselves not only subordinated to their british counterparts but constantly i n competition wi th black migrant workers imported to labor i n south africa's mines f rom all over southern africa. the communal memory of the anglo-boer war, which killed some 75,000 people and saw thousands of afrikaner men, women, and children confined to british concentration camps, coupled with an emerging sense of powerlessness i n a growing industrial economy forged a potent afrikaner nationalism that grew dramatically i n the early part of the twentieth century. louw (28) i i davenport and saunders (369) i i i davenport and saunders (378). the prohibition of mixed marriages act (1949), as the name suggests, outlawed marriages between members of different racial groups. it was supplemented by the immorality act (1950) which outlawed sexual intercourse between unmarried couples of different racial backgrounds. the population registration act (1950) assigned every south african to a specific racial group. the group areas bill (1950) allowed the government to reserve residential and business districts for specific racial groups, paving the way for forced removals that uprooted nearly 30 m i l l i o n people throughout the national party's tenure, iv steyn (xxi) v steyn (69) vi a n anc representative, speaking before south africa's human rights commission i n 200, cited disgrace i n a speech on the problem of racism i n the south african media. nonetheless the novel won coetzee an unprecedented second booker prize and likely secured his nobel prize i n 2003. the text of the anc complaint can be accessed at http://www.anc.org.za/ancdocs/misc/2000/spo405.html v i i see for example "darkness i n the rainbow nation," david sexton. yorkshire post. 14 october 1999; "why we r u n away f r o m the harsh truth about south africa?" anne mcelvoy. the independent. 28 october 1999; "braving cape fear." trevor royle. the herald. 18 july 1999; "crying for the beloved country." the sunday times. 31 october 1999; "is there a future for the white tribe of africa?" fergal keane. the independent. 22 v i i i attwell (865) ix coetzee (16) x coetzee (25) xi coetzee (25) x i i attwell (865) x i i i coetzee (97) xiv coetzee (156) xv coetzee (156) xvi coetzee (95) xvii coetzee (95) xvi i i coetzee (157) xvix coetzee (157) xx coetzee (105) xxi coetzee (203) xxii coetzee (203) xxii i coetzee (203) xxiv coetzee (213) xxv coetzee himself, not long after disgrace appeared i n south africa, left his job as professor of english at the university of cape town and moved to australia. references attwell, david. 2001 "coetzee and post-apartheid south africa." journal of southern african studies. 27 (4), pp. 865-867, december. coetzee, j.m. disgrace. 1999. new york: penguin davenport, rodney and saunders, christopher. 2000. south africa: a modern history. new york: st. martin's press louw, p. eric. 2004. the rise, fall and legacy of apartheid. london: praeger steyn, melissa. 2001. "whiteness just isn't what it used to be":white identity i n a changing south africa. albany: state university of new york press. e l e m e n t s s p r i n g 0 6 http://www.anc.org.za/ancdocs/misc/2000/spo405.html a p r e v e n t a t i v e a p p r o a c h to m a l a r i a : some preliminary considerations em i ly h. roh f o r t y o n e percent of t h e w o r l d ' s p o p u l a t i o n is c u r r e n t l y at risk for m a l a r i a . t h i s d i s e a s e , spread v i a m o s q u i t o s , is especially p r o m i n e n t i n dev e l o p i n g c o u n t r i e s . alt h o u g h we h a v e c o m e a l o n g way i n o u r k n o w l e d g e of m a l a r i a a n d a t t e m p t s to f i n d drugs to c o m b a t it, t h e a b i l i t y of t h e m a l a r i a plasmodium to a d a p t to t r e a t m e n t is p r o b l e m a t i c . c h l o r o q u i n e a n d d d t , t w o f o r m e r l y effective c o m p o u n d s , h a v e a l r e a d y been r e n d e r e d useless. t h i s m a k e s p r e v e n t i t i v e a p p r o a c h e s , s u c h as e d u c a t i o n , especially i m p o r t a n t . i n t r o d u c t i o n epidemics like malaria strike on a large and seemingly uncontrollable scale. while it is often difficult to comprehend the notion of eradicating such widespread diseases, recognizing the connection between humans, nature, and the diseases themselves is an essential first step. like many other infectious diseases, malaria has had devastating effects on both public health and the economy. because of the incredible adaptability of the mosquito and its anthropophilic tendencies, methods for slowing the spread of the disease should not only include treatments with drugs and pesticides but also involve the education of those at risk as well as of those treating the disease. it is not enough to simply address the biological mechanisms of malaria, of the mosquitoes that spread it , or of its victims. humans, mosquitoes, their respective natural and social environments, and the interaction among all of these factors must also be strongly considered. t h e o r g a n i s m b e h i n d i t a l l malaria is caused by plasmodia (single-celled and usually microscopic) parasites. there are hundreds of species of plasmodium parasites each of which infects specific vertebrate hosts. among these, four particular species infect human beings: plasmodium vivax (p. vivax), plasmodium malariae (p. malariae), plasmodium ovale (p. ovale), and plasmodium falciparum (p. falciparum). of these four species, plasmodium falciparum is responsible for most deaths, whereas other species of the parasite, although not as fatal, cause high morbidity and affect national economies. the less deadly species have an impact on economies for logical reasons: the presence of the vector i n the population may not k i l l nearly as many people as p. falciparum does, but i t does damage the health of the working population. not being able to work means less production which discourages trade and business both locally and internationally. i n s i d e t h e h u m a n b o d y the malaria parasite enters the human host when an infected mosquito takes her blood meal. the parasite inside the mosquito is transmitted into the human blood through her saliva, which she injects into the flesh as she sucks her meal. the parasite, as a sporozoite, reaches the liver where it invades liver cells. inside the liver cells it changes into round forms called merozoites, which are released into the blood to invade red blood cells. inside the red blood cells they multiply into more merozoites and are finally released. the cyclical development and release of the parasite in blood cells causes the disease malaria. the falciparum malaria makes the infected red blood cell sticky, causing them aggregate to the endothelial wall of the blood vessels. this can block blood flow in small capillaries and can cause cerebral thrombosis, which essentially is the formation of a blood clot in an artery supplying the brain with blood. this gradually cuts off the blood supply to that particular area of the brain and causes a stroke, often leading to death. sometimes, some parasites in humans can go on to transform i n a sexual stage and become a gametocyte. when a mosquito then feeds on the infested blood of the infected individual, the parasite enters the mosquito as a gametocyte. gametocytes live inside the red blood cells of a mosquito and emerge from it. here, sexual fertilization occurs, and the union of two gametes forms a zygote. the zygote transforms into a slug-like structure called an ookinete. the ookinete then egresses from a mass of blood called the bolus and crosses the mosquito's intestinal wall. it remains attached to the intestine and grows as a cyst, now becoming an oocyst. inside the oocyst the parasite multiplies a thousand-fold of sporozoites. the sporozoite is the form into which the parasite develops to invade the salivary glands. p h y s i c a l s y m p t o m s the release of the parasite from the red blood cells coincides with the violent rises in body temperature during the fever attacks commonly seen in malaria. the body tempere l e m e n t s s p r i n g 06 ature can reach an astonishing 106 degrees fahrenheit. however, this massive fever is preceded first by a series of other unmistakable symptoms. andrew spielman's book, mosquito, gives a very vivid account of the body under attack by this debilitating disease: seven to fourteen days after an infecting bite, malaria begins with a chill that spreads like jack frost on a windowpane. the victim's skin becomes pallid, and shaking begins. then the cold plunges to the body's core and deep tremors called rigors come in waves. though weakened by the disease, a man who feels the ice of malaria will shake with a violence that can propel an iron bed across the floor. completely out of the victim's conscious control, the spasms are the body's vain attempt to generate the heat. of course, the man, woman, or child who lies in the parasite's grip soon comes to understand that fever will inevitably follow the chill, and bring the next stage of suffering. the fever from malaria...brings a sweat so profuse that doctors can almost see the droplets forming on the patient's forehead. they certainly see the rivulets that run down the temples and onto the pillow. the bedclothes and sheets of the malaria victim become soaked with salty perspiration that is the by-product of the body's valiant effort to cool and protect the vital organs. death is usually unavoidable for those who are physically weakened by age or previous illnesses. the dying decay physically while their red blood cells, made sticky by the parasite, form into a plaque that clogs the vascular system and starves the brain. most cases usually follow the common pattern of lethargy, delirium, and then coma. unfortunately, those who have survived the initial episode of malaria are not necessarily cured of it; the progeny of the original parasites can remain in the body for months or years. they are usually held under control by the body's immune system, but any cause of decline of the immune function can trigger the disease to return in all its virulence. trans m i t t a n c e malaria was originally thought to have originated i n rancid marshes; hence mal aria is an italian phrase meaning "bad air." contrary to early understanding, however, it was actually a result of little creatures in the air which had been no more than an outdoor nuisance. i n fact, many people did not realize that this minute insect was responsible for a worldwide epidemic. malaria is transmitted to humans by the bite of the female anopheles mosquito, which i n turn needs human blood to nurture her eggs. anopheles mosquitoes mainly hunt for blood between dusk and dawn. though some may feed at other times of the night, rarely are they around during the bright, sunny parts of the day. this is an immense benefit to the mosquitoes, especially in countries like africa, because it gets cooler between dusk and dawn. people usually sit outside and rest or eat after a long day of work in the sun, making a buffet of human blood available to the mosquitoes. however, these insects are not only found in hot, dry climates like that of africa because they can thrive anywhere from temperate to tropical climates, from europe to south africa. they can breed in any area with high humidity where there is warmth and a relatively permanent source of water. distinguishing an uninfected mosquito from an infected mosquito cannot be done easily,1 but now there are molecular techniques available to detect malariainfected mosquitoes within a population. a p r e v e n t a t i v e a p p r o a c h to m a l a r i a : s o m e p r e l i m i n a r y c o n s i d e r a t i o n s a s p r e a d i n g t h r e a t malaria has had an effect on human history since ancient times. in ancient china, men would arrange for the remarriage of their wives i f they ever planned to travel to malarious areas; alexander the great is thought to have died in 323 b.c. as a victim of malaria; the city of carthage was known to be plagued by malaria during the time of christ; malaria probably defended western europe from falling into the hands of genghis khan. despite its profound existence since the very first human beings, malaria was carried, undetectedly, by mosquitoes unti l the 1890s. today, approximately 41 percent of the world's population, mostly those living i n the world's poorest countries, is at risk of contracting malaria. 1 1 "developed countries are likely to stay malaria-free," said professor andrew haines of the london school of hygiene and tropical medicine. any outbreaks would be scattered cases, from insects unwittingly stowed away on airplanes. countries currently most at risk are i n the third world or at the fringes where healthcare systems are weak. some studies say malaria may reach higher altitudes i n mountainous areas of developing countries. 1 1 however, the malaria epidemic could easily become an international issue. while the improvement and success of many national economies is a result of globalization, the fading of geographical barriers introduces malaria vectors to vulnerable areas and drains those national economies. when malaria hits, it leaves the region's economy damaged. sick people are unable to work; crops and other goods are ruined and left abandoned for fear that they are swarming with the parasites and wi l l affect the remaining healthy population. the community may be forced to evacuate the area and populate other regions originally free of malaria. unfortunately, those displaced introduce the parasite to more unprotected people. human carriers of the disease often show no symptoms, and when they move into previously malaria-free areas, the mosquitoes that bite them can pick up the parasite and go on to transmit it to other people. the chain of events can lead to a debilitating drop in the region's economy, which makes it difficult for the residents to afford the proper medication and treatment, which then leads to more sickness and death. the cycle continues as malaria spreads, ultimately becoming an international economic issue in this age of globalization. malaria is also spread to unprotected communities through the increasing popularity and ease of overseas travel. infected mosquitoes may be introduced to new areas by being transported in planes or ships, or the parasite can be introduced to a new area via infected but asymptomatic returning travelers and foreign visitors. this is similar to how many of the immune african slaves unknowingly brought yellow fever to the west, or how the europeans introduced foreign diseases that wiped out entire indigenous populations in the new world. it illustrates human means of transportation as an aide to the longer-distance journeys of the mosquito across borders and over oceans. malaria made its way to the united states through the importation and exportation of certain materials. these materials were then redistributed to other formerly non-malarious parts of the world, thus continuing the spread of malaria. the journey of aedes albopictus (the asian tiger mosquito) is an example of how a species of mosquito, though non-malarious, can come into the united states. anopheles mosquitoes that carry malaria may have made their way to the united states in a similar manner. the asian tiger mosquito arrived i n the u.s. in the late 1970s because the u.s. began to import many used tires from asia, where recapping worn tires and reusing them is illegal. however, reusing tires is not illegal in u.s. the tires were shipped to houston, the tire recapping capital of the world, along with their unwelcome guests. mosquito larvae were present in water that had pooled in these tires, while their eggs adhered to the inside walls of the tire. this type of mosquito usually breeds i n water-filled cavities, like rot holes i n trees. thus, when humans began to save used tires, mosquitoes found the most ideally textured and the most perfectly simulated tree hole. since it is difficult to e l e m e n t s s p r i n g 0 6 empty used tires of the water inside them, they make the perfect mosquito maternity wards. roughly four billion old tires are piled up on the american landscape today, with millions more being added every year. due to the fact that many of the tires that arrive in houston are redistributed worldwide, there is no stopping the spread of the asian tiger mosquito. fortunately, malaria i n the united states was only a close call, although that does not mean that malaria wi l l not be able to strike again with worse consequences. the largest single factor that allowed the defeat of malaria in the united states seems to be the tennessee valley authority (tva), which designed every water project to l imit mosquito breeding. dams, irrigation networks, power systems, and drainage projects were built i n the most malarious parts of the south. where standing water could not be avoided, it was monitored for anopheline larvae, and larvicides, which are insecticides that float just on or under the fi lm on the water's surface, were applied. these larvicides destroy anopheline larvae easily because an anopheles mosquito feeds on material that is directly associated with the surface and breathes through two pores located at the end of its abdomen, which is kept in close contact with the water surface. as shown by the tva, civilization and the productive use of land can be beneficial not only to the health and wealth of the inhabitants, but also an effective way to keep the malaria epidemics at bay. however, other cases show that mosquitoes, no matter what the circumstances, malarial or not, constantly adapt to new environments. this poses an incredibly difficult challenge to overcoming malaria. the introduction of artificial containers to the environment was a great benefit to the tree-hole mosquito. these insects prefer any small openings in which water can be collected. in our throwaway society, discarded food containers that accumulate near houses can serve as tree-hole replicas where a mature female mosquito can readily find sources of blood needed for egg production. ultimately, people supply the mosquito with all she needs: artificial, water-collecting tree holes and a blood supply. although this particular case does not involve the anopheles species in particular, it indicates how mosquitoes have learned to survive among us. in the early 1880s, the french attempted a canal project to connect the atlantic and pacific. the failure of this project unlocked some of the mosquitoes' secrets: the camps built to house the panama canal workers were probably the best in the tropics. but because mosquitoes were considered nothing more than a nuisance, screens were one luxury that was not indulged. in time, the barracks and even the hospitals built for construction workers became feeding areas for local mosquitoes. the french aided the insects' breeding as well, by decorating their compounds with lavish gardens where pottery rings filled with water were used to protect hundreds of trees from ants. these rings teemed with mosquito larvae.w a p r e v e n t a t i v e a p p r o a c h to m a l a r i a : s o m e p r e l i m i n a r y c o n s i d e r a t i o n s another example of precautions to be considered in housing appears i n parts of africa. andrew spielman, a leading malariologist at the harvard school of public health, explained in a conversation that maize fields around african homes serve as locations for mosquitoes to be closer to their human feed. mosquitoes use the maize pollen as their food and lay their larvae in the mud, which is used to build the houses. furthermore, there are usually mud ditches close to the homes for convenience. many of these ditches are left open after the mud has been dug out, leaving ideal breeding sites for mosquitoes when they are filled with water. clearly, it is important to assess the housing situations for places that are threatened by malarial mosquitoes for indirect relationships to malaria transmittance. futhermore, u.n. reports say rising temperatures linked to human burning of fossil fuels are likely to widen malaria's range in the tropics because mosquitoes and the malaria parasite they pass on (when sucking human blood) thrive best i n hot, wet climates. paul reiter, professor of medical entomology at the pasteur institute in paris, admits mosquitoes and plasmodia parasites reproduce faster in hot, damp climates but says that, on the other hand, higher temperatures might trigger floods that wash away stagnant pools in which malaria larva breed or spread deserts to dry up the waters. "more rainfall sometimes means more malaria, it sometimes means less," he said. a l l experts agree that there is slight risk that clouds of malaria-bearing mosquitoes wi l l eventually make their way north to make the disease again endemic in nations from the united states to russia.v f i g h t i n g m a l a r i a although medicines were developed to mitigate the victim's suffering, the evolution of drug-resistant malaria parasites soon followed. the compound known as chloroquine was developed after world war i i and was thought to be the ultimate cure for malaria—not only was it highly effective with fewer side effects, but it was also inexpensive, costing no more than a few cents compared to today's cost of approximately eight dollars a p i l l . v l chloroquine's miraculous abilities, however, were short-lived after its popularity led to widespread drug resistant malaria parasites, which were first seen in south american mosquitoes i n i 9 6 0 but later spread around the world. after the creation of the controversial ddt, the united states was able to stay malaria-free, europe eradicated malaria. believing that ddt was the ultimate weapon for mass destruction of the mosquito, many other countries jumped on board with ddt; for a while, it was very effective. australia began to spray their tire shipments, and other countries began to fumigate the cabins of aircrafts arriving from abroad, even with passengers in them. because of ddt's reputation as the "end all, be all" solution, research grants for ddt disappeared overnight. there was no need for further research because it was assumed that the battle had been won. soon enough, the hype of ddt caused an unnecessary overuse of the chemical, allowing the mosquitoes to quickly build resistance. moreover, rachel carson showed that, among many other hazards, ddt was found in mother's milk and could accumulate in babies, illustrating the chemical's ability to reach and harm the public. consequently, the federal food and drug administration announced that, "it's extremely likely that the potential hazard of ddt has been underestimated."™ workers who handled the chemical developed health problems, and liver cancer was found in exposed fish. to make matters worse, malaria had begun its return. some recent developments in medicinal treatments include the use of a fungus fatal to the mosquito™ 1 and tests with the ancient chinese plant artemesia. however, as new drugs come and go as a consequence of the parasite's everincreasing resistance, and as there is a continuous chase to remain ahead of mosquitoes' resistance to man-made chemicals designed to ki l l them, it becomes increasingly imperative to stress the importance of making changes in our daily habits and in our surroundings as the most effective protection from malaria-transmitting mosquitoes. elem ents s p r i n g 06 c o n c l u s i o n in some ways, it seems that the refinements modern society continually brings have worsened the malaria epidemic. both the industrial progress of mankind and the ever-evolving nature of the mosquito make fighting malaria a difficult and exhausting battle. however, there is no doubt that our knowledge of malaria and the behavior of the mosquito carriers have progressed immensely since it was first observed. instead of pouring money into more and more pills and shots, it is now evident that investing in proper education about the mosquito and malaria can lead us to effective prevention methods. this is especially important to countries that do not have the medical resources or other proper means of protection. a simple change i n habit or lifestyle can dramatically decrease the number of bites that an individual gets in a day. most malaria vectors bite at night; some like a. gambiae generally bite predominantly indoor late at night, while others such as a. albimanus in central america attack outdoors early in the evenings. the time of biting and whether it occurs indoor or outside are both epidemiologically important and relevant to control strategies. the on-going and uphill battle against malaria needs to utilize all viable methods, after the many previous failures in the search for a way to eradicate malaria. f u r t h e r study i n light of trying to present the power that anthropological and environmental factors have over infectious diseases, i would like this project to continue into an exploration of the cultural beliefs held by endemic regions that influence the population's response to the disease's presence. this includes the general attitude to western medicine and treatment. ultimately, the objective is to encourage western medical practices to work with a region's culture and its traditions instead of blindly implementing their own methodologies. this wi l l not only show respect for tradition, but wi l l also be a more effective solution to the issue. a friend mentioned an interesting belief that lies around the river ganga (pronounced ganges i n the west) in india. the ganga river is testable for mercury, arsenic, and dozens of other poisons, along with various parasites and bacteria. some of this is due to the ritual of interring the dead in the river. yet, i f one asks a traditional, spiritual indian about the river, he wi l l insist that it is the purest water in the world. to them it is, after all, holy. l x to the west, however, it is clearly unsanitary. and i f the ganga ever became a cause for an endemic disease like malaria, westerners would react very differently than indians would. from my observation, westerners seem make it a priority to put the safety of people before cultural beliefs, whereas indians may find prefer to endure the disease rather than to disregard tradition. i hope to ameliorate the situation without infringing on anyone's cultural beliefs, but it is questionable i f this is completely possible. e n d n o t e s i . beier et al., 1990 i i . center for disease control i i i . doyle, alister. planetark.com, july 29, 2004 iv. spielman v. doyle v i . spielman v i i . spielman v i i i . new york times article: june 10, 2005 ix. this is an anecdotal tribute to my friend wesley saavedr, although i am unsure where the story originated. references alzate, alberto; spielman, andrew. "a sustainable antimalaria strategy for a region of intense transmission." i986(?) beier, et.al. "malaria transmission i n urban sub-saharan africa." the american society of tropical medicine and hygiene 2003, pp. 169-176 doyle, allister. "global warming effect on malaria." 2005, planetark.com hoffman, stephen l. malaria vaccine development: a mul t i immune response approach. i996american society for microbiology, washington d.c. a p r e v e n t a t i v e a p p r o a c h to m a l a r i a : s o m e p r e l i m i n a r y c o n s i d e r a t i o n s http://planetark.com http://planetark.com lane, richard p., crosskey, roger w. medical insects and arachnids.1993, chapman & hall , cambridge, uk. lehane, m.j. biology of blood-sucking insects. 1991 harper collins academic, london, uk. lipowsky, renate, et.al. "sociomedical aspects of malaria control i n colombia." social science medicine magazine, vol. 34, no. 6, pp. 625-637. 1992, great britain, uk. spielman, andrew, dantonio , michael. mosquito: the story of man's deadliest foe. 2001 hyperion, new york, new york. yamin, gavey. "malaria drug politics." may 8, 2000. essentialdrugs.org world health organization (www.who.int) center for disease control (www.cdc.gov) net doctor (www.netdoctor.co.uk) www.raintreenutrition.com, 2005 www.malariafoundation.com. may 17,1998 www.seniorhealth.com www.cancerweb.com. online medical dictionary, 2004. new york times article, june 10, 2005 http://essentialdrugs.org http://www.who.int http://www.cdc.gov http://www.netdoctor.co.uk http://www.raintreenutrition.com http://www.malariafoundation.com http://www.seniorhealth.com http://www.cancerweb.com q u i nti n barn es is a member of the arts & sciences class of 2009 and graduated with an honors degree in philosophy and a degree i n political science. he is an alpha sigma nu member and a golden key scholar and was president of the volunteer organization hoops for hope. "today's russian intelligentsia: a new role i n the post-soviet political order" is adapted from professor paul christensen's course, post-soviet politics. c h r i s t o p h e r b r u n n e r hails from oak park, illinois. he is a junior i n the lynch school of education where he is currently studying mathematics and secondary education. his research interests include social and cultural issues affecting youth development, especially i n education. he has recently completed a project with the community research program studying the effect of socioeconomic stress on parental involvement i n high schools and wi l l be continuing to do reseach with lsoe this fall. alyssa h u g h e s originally from kea'au, hawaii, is a junior i n the college of arts & sciences majoring i n history and completing a minor i n secondary education. she wrote this paper for professor dana sajdi's course "the study and writing of history: arabian nights." she currently volunteers at the haley house soup kitchen with the 4_.oston program. she would like to thank professor sajdi for all her guidance. n a t h a n keegan graduated i n may 2009 with a degree i n linguistics and latin american studies. his interest i n popular music studies grew from his experiences as songwriter, producer, and multi-instrumentalist i n the awardwinning bc hip-hop group the keegan brothers trio. he is currently serving as a worldteach volunteer fellow i n kosrae, micronesia, where he teaches mathematics. c h r i s t o p h e r m a r o s h e g y i graduated from bc i n may 2009 with a b.a. i n international studies, concentrating i n political science, and a minor i n islamic civilizations and societies and economics. christopher drew his inspiration for this piece from his parents, whose stories as immigrants from hungary as a result of the cold war implanted a sense of purpose to study development and migration. this article has been expanded i n a recently completed thesis, titled exporting citizens: the power politics and economics behind moroccan emigration policy. christopher is currently researching economic development i n hungary on a fulbright scholarship. like his mother and doug flutie, is a native of natick, ma and a graduate of boston college. a communications major and history minor, his past research has concerned doctor/patient relationships, new media, and european nationalisms. he was the president of college bowl for two years and once hit five half-court shots i n a row i n high school. he dreams one day of employment. c h r i s t o p h e r scu lli n studies political science and philosophy, and both looks forward to and dreads graduating from the boston college honors program i n may 2010. chris spends most of his time missing the weather i n los angeles, his native locale, and attempting to be as awesomely multifaceted as possible. he is also most interested in the crossroads of his two subjects of study, how individual needs do battle with those of society. this paper was written during a junior-year semester abroad at king's college, london, for the course global conflict i n the contemporary world. a b u s i v e tax shelters an ethical, historical, and legal analysis e v a n s p e e c e i n r e c e n t y e a r s , t h e l i n e b e t w e e n t a x a d v i s o r y a n d i l l e g a l t a x s h e l t e r s e r v i c e s h a s b e c o m e i n c r e a s i n g l y b l u r r e d . t h e e t h i c a l d i l e m m a s t h a t t a x s h e l t e r s p r e s e n t c h a l l e n g e p r o f e s s i o n a l s t o m a i n t a i n t h e i r i n t e g r i t y a n d o b j e c t i v i t y . t h i s e s s a y e x p l o r e s t a x s h e l t e r s e r v i c e s f r o m h i s t o r i c a l , l e g a l , a n d e t h i c a l v i e w p o i n t s . it a l s o e x a m i n e s l i t i g a t i o n , b o t h r e c e n t a n d l o n g s t a n d i n g , t h a t h a s b l a z e d t h e p a t h f o r t h e t a x s h e l t e r a d v i s o r y t h a t i s c u r r e n t l y p r o v i d e d by b u s i n e s s p r o f e s s i o n a l s . t h e d i s c u s s i o n i n t h i s p a p e r is e s p e c i a l l y a p r o p o s g i v e n t h e s p a t e o f i n t e r n a t i o n a l t a x s h e l t e r c o n t r o v e r s i e s t h a t h a v e e m e r g e d i n t h e p a s t y e a r . i n t r o d u c t i o n for decades, tax advisory services have represented an integral business segment for public and private accounting firms. although tax counseling has traditionally been considered a non-attest function, many large and renowned accounting firms regarded tax advisory as an indelibly complementary service to auditing in the early 1900s. gradually, this philosophy became outmoded as a consequence of the explosive growth i n the accounting industry and the divergence of the auditing and tax professions. presently, auditing and tax advisory are prevalently considered professional services that should be rendered independently. however, the issue of tax shelters blurs these seemingly distinct lines. furthermore, the "abusive" applications of tax shelters provide many financial incentives that elicit legal and ethical dilemmas for several classes of professionals. recent litigation highlights the importance of examining these "abusive" tax shelters from a historical, legal, and ethical perspective. conceptually, there seems to be an ethical boundary that is either approached or crossed i n the design, implementation, and usage of abusive tax shelters. this essay wi l l examine the structural imperfections that engender these ethical quandaries within the context of the modern-day accounting and legal industries. in order to complement this composition's external view of the subject, i interviewed three professionals who have significant experience with the types of tax shelters delineated in this paper. to facilitate a reduction of bias and to provide a more wellrounded internal outlook, two of my interviewees were tax lawyers and one was a tax professional working for a public accounting firm. however, both lawyers are also licensed cpas who practiced in public accounting before joining their respective law firms. their opinions and observations are incorporated throughout the paper in order to present an integrated, organic approach to the topic. this examination wi l l conclude with suggestions for further research and a demarcation of possible solutions for the future of abusive tax shelters. the proposed strategies wi l l be founded on an amalgamation of legal and ethical perspectives and wi l l elucidate the probable role of the professional in the continually dynamic world of tax shelter activity. b a c k g r o u n d a n d h i s t o r y in its simplest form, a tax shelter is defined as "a strategy, investment, or tax code provision that reduces tax liability." 1 however, this seemingly uncomplicated meaning has evolved dramatically over the past several decades. the national laws that regulate our taxation system and the usage of tax shelters are promulgated through the internal revenue code (irc). consequently, the irs is also responsible for the enforcement of our nation's tax laws. it is important, then, to understand the lens through which the irs views the usage of tax shelters. essentially, there are two types of tax shelters available to the general public. first, there are intended tax shelters; this class encompasses uses which were intended by the irs through the creation of the various tax shelter regulations. a n example of an intended tax shelter is a typical 40i(k) plan. the second group includes all of those uses not intended by legislation. this class of unintended tax shelters includes the focus of this paper, abusive tax shelters. examples of these transactions wi l l be detailed later in this paper. the irs officially defines abusive tax shelters as "transactions promoted for the promise of tax benefits with no meaningful taxes and tax shelters : s imple def in it ions under c o n t i n u o u s evolut ion. e l e m e n t s : : f a l l 08 change in a taxpayer's income or assets."11 thus, the engineering of tax shelters which have no clear economic substance with respect to the taxpayer are regarded as abusive tax shelters. the idea of "transactional economic substance" is a key concept and wi l l be discussed more thoroughly in a later section of this essay. .. the promulgation of the 'passive loss' rules achieved an unintended effect; the hulk of abusive tax shelter activity shifted to the corporate sphere, where the new regulations did not apply and the tax law is exponentially more intricate." as tax advisory has become an increasingly important and profitable industry, the amount of legislative scrutiny and political efforts aimed at curbing the usage of abusive tax shelters has also intensified. from the 1950s through the 1980s, the government attempted to address the issue almost entirely through judicial proceedings and the case law which ensued. federal courts mainly attempted to erase the economic effects of the abuses and imposed monetary penalties on wrongdoers. 1" however, the government's strategy was largely ineffective, and the number of tax shelter abuses continued to rise. the continued spread of this exploitation necessitated an expedient response. in 1976, congress passed the tax reform act of 1976. this legislation created certain "at-risk" rules which prohibited taxpayers from claiming losses for investments in which they maintained minimal financial risk. this act was the first substantive response to the rapidly growing usage of abusive tax shelters. the revenue act of 1978 and the economic recovery tax act of 1981 both extended the aforementioned "at-risk" regulations to a further extent. unfortunately congress was just beginning to recognize the increasingly popular financial temptation to utilize abusive tax shelters in business transactions. the year 1984 brought the next landmark in the history of abusive tax shelters. in that year, congress enacted the deficit reduction act, which aimed to close a number of loopholes in the tax code. most importantly, this act made it mandatory for taxpayers to register tax shelters with the irs. 1 v this requirement was meant to aid the irs in the location and evaluation of tax shelter activity in the united states. furthermore, engineers and sellers of "potentially abusive tax shelters" were compelled to retain a list of investors participating in registered tax shelters. monetary penalties were also strengthened via the deficit reduction act. i n the tax reform act of 1986, congress created the "passive loss" rules which have remained important in evaluating the validity of tax shelters to this day. these regulations "prevent an individual (but not a corporation) from claiming a loss from an activity, unless the individual materially participated in the activity. " v 1 however, the promulgation of the "passive loss" rules achieved an unintended effect; the bulk of abusive tax shelter activity shifted to the corporate sphere, where the new regulations did not apply and the tax law is exponentially more intricate. this shift has remained largely unchanged as the majority of abusive tax shelter legislation and enforcement is currently targeted at the corporate and governmental arenas rather than at individual taxpayers. in 1998, the irs restructuring and reform act was initiated. through this act, congress explicitly directed the a b u s i v e t a x s h e l t e r s joint committee on taxation (jct) and the u.s. treasury to perform studies examining tax shelter law (current to that time) and interest provisions and then to "make legislative or administrative recommendations." v n this research was intended to uncover and eliminate the activities of abusive corporate tax shelters. one year later, the two organizations presented the jct penalty study v l i i, the jcx 84-99 i x , the treasury white paper* and the treasury penalty study x i. contemporaneously, the irs effectively "closed" several abusive corporate tax shelters in which numerous corporations and individuals had invested. the irs established the office of tax shelter analysis (otsa) to operate as the governmental stronghold i n the fight against abusive tax shelters. concurrently, the treasury enacted circular 230, which recommended regulatory changes to standards of practice for tax professionals that severely impacted the manner by which they advised tax shelter investors. as one lawyer noted, "2000 was the apex of the government's war on tax shelter abuse."x l i in that year, many new regulations were enacted in a concerted effort to curtail the use of aggressive tax shelters. the most salient of these new rules required corporate taxpayers to disclose investments in certain "reportable transactions" (tax shelters) in their tax returns . x m another regulation introduced the mandatory maintenance of lists of those investing i n certain corporate tax shelters delineated i n irc section 6112. irs notices 2000-15 a ^ s o distinguished ten different "listed transactions" as examples of abusive tax shelters in order to aid corporations in compliance with the new regulations. in may of 2000, the irs issued the notice of proposed rulemaking (nprm) which amended circular 230, the foundation for the standards of practice for all tax practitioners before the irs.x 1 v the nprm was an extremely significant piece of legislation as it was a direct warning from the government to all tax professionals. in essence, the nprm "warn[ed] the law and accounting firms that put together tax shelter transactions, as well as the practitioners and chief financial officers who used them, that their professional reputations and fortunes might suffer i f the rules were not followed." x v thus, the government's attitude and legislative intent was becoming increasingly transparent. the responses of the respective industries to new tax shelter legislation were consistently and extensively solicited by congress. the most important of these hearings occurred i n june 2000 when official comments were given (under oath) by the aicpa, the tax executives institute, and the chicago bar association. the consolidated response from industry professionals was that the regulations were excessively broad and could possibly lead to the unfair pursuance of individuals and businesses that were conducting legitimate transactions and engaging in legal tax planning. it is not surprising, therefore, that all three of my interviewees believed that the tax shelter legislation currently in place is "sufficiently, i f not overly, broad." x v 1 clearly, tax practitioners were worried that the government would impinge too heavily upon their business interests. f o r m s of abuse a n d case law h i s t o r y "anyone may so arrange his affairs that his taxes shall be as low as possible; he is not bound to choose that pattern which wi l l best pay the treasury; there is not even a patriotic duty to increase one's taxes." x v u esteemed judge learned hand famously declared this idea in a 1934 judicial ruling. however, in contrast to this opinion, the oecd stated in 1998 that "many forms of harmful tax competition are aimed at taxpayers will ing to engage in tax evasion . . . or tax avoidance. from the perspective of raising revenue and controlling base erosion . . . preventing tax avoidance . . . is as important as curbing tax fraud. " x v u i these two quotes highlight the tension that permeates the debate over abusive tax shelters. this tension is the manifestation of the ethical boundary which i referenced at the outset of this composition. tax shelters garner "abusive" status either through legislation, which identifies a specific transaction as such, or via case-by-case judicial decisions. usually, abusive tax shelters involve exotic investment schemes which are engineered and are not typical financial strategies. in e l e m e n t s f a l l 08 recent years, several landmark cases have altered the legal environment underlying tax shelter transactions. judges in these cases have continually relied upon the equitable doctrine of "economic substance," which was first utilized in the supreme court case of gregory v. helvering.xlx in one such case, long-term capital holdings v. united states of america,™ a corporate taxpayer significantly reduced its tax liability through an outlandish financial arrangement. in the disputed transactions, the lessee, who was organized under british law, attained lease prepayments on subleases. these prepayments were then exchanged for preferred stock of several american corporations. after the lessee gave the preferred stock to certain taxpayers for a partnership interest and then sold its interest back to the taxpayers, the taxpayers sold a large portion of the contributed preferred stock to generate the supposed losses. the court decided that the business deal lacked economic substance and had no business purpose other than tax avoidance. thus, it had to be set aside for tax purposes. also importantly, the court imposed substantial fines on the corporation by assessing tax underpayment and gross valuation misstatement penalties. 5 0 0 blips, among other innovative tax shelters , cost t h e t r e a s u r y $1 .5 b ill ion of uncollected revenue. there have been numerous cases that have addressed deals exactly like the one transacted in the long-term capital case. these deals, which primarily involve the contribution of high-basis, low-value assets to a partnership, have been continually struck down by our nation's courts. i n response to these monumental judicial proceedings, the government enacted the jobs act of 2004. as one article noted, "the provisions [in the jobs act] represent the most significant effort by congress to crack down on tax-motivated transactions since the tax reform act of i 9 8 6 . " x x n simultaneously, there was a proposal i n congress to clarify and codify the economic substance doctrine used by so many of our nation's judges. however, the movement was widely criticized and eventually dropped by the house. there is another proposal to codify the economic substance doctrine which is currently circulating through the government. i f accepted, the doctrine could further solidify the government's efforts against abusive tax shelters. many unintended tax shelters occur through inter-jurisdictional transactions. myriad international companies have realized that shifting finances, materials, and other intangible assets from a domestic division to a foreign subsidiary division can result in substantial tax savings. in accounting, these types of transactions require the performance of transfer pricing. without exploring the technical details of the process, transfer pricing is simply the method of setting the price at which a product or service is transferred between two divisions in the same organizat i o n . x x u l the taxation of assets passed through these transfers is extremely complex and thus engenders the possibility for the use of abusive tax shelters. essentially, companies can attain lower tax rates by inflating the value of products, including intangibles such as licenses and trademarks, transferred between a subsidiary and a parent company. the recipient then deducts the cost of the item in its home country to offset profits. indeed, irs commission mark everson labeled international transfer pricing "one of the most significant challenges . . . in the area of corporate taxation. n y x i w in the fall of 2003, the senate permanent subcomittee on a b u s i v e t a x s h e l t e r s investigations carried out hearings on the questionable tax shelter activities of kpmg. the investigation eventually uncovered that "from the late 1990s into the next decade, kpmg devoted significant resources to developing and mass marketing hundreds of abusive tax shelters." x x v kpmg, which made hundreds of millions of dollars exclusively through its tax shelter business, was one of many large accounting firms accused of marketing abusive tax shelters. the negligent tax shelter activities of arthur andersen, pricewaterhousecoopers, ernst and young, and deloitte were all exposed contemporaneously with kpmg's troubles. over 30 kpmg partners were criminally indicted and more indictments of former tax partners are i n c u r . x x v m kpmg charged clients a contingent fee of 1.25 percent of the tax loss claimed for this product. the product earned kpmg approximately $53 mil l ion in revenue, but was discontinued when the irs listed it as an abusive tax shelter i n 2002. in sum total, blips is thought to have cost the u.s. treasury at least $1.5 billion of uncollected revenue. i f the government hopes to continue to curtail the creation and usage of abusive tax shelters, it must work to elucidate the line between unintended, but legitimate tax shelters and truly abusive tax shelters. as one interviewee noted, "there are many unintended tax shelters which are accepted "if the government hopes to continue to curtail the creation and usage of abusive tax shelters, it must work to elucidate the line between unintended, but legitimate tax shelters and truly abusive tax shelters." likely.30™ curiously, it was lawyers at kpmg, rather than accountants, who were the main tax shelter consultants at the f irm. this is not surprising, however, given the large influx of lawyers into big four accounting firms during the late 1990s. accordingly, both of the lawyers whom i interviewed had worked for big four accounting firms within the past decade. x x v u this association between lawyers and accountants in tax work is a microcosm of the tax profession, in which both are positioned to provide tax consulting. i n the late 1990s, kpmg and several other firms created "tax innovation centers" through which the firms marketed their innovative tax shelters to potential clients. one such product created by kpmg was blips, or bond linked issue premium structure. blips allowed corporate taxpayers to create large deductions resulting from prepayment loan penalties that the corporate taxpayer did not truly throughout the industry and, i n some instances, even encouraged by irs officials. , , x x 1 x these types of shelters are allowed, but not statutorily set forth. one example of this concept is the use of funding deferred qualification plans in corporate environments. employee deferred compensation plans and "rabbi trusts," which create tax shields through trust arrangements, are both illustrations of these types of shelters. another prime example of unintended, but legally eligible tax shelters involves the movement of passive income through affiliated entities i n different states. for instance, a corporation doing business in pennsylvania may transfer the passive portion of its income to an affiliated entity in delaware. this allows the corporation to avoid the pennsylvania state corporation tax, which is the second highest rate in the nation, and pay the delaware state corporation tax, which is zero percent. see container corp. v. franchise tax board.xxx e l e m e n t s f a l l 08 through adjudication, the supreme court has interpreted the law to say that i f congress does not take certain actions to allow states to implement certain tax regulations, then the commerce clause set forth in our constitution should remain dormant. in response, congress has chosen not to override this principle. essentially, therefore, i f congress wanted to grant the states more powers i n terms of tax legislation and enforcement, it could. however, congress has chosen to remain silent on the issue, thereby furthering the legitimacy of the use of unintended, un-abusive tax shelters. as one tax professional noted, "congress passes laws, and reasonable people interpret them." 5 0™ t h e role of t h e p r o f e s s i o n a l the "reasonable people" left to interpret tax shelter legislation, case law, and governmental actions are lawyers and accountants who practice as tax professionals. those professionals who have continued to use potentially abusive tax shelters have prevalently espoused the "strict constructionist" view. i n this outlook, statutes are thought to be susceptible to interpretation. for the most part, case law in our country has reinforced this philosophy. on the downside, one interviewee noted that the continuation of this attitude may lead to courts being overburdened with interpretation of complicated tax rules . x 5 ™ 1 coupled with the overly l i t i gious nature of our society, this potential imposition could further intensify the debate over abusive tax shelters. the same interviewee has observed that case law is moving in the direction of "smell tests." this type of evaluation, he believes, would create a much more difficult business environment for salesmen who aggressively market abusive tax shelters. one question that has continually plagued the tax profession is whether accountants or lawyers are better positioned to provide tax shelter advice. much of this debate centers on the regulatory environment within each profession. accountants providing tax shelter advice have been severely limited by the passing of the sarbanes-oxley act and the simultaneous creation of the pcaob. according to the tax professionals whom i interviewed, these events, coupled with the continually intensifying scrutiny of the irs as well as the sec and the kpmg proceedings, have caused a significant decrease i n the number of accountants marketing and implementing abusive tax shelters. x x x i i i indeed, several public accounting firms are currently working to adopt internal professional standards which wi l l allow their tax professionals to more effectively comply with external regulators. thus, accountants working with tax shelters have both internal and external pressures to conform to less aggressive tax shelter policies. i n comparison to accounting businesses, law firms are much less regulated. the primary source of regulatory pressure for lawyers is the irs's enforcement capabilities. law firms monitor their attorneys' tax shelter work, but to a much lesser extent than their counterparts in accounting firms. both of my attorney-interviewees, who had worked i n public accounting firms before transitioning into the legal arena, confirmed this conclusion. 5 0 0^ thus, with respect to the professional regulation surrounding tax shelter work, lawyers have much more incentive and less discouragement to push the envelope. this creates a situation where accountants are more likely to be the developers of abusive tax shelters and lawyers the promoters of and consultants for these shelters. indeed, one of my attorney interviewees termed his job as primarily consulting work rather than legal w o r k . x x x v scrutiny from the irs and the sec has decreased the number of accountants implement ing abusive tax shelters . a b u s i v e t a x s h e l t e r s i n researching and analyzing the role of the professional in the tax shelter industry, two common threads became apparent. first, there is an obvious conflict of interest present when auditors and accountants develop and market tax shelter strategies. the important principle of independence, which is mandated in a cpa's practice, is compromised through the provision of tax advice in an auditing engagement. this is why the pcaob adopted new auditor independence rules that constrain firms' participation in selling tax shelters to clients. x x x v 1 i f the client being provided tax shelter advice is a non-audit client, then this standard of independence may not be compromised. however, attorneys are legally not allowed to practice law i f they are an employee of an accounting f irm. this is an important distinction as it elucidates the assumption that tax advisory services from a public accounting f irm should only be provided by accountants working for a non-audit client. i believe that this assumption, however, is also incorrect. as one interviewee noted, "the gray areas of unintended tax shelters are subject to legal interpretation and not accounting interpretation. i don't see how you can issue a tax opinion without practicing law." x x x v i i since "opinion letters are the stock in trade of tax lawyers," x x x v 1 u tax shelter work seems to be a function of legal advisory rather than of accountants' recommendations. the second ostensible common thread involves the concept of legal privilege. i n the legal industry, attorney-client privilege is one of the most sacred professional principles. i f compromised, this breach of privilege can result in attorneys losing their licenses to practice law. because accountants do not maintain this same level of privilege, they are more at risk to compromise their duties as professionals with respect to the confidentiality and privacy of tax shelter information. therefore, lawyers have more extensive access to documents used in the analysis of tax laws. in this way, lawyers are better positioned to provide tax shelter advisory services that comply with irs and other external regulations. the final and possibly most important issue for professionals is the pricing of tax services. before the explosion of litigation and governmental regulation related to abusive tax shelters in the early 2000s, many professionals assessed fees on a contingency basis. for instance, a group of kpmg tax professionals collected 10 percent of the tax loss claimed for each tax shelter transaction. x x x l x this type of pricing is blatantly unethical and unprofessional and is no longer used in practice. aggressive pricing policies like those used by many kpmg professionals engendered many of the psychological forces which drove the growth in abusive tax shelters. essentially professionals are more likely to market their own products, even i f they do not think that they wi l l pass statutory muster, i f fees are on a contingent basis. i n the current environment, tax professionals bi l l their tax shelter work on an hourly basis. this pricing policy provides a fairer estimate of the professional's actual work output and negates the psychological bias that pervaded tax professionals in previous years. also, service prices are more closely correlated to the professional's legal opinion of the transaction. as one interviewee stated, "lawyers are needed to provide independent opinions of risk and assurance levels. lawyers have i n this sense become risk management experts with respect to tax shelters."x l because fees are closely correlated to the legal risk inherent to the transaction, lawyers' fees for advice regarding unintended shelters are higher than for advice regarding intended tax shelters. lawyers are careful to point out, however, that this form of pricing is not meant to encourage "pushing the envelope" with tax shelter advice. rather, it is meant to reflect the fact that unintended tax shelters require more legal analysis and research than intended tax shelters, which are more easily comprehended and implemented. hence, lawyers expend more time and effort working on the interpretation of unintended tax shelters and consequently earn more for this type of work. from the client's point of view, there is a risk/reward proposition for every tax shelter product. economically, then, clients' willingness to pay higher prices should and does increase proportionately to the risk of the tax shelter transaction. e l e m e n t s f a l l 08 enforcement is a crucial factor in br inging about a more ethical and lawfultax shelter env ironment. possible f u t u r e s o l u t i o n s the future of abusive tax shelters wi l l be primarily determined by the efficiency and competence of the irs's enforcement. as my interviewees have echoed, the legislation currently in place is more than sufficient to curtail the usage of abusive tax shelters. the irs, sec, and the government i n general wi l l simply not be able to correct all of the loopholes i n our complex tax code through continued legislation. as one interviewee affirmed, "there wi l l always be financial engineers out there who are creating intricate, exotic tax shelter products."*" intensified enforcement of the disclosure and registration requirements, greater monitoring of the tax shelter industry as a whole, and continued judicial reliance on the doctrine of economic substance should produce a more ethical system. this structure wi l l hopefully allow advisors (accountants and lawyers) and clients (companies using the tax shelters) to more easily identify potentially abusive tax shelters and to reject such transactions. the irs's level of enforcement wi l l be the most critical factor in creating a more ethical and lawful tax shelter environment. i n the 1970s, the irs conducted a drastic reduction in its enforcement workforce. the aim of this business decision was to cut costs and improve revenues in the short term. since the use of abusive tax shelters was still in its nascent phases then, this action seemed logical. however, the irs did not anticipate the monstrous long-term costs of reducing its enforcement powers so radically. the irs did not return to its pre-reduction enforcement workforce levels unti l the early 2000s. it has been argued, therefore, that the irs's economically rational decision in the 1970s cost our country (the treasury) tens of billions of dollars in taxes. as a result of this realization, many states have begun to increase funding and workforce levels for tax enforcement. earlier this year, for example, california governor arnold schwarzenegger mandated the hiring of 500 new tax collectors and investigators in an effort to close california's $6.5 billion tax gap. ! t l advanced enforcement measures such as these must be implemented in order to effectively reinforce the regulatory restrictions created by the irs and the government. another suggestion would be to establish more uniformity among statutory and international tax laws. as aforementioned, many unintended (and potentially abusive) tax shelters are part of inter-jurisdictional transactions. creating greater uniformity among tax statutes and regulations would largely counteract the financial incentives engendered by disparate statutory regulations. this action would significantly curb the use of inter-jurisdictional tax shelters, and therefore inherently reduce the usage of abusive tax shelters. as in the accounting world, all stakeholders involved wi l l be better served i f tax laws and regulations are comparable and understandable across jurisdictions. x l m a third solution which may aid the irs in targeting abusive tax shelters would be to improve information flow among state tax organizations and the irs. in addition to strengthening the power of the disclosure and registration requirements, this improvement would widen the irs's awareness of the countless types of abusive tax shelters. enhancing information flow would also provide better accuracy with respect to the irs's understanding of the location of abusive tax shelter activity. from this point of view, the irs could more precisely delegate enforcement powers to state authorities who are more familiar with their individual tax jurisdictions than federal officials. additionally, there must be more exchange between institutional a b u s i v e t a x s h e l t e r s representatives of tax professionals, such as the aicpa and the american bar association, and the irs. improved relations and discussion between these two organizations wi l l positively impact the tax shelter industry; i f the relationship between the two sides is stronger, then the internal and external pressures on tax professionals wi l l increase. the ethical disincentives fostered by such pressure wi l l help to constrain abusive tax shelter activity. although tax planning wi l l probably always be offered as a service by public accounting firms, i believe that the provision of tax shelter advisory should only be undertaken by attorneys working for law firms. in complement to the earlier discussion, the determination of whether a tax shelter is legal or illegal can only be made by lawyers, since tax shelters are ultimately the product of the interpretation of tax law. as such, lawyers are most aptly positioned to render ethical and legal tax shelter advice to clients. the pricing structure for tax services is also an integral issue that wi l l have important implications on the tax shelter industry for many years. it is obvious that the old practice of earning contingent fees based on tax losses claimed is unethical and unconscionable. the current method of pricing, in which professionals bi l l at an hourly rate just as i f they were providing auditing services, is the most accurate and ethical pricing method. because the amount of a professional's time spent on tax shelter interpretation is closely correlated to the difficulty and client risk inherent in a transaction, this pricing structure is an earnest compensation measure for professionals and should be used for all tax shelter advisory work. on a macro level, in the long-term, the tax shelter industry must move towards a principles-based system and away from the current, overly rules-based system. i n the accounting industry, this change is already underway. lawyers and other tax professionals are hired and respected for their professional judgment abilities. i f our nation excessively restricts this judgment, then it wi l l actually hurt our economy. it is intuitive that "the more detail that is required, the less room there is for judgment . . . rules increase complexity and actually can decrease the meaningfulness of information. " x l i v a principles-based system would allow more room for professional judgment and also diminish the complexity of our tax system. i n turn, our nation's courts would not be overburdened with unnecessary interpretation of convoluted tax rules; rather, the courts would establish principal guidelines (such as the economic substance doctrine) which would allow tax professionals to more easily evaluate the legality and legitimacy of tax shelter transactions. as the ceos of the "big 6" elucidated, "one of the most important lessons from the recent spate of financial reporting scandals is that the world's complex business transactions cannot be communicated through proscriptive rules: clarity relies on adhering to sound principles applied with expert judgment." x l v the tax industry must therefore follow its brother, the auditing industry, into a principles-based future. e n d n o t e s i . merriam webster online dictionary i i . "overview and history of tax shelters" (2008) h i . "the legislative history o f abusive tax shelters" (2005) iv. irc section 6111 v. irc section 6112 vi . "the legislative history of abusive tax shelters" (2005) v i i . "the legislative history of abusive tax shelters" (2005) v i i i . joint committee on taxation-penalty study ix. jct examination of abusive tax shelters-jcx 84-99 x. treasury white paper on corporate tax shelters xi . treasury penalty study on corporate tax shelters x i i . interviewee b x i i i . irs announcement 2000-12 xiv. irs announcement 2000-51 xv. "the legislative history of abusive tax shelters" (2005) xvi. a l l interviewees espoused this opinion. xvii . gregory v. helvering (1935) xvii i . salsman (2002) xix. gregory v. helvering (1935) xx. long-term capital holdings v. united states of america (2005) xxi. keinan (2006) xxii. keinan (2006) xxii i . hi l ton (2008) xxiv. beale (2006) xxv. rostain (2006) xxvi. rostain (2006) xxvii. interviewees a and b e l e m e n t s : : f a l l 08 xxviii. rostain (2006) xxix. interviewee a xxx. container corp. v. franchise tax board (1983) xxxi. interviewee c xxxii. interviewee c xxxiii. a l l interviewees espoused this opinion. xxxiv. interviewees a and b xxxv. interviewee a xxxvi. rostain (2006) xxxvii. interviewee a xxxviii. interviewee a xxxix. rostain (2006) xl. interviewee a xl i . interviewee a xl i i . sheppard (2008) x l i i i . dipiazza (2006) xliv. dipiazza (2006) xlv. dipiazza (2006) r e f e r e n c e s beale, leslie. "glaxo transfer pricing settlement." a taxing matter. http://ataxingmatter.blogs.com/tax/2006/09/glaxo_transfer_. h t m l . accessed 11 september 2006. cma consolidated inc. v. comissioner, 89 t.c.m. (cch) 701, 2005 tax. ct. memo lexis 16. container corp. v. franchise tax board, 463 u.s. 159 (1983). dipiazza, samuel, et al. "global capital markets and the global economy: a view from the ceo's o f the international audit networks." global public policy symposium. november 2006. gregory v. helvering. 69 f.2d 809, 810 (2d cir. 1934), aff'd, 293 u.s. 465, 55 s.ct. 266, 79 l.ed. 596 (1935). hi l ton , ronald. 2008. managerial accounting. 7th ed. new york: mcgraw-hil l/irwin. i . r . c § 6 i i 2 . i.r.c. i 6111. interviewee a. apr i l 2, 2008. interviewee b. apr i l 4, 2008. interviewee c. apr i l 2, 2008. irs announcement 2000-12. joint committee on taxation, special tax penalty study. june 1999. joint committee on taxation-examination of abusive tax shelters-jcx 84-99. july 1999. keinan, yoram. 2006. playing the audit lottery: the role of penalties in the u.s. tax law in the aftermath of long term capital holdings v. united states, 3 berkeley bus. l.j. 381. long term capital holdings lp v. united states, 150 fed. app'x 40 (2d cir. 2005). "overview and history of tax shelters." tax shelter lawsuits. 2008. http://www.tax-shelter lawsuits.com/pages/overview.html. penalty study on corporate tax shelters. october 1999. u.s. treasury department. quill corp. v. north dakota, (91-0194), 504 u.s. 298 (1992). rostain, tanina. 2006. "travails i n tax: kpmg and the taxshelter controversy." legal ethics: law stories. ed. rhode, deborah and luban, david. new york. chapter 3. salsman, richard. "treasury secretary paul o'neil confuses tax avoidance versus tax evasion." capitalism magazine. 13 september 2002. http://www.capmag.com/article.asp?id= 1856. accessed 4 apr i l 2008. santa monica pictures, llc. v. commissioner, 98 t.c.m. (cch) 1157 (2005). sheppard, harrison. "schwarzenegger targets tax cheats." the mercury news online, http://www.mercurynews.com/localnewsheadlines/ci_8228577?nclick_check=i. accessed 11 february 2008. "tax shelters." merriam-webster online dictionary. http://www.merriam-webster.com/dictionary/tax%20shelters. accessed 4 apri l 2008. "the legislative history of abusive tax shelters." 2005. abusive tax shelter history. internal revenue service. http://www.irs.g0v/pub/irs-utl/i.b_-_history_of_shelters.pdf. white paper on corporate tax shelters. july 1999 u.s. treasury department. irs announcement 2000-51. a b u s i v e t a x s h e l t e r s http://ataxingmatter.blogs.com/tax/2006/09/glaxo_transfer_ http://www.tax-shelterhttp://lawsuits.com/pages/overview.html http://www.capmag.com/article http://www.mercurynews.com/lohttp://www.merriam-webster.com/dictionary/tax%20shelters http://www.irs.g0v/pub/irs-utl/i.b_-_history_of_shelters.pdf d o n q u i x o t e a n d t h e l i a r 's p a r a d o x em i ly cersonsky " l a m l y i n g . " it m i g h t be s a i d t h a t t h i s state m ent is, i m p l i c i t ly, t h e s i n g l e real t r u t h of t h e fict i o n f o r m i n g a u t h o r , a n d its c o m p l i c a t i o n s are b o t h t h e e m b l e m a n d b a n e of a l l n o v e l s . i n h i s epic don quixote, m i g u e l de cerv a n t e s e x p l o i t s t h e p r o b l e m of m a k i n g lies real by i n t r i c a t e l y w e a v i n g t o g e t h e r s u c h dl spa rate e l e m e n t s as a u t o b i o g r a p h y a n d h i g h f a n t a s y w i t h i n t h e u n r e l i a b l y u n r e l i a b l e v o i c e s of several subjective s t o r y t e l l e r s. a n d h i s c o n c l u s i o n , it s e e m s , is d o n q u i x o t e h i m s e l f , a m a n w h o c o m b a t s t h e p r o t e a n s t r a n g e n e s s of t h e w o r l d by r e p l a c i n g it w i t h a deli berate reality of h i s o w n . at t h e cusp of t h e e u r o p e a n r e n a i s s a n c e , c e r v a n t e s ' d o n q u i x o t e m a k e s t h e c h o i c e w h i c h w i l l be co me a necessity for p o s t c a r t e s i a n t h i n k e r s , n a m e l y , a p e r s o n a l d e t e r m i n a t i o n , a n a u t h o r s h i p of " t h e real" i n a w o r l d w h e r e i n c o n s i s t e n c i e s a n d s u b j e c t i v i t i e s c o n s t a n t l y t h r e a t e n to c h a i n t h e t r u t h s e e k i n g m a n , l ike p r o m e t h e u s , to t h e c o n f u s i o n of t h e liar's p a r a d o x . "in a literary work, is reality secreted or is reality secreted? i n the late twentieth century two sociologists, bruno latour and steve woolgar, spent several months in an eventually nobel prize-winning biology laboratory in an attempt to study how scientists' social interactions construct the reality which their science purports. the conclusion from the study was a seemingly simple one: "reality is secreted."1 their intended implication was that the fact of science is as much authored as fiction, but curiosity provokes the question, what i f this idea is applied to actual, acknowledged fiction? i n a literary work, is reality secreted or is reality secreted} miguel de cervantes' don quixote de la mancha is "the child of [his] brain" (15), a masterwork of fiction that laces together an unprecedented tapestry of these two aspects, both secreted and secreted reality. as such, it is an emblem of a great conundrum of humanity and the especial fascination of the european renaissance, the problem of reality and fiction. i . i think of cinemas, panoramic sleights with multitudes hent toward some flashing scene never disclosed, but hastened to again, foretold to other eyes on the same screen.11 centuries before pirandello's six characters in search of an author, don quixote first introduced the problem of reality and fiction through ambiguity of authorship. its narrative consists of a diagram-worthy lineage, beginning (or ending) with cervantes himself and following to the book's narrator, who claims to learn his story from several sources but mostly (from p9 on) through the further remove of a castilian translation of cid hamet ben engeli's moorish chronicle. it is worth noting, too, that although cervantes' spanish text does exist, many an american reader is obliged to encounter it through an english translation.1 1 1 don quixote's authorial lineage is porous as a sponge and saturated with equivocations that combine to drown out any concept of "truth." at the base is straightforward authorial suspicion: although ben engeli is a self-designated "arabian historiographer" and the narrator says that "historians ought to be precise, faithful, and unprejudiced," by the next page he, himself a historian, voices his own prejudice that "the author was an arab, those of that nation being e l e m e n t s s p r i n g 06 not a little addicted to lying" ( 6 8 6 9 ) . ben engeli, for his own part, readily admits his plethora of sources including other historians, hearsay and his own opinions further complicating the quest for an ur-text of don quixote's story. the unreliability of the chronicle is enough to confuse even the identities of the characters themselves: sancho introduces himself as "sancho panza, am i , unless i was changed in the cradle, i mean the press" (663). such interaction between different levels of the authorial lineage form the supreme complication of don quixote's telling. ben engeli's omniscience poses a problem because it is not merely a device of fiction; sancho and don quixote are aware of his omniscience and wonder "how the historian who wrote [the book], could come to know" of "things which passed between [them] only" (483). although this might lead the reader to posit "ben engeli" as a penname for don quixote (or sancho), the fact that neither character gives any hint of authorship and further, that ben engeli at times states his own judgment and conjectures because he lacks knowledge of the story's details (cf. the name of "barataria" on 753), proves otherwise. thus, ben engeli's tale seems neither completely autobiography-worthy truth nor fully-fashioned fiction, and in pascal's words, its imagination is "all the more deceptive for not being invariably so."i v as the characters' consciousness "infiltrates" every level of authorship (except for that of the primary narrator), even cervantes' identity is complicated by the priest's citation of h i m as "a great friend" whose galatea is in don quixote's library (53). this meta-confusion gives us a firsthand insight into how the inherent, inescapable blurring of fiction and reality in "foolish books" is enough to instigate the madness of that "unhappy gentleman," don quixote (262). further, it proves problematic for us as well, because though we "cannot persuade [ourselves] it is a true story: and i f it be a fiction, the author has erred against probability: for it cannot be imagined, [...] there is something impossible to i t " (321). as pascal says, such fiction "would be an infallible criterion of truth i f it were infallibly that of lies. since, however, it is usually false, it gives no indication of its quality, setting the same mark on true and false alike."v i i . much madness is divinest sense to a discerning eye; much sense the starkest madness. 't is the majority in this, as all, prevails. assent, and you are sane; demur,—you're straightway dangerous, and handled with a chain. vl however we might believe his various authors, the deepest fissure of complication splits open when we address the authorship of don quixote's self. is he truly, unconsciously mad, the product of the "inventions and lies" and the "style and manner of his foolish books" (262)? or is he genuinely sane and the author of his own mind, a knight whose "profession [...] requires [him] to understand everything" (204) , even what the seemingly-sane cannot understand? d o n q u i x o t e a n d t h e l iar's p a r a d o x to claim don quixote as mad, we would require some contextual measure for sanity. yet we can only call his madness relative he is "but mad north-north-west" for his castle ellsinore is peopled by characters of such questionable sanity that they must not only distrust "all that the enamoured poets tell [them] for truth" (300), but distrust their very selves. cid hamet avers that "the mockers [of don quixote] were as mad as the mocked; and that the duke and duchess were within two fingers' breadth of appearing to be mad themselves, since they took so much pains to make a jest of two fools" (919). tom cecial points out to sampson carrasco, "don quixote is mad and we think ourselves wise: he gets off sound and laughing, and your worship remains sore and sorrowful. now, pray, which is the greatest madman, he who is so because he cannot help it, or he who is so on purpose?" (560). i n such a world where all sense of sanity is relative, don quixote's only recourse is to create a system of sanity in which he can live himself; where reality is secreted, he secretes his own reality. though this may make h i m seem conventionally mad, his reality is of no more or less verity than the "reality" that is assumed by others, and indeed it may be worth more, as it at least allows quixote to trust in something within the "cave of montesinos" that is the apparent world. unlike others, don quixote can claim that "the coherent discourse i made to myself, convinced me, that i was then and there the same person i am now here" and not some "empty and counterfeit illusion" (614). and unlike others who have "done amiss in suffering [themselves] to be carried away by the current of those, who take it for granted [chivalric stories] are not true" (564), quixote at least chooses his own beliefs. thus, don quixote forsakes the search for reality in favor of the creation of contentedness. he evades the "unexpected accidents" that "perpetually befall those who live in this miserable world" (824) by recasting them as "enchantments." as a self-made knight, he is "able to penetrate into the designs of the enemy, to form stratagems, overcome difficulties, and prevent dangers which threaten: for all of these things are acts of the understanding" (338). when faced with adversity, he must merely turn to the self that he has created and say, " i n truth [the situation] is so frightful, that, were i not who i am, i should be afraid myself" (555). by the end of his story, don quixote's method of realityconstruction (latour and woolgar would call it "agonistic" activityv i i) has spread to others, including the duke and duchess, who, "having executed their design so ingeniously and happily," realize that "nothing real could have afforded them more pleasure" (703). in the end, the world's chosen reality becomes the "madness" of don quixote himself. don alvaro tarfe, for one, negates the reality of his own self he becomes "persuaded he must needs be enchanted" (932) in favor of believing the self-asserted reality of ben engeli's don quixote. further, don antonio admonishes sampson carrasco for "the injury [he has] done the whole world" in "endeavoring to restore to his senses the most diverting madman in i t . " by the end of don quixote, it might be said that the reader and even cervantes are ready to proclaim with don antonio: "may don quixote never be recovered!" v i i i (895). i i i . j no longer strive to strive towards such things (why should the aged eagle stretch its wings?) why should i mourn the vanished power of the usual reign ? i x don quixote is an emblematic work of the renaissance because the agnostic method which facilitates don quixote's mad, self-created "reality" becomes the relief, liberation, and final recourse of an era which, in emerging from the medieval religious tradition, must discover a new opiate. thus, renaissance literature is marked by the intellectuality of reality-construction, at first as a necessary remedy to the human being's inability to understand or derive certain happiness from the apparent "reality," and later as the only option when "reality" is defined by descartes as defined solely by the human mind. elem ents : : s p r i n g 06 of any renaissance literature, william shakespeare's plays best represent the progression from the insufficiency of apparent "reality" to a compensatory reality-construction. richard i i ( i 595) x presents the king as at the mercy of his situation's supposed reality which he assumes is beyond his control. he tries i n the "pomfret castle soliloquy" (v.v) to make his "brain [...] the female to [his] soul" yet he generates only "still-breeding thoughts"; "no thought is contented" because he fails to prepare a womb, a world in which to construct his mind. the "hard world" and its "rugged prison walls" still exist for h i m as fact, and they preclude self-mastery, leaving his thoughts only to "flatter themselves | that they are not the first of fortune's slaves." in king john (1596), shakespeare implies a hope for richard i f only he could attain it: cries grief-stricken constance, " i am not mad; i would to heaven i were! [...] too well, too well, i feel | the different plague of each calamity" (iiliv). i n hamlet ( 1600), the prince partially actualizes this idea. hamlet "put[s] an antic disposition on" (i.v), indeed, yet he fails to find relief in his madness-altered reality because he does not believe it. still on his mind is the absolute of "is" ("to be, or not to be") that arms h i m against "outrageous fortune" and "the thousand natural shocks | that flesh is heir to" (iii.i) only with death (an out for which king richard ultimately opts).x l shakespeare's great change of his characters' minds comes with king lear (1605), where several characters set out to fight nature by their art of reality-construction. here, "the excellent foppery of the world" and the "admirable evasion of whoremaster man" is acknowledged so that "fortune," which is "often the surfeit of our own behaviour," may no longer be allowed to excuse "villains by necessity; fools by heavenly compulsion" (i.ii). lear appears mad as he first radically alters the custom of primogeniture and posthumous inheritance and then, when the "reality" becomes that his premature-heiresses forsake h im, he has the satisfaction of condemning them in an imaginary court of law. edmund, for his part, seems not mad but devious in his " invention" of a world where the gods might change the reality of birthright and "stand up for bastards" (i.ii). like don quixote's duke and duchess, edmund consciously flouts the nonexistent rules of the universe to construct the reality that he desires. though shakespeare is the final decider of their destiny, lear and edmund both strive to fare better along the path to tragedy by achieving not only self-construction but world-construction. through all of this, though, the question nags: what i f don quixote is ultimately right, and "art cannot exceed nature" (568)? what i f the secreted reality cannot be fully or wholeheartedly replaced? constance claims, " i have reason to be fond of grief" because it seems that "grief fills the room up of my absent child, | lies in his bed, walks up and down with me, | puts on his pretty looks, repeats his words, | remembers me of all his gracious parts, | stuffs out his vacant garments with his form" (iiliv). thus, self-inflicted "reason" yokes her to an insufficient "reality," almost identical to that of jan kochanowski in his laments. kochanowski, for his part, does attempt the agonistic approach by deifying and devoting himself to "wisdom," yet such an approach leaves h i m unconsoled, and he is "hurled, like all the rest, from the topmost stair" ("tren 9" ) . yet i f he made the effort, why does his secreted reality fail? i v . everything i say is a lie...except that...and that... and that, and that, andthatandthatandthat...and...x™ the failure of reality-construction is revealed in kochanowski as it proceeds from the intrusion of the liar's paradox, the self-defeat of perpetual disbelief that pascal cites in his criticism of skeptics.™1 such is the problem that complicates the fictionality of don quixote both within the tangled lineage of authorship and the uncertainty of quixote's madness, and such is the problem that makes such construction-attempts as quixote's, lear's, and kochanowski's ultimately unsuccessful in achieving happiness. at some point the rules set out by a self-constructed reality a reality created i n deliberate disbelief of the apparent "reality" wi l l either be disbelieved themselves (in the case of kochanowski) or wi l l be so fully believed that they d o n q u i x o t e a n d t h e liar's p a r a d o x trip the constructionist right back into slavery of an apparent "reality." like don quixote, the intellectual is brought into "so many disadventures" that he does "not know which is [his] right foot" (126) but that it is shackled to his self-created fate. this outcome is the case for lear, as his inheritance-scheme backfires by his daughters' ingratitude and cruelty, and also for don quixote, as chivalry finally requires h i m to surrender to sampson carrasco and end his career as a knight-errant. the failure of agnosticism leaves the renaissance with one of its greatest quandaries. by the time of descartes' "cogito," such declarations as montaigne's "nature always gives us happier laws than those we give ourselves" cannot be adopted as resolutions because no two views of nature (the apparent "reality") are the same. man seems doomed to jansenism's sentence of "subterranean conduct" regardless of whether he has "supercelestial thoughts" or no, because "[j]ustice and truth," the bases of happiness, "are two points so fine that our instruments are too blunt to touch them exactly. " x 1 v in short, reality-construction becomes not only a remedy but an inevitability. kochanowski defines the problem in "tren 1": "what is not vain, by god, in lives of men?" "in short, reality-construction becomes not only a remedy but an inevitability.77 yet the key to the renaissance's resolution hides at the center of this. after the melancholia of the intellectual agonistic and after the failure of panglossially-optimistic "reason, the sport of every w i n d , " x v there is faith and there is god. the difference between the renaissance's choice of faith to that of the medieval tradition, though, is that faith cannot be taken on faith alone. faith's obstacle is that, like milton's satan, we "novel, [...] monstrous, [...] chaotic, [...] paradoxical, [and] prodigious"x v l humans find that our "wonted pride" and "proud imaginations" persuade us that we can "seek | our own good from ourselves." our "[v]ain wisdom" excites the "[fallacious hope" that "[a]s [god provides] our darkness, cannot we his light | imitate when we please?" the snag is that we and our constructed world " i l l become this throne" x v n of wisdom, and like satan and kochanowski, we soon tumble "from the topmost stair." the consequence of our prideful intellectuality is that we are left little better than melancholy hamlet, saddled either with satan's choice "rather than be less, [...] not to be at all" or the implied alternative "to be." yet how can we happily "be" when we cannot sustain an agonistic, when (in wallace stevens' words) we cannot "be one thing and be it long"? x v , r ' as pascal wi l l tell us, we "must wager;" we must gamble on whether to stake our reality-construction in god and, concomitantly, on whether to have faith. laid on the betting table are life's little trivialities: "the true and the good [...] [our] reason and [our] wi l l , [our] knowledge and [our] happiness."x i x in wagering for faith, we must realize that, because invisible faith trumps more tangible forms of salvation i n the post-lutheran renaissance, we are merely choosing another agonistic; such a choice is inescapable, for "[c]ustom" abidance to a created reality "is our nature." yet in this wager "there is an infinity of infinitely happy life to be won," and even i f we can never know truth, we can recognize don quixote's claim that "where truth is, there god himself is, so far as truth is concerned" (489), and as pascal adds, " i f men are capable of any truth this is i t . " x x what remains, then, is to put this newly adopted reality of faith to the test and find whether it provides the happiness which eludes all other intellectual constructions. are we "yet happiest i f [we] seek | no happier state, and know to know no more"? x x l the resounding answer, at least in the literature of the renaissance, is "yes." the affirmation of a reality of faith comes from all quarters. kochanowski finally asks himself "why is your mind a e l e m e n t s s p r i n g 06 burning candlewick | wasting itself?" then consents to the reality that "[t]he lord's ways are not ours. | our task is simply to accord with them" and "try to live on | consoled by changeless heaven's certainty" ("tren 19 albo: sen"). in king lear, gloster gives over his "proud wi l l " and believes his life has been saved by "the clearest gods, who make them honours | of men's impossibilities" (iv. vi). with such reassurance, he then dies peacefully as his "flaw'd heart | 'twixt two extremes of passion, joy and grief, | burst[s] smilingly" (v.iii). lear, for his part, finally dies calling "look there, look there," leaving us to wonder whether he has seen truth or god or both, but unequivocally leaving us with a better "inheritance" in the recognition that he has had some spiritual vision (v.iii).™ don quixote, though, offers the paragon of affirmations. sancho, who like so many other characters (fictional and otherwise) has been wooed to the trust of don quixote's "mad" reality, argues fervently with his master that "the greatest madness a man can commit in this life is to suffer himself to die, without [...] being brought to his end by any other hand than that of melancholy™1 1" (941)unfortunately for sancho, though, his pleas fall on changed ears. don quixote now "alonso quixano" renounces his previous "folly" through "the mercy of god," (940) and dies " i n so composed and christian a manner" that the notary does not recognize h i m for a knight-errant (943)thus, choosing faith over his intellectual melancholy, cid hamet ben engeli's "true and genuine don quixote" (944) exits the final world which he has created. with h i m departs the chance of innocently following an intellectual agonistic scheme of reality-construction. yet what he bequeaths to us is a distinctly renaissancian nuance in the tradition of faith; whether or not god's supremacy is the true secreted reality, insofar as secreted realities are our only recourse, it is still the most fulfilling. after all of our intellectual pursuits, we must "descend now therefore from this top | of speculation" and simply begin to "cultivate our gar dens.' , x x 1 v e n d n o t e s i latour and woolgar, 206. i i crane, hart. "proem: to brooklyn bridge." the complete poems of hart crane: centennial edition. ed. marc simon. new york: liveright, 2001. i i i such as that of charles jarvis, f rom whose edition i w i l l quote don quixote. v ibid. [italics are my own.] v i dickinson, emily. " x i . " emily dickinson: the complete poems. boston: little, brown, 1924. quoted f rom . new york: bartleby.com, 2000. v i i the "agonistic f ield" is where "reality is the consequence rather than the cause of this construction." p. 204. v i i i is the translator speaking here merely about healing don quixote's sanity or f inding his character? the wordplay exists i n english, however i n spanish the verb is sanar, which means "recover" exclusively i n the connotation of "healing" [not "f inding"] . don quijote de la mancha. . intratext/eulogos, 2002. ix eliot, t.s. "ash wednesday." collected poems: 1909-1962. new york: harcourt brace, 1991. x these dates are of the believed first performance. . xi i am indebted i n the selection of these three plays to stephen greenblatt's essay "the death of hamnet and the making of hamlet." x i i "episode 15: save the children." family guy. x i i i pascal, 34. xiv montaigne, 107 and 135; pascal, p. 12. xv pascal, p. 10. xvi pascal, p. 34. xvii mi l ton, 21, 30, 37, 45, 37, and 42, respectively. xvii i mil ton, p. 31. stevens is quoted f r o m "the comedian as the letter c." xix pascal, p. 123. xx pascal, p. 125,123, and 124, respectively. xxi mil ton, p. 106. xxii "with a sudden intensity, as i f she saw it clear for a second, she drew a line there, i n the centre. i t was done; it was finished. yes, she thought, laying down her brush i n extreme fatigue, i have had my vision." woolf, virginia. to the lighthouse. xxii i the spanish word here is indeed "melancholia." thus, we can legitimately relate the text to albrecht diirer's depiction of deep intellectual melancholy i n his woodcut "melencolia i . " it is followed i n diirer's sequence by "st. jerome i n his study," a work depicting the acceptance of the human lot through faith. xxiv mil ton, 306. voltaire,. 328. d o n q u i x o t e a n d t h e l iar's p a r a d o x http://www.bartleby.com/113/1011.html http://bartleby.com http://www.intratext.com/ixt/esl0027 http://wwwshakespeare-online.com/keydates/playchron.html http://wwwshakespeare-online.com/keydates/playchron.html references cervantes, miguel de. don quixote. trans. charles jarvis. new york: oxford university press, 1992. don quijote de la mancha.. . intratext/eulogos, 2002. greenblatt, stephen. "the death of hamnet and the making of hamlet." the new york times review of books. 21 october 2004, vol. 51, no. 16. latour and woolgar. "the social construction of scientific facts." readings i n the philosophy of science: from positivism to postmodernism. ed. theodore schick. new york: mcgrawh i l l , 1999. milton, john. paradise lost. ed. merritt y. hughes. new york: odyssey press, 1962. montaigne, michel. selections f r o m the essays. ed. and transl. donald m . frame. arl ington heights, 111.: harlan davidson, j973pascal, blaise. pensees. transl. a.j. krailsheimer. new york: penguin putnam, 1995. voltaire. candide. the portable voltaire. ed. ben ray redman. new york: penguin, 1977. e l e m e n t s : : s p r i n g 06 http://www.intratext.com/ixt/esl0027 "by defining the metrosexual as a high-end consumer, derived from gay stereotypes, simpson has provided the 'buzz word' needed by marketers to target and expand a profitable market." c o n s u m i n g q u e e r ! the commodification of culture and its effects on social acceptance m i c h a e l j. y a k s i c h c o n s u m e r s h a v e b e c o m e a t t r a c t e d t o " e x o t i c " o r c u l t u r a l l y r e l a t e d t r e n d s . b y e x t r a c t i n g a n d c o n s u m i n g s t y l e s a n d c h a r a c t e r i s t i c s a s s o c i a t e d w i t h m a r g i n a l i z e d c u l t u r e s , s o c i e t y e l i m i n a t e s d i v e r s i t y t h o u g h h o m o g e n i z a t i o n . r e c e n t l y p o p u l a r t e l e v i s i o n p r o g r a m s s u c h a s queer eye for the straight guy, w h i c h d e p i c t s t h e m a k e o v e r o f a s t r a i g h t m a l e b y f i v e g a y h o s t s , d i s p l a y s c h a r a c t e r i s t i c s a s s o c i a t e d w i t h t h e g a y c o m m u n i t y a l l o w i n g f o r t h e a b s o r p t i o n o f s t e r e o t y p e s . f o l l o w i n g t h i s , t h e c o n f i g u r a t i o n o f t h e " m e t r o s e x u a l " b y m a r k e t e r s h a s a l l o w e d s t r a i g h t m a l e s t o a d o p t t h e p o s i t i v e q u e e r s t y l e s . d i s c u s s i o n g r o u p s w e r e c o n v e n e d t o v i e w a n e p i s o d e o f queer eye t o d i s c u s s t h e p r o g r a m a n d t h e p o r t r a y a l o f g a y i m a g e s . f o c u s g r o u p s i n d i c a t e t h a t t h e p r o g r a m i s a p o s i t i v e s i g n o f a c c e p t a n c e a l t h o u g h i t r e i n f o r c e s m a i n s t r e a m s t e r e o t y p e s . b o t h q u e e r e y e a n d t h e m e t r o s e x u a l a r e a r e s u l t o f t h e b r e a k d o w n h e t e r o s e x u a l g e n d e r n o r m s a n d p r o d u c t i o n a n d r e d i s t r i b u t i o n o f s t e r e o t y p e s w h i c h g e n e r a t e p r o f i t i n a c o n s u m e r s o c i e t y . i n s t e a d o f d i s p e l l i n g s t e r e o t y p e s , p r o g r a m s l i k e queer eye r e i n s c r i b e a n d v a l i d a t e t h e s e i m a g e s . w h i l e t h e p r e s e n c e o f g a y c h a r a c t e r s i n t h e m e d i a s h o w s a m o v e m e n t t o w a r d s g r e a t e r a c c e p t a n c e o f h o m o s e x u a l i t y , t h e c o m m o d i f l c a t i o n o f g a y s t e r e o t y p e s d e m o n s t r a t e s t h e h e g e m o n i c n a t u r e o f m a s s c u l t u r e a n d t h e j u s t i f i c a t i o n o f e x p l o i t a t i o n t h r o u g h t o l e r a n c e . "commodijication prefabricates culture into easy to consume products and images that allow the dominant culture to utilize stereotypes in constructing 'lifestyles'for consumption." the commodification of culture is a process through which the habits of the consumption of real commodities spread into relationships with culture. this results in the liquidation of cultural traditions whereby fundamentals of a particular culture are taken from their traditional context and engaged as "free-floating [postmodern] signifiers, put to decorative uses for removed from their original references."1 with the rise of global capitalism i n the mid-1970s, mass production and marketing replaced traditional production and began to form a saturated and sophisticated market system. as a result, culture is drawn into corporate production in an effort to target niche markets, while individuals are increasingly socialized to engage culture with the same habits they employ in consumption. as american consumer culture reacts to the introduction of new products, marketers strive to profit by presenting new styles in the form of trends. in recent instances the marketing industry has homogenized traits associated with marginalized cultures, allowing for the consumption of stereotypes.11 specifically, the visibility of the gay community has come to depend on the exploitation of stereotypes via mass media and the marketing industry. 1 1 1 these stereotypes include "an obsession with fashion, cultural trends, and overt expressions of femininity. " 1 v while cultural visibility is essential to a positive portrayal of gay individuals, the commodification of gay culture may perpetuate negativity. images of middle-class gay consumers define queer identities only i n terms of "style, textuality, or performance play [to] produce imaginary gay/queer subjects that keep invisible the division of wealth and labor these images depend on. " v commodified imagery also disguises homosexuals who are manual workers, unemployed, or imprisoned. one quarter to a half a mil l ion homosexual and bisexual youths are thrown out of their homes and endure violence i n the streets.71 the dissection of these experiences, via commodification, must be addressed for progress to be made. postmodernism links the effects of consumerism and media-saturation to the modern development of industrial, capitalist societies. once a system of production was established, consumption began to grow, and people needed to acquire a leisure or consumer ethic i n addition to a work ethic. v 1 1 a n increase in affluence and types of conspicuous consumption drove the process, precipitating a growth i n consumer credit, advertising, marketing, and the "emergence of a postmodern popular culture which celebrates consumerism, hedonism and style, "vi i i the rise of mass media also contributed to the commodification of culture by portraying the dominant norms that assist in the assimilation of marginalized cultures. modern consumer culture currently considerers the term 'lifestyle' in vogue. within "contemporary consumer culture it connotes individuality, self-expression, and a stylistic self-consciousness" which establishes taste and a sense of style. 1 x mike feather stone explains that, rather than accepting gay culture, lifestyles "display their individuality and sense of style in the particularity of the assemblage of goods, clothes, practices, experiences, and appearance and bodily disposition they design" regardless of stereotypes.x commodification prefabricates culture into easy to consume products and images that allow the dominant culture to utilize stereotypes i n constructing "lifestyles" for consumption. e l e m e n t s s p r i n g 05 theorist antonio gramsci defines hegemony as a cultural and ideological means whereby the dominant groups in society maintain their dominance by securing the "consent" of subordinate groups. x l this "consent" is achieved by negotiating the construction of a political and ideological consensus which incorporates all groups. gramsci states that hegemony "assimilated the world-view of the dominant group; an assimilation which allows the group" to extend its cultural norms over those of other groups and even assimilate marginalized groups in an effort to remain principal.™ as homogenization and assimilation lead the media to state that differences no longer exist, the cornmodification of queer transgresses cultural taboos surrounding sexuality. the commodification of difference promotes paradigms of consumption wherein difference is eradicated, via exchange, by a consumer who not only displaces the other but also denies the significance of that other's life-story by decontextualization. c o m m o d i f y i n g q u e e r by presenting the makeover tactics of five gay male hosts, television's popular reality program, queer eye for the straight guy, has captured the attention of millions. the program, which appears on bravo x m , depicts five professionals including interior and fashion designers, culinary and cultural experts, and a hair stylist, who redesign numerous aspects of a selected straight participant's wardrobe, apartment, and mannerisms i n an attempt to make h i m trendier. x l v the five hosts' use of flamboyant forms of presentation, while entertaining mainstream audiences, reinforces stereotypes that surround the gay community. the program entertains viewers i n a manner that screens them from the non-stereotypical aspects of the gay community. mass media "has to balance the need of majority interests against those of specialized minorities." x v it is a reflection of the homogenized middle whose "tyranny of audience ratings and readership studies forces a consistency on content that is designed to attract the most" by screening content for its audiences.xv1 media use this method because it is easier to depict preexisting ideas surrounding a culture than introducing new ones. this "is a paradox because the increased visibility of marginalized groups often creates restrictions and recycles old stereotypes."50' 1 1 this paradox allows for a more effortless consumption of ideas that might otherwise be considered proscribed. i n portraying stereotypes, the media allow for society to be "embracing [of] images of gay life but still all too reluctant of a society readily embracing the realities of gay identit ies ."™ 1 1 the society "we live in is deeply conflicted about homosexuality but no longer able to deny its existence. " x 1 x media tactics "makes gay people simultaneously an ideal group for niche marketing and for the containment inherent in commodification to straight consumers."x k while gay individuals may appear more in entertainment, depictions of their coming-out stories and cultural styles have either been transformed into mainstream versions or ignored. i n relation to queer eye, the openly gay hosts are valued only as entertainment and a means for profit. as entertainers, who appear only on television, they no longer threaten society with their way of life. the gay individual has moved from being hidden and ridiculed, to out of "the closet" to perform. guy debord terms this "the spectacle," stating that " i n societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. everything that was directly lived has moved away into representation."™ the spectacle, which surrounds the practices and lives of its members, drives american consumer society. i n consuming the media-propagated spectacle of the gay man, the consumer internalizes the stereotypes that surround it. programs like queer eye have a duplicitous nature which both help and hurt the gay community. while offering selfgrooming and personal wellness advice, the program uses stereotypical hosts to convey to the audience how the "queer eye" is stereotypically better than the straight one. by "mainstreaming homosexuality, we are homogenizing the gay society to a point in which that they are believed to dress and act similar in all fashions of their l ives." x x n this homogenization could either damage gay culture by reinforcing a spectacle of reality or help it by existing in a time in which homosexuality was once considered a mental disorder x x i i i and taboo. 5 0^ the presence of popular gay programs such as queer eye in the media within the past 5 to 8 years demonstrates that marketers have focused on the idea of targeting a profitable gay market. advertisers consider the gay consumer a "dream market." according to research conducted in 1997 by simmons market research bureau, the gay market was found to have an estimated spending power reaching $35 billion per year.30^ dr. daniel wardlow, associate professor of marketing at san francisco state university, stated, "as a 'dream market' gays and lesbians are reported to have significantly higher-than-average disposable incomes and a near-rabid desire for consumption."^ 1 in contrast, gay economist m.v. lee badgett released a study entitled income inflation: the myth of affluence among gay, lesbian, and bisexual americans, released by the national gay and lesbian task force, 5 0™ 1 that indicated that "the gay population's average wealth is no different than that of heterosexuals." the 1998 study, which was an update to the 1990 u.s. census and general social survey, stated that "most marketing studies have mistakenly focused on upscale gays and does not accurately reflect the gay population." x x v 1 1 1 the depiction of this "dream market," whether correct or exaggerated, in combination with preexisting stereotypes, has contributed to the development of a new image to expand a lucrative consumer segment. t a r g e t i n g t h e c o n s u m e r : m a r k e t i n g t h e " m e t r o s e x u a l " in 1994 mark simpson, a british writer, coined the term "metrosexual" shortly after the publication of his book male impersonators: men performing masculinity.™* simpson's aim in creating this term was to offer a slightly satirical critique on the effects of consumerism and media proliferation on traditional masculinity. in describing the term, simpson stated, "gay men provided the early prototype for metrosexuality."5 0 0 5 they are mostly "decidedly single, definitely urban, dreadfully uncertain of their identity (hence the emphasis on pride and the susceptibility to the latest label) and socially emasculated. gay men pioneered the business of accessorizing and combining masculinity and desirability." 5 0 0" simpson's definition of the metrosexual, derived from gay stereotypes, raises interesting questions around the descriptor as a marketed idea. metrosexuality is a result of the production and redistribution of stereotypes that generate profit in a consumer society. the distinction refers to a male who has taken on fashionable characteristics, via consumption, that are stereotypically associated with homosexuality. its existence is owed to the gay individual and his perceived excessive consumption habits. with the formation of the metrosexual, queer culture is being homogenized into a single stereotype that is easily absorbed by mass culture. in eating the other: desire and resistance author bell hooks states that modern depictions of the other, marginalized minorities, have been transformed through a consumer culture that seeks to profit off of perceived difference. from this it can be noted that "the commodification of difference promoted paradigms of consumption wherein whatever difference the other inhabits is eradicated, via exchange, by a consumer. ' , x x x u for much of the twentieth century, gay males relied upon the feminine image as a means to express their sexuality. from this notion came the culturally accepted association of homosexuality with feminine fashions. in 1965, j.l. simmons believed that these stereotypes stemmed from two parts: "stereotypes are variable: at one extreme they may be myths invented from superstition and misinformation; at the other verified [they are] scientific generalizations. they may be prejudices immune to reality testing or they may be tentative appraisals with the built in notion that their validity and applicability to all class members is problematic." 5 0 0 ' 1 1 1 in the absence of any other information the effeminate stereotype became a template for the gay man's expression of sexuality. from these stereotypes the metrosexual not only forms his appearance but also does not have e l e m e n t s s p r i n g 05 to denounce it by acting more masculine. 5 0 0 0^ i n a january 2005 interview simpson stated that "metrosexuality is problematic because it speaks openly what should not be spoken i n that kind of grouping: the possibility of male desirability and by implication, passivity. , , x x x v this observation of consumer culture and masculinity provides further insight into how metrosexuality may garner social acceptance via the possibility of challenge of norms. the perception that gay men are trendy pioneers of shopping for stylish and tasteful articles of clothing is supported by the notion that "the gay quest for distinction is based the report surveyed 510 single males between the ages of 21-48 and 548 with wives. 82 percent of the male sample considered good grooming essential for businessmen today and the majority saw nothing wrong with a man getting a facial.5 0™* the report also stated that 76 percent of those surveyed considered themselves as "easygoing," 74 percent as "caring," and 68 percent as "open-minded." x l i n contrast, many traditional male attributes were given a very low rating. "the metrosexual represents the tipping point of a shift that parallels the process—though not the passion or the politicization—of the women's movement," says marian salzman, chief strategy officer at euro rscg metrosexuality is a result of the production and redistribution of stereotypes that generate profit in a consumer society." on a more complex and subtle dynamic" which uses subcultural appearance standards i n competition through consumption. 3 0 0™ 1 marketers then "ransack the vast array of cultural traditions in order to produce interesting and exotic material for wider audiences" i n an effort to profit. 5 0 0™ 1 simpson's description of the metrosexual portrays h i m as a consumer who values products that hold high cultural value and give way to individual distinction. by defining the metrosexual as a high-end consumer, derived from gay stereotypes, simpson has provided the "buzz word" needed by marketers to target and expand a profitable market. this market expansion was first conceived by the marketing industry after the article, meet the metrosexual, in which mark simpson described the metrosexual. 5 0 0™ 1 1 1 international advertising giant euro rscg, which holds 233 offices worldwide, decided to conduct several metrosexual focus groups in the new york metropolitan area to discover i f the metrosexual market was lucrative. after holding groups, the company published a report entitled the future of men in which the consumer habits of metrosexual men were examined. worldwide and one of the architects of the study. x i l " i n the 1900s, women had to struggle to win parity with men. i n this new century, men—still the dominant gender—are finding the courage to explore the female domain without fear of losing their status as 'real' men. as the survey results show, more and more men are willing to take that r i sk . " x l u the report conducted by euro rscg was intended not only to gain a better understanding of the emerging metrosexual market, but also to advertise an upcoming trend. f r o m c o m m o d i f i c a t i o n to s o c i a l a c c e p t a n c e the relationship between the commodification of culture and acceptance of homosexuality is ambiguous. the intensified marketing of gay images is less indicative of a growing acceptance of homosexuality than of capitalism's appropriation of gay "styles" for mainstream audiences. queer visibility is vital to "prepare the ground for gay civil rights protection [and] affirmative images of lesbians and gays in the mainstream media," and can assist i n further exposure in the dominant cu l ture . x l m rosemary hennessy states in the article queer visibility in commodity culture c o n s u m i n g q u e e r : t h e c o m m o d i f i c a t i o n o f c u l t u r e a n d its e f f e c t s o n s o c i a l a c c e p t a n c e that, "visibility i n commodity culture is in this sense a l imited victory for gays who are welcome to be visible as a consumer subjects but not as social subjects." x l i v the increase in gay images in consumer culture affects audiences by perpetuating stereotypes, and thus possibly limits the knowledge that is essential i n advocating acceptance. a study entitled the effect of consumer prejudices on ad processing: heterosexual consumers' responses to homosexual imagery in ads documents how consumers react to ads subjectively on the basis of their membership in groups defined by ethnicity or gender, or their life themes or experiences. the authors examine how heterosexuals react to the portrayals of homosexuals i n advertisements. the research finds that "heterosexuals' emotional and attitudinal responses to a homosexual ad depend on their general attitude toward homosexuality" and that the "more exposure an individual had to homosexuals the more positive their reactions were." x l v the results demonstrate the diverse opinions of consumers regarding social issues such as homosexuality. to further examine public opinion concerning homosexuality in the context of consumer culture data, expansions on the general social survey have been collected. given the attention given to the gay community in recent years, the statistics may show a trend in acceptance due to wider media exposure. differences between males and females in the usa according to general social survey data found that female's opinions changed more than males in accepting homosexuality. x l v i attitudes towards homosexuality have traditionally been one of the very few areas where females equal or exceed males in the acceptance of a sexual behavior. recent data from gallup and pew research polls indicate that americans feel some tension between their desire to be fair to those who are different from themselves and a l ingering unease with homosexuality itself. a 2003 gallup survey indicated that while 47 percent of americans strongly or not-strongly believe homosexuality should be accepted by society, 46 percent believed that it should be discouraged. x l v n while americans are split over the issue of acceptance, surveys demonstrate that acceptance of gays and lesbians has risen significantly. 2004 survey data show that 54 percent of americans believe homosexuality should be an acceptable lifestyle. x i v i i i i n determining levels of acceptance, television programs have utilized the role of consumer society to extend trends and challenge gender norms. the program he's a lady transforms several heterosexual males into women and has them accomplish feminine tasks, including weekly challenges which "include learning how to walk, talk and dress like a lady, followed by going out in public to find out how convincing they are; learning to flaunt their new attitude with t ra in ing . " x l l x this gender switch demonstrates a new level of exposure for the gay community. judith butler deficure 1-1 pew research center june 2003 americans are div ided on whether homosexual ity should be accepted or discouraged by society sample: 1,000 adults m e t h o d o l o g y : telephone interview conducted june 4-8, 2003 n o t e : percentages may not add to t o o percent because o f r o u n d i n g scribes in her book gender trouble a rearticulation of gender identity and sex and gender limitations. she states, "drag exposes the heterosexual matrix as a fabrication and sex as a performatively enacted signification." 1 in relationship to consumer culture, the performances which participants take part in on he's a lady allows for the fabrication of identity. while this is a reaction against dominant culture, it maintains that heterosexuality is "real," exposing a "pseudo-original" copy or representation that perpetuates dominance. despite the increased exposure, these representations of stereotypes and gender twists are superficial and may not affect acceptance of the gay community. acceptance of homosexuality has risen over the decades, yet exposure via consumer culture may l imit the circulation of true-to-life gay images. whether commodifiying a particular culture actually increased acceptance of the culture being commodified is hard to ascertain. while media portrayals provide wider exposure, commodification also assimilates trends and styles into the dominant culture. these trends assist in devaluing the gay community's lived experience and problems while providing pseudo-false information to consumers. a consumer culture that utilizes trends allows for the continuation of these labels and stereotypes. f o c u s i n g t h e t o p i c ! is t h e r e a t r e n d ? after the initial introduction of metrosexuality into the mainstream by the st. john's article and the efforts of euro rscg, it becomes important to ascertain how viewers of queer eye, a pinnacle of the phenomenon, relate to the commodified images of gays. a university in the new england area was selected as a site from which to assemble focus groups and gather data from college age students. male, female, and male/female groups, consisting of six students per group, were formed. the all male group consisted of five students and the all female group consisted of six students. the 36 participants were selected randomly from those who responded to advertising for the study. the following quotations reflect a sample of the data collected. in engaging with an all male focus group, members enjoyed queer eye while offering criticism of the straight male participant in the episode. the group's reaction to interactions between the hosts and participant demonstrated how the gay individual is a pure object for entertainment and when displaced the reassertion of masculinity is unnecessary. " i think that it adds to the humorous value of the show, but i don't know i f it advanced the whole acceptance of gay rights any further because it just projects them as like the stereotypes" (m2). from this notion group member m3 mentioned that " i don't think you could be like that in real life. but they still are so damn funny it's sick." much of these responses show how the participants enjoyed the program for its entertainment value, but when asked what they felt about the show in relationship to how the majority of americans may think about the gay community, they responded by stating that " i t reinforces stereotypes and possibly limits acceptance" (m2). the subject of acceptance brought about ideas surrounding the purpose of the program in relationship to the stereotypes the group believed it reinforced. group members were very quick to note that "ratings are the main purpose of the show. ratings equal money" (m2). the mention of ratings led to the observation that "the show may be skewed towards the flamboyant side to do well on television, but they do not do a good job of representing everyone" (m4). "they play off of the two extreme stereotypes. so, like these flamboyantly gay people come into the chip eating, bud drinkin', football watchin' guys house... and they fix h i m up" ( m 3 ) . the conversation turned to the issue of acceptance of the gay community by mainstream society, in relation to programs like queer eye. " i think what started off as a stereotype for the gay man is becoming sort of our pop culture's belief, and the majority of people in america believe that this is more than a stereotype," stated m3. a serendipitous idea that emerged from this exchange was the 'comingout' of m3 as a metrosexual and how the group reacted to the concept. c o n s u m i n g q u e e r : t h e c o m m o d i f i c a t i o n o f c u l t u r e a n d i t s e f f e c t s o n s o c i a l a c c e p t a n c e the idea surrounding gay male and metrosexual consumer trends sparked comments such as "people think it is trendy to have a gay friend right now" (mi) and the observation that, "people are buying into the stereotype and want the associated expertise that comes along with being gay" (m3). they also recognized that "ten years ago we wouldn't be able to have this discussion about how we all feel that gayness is trendy because it was taboo and just not talked about." (m3). group members valued the presence of a gay program on television, and the opportunity for discussion it provides. from the reactions regarding how society viewed the gay community, it was clear that the group identified a "gay trend" that "demonstrated a trend at this point in time, selling itself, by making it trendy to look nice like they do" (m4). while exposing the gay community to mainstream culture was considered to still be positive, the group viewed with caution the idea that the continuation of stereotypes in the mainstream could hurt the community in the future. female group members also discussed both the stereotypical portrayal of the hosts and how the program's entertainment value was important to the show's popularity and media exposure. " i n some ways this is the first tv show based upon gay men doing anything, it's something showing how things are changing in the media" (f3). al l members of the female group believed that the program was entertaining and the exposure of gay individuals to the general public was a positive step. in an effort to change the conversation about gay stereotypes, the focus of the end of the conversation, f6 stated that her "guy friend wears all these [trendy] things, but he also identifies himself as a gay-straight man." this statement led the group into a frenzy of excitement over the topic. "oh my god, i know that word. it's metrosexual," stated f2. the understanding of metrosexuality by f2 demonstrates the filtering down into society of this new social trend and term. the identifications of metrosexuality by group members demonstrate how this new term has begun to permeate into popular culture. this is further supported by the act of self identification that group members stated. the results of the focus groups support the theory that the marketing industry is succeeding in forming a new demographic. d i s c u s s i o n within popular american culture, people seek out what is different establish individuality. 1 1 in searching for this consumer individuality, presenting oneself as or with the gay man may confirm one's positionality. 1 1 1 the metrosexual is an example of american consumer culture's desire for marketable stereotypes. marketers, such as euro rscg mainstream a stereotypical version of homosexuality by homogenizing it. as gay individuals are colonized by the majority culture, they may be absorbed by the dominant culture, even i f it excludes or diminishes them. the results of focus groups show that the consumption of queer has permeated american culture. while enjoying the entertainment value of queer eye for the straight guy, focus groups commented on the perpetuation of stereotypes. these stereotypes, which include knowledge of fashion, style, and personal care, were then later reintroduced to describe the metrosexual. participants saw the formation of the metrosexual as something that was not necessarily good or bad, but instead new and trendy. i n a society that thrives from the very nature of what it is consuming, the possibility that consuming queer wi l l result i n wider acceptance of the gay community seems problematic. the high turnover rates of consumer trends may mean that the metrosexual and television programs that feature gay casts may also be considered a consumer trend. metrosexuality is not necessarily a signal of wider acceptance of homosexuality by mainstream society. the metrosexual, according to simpson's definition and marketing efforts, is identified solely based upon consumption habits and mannerisms. simpson stated that this signals that "every aspect of masculinity wi l l be commodified and sold back to men especially when it is sold as being 'authentic' or 'traditional'." 1 1 1 1 consumption devalues the lived experie l e m e n t s s p r i n g 05 figure 1-2 pew research center various years acceptance o f homosexual ity has grown s ignif icant ly sample: 1,000 adults [the number o f respondents varied f r o m year to year] m e t h o d o l o g y : telephone interview conducted various years n o t e : percentages may not add to t o o percent because o f r o u n d i n g 100% 90% 80% 70% 60% 50% 40% 30% 54%' 35% • not acceptable acceptable . 38%' • 5 0 % . -44% ' . 51%•45%. -52%-44% -54% •42% 2002 2004 ences of the homosexual while assuming the positive styles and traits with which it is associated. "for the time being...there is nothing straight about metrosexuality. the appeal of metrosexuality for many is precisely the transgressive association with homosexuality" and may not be a signal wider acceptance. l lv the relationship between consumer trends and social acceptance demonstrates the influence of the new consumer culture. the commodification of homosexuals and other marginalized cultures calls into question the ethics of modern consumption. at this point, it is unrealistic to expect media alone to encourage challenges to societal norms of sexuality, gender, consumption, and class. but i f television is where a conversation about human sexuality is taking place, it may at least be a starting point.lv i n the end, consumers must begin to value and learn from the differences that exist between cultures and communities i n order to bring about true social acceptance. e n d n o t e s i featherstone (1991) i i hebdige (1979) i i i hooks (1992) iv hennessey (1994) v hennessy (1994) vi galst (1992) vi i strinati (1995) v i i i strinati (1995) ix featherstone (1991) x featherstone (1991) xi gramsci (1971) xi i ransome (1992) xi i i bravo is owned and operated by the national broadcasting corporation (nbc), which is wholly owned by general electric. xiv queer eye (2003) xv bowes (1996) xvi bowes (1996) xvii walters (2001) xviii walters (2001) xix schulman (1998) xx schulman (1998) xxi debord (1977) xxii gross (1989) xxiii the american psychiatric association decided that homosexuality is not itself a psychiatric disorder. the change was an amendment to the official diagnostic and statistical manual o f mental disorders. the decision was also impart to the political struggle, and successful social movement and impact or counter culture i n the 1960's (spector, 1978, p.30). xxiv debord (1977) xxv chasin (2000) xxvi wardlow (1996) xxvii walters (2001) xxviii badgett (1998) xxix the introduction of the term metrosexual into mainstream american consumer culture occurred i n the new york times article metrosexuals come out i n which the writer, warren st. john, interviewed several metrosexuals i n new york city after discovering the report by euro rscg (st. john, 2003, p.1,9). xxx simpson (2003a) xxxi simpson (2003a) xxxii hooks (1992) xxxhi simmons (1965) xxxiv b reward (1999 xxxv yaksich (2005) xxxvi kates (2002) xxxvii featherstone (1991) xxxviii simpson (2003b) xxxix metrosexual man (2003) c o n s u m i n g q u e e r : t h e c o m m o d i f i c a t i o n o f c u l t u r e a n d i t s e f f e c t s o n s o c i a l a c c e p t a n c e http://point.lv xlvi i princeton (2003) xlvi i i gallup (2004) xlix he's a lady (2004) 1 butler (1990) l i kates (2002) hi hooks (1992) l i i i yaksich (2005) liv yaksich (2005) lv gamson (2005) xl metrosexual man (2003) xl i metrosexual man (2003) xl i i metrosexual man (2003) x l i i i hennessy (1994) xliv hennessy (1994) xlv bhat, leigh, and wardlow (1998) xlvi bhat, leigh, and wardlow (1998) references badgett, m . v. lee. 1998. income inflation: the myth of affluence among gay, lesbian, and bisexual americans. new york: a joint publication of the policy institute of the national gay and lesbian task force and the institute for gay and lesbian strategic studies. bhat, subodh and leigh, thomas w. and wardlow, daniel l. 1998. the effect of consumer prejudices on ad processing: heterosexual consumers' responses to homosexual imagery in ads. journal o f advertising; vol. 27 issue 4, p9, 2op, 3. bowes, john e. 1996. out of the closet and into the marketplace: meeting basic needs i n the gay community. i n wardlow, d. 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(1992). antonio gramsci: a new introduction, new york & london: harvester wheatsheaf. schouten, john w. and mcalexander, james. 1995. subcultures of consumption: a n ethnography of the new bikers. journal of consumer research, june 22, 42-61. schulman, sarah. 1998. stagestruck: theater, aids, and the marketing of gay america. durhman: duke university press. seidman, steven. 2002. beyond the closet the transformation of gay and lesbian life. new york: routledge. simmons, j.l. 1965. public stereotypes of deviants. i n cole, s., don we now our gay apparel. new york, ny: berg. simpson, mark. (2003a, june, 22). metrosexual? that rings a bell.... retrieved november 4, 2003, from marksimpson.com website: http://www.marksimpson.com/pages/ journalism/ metrosexual_ios.html simpson, mark. (2003b, july 25). meet the metrosexual. retrieved november 4, 2003, from salon.com web site: http://archive.salon.com/ent/feature/2002/07/22/ metrosexual/ spector, malcolm. 1978. the american psychiatric association decision on homosexuality. new york, ny, p-30. strinati, dominic. (1995). an introduction to theories of popular culture, london: routledge. st. john, warren. (2003, july 22). metrosexuals come out. the new york times, p . i section 9. walters, suzanna. 2001. all the rage: the story of gay visibility in america. chicago: university of chicago press. wardlow, daniel l. 1996. introduction to gays, lesbians, and consumer behavior. i n wardlow, d. (ed.), gays, lesbians, and consumer behavior, (pp.1-8). binghamton, ny: hawthorn press ed. yaksich, michael j., personal interview wi th mark simpson, january 30, 2005. c o n s u m i n g q u e e r : t h e c o m m o d i f i c a t i o n o f c u l t u r e a n d i t s e f f e c t s o n s o c i a l a c c e p t a n c e http://www.web.lexis-nexis.com/universe/document http://bravotv.com http://www.bravotv.com/ http://marksimpson.com http://www.marksimpson.com/pages/ http://salon.com http://archive.salon.com/ent/feature/2002/07/22/ caroli n e n. g elm i is a junior majoring in english from union, new jersey. she spent last semester studying abroad in london, and much of her work was accomplished there. she hopes to attend graduate school after completing here education at boston college, and she would also like to travel. she has two pet dogs whom she loves, and she would like to thank her family for all of their support. lau ren l. g i l f eat her is a senior human development major in the lynch school of education concurrently pursuing her masters in social work at boston college. lauren's academic interests focus on family dissolution and preservation and adolescent psychology, and she is presently an intern at the comprehensive school age parenting program in jamaica plain. lauren is the vice president of the boston college chapter of the golden key international honor society and works as both a research assistant and tutor in the field of social work. kaeli n g rant is a sophomore in the college of arts and sciences, majoring in philosphy and french language and literature. she hails from wisconsin, and she wil l be studying abroad in paris next year. mark i rvine is a junior at boston college, majoring in international studies with concentrations in economic relations and security studies with a minor in economics. he was born and grew up in phoenix, arizona. he is involved in the fulton debating society, model united nations, and the college federal reserve challenge competition. other research includes a senior project studying the uses of deterrence by the threat of punishment in counterterrorism policy, focusing specifically on its long history in the israel-palestine case. erin l. m c c u t c h e o n is originally from ridgewood, new jersey and is now a senior at boston college. she is majoring in art history and english, with a minor in studio art with a concentration in oil painting. her essay represents a section of a larger honors thesis she is writing this year focusing on the artists ana mendieta and frida kahlo and a discussion of identity in their work. julie b. mcn a m a r a is a sophomore in the school of arts and sciences and is a double major in classics and linguistics. she is especially interested in studying bilinguals from both sociolinguistic and psycholinguistic perspectives. the original paper was written for psycholinguistics under the supervision and tutelage of professor margaret thomas. it provided ms. mcnamara a starting point for her research into how bilinguals manage two competing sets of vocabulary. a special computer program was written expressely to aid in this study by mr. joeseph t. connolly, arts and sciences class of 2005. she is also a member of the boston college "screaming eagles" marching band. scott m. o'leary is a senior philosophy and history double major with an emphasis on religious history and thought. born in lima, peru, scott has lived throughout south and central america before settling in traverse city, missouri. scott is active with the st. thomas more society, phi alpha theta, and the father fred foundation. he is also the regional director of the soapbox coalition, a non-partisan political outreach group dedicated to 18-30 year olds, and is a philosophy teaching assistant and a resident assistant. inspiration for his work came from studies with professor kearney in existentialism and theories of self-hood, as well as overcoming onto-theology by merold westphal. h eath er k. speller is a senior psychology major in the college of arts & sciences. she has conducted mental health research in the acute psychiatry service at massachusetts general hospital for two years, and recently completed her senior honors thesis, entitled "mental health literacy: a comparative assessment of knowledge and opinions of mental illness between caucasian and asian american college students". she wil l be attending medical school next year, and is considering a career in psychiatry. m i c h a e l j. yaks i c h class of 2005, is a sociology honors student studying consumption and popular culture. michael has presented work at the 2004 american sociological association's annual meeting and conducted research as an undergraduate fellow under dr. juliet schor. he also serves as a resident assistant; director of gay, lesbian, bisexual, transgender issues for the undergraduate government; and is a member of the order of the cross and crown honor society. "munch transcended the artistic conventions of his time and began to formulate ideas that would lay the groundwork for expressionism in art." d r i p s , scratches, a n d strokes the new language of expressionism from edvard munch to willem de kooning s v e t l a n a t u r o v a w h e t h e r o n o d d l y s h a p e d p i l l o w s , s h r i e k i n g d o l l s , o r b a s i c c o f f e e m u g s , t h e e m a c i a t e d p r o t a g o n i s t w i t h g a p i n g m o u t h a n d t h e s w i r l i n g l a n d s c a p e o f e d v a r d m u n c h ' s the scream i s o n e o f t o d a y ' s m o s t w i d e s p r e a d i m a g e s . t h o u g h m u n c h d i e d j u s t a s a b s t r a c t e x p r e s s i o n i s m w a s b e i n g b o r n , h i s e m p h a s i s o n t h e h i g h l y p e r s o n a l a n d t h e u n c o n s c i o u s t h r o u g h a b s t r a c ­ t i o n , b r u s h w o r k , a n d i n t e n s e l y e v o c a t i v e c o l o r s l i n k h i m c l o s e l y t o t h i s i m p o r t a n t a m e r i c a n a r t m o v e m e n t . t h r o u g h t h e s p e c i f i c c o m p a r i s o n o f t h e oeuvre o f m u n c h a n d t h e a b s t r a c t e x p r e s s i o n i s t w i l l e m d e k o o n i n g , t h i s e s s a y w i l l e x a m i n e h o w a n d w h y t h e n o r w e g i a n pa i n t e r b e c a m e k n o w n a s t h e " f a t h e r o f e x p r e s s i o n i s m " i n t h e h i s t o r y o f a r t . the scream is n o t c e n t r a l t o t h i s d i s c u s s i o n , b u t i n s t e a d w i l l b e l o o k e d a t i n c o n j u n c t i o n w i t h o t h e r e a r l y p a i n t i n g s a n d p r i n t s , s u c h a s the sick child a n d the kiss. t h e s e w o r k s a n d o t h e r s r e v e a l m u n c h ' s a r t i s t i c p h i l o s o p h y a n d t e c h n i q u e a n d a l l o w u s t o d r a w b r o a d e r c o n n e c t i o n s t o f u t u r e m o v e m e n t s , n e o d a d a i s m a n d e x p r e s s i o n i s m a m o n g t h e m . norway, 1893: one of the most repeated, exploited, and recognized images in the history of western art is born. 1 the scream (figure 1) by edvard munch (1863-1944)11 is familiar and identifiable today, yet, when first exhibited the painting shocked most audiences, spurring harsh criticism from art critics and viewers alike. munch had clearly defied traditional views of painting. more than half a century later across the atlantic, dutch-born abstract expressionist willem de kooning proclaimed, "every so often a painter has to destroy painting. cezanne did it and then picasso did it again with cubism. then pollock did it—he busted given to the following works by munch: the sick child (1885-6), the scream (1893), and the kiss (1898). i n the process, surprising connections to the works of arshile gorky and jackson pollock wi l l be discussed. munch transcended the artistic conventions of his time and began to formulate ideas that would lay the groundwork for expressionism in art. norwegian painters of the late nineteenth century gravitated toward naturalism, realism, and impressionism, drawing inspiration from the external world and relying on observation in their creation of art. v "every so often a painter has to destroy painting. cezanne did it and then picasso did it again ... then pollock did it—he busted our idea of a picture all to hell. then there could be new pictures again." our idea of a picture all to hell. then there could be new pictures again." 1 1 1 after a closer look at the scandinavian master's oeuvre, it is not only tempting but highly appropriate to squeeze munch between cezanne and picasso in this list of "destroyers." de kooning's word choice above is provocative, indeed; while "destruction" implies violence and annihilation in most contexts, de kooning applies i t to art, designating it a harbinger of renaissance, a sort of tabula rasa for the artist, a chance to redefine the artistic vocabulary and revolutionize painting. edvard munch's "proto-expressionist formal vocabulary" i v—his exploitation of line, color, and form to convey subjectivity—and his enlistment of the unconscious in the artistic process foreshadowed major twentieth-century artistic movements, such as surrealism and abstract expressionism. this essay wi l l relate munch's work method, technique, and themes to those of de kooning in order to examine munch's broader relationship to abstract expressionism. particular attention wi l l be landscapes were especially popular. the landscape painting might encompass naturalist themes, but munch would instead portray it as reflection of inner feeling and the soul. munch received formal education i n the arts i n oslo and even obtained several grants to study in france, the latter of which would forever alter his outlook on painting. in modern painting and the northern romantic tradition, robert rosenblum comments on munch's experiences abroad: "like van gogh, munch changed drastically the surface appearance of his painting by absorbing the newest artistic vocabularies that he could study during his frequent sojourns in france," adding that, like van gogh, "munch could almost always mold this foreign vocabulary to his own emotional needs."v! indeed, the thirst to express his moods and emotions became munch's dominating motivation. the munch household was one of repressed anguish; in fact, edvard munch commented about his childhood, " i was born dying." v i i both munch's mother and sister died of f i g u r e 1 . e d v a r d m u n c h , the scream ( 1 8 9 3 ) . tuberculosis within a decade of one another. munch suffered from bouts of life-threatening bronchitis at a young age. the patriarch of the family dr. christian munch, fell into severe depression as a result of his helplessness in the face of the disease and, being a christian fundamentalist, attributed the illness as a form of punishment from god. these experiences would doubtless haunt edvard munch for the rest of his life and career. hence, while i n france, munch became extremely receptive to experimental artistic forms and methods, most likely searching for a way to exorcise the traumatizing memories of his childhood. regardless of the true reason for munch's attraction to works by van gogh and gauguin, it is evident that munch began to reform his artistic philosophy and to develop expressionist aesthetic vocabulary and ideas. in expressionism: art and idea, donald gordon outlines the "ground rules" of expressionism as dictated in 1937 by the ten, one of the first publicly recognized expressionist art groups in the united states: 1. the attempt to reduce the interpretation of nature or life in general to the rawest emotional elements. 2. a complete and utter dependence on pigment as an expressive agency rather than an imitative or descriptive one. 3. a n intensity of vision which tries to catch the throb of life, necessarily doing violence to external facts to lay bare internal facts. v i i i gordon adds that expressionism was first and foremost a familial revolution because " i t was a protest by adolescents against [the] ignorance, intolerance, and materialism of their parents and teachers." 1x he cites munch, who came from a conservative background, as a prime example of those liberated by expressionist art and culture. how did munch then relate to the expressionist ideals enumerated above? on new year's eve i n the year 1889, munch articulated his artistic aspirations in the so-called st. cloud manifesto: "no longer would interiors, people who only read and knit, be painted. there should rather be living people breathing and feeling, suffering and loving. i felt i have to do this. it would be so simple. the flesh would take on form and the colours come to l i fe." x this vision rejects the goal of the naturalists and the impressionists to paint objectively, that is, directly from nature. instead of painting what he sees, the artist should paint what he saw i n that specific moment, allowing it to be molded by his mind and soul. " i t is true that a chair can be just as interesting as a man," munch explained, "but the chair must be seen by a man. i n one way or another, he must have had an emotional reaction to it and the painter must cause the viewer to react in the same way." x l the external is subordinated to the internal, and the internal, i n turn, is projected onto nature. his insistence that the audience be moved by the picture suggests that his "subjective psychological experiences" can be raised to the level of "universal statements analyzing the soul of modern man. " x l i in his oeuvre, munch aspired to express the first impression or moment of an experience. one of munch's intellectual companions, swedish playwright, sculptor, and painter august strindberg, may have encouraged munch to pursue this agenda more fervently. i n his essay, "the new arts, or the role of chance in artistic creation" from 1894, he wrote: now freed from the trouble of finding the right colours, the soul of the painter enjoys the freedom to elicit shapes, and as his hand manipulates the spatula at random, still retaining nature's model in mind without seeking to copy it, the result reveals itself as a charming combination of the conscious and the unconscious.xm the juxtaposition of the words "manipulates" and "at random" is peculiar because it foreshadows the remarkable paradox so apparent in paintings by the best known abstract expressionist, jackson pollock. the idea of "randomness" is more complicated than it seems and rather difficult to achieve. while the artist relinquishes control, allowing his conscience, not his intellect, to guide h im, he still manages to "manipulate" or control the composition of the piece. the "alloverness"—the fact that the viewer's eye travels all over the painting without settling on any single focal point, a term coined by art critic clement greenberg—of pollock's larger paintings and the seemingly spontaneous curves and sinews of the poured paint, to which the mainstream audience often responds, "anyone could do that!" illustrates the contradiction. several of munch's paintings, among them the madonna and the scream, contain drips, a result of the runny, thin quality of the paint munch employed. heller explores this detail in his thorough discussion of the scream: "like the visible retention of changes in other paintings by h im, these drips are intended to leave the impression that the artist created during a fit of passion, almost unconsciously, instinctively and directly without prior thought or study." x l v this idea of the passion, instinct, and the unconscious—all removed from the cerebral realm—prefigures the surrealists. i n his essay, strindberg also introduces the term "art automatique," x v the same term used thirty years later by the "pope" of surrealism, andre breton, and other surrealist artists like max ernst. the spontaneous technique of writing, drawing, and painting extended into jackson pollock's vocabulary and was monumentally reconfigured to "destroy painting" only decades later. while it is intriguing to associate the drips on munch's canvases with those of pollock's, one must take care to distinguish the working methods of the two artists. while munch propped the canvas or board vertically so the thin paint ran down it as he worked (it was not necessarily splattered), pollock placed the canvas on the floor and enlisted gravity to create his poured paintings. apart from drips or pours, however, the sinuous, impulsive line imbued with blood-red hues in munch's fjord sky demonstrates his use of color and line to evoke emotion. in munch's case, the artist finds inspiration in introspection, and the sensations conjured up by this reflection cause h i m to manipulate the medium, thereby distorting the features of nature, unti l he has fully conveyed what the original psychological experience inspired in h im. nearly ten years after the death of his sister sophie, munch painted the sick child (figure 2), a clear departure point for his mature works. he was continually disturbed by the memory of her suffering, perhaps by the horrific image of the coughing up of blood, and would even paint several versions of this work at later stages of his life. he commented, "when i saw the sick child for the first time—the pale head with the vividly red hair against the white pillow—it gave f igure 2. edvard m u n c h , the sick child ( 1 8 8 5 6 ) . me an impression which disappeared while i was worki n g . " x v l munch later "discovered that my own eyelashes had contributed to the impression of the picture—i therefore painted them as hints of shadows across the picture." x v n after painting the figures and periphery of this key work, munch scratched and scored the surface, destroying the polished look that had characterized a "finished" work in western art for centuries. i n this sense, one can see where de kooning got his idea of "destroying" painting. d r i p s , s c r a t c h e s , a n d s t r o k e s on the one hand, the violation of the canvas renders the work raw and immediate. on the other hand, it expresses munch's frustration or failure i n seizing the initial feeling of the original experience. john boulton smith expounds on this issue, quoting munch within, ' " i n the course of a year i scratched it out countless times—i wanted to catch the first impression—but gradually i tired out and the colours became grey', an effect exacerbated by the careless treatment the work received later, being left outdoors to gain a 'patina' as might a sculpture."™ 1 1 exposing the work to the elements might not have been unintentional on munch's part. this "weathering" may have added expressive value to munch's work, just as munch deliberately exposed the grain of the wood or the bare canvas beneath the paint to intensify the evocative powers of the painting or print as a whole. the deliberate distancing of the artist from the total control of his work foreshadows twentieth-century composer john cage and his musical composition "four minutes and thirty-three seconds" (1952), in which cage instructed the performers to not play their instruments. the result consisted not of pure silence, of course, but of the sounds of the environment (e.g. an audience member coughing, a truck passing by the venue outside, the faint hum of the central air, etc.). x l x around this time robert rauschenberg created his white canvases. the viewer, part of the environment, would influence the work of art in this case by standing in front of the blank canvas, thereby projecting his or her shadow onto it . the unpredictability of how the environment could impact the work reflects strindberg's fascination with the unconscious and spontaneous. while munch's immediate influence can be felt more strongly in abstract expressionism, the circulation of these neodadaist ideas hark back to some of the most influential figures in munch's career, namely strindberg and his ideas in the "role of chance in artistic creation". munch's frustration with the sick child and his consequent reworking of the painting through deliberate damage to the canvas recalls willem de kooning's tendencies i n the woman series. woman i (figure 3), executed over two years in six documented stages, also witnessed a type of gradual obliteration. i n de kooning's painting, however, the destruction did not involve scraping the surface, but rather abstracting the figure in a tornado of agitated brushstrokes. i n his discussion of abstract expressionists, donald gordon explains that the "gestural activity of woman i, i f taken literally, records the countless hours, days, and months of rapid but wholly tiring arm and hand movements, movements which bespeak aesthetic tension, artistic frustration, and motor conflict. " x x this citation brings to mind the idea of the work of art as a process rather than a finished product, exhibited in the working method and oeuvre of both munch and de kooning. american critic harold rosenberg created the term "action painting" in 1952. just as munch subordinated external reality to internal subjectivity in his works, rosenberg's theory argued that the aesthetic product is always subordinate e l e m e n t s f a l l 08 to the event of painting. thus, the act of painting is also an existential affirmation for the artist, blurring "every distinction between art and life." : rosenberg's favorite action painters included pollock, gorky, and de kooning. the pouring of paint across a large surface in pollock, the scumbling of the wax crayon in gorky, x x 1 1 the innumerable campaigns i n de kooning, and finally the scratching and scouring of the canvas i n munch are all labor-intensive processes through which the artist manipulates his medium not only to make his mark, but to also transmit the essentials of his unconscious at the moment of inspiration. munch's repertoire embodied and foresaw recurring expressionist themes and techniques, but what did it share with the "abstract" nature of abstract expressionism? munch's use of symbols and his eclectic portrayal of figures adhered to the path towards abstraction. nearing abstraction is yet another way to interpret de kooning's idea of the destruction of painting since western art, unlike islamic art, which has a strong tradition of geometric and floral motifs, has for centuries been so invested in figural representation. both munch and de kooning diminished the figure-ground relationship in their works. they achieved this effect by flattening forms, expanding solid areas of color, and almost completely eliminating modulation. they reduced the sense of illusion so the figures are simplified and distorted, thus less lifelike. the works were no longer descriptive of what the artist sees, but rather a sign of their subjective vision. the kyss (figure 4) of 1897-1902 exemplifies munch's embrace of abstraction. interestingly enough, strindberg described the pictures with misogynistic overtones: "the fusion of two beings, the smaller of which, shaped like a carp, seems on the point of devouring the larger as is the habit of vermin, microbes, vampires, or w o m e n . " x x m the figures constitute a black and white blob; this form even predates picasso's biomorphic forms. the complete "fusion" of the faces summons the psychological melting together and the loss of individuality of two beings engaged in an erotic act. in a different version of the same year, the grain of the wood with nails visible reinforces the flatness of the figures; moreover, its curvilinear pattern echoes the gentle wave that forms the figures. perhaps munch saw the rings in the wood in this particular woodcut as a symbol for infinity, a reflection that he took love extremely seriously. he might have also associated the shape with the never-ending cycle of love and death that he witnessed and himself experienced throughout his childhood and adolescence. de kooning's woman i is arguably less abstracted than the figures in munch's comparable image. de kooning represented the looming eyes and the large, swelling breasts of the female figure, reminiscent of ancient goddesses of fertility, with simple ovals; the skirt, with swabs of red and ochre; and the legs, with flesh-toned rectangles. the gestural commotion around the torso is evocative of de kooning's pentimenti**™; the need for abstraction attained via multiple campaigns attests to the "utter dependence on pigment as an expressive agency" and to the fact that the process of creating, destroying, and recreating reveals something fundamental about the artist. d r i p s , s c r a t c h e s , a n d s t r o k e s although munch abstracted the figures in the kiss to a considerable degree, the human power of projection would almost immediately create for us the image of a man and woman embracing, even i f we had never seen the work i n alternative media. in this sense, abstract expressionism is misleading. the degree to which expressionists can reveal the inner workings of their soul through pure abstract i o n — i f there even is such a thing—has been tested. mark rothko oscillated between abstract expressionism and color field painting by replacing the human figure first with symbols, then with colored shapes, which seem to float off the canvas.30™ de kooning, on the other hand, felt uncomfortable with completely abandoning figuration. even his most renowned works attic and excavation recall human form i n their fleshy tones, limb-like linear forms, and faint references to women's breasts and buttocks. for this reason, british art critic and curator david sylvester observes that de kooning's work "reflects a total commitment to an ongoing dialectic between figuration and abstraction.' > x x v l despite his significant experimentation with abstraction, de kooning himself admitted that "even abstract shapes must have a likeness.' , x x v h i n 2001, the arken museum of modern art i n denmark and the munch museum in oslo organized echoes of the scream, a stimulating exhibition that compared munch to artists of the second half of the twentieth century, among them jasper johns and francis bacon. the curator holger reenberg encapsulated the overarching theme of the exhibit in the following quote: the artists in echoes of the scream all evince a striving towards man, however removed or absent the figure of man may seem. when the artist jasper johns (1930) says of his abstract pictures that they are meant to suggest physical presence and closeness, he is in effect describing many of the works included in the exhibition—an exhibition very much about the question of how to liberate oneself from figurative painting without surrendering the story of man.™-™1 d m u n c h , madonna ( 18 since many abstract expressionists found the complete avoidance of figuration challenging and seemed to return to the figure i n one way or another, it can be devised that munch's frequent depiction of figures does not distance h i m from said movement, but instead intensifies his connection to it. apart from figural depiction, another interesting relationship between the two artists' oeuvre is the environment i n which the figure is placed. the sharp angle formed by the bridge barrier in the scream, despair, and angst, among others, creates an antagonism between figure and setting. this is also the line that divides the "twisting torso" and the "art nouveau curvature of the landscape" x x i x and symbolically alienates the artist as he hears the infamous shriek pierce through nature. munch has painted not a landscape but a "soulscape" x x x and "inscape," an idea theorized by jesuit poet gerard manley hopkins. christian gether e l e m e n t s f a l l 08 wrote in echoes of the scream, "here we no longer find the ideal, geometric space of the renaissance, symbolising god's perfect creation and occasioning utopian dreams— instead we find a whirling vortex of colours and shapes, breaking and straining against each other in a dystopian vision of horror. " x x x 1 he highlighted defining features of our century such as electricity, nuclear power, and mass consumerism in order to illustrate how the scream's easily comprehensible themes of fear, suffering, and isolation reverberate in our era. the vortex to which christian gether referred is also present in de kooning. the jagged, agitated brushwork that envelopes woman i without concealing or revealing makes up the "no-environment" of many of de kooning's woman paintings. the eroticism and overwhelming physical presence of the woman echos munch's madonna (figure 5). the madonna has her arms behind her back, f igure 6. edvard munch , the hands (1893). thrusting her chest forward. the neutral yet incredibly sensual facial features reflect the importance of the unconscious in erotic and religious experiences alike. indeed, the vortex of swirling colors that extend at the tips of the madonna's hair and surround her immaculate body, create a "sense of liquid space, a type of fluid environment." x x x u this attribute, while still implying some depth of space, places the figure in an ambiguous setting. here the early portraits of seated men by arshile gorky and de kooning come to mind. the painting of the hands (figure 6) by munch shares the no-environment, the vortex, and even the color scheme of woman i. i n de kooning, restless smears of heavy impasto replace the truncated hands reaching for the naked figure in munch's hands. in the late 1960s and early 1970s, de kooning continued this trend by blurring the distinction between the human figure and nature in such works as woman in landscape iii.xxxm i n all these ways, munch and de kooning can be united across the century-old history of expressionism. such a connection allows the art historian to discover even more relationships among munch and other modern artists. i n particular, arshile gorky, jackson pollock, and francis bacon share many formal and thematic aspects with edvard munch. one of the recurring ideas in the work of all these artists is unmistakably the role of the unconscious and the enlistment of randomness, spontaneity, and chance in artistic creation. certainly the duality of a work of art as both process and product reveals the importance of the self to the artist and hints at the many philosophers and theorists whose writings paralleled and perhaps inspired these creative minds and talented hands, whether it be s0ren kierkegaard or claude levi-strauss. lastly, one cannot ignore the overlapping sensations and moods evoked by these works. fear, hopelessness, isolation, even revelation and irony, constitute the universal emotions that these works help us clarify for ourselves. in 1953, austrian expressionist oskar kokoschka, inevitably influenced by munch, wrote the following words: d r i p s , s c r a t c h e s , a n d s t r o k e s edvard munch, too, has turned to ashes; but as long as he lived he wore no blindfold. he kept his eyes wide open, his gaze reached into our time of transition, into our most intimate self where fear lodges in our hearts. i ask: can anyone ask for a better public? does not his art show the solution of the problem of life to the many who today believe in a third world war as in an inevitable catastrophe? . . . he knew that he had breathed a new spirit into the language of pictograms which is older than all spoken or written language.™™ kokoschka's reference to a blindfold stresses the indifference and impersonality of the modern society scarred by the horrors of war; in fact, for modern audiences the war imbued munch s art with so much significance and relevance. munch "wore no blindfold" because he was not intimidated by the inner world. he yearned to look inside himself and contemplate what he found, no matter how dreadful or uninviting. through hundreds of pages of writing, munch constantly reflected on his moods, often provoked by the emotive norwegian landscape, and channeled his fear and anxiety into countless paintings and prints. perhaps the "solution to the problem of life" is to exercise our creativity and thus reflect more deeply on our external and internal realities. kokoschka's view of munch as the creator of a new artistic language, echoed by the many art critics who have dubbed munch the "father of expressionism," appropriately parallels de kooning's comment on the destruction of painting that served as the departure point for this fascinating discussion. e n d n o t e s i . artists rights society i i . edvard munch bestowed 1,000 paintings, 15,400 etchings, lithographs, and woodcuts, 4,500 watercolors and drawings, and six sculptures to his hometown of oslo, norway upon his death i n 1944. clark (13) h i . quoted i n gordon (198) iv. heller, edvard munch: the scream, 1972 (43) v. heller, "munch, edvard", 2007 vi . rosenblum (104) vi i . heller (2007) v i i i . gordon (195) ix. ibid (27) x. clark (12) xi . heller (1972) (23) x i i . ibid. (39) x i i i . strindberg (103) xiv. heller, 1972 (52) xv. strindberg (106) xvi. munch (147) xvii. ibid. (147) xvii i . smith (42) xix. kostelanetz (69-70) xx. gordon (203-4) xxi. carpenter xxii. messinger (55) xxii i . quoted i n clark (7) xxiv. a n underlying image i n a painting, as an earlier painting, part of a painting, or original draft, that shows through, usually when the top layer of paint has become transparent wi th age. xxv. clearwater xxvi. sylvester (29) xxvii. prather (93) xxviii. reenberg (36) xxix. heller, 1972 (90) xxx. ibid. (96) xxxi. gether (16) xxxii. heller (i972)(53) xxxiii. grunenberg (3) xxxiv. kokoschka (17) r e f e r e n c e s artists rights society. 2007. "most frequently requested artists." new york, http://www.arsny.com/requested.html. accessed 16 december 2007. carpenter, ken. 2007. "rosenberg, harold." grove art online. 7 december 2007. http://www.groveart.com. clark, kenneth. 1974. "edvard munch" i n edvard munch: 18631944. great britain: arts council. clearwater, bonnie. 2007. "rothko, mark." grove art online. december 7, 2007. http://www.groveart.com/. gether, christian. "the bridge to the 20th century." in echoes of the scream, ed. christian gether and holgar reenberg. denmark: arken modern museum of art gordon, donald e. 1987. expressionism: art and idea. new haven: yale university press. grunenberg, christopher. 2007. "de kooning", grove art online, http://www.groveart.com. accessed 7 december 2007. e l e m e n t s i '. f a l l 08 http://www.arsny.com/requested.html http://www.groveart.com http://www.groveart.com/ http://www.groveart.com heller, reinhold. 1972. edvard munch: the scream. new york: the viking press. heller, reinhold. 2007. "munch, edvard." grove art online. http://www.groveart.com. accessed 7 december 2007. kokoschka, oskar. 1953. "edvard munch's expressionism." college art journal 13, no . i 17. http://www.jstor.org. kostelanetz, richard. 2003. conversing with john cage. new york: routledge. messinger, lisa mintz. 2007. abstract expressionism and other modern works: the muriel kallis steinberg newman collection in the metropolitan museum of art, ed. gary tinterow et al. new haven: yale university press. munch, edvard. 1929. "the genesis of the life frieze." i n r. rosenblum et al., edvard munch: symbols and images. washington: national gallery o f art , 1978. "pentimento." http://www.dictionary.com. accessed 10 december 2007. prather, maria. 1994. willem de kooning: paintings. new haven: yale university press. reenberg, holger. 2001. "echoes of the scream." i n echoes of the scream, ed. christian gether and holger reenberg. denmark: arken modern museum of art . rosenblum, robert. 1975. modern painting and the northern romantic tradition: friedrich to rothko. new york: harper & row, publishers. smith, john boulton. 1993. munch. london: phaidon press limited. strindberg, august. 1996. "the new arts, or the role o f chance i n artistic creation." i n selected essays by august strindberg, ed. and trans. michael robinson. new york: cambridge university press. sylvester, david. 1994. "flesh was the reason." i n willem de kooning: paintings, ed. maria prather. new haven: yale university press. d r i p s , s c r a t c h e s , a n d s t r o k e s http://www.groveart.com http://www.jstor.org http://www.dictionary.com "as the revolution approached ... the tables turned slightly in women's favor. educated women ... posed by themselves and projected their own selfimage. family scenes became popular ... [and] often exalted the mother as the central figure in the compositions ... some women even paid for their own portraits ... " w o m e n of copley's b o s t o n changing gender roles on the eve of the american revolution m a r i a l a g o r i o i n t h e t i m e p e r i o d s u r r o u n d i n g t h e a m e r i c a n r e v o l u t i o n , s o c i a l r o l e s f o r w o m e n e v o l v e d a l o n g s i d e t h e p o l i t i c a l g a i n s m a d e b y t h e c o l o n i e s . n o l o n g e r r e s t r i c t e d t o t h e d o m e s t i c r e a l m , a m e r i c a n w o m e n b e c a m e i n t e g r a l t o t h e s u c c e s s o f t h e n e w d e m o c r a t i c r e p u b l i c , w i n n i n g r e s p e c t i n t e r m s o f m a r r i a g e , m o t h e r h o o d , e d u c a t i o n , a n d e v e n b u s i n e s s . a s a l l c i t i z e n s r e c o g n i z e d t h e i r o b l i g a t i o n s t o t h e r e p u b l i c , r e p u b l i c a n m o t h e r h o o d e m e r g e d , c h a l l e n g i n g w o m e n t o e d u c a t e t h e m s e l v e s i n o r d e r t o r a i s e c o m p e t e n t c h i l d r e n . w i t h a f i n e e y e t o t h e p a s t , o n e c a n s e e t h e i r s o c i a l p r o g r e s s d o c u m e n t e d i n t h e p o r t r a i t u r e o f t h e m o s t c e l e b r a t e d c o l o n i a l p a i n t e r , j o h n s i n g l e t o n c o p l e y . d u r i n g h i s r e s i d e n c y i n b o s t o n , c o p l e y p a i n t e d t h e p o r t r a i t s o f h u n d r e d s o f w o m e n . w h i l e m a n y o f h i s s u b j e c t s h a i l e d f r o m t h e u p p e r c l a s s , a s e l e c t f e w r e p r e s e n t t h e s m a l l d e m o g r a p h i c o f s e l f m a d e w o m e n . a s a w h o l e , a s t u d y o f c o p l e y ' s p o r t r a i t u r e o f b o s t o n i a n w o m e n p r o v i d e s a n i l l u s t r a t i v e e x a m p l e o f h o w w o m e n p r o j e c t e d t h e m s e l v e s i n t h e p r o g r e s s i v e r e v o l u t i o n a r y e r a . i n 1771, three years before acclaimed american portraitist john singleton copley left the revolutionary fervor of his home i n boston for great britain, he sat i n his studio at a blank canvas with a curious scene before his eyes. his model, lounging on the rich red sofa i n front of h im, was a beautiful young woman. she held a crinkled piece of paper i n her hand and slight circles surrounded her deep-set, almond eyes. both of these physical qualities indicated her intimidating intellectuality i n a time when other women rarely read. he struggled to portray i n paint all of the aberrant inner traits she exuded i n person: wisdom, sensuality, and confidence. though copley was perhaps the most talented and popular artist i n the colonies during the american revolution he presented quite an anomaly. while copley had previously painted countless portraits of "ladies," a term frequently used by colonists to describe women, this portrait of a visually self-sufficient woman would alone bear the distinguished title, portrait of a lady. of copley's approximately 250 "sitters"—the name given to people that pose i n a portrait—during the entirety of his american career, from roughly 1760 to 1774, women comprised nearly half (45 percent), and just i n the years from 1762 to 1764, women made up two-thirds of his sitters.1 prior to this particular portrait done i n 1771, copley had captured the likenesses of commissioners' daughters, young wives, older matriarchs, and widows. in typical colonial-era portraiture, according to historian deborah i . prosser, painters depicted the visual identity of women i n contrast to that of the men who appeared next to them, either immediately on the same canvas or i n matching paired portraits. 1 1 this "lady" appeared alone and instead expressed an individualized sense of identity; she was a lady unto herself. copley frequently featured men i n individualized, realistic scenes, surrounded by props that related to their lives. he painted men i n action, working at their desks, poised to write with quill i n hand. women, conversely, often appeared at the men's side as beautiful accessories or as figures that fulfilled common i8 t n -century stereotypes, such as the ideal wife or mother. 1 1 1 a n astonishing 35 percent of all of copley's american subjects were housewives.1v these statistics, i n addition to an understanding of the context and content of copley's american portraiture, reveal much about the condition of women during the time of the american revolution. as the 18^ century approached its close and as the revolution gained momentum, copley and many other americans noticed a shift i n attitudes about women. many citizens i n the burgeoning republic applied the same ideologies that spurred the american revolution—democracy, equality, and independence—to the traditional social order. as a result, new doors for american women slowly opened. colonial women did not actively seek a complete social revolution to ensure equal rights and independence, but they did reach beyond their domestic realm, gain respect as moral agents, and earn themselves rightful roles i n the new nation. the majority of citizens, for instance, eventually considered mothers as the ethical educators of children who would become the next generation of participants i n the democratic republic. as historian lisa kerber argues, this newfound responsibility, which she termed "republican motherhood," called for mothers to educate themselves.v moreover, those involved and affected by the revolution placed virtue above all personal traits, which led colonists to believe that "a virtuous man needs a virtuous mate," and that "public good must grow out of private virtue," according to historian jan lewis. v l consequently, the pervasive sentiment of equality found its way into american marriages after the revolution, and married men and women began to enjoy more mutual partnerships. each relatively small step toward women's equality during the american revolution advanced american society at large toward the greater goal of true equality for all. not surprisingly, these small steps are often evident i n copley's portraiture of women at the time. however, it is important to note that he produced all of his american pore l e m e n t s s p r i n g 09 traiture before his departure i n 1774, which was before the colonies defeated the mother country and british troops f i nally evacuated i n 1776/" a study of copley's portraiture of colonial women, then, can only reveal the condition of and attitudes toward women i n the mid-to-late 18 t h century, before and during the social shift that some contend accompanied the american revolution. furthermore, as men almost always commissioned portraits, women i n 18 t h -century america did not control their depiction i n portraiture.™1 also, portraits are a product of visual perspectives and are susceptible to the prejudice of the painters, commissioners, and sitters. nonetheless, portraiture provides an excellent tool to learn about the social condition of women during this era because it served as the sole means to capture a realistic likeness i n the 18 t h century. those featured i n colonial american portraiture, however, reflect a very small segment of the fledgling nation's population. most of copley's commissioners belonged to the upper class and constituted an overwhelmingly white, wealthy, privileged, and socially-connected minority, including paul revere, samuel adams, and john hancock. throughout copley's entire career i n america, 53 percent of his commissioners had incomes that one historian terms "high" or "very high" (which meant estimated incomes of £500-1 ,000 and over ^1,000, respectively).1x after 1765, after about a decade of steadily increasing his prices, 90 percent of copley's patrons belonged to the "very high" income category.x on average, a painting cost fourteen guineas, which would cost even a skilled artisan like silversmith revere nine weeks' wages.x i the majority of copley's commissioners, though, were not skilled artisans. in fact, merchants—commonly considered the elite of the colonial community—composed most of copley's clientele at a whopping 55 percent, though these men made up a mere 16 percent of the population of boston, the city where copley and most of his sitters l ived. x u i n fact, among male sitters, copley painted five times as many merchants as the next most popular occupational group, ministers and government officials. the dis"colonial women did not actively seek a complete social revolution .... but they did extend beyond their domestic realm, gain respect as moral agents, and earn themselves rightful roles in the new nation." proportionate number of merchants is evidence of the disparate cultures and wide gaps between social classes i n the wealthy waterfront city of boston at the time of the revolution. i n order to interpret the content of copley's portraiture, it is first necessary to understand the context i n which it was created. for most of his american career, copley lived and worked i n boston, the wealthiest port city of the time and the birthplace of revolutionary patriotism. over half of copley's sitters hailed from boston, and 80 percent resided in the colony of massachusetts.x iv citizens of boston i n the 18th century lived within the confines of a social hierarchy based on wealth and property ownership. by 1771, 80 percent of the commercial shiploads i n boston belonged to those who made up just the top quarter of the population. x v probably fewer than 75 people, as historian benjamin l. carp points out, owned the majority of wharfage i n boston x v 1 the economic elite of the city, including the traders and merchants, depended greatly on trade with the mother country to perpetuate their prosperity and lifestyle. they often mingled with imperial officeholders, and they w o m e n o f c o p l e y ' s b o s t o n also enjoyed authority within the local militia and government™ 1 the most privileged people i n america turned to copley the most prolific, prosperous, and sought-after painter at the time. he painted one portrait every two weeks x v m for those fortunate americans who had extra money to spare on investments such as portraits, which had no residual market value x i x moreover, copley's own life reflected that of his clientele. as a well-connected, born-and-bred bostonian, he did not venture far out of his social circle when he married susannah farnum clarke ("sukey") i n 1769, the daughter of a successful boston merchant.** his mother was a financially self-sufficient "she-merchant," or woman retailer, who held shop i n boston's long wharf. x x 1 both his in-laws and his mother remained loyal to the crown throughout the revolution, a sentiment that sometimes concerned copley, who tried to stay publicly neutral throughout his american career. historian jules david prown writes that copley felt torn between his family's loyalist inclinations and his commissioners' patriotism: "he found himself cast i n the role of mediator between his merchant in-laws and the radical revolutionaries."™1 finally, on june 10,1774, copley departed for england, and the rest of his family, including his wife and four young children, joined h i m the next year. x x m copley never returned to america, a wise choice that later, according to prown, "enabled h i m to refute any charges of toryism."305™ a prolific collection of published letters between copley and various acquaintances reveals how much his contemporaries esteemed h i m . a1768 letter from benjamin west, a well-known english artist at the time and copley's friend, sings accolades and adoration for copley. he praised copley's artwork and applauded a recent exhibition of it i n london. west raved: "the length to which you have advanced i n the art of painting shows the high light you hold that noble art i n . . . ' , x x v furthermore, west compared copley to "the living masters" of italy (probably referring to contemporary italian artists like giacomo amiconi or francesco zuccarelli), among whom, he assured copley, "you may not meet with a r i v a l . " x x v l west's unabashed admiration for copley, as expressed i n this letter and i n others like it demonstrates the impact copley had during his lifetime i n the world of art, both i n america and europe. copley, described by lovell as a "ruthless empiricist," reportedly spent an average of 90 hours on one painting, far more than the estimated seven hours less prestigious portraitists of the time period spent on their w o r k . x x v n copley's dogged professionalism and resolute work ethic made his artwork even more appealing and valuable to upper-class americans. furthermore, copley depended on word-of-mouth marketing to attract clients; upscale artists of this time period did not advertise, for their upper class targets viewed such a practice as unprofessional and l o w l y . x x v m consequently, copley's boston patrons consisted of a circle of elites that all knew one another and were often kin . in fact, over a period of 25 years, approximately 80 percent of copley's clientele belonged to the same 28 family trees. x x l x it is no wonder, then, that copley was never at a loss for work during his residency i n america, for the families of his regular and loyal customers were constantly growing and changing. since the early 1750s, copley could always count on loyal clientele who were almost all men to commission portraits, which often featured women. many male commissioners hired copley to portray them as commanding, authoritative, and noble. i n contrast, women often appeared as spectacles on the side, especially i n earlier portraits produced i n the 1760s. women acted as dazzling accessories next to men, showing off the patriarch's possessions. wives dutifully sat alongside their commanding and accomplished husbands to accentuate the men's authority. young brides posed as the archetypes of beauty and virtue covered i n frilly white wrappings. in the years leading up to the colonies' gradual revolt against the crown, portraiture of upper-class women adhered to these popular stereotypes. as the revolution approached, however, the tables turned slightly i n women's favor. educated women like the sitter i n portrait of a lady (1771) posed by themselves and projected their own self-image. family scenes became popular as a result of a newfound shift i n popular attitudes towards dynamics within the nuclear family. these scenes often exalted the mother as the central figure i n the compositions. additionally, some women even paid for their own portraits, such as financially autonomous "she-merchants" and widows. x x x i n the majority of copley's portraits, the demeaning perceptions of women were portrayed through the canvas. in some rare examples, however, the sitters enjoyed the most freedom to express their own self-images, and this considerable social autonomy is evident i n their depictions on canvas. tic likeness of all his sitters. thus, the term "realism" only applies to copley's portraits of men i n the time of the american revolution. i f one examines his range of portraiture i n depth, it is obvious that he used a different approach for painting women. upon study, it seems that copley's sitters belonged to a land far-removed from the revolution, where luxury, beauty, and image were valued more than democracy, fraternity, and equality. some historians, like t.h. breen, argue that americans with disposable incomes communicated perceptions of status via items of everyday material culture and took part i n a consumer revolution, which "pro"women acted as dazzling accessories next to men, showing off the patriarch's possessions. wives dutifully sat alongside their commanding and accomplished husbands to accentuate the men's authority." scholars like historian margaretta m . lovell tend to regard copley as a realist and even see his work as the beginning of a three-century tradition of realism i n american painting/™ to be sure, he painted men i n biographical settings engaged i n their actual work, usually at their desks with logical instruments like quills i n their hands. portraits portraying women, however, often ended up improved, modified, "stronger, and more perfect," as an i8 t n -century century art manual instructed painters to make their subjects. x x x n women sitters for copley typically posed i n anonymous dark settings, wearing costumes from another era, and glowing with creamy white skin and unnaturally red cheeks. they often have empty, idle hands, and sometimes they hold or reach for fruit or flowers, items which many art historians argue symbolize women's multiple roles as nurturers i n the garden and at h o m e . x x x m the omnipresence of such unrealistic props i n copley's portraiture of women shows that he did not intend to portray a realisvided a common framework of experience.' , x x x 1 v despite some of his sitters' patriotic sentiments, americans of the upper class embraced a decidedly anglophilic style that shows up through the type of clothing, make-up, hair, and poses. upper-class colonial americans thus created their own subculture—a safe haven distant from the reality of revolution—by surrounding themselves with items denoting luxury. colonists frequently commissioned portraiture during the time of the american revolution to mark life-changing achievements. these pivotal transitions often involved the families and included such events as births, new jobs, and, most often, marriage. lovell argues that patriarchs commissioned portraits at such pivotal times because they marked the movement of "family substance—that is, money—between generations or along the line of inheritance. x x x v marriage was an occasion that particularly called w o m e n o f c o p l e y ' s b o s t o n for a portrait of the bride-to-be. i n the 18 t h century, women viewed marriage as "the defining life event", lovell asserts, "whereas men had a wider lexicon of achievement. , , x x x v 1 thus, copley frequently captured images of young women on the verge of wifehood, but never painted a portrait of a man soon to wed. the portrait of mary turner sargent (mrs. daniel sargent) (1763) represents one such painting commissioned to celef i g u r e l . j o h n s i n g l e t o n c o p l e y , ezekiel goldthwait (1 771) brate the sitter's entrance into her new life as a wife. sargent, who posed for this portrait on the eve of her wedding, came from a well-connected, established, and prosperous family. x x x v 1 1 predictably, she married into a similar one, for both the turners and the sargents were among copley's most loyal and regular patrons. in fact, six members of her family and seven from her husband's family commissioned portraits from h i m i n the years between 1758 and i 7 7 4 . x x x v i i i when sargent posed for copley, she most likely already knew how the portrait would turn out. similar to the women i n her family who had posed for marriage portraits i n the past, sargent appears as the archetypal young bride. she radiates the ideal feminine characteristics of an 18th-century woman of the upper class: refined, graceful, and virtuous. copley used a number of artistic techniques to portray these inner qualities. the blush on her cheeks, for example, suggests female virtue. i n many popular british novels of the day—ones that literate, upper-class women like f i g u r e 2. j o h n s i n g l e t o n c o p l e y , mrs. ezekiel goldthwait (elizabeth lewis) (1771) sargent read—authors frequently described female protagonists with pink cheeks, "the most becoming clothing and best ornament of a w o m a n . " x x x l x thus, painters like copley utilized the socially accepted connection between the blush and the feminine ideal as symbolism to communicate desired messages i n his portraits of women. i n addition, sargent's body language depicts her place i n the society of colonial boston. she stands with impeccable posture, her notably long neck aligned with her torso and e l e m e n t s s p r i n g 09 her left hand resting delicately on her hip. her stance signifies the buoyant pride with which she carried herself, but she looks humbly to the side and slightly down. sargent's body language, simultaneously confident and modest, indicates her social status as a woman of gentility. x l even her adornments show high status, for the stomach-skimming, breast-lifting, elegant corset she wears beneath her dress creates lines down her torso and denotes refinement/ 1 1 her dress of heavy blue silk came either from continental europe or asia, and undoubtedly cost a fortune, since such fabrics were either heavily taxed or smuggled. x l n the fact that sargent models such a valuable commodity suggests to the viewer that she, as well, has value and intrinsic worth. portraiture not only functioned as a visual reminder of important moments within the immediate family sphere, but also served to preserve the likeness of sitters for generations. in lovell's words, portraiture can sometimes bring "the sitter into the presence of the viewer. " x l m thus, many is^-century commissioners hired painters so that their images would transcend time and serve as physical reminders for onlookers. furthermore, commissioners instructed copley to portray them as commanding figures to assert the "old money" mercantilist authority i n the face of the new laboring population. various visual cues—props, poses, and settings—all coalesce to transmit messages, and i n most of copley's portraits of upper-class male americans leading up to the revolution, the finished products communicate messages of power, superiority, and status. copley's clientele interested i n conveying these messages most often opted for paired portraiture, i n which husband and wife mirror each other i n scale, context, and posit ion. x l l v the finished products typically hung next to each other i n the room with the most foot traffic i n the household to function as surrogate hosts to welcome i n guests. x l v these portraits ushered i n guests and served as a reminder to the figure of authority i n the household. the patriarch, via his likeness i n a portrait, constantly kept guard over the goings-on i n front of h im. his obedient wife patiently and effortlessly sat beside h i m . copley's ezekiel goldthwait (1771) [fig. 1] and its companion portrait of the same year, mrs. ezekiel goldthwait (elizabeth lewis) [fig. 2], provide excellent examples of how wealthy boston men wanted themselves and their wives to appear in paired portraiture i n this time period. the former appears professional and focused as he sits at a desk i n his biographical and realistic setting. he firmly grasps manmade instruments, a book and quill , which he would have used i n his life as a bostonian businessman. ezekiel appears intelligent, accomplished, and worthy of respect. while ezekiel's portrait might inspire or intimidate viewers, his wife's portrait fails to stir any emotion. instead, elizabeth appears stripped of setting, duties, and personality. she sits on an embroidered chair wearing an ornate dress in a seemingly uncomfortable pose. she looks neutrally at the viewer from under her bonnet, and rests primly at a polished table i n an anonymous black setting. both her hands are empty, but one gently reaches for the topmost piece of fruit from a tidy pile on the table. while ezekiel's are appropriately chosen considering his employment, f i g u r e 3. j o h n s i n g l e t o n c o p l e y , mrs. isaac smith w o m e n o f c o p l e y ' s b o s t o n elizabeth's prop of a fruit bowl merely symbolizes certain traits stereotypical to colonial housewives. given elizabeth's domestic duties, fruit might symbolize hospitality, wealth, and fert i l i ty. x l v i even the round shape of her props implies amplitude and plenty. x l v u elizabeth's life supports this portrayal; she gave birth to thirteen chi ldren. x l v i i i the mere contrast between props and poses i n copley's separate portraits of ezekiel and elizabeth goldthwait show how ezekiel controlled viewers' perceptions of h i m and his wife. through his portrait, ezekiel exudes a commanding presence and indirectly asserts his hegemony of the household. elizabeth, accordingly, represents her husband's ideal wife: a generous, accommodating matriarch unaffected by affairs outside of her own domestic realm. contemporary viewers of copley's work can learn a great deal about its social context, especially the treatment and perception of women i n 18th-century upper-class american society, even i f viewing only the woman's half of a standard paired portrait. one can aptly interpret mrs. isaac smith (elizabeth storer) (1769) [fig. 3], for example, without its companion portrait, mr. isaac smith (1769). copley linked the husband and wife duo through harmonious color schemes and poses, but elizabeth's depiction by itself is filled with symbolic minutiae that one could easily overlook i n a comparison viewing. each aesthetic characteristic of this portrait transmits a message about mrs. isaac smith. elizabeth lies back on a roomy upholstered seat, an expensive and imported chippendale chair, to be exact. her relaxed and reclined pose indicates she is content with her life as the wife of a justice of the peace with a "high" income. x l l x she holds a bunch of grapes, a symbol of fertility, alluding to her husband, who imported wine. at the time of this portrait, elizabeth, age 43, was pregnant, and it is possible that isaac, afraid his wife might die i n childbirth, commissioned these paired portraits as a final effort to capture her image. regardless, elizabeth sits i n an indoor setting saturated by rich colors that lighten up the otherwise somber scene: the yellow of the upholstery, the blue of her dress, and the green of her collar.1 this environment indicates the household, where she spent most of her time. beyond elizabeth, i n the landscape outside her window, stand two entwined trees, which symbolize smith's status as a married woman. 1 1 as she sits contently i n her realm, elizabeth casts a steadfast gaze directly at the viewer with an expression of seriousness, tranquility, and fulfillment. as revolutionary ideologies swept through colonial society, traditional family roles started to change. many historians contend that a shift i n the mother's role occurred after 1760, when patriotic colonists truly mobilized against the mother country. as historian jan lewis points out, many saw the family as a microcosm of the state: "society writ large", or the "little commonwealth". 1' 1 the forces that motivated the colonies to claim independence from great britain also proved propitious for mothers of the revolutionary era who yearned to gain more control. mothers found a way to indirectly influence the world outside the home—children, the future citizens of the new republic. as more americans recognized the mother's role i n family and political life during the revolution, artwork became increasingly "matricentric", or centered on the mother. 1 1 1 1 f i g u r e 4. j o h n s i n g l e t o n c o p l e y , the copley family (1776) e l e m e n t s s p r i n g 09 f i g u r e 5. j o h n s i n g l e t o n c o p l e y , mrs. james smith (elizabeth murray) (1769) one of the most telling matricentric family portraits of the revolutionary time period is copley family (1776-1777) [fig. 4], which copley painted of his own family. many wealthy americans desired family portraits to celebrate the new optimistic attitude toward the family that emerged during the revolution. copley's family portrait reflects the respect with which copley treated his wife and the harmonious relationship he maintained with each member of his family. copley family features the seven members of copley's family and glorifies his wife, sukey, as its central figure. copley's four small, energetic yet elegant daughters clamor i n the foreground. his father, on the left side, appears disinterested i n the granddaughter that seems poised to fall off his knee. his look to the side indicates that something off the canvas has distracted his attention. copley sits behind and above h im, alone, i n the background. the painter distinguished his own figure i n the composition by setting h i m on what seems like a completely different plane from the rest of the group. unlike the other six, moreover, copley directs his formidable gaze at the viewer, as i f he were claiming possession of the beautiful scene encapsulated within the composition. despite sukey's position just right of center, she manages to attract the viewer's attention immediately. her highlighted skin has the lightest hues i n the entire composition. also, she tilts her head into the center at an angle running parallel to one daughter's face, nearly touching as they wrap their arms around each other. as she embraces her two daughters, sukey's facial expression remains composed, patient, and loving. the body language i n copley family suggests affection, intimacy, and respect. copley's aesthetic exaltation of his wife and family shows how much the artist valued them. although the majority of copley's female sitters were housewives, he also painted the likenesses of women who departed from social norms and established themselves as accomplished citizens i n their own right. among these anomalous sitters was a bostonian "she-merchant," or female shopkeeper, named elizabeth murray, who hired copley to paint her portrait i n 1769. she posed for mrs. james smith (elizabeth murray) [fig. 5] i n 1769 at age 43, just after the death of her second husband, james murray. i n her life, she had played various roles: single woman, wife, widow, and businesswoman. l l v the artistic elements of murray's portraiture can instruct onlookers today about the life and style of an exceptional, multifaceted 18th-century american woman. she strikes a dynamic pose i n motion, mid-step towards her left. her draped scarf dramatically sways i n the wind, and she coolly clasps one side of her dress to avoid tripping. meanwhile, murray safeguards two pieces of round fruit and a bunch of grapes i n the folds of her dress i n front of her stomach, which probably suggests her benevolence and wealth. l v her forward motion signifies that she was a woman of progress, while the props she holds denote respectable qualities that she apparently valued i n herself. copley painted the portrait of mercy otis warren, a patriot who became one of the most respected and renowned w o m e n o f c o p l e y ' s b o s t o n poets, playwrights, and historians during the revolutionary era. i n addition to her life as a wife and mother, i n the words of historian carol berkin, warren was "boston's leading propagandist for the colonial cause." l v i the sister of one of massachusetts's leading radicals and wife of another, she penned political satires leading up to the revolution that undoubtedly helped turn her fellow colonists—men and women—against the crown's officials and policies. in 1772, under the pseudonym "a columbia patriot", warren published her first work, a propagandistic dramatic sketch called the adulateur, which quickly gained attention amongst colonists. l v u then, i n 1805—less than 20 years after great britain recognized the united states as a sovereign nation—warren published history of the rise, progress, and termination of the american revolution under her own name. l v u l from the start of the revolution to its conclusion, warren's career as an influential writer evolved from anonymous to renowned. "both women symbolize progress, were intellectually and professionally accomplished in their own right, and were hopeful of a bright future." warren posed for mercy otis warren (mrs. james warren) at age 35 i n 1763, the year that some historians note as the turning point i n popular opinion i n boston, when new imperial policies like the stamp and sugar acts caused a shift i n climate and made the waterfront city the official site of colonial rebellion. l l x warren seems to project her own inspiring self-image i n this portrait, greatly resembling elizabeth murray. both women symbolize progress, were intellectually and professionally accomplished i n their own right, and were hopeful of a bright future. like murray, warren strikes a dynamic pose marking movement. also, both women stand outdoors i n front of landscapes of blue skies and swaying trees. this refreshing environment suggests their position as people worthy of respect outside of the home. also, warren holds a blossoming branch of flowers, which signifies her role as a mother of three sons. l x although warren and murray had opposing political inclinations, different careers and family lives, they enjoyed lives of considerable freedom i n a pre-revolutionary society that rarely entrusted women with responsibilities outside of the domestic realm. thus, it is clear that the depictions of colonial american women i n copley's portraiture depended largely on the intentions of the commissioners. unlike the majority of copley's representations of women, elizabeth murray and mercy otis warren had the ability to communicate their own self-perceptions through the canvas. their portraits reflect the fact that they earned their own living and, thus, functioned with considerable autonomy i n society. at this time of otherwise heightened anxiety and image consciousness, most of copley's women sitters appear as unrealistic illustrations of female stereotypes, according to the commissioners' desires. copley, therefore, often adhered to the instructions of an early 18th-century art manual, which advised students to portray women as "stronger, and more perfect." l x i in a sense, copley followed his commissioners' orders by painting what they wanted to see. he transformed apprehensive young brides-to-be into immaculate wives, made middleaged housewives look like ideal personifications of virtue and obedience, and glorified patriarchs by depicting their admiring wives at their side. in an effort to fulf i l l the i m possible task of improving a superlative, copley embellished, erased, and amplified his scenes. i n other words, he manipulated the images of average people to create a more favorable likeness that would transcend their lives and exist for eternity i n the form of oil-on-pastel on canvas. e l e m e n t s s p r i n g 09 in the words of historian laurel thatcher ulrich, objects help us read the "unseen technologies, interconnections, and contradictions that lie beneath audible events."1*11 when one contextualizes copley's portraits and analyzes the motives for commissioning them, it is evident that these paintings are more than mere commodities. they are rich primary resources, products of a complex culture, and windows through which today's viewers can come to appreciate and understand the lifestyles of some of the first american "ladies". e n d n o t e s i . prown (1966) i i . prosser (1995) i i i . ibid. iv. prown (1966) v. kerber (1980) vi. lewis (1987) vii. bourne (2006) viii. prosser (1995) ix. prown (1966) x. ibid. xi. lovell (1994) xii. prown (1966) xiii. ibid. xiv. ibid. xv. henrietta (1965) xvi. carp (2007) xvii. ibid. xviii. lovell (1994) xix. lovell (art in a season 2005) xx. letters and papers (1914) xxi. cleary (2000) xxii. prown (1966) xxiii. ibid. xxiv. ibid. xxv. letters and papers (1914) xxvi. ibid. xxvii. lovell (2005) xxviii. lovell (1994) xxix. ibid. xxx. cleary (2000) xxxi. lovell (2005) xxxii. richardson (1722) xxxiii. prown (1966) xxxiv. breen (2004) xxxv. lovell (1994) xxxvi. lovell (2005) xxxvii. kerber xxxviii. lovell (2005) xxxix. lovell (2005) xl. ibid. xli. lovell (2005) xlii. ibid, xliii. ibid. xliv. lovell (reading) xlv. lovell (1994) xlvi. prown (1966) xlvii. ibid, xlviii. prown (1966) xlvix. prown (1966) 1. prown (1966) l i . lovell (reading) l i i . lewis (1987) l i i i . lovell (reading) liv. cleary (2000) lv. ibid. lvi. berkin (2005) lvii. elmer (2000) lviii. warren (1988) lix. carp (2007) lx. norton (1996) lxi. richardson (1722) lxii. lovell (2005) references berkin, carol. 2005. revolutionary mothers: women in the struggle for america's independence. new york: vintage books 2005. bourne, russell. 2006. cradle of violence: how boston's waterfront mobs ignited the american revolution. hoboken: john wiley & sons. breen, t. h. 2004. marketplace of revolution: how consumer politics shaped american independence. new york: oxford university press. carp, benjamin l. 2007. rebels rising: cities and the american revolution. new york: oxford university press. cleary, patricia. 2000. elizabeth murray: a woman's pursuit of independence in eighteenth century america. amherst: university of massachusetts. american national biography online. elmer, jonathan. feb. 2000. "warren, mercy otis." received from . henrietta, james a. 1965. "economic development and social structure in colonial boston," the william and mary quarterly, 22(1). w o m e n o f c o p l e y s b o s t o n kerber, linda k. 1980. women of the republic: intellect and ideology in revolutionary america. chapel hill: university of north carolina press. 1914. letters and papers of john singleton copley and henry pelham, 1739-1776. boston: massachusetts historical society. lewis, jan. 1987. "the republican wife: virtue and seduction in the early republic". the william and mary quarterly. 44(4). lovell, margaretta m. 2005. art in a season of revolution: painters, artisans, and patrons in early america. philadelphia: university of pennsylvania press. lovell, margaretta m. 1994. painters and their customers: aspects of art and money in eighteenth-century america, in carson, cary, ronald hoffman, and peter j. albert, eds., of consuming interests: the style of life in the eighteenth century. charlottesville: university press of virginia. norton, mary beth. 1996. liberty's daughters: the revolutionary experience of american women, 1750-1800. ithaca: cornell university press. prosser, deborah i . 1995. the rising prospect or the look: conventions of gender in american portraiture, in peter benes and jane montague benes, eds., painting and portrait-making in the american northeast. boston: boston university press. prown, jules david. 1966. john singleton copley in america, 1738-1774. cambridge: harvard university press. richardson, jonathan. 1722. an essay on the theory of painting. london, pp. 173. eighteenth century collections online, gale group, received from . warren, mercy otis, and lester h. cohen. 1988. history of the rise, progress, and termination of the american revolution interspersed with biographical, political, and moral observations. indianapolis: liberty classics. http://galenet.galegroup.com.proxy.bc.edu/servlet/ecco s t a g i n g t h e n a t i o n : theatricality in the law carloi n e gem t h e a t r i c a l p r a c t i c e s i n t h e c o u r t r o o m s o f t h e u n i t e d s t a t e s a n d g r e a t b r i t a i n a r e e x a m i n e d i n t h i s a r t i c l e . t h e s e p r a c t i c e s a r e v i e w e d s p e c i f i c a l l y i n r e l a t i o n t o t h e c o n c e p t o f " s t a g i n g t h e n a t i o n . " t h i s c o n c e p t d e a l s w i t h t h e n o t i o n o f t h e n a t i o n a s a n i m a g i n a r y e n t i t y , a n i d e a c o n s t r u c t e d t h r o u g h c u l t u r a l p r a c t i c e s . t h e a t e r p l a y s a s t r o n g r o l e i n t h e w o r k i n g s o f t h e i m a g i n e d n a t i o n . y e t , t h e a t r i c a l p r a c t i c e s , o u t s i d e o f t h e o f f i c i a l t h e a t e r , o p e r a t e i n m a n y o f t h e i n s t i t u t i o n s t h a t c o m p r i s e s o c i e t y . t h e l a w , a s a f o u n d a t i o n a l i n s t i t u t i o n , c o n t a i n s t h e a t r i c a l e l e m e n t s t h a t a i d i n t h e " r e h e a r s a l " o f t h e n a t i o n . e x p l o r a t i o n s o f t h e i d e a o f a n i m a g i n e d n a t i o n , t h e r e p r e s e n t a t i o n s o f n a t i o n a l i d e n t i t y i n t h e t h e a t e r , a n d t h e p r e s e n c e o f t h e a t r i c a l i t y i n t h e c o u r t r o o m a r e s y n t h e s i z e d i n a s t u d y t h a t s e e k s t o e l u c i d a t e t h e p o s s i b l e f u n c t i o n s a n d p u r p o s e s o f t h e a t r i c a l i t y i n t h e l a w . "nationality is a 'cultural artifact' and can, therefore, he understood in terms of cultural practices." most people, at least in the democracies of the west, would agree that the courtroom contains extreme dramatic potential. the entertainment industry recognizes and exploits this potential with each new television courtroom drama and f i lm it produces. some of hollywood's most beloved stars are best remembered for the roles they played as men of the court, such as gregory peck's portrayal of atticus finch i n the f i lm version of to kill a mockingbird. the courtroom drama is also no stranger to the stage; its presence there reaches back to the roots of western theater. aeschylus staged, to the best of our knowledge, the first trial scene in the eumenides, and many playwrights since then, such as arthur miller i n the crucible, have represented versions of the courtroom in the theater. we seem to recognize the presence of theatrical elements in the courtroom that can be manipulated and exaggerated to produce riveting entertainment. though we recognize that these elements exist in the actual courtroom, we seldom attempt to articulate what they are beyond the shallow acknowledgement that law and the court can be "dramatic." what, i f any, are some of the major theatrical practices and characteristics of the court system in western democracies such as the united states and the united kingdom? furthermore, what are the theatrical elements doing there in the first place? what purpose do they serve? the legal system as a whole is not an isolated entity. it does not exist for itself but for the nation, as one of its defining institutions. yet, what is a nation? a good deal of recent thought has explored the view that the nation is an imaginary entity, a collectively constructed concept. according to many thinkers, cultural practices create a sense of national identity and thus construct the idea of the nation. recent theater criticism, for example, examines the role theater, as a cultural practice, plays i n constructing the imaginary nation. the concept of "staging" or "performing" the nation has emerged as a way to describe the theater's contribution to creating, supporting, or criticizing national identities on the stage. yet, why should the "staging of the nation" be limited to the stage? if, as we seem to think, there are theatrical elements in the courtroom, then we must question what role these elements play in "performing" the nation. a careful examination of the theatrical characteristics of the courtroom, in relation to the concept of "staging the nation," reveals the ways in which these characteristics aid the creation of the concept of the nation. t h e n a t i o n as a n i m a g i n a t i v e e n t i t y before we can investigate theatricality in the courts, we must attempt to come to grips with the notion of the nation as an imaginative entity. i n his work, benedict anderson pioneered the view of the nation as a construction. despite their seeming legitimacy, "nation," "nationality," and "nationalism" usually elude definition. anderson suggests that the nation is "an imagined political community." 1 this definition rests, first of all, on anderson's implicit argument that there is nothing self-evident about a nation. the political boundaries that ascribe nationhood did not exist at the beginning of the world or even the beginning of civilization; rather, nations are created. for anderson, they are created through an imagined sense of community on the part of the inhabitants of a particular area. most of the inhabitants of a nation wi l l never meet the other inhabitants; yet, in their minds, they believe there is a connection between them, a common national identity 1 1 anderson not only proposes the understanding of the nation as a created entity, but he also attempts to explain how these imagined communities come to exist. for h im, nationality is a "cultural artifact" 1 1 1 and can, therefore, be e l e m e n t s s p r i n g 05 understood in terms of cultural practices. the cultural practices of print media, he says, have played the largest part in forming imagined communities. the concept of the nation only became possible with the advent of "print capitalism" l v following the invention of the printing press. newspapers, books, and magazines could be distributed and read on a large scale. certain ways of thinking were made simultaneously available to all, creating and reinforcing a sense of common identity/ anderson's thoughts provide the foundational argument for a view of the nation as a constructed entity. many other thinkers address aspects of this, exploring and developing them further. one idea developed from anderson's work emphasizes the importance of the written word, and specifically the narrative form, in constructing the nation. i n nation and narration, for example, homi k. bhabha has collected essays pertaining to "the nation as it is writ ten." v i in these, contributors explore the ways i n which authors tell stories about the nation, ranging from harriet beecher stowe's uncle tom's cabin to the works of virginia woolf. the collection as a whole contains the notion that the history of the nation is really a history of competing narrative discourses, stories about what the nation is and whence it has come. these narratives are constantly evolving, but through the dominant narratives, we come to collectively imagine our nation and our national identity. many people involved in theater studies recognize the importance of benedict anderson's views and of subsequent inspired projects, such as nation and narration, in so far as how we examine the existence of nations. yet, as critic s.e. wilmer points out, these studies have largely ignored the significant role the theater plays i n creating, sustaining, or overthrowing national identity/ 1 1 the significance of this role is conveyed by william butler yeats' query in 1938 regarding his 1902 production of kathleen ni houlihan. reflecting on his life's work, he wonders, "did that play of mine send out certain men the english shot?" v i i l referring to the irish nationalist uprising of easter 1916. the question yeats poses here is not just whether his play inspired the nationalists, but whether it actually created them. yeats' ultimate question regarding the nature of the relationship between theater and the nation is explored by many theater critics as the notion of "staging the nation." s t a g i n g t h e n a t i o n this "staging of the nation" functions on many different levels and in different ways within the theater. theater critic loren kruger focuses on the role the theater, as a cultural and social institution, plays in the construction of nationhood. kruger argues that in the last quarter of the nineteenth century, politics in england, france, and the united states were conducted on a mass scale. the notion of popular representation became a central concept i n the functioning of democratic society, but that popular representation had to cohere and become the popular representation of a nation. kruger argues that the theater was the place to deal with "making a nation out of an audience, citizens out of spectators." 1x the actual physical existence of the theater is important to this transformation from audience to nation; hence, "place and occasion thus signify the means and the site on which national prestige the legitimacy and the renown of the nation in the eyes of its citizens as well as its rivals is staged, acknowledged, and contested. " x the building itself and the physical nature of the theatrical event provide a context for the creation of national identity. the movement in england for a national theater, begun by effingham wilson i n 1848, exemplifies the importance of the theatrical institution to the nation. x l the national theater was to be a place that could unify the heterogeneous population of england by representing a version of "englishness." x i l the content of what is staged also contributes to "staging the nation." in examining how the nation is formed in the united states, s.e. wilmer cites the chautauqua movement as one that "helped solidify the notion that america was homogenous and rural, despite (and because of) trends to the contrary. " x m the chautauquas were annual cultural events dating from the late 19th and early 20th centuries. they lasted several days and included speeches, s t a g i n g t h e n a t i o n : t h e a t r i c a l i t y i n t h e l a w music, and plays, in which the dominant values expressed were white, protestant, and capitalist. 3^ for example, the extremely successful play, the melting pot (1908), insisted that immigrants could be successful in the united states i f they abandoned their own cultural values and assimilated into the "dominant" culture. plays like this one created a sense that the white anglo-saxon protestant (wasp) represented the majority of the united states and its values. x v in truth, the wasps were losing their hold on the majority as the country became more diverse, but chautauqua theater gave the wasps the hegemony regarding the national identity. they became the dominant representations of "americans" for many years to come. in some cases, those involved i n the theatrical collaboration engage overtly and directly in the process of constructing national identity. the field day theater company of northern ireland is one such group that, as marilynn richtarik puts it , "concerned itself with the relationship between myth and present-day perception, history and politics. , , x v 1 the company was founded i n 1980 in a country where national identity seemed a dire and combustible topic. their hugely acclaimed production of friel's translations explores the ideas of "irishness" and "irish" identity. x v u seamus heaney, author and member of the field day board of directors, later articulated one of the company's major goals: "we would try to redefine what being irish meant in the context of what has happened in the north over the past twenty years, the relationship of irish nationalism and cu l ture . " x v m the work of the field day company reminds us that the "staging of the nation" is not always a tool used by the power elite to manipulate and indoctrinate the masses. sometimes, the "staging of the nation" challenges current notions of national identity, re-imagining, as anderson would see i t , the national community. t h e a t r i c a l i t y i n t h e c o u r t r o o m we can see how cultural practices aid in constructing the concept of the nation. the forms of those cultural practices, such as print media and physical theater, help establish a popular identity. the content of the practices, such as the narratives of both literature and theatrical events, also works to imagine the nation and its identity within the stories told. yet, why should the process of constructing the nation end there? are there not other aspects of society, other institutions, which are tied firmly to the concept of the nation? aeschylus was right to portray the founding moment of the world's first democracy as a trial. the law is a key component of the democratic national identity. democracies generally define themselves by the notion of equality, especially equality in relation to the law, and they offer "justice for all" and a law under which "all are equal." i n the imaginary institution of society, cornelius castoriadis argues that the significance of societal institutions, such as law, is not only practical but also symbolic. x l x the decisions of the court "are symbolic and their consequences are almost entirely so, including the hangman's act which, although eminently real, is also immediately symbolic at another l e v e l . h e n c e , the legal system functions on two levels. although capital punishment is not wholly imaginary, for someone certainly dies, there is also something symbolic about it and about the laws in general, in that they are emblems of national structure, unity, and authority. before examining the presence of theatricality in the courtroom, i would like to forestall one possible objection that could be made against relating theatricality to the law. one could argue that the consequences of the theater are imaginary, whereas the consequences of the law are real and, therefore, incomparable to theater. yet, as castoriadis argues when discussing symbolism i n society, the functioning of something on an imaginative, immaterial level does not negate its material consequences. theatricality is used here largely as a model for interpreting characteristics or elements of the courtroom in terms of how they function in the imaginative concept of the nation. using theatricality in this way does not transform the courtroom into theater and render its consequences imaginary. in fact, i n a theatrical interpretation of the court, its symbolic characteristics may actually aid its practical concerns. e l e m e n t s s p r i n g 05 just as kruger is interested in the physical theater's creation of a performance space, alastair blanshard emphasizes the importance of creating a forensic space, a context in which the court proceedings can operate. blanshard asserts that forensic space can be established either through monumentalisation, in which the "huge scale, rich and elaborate fittings, and authoritarian detailing" of the court buildings "swamp and oppress the viewer," x x 1 or through ritual, in which performance and props aid in establishing the atmosphere of the court. although both methods play a role i n the modern courtroom, blanshard focuses on monumentalisation as the defining phenomenon of the court system in modern democracies. he presents the royal courts of justice in london as one example of monumentalisation and examines their high victorian gothic architecture and the effect it has of diminishing the individual in its immensity. 5™ 1 11 can further add my own observations of the "legal costume exhibit" at the courts, in which mannequins in glass cases wear various wigs, robes, and mantles of the english legal profession. plaques explain the history of these costumes and assert that the "remarkable longevity of some of the forms of dress used in english court is symbolic of the essential continuity of the legal system in this country." another example of monumentalisation is the supreme court building in the united states. blanshard examines the symbolism of the large-scale, neo-classical architecture of the building. he describes the different sculptures on various parts of the building, such as contemplation of justice and authority of law. the entrance of bronze doors contain eight panels depicting the "evolution" of the law, from the shield of achilles through the signing of the magna carta to the landmark marbury v. madison court case. even the elevators are decorated with tablets of the ten commandments. no detail is overlooked.5™ 1 1 1 the physical features of both the royal courts of justice and the supreme court building contribute to the "staging of the nation" in several ways. the size and forms of architecture create a sense of power and authority, but perhaps the greater significance lies in the attempt to establish a sense of tradition. the costume exhibit in the royal courts of justice displays the long tradition of the costume in the english court system. the panels on the entrance to the supreme court building attempt to create a narrative of tradition a progressive story of the law, i n which the united states' court system is the triumphant conclusion. the traditions displayed in these buildings are fabricated to create an authoritative foundation for the nation. the costume exhibit associates the continuous tradition of the legal costume with the "essential continuity" of the english legal system itself, even though there is no evidence that the law has remained continuous just because the costumes have. the entrance panels in the supreme court building take separate historical events and force them into a teleological narrative in which the united states is the end. the tradition invented in both of these buildings grounds the nation in an established moral authority that can be "traced continuously" back through the ages. the narrative of tradition in these buildings gives the individual involved in the court system a sense of his identity and of the significance of his duty as a citizen. tradition represents this duty as crucial to the existence of the nation; without it, the social fabric would unravel. as with "staging the nation" in the theater, what is staged is just as important as the site of the staging. when one considers then the content of the court systems, the actual legal proceedings, one again finds the significant presence of a narrative. blanshard begins his essay with the observation that the courtroom is a place of competing narratives, where one's fate "ultimately depends on the ability to produce the more believable narrative of events.' , x x i v in his essay "life is not a dramatic narrative," alan dershowitz also recognizes the theatrical element inherent in the production of narratives in the courtroom, the model for which is dramatic. for instance, i f a prosecutor is trying to prove that the defendant murdered his business partner, the prosecutor wi l l arrange the facts of the case into a story, informing the jury that the defendant took out a life-insurance pols t a g i n g t h e n a t i o n ! t h e a t r i c a l i t y i n t h e l a w icy on his partner three days before that partner was murdered .^ what the lawyer hopes is that the jury wil l interpret his story the way they would a dramatic narrative. dershowitz quotes anton chekhov's advice to s.s. schovkin to explain the construction of a dramatic narrative: " i f in the first chapter you say that a gun hung on the wall, in the second or third chapter it must without fail be discharged."*™ i f a gun appears at the beginning of a drama, someone wil l be shot by the end. juries often apply these teleological rules of drama to the narratives of the courtroom; hence, the defendant who took out the life insurance policy must have done so because he was planning to murder his partner. dershowitz finds the presence of the dramatic narrative in the courtroom problematic because real life events, to h im, are not teleological; they are often meaningless, irrelevant, and coincidental. warping these events to conform to the paradigm of the dramatic narrative can sometimes force undeserved guilt onto the defendant. dershowitz has used this argument regarding the unfairness of the dramatic narrative in the courtroom to secure acquittal for several of his c l ients . x x v u yet, he does not consider his own success in using this argument in relation to what he finds problematic with the dramatic narrative, though this relation is important. some "theatricalist" plays consciously point out their own conventions, point out their constructed, illusory nature. in much the same way, dershowitz introduces his own theatricalist narrative into the courtroom, exposing a particular dramatic technique in the court in order to point out what (for his story) is the "real" situation. the dramatic narrative at play in the court underpins the court system and, thus, the nation itself. on one level, the dramatic narrative has emerged as a way, in peter brook's words, "to formalize the conditions of telling" 5 0™ 1 1 in the courts. it gives a structure and a consistency to the kinds of narrative performed in the court. furthermore, as the implications of dershowitz's essay show, these narratives are linked to theater for a good reason. theater seems particularly well suited to pointing out its own presence, to exposing many of its illusions, including the contrived nature of the dramatic narrative. the dominance of the dramatic narrative structure in the court leaves inherent space for a meta-narrative, for a story pointing out its own fiction. much like the conscious agenda of the field day theater company, which allowed for a certain amount of imaginative freedom in the creation of national identity, the presence of dramatic narrative in the courtroom allows for different narratives to compete with one another, providing the national justice system with a strong but flexible framework. perhaps the most significant theatrical element in the democratic court system is representation. in the theater, an actor, a professionally trained representative, represents a character who cannot be there, who cannot speak for himself. in the courtroom, a lawyer, a professionally trained advocate, is permitted to represent his client, to speak for him.5™5* in both cases, the actor and the lawyer take on roles. the actor plays the role of the character he is representing; the lawyer, on the other hand, does not usually pretend to be his client. rather, the lawyer in court plays a lawyer who is representing his client. the lawyer must roleplay "the lawyer." in the english court system, for instance, the lawyers and the judges wear wigs and robes. at the royals courts of justice, the barristers and the judges wear these costumes in the courtroom. yet, when outside of the actual courtroom, many of the barristers stand around and chat without wearing their wigs. the costumes, in both the court and the theater, signify their common characteristic of representation: both actors and lawyers step into and out of their roles. costumes, however, are not the only means by which men and women play the role of lawyer. they must also act the part. janet malcolm reveals yet another layer of this representation in her examination of the side-bar conference in the united states. the side-bar conference is a discussion between the trial judge and the two competing trial lawyers. the two lawyers argue their points in a particular conflict, and the judge adjudicates them. the most important aspect e l e m e n t s s p r i n g 05 of the side-bar conference is that it is conducted out of the hearing of the jury and the spectators, so that they do not know what is being said. the discussion is transcribed, however, and can be referred to at a later t i m e . x x x malcolm studied the transcript of the side-bar conferences in macdonald v. mcginnis, a particularly impassioned murder trial. what surprised her, she says, "was the way everyone's mask suddenly dropped. out of the hearing of the jury, the lawyers were free to change from dire antagonists to men calmly discussing business. they were free to talk about their competing narratives rather than to enact them. they were like actors sitting around the dressing room putting cold cream on their faces and arguing points of craft and turning to the director to decide who was r i g h t . " x x x l malcolm invokes a stereotypical image of actors i n order to convey her realization that the lawyers, like actors, are professionals communicating their narratives. in order to do this, the lawyers must play the roles of prosecuting attorney and defending attorney, two titanic arch-rivals. the lawyers themselves, however, usually only feign antagonism. they are really just men or women working together in the same craft. these conferences are held out of the hearing of the jury and spectators in order to maintain the belief in the spectacle, to keep "the illusion-destroying activities of backstage firmly h i d d e n . " x x x n c o n c l u s i o n politically speaking, the conclusion that the court system is founded in a theatricality that supports the imaginary entity of the nation can be problematic. does the presence of theatricality in the law support an argument for anarchy, an argument that there is no true authoritative reason for anyone to abide by the law or recognize the government? while one could find anarchistic implications in the presence of theatricality in the law, its existence does more to argue for the advantages of a democratically imagined community. one of the challenges of a democratic nation is to uphold a created national identity whose defining characteristic is its heterogeneity. the presence of the flexible dramatic narrative and universally available representation in the law demonstrates an attempt within the democratic framework to include and accommodate the diverse multitude. this is not to say that theatricality cannot be used to manipulate or intimidate the people in the way, for example, monumental architecture oppresses the viewer with its authority. we need not accept democracy at face-value: we must continue to try to understand its benefits and its injustices. the theatrical model of interpretation deeply penetrates many societal institutions with its understanding that theatricality is not limited to the actual theater. it is also a possible way of examining our lives and the world around us. the kind of representation here discussed provides the strongest example of theatrical elements in the law aiding the "staging of the nation." representation and role-playing in the courtroom "stage" the process of justice itself. the roles taken on by the lawyers lend gravity to the trial proceedings, but they also create a sense of popular representation through a production that can, in the aforementioned words of kruger, make "a nation out of an audience, citizens out of spectators."'0 0' 1 1 1 while it is imperative that the spectators not see the "business" side of the court, it is also of equal importance that this side exist. the right of all democratic citizens to have fair representation from a trained, impartial professional bears out the equality that is so crucial to the democratic national identity. e n d n o t e s i anderson (1983), 15. i i anderson (1983), 15-16. i i i anderson (1983), 13. iv anderson (1983), 40. v anderson (1983), 41. vi bhabha (1990), 2. v i i wilmer (2002), 1. v i i i grote, (2003), 3. ix kruger (1992), 4. x kruger (1992), 12. xi kruger (1992), 85. xii kruger (1992), 85-86. x i i i wilmer (2002), 11. xiv wilmer (2002), 11. xv wilmer (2002), 12. xvi richtarik (1994), 10. xvii richtarik (1994), 28-29. xviii richtarik (1994), 68. xix castoriadis (1987), 115. xx castoriadis (1987), 118. xxi blanshard (2004), 13. xxii blanshard (2004), 14. xxiii blanshard (2004), 16. xxiv blanshard (2004), 12. xxv dershowitz (1996), 99. xxvi dershowitz (1996), 100. xxvii dershowitz (1996), 100. xxviii brooks (1996), 19. xxix i would like to acknowledge that i produce this particular notion based on the classroom comments of dr. nicholas ridout. i am taking his suggestion and exploring it i n the context of my own topic. s t a g i n g t h e n a t i o n : t h e a t r i c a l i t y i n t h e l a w references anderson, benedict. 1983. imagined communities: reflections on the origin and spread of nationalism. london: verso. bhabha, h o m i k. 1990. nation and narration. london: routledge. blanshard, alastair. 2004. "the birth of the law-court: putting ancient and modern forensic rhetoric in its place." oratory in practice. michael edwards and christopher reid, eds. manchester: manchester university press. brooks, peter. 1996. "the law as narrative and rhetoric." law's stories: narrative and rhetoric in the law. new haven: yale university press. castoriadis, cornelius. 1987.the imaginary institution of society. trans, by kathleen blarney. cambridge: polity press. dershowitz, alan m . 1996. "life is not a dramatic narrative." law's stories: narrative and rhetoric in the law. new haven: yale university press. grote, georg. 2003. anglo-irish theatre and the formation of a nationalist and political culture between 1890 and 3930. new york: the edwin mellen press. kruger, loren. 1992. the national stage: theatre and cultural legitimation in england, france, and america. chicago: university of chicago press. malcom, janet. 1996. "the side-bar conference." law's stories: narrative and rhetoric in the law. new haven: yale university press. richtarik, marilynn j. 1994. acting between the lines: the field day theatre company and irish cultural politics ig&o-ig&q. oxford: clarendon press. wilmer, s.e. 2002. theatre, society, and nation: staging american identities. cambridge: cambridge university press. sotheby's describes the blue koran as 'one of the most luxurious manuscripts ever produced in the early medieval period in the islamic world.' i would argue that it is also one of the most important." early k o r a n i c m a n u s c r i p t s ! the blue koran debate emily n e u m e i e r t h e art of c a l l i g r a p h y a n d i l l u m i n a t i o n of m a n u s c r i p t s h o l d s a revered place i n is la m i c art because m u s l i m s believe t h a t c o d revealed to t h e m t h e w o r d t h r o u g h t h e p r o p h e t m u h a m m a d i n t h e f o r m of t h e k o r a n . t h e beauty of t h e blue k o r a n , o n e of t h e m o s t e x q u i s i t e early m a n u s c r i p t s of t h e k o r a n , speaks for itself w i t h its r i c h l y dyed p a r c h m e n t w i t h g o l d a n d si lver i n kl n g . b u t t h i s o b j e ct o f b e a u ty i s a n o b j e ct o f m yst e r y a s w e l l. a c e n t u r y l o n g debate a m o n g s c h o l a r s centers a r o u n d t h e blue k o r a n a n d its p r o v e n a n c e . here t h e i r o p i n i o n s w i l l be w e i g h e d a n d n e w e v i d e n c e a n d t h e o r i e s w i l l be b r o u g h t to l i g h t . t h i s project was b e g u n i n a n t i c i p a t i o n of t h e e x h i b i t at t h e m c m u l l e n m u s e u m i n t h e fall of 2006 of t h e d a v i d c o l l e c t i o n , a n i m p r e s s i v e a n d v a r i e d c o l l e c t i o n of i s l a m i c art. "...the manuscript is not only stunning in its visual appearance, hut it is also the center of an ongoing debate among scholars concerning its place and date of origin, method of production, and patronage." i . i n t r o d u c t i o n in the west the term "artist" connotes a painter or sculptor; i n the islamic lands, however, this title is more applicable to a calligrapher. muslims revere the message of their sacred text, the koran, as holy and thus avoid figural iconography for fear of idolatry. therefore, their artists strive to make the written word itself beautiful. muslim calligraphers focused upon copying the koran, a task both of religious merit and aestheticism. one of the finest and most unusual of koranic manuscripts is the blue koran, thus named because the parchment of the manuscript is dyed blue with indigo. with its gold ink upon a blue ground, the manuscript is not only stunning i n its visual appearance, but it is also the center of an ongoing debate among scholars concerning its place and date of origin, method of production, and patronage. because the koran is a fixed text, it is possible to extrapolate the number of folios in an entire manuscript from the number of lines to a page, in this case fifteen. this would show that there should be around 650 folios of the blue koran, a testament to its cost of production: one animal skin provides enough parchment for only a single bifolium. using gold ink outlined with black gallnut ink, the calligrapher wrote i n kufic script without vowelling but with the occasional use of non-systematic diacritical marks. the mcmullen museum's exhibition of the david collection in 2 0 0 6 wi l l include a folio from this manuscript. the specific page contains the text from the second surah of the koran, al-baqarah ("the cow"). the david folio measures 25.7 x 37.5 cm; it seems that the page has been trimmed because the largest folio from this manuscript measures 31 x 41 cm, found in the national institute of archaeology and art in tunisia. i i . p a t r o n a g e because most of what we know about islamic manuscripts has been exclusively derived from the manuscripts themselves, there are few facts about the blue koran's origin of which we can be absolutely certain. however, as time unearths more relevant evidence and folios from the manuscript, certain hypotheses become stronger. the first issue to be dealt with is who may have commissioned the blue koran. the extravagant cost of the blue koran, as one would surmise from the gold ink, dyed parchment, and the number and size of pages, limits possible patrons to the caliph himself or other high-ranking officials of his court. i n 1912, the collector f. r. martin attributed patronage to the abbasid caliph al-mamun (r. 813-833 ce) who had supposedly commissioned the manuscript for the tomb of his father. this iranian attribution was accepted by grohmann in 1929 and repeated consistently in auction and exhibition catalogues unti l the 1970s when folios from north africa began to appear. it seems unreasonable to attribute patronage solely based upon the authority of martin, who provided no evidence for such a conclusion. in 1986 the islamic scholar jonathan bloom challenged the long-held attribution to al-mamun, declaring that the style of writing does not necessarily point elem ents s p r i n g 06 directly to 9 t h century iran, and that martin's attribution is based only on circumstantial evidence. the attribution to the abbasid caliph seems to originate more from martin's unsubstantial provenance than anything else. i i i . r e g i o n of p r o d u c t i o n the next issue that naturally follows the patronage is where the blue koran was produced. paleography is useless in settling this question. the monumental kufic script, suited ideally for stone inscriptions on buildings, coincides with the abbasid caliphate (750-1258), but because this consisted of a region unified artistically from north africa to persia, it is very difficult to say where the manuscript is from based on this. because of the attribution to the abbasid al-mamun, scholars assumed for decades that the manuscript was from iran. yet, in an exhibit during the 1976 festival of islam i n london, pages of the blue koran surfaced from a sizeable portion of the manuscript in modern day tunis. this new claim to origins in north africa caused some confusion, best evidenced by the hayward gallery's exhibit in the same 1976 festival, which simultaneously attributed their blue koran pages to mesopotamia in the 9 t h century. after 1976, most scholars attempted to reconcile the abbasid commission and the north african provenance into one convoluted explanation: " i f the manuscript was ordered by al-mamun, it must have been produced in north africa, whence it never left or to which it was later returned." 1 since al-mamun's patronage has no real paleographic or documentary support, it is probably best to stop stretching the available facts to associate the blue koran with mesopotamia and, instead, to begin focusing primarily on the possibility of a western origin. jonathan bloom has brought forth an interesting theory that points to a western place of production based on the unusual numbering system found in the blue koran. he observes that calligraphers from the maghrib, or western islamic lands comprising of spain and north africa, sometimes use different letters than their muslim counterparts i n the east to represent numbers in the abjad system. bloom bases his argument upon the differences between markings on iraqi and on andalusian astrolabes made around the same time. he assumes that the same numbering system would be used for the verse markers in a koranic manuscript. for example, the letter used to mark verse 6 0 on a blue koran folio from the chester beatty library is a sad, the maghribi letter for 6 0 . in the muslim east, shin represents 6 0 , while sad stands for 9 0 . i f there are such irregularities in the blue koran, it may have been produced in the maghrib. a n inventory of the library of the great mosque of kairouan in tunsia from 1293 may shed more light on this issue. the first item of the inventory, described as a koran divided into seven large sections, was first associated with the blue koran by the scholar ibrahim shabbuh i n 1956. it refers to a manuscript in which each page is written on blue-black parchment with five lines of gold kufic script with verse markers, chapter titles and the number of verses in a surah done in silver. there is one inconsistency between this description and the blue koran: the blue koran has fifteen, not five, lines to a page. bloom simply rationalizes that this mix-up is an "easy slip in arabic as it is in english." 1 1 curator t im stanley offers a more convincing explanation to solve this problem. he suggests that due to damage of the inventory document, shabbuh may have conflated two entries. stanley's updated version of the inventory places the 7-section koran dyed blue as the second item, with the number of 5 lines to a page left to the first item. i n order to confidently affirm that it is the blue koran described in the 1293 inventory, one must deal lastly with the silver chapter headings and verse numbers mentioned in the entry. the problem unti l now is the lack of folios with the beginning of chapters on them. yet the recent observation of two such pages has strengthened the hypothesis that the blue koran was in kairouan as early as the 13th century, and has perhaps uncovered another surprising peculiarity of the maghribi numbering system. in a catalogue featuring early korans, t im stanley discusses an exciting folio of the blue koran which contains the first fourteen verses of surah eighteen. sure enough, on side a there is silver writearly k o r a n i c m a n u s c r i p t s ! t h e blue k o r a n debate ing in the top margin adjacent to the first verse of the surah. the writing is translated by stanley as reading "the cave", the title of surah eighteen, and the number of verses in the chapter, i n . this is just as the inventory described. as exciting as this confirmation is, the fact that the quaritch page lacks the elaborate chapter separation that one would expect from such an exceptional manuscript is bothersome. there is only one other page of the blue koran published which has the beginning verses of a chapter, and it does provide a simple but beautiful decorative band in gold terminating in a marginal palmette with a symmetrical arabesque motif. stanley suspects that there may be writing in the margin, but he was unable to confirm this fact from the black-and-white reproduction. upon obtaining a color reproduction of this particular folio and carefully scrutinizing it , the silver writing now tarnished black is obvious the writing is directly above the palmette and in the margin, exactly as the silver writing in the quaritch page. i f the silver writing contains the chapter heading and the number of verses in the chapter as described i n the inventory, the writing should read "al-sajdah" and provide the number of verses in chapter 32, which it does. thus, scholars now know of a folio from the blue koran with both a terns also arises from the folio with a gold band. the marginal silver writing reads "twenty-nine", indicating the number of verses in chapter 32 of the koran. however, the text literally reads "twenty" and "nine", differing from the normal arabic form of "nine" and "twenty." the scholar estelle whelan has also noticed a similar discrepancy, conveniently with the number 29 as well, in a group of early koranic manuscripts from the chester beatty library. whelan believed that this order was characteristic of semitic languages once spoken in arabia and may have been a remnant before the codification of arabic grammar in the 9 t h and 10th centuries. thus she claims that this unusual rearrangement is an indicator of a koran created very early on in the days of islam . however, at the time whelan wrote her article, she was unaware of the folio from the blue koran under discussion. because it is doubtful that the blue koran was created earlier than the late 9 t h century, as wil l be discussed later, whelan's theory that the descending order of the numbers makes an extremely early date of production unlikely. rather, this unusual numbering could be a new method for localizing early islamic manuscripts, since it is reasonable to say now that the blue koran was produced in the islamic west. "the only theory that has been generally agreed upon is that the blue koran was in the library of the great mosque of kairouan in the 13th century." gold separation band and chapter headings i n silver. this solidifies the blue koran's connection to the inventory entry from the 13th century. the manuscript's preservation in entirety in the library of the great mosque i n kairouan would be the earliest documentary evidence of the blue koran's existence. a n illuminating development i n magribi numbering syswhile most articles in the last decade have accepted an iranian association as doubtful, there is still contention as to where in the maghrib the blue koran was produced. after stanley made a convincing argument i n his article that the blue koran is the manuscript described i n the inventory from kariouan, he argued against a north african attribution and proposed a spanish origin. stanley noted that the use of the blue koran's archaic features, such as the e l e m e n t s s p r i n g 06 lack of diacritical marking and the decorative surah band may be a technique by a new regime to connect itself to great dynasties of the past. with this in mind, stanley concluded that the neo-umayyad dynasty in spain cannot be ruled out as the producer of the blue koran. stanley supports a neo-umayyad patronage with the fact that the mihrab i n the great mosque at cordoba has epigraphy in gold, outlined in red, "just as the text of the blue koran is outlined in a reddish ink," on a blue-black ground. he also cites a story of an umayyad caliph commissioning a koran in gold ink i n the early 8 t h century, and suggests that the neo-umayyads imitated their ancestors, the umayyads in syria. 1 1 1 stanley's theory of spanish patronage is possible. technically, the writing on the mihrab in the great mosque is not exactly like that of the blue koran because the gold writing in the manuscript was outlined in a gallnut ink which was originally black-blue and has only faded to a reddish color. nevertheless, the key connection of gold writing on a blue ground between the blue koran and the mihrab remains. in a 1998 article, jonathan bloom supported the idea that the neo-umayyads "consciously recapitulated the real or imagined umayyad past i n syria," at least in the construction of the great mosque. stanley simply expanded on this idea and surmised that the neoumayyads would want to equal their forebears' production of manuscripts scribed with gold as well. i believe that there is no evidence as of yet pointing to a place of production with any amount of certainty. the only theory that has been generally agreed upon is that the blue koran was in the library of the great mosque of kairouan i n the 13th century. there is a centuries-wide gap between the inventory and the production date around the 9 t h or 10th century. the koran could have been made in kariouan, but i n that amount of time the manuscript might have been carried from anywhere, including spain. i f the manuscript was not made in kairouan, its high quality suggests that it was probably a gift from a person of high status from another islamic dynasty, given not only to show respect but also to demonstrate the giver's incredible wealth and claim to greatness, as the neo-umayyads may have done. i v . date of p r o d u c t i o n dating the blue koran proves to be just as difficult as naming a place of production. calligraphers did not usually sign these early manuscripts. also, the colophon, a dedicatory page naming the patron, place of production and calligrapher, is not present i n this case. to the dismay of scholars, few colophons survive because they are located at the end of a manuscript, a part subject to the most damage. scientific methods of dating the blue koran are few and ineffective; curators are naturally hesitant to burn a piece of the manuscript required for carbon dating, and radio-carbon testing by an electro-spectrometer may have a 100to-200-year margin of error. the most unobtrusive method of dating is historical analysis. the first islamic dynasty conceivably wealthy and capable enough to commission such a fine manuscript in north africa was the aghlabid dynasty of the 9 t h century. many catalogues, including that of the khalili collection in 1992, do attribute the blue koran to the late 9 t h century, the height of aghlabid splendor. however, jonathan bloom pushes forward the date of production to the middle of the 10th century. he points out that the art of the aghlabids is "sub-abbasid" i n that it looks directly to models from baghdad for inspiration. considering the amount of time it would take for such models to travel from mesopotamia to north africa, bloom imagines that i f the manuscript was made by the aghlabids, it was produced at the very end of the century. unfortunately, around this time the aghlabid dynasty was overthrown by the fatimid dynasty. because the first few decades of fatimid rule were turbulent, bloom is forced to date the blue koran i n the middle of the century under the reign of either al-mansur or al-muizz l i-din allah,when the economy and political stability were favorable for the production of such a fine manuscript. another method of dating is paleographical analysis, i n which scholars identify different styles of calligraphy in early k o r a n i c m a n u s c r i p t s ! t h e blue k o r a n debate manuscripts. i f one manuscript has a colophon or perhaps a waqf deed with a certain font, the date of production may be tentatively applied to manuscripts of the same style of calligraphy. the scholar frangois deroche has taken great pains to develop his own identification system for early kufic scripts. in his system deroche labels the blue koran in sub-section iv of group d, a script characterized by a thick, horizontal line and vertical strokes perpendicular to the base line. there are only two manuscripts with dates in the d.iv grouping; the first is a waqf deed from 883-84 ce, and the second is a "surprisingly late" waqfiyyah deed from 940-41.^' unfortunately, this range of a century does not help to narrow the production date of the blue koran, and these dates only serve as termini ad quern for the script. v . d i v i s i o n a n d d i s t r i b u t i o n of m a n u s c r i p t determining how the blue koran was divided and distributed after the 13th century is difficult but necessary. i n 1986 jonathan bloom counted 18 known folios of the blue koran in private and museum collections. today, in 2005, after more publications and pages have come into view, there are as many as 37 separate folios known; of these, 29 are certainly due to their confirmed textual position. that these folios are from the same text can be assumed because the gaps between extant pages are consistent with the logical sequence of pages. this can be observed with a bifolium from the second surah from the chester beatty library, one page ending with verse 65 and the other picking up with verse 93. extrapolation of the text reveals that there should be about 4 folios, or two bifolia, between these pages, which would be the middle of a quire. the last time the blue koran was reported to be in entirety was the 1293 inventory. at some point later, it appears that the first volume, or sub, of seven was separated from the manuscript. this can be concluded from the fact that most folios in early 2 0 t h century western collections begin before verse 4:55, which is around where the first section should have ended. a good portion of the remaining six volumes is rumored to remain in kairouan; however, officials of the national institute of art and archaeology have resisted all attempts by western scholars to examine their blue koran manuscript pages. after examining the folios of the blue koran from the sackler museum at harvard and the boston mfa, both of which have a distinctive vertical fold mark suggesting a surreptitious removal, one can hardly blame the wariness of the tunisian authorities the recent, sudden appearance in the art market of folios from later volumes in the text also lends merit to the tunisians' uneasiness. after 1293, the blue koran left no historic trace unti l the 2 0 t h century, when f.r. martin reportedly purchased some folios from the blue koran in constantinople. in 1977, christie's reports some loose pages of the blue koran 1 *«•»—** ( y* m \d m ***m>*g %ji til 1, m * * t"" i * » j ' \ ilm» . « r a m t » > ^ * «lk . aj l . * '>•*». x-b t i l l i i i l l l l ii ^ (a 4ft i — * . . 9 wf> e «ih ^ i f ' a s l jmat* & — ^ '. tfi—u » — l. a u l m ~ a yt n f ..-•<•< u> yi!j*~ fc >»i»» — # j*** a .-.—-* elem ents : s p r i n g 0 6 "within a fine 16th century dark brown tooled morocco binding from persia. " v bloom believes that this binding indicates that by the 16th century the first volume of the blue koran had entered into ottoman hands. it apparently remained there unti l martin purchased the folios i n the 2 0 t h century. the story is complicated by a modern customs stamp found in the top margin of side a of the folio now owned by the harvard museum. according to the violet stamp, bloom reports that the folio was '"reviewed and passed in the year 1320/1902."' because the stamp is in persian, it must be from iran. thus, after buying the manuscripts in constantinople, martin then traveled to iran before he returned to europe, where he sold the folios. v i . m e t h o d s of p r o d u c t i o n though the blue koran's dyeing of parchment is quite unusual, it is by no means unique. some other examples include a koran in the freer gallery with a light blue ground v i and a leaf at the metropolitan museum of art's khalili collection that is dyed red with silver verse markers of particular interest is a hafsid koran manuscript endowed to the mosque of kasba in tunis i n march 1405 by al-mutawakkil, with silver ink on paper dyed in a range of colors from light brown to purple . because the manuscript was created i n tunis only a century after the inventory of the kairouan mosque, it may have been directly inspired by the blue koran. the production of an expensive manuscript such as the blue koran was very complex. first, the hide of either a goat or sheep was cured, scraped to remove any remaining fat or flesh, sanded, stretched, and dried to create a bifolium of parchment. then, the parchment was dyed with indigo. the method of the islamic dyers can be imagined from 15th century instructions on how to tint goat parchment by the italian cennino cennini. he advises soaking the skin unti l soft, then stretching it over a board like a drumskin and nailing it down. the indigo tint is painted onto the parchment with a soft-bristle brush and must be repeated several times for a darker hue. the skin may also have been dipped like paper. the dyeing of the parchment itself is unusual, but the use of indigo and the color blue is not. indigo was an essential part of trade and manufacture in the islamic world, especially because the area's economy relies heavily on textiles. the scholar s.d. goiten, famous for his work on the geniza documents, testifies: "the supply of dyeing materials and mordants was one of the main branches of international and local trades, with indigo leading the l i s t . " v i i we know that indigo was traded in kairouan at the time of the blue koran's production from a 10th century hebrew document that recorded the export of indigo from egypt to tunisia. after the parchment is dyed and trimmed, the manuscript is ruled in preparation for the text. francois deroche defines ruling as "the system of horizontal, vertical, oblique or circular lines drawn on the page before the copying of a text or the execution of a decorative scheme, with the purpose of allowing the scribe or artists a planned layout." he asserts that usually gridding is done with a dry point, but that on occasion black lead or ink may be used. v i l i the blue koran may be a very unusual exception to the rule. scholars including bloom, deroche, and stanley have all stated that the blue koran was ruled with a dry point. however, upon examination of the folio from the boston museum of fine arts under both microscope and uv light, it appears that the ruling could possibly have been done with a white substance, either calcium carbonate (chalk) or white lead. the use of the white substance rather than the usual black makes sense because of the unusual nature of the dyed parchment white shows up better. under the microscope, the surface of the parchment does not seem to be cut or disturbed as with a dry point, nor was any shadow apparent due to dry scoring; rather, there seems to be a material sitting on the surface of the skin. this is further supported by observation under uv light where the lines of the grid sit on the surface but do not shine nearly as brightly as damage incised into the parchment itself. i n order to conclusively determine how the blue koran was ruled, it would be best to carefully extract a minute particle of the substance where there is a small buildup on the surface and to run the sample through an electro-spectrometer. a less intrusive method would be to dye a sample piece of parchearly k o r a n i c m a n u s c r i p t s : t h e blue k o r a n debate merit and compare a dry scoring and a white chalk-ruling to the blue koran manuscript under microscope. i attempted such a test, but unfortunately under time constraints i could not produce a satisfactorily dyed sample. i did at least compare the semi-dyed sample to a un-dyed piece of parchment and noticed that the chalk ruling appears well on the darker surface, while the deep lines on the parchment from dry scoring are not very noticeable on the blue koran folio. no matter how exactly the parchment was ruled, once it was prepared, the calligrapher would ply his art in gold ink i n "clearly, the function of the blue koran is intended more to visually please than to act as afunctional text." kufic script. kufic, named after kufa in south mesopotamia, has pronounced horizontals and stunted verticals pen strokes. clearly, the function of the blue koran is intended more to visually please than to act as a functional text. the lack of vowelling and limitation of diacritical marks, as well as the habit of the calligrapher to stretch out the same word to different lengths to suit his preferences shows that the koran is a poetic text that was originally meant to be recited, not read. there are also words and letters which are broken apart and continued onto the next line. this lack of readability is not surprising, as luxury texts such as the blue koran would be used for ceremonial purposes in large congregational mosques by readers who had memorized the koran. close examination of the inking reveals how the calligrapher enjoyed stretching out his words on the right side of the page, but the text gets more and more cramped on the left side as he runs out of room on the line. the calligrapher is also particularly fond of creating "columns" of isolated letters at the beginning of a line. the gold ink is obviously very expensive. the fatimids i n cairo, after moving there from their capital from kairouan, were said to have several korans in gold in the great mosque in 1012-13, around the same time as the production of the blue koran . once the pages had been inked, bookbinders would arrange the quires into their respective volumes. a l l of this arrangement requires an impressive amount of organization; it is a small wonder that the great mosque at kariouan was also well known for its expert bookbinders. a strange issue about the arrangement of the pages has arisen with the recent appearance of what seem to be an end-piece of the first volume of the blue koran. quaritch's catalogue features a folio with normal writing on one side and with a fully illuminated gold panel on the other. the gold panel, roughly the same size as the ruling grid on other folios, has a design consisting of three bands radiating from a central field, consisting of vegetal and geometric designs. a large palmette with arabesques blossoms into the right margin, very similar in design to the palmette on the folio with a gold band. tim stanley believes this panel represents the end of the first sub of seven of the blue koran. this supposition is logical because the text ends at verse 4:62, very close to the approximate ending of 4:55 for the first volume calculated. the fact that the panel seems to have covered verses 62 through 65 indicates that this piece was not originally intended. there could have been an error by the copyist, or more likely, the decision to bind the manuscript into sevenths was made later and alterations for finished pieces were executed. on that note, it is also possible that the silver writing is a later addition as well. this is evidenced by the silver chapter titles hastily scribbled into the margins. i f anything, there was a period between the gold and silver inking wherein the illumination was created, because on the illuminated folio the writing underneath has the gold text, but no detectable silver verse markers. elem ents s p r i n g 0 6 v i i . c o n c l u s i o n sotheby's describes the blue koran as "one of the most luxurious manuscripts ever produced in the early medieval period in the islamic world . " l x i would argue that it is also one of the most important. the blue koran deserves attention for two reasons. first, the unusual nature of such a sumptuously made manuscript excites by sheer novelty. the deep, matte royal blue paired with glittering gold has a certain glamour that begs the question to be askedwhy make such a fantastic object? second, as can be seen above, the blue koran has proven to be a key point of reference i n many issues of the field of early islamic manuscripts, a field in which much remains unknown. e n d n o t e s i welch, 49. i i . bloom, "al-mamun's blue koran?," 68. i i i . stanley, 14. iv. deroche, 36. v. christie's vi . at i l , 17. v i i . balfour-paul, 24. v i i i . deroche, 20. ix. bloom, jonathan m . "the blue koran, a n early fatimid kufic manuscript from the maghrib," 98. references ati l , esin. art of the arab world. freer gallery of art . washington, d.c.: smithsonian, 1975. blair, sheila s. and bloom, jonathan m . the art and architecture of islam: 1250-1800. new haven: yale, 1995. bloom, jonathan m . "al-mamun's blue koran?" extrait de la revue des etudes islamiques, tome liv, 1986, pgs. 59-65. bloom, jonathan m . "the blue koran, a n early fatimid kufic manuscript from the maghrib." les manuscrits du moyenorient. istanbul: institut francais d'etudes anatoliennes d' istanbul, 1989. bloom, joanathan m . "the revival of early islamic architecture by the umayyads of spain." marilyn j. chiat and kathryn l. reyerson, eds. the medieval mediterranean: cross cultural contacts. medieval studies at minnesota, 3,1988, pgs. 35-41 bosch, gulnar. islamic bindings and bookmaking. chicago: university of chicago, 1981 cennini, cennino a'andrea. trans. daniel v. thompson. ii libro dell'arte. new haven: yale, 1933 christie's catalogues: november 9,1977 (lot 66) deroche, francois. the abbasid tradition, qur'ans of the 8th to the 10th centuries ad. the nassir d. khalili collection of islamic art , volume 1. new york: nour foundation, 1992. fantar, muhammad, de carthage a kairouan. exhibition catalogue, musee du petit palais de la ville de paris, 20 octobre 1982-27 fevrier 1983. gameson, richard. the codex aureus: an eighth-century gospel book. copenhagen: rosenkilde and bagger, 2001 golvin, lucien: "tunisia" grove art online. oxford university press, 3/30/2005, http://www.groveart.com/ harvard art museums, visit to the arthur m . sackler museum to view their blue koran folio. march 2, 2004. hayward gallery, exhibition catalogue "the arts of islam." the arts council of great britain. james, david. qur'ans and bindings from the chester beatty library. exhibition catalogue, chester beatty library 1980. lings, mart in and safadi, yasin hamid. the qur'an. exhibition catalogue for the british library, 1976. mart in, f.r. the miniature paintings and painters of persia, india, and turkey. london: bernard quaritch, 1912. museum of fine art , boston, visit to view blue koran folio. march 22, 2004. sotheby's catalogues: may 22,1986 (lot 243), november 20, 1986 (lot 279), october 12, 2000 (lot 5), october 12, 2004 (lot 1) stanly, t i m . "the qur'an on blue vellum. africa or spain?" the qur'an and calligraphy, a selection of fine manuscript material. catalogue 1213. london: bernard quaritch voguet, e. "linventaire des manuscrits de la bibliotheque de la grande mosquee de kairouan (693/1293-4)." arabica. 50/4 (2003): 532-544. welch, anthony . "the arts of the book." i n the exhibtion catalogue the treasures of islam. the musee d'art et d'histoire, geneva, 1985. whelan, estelle. "writ ing the word o f god." ars orientalis. no. 20,1990. early k o r a n i c m a n u s c r i p t s : t h e blue k o r a n debate http://www.groveart.com/ s o v i e t i z a t i o n of t h e b a l t i c states independence negotiated, then stolen w i l l i a m s a d d t h i s a r t i c l e e x a m i n e s t h e f o r c e s a n d c i r c u m s t a n c e s o f t h e e a r l y 1940s d u r i n g w h i c h a u n i q u e c l i m a t e w a s c r e a t e d f o r t h e s o v i e t i z a t i o n o f e s t o n i a , l a t v i a , a n d l i t h u a n i a . i t a l s o c o n s i d e r s t h e l e g a l a s p e c t s o f t h e c a s e , n a m e l y t h e i n t e g r a t i o n o f t h e s e t h r e e i n d e p e n d e n t , s o v e r e i g n s t a t e s i n t o t h e s o v i e t u n i o n w h i c h v i o l a t e d n e a r l y a l l m e a s u r e s o f i n t e r n a t i o n a l l a w . t h i s , h o w e v e r , w a s m e t w i t h l i t t l e r e s i s t a n c e f r o m t h e i n t e r n a t i o n a l c o m m u n i t y , p r i m a r i l y b e c a u s e o f t h e r i s e o f n a z i g e r m a n y , t h e g e n e r a l c h a o s i n t h e e a r l y y e a r s o f w o r l d w a r i i , a n d t h e s h i f t i n g a l l i a n c e s a l o n g t h e e a s t e r n f r o n t . w i t h m a n y f o r m e r s o v i e t r e p u b l i c s i n t h e s p o t l i g h t t o d a y s t r u g g l i n g t o s t a b i l i z e a s i n d e p e n d e n t s t a t e s , a n d w i t h t h e r u s s i a n f e d e r a t i o n s t i l l o c c u p y i n g s e v e r a l t e r r i t o r i e s o f t h e f o r m e r s o v i e t u n i o n u n d e r t h e a u s p i c e s o f p e a c e k e e p i n g m i s s i o n s , t h e r e l a t i v e l y s e t t l e d c a s e o f t h e b a l t i c s t a t e s s e r v e s a s e x a m p l e t o a n a l y z e p r o c e s s e s o f s o v i e t i z a t i o n , a n d s h o u l d a i d i n f o s t e r i n g g r e a t e r i n t e r e s t i n t h e v a r i o u s w a y s b y w h i c h d e s o v i e t i z a t i o n i s o c c u r r i n g i n t h e c o n t e m p o r a r y w o r l d . i n t r o d u c t i o n by 1940, the baltic states were firmly and decidedly trapped i n the doom of their own geo-strategic location. caught between the dangerous and concurrent rises of nazi germany and the soviet union, the baltic states had few feasible options outside of cautious, prudent diplomacy. the three baltic countries, lithuania, latvia, and estonia, while largely unrelated historically, shared the common plight of having been marginalized under the russian empire, and subsequently finding internationally recognized independence following its collapse. this independence, however important to the baltic mentality and diplomacy abroad, would last for not even a quarter of a century. ' the trans-baltic realization of independence, though principally a result of the russian revolution and the ensuing dissolution of the russian empire, must also be viewed within the context of the horrors and irrefutable devastation that devoured eurasia following the first world war. as a result of the war and its ruin, much of europe and parts of asia witnessed a total reorganization of their political geographies, as well as the restructuring of an international balance. the redrawing of maps was also related to the break-up of the three great land-based empires which had dominated a large portion of greater eurasia: the russian empire, the austro-hungarian empire, and the ottoman empire. 1 i n examining baltic national emergence and its corresponding defeat, it is important to recognize both the broader parallels and specific connections among the baltic states, as well as the unique differences between the three. with the most obvious observation being modern paternity, i t is worth noting that the emergence and re-emergence of several of the central and eastern european independent nation-states—especially finland, poland, and the three baltic states: latvia, estonia, and lithuania 1 1 —was a direct result of the disintegration of the eurasian empires, notably the russian and austro-hungarian empires. the individual experiences and grand narratives of the three, however, were markedly different i n several respects. latvia's emergence as an independent country i n 1918 was a defining national and, i n some ways, ethno-national moment for the latvian peoples.111 at the conception of the latvian state, the latvians were already well-acknowledged and documented as being an ancient people with a unique, baltic, indo-european language. but while the lithuanians had, at one point i n history, established an empire i n eastern europe i n conjunction with poland, the latvians had never before been united as an independent political entity. 1 v and thus, the year 1918 saw the inception of the first latvian republics concurrently, estonia had come from different historical, linguistic, and cultural ties which were largely connected with finland and thus had different experiences from the other baltic countries.v 1 estonia emerged following the upheavals of the first world war, the collapse of tsarist russia, and the defeat of imperial germany, as a modern, unicamerally legislated, liberal estonian nat ion. v n f o l l o w i n g w o r l d war i, latvia was an i n d e p e n d e n t stat e wixh its o^x/ n st a n dl ng army, despite the differences from country to country and from ethnicity to ethnicity, the baltic experience as a total, indissolvable focus is certainly contendable to a great extent. to be sure, the baltic states were experiencing a western type of institutional modernization and renovation.v 1 1 1 there is surely a unified, common baltic identity which, to a large e l e m e n t s s p r i n g 09 extent, emerges as a baltic factor i n times of confusion—as it did during this period of 'independence'.155 moreover, from this perspective, it is important to appreciate that the three baltic states were increasingly inundated with bipolar manipulations from their two evermore powerful neighbors, the soviet union and nazi germany, which truly bound and connected such a 'baltic factor'. the mark of the demise of the baltic states lay entirely i n these inter-war years, which were concomitantly their inter-empire years of independence. during the innumerable contrived and natural shifts of this inter-war period the major surviving powers of the first world war succeeded and progressed as per their own political and military calculations. the united states, for example, was riding a wave of mostly inter-war inaction, while great britain, france, and the rest of western europe were largely utilizing any and every possible avenue of preclusion, coming i n the form of subservience and acquiescence toward the increasingly international dictatorship of hitler, all i n an attempt to avoid a follow-up to world war i . x ironically, the failures of western europe's attempts to appease hitler ran straight into nazi germany's consumptive actions i n the late 1930s, thereby leading to the second world war. toward the end of the 1930s, the baltic states could not support any hopes of preserving their independence through balancing the dichotomy of the aforementioned growing nazi and soviet hegemonies. in conjunction with their according policies with said neighbors, this balance was what unified the baltic states to a great extent i n those precarious pre-1940 years. but it was the irrevocable and ineradicable memory, however, of estonian, latvian, and lithuanian consumption, in toto, into the union of soviet social republics (ussr) by way of "voluntary incorporation," 5 5 1 as well as the forcible, unmitigated, and systematic sovietization of the predominantly unwill ing baltic peoples, that unified the three countries i n those perilous postannexation years. by the summer of 1940, the independent baltic states of estonia, latvia, and lithuania—independent states and symbols for perhaps the last strand of inter-war attempts at general international bipartisanship and neutrality i n central and eastern europe—were irrefutably victimized and robbed of their independence by way of imperial design. t h e m o l o t o v r i b b e n t r o p pact in order to best comprehend the complexities of the soviet infiltration of the baltic states from 1940-41, the span of a single year, it is first worth examining how soviet foreign policy and its main players prefaced the summer of 1940. there was a vast degree of political calculation and international presupposition on the part of moscow i n order to facilitate such an easy annexation of three independent countries. concurrently, i n the post-world war i years there were immeasurable apprehensions, anxieties, fears, and ultimate inadequacies and shortcomings regarding transeuropean and trans-national affairs.5 5 1 1 even still, deconstructing the road to what became the hegemonic rumination, systematic annexation, and eventual sovietization of the baltic states, leads to a foundation of events being rooted most closely i n the late 1930s agreements between the soviet union and nazi germany. soviet-german rivalries began to really flourish with germany's rise i n the early 1930s.55111 as germany continued to strengthen itself and precipitously weaken its neighbors throughout the 1930s, the baltic states focused much of their attention and interest on pursuing neutrality as much as possible, while at the same time attempting to achieve a very difficult balance between german and soviet regional interests. x l v a l l of these attempts, however, were ultimately doomed by the negotiations between the soviet union and germany, culminating i n the august 23, 1939 signing of the molotov-ribbentrop agreement.5^ the agreement, also referred to as the molotov-ribbentrop pact or the nazi-soviet pact of non-aggression, i n some preliminary ways, solidified what was already a long-standing baltic fear of the imperial aims of its neighbors. to a certain extent, the pact superficially and temporarily disens o v i e t i z a t i o n o f t h e b a l t i c s t a t e s tangled some of the increasing tensions and complexities surrounding the nazi-soviet balance of power. while not expressly mentioned i n the text of the pact, eastern europe and its constituent space between the soviets and nazis was divided into spheres of influence. x v l this was stipulated i n a secret supplementary protocol to the pact, as now recognized by historians . x v n molotov and ribbentrop's 1939 pact was, i n many ways, the result of several examinations made by each side on the balance of eastern europe and the baltic states (including finland), with regard to the strengthening of the pact's signatories and europe's undeniable descent into war. the pact was a ten-year agreement of non-aggression and was conceived after a series of discussions between ribbentrop and sta l in . x v m the importance of this emerged through the affordance and emergence of the aforementioned secret protocol. i n the discussions surrounding the preparation of the protocol, it became clear that both sides knew each other's desires well enough. while establishing germany's claim to poland, hitler recognized stalin's long-willed desire for the curzon line as the russian border; and he gave it to h i m . x l x as per the secret protocol i n the august agreements, the soviet union was to have estonia, latvia, bessarabia, and the eastern part of poland as its sphere of interest and according influence x x and though lithuania was initially to be germany's concern, x x l it was subsequently added to the soviet sphere i n september of that year.™1 x x m at the same time, however, both sides recognized the validity of the lithuanian claim over poland regarding the vilnius region. x x i v unsurprisingly, shortly after the pact, hitler proceeded to invade poland on september 1,1939, and saw not a glance from the soviet side, as promised; stalin subsequently moved i n from the east on september 17. and while the details of the protocol and the ensuing systematic eightmonth deconstruction of estonia, latvia, and lithuania would see each of the baltic states dismembered as independent states and simultaneously incorporated into the ussr as union republics, it is worth noting that almost every article of the protocol contradicted principles of international law, and few states resolved upon recognizing stalin's patent annexation. m u t u a l a s s i s t a n c e a g r e e m e n t s a n d " v o l u n t a r y i n c o r p o r a t i o n " throughout the 1920s and into the early 1930s, the baltic states had all pointedly concluded agreements of non-aggression and neutrality with the soviet u n i o n . x x v the three also signed an extended treaty of peace and cooperation i n i 934 , x x v l as well as a similar pact of neutrality and non-aggression with nazi germany i n i 9 3 9 x x v 1 1 the complication was of course the lack of continuity i n the realities of the people. while the three states were all ultimately conquered because of their undeniable geo-strategic importance between the soviet union and nazi germany, each had different levels of concern i n response to each power. the soviet union was more of a direct threat for estonia. nazi germany and the perpetual question over vilnius with poland were major concerns for the lithuanians; latvia was troubled mostly by soviet russia. although such a 'baltic entente' and other unifying exchanges were attempted,^ 1 1 1 the three countries were often divided when it came to foreign defense and policy i n the years leading up to annexation x x 1 x further still, by the time of the molotov"the progression of the treaties ... truly showed the extent to which the baltic states were manipulated, exploited, and then systematically seized ..." e l e m e n t s s p r i n g 09 ribbentrop pact and during that final year before annexation, belated baltic attempts at convening and coordinating efforts for preservation provided little more than a pretext for stalin's 1940 absorption and occupation of the three states.5™ the progression of the treaties, however, especially at the close of the 1930s, and especially with regard to the soviet union, truly showed the extent to which the baltic states were manipulated, exploited, and then systematically seized; the calculated nature of all this is indelible. undoubtedly, the baltic states would have been occupied once world war i i commenced. but the manipulative procedure by which moscow achieved mutual assistance pacts and military and economic agreements with latvia, lithuania, and estonia cannot be ignored.5™1 serious questions and arguments come to mind regarding the legality surrounding the soviet incorporation of the baltic states. the methodology behind their incorporation was purposeful. molotov himself said to a lithuanian minister i n july, 1940 that the goal was to absorb and assimilate the states into the ussr, citing that russia had desired the baltic region since ivan the terrible, and that small, independent states had no f u t u r e . x x x l i and while the three states had probably still hoped for a potential rift i n german-soviet relations,™ 1 1 1 latvian, lithuanian, and estonian leaders surrendered their countries' autonomies by signing their respective mutual assistance pacts with moscow.x x x 1 v moreover, while estonia, for instance, allowed soviet air strikes off of estonian bases during the 1939-40 winter war with finland (largely to avoid antagonizing moscow), x x x v the legal claims regarding the progressive soviet encroachment remain. x x x v 1 i n fact, the kremlin's subjugation and 1940 absorption of the baltic states contravened a series of treaties existing between moscow and the three republics including: the 1920 peace treaties which had outlined the maintenance of peace and good-neighbor principles; the 1929 "protocol" repudiating war, as sponsored by maxim litvinov; the 1926-32 treaties for peaceful conciliation and non-aggression; the 1933 conference on aggression which indicated and itemized that no political, economic, military, or other claims may serve as validation for an armed offense or invasion; and finally, the 1939 mutual assistance treaties which plainly and unmistakably promised "never to infringe upon the sovereign rights of these states, with particular pertinence to their political structure and social and economic organization. " x x x v u a meager e s t o n i a n army m o b i l i z e s to resist t h e soviet takeover, unsuccessfully. soviet incorporation of the baltic states was illegal; it undeniably infringed upon each of the countries' internationally recognized legal right to be treated as a sovereign nation— seemingly unconditional rights, despite the previously discussed molotov-ribbentrop pact, approval or disapproval from moscow, or any local referendum. 5 0 0™ 1 1 because of these unconditional rights, as well as other forces such as international pressures from allies and geo-strategic apprehensions, few states recognized soviet annexation of estonia, latvia, and lithuania i n 1940. moreover, the annexation must be viewed as a sort of argument; it was—to be sure—a prosecution. moscow went to great lengths contriving pretexts for more debilitating actions with its baltic neighbors; but at the same time, it made equally critical strides to disguise the integration of the states as a popular upheaval, national transformation, and corresponding alliance. s o v i e t i z a t i o n o f t h e b a l t i c s t a t e s t h e s ovi et b a l t i c states: early p o l i t i c a l s h i f t s a n d i n t e r b a l t i c c o m p l e x i t i e s by june, 1940, stalin was ready to cash i n on the baltic republics.*™ with each republic, beginning with lithuania, moscow alleged a series of accusations citing that lithuanian, latvian, and estonian governments needed to be replaced with governments capable of upholding the previous agreements regarding mutual protection and assistance. with each country given the same ultimatum, lithuania on june 14, i 9 4 0 , x l and latvia and estonia on the 16th of that same month , x l i x l l i the option was either to relinquish the government or face invasion. with the red army already at the borders with great numbers of troops (estonia had approximately 25,000 red army soldiers at its border) , x l i i i the government of each respective baltic state viewed concessions and surrender as the only possible option. the soviet union had not offered an ultimatum; it handed each baltic state a diktat. with each state having capitulated with little or no hesitation, the red army immediately poured i n . x l i v shortly thereafter, elections were held, i n a manner mocking the democratic process, all attempting to legitimize the new governments; the communist parties i n each state won overwhelmingly, taking as much as 95 percent of the lithuanian vote. x l v from here, the process of sovietization and systematic deconstruction, or reconstruction per soviet vision, and inclusion within the ussr occurred fairly rapidly. in rather traditional soviet fashion, moscow imposed its pattern of forced incorporation and sovietization i n each baltic state quite formulaically. there was a structure to the incorporation and sovietization based upon a central hypothesis: compliance of its fragile and 'ineffectual' national political adversaries would preclude, to an extent, by which an avenue could be taken advantage of, and essential submission of the subjected states would occur. the systematization of the baltic states naturally followed after ini tial soviet successes, while further progressing i n tandem: the communist parties were legalized i n each country, while former ruling parties were banned, effectively creating one-party systems; non-communists were banned by july, 1940 f rom baltic governments, and the majority of cabinets were communist. that same month, two waves of mass arrests removed uncooperative elites from the baltic political scene. then, elections were held and the poll results were doctored to soviet desires when needed. the newly elected people's diets convened i n july and formally requested admittance into the ussr as ssrs; and finally, by august, 1940, moscow approved the diets' requests, creating estonian, latvian, and lithuanian republics within the soviet u n i o n . x l v i s o v i e t s a t t e m p t e d t o p o p u l a r i z e c o m m u n i s m , s u c h as w i t h t h i s s t a t u e in riga, latvia. while moscow went to great lengths to make it seem as though the 1940 baltic transition and its succeeding political reconfiguration was popularly driven, the latvian, lithuanian, and estonian communist parties had, i n fact, been very small and largely unfavorable to the general baltic populations. upon soviet occupation and legalization of the communist party i n the three countries, membership was negligible. in lithuania, party membership stood between 1,500 and 1,600 at best; x l v i i it was only between 800 and 1,000 i n latvia; and still fewer, only 133 to 150 i n estonia. x l v i i i x l i x of course, some legitimate, new communist support i n the baltic states was coming from crypto-communists who had previously posed as affiliates e l e m e n t s s p r i n g 09 "while rural economic life was subjected to less sweeping changes in the first year of soviet transformation, the urban sector witnessed massive changes in banking, commerce, industry, and transportation." of other parties. by and large however, the native communist parties of the three baltic states had been inconsequential, sectarian, and clandestine.1 the above figures suggest that any perceived support for the new, ruling, communist parties i n the baltic states must be taken critically. surely, there were a number of new communist party members or pro-communist sympathizers. even still, this cannot be examined outside the framework of soviet pressures which created a simple reality: those organizations which did not align themselves with the new forces soon faced the reality of their own forced disintegration.1 1 concurrently, there was a fair degree of contrived support for the communist party via foreign implantations. the ussr had appointed high-ranking envoys for each baltic state i n order to oversee operations and soviet development. most notably, leningrad party leader andrei zhdanov was sent as the emissary to estonia, while vladimir dekanozov and andrei vyshinskii were sent to lithuania and latvia, respectfully.1" aside from the above, a fair number of soviet citizens were brought i n as communists of baltic extraction, i f you wi l l , for the purpose of dictating political life and its direction. 1 1 1 1 at the same time, indigenous party members were not wholly inexistent. while still miniscule compared with the population of lithuania, the communist party had achieved some support. with the invasion of the red army, and perhaps using this as a justification for membership, a number of new members from various social strata joined the party in lithuania. among the higher fraction of members was a jewish minority, representing approximately 36 percent of the party. , i v this high percentage of jews can be attributed to a number of reasons, but perhaps the most comprehensible reason is simply that a substantial number of jews pragmatically benefited from the new order, as they were afforded greater access to higher education and better jobs than were previously available to them. l v surely though, the prevailing sentiments among most jewish communists were deeply rooted i n fear for physical survival. l v i while the jews would not be spared from the mass deportations that were to come, they would be largely identified by lithuanians and latvians as part of the communist regime, and would consequently face backlash from these local populations according to an easily propagated 'scapegoat' mentality when the nazis invaded i n the summer of 1941. s o v i e t i z e d b a l t i c e c o n o m i c s for all of the deception and convolution that came with notorious political shifts i n the impressive first year under the soviet union rule i n the baltics, the soviet regime had dedicated the majority of its energies into the transformation of baltic urban economies. i v i l while rural economic life was subjected to less sweeping changes i n the first year of soviet transformation, the urban sector witnessed massive changes i n banking, commerce, industry, and transportation.1™1 further still, the changes occurred almost overnight, with the banks and large-scale industries being almost immediately nationalized, and smaller private businesses, with increased rents and taxation, finding continued existence nearly impossible.1 1* s o v i e t i z a t i o n o f t h e b a l t i c s t a t e s flawed wage, monetary policy, and inflation led to a nosedive i n living standards.1* nearly all industry and transportation was rapidly falling under the aegis of the state and its operatives. the soviet ruble was introduced as the new form of currency, and at drastically low exchange rates; anyone possessing savings of more than 1,000 rubles had the excess confiscated by the government.1*1 moreover, with collective farms on the mind of many soviet authorities, nearly 100 collective farms were established i n estonia alone during 1940-41.1x11 during the collectivization period, many new farmers were favored, while the recognized, medium-sized farmers who had established themselves during the years of independence were, i n many ways, now discriminated. 1* 1 1 1 from june, 1940 to june, 1941, many other new guidelines including increased length of the work day and intense new restrictions on movement between jobs, coupled with policies which enforced the confiscation of private land , l x i v and the still-increasing political tensions, pointedly undercut what were relatively stable social infrastructures, especially i n latvia, and ultimately heightened class antagonisms. l x v and while the drastic regulations i n the economic realm were harsh toward the already fairly established socio-economies of each country, they seem minor compared with the brutality that would face those deposed baltic peoples i n the final moments of soviet rule prior to the june, 1941 nazi-german invasion. many c i t i z e n s o f v i l n i u s , l s i b e r i a a n d pies massively organized i n enclaves of prepared resistance on the other. l x v i the nazi-german troops had entered countries which had just been bestowed by stalin and his supporters with what would eventually become known as the year of terror}™11 over the course of 1940-41, i n addition to all the aforementioned changes affecting baltic society, estonia, latvia, and lithuania saw mass levels of emmigration and forced deportations. primarily i n the form of repatriations of the socalled baltic germans back to germany (which took place i n two waves i n 1940-41), many others military officers, anti-communists, and political rivals to the soviet administrations fled the r e g i o n . l x v m this exodus of people was followed by an even more haunting and unforgivable purging of local peoples, as presided over by the soviet union. of course, it was planned i n advance as a repressive measure to fracture any possible resistance to soviet rule i n the a r e a ; ] x i x that w a s the t a r _ get. this vision became realized by soviet bureaucrats as they deported mass numbers of intellectuals, former government officials, members of the bourgeoisie, and other 'unreliable elements' to siberia and soviet asia . l x x this of course—while undoubtedly a major aspect of the purges—was only the theoretical portion; i n reality, soviet repression hit a tremendous amount of innocent and entirely neutral people within the three countries.1™ t h u a n i a w e r e d e p o r t e d t o s o v i e t asia. t h e p u r g e s a n d t h e i r i n e r a d i c a b l e i n h e r i t a n c e when the german troops invaded the baltic states on june 22,1941, they found peoples i n chaos, emotionally troubled and demographically unstable on the one hand, and peoironically, however, because of the general repression and terror of the deportation experiences, and the fact that the victims were often suggested at random, as available evidence suggests,1™1 the aim of the brutal soviet repressions failed at-large to achieve their goal. further still, the purges e l e m e n t s s p r i n g 09 were probably counterproductive. in the one year before the soviet retreat from the baltic territories, it is estimated that, through deportations and executions, the three countries combined lost over 100,000 members of their populations with an approximate break down of 39,000 i n lithuania, 35,000 i n latvia, and nearly 61,000 i n estonia. l x m numbers from estonia were the highest since the estonians were under red army occupation for the longest period of time prior to german invasion; nearly 2,000 estonian citizens had been executed over the course of the years, while an additional 33,000 were forcibly conscripted into the soviet army. total population losses for estonia alone neared six percent.' x x i v further still, i n the last week of soviet occupation, tens of thousands of baltic people were deported to russian work camps. this came to fruition i n the disastrous night i n baltic memory that was june 14, 1941, when some 12,000 estonians, 15,000 latvians, and 34,000 lithuanians were deported. l x x v the trans-baltic reality for 1940-41 was as illustrated above: a year of radical change, death, exodus, mass deportation and conscription, and i n many ways general terror. could this have been justified by soviet administrators and functionaries as having been a necessary cruelty for the greater good of defeating the nazis and re-stabilizing europe? perhaps. i f meant as a policy of repression, it was surely flawed, as massive armed insurrections throughout the baltic states i n 1941 showed irrefutable rejection of the ruling soviet regime. l x x v i but even still, such a line of reasoning does not explain the overtly brutal treatment toward the estonians, latvians, lithuanians, and the respective minority groups of their societies; nor does it provide an adequate justification for the deportation of the hundreds of thousands sent to siberia and soviet a s i a ; l x x v n nor any reasonable account that would vindicate molotov and moscow's unquestionably calculating manipulations that led to the private recognition of eastern european spheres of influence, and subsequently saw the systematic deconstruction and sovietization of the three baltic states. for 1940-1941, the memory is glaring and seemingly ineffaceable. however as inheritors of such a history, of a destroyed and ultimately regained independence, and as new members of the european union, the difficult challenge wi l l be for the peoples of all three baltic states to move forward through these post-soviet years and the discord of ever-shifting balances of power, to afford a new way with their still ever-influential neighbor to the east. e n d n o t e s i . smith, jeremy (495) i i . read (22) i i i . pabriks & purs (14) iv. ezergailis (35) v. ibid. (37) vi . much of what was evident with estonia's development as an independent nation between 1917 and 1920, at the turn of that decade, and throughout the 1920s, was rooted i n a series of agrarian and educational reforms which had been implemented i n estonia i n the first half of the 19th century. and consequently, following these advances came a determined enough estonian national awakening i n the 1860s. some argue that many of the advancements of estonia following independence—insofar as the fair degree of political, cultural, and socioeconomic modernization that was evident—emerged as a result of several 'estonian' developments that had begun during 19th century. toivo u. raun speaks more of this i n his book "estonia and the estonians." vi i . raun (99) vi i i . norgaard & johannsen (55) ix. ibid. x. many argue today that failures of anglo-french appeasement hit its nadir with the virtual rape of czechoslovakia. while austria had been annexed to nazi germany with little more than a glance from other european nations, czechoslovakia's destruction was internationally presided over and allowed to occur without even the presence of a single representative from prague. conclusively so, it would not be so unfair to recognize that this i n many ways—as perhaps the most significant central european preface to the second world war—saw the pointed ruin of hope for any real continuity of central european democracy from those uncertain inter-war years. xi . lacis (11) xii . this can also be read—with regards to the united states, among other major non-european players on the international stage—as trans-continental. xi i i . norgaard & johannsen (45) s o v i e t i z a t i o n o f t h e b a l t i c s t a t e s xiv. ibid. xv. sakwa (235) xvi. westwood (113) xvii. sakwa (238) xviii. westwood (113) xix. roskin (45) xx. yekelchyk (537) xxi. westwood (113) xxii. yekelchyk (537) xxiii. it is also worth recognizing here that while the baltic states, poland, bessarabia, etcetera were undoubtedly divided amongst the soviets and nazis, the molotovribbentrop game and secret handlings in no way acknowledge that spheres of interest or influence meant automatic right to the integration, incorporation, or absorption of the subject territory. this, however, happened over the course of the war i n effectively every case. xxiv. sakwa (238) xxv. yekelchyk (533) xxvi. haab (126) xxvii. yekelchyk (533) xxviii. aragon (346) xxix. kirby (80) xxx. ibid. xxxi. westwood (114) xxxii. smith, david j. (28) xxxiii. kirby (78) xxxiv. ibid, at 81 xxxv. smith, david j. (26) xxxvi. the fact that soviet forces launched attacks on finland from estonia bases at all—whether tacitly permitted or not—was concomitantly a violation of the aforementioned mutual assistance pact which had been signed by both soviet and estonian representatives. xxxvii. clemens (54) xxxviii. ibid, at 55 xxxix. sakwa (248) xl. clemens (52) xli . smith, david j. (27) xli i . pabriks & purs (24) xl i i i . smith, david }. (27) xliv. clemens (52) xlv. snyder (85) xlvi. clemens (53) xlvii. eidintaas (133) xlviii . kirby (79) xlix. clemens (54) 1. ibid, l i . kirby (79) hi. clemens (53) hii. ibid. liv. eidintaas (133) lv. kirby (79) lvi . eidintaas (135) lv i i . smith, david j. (33) lvi i i . raun (151) lix. smith, david j. (33) lx. ibid. lxi . raun (151) lxi i . smith, david j. (34) lxi i i raun (152) briv. smith, david j. (34) lxv. ezergailis (39) lxvi. ibid, at 40 lxvii. lacis (15) lxviii . ezergailis (38) box. shtromas (86) lxx. yekelchyk (538) lxxi. shtromas (87) lxxii smith, david j. (34) lxxiii shtromas (87) lxxiv. smith, david j. (34) lxxv. clemens (5) lxxvi. shtromas (90) lxxvii. roskin (18) r e f e r e n c e s aragon, louis. 1964. a history of the ussr: from lenin to krushchev. london: weidenfeld and nicolson. clemens, walter c. 1991. baltic independence and russian empire. london: macmillan. eidintaas, alfonsas. 2003. jews, lithuanians, and the holocaust. vilnius, lithuania: versus aureus. ezergailis, andrew. 1996. the holocaust in latvia, 19411944: the missing center. riga, latvia: the historical institute of latvia. haab, mare. 1998. "estonia." bordering russia: theory and prospects for europe's baltic rim. ed. mouritzen, hans. aldershot, uk. pp. 109-130. e l e m e n t s : : s p r i n g 09 kirby, david. 1994. "incorporation: the molotovribbentrop pact." the baltic states. ed. smith, graham. london, pp. 69-85. lacis, visvaldis. 2006. the latvian legion: according to independent observers. riga, latvia: jumava. norgaard, ole & johannsen, lars. 1999. the baltic states after independence. 2nd ed. cheltenham, uk: edward elgar. westwood, j. n. 1966. russia, 1917-1964. london: b.t. batsford. pabriks, artis & purs, aldis. 2001. latvia: the challenges of change. new york: routledge. raun, toivo u. 2001. estonia and the estonians. 2nd ed. stanford: hoover institution press. read, christopher. 2001. the making and breaking of the soviet system: an interpretation. hampshire: palgrave. riasanovsky, nicholas v. 1984. a history of russian. 4th ed. oxford: oxford university press. roskin, michael g. 1991. the rebirth of east europe. upper saddle river, nj: prentice hall. sakwa, richard. 1999. the rise and fall of the soviet union, 1917-1991. london: routledge. shtromas, aleksandras. 1994. "the baltic states as soviet republics: tensions and contradictions." the baltic states. ed. graham smith. london, pp. 86-120. smith, david j. 2001. estonia: independence and european integration. london: routledge. smith, jeremy. 2006. "non-russians i n the soviet union and after." the cambridge history of russian, volume iii: the twentieth century. ed. ronald grigor suny. cambridge, pp. 495-521. snyder, timothy. 2003. the reconstruction of nations: poland, ukraine, lithuania, belarus, 1569-1999. new haven: yale university press. yekelchyk, serhy. 2006. "the western republics: ukraine, belarus, moldova and the baltics." the cambridge history of russian, volume iii: the twentieth century. ed. ronald grigor suny. cambridge, pp. 522-558. s o v i e t i z a t i o n o f t h e b a l t i c s t a t e s t r a n s l a t i o n i n t h e c u l t u r e w a r for h a w a i i the arabian nights in nineteenth-century hawaiian newspapers a l y s s a h u g h e s t h i s a r t i c l e d i s c u s s e s t h e m o t i v a t i o n s b e h i n d t h e t r a n s l a t i o n s o f the arabian nights in t w o c o m p e t i n g n i n et e e n t h-c e n t u r y h a w a i i a n la n g u ag e n e w s p a p e r s : ka hoku pakipika a n d ka nupepa kuokoa. t r a n s l a t i o n s o f the arabian nights s e r v e as an e p i c e n t e r o f c u l t u r a l c o n f l i c t in t h e war f o r s o c i e t a l a n d p o l i t i c a l d o m i n a n c e o f t h e h a w a i i a n i s l a n d s o n t h e e v e o f t h e i r a n n e x a t i o n t o t h e u n i t e d s t a t e s . f u r t h e r m o r e , t h e r o l e o f t r a n s l a t i o n i t s e l f in t h e f o r m a t i o n o f c u l t u r a l i d e n t i t i e s is d i s c u s s e d , f o c u s i n g o n t h e r o l e o f t h e t r a n s l a t i o n s o f the arabian nights in t h e war for c u l t u r a l h e g e m o n y in n i n et e e n t h c e n t u r y h a w a i i . i n t r o d u c t i o n : s h a h r a z a d ' s t a l e a r r i v e s i n t h e h a w a i i a n i s l a n d s on april 24, 1862, the hawaiian-language newspaper ka hoku pakipika published the story of samesala naeha, "moolelo no samesala naeha! o ka moolelo keia o ka mea nana i haku i na kaao arabia" ("the arabian tale of samesala naeha"), a translation of the frame tale of the arabian nights. though the story of samesala naeha does not itself function as a frame tale i n this newspaper, it introduces naeha as the author of a series of tales that would appear i n ka hoku pakipika f rom 1861 to 1862. these tales, as published i n ka hoku pakipika, were adapted to reflect classical hawaiian traditions. for example, the naeha of ka hoku pakipika chants her tales with the use of an instrument i n traditional hawaiian fashion, as her sister, haikanaau, dances hula to naeha's chants.1 fourteen years later, on september 26, 1874, ka nupepa kuokoa, the rival newspaper to the ka hoku pakipika, published, "he kaao arabia unuhia mai ka buke moolelo arabia mai" ("an arabian tale"), its own translation of the frame tale of the arabian nights' frame tale. ka nupepa kuokoa's translation is unique i n its omission of the shahrazad figure. instead, the tale focuses on the public's negative reception of king shahriyar's cruel practice of marrying and executing a new woman each night. "he kaao arabia unuhia mai ka buke moolelo arabia mai" concludes with the condemnation of king shahriyar by his people: "because of this cruel activity, he [the king] became a person scorned by his people."1 both translations of the story emerged i n a series of tales from the arabian nights featured i n each of the hawaiian-language newspapers. are the translations of the arabian nights i n hawaiian-language newspapers simply another manifestation of the tales' widespread popularity? from its pre-arabic roots i n ancient india, to the middle east, western europe, and all the way to the location of our focus, the hawaiian islands, the arabian nights has a truly global audience. in each context, the arabian nights is adapted from oral and written traditions to music, art, dance, and f i lm. however, thevarious translations of the arabic tales i n hawaiian-language publications are more than simply another example of the arabian nights' dual nature—the tales' ability to exist i n oral, printed and illustrated forms i n societies so far-removed from that of their inception.1 1 1 i n the case of the arabian nights in hawaii, the tales act as a reflection of colonial hawaii mediated through language. lv this paper wi l l explore the role of translation i n the cultural and political power struggle between native hawaiians and haole ("european or american") immigrants i n nineteenthcentury hawaii. though a number of hawaiian-language newspapers from this period featured translations of tales from the arabian nights, this paper wi l l focus on the role of these translations i n two rival papers, the native-run ka hoku pakipika and the haole-xun ka nupepa kuokoa. as publications engaged i n a direct struggle for domination i n the hawaiian-language newspaper arena, the rival translations of the arabian nights i n ka hoku pakipika and ka nupepa kuokoa manifested the conflict between native hawaiian and haole imperialists. the existence of the arabian nights i n hawaiian newspapers is reflective of the role of translation i n the cultural war that pitted zealous members of the haole class against native hawaiian resistors to cultural imperialism on the eve of hawaii's annexation to the united states, a significant moment i n hawaiian history. the success of the annexation movement, however, does not indicate that the hegemonic process of the haole class was fully complete. fissures within the colonial press emerge i n the study of one tale of the arabian nights i n the haole publication ka nupepa kuokoa. "no ke kanaka lawaia! ke kumu o ka pomaikai" ("the story of the fisherman") appeared i n ka nupepa kuokoa i n 1875/ in the case of this particular tale, scandal surfaces i n the translation strategies of the native hawaiian translator, s.k. ulele, illustrating how translation functioned as a site of contestation i n the war for cultural hegemony i n nineteenth-century hawaii. d i s c r e p e n c i e s i n t r a n s l a t i o n translator lawrence venuti claims that "translation wields e l e m e n t s fall 09 r i i l w s i u x a r c h i p e l a g o i ^ k n 4 r j? " v 1 — the hawaiian islands were a cultural background during the nineteenth century. enormous power i n constructing representations of foreign cultures." x v i venuti's assertion that translation is never impartial is manifested i n the varying forms of the arabian nights. translation, even i n the form of entertainment, "inevitably domesticates foreign texts, inscribing them with linguistic and cultural values that are intelligible to specific domestic interests." translation maintains institutions by conveying and transmitting ethical values and simultaneously "embarrasses the institutions that house these categories and practices because it calls attention to their questionable conditions and effects."vl 11 translations of the arabian nights are no exception to what venuti calls "the scandals of translation." each circumstance of translation, from the arab world to the west and all the way to the distant pacific, brought about a significant moment of cultural contestation. interestingly, the hawaiian translations of the arabian nights were generated from western representations rather than from their eastern origins. therefore, it is relevant to briefly examine the contestation of the arabian nights translations i n europe, for it is from these translations that the hawaiian versions emerged i n their colonial context. ix this conflict is illustrated i n edward william lane's (d. 1876) english translation of the arabian nights, a likely source for the hawaiian versions i n the native hawaiian publication, the ka hoku pakikipika, and the haole-ran press, the ka nupepa kuokoa." in lane's version of the arabian nights, the text is "prudishly censored," intended for family reading. lane's translation, which appeared i n monthly segments from 1838 to 1841, introduced the arabian nights to england and simultaneously worked to promote the puritanical values of victorian england held by the translator, himself, the son of a clergyman.^ lane's case is indicative of the power of translation i n forming cultural identities, for "every stage of production, circulation, and the reception of the translation . . . continues most forcefully the development of a translation strategy that rewrites the foreign text i n domestic discourses, always a choice of certain domestic values to the exclusion of others." x i i lane practices exclusion i n his translation of the arabian nights, effectively rewriting the tales as part of victorian moralistic discourse. i n contrast, the ten-volume edition of the arabian nights published by sir richard francis burton (d. 1890) reflects opposition to the stringent moral climate of great britain i n the victorian era as championed by such puritanical discourse as lane's bowdlerized translation. burton published his translation i n 1885 under the imprint of the karma shastra society, a subscription society founded by burton to evade censorship of pornographic material/ 1 1 1 burton's need to use his karma shastra society i n the publication of his translation is clarified by reading his "obtrusive, kinky, and highly personal" footnotes. burton's notes also incorporated condescending slights directed at the works of his fellow translators of the arabian nights, particularly the work of lane.3™ it is not surprising that burton's provocative translation received heavy criticism from adherents to lane's translation. x v i in the publication of his scandalous translation, sir richard francis burton acted as an agent of opposition to restrictive victorian morality. in the case of the english translations of the arabian nights by lane and burton, translation served as a site of cultural contestation in victorian england. the friction created by translation, as evident i n lane's translation and burton's counter-translation, is further t r a n s l a t i o n i n t h e c u l t u r e war for h a w a i i exemplified i n the case of the arabian nights i n nineteenth-century hawaii. the arabian nights i n the native ka hoku pakipika publication and it's rival haole newspaper, the ka nupepa kuokoa, illustrated distinct cultural conflict and change i n the context of the political power struggle between the haole establishment and the native hawaiians. a n a t i v e v o i c e e m e r g e s : t h e o r i g i n of ka hoku pakipika a n editorial from ka hoku pakipika on october 3,1861 proclaims to its hawaiian readership, "when it [ka hoku pakipika] was born, it was the face of a hawaiian, it was hawaiian people, it was a hawaiian body, with hawaiian feet." the native-run publication-founded by david kalakaua, who would become king of hawaii i n 1874, emerged from the condition of colonialism and the accompanying cultural imperialism i n hawaii brought on by the arrival of missionaries from boston i n the early-nineteenth century.5™11 upon examination, it is clear that the missionary message was greatly informed by its role i n the plantation economy, emerging from the forced adoption of the haole economic system, which included the privatization of land i n the midnineteenth century. missionaries played a key role i n the implementation of this new economic system known as the mahele. according to political scientist noenoe k. silva from the university of hawai'i, "missionaries were the primary information gatherers for this enterprise, and thus directly linked to the mahele and to the acquisition of land by foreign capitalists. " x v l i i as a result of the government privileges afforded to missionaries following the implementation of the haole economic system, they and their descendents emerged as a powerful class of plantation owners. in 1850, former missionary edward bailey (d. 1903) founded hawaii's first plantation for the production of sugar, the crop that would dominate the islands' political economy throughout the nineteenth century. x l x the linkage between missionary zeal and economic ambition is crucial i n understanding the motives behind the assault of colonizing discourse on the native hawaiian people. missionary-driven citizenship discourse is further evidenced by the proliferation of instructive guidebooks attempted to civilize the native hawaiians into industrious, productive persons. the mormon missionary walter gibbson's (d. 1888) sanitary instructions for hawaiians, published i n 1880 i n both english and hawaiian, is typical of this authoritative discourse. i n his instructional book, gibbson urges the kanaka maoli (native hawaiians) to engage i n "labor or exercise—this rule of course, does not apply to hawaiians, who work hard on plantations . . . but to those who pass the time loitering about; or i n lolling upon mats." x x members of the missionary class condemned what they viewed as frivolous components of native hawaiian culture i n order to assimilate the kanaka maoli to haole values of productivity. the crusade for assimilation, as evidenced by the proliferation of missionaryproduced guidebooks, was largely driven by the economic ambition of the missionary class. as early as the 1 860s there was already a burgeoning colonial presence on the islands. as expected, newspapers played an influential role i n this imperialist project. the tradition of missionary-sponsored news publications began with ka lama hawaii on february 14,1834. x ! ka lama hawaii ran out of lahaina, maui unti l december 1834 and set the tone for the subsequent hawaiian-language newspapers, with more than one hundred founded throughout the nineteenth century, e l e m e n t s fall 09 many established with christian missionary objectives, as catholic, protestant and mormon groups were each represented i n the hawaiian-language publishing arena.™1 a majority of the hawaiian-language newspapers that emerged out of the ka lama hawaii tradition proved to be influential tools i n the propagation of haole values over kanaka maoli (native hawaiian) culture. the adaptation of the written hawaiian alphabet i n july 1826 and the integration of weekly newspapers as a popular method of exchanging news and ideas are two basic examples of haole cultural hegemony i n a society where oral communication dominated as the traditional tool of exchanging information. x x ! l i this case of successful cultural hegemony, mediated through missionary-backed hawaiian-language newspapers, is further illustrated by the fact that hawaiians themselves contributed letters to the ka lama hawaii, apologizing for the lifestyles of their ancestors.50'™ alongside the imperial ambitions and cultural hegemony came an assault of a different nature: disease. diseases introduced by europeans following captain cook's 1778 arrival i n the islands brought mass death to the native hawaiian population. tuberculosis, typhoid fever, measles, smallpox, influenza, and leprosy ravaged the kanaka maoli population while members of the planter elite increased i n numbers and continued to encourage the immigration of asian workers to hawaii as a source of cheap labor. from 1877 to 1890, 55,000 foreign i m m i grants arrived i n hawaii to work on sugar plantations. in that same thirteen-year period, the native hawaiian population decreased by one half . x x v leaders i n the native hawaiian community, aware of growing foreign influence amidst the decline of the native population, initiated a resistance movement aimed at the reassertion of kanaka maoli authority i n their ancestral home. the establishment of the native-run newspaper ka hoku pakipika is evidence of this native hawaiian initiative to resist haole cultural imperialism. i n founding the first anticolonial nationalist newspaper, native hawaiians used the tool of their oppressors for their own purposes. this act by "the linkage between missionary zeal and economic ambition is crucial in understanding the motives behind the assault of colonizing discourse on the native hawaiian people.77 david kalakaua and his compatriots provoked conflict with the missionary community who feared the potential power and influence of the first native-run paper as a threat to their position of political and economic power i n the islands. a n editorial from october 3, 1861 illustrates missionary opposition to kanaka maoli mastery of the haole media. a native hawaiian writes, forty years have passed since this people began to be taught to know reading and writing, and the civilized things of this life, under the instruction of the american missionaries. .. . [now] the children have become adults . . . however, the parents are opposing us, as if saying, you have not reached the years of maturity.™1 ka hoku pakipika avowed native hawaiian identity i n the midst of population decline and cultural imperialism. in the newspaper ka hoku pakipika, native hawaiians criticized missionary efforts to subjugate the indigenous population and to force them to work under haole plantation owners. the native publication counteracted missionary opposition as demonstrated i n the response to an editorial letter from j. bicknell, a missionary descendant, i n the summer of 1862. bicknell wrote, "the pagan chants t r a n s l a t i o n i n t h e c u l t u r e war for h a w a i i published i n ka hoku pakipika are against civilization. i f the people want songs, why aren't hymns composed by the poets of christian countries translated?" ka hoku pakipika printed the letter with a response stating, "this newspaper was established so that the opinions of the native hawaiians would be published, not to help a particular religious denomination." 1 while attacking the motives of the haole class, ka hoku pakipika simultaneously worked both to preserve traditional hawaiian culture and to reestablish kanaka maoli identity, strength, and power. kalakaua's publication printed foreign news but also included classical hawaiian mo'olelo (historical narratives) and mele (songs), content misrepresented i n other hawaiian-language newspapers. x x v m abrahahm fornander's (d. 1889) editorial i n the english-language newspaper, the polynesian, is telling of the ka hoku pakipika's role i n native hawaiian resistance of the 1860s. on november 23,1861, he wrote, "the truth is, that there is a mental revolution going on among the native population, which the missionaries are equally incompetent to comprehend, to master or to avert. " x x 1 x t r a n s l a t i o n as r e s i s t a n c e ! the arabian nights i n ka hoku pakipika as the political and cultural power struggle between the haoles and the native hawaiians took place i n the publication arena, translation emerged as a point of conflict. the arabian nights translation i n ka hoku pakipika acted as an instrument of resistance to cultural imperialism. the appropriations made to this tale, as exemplified i n the tale of samesala naeha, reflect traditional hawaiian cultural practices. the incorporation of haikanaau's hula dancing and the chanting of her sister, samesala naeha, are illustrative of resistance to cultural imperialism. the emphasis upon haikanaau's dancing i n samesala naeha's tale is i n direct opposition to the colonizing discourse that promoted industrious labor. missionaries found the hawaiian tradition of dancing hula to be excessively frivolous—haikanaau's dancing i n ka hoku pakipika's version of the arabian nights came two years after the hawaiian evangelical association's final attempt to legally ban hula dancing i n i 859 . x x x this act of cultural preservation, manifested i n the translation of a foreign tale, upheld the traditional kanaka maoli identity at a time when native hawaiian control was threatened by haole cultural imperialism and simultaneous rapid depopulation of the native hawaiian people. the practices of hula and chanting that are incorporated i n the tale of samesala naeha worked to preserve the native hawaiian identity. according to amy stillman, director of asian/pacific islander american studies at the university of michigan, hula and chanting are key sites of "cultural memory." x x x i she asserts, "for hawaiians, the hula encodes and transmits key knowledge illustrative of the adoption of the historical past through which they define themselves."nxxi l in the wake of mass death, native hawaiians promoted a cultural remembrance through such traditional practices as chanting and hula. the translations of the arabian nights i n the native publication ka hoku pakipika served as a defense of native hawaiian culture against haole cultural imperalism through the assertion of kanaka maoli identity. t h e c u l t u r e wars! the arabian nights appears i n a r i v a l n e w s p a p e r in light of the threat to haole political dominance posed by the ka hoku pakipika, henry m . whitney (d. 1904), son of samuel whitney, one of the first missionaries to arrive i n hawaii from boston, endeavored to wrest control of the nationalist paper from native hawaiian hands. x x x n i after a failed attempt to control ka hoku pakipika, whitney established ka nupepa kuokoa as a rival newspaper, hoping to undermine the influence of the native-run press. 5 0 0^ henry m . whitney's position of influence i n the publication arena enabled h i m to produce the "longest-running, most successful of mission-supported newspapers. , , x x x v ka nupepa kuokoa's success can be attributed to a number of factors linked to whitney's position of privilege. i n the year of its origin, 1861, ka nupepa kuokoa held a circulation of five thousand and was distributed on seven islands— hawai'i, maui, molokai, lanai, oahu, kauai, and niiahu. the ka hoku pakipika, i n contrast, was only distributed on four islands: hawaii, maui, oahu, and kauai. e l e m e n t s fall 09 t h e september 26, 1874 issue of t h e ornately decorated ka nupepa kuokoa featured a parti al tran s latio n of the arabian nichts. "the tendency of the ka nupepa kuokoa's editors to include translated foreign tales over native hawaiian stories sent a message of western cultural superiority to the native hawaiians, who made up a majority of ka nupepa kuokoa's readership." furthermore, whitney employed illustrations and elaborate style to add to the professionalism of ka nupepa kuokoa. the first issue, from october i , 1861, featured an elaborate border and a large illustration of a camel, titled "ke kamelo 0 arabia."™™1 the inaugural issue preceded a tradition of professionalism further exemplified i n ka nupepa kuokoa's introduction of color illustrations i n january 1862 with an issue featuring a red and blue hawaiian flag.x xl l j these elements greatly contributed to the popularity and influence of ka nupepa kuokoa as a rival paper to kalakaua's ka hoku pakipika. ka nupepa kuokoa claimed to be hawai'i's first secular newspaper, a departure from the bible-centered writing and preaching that pervaded earlier missionary-run publications. despite its commitment to secularism, ka nupepa kuokoa's did not differ from these denominational publications and their central goals of assimilating the kanaka maoli and subverting native cultural identity and power. i n fact, ka nupepa kuokoa enjoyed the sponsorship of the hawaiian evangelical association, the same organization that attempted to outlaw the hula from from 1857 to 1859.xi whitney's adherence to missionary cultural imperialism is evidenced by his objectives of the paper, as detailed i n both hawaiian and english i n ka nupepa kuokoa's first edition. it is worth quoting the entire statement: first — to furnishing the people with a full and interesting record of events transpiring in foreign countries, embracing whatever in this line may tend to instruct and interest them. second — to a dissemination of foreign ideas, both as regards mode of life, habits, business and industry; with a view to improve, expand and elevate the native mind; that the natives may rise to an equality with foreigners. third — to disseminate correct information regarding the best method of farming, tilling, use of labor-saving implements and machines; in short to instruct, and encourage them in habits of industry. fourth — the paper will be illustrated with pictures of passing events or of men and scenes, as soon as such pictures can be obtained from new york or london. fifth — while the paper will stand firmly on the side of truth and religion, it will carefully avoid religious disputations. sixth — it will be firm and loyal to the king and queen, the young prince and chiefs, inculcating obedience to the laws, and loyalty to the sovereign, as the first duty of every subject. seventh — the paper will also be devoted to local news, giving all that may be of interest transpiring in the group. in short, it will endeavor to furnish from week to week such reading matter as may tend to develop and enlarge the hawaiian mind, and enable hawaiians to think, feel, act and live more like foreigners.xl] upon examination of whitney's agenda for ka nupepa kuokoa, it is clear that his mission to "civilize" the native e l e m e n t s fall 09 population through the promotion of productivity and f i delity to the ruling elite was driven by a desire to maintain political and economic control of the islands i n the face of native hawaiian resistance to waxing foreign power. the first issue of the publication featured an article titled "the advantages of the plow over the digging stick," an advertisement for hale kuai buke, a foreign bookstore announcing the availability of primary "abc" and arithmetic books, i n addition to guidebooks for hawaiians and a story about a wealthy man from rhode island sweeping the floor of an army barracks who, as the article claims, "loves his country. " x l i i in this issue, it is easy to see cultural hegemony as part of the haole imperial project at work. the advertisement for the foreign bookstore parallels the colonizing discourse as exemplified in the previously discussed guidebooks for native hawaiians. the promotion of the plow and the admiration laid upon the rich man who takes up industrious work to promote the puritan values of industrious labor and exhibit the essentials of colonial discourse. as previously discussed, motives behind the propagation of these values were related to the economic and political ambitions of the haole class. the content of the ka nupepa kuokoa's first issue is illustrative of haole efforts to subvert native hawaiian power and recast native hawaiians as productive laborers on haole owned sugar plantations. the articles and advertisements from the inaugural issue of ka nupepa kuokoa are demonstrative of haole efforts to "civilize" native hawaiians and subvert traditional culture. the content of ka nupepa kuokoa further illustrates whitney's agenda and contribution to aggressive colonizing discourse following ka hoku pakipika's provocation of native hawaiian nationalism. the inclusion of the arabian nights i n ka nupepa kuokoa is reflective of the role of translation i n the contestation of haole cultural imperialists and native hawaiian resistors i n nineteenth-century hawaii. i n this context, translation is scandalized "by the very choice of a foreign text. . . which answers to particular domestic interests." x l i n the arabian nights translations were printed i n ka nupepa kuokoa's mo'olelo ("historical narratives") section i n 1874 and i875x l l v here the act of exclusion by owners of the haolerun press functions to subvert native hawaiian culture and to promote the assimilation of native hawaiians to western practices. though native hawaiians had "an extensive literature accumulated i n memory . . . chants, stories and traditional lore i n which were imbedded fragments of history and bibliography" traditional hawaiian mo'olelo were often ignored i n the missionary sponsored ka nupepa kuokoa i n favor of translations of foreign works. |v the tendency of the ka nupepa kuokoa's editors to include translated foreign tales over native hawaiian stories sent a message of western cultural superiority to the native hawaiians, who made up a majority of ka nupepa kuokoa's readership.x ! v i this inclination suggested to native hawaiian readers that native traditions and education should be abolished in favor of western practices. this practice is exemplified by the presence of the arabian nights translations, despite the fact that the tales have arabic rather than european origin. by the nineteenth cenqueen li li uokalan i represented an obstacle to those attempting to westernize the area. t r a n s l a t i o n i n t h e c u l t u r e war for h a w a i i tury, the arabian nights had been adopted or transformed as a western product, utilized to educate and initiate children to european values. thus, translations of the arabian nights appeared i n conjunction with european fairy tales, including "snow white," "cinderella and the glass slipper," and "the frog prince" among others. x l v n the presence of the arabian nights i n the ka nupepa kuokoa demonstrated efforts to subvert indigenous culture and assimilate the native hawaiian population to haole cultural values. the translation strategies employed by translators of the arabian nights i n the ka nupepa kuokoa further censored lane's already tame text. christina bacchilega, a historian at the university of hawaii who has researched the arabian nights i n ka nupepa kuokoa, concludes that the further expurgation of lane's translation allows for "making shahriyar's tale assume a localized, possibly political, function i n 1874 hawaii." moreover, she attributes the translation of the aforementioned "he kaao arabia unuhia mai ka buke moolelo arabia mai, no ke kuokoa" to a "christianizing process." x l v m ka nupepa's emphasis on the condemnation of king shahriyar's cruel practice by his subjects further subverts native hawaiian nationalism. whitney and ka nupepa kuokoa outrightly opposed the reign of hawaiian sovereigns, referring to kamehameha iv (d. 1863) as a tyrant and later condemning supporters of the fiercely nationalistic queen liliuokalani (d. 1917) as anee-alii, or hangers-on for royal favor/1 la translation strategies employed i n "he kaao arabia unuhia mai ka buke moolelo arabia mai, no ke kuokoa" emphasizing the cruel practices of a despotic king worked to undermine the authority of native hawaiian sovereigns while simultaneously promoting haole, christian morality. in the case of the arabian nights i n the ka nupepa kuokoa, translation strategies acted i n concert with political "factors of reception" i n the subversion native hawaiian culture by the haole establishment.1 fissures a n d f a u l t l i n e s i n t h e c o l o n i a l press this paper has already examined the role of translation as a site of contestation manifested through rival newspapers. yet the curious case of a single tale published i n 1875, "no ke kanaka lawaia! ke kumu o ka pomaikai" ("the story of the fisherman") i n the missionary-sponsored publication ka nupepa kuokoa warrants further discussion of conflict within the colonial press itself. the presence of this tale i n ka nupepa kuokoa is further evidence of the scandals of translation. the translation of "no ke kanaka lawaia! ke kumu o ka pomaikai" is indicative of a fissure between the agenda of whitney and that of s.k. ulele, the native hawaiian translator of this tale. it is reasonable to assume that the agenda of ulele, as a native hawaiian, conflicted with the hegemonic objectives stated i n the ka nupepa kuokoa by his editor, whitney. in this case, translation was provocative of contestation within the missionary-sponsored publication itself. examination of the translation strategies employed by s.k. ulele i n "no ke kanaka lawaia! ke kumu 0 ka pomaikai" indicates an act of resistance on the part of the hawaiian translator.1 though ulele's work is derived from edward william lane's family version of the arabian nights and was included i n the ka nupepa kuokoa as a form of colonizing discourse, his translation strategies simultaneously promote reverence for the traditional-hawaiian civilization and thus conflict with the agenda of his haole editors. noelani arista, the hawaiian translator who worked with cristina bacchilega on the arabian nights translations, provides an example of ulele's determined strategy i n the translation of this poem from "no ke kanaka lawaia! ke kumu o ka pomaikai": lawaia moewaa ka upena ume iki anu hewa ike ao ke kuuna ia ole unlucky fisherman the net that attracts little bitterly cold in the day the cast that snares no fish —s.k. ulele (kuokoa may 1, i8y^)lii arista determines from ulele's translation that he utilized specific strategies to evoke remembrance of the classicalhawaiian tradition, "ulele had many choices for the word i have translated as 'unlucky.' he could have used something very conventional. . . . instead ulele decided to illustrate his knowledge of the cherished past when he chose the word moewa'a, literally "a dream of a canoe," which i n former times was considered bad luck, a portent disappointment, or even death." ! i i i the word selection of s.k. ulele, as exemplified i n the poem, works to preserve the traditional native-hawaiian identity as a form of resistance to the cultural hegemony propagated by the newspaper, itself. arista's reasoning concerning the motives of s.k. ulele is further supported by the speculation that s.k. ulele is a pseudonym for s.k. kaai, the named translator of the samesala naeha story and three others i n ka hoku pakipika}"' i f s.k. ulele is indeed the same translator that implemented the previously discussed appropriations to the arabian nights as a means of preservation of nativehawaiian traditions and identity, then it is likely that he adhered to native nationalism championed i n ka hoku pakipika. this speculation provides further evidence as to the objectives of the native-hawaiian translator, s.k. ulele, and indicates that ulele's agenda was i n direct conflict with the imperialistic objectives of his haole editor, henry m . whitney. ulele's translation strategy to promote the preservation of the native-hawaiian identity i n a publication founded for the very reason of subverting that same identity is another example of translation as an instigator of cultural conflict. in the case of "no ke kanaka lawaia! ke kumu o ka pomaikai," translation of the arabian nights provoked a fissure within the colonial press itself as the agenda of the haole editors conflicted with that of the native-hawaiian translator. c o n c l u s i o n in the nineteenth-century hawaiian newspapers ka hoku pakipika and ka nupepa kuokoa, translations of the arabian nights served as a site of contestation between native-hawaiian nationalists and haole cultural imperialists. the translations worked to promote the conflicting interests of haole cultural imperialists and kanaka maoli nationalists i n the two rival papers. in the native-operated ka hoku pakipika, translations of the arabian nights served to evoke a remembrance of the traditional hawaiian past i n the face of mass death and oppressive colonizing discourse. in ka hoku pakipika's rival paper, the missionary-sponsored ka nupepa kuokoa, editors included translations to further promote european values and aid i n the assimilation and subjugation of the kanaka maoli to haole dominance. i n the case of ka nupepa kuokoa, the translations provoked fissure within the publication itself, as the agenda "if s.k. ulele is indeed the same translator that implemented [these] appropriations to the arabian nights as a means of preservation of native-hawaiian traditions and identity, then it is likely that he adhered to native nationalism championed in ka hoku pakipika." t r a n s l a t i o n i n t h e c u l t u r e war for h a w a i i of the native translator s.k. ulele conflicted with that of the paper's editor. different translation strategies and factors of reception worked i n concert to promote the agendas of both the native hawaiians and the haole immigrants, two groups warring for cultural, political, and economic domination of the hawaiian islands. the arabian nights i n hawaiian-language newspapers served as the root of disagreement i n the bitter war for cultural hegemony, just as the translation of the tales had precipitated conflict i n other cases around the globe. the case of the arabian nights i n nineteenth-century hawaiian-language newspapers is reflective of the power of translation i n the construction of cultural identity and change. the ability of translation to act as an instrument of both creativity and destruction of cultural identity is not to be underestimated for, as venuti said, "translation looms large among the cultural practices that at once join and separate us." l v e n d n o t e s i . bacchilega and artista 2007 (171) i i . bacchilega and artista 2004 (197) i i i . i r w i n (113) iv. sajdi v. bacchilega and artista 2007 (192) vi . venuti (67) v i i . ibid. v i i i . venuti (2) ix. bacchilega and artista (192) x. ibid. xi . i r w i n (23-24) x i i . venuti (67) x i i i . i rw in (29) xiv. i r w i n (34) xv. ibid. xvi. i rwin (35) xvii. bacchilega and arista 2007 (171) xviii . silva 1999 (49) xix. silva 1999 (50) xx. gibson (41) xxi. mookini (19) xxii. mookini (19-34) xxiii . mookini (3) xxiv. quick (9) xxv. trask (10) xxvi. silva 1999 (35) xxvii. johnson 1976 (217) xxviii. silva (42) xxix. silva (37) xxx. silva 2004 (52) xxxi. stillman (188) xxxii. stillman (189) xxxiii. mookini (1) xxxiv. silva (80) xxxv. chapin (53) xxxvi. johnson (162,185) xxxvii. "ke kamelo o arabia" xxxviii. "ka hae hawaii" xxxix. chapin (53) xl. johnson (58) xi i . whitney (2) x l i i . rubellite (1-5) x l i i i . venuti (67) xliv. bacchilega and artista 2007 (199) xlv. kuykendall (10) xlvi. chapin (47-86) xlvii . bacchilega and artista 2007 (179) xlvi i i . bacchilega and artista 2007 (197) xlix. mookini (21) 1. venuti (68) l i . bacchilega and artista 2007 (179) l i i . bacchilega and artista 2007 (197) l i i i . ibid. liv. bacchilega and artista 2007(180) lv. venuti (7) references bacchilega, cristina and noelani arista. 2007. "the arabiannights i n the kuokoa, a nineteenth century hawaiian newspaper: reflections on the politics of translation." the arabian nights in transnational perspective. ed. ulr ich marzolph. detroit: wayne state university press, pp. 157-179. bacchilega, cristina and noelani arista. 2004. "the arabian nights i n a nineteenth-century hawaiian newspaper." tabula 45, pp. 189-204. chapin, helen g. (1984) "newspapers of hawaii 1834 to 1903: from he liona to the pacific cable," hawaiian journal of history 18, pp. 47-86. gibson, walter m . 1880. sanitary instructions for hawaiians in the english and hawaiian languages. honolulu: j.h. black. i r w i n , robert. 2004. the arabian nights: a companion. new york: st martins press. johnson, rubellite k. 1976. kukini aha tlono, carry on the news: over a century of native hawaiian life and thought from the hawaiian language newspapers of 1834 to 1948. honolulu: topgallant publishing company. elem ents fall 09 johnson, rubellite k. 1975. ka nupepa kuokoa: a chronicle of entries 1861-1862. honolulu: topgallant publishing company. "ka hae hawaii." ka nupepa kuokoa. 1 january 1862,1. "ke kamelo o arabia." ka nupepa kuokoa, 1 october 1861, 1. kuykendall, ralph. 1947. the hawaiian kingdom 1778-1854. honolulu: university of hawaii press. mookini , esther t. 1967. "a brief survey of the hawaiian language newspapers." committee on library prizes for pacific island area research, honolulu. morris, nancy j. 1975. "ka loea kalaiaina, 1898: a study of a hawaiian language newspaper as a reference source." m.a. thesis, university of hawaii. quick, sarah. 1977. "ka lama hawaii: hawaii's first newspaper." m.a. thesis, university of hawaii. silva, noenoe k. 2004. aloha betrayed: native hawaiian resistance to american colonialism. durham: duke university press. silva, noenoe k. 1999. "ke kue kupaa loa nei makou: kanaka maoli resistance to colonization." phd diss., university of hawaii. stillman, amy k. 2001. "re-membering the history of the hawaiian hula." cultural memory: reconfiguring history and identity in the postcolonial pacific. ed. jeannete m mageo. honolulu: university of hawaii press, pp. 187-204. trask, haunani-kay. 1999. from a native daughter: colonialism and sovereignty in hawaii. honolulu: university of hawaii press. venuti, lawrence. 1998. the scandals of translation: towards an ethics of difference. london: routledge. whitney, henry m . "ka nupepa kuokoa." ka nupepa kuokoa. 1 october 1861, 2. t r a n s l a t i o n i n t h e c u l t u r e war for h a w a i i l i s t o f a r t w o r k c a l i f o r n i a w i l l a l l o w i n d i a n c a s i n o e x p a n s i o n © david mcnew/getty images g r e e k t o w n c a s i n o detriot, m i c h i g a n courtesy o f the private col lect ion o f t i m mooney, boston college slot m a c h i n e s i n m i l l e lacs i n d i a n reservation g r a n d c a s i n o © phi l schermeister/corbis i n d i a n tribes profit f r o m g a m g l i n g i n c o n n e c t i c u t © getty images ezekiel g o l d t h w a i t © [1771] m u s e u m o f fine ar t s , boston. mrs. ezekiel g o l d t h w a i t ( e l i z a b e t h lewis) © [1771] m u s e u m o f fine ar t s , boston. mrs. isaac s m i t h ( e l i z a b e t h storer) (p) ya\e t jniversitv a r t gallerv/art resoure. tspi 2q yale univers i ty a r t gal lery/art resouce, ny. 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for undergraduate studies joyce mannix, business manager for the college of arts and sciences david quigley, dean for the college of arts & sciences barbara vi ech n icki, associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts & sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. please consider submitting your own research to the next issue of elements. our next deadline is friday, november 6, 2009. cover usher i n concert toronto, canada © george pimentel/getty images p e r i o d i c i t y elements is published twice an academic year i n the fall and spring semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. elements, undergraduate research journal, volume 5, issue 2, fall 2009 boston college, 14° commonwealth avenue, service building 103, chestnut hill, ma 02467 e l e m e n t s staff editor-i n-ch i ef erin e. eighan m a n a g i n g edito r brian varian deputy e d i t o r jaime crowley h u m a n i t i e s brian tracz, senior editor alyssa duquette, editor sarah ko, editor karen kovaka, editor natural s c i e n c e s anne kornahrens, senior editor aditya ashok, editor jamie crowley, editor erin groden, editor s o c i a l s c i e n c e s chris sheridan, senior editor sarah collier, editor tim kelly, editor vinodh mechery, editor philip mercadante, editor daniel sologuren, editor lea yared, editor layout alyssa duquette, senior editor jaime crowley, editor sarah ko, editor webmaster daniel sologuren faculty a d v i s o r elizabeth chadwick printing: dynagraf advanced printing solutions, 5 dan road, canton, ma 02021 copyright © 2009 by trustees of boston college mailto:elements@bc.edu e d i t o r ' s n o t e over the past three years, i have had the privilege of experiencing the vast and varied research endeavors of my fellow students. each year i grow more humbled by their work. i have learned that the boston college student—and subsequently his or her research—is of an exceptional and rare breed. there are students of academia and there are students of the world. some perceive the college experience as i f from within a tightly confined box, squared off by the four walls of a classroom i n which the college student presses his or her nose to books. a somewhat claustrophobic, rigorously academic perception which is all too often true. however, you, as boston college students, have filled that box to bursting and extended education into the open world. the following essays from your fellow boston college students have taken the academic principles your professors have so graciously taught you and applied them critically to elements within their own experienced world, a true sign of a living education. mr. keegan's linguistic curiosity, for example, did not rest i n the abstract realm or historic realm, disconnected from the active present world. rather, his article "call-and-response" featured on the cover critically links past and present i n academic dialogue by engaging popular culture i n linguistic and historic critical theory. mr. brunner's "barrios, gangs, and enclaves" and mr. morris' "oklahoma city plunder" also find it necessary to critically reexamine elements of contemporary culture—our culture—while mr. scullin's "judging harshly" and mr. maroshegyi's "exporting citizens, importing remittances" challenge the current political and economic climate. the authors featured i n this issue of elements have met their call as boston college students to educate the person and extend the bounds of academia from abstraction into action. in many cases, for a student of academia—a student who separates learning from life—a typical friday night might mean singing along to usher's "love i n this club," it might mean taking i n a basketball game, but it may not extend further. the active student engaged i n critical discourse with his or her culture embraces the opportunities that lie i n each waking moment of life. you, the boston college student, can do just that. your propensity for critical thinking and evaluation begins i n your monday morning classes, seeps into your friday nights, and then impels you into a future ripe with opportunity. this fall 2009 issue of elements showcases the boston college student's ability to look critically—yes, academically—at every facet of his or her life. you are becoming academics of your generation—critics of your culture—engaging yourselves i n a spritely dialogue with your world. take these articles as inspiration, and i n the year to come, i urge you to take advantage of every opportunity you have to do just that. sincerely, erin e. eichan editor-in-chief all chicanos need a sense of belonging, respect, and opportunity. due to the exclusion from the surrounding region, however, the only space where these opportunities could possibly exist is in the barrio." b a r r i o s , g a n g s , a n d e n c l a v e s a socioeconomic reading of luis rodriguez's always running c h r i s t o p h e r b r u n n e r t h i s p a p e r w i l l e n g a g e in a s o c i o e c o n o m i c a n a l y s i s o f l u i s r o d r i g u e z ' s always running. t h e p a p e r w i l l i d e n t i f y t h e lo mas b a r r i o as an i m m i g r a n t e n c l a v e i s o l a t e d f r o m t h e g r e a t e r l o s a n g e l e s c o m m u n i t y . w h i l e an i m m i g r a n t e n c l a v e t y p i c a l l y s e r v e s as a t r a n s i t i o n a l c o m m u n i t y f o r e t h n i c i m m i g r a n t s , t h e g e o g r a p h i c , p o l i t i c a l , a n d s o c i a l i s o l a t i o n o f t h e e c o n o m i c a l l y d e p r i v e d b a r r i o l e a d t o e x c l u s i o n o f t h e r e s i d e n t c h i c a n o p o p u l a t i o n f r o m t h e s u r r o u n d i n g c o m m u n i t i e s . as a r e s u l t , r o d r i g u e z a n d t h e o t h e r y o u t h a r e t h r o w n i n t o t h e n i h i l i s t i c g a n g l i f e s t y l e o f la v i d a l o c a , a r e b e l l i o u s a n d m i l i t a n t r e s p o n s e t o t h e m a r g i n a li z at i o n o f t h e n e i g h b o r h o o d . t h e p a p e r c o n c l u d e s t h a t w h i l e g a n g l i f e s t y l e is n o t t h e b e s t o p t i o n f o r t h e y o u t h o f t h e b a r r i o , it is t h e o n l y c h a n c e t o e a r n t h e r e s p e c t , i d e n t i t y , a n d s e n s e o f b e l o n g i n g t h a t t h e b a r r i o c a n n o t p r o v i d e . in luis rodriguez's memoir always running, rodriguez describes a youth lifestyle of gangs, violence, and discrimination. the setting of this lifestyle is a los angeles "barrio"—an inner-city ethnic neighborhood typical of a spanish-speaking population. while every city has ethnic neighborhoods and the divisions accompanying these neighborhoods, the barrios of los angeles have an identity and strength to which few neighborhoods can compare. using the prevalence of gang culture and violence i n the barrio, rodriguez looks to paint the barrio as a neighborhood detrimental to the individual and to social psychology. nonetheless, rodriguez continually returns to the barrio throughout the story. due to the isolation of the barrio from the greater los angeles community and the inability of the barrio to respond to this isolation, rodriguez defines the gang culture as an emulation of the barrio identity as well as the only possible source of social structure not provided by the barrio. a neighborhood's isolation begins when the group residing within the neighborhood is either excluded or chooses to be isolated—the latter being a desired rarity. the first and most prominent form of isolation rodriguez describes is geographic. when rodriguez first introduces the reader to las lomas, or "the hills," he calls "the hills . . . unseen. unvisited. cars flew past north of here on the san east los angeles barrios are bernardino freeway... a place you could have found i n the ozarks or the hills of tijuana."1 the readers' initial introduction to the barrio paints it as cold and secluded. originally, he does not describe specific geographic features, yet he compares lomas to the ozarks and the hills of tijuana. in this account, rodriguez transforms the freeway into artificial hills to isolate lomas from the east los angeles area. this serves as a precursor to the development of many social issues within the barrio, including the development of gangs. in her book going down to the barrio: homeboys and homegirls in change, joan moore chronicles the beginnings of select east los angeles gangs by first highlighting the neighborhood's history. according to moore, i n the 1950s, the city made a series of land grabs for freeway construction i n the region, and "two of the freeways (the san bernardino and santa ana) cut through the heart of the east los angeles barrios."51 the removal of large tracts of land combined with the increasing population density served to effectively isolate east los angeles, and it is doubtless lomas would have been included as well. having only grazed the driving narrative, rodriguez uses spatial and geographic isolation to close lomas off from the surrounding community. besides the geographic isolation of the barrio, political and social isolation were equally as prominent and historically isolated from neighboring nities . elem ents fall 09 "with such social, political, and geographic powers opposing the development of the neighborhood, the barrio lifestyle became one of alienation from the greater los angeles community." more powerful. the barrios served as homes to a migrant and impoverished population, an outcast group forced to live i n strictly defined areas. in the beginning days of urban sprawl i n los angeles, what often defined a neighborhood was its annexation by the neighboring city. the remaining "unincorporated county territory was generally where the poorest people lived, the old barrios, which for the most part didn't belong to any city because nobody wanted them." 1 ' essentially, an unincorporated city is politically isolated; government and other institutions are not established i n these areas, and access to many basic elements and utilities of a city, such as sewage systems and paved roads is lacking. these measures of isolation for the barrios which were [not] incorporated, including las lomas, became self-contained and forbidden, incubators of rebellion ... for years, nobody ventured into las lomas unless they had to be there. buses refused to provide residents there any service. sheriff's deputies entered it with full firepower and ample backup, hardly ever alone.w this passage from rodriguez describes the psychological and social isolation of the neighborhood. the barrios are excluded by the greater los angeles community due to their image as havens of crime and poverty. the media also rode on this wave of intolerance, expounding upon tales of criminal youth and gang dominance i n these areas. with escalating notoriety seizing the neighborhood, lomas becomes socially isolated. no one wants to enter the neighborhood without firepower and basic civil services—such as the bus lines that refuse to enter the area. with such social, political, and geographic powers opposing the development of the neighborhood, the barrio lifestyle became one of alienation from the greater los angeles community. this isolation, i n turn, plays a pivotal role i n the development of many families, including the rodriguez family. with these issues, rodriguez paints a bleak picture of the community. yet the lomas community is further isolated by its mexican culture. las lomas is an ethnic community intrinsically different from the white, middle-class neighborhoods that enclose it. i n john logan, richard alba, and wenquan zhang's article immigrant enclaves and ethnic communities in new york and los angeles, the authors analyze post-vietnam development of the ethnic enclave i n social and psychological contexts. curiously, the authors make a distinction between what they term as "immigrant enclaves" and "ethnic communities." immigrant enclaves are driven by "people's limited market resources and ethnically bound cultural and social capital," and these neighborhoods are intended to be "transitional neighborhoods— they represent a practical and temporary phase in the incorporation of new groups."v additional identifications are "physical characteristics (by the usual standards of mainstream society, they are less desirable as places to live) and by the characteristics of the people who live i n them (they concentrate immigrants who are recently arrived and have few socioeconomic resources.)"v! a n ethnic community, on the other hand is a term used "to refer to ethnic neighborhoods that are selected as living environments by those who have wider options based on their market resources."1' this distinction the authors make is interesting as sociologists do not often separate ethnic communities into transitional and permanent neighborhoods. their study is a sociological analysis of immigrant neighborb a r r i o s , g a n g s , a n d e n c l a v e s hoods, yet they choose economic resources as the determitant for a homeowner's choice between these two areas. while it is often economic resources that determine a family's ability to move out of a poor area, the "transitional period" that accompanies the immigrant enclave may be an extended or permanent period of time. many families i n the barrio, such as the rodriguez family, may have had intentions of leaving the barrio, yet the economic, political, geographic, and cultural isolation may have prevented them. the rodriguez family's transitional period is an active one as they move to new homes and work places. the majority of the first chapters are dedicated to rodriguez's descriptions of each new neighborhood to which he moves. nonetheless, the relocations are constrained by their economic resources; they "often changed houses because of evictions. [his] dad constantly tried to get better work."™1 logan, alba, and zhang postulated the transitional period of the immigrant ended when "people with more financial resources and mainstream jobs avoid ethnic zones . . . i n search of the 'promised land.'" when rodriguez's father secures a new job and believes he has the economic resources to move out of the lomas neighborhood and into reseda, a middle class suburb, rodriguez views his father's new job as "a miracle." rodriguez's father "went nuts i n reseda," purchasing a new home, car, and several new appliances, all with the "attitude [of] 'who cares?' we were americans now. we were on our way to having a little bit of that dream." this american ideal of homeownership comes with its share of changes. reseda is a starkly different neighborhood from lomas, with a completely different identity. although rodriguez does note that taft high school was for "well-off white children," he never explicitly says that their neighborhood is a white neighborhood. 5^ i n fact, reseda lacks any ethnic identity, but of the ethnic enclaves of los angeles, the rodriguez family is free to roam without any confinement. ultimately, though, this suburban, "ethnic-less" identity is not ideal for the rodriguez family. the rodriguez family leaves within a few months of entering reseda after rodriguez's father loses his job. as the rodriguez family pulls away from their former home, rodriguez sees the "sad faces on our neighbors were our farewell. i supposed they realized we [were not] so bad for being mexican. we were going back to an old friend—pobreza." << rodriguez's description allows the reader to see that for rodriguez, the mexican family does not fit i n this suburban lifestyle. when they moved to reseda, the rodriguez family was "the only mexican family around." x i v rodriguez is harassed by the children at his elementary school, his mother is insecure about her body image i n the face of the other suburban mothers, and the high school students could not understand his father's accent. although the neighbors do not directly discriminate against their family, the strong mexican culture and ethnic identity the rodriguez family possessed was "bad" and not welcomed i n the suburban environment. rodriguez uses the spanish word pobreza to describe poverty instead of an english term. the irony of returning to the barrio, however, is that i n order to gain acceptance i n their surrounding neighborhood, they must return to the "friend" of poverty. the rodriguez family's desire for identity and acceptance is not an isolated incident. these desires are key themes throughout much of chicano literature, including always running. rodriguez's personal search led to a changing identity throughout his story. in paula m.l. moya's article "this is not your country!": nation and belonging in chicano literature, moya contends that when rodriguez "began to educate himself through the chicano movement about the economic and social institutions that put h i m and others like h i m at a structural disadvantage relative to other americans ' . . . rodriguez was able to break free of gang life and begin the long, arduous process toward achieving ful l , substantive u.s. citizenship." x v moya is certainly correct that rodriguez's education does change his identity, his view of the barrio, and the marginalization of the hispanic population i n los angeles. after rodriguez is introduced to the library at taft high school, " i t [was not] the same as before. a power pulsed i n those books i learned to savor, i n the magical hours i spent i n the library. " x v 1 it is far-fetched, however, to say that rodriguez's ultimate identity is shaped by his obtaining u.s. citizenship. rodriguez never mentions citizenship i n his novel, except for a fleeting moment i n his description of applying for college. learning excites h i m , but his academic interest is never an antecedent for desires of citizenship or american nationalistic identity. moya herself even mentions this impossibility i n her closing analysis of rodriguez: always running "contests the idea that latina/os must forever be outsiders to the us national imaginary."x v [ i moya aims to classify the chicano identity as a separate nationalistic movement within american borders, despite the fact that an author identifying this movement is something she herself deplores. nonetheless, whether moya's united states is defined by citizenship or the suburban reseda lifestyle, moya is correct i n noting that the chicano identity exists separate from the american identity, and rodriguez seemingly has set out to isolate the barrio as the only space were his chicano identity is welcome and identifiable. the question remains, however, as to why the barrio is not only necessary space for the chicano family but the only space. according to logan, alba, and zhang, any forms of acculturation are inversely associated with residence in ethnic neighborhoods for almost all groups. in some cases, the ethnic neighborhood tends to be chosen by those for whom it serves their practical needs (as indicated by their socioeconomic position) for an inexpensive and congenial setting. and for several groups, the neighborhood may also link members to ethnic employment. these are the functions of immigrant enclaves. x v l u rodriguez furnishes his book with examples of his family's lack of acculturation; from the language barriers his father faces to the neighbors of the reseda suburb, the rodriguez family has an inherently chicano cultural identity that is incompatible with the area surrounding them. logan, alba, and zhang are certainly correct to say that families of immigrant enclaves such as the barrio choose an immigrant enclave out of a need for inexpensive residence. the choice, however, may not be as free as implied. their definition of the immigrant enclave as a transitional period may be marred by the economic and social conditions that surround a neighborhood, such as the economic, geographic, social, and cultural isolation of lomas that rodriguez highlights. for a family living i n a barrio, the transition period is not temporary; their isolation leads to a a complex dynamic of inclusion and exclusion underlies the formation of neighborhoods such as barrios. b a r r i o s , g a n g s , a n d e n c l a v e s permanent transitional state. the barrio, then, must lack the means of assistance or aid that helps families find future success. logan, alba, and zhang identify two needs for a functioning immigrant enclave: an economic practicality, and a congenial association brought on by connection with others of similar cultural backgrounds. undoubtedly, cheap housing is an economic practicality of the immigrant enclave, but for the barrio, the practicality ends with the fulfillment of low-priced land. the employment market of the barrio is far from sufficient to sustain the economic needs. rodriguez's "mother worked on and off, primarily as a costurera or . . . cleaning homes or taking care of other people's children." x l x her odd jobs were mostly i n "nice, american, white-people homes" outside of the barrio neighborhood. rodriguez's father settled for a job at pierce college, a community high school i n los angeles, which required h i m to get "up every day at 4:30 a.m. and [ g o ] . . . almost forty miles away to the other side of los angeles," simply to be employed as "an overblown janitor."1 j the menial, m i n i m u m wage (or less) jobs could never provide for rodriguez's family of five. lacking a sense of belonging, many young men turn to gang involvement in the barrios. moreover, these jobs require travel to outside neighborhoods. for a teenager like rodriguez, the challenge to find work is even greater. his mother tells rodriguez that "'you have to work, to help us out here. . . you're a big man now. there's got to be something you can do. ' . . . i was nine years old—a good working age, as far as my mother was concerned." ; ! i rodriguez's mother expected h i m to mature at an alarming rate and enter the working world to support the family; however, with the scarcity of jobs for adults i n the barrio, it would be difficult at best for rodriguez to f ind a job as a child. besides economic necessities, logan, alba, and zhang seem to identify cultural necessities. the "congenial setting" they picture seemingly describes a unified, pleasant, cultural community within the borders of the immigrant enclave. yet, lomas is far from any of these descriptions. the barrio lacks any sense of cultural unification. within the barrio, rodriguez never mentions a successful community movement to unify the area. the la casa community center i n sangra that "offered dropout programs, welfare assistance, federal job placements, a teen mother day care, and places for young people to hang out" eventually succumbs to "the scourge of pcp." x x m rodriguez remembers "the san gabriel mission held an annual 'fiesta days' celebration to honor the spanish-mexican heritage of the area," and at night, after the "anglos" left, "the fiesta belonged to the mexicans." x x n yet, "by the midnight hour . . . lomas and sangra soldiers began to congregate i n different sections of the enclosed area."x x v nothing within the barrio is free from the hands of gangs and conflict. the festival, in a sense, mirrors the surrounding neighborhood: what could potentially be a haven for families i n a safe, culturally saturated environment turns into a battleground for the gang soldiers whose presence permeates the area. gangs are a critical element i n always running which infi l trate the barrios to satisfy a need within the neighborhood. lomas lacks the strong, proud cultural identity and economic prowess necessary to function as an ethnic community; the gangs, however, are highly organized, hierarchal, e l e m e n t s : : fall 09 and efficient groups. rodriguez describes the beginnings of these gangs as groups of youth, calling "ourselves clubs or clicas. it was something to belong to—something that was ours. we weren't i n boy scouts, i n sports teams, or camping groups." it is interesting that rodriguez notes the importance of club affiliation. although he was a resident i n the barrio, he does not seem to be able to connect to it. the borders of the barrio are formed by social conditions, and rodriguez seems against joining organized social groups, such as the boy scouts. i f rodriguez is alienated by the world outside the barrio and unable to deduce a connection to the barrio, then the only remaining option is to find identity amongst the gangs. the gangs did not just provide an individual identity; they were more structured and encompassing than a simple group of friends. rodriguez noted that some groups "became more organized. they obtained . . . their own colors, and identification cards. later a few of the cliques became car clubs . . . then also some of the clubs metamorphosed into something more unpredictable, more encompassing. something more deadly."**™ this level of exclusion and identification could be alarming for any group of people, especially a group of adolescent teenagers. the gangs had immense power; the animal tribe gang i n lomas "pulled i n dudes from all over south san gabriel, even from areas east of the hills . . . which had long-running feuds with las lomas." v ! i l essentially, the gangs begin to define these communities. when the crime rate i n lomas begins to rise, "gang members were interviewed and news photographers worked the hills to depict the poverty. " x x l x the community borders do not exist i n the eyes of rodriguez's youth or the eyes of the surrounding los angeles region. these reports paint an image of universal poverty and crime, even though gangs may not entirely make up the population of the neighborhood. the gang members themselves also follow this idea; when young luis, wilo, and chicharron ask miguel why they were harassed by sangra members at a quincinera, despite the fact that they were not " i n their barrio," miguel's explanation is, "you ain't i n lomas e i ther . . . that's the problem. you guys live i n between the two "logan, alba, and zhang identify two needs for a functioning immigrant enclave: an economic practicality, and a congenial association brought on by connection with others of similar cultural backgrounds." largest 'hoods. you got to figure out which one to claim or you're going to get fucked by both of them . . . i ' m telling you there's no choice. . . . you wanta live, you wanta breath air, you got to be i n the tribe man. " x x x miguel's explanation and subsequent suggestion demonstrate the power of these barrio gangs. there was no escaping them, especially i f one was young; eventually, all must, for the sake of selfpreservation, declare allegiance to a gang. for miguel and many other characters, the gangs were the neighborhood. one identifies himself not by his barrio, but by his gang. eventually these terms become synonymous, as "there were dudes who didn't even claim the tribe anymore. just lomas."x x x i just as rodriguez must join a gang to find personal identity, his family had to return to their barrio to find cultural identity. joining a gang to find identity, however, comes at a price. rodriguez describes the gangs as deadly, a term that can barely begin to encompass the violence and brutality surrounding gang life. from the moment he joins the gang, rodriguez becomes involved i n drugs, murder, and de struction on an unimaginable scale. this violence is inb a r r i o s , g a n g s , a n d e n c l a v e s credibly harmfuf to rodriguez, himself, from injuries and hospitalizations to the emotional strain resulting from his allegiance to a gang. claudia durst johnson, in her book youth gangs i n literature, comments on the emotional aspects of many literary works depicting youth gang life. according to johnson, rodriguez "emphasizes the self-destructiveness of the mexican american community as members of rival chicano gangs ki l l one another . . . gang members not only ki l l mexican americans i n rival gangs, but they ki l l members of their own gangs, a truth that is brought home, to luis when he is shot at by his friends." x x x x 1 1 johnson stresses the very prevalent self-destructive aspect of rodriguez's work is very prevalent i n the novel; few of rodriguez's anecdotes about gang life do not include some form of violence. puppet, i n trying to organize a hit against sangra, tells his fellow lomas members "this means we got to take care of each other. and we have to be trucha for dedos ['watch out for snitches']."n x' i ! 1 while this ideal of group defense seems noble, any protest to his plans—such as luis's questioning as to the purpose of convincent perez analyzes nihil ism as a psychological phenomenon. this phenomenon occurs when "the expression of undaunted yearning, desperate (violent so, perhaps even to the extreme of self-destruction), but not hopeless, meaningful i n its furious revolt against a world of bewildering violence and meaningless death." rodriguez describes "locura, the spirit of existence which meant the difference between living life to the fullest or wandering aimlessly upon the earth, taking up space, or getting i n the way. the vatos hated those without daring, those who failed to meet the challenge, the fear and exhilaration of this presence.' , x x x v l for a gang member, there seems to be no moderation i n living their lives; they either choose to live their life to the fullest expression of emotional prowess, or they wi l l waste aimlessly on the earth. this attitude is extremely nihilistic: the gang members have an undaunted yearning to revolt. yet their yearning is not against violence but is expressed through violence. perez explains this expression of violence is a thematic expression of nihilistic antagonism: "the barrio gangs are not the best solution to make up for what the barrio cannot provide; however, in the face of discrimination, marginalization, and identity formation, it is the only option." stant and consistent revenge—yield only "a fist slammed against [his] m o u t h . ' , x x x l v rodriguez can certainly seek protection and defense from his fellow gang members, but any deviation from the violent plans of the gang is simply unacceptable. this violent drive does not consist of only violent gang plans. it is a deeper consciousness that permeates the gang identity. in his article "running" and resistance: nihilism and cultural memory in chicano urban narratives, author rodriguez thematizes nihilism as a strident oppositional voice irreconcilable with the practices of racist institutions such as the legal system which not only fail to address the needs of the minority community, but also actively criminalizes its youth. though nihilism can be self-destructive, violent, antisocial, anti-intellectual, and apolitical, rodriguez suggests that it can also be constructively channeled. yet, even if the sentiments which define it (despair, rage, fear, and anger) are not directed into more traditional conduits, nihilism for rodriguez constitutes a militant poe l e m e n t s fall 09 litical consciousness entirely justified given the social circumstances and conditions of urban chicano life.xxxvii rodriguez chooses constructive channels for his personal nihilism. he explores art and murals through his paintings, he becomes heavily involved with tohmas (a chicano support program), and he gives some effort towards his education. still, the image persists of rodriguez as an usher of violence, a perpetrator of destruction, and a harbinger of menacing ferocity. nonetheless, one must consider that rodriguez also attempts to make social commentary through his work. his novel is not simply autobiographical musing. as a commentator on the psychological identity of the gangs as a whole, rodriguez feels their violence is justified. i n the final scene of the novel, chava confronts rodriguez, and rodriguez "can see h i m pulling out a knife and stabbing [him] just to salve his p a i n . " x x x v m this pain is that of the barrio gangs. rodriguez never condemns his own personal actions, but the marginahzation of the community has created an economic, social, and, most importantly, an emotional pain that is only alleviated through violence. i n the epilogue to his novel, rodriguez explicitly completes his social commentary. he realizes the necessity of gangs i n the face of marginahzation: gangs are not alien powers. they begin as unstructured groupings, our children, who desire the same as any young person. respect. a sense of belonging. protection. the same thing that the mca, little league, or boy scouts want. . . gangs flourish when there's a lack of social recreation, decent education, or employment.... if there was a viable alternative, they would stop. if we all had a choice, i'm convinced nobody would choose la vida loca, the "insane notion"—to "gang bang." but it's going to take collective action and plan.™^ i n this passage, rodriguez has described exactly what logan, alba, and zhang called for i n an immigrant neighborhood. a l l chicanos need a sense of belonging, respect, and opportunity. due to the exclusion from the surrounding region, however, the only space where these opportunities could possibly exist is i n the barrio. rodriguez's family returns to the barrio and their "friend" pobreza. yet the barrio lacks these critical opportunities for the neighborhood to truly be a transitional period, and often families fall prey to a state of permanence i n impoverished communities. this is where the gangs step in . lomas gave rodriguez everything his family had been searching for—respect, identity, and a sense of belonging. this comes with the price of the nihilistic expressions of the spirit of locura, or, as perez notes, a militant, political, and conscious response to the marginahzation of the neighborhood. the barrio gangs are not the best solution to make up for what the barrio cannot provide; however, i n the face of discrimination, marginahzation, and identity formation, it is the only option. e n d n o t e s i . rodriguez (39) i i . moore (15) hi . rodriguez (38) iv. rodriguez (41) v. logan et al. (299-300) vi . logan et al. (300) vi i . ibid. vi i i . rodriguez (30) ix. logan et al. (300) x. rodriguez (30) xi. rodriguez (31) xii . rodriguez (30) xi i i . rodriguez (31-2) xiv. rodriguez (30) xv. moya (183-4) xvi. rodriguez (139) xvii. moya (184) xviii. logan et al. (320) (italics original) xix. rodriguez (23) xx. ibid. xxi. rodriguez (135) xxii. rodriguez (67-8) xxiii. rodriguez (112, 240) xxiv. rodriguez (87-8) xxv. rodriguez (89) xxvi. rodriguez (41) xxvii. rodriguez (43) xxviii. rodriguez (52) xxix. rodriguez (112) b a r r i o s , g a n g s , a n d e n c l a v e s xxx. rodriguez (54). xxxi. rodriguez (73) xxxii. johnson (180-1) xxxiii. rodriguez (208) xxxiv. rodriguez (209) xxxv. perez (113) xxxvi. rodriguez (206) xxxvii. perez (139) xxxviii. rodriguez (244) xxxix. rodriguez (251) references johnson, claudia d. 2004. youth gangs in literature. westport, conn.: greenwood press. logan, john; alba, richard; zhang, wenquan. 2002. " immigrant enclaves and ethnic communities i n new york and los angeles." american sociological review, 67(2), p. 299. moore, joan w. 1991. going down to the barrio : homeboys and homegirls in change. philadelphia: temple university press. moya, paula m.l. 2005. "th i s is not your country!': nation and belonging i n latina/o literature." american literary history, 17(1), p. 183. perez, vincent. 2000. " 'running' and resistance: nihi l i sm and cultural memory i n chicano urban narratives.(critical essay)." melus, vol. 25. rodriguez, luis. 2005. always running: la vida loca: gang days in la. new york: touchstone. one of the most popular television shows of the last decade, lost (2004-2010) confounded many of its viewers with its twisting, convoluted plotlines. this article is an exploration of the many elements of the show over its first few, dynamic years that ultimately weave together to form a subtle, subversive image of post-9/11 american society. through an examination of specific characters, and the cast as a whole, as well as various distinctly terroristic and apocalyptic components of the show’s plot, lost is revealed as both a reproduction and a critical re-imagination of the american response to the events of september 11th, 2001. lost becomes not merely an artifact of post-9/11 american society but a means through which viewers are invited to see ways in which our world can grow and change. trauma, fear, and paranoia lost and the culture of 9/11 rachel aldrich the events of september 11, 2001, not only permanently disfigured the face of new york city and greatly changed the lives of thousands of americans, but also created a cultural shockwave in america that is still felt today. american society was transformed almost immediately after the attacks; this response to terror can be seen in much of the visual culture that followed. when viewed in a post-9/11 context, the television show lost (2004-2010) simultaneously reproduces, comments on, and reshapes the american response to 9/11 in the imagery employed, the topics discussed, and the characters depicted in its episodes. by subtly playing with the themes of tragedy, loss, and terror, lost draws upon america’s cultural memory of the events of 9/11 and subversively provides a critique of our responses to terror. the pilot episode of lost aired on september 22, 2004, and the significance of that date—with its visual and numerical similarities to the date of september 11—was hardly lost on viewers. the show follows the survivors of the crash of oceanic flight 815. the cause of the crash is a mystery. as the first season progresses it becomes clear that no one beyond the bounds of the island upon which the plane crashes has any idea of what happened to the survivors. the first episode, which details the events immediately following the crash, uses imagery that draws heavily upon representations of 9/11 and acts profoundly as a reproduction of this culture of fear and trauma. as marita sturken explains in her book tourists of history, “reenactment of dramatic events is a staple of popular culture in the form of television programs, documentaries, and feature films.”1 in paralleling the events of 9/11, lost is not alone, joined by a slew of other war-on-terror television dramas such as 24 and sleeper cell but also feature films like traitor and the kingdom. lost is unique in that its imagery is much more subtle. the first scene of the pilot episode depicts jack shephard (matthew fox), a surgeon and the main character of the series, sprawled on the ground in the middle of the jungle. he is wearing a tattered business suit and looks remarkably like a corpse. the positioning of his body and his costuming is meant to align him with those many victims of 9/11, the men and women working in the offices in the towers who died inside or even those who flung themselves from the buildings. this parallel is somewhat obscured by the surrounding jungle; the viewer, removed from the exact setting of 9/11, is initially able to dismiss the similarities between these two images. this, however, becomes impossible, as it is made clear that jack is anything but dead; he stands, brushes himself off, and immediately begins to sprint to the beach where it seems as if nothing is amiss. the scene is almost idyllic— beautiful palm trees and bright white sand with the clear water ahead—but as jack scans the coast, the faint sounds of a woman screaming can be heard. he begins to run in the direction of the sound, and as he nears the shouting, pieces of the plane come into view; twisted metal, incinerated luggage and mangled limbs cover the surface of the beach. after briefly observing the scene, jack immediately takes on the role of protector and hero. rushing from person to person—at one point, as an act of chivalry, assisting a young pregnant woman who is having contractions from the trauma of the crash—jack suddenly embodies the ultimate hero, one who becomes a leader in the moment of chaos; here, rather than resembling those men and women who lost their lives in the world trade center, he becomes those firefighters, policemen, and everyday brave figures who helped hundreds of men and women escape the towers on 9/11. by saving lives and delivering orders amongst piles of twisted steel, jack becomes a conflation of both victim and hero, thus morphing into a symbol for a majority of american affected by the attacks. while jack shephard stands in for all american people in those first scenes of lost, the most obvious 9/11 image employed in these first few moments is that of the plane, oceanic flight 815. although few images of the hijacked planes exist, this first image on lost of the plane cut in half and partly in flames, dozens of frightened and injured people running about, is clearly reminiscent of the events of 9/11. this initial view of the plane is accompanied by a visual and aural hush, as the background noise dulls and the camera seems to steady for the first time since the frenzied start of the show. this pause suspends both the viewers and the characters in time, allowing for a brief moment of title screen from the abc series lost (courtesy of wikimedia commons) 60 elements : : spring 2015 stasis and reflection in the chaos and emphasizes the terror and horror of the image. the familiarity of the scene also becomes apparent in these few frozen seconds. such depictions of a mangled plane almost necessarily evoke memories of the events of 9/11 and their immediate aftermath. the viewer, bombarded with imagery of destruction and simultaneously reliving the trauma of those horrific terrorist attacks in only the first fifteen minutes of the pilot, is invited to view nearly every event that follows the initial crash through a post-9/11 lens. as the show progresses, it is natural to assume that these contexts of terror would gradually begin to drop out of the viewers’ perception as they distance themselves from this emblematic and emotional 9/11 image of a crashed plane, but since much of the narrative of lost is framed around flashbacks into the pasts of the survivors of oceanic flight 815, it is almost impossible to forget these images. many times these flashbacks bring the characters back to the first moments of the crash, and the result is a narrative structure that continually progresses and regresses with the moment of trauma being repeated countless number of times. as sturken explains, “in psychoanalysis, compulsive repetition occurs when subjects are traumatized to the extent that they repeat their moment of trauma over and over again and are unable to either narrativize it or move beyond it to make it a memory”.2 both the characters on lost and the viewers are not only traumatized by the crash of oceanic flight 815, but also by the repetition caused by this narrative structure. this clearly parallels the repetition of 9/11 images in american media following the attacks. the result, for both american society and the community of lost, is a group of people that are unable to move beyond their trauma, whether this be by choice or not. while the now-marooned survivors attempt to cope with the loss and trauma of the crash, they slowly begin to form a community amongst themselves. asians, african americans, arabs, and other ethnicities, as well as diverse religions and backgrounds, are all represented in this cast of characters. promotional cast photographs for these earlier seasons depict a mini-community that is, although small in numbers, quite diverse. the diversity of this group is meant to stand in as a small-scale representation of american society. they manage to function even in the face of both their extreme trauma and their differences. this concept of community and unity amongst all peoples is consistent with much of the political rhetoric following 9/11. george w. bush’s speech to the american public on the evening of september 11, 2001, is emblematic of this concept of the diverse community and world-wide unity. as he states, america and our friends and allies join with all those who want peace and security in the world and we stand together to win the war against terrorism … this is a day when all americans from every walk of life unite in our resolve for justice and peace.3 not only does he promise that all americans will unite— no matter their race, religion, or origins—but he also reassures the american people that the entire world is part of their unified community. the american public and all worldwide lovers of freedom will come together to fight evil in the hopes of achieving “justice and peace.” this concept of all races throwing aside their differences to work toward the common good is one which was seen nearly everywhere following the events of 9/11; it also carries with it the implication that all americans, not simply those immediately connected to 9/11, were affected by the attacks. the cast of lost is this idealistic post-race unified community on a smaller scale; although the survivors have their differences, they are bound together by their common tragedy and provide a unified front, physically standing in a line as equals in their promotional photos to combat whatever dangers may come their way. while the diverse survivors of the crash are initially able to create a community that unifies them, as time goes on this harmony slowly begins to erode. the first of these breaks occurs after the survivors spend the first few days waiting for assistance to arrive. as more and more time passes with no sign of rescue, it becomes evident that they may be lost for a while. with a new goal of long-term survival, they begin to search for more permanent places to set up shel“this concept of all races throwing aside their differences to work toward the common good is one which was seen nearly everywhere following the events of 9/11.” 61 trauma, fear, and paranoia ter. a shared trauma cannot hold them together for long, and even this relatively innocuous task of establishing a settlement creates a virulent faction within the survivors; half of them, led by jack, head deeper into the jungle to seek shelter in caves, while the other half remains on the beach. a rivalry forms between these two sub-groups from the originally harmonious mini-community of crash survivors. as stand-ins for all of american society, this division between the survivors illustrates a parallel to many of the policy debates that ensued almost immediately following the events of 9/11. one such debate was centered upon the issue of whether or not the american government should invade afghanistan. both officials and citizens debated whether or not war would be beneficial, heated discussions often resulting in anger and resentment. hostility also appears in the now-broken groups of survivors on lost. the destruction of a unified community in a dangerous and foreign land poses many issues for the survivors, not the least of which being the mysterious and almostmythical beasts lurking in the jungle of the island, creatures that include a massive polar bear and a smoke monster. the survivors soon realize that, separated into two distinct groups, they hold almost no chance of survival; they may have been united by their trauma and divided by their opinions, but now they must reunite to survive. in this the writers of lost provide their critique; in the minicommunity, viewers are invited to see a parallel to the greater american society. the realization that the community on lost cannot survive as separate factions forces the viewer to consider that the same may be true for american society. if the experiences of the survivors on lost are any indication, then it is clear that the anger and debates in american society will only serve to further endanger a country that is already living in a world of loss, terror, and trauma. while the survivors on lost eventually do find a way to move beyond their differences and work together, they have a clear limit as to with whom they can and cannot ally themselves. even in the face of their reunification, they continue to draw clear lines between themselves and other people on the island. as they explore deeper into the jungle, they come across a group of people that had not been on the oceanic flight. these people are part of a group that has lived on the island for decades in a compound-like community, living off the grid and completing scientific experiments. the survivors name these strangers the others. while this name is simply meant to provide a clear and succinct distinction between the survivors and the settlers, the wording of the phrase is reminiscent of and almost implies a racial difference. this division between the familiar and the other is a mirror of the typical post-9/11 american response toward arabs or muslims in which, simply due to skin color or religion, they are deemed as other and are subjected to intense racism and racial profiling. as cynthia young explains in her essay black ops, the widening of the “we” of us citizenship to embrace those who were formerly marginalized, be they african americans, asian americans, or latinos, allows war on terror dramas to mark a new boundary between citizenship and “alienness” that includes some but still excludes arab americans and muslims.4 just in the way that american citizens created a new dynamic of “we” versus “alien,” so do the survivors on the island. the differences between the survivors and the others are not based fundamentally on skin color or religion— there is even a prominent arab character accepted in the survivors’ group as a part of the “we”—but rather on ideological differences. however, the immediate marginalization of these settlers on the island is a definite parallel to the american response toward arabs and muslims following the events of 9/11; taking no chance to examine their point of view or to create an ally with the settlers, the survivors take their perceived alienness as a reason to give them the name of other and to treat them as such by attacking them and, as is more often the case, fearing them. “prior to this revelation, however, the survivors had been blissfully unaware of their own role in their crash, much in the way that american society seems to have forgotten the preceding events leading up to the attacks of 9/11.” 62 elements : : spring 2015 in the face of this clear division between the “we” of the survivors and the “alien” of the others, the character of sayid jarrah (naveen andrews) and his past come as a surprise. sayid is an arab man who, prior to crashing on the island, was a member of the iraqi republican guard and served for many years as an interrogator and a torturer. sayid is often depicted in such a way that showcases his brute strength, symbolizing both classical masculinity and violence. however, despite sayid’s violent and dark past, the survivors—many of them with difficult pasts as well— still accept him wholeheartedly and consider him to be a member of their community. this somewhat contradicts evelyn alsultany’s argument in her book arabs in the media, in which she claims in post-9/11 american society there is a shift in the representation of arabs in which, there is indeed a process of rehabilitation taking place, but it is one in which images of acceptable arab and muslim americans are produced through the figure of the arab american patriot or victim of post-9/11 hate crimes.5 the character of sayid seems to contradict this, being neither victim nor patriot. sayid is, on paper, an entirely unlikable character; he shows little emotion, his violent past is abhorrent, and both his race and his former occupation draw upon the raw trauma and fear surrounding the terrorist figure that still festers in american cultural memory. in spite of all of this, sayid is a character with whom the viewer is meant to—and does—sympathize. sayid also raises issues with alsultany’s concept of the “simplified complex representation” of arab males in the media. she explains that this is a new trend in television and film dramas in which whenever a negative or stereotypically violent arab man is portrayed, he is “balanced” with the figure of an arab patriot who is ally to the united states government. this device, she claims, is meant to combat potential critiques of racism toward arab americans; in including a “good” arab, they mean to counteract the blatant stereotyping of the “bad” arab. sayid certainly does not fall into this category of the simplified complex representation; sayid, a man who is still considered to be a protagonist, is at once both good and bad, both torturer and redeemer. rather than having two arab figures acting as either extreme, lost depicts one arab figure who encapsulates both ends of the spectrum. viewers, in finding themselves sympathizing with a character who in any other circumstance would be considered reprehensible and potentially even labeled a terrorist, are invited to reconsider the typical american response to 9/11 that was characterized by fear, paranoia, and hatred of all arabs and muslims. while sayid himself has the capacity to be a terrorist like the hijackers on september 11, knowing his life and his story makes him more human; this raises the question of why our society has chosen to vilify an entire ethnicity and an entire religion following 9/11 and whether or not— even in the case of the terrorists themselves—this perceived evil is the reality. much of the first season of the series is focused on the main characters’ acceptance of their new situation. as the survivors struggle to come to terms with their new lives of fear and paranoia, many people on the island turn to different and often opposing methods of coping. jack shephard, de facto leader of the survivors and a proclaimed “man of science,” attempts to rationalize every strange and foreign danger that comes their way. he tries to analyze the actions of the treacherous smoke monster that plagues the survivors’ camp, and in leading the group he seeks the most efficient and structured methods of completing tasks. acting as his foil is john locke (terry o’quinn), an elderly man whose enlightenment namesake would have appreciated his belief in faith. prior to living on the island, an accident bound him to a wheelchair, unable to walk. this disability was the greatest curse of his prior life. however, upon landing on the island, locke awakes amidst the chaos of the crash and, as he lies incapacitated on the sand, notices that his toes can move for the first time in years. he walks. the look of wonder on his face is a clear indication of his new-found faith. now a firm believer in destiny and fate, locke repeatedly tells jack in their arguments that most things in life are “a leap of faith.”6 while both men seem to firmly believe in their own methods of coping and of searching for answers, neither manage to accomplish much; the island is still shrouded in mystery and although the survivors establish themselves there, it is indebris on rooftops near world trade center (courtesy of fema photo library) 63 trauma, fear, and paranoia explicably against their presence. at every turn, it thwarts their attempts at reaching a new level of normalcy. the island is their primary obstacle in healing following the trauma of the crash. however, as sturken explains in tourists of history, “american mythology clings tenaciously to the belief that one can always, heal, move on, and place the past in its proper context, and do so quickly”.7 even a man like john locke, who is physically healed by his appearance on the island and whose narrative most supports the idea that trauma and loss can provide a way to become a better individual, is unable to solve the questions that the island presents. this farcical belief that healing after a trauma can be done quickly—a concept that arose in the immediate aftermath of 9/11 in the frenzied attempts to clean and rebuild the urban wound of ground zero—is negated by the survivors’ trials on the island. they, unable to find answers for the many mysteries of their trauma and of the island itself, are caught in an emotional purgatory. similarly, life is clearly continuing beyond the bounds of the island. as shannon (maggie grace), a minor character in the first season, argues with her brother in the pilot episode, she shouts, “the plane had a black box, idiot. they know exactly where we are. they’re coming.”8 this suggests that the survivors are aware that life is continuing outside of the realm of their static life on the island, and yet they are never helped. they are literally left behind, and this seems to parallel the unhealed pain and fear following 9/11 in that both american society and the survivors on the island are trapped in their trauma, left unassisted while being caught in an inescapable cycle of paranoia and fear. many mysteries unfold in the subsequent seasons of lost, but as the series approaches its end few of the questions that arise are answered. the most decisive answer that the survivors get, however, is to the question of why the plane crashed and how they ended up on the island. the answer confounds them: it is their fault. prior to the fifth season, lost introduces many pseudo-scientific themes and it turns out that the island and its inhabitants are able to time travel. in a strange twist of events, the survivors of flight 815 are sent back to the 1970s and they detonate a hydrogen bomb, sucking themselves into a time warp and setting off a surge of electromagnetic strength that, ultimately, is the cause of their crash in 2004. prior to this revelation, however, the survivors had been blissfully unaware of their own role in their crash, much in the way that american society seems to have forgotten the preceding events leading up to the attacks of 9/11, instead choosing to view that day as a strange, unprovoked anomaly. sturken explains this well when she states that our society relies heavily upon, “the image of the united states as a country of pure intentions to which terrible things can happen, but which itself never provokes or initiates attack”.9 just as the crash of oceanic flight 815 was the result of a long standing, albeit warped, past involving the survivors themselves, the terrorist attacks of 9/11 were also the explosive result of decades of political tension between america and various arab states. however, while the survivors on lost are ultimately forced to confront their role in the events that led to that fateful plane crash, american citizens have yet to truly accept the fact that america, through a series of ill-advised political endeavors, helped to breed a climate in which the events of 9/11 could occur. in forcing the survivors to examine their past actions, lost in turn forces the viewers to dig deeper into america’s role in the lead-up to september 11, 2001. in a post-9/11 society that constantly reproduces and repurposes the culture of fear, paranoia, trauma, and terror that arose from the terrorist attacks, lost serves not only as a reproduction of the american response to 9/11, but also as an example of the ways in which america fell short in addressing the changes that occurred in society. through the imagery employed, the topics discussed, and the general themes of the show, lost is able to hold a mirror to the face of post-9/11 american society and provide a critique of how, if at all possible, americans can change the reflection they see staring back at them. endnotes 1. sturken, 26. 2. sturken, 27. 3. bush. 4. young, 45. 5. alsultany, 14. 6. lost, 2.3, “orientation”. 7. sturken, 14. 8. lost, 1.1, “pilot: part 1”. 9. sturken, 15. references alsultany, evelyn. arabs and muslims in the media: race and representation after 9/11. new york: new york up, 2012. anker, elisabeth. “villains, victims and heroes: melodrama, media, and september 11.” journal of communication 55.1 (2005): 22-37. 64 elements : : spring 2015 bush, george w. “9/11 address.” cnn. cable news network, 11 sept. 2001. lost (2004-2010). american broadcasting company. new york, new york. sturken, marita. tourists of history: memory, kitsch, and consumerism from oklahoma city to ground zero. durham: duke up, 2007. young, cynthia a. “black ops: black masculinity and the war on terror.” american quarterly 66.1 (2014): 35-67. 65 trauma, fear, and paranoia "a new model must be proposed that is not based on one language's strong link and the other language's weak link to the concept, but rather a dynamic link, which can switch strengths (or the amount of neurological activity it receives from the brain) between the two languages, regardless of the proficiency level in either language based on the active language." b i l i n g u a l l e x i c a l o r g a n i z a t i o n julie m c n a m a r a t h i s e x p e r i m e n t s t u d i e d l e x i c a l o r g a n i z a t i o n w i t h i n b i l i n g u a l s u n d e r t h e c o n c e p t h e a d i n g o f c o l o r . t h i s e x p e r i m e n t was c a r r i e d o u t u s i n g a c o m p u t e r p r o g r a m , t h e b i l i n g u a l s t r o o p t a s k , w h i c h a s k e d u s e r s t o n a m e t h e c o l o r o f a w o r d t h a t was f l a s h e d o n a c o m p u t e r s c r e e n , r e g a r d l e s s o f w h a t t h e w o r d i t s e l f s a i d . it s o u g h t t o c o m pare v a r y i n g a m o u n t s o f i n t e r f e r e n c e t i m e g e n e r a t e d by t h e s t r o o p e f f e c t a c r o s s d i f f e r e n t c a t e g o r i e s o f w o r d s ! w o r d s t h a t w e r e c o l o r r e l a t e d a n d w o r d s t h a t w e r e n o t c o l o r r e l a t e d . it was f o u n d , h o w e v e r , t h a t t h e m e r e p r e s e n c e o f i n t e r f e r e n c e in r e l a t i o n t o c a t e g o r i e s o f w o r d s was n o t s u f f i c i e n t for e x p l a i n i n g t h e p s y c h o l i n g u i s t i c i s s u e s s u r r o u n d i n g c o m m u n i c a t i o n b e t w e e n t h e t w o l a n g u a g e s o f a b i l i n g u a l , b u t r a t h e r t h e d e e p e r s t u d y o f a m o u n t s o f i n t e r f e r e n c e wit h r e s p e c t t o e a c h l a n g u a g e was n e c e s s a r y . "the stroop effect was used to examine several leading hypotheses about lexical organization in bilinguals." this paper wil l attempt to draw some inferences on lexical organization in the bilingual brain based on a study of french-english, greek-english, and spanish-english bilinguals through analysis of the amount of interference observed through a computer program, the bilingual stroop test (bst). interference is defined as the difference of time between the naming of the ink color of a word and the average time required to read color-naming words and to name ink colors. the stroop effect was used to examine several leading hypotheses about lexical organization in bilinguals. this experiment sought to research questions such as: is there a separate lexicon which is activated by stimuli of one language and not another? is there any interplay between the two languages at all? what is the nature of the link between the bilingual's two languages, i f there is one? the difficulty in proposing and supporting a model for lexical organization for bilinguals is manifold. first and foremost, the model must explicitly state whether or not it is going to argue for two distinct lexica, one for each language, or a mutated super-lexicon that is twice the size than that of a monolingual's and has its own system for demarcating li words from their l2 counterparts 1, where li is the english language and l2 is the foreign language. much research has been done on both sides of the issue. in a 1969 experiment which sought to understand the organization of the bilingual lexicon, the conclusion of total autonomy was reached due to results from a lexical decision task. in the task, study participants had to determine whether a string of letters formed a legitimate word or not. in that particular experiment, about half of the words were real and the other half, although phonologically sound, were not real words. 1 1 when considering the reaction times, which were within the expected timeframe of that of monolinguals, the researches were led to question how one could search through two lexica in the same amount of time that it took a monolingual to search through one. this was known and referred to as "the mantiness problem [since] how could we decide so rapidly that mantiness was not a word in english [or i n the l2?]" 1 1 1 another study, which argues for a single integrated lexicon, done in 1966 "showed that in recalling lists of unrelated words, subjects are influenced by the frequency of the presentation of a word even when it is presented in the other language." 1 v a lexical priming effect, which occurs when a presented word stimulates related lexemes of a concept, was evidenced in this experiment trough the difficulty experienced in recalling a list of unrelated words. it follows that a word that shows up once in li and once in l2, but which activates the same concept in the mind twice, is easier to remember than a word and its related concepts that are only shown once. there exist several theories that attempt to explain the relationship between words and their representations within the bilingual lexicon. of these, the concept mediation model, and its two subordinate theories of bilingual lexical representation wil l be examined herein. the concept mediation model and its subordinates assume a relationship between words in the lexicon that are organized not by phonological or orthographic similarities, but rather by association with abstract concepts. instead of the word "room" jointly activating the word "boom" (due to their phonological similarity), the concept mediation model, the word association model, and the multiple access model would argue that "room" would activate something more like "house". these three models share many similar characteristics except for their theories on the interplay between the li and l2. g u re 1-3 multiple access model v m concept • • i the bilingual lexicon. first published in 1935 by j. ridley stroop, l x the task had college students perform different identifying tasks involving color naming words written in different colored ink on different colored backgrounds. the students were asked to name the printed word, the colored ink, and the colored background. for the purposes of the bst, a modified stroop task was implemented. the tasks were adjusted to take advantage of the assistance of computers and to investigate the concept of interest. control data was collected by recording the average time needed to read color-naming words printed in black ink and the amount of time needed to identify the color of an arbitrary symbol (cf. xxxx). the background was a neutral color, to decrease the number of variables. in addition, words that were outside the concept of color were used alongside of the color naming words to verify whether or not there was an effect on lexical interference. the most significant aspect of the bst was the implementation of variable languages with respect to the stimuli and the completion of the task. this experiment sought to assess the validity of the various types of concept-based models. the testing of words outside the concept of color was done deliberately with the expectation that the interference would be higher than that from the mismatched color pairings. the reaction times for these tasks would be significantly higher than the test completed wi th color naming words because the color naming words would provide an additional lexical pr im-ing effect. the two conditions i n which the color naming word matched the color of the ink in which it was presented were expected to yield the lowest reaction times. a l l of these hypotheses were held across the cross-linguistic perspective, although the greek-english bilin-gual times were expected to be slower overall due to a compensation for the orthography of modern greek. m a t e r i a l s a n d m e t h o d s the experiment was conducted using sixteen test subjects. subjects were chosen based on the criterion that they were bilingual with english and either french, spanish,or modern greek. ideally the participant would have grown up hearing and learning both languages simultaneously, however exceptions were made for three subjects who had at least ten years of active partici pation with the second language. a control group of two participants also completed the task that did not have significant exposure to the l2. they were required to complete the experiment, with the exception that they were not asked to name the colors in a foreign language. e l e m e n t s s p r i n g 05 the word association model, as illustrated in figure i . i , argues that "languages interact at the lexical level, based on translation equivalents " v where the l2 is subordinate to the li by means of a subconscious translation effect. figure 1.2 depicts the concept mediation model, which argues that both li and l2 have direct access to the overarching concept that is controlling lexical activation. the multiple access model shares the same characteristics as concept mediation model except for a key difference shown in figure 1.3 that asserts that there is a connection between not only the shared concept, but also between li and l2. to accept any of the concept-driven models, regardless of which of the three one chooses to support, a valid and indepth definition of the "concept" must be established. for this experiment color was chosen because it has a complete one to one translation ratio between all languages. color was important as the overarching concept for another reason: colors exist everywhere in the world and everyone has had equal exposure to them. therefore, it was clear that the differences in reaction times between different languages was a function of the language or the mental processes involved in finding the right word as opposed to a function of categorizing and identifying a constituent of a category. having chosen to study concept mediation models and to use color as the concept, it seemed only natural to use the stroop task to unearth findings about the mechanisms of figure 1 concept mediation model vii spanish response english response spanish billingual interference time english color naming words printed in incongruent colors english color naming words printed in congruent colors creek color naming words printed in congruent colors creek color naming words printed in incongruent colors creek color non-color naming words printed in color 0.5 0 . 0 the task was presented on a laptop computer using a specifically designed program, bilingual stroop task, bst. al l interviews were recorded on a tape recorder for further data analysis and interpretation of results. a short tutorial session was administered on how to use the program and to get acquainted with the laptop. the participant was encouraged to complete a practice application to familiarize h i m or herself with the mechanics of the program. the importance of rapid response was also stressed to encourage applicable results. in the first task, the participant wil l press a button labeled "english" and read a list of five english color-naming words printed in black ink (blue, green, red, orange, yellow) pressing the space bar to advance the screen. in the second task, the participant wil l press a button labeled "xxx" in which a series of xs are presented that have been colored in with different colors (yellow, blue, green, red, orange) once again pressing the space bar to advance. the computer recorded the amount of time between space bar presses to calculate the data. they wil l name the color of those xs. i n the third task, the participant wil l be asked to name the color of a series of 25 words that are presented. this step is repeated, with the inclusion of instructions in the foreign language, except that the participant is instead asked to name the color of the ink in his or her l2. results this graph shows little conclusive data. over all of the categories, the test seems to have a generally longer interference effect when the task is completed in spanish, independent of the type of stimuli. the astonishing predominance of longer reaction times for the spanish language portion of this test can possibly be explained by the extreme variance of language competency seen among the spanish speakers. since earlier attempts to classify bilinguals based on their individual skill levels proved to be impossible, grouping weak spanish speakers who weren't speaking spanish regularly with extremely strong spanish speakers who professed that an english-spanish hybrid "spanglish" — was part of their daily speech pattern contributed to conflicting results. in addition, these results are suspect as two out of the six participants admitted to attempting to focus at a point on the screen to name colors without having to read the word. since these participants constituted one third of the sample set, no viable data are gleaned from this group, without further testing. this graph shows a strong trend: when the stimulus is in english, the interference time for naming the word in french is noticeably higher than the interference time for naming the word in english. the reverse is shown to hold true in naming french words in english. an exception is b i l i n g u a l l e x i c a l o r g a n i z a t i o n 86 the middle bar graph that shows that interference time for naming french words is considerably higher in french. this is firstly an indication that working with a small group of participants is likely to provide inconsistencies and secondly is a result of many of these data points being misnamed by participants. although in all (cross-linguistically) of the trials, the second word was the non-english word for 'orange' printed in orange, in the case of french, that word is printed with the same orthography as the english word. thus, it was ambiguous as to which language it belonged. by the time the next french color naming word printed in the same color appears on the test, it is the sixth word of the test. most participants, expecting difficulty with reading the color were thrown off guard by the congruency of the colors, and were likely to misname it. there were only five french speakers who completed the test, and three of them made mistakes in this data set. the speakers who named the colors correctly could have been slower, more cautious test takers overall, which would have contributed to a longer reaction time. it is interesting to see in this graph that as predicted, orthography does have a noticeable effect. the average time for reading colors and words was 1.058 seconds, as compared to the spanish average time of 0.755 seconds and the french average time of 0.678 seconds. almost all of the greek bilinguals, when compared to the spanish bilinguals were considered to be very strong. the reaction times for naming colors was proportionally larger, but the amount of interference seen is about the same as the other two language groups, as the longer control reading time is equally balanced by the longer experiential reaction times. in this data set, the trend that was hinted in the french data set becomes glaringly apparent. stimuli that were printed in greek took much longer to complete in english and vice versa. d i s c u s s i o n in considering the results and their relevance to the various posited models of lexical organization, conflicts arise. the concept mediation model seems to be an unlikely candidate for explaining bilingual lexical organization because of the differences in interference times observed for the li and l2 responses. i f language competition were not a factor and both languages could have equal access to the concept, then there would be no disparity in interference times for stimuli of li while the task was being completed in l2, or vice-versa. this was clearly not the case, so an ideal situation in which two separate lexica are permitted equal access to the overarching concept is not supported by these results. in considering the multiple access model, the results obtained do not seem to support the idea of two lexica, which both compete and communicate equally with each other. some evidence was gained for this view, such as speech errors during testing where during the english version of the bst a bilingual would accidentally lapse into his or her l2 and name the correct word in the incorrect language, but that view holds that one language is constantly dominating french response english response english color naming words printed in incongruent colors english color naming words printed in congruent colors french color naming words printed in congruent colors french color naming words printed in incongruent colors french color non-color naming words printed in color french billingual interference time figure 1 greek billingual interference time creek response english response english color naming words printed in incongruent colors english color naming words printed in congruent colors creek color naming words printed in congruent colors creek color naming words printed in incongruent colors creek color non-color naming words printed in color over the other, which would have to manifest itself in strong communication between the two languages. i f the two lexica were able to communicate with each other so completely, it would be unusual to see the difference in the amount of interference based on language, as shown in the french and greek data sets. i f the lexica for each language were really equal and granted the same amount of access to the concept, there should have been no difference in interference time. further, it would seem that due to the vast amount of communication available through the two lexica, that reaction times overall would be slower between both languages, even i f the l2 was significantly weaker than the l i . the word association model, however, is capable of explaining the results reasonably well. it does not assert that the two languages are always balanced and equal, instead it suggests that being a "perfectly balanced" bilingual is nearly impossible. there must be a stronger li , which has the most direct link to the concept. i f this is the case, however, that must mean that some degree of "back translation,"" the cognitive process of calling up a word in the stronger language, and then 'translating' to its equivalent in the weaker language, is going on between the li and the l2. this brings up an entirely different psycholinguistic issue, which reaches beyond the scope of this paper, but which is interesting to consider nevertheless. with the idea of "back translation" in mind, kroll and stewart propose a "revised hierarchical model"" 1 (fig 1.4) which seems to be the most accurate model of bilingual lexical representation figure revised hierarchical model xii in that it offers the predominant link to the concept from the stronger li but still allows for a weaker link from the l2. overall the experiment was highly enlightening and a success, but there were a few aspects that could have resulted in discrepancies in the data. the greek language test was unsuccessful in the control group subjects, since over half of the words were written in the greek alphabet and the subjects did not even attempt to read the words before deciding in which color the words were printed. this was a process acknowledged by the participants and shared with the interviewer. the result was an observed decrease in interference in the bst. in addition, in one example it took more time to read the ink color of the colored 'xs' than it did to read the color of the greek word. the greek test was originally chosen as a control element because of the average person's limited exposure to the greek language. it is clear from the sparse interference effects that were observed in the control group that taking the time to test monolinguals in a language whose alphabet they could at least sound out (and therefore would take the time to read) a much stronger stroop effect would have been noticed. in the cross-linguistic perspective, the greatest interference seems to have come in the experience of french-english bilinguals, who show almost one second of measurable interference in the fourth data. it was expected that the reaction times for the greek-english bilinguals would have been significantly higher than those of the other two bilingual groups, due to the added variable of orthography, but, as aforementioned, the initial delay in reading the control words balanced out the later delay in naming colors. in the case of the foreign non-color naming words printed in colored inks, a significant spike in reaction time was expected, but experientially it had a comparatively average amount of interference. this is doubly surprising because it seems to violate the rules of cognitive efficiency (in that a definition for a word from a completely different concept must be found, discarded, and then reanalyzed in terms of its ink color) but also because, at the conclusion of the test, many participants expressed the difficulty in naming the color of those particular words, because they were surprised by non color-naming words. while most of the data are extremely valid and telling, there is still the problem of the spanish data set. based on the extreme sensitivity of the stroop effect that the very nature of the spanish bilingual test was flawed. for example, when a spanish bilingual saw the word "orange" anywhere on the test, they might say "anaranjado," an extremely long word that takes a large amount of time on the stroop effect scale. this is because, when taking the test that was spanish color-naming words printed the same color ink, "anaranjado" came up as the second word, and slowed down the reaction time. this is significant when compared to the one and two-syllable words that were predominant on the french test. although greek words are comparatively long, e l e m e n t s s p r i n g 05 the test self-corrected for this as discussed earlier. the polysyllabic nature of spanish, when compared to the monosyllabic nature of english and french affected all of the groups of data points. it would have been a better choice to have used the word "naranja," since many spanish bilinguals substituted it anyway when orange reappeared on the test as a later data point. another difficulty was found in the location and placement of the actual test data. the bst used two colors that the original stroop test did not: pink and yellow. pink was the color most often forgotten by weaker bilinguals. in addition, the specific hues for black and brown caused some confusion in that they were both identified as black or both identified as brown for 3 out of the 16 participants. the colors should have been calibrated to eliminate ambiguity. as a result, some of the data collected which were completely inconsistent due to outside stimuli and unrelated to lexical organization, were discarded. c o n c l u s i o n this experiment hypothesized that interference times would be relatively stable across all tested categories with a huge spike of interference in the category that included non-color naming words since a completely different cognitive process is suspected to be involved in retrieving words from a different category. this hypothesis was not supported, as the non-color naming word results were of comparable interference times to the others. following from this conclusion, attention was deflected from comparing simple amounts of reaction time to where and why interference was occurring. the varying competency levels of the participants posed a significant problem, as well as the multiplicity of languages studied. a n in-depth study of one language would be more beneficial for future research. in addition, a more precise method for having the participants self-assess their own language ability should have been used: most notably the likert scale, utilized by delia kothmann in her stroop effect experiment, which asks a series of questions relating to perceived ability in speaking, writing, and auditory comprehension, as opposed to the nebulous interview questions posed by the researcher in this experiment. it is necessary for further research to separate the subjects based on their language skills. i f bilingual competency can be quantitatively established, then the study can more evenly compare interference times, which would provide more telling results, and could perhaps support a different model of bilingual organization. the results of this study have shown that the revised hierarchical model is not an adequate representation of lexicon organization. a new model (c.f. fig 1.5) must be proposed that is not based on one language's strong link and the other language's weak link to the concept, but rather a dynamic link, which can switch strengths (or the amount of neurological activity it receives from the brain) between the two languages, regardless of the proficiency level in either language based on the active language. this revision fully supports the results: i f the stimulus is an english word and the task must be completed in a different language, there should be an easily measurable interference effect. in this experiment, it was found that the amount of interference between the two languages is completely dynamic. since there is more interference when naming foreign mis-colored words in english, some type of different language mode is "switched on." with the results observed from the later part of the experiment, in which the english mis-colored words took longer to name in french or spanish, it is evident that the bridge between the language and the concept is able to "switch back." once in the french or greek language mode (and vice-versa for results observed while in the english mode) it seems as i f the brain suddenly decides to treat english words as i f they are foreign and need to be translated before a decision about their ink colors can be made. in this way, the true complex nature of the bilingual is discovered, because i f there are back-translating effects, they are happening from both directions. in this model the stronger link which is shown in the revised hierarchical model is here intended to be dynamic and able to become the stronger or the weaker link depending on what type of input is coming in . in addition, this model attempts to show the constant, bidirectional, backtranslation effect. b i l i n g u a l l e x i c a l o r g a n i z a t i o n to take this study of bilingual lexical organization further, it is clear that much attention and focus needs to be shifted from the various concept mediation models, all of which have some basis for merit, although the revised hierarchical model, along with the recently revised model, based on the results of this experiment stand out as the most relevant and satisfactory. they focus on the mechanics and cognitive psychology surrounding "back translation" and its relevance to the idea of concept mediation, as discussed in salamoura and william's paper. there is obviously a deeper neurological network that connects words to each other, as kothmann notes in her "hidden units" in a parallel cognitive processing model. parallel in that the stroop task is taxing the attention, visual, and language centers of the brain, which far exceeds the scope of this psycholinguistic paper. this demonstrates that there is much going on below the surface of even the most intricate processing models. x l i i the results provided by the interference in both the frenchenglish bilingual task and the greek-english bilingual task point to a strong correlation between the input language of the stimulus, the output language of the participant, and the related stroop induced interference effects therein. e n d n o t e s i grosjean (1982) i i nicol (2001) i i i nicol (2001) iv grosjean (1982) v bhatia and ritchie (2004) vi kothmann (2004) vii kothmann delia (2004) viii kothmann (2004) ix http://psychclassics.yorku.ca/stroop/ x salamoura and williams (2001) xi salamoura and williams (2001) xii salamoura and williams (2001) xiii salamoura and williams (2001) references bhatia, tej k., and ritchie, wil l iam c . 2004. the handbook of bilingualism. blackwell publishing ltd. grosjean, francois. 1982. life with two languages. harvard university press, cambridge, ma. kothmann, delia. 2004. "stroop effect in spanish english bilinguals." ma thesis. rice u. nicol, janet l. 2001. one mind, two languages. blackwell publishing ltd., 2001 rosselli, monica, alfredo ardila, mirtha santisi, maria del rosaria arecco, judy salvatierra, alexander conde, and bonnie lenis. stroop effect in spanish-english bilinguals. department of psychology, florida atlantic university, davie, fl. november 2001. salamoura, angeliki. , and john n. williams. backward word translation: lexical vs. conceptual mediation or 'concept activation' vs. 'word retrieval?'. research center for english and applied linguistics, university of cambridge. http://psychclassics.yorku.ca/stroop/ e l e m e n t s s p r i n g 05 http://psychclassics.yorku.ca/stroop/ http://psychclassics.yorku.ca/stroop/ i n c o r p o r a d o s : the art of ana mendieta t h e a r t o f a n a m e n d i e t a , t h o u g h s t i l l l a r g e l y u n r e c o g n i z e d , h a s a n i m p o r t a n t p l a c e i n a r t h i s t o r y . n o t o n l y i s i t s i g n i f i c a n t t o t h e d e v e l o p m e n t o f n e w w a y s o f c r e a t i n g a r t , b u t t h e i d e a s p r e s e n t e d c a l l i n t o q u e s t i o n c o m m o n l y a c c e p t e d a t t i t u d e s o f a m e r i c a n s o c i e t y i n r a d i c a l w a y s . i n h e r r e j e c t i o n o f t h e g a l l e r y s p a c e a n d t r a n s f o r m a t i o n o f p e r f o r m a n c e a r t i n t o s c u l p t u r e w o r k s , i n t o a r t a s a d i s a p p e a r i n g a c t , m e n d i e t a e x p l o r e s t h e s h a k y b o u n d a r i e s o f w h a t a r t a c t u a l l y i s a n d c o u l d b e . i n t h e s e e x p l o r a t i o n s , s h e d i s s e c t s t h e i d e a o f i d e n t i t y a n d g i v e s a n e w d e f i n i t i o n o f i t o n h e r o w n t e r m s . t h i s e s s a y e x p l o r e s m e n d i e t a ' s m o s t l y i g n o r e d e a r l y w o r k s i n c o n j u n c t i o n w i t h h e r m o r e w e l l k n o w n l a t e r p i e c e s i n o r d e r t o g i v e a m o r e f u l l e x a m i n a t i o n o f b o t h t h e i d e a s p r e s e n t a n d t h e i m p o r t a n c e t h e w o r k h a s b e y o n d h e r o w n p e r s o n a l l i f e a n d t o t h e w h o l e o f s o c i e t y . "her work is based on the belief that there is no one true way to statically define identity and that true identity can only be found in the rejection of individuality." ana mendieta's work consists of revolutionary concepts. it revels i n calling into question traditionally accepted views of life and society as a whole. one of the most commonly recognized concepts of human life is the notion of personal, individual identity. i n general, most people assume that they are all individuals and find their identity aligned i n a fixed way with their own race, gender, heritage, creed, and political status. due to her own complicated upbringing, mendieta was not will ing to accept the conventional notions of identity as a fixed concept. her work is based on the belief that there is no one true way to statically define identity and that true identity can only be found i n the rejection of individuality. her beliefs stem from a profound understanding of the afro-cuban mystical religion of santeria. using the culture of santeria and her own personal beliefs, mendieta's artwork expresses the problematic connections between traditionally opposing forces and the complications of commonly understood concepts. she matured through her work by exploring innovative ways to create that, in their own definitions, challenge traditional views of art itself. through the progression of her work, mendieta formed a sophisticated way of exploring and uniting the boundaries between supposed opposites. she walked a tenuous line between meanings which served to enrich her work with a multitude of underlying implications. although her artwork does not find its sole basis i n biography, it is important to understand the upbringing of ana mendieta in order to appreciate how she came to her radical views later i n life. mendieta was born to a privileged family in cuba; however, as a teenager, mendieta was sent to the united states as a part of the catholic-based initiative, operation pedro pan, to escape the dictatorship of fidel castro. she was bounced from orphanage to foster home and back again in different iowa neighborhoods, never really finding one true place to call home. during these formative years, mendieta was treated as an "other." she had no family to remind her of her own heritage and strong background or to help her cope with being in this strange new place. she lived in neighborhoods where she was one of a very few latins and has stated that she felt isolated and ostracized by other children and adults. because of this particular situation, mendieta developed a different way of looking at herself and her own identity. she was uprooted from the homeland with which she would have traditionally associated her identity. her sense of identity, and what it means to have one, was complicated by her own situation. instead of remaining confused and searching her whole life to find one true identity, mendieta used her artwork as a means of complicating and reversing traditional views of identity as a fixed, immovable thing. through her work she attempted to expose the complications that arise from fixing identity, in a gendered, political, or social sense. e a r l y w o r k i n her earliest experiments with this concept, mendieta attempts to call into question the most basic forms of identification. in her series, facial cosmetic variations from 1972, mendieta photographs the facial distortions that occur as she dons different colored wigs and paints her face with theatrical makeup to change her skin tone. the effects are so subtle that in each picture it appears to the viewer that he or she is looking at a completely different person altogether. through very little effort on her part, mendieta plays with the most personal aspect of a human being's individuality, his or her own face. by showing that she can manipulate her face into something that is entirely e l e m e n t s s p r i n g 05 foreign to how she actually looks, mendieta exposes the problem with fixing one's own identity on facial features. she uses herself as a clean slate to question the notion of true individuality. i n her m.a. thesis project, facial hair transplant from 1972, mendieta goes further in her investigation by exploring and challenging the notion of gendered identity. here she documents the transplant of the freshly-shaven beard of her male friend, morty sklar, to her own face. his hair color matches hers almost identically and the transition from female to male is almost effortless. she says of the piece in her thesis statement, "after looking at myself i n a mirror, the beard became real. it did not look like a disguise. it became a part of myself and not at all unnatural to my appearance."1 by simply gluing hair onto her face, mendieta straddles a line between the sexes and exposes the complexity of commonalities between the two. as lane blocker explains, "by working with the conventions of the binary to represent identity but being unable herself to fit their regulatory practices, her work exposes their untenability." 1 1 she suggests, as she did i n her facial cosmetic variations, that she can inhabit the identity of a male even though she is only altering her surface appearance. she represents maleness with facial hair; however, i f a woman can just as easily take on that particular part of the male identity, how firmly rooted is that gendered identity? i n her glass on body series from 1972, mendieta further challenges the notion of gender by using a glass sheet to distort the forms of her naked body, most successfully in the piece where she completely eliminates her nipples and distorts her breasts; she blurs the edges between male and female, creating an alternate human form. according to gill perry," she both takes control of the experience, directing the viewer's gaze towards the ways in which a woman's body might be abused or disfigured (as, for example, through rape) and alienates herself from it, creating a more emblematic image." 1 1 1 in part of the same series she presses her face against the glass, violently distorting her features, producing an almost grotesque and inhuman creature. here she exploits the human form i n ways to disassociate it with any kind of gender identity. mendieta's lack of roots from childhood caused her to research where she came from during her more adult years. she found a strong connection with the religion of santeria, which furthered her efforts to challenge traditional values and concepts present within society. the religion of santeria does not connect with modern, american notions of identity, life, or death very well. santeria practice and mythology places an importance on the connection of seemingly opposing forces. mendieta's performances expose the falsehoods of traditional views on fixing identity to external characteristics. she attempts to apply a santeria explanation to modern day societal problems. i n f l u e n c e of s a n t e r i a through the influence of santeria, mendieta uses her talents and abilities to try and uncover what has been hidden from the waking world. her early opposition to the "secrets" that are kept in modern society perhaps grew out of her anger and reaction to the rape and murder of a fellow student at iowa university. this personal situation which confronted mendieta caused her to react i n a surprisingly radical way. her performance art pieces which she entitled rape scenes, present a startling and gruesome look at the reality that is covered up by our world. "these works, made as feminist statements of protest, graphically depicted the horror and brutality of this everyday occurrence which is so ineffectively addressed by the police and legal system." 1 v mendieta would invite friends, professors, and students either to an "art happening" or simply over to her apartment for the evening. before they were scheduled to arrive, mendieta would stage herself in such a way so to appear as i f she had been raped and murdered. guests would arrive under the false pretence of a casual event or gathering of people, only to be confronted with the horrible and terrifying reality of the rape of a woman. instead of covering up these awful occurrences, mendieta exposes them to the public in order to instigate an upheaval of their mental reliance on the media. she in turn also gives more meaning i n c o r po r a d o s : t h e a r t o f a n a m e n d i e t a to the appalling events by giving them a real, raw quality for the public to see. mendieta's art work is an attempt to break away from tradition, to form a new way of seeing the female form, liberated from male desire; her "use of the female body as a naked protagonist, not as subject, but as woman unclothed, unveiled, potent and sexual, is radical." v ana's rape scenes show a gruesome defilement of the female body; however, they turn the focus from the victim to the participant. the entire event is staged in order to force the viewer to confront the physicality of their own presence somewhere that they have not expected to be. they are the only active participants in the scene, as the subject has been "murdered." the acknowledgement of the viewing of the aftermath of a scene that only the perpetrator might see, implicates them in the crime. this personal experience of the piece serves to free the raped woman from the silence of the crime she suffers. the recognition of the event has an element of power in it. mendieta's close ties to santeria illustrate her more complex understanding of these different levels of identities and meanings. in particular, she begins a direct dialogue with a more complicated notion of blood and the sacrifice. ritual sacrifice is a central part of religious life to practitioners of santeria. the sacrifice is not treated as a victim, but as a transcendent being giving its divine force to the one offering it to the gods. "the rituals of santeria are intended to reinforce and strengthen the orisha (god) while bestowing ashe on the believer. ashe is power, divine power, the grace of god, the life force of god... blood has ashe. blood also contains the potentiality of life and is a symbol of l i fe . " v i her rape scenes expose this complicated nature of the sacrifice. violence and sacrifice in the myths of santeria and pre-colonial religions existed not as forms of punishment or horror, but as integral tenets of life. one story involving the origin of woman, which ana wrote about for a book she planned on publishing, centers on a woodpecker, "taking the women who had no sex, they bound their hands and feet and tied the bird to their bodies. the woodpecker began to work where the sex of women is ordinarily located. " v 1 1 this violent story about the carving out of woman's genitals by a bird's beak was intended to be accompanied with a quiet and unassuming drawing of a figure's silhouette on a leaf. the juxtaposition of the horrifyingly graphic with a kind of tenderness is something that mendieta wi l l use later in her work. she may be even illustrating this myth in her performance piece bound woman of 1973 in which she rolls and writhes around naked on the floor with her arms and legs bound together. in this story, sacrifice is illustrated and played with almost as an initiation rite or rite of passage for women. women and birds are often conflated within mendieta's work. this is especially important due to the predominance of the chicken in santeria sacrifices. in her piece entitled feathers on a woman of 1972, mendieta glues white feathers to the entire face and body of a nude woman so that only her hands and genitals are left exposed. in the photographs she takes of her subject, mendieta poses the woman i n a proud and forceful way. her female sexuality, the source of life, confronts the viewer in its essence, completely unapologetic. i n a piece executed in the same year, death of a chicken, mendieta sacrifices a live white chicken by having its head cut off. she lets the chicken's blood flow out of its decapitated body, staining its own virginal white feathers, and holds it upside down while it fiercely struggles with its last dying impulses, splattering blood all over her body. the dying blood pouring out of the flailing chicken has a primal, spiritual energy that perhaps only a sacrificial entity in that last dying moment can contain. here the images of blood and sacrifice are viewed as positive. in light of this perspective, mendieta's rape scenes take on a new significance. as a sacrifice, the woman is the ultimate victim of traditional notions of male desire; however, mendieta wishes to distort this view in order to give the woman's death more profundity and significance. as mary jane jacob suggests, "mendieta began to invest the image of blood with an ancient meaning and its more positive e l e m e n t s s p r i n g 05 interpretation in santeria as the essence of l i f e . " v m by associating the raped woman with a sacrificial being, she calls forth the complicated notion in santeria of blood sacrifice as a source of power, divinity, and life. santeria taught mendieta that life and death, male and female, violence and nurture are all concepts that exist i n direct connection with one another, not in opposition. mendieta's art attempts to explore this instability i n a visual way. mendieta often quoted octavio paz in her artist's statements, saying, "our cult of death is also a cult of life i n the same way that love is a hunger for life and a longing for death." l x in this sense, a scene of death or murder is at one time a place of intense violence, but with that death, a kind of power and life for the victim may be found. later w o r k the silueta series, perhaps mendieta's most well known work, shows the movement of her art toward a more primal state. she wishes to insert herself within the land, but she also is well aware of her own physical limitations and the fact that there is no real way to do this other than through death or burial. she solves this problem by tapping into a different way of seeing herself; she "evokes the body (and its death) through memory and association, rather than through more obvious signs of violence and mutilation." 5 4 instead of using her body physically, she uses her shadow image, or silhouette, to make marks into the terrain i n various ways. by doing so, she relinquishes her own personal identity as it is known in the bodily sense and offers the earth the imprint of herself. she leaves her own mark on the earth and relishes in its ability to absorb it back into itself. in this way she is also furthering the ideals of performance art i n the fact that these supposed sculptures are intended to disappear. they are inherently impermanent, intended as momentary glimpses of the human form which wi l l sooner or later, depending on the process involved, be consumed by the power of nature. in many pieces, she carves and sculpts her outline into the earth and mud, allowing it to be eaten away and reappropriated by the landscape over time. in another piece, she allows the ocean's tides to take away her silhouette that has been filled in with red flowers and berries. these pieces exist as a trace of abstract sculpture and self portrait, male and female, earth and body, at once solid and present and at the same time decomposing and absent. due to many factors mendieta's work is often marginalized by critics. due to the time period and her presence i n the circumscribed feminist sector of art, she is often written off as a goddess worshipping artist. her use of the earth as a mode for creation juxtaposed with her feminist leanings also traps her i n the category pertaining only to feminist issues. in the same instance, her complicated background and use of her own body forces her into the categorization of a narcissistic self-worshipper. it is thoroughly impossible to suggest that any one of these criticisms is wholly right or wrong. one is able to assert, however, that there is an element of truth to each one, but that no one meaning or explanation can be attributed to her work. her critics may have all been partially right in their categorizations, however in fitting slightly into all of these categories, she thus resists specific classification. in her choice of performance art as a medium, mendieta's work functions both with and without an "author." while bits of her biography, personal beliefs, and politics filter i n through the works, their explanation does not rest on them. while she does work within the confines of what is known as the feminized earth, it is mendieta's interest in the complicated notion of the purity of nature and the land that causes her to work in this field. land and the earth have been associated with the female body for centuries, and for centuries, just like the land, the female body has come to be known through a culturally constructed sense. keeping with her theme of the more complicated notion of identity, mendieta suggests that just as gender is a culturally constructed, and thus a false marker of identity, so are the culturally constructed territories of the land. she executes her pieces in different parts of the world with the same style. they function as a whole unit and are not noted to have any particularities in them other than what nature had ini n co r p o r a d o s : t h e a r t o f a n a m e n d i e t a tended (i.e. in different climates or natural zones, such as forest or ocean). the natural and thus more pure and true delineations of identity that exist in the land are more important to mendieta than the superficial ones suggested by cultural confines. critics also often come to the conclusion that mendieta's silueta series represents the culmination of an ongoing search for a personal identity. mendieta has previously outlined i n her speech entitled "art and politics," her belief that art is intended for a high, noble purpose: exi le ." x m the emphasis on disappearance and remaining unmarked by time and place is at the forefront of these works. the power of the physical terrain to remain unchanged by politics and societal conventions is where mendieta finds solace and power. c o n c l u s i o n mendieta furthered the santeria belief that there is not one individual or national identity, in a spiritual sense, but there is only the concept of "the all." i n an artist's statement mendieta explains: 'art's greatest value is its spiritual role and the influence that it exercises in society, because art is the result of a spiritual activity of man and its greatest contribution is to the intellectual and moral development of man." x i critics tread upon the essentialist view that her work can be summed up as an autobiographical journey, landing ultimately in moments in her works where she places herself within the earth, finding a constant source of fixed identity from which to define herself. more refined interpretations would suggest otherwise: "the persistent characterization of mendieta's work as signifying her personal loss, a loss forced on a member of the so-called third world by the west, works only to rehearse the script of dominance and submission on which both colonialism and imperialism are based. " x i r i n fact when looking at her work and writings at the time, all evidence points to mendieta's reveling in the concept of loss and exile. she does not align herself with any one nation in her siluetas, rather she inserts them into the ground of iowa, new york, mexico, rome, and cuba in the same way. her longing was not one for a nation to identify with, but an all encompassing force to let go within. for mendieta, the earth provided such an option because it "is not a place but a ubiquitous concept, one that makes national identification uncanny. that is, to identify herself with the 'earth' and not with cuba or the united states means that mendieta can sustain rather than assuage my art is grounded in the belief in one universal energy which runs through everything from insect to man, from man to spectre, from spectre to plant, from plant to galaxy. my works are the irrigation veins of the universal fluid. through them ascend the ancestral sap, the original beliefs, the primordial accumulations, the unconscious thoughts that animate the world. there is no original past to redeem; there is the void, the orphanhood, the unapprised earth of the beginning, the time that from within the earth looks upon us. there is above all the search for origin.xlv mendieta formed her concept of identity as orphanhood and a loss of origin. identity then becomes, logically, a form of exile and isolation. jane blocker explains that in accepting this paradox there is actually "no essence, only the search for essence; there is no identity, only the name; there is no origin, only the cinder"5™ mendieta's work asserts that there is no real origin or true meaning, only the search for this origin and the interplay between different meanings. in her use of her deconstructed body she has not found the origin, but has begun to create a search for that origin. e l e m e n t s s p r i n g 05 by creating her siluetas, mendieta attempts to create a collective identity for both herself and perhaps even the whole of human kind. she inserts her earth sculptures into the land untouched by markers of time or place. in doing so, she suggests that history and culture do not exist in a linear sense, but can be understood as more of a collective understanding amongst peoples. as mendieta herself asserts, " i t is because culture is a historic phenomenon that we must refer to it not just in past and present tense but i n the dialectical effect one has on the other, as well as dialectically with other cultures... civilization emerges as the gathering and use of past experiences, more or less done i n an intuitive way."™ in the human being's quest for the origin and thus identity, which wi l l inevitably turn up without an answer, he submits himself to the power of communion with others. in that submission to the community of the all, the collective search for origin becomes the origin in a sense. mendieta's "imagined community crosses all territories, escapes all border guards, can be found anywhere on the planet, [and] is tied neither to language nor to race."xvii the messages and memories collectively conveyed throughout the past and into the present to formulate a kind of shared and universal identity are what mendieta attempts to elevate, give power to, and spread throughout the world. i f the viewer accepts mendieta's deconstruction of the commonly accepted notions of gender, identity, and basic human experiences, such as life and death, he or she can better enter into mendieta's rather different and innovative world. in this world, the person occupies no place, no time and is, in effect, no one. however, in this loss of national, gendered, and individual associations, transcendence from the falsehoods and masks of modern day society can be attained. i f one can separate oneself from these everyday associations, then maybe life can be lived better and more fully. mendieta's work was tragically never allowed to develop past september 8th of 1985. her fatal fall from a 34th story window marked the end of her life and career. her works, however, still live on as reminders of both a particular time in history and also a universal fluid that runs through all time and cultures. e n d n o t e s i mendieta, (164) i i blocker and mendieta, (49) i i i perry (173) iv jacob (193) v sabbatino (150) v i jacob (192) v i i mendieta (185) v i i i jacob (193) ix merewether (101) x perry (173) xi mendieta (167) x i i blocker and mendieta (82) x i i i blocker and mendieta (78) xiv blocker and mendieta (34) xv blocker and mendieta (34) xvi mendieta (171) references blocker, jane, and ana mendieta. where is ana mendieta? identity, performativity, and exile. durham nc: duke university press, 1999. jacob, mary jane. "ashe i n the art o f ana mendieta." i n santeria aesthetics in contemporary latin american art, ed. arturo lindsay. washington: smithsonian institution press, 1996. mendieta, ana. "art and politics." i n ana mendieta, ed. gloria moure. centra galego de arte contemporanea, barcelona: ediciones poligrafa, 1996. mendieta, ana. "cultural warfare: the struggle for life." i n ana mendieta, ed. gloria moure. centra galego de arte contemporanea, barcelona: ediciones poligrafa, 1996. mendieta, ana. "personal writings." i n ana mendieta, ed. gloria moure. centra galego de arte contemporanea, barcelona: ediciones poligrafa, 1996. merewether, charles. "from inscription to dissolution: a n essay on expenditure i n the work of ana mendieta." i n ana mendieta, ed. gloria moure. centra galego de arte contemporanea, barcelona: ediciones poligrafa, 1996. perry, gill . "the expanding field: ana mendieta's silueta series," i n frameworks for modern art, ed. jason gaiger. new haven: yale university press, 2003. sabbatino, mary. "ana mendieta: identity and the silueta series." i n ana mendieta poligrafia, 1996 i n c o r p o r a d o s : t h e a r t o f a n a m e n d i e t a "historically, the russian people are understood as a mass molded by two forces: the rulers and the intelligentsia." t o d a y ' s r u s s i a n i n t e l l i g e n t s i a a new role in the post-soviet political order q u i n t i n b a r n e s a v i b r a n t i n t e l l e c t u a l c l a s s is an i n t e g r a l c o m p o n e n t in a n y h e a l t h y s o c i e t y . t h e i n t e l l i g e n t s i a d e v e l o p e d in r u s s i a in t h e n i n e t e e n t h c e n t u r y a n d a r e h i s t o r i c a l l y d e f i n e d by h i g h m o r a l p r i n c i p l e s , j u s t i c e , f r e e d o m , r u l e o f law, a n d t h e i r r o l e as p r o d u c e r s o f t h e p r e d o m i n a n t r u s s i a n d i s c o u r s e . in t h e p o s t s o v i e t p o l i t i c a l p a r a d i g m , i n t e l l e c t u a l d e v e l o p m e n t was n e e d e d m o r e t h a n e v e r . h o w e v e r , i n s t e a d o f an e m e r g e n t i n t e l l e c t u a l c l a s s f r e e f r o m g o v e r n m e n t c o n t r o l , t r u e i n t e l l e c t u a l s w e r e u n a b l e t o t r a n s f o r m in t h e i n t e r i m y e a r s a n d s u b s e q u e n t ly r e t r e a t e d f r o m t h e f u n ct i o n s t h e y h i s t o r i c a l l y p e r f o r m e d . t h e i n t e l l i g e n t s i a w e r e c o o p t e d by t h e p o s t s o v i e t r u s s i a n g o v e r n m e n t m u c h as t h e y w e r e in t h e s o v i e t u n i o n . e v e n t h e w o r d h a s l o s t its s o c i a l v a l u e t o d a y as a d i f f e r e n t c l a s s o f s o c i a l e l i t e s is i n c r e a s i n g l y p r o m o t e d in m e d i a a n d p o l i t i c a l c i r c l e s . s o m e g r o u p s s t i l l r e m a i n t r u e t o t h e t r a d i t i o n a l i n t e l l i g e n t s i a , b u t t h e y a r e t h e f e w w h o k e e p t h i s i m p o r t a n t r u s s i a n s o c i a l c l a s s a l i v e . henceforth, a poet will be . . . well, just a poet, vying on the bookstalls with angelique, james bond and horoscopes. this is a change of history of russian culture which may prove as profound as the collapse of communism.1 — simon franklin, cambridge slavonic studies. august 28, 1991artists, literary scholars, academics, critics, and other members of the intelligentsia, like poets, were forced to transform during the emergence of a post-soviet political order. the problem of understanding who the intellectual has become is one of interpreting cultural forces. historically, the russian people are understood as a mass molded by two forces: the rulers and the intelligentsia. while the ruling class changed throughout russian history, the intelligentsia remained the conscience that spans time to give the mass shape, voice, and direction. despite its potential after the soviet collapse, no vibrant social intellectual force emerged i n its traditional role to provide the guiding discourse. the identity of russian intelligentsia is complex, and to explain its phase shifts and historical importance is difficult. to understand the intelligentsia's absence as a critical agent of social and political production i n russia today requires understanding the historical identity and importance of the intelligentsia, its particular constitution during different eras of russian history, and a closer look at how the intelligentsia adapted and was forced into a subordinate role i n the post-soviet environment. in its purest sense, the notion of "intelligentsia" is a russian invention since employed to help explain similar social groups and cultural phenomena i n other regions. despite its clear origin, some scholars suggest it has lost any objective meaning. 1 the intelligentsia has been responsible for much of the political, ideological, and cultural transformation in russia and is traditionally associated with civic opposition, high moral principles, incisive moral criticism, and freedom as a necessity for social justice, human rights, and the rule of law. the roots of the term are traced to the 1800s, especially the 1830s and 1840s when democratic ideas first penetrated the student consciousness, but "intelligentsia" was not used widely unti l the 1860s and 1870s when it became associated with the educated classes and the socialist, revolutionary class. the term continued to gather meaning i n the early 1900s as it became associated with a burgeoning class of professionals and intellectuals. one common element is an "otherness" understood both positively and negatively. the intelligentsia understood its role as the engine of "real" russian progress, but this otherness also manifested itself i n a perceived alienation, depicting the intellectual as out of touch with mainstream society. v 1 regardless of the differing perspectives, there is a consistent notion of isolation, especially from the state autocracy. the intelligentsia gained special status through passionate personal engagement i n ethical questions that separated the group along different national, social, and ideological lines. v n intellectuals are often classified as noble, but the russian nobility, like the intelligentsia, was historically multidimensional: rich, poor, rural, urban, and occupying a variety of posts. thus, the "class" distinction is problematic. additionally, proximity to authorities, wealth, and social status were not traditionally considered a sign of intelligence or talent. v m a generational variable also must be addressed because, as ideological foundations passed from father to son, the shape of intellectual society shifted accordingly. historian and philologist yuri lotman denies any class identification of the intelligentsia and rather defines the group as people who acted from conscience and shame rather than fear and profit . l x the soviet era drastically changed the traditional concept of russian intelligentsia, clarifying the identity of this eclectic group. the soviet intelligentsia became the "broad occupational stratum similar to the bureaucratic, managerial, and technical elite referred to frequently in western studies of modernizing countries."x these intellectuals, however, were mired i n soviet ideology, characterized by inclusion rather than otherness, and underscored the cooptation of the intellectuals under the soviet regime. the more traditional intelligentsia was forced to do intellectual work for the party and the working class. under lenin and the party, the prevailing bolshevik vision of the intellectual was "thinskinned, detached from life, incapable of taking action and unwill ing to get his hands dirty." the departure from the traditional cultural value of the intellectual is clear. perhaps the best way to understand the intelligentsia is as a subculture—loosely associated individuals with varied structural roles, ideas, and opportunities, as well as diverse relationships with the state, bureaucracy, and each other. the advantages of the subculture distinction are its emphasis on disassociation, focus of values outside normal russian society, and its mutability. a subculture shifts form to align with changing empirical conditions. as noted before, the traditional intelligentsia was not particularly identified with authority, power, wealth, or social status, whereas many of today's intellectuals are public figures who value material goods and the state and break from the traditional intelligentsia mold. implications of the connection with the bureaucracy and, having thus cleared the bad conscience predicament once and for all, i n good conscience assumed the right way of life, prescribed by the communist state. " x m the intellectuals i n this group were successful within communism's framework, comfortable with it, and produced the dominant cultural discourse. the second group is smaller and well-educated, defined by their inability to move up the soviet social scale. the distinction comes from their emphasis on "actual" intellectual achievement rather than capitulation to communist hierarchy and the party's monopoly on professional success. they believed the genuine intelligentsia should not be bureaucratic and were often considered dissidents. i n their society, this group produced the majority of true intellectual discourse and held positions such as lower journalists, talented writers rarely published, lower assistant or associate professors, and some creative artists. this classification is the most troubling; while they differentiated themselves enough to be depicted as the intelligentsia of a group, they often acted as intellectuals from the first category. "the soviet era drastically changed the traditional concept of russian intelligentsia, clarifying the identity of this eclectic group." i n his extensive analysis of the russian intelligentsia, alexei elfimov differentiates three intellectual groups. based on the soviet era, his classification characterizes the bureaucratization of the intelligentsia and the divisions the inherent contradiction the term "soviet intelligentsia" implied. the first and largest group consists of individuals who held positions of power, management, or control over cultural production and occupied posts i n journals, newspapers, film, tv, radio, or as art producers, department heads, deans, or academics. this group "dismissed moral the final classification is the smallest group: those who believed i n the traditional oppositional and alien role of the intelligentsia (like the second group), but were responsible for actual dissidence and opposition. unfortunately, few managed to navigate the soviet era and survive. many were sent abroad or to the gulag. their important role was to consolidate and maintain the identity of the true intellectual, even i f only as martyrs. a modern example of this category of intellectual is journalist anna politkovskaya, whose death showed that fear still exists to quash outspot o d a y ' s r u s s i a n i n t e l l i g e n t s i a kenness and underscored the gap between those who serve the state those who serve the public. x l v despite constructing this classification based on conditions of the late soviet era, elfimov's demarcation is also useful to analyze mobility and production of different intellectual groups after the soviet collapse. the term "intelligentsia" is still widely employed but is now accompanied by the question, "which type?" although there is less political violence in today's russia, the state maintains an important role i n intellectual and cultural production. using elfimov's account today, the regime and bureaucracy can generally be inserted i n place of its soviet counterpart. i n his classification, comfort and proximity to the communist regime becomes comfort with current nationalistic policy, authoritarian characterization, and materialism. capitulation, participation i n the regime, and departure from the traditional intellectual role remain the differentiating criteria. using this understanding of the russian intelligentsia to analyze today's political and cultural order, the question becomes: "with glasnost, perestroika, and the fall of the soviet regime, why did the third class of intellectuals not reinvent themselves as the influential, widely-recognizable intelligentsia, the engine of thought and real progress? i n the mid-nineties, how can the intellectuals possibly be associated with power, corruption, failure of liberal democracy, and deference to the state?" only through the analysis of the intelligentsia's hisjournalist anna politkovskaya was found shot dead in the elevator in her apartment. torical antecedents can the shift be accurately understood. after 1917, prominent leaders such as lenin and bukharin took special interest i n the neutered status of the intelligentsia. "the bolshevik revolution," writes boris kagarlitsky, "which the intelligent)? had done so much to prepare, trampled upon the very ideals that had led them to fight against tsardom i n the preceding decades."xv the dominant perception was that the intelligentsia was bourgeois, aristocratic, and distinct from the socialist intelligentsia that made up the bolsheviks and the emerging bureaucracy. i n a 1919 letter to writer aleksei maksimovich, lenin wrote: "the intellectual forces of the workers and peasants are growing and getting stronger i n their fight to overthrow the bourgeoisie and their accomplices, the educated classes, the lackeys of capital, who consider themselves the brains of the nations. in fact they are not its brains but its shit." lenin considered the constitutional democrats the center of conspiracy against the bolsheviks and initiated the massive arrests of a wide variety of past leaders. x v n lenin's revolutionary theory characterized the group as the "proletarians of mental labor," relegated them to slaves of the party and the working classes, and concretized the juxtaposition to the russian worker through the constitution which defined the intelligentsia as a "layer," thus stripping the intellectual of legal status as a c i t izen. x v m lenin and stalin effectively wiped out the intelligentsia as a elem ents fall 09 political force by absorbing previous intellectual arenas to control and force the intelligentsia into poverty. elfimov characterizes the intellectuals of the early soviet era as "servants with no rights." x 1 x starting i n the 1920s, plots of land and special privilege were given to artists, scientists, and other intellectuals who became the "favourite child" of the government. scientists were especially important and received special treatment, housing, exemption from party membership requirements, and direct access to the kremlin. x x any other concentration of intellectuals i n places like universities, humanitarian institutions, or publishing houses was controlled via this system of servile dependence or tightly monitored by nomenklatura. i n this condition, a political class developed that generated the mildly critical soviet intellectual discourse, wanting no restrictions, but did not desire to dismember the system (i.e. intellectuals of type one and two).™ this political philosophy set the conditions for perestroika and the intellectual class to emerge after the collapse. lenin and his followers had their own view of pression i n addition to state support while occupying an ambiguous moral middle ground—a split from the traditional intelligentsia's critical moral and political roles. ironically, the second class of intelligentsia was the group most co-opted by the communist regime. elfimov notes, "the trap was not just that the intelligentsia was given an unambiguous choice—either to serve the party or go to the gulag—it was rather that even serving the party, it could not be sure that it was doing the right thing and that its position was secure. " x x l v early i n perestroika, the intelligentsia supported gorbachev against the party's conservative elements, but i n later years the intellectuals radicalized and began to support yeltsin when gorbachev reacted against the intelligentsia's increasingly activist democratic opposit i o n . ^ 1 despite its prior position of non-acceptance and opposition, the intelligentsia had firmly rooted itself within the cold politics of the regime. the soviet era's requisite double-role of intellectual survival was alluded to above: "power worked through language as the population . . . identified with the regime through 'speaking bolshevik'. . . . like the rest of the population, the intelligentsia engaged i n doublespeak through which they succeeded i n their careers and, during stalinism, survived."™1 writers like voznesensky supported the soviet discourse by writing pro-communist, patriotic poems, earning h i m the lenin komsomol prize, but also fulfilled his intellectual responsibility through "dissident" poetry. x x l j 1 the intellectual enjoyed freedom of exin the late 1980s and early 1990s, the intelligentsia transformed itself from above by consolidating its efforts during perestroika as well as initiating a metamorphosis from below. through historical discourse, the intelligentsia became a political force, delegitimizing stalinism and lenin's totalitarianism and supporting western l iberal ism. ' 0 1 it united with yeltsin and the state. in 1988, the first opposition group was created—the democratic union—which proposed a liberal model of capitalism, self-determination of the republics, and withdrawal of soviet troops.30™! through the congress of people's deputies, the intelligentsia was able to gain t o d a y ' s r u s s i a n i n t e l l i g e n t s i a power and civil groups emerged such as the moskovskii klub intelligentsii and moskovskoe ob'edmenie izburatelei. together with the democratic russian movement, the intellectual force drew followers from the communist party and nominated yeltsin for president i n 1991 on the foundation of liberalization and nationalization.™111 during and after the collapse of the soviet union, the intelligentsia traditionally manifested itself politically as the dissenting voice of opposition i n accordance with its high moral standards. the intelligentsia's organization of new political and social groups indicated that intelligentsia subculture was capable of surviving years of suppression and co-optation. this healthy cultural status, however, waned during the 1990s as the state collapse also revealed a collapse of the intelligentsia, which was wholly unprepared for the tasks of building state institutions, assuming managerial roles, or coping with the economic downfall. despite direct political participation, by 1993 rifts within the intelligentsia were widening as awareness grew of yeltsin's authoritarian, non-democratic tendencies, as well as the "unconstitutional" constitution. x x l x some intellectuals joined the conservatives. theater directors, writers, editors, physicists, young liberal economists, and former dissidents like egor gaidar, anatoly chubais, and grigory javlinsky became deputies and assumed prominent positions within the emerging regime. others like sergei kovalev, the ombudsman of human rights, were labeled anti-russian. kovalev lost his post for documenting atrocities during the first chechyn war i n 1994—what marina peunova calls the "final blow to the intelligentsia's belief it had leverage on the government." the intelligentsia broke apart, and its inter-regime efforts left behind no legacy of consolidated parties, institutions, or freedom but rather a paradigm shift from liberal democracy and dissent to conservatism and compliance.™1 1 on august 28,1991, franklin prophesied: "one result made stunningly plain over the past week, is the death of the party. another less visible but i n its way no less traumatic wi l l be the death of throughout russian history, literature was traditionally controlled. the russian intelligentsia." v l i his insight was the collapse of the national russian myth, which ultimately forced the intelligentsia identity crisis of the mid-1990s that remains problematic today. i n many ways, the intelligentsia sowed the seeds of its own demise. part of the intelligentsia, however, was successful i n the inter-regime period and lives on today. i n 1993, yeltsin thanked the intelligentsia community for its support and important function in forming public opinion and culture that was the basis for russia's emergence as a political power. x x x l v again, one must ask, "which type?" it became clear he was directly thanking members of the creative intelligentsia: type one. this is an important distinction, for many intellectuals were already alienated by the changing political order and had retreated from a public, participatory role to uphold the traditional philosophy of the russian intelligentsia. traditionally, the term "creative intelligentsia" signified the genuine intellectual—spiritually rich, genius, and inspired—but i n modern russia it came to describe a new group of non-government intellectuals that did not produce true intellectual discourse, was enamored of its popular e l e m e n t s fall 09 image, characterized by unhealthy ambition, and unable to differentiate between official and unofficial discourses.5000' much like the party intellectuals who constructed soviet realism during the early soviet era and other intelligentsia who fed off public stature and privilege, the creative intelligentsia today is nurtured by publicity and materialism characteristic of close proximity to the regime. far from the traditional view of the intelligentsia as producers and actuators of "real" progress, the creative intelligentsia was born out of the "yel-cynicism" that produced a negative russian future by rejecting true ethnic russian government, autonomy, education, and culture. 1 "the yeltsinoids' regime turned us into zombie-like tv-viewers," said sergei oushakine of the russian federation's first president. "by substituting our values and passions with totally foreign desires, the regime—just like a circus magician—manipulates the individual and collective consciousness of russia's peoples. it is the method ofhermeneutics that serves as the main tool of this manipulation." the intellectuals who thrived i n the post-soviet atmosphere were the nationalists and chauvinists that were able to outmatch the liberal, democratic intelligentsia in the limited interpretive space characterized by cynicism and hypocrisy. the elite political intellectuals could be found on state councils and boards such as the foreign ministry or within the soviet military leadership and were responsible for the changing strategies, policies, intellectual exchange with the west, and geopolitical discourse that shaped emerging nation-state ideology. x x x v i i despite the important role of this class i n generating the prevailing cultural identity, its position within the bureaucratic elite eliminates application of the term "intelligentsia" i n its truest sense and questions the character of russian progress. instead, members of this group are characterized as "technicians of practical knowledge" (polittekhnologi) or "people of air" (ljudi vozdukha)—politically apathetic spin-doctors who created the official discourse with a new type of information and rhetor ic . x x x v i i i the entire spectrum of russian society, and the intelligentsia i n particular, suffered an identity crisis i n the postsoviet order. the official discourse promoted russia's power and status more than human rights and individual liberties, and the soviet-trained, administrative intellectual force looked upon the non-consolidated, non-government intelligentsia as irresponsible, unpatriotic, ignorant of the reformers' plan, opposed to any government, and incapable of feeding itself because of its principles. x x x m conservative figure mikhail leont'ev wrote: "the circle of people that i belonged to perceived the events of the beginning of the 1990s as a tr iumph of liberalism. i am ashamed of this . . . the russian soviet intelligentsia did the same thing i n 1991 that it did i n i9 i7 . " x l the intelligentsia searched its collective soul extensively. i n the 1990s and into the new millennium, intellectuals gathered i n multiple congresses to discuss their role in the new political order. the 1997 congress' stated goals were broad. firstly, it desired to use the intelligentsia's power for the improvement of society, which is consistent with the traditional view of the intellectual as a progressive social servant, and second, the congress wanted to overcome the traditional gap between the intelligentsia and power. special attention was given to the moral climate, the spiritual remaking of society, and the fate of the russian society, state, and national idea: the last congress was i n 2003, and the intelligentsia had not changed significantly. a closer look at modernity, literature, and academia during the regime transition is integral to understanding this stasis and the constructive efforts of the intelligentsia to advance the intellectual discourse. the intelligentsia misunderstood the fall of the soviet union much like it misinterpreted the regime transition i n 1917, leaving russian society i n a crisis of modernity. elfimov notes basic russian linguistic challenges of modernity, but even more fundamental is the notion that russia never encountered modernity i n the same manner that the west experienced this important temporal and cultural concept/1 1 [ social exploration during the regime transition included extensive investigation of new ideas and translation of t o d a y ' s r u s s i a n i n t e l l i g e n t s i a many texts. russian anthropologist serguei oushakine characterizes this examination as "intellectual indigestion" and notes the fundamental problem of its multi-paradigmality: non-parallel intellectual strands such as structuralist and post-structuralist accounts emerged simultaneously and were interpreted as parallel phenomena.v ! 111 what transpired was a troubled attempt to account for the universal social condition during the transitional phase that was rooted deeply i n the past. unlike soviet marxism, however, this emerged outside the political context. the crisis of modernity prompted the beginning of genuine discourse—a search to understand the present and build the future by examining the past. i n literature, the intellectual discourse also required a look to the past and a resurgence of old texts, western and domestic, while simultaneously affecting fresh analysis of literature as an intellectual discussion. i n russian history, literature was traditionally controlled, but i n the soviet era, the suspicion and control of the independent word enhanced literature's authority and fueled important political "the intelligentsia as a cultural group and political player suffered greatly in the immediate post-soviet order, but for each destitute analysis, there exists an effort to reinvent the intelligentsia in its traditional context." discussion through cryptic images, allusions, and metaphors. x l l v under the controlled, complex organizational structure of writers' unions, publishing houses, and popular newspapers, literature was an incredibly important mode of cultural production. however, during glasnost, non-literary forms of expression were liberated and the former creative monopoly of the small literary elite was broken. 5 ^ a linguistic vacuum emerged i n the inter-regime period. people were looking between the lines for the truth and realizing the authors had nothing real to say.xivi today, there is a struggle between the state and efforts to reinvent literature. new intellectuals strive to stretch the imaginative freedom of the new russia while the state reacts to bring cultural activity back under its control . x l v n like literature, academia's influence sagged after the collapse. in the soviet era, an academic post was very secure because it was one of the most bureaucratized and usually meant lifetime job security. , v l ' 1 academics lost their intelligentsia status by shrinking from their traditionally public, creative role into the comfort of the soviet bureaucracy, but the end of perestroika signaled the end of academic privilege. x l l x i n russia today, the academic is on the same plane as all other public figures and simply cannot compete. humanities academics are especially marginalized, often seen as marxist retrogrades, and are ignored i n favor of the modern, creative intelligentsia. professors also make very little money and lack a healthy labor market. in 1997 an assistant professor made roughly thirty dollars per month, three times less than a secretary and fifteen times less than a poorly qualified bus driver. ; despite the poor condition of the russian academy, among many there is still the "feeling of responsibility before oneself, one's occupation, the future of the country and finally before the students who cannot be left without knowledge, even i f one is paid almost nothing." 1 1 the intelligentsia as a cultural group and political player suffered greatly i n the immediate post-soviet order, but for each destitute analysis, there exists an effort to reinvent the intelligentsia i n its traditional context. the altai state elem ents fall 09 russian prime m i n ister vladi m i r putin. university faculty of sociology and the regional intellectuals work to stop the "endless movement of symbolization," provide a starting point for dealing with the past, and create a foundation for the future russian ethos j11 organized around the "russian tragedy," the group posits a teleological organic body—a "primary embodiment" from which one can rediscover the vital force i n the russian ethos.1"' although the discourse sometimes turns xenophobic, it is integral to escape the mechanical functionality of the post-communist, neoliberal order. it provides an alternative post-soviet cosmogony and tries to solve the problem of the state under attack—a vision of a collapsed system of spiritual and moral values signifying the state's lack of true social capital.1 !v this work is very important to overcome the problems of modernity and engenders further discussion and development within academic circles and the broader intellectual community. similar production is visible i n other regions that also hold critical academic responsibility i n high esteem. in general, academics lack an extensive organizational structure and social and political opportunities. similar efforts exist i n literature. a group called "non/fiction" intends to emphasize serious literature over banal entertainment of russian literature today. sincerity exists within the intelligentsia directly connected to the traditional moral high-ground, responsibility, and missionary obligation characteristic of intelligentsia of the i8oos. ; however, this is counterbalanced by the continued degradation of literature i n other parts of society. formerly a fountainhead of intellectual writing, the publication junost' proclaimed its new goal i n 1999, "to stay away from the questions of ideology, politics, economics, law, national, and religious relations," and i n the same issue, it mocked efforts to publish journals as "a sweet fruit of the bitter russian roots, the roots of lack of possessions, and therefore, of idleness. " l v i this is indicative of the modern intellectual retreat from the political discourse and also reflects the unsuccessful efforts of the intelligentsia to organize effective opposition. government interaction remains nuanced. at the turn of the century, the intelligentsia began to cooperate more with the putin administration while retaining elements of its traditional philosophy. to some intellectuals, putin was seen as the savior from chaos and anarchy of the yeltsin years as well as a benefactor of the arts, and he thus garnered support from public intellectuals of the first type. ! v i ' the intelligentsia's reaction to putin's step-down as president i n may 2008 is indicative of the degree of intellectual politicization. a n open letter was written by representatives of the creative intelligentsia pleading putin to remain i n power which prompted a letter from the opposing camp opining i n favor of his removal. scholarly reaction characterized this moment as a "blip" on the intelligentsia's "cardiogram"—highlighting the general lack of resistance by the part of society meant to provide intellectual t o d a y ' s r u s s i a n i n t e l l i g e n t s i a opposition. today, the intelligentsia is largely represented by the yabloko party, but this impoverished group was only able to garner 1.7% of the vote i n 2007 (zero duma seats).'"despite this failure, putin and yabloko head grigoriy yavlinskiy met i n march 2008 to signify that the kremlin—as it transitioned to the medvedev administration—wants to accept the intelligentsia into the political discourse.1 what remains to be seen is the particular development of this relationship and i n what fashion the intellectuals work with the state to develop russian culture and healthy discourse. the modern political atmosphere was apparent i n a may, 2008 roundtable discussion on state tv rossiya channel titled "intellectual literature i n debates on the 2020 strategy." the guests suggested the intelligentsia actively participate i n the country and society by providing a new ideology to aid putin's plan for russia's development. the chairman of the free russia public association union even said that the intellectual not participating i n the country's life was a traitor, terrorist, and worthless/ 1 whatthese state intellectuals failed to understand is that to ensure the country's healthy development, the intelligentsia must remain outside such vapid discourse. only by denying the with-us-or-against-us ultimatum can the intelligentsia stay true to its founding philosophy and reassert itself as the conscience of the russian people. the fall of communism did not stop the soviet regime's coopted intellectual and cultural stranglehold from becoming the new russian nationalistic machine that similarly blocked intelligentsia's entrance to the political sphere and meaningful dialogue. the chance to reawaken vivacious intellectual culture was lost i n the convoluted post-soviet political order. the russian intelligentsia is still hindered by limited access to political and cultural intellectual opportunities, but is also hobbled by internal problems i n academic literary fields. there is a real chance for russian society to reinvent itself. the true intellectuals can play an integral role i n the discourse, but the intelligentsia needs time to organize its efforts. "the room for honest speaking is far greater than russian intellectuals make use of," says marietta chudakova, a historian of russian literature. yet she recognizes the paralyzing stasis as well: "nobody has been commanded to lie down—and everyone is already on the ground. " l x i i e n d n o t e s i . franklin i i . ibid. i i i . "the hand that feeds them; russian intellectuals" iv. brower (638-647, 638) v. brower (639) vi . kagarlitsky vi i . brower (639) v i i i . matsuk ix. ibid. x. brower (645) xi. matsuk xi i . elfimov 2000 (226) x i i i . elfimov 2000 (235) xiv. "speaking truth to power" xv. kagarlitsky (56) xvi. "letter from lenin to gorky" xvii. "attacks on intelligentsia: early attacks" xvii i . elfimov 2003 (26) xix. elfimov 2000 (232) xx. "the hand that feeds them; russian intellectuals" xxi. ibid. xxii. peunova xxii i . elfimov 2000 (231) xxiv. elfimov 2000 (233) xxv. peunova xxvi. ibid. xxvii. "declaration of the democratic union of russia" xxviii. peunova xxix. ibid. xxx. ibid. xxxi. ibid. xxxii. "the hand that feeds them; russian intellectuals" xxxiii. franklin xxxiv. "russia; yeltsin talks to intelligentsia; mentions differences w i t h rutskoy" xxxv. peunova xxxvi. oushakine (181) xxxvii. holden (164) xxxviii. peunova xxxix. matsuk xl. leont'ev xl i . aleksandrova xi i i . elfimov (230) x l i i i . oushakine (172) xliv. franklin e l e m e n t s fall 09 xlv. ibid. xlvi. elfimov 2000 (241) xlvii . o'brien xlvi i i . elfimov 2000 (239) xlix. ibid. 1. elfimov 2000 (242) l i . elfimov 2000 (250) l i i . oushakine (182) l i i i . oushakine (185) liv. ibid, lv. o'brien lvi . novodvorskaia lv i i . korchagina lv i i i . "the hand that feeds them; russian intellectuals" lix. country profile. russia lx. "russian tv examines significance of putin-yavlinskiy meeting" lx i . serova lx i i . "the hand that feeds them; russian intellectuals" r e f e r e n c e s aleksandrova, lyudmila. october 14, 1997. "constituent congress of russia's intelligentsia to be held". tass. lexis nexis academic. accessed 24 november 2008. "attacks on intelligentsia: early attacks." library of congress. . accessed 25 november 2008. brower, daniel r. 1967. "the problem of the russian intelligentsia." slavic review, 26.4 (december). country profile russia. "declaration of the democratic union o f russia." 19 december 1993. accessed 1 december 2008. . elfimov, alexei. 2000. "academics and the production of an intellectual discourse of modernity i n russia." para-sites: a casebook against cynical reason. chicago: university of chicago press. elfimov, alexei. 2003. russian intellectual culture in transition. new brunswick: transaction publishers. franklin, simon. "end of the intelligentsia." the times. 28 august 1991. accessed 1 december 2008. lexis nexis academic. holden, gerard. 1994. russia after the cold war: history and the nation in post-soviet security politics. frankfurt: campus verlag. kagarlitsky, boris. 2002. russia under yeltsin and putin: neoliberal autocracy. london: pluto press. kagarlitsky, boris. 1988. the thinking reed: intellectuals and the soviet state igiy to present. london: verso. korchagina, valeria. "intelligentsia shifts to support putin." the moscow times, sec. 1848, 30 november 1999. accessed 24 november 2008. lexis nexis academic. leont'ev, mikhail . interviu nomera: mikhail leont'ev: putinu trudno preodolet'liberal'nyi totalitarizm. 30 september 2005. politicheskii klass. "letter from lenin to gorky." 15 september 1919. library of congress, . accessed 25 november 2008. matsuk, tatyana. "intelligentsia and power." the moscow times, sec. 1295, september 17,1997. accessed 24 november 2008. lexis nexis academic. novodvorskaia, valerja. "shestidesjatniki i pustota." novaia lunost, 1.34. . accessed 3 december 2008. o'brien, sean. "review: commentary: a troika pul l ing i n the wrong direction: sean o'brien on old problems facing the intelligentsia i n the new russia." the guardian, 28 december 2002. accessed 24 november 2008. lexis nexis academic. oushakine, sergei. 2007. "vitality rediscovered: theorizing post-soviet ethnicity i n russian social sciences." studies eastern european thought, 59: pp. 171-193. peunova, marina. 2008. "from dissidents to collaborators: the resurgence and demise of the russian critical intelligentsia since 1985." studies in east european thought, 10 may 2008, 11. "russia; yeltsin talks to intelligentsia; mentions differences wi th rutskoy," itar-tass news agency, moscow from bbc summary of world broadcasts, 17 apri l 1993. "russian tv examines significance of putin-yavlinskiy meeting." bbc worldwide monitoring. march 15 2008. accessed 4 december 2008. lexis nexis academic. serova, natalya. "intelligentsia invited to walk a different path" i n "russian intellectuals invited to conform or face 'marginalization'—website," bbc worldwide monitoring. 2 may 2008. accessed november 24, 2008. lexis nexis academic. "speaking t ruth to power." the economist. 9 august 2008. accessed 24 november 2008. lexis nexis academic. "the hand that feeds them; russian intellectuals." the economist. 9 august 2008. accessed november 24, 2008. lexis nexis academic. t o d a y ' s r u s s i a n i n t e l l i g e n t s i a http://www.loc.gov/exhibits/archives/atte.html http://www.du.ru/ust.htm http://www.loc.gov/exhibits/archives/atte.html http://magazines.russ.ru/nov/_yun/1999/novodvor.html http://magazines.russ.ru/nov/_yun/1999/novodvor.html t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with the inaugural issue of elements: ben b i r n b a u m , executive director of the office of marketing communications elizabeth brandes, art director for the office of marketing communications d o n a l d hafner, chair of the undergraduate fellowships committee joyce m a n nix, business manager for the college of arts and sciences a n n a marie m u r p h y , deputy editor of boston college magazine j o h n n euhauser, academic vice president and dean of faculties joseph q u i n n , dean of the college of arts and sciences george restrepo, senior designer for the office of marketing communications barbara vi ech n i c k i , associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. cover portrait of stephane mallarme by edouard manet. © archivo iconographico, s.a. /corbis elements, undergraduate research journal, issue i , volume i , spring 05 boston college, 140 commonwealth avenue, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 for submissions guidlines please refer to www.bc.edu/elements/ copyright © 2005 by trustees of boston college e l e m e n t s staff e d i t o r i n c h i e f gregory wiles m a n a g i n g e d i t o r rebecca kraus h u m a n i t i e s kirstin kramer, senior editor emily cersonsky, editor caroline g e l m i , editor kaelin g r a n t , editor s a m a n t h a koller, editor n a t u r a l s c i e n c e s bill h i l l m a n n , senior editor paco k a n g , editor a l l i s o n lord, editor m e g h a n t o z z i , editor s o c i a l s c i e n c e s kerry b r e n n a n , senior editor marisa c o c h r a n e , editor pete ringlee, editor s p e c i a l f e a t u r e s n a t h a n i e l campbell, senior editor l a y o u t kathryn brady, editor d a m i en c r o t e a u c h o n k a , editor maria m a s a v e u, editor w e b m a n a g e r d a m i en c r o t e a u c h o n k a a r t d l r e c t o r george restrepo f a c u l t y a d v i s e r prof. mark o ' c o n n o r , director, college of arts and sciences honors program http://www.bc.edu/elements/ e d i t o r ' s n o t e throughout the summer of 1873 stephane mallarme visited edouard manet's studio every day; the painter took one such opportunity to capture the poet in the famous work of art that decorates the cover of the inaugural issue of elements. the meeting of these two brilliant minds represented a crucial moment in the history of intellectual thought. as western civilization sought new perspectives through which to view the world, manet's painting and mallarme's poetry would serve as a crucial element of modernism, continuing to influence artists for over a century. manet and mallarme remained friends unti l manet's death i n 1883. during their ten year relationship, an ideal that strongly united the two men was their belief in artistic democratization: that art should become a source of pleasure for all, not just the aristocratic echelon of society. similarly, research need not be the province solely of professors and graduate students. it is in the collaborative spirit of mallarme and his friend manet that, as a staff of committed undergraduates, we begin elements. intellectual expression cannot and should not be confined to the classroom; rather, as our two guiding artists show us, nature and the world around us provide the greater challenge to human creativity. through the works of bc students, this publication wi l l serve as a forum for the exploration of the numerous academic disciplines. each semester elements wi l l present a distinguished and engaging cross-section of such research endeavors to the wider academic community. we hope that this journal wi l l provide us with a few more strokes toward painting the portrait of boston college. the nine articles in this first edition of our journal, selected from over 40 outstanding submissions, represent what the editors of elements believe to be the most credible, clear, and thought-provoking of these manuscripts. from social studies of teen living centers and asian american mental health treatments to a scientific inquiry into bilingualism and an essay on the possibility of the conversion of oil prices to the euro, the articles in this premier issue demonstrate the breadth of undergraduate inquiry within the university. in the future we seek to expand subject matter into the areas of nursing, education, and business, and exhibit original poetry and artwork, for they are all key "elements" in boston college's intellectual life. elements seeks to explore the full possibilities of the research journal genre to serve best the intellectual interests of bc undergraduates. i f you have any questions, or would like to contribute a letter for our fall issue, feel free to contact me at elements@bc.edu. gregory wiles editor-in-chief mailto:elements@bc.edu saljooq m. asif is a senior in the college of arts & sciences, majoring in biology and english. a member of the arts & sciences honors program, he is also a science editor for elements. his writing has appeared in both the heights, the independent student newspaper of boston college, and dianoia, the undergraduate philosophy journal of boston college. asif’s article was written for professor susan michalczyk’s senior honors seminar, autobiographical novel/memoir, which focused on the autobiographical genre in literature and film. he would like to thank professor susan michalczyk for her creative guidance, as well as professor ronan noone for introducing him to ayad akhtar’s work. author biographies danielle nista is a junior, double majoring in history and french. she is a member of alpha sigma nu, the national honors society of jesuit colleges and universities, and phi alpha theta, the history honors society. she is also a choreographer for bc full swing, boston college’s swing dancing team. in high school, a combined interest in tap dancing and postbellum southern history led to a research paper on the connections between minstrel shows and hollywood musicals of the 1930s. following this article, danielle’s interest was piqued to continue to combine two of her passions: dancing and studying the history of america before, during, and after the civil war. she hopes to one day write a book about the full history of tap dancing. rachel aldrich is a junior in the college of arts & sciences majoring in english with minors in creative writing, american studies, and management and leadership. the inspiration for her article in elements came from her work in the american studies minor. in addition to interning at post road magazine, she is a staff member for stylus, features editor for the gavel, and the music librarian for the university chorale of boston college. after graduating next may, she hopes to continue on to graduate school. david querusio is from millis, ma, and came to boston college in 2012 as an english major, but quickly added a minor in sociology. he enjoys all kinds of literature, especially contemporary works. he is interested in how literature intersects and interacts with social theories such as feminism, postcolonialism, queer theory, and marxism. possible future plans include graduate school. harrison tune is a freshman in the college of arts & sciences honors program, currently studying biology on the pre-law track. his focus on agency law and patent law often spurs his interest in current events in the legal world such as the one discussed in his article. at boston college, harrison is involved in the gabelli presidential scholars program and is an eco rep in the residence hall administration. most of his spare time, however, is spent practicing with the bc fencing team, where he holds the position of sabre. caitlin toto is a senior in the college of arts and sciences, majoring in political science and minoring in economics. while at boston college, caitlin has been an active member of 4boston and is currently the co-president of americans for informed democracy. additionally, she is an undergraduate research fellow for professor lindsey o’rourke, researching cia covert operations during the cold war. caitlin’s article was written for professor krause’s “terrorism and political violence” class in the summer of 2014 and was inspired by her interest in female terrorism and muslim minorities in europe and asia. she will be attending law school in the fall with a focus on either international or healthcare law. michelle solomon is a senior physics major at boston college and has been working in the lab of professor michael naughton of the physics department since the fall of 2012. she has mainly worked on a thin film photovoltaic project that aims to increase light absorption in thin films using an embedded metal nanopattern. this past summer, she participated in the research experience for undergraduates program funded by the national science foundation at the university of chicago, where she was a research assistant in the physical chemistry lab of professor philippe guyotsionnest. while there, she worked with both quantum dots and perovskites. she is planning to pursue her ph.d. in materials science and engineering after graduation. list of artwork writer ayad akhtar © wikimedia commons 10 13 15 18 24 36 38 54 60 63 68 71 islamic cultural center in manhattan © wikimedia commons ground zero mosque protestor © wikimedia commons disgraced performance still © geraint lewis/alamy chechen women © wikimedia commons corn shucking song © wikimedia commons slaves dance to music of banjo © wikimedia commons michelle obama © wikimedia commons lost title screen © wikimedia commons debris on rooftops near world trade center © fema photo library john sherman © library of congress comcast and time warner cable logos © wikimedia commons recipient of the 2013 pulitzer prize for drama, ayad akhtar has been lauded as the de facto voice of the american muslim in theatre and literature. akhtar, a pakistani american, claims that all of his works are inspired by his life and personal experiences; they are, he admits, a form of autobiography. in a post-9/11 world, however, where the position of muslims in the united states has become increasingly scrutinized, akhtar’s works purposely play upon american fears and anxiety in regard to islam. indeed, akhtar’s works rely heavily on muslim stereotypes in order to unsettle american audiences and gain artistic recognition. by doing so, akhtar not only continues the clichéd depiction of muslims in american media, but also upholds stephen spender’s theory on autobiography: that the perspective of the autobiographer, his self, is forever forced to submit to that of society, the other. muslim identity in 21st century america ayad akhtar’s works as autobiography saljooq m. asif introduction “everything i write is some version of autobiography,”1 ayad akhtar claimed in a 2014 interview. a well-established actor, writer, and playwright, akhtar prefers to see himself as a “narrative artist” whose literary works are extensions of his existence, his own narrative.2 “it’s often a deformed version of autobiography,” he insisted in the same interview, “but everything i write is drawn from personal experience, whether it’s observed or lived.”3 born in new york city, and raised in milwaukee, to pakistani parents, akhtar seems to embody the very essence of the american dream: a second-generation immigrant who received an ivy league education, he catapulted to fame upon winning the 2013 pulitzer prize for drama for his play disgraced. although the play, described as a “combustible powder keg of identity politics,”4 has garnered both praise and criticism, one fact remains irrefutable: ayad akhtar is now a star artist in modern-day america. and yet, akhtar’s rise to fame is not as simple as it may appear to the unsuspecting reader or viewer. akhtar’s newfound stardom owes quite a lot to not only the controversial content of his own works, but also the current consciousness of the american public. indeed, the fact that akhtar has received worldwide attention nearly thirteen years after the september 11th attacks is no coincidence. only now, when universal concern over religious terrorism continues to grow and islamophobia has become a serious concern, can akhtar rise to success. if disgraced is a combustible powder keg, then akhtar himself is the one who set the match at the right time and the right place to create the loudest explosion possible. after all, never has the position of muslims in the united states been more scrutinized than in the post-9/11 world. akhtar is in a strange and unprecedented situation as a pakistani american writer. until recently, very few muslim voices have dared to speak about their thoughts and experiences, let alone achieve recognition. akhtar, by default, has become one of the most significant muslim artists in america today. his works, he admits, are essentially a portrait of himself and form his own autobiography. nevertheless, akhtar insists that he is in no way obliged or responsible to depict islam in a way that will correct western misapprehensions. several of his works, including disgraced, have ignited serious controversy over akhtar’s incendiary depiction of islam and muslims. akhtar’s narratives may explicitly deal with muslim identity in a post-9/11 world, but he broaches the subject in a manner that incites rather than enlightens. akhtar’s recognition stems from his artistic decision to readily play into american anxiety and concern over the role of muslims and islam; only then can he provoke and discomfort his audience. although based on his own personal experiences, akhtar’s pseudoautobiographies seem to be shunted through another channel. indeed, in an attempt to grasp the internal essence of his life as an american muslim, perhaps akhtar has been forced to approach his own existence through an external viewpoint – the western perspective that associates islam with hostility and aggression. the autobiographical tradition some academics would claim that the roots of the autobiographical genre originate somewhere during the middle ages. this period in european history, after all, not only witnessed the rise of increasingly complex art, architecture, and social structure, but also laid the foundation for the renaissance. at the turn of the fifteenth century, an english mystic named margery kempe chronicled her life, travels, and divine revelations in written form; her resulting work, entitled the book of margery kempe, is credited as the first autobiography in the english language.5 writer ayad akhtar (courtesy of wikimedia commons) 10 elements : : spring 2015 perhaps the autobiographical genre does owe its birth to the union between the fallow medieval period and fertile renaissance, and perhaps kempe’s literary work is in fact the very first english autobiography. nevertheless, the exact origins of autobiography are of little consequence; more important is the fact that the autobiographical genre was created and has persisted ever since. indeed, the birth of autobiography is less important than its permanency and resulting urgency. what lies inside the autobiography, and what is at its very core? what is its essence, and what does it demand from both the author and reader? the autobiography is a work that contends with time in an attempt to eternally preserve something about the self. according to georges gusdorf, the autobiography is simply “a useful and valuable thing to fix [man’s] own image so that he can be certain it will not disappear like all things in this world.”6 man is in constant dialogue with himself in order to secure his own immortality through autobiography, “the mirror in which the individual reflects his own image.”7 william l. howarth similarly describes the autobiography as a “self-portrait,”8 while james olney goes a step further and refers to it as “an attempt at explaining something about human nature and the human condition.”9 the essence of the autobiography is the essence of its own author, “the isolate uniqueness that nearly everyone agrees to be the primary quality and condition of the individual and his experience.”10 the goal of the autobiography, therefore, is to offer the reader a sense of the autobiographer himself by creating a soulful reflection of the autobiographer. only then can the reader grasp the essence of the autobiographer, and only then can the autobiographer master time by becoming the “rightful possessor of his life or his death.”11 certainly, the autobiography has flourished and undergone several transformations since margery kempe recorded her divine visions several centuries ago. the victorian era offers countless examples and innovations of the genre, including fictionalized autobiographies. charlotte brontë’s jane eyre and charles dickens’ david copperfield exemplify the creative and metaphysical powers that belong to the genre. both literary works not only allow the reader a glimpse into the emotional and psychological turmoil of their eponymous characters, but are also rooted in the authors’ own personal experiences.12 such novels, therefore, are examples of a two-fold autobiography; they detail both the fictional narrator’s life and journey while also building from the author’s authentic essence. indeed, “the man is forever adding himself to himself,”13 as gusdorf remarks. the autobiography is a mirror as well as an addition to the autobiographer: every autobiography is a work of art and at the same time a work of enlightenment; it does not show us the individual seen from outside in his visible actions but the person in his inner privacy, not as he was, not as he is, but as he believes and wishes himself to be and to have been. what is in question is a sort of reevaluation of individual destiny; the author, who is at the same time the hero of the tale, wants to elucidate his past in order to draw out the structure of his being in time.14 jane eyre is an extension of charlotte brontë, and david copperfield is an extension of charles dickens. both of these characters are fictional, but they nevertheless stem from the most private essence of their respective authors and add to the self-portrait that each autobiography attempts to illustrate. gusdorf clarifies that the autobiographer, however, is acting on a much larger scale by trying to provide more than “only an exterior presentation of great persons.”15 the autobiographer combines his multiple faces as an artist, model, and historian in order to depict himself as “a great person, worthy of men’s remembrance.”16 gusdorf offers jean-jacques rousseau as an example, who, being “no more than a common citizen of geneva,” was nevertheless “a kind of literary adventurer.”17 indeed, rousseau begins his confessions by proclaiming, “i am not made like any that i have seen; i venture to believe that i was not made like any that exist.”18 rousseau offers such an intimate account of his self, but goes even further by lacing his autobiography with a sense of self-confidence that verges on egoism. the autobiographer takes on a herculean task by “the autobiographer takes on a herculean task by writing his autobiography; it requires an unparalleled sense of self-assurance and conviction.” 11 muslim identity in 21st century america writing his autobiography; it requires an unparalleled sense of self-assurance and conviction. only with this aplomb, gusdorf implies, can the autobiographer truly offer his private and most intimate self. he claims: our interest is turned from public to private history: alongside the great men who act out the official history of humanity, there are obscure men who conduct the campaign of their spiritual life within their breast, carrying on silent battles whose ways and means, whose triumphs and reversals also merit being preserved in the universal memory.19 if rousseau immortalizes his private self through excessive self-confidence, then saint augustine does the same with the help of christianity. saint augustine offers quite an unabashed record of his life in his confessions, and does not attempt to hide his sins or misdeeds. by exposing himself to the reader, showing himself naked and vulnerable, saint augustine finds his greatest strength: only by revealing his most private self can he become invulnerable. saint augustine claims, “i intend to remind myself of my past foulnesses and carnal corruptions, not because i love them but so that i may love you, my god.”20 by blatantly discussing his terrible acts, ranging from promiscuous sex to stealing pears, saint augustine convinces the reader that “every destiny, however humble it may be, assumes a kind of supernatural stake.”21 saint augustine’s confessions is a self-examination of his own relationship with god and christianity, a mirror “whence a new fascination with the secret springs of personal life.”22 rousseau and saint augustine succeed, according to gusdorf, by exposing their private selves to the utmost degree and reveling in their own intimacy. perhaps the autobiography is something even more intricate, mired in the complexities of both the inner and outer selves. stephen spender believes that the autobiography is a genre that “is no longer the writer’s own experience” as “it becomes everyone’s.”23 the autobiographer searches through “the vast mine” of his personal experiences to discover the “ore” of his inner essence – but this personal ore is not enough. indeed, spender argues that the autobiographer must “convert this ore into forms that are outside the writer’s own personal ones,”24 thus rendering the autobiography a product caught between the inner and outer selves. spender maintains: yet unless one is to oneself entirely public, it seems that the problem of an autobiographer, when he considers the material of his own past, is that he is confronted not by one life – which he sees from the outside – but by two. one of these lives is himself as others see him – his social or historic personality – the sum of his achievements, his appearances, his personal relationships. all these are real to him as, say, his own image in a mirror. but there is also himself known only to himself, himself seen from the inside of his own existence. this inside self has a history that may have no significance in any objective “history of his time.” it is the history of himself observing the observer, not the history of himself observed by others.25 the autobiographer is caught in a peculiar dilemma: the autobiography consists of observations that not only he makes about hielf, but also observations made by others about himself. thus, the autobiographer is a dual product consisting of the inner self – the ‘ore’ mined by the autobiographer from his own personal field – and the outer self – the ‘ore’ mined by the autobiographer from stranger fields. the autobiography, consequently, is a product formed by the inner, personal self as well as the perspective and impressions made by society, the outsiders, the observers. spender’s theories about the autobiographer and his two lives have some serious implications. few autobiographies exist that unite these two lives, and according to spender, even rousseau and saint augustine fail to do so. what about the personal life prevents such a union? spender insists that “the inner life is regarded by most people as so dangerous that it cannot be revealed openly and directly.”26 the true self cannot handle exposure to the other, as it will be criticized, dissected, and ripped apart. perhaps, then, spender is correct when he states that the autobiographer is indirectly “commenting on the values of the age in which he lives.”27 indeed, the perspective of the autobi“anti-islamic incidents were the second least reported hate crimes before 9/11, but are now the second highest among religious-bias incidents.” 12 elements : : spring 2015 ographer, his very self, is shunted through another channel, that of society and the other. ayad akhtar’s case is no different, but to examine his autobiography, one must first gain a deeper understanding of the self and the other with which he interacts – muslims and the american public, respectively. perceptions of muslims in the post-9/11 world although negative sentiments toward muslims can be traced back to qur’anic times, the terrorist attacks on the world trade center on september 11th, 2001 seem to have ushered in a new age of islamophobia in the annals of history. while american media was intensely focused on osama bin laden and the nation’s relations with the middle east, few headlines reported on hate crimes against those of south asian or middle eastern decent. anti-islamic incidents were the second least reported hate crimes before 9/11, but are now the second highest among religious-bias incidents. indeed, from pre-9/11 to post-9/11, a startling increase of 1600% in anti-islamic incidents took place.28 more than thirteen years later, the 9/11 attacks continue to serve as a reminder of the united states’ vulnerability in regard to international relations and terrorism. indeed, perhaps more pressing today is the ongoing isis crisis. the rise of the islamic state in iraq and syria was both unexpected and startling, immediately appearing in headlines across the globe and striking fear into the hearts of millions. the very goal of isis – to “establish[…] an independent islamic state ”29 – is the ultimate fear that terrorized the american public following 9/11. a group constructing a caliphate in the middle east, with the threat of apocalyptic expansion, forms the basis of nearly every post-9/11 nightmare. and certainly, the isis crisis does seem to be a cause for concern: the organization has seized a considerable amount of area stretching from northern syria to central iraq. the fact that 57% of american citizens approve of u.s. military action against islamic militants in iraq and syria should therefore be no surprise.30 the isis threat has stimulated mass anxiety in the american public, and prominent speakers are adding to the hysteria of the supposed threat against western democracy. on his october 3rd, 2014 episode of real time with bill maher, cable talk show host bill maher insisted that the fraction of muslim extremists in the world is more “than just a few bad apples.” he also related muslims to the mafia and even derided islam as “the mother lode of bad ideas.”31 maher is one among countless individuals who equates islam with terrorism and questions the allegiance of the american muslim population. perhaps the most noticeable islamophobe is pamela geller, executive director and cofounder of stop islamization of america (sioa) and the american freedom defense initiative (afdi), an umbrella group including sioa.32 although both organizations are classified as hate groups by the southern poverty law center (splc), geller continues to spread her campaign via anti-islamic ads on buses, taxis, and subway stations in new york and massachusetts.33, 34 maher and geller are only two vocal figureheads who have the resources to broadcast their message to the american public – and yet, perhaps most unsettling is just how many american citizens agree with their sentiments. according to a 2010 time poll, 61% of americans opposed the construction of the park51/cordoba house project, or as geller herself calls it, the ‘ground zero mosque.’ furthermore, 28% of respondents believe that muslims should not be eligible to sit on the u.s. supreme court, while ground zero mosque protester (courtesy of wikimedia commons) 13 muslim identity in 21st century america nearly one-third of the nation thinks muslims should be forbidden from running for presidency.35 such attitudes, unfortunately, do not seem to have diminished with time. according to a 2014 survey conducted by the pew research center, the american public views muslims in the coldest manner and least favorably out of several other religious groups.36 findings from another 2014 poll conducted by the arab american institute are consistent with such data. in addition, the latter poll revealed that “a growing percentage of americans say that they lack confidence in the ability of individuals from either [the arab or muslim community] to perform their duties as americans should they be appointed to an important government position.”37 indeed, never has the position of muslims in the united states been more precarious than in the post-9/11 world. portrayal of muslims in american media the inclusion of minorities in american television and film has been an ongoing issue, with many critics claiming that the american media whitewashes important characters of color. the portrayal of muslim characters, however, may be a bit more problematic; indeed, whenever muslims are represented in media, they are constantly depicted as violent or terroristic individuals. depictions of muslims that gain success are often those that somehow associate islam with terrorism or other stereotypes, and as a result, muslim characters in television or film are always defined by these qualities or themes. one might think that this issue arose after the 9/11 attacks, but such demeaning depictions of muslims have been present throughout the western world for ages. disney’s 1992 animated blockbuster aladdin is only one example of racism and stereotyping.38 the winner of two academy awards, aladdin is a loose adaptation of “aladdin and his magic lamp,” a tale in the famous literary collection arabian nights. although an extreme success for disney, the film met with such controversy upon release that entertainment weekly ranked it in a list of the most controversial movies in history.39 the american-arab anti-discrimination committee (adc) objected to the opening lines of the movie, also the opening lines of the song “arabian nights”: oh, i come from a land, from a faraway place where the caravan camels roam, where they cut off your ear if they don’t like your face, it’s barbaric, but hey, it’s home. the adc claimed that these verses perpetuated the view that the islamic world is a realm of barbarism and aggression. the lyrics “where they cut off your ear / if they don’t like your face” were ultimately changed to “where it’s flat and immense / and the heat is intense” after the theatrical release of the movie. the adc and other critics, however, continued to point out several issues with aladdin. the depiction of princess jasmine, who is trapped and oppressed by her patriarchal society, aligns with the stereotypical belief that muslim women are trapped and subjugated. similarly, the citizens of the fictional kingdom of agrabah are uncivilized, rude, and barbaric; at one point in the film, a merchant nearly cuts off the princess’ hand after she gives an apple from the merchant’s cart to a poor boy. the adc also took offense to the depiction of the two main characters, princess jasmine and aladdin, for having more anglican features and accents, whereas the citizens of agrabah possess darker skin, heavy accents, and grotesque facial features. disney’s film, the adc argues, promotes the idea that the arab world is “alien, exotic, and ‘other’… a place of deserts and camels, of arbitrary cruelty and barbarism.”40 after 9/11, however, the american media became a hotbed for muslim characters. now, muslims and the middle east provide perfect characters and settings for real-world drama and conflict. in 2011, the political thriller television series homeland premiered on showtime and won a series of awards and accolades, including the 2012 primetime emmy award for outstanding drama series. nevertheless, the show has been criticized for its portrayal of muslims and the middle east, with american journalist laila al-arian lambasting homeland as “tv’s most islamophobic show.” “all the standard stereotypes about islam and muslims are reinforced,” she claims, “and it is demonstrated ad nauseam that anyone marked as ‘muslim’ by race or creed can never be trusted, all via the deceptively unsophisticated bureau-jargon of the government’s top spies.”41 al-arian’s argument is not unfounded: the first three seasons of the show revolve around marine sergeant nicholas brody, a prisoner of war by al-qaeda who is finally rescued after eight years. although hailed by the american public as a war hero, cia officer carrie mathison suspects that brody is now a sleeper agent on american soil. the crux of the television show raises the neurotic question: can a white, male american turn against his own country after converting to islam? al-arian insists that brody “is such an awful pastiche of american fears and pseudo-psychology that only an audience conditioned by the islamophobic, anti-arab tropes in our media could 14 elements : : spring 2015 find him consistent.”42 mathison’s fears about brody are ultimately grounded: not only does he attempt to commit a suicide bombing, but he also aids al-qaeda in assassinating the vice president. depictions of muslims in a positive light are rather rare; more importantly, any such attempts are often unsuccessful in mainstream american media. in 2005, the television drama sleeper cell also premiered on showtime and won rave reviews. the show centers on an undercover muslim fbi agent who must infiltrate a terrorist sleeper cell. actor michael ealy, who portrays the main muslim character in the show, claims, “that’s the one thing i think is very subversive about this show that we set out to sort of do, is to say, ‘we want americans to root for a muslim.’”43 although some critics maintain that the show perpetuates stereotypes, ealy makes an important point: sleeper cell subverts stereotypes to a greater extent than homeland ever has. despite the accomplishments of sleeper cell, a range of critics insisted that the show is far too sympathetic to terrorists and their motivations.44 the show ultimately ran for only two seasons and a little more than a year; no proper explanation was given for its abrupt cancellation. nevertheless, there have been other creative attempts at television shows that focus on muslim characters without the backdrop of terrorism. in 2011, tlc premiered allamerican muslim, a reality television program that followed the daily lives of five lebanese-american shia muslims in dearborn, michigan. the show generated significant controversy during its run, with the florida family association labeling it as “propaganda that riskily hides the islamic agenda’s clear and present danger to american liberties and traditional values.”45 ultimately, all-american muslim turned out to be a bit too bland for viewers: the premiere attracted 1.7 million viewers while the finale garnered only 900,000 viewers. tlc cancelled the program after one season because, as adam martin for the wire points out, “nobody wants to watch a show about a normal, all-american family.”46 indeed, the show met its end not because viewers were repelled by its supposed islamic propaganda, but because of its boring and average depiction of american muslim families. a similar situation happened with the sitcom aliens in america that aired on the cw from 2007 to 2008. the show, about a muslim exchange student from pakistan who moves in with a host family in wisconsin, earned positive reviews but failed to attract any viewers. aliens in america was also cancelled after just one season.47 in early 2014, controversy erupted over abc family ordering the pilot for a new television drama entitled alice in arabia. the show was intended to be a “high-stakes drama series” about a “rebellious american teenage girl” who is “kidnapped” by her saudi arabian relatives and forced to be a “virtual prisoner in her grandfather’s royal compound” while “surviving life behind the veil.” abc family’s announcement of the pilot program was lambasted by nearly all american muslims; buzzfeed derided alice in arabia as “the latest in a line of simplistic stereotypes of muslims on american television,”48 while time declared it “racist.”49 four days after the pilot was picked up, abc family announced that it was no longer moving forward with the project. of particular interest in the entire alice in arabia scandal is the role of brooke eikmeier, the creator of the show as well as an arabic-speaking u.s. army veteran. in a piece for the hollywood reporter, eikmeier insists that her concept for the show was drastically different from the way abc family decided to advertise it. eikmeier states that she envisioned a unique program, “a series that showed [muslims] fairly and with admiration and complexity, that islamic cultural center in manhattan (courtesy of wikimedia commons) 15 muslim identity in 21st century america would give opportunities to arab writers and arab actors,” and that abc family’s press release left her “horrified.”50 although the full story will likely remain unknown, the scandal around alice in arabia hints at a deeper and more complex issue: exactly how does the american television industry – and by extension, american arts and media – choose to depict muslims and islam? if eikmeier is telling the truth, then abc family purposely and needlessly advertised her show through the most stereotypical lens possible. the adc and council on american-islamic relations (cair) insisted that alice in arabia perpetuated stereotypes and islamophobia, and that american media continually misrepresents muslims. what these organizations and critics fail to note, however, is that the american media has attempted to put forth accurate and positive depictions before. perhaps alice in arabia was a step in the right direction marred by terrible wording and advertising, but shows like all-american muslim and aliens in america were heavily divorced from any stereotypes or islamophobia – and unfortunately, that is what led to their respective downfalls. several shows that have attempted to holistically portray muslims, including sleeper cell, all-american muslim, and aliens in america, were cancelled shortly after their premieres due to low viewership and interest. in contrast, aladdin reigns as one of disney’s stunning achievements while homeland will be entering its fifth season in 2015. the protests of the adc and cair are futile; the general american public does not wish to change its opinions, and they do not want to waste their time on a show that does not appease their presupposed notions of muslims and islam. in such an atmosphere, how can muslims voice themselves and be heard? few muslim artists have gained success or recognition in american society, and one cannot help but wonder if spender was correct in his theories about the autobiographer and his dual lives. he insists that “the inner life is regarded by most people as so dangerous that it cannot be revealed openly and directly.”51 likewise, muslims are unable to depict their own narratives in american media due to ignorance and lack of interest. if the true self cannot be exposed to the other, then perhaps the autobiographer is indeed indirectly “commenting on the values of the age in which he lives.”52 the perspective of the autobiographer, his very self, is forced to be told through that of society and the other – and ayad akhtar has done exactly that. culture clash: ayad akhtar and his life as an american muslim born in new york city and raised in milwaukee, wisconsin, ayad akhtar always struggled with his identity and place in american society. from a very young age, akhtar was drawn to his faith and even went through a phase of intense religious commitment. his parents, both doctors who emigrated from pakistan in the late 1960s, are “secular humanists,”53 according to akhtar, who did not impress religion upon their children. akhtar, in fact, taught himself how to pray and read the qur’an. in an interview with national public radio (npr), akhtar had this to say about his childhood: i was obsessed with what [the qur’an] meant and understanding how i should live, and it was a very important part of my childhood but it really didn’t come from my parents… i think it had a lot to do with trying to understand how and why i was different and what that meant, growing up in milwaukee, where we really were the only muslim family in the ’80s in our area of town.54 akhtar admits that in his youth, he struggled with his identity and was caught between two worlds. “i didn’t have a place in the [american] culture in the same way that my white friends did,”55 akhtar recalls in another interview. after studying theatre at brown university, akhtar traveled across europe and studied acting under renowned actor and director jerzy grotowski. and yet, akhtar was not ready to explore his heritage or culture in his work; indeed, his first novel, centered on a poet who works at goldman sachs, only tangentially related to islam and failed to secure a publisher or literary agent. by the time akhtar enrolled in columbia university as a graduate film student in the 2000s, however, he was ready to confront his identity. with two fellow students, akhtar co-wrote a screenplay entitled the war within, focusing on a radicalized pakistani student who plans on carrying out a suicide bombing in new york’s grand central station. the film, released in 2005, proved to be a creative turning point for akhtar. “the film was the preparatory gesture,” he claims. “it was part of a process of coming out in some way. it was me fully accepting that i was going to represent myself as pakistani, as muslim.”56 akhtar’s comparison of his own cultural acceptance to ‘coming out of the closet’ is rather fascinating. similar to how closeted individuals may feel shame or guilt, akhtar 16 elements : : spring 2015 implies that he, too, used to feel a sort of discomfort as a pakistani american. akhtar used his creative epiphany to propel his career forward – and with startling success. less than a decade after the release of the war within, akhtar irrevocably found himself “the de facto voice of the american muslim in theater.”57 the self and the other: akhtar’s autobiographical works in the post-9/11 world akhtar has repeatedly insisted that the inspiration for all of his works stems from his culture, religion, and heritage. “everything i write is some version of autobiography,” he said in a 2014 interview. “it’s often a deformed version of autobiography, but everything i write is drawn from personal experience, whether it’s observed or lived.”58 in another interview, akhtar elaborated on his relationship with the autobiographical genre: guernica: what do you make of the american preoccupation with memoir and the autobiography? novelists will write a book in the first person and many readers will think, “that has to have happened to them in real life.” ayad akhtar: especially if you’re a writer of color or if you’re a woman. because if you fall into either of those categories, you’re expected to be writing of your experience. but if you’re not, then you can write about anything. it’s always perplexing to me, the ways in which my own autobiography has found its way into my work. and it’s often very misleading. i’ll take details, and they are working in the opposite way from which they existed in my life. the story begins to have its own demands: i need this, that, and the other, and i could use this thing, but i have to change it. and so that comes into the story, and it has the register of authentic life, and people think, of course, it must have happened exactly like that. they’re going to get confused if they keep reading what i’m working on. they’ll think, “how can he be that and that? it doesn’t make any sense!”59 akhtar maintains that although his works are based on his own life, they nevertheless occupy a different sphere, one of artful authenticity and literary fantasy – and yet, the very nature of these works is what seems problematic. his works may be a blend of reality and fiction, but that they all paint muslims in a negative light is somewhat disturbing. akhtar distances himself from his bigoted, oppressive, and violent characters, but the question remains – why solely create characters like these in the first place? akhtar’s first novel, published in 2012, was instantly met with critical acclaim. his manuscript american dervish, in fact, was picked up by little, brown and company for a six-figure sum only one day after the publisher received it. the new york times, among others, reviewed it quite favorably, calling the novel a “pleasure,” a “self-assured and effortlessly told”60 debut. american dervish centers on a young boy named hayat shah, a pakistani american living in suburban milwaukee who must grapple with his culture, faith, and identity as he enters adolescence. although his novel resembles a bildungsroman in many aspects, the inclusion of bigoted muslim characters interrupts akhtar’s narrative and forces it to take on a darker tone. one pharmacist idolizes adolf hitler, and in one of the novel’s most upsetting scenes, the imam at the local mosque delivers an anti-semitic khutbah and calls the jewish people “loathsome.”61 even akhtar’s protagonist is unable to resist such prejudice: when mina, the object of hayat’s adolescent affections, begins to fall in love with a jewish doctor, hayat “turns to a more conservative, literal version of islam” and unfortunately “gravitate[s] toward those aspects of muslim scripture and culture that cast jews in a negative light.”62 other muslim characters, in addition, are subtly misogynistic, and as hayat becomes jealous of mina and her jewish lover, the reader cannot help but wonder how toxic of a combination anti-semitism and misogyny can truly be. akhtar continues his discussion of women in his 2014 play the who & the what. described as a “fiery-flavored stew” that stirs “matters of faith and family, gender and culture,”63 akhtar’s play centers on zarina, an ivy-educated young muslim woman who ruminates on the role of women in islam. controlled by her rigid father, zarina critiques both islamic history and the veil; she is convinced that “misogyny [lies] at the heart of islamic history”64 and longs to pen an exposé. “i hate what the faith does to women,” she admits in one scene. “for every story about [prophet muhammad’s] generosity or his goodness, there’s another that’s used as an excuse to hide us. and the story of the veil takes the cake.”65 where zarina is critical, her father is conservative: when instructing another male muslim about how he should treat his wife, afzal states, “she has more power over you than she really wants. she can’t help it. and she won’t be happy until you break her, son. she needs you to take it on, man.”66 akhtar describes his story, about the clash between two different generations, as a “very old tale which is told again and again.”67 in 17 muslim identity in 21st century america many aspects, akhtar is correct – but despite the play’s forced happy ending, the issues of misogyny and oppression are raised and subsequently left dangling, never truly resolved for the audience. but compared to either american dervish or the who & the what, akhtar’s 2012 play disgraced is probably the most controversial work of all, as well as the most praised. indeed, the winner of the 2013 pulitzer prize for drama, disgraced began its highly feted broadway run in october 2014. the play centers on mergers and acquisitions lawyer amir kapoor who lives with his wife in a post-9/11 upper east side. ashamed of his pakistani heritage and desirous of a successful career, amir goes as far as to change his name and renounce his faith. whereas at least two other characters are supporters of islam, amir emerges as islam’s most aggressive critic in the play. amir constantly equates islam with violence, oppression, and bigotry; at one point, despite his wife’s counterargument, he even maintains that the qur’an endorses wife-beating. in a hateful rant at the dinner table, amir spews the following to his wife and guests: [islam] goes way deeper than the taliban. to be muslim – truly – means not only that you believe all this. it means you fight for it, too. politics follows faith? no distinction between mosque and state? remember all that? so if the point is that the world in the quran was a better place than this world, well, then let’s go back. let’s stone adulterers. let’s cut off the hands of thieves. let’s kill the unbelievers. and so, even if you’re one of those lapsed muslims sipping your after-dinner scotch alongside your beautiful white american wife – and watching the news and seeing folks in the middle east dying for values you were taught were purer – and stricter – and truer … you can’t help but feel just a little bit of pride.68 akhtar, ever the keen playwright, uses amir’s “blush of pride”69 at the 9/11 attacks to invoke the doubt and suspicion of the american audience toward muslims in a post9/11 world. indeed, akhtar effectively plays upon the fears of the american public to create shock value and controversy – so when amir admits, “i guess i forgot … which we i was,”70 and when amir’s guest calls amir a “fucking closet jihadist,”71 the lines between ‘them’ and ‘us’ are quite clearly drawn. but akhtar takes everything a step further. in one of the play’s most harrowing scenes, amir viciously beats his wife when he discovers her infidelity. he assaults her in a “torrent of rage”72 until he realizes the inhumanity of his own actions; by the end of the scene, his wife’s face is covered with blood. amir’s violence connects to his earlier comments about how islam promotes wife-beating – the image from performance of disgraced at the bush theatre (courtesy of geraint lewis/alamy) 18 elements : : spring 2015 paradox, however, is that amir detests islam and is an apostate. consequently, how could the american amir slip into the supposed behavior of his ancestors? “it’s tribal,” amir tells his guests. “it is in the bones… you have to work real hard to root that shit out.”73 akhtar paints a disturbing portrait of a man who angrily flees from islamic culture, only to discover it silently lurking within himself. indeed, amir becomes the bigoted and violent stereotype that he so detests, and consequently, akhtar’s protagonist perpetuates muslim stereotypes in a society that is already anxious about the role of muslims and islam. akhtar does the same with the only other pakistani character in the play, amir’s nephew. near the end of the play, abe tells his uncle, “[americans have] conquered the world. we’re gonna get it back. that’s our destiny. it’s in the quran.”74 abe’s dreams of establishing a worldwide islamic caliphate are eerily similar to the current goal of isis, and once again, play upon american fears. akhtar’s pulitzer prize-winning play ends with a tragic silence and no redeemable muslim character standing on the stage. what exactly is the american audience supposed to take away from a work like this? all three of akhtar’s main works have a common theme: muslim characters that are painted in a less than flattering light. indeed, while “some muslims have accused akhtar of employing negative stereotypes for dramatic effect,” others even claim that he is “airing the muslim community’s dirty laundry for an outside audience.”75 akhtar, however, maintains that instead of purposely depicting unlikable muslim characters, he is simply “writing about the american experience.”76 in regard to such criticism, akhtar responds: [readers] have wondered why, in an age of very real anti-muslim bigotry, i am choosing to delve into the more shadowy elements of modern islamic identity. the issue is not unimportant. and the response to it is not simple. “correcting” the impression many in the west have of islam is not an artistic project; it is a public relations matter. as such, the optics of how islam is perceived cannot be of concern to me except insofar as it is of moment to the characters i am writing about.77 akhtar echoes his sentiment about the game of public relations and optics in a 2012 interview with bill kenower: i think there’s this sense that as a muslim american artist of some visibility, where there’s a real dearth of that in the culture today, that i am seen as having some sort of responsibility and that that responsibility is unfortunately seen as a, or formulated as, almost a pr strategy or an optics game, in which i am called upon to reflect back an image of islam that is going to correct the [western] misapprehension or misperception of it. and that is a very valiant job; it’s just not the job of an artist.78 akhtar insists that as an artist, he should not be expected to clear up any misunderstandings about islam or muslims, and perhaps he is right. akhtar has repeatedly stated that it is not his responsibility to offer a “message or some higher meaning”79 to his american audience. there is no doubt that akhtar’s formula has succeeded: now a pulitzer prize-winner in the midst of elite company, akhtar has become the most prominent muslim voice in american literature and theatre. and yet, although he admits his works are autobiographical, akhtar continually attempts to divorce them from the aura of muslims, the other. in an interview with the wall street journal, akhtar says: i think the alleged proposition is you are going to go see my work and learn something about “those” people. and a lot of times people come away thinking, “actually, i’m illuminated about myself.” but that’s my intention. i’m writing to the universal. i’m not writing to some specific ideal that fits in with the zeitgeist. i just happen to be situated, because of my history, my upbringing, my passions, my ecstasies and my demons, to be writing about subject matter that seems to be meeting the world in an unusually direct way. but that’s not a conscious strategy on my part. that’s just luck. i think i’m writing about the american experience.80 according to akhtar, his works are not about muslims or the muslim condition; instead, they focus on americans and the american condition – but to make the american experience the centerpiece of one’s works, akhtar claims one must “wrestle with your demons and your passions, and to celebrate and criticise your traditions and your community.”81 and so, consciously or unconsciously, akhtar seems to have realized spender’s theories on autobiography. by casting the american muslim community in a negative light, akhtar is “commenting on the value of the age in which he lives.”82 no one except akhtar himself truly knows whether or not he is using the american anxiety of muslims and islam to jumpstart his career, but the american artist is quite open about his literary difficulties: 19 muslim identity in 21st century america so my idea of being a writer meant writing like a european modernist, and i needed 15 years to get over that. i was working for a long time with the wrong idea, which was not bringing me close to my own subject matter, because i never thought that anything i experienced as a kid or that i saw in my community would be of interest to anybody else. that imprimatur took a long time to work out of my system, and it didn’t happen until my early 30s.83 the implication is clear: only when akhtar began to focus on his own community and heritage was he able to achieve success – but success itself stems from society and its consciousness. in a society that immediately discards any medium that portrays muslims in a positive light on the basis of it being boring or average, such as all-american muslim, while championing medium that perpetuates islamic stereotypes, such as homeland, how can a muslim or pakistani artist ever expect to achieve recognition? even akhtar himself admits that he is sometimes taken aback at the incendiary and unsettling things he has written: “an actor will say something and suddenly i’ll be shocked that i’ve written this thing. i can’t believe it. i want to leave the room.”84 and certainly, one cannot blame akhtar for his shock and disquiet. the mercurial and tempestuous hayat from american dervish, the impetuous zarina and prejudiced afzal from the who & the what, and the conflicted yet callous amir from disgraced – they are all characters that akhtar himself created, characters formulated from his own personal experience. who knows what akhtar will write next? what stories will he tell, and what characters will populate them? to firmly claim that akhtar has totally bowed to american consciousness, the other, and let his self and experiences be dissected and shunted through another channel, another pair of eyes, another consciousness is a bit extreme. and yet, with the material that akhtar exploits in his works, one cannot help but wonder what role he is playing on the stage of american media and politics in a post-9/11 world. in fact, perhaps abe jensen from disgraced has the final word in these matters: for three hundred years they’ve been taking our land, drawing new borders, replacing our laws, making us want to be like them. look like them. marry their women. they disgraced us. they disgraced us. and then they don’t understand the rage we’ve got?85 but then again, who knows? endnotes 1. trussell 2014. 2. sriram 2014. 3. trussell 2014. 4. gerard 2012. 5. encyclopædia britannica 2014. 6. gusdorf 1980. 7. gusdorf (33). 8. howarth 1980. 9. olney 1972. 10. olney (20-21). 11. gusdorf (29). 12. mcaleavey 2014. 13. gusdorf (45). 14. ibid. 15. gusdorf (31). 16. ibid. 17. ibid. 18. rousseau 2008. 19. gusdorf (31-32). 20. augustine 2009. 21. gusdorf (33). 22. ibid. 23. spender 1980. 24. ibid. 25. spender (116). 26. spender (122). 27. ibid. 28. muslim public affairs council 2014. 29. thompson et al., 2014. 30. “support for u.s. campaign against isis; doubts about its effectiveness, objectives.” 2014. 31. real time with bill maher 2014. 32. steinback 2014. 33. fermino 2014. 34. personal experience. 35. altman 2010. 36. “how americans feel about religious groups.” 2014. 37. the arab american institute 2014. 38. rudner 2014. 39. entertainment weekly 2014. 40. wingfield and karaman 1995. 41. al-arian 2012. 42. ibid. 43. sydell 2006. 44. ibid. 45. memmott 2011. 46. martin 2012. 47. weisman 2010. 48. jha 2014. 49. chaudry 2014. 50. eikmeier 2014. 51. spender (122). 52. ibid. 53. npr 2012. 20 elements : : spring 2015 54. ibid. 55. levingston 2014. 56. ibid. 57. cohen 2014. 58.trussell 2014. 59. sriram 2014. 60. langer 2012. 61. ibid. 62. al-shawaf 2012. 63. isherwood 2014. 64. ibid. 65. ibid. 66. ibid. 67. raymond 2014. 68. akhtar (54). 69. akhtar (55). 70. ibid. 71. akhtar (57). 72. akhtar (66). 73. akhtar (55). 74. akhtar (74). 75. qureshi 2014. 76. cohen 2014. 77. al-shawaf 2012. 78. kenower 2012. 79. bushtheatre 2013. 80. levingston 2014. 81. whatsonstage 2013. 82. spender (122). 83. cohen 2014. 84. levingston 2014. 85. akhtar (74). references “25 most controversial movies ever.” entertainment weekly. entertainment weekly, 14 may 2009. akhtar, ayad. disgraced. london: bloomsbury, 2013. akhtar, ayad. interview by aditi sriram. “notes for the stage.” guernica / a magazine of art and politics. guernica / a magazine of art and politics. 2 june 2014. akhtar, ayad. interview by angela carone. “ayad akhtar’s muslim-american culture clash comes to la jolla playhouse.” kpbs public media. kpbs, 14 feb. 2014. akhtar, ayad. interview by bill kenower. “ayad akhtar interview.” youtube. youtube.com, 7 dec. 2012. akhtar, ayad. interview by dominic cavendish. “interview with ayad akhtar, winner of the 2013 pulitzer prize for drama.” the telegraph. telegraph media group, 16 apr. 2013. akhtar, ayad. interview by gerard raymond. “the who & the what interview with ayad akhtar.”the house next door. slant magazine, 30 june 2014. akhtar, ayad. interview by rayyan al-shawaf. “an interview with ayad akhtar.” islamic monthly, summer/fall 2012. akhtar, ayad. interview. “pulitzer winner ayad akhtar: islam is ‘ripe territory’ for drama.” whatsonstage. whatsonstage.com, 20 may 2013. al-arian, laila. “tv’s most islamophobic show.” salon. salon, 15 dec. 2012. altman, alex. “time poll: majority oppose mosque, many distrust muslims.” time. time inc., 19 aug. 2010. “american attitudes toward arabs and muslims: 2014.” the arab american institute. the arab american institute. augustine. confessions. trans. henry chadwick. new york: oxford up. 2009. “autobiography.” encyclopædia britannica. encyclopædia britannica online. encyclopædia britannica inc., 2014. bushtheatre. “meet the playwright: ayad akhtar, writer of disgraced.” youtube. youtube.com, 15 mar. 2013. chaudry, rabia. “abc’s ‘alice in arabia’ is racist.” time. time inc., 19 mar. 2014. cohen, stefanie. “’disgraced’ playwright: ‘i’m writing about the american experience.’”the wall street journal. the wall street journal, 7 nov. 2014. eikmeier, brooke. “’alice in arabia’ writer: media mob killed my pro-arab, pro-tolerance tv series (guest column).” the hollywood reporter. the hollywood reporter, 27 mar. 2014. fermino, jennifer. “shocking anti-islam ad campaign coming to mta buses, subway stations.” ny daily news. ny daily news, 19 sept. 2014. 21 muslim identity in 21st century america gerard, jerry. “pacino’s $377 ticket ghettoizes broadway: jeremy gerard.” bloomberg. bloomberg, 29 oct. 2012. gusdorf, georges. “conditions and limits of autobiography.” autobiography: essays theoretical and critical. trans. james olney. princeton: princeton up, 1980. 30. “how americans feel about religious groups.” pewresearch religious & public life project. pew research center, 16 july 2014. howarth, william l. “some principles of autobiography.” autobiography: essays theoretical and critical. ed. james olney. princeton: princeton up, 1980. 85. isherwood, charles. “the shadow of the patriarch.” the new york times. the new york times, 16 june 2014. jha, rega. “we got a copy of the script for “alice in arabia” and it’s exactly what critics feared.” buzzfeed. buzzfeed, 21 mar. 2014. langer, adam. “stumbling through an american muslim maze.” the new york times. the new york times, 04 jan. 2012. levingston, steven. “ayad akhtar: on muslim identity, and life in america.” the washington post. the washington post, 19 july 2014. martin, adam. “tlc cancels ‘all-american muslim’ due to lack of controversy.” the wire. the atlantic, 7 mar. 2012. memmott, mark. “lowe’s ignites controversy by pulling ads from ‘all-american muslim’” npr. national public radio, 12 dec. 2011. olney, james. “a theory of autobiography: my metaphysics… my physics.” metaphors of self: the meaning of autobiography. james olney. princeton: princeton up, 1972. 18. qureshi, bilal. “in stories of muslim identity, playwright explores fault lines of faith.” npr. national public radio, 10 july 2014. real time with bill maher. hbo. 3 oct. 2014. rousseau, jean-jacques. confessions. trans. angela scholar. new york: oxford up. 2008. spender, stephen. “confessions and autobiography.” autobiography: essays theoretical and critical. ed. james olney. princeton: princeton up, 1980. 117. “statistics.” muslim public affairs council. muslim public affairs council. steinback, robert. “the anti-muslim inner circle.” southern poverty law center. southern poverty law center, summer 2011. “support for u.s. campaign against isis; doubts about its effectiveness, objectives.” pew research center for the people and the press. pew research center, 22 oct. 2014. sydell, laura. “’sleeper cell’ draws fire for soft take on terrorists.” npr. national public radio, 3 dec. 2006. thompson, nick, richard a. greene, and inez torre. “isis: everything you need to know about the rise of the militant group.” cnn. cable news network, 25 sept. 2014. trussell, robert. “kansas city repertory theatre rep stages ayad akhtar work about the american experience.” the kansas city star. the kansas city star, 18 oct. 2014. weisman, jon. “two years later, ‘aliens in america’ cancelation still worth lamenting.” variety. variety, 26 mar. 2010. wingfield, marvin, and bushra karaman. “arab stereotypes and american educators.” american-arab anti-discrimination committee. american-arab anti-discrimination committee, mar. 1995. “writing about the midwestern muslim experience.” npr. national public radio, 7 jan. 2012. 22 elements : : spring 2015 "consciousness implies choice, and thus the self is freedom: 'the more consciousness, the more self; the more consciousness, the more will.. a person who has no will at all is not a self1 for kierkegaard, despair must be a free act, and not simply a characteristic of mankind." s i n , d e s p a i r , a n d t h e o t h e r ! the works of soren kierkegaard scott o'leary s o r e n k i e r k e g a a r d , t h e m y s t i c e x i s t e n t i a l i s t , q u e s t i o n s t h e r o l e o f d e s p a i r i n g h u m a n l i f e i n h i s c e l e b r a t e d t e x t , t h e s i c k n e s s u n t o d e a t h . i n a d i s q u i s i t i o n b o t h p e r s u a s i v e a n d t r o u b l i n g , h e i n s i s t s t h a t d e s p a i r , f a r f r o m b e i n g a s t a t e o f c o n s c i o u s n e s s w h i c h s h o u l d b e a v o i d e d , i s i n f a c t a s pi r l t u a l m o o d t h a t b r i n g s t h e i n d i v i d u a l d i a l e c t i c a l l y c l o s e r t o t h e d i v i n e . b u t h o w c a n w e a c c e p t t h e p a r a d o x e s o f f a i t h t h a t c a u s e s u c h t e r r i b l e d e s p a i r ? o u r i n a b i l i t y t o c o m e t o t e r m s w i t h t h e e l e m e n t s o f c h r i s t i a n i t y t h a t k i e r k e g a a r d h i m s e l f c a l l s o f f e n s i v e , s u c h a s o r i g i n a l s i n a n d c o d ' s t o t a l a u t h o r i t y o v e r m a n , l e a d t o a p e r v a s i v e l o s s o f s e l f c o n s c i o u s n e s s t h a t k i e r k e g a a r d s e e s a s t h e e p i d e m i c o f m o d e r n c i v i l i z a t i o n . l i k e a p h y s i c i a n , k i e r k e g a a r d d i a g n o s e s o u r s i c k n e s s , a n d h i s p r e s c r i p t i o n f o r r e c o v e r y i s p a r a d o x i c a l a n d p r o v o k i n g . "for kierkegaard, the self becomes impossible without the existence of a divine "other," who exists outside and beyond the human.77 "whereof one cannot speak, thereof one must be silent," writes ludwig wittgenstein at the end of his tractatus logico philosophicus. martin heidegger is more explicit: "theology is a positive science, and as such, therefore is absolutely different from philosophy" 1. many continental and analytic philosophers agree that the subject of god must remain apart from philosophy. however, soren kierkegaard protests precisely the opposite: only a metaphysical system that removes the mystery of god must be avoided. kierkegaard sees that man's problems lie in his sickness, a sickness caused by despair. it is only through a personal god that one can overcome despair. i n the sickness unto death, kierkegaard develops a psychospiritual analysis of despair and illustrates that the only solution to this is a personal relationship with the divine 'other', god. 1 1 the first section of this work shows how kierkegaard develops despair as a psychological and spiritual mood that transcends finite existence. following the theistic existential tradition of augustine and pascal, kierkegaard elaborates on the understanding of despair as a being out of place in the world. kierkegaard uses a psychological description of an underlying, primordial, and existential emotion as an important component of his solution to despair. for kierkegaard, the self becomes impossible without the existence of a divine "other," who exists outside and beyond the human. the sickness unto death is not without precedent. soren kierkegaard's work follows a tradition of christian existential writing that began with saint augustine. in his confessions, augustine hints at the emotional analysis one finds at the heart of kierkegaard's writing. the confessions is a wholly existential work, and augustine anticipates kierkegaard by writing, "thou madest us for thyself, and our heart is restless, unti l i t repose in thee." 1 1 1 blaise pascal continues this tradition of theistic existentialism even amidst enlightenment rationalism. pascal writes of the human condition as a great fallen-ness, rendering the human being a miserable and weary entity. "nothing is so insufferable to man as to be completely at rest, without passions, without business, without diversion, without study. he then feels his nothingness, his forlornness, his insufficiency, his dependence, his weakness, his emptiness." through the intensity of emotional experience, man recognizes his weakness and despair, leading pascal to remark, "we know the truth, not only by the reason, but also by the heart. " 1 v kierkegaard is not alone i n predicating religious and philosophical belief upon an emotional torment that he terms e l e m e n t s s p r i n g 05 anxiety. yet he sets himself apart, as this "restlessness and weariness'™ become the focal point of his philosophical studies. the sickness unto death begins with the metaphor of the physician at a sickbed. just as a physician examines the inf irm to diagnose the problem and discover a cure, kierkegaard depicts himself as a "physician of the soul" intent on resolving "a sickness of the spirit.'™1 the role of physician is established within the full title of the work: the sickness unto death: a christian psychological exposition for upbuilding and awakening. the description of despair cannot be understood as a purely theoretical sketch, but instead, as a clinical and psychological analysis. the author clearly states that the sickness unto death is both a rigorous scholarly work and a religious exhortation to overcome the despair which leads to sin. v 1 1 unlike other philosophers of his time, such as hegel, kierkegaard avoids any systematic definitions, preferring instead to use metaphorical examples. he also employs dialectics, in which a thesis and antithesis join to form a synthesis, to describe a number of his ideas, most notably that of the "self." i n this sense, kierkegaard incorporates hegel's dialectical approach in his analysis, while at the same time refusing to reduce his ideas to a formal system. the sickness unto death begins with the conception of the self. i n many ways, it is the divided self of descartes, in which the individual subjective consciousness is the foundation for interpreting the world. yet kierkegaard adds certain qualifications. while he accepts the subjective self, kierkegaard avoids the "false step" of descartes' artificially created concept of "inwardness.'™ 1 1 1 yet, since kierkegaard explains that since the health of the self is attained through faith, some form of inwardness is essential for the self. like descartes, he rejects the aristotelian psychology of health as an outward self measured by social ethics, but in opposition to descartes, kierkegaard posits his own analysis: "a human being is spirit. but what is spirit? spirit is the self." unfortunately, this initial analysis of the self as spirit is not immediately useful. he adds, "but what is the self? the self is a relation that relates itself or is the relation's relating itself to itself i n the relation." 1* kierkegaard's complicated conception of the self can best be deciphered by a careful analysis of its parts. firstly, we see that the self exists as a relation: it is not a substance or a single "point" of consciousness but instead can be conceived of as a "relational field."* through its simultaneous relation with itself, and a reaching beyond itself to related to the "other," the self becomes "concrete" in a synthesis of its finite and infinite qualities.* 1 for kierkegaard, god is the ultimate "other," to whom the self is necessarily and absolutely related such a relation that relates itself to itself must either have established itself or have been established by another. if the relation that relates itself to itself has been established by another, then the relation is indeed the third, but this relation, the third, is yet again a relation and relates itself to that which established the entire relation. the human self is such a derived, established relation, a relation that relates itself to itself and in relating itself to itself relates itself to another." x n the self arises from the divine other, and as such, the self can only be explored dialectically via the analysis of its relation to an "other." the self's realization that it has not "itself established itself" leads to two forms of despair.*111 i f the self did indeed establish itself, then there would be no dialectical conflict with the divine other. this position would closely reflect heidegger and sartre's interpretations, which portray despair i n only a singular form. yet kierkegaard cannot agree with this. whether this belief is solely on a religious level or also philosophical is an untenable question, as the two are inextricably linked i n his thinking. the relational aspect of the self, the always-becoming and always-in-flux, requires this "other" to continually establish the self. s i n , d e s p a i r , a n d t h e o t h e r : t h e w o r k s o f s o r e n k i e r k e g a a r d kierkegaard's perceives the human being is a series of three syntheses: "a synthesis of the infinite and the finite, of the temporal and the eternal, of freedom and necessity, in short, a synthesis,"and it is the mediating relation between these opposing pairs that constitutes the self. x l v despair arises in the "mis-relation in a relation that relates itself to itself." x v i n the possibility of each synthesis becoming a "mis-relation," there lurks the possibility of despair, which then must be traced dialectically. that this is so is due to the dialectic inherent in the self as a synthesis, and therefore each constituent is its opposite. no kind of despair can be defined directly (undialectically) but only by reflecting on its opposite factor. x v i rather than immediately engaging in this dialectic exploration, it is helpful to use kierkegaard's ideas of the aesthetic, the ethical, and the religious as the three stages of life, and to compare these stages to the different types of despair present in the three forms of syntheses. the life of the aesthete, personified in don juan and faustus, is a self that attempts to completely free itself from finitude, falling into the despair of infinitude. "this initial wakening to imagination...this passion for the possible," allows for infinite freedom and creativity; yet as kierkegaard himself warns, "you are king of a kingdom of nothingness." x v n this infinite has no grounding in reality, and thus the aesthete is destined to a life of continuous self-creating. like prometheus, the aesthete's desire to become a god is impossible. "such exercises in 'promethean hope'," kierkegaard admonishes, " invariably culminate in despair." x v m the ethical life, by contrast, becomes grounded solely in the finite, the temporal, and the necessary. characters such as judge wilhelm in either/or entirely lose their consciousness of the infinite and the eternal. while the ethical man chooses a self, he thinks only in relation outward, to others around h im, neglecting the eternal quality of his soul. finally, with the famous example of abraham, in fear and trembling as the "knight of faith," the author describes the third, and culminating, stage of life. the religious life is the synthesis of the aesthetic and ethical life, and in this sense reconciles the dialectical elements of the soul. the freedom, imagination, and possibility of the aesthetic are grounded in a necessity that is stronger than the ethical: the divine. these three stages, the aesthetic, ethical, and religious stages, depict the self's outward relations. in the sickness unto death, kierkegaard turns his attention to one's inner relations. because this relation is inward, kierkegaard relies on a dialectical, psychological, and more abstract mode of analysis. he avoids the concrete models of abraham, judge wilhelm, and faustus i n favor of three distinct dialectical pairs: the temporal/eternal, the finite/infinite, and possibility/necessity. each of these pairs is more than simply a collection of opposites, or a "negative unity". the synthesis of each of these dialectical pairs begets freedom, and this freedom is the grounded, concrete self. the self is the right relation between the six constituents of the synthesis, each of which, i f it becomes unbalanced, can lead to its own form of despair. the temporal and eternal are discussed in great detail another work by kierkegaard x 1 x in the sickness unto death, he focuses upon the second two kinds of despair. in the first, the dialectical mis-relation of finite and infinite, the despair of finitude forgets the spiritual, the inifmite, and lives only for the day to day. by contrast, the despair in infinitude occurs when the self immerses itself in the spiritual and infinite, but loses its relation to the world, living entirely in fantasy and imagination. as for necessity and possibility, a balance of the two relations would function dialectically to prevent the self from becoming lost in endless and imaginative possibility, or trapped in the fatalism of necessity. though despair is intricately linked with this dialectic of self, it "must be considered primarily within the category of consciousness. , , x x why is this so? because for kierkegaard, the "level" of the self's despair has a profoundly direct relation to the self's consciousness. consciousness implies choice, and thus the self is freedom: "the more consciouse l e m e n t s s p r i n g 05 ness, the more self; the more consciousness, the more wi l l . .a person who has no wi l l at all is not a s e l f " ™ for kierkegaard, despair must be a free act, and not simply a characteristic of mankind. a l l despair contains at least some element of consciousness, although "very often, the person in despair probably has a dim idea of his own state."™ 1 even when one is ignorant of his despair as despair, he chooses to be i n despair by not being conscious of himself as spirit. the more developed forms of despair arise proportionally with an increase in self-consciousness. consciously, one despairs by either willing to not be oneself, or will ing to be oneself the first of these opposing states is a despair of weakness: the individual wills to be something or someone that is not his own self. a person cannot acknowledge the totality of his own selfhood, and thus resorts to a number of escapes: " i n despair not to wi l l to be oneself. or even lower: i n despair not to wi l l to be a self. or lowest of all: in despair to wil l to be someone else, to wish for a new self ." x x m what delineates the stages of this scale is the level of concealment of the self as self. the lowest form views the self simply as the outward living of an individual. when a man sheds his self and wants, for example, to be caesar, napoleon, or a bourgeois gentleman, he is hiding in weakness from his true self and from the conception of self as personal and internal. to despair either to not be a self or to not be oneself are also weaknesses because " in no way does it come from within as an act. ' , x x 1 v this occurs because one despairs as a "man of immediacy," concerned only with the earthly and outward world. or, having a real conception of the self, one falls into "inclosing reserve." the man of inclosing reserve acknowledges spirit in the self, but out of weakness goes no further; he resigns himself to an inexplicable solitude. proceeding one "dialectical step further," we reach the despair of defiance. the despair of defiance "is really despair through the aid of the eternal, the despairing misuse of the eternal within the sel f . "™ one in defiance wills to be oneself, but i n a twisted and flawed manner, will ing itself to relinquish its temporality through an act of stoicism and resignation, confirming only its abstractness. or i n another example the self attempts, through a promethean imagination, to "reconstruct" itself in thought. as the author puts it , the "acting self...constantly relates itself to itself only by way of imagining constructs...it recognizes no power over itself."™ 7 1 both forms of defiance are despair, because they refuse to submit the self to the divine other, and instead defiantly challenge the other or simply falsely repudiate the temporality of the self. yet kierkegaard makes clear that despair, while something that must be overcome, is a thing that points one towards a solution. as one's understanding of despair grows, the feeling of despair intensifies. "the level of consciousness intensifies the despair."™ 1 1 this anticipates kierkegaard's rejection that knowledge of despair can become the cure. the second half of the sickness unto death focuses on a possible solution, however, kierkegaard does not claim to offer the solution. the divine other cannot be spoken of or fully understood, and thus even "transparently resting in the other" lacks complete certainty.™ 1 1 1 however, kierkegaard sees the role of the other as central to a solution, as essential to the cure of this sickness unto death. the solution lies in the self, but as seen in kierkegaard's description of the self, this cannot be found solely in the individual. he turns i n the second half of the sickness unto death towards a possible solution, and at the same time turns from a primarily psychological description to a religious undertaking. while some like james l. marsh see this as a division in the author's spheres of thoughts, our argument is that only in the religious can a solution be found.™ x here, kierkegaard links himself with the christian tradition, bringing sin into the discussion. for here, the sickness "is sin and [sin] is: despair in not wanting to be oneself or wanting to be oneself."™ it is "sin" to be in despair "before god." x ™ sin is despair at a more intense level, as the divine is higher than the human level. however, because all human beings are related to god as the other i n the self, every human is i n despair before god and therefore is also in sin. s i n , d e s p a i r , a n d t h e o t h e r : t h e w o r k s o f s o r e n k i e r k e g a a r d kierkegaard rejects the socratic belief that sin is ignorance. knowing what is right does not necessitate acting rightly. "the greek mind does not have the courage to declare that a person knowingly does w r o n g . ' , x x x n instead, kierkegaard contends that the wi l l chooses to sin. "therefore, interpreted christianly, sin has its roots in willing, not i n knowing, and this corruption of will ing affects the individual's consciousness." x x x m rather than knowledge producing a solution, despair increases with the understanding of despair. this leads the individual to seek a cure, forcing h i m to choose between despairing in sin and resting transparently i n god. sin must be a choice and not simply the 'human condition'. i n the wi l l , in willing to be oneself, an individual begins to overcome despair. however, willing alone is incomplete. a person cannot simply wi l l a solution to sin; he has need of the divine other. despair as sin is singularly before god. like king david, kierkegaard can say, "against you, you alone, i have s inned. m x x x i v the relationship between sin and despair is inside the self, as the "other" is part of the self. it follows logically, then, that a solution must also be inward. as sin is singular and personal before god, so is the solution to sin: faith. man overcomes despair by resting transparently in god, and thus, "[b]y relating itself to its own self and by will ing to be itself, the self is grounded transparently in the power which constituted i t . ' , x x x v without the divine other, the self cannot completely wi l l to be itself. the self lacks the constitutive power that created it, and yet remains still part of the self. a n individual, which is a self always in flux, cannot cure himself of the sickness caused by despair. only through god, through faith, can the self find a peace that comes from acceptance of the other. one cannot strive beyond what kierkegaard describes as the aesthetic sphere without an 'other'. kierkegaard sees the only possible solution in the self's relation to the divine other, yet even this remains uncertain only with fear and trembling. e n d n o t e s i heidegger (1988) i i for brevity and simplicity i use kierkegaard i n place o f 'anticlimacus' and his other pseudonyms throughout this work, understanding that while kierkegaard used a variety of perspectives, i am mainly concerned wi th the wr i t ing and thinking of anti-climacus. examples from other writings are used to reinforce and clarify certain points. h i augustine (1993) iv pascal (1941) v pensees, fragment 131. vi kierkegaard (1980) vi i the sickness unto death, 5. v i i i westphal (1987) ix the sickness unto death, p. 13. x mooney (1996) xi the sickness unto death, p. 30. x i i the sickness unto death, p. 13-14. x i i i the sickness unto death, p. 16. xiv the sickness unto death, p. 13. xv the sickness unto death, p. 142. xvi the sickness unto death, p. 30. xvii the sickness unto death p. 207. xviii the sickness unto death, p. 207. xix see lowrie (1944) xx the sickness unto death, p. 29. xxi the sickness unto death, p. 29. xxii the sickness unto death, p. 48. xxiii the sickness unto death, p. 52. xxiv the sickness unto death, p. 51. xxvthe sickness unto death, p. 67. xxvi the sickness unto death, p. 68. xxvii the sickness unto death, p. 48. xxviii the sickness unto death, p. 30,124. xxix james marsh i n "kierkegaard's double dialectic o f despair and sin" divides the sickness unto death into the religious and ethical spheres, stressing the dialectic between each. however, he himself writes that there is only a single dialectic but two different 'aspects'. xxx the sickness unto death, p. 77. xxxi the sickness unto death, p i i3 references p r i m a r y w o r k s augustine, saint, bishop o f hippo. confessions trans. f.j. sheed. indianapolis i n : hackett publishing company, 1993 heidegger, martin. being and time, trans. johnmacquarrie and edward robinson. newyork: harper and row publishers, 1962 . heidegger, martin. "phenomenology and theology" i n pathmarks, ed. wi l l iam mcneill new york: cambridge univ. press, 1988 e l e m e n t s s p r i n g o 5 kierkegaard, soren. the concept of dread. trans.walter lowrie. new jersey: princeton university press, 1944 . the sickness unto death, trans. howard v. hong and edna h . hong. new jersey: princeton university press, 1980 pascal, blaise. pensees. trans. w.f. trotter. new york: the modern library, 1941 s e c o n d a r y w o r k s caputo, john d. radical hermeneutics: repetition, deconstruction, and the hermeneutic project. bloomington: indiana university press, 1987 dreyfus, hubert and jane rubin. "you can't get something for nothing: kierkegaard and heidegger and how not to overcome nihi l i sm" inquiry. march 1987; 30: 33-75 dreyfus, hubert l. being-in-the-world: a commentary on heidegger's being and time. cambridge, mass: m i t press, 1991. gouwens, david. kierkegaard as religious thinker. new york: cambridge university press, 1996 kearney, richard. modern movements i n european philosophy. wolfeboro, new hampshire: manchester university press, 1987 . the wake of imagination: toward a postmodern culture. minneapolis: university of minnesota press, 1988 marsh, james l. "kierkegaard's double dialectic of despair and sin" international kierkegaard commentary: the sickness unto death ed. by robert perkins. macon, georgia: mercer university press, 1987 mooney, edward f. selves in discord and resolve. new york: routledge publishing, 1996 ree, jonathan and jane chamberlain ed. kierkegaard: a critical reader oxford, uk: blackwell publishing, 1998 westphal, merold. "kierkegaard's psychology and unconscious despair" international kierkegaard commentary: the sickness unto death ed. by robert perkins. macon, georgia: mercer university press, 1987 wyschogrod, michael. kierkegaard and heidegger: the ontology of existence. new york: humanities press, 1969 s i n , d e s p a i r , a n d t h e o t h e r : t h e w o r k s o f s o r e n k i e r k e g a a r d "the great armies of the turks may be attributed to their small skill and rare use of fighting with guns, which only some part of the janissaries use, though they have a great store of artillery, which in like sort they cannot generally so well manage as the christians." fynes moryson, itinerary, seventeenth century1 g u n p o w d e r e m p i r e the mighty ottoman military outpaced c o n o r m c g o v e r n t h e o t t o m a n e m p i r e ' s a d o p t i o n o f g u n p o w d e r a s a w a r w i n n i n g w e a p o n p r e d a t e d o t h e r e u r o p e a n s t a t e s a n d s i g n a l e d t h e b e g i n n i n g o f t h e m i l i t a r y r e v o l u t i o n w h i c h c h a r a c t e r i z e d t h e e a r l y m o d e r n e r a t h a t b e g a n i n 1453 w i t h t h e f a l l o f c o n s t a n t i n o p l e a n d e n d e d a r o u n d 1800. h o w e v e r , t h e t u r k i s h a d v a n t a g e i n a r m s w a s s h o r t l i v e d, a n d b y t h e e n d o f t h e e r a , t h e e m p i r e ' s m i l i t a r y w a s o u t d a t e d a n d a t t h e m e r c y o f i t s e u r o p e a n n e i g h b o r s . f o c u s i n g o n t h e t h r e e m a j o r a r e a s t h a t c h a r a c t e r i z e d t h e m i l i t a r y r e v o l u t i o n — a r t i l l e r y , f o r t i f i c a t i o n s , a n d f i r e p o w e r — t h i s p a p e r e x a m i n e s h o w t h e o t t o m a n e m p i r e ' s m i l i t a r y s t a g n a t e d a s a r e s u l t o f i t s r e f u s a l t o i n n o v a t e . i n t r o d u c t i o n the ottoman empire lasted over six centuries; like most empires, its rise was astronomical, and its decline long and drawn out. at its height i n the sixteenth and seventeenth centuries it spanned three continents, stretching from gibraltar i n the west to the edge of persia i n the east, from the edge of ukraine i n the north to somalia i n the south. during those days it was one of the world's great powers, the mighty vanguard of the muslim hordes that christians saw knocking on the doorstep of continental europe. even the year that many historians set as the beginning of the modern era (if one must set a date) is inherently connected with the turks, as 1453 marks the ottoman conquest of constantinople and the end of the last ancient empire i n europe. arthur goldschmidt refers to the ottomans as the greatest of the "gunpowder empires" of the early modern middle east.11 one of contemporary scholarship's great debates involving the early modern period involves the notion of a military revolution, and it stands to reason that the ottomans must have participated i n such a revolution. a closer examination of ottoman history i n the context of the military revolution debate, however, is required. unlike its christian neighbors who became considerably stronger and more stable as time passed, the ottoman empire stagnated and declined, militarily and structurally, after a certain period. if, indeed, the ottomans were a "gunpowder empire," then what sort of role did advancing technology, and the ottoman's use of i t i n a revolutionary context, play i n the rise and fall of the ottoman military? this essay wi l l focus primarily on rogers' infantry, artillery, and fortification revolution, as well as a further examination of the turn of the 18-century firepower revolution, to provide an answer. t h e i n f a n t r y r e v o l u t i o n first we turn towards clifford rogers' first stage of the mi l itary revolution, the 14th-century infantry revolution. this period, he says, was revolutionary i n character on the european battlefield because it saw a switch from a focus on heavy cavalry as the determinant factor of battle to dominant infantry wielding polearms and missile weapons capable of high maneuverability.1 1 1 "the ottomans retained their taste for melee and horsemanship ... even as cavalry became a supporting unit on the battlefield and the gun-line became the norm for european armies." this switch from cavalry to infantry elite on the battlefield was achieved by the ottoman's own elite infantry, the janissaries, though such a change occurred later than it did elsewhere i n europe and only up to a point. the janissaries, a unique unit created by weaning the male children of non-muslim subjects of the ottomans on a dose of islam and war, were first mentioned as early as 1396, and their adoption of firearms as their weapons of choice must have occurred sometime before the 1449 battle of kossovo polje, making them the first elite battle-winning infantry unit i n europe to adopt gunpowder weapons as their weapon of choice. that said, the janissaries never gained the tactical flexibility of other european battle-winning troops. john guilmartin attributes this to janissary musketry's core role i n victories over the musket-less mamluks, postulating that they became too set i n their ways as their system had worked too well for too long. the ottomans were never beneficiaries of guilmartin's combined arms revolution, which originated with the spanish around the turn of the sixteenth century and allowed for compact, rapidly maneuverable bodies of infantry armed with the correct combination of shock and shot. i v aside from the janissaries, however, the ottomans retained their taste for melee and horsemanship for too long to change into an infantry force even as cavalry became a supporting unit on the battlefield and the gun-line became the norm for european armies. their famous cavalry had ruled the battlefield for too long and was too ingrained i n the structure of battle. while i n the seventeenth century, according to geoffrey parker, proportions of infantry to cavalry i n european orders of battle were climbing steadily, i n ottoman armies the proportion remained at one infantryman to every three horsemen. the strength of the janissary corps peaked at 40,000 men i n the second half of the seventeenth century with just over half of those actually available for service, when troops with handguns were winning battles and the numbers of infantry i n european armies were rising exponentially.v such was the ottoman infantry revolution, encapsulated i n the muskets of the janissary corps. was it, indeed, revolutionary? to a certain extent it had to be since it led to early victories over other muslim powers that lacked similar elite units wielding modern firearms and because it anticipated such developments on the european battlefield by several years. however, its universal success was limited as the janissaries refused to adopt modern tactics to go along with their guns, and their numbers were always less than those of the cavalry, even at a time when cavalry was being relegated to a secondary role on the battlefield; though the revolutionary candor of this parallel innovation cannot be denied, its overall legacy appears to be negligible. for the ottomans, success i n the short-term for their gunpowderarmed troops would lead to long-term stagnation. t h e a r t i l l e r y r e v o l u t i o n we turn to the year 1453 to find the first truly revolutionary expressions i n the ottoman military machine. here is the siege of constantinople, the boldest expression of the might of the ottoman military and the first example of rogers' artillery revolution of the fifteenth century, when advances i n artillery technology caused it to become devastatingly powerful, thereby rendering old-style masonry fortifications obsolete/1 though gunpowder artillery had been i n use by both muslim and christian forces i n europe prior to the siege of constantinople, there is no finer example of the power of gunpowder against old style fortifications. sir steven runciman acknowledges that earlier artillery had been unable to damage solid masonry; it was not unti l sultan mehmet's foundries and the hungarian engineer urban devised a mighty cannon "that would blast the walls of babylon itself" i n 1452 that artillery became an important factor i n siege warfare against heavily fortified city and castle walls/ 1 1 while smaller, more mobile artillery was used to take the less-fortified outlying towns of therapia and studios, the mighty mortar of the urban cannon, drawn by sixty oxen over a bridge specifically built to hold its heft, was used to blast away the walls of constantinople herself/1" though this one gun—the basilisk—was by far the largest, the ottoman army was equipped with further batteries of heavy gunpowder artillery, the like of which had never been seen on a battlefield before. this represents both a revolution i n technology, with the first mighty cannon capable of devastating heavy masonry, and tactical thinking, as the expertise required to move and handle such a weapon must impressively large c a n n o n s were i n s t r u m e n t a l to t h e o t t o m a n victory at c o n s t a n t i n o p l e . g u n p o w d e r e m p i r e have proven a unique challenge for engineer and general alike. how the ottoman artillery fared i n the battle becomes an important question, as its effectiveness is an important issue i n evaluating its revolutionary value. though one might have thought that the ottoman conquest of constantinople was easily achieved due to numerical superiority, i n personal and naval combat the christian forces proved superior. it was only because of the work of turkish gunpowder artillery that the siege was successful; ottoman and thus any future revolutions i n early modern warfare. x l clifford rogers agrees, claiming that this "artillery revolution," begun by the turks with the invention of such heavy artillery, was one of the stages of the early modern military revolution. it was the causative factor for the "fortification revolution" of the sixteenth century, rogers' next stage.x11 here, at the walls of constantinople, is the first evidence of a military revolution, years before charles viii 's 1494 invasion of italy, the campaign most often associated with being the spearhead for the artillery revolution by modern scholarship^ 1 1 1 "the ottomans continued to prefer the larger, more unwieldy pieces of artillery even as the french proved that smaller, more mobile artillery was more efficient... 77 attempts to breach the city's walls by mangonels and sapping were ineffective. l x kelly devries points out that the large guns employed by the turks were invariably highly vulnerable to defensive artillery fire, but the byzantines had very few of these guns, and those they did have were i l l placed and incapable of dealing with the heavy volume of large-bore cannon fire. x here can be seen the massive advantages that an army utilizing the new devastating turkish-style artillery during a siege had over both a besieging army using old-style siege engines and a defending army that lacked batteries of gunpowder artillery of its own. there can be no doubt that the technology utilized by the turks i n 1453 was revolutionary. i n fact, it is truly the causative and decisive factor i n all the other military revolutions that were to come. i f the military revolution was, as geoffrey parker argues, essentially driven by the spread of the tract italknne fortress, designed to withstand the roar of artillery when older style masonry fortifications could not, then it was this single invention—the turkish bombard— which would bring about the invention of these fortresses though the origins of the artillery revolution belong to the ottomans, the aforementioned case of charles viii 's campaign i n italy i n 1494 does give us some notion of why the ottomans failed to keep up their advantage. guilmartin explains that while the mighty turkish bombards of the midfifteenth century were capable of inflicting more damage shot-for-shot, the mobility and rate-of-fire of the french cannon were more impressive x 1 v ostensibly, their smaller size also allowed them to be produced faster and cheaper and thus would allow them to be fielded i n larger numbers, to say nothing of the need for less space per artillery piece and less draft animals to move the pieces. however, the ottomans continued to prefer the larger, more unwieldy pieces of artillery even as the french proved that smaller, more mobile artillery was more efficient than the massive turkish bombard, despite the fact that most of the cannonmasters employed i n the foundries of the sultans were europeans x v it is interesting to note that england was employing engineers from the same places the ottomans were, yet the english were able to, by the mid-sixteenth century, break free of their reliance on continental founders e l e m e n t s : : s p r i n g 09 and keep pace with the modernization of artillery.x v 1 again, the theme of ottoman anticipation of a period of military revolution with innovative work followed by a refusal to change a winning, but quickly outmoded, formula crops up; i n reference to advances i n artillery, paul coles calls them "prisoners of their origins." x v l 1 their supreme stubbornness would, over time, undermine the turkish mi l i tary machine i n every aspect. lack of materials hurt turkish foundries as well. iron, the material of choice for artillery manufacturing i n europe, was scarce i n the empire while copper was plentiful. therefore, the ottomans continued to predominantly make use of brass i n casting pieces. indeed, european observers noted their lack of cast-iron artillery as late as the later half of the eighteenth century, and claimed that any found i n fortifications or aboard ships had been taken or purchased from christians . x v m iron reduced the price of a gun enough that european armies that embraced iron founding were able to field about twelve iron guns at roughly the same cost as one bronze piece. in addition, engineers in the low countries and france made advances i n gunpowder technology that allowed for a more explosive ignition as well as advances i n iron cannonballs that were more damaging; both of these advances increased the difference between christian and turkish artillery that had already become apparent less than a century after constantinople. x l x i n a sign of how little the turks had advanced from their origins, on the other hand, incredulous english sailors i n the bosphorus i n 1807 were bombarded by t h e sixteenth century, i r o n c a n n o n s were at t h e v a n g u a r d of artillery. by stone balls which had been anachronistic elsewhere for centuries. x x the perfect example of ottoman passion for the huge, outdated siege guns comes as late as the russo-turkish war of 1768-1774, at a time when elsewhere i n europe founders had developed extremely mobile and efficient artillery i n a modem vein. a french officer, baron de tott, who had been placed i n command of the defense of the dardanelles, related an episode involving such an artillery piece. a bronze gun of preposterous size that fired a marble ball was placed i n the castle overlooking the strait. in event of a siege, it would take so long to fire that it would be nearly useless, but the turks were obsessed with the idea of such a massive gun and urged that a single shot would be enough. the officer decided to give it a test run, which caused the entire turkish crowd to run away; the shock from the blast was "like an earthquake," and the marble ball divided into three pieces at three hundred fathoms.™ such an artillery piece, so revered by the ottomans, would have been next to useless i n defense, as the french officer who was well-acquainted with european artillery knew, yet this serves as a perfect example of the turkish obsession with large, unwieldy, outmoded cannons made from and firing anachronistic materials. furthermore, the ottoman obsession with these big siege guns was detrimental to their success i n the field. coles claims the reason was that the ottomans had originally been irresistible as a cavalry force i n the open field, so artillery had never been necessary, and indeed would have slowed down their mobile forces. the ottomans became convinced that artillery was a siege weapon and not necessary for success i n pitched battles.5™1 whatever the reason, it is clear that the turks never caught on to the revolution i n field artillery. raimondo montecuccoli, who routed the turks at st. gothard i n august 1664, wrote: . . . [this] enormous artillery of the turks produces great damage when it hits, hut it is awkward to move and it requires too much time to reload and sight. furthermore, it g u n p o w d e r e m p i r e a n o u t m o d e d t u r k i s h fort consumes a great amount of powder, besides cracking and breaking the wheels and the carriages and even the ramparts on which it is placed....our artillery is more handy to move and more efficient and here resides our advantage over the cannon of the turks.™11 a century later, during the russo-turkish war, baron de tott made similar remarks, saying that "the first work of the new foundry was to be a train of field artillery of which the turks were entirely unprovided. " x x l v according to carlo cipolla, the advantage of the europeans was relatively small while the development of light field artillery was still i n its infancy throughout the sixteenth and early seventeenth century, but by the mid-seventeenth century enough progress had been made i n the development of highly mobile field-guns with a good rate of fire pioneered by the swedes i n the thirty years war that the ottomans were at a substantial disadvantage. this became a decisive reason behind their decline when, still stubbornly clinging to the notion of artillery as a mere siege engine, they simply could not stand up to mobile european artillery trains i n the field, which became increasingly evident i n the russo-turkish wars. x x v interestingly, historian rhoads murphey disagrees with the idea of inferiority, but agrees that the ottomans gained no inherent advantage over their european rivals because of their early revolution i n artillery. while the ottomans may not have had effective field artillery, it did not particularly matter unti l the latest stage of the early modern period, long after rogers' proposed artillery revolution, because of the range of artillery pieces. seventeenth-century field guns could only fire at a range of 200 to 300 meters, while the heavier siege guns had to be placed right i n front of their targets, and their effectiveness was often dampened by the instability of gunpowder and relied on the expertise e l e m e n t s : : s p r i n g 09 of the artillery crews. murphey claims that ottoman success against non-gunpowder states such as the mamluks and safavids had more to do with the janissaries and their handguns than artillery, an idea cipolla agrees w i t h . 5 0 ^ 1 between the lack of materials and the seemingly perpetual theme of the ottomans being unwilling to change a winning formula, no matter how outmoded it had become as their european rivals developed further innovations, the pathway to stagnation had been laid. the innovative ottomans of 1453 turned into the stagnating ottomans just a century later, though it would take further revolutions before the lag became evident. t h e f o r t i f i c a t i o n r e v o l u t i o n the fifteenth through seventeenth centuries are generally acknowledged as the golden age of turkish civilization, an era when it was amongst the greatest powers i n europe. at the beginning of this era, as we have seen, it had toppled the once-mighty byzantine civilization with the use of the most devastating gunpowder siege artillery ever deployed on a european battlefield. though they refused to adopt field artillery when other european powers did, they continued to produce impressive siege pieces. in the sixteenth century, the preponderance of artillery fortresses that began to spread across europe following the turkish innovation i n heavy-bore artillery and the subsequent adoption of such heavy guns by european armies strangled the turkish military head-start i n its infancy. mcneill notes that by the 1560s, modern style fortifications had spread throughout europe enough to halt ottoman expansion and render their advantages i n siege technology useless. his basis for this assumption is the failure of the 1565 siege of m a l t a . x x v u guilmartin believes that the fortification revolution had come as early as 1532, when a seven hundred man garrison at guns withstood the entire ottoman army for twenty days. x x v n i whatever the case, it appears clear that by the mid-sixteenth century, the turks' european rivals had developed technology that blunted their previous advantage i n siege weaponry. however, murphey disagrees with this notion. he concludes that: .. .the expense of introducing these improvements removed in terms of the everyday practice of warfare any theoretical advantage such improvements might have conferred. several of the fortresses, newly constructed or thoroughly upgraded to conform with the 'modern style' and considered by then-current standards virtually impregnable, still succumbed in the face of determined ottoman attack.xxlx his examples are uyvar i n 1663 and candia i n 1669, two sieges that occurred at the twilight of the ottoman military machine and over a century after the two dates offered by guilmartin and william m c n e i l l . x x x according to h im, relatively few of the fortresses protecting the border between ottoman and habsburg territories were "contstructed elaborately enough . . . to withstand even the haphazard attacks "like with their attachment to cavalry and giant guns, the turks continued to prefer old medieval style castles with very few modifications of hungarian insurgents, let alone more determined assault by fully-equipped and well-trained ottoman armies." x x x 1 however, murphey does not address the siege of malta, one of the best examples of the failure of ottoman siege warfare facing a new-style of fortification. though he makes it clear that these innovative designs were not necessarily as impregnable as parker may have claimed, they still obviously existed as a massive barrier to ottoman forces, even i f their use was not as widespread as imagined. g u n p o w d e r e m p i r e while the ottomans were challenged to besiege their rivals' new trace italienne fortresses, they themselves never actually participated i n the fortification revolution. like with their attachment to cavalry and giant guns, the turks continued to prefer old medieval style castles with very few modifications to account for modern siege engines. logically, the habsburgs should then not only have been able to contain the ottomans with their own forts but also to rollback their advances and capture swathes of territory for themselves. in practice, this did not occur unti l much later, and turkish armies continued to advance into habsburg territory and besiege their fortifications and cities unti l the end of the seventeenth century. likewise, the habsburgs failed to gain any territory worth mentioning unti l the treaty of karlowitz i n 1699. i f the new style of fortifications were indeed revolutionary, the existence of trace italienne fortresses i n one realm and the lack of them i n the other should have produced rapid and noticeable changes i n military outcomes; as i t stood, however, there was no distinguishable advantage gained unti l long after the end of the fortification revolution.50™1 while the ottomans displayed their characteristic attachment to the past when dealing with new style fortifications, this seems to not have had the blatant debilitating effect that their backwardness i n other realms of the military revolution did. they were able to effectively besiege new style bastions on several occasions and their own outdated fortresses did not begin to fall unti l the end of the seventeeth century, which was long after the fortification revolution as proposed by rogers and parker. its particulars elsewhere i n europe notwithstanding, the idea of a fortification revolution had only a minimal discernible effect on the mi l itary realities of the ottoman empire. t h e f i r e p o w e r r e v o l u t i o n though guns and field artillery had begun to rule the open battlefield, shock weapons still had their uses i n warfare up unti l the eighteenth century. murphey writes that despite their diminishing importance i n the field, they were of ultimate importance i n the siege when it came time for an assault. handguns were restricted to providing cover for soldiers rushing i n with swords, hatchets, and halberds. firing muskets was too risky i n the midst of a general melee; stopping to reload would put soldiers i n a fatally vulnerable position, and any non-fatal shot would undoubtedly result i n the musketeer being killed by an enemy armed with an outmoded, but more useful, hand w e a p o n . x x x m i n an assault on a fortification, it remained numbers and personal skill and not technological superiority that determined the victor. that lasted unti l two infinitely important innovations, the flintlock handgun and the socket bayonet, were adopted i n the seventeenth century by the vast majority of european armies. x x x l v a flintlock firing mechanism allowed a gun to be reliably fired i n wet conditions, while matchlock guns had suffered when powder became wet. additionally, the quick-fire at the pull of a trigger as opposed to a slow burning match meant that it was much easier to aim and thus hit a moving target, rendering the guns more practical for use up close. the elimination of the match also drastically reduced casualties from accidental discharge or ignition of nearby sources of powder. the socket bayonet was introduced around the turn of the eighteenth century, and allowed an infantryman to serve as both a missile and shock troop at once (earlier models of bayonets had plugged the muzzle of the bayonet, preventing the gun from firing). this eliminated the need for pikes and meant that soldiers with firearms were no longer susceptible to cavalry charges, ending their most glaring vulnerability. these two inventions changed the lay of the battlefield forever, as the standard infantryman became quite versatile, capable of laying down fire, defending against charges, and counter-charging itself; the ottomans, by this time a "third tier arms producer" according to jonathan grant, had to rely on european imports to get these weapons, as their factories i n istanbul were incapable of producing them. the matchlock without a bayonet remained their weapon of choice until the nineteenth century. x x x v e l e m e n t s s p r i n g 09 o t t o m a n s o l d i e r s d i s p l a y t h e i r t e c h n o l o g i c a l m i g h t in t h e v i c t o r i o u s s i e g e a g a i n s t c o n s t a n t i n o p l e . for the ottomans, the results of this firepower revolution were devastating. as we have seen, the ottomans continued to rely on their cavalry, and now that cavalry had no advantage i n the open field as it had before. without flintlock weapons or bayonets, the janissaries, formerly able to keep pace with their european counterparts i n the period of relatively little change between 1500 and 1700, were quickly outmoded. due to their lack of any sort of light, mobile field artillery only served to compound the problem. beginning with the treaty of karlowitz i n 1699, the ottomans began to lose large amounts of territory irrevocably. belated attempts i n the eighteenth and early nineteenth centuries to reform the military were either resisted by the old guard or too late to be any use i n preventing the ultimate decline of the ottoman military machine. the military revolution had, at last, taken its toll. c o n c l u s i o n in a greater context, what does the ottoman case tell about the early modern military revolution? starting from the end of the era, it certainly fits into jeremy black's theory of a later revolutionary period rather than an earlier one; despite their eventual backwardness, the ottomans managed to keep pace militarily with their european rivals and even continue to threaten them up unti l the all-important flintlock and bayonet were introduced. x x x v i it also holds up clifford rogers' infantry and artillery revolutions, and even i n some ways helps to impel them, courtesy of the janissaries and artillery. parker's fortification revolution, however, while existing i n the ottoman context, provided very little actual change i n the realities on the ground. the case of the ottomans is a particularly interesting one because of how the empire's military history truly begins with a revolution of their own i n firearms, from handguns to artillery, and ends with their inability to join another revolution on similar grounds several centuries later. were they a "gunpowder empire"? because goldschmidt never defines what, exactly, a gunpowder empire is, the answer is open-ended. however, despite murphey's reluctance to use such a term to describe the ottomans, the evidence remains that, at least i n the early modern period, the turkish military establishment first lived by its revolutionary use of handguns and artillery and later died by its inability to do the same.™™ e n d n o t e s i . cipolla (99) i i . goldschmidt (111-135) i i i . rogers 1995 (56-60) iv. guilmartin (302-3) v. murphey (35-40, 47); parker (340-341) vi. rogers (109-10) vii. runciman (77-8) viii. nicolle (41-2) ix. ibid. (64-5) x. devries (160) xi. parker (338-345) xii. rogers (63-70) xiii. raudzens (407) xiv. guilmartin (304) xv. adyuz (n-13) xvi. krause (40) xvii. coles (186) xviii. cipolla (99) xix. mcneill (85-88); carlo cipolla (40-42) says that the cost of a cast-iron gun was three to four times less. regardless, it is apparent that it was far cheaper to field iron pieces than bronze pieces, and the lack of cast-iron guns was a major deficiency in the ottoman army long into the modern period. xx. cipolla (98) xxi. ibid. (96-97) xxii. coles (186) xxiii. cipolla (98-99) xxiv. ibid. (99) xxv. ibid. (98) xxvi. murphey (13-15); cipolla (93) xxvii. mcneill (91) xxviii. guilmartin (309) xxix. murphey (15) xxx. ibid. xxxi. murphey (113) xxxii. guilmartin (310-312) xxxiii. murphey (121) xxxiv. guilmartin (308) xxxv. grant (196-197) xxxvi. black (95-108) xxxvii. murphey 13-14 e l e m e n t s : : s p r i n g 09 references adyuz, salim. "artillery trade of the ottoman empire." . accessed 23 april 2008. black, jeremy. "a military revolution? a 1660-1792 perspective" in rogers, ed. the military revolution debate, pp. 95-116 cipolla, carlo. guns and sails in the early phase of european expansion. london: collins, 1965. coles, paul. the ottoman impact on europe. london: thames and hudson, 1968. devries, kelly. medieval military technology. peterborough, ontario: broadview press ltd, 1998. goldschmidt, arthur. concise history of the modern middle east, 8th. ed. boulder: westview press, 2005. grant, jonathan. "rethinking the ottoman 'decline': military technology diffusion in the ottoman empire, fifteenth to eighteenth centuries." journal of world history 10:1 (1999), pp. 179-201 guilmartin, john. "the military revolution: origins and first tests abroad" in rogers. krause, keith. arms and the state: patterns of military production and trade. cambridge: cambridge university press, 1995. mcneill, william. the pursuit of power: technology, armed force, and society since ad 1000. oxford: basil blackwell, 1983. murphey, rhoads. ottoman warfare 1500-1700. london: ucl press, 1999. nicolle, david. constantinople 1453oxford: osprey publishing ltd, 2000. parker, geoffrey. "in defense of the military revolution" in rogers, ed. the military revolution debate, pp. 337-362. raudzens, george. "war-winning weapons: the measurement of technological determinism in military history." journal of military history 54:4 (october 1990), pp. 403-434. rogers, clifford (ed.) the military revolution debate: readings on the military transformation of early modern europe. boulder: westview press, 1995. rogers, clifford. "the military revolutions of the hundred years war" in rogers, ed. the military revolution debate, pp. 5594. runciman, sir steven. the fall of constantinople: 1453. cambridge: cambridge university press, 1965. g u n p o w d e r e m p i r e http://www.muslimheritage.com/uploads/artillery%20trade%200f%20the%20ottoman%20empire.doc2.pdf http://www.muslimheritage.com/uploads/artillery%20trade%200f%20the%20ottoman%20empire.doc2.pdf http://%200f%20the%20ottoman%20empire.doc2.pdf%3e. m a r k r o t h k o : a cross-modal approach a n n s a r n o s y n e s t h e s i a i s n o t o n l y h i g h l y i n s t r u m e n t a l b u t p r i m a r y i n o u r f i g u r a t i v e t h o u g h t a n d e x p r e s s i o n . t h e o v e r l a p p i n g o f s e n s o r y m o d a l i t i e s c a n b e u s e d t o e l u c i d a t e c o m p l e x l a y e r s o f p e r c e p t i o n t h r o u g h a u n i v e r s a l t y p e o f m e t a p h o r . i n r e g a r d s t o a b s t r a c t e x p r e s s i o n i s m , a v i s u a l s t r a g e d y t h a t i s v a g u e a n d v a s t , r e f e r r i n g t o a l t e r n a t i v e m o d e s o f p e r c e p t i o n t o c o m p r e h e n d p a i n t i n g p r o v e s e x t r e m e l y u s e f u l w h e n e x e r c i s e d w i t h d i s c r e t i o n , t h e r e s e a r c h i h a v e c o n d u c t e d i n c l u d e s p s y c h o l o g i c a l e x p e r i m e n t s , s t u d i e s o n c o l o r , g r a v i t y , p h y s i c s , a c o u s t i c s , a r c h i t e c t u r e a n d a r t c r i t i c i s m , b y a n a l y z i n g g r a v i t y , v o l u m e , p i t c h w e i g h t a n d s a t u r a t i o n i n m u s i c , i h a v e i d e n t i f i e d t h e m i n a b s t r a c t e x p r e s s i o n i s t m a r k r o t h k o ' s a r t . a l t h o u g h t h e s e c o m p o n e n t s a r e m u t a b l e i n r o t h k o ' s c a r e e r , t h e y a r e c o n s i s t e n t l y p r e s e n t . " i became a painter because i wanted to raise painting to the level of poignancy of music and poetry.77 i n t r o d u c t i o n mark rothko once proclaimed " i became a painter because i wanted to raise painting to the level of poignancy of music and poetry."1 this tragedy which rothko hoped to communicate through visual art is often experienced while listening to music. even before rothko's time, painter wassily kandinsky yearned to replicate the emotional impact of music in his art. indeed, the visual and audible arts have been related since the time of aristotle, who asserted in de sensu, "we may regard all colours as analogous to the sounds that enter into music." the competitive relationship between music and art has an intricate history which is currently under review by neuroscientists. s y n e s t h e s i a evidently, music, particularly mozart's don giovanni, greatly influenced rothko throughout his career. as a college student who lived in rothko's flat for a short interim recalled " i n the evenings he would lie on the couch for hours saying nothing, just contemplating or looking at one of his pictures that was hanging up and listening to music." 1 1 in order to evoke the same energy and emotions as the opera, rothko painted in a studio saturated with music. as a self-taught mandolin player and pianist, he used musical expression to arrive at emotional realization i n the past. additionally rothko's musical talent resulted i n his marriage to his first wife. while strolling through central park, edith was attracted to rothko's beautiful, enrapturing mandolin playing. although he ultimately abandoned music for painting, it is clear that it impacted his life as well as his cognitive processes. untitled 1932 is a blatant attempt to convey his passion for music. the ethereal string quartet plays vigorously. rich blues and browns project a solemn and nearly spiritual quality. because he had tremendous respect for musicians, especially the classics, rothko "could spend very happy hours, flat on his back on the couch, listening to mozart." 1 1 1 music served as a muse and an aphrodisiac for h im. neuroscientists have considered the synthesis of various modes of perception i n the brain for decades. they have coined the term, "synesthesia," most simply defined as "inter-sensory association." while several forms of synesthesia exist, the most dominant type melds the domains of the seeing and hearing. additionally, overlaps between the bodily kinesthetic and music have also been noted. resulting from a severe psychological disorder, color appears spontaneously to synesthetes upon perceiving auditory stimuli. kandinsky may have asserted himself as a synesthete, but he probably was not. this self-declaration was more likely an egotistical attempt to propagate his unique and advanced painting abilities. on the other hand, david hockney and his neurologist richard cytowic maintain that kandinsky possesses this extremely rare condition.^ he painted sets for stravinsky's opera rossignol by listening to the music in his studio and using the color and rhythm he perceived from the music. whether or not these artists truly suffered from severe synesthesia is questionable. their claims however, support the notion of translating music into color and the audio/ visual cross modal perception of paintings. scientists have broadened their definition in light of the nonsynesthete's capacity to transfer between sensory realms through learned metaphor. according to bulat m. elem ents s p r i n g 0 6 galeyev, scientist and artist, "synesthesia is an essential aspect of language and, more generally, of all figurative thinking, including all imaginative thinking (for all kinds of art, including music)." v synesthesia is not only highly instrumental, but primary in our figurative thought and expression. i do not propose that rothko was a synesthete. nor do i propose that the abstract elements of painting—line, color and form—are synonymous with the line, pitch and timbre of music. creating cross-field analogies is arbitrary i f not futile. neurobiologist jean-pierre ternaux maintains, "transferring structural or numerical features from one domain to another may thus in many cases result in some quite bad category mistakes, i.e. mistaking principles of organization in one domain as valid for other, totally different domains."v 1 the overlapping of modalities can be used instead to elucidate complex layers of perception through a universal type of metaphor. in regards to abstract expressionism, a movement that is vague and vast, referring to alternative modes of perception to comprehend painting proves extremely useful when exercised with discretion. the research i have conducted includes psychological experiments, studies on color, gravity, physics, acoustics, architecture and art criticism. although my sources seem far and too many i n between, i have discovered several remarkable elements present in rothko's work which reify the conm a r k r o t h k o ! a c r o s s m o d a l a p p r o a c h cept of synesthesia. by analyzing gravity, volume, pitch, weight and saturation in music, i have recognized them in visual art. these components are mutable in rothko's career but consistently present. "the subway series," "multiforms", "fat rectangles" and "the houston chapel" distinctly engage the spectator with cross-modal effects. this presentation highlights the synesthetic qualities of his paintings from each period. g r a v i t y beginning with the subway series, rothko facilitates gravitational tension through hyperbolized body proportions. in "subway of the 1930s," the height of the figures strains from the platform to the ceiling. with the exception of the young woman depicted on the left, the images have a striking resemblance to caryatid or atlantes figures. the caryatids of the porch of the maidens at the erectheum extend gracefully from the entablature. although they are very serene and stoic, with their hands positioned calmly at their sides, the immense weight they support with their heads is alarming. these women serve as architectural constructs, as emblematic retribution for the females of the village caryae who betrayed the greeks by siding with the persians. the expressionless faces of the subway figures evoke the same quiet stillness as the maidens. like the greek sculptures, they do not appear punished by their physical state, but their body language indicates tension. although they do not uphold the architecture of the station and the woman on the right leans against a column to support her own weight, it appears that the subterranean environment would collapse in their absence. scientist bulat m. galeyev has examined the properties of gravity in visual art. he proposes that there are two distinct versions of gravitational synestheses: "spatial or static" and "kinesthetic". the static applies to abstract art, "spatial synestheses arise due to our experience of the static gravitational field and arise in static arts (such as painting, architecture, etc.). for example, the horizontal line at the lower edge of a picture is perceived as more 'heavy' and 'stable' than the vertical lines that delineate the sides." v u the contrast between this sense static gravitational synesthesia portrays the thick, horizontal ceiling and floor and the vertical floppy, emaciated subway figures. because the precarious stability of caryatids and of rothko figures is assimilated into our own perceptions of gravity, the onlooker cannot evade the sense of weight expressed in these works. this kinesthetic synthesis is also applicable to later work, particularly his signature horizontal compositions. i n contrast contextually, the caryatids are not responsible for upholding their surroundings nor held blatantly against their wil l . rothko's figures and the caryatids share states of immobility that are exacerbated by looming gravity, whether it is the heaviness of an entablature or a boisterous new york city street. similar to the caryatids, the individuals in the subway station cannot control or predict their own mobility. the arrival and departure of the trains are beyond their locus of power. their "sentence" of waiting is indefinite. they cannot predict the duration of their time i n the station or influence the speed and regularity of public transportation. clearly, they possess the freedom to leave at anytime to pursue other means of transport but this is unlikely. once an individual engages in the act of waiting, passed time resembles progress towards the goal. presumably, the longer one has waited, the less time they have to wait i n the future. the omnipresent gravity in this setting, due to the psychological captivity and the physical confinement, agitates this psychological trap, and anxiety ensues. rothko's rejection of the figure in later works expands the perception of this spatial synthesis to the spectator's realm. through the depiction of physical bodies, viewers become witnesses. without figurative representation, onlookers do not merely observe but experience. the subway figures are surrogate victims of gravity, whereas rothko's untitled work elicits the viewer's own kinesthetic response. gravity is also a component of sound, which is increasingly elem ents s p r i n g 06 relevant in rothko's multiforms: "...gravitational-audile and gravitational-visual synestheses rise to the level of consciousness. they can be found in ordinary speech in the form of veiled metaphors and conventional allegories based on intersensory transfers, such as baritone' (heavy sound) 'light music' 'heavy chords' etc."™ 1 the properties of gravity correlate with the protopathic element of sensations and are exposed in the most typical emotional responses such as a "heavy mood" being weighed down or as light as a feather. number 18 for example, includes many fluffy, light bodies that do not appear burdened with gravity. rothko's loose application of paint and the undaunted organization of forms suggest buoyancy. they are not restricted like the subway figures but have a nimble autonomy. their weightless quality compares with the lightness of musicians like scriabin, shoenberg and messiaen. without concrete borders, the forms appear to float and swirl in motion like the nonchalance of shoenberg's compositions. s o u n d a n d color s a t u r a t i o n visual movement and actions are clearly linked with the creation of sound. consequently, listeners wi l l often create an internal image which depicts the creation of a sound. marching or beating a drum may come to mind when an individual hears a certain sound and assumes its origins. neurobiologist jean-pierre ternaux distinguishes two groups of sound-producing actions, ballistic and sustained. ballistic refers to "a brief, concentrated effort immediately followed by a phase of relaxation, as in the case of hitting or kicking and in performance on percussion instruments and certain keyboard instruments such as the piano . . . the moment of impact is immediately followed by a shorter or longer period of energy dissipation in which the sound usually has a decaying shape." 1x this vibrating description of shock followed by decay is reminiscent of these early multiforms. the blue form in the upper register for example, has a thick, concentrated application of paint that diffuses and decomposes. like striking a chord on the piano, the sound is initially sharp and rich and then it becomes softer and dispersed. this is also true of the blue forms in untitled 1947. whether communicated by a stroke of a paintbrush or piano keys, the reverberating effect is the same. the spectator perceives the initial, intense effort and the subsequent ease of the ballistic. vibrating energy is conveyed in lieu of intersensory transfers. "saturation [of color] is comparable to volume [of sound] in many respects. " i n the early 1950's, rothko's style took a dramatic turn. the majority of his signature compositions were created during this phase. although they are renowned for their bold color, it is not their most significant feature. in fact, color is not the driving force of the emotion in this work. saturation, rather than the distinct color, engenders more visual force. d'andrade and egan (1974) discovered that "color-emotion associations were not due predominately to hue (i.e. the spectral wavelength) but to the degree of saturation and brightness of the color." x rothko, who always insisted his work was not about color, would probably prefer this approach. saturation is comparable to the volume in many respects. the amount of paint or the amount of sound is more aggressive in greater magnitudes. i f volume fades, or color fades, the effect is more gentle or weaker. in number 7 of 1951, rothko presents a variety of color tones and levels of saturation. the top register of blue rubbed cryptically over orange is an example of low saturation. the under painting is highly visible beneath the soft blue. each tier becomes progressively more saturated. thick, light green spreads m a r k r o t h k o ! a c r o s s m o d a l a p p r o a c h " rothko's compositions do not rely on color tone alone to communicate. saturation and volume are essential to the emotional force of his work." nearly to the edges completely concealing the orange. a narrow band of white is another example of low saturation whereas the final tier is punctuated by a heavy, dense red. these fluctuations of saturation are similar to fluctuations in volume. the wispy blue is meek, translucent, barely visible and barely audible. it attempts to conceal the orange but is too weak. green booms with greater intensity and overtakes the orange under layer. the center of this form is slightly yellowed and softer but still opaque. the ending red is most aggressive because of its high saturation. unlike the other registers, there is no indication of color change or brushstrokes. it is loudest of all. these forms compete to be seen as music played at a variety of volumes compete to be heard. strength or weakness is communicated by magnitude. in light of the perceivable discrepancies i n volume or saturation, it is clear which forms dominate in this composition. a n even stronger illustration of this idea is a comparison of three works with nearly identical color palates but very distinct levels of saturation. untitled 1955, yellow and gold 1956 and untitled 1956 are composed of yellows and oranges. despite the similarities in hue, the level of saturation i n each painting engenders a very different effect. untitled 1955 has a very translucent, blurred application of paint. it lacks volume and visual strength; consequently, it is very soothing to the eye. the opacity in yellow and gold 1956 are relatively opaque but not nearly as saturated as untitled 1956. the yellows in both compositions are nearly the same but have a completely different result. inarguably, the untitled piece is extremely forceful i f not violent due to the magnitude of saturation. it is clear to the onlooker that the final canvas is piercing in volume in relation to the gentle volume of untitled 1955. rothko's compositions do not rely on color tone alone to communicate. saturation and volume are essential to the emotional force of his work. l i g h t n e s s a n d p i t c h the next comparison of untitled 1954 and purple brown, 1957 demonstrate the correlations between visual lightness and auditory pitch. experiments have demonstrated that people make consistent associations between particular pitches and value. as early as the 1940's, researchers recognized that "auditory stimuli that are lower in frequency typically evoke visual sensations of stimuli that are darker, and auditory stimuli that are higher in frequency typically evoke visual sensations of stimuli that are lighter." x 1 the light visual stimuli presented in untitled ig$4 and the dark visual stimuli presented purple brown generate distinct cross-modal associations. as the spectator attempts to derive meaning from these works, the element of pitch is highly conductive to his or her perception of the painting. i n a recent study in the american journal of psychology, subjects were asked to assign auditory pitches to a visual scale of value on a luminescent column. researchers concluded "a clear relationship was seen between the direction and size of an auditory melodic interval and the visual luminosity judged as fitting best with that interval. lighter visual stimuli were judged to fit best with descending intervals. additionally, the size of melodic intervals (within the octave range used) led to preferences for more extreme levels of lightness or darkness; specifically, visually lighter stimuli were preferred for larger ascending intervals than for smaller ascending intervals, and visually darker stimuli were preferred for larger descending intervals than for smaller descending intervals." x u i n summary, scientists elem ents : : s p r i n g 06 have proved a precise relationship between pitch and visual lightness. this interplay of the senses produces the emotive characteristics of rothko's work. like the previously discussed component of saturation and volume, perceived pitch contributes to the amount of perceived energy in the composition. for example, untitled ig x ' x l several policy changes could be made to ensure the long-term attainment of all goals for these young mothers. p r o b l e m a n a l y s i s although teen living programs offer a response to legislation mandates of adult supervision requirements, the success rates of those enrolled decrease dramatically as soon as two years after their exit from the program. teen living programs should not be simply a response to legislation, but a platform to promote long-term goals of self-sufficiency, the delay of subsequent childbearing, and breaking the cycle of poverty and reliance on welfare. to analyze a problem with a policy, one must "examine what is known about the problem, both locally by contact with people who are affected and more globally by searching the literature to explore the etiology and epidemiology and available responses to the problem" 5 0 1 . it is also important to consider different facets of the problem, beginning with the broad context before focusing more narrowly on the specific area of the policy to be changed. to analyze this policy, the issue of poverty wi l l be discussed, a brief history of tlp's evolution given, and strengths and weaknesses of current policy articulated. t e e n m o t h e r s a n d poverty though there are many obstacles teen mothers must overcome, one of the greatest is poverty. research i n the last decade estimates that as many as 60 percent of teenage mothers are living below the poverty line, and as many as eighty percent rely on welfare support for at least some portion of time following a teen birth x i i i ' x i v > x v ' x v i this poverty seems perhaps inevitable for teen mothers, in the eyes of those who see teen childbearing as a symptom of poverty, "a legacy of growing up in an impoverished environment, e l e m e n t s s p r i n g 05 with deteriorating schools and dangerous neighborhoods, and few opportunities that provide meaning and status in l i f e ' , x v i i . this poverty is not isolated to the time immediately prior to or immediately following a teen pregnancy: compared to women who delay childbearing beyond their teen years, women who have their first child as a teenager work less, earn less, and are more dependent on federal aid for longer periods in their l i fe™ 1 1 . because most teenagers who become pregnant are economically disadvantaged many teen mothers wi l l apply for federal aid independently of their parents x 1 x ' x x this aid is to be used for themselves and their dependents. legislation has increased restrictions on and requirements for teen parent eligibility for services. on august 22, 1996, president clinton signed into law the personal responsibility and work opportunity reconciliation act of 1996 (prwora), a "comprehensive bipartisan welfare reform plan that dramatically change[d] the nation's welfare system"xxi.one specific change in the eligibility for temporary assistance for needy families (tanf) is the requirement that teen parents must fulfill certain living requirements in order to obtain assistance. specifically, teens must reside with a parent or legal guardian or in another adult supervised setting in order to receive welfare benefits. to respond to this legislation, massachusetts, using federal block grant funds, has "implemented a formal program and statewide network of alternative living arrangements" x x u h i s t o r y of t e e n l i v i n g p r o g r a m s a n d s e c o n d c h a n c e h o m e s abraham lincoln chartered the first second chance home, st. ann's, i n i 8 6 3 . x x i i i x while churches and non-profit organizations have been operating similar group homes or maternity homes for teen mothers for many years after that, there has been a resurgence of interest in teen living programs that has been driven in part by the prwora and support of the president, many members of congress, and state of f ic ia ls .^ massachusetts has used these tlps as a method of responding to the new legislation mandates that disallow states from spending tanf funds on minor, unmarried, custodial parents who do not live at home or in an adult supervised setting. x x v while most minor mothers live with family members or other adults, there are some who are not able to live at home or with relatives. these minor mothers on welfare are most likely i n need of an alternative living arrangement. teen living programs in massachusetts are called second chance homes. massachusetts (as well as states such as new mexico, rhode island, nevada, georgia, and texas) has allocated resources to second chance homes, making a statewide commitment to serve young mothers who have no other place to go.**™ the second chance homes national directory, published by the social policy and action network (span) in october 2000 lists one hundred homes in 29 states x x v n massachusetts alone is home to figure 1-1 graphically represents the decline in teen pregnancy rates from 1950 to 2000. twenty-one2 of these sites. x x v i i i organizations such as span and the child welfare league of america (cwla) have been actively encouraging the creation and expansion of second chance homes because of the demonstrated effectiveness of their programs. massachusetts second chance homes are designed to provide a safe place to live where teens are "supported by a combination of mandated and voluntary services to develop skills that lead to good parenting and self-sufficiency".3™* second chance homes potentially offer the opportunity to address a wide range of needs for teenage mothers and their children. the desired outcomes of tlp services have been outlined by the department of social services (dss) and include completion of high school or high school equivalency program; increased parenting skills and promotion of a nurturing relationship between parent and child leading to a reduction in the numbers of supported reports of child abuse and neglect; reduction in repeat pregnancy rates; im proved health outcomes for teen parents and their children; attainment of healthy growth and development of the children of teen parents; and an increased ability to live independently, including the reduction of dependence on welfare.xxx the underlying intent of second chance homes is very much in keeping with the objectives of the welfare legislation, promoting the self-sufficiency of young mothers while at the same time emphasizing the well-being of their children. p o l i c y s t r e n g t h s massachusetts' requirement for providing adult supervised housing for teen mothers i n need has innumerable strengths. second chance homes really have provided a "second chance" for the young women who enroll in them, helping young mothers to get their lives back on track and become productive members of society. sites offer educational programming, employment services, childcare, health services, life skills/parenting training, housing search assistance, counseling, and case management to those enrolled. teens are more likely to use these services because they are all in one location. studies show that these dynamic, adaptive, and responsive programs reaped many positive outcomes, especially in areas of educational progress, utilization of health services, and reduction i n use of tanf/tafdc*™' 3 ™ 1 another strength of second chance homes is their structured nature. this "stems from a belief among program operators that in order to really help young mothers and enforce behavioral change, they need lots of structure and opportunities to learn all the skills that are intended to help them improve their parenting and be able to provide for their children". 3 0™ 1 1 1 even though some teens report being dissatisfied with the amount of rules placed on them, 3 0 0 0 ^ most flourish i n a structured environment. 3 0 0™' 3 0 0™ 13 0 0™ 1 1 finally, second chance homes allow members of the social work profession to become actively involved in implementing welfare changes. the massachusetts tlp model of services is "delivered through state contracts with private agencies, and in many of these agencies social workers have key roles as direct service staff and program admini-strat o r s " . x x x v n i social workers have been underused in the prevention of teenage pregnancy and the monitoring of wellbeing during pregnancy; most of the responsibility has laid in the hands of educators, who provide sex or abstinence education in a school setting, and physicians or medical staff, who offer contraceptive advice and medical options counseling. social workers have received training that wil l allow them to assist i n all areas of these comprehensive programs, allowing the best possible help to be given to these clients. p o l i c y weaknesses while second chance homes are comprehensive and effective, there are three major weaknesses inherent i n current policy. first, while program goals and objectives are met while teens are enrolled in the program, once relinquished from adult supervised care, many clients revert back to habits of sexual activity, poor parenting, school truancy, and reliance on the welfare system within a matter e l e m e n t s s p r i n g 05 of m o n t h s . x x x l x ' x l ' x l l ' x l i l this demonstrates that follow-up services are lacking in most second chance homes. teens can exit the program by choosing to leave or becoming ineligible when they turn 20x, 1 1 1 1 and the average stay in a home is only six monthsxliv. since service is not long term, it is even more important to follow up with clients to ensure self-sufficiency. second, while teens tend to flourish in structured environments, xlv.xlvi.xlvn t h e r e i s a i s o evidence that many young mothers in massachusetts have dropped out of tlp programs due to the severity of rules and regulationsxlviii. in one study clients' main dissatisfactions with tlps were proved to be lack of independence and too many rules; x l i x " this dissatisfaction caused 26 percent of those clients studied to voluntarily exit the tlpl. third, since second chance homes are independent agencies contracted by the state, there is no standardization of services or requirements for program personnel. client success in second chance homes is largely contingent on the services provided, 1' and all clients, regardless of the tlp site they are enrolled in , should be given the opportunity to receive the same comprehensive services. a proposal for c h a n g e : goals, objectives , a n d d e v e l o p m e n t a l t h e o r y according to massachusetts dss program specifications, the goal of second chance homes is to "enable teen parents to develop, in a safe and supportive setting, the requisite skills and knowledge to be competent parents and to lead independent and productive lives after completion of the program".' 1 1 the objectives, however, are incompatible with this overarching goal. in order to lead independent and productive lives after completion of the program, clients must be monitored after program termin a t i o n . 1 1 1 1 ' 1 1 ^ 1 ^ 1 based on current developmental theory, adolescents are at a stage in maturation in which many important cognitive skills are coagulated. these cognitive skills are crucial for successful adult living, and can not be "taught" to an adolescent in a mere six months, the average stay in the program. rather, these proficiencies are built over time. for example, adolescents revert back to a sensorimotor egocentrism, in which they find themselves preoccupied with their own behaviors, beliefs, attitudes, and activities most of the t i m e . l v n this is not conducive to becoming a good parent. teen living programs have the unique ability of monitoring adolescent behavior twenty-four hours a day, and can offer strategies for becoming less egocentric. this also comes with age. metacognitive skills are also honed in the stage of adolescencel. l v m teens begin to grasp self-regulatory behaviors, in which they self-monitor thoughts, feelings, and behaviors to reach a goal. while this is a natural stage of development, awareness of self-regulatory behaviors can be heightened under the supervision of those more experienced than the teen themselves. this is another crucial developmental process that directly affects the success of the teen mother and the wellbeing of her child. i f teens relinquish their right to be enrolled in the program and are not monitored after exit, these skills may not be in place and wi l l prove detrimental to long-term achievement of program goals. finally, sternberglix proposes a triarchic theory of intelligence}, which consists of three subtheories: analytical/componential, experiential, and contextual. sternberg's theory mandates that experiential learning is imperative in successfully completing the adolescent phase of development. this is one of the strongest rationales for program modification; teens must gain socioculturally relevant contextual experience in order to become competent caregivers and adults. this experience can be gained only through guided supervision of novel and complex tasks/situations, and is best provided for teen mothers i n an adult supervised environment such as a second chance home. s t a t i s t i c a l j u s t i f i c a t i o n proving statistical justification of the need for this type of extended service is difficult; there have been few studies that have examined the outcomes of clients enrolled in teen t e e n l i v i n g p r o g r a m s i n m a s s a c h u s e t t s ! a p o l i c y a n a l y s i s a n d r e c o m m e n d a t i o n s f o r c h a n g e living programs because of several specific challenges. first, the majority of existing second chance homes are residential in nature, accommodating small numbers of teenage mothers and their children. l x this structure is often conducive to the program setting and service delivery, but it makes any kind of rigorous impact evaluation more difficult due to smaller sample sizes. also, while many of the skills targeted are easily quantified, such as the attainment of a high school diploma or ged, others, "such as parenting skills or increased self-sufficiency, are more difficult to measure and the anticipated impact may not surface for extended periods of t ime" . 1 x 1 finally, a rigorous impact evaluation requires the comparison of two groups that are otherwise uncomparable except for participation i n a second chance homes. however, neither program operators nor researchers would support the denial of services to teens and their children solely for research purposes. l x u the limited, preliminary evaluations of second chance homes in massachusetts are promising. the most current statistics show that only two percent of teens residing in tlps had a second pregnancy while i n the program. also, about two-thirds of former second chance home residents continued with job or education training; nearly half had found work; and nearly one third had left the welfare rollslxiii. with continued support after exit from the program, teens would be more likely to continue with their job or educational training, find work, leave welfare rolls, be nurturing parents, and lead fulfilling lives.lxiv,lxv,lxvi j 0 ensure that support is continued in all second chance homes, current policy must be modified. u t i l i z i n g dye's f r a m e w o r k with the need for change justified, the next step of the process is the determination of what change should be made. dye proposes the rational choice framework for making this decision, which proposes that "policy choice...refers to the selection of the alternative with the greatest potential for maximizing agreed-upon values and goals". l x v n he suggests generating a list of alternative strategies for achieving the goals, ranking those alternatives in order of the degree to which they are perceived to be likely to achieve the goals being sought, generating a list of the alternatives' potential consequences, and, finally, calculating the net value ratio of each alternativelxviii. the net value ratio is "an index of the extent to which alternative choices maximize the values of goals deemed important...the alternative that best maximizes such values after its consequences have been taken into account is the one with the highest net value rat io" . l x i x table i depicts the use of dye's framework in choosing the best course of action for policy change. a l t e r n a t i v e s t r e n g t h s c o n s e q u e n c e s n e t v a l u e r a n k make it mandatory for teens to stay in the program unti l counselors and teens both decide that teen has acquired skills necessary to exit successfully •assurance teens are getting services •best way to meet all program goals •wil l have less room for new teens or wil l cost money to expand program •mandate might stop teens from entering in first place require counselors to follow up with each teen for a period of three years after exit •allows teens to be on their own, but continues limited supervision to discourage regression into disadvantageous patterns •wil l take counselors' valuable time away from new intakes and those currently enrolled i n the program ask teens to check in with counselors when they need help •allows teens to be on their own schedule •wil l not assure that teens are getting services based on analysis under dye's framework, the second alternative, requiring counselors at all massachusetts second chance homes to follow up with each teen for a period of three years after exit, has the highest net value rank of the three. this alternative wi l l be designed and implemented. p r o g r a m d e s i g n a n d i m p l e m e n t a t i o n program design for this policy is relatively straightforward, considering the staff that is to do the follow up is already hired and i n place, the site is already available, and no e l e m e n t s s p r i n g 05 specific curricula need be followed. second chance homes would require that the case manager or counselor assigned to each client keep this client on his or her caseload for a period of three years after exiting the program. counselors at all second chance locations i n massachusetts would be trained over a two-day seminar one month prior to implementation of this policy and once yearly for the duration of their tenure at the home. training would include how to correctly use follow-up progress note and evaluation forms/)., a refresher course on finding resources for teens, a class in teaching parenting of toddlers and young schoolage children (the age ranges that most teen's children wil l fall under after program exit), a refresher course on lead-ing group therapy/discussion, and discussion with other counselors on issues surrounding teenage pregnancy and parenting. counselors would be required to follow up with each client once every three months for the first year after exit and once every six months for the next two years. during each year, counselors wi l l run two group sessions (one in january and one in july). these sessions are mandatory "gatherings" where teen moms formerly enrolled in the second chance home wil l come together to discuss their progress and any problems they may be finding. counselors are encouraged to collaborate together for these sessions, and include clients from more than one caseload in each group. al l follow-up sessions wil l take place at the client's current place of residence, so that the counselor may get the most accurate portrayal of the teen's living situation. i f possible, the teen's child should be present for the session. followup sessions wi l l be conducted informally over at least two hours, with basic areas of concern—found on the evaluation forms-discussed using open-ended questions. the goal of these sessions is to ensure self-sufficiency and healthy personal and social development. successes and weaknesses alike should be topics of conversation, and the counselor should work with the client to remedy any setbacks. after each session, the counselor wil l completely fil l out the evaluation form provided and include the form i n the client's file. once yearly the counselor is responsible for meeting with his or her supervisor to discuss the progress of those clients who have exited the program. the supervisor is responsible at that time for compiling the data obtained from follow up sessions to be included in later statistical analysis of the program's (anticipated) success. three years after exit a client's file can be considered closed, but it is essential that lines of communication remain open for those teens who wish to continue a working relationship with the home. the two potential consequences of this new policy include taking counselors' valuable time away from new intakes and those currently enrolled in the program and budgeting for staff training sessions and additional hours accrued from new standards. however, both seem easily surmountfigure 1-2 com pon ential s u b t h e o r y m etacom pon ents p e r f o r m a n c e k n o w l e d g e a c q u i s i t i o n t r i a r c h ic t h eory experi ential s u b t h e o r y novelty automation c o n t e x t u a l subth eory adaptation s e l e c t i o n s h a p i n g sternberg's triarchic theory of intelligence r a t e s o f p r e g n a n c y , b i r t h , a n d a b o r t i o n p e r l o o o w o m e n a g e d 15-19, a n d a b o r t i o n r a t i o , by r a c e a n d e t h i n i c i t y , i 9 8 6 2 o o o r a c e / e t h i n i c i t y & m e a s u r e t o t a l p r e g n a n c y rate * b i r t h r a t e a b o r t i o n rate a b o r t i o n rate j w h i t e a l l p r e g n a n c y rate * b i r t h r a t e a b o r t i o n rate a b o r t i o n rate f n o n h i s p a n i c p r e g n a n c y rate * b i r t h r a t e a b o r t i o n rate a b o r t i o n rate 'j" n o n w h i t e all p r e g n a n c y rate * b i r t h r a t e a b o r t i o n rate a b o r t i o n rate j black p r e g n a n c y rate * b i r t h r a t e a b o r t i o n rate a b o r t i o n rate f h i s p a n i c p r e g n a n c y rate * b i r t h r a t e a b o r t i o n rate a b o r t i o n rate j 1986 1987 1986 106.7 106.6 111.4 50.2 50.6 53.0 42-3 41.8 43-5 457 45.2 45-i 90.0 89.6 93.0 42.3 42.5 4 4 4 35.6 35-1 36.1 457 45.2 44.9 u u u u u li u u li u u l! 180.7 180.1 l8g. l 84.8 85.5 89.2 71.8 70.4 74-5 45.8 45.2 45-5 u u u 95.8 97.6 102.7 u u u u u u u u u u u u u u u u u u 1989 1990 1991 114.9 116.9 115.3 57-3 60.3 6i .8 42.0 40.5 374 42.3 40.2 377 95.8 98.8 96.6 47.9 51.2 52.6 34.8 33-9 30.4 421 39.8 36.6 u 87.3 82.7 39-9 41-5 42 7 u 32.9 28.7 u 44.2 40.2 1934 189.4 188.5 95-9 96.3 97.8 71-3 67.0 64.7 42.6 41.0 39.8 u 223.8 223.3 111.5 112.9 114.8 80.3 76.9 u 41.6 40.1 u 162.2 169.1 100.8 995 104.6 u 38.9 39.6 u 28.1 27.5 1992 '993 1994 111.0 108.0 104.6 60.3 59.0 58.2 35-2 33-9 31.6 36.9 36.5 35-2 92.3 90.0 90.0 51.4 50.6 50.5 27.9 26.6 24.7 35-2 344 32.8 77.0 74.6 71.8 41.0 40.2 39.8 25-3 24.0 21.8 38.1 374 354 183.5 177.6 169.0 94.6 91.2 87-5 63.6 62.0 58.2 40.2 40.5 39-9 216.6 209.9 198.7 111.3 107.3 102.9 75-5 73-8 68.3 40.4 40.7 39-9 169.7 165.8 164.4 103.3 101.8 101.3 41.6 397 39.0 28.7 28.0 27.8 1995 1996 1997 99.6 95.6 91.4 56.0 53-5 5i-3 29.4 28.6 27.1 34-5 34-8 34.6 87.8 84.9 81.4 49-5 47-5 45-5 23.2 22.2 21.1 3i-9 31.9 31-7 68.8 65.5 62.9 38.6 36.9 35-4 20.5 t 9-3 18.6 34-7 34-3 34-4 155.1 148.9 141.6 80.5 75-9 72.6 53.2 52-5 49-4 39.8 40.9 40.5 181.4 175.1 168.1 9 4 4 89.6 86.3 61.9 61.4 58.7 39.6 40.7 40.5 158.3 152.8 143-5 99-3 94.6 89.6 35.8 357 32-7 26.5 274 26.8 1998 1999 2000 88.7 85.7 8.36 50.3 48.8 477 25.8 24-7 24.0 33-9 33-6 334 77-9 73-4 7i-4 44-9 44-0 43-2 20.0 18.7 17-9 30.8 29.8 29.3 60.2 574 54-7 34-7 33-6 32.2 16.9 15-5 14.6 32.7 3i-7 3i-3 136.2 130.8 128.2 70.2. 66.1 64.4 47-3 46.8 46.3 40.3 4i-4 41.8 162.0 156.1 153-3 83-5 79-i 77-4 56.2 55-7 54-9 40.2 4i-3 41-5 142.5 139-4 137-9 87.9 86.8 87.1 33-7 32.1 30.3 277 27.0 25.8 * includes esitmated number of pregnancies e n d i n g i n miscarriage or stillbirth. i abortions per pregnancies e n d i n g i n abortion or live birth; d e n o m i n a t o r excludes miscarriages ad stillbirths. notes! i n t h i s a n d subsequent tables, data are tabulated according to t h e w o m a n ' s age at the pregnancy outcome a n d , for births, according to the mother's race ( n o t t h e c h i l d ' s ) . numbers a n d rates may differ slightly from those publish ed previously because we revised the number os abortions i n 1 993 t h r o u g h 1997 an used population estimates that cam e from th e 2000 census. u = u n avai lab le. e l e m e n t s s p r i n g 05 able. because each counselor only monitors several clients at a time, they should easily manage the extra eight hours per year (four sessions at two hours per session). also, training sessions would only be for sixteen hours annually, again not mounting to too much time. while there could be arguments that it would be difficult to find money to pay counselors for those hours, because this is to be a state-implemented and regulated policy, provisions should be made by the state. fiscal expenditures are minimal for the potentially huge success rates this new policy wi l l entail. p r o g r a m e v a l u a t i o n two types of evaluation should be used to monitor the progress of this new policy. the first type is formative evaluation "which occurs as the program is initiated and implemented, primarily to address such questions as 'is the program reaching enough of the at-risk population?', 'how much service is being provided?', and 'how many resources, and what kinds, are being expended?"'. l x x this type of evaluation wi l l occur continuously as a counselor meets with clients over the three years. the evaluation form includes space to discuss these evaluative questions. the second type is "summative evaluation, [which] looks at how the program has fared during a specified period of time and examines performance on process objectives, outcomes for clients, and sometimes impact on a target comm u n i t y " . l x x i this wi l l be completed by the home supervisor, who wi l l compile and analyze all counselors' data yearly. the data of each home wil l be compared and compiled to create the state's annual report, which wi l l be sent to the department of social services, the department of transitional assistance, and to the governor's office. by implementing this new policy, teen mothers in massachusetts have a greater chance of achieving the longterm goals of self-sufficiency, the delay of subsequent childbearing, and breaking the cycle of poverty and reliance on welfare. e n d n o t e s i "contraception counts: massachusetts." i i harris (1997) i i i walker and kotloff (1999) iv walker and kotloff (1999) v walker and kotloff (1999) vi kirby (2001) v i i kaplan (1997) v i i i "second chance homes: providing services for teenage parents and their children." (2000) ix collins, lane, and stevens (2003) x collins, lane, and stevens (2003) xi kirby (2001) xi i mattaini, lowery, and meyer (2002) x i i i maynard (1993) xiv maynard (1993) xv kaplan (1997) xvi "second chance homes: providing services for teenage parents and their children." (2000) xvii harris (1997) xviii harris (1997) xix cherry, di l l ion, and rugh (2001) xx horowitz (1995) xxi "personal responsibility and work opportunity reconciliation act of 1996 fact sheet." (1996) xxii collins, lane, and stevens, (2003) xxiii "second chance homes: providing services for teenag parents and their children." (2000) xxiv "second chance homes: providing services for teenagt parents and their children." (2000) xxv kaplan (1997) xxvi "second chance homes: providing services for teenagf parents and their children." (2000) xxvii "second chance homes: providing services for teenag parents and their children." (2000) xxviii "second chance homes: providing services for teenag parents and their children." (2000) xxix collins, lane, and stevens (2003) xxx department of social services (dss) (1996) xxxi collins, lemon, andstreet (2000) xxxii collins, lane, t.s, and stevens (2003) xxxiii "second chance homes: providing services for teenag parents and their children." (2000) xxxiv collins, lemon, and street (2000) xxxv collins, lemon, and street (2000) xxxvi collins, lane, and stevens (2003) xxxvii kirby (2001) xxxviii collins, lane, and stevens (2003) xxxix kaplan (1997) xl collins, lane, and stevens (2003) xl i horowitz (1995) xl i i maynard (1993) x l i i i collins, lane, and stevens (2003) xliv "second chance homes: providing services for teenage parents and their children." (2000) xlv collins, lane, and stevens (2003) xlvi collins, m.e., lemon, c , & street, e. (2000). xlvii kirby (2001) xlvii i "second chance homes: providing services for teenage parents and their children." (2000) xlix collins, lemon, and street (2000) 1 collins, lemon, and street (2000) l i "second chance homes: providing services for teenage parents and their children." (2000) l i i department of social services (dss) (1996) l i i i harris (1997) liv kaplan (1997) lv maynard (1993) lvi collins, lane, and stevens (2003) lvi i santrock (2003) lv i i i santrock (2003) lix sternberg (1997) lx "second chance homes: providing services for teenage parents and their children." (2000) lxi "second chance homes: providing services for teenage parents and their children." (2000) lxi i "second chance homes: providing services for teenage parents and their children." (2000) lx i i i second chance homes: providing services for teenage parents and their children. (2000). lxiv collins, lemon, and street (2000) lxv collins,-lane, and stevens (2003) lxvi kirby (2001) lxvii z immerman (1995) lxvii i z immerman (1995) lxix z immerman (1995) lxx mattaini, lowery, and meyer (2002) lxxi mattaini, lowery, and meyer (2002) r e f e r e n c e s boonstra, h . 2002. the guttmacher report on public policy. washington, dc: the alan guttmacher institute. chapin, r. 1995. " social policy development: the strengths perspective." social work, 40(4), 506-514. cherry, a.l., di l l ion, m.e., & rugh, d. 2001. teenage pregnancy: a global view. westport, ct: greenwood press. collins, m.e., lane, t.s., & stevens, j.w. 2003. "teen living programs for young mothers receiving welfare: a n analysis o f i m plementation and issues i n service delivery." family in society: the journal of contemporary human service. retrieved november 12, 2004, from http://www.alliancei.org/ publications. collins, m.e., lemon, c , & street, e. 2000. "a consumer view of teen living programs: teen parents' satisfaction w i t h program components and services." families in society: thejournal of contemporary human services, 81 (3), 284-296. "contraception counts: massachusetts." retrieved october 14, 2004, from http://www.guttmacher.org/pubs/ state_data/ states/massachusetts.html department of social services (dss). 1996. "teen living program specifications. teen living programs: request for proposals." boston: author.harris, k.m. 1997. teenage mothers and the revolving welfare door. philadelphia: templeuniversity press. horowitz, r. 1995. teen mothers: citizens or dependents? chicago: university of chicago press. kaplan, a. 1997. "teen parents and welfare reform policy." welfare information network. retrieved november 12, 2004, from http://www.financeprojectinfo.org/ publications/ kaplan.htm kirby, d. 2001. "emerging answers: research findings on programs to reduce teen pregnancy (summary)." washington, dc: national campaign to prevent teen pregnancy. mattaini, m.a., lowery, ct. & meyer, c.h. (eds.). 2002. the foundations of social work practice: a graduate text. (3rd ed.). washington, dc: nasw press. maynard, r. (ed.). 1993. building self-sufficiency among welfaredependent teenage parents. princeton, nj: mathematica policy research, inc. maynard, r. 1995. "teenage childbearing and welfare reform: lessons from a decade of demonstration and evaluation research." children and youth services review, 17,1-2, 309-332. "personal responsibility and work opportunity reconciliation act of 2996 fact sheet." 1996. retrieved november 13, 2004, from http://www.acf.dhhs.gov/programs/ofa/prwora96.htm santrock, j.w. 2003. "cognitive development." retrieved november 13, 2004, from http://highered.mcgrawhill.com/ sites /00724919 9x/ student_viewo/chapter/key_terms.html "second chance homes: providing services for teenage parents and their children." 2000. retrieved on november 18, 2004, from http://aspe.hhs.gov/hsp/2ndchanceh0mes/ sternberg, r. 1997. thinking styles, new york: cambridge university press. walker, k.e. & kotloff, l.j. 1999. "plain talk: addressing adolescent sexuality through a community initiative."the annie e. casey foundation. retrieved november 18, 2004, from http: //www. aecf.org / publications/data / fullplain. pdf z immerman, s. 199 5. understanding family policy: thousand oaks, ca: sage publications. e l e m e n t s s p r i n g 05 http://www.alliancei.org/ http://www.guttmacher.org/pubs/ http://www.financeprojectinfo.org/ http://www.acf.dhhs.gov/programs/ofa/prwora96.htm http://highered.mcgrawhill.com/ http://aspe.hhs.gov/hsp/2ndchanceh0mes/ http://aecf.org "amid the debates, there remains one thing that is uncontested ... another failure is not an option.'" t h e d i s a s t e r a f t e r t h e d i s a s t e r the evolution and de-evolution of fema p a t r i c k g a r d n e r s i n c e t h e f e d e r a l e m e r g e n c y m a n a g e m e n t a g e n c y ' s ( f e m a ' s ) i n c e p t i o n d u r i n g t h e c a r t e r a d m i n i s t r a t i o n i n 1979, i t h a s u n d e r g o n e a t u m u l t u o u s h i s t o r y m a r k e d b y a s e r i e s o f p r a i s e d s u c c e s s e s a n d g r a v e f a i l u r e s . i n i t s e a r l y s t a g e s , i t w a s h i g h l y c r i t i c i z e d f o r s l u g g i s h r e s p o n s e s t o c r i s e s a s w e l l a s p e r v a s i v e m i s m a n a g e m e n t . j a m e s l e e w i t t r e v o l u t i o n i z e d t h e a g e n c y , c r e a t i n g o n e o f t h e m o s t r e s p e c t e d a n d e f f i c i e n t o r g a n i z a t i o n s i n t h e g o v e r n m e n t . a l t h o u g h m a n y p e o p l e t h o u g h t t h e p r o g r e s s h e m a d e w o u l d b e l o n g l a s t i n g , t h e a g e n c y f e l l b a c k i n t o p u b l i c c r i t i c i s m w i t h a s e r i e s o f p o o r o p e r a t i o n s a f t e r w i t t ' s d e p a r t u r e , b e g i n i n g w i t h t h e 9/11 a t t a c k s a n d p e a k i n g w i t h i t s m i s m a n a g e m e n t o f t h e h u r r i c a n e k a t r i n a r e s p o n s e . t h i s p a p e r e x a m i n e s h o w w i t t t r a n s f o r m e d f e m a i n t o a f u n c t i o n a l o r g a n i z a t i o n , a s w e l l a s w h y i t f e l l a p a r t d u r i n g t h e b u s h a d m i n i s t r a t i o n . i t f o c u s e s o n t h e k e y d i f f e r e n c e s b e t w e e n h o w j a m e s l e e w i t t a n d h i s s u c c e s s o r s h a n d l e d t h e s t a g e s o f e m e r g e n c y m a n a g e m e n t s t r a t e g y . i n t r o d u c t i o n disaster. it strikes anytime, anywhere. it takes many forms—a hurricane, an earthquake, a tornado, a flood, afire or a hazardous spill, an act of nature or an act of terrorism. it builds over days or weeks, or hits suddenly, without warning. every year, millions of americans face disaster, and its terrifying consequences.1 so begins the description listed on the mission page for the federal emergency management agency (fema). this passage captures the frequency and unpredictability of disasters. in times of such crises, victims need help creating order out of chaos as local public services come to a halt. to this end, i n 1979, president carter combined many of the separate federal agencies related to disaster response into one over-arching organization, fema. the agencies absorbed included the federal insurance administration, the national fire prevention and control administration, the national weather service community preparedness program, the federal preparedness agency of the general services administration, and the federal disaster assistance administration. in addition, civil defense responsibilities were also transferred to the new agency from the defense department's defense civil preparedness agency." the primary mission of the newly formed organization was: . . . to reduce the loss of life and property and protect the nation from all hazards . . .by leading and supporting the nation in a risk-based, comprehensive emergency management system of preparedness, protection, response, recovery, and mitigation.111 despite the clarity with which fema's objectives are outlined i n the agency's mission statement, many believe its performance i n handling national emergencies has been less than satisfactory. this paper examines the mechanisms through which director james lee witt transformed the agency into an efficient organization, as well as why these changes did not persist under the bush administration. finally, i wi l l describe the current opinions on reforming the organization i n the future. o v e r c o m i n g a legacy of f a i l u r e known to many as "the disaster after the disaster," fema's reputation was that it "would lumber i n after a catastrophe, and anger local officials with its ineptitude." 1 v fema lived up to its reputation most egregiously after hurricane andrew struck southern florida, causing the agency to president c l i n t o n a n d james lee witt anticipate h u r r i c a n e floyd. come under public scrutiny. the hurricane leveled a 50mile area, leaving 200,000 residents homeless and 1.3 mi l l ion without electricity. necessary materials such as food, clean water, and medical supplies where scarce, but fema was nowhere to be found unti l three ful l days after the crisis. when representatives finally arrived, "their incompetence further delayed relief efforts. " v the aid workers who arrived were grossly underprepared to meet the victims' needs. food and water distribution centers did not have enough supplies, causing lines of hungry victims to stretch for miles. even mobile hospitals arrived later than planned, adding to the chaos.v1 many wanted to have the organization disbanded after this debacle, but the clinton administration decided to reform i t . v 1 1 part of this process included appointing a more capable management team, at the head of which clinton placed james lee witt i n 1993. this was, perhaps, the decisive move that allowed the organization to enjoy what some have called "one of the most remarkable e l e m e n t s s p r i n g 09 transformations of a government agency i n recent memory. " v i i i only a year into his tenure as head of fema, witt received widespread acclaim for his performance i n handling the 1993 flooding of the mississippi river. congressman norman mineta, then chair of the committee that oversees the agency, was so impressed that he pronounced, "fema has delivered finally on its promise to stand with the american people when [natural disasters] . . . devastate their communities." 1 x the newfound success appeared to be a lasting change for the agency. with approval levels higher than ever before, optimism for fema's future skyrocketed. jane bullock, witt's chief of staff and a member of fema since 1980, went as far as to claim, "the reorganization and new systems that witt installed at the agency ensure that we wi l l never be the fema we were before." such optimism, however, becomes almost ironic i n light of fema's rapid descent into disfavor soon after witt left office. t h e l e a d e r s h i p of james w i t t since president carter's administration formed fema i n 1979, the agency had been known as one of the biggest abusers of the patronage system i n the government. when george h . w bush took office, the number of political appointees to fema exceeded those named to other organizations tenfold. x many of these individuals were "terribly inexperienced'^1 for the job—a trait which impaired the agency's ability to respond to disasters effectively/11 the presence of so many political appointees later gave president clinton and james witt freedom to replace them with new, more qualified individuals of their own choosing. clinton also agreed to let witt interview all potential appointees himself to ensure that he could surround himself with a proper managerial team. witt restructured the organization around such people as elaine mcreynolds, head of the federal insurance administration, who served as the insurance commissioner of tennessee for over seven years, and carrye brown, head of the fire administration, whose resume included working for eighteen years on capitol h i l l as a specialist i n disaster and fire legislation.5 4 1 1 1 by replacing many members of upper management with more experienced candidates, witt was empowered to begin instituting reforms and taking action because he had a team he could trust to get the job done effectively. another of witt's early innovations included asking senior civil servants at fema to rotate jobs, providing fresh perspectives on how all facets of the agency operated. x l v after strengthening the managerial team with highly qualified individuals, witt conducted a thorough review of fema's mission, personnel, and its resources that lasted nearly two years. this included closing several redundant field offices and bolstering programs to prepare individual states for natural disasters. witt also managed to decrease internal regulations by 12 percent i n this time period, and he planned to reduce them by 50 percent by the end of the third year. finally, witt is noted for conducting a thorough inventory of fema—something which had never been done i n the agency's fourteen year history. x v fema's performance had historically been hampered by the fact that it was still preoccupied with preparing for nuclear attacks—part of the legacy of its inception during the cold war. nearly half of its budget and resources were reserved for such an attack, creating a severe handicap i n handling natural disasters.xv1 witt decided to shift many assets, such as mobile communications vehicles that had been held i n reserve i n case of a nuclear war, to the front lines of disaster-stricken areas. x v n this new focus freed up one hundred disaster specialists, previously concerned with a nuclear attack, to deal with the organization's new major focus: natural disasters.5™11 m i t i g a t i o n a n d preparedness u n d e r w i t t prior to joining fema, witt had served as the head of the arkansas office of emergency services—a distinction which made h i m the only director i n fema's history to t h e d i s a s t e r a f t e r t h e d i s a s t e r have had previous disaster management experience.55155 as a result, part of his success i n turning around the agency can be attributed to his thorough understanding of successful emergency management strategies. these strategies, as described by otto lerbinger, follow four main processes: 1. mitigation: attempting to minimize harm to human life and property; 2. preparedness: improving the ability to respond to a crisis event; 3. response: reducing damage through the activities undertaken immediately before, during, and after a crisis event; and 4. recovery: stabilizing the stricken area and helping victims return to normalcy. 5 0 5 while witt was successful i n all four strategies, the majority of his success resulted from efforts i n mitigation and preparedness. these strategies involved anticipating disasters and preparing for the types of relief they would require—actions that would make response efforts exponentially more effective. witt first displayed his sharp foresight i n his response to the 1993 midwestern floods, the first major test he faced as fema director. witt instituted a program to buy out property owners who were subject to chronic flooding and costly federal assistance so as to reduce the damage future floods would inflict. this process would have normally taken the program years to accomplish, according to jerry uhlmann, director of the missouri emergency management agency; however, witt's persistence ensured that when floods hit parts of missouri again i n 1995, thousands of flooded parcels had already been vacated. x x l this is an excellent example of what lerbinger describes as "passive" or nonstructural responses within the mitigation strategy. passive responses are principally regulatory, usually involving zoning regulations to l imit development i n highly vulnerable areas.55x11 response a n d recovery u n d e r w i t t fema's inefficiency prior to witt was largely due to the agency's overly bureaucratic nature. fema workers would routinely suspend vital aid requests for lack of a single signature on a particular f o r m . x x l i l kate hale, director of the dade county emergency services, attributes this passivity to the fact that "a mistake could cost [fema employees] their career." x x l v the fear of losing one's job as a result of a single misstep was a considerable force for witt to tackle. "before witt assumed office, relief efforts were discussed in terms of days and weeks; under his new direction, plans were implemented within hours." this problem had long handicapped fema, and i n 1990 it cost the people of puerto rico severely. as hurricane hugo raced towards puerto rico with 120 mile per hour winds, governor rafael hernandez-colon sent the proper federal aid request forms to fema headquarters i n washington. unfortunately, as franklin writes, "one scrupulous bureaucrat . . . noticed that the governor had failed to check one section of the form. dutifully, the fema worker sent the request back—via the u.s. m a i l . " x x v this caused the forms to reach the island after hugo hit, when the puerto ricans were recovering from the worst hurricane they had experienced i n a century. they did so without federal aid, which did not arrive unti l several days later, after hernandez-colon had resubmitted the request forms with the appropriate check mark. such behavior was found intolerable i n witt's agency. the oklahoma city bombing illustrates how the emphasis shifted from formalities to practical rapid disaster ree l e m e n t s s p r i n g 09 sponse. the bomb blasted at 9:02 a m . at 9:30, tom feuerborne, director of oklahoma's civil emergency management department, called fema to request assistance. less than five hours later, fema's advance team arrived, which included damage assessors and members of witt's staff. witt personally arrived on the scene at 8:10 that evening to be briefed on the situation. i n the wee hours of the following morning, fema's search and rescue teams began to pour in , supplementing the efforts of the oklahoma city fire department. of the situation, feuerbone says, "my office is very happy with the quick response of fema." x x v i before witt assumed office, relief efforts were discussed i n terms of days and weeks; under his new direction, plans were implemented within hours. witt had no interest i n bureaucratic hang-ups. instead, he demonstrated a genuine interest i n bringing relief to the afu n d e r w i t t ' s d i r e c t i o n , f e m a p u r c h a s e d p a r c e l s o f f r e q u e n t l y f l o o d e d l a n d i n m i s s o u r i . flicted areas and ensuring that victims received the aid they needed. witt also understood that the previous policy of waiting to mobilize unti l asked for help by the local government was a mistake. as witt himself said, "before, it was wait for a governor to ask for help. you can't do t h a t . . . i understood their problems, i understood what they wanted to d o . " x x v u he continued to stress the importance of pre-disaster planning, saying, "it's very important to understand that we're here to support the state and local governments as a resource . . . [we're] proactive. instead of waiting on the hurricane to come in , we get there, pre-position everybody." x x v i i i thus, before a disaster even reached, witt had sent resources such as food, water, ice, and generators rolling toward the scene. after deploying approximately 1,000 workers to aid victims of hurricane floyd, fema officials faced a new problem, that of "restraining] their workers from going out into the field while the storm was h i t t i n g . " x x i x witt's emphasis on action contributed greatly to his success i n office. the true test of fema's success lay i n the responses of victims of natural disasters. i n 1994, fema issued 5,000 surveys to victims i n order to gauge public perceptions of the agency's performance. they found that over 80 percent of the respondents approved of the way the agency was handling its duties—a percentage that would have been unthinkable i n the days following fema's mishandling of hurricane andrew. x x x while witt acknowledges that his experience as a local official i n a rural county and later as the director of the arkansas office of emergency services provided invaluable training for his position atop fema, x x x i he points out a different reason for his success: " i t is absolutely critical that you . . . redefine [an agency's] role and mission to what you feel is important for that agency to be responsible for ." x x x 1 1 this statement becomes especially provocative in light of the changes that took place during the bush administration. t h e d i s a s t e r a f t e r t h e d i s a s t e r r e s t r u c t u r e i n post-9/11 a m e r i c a james witt turned fema around virtually overnight under his strong leadership and clear objectives, and it appeared as i f his reforms would leave a lasting impression on the agency for years to come. in the year following his departure, however, america was struck with the worst attack on home soil i n its history. after september n , 2001, when terrorists hijacked two domestic jets and flew them into the world trade center, the nation's priorities changed drastically. suddenly, terrorism was the primary threat and natural disasters became secondary. i n 2002, fema was removed from its independent status as an agency and restructured as a branch within the department of homeland security (dhs). president george w. bush envisioned a new fema, which was to become a $6 billion agency within dhs, but with a significantly different primary interest. instead of being the primary responder, supervising and distributing major disaster relief, it was to become primarily a national security grant-giver, trainer, and coordinator for meeting terrorist threats . x x x m many, including new fema director joe m . allbaugh, tried to reassure congress that the homeland security functions would not deter the agency from its traditional role. still, many people were not convinced that the newly reformed agency would still be able to respond to natural disasters i n the same efficient manner that it had v i c t i m s of h u r r i c a n e katrina desperately seek assistance from t h e s e e m i n g l y absent fema. under witt. rep. don young (r-ak), chairman of the house transportation and infrastructure committee, quickly pointed out that, under the bush proposal, i f the new homeland security secretary wanted to shift its main focus to terrorist attacks, he could reduce "other [fema] missions and direct those resources entirely to security."x x x 1 v i n response, select committee chairman richard k. armey (r-tx.) redrafted the bush fema proposal. he proposed moving fema to dhs but preserving its role i n responding to natural disasters. this would have lessened its burden for developing relief responses to terrorist attacks. president bush quickly vetoed armey's proposed measure i n favor of a new fema concerned primarily with terrorist attacks. witt sharply criticized the action, stating that relocating fema would be "a mistake. ' , x x x v he warned that the reorganization of fema had cost the organization many disaster response, recovery and mitigation specialists. he advised putting the preparedness office inside the new department, as armey's bi l l would have done, but leaving fema outside and making i t the coordinator under a federal response plan so that the secretary of homeland security would have jurisdiction over it should there be a terrorist attack.500™1 later that year, witt wrote a memo that was critical of the newly reformed agency. he reprimanded officials for not paying enough attention to how it would respond to a natural disaster because of its increased focus on terrorism. he argued further that the agency had moved away from the civil defense efforts that had increased natural disaster resources i n the 1990s. he expressed his fear that i n the post-9/11 hysteria, emphasis on homeland security was creating a potentially dangerous situation.5™™11 f a i l e d p r e p a r a t i o n u n d e r t h e b u s h a d m i n i s t r a t i o n under the new direction of the bush administration, fema became a shell of the organization witt strove to rebuild. president bush did not have the same interest as clinton i n strengthening federal response to natural disasters. furthermore, he did not seem concerned with ape l e m e n t s s p r i n g 09 pointing the most qualified candidates to top positions i n the organization. after joe allbaugh stepped down i n march, 2003, bush reverted to overt patronage by appointing his friend, michael brown, as agency undersecretary for fema. before joining fema i n 2001, brown's prior experience consisted of nine years as commissioner of an arabian horse association, making h i m the virtual opposite of witt i n terms of credentials. x x v m this is merely one example of a larger trend including many senior appointees, such as patrick rhode and daniel craig. rhode previously worked for bush's 2000 campaign while craig served as a lobbyist for electric cooperatives. x x 3 a x fema's failure to prepare becomes even more apparent when one considers its inexperienced leadership i n light of its new focus on terrorism. according to dhs inspector general richard skinner, preparing responses to terrorist attacks overshadowed preparations for all other types of disasters.xl over 75 percent of the agency's preparedness grants for 2006 were reserved for state and local responses to terrorism, which a government accountability office report described as "a mismatch to reality" x l [ many leaders of the national emergency management association feared what might result from such negligence. this prompted five of the group's leaders to go to washington to warn homeland security secretary michael chertoff of the impending danger just days before hurricane katrina struck. they argued that the change i n fema's role was weakening their readiness for disasters. as the nation would soon find out, this message was highly prophetic. x l u s t a f f i n g h a n d i c a p s on august 29, 2005, hurricane katrina made landfall along the gulf coast. hours later, and strangely one ful l day after being warned of the massive storm, michael brown sent a memorandum to his boss requesting 1,000 volunteers to support rescuers i n the area. according to brown, the volunteers were to be sent for training within 48 hours. unfortunately, fema neglected to maintain its reserve force, which, i n past emergencies, had been the heart and soul of its relief efforts . x l m this left the agency short"president bush did not have the same interest as clinton in strengthening federal response to natural disasters.77 handed i n its relief efforts for the hurricane. fema is structured to have a full-time workforce of roughly 2,500 employees, so the reservist program is designed to help the agency double or triple i n size overnight when facing a disaster. these reservists perform many of the same tasks as full-time fema employees, such as helping to run disaster response centers, inspecting damage, manning telephone hotlines, assisting victims with claims, and coordinating relief activities with state and local officials x l l v the reserve force had withered i n the years leading up to katrina, with both the number of people on call and average training diminishing. george haddow, fema's deputy chief of staff under clinton, believes that the agency's decision to increasingly use contractors hurt its ability to respond to disaster because the reservist force included some of the agency's most knowledgeable people. "they were an invaluable asset," he stated. "all fema's senior staff put together doesn't have as much experience with disasters as a single one of them." x l v i n fact, a report by the house committee investigating the response to katrina, identified the lack of qualified reserves as one of the biggest problems hampering fema's ability to act. the report explains that fema officials could only meet about half of their designed responsibilities. i n the words of scott wells, the deputy federal coordinating official for the state, "we did not have the people . . . that we needed to do our mission." x l v i the same report also found that fema had deep staffing t h e d i s a s t e r a f t e r t h e d i s a s t e r problems, which had worsened since 2002 when the agency was absorbed into dhs. the agency had lost a substantial number of its top disaster specialists, senior leaders and other experienced hands i n a brain drain, which many experts believed would "negativefly] impact. . . the federal government's ability to manage disasters of all types." x l v n homeland security officials could not preserve their employees through traditional human resources management, the house committee report explains, "and this failure hindered the response to hurricane katr ina . " x l v m the extent of the staffing shortage was so great that when katrina struck, nearly 500 jobs were vacant, and eight of ten regional fema directors were i n acting capacity only. l l x those who did remain were unprepared to respond. by 2004, the report indicates, the readiness of fema's emergency response teams "had plummeted dramatically" due to a decrease i n funding after 2002, which caused them to lose communications equipment as well as team training and exercises. while fema officials warned that the teams were unprepared, the report notes that "no actions were taken to address the problems." 1 wasted f u n d s fema's inefficiency is, perhaps, most clearly revealed by the hundreds of millions of dollars it wasted while responding to hurricane katrina. carelessness i n issuing hurricane assistance exposed the agency to widespread fraud. the u.s. general accounting office (gao), which serves as an independent watchdog, randomly sampled 250 payments made to katrina victims and found that 16 percent had been issued to fraudulent recipients.1 1 i f this is representative of fema's spending overall, then fraudulent relief funds would amount to $1 billion i n misspent money, the gao says.111 i n addition to poor background checks. fema made extravagant expenditures on renovations. for example, the agency spent $7.9 mil l ion to renovate a former army base i n alabama to shelter evacuees, but was only used for ten people each night, at a cost of roughly $419,000 per person. this continued through 2006, as one government report estimates they spent $30 mil l ion i n maintaining trailers for evacuees i n mississippi. 1 1 1 1 the gao further estimated that by not awarding jobs to the contractors with the lowest bids, fema misspent as much as $16 mil l ion. another $15 mil l ion were spent on damage inspections that the agency could not prove had been performed. 1^ senator joseph lieberman (i-ct), chairman of the senate homeland security committee, expressed his dispproval, "the american taxpayer should be outraged . . . that i n a six-month period fema managed to waste approximately half of the $60 mil l ion it spent on trailers i n mississippi alone." l v p o s t k a t r i n a d i s c o u r s e since the "disaster after the disaster, " l v l many people have tried to sort through the wreckage—literally and metaphorically—and figure out who is exactly to blame, and what needs to be done to ensure that such a catastrophic failure never occurs again. many have pointed to michael brown as the root of fema's failures. his obvious inexperience made h i m a poor choice of leader during such a time, and e-mails between his press secretary and relief crews showed a lack of compassion for afflicted residents.1™ the ful l attention of the public eye turned to his performance following president bush's misguided praise, "brownie, you're doin' a heck of a j o b . " l v m although it is important for the president to express confidence i n his appointees, his statement seemed like a bad joke i n light of the poor relief efforts along the gulf coast, particularly i n new orleans. brown eventually had to resign under the intense scrutiny following this comment. recently, though, disaster specialists and top government officials have argued that brown is less to blame than previously thought. videotapes and transcripts of disaster sessions that took place i n the days surrounding katrina show brown and his team sounding the alarm of an impending disaster. bush and homeland security secretary michael chertoff, by contrast, were almost indifferent the day before katrina as officials predicted that the levees around new orleans would fail. the president asked no questions. l l x while the bush administration attacked brown for "sidestepping the chain of command," many of the same e l e m e n t s s p r i n g 09 disaster experts who had criticized his performance came to his defense. l x general julius becton, former fema director under reagan, said he agreed with brown's claim that he sidestepped chertoff i n order to bypass the "fog of bureaucracy" and speed up the relief effort. in other words brown's belief that his superiors were not acting i n fema's best interest left h i m "duty-bound" to bypass them i n order to f i l l his role of disaster relief. 1 x 1 clinton, by contrast, understood this dynamic and praises his elevation of fema to ful l cabinet status. schneiders argues that the only effective solution would be to remove fema from the dhs and return it to independent, cabinet-level status, where it can once again focus its attention to natural disasters and have direct access to the president. restoring this access, schneiders believes, wi l l allow fema to be there to respond and do its job effectively. l x v i "successful disaster relief begins with sympathy for the victims and dedication to the national response effort." knight ridder interviewed twelve disaster specialists and produced similar findings. eleven of the twelve interviewed believed that bush was at greater fault than brown for the mishandling of the federal relief response i n katrina. l x i ' seven believed brown's depiction of events, while four believed both brown and chertoff were responsible, but that bush was especially to blame for hiring them. more importantly, nearly all specialists interviewed chided the bush administration for demoting fema from an independent agency into a branch of the massive department of homeland security. michael lindell, director of the natural hazard reduction and recovery center at texas a & m university, placed the majority of blame on chertoff because of his dual agenda of dealing with terrorism and fragmenting f e m a . l x m james witt summarized this sentiment well, saying, " i believe brown . . . he tried to warn t h e m . . . and nobody listened. i don't think dhs is ready to be i n that coordinating role . " l x l v such lack of confidence i n the dhs fema has prompted major discourse about the organization's future. greg schneiders, who directed the reorganization project that originally created fema i n 1979, attributes fema's ability to operate effectively to its "independence, stature, and direct access to the president," all of which had been lost under the bush administration. l x v schneiders notes that though the need for reform is virtually uncontested, many doubt that restoring fema's independent status is the appropriate action. james loy, former deputy secretary of the department of homeland security believes that those who advocate restoring fema's independent status are oblivious to the new environment that has developed since 9 / n . l x v u he argues that separating fema from the dhs would l imit the agency's access to many of the relief agencies which were incorporated into the new department i n response to 9/11. the difference, he argues, is that fema should be given independent status within the dhs so that it can have direct lines of communication with the secretary of defense i n times of crisis. the bureaucratic hang-ups must be disposed of and independent status would help the director of fema make quick and effective decisions. a bipartisan senate investigation i n 2006 left senators calling for bush to scrap the organization and begin anew, as katrina exposed flaws i n fema "too substantial to m e n d . " ) x v i u this may be an unrealistic aspiration, however, as it would take far too long to rebuild a new agency with the sole focus of preparing for and responding to natural disasters. there are simpler ways to begin improving fema, such as electing agency directors based on disaster management experience rather than abusing the patronage syst h e d i s a s t e r a f t e r t h e d i s a s t e r tem. the agency cannot move forward without knowledgeable and confident leadership, such as that of james lee witt. he is spoken of as the wonder-child of fema's past, but perhaps he was only able to bring success to the organization because he was the first director i n its history to have disaster management experience. successful disaster relief begins with sympathy for the victims and dedication to the national response effort. while opinions differ i n regards to what needs to be done with fema, its future depends entirely upon the next administration. unless the obama administration exercises genuine concern for staffing it with qualified individuals and making the sweeping reforms needed, the government might be forced to disband the agency. a m i d the debates, there remains one thing that is uncontested: i n the words of harold rogers, chairman of the house appropriations panel for homeland security, "another failure is not an option. " l x i x there is simply too much at stake to be left i n the hands of another incompetent fema. e n d n o t e s i . fema 2008a i i . ibid. i i i . ibid. iv. borenstein and davis v. franklin vi. ibid. vii. ibid. viii. walsh ix. franklin x. ibid. xi. ibid. xii. ibid. xiii. ibid. xiv. walsh xv. franklin xvi. ibid. xvii. walsh xviii. franklin xix. lerbinger xx. ibid. (65) xxi. walsh xxii. lerbinger (65) xxiii. franklin xxiv. ibid. xxv. ibid. xxvi. ibid. xxvii. walsh xxviii. ibid. xxix. borenstein & davis xxx. franklin xxxi. walsh xxxii. franklin xxxiii. pincus xxxiv. ibid. xxxv. ibid. xxxvi. ibid. xxxvii. witte xxxviii. usa today xxxix. ibid, xl. lipowicz xii. usa today xiii. ibid, xliii. witte xliv. ibid. xiv. ibid, xlvi. barr xlvii. ibid, xlviii. ibid, xlix. ibid. 1. ibid. ii. harper iii. ibid, l i i i . hsu liv. ibid. iv. ibid, lvi. walsh lvii. associated press lviii. harper lix. borenstein lx. ibid. lxi. ibid. lxii. ibid. lxiii. ibid. lxiv. ibid. lxv. schneiders lxvi. ibid. lxvii. loy lxviii. reid lxix. ny times r e f e r e n c e s associated press. (2005, october 20). excerpts from fema officials' e-mails. retrieved august 1, 2008 from lexis-nexis academic universe. barr, s. (2006, february 16). staffing shortages loom large in report on woeful response to katrina. the washington post, b2. retrieved august 2, 2008 from lexis-nexis academic universe, borenstein, s., & davis, m. r. (1999, september 16). now fema is easing, not adding to, disasters. the philadelphia e l e m e n t s s p r i n g 09 inquirer, a16. retrieved july 30, 2008 from lexis-nexis academic universe. borenstein, s. (2006, march 3). survey: disaster experts now say brown shouldn't be fall guy; of 12 polled, n said they did not buy the bush administration's line on response to katrina. retrieved august 1, 2008 from lexis-nexis academic universe. federal emergency management agency. (2008a). fema mission. retrieved august 1, 2008, from the federal emergency management agency web site: . federal emergency management agency. (2008b). fema history. retrieved july 30, 2008, from the federal emergency management agency web site: . franklin, d. (2005, july). the fema phoenix-reform of the federal emergency management agency. the washington monthly. retrieved july 30, 2008 from . harper, t. (2006, august 26). scale of fema waste'breathtaking'. the toronto star. retrieved july 30, 2008 from lexisnexis academic universe. hsu, s. s. (2007, november 16). fema accused of wasting more katrina funding; $30 million misspent last year on trailers in miss., gao says. the washington post. retrieved july 30, 2008 from lexis-nexis academic universe. lerbinger, o. (1997). the crisis manager: facing risk and responsibility. mahwah, nj: lawrence erlbaum associates. lipowicz, a. (2006, april 14). skinner: fema lacked common it system during katrina. technews. retrieved august 2, 2008 from lexis-nexis academic universe. loy, j. (2006, july 3). lessons learned; restore fema's independence. retrieved july 30, 2008 from lexis-nexis academic universe. new york times. (2006, april 5). no hands on deck. retrieved july 30, 2008 from lexis-nexis academic universe. pincus, w. (2002, july 24). fema's influence may be cut under new department. the washington post, a17. retrieved july 29, 2008 from lexis-nexis academic universe. reid, t. (2006, april 28). scrap fema and begin again, bush is advised. retrieved july 30, 2008 from lexis-nexis academic universe. schneiders, g. (2006, march 20). katrina disaster shows value of restoring fema's status. pr week (u.s.) 11. retrieved july 30, 2008 from lexis-nexis academic universe. usa today. (2005, september 8). exposed by katrina, fema's flaws were years in the making. retrieved july 30, 2008 from lexis-nexis academic universe. walsh, e. (1998, august 19). it took a county judge to bail out fema; james lee witt's arkansas experience reshaped agency and its approach to disaster. the washington post, p. a19. retrieved july 30, 2008 from lexis-nexis academic universe. witte, g. (2005, september 26). fema let reserves wither, hurting response, some say; as it seeks more workers, agency relies on contractors in gulf coast. the washing post, pg. a15. retrieved july 29, 2008 from lexis-nexis academic universe. t h e d i s a s t e r a f t e r t h e d i s a s t e r http://www.fema.gov/about/index.shtm http://www.washing-tonmonthly.com/features/2005/0509.franklin.html http://www.washing-tonmonthly.com/features/2005/0509.franklin.html "sports give people something to believe in, something to hope for, and something in which they can take pride in their community." r o o t r o o t root for t h e ??? t e a m franchise free agency and the business of the nfl b r y c e d o n o h u e s p o r t s h a v e l o n g b e e n d e e p l y i n t e r t w i n e d w i t h s o c i e t y b u t i n t h e p a s t s i x t y y e a r s t h e y h a v e b e c o m e a m a j o r e c o n o m i c i n d u s t r y . w h i l e p r o f e s s i o n a l s p o r t s f r a n c h i s e s b e n e f i t t h e i r o w n e r s f i n a n c i a l l y , t h e y a r e a l s o c e n t r a l t o t h e c u l t u r e o f t h e c i t y t h e y r e p r e s e n t . t h e d i c h o t o m y b e t w e e n s p o r t s a s a n i n t e g r a l p a r t o f s o c i e t y a n d s p o r t s a s a b u s i n e s s h a s b e e n m a d e a p p a r e n t t h r o u g h t h e l e g a l c a s e s s u r r o u n d i n g t h e m o v e s o f f r a n c h i s e s i n t h e n a t i o n a l f o o t b a l l l e a g u e . t h i s p a p e r a n a l y z e s t h e p r e c e d e n t s e t by t h e c a s e s r e g a r d i n g t h e m o v e s o f t h e o a k l a n d r a i d e r s , b a l t i m o r e c o l t s , a n d c l e v e l a n d b r o w n s . in a l l t h r e e , t h e c o u r t s h a v e f a v o r e d t h e s p o r t f r a n c h i s e a s a b u s i n e s s r a t h e r t h a n a s a r e p r e s e n t a t i o n o f l o c a l c i t i z e n s . t h e s e f r a n c h i s e r e l o c a t i o n s h a v e e s t a b l i s h e d a s y s t e m k n o w n a s " f r a n c h i s e f r e e a g e n c y " i n w h i c h t h e s p o r t f r a n c h i s e is l e g a l l y n o d i f f e r e n t f r o m a n y o t h e r c o r p o r a t i o n . o v e r t h e p a s t t h i r t y y e a r s , c o u r t s h a v e d e t e r m i n e d t h a t o w n e r s h i p o f a t e a m b e l o n g s s o l e l y t o i t s l e g a l o w n e r a n d n o t t o t h e t e a m ' s f a n s o r h o m e c i t y . the analogy between sports and life is often touted in order to express a sense of the importance of sports in the development of a nation's culture. sports have often played a major role in societies because they encapsulate so much of what those societies represent. in sports, there is a competition between the good and the bad. sports give people something to believe in , something to hope for, and something in which they can take pride in their community. sports are integral to the development of children because they intrinsically teach how to work as a team, how to be competitive, how to win with class, and how to lose with grace. "the courts have played a major role in the regulation of franchise moves in sports and in the determination of whether owners' or fans' interests are paramount." in addition to being a catalyst for the development of society, sports have also become a major business in american society. because of the popularity of sports in america, people have found ways to make money through the playing and promotion of professional sports. over the past century, professional sports in america have grown from a small endeavor to a multi-billion dollar international industry. with that growth, it has become increasingly hard to distinguish professional sports franchises from businesses. this is made evident by how the open market so easily influences certain franchises' futures. professional sports franchises, however, are more than simple economic entities because of what they mean to the communities that support them. because of the open market in which they function, though, the opportunity for greater profits, rather than the opportunity for fan support, has become the catalyst for franchises' actions. this trend has resulted in the movement of teams from one city to another in search of more money; it has also resulted in cities paying increasingly larger sums of taxpayer money to keep teams that threaten to move. the courts have played a major role in the regulation of franchise moves in sports and in the determination of whether owners' or fans' interests are paramount. based on the decisions reached in cases over the past thirty years, the courts have determined that ownership of a team belongs solely to its legal owner and not to its fans or the home city. the two most popular sports in america are baseball and football, but the way the courts have treated the two sports is entirely different. the movement of franchises that are a part of major league baseball (mlb) is much rarer and has resulted in less legal action than the movement of franchises that are a part of the national football league (nfl). the reason for this can be traced back to the ruling in federal baseball club of baltimore, inc. v. national baseball clubs. in 1922, the federal baseball club of baltimore brought suit against the national baseball clubs for damages under the anti-trust acts of 1890, claiming that the national baseball clubs were attempting to monopolize the sport and destroy the federal league by "buying up some of the constituent clubs and in one way or another inducing all those clubs except the plaintiff to leave their league."' the court ruled that the national baseball clubs could not be held in violation of the anti-trust law because their business was not a part of interstate commerce. justice holmes wrote in the majority opinion, the business is giving exhibitions of base ball, which are purely state affairs. it is true that in order to attain for these exhibitions the great popularity that they have achieved, competitions must be arranged between clubs from different cities and states. but the fact that in order to give the exhibitions the leagues must induce free persons to cross state lines and must arrange and pay for their doing so is not enough to change the character of the business. according to the distinction insisted upon in hooper v. california, ijj u. s. 648, 6jj, ij sup. ct. 207, jg l. ed. 297, the transport is a mere incident, not the essential thing.11 based on this decision and the fact that attempts at overruling it have failed, major league baseball is the only league allowed to regulate franchise moves without fear of violating the sherman anti-trust act. as a result of this exception granted to mlb, there has been little legal controversy surrounding franchise moves in baseball. the legal history of franchise moves in the national football league, however, has taken a different course. the nfl was never granted the same exemption as mlb, but the implications of this fact were not made clear unti l 1980 when oakland raiders owner a l davis tried to move his team to los angeles. when davis announced the move, the nfl attempted to reject it pursuant to section 4.3 of their bylaws which states in full that, the league shall have exclusive control of the exhibition of football games by member clubs within the home territory of each member. no member club shall have the right to transfer its franchise or playing site to a different city, either within or outside its home territory, without prior approval by the affirmative vote of three-fourths of the existing member clubs of the league.111 the two landmark cases that followed the raiders' move to los angeles set the precedent for the phenomenon called "franchise free agency"lv in football. via the court ruling that section 4.3 of the nfl's bylaws is a violation of antitrust law, the courts have created a new system; teams use relocation and the threat of relocation to extract more money and better stadiums from whichever city wil l provide them. this system also has resulted in a system in which the city and fans that these nfl teams represent have almost no say in a team's decision to move. the precedent set in the two raiders cases was upheld when after the baltimore colts' "midnight ride" to indianapolis, the city of baltimore failed to reclaim the franchise through eminent domain. the court ruled that it was the owner's right to relocate his team and that the league had no authority to prevent that move. in this new system of "franchise free agency," the courts have posited the owners and teams as businesses and favored them over the cities and fans as patrons. even in the case of the relocation of the cleveland browns to baltimore, fan outcry did not inhibit the city's "beloved browns'"1 from leaving cleveland. as aforementioned, franchise free agency in the nfl was first established in the outcome of the oakland raiders lawsuit, which declared that section 4.3 of the nfl's bylaws violated the sherman anti-trust act by restricting free trade. oakland raiders owner a l davis entered into talks with oakland officials to discuss the status of his team in that city. davis' lease on the oakland coliseum was set to end in 1978 and he believed that the stadium needed substantial improvements i f his team was to continue playing there. when it became clear to davis that oakland was not going to meet his terms, he entered into talks with the city of los angeles to attempt to obtain terms acceptable for the relocation of the raiders. los angeles had just lost the rams to anaheim and had the 92,000 seats of the los angeles coliseum sitting empty. these negotiations al davis after d iscuss ing possible anti-trust v iolations with a federal grand jury. moved rapidly and on march i , 1980, the two parties signed an agreement outlining the terms of the lease. both sides got what they wanted; davis received a nicer stadium for his raiders to play in and los angeles got an nfl team once more. davis announced his plans to move the raiders to los angeles on march 3,1980. one week subsequent to davis' announcement, the league owners convened a meeting to vote on the move under section 4.3 of the league's bylaws. the league voted unanimously against the move 22-0 and obtained an injunction preventing the move under the terms of the team's contract with the league. shortly after this vote was taken, the los angeles memorial coliseum commission sought an injunction to "enjoin the league from preventing the raiders' move.' n ! this suit became known as raiders i and ultimately determined that preventing the free movement of teams from city to city was a violation of anti-trust law. at the same time, the city of oakland brought an eminent domain action against the team in an attempt to prevent the raiders from moving to los angeles. " this suit became known as raiders ii and ultimately determined that a football team can be qualified as a public benefit which can be seized by eminent domain, but that oakland's exercise of that eminent domain was a violation of the commerce clause. the court's interpretation of the two cases showed that they favored the interests of the nfl franchise as a business over the interests of both the league in which a franchise plays and the city which a franchise represents. when considering whether or not section 4.3 of the nfl's bylaws violated the sherman anti-trust act, the court considered two factors. first, the court considered whether the nfl should be treated as a single entity. justice anderson of the ninth circuit court of appeals summarized the arguments of both sides when he wrote, the nfl contends the league structure is in essence a single entity, akin to a partnership or joint venture, precluding application of sherman act section 1 which prevents only contracts, combinations or conspiracies in restraint of trade. the los angeles coliseum and raiders reject this position and assert the league is composed of 28 separate legal entities which act independently?™ local fans embrace one of the ir favorite players. justice anderson cited the district court decision as being correct in determining that the nfl is not a single entity. in the district court hearing the court determined three reasons why the nfl cannot be considered a single entity. the first reason was based on the precedent set when other courts had determined that the league had violated section 1 of the sherman act in other areas of its business. in this case the court ruled that "the nfl is not the 'parent' of any league member, nor do any two clubs have a common owner. the clubs do not share key operational personnel. and the nfl itself has conceded that 'the existence of actual or potential inter-club competition in certain areas is not disputed.'" 1 ' the second reason the court cited was that other similar organizations had been found to have violated section 1 of the sherman anti-trust act. e l e m e n t s f a l l 0 8 the final reason the court presented to show that the nfl is not a single entity was that the individual nfl clubs are "separate business entities whose products have an independent value.'"though the various nfl clubs all share certain common purposes, they do not operate as a single entity. based on these reasons laid out by the district court, justice anderson ruled that the nfl had only a limited identity and this identity did not consist of an incorporation of all of its member franchises. he wrote, the league itself is only in very limited respects an identity separate from the individual teams. it is an unincorporated, not-for-profit, "association." it has a new york office run by the commissioner, pete rozelle, who makes day-today decisions regarding league operations. its primary functions are in the areas of scheduling, resolving disputes among players and franchises, supervising officials, discipline and public relations.*1 in the court's opinion, the nfl is nothing more than a governing body that sets rules and schedules. because of this opinion the court determined that each franchise acts as a separate entity when conducting business. this decision is "the court ultimately concluded that the provision preventing the free movement of franchises was an unreasonable restraint that hindered competition among members of the nfl/' elucidated by the competition amongst teams for players, coaches, fan support, and media coverage. the second question the court asked in its determinations was whether or not section 4.3 is an "unreasonable restraint of trade" under section 1 of the sherman anti-trust act. the court ultimately concluded that the provision preventing the free movement of franchises was an unreasonable restraint that hindered competition among members of the nfl. in determining this, the court considered both the positive and negative effects that section 4.3 had on competition. the section 4.3 rule was established because of a need for stability in the league. in the early days of the nfl, teams struggled to become established in their respective regions. the rule prohibiting unauthorized franchise movement was seen as a method of proffering constancy to the league. by granting franchises exclusive territories, and prohibiting other teams from moving into markets without league approval, nfl owners believed that it would be easier to establish the league as a long-term entity. x" because the nfl has since established itself as the premier football league in the world, section 4.3 evolved to be seen as a harmful restriction of competition. the court held that "direct competition between the rams and raiders would presumably ensue to the benefit of all who consume the nfl product in the los angeles area." x i i i the court was of the opinion that the marketplace should be the determining factor in franchise moves and not the league. its decision in favor of the raiders' move to los angeles thus set the precedent for franchise free agency. since the ruling, the league has been wary of interfering with franchise relocation. the league did, however, create a policy in 1984 regarding franchise moves. the new policy "requires any team proposing a move to submit written notice and a statement of reasons to the league." x l v this provision was put forth as a levy against arbitrary team relocation. it was not intended to block teams from moving; rather, it was aimed to make those teams seriously consider why they were moving. among the requirements in the "statement of reasons" were analyses of the adequacy of the team's present stadium, fan support, public financing, the degree to which owner mismanagement contributed to the need for relocation, the financial status of the team, and the extent to which the team tried to negotiate with and stay in its home city. it was believed that this provision would deter many teams from moving unless there were extreme reasons for them to relocate. after the court ruled that prohibiting the relocation of the raiders franchise to los angeles was a violation of the sherman act, the city of oakland had only one more legal option to try to keep their raiders at home. the city was forced to attempt to acquire the team through eminent domain. although this action was ultimately seen as a violation of the commerce clause, it set an important precedent that other teams would use to attempt to prevent relocation of teams whose owners wanted to move. to win their case, the city would be required to show that the exercise of eminent domain over the raiders franchise would be a valid public use. before the court could determine the issue of public use, however, it first had to deal with the issue of whether or not a city could exercise its power of eminent domain over an intangible object such as an nfl franchise. this concern was handled at the appeals level, as it was a question of law. in his opinion, justice richardson of the supreme court of california ultimately found that an intangible object could be acquired by a city through eminent domain. he wrote that "unless restricted by constitutional or statutory provisions, the right of eminent domain encompasses property of every kind and character, whether real or personal, or tangible or intangible . . . "x n even with this liberal definition of the types of objects that can be claimed through eminent domain, to be able to exercise eminent domain over any object (tangible or intangible), the site of that object must be shown to fall within the legal boundaries of the municipality trying to claim it. richardson was liberal in this distinction as well. even though the raiders had already physically moved to los angeles, richardson wrote, "oakland is the principal place of business of the partnership. it is the designated nfl-authorized site for the team's 'home games.' it is the primary locale of the team's tangible personality."^ 1 richardson believed in a very broad sense of the scope of eminent domain not only in the sense that he included intangible objects, but also in his definition of public use. he defines public use as "(that) which concerns the whole community or promotes the general interest in its relation to any legitimate object of government. '^ 1 1 he continued to say that i f the city can prove the public function of the franchise, then the franchise can legally be acquired through eminent domain. when this decision was released and the case was remanded to the lower court to hear i f the city could prove that the raiders served a public function in oakland, the fans were optimistic about their chances of regaining their team. however, this optimism would soon be extinguished by the ruling of the lower court. the city of oakland was able to demonstrate a valid public use in their case at the district level. x v i i i however, the decision to allow the implementation of eminent domain over the raiders, when reviewed on appeal, was decided to be a violation of the commerce clause because of the unique nature of the nfl as a league. article i , section 8, clause 3 of the us constitution grants congress the power to regulate commerce among the several states. in the final appeal of the raiders case, this clause trumped all other claims made by either side; it did not matter that the city had a valid public use claim or that the city could legally acquire an intangible franchise through eminent domain. in his opinion, justice sabraw ruled that the acquisition of a football team through eminent domain was a violation of the commerce clause. he said that because of the importance of the dependence of every nfl member team on each other, a state's interference in this matter would be detrimental to the entire league. he ruled that the nation-wide structure of the league was what ultimately gave the individual teams such popularity and that a "bar to relocation on the basis of state eminent domain law would adversely affect the league enterprise." x i x justice sabraw basically decided that the "invisible hand" of the market must govern e l e m e n t s f a l l 08 franchise moves in the nfl and that blocking teams with claims of eminent domain was harmful to the franchise as a business entity. he wrote that i f a city was allowed to claim eminent domain over their team, the league's interests would be subordinated to, or at least compromised by, the new owner's allegiance to the local public interest in matters such as lease agreements, ticket prices, concessions, stadium amenities, scheduling conflicts, etc . . . a single precedent of eminent domain acquisition would pervade the entire league, and even the threat of its exercise elsewhere would seriously disrupt the balance of economic bargaining on stadium leases throughout the nation. this decision handed down by the court, in favor of the nfl franchise as business enterprises rather than as agents of the municipalities they represent, set the precedent for the future movement of the colts and the browns. additionally, it created an environment in which teams could use the threat of relocation to attract better monetary and economic incentives from the cities in which they play. the first franchise to take advantage of the system of "franchise free agency" established through the raiders cases was the baltimore colts. in late 1983 and early 1984, colts owner robert irsay entered into extensive negotiations with the mayor of baltimore, william donald schaefer, to discuss the future of his nfl franchise. the two sides discussed the possibility of building a new stadium for the colts to play in and the suggested terms of that lease. after negotiations with baltimore provided unfavorable terms for irsay and his team, he turned to the city of indianapolis. the brand new $80 mill ion hoosier dome and a propitious lease agreement enticed irsay to move his team to indiana. despite the city of baltimore and the state of maryland's best efforts to try to prevent the team's exit, irsay knew that because of the recently administered raiders decision, he would not have to defend his actions. when maryland officials saw that the move was imminent, the state senate passed a bill on march 27,1984 authorizing baltimore to condemn professional sports franchises. after hearing of this bil l the next day, irsay decided to move his franchise to indianapolis. on the night of march 28, 1984, while his agents were still working out the terms of the lease with the hoosier dome officials, irsay had most of the colts' physical possessions loaded into the now infamous "mayflower moving vans" and driven to indianapolis in the midst of a snow storm. x x to fully understand the rationale of this move, it must be placed into context in terms of the decisions reached at the various levels of the raiders cases. irsay's move followed both the decision against the nfl for its violation of antitrust laws and the decision that a city could claim an intangible object such as a sports franchise through eminent domain. however, this move came well before the california courts decided that the capture of a sports franchise through eminent domain was a violation of the commerce clause. this context gives further weight to the claim that the courts favored the business interests of the owners of the franchise over the interests of the fans and cities which those franchises represented. the timing of the move and the urgency with which irsay executed it showed his uncertainty about how the courts would treat a claim of eminent domain for football franchises. r o o t r o o t r o o t f o r t h e ? ? ? t e a m when the colts left, the maryland legislature enacted the bill allowing the city of baltimore to condemn sports franchises, and the city filed a condemnation petition seeking to acquire the colts through eminent domain. ultimately, the courts decided that this condemnation was invalid because the franchise was outside of the city's jurisdiction. in making this determination, the courts further asserted that an nfl franchise is first and foremost, i f not entirely, a business entity. the new cleveland browns' stadium. the major point of contention in this eminent domain suit was the issue of whether the colts franchise fell under the jurisdiction of the city of baltimore at the time the city tried to claim it through eminent domain. to determine this, the court addressed three issues. "first, what is the relevant date to determine the location of the club: the date of filing of the condemnation proceedings or the date when compensation is paid? second, what standard is the appropriate test for determining the situs of an intangible franchise in condemnation proceedings? third, was the franchise in maryland at the time when situs must be determined?"^ 1 to claim eminent domain over the colts, the city had to show that the franchise was under the city's jurisdiction at the time of the claim. the court gave two primary reasons for its determination that the colts as a franchise were not under the jurisdiction of the city of baltimore at the time of the eminent domain claim. the court first addressed the city's claim that the colts had " m i n i m u m contacts" remaining in maryland after march 30,1984. the court rejected this claim on the grounds that it would lead to "untenable precedent." in his opinion, justice walter black said, "sports franchises, which have m i n i m u m contacts with many jurisdictions in this country, could be condemned by any state in which the team plays . . . m i n i m u m contacts standard would permit the condemnation of the colts franchise . . . by florida, since the colts play a football game in miami each year." x x i l this judgment has come to mean that a city cannot claim eminent domain based on the fan support or the franchise's history in that city. the court went on to discuss the precedent set by the raiders case. the two differences from the raiders case were that the nfl had not condemned the colts relocation and that this move and lawsuit took place during the offseason. the court ruled that because there was no further day-to-day business conducted in maryland by the colts after march 30, and because all of the colts' physical property was in indianapolis, the city of baltimore had no situs to claim eminent domain. justice black wrote, the court finds this act of physical relocation, however unpopular in baltimore at the time, to be of great significance to our inquiry here. indeed, if the move to indianapolis had not taken place until after march 30, the location of the team's tangible personal property, although of small value, would have been a potent factor in the city's position of situs of the franchise.™11 by saying this, the court gave more weight to the interpretation of a franchise as an economic entity over the interpretation of a franchise as representative of a city. in its final decision, the court cites the fact that the other teams in the nfl decided not to try to block the move as evidence of a waiver or suspension of article 4.3 of the league's bylaws. the court also reiterates the fact that a e l e m e n t s : \ f a l l 0 8 team's historical ties to a particular city prove nothing as far as that team's current physical location. justice black closed by saying, "the team's principle [sic] place of business and its tangible property were both outside maryland on that date, and it is clear that the owner's intention was to relocate outside of maryland. under any of the workable tests for determining the situs of the franchise, the court concludes that the colts were 'gone' on march 30, this decision, when taken in conjunction with the decision of the california courts in the raiders' case, shows the courts' consistency in treating nfl franchises as businesses. the final franchise move that upholds this consistency is the cleveland browns' move to baltimore in 1996. the citizens of cleveland tried to overwhelm the courts rather, they represent a business whose sole purpose is the same as any other business: money. during the colts' move to indianapolis, nfl commissioner pete rozelle explained the difficult situation that has arisen from this new system, when the raiders sought to desert oakland, the nfl voted against the move, was sued, and subsequently was penalized $49 million for opposing the move . . . moreover, if we had voted to allow the move, the oakland authorities were prepared to sue us. now we are being sued for not preventing the colts from leaving . . . under court anti-trust interpretation, we are literally damned if we do and damned if we don't.*"'1 "with the advent of "franchise free agency/7 teams and owners do not represent cities as they did in the past; rather, they represent a business whose sole purpose is the same as any other business: money." with lawsuits against owner art modell and the browns, but despite nearly 100 suits, the move proceeded without interruption. this outpouring of opposition did nothing to stop art modell from taking his team south to baltimore, but it did set a unique precedent. on february 8,1996 the nfl and cleveland reached an agreement that promised the city "as much as $ 48 mill ion in loans to build a 72,000seat open-air stadium and the promise of another team that gets the browns' name and colors in 1999.w x x v since the 1980 repositioning of the raiders from oakland to los angeles, the courts have been unable and unwilling to interfere with the business of professional sports in america. with the advent of franchise free agency, teams and owners do not represent cities as they did in the past; essentially, the league cannot take any action against a team that wants to move, the cities cannot take any action, the fans cannot take any action and after failing to pass legislation, congress cannot take any action. the result is a seemingly capitalistic nfl where all virtue that has surrounded sports for hundreds of years has been disregarded. in a speech he delivered to the people of indianapolis shortly after moving the colts there, robert irsay verbalized the new mentality of the nfl when he said, "it's not your ball team or our ball team, it's my family's ball team. i paid for it and worked for i t . " x x v r o o t r o o t r o o t f o r t h e ? ? ? t e a m e n d n o t e s i. federal baseball club of baltimore, inc. v. national baseball clubs. 259 u.s. 200, 42 s.ct. 465. (1922) ii. ibid. iii. leone (495) iv. leone v. forbes (4c) vi. los angeles memorial coliseum commission v. national football league, 726 f.2d 1381. at 1385 (1984) vii. ibid. viii. ibid, at 1387 ix. los angeles memorial coliseum commission v. national football league, 519 f. supp .581. at 583 (1981) x. ibid, at 584 xi. l.a. memorial coliseum v nfl, 726 f.2d 1381 at 1389 (1984) xii. ibid, at 1394 xiii. ibid, at 1396 xiv. leone (499) xv. city of oakland v. oakland raiders, 32 cal.3d 60 at p67 (1982) xvi. ibid, at 74 xvii. ibid, at 69 xviii. city of oakland v. superior court of monterey county, 150 cal.app.3d 267 (1983) xix. city of oakland v. oakland raiders. 174 call.app.3d 414 at 420 (1986). xx. mayor and city council of baltimore v. indianapolis colts. 624 f. supp. 278 at 278-281 (1986) xxi. ibid, at 282 xxii. ibid, at 284 xxiii. ibid, at 285 . xxiv. ibid, at 289 xxv. weisman (4c) xxvi. shiparo (f3) xxvii. rosen (d2) references city of oakland v. oakland raiders, 32 cal.3d 60. 1982. city of oakland v. oakland raiders. 174 call.app.3d 414. 1986. city of oakland v. superior court of monterey county, 150 cal.app.3d 267. 1983. federal baseball club of baltimore, inc. v. national baseball clubs. 259 u.s. 200, 42 s.ct. 465. 1922. forbes, gordon. "modell feels the heat from cleveland fans," usa today. 18 january 1996. p.4c leone, katherine. no team, no peace: franchise free agency in the national football league. columbia law review, vol. 97, no.2. march 1997. los angeles memorial coliseum commission v. national football league, 519 f. supp .581. 1981. los angeles memorial coliseum commission v. national football league, 726 f.2d 1381. 1984. mayor and city council of baltimore v. indianapolis colts. 624 f. supp. 278. 1986. rosen, byron. "irsay lectures indianapolis: 'it's my team'." the washington post. 3 apri l 1984. p.d2. shiparo, leonard. "rozelle opposed move, but couldn't stop irsay." the washington post. 8 april 1984. p.f3. weisman, larry. "browns package'precedent-setting'." usa today, 9 february 1996. p.4c e l e m e n t s f a l l 0 http://cal.app.3d http://call.app.3d http://call.app.3d http://cal.app.3d t h e " o k l a h o m a c i t y p l u n d e r " turner's social drama and team relocation m a t t h e w m o r r i s t h i s e s s a y f r a m e s t h e p h e n o m e n o n o f t e a m r e l o c a t i o n as a s o c i a l d r a m a d e f i n e d by a n t h r o p o l o g i s t v i c t o r t u r n e r . t o s u p p o r t t h i s v i e w i ex a m i n e d t h e c o n t r o v e r s y s u r r o u n d i n g t h e s e a t t l e s u p e r s o n i c s ' m o v e t o o k l a h o m a c i t y , w h i c h o c c u r r e d o v e r a t w o y e a r p e r i o d b e g i n n i n g in 2006 a n d e n d i n g in 2008. i p r o v i d e a c o n t e x t f o r t e a m r e l o c a t i o n in t h e f o u r m a j o r p r o f e s s i o n a l s p o r t s l e a g u e s o f t h e u n i t e d s t a t e s a n d c a n a d a as w e l l as t h e s p e c i f i c c o n t e x t o f t h e s u p e r s o n i c s c o n t r o v e r s y . i t h e n a n a l y z e t h e s i t u a t i o n as a s o c i a l d r a m a o c c u r r i n g b e t w e e n t w o p a r t i e s ! c i t y o f f i c i a l s a n d t e a m o w n e r s . t h e m e d i a ' s r o l e as an i n t e r m e d i a r y a n d t h e f a n ' s r o l e as an o b s e r v e r a r e a l s o e x p l o r e d . i c o n c l u d e b r i e f l y n o t i n g t h e i m p a c t o f t e a m r e l o c a t i o n o n t h e f a n s . i n t r o d u c t i o n throughout the history of the four major professional sports leagues of the united states and canada, team relocation has been common practice for team owners. of the 122 teams that make up major league baseball (mlb), the national football league (nfl), the national basketball association (nba), and the national hockey league (nhl), 40 have relocated 52 times. traditionally one might attribute this trend to lackluster fan support, but i n modern times the rationale behind team relocation is usually business related. most commonly, team owners (or ownership groups) wi l l claim that the conditions under which they are operating the franchise are less than favorable for turning profits. the team's ownership then makes an appeal to the public arguing that the construction of a new stadium wil l secure the team's place i n the city and result i n "increased tax revenues, job creation and community image-building."" as a consequence, team ownership presents the city with an ultimatum: either dedicate public funds to the construction of a state-of-the-art arena or force the team to move to a location more eager to construct a new stadium. typically, the city initially opposes financing anything as expensive as an arena or stadium and engages the owners i n a debate. the team's ownership—using the threat of relocation as leverage—forces the city into adopting either a complacent attitude or a more combative one. though ini tially resistant, the complacent city eventually gives i n to the ownership's demands, fearing that their city's prestige and economy are at stake. alternatively, the combative city sees public funding for private ventures as "socialism for the rich" 1 1 1 and decides that there are better uses for their tax dollars than a new stadium. the city subsequently permits the team to move elsewhere. the complacent attitude seems a more common result: 89 of the 122 total pro sports teams play i n stadiums built i n 1990 or after, and only 12 of the 89 received their new arenas after relocating. i n this "public argument" between the city and the team, each party views the other's public statements as efforts to empower themselves and strengthen their position. according to bishop, this process "that begins with a team expressing its desire for a new stadium and concludes with the construction of that stadium has all the makings of what anthropologist victor turner calls a 'social drama."' v turner defines social dramas as "an eruption from the level surface of ongoing social life, with its interactions, transactions, reciprocities, its customs making for regular, orderly sequences of behavior." according to bishop, journalists act as intermediaries i n stadium construction social dramas, transmitting and interpreting the messages they receive from the principal parties.' 1 the local media, therefore, provides the rhetorical theater i n which the conflict between the ownership and the city plays out for all to see. bishop only examines the development of stadium construction social dramas i n cities that acquiesce ("complacent" cities). this adoption of the complacent attitude results from a combination of mobilization of fan "energies," support from the local media, and a persuasive economic argument/ 1 1 1 i n bishop's analysis, stadium construction and team appeasement are the two inevitable conclusions of this type of social drama. her analysis, however, overlooks the obvious possibility of team relocation. i contend that—although more rare than the outcome examined by bishop—the factors i n a stadium construction social drama ending i n relocation merit consideration as well. when the city behaves combatively toward a given team's ownership i n a stadium construction drama, the likely outcome is team relocation to a smaller city hungry for professional sports and will ing to allocate the money to meet the ownership's demands. smaller cities are often motivated to acquire a professional team by a hope that through that acquisition their city wil l gain "major league status."1 many think that a city that is worthy of a major league sports franchise is both more desirable for potential residents and more lucrative for potential investors. as a result, smaller cities are will ing to fight bigger, more cosmopolitan cities tooth and nail to attain a team. e l e m e n t s fall 09 with these factors i n mind, i wi l l examine the possibility that bishop neglects i n the context of the seattle supersonics' move to oklahoma city i n the summer of 2008. after outlining the salient events i n the team's relocation, the specific correspondence with turner's elements of social drama wi l l be criticized. finally, a brief look at the history of relocation social dramas wi l l highlight the wider impact of this type of drama on the country's social consciousness. t h e seattle s u p e r s o n i c s m o v e to o k l a h o m a c i t y before i 960 , seattle saw itself as a provincial city largely isolated from the rest of the country.x but the meteoric rise of boeing and the 1962 world's fair —which saw the construction of the space needle and key arena (the future home of the supersonics)—established the city as the f i nancial and industrial capital of the pacific northwest. arriving i n 1967 as an nba expansion team, the supersonics became seattle's first professional sports team. the team was extremely popular among seattleites who interpreted their arrival as a validation that seattle had indeed becme an important city on the national level. x i the sonics made their city even prouder when they defeated the washington bullets i n the 1979 nba finals i n five games, ; ! capturing for seattle its first and only professional sports championship. since the sonics' 1979 championship, seattle has grown economically with the rise of the computer industry and culturally with the artistic triumphs of the city's counter cultural movement, notably with the explosion of grunge i n the early 1990s.x 11 seattle also gained two other professional sports teams: mlb's mariners and the nfl's seahawks, both of which eclipsed the supersonics i n popularity. the supersonics, however, continued to draw crowds, excluding their lame duck years of 2006-08. although key arena had the smallest arena capacity i n the nba (17,098), the team frequently finished near the middle of the pack i n the league attendance, measured as the average attendance per game, per season.xiv key arena was loved by fans despite its small capacity. in 2002, the supersonics ownership led by starbucks tycoon howard schultz began petitioning the city government for a new publicly financed arena. the supersonics were still playing i n key arena, a relic from the 1962 world's fair that had been their home since the team's inception (apart from five years spent playing i n the kingdome). but schultz's pleas fell on deaf ears, for the city was not will ing to finance another stadium project, having just paid a combined $672 mil l ion to finance new stadiums for the mariners and the seahawks.x washington state taxpayers, having paid begrudgingly for the other two stadiums, were reluctant to dedicate any more public money toward stadium construction. 1 frustrated and losing money, schultz and the other 58 owners—including prominent city oligarchs such as richard tait, co-creator of the game "cranium" and pete nordstrom owner of the eponymous department store—decided to sell the supersonics and its women's national basketball association (wnba) sister team, the seattle storm, to the highest bidder. this turned out to be an ownership group from oklahoma, which offered $350 mil l ion for both teams. x v i i the new ownership group—officially known as professional basketball club, llc—was led by oklahoma city businessman clay bennett. bennett was responsible for the nbas foray into oklahoma city during the 2005-06 t h e " o k l a h o m a city p l u n d e r " and 2006-07 seasons when the new orleans hornets were displaced by hurricane katrina and needed a temporary home. the hornets ended up playing their home games during those two seasons i n oklahoma city's ford center. the ford center was an $89 mil l ion publicly funded construction project finished i n 2002, constructed primarily to lure an n h l or nba franchise to the city. x v i l i this goal was accomplished when the new orleans hornets fell into oklahoma city's lap during the 2005-06 season. residents of oklahoma city rallied behind the team despite the awareness that the arrangement was only temporary. the venture, however, convinced bennett that oklahoma's capital was a viable nba market. x i x he was able to convince a group of equally optimistic local investors, and together they swooped up the supersonics when the team was was put up for sale. the seattle media was immediately suspicious of the new ownership's intentions for the team, and, despite reassurances to the contrary, many seattleites began to lament what they viewed as an inevitable relocation.bennett was legally bound to a clause i n the terms of sale that stated that he was required to put i n a one-year "good faith effort" to keep the team i n seattle. i n compliance with the clause, bennett announced i n february 2007 that the team would stay i n return for the publicly funded construction of a $530 mil l ion arena i n the seattle suburb renton, wa. x x i far more ambitious than schultz's $220 mil l ion plan to renovate key arena, nobody outside of renton took it seriously. the seattle media interpreted it as a feeble attempt to comply with the good faith clause.5"" the renton plan was dropped i n april 2007, and the ownership announced i n november that i f seattle remained idle, the team would relocate to oklahoma city as soon as it was legally able to do so. x x n i in august, the controversy reached a new level of public and media acrimony when team minority owner aubrey mcclendon stated i n an interview with the oklahoma journal record, "we didn't buy the team to keep it i n seattle. we hoped to come here." x x i v additionally, a series of e-mails between the owners of the supersonics revealed i n april 2008 indicated that the owners had privately communicated their excitement to one another about moving the team to oklahoma, even while they were publicly stating that they were trying to keep the team i n seattle. in one infamous e-mail, minority owner tom ward stated, "is there any way to move here for next season or are we doomed to have another lame duck season i n seattle?" to which bennett replied, " i am a man possessed! wil l do everything we can. thanks for hanging i n there with me boys, the game is just getting started." x x v i n response to this e-mail, the previous owner of the supersonics, howard schultz, filed a law suit against professional basketball club, llc claiming they had committed fraud by violating the good faith clause of the sale, rendering the sale vo id . x x v l before this point the media and public had seen the supersonics' relocation as inevitable, but i n the wake of this mounting evidence, public and journalistic support of "saving the sonics" skyrocketed. clay ben n et, head of professional basketball club, llc, speaks ata press conference aboutthe relocation. e l e m e n t s fall 09 "years after his initial observations, turner determined that although the fashion in which the ndembu tribe engaged in social drama was unique to their culture (the 'ritual'), the phenomenon is universal across cultures and subcultures regardless of sophistication.77 the culmination of all these events occurred i n june 2008 as the city of seattle took professional basketball club, llc to court i n order to require the ownership to honor its lease of key arena from the city, forcing the supersonics to stay i n seattle an additional two years. the trial was marked by a large throng of green and gold fans protesting publicly outside the courthouse.^ 1 1 former players xavier mcdaniel and gary payton addressed the crowd, reiterating demands that the supersonics stay i n seattle, at least for the next two years unti l their lease expired. x x v m the trial concluded on july 2 with a settlement between the team ownership and the city, one hour before u.s. district judge marsha pechman was to deliver her summary judgment . x x l x the settlement allowed for the supersonics to move but required that the owners pay off the remainder of their lease wi th the city of seattle i n addition to damages.x x x it was stipulated that i f the city of seattle did not receive a replacement nba team i n five years that professional basketball club, llc owed them $35 mil l ion. additionally, the ownership agreed to allow the city of seattle to hold onto the supersonics name, color, and history, so that they might be used by an nba franchise returning to seattle. subsequently, the now former seattle supersonics began the process of physically moving the team to oklahoma city. v : it was announced a month before the season started i n september that the oklahoma city incarnation of the team would be named the thunder and would bear no resemblance beyond its personnel to the supersonics franchise. t u r n e r ' s s o c i a l d r a m a scottish anthropologist victor turner conceptualized his notions of "ritual" and "social drama" while observing the characteristics of the social structures and lives of the people of the ndembu tribe i n central africa for four years. he was fascinated by the ndembu people's inclination toward social conflict that "manifested itself i n public episodes of tensional irruption which i called 'social dramas."' x x x i i social dramas occurred within the ndembu tribe, as turner explains it, "when the interests and attitudes of groups and individuals stood i n obvious opposition." everyone within ndembu society is forced to take sides during a social drama, sometimes against his own personal wi l l , i n accordance with the society's deeply held sense of morality and loyally. years after his initial observations, turner determined that although the fashion i n which the ndembu tribe engaged i n social drama was unique to their culture (the "ritual"), the phenomenon is universal across cultures and subcultures regardless of sophistication. x x x v turner broke social drama into four main phases: breach, crisis, redressive action, and reintegration (or schism). "breach" i n frederick bailey's words is "a symbolic trigger of confrontation or encounter.' , x x x v 1 the breach fundamentally violates a norm of culture integral to its operation, challenging the status quo. "crisis" occurs i f the societal stress caused by the breach cannot be quelled immediately, and thereby "escalat[ing] the crisis ." x x x v i l during crisis, two main parties become unsure and suspicious of their oppot h e " o k l a h o m a city p l u n d e r " nent. crisis acts as a crossroads i n the social drama, for it coverage of stadium construction controversies," he armarks the point at which society must consider seriously gues that the scenario i n which team owners create a "redressive action" occurs when the society takes action to landscape.x l i v bishop asserts that the unfolding of a stamanage the crisis in the form of "adjustive and redressive dium construction conflict constitutes a complete social mechanisms" employed by "representative members of the drama story arc. x l v disturbed social system.' , x x x v 1 1 1 redressive actions vary from culture to culture and from crisis to crisis, but redresthe stadium construction social drama begins when team sive actions can include personal advice, social mediation, officials state publicly that a new stadium is required (to or formal judiciary intervention. x x x i x executing redressive keep the team i n the city, to appease fans, to spur economic action often escalates the crisis, as when a dispute is moved growth, etc.) and that those opposing construction do not from a local court to a district or federal court. i f redressive value what is best for their city.x i v i this strategy frames the action fails the crisis intensifies, sometimes resulting invipublic debate as occurring between a group ostensibly i n olent outbursts or—on a larger geopolitical scale—war.xl favor of the city's success and those ostensibly opposed to the fourth and final phase of the social drama consists eienjoys economic prosperity, and wants a happier city; ther of reintegration back into society or, alternatively, of group b hates sports, opposes prosperity, and disregards schism from society. when circumstances necessitate the perspective of group a. opponents—often including schism, the society must split along party lines to prevent public officials and prominent citizens—rapidly attempt to further conflict. ! the door is left open for future reconcilcounter the efforts of the team owners, resulting i n a pubiation between the two groups, but typically an invitation lie conflict. crisis manifests i n the rhetorical clash between from one group to rejoin the other can only occur after stadium proponents and opponents taking place i n local some time has past. h the respite of the reintegration or media. proponents emphasize the old trope, that new staschism offers an opportunity to evaluate societal change as diums bring economic opportunity and growth, a result of the social drama. ! did the drama alter existing opponents argue that most economists agree that new stasocial mores, add new ones, or drop old ones? were the diums have a minimal impact on the city economy^v i i and basic structural norms preserved? that the divisive arguments of the owners are designed to tear the city apart for their own gain . x l v i i i ronald bishop's characterization of stadium controversies as social dramas between team owners and cities fits well bishop suggests that journalists are predisposed to sympainto turner's paradigm. i n bishop's article " i f you build it, thize with the argument of the team owners for a new stawe won't leave: turner's social drama i n newspaper dium; i f the team moves, local sports journalists wi l l have the threatening implications of the breach. breach by demanding a new, publicly funded stadium is now so common that it has been integrated into the social "some of professional involve teams leaving sports' most notorious stories behind a city and a legion of that success. more explicitly, group a supports the team, less to report. x l , x team owners and pro-construction advocates, therefore, are likely to receive more media coverage than city officials or protestors. bishop quietly accuses local journalists covering the stadium controversy of complicity with team owners. bishop's view is most likely a product of the "political economy" perspective of public controversy reporting, articulated as follows: public controversy as the manufactured product of profitmotivated institutions of power working together to monopolize the premises of discourse and interpretation that circulates in the media. in this model, the media are nothing more than a means of production that conform to a general type of industrial capitalism. bishop argues that, as a consequence of this bias i n the news media, city officials start to feel pressure i n favor of publicly funding a stadium project. this perception of public opinion initiates redressive action to appease the team (and, therefore, the public) before it decides to abandon the city.1' the final phase of social drama, reintegration, ends with the city submitting to the ownership's wi l l and providing them with the necessary funding. this solution resolves the conflict between the team and the city, restoring social order within the city. the city and the team ownership assess after the fact the changes in their relationship as well as the changes i n their respective relationships with the public. h l bishop agrees with turner that the two parties, having made a deal, now see an alliance where they had once considered one another as opponents.1111 bishop's analysis, however, is blind to the possibility of schism, the more sensational scenario from a team's choice to move i n response to an unsatisfactory redressive action. some of professional sports' most notorious stories involve teams leaving behind a city and a legion of adoring fans. these are stories told with a sense of great loss, such as when walter o'malley moved the dodgers to los angeles i n 1957 and broke brooklyn's heart or when a hoard of mayflower moving trucks carried baltimore's beloved colts to indianapolis i n the middle of a cold night i n 1983 or when despondent fans rioted i n cleveland i n 1995 at the loss of their cherished browns. these tragedies have an important place i n american sports lore, which is why it is surprising that bishop would exclude them from his analysis. considering the profound sense of loss communities feel as a consequence of team relocation and considering that the frequency of team relocation has risen since 1990, this phenomenon's conspicuous absence i n scholarly literature must be addressed. to begin to meet this deficiency, let us return to the seattle supersonics' transformation into the oklahoma city thunder. t h e " o k l a h o m a c i t y p l u n d e r " : t u r n e r ' s s o c i a l d r a m a a n d t e a m r e l o c a t i o n for much of their history, the city of seattle and the supersonics have enjoyed an excellent rapport. many i n town genuinely felt that the supersonics helped put the city on the map, convincing other americans that the pacific northwest was more than just a backwoods of evergreen trees and geoducts. together they endured hard times (a heavy recession and population decrease i n the 1970s) and enjoyed good times (the 1990s' tech/coffee/grunge boom). they were the city's first professional sports franchise. the supersonics won the emerald city its first and only modern championship. it seemed as i f they would be together forever. that strong bond started to weaken when long time owner barry ackerly sold the team to the basketball club of seattle i n 2002. the basketball club of seattle was noteworthy because it was an ownership group that was comprised of 58 different investors, represented by mr. starbucks himself, howard schultz. this unprecedented arrangement proved to be an experiment i n ownership organization. they faced a number of difficulties i n management decisions due to their size and—since some of the team's investors did not even live i n seattle—it proved nearly impossible to get everyone i n the room to vote on critical issues. to facilitate t h e " o k l a h o m a city p l u n d e r " fans protest ata supersonics came shortly before the scheduled move to oklahoma city. this model, schultz, the ownership's public face, and a select group of the most active owners sent a monthly e-newsletter out to the other investors detailing the team's affairs. l i v even early on it appeared that this ownership model would prove too delocalized to be effective. one prominent instance of the ownership's impotence occurred when they tried to obtain $220 mil l ion i n public financing to renovate key arena. these renovations were necessary to make the fan friendly but small arena profitable once again. despite schultz's status as the city's beloved coffee-man, supersonics' ownership failed to convince city officials or tax payers to help finance the renovations. as described previously, the city had recently completed two stadium projects and was unwill ing to invest any more money into such projects. both the city and the public had a difficult time believing that 58 millionaires could not raise $220 mil l ion themselves.1i n addition, the terms of the lease of key arena to the supersonics were very favorable to the city. the lease entitled the city to a generous percentage of the arena's vending and luxury box profits, income which usually goes to team owners.1'1 so the key arena renovation deal failed, kill ing the basketball club of seattle's biggest push to revitalize the franchise. soon afterwards some of the small-stake owners started to complain about their financial losses and their emotional distance from the team, and the ownership structure began to disintegrate.1 v u after reportedly having lost a combined $60 mil l ion after five years, the basketball club of seattle's stakeholders put the team up for sale i n 2 0 0 6 . l v m this sale of the team to the oklahoma city ownership group caused the breach, the first step i n every social drama. the sale of the team to an outside group violated what the fans understood as the norm: what turner calls "a deliberate non-fulfillment of some crucial norm regulating the intercourse of the parties." : < the foreign ownership group's presence i n seattle seemed confrontational, and fans and local media quickly filled i n the blanks as to professional basketball club, llc's intentions. 1' another element of turner's concept of breach is that there is always a partially altruistic motive.1 1 this case is no exception, for bennett and his team of investors saw themselves as bringing a team to the deserving basketball fans of oklahoma city. the crisis—wherein the professional basketball club, llc made ambitious demands of seattle while not so secretly arranging to move the team out of the city—can now be put into ful l context. the oklahoman's demanded of the city twice what the basketball club of seattle was unable to obtain not to renovated beloved key area. paired with owner aubrey mcclendon's revelation/confirmation i n an oklahoma newspaper that bennett never had any intention of keeping the team i n seattle, the city felt cheated. to add insult to injury, it was revealed that two members of basketball club, llc were some of the largest contributors i n the country to a conservative organization that supported campaigns to ban same-sex marriage. the unease this revelation caused i n seattle turned to outrage when it was discovered that the leaking of that information to local media was a calculated move to alienate the sonics' liberal fan base.1 1 this incident catalyzed the legal fight between the parties over the lease terms described above ! x i ! and the grassroots organization save our sonics began arranging protests i n the state capital, olympia, at city hall i n seattle e l e m e n t s fall 09 and wherever the ownership was present. the ownership's deliberate steps to alienate seattle and its fans brought about an effort by the city to make the ownership's transition out of the city as difficult as possible, precluding the possibility of compromise. redressive action began as the loyal fans of the supersonics used whatever available means to save the team. to much fanfare, the city's elite stepped forward to keep the supersonics i n town. former owner howard schultz attempted to sue the oklahoma city ownership group for violating the good faith clause of the sale. microsoft ceo jeffery ballmer and the city of seattle arranged a $300 mil l ion package to renovate the old key arena i n march of 2 0 o 8 . k v bennett and the oklahoma city group glibly dismissed ballmer's offer as a p.r. stunt, stating that nothing beyond their lawsuit with the city could halt their transition. turner notes that the redress wi l l be handled by both the public and its leaders and can take symbolic forms. l x v i here the public's presence, although at times small (they often protested during business hours on workdays), was representative of the people's disgust over what was happening "the ownership's deliberate steps to alienate seattle and its fans brought about an effort by the city to make the ownership's transition out of the city as difficult as possible, precluding the possibility of compromise." to their beloved team. the action taken by jeffrey balmer and howard schultz represented two of seattle's benevolent benefactors heeding the public's call for action. their actions were largely symbolic, but, at a basic level, it's clear that people were encouraged by the actions of the city's most powerful and influential. i : their deeds gave hope to the fans and fueled the effort to save the supersonics unti l the end. the final step i n our team relocation scenario occurs when reintegration becomes impossible, resulting in schism with the community. a settlement that allowed the supersonics to move to oklahoma city was reached on july 2, 2008. this was the end for supersonics' fans. a l l redressive action had failed, and all that there was left to do was evaluate their new situation and mourn. turner sees this assessment of the new state of affairs as essential not only to reintegration, but also to schism.1 x v i i i seattle residents since july 2008 have started to examine what can be done to try to lure another basketball team to the city and have discussed plans to renovate key arena to nba standards. l x i x the portion of ownership's settlement with the city allowing seattle to hold on to the supersonics name, colors, logos, and history has also provided some comfort to hurt fans. the team formerly known as the seattle supersonics was rechristened i n oklahoma city as the thunder, sporting new jerseys with different colors (a curious combination of black, light blue, and orange). this rebranding represented a complete schism from everything that the team once had with seattle, from its history, its past and its fans. the severance of the team from its city cut all of the social, economic, and political ties both parties had once enjoyed, rendering each suddenly foreign to the other. c o n c l u s i o n the economic and emotional trauma to a community i n the aftermath of team relocation is poorly understood. i argued that victor turner's conception of a social drama—in which two large, influential parties duke it out while the t h e " o k l a h o m a city p l u n d e r " public at large is left only to spectate—offers an excellent lens through which to view team relocations. the public represents the second persona, a group formally addressed by the two parties, but with limited influence i n their negotiations and limited impact on the outcome of the social drama. v in this context the public depend on the two parties to recognize and protect their interests. it chooses to see owners as benevolent stewards of those interests rather than as businessmen (how most owners ultimately see themselves), and when these expectations are not met, the public often feels outraged and impotent. history has seen situations i n which, like that i n seattle with the supersonics, owners show no concern for the public and act instead i n their own interests. brooklyn infamously fell victim to team relocation when its beloved dodgers moved to los angeles i n 1957. this move resulted from a stadium construction dispute between team owner walter o'malley and new york city construction coordinator robert moses.1 the drama was repeated i n 1983 as baltimoreans helplessly witnessed a mayflower moving truck abscond i n the night with their beloved colts. s x x" the drama played out once again i n its most intense iteration after the departure of the browns from cleveland, culminating with the riotous dismantling of old municipal stadium by browns fans after the last game of the 1995 nfl season. l x x m fans i n these situations are powerless and often depend heavily upon their unelected representative, the local sports columnist, to articulate their objections i n a way that wil l be heard by the parties involved i n the dispute. unfortunately, it's the fans that are hurt the most when a team relocates. organizations ask them to pass along the stories of franchise legends down to each subsequent generation, f i l l i n the stadiums seats at every home game, and invest i n merchandise like the jerseys made to make them feel close to the team. i n reality, however, fans appear to be painfully distant from organizations interested i n turning profits first and foremost. as long as this is true, turner's social drama i n the form of team relocation wi l l occur again, resulting yet again i n the victimization of the most innocent party, the loyal fans. e n d n o t e s i . tramel 2008 i i . chapin 2008 i i i . pollack 2006 iv. condit 1994 v. bishop 2001 vi . boje 2003 vi i . bishop 2001 v i i i . ibid. ix. chapin 2002 x. andriesen 2008 xi . ibid. x i i . sports reference llc 2008 x i i i . moody 2003 xiv. espn 2003 xv. pollack 2007 xvi. schoenfeld 2008 xvii. theil 2006 xviii . robins 2007 xix. schoenfeld 2008 xx. thiel 2006 xxi. brunner and thomas 2007 xxii. brunner, may 2008 xxii i . associated press 2007 xxiv. johns, greg 2007 xxv. brunner, apr i l 2008 xxvi. allen 2008 xxvii. neel, eric 2008 xxviii. williams, eric 2008 xxix. chan and brunner 2008 xxx. beane 2008 xxxi. associated press 2008 xxxii. turner 1974 xxxiii. ibid. xxxiv. ibid. xxxv. ibid. xxxvi. ibid. xxxvii. ibid. xxxviii. ibid. xxxix. ibid, xl . ibid, x l i . ibid, x l i i . ibid, x l i i i . ibid. xliv. bishop 2001 xlv. ibid, xlvi. ibid. xlvii. chapin 2008 xlvi i i . bishop 2001 xlix. ibid. 1. hanczor 1997 l i . bishop 2001 hi. ibid. elem ents : : fall 09 l i i i . ibid. liv. weinbach 2006 lv. ibid lv i . schoenfeld 2008 lv i i . ibid. lv i i i . bucholtz and woods 2008 lix. turner 1974 lx. theil 2006 lxi . turner 1974 lx i i . mcgann 2007 lx i i i . brunner 2007 lxiv. save our sonics 2008 lxv. the city of seattle 2008 lxvi. turner 1974 lxvii. robinson 2008 lxvii i . turner 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"hey howard, we're not morons." seattle postintellegencer. 19 july 2006. . turner, victor. dramas, fields, and metaphors: symbolic action in human society. ithaca, ny: cornell university press, 1974. 33weinbach, jon. "bad sports." the wall street journal. 5 may 2006: w i . williams, eric. "rally at the courthouse." seattle news-tribune weblog post. post-sonics watch. 16 june 2008. . e l e m e n t s fall 09 http://proxy.bc.edu/login?url=http://search.eb-scohost.com/login.aspx?direct=true&db=ufh&an=9707i54335&site=ehost-live http://proxy.bc.edu/login?url=http://search.eb-scohost.com/login.aspx?direct=true&db=ufh&an=9707i54335&site=ehost-live http://proxy.bc.edu/login?url=http://search.eb-scohost.com/login.aspx?direct=true&db=ufh&an=9707i54335&site=ehost-live http://www.indystar.com http://www2.indystar.c0m/library/factfiles/sports/football-pro/indpls_colts/history/colts.html http://www2.indystar.c0m/library/factfiles/sports/football-pro/indpls_colts/history/colts.html http://seattlepi.nwsource.com/basketball/327379_sonx13.html http://seattlepi.nwsource.com/basketball/327379_sonx13.html http://seattlepi.nwsource.com/basketball/305265_owners27.html http://seattlepi.nwsource.com/basketball/305265_owners27.html http://query.nytimes.com/gst/fullpage.html?res=9eoieodei63ef936ai5756coa9659c8b63 http://query.nytimes.com/gst/fullpage.html?res=9eoieodei63ef936ai5756coa9659c8b63 http://query.nytimes.com/gst/fullpage.html?res=9eoieodei63ef936ai5756coa9659c8b63 http://espn.com http://sports.espn.go.com/espn/page2/story?page=neel/o8o6i8&sportcat=nba http://sports.espn.go.com/espn/page2/story?page=neel/o8o6i8&sportcat=nba http://seattle.gov http://www.seattle.gov/news/detail.asp?id=8243&dept=40 http://www.seattle.gov/news/detail.asp?id=8243&dept=40 http://proxy.bc.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&an=23492492&site=ehost-live http://proxy.bc.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&an=23492492&site=ehost-live http://proxy.bc.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ufh&an=23492492&site=ehost-live http://arenadigest.com http://arenadigest.com http://www.arenadigest.com/visits/index.html?article_id=90 http://www.arenadigest.com/visits/index.html?article_id=90 http://seattletimes.nwsource.com/html/opinion/2004356861_sonicsi8.html http://seattletimes.nwsource.com/html/opinion/2004356861_sonicsi8.html http://www.nytimes.com/2008/10/26/magazine/26nba-t.html?partner=rssnyt&emc=rss http://www.nytimes.com/2008/10/26/magazine/26nba-t.html?partner=rssnyt&emc=rss http://basketballreference.com http://www.basketball-reference.com/playoffs/nba_i979%20.html http://www.basketball-reference.com/playoffs/nba_i979%20.html http://newsok.com/when-sonics-move-dont-let-guilt-move-too/article/3264738/?mp=o http://newsok.com/when-sonics-move-dont-let-guilt-move-too/article/3264738/?mp=o http://seattlepi.nwsource.com/thiel/278o66_thieli9.html http://seattlepi.nwsource.com/thiel/278o66_thieli9.html http://blogs.thenewstribune%20.com/sonics/2008/06/16/%20rally_at_the_court-house http://blogs.thenewstribune%20.com/sonics/2008/06/16/%20rally_at_the_court-house http://blogs.thenewstribune%20.com/sonics/2008/06/16/%20rally_at_the_court-house .. all must approach mallarme somewhat differently than they would certain other poets. not with the hope of comprehending, processing, and assimilating his poems, hut rather with the hope of sensing the shape of their presence." w h i t e space: reflections on the poetry of stephane mallarme kaeli n g rant h o w c a n o n e a p p r o a c h t h e o e u v r e o f s t e p h a n e m a l l a r m e , t h e f r e n c h s y m b o l i s t p o e t n o t o r i o u s f o r h i s i n d e c i p h e r a b l e w r i t i n g s ? m a l l a r m e w a s i d o l i z e d b y h i s g e n e r a t i o n o f a r t i s t s , t h o u g h e v e n h i s c o n t e m p o r a r i e s o f t e n f o u n d t h e m s e l v e s u n a b l e t o d i s e n t a n g l e h i s i n t r a c t a b l y c o y b u t b r i l l i a n t p o e m s . a s o n e c r i t i c n o t e d , t h e p o e t ' s w o r k s e e m s " s u s p e n d e d i n p e r m a n e n t u n c e r t a i n t y , " a n d t h e s h e e r d e n s i t y o f w o r d p l a y i s e n o u g h t o d i s h e a r t e n a n y r e a d e r . b u t w i t h t h e h e l p o f s e v e r a l m o d e r n c r i t i c s a n d t h e g u i d a n c e o f m a l l a r m e ' s o w n c h a r a c t e r , t h e l u s t f u l f a u n e w h o f i g u r e s i n o n e o f m a l l a r m e ' s m o s t r e c o g n i z a b l e p i e c e s , t h e r e a d e r m a y d i s c o v e r a n a v e n u e i n t o t h e m i n d o f o n e o f t h e m o s t m y s t e r i o u s a n d e x q u i s i t e l y r a d i a n t p o e t s w h o e v e r d a r e d t o c o m m u n i c a t e h i s v i s i o n o f b e a u t y . "no matter how many of his secrets we may uncover, there is always more to learn from mallarme." the poetry of stephane mallarme is renowned for its cognitive brilliance and utter originality, but also notorious for its near total impenetrability. as hans-jost frey notes, perhaps somewhat ironically, "allusions, vagueness, ambiguity, and uncertainty keep mallarme's text suspended in permanent uncertainty." 1 i n the face of this overwhelming enigma, how is it possible to attain an appreciation, much less an understanding, of his poetic genius? should this even be attempted? furthermore, i f mallarme's poetry is so essentially untranslatable, is it merely an exercise in folly for one not fluent i n french to attempt a reading of his poems? al l of these obstacles stand in the reader's way, and they are indeed daunting. without a keen understanding of french, it is impossible to appreciate fully the poet's l inguistic virtuosity; without a genius greater than that of mallarme himself, it is impossible to perceive all of the abstraction, imagination, and cognition present in even a single poem. yet, even faced with such deterrents, the reader must persevere. for the occultedness of his poetry is not simply a dissuasion: it is also an invitation. no matter how many of his secrets we may uncover, there is always more to learn from mallarme. each reader begins surrounded by the same cryptic darkness, and although some may progress more quickly than others, all must approach mallarme somewhat differently than they would certain other poets. not with the hope of comprehending, processing, and assimilating his poems, but rather with the hope of sensing the shape of their presence. even the most limited appreciation, an everso-slight peripheral contact with a poem's moods and thoughts, is an experience of the sublimity of great art. underneath its hermetic abstraction, the poem also expresses the simple joy of creation, the love of wordplay, ideas, and storytelling; and the pleasure taken in beauty. i f the reader too can delight in the poem's fundamental beauty as a work of art, then he or she wi l l have the first and most important tool with which to begin the exploration. t h e story of t h e f a u n e a n excellent place to start is with one of mallarme's most familiar poems (if anything about mallarme can be characterized as familiar). written over the course of ten years, "l'apres-midi d'un faune" became one of the most influential works in the poet's oeuvre. numerous illustrations, a woodcarving, a sculpture, and even a ballet were all inspired by the story of the faune. and of course, debussy's enchanting prelude, which put to music the adventures of mallarme's mythical creature, must not be forgotten. but more important for our purposes than its fame, one can point, i f very covertly, to the presence of what appears to be a recognizable narrative. whether the narrative is indeed what it seems, or whether it evaporates, like the nymphs, when one gets too close, is a peril that the reader wi l l avoid confronting for the moment. and who could expect othere l e m e n t s s p r i n g 05 wise, particularly when faced with other works by mallarme in which merely locating a subject seems a futile struggle in itself? however, the reader must be careful not to cling to this guide with the presumption that the faune wi l l lead to any answers, but merely to hope that the figure wi l l act as an aperture through which to glimpse one aspect of the text. frey explains the rationale for the attractiveness of this particular poem as follows: "this is not to say that "l'apresmidi d'un faune" can be reduced to a message, only that the discourse of this poem is more closely tied to an object and can therefore be more easily read for content." 1 1 now, this "reading for content" may be a detour, or worse a hindrance to further reading, i f one expects the content to provide some concrete understanding, or assumes that the narrative of the poem is indeed its primary "content." nevertheless, it allows the reader to feel a certain comfort, which encourages h i m to continue investigating the poem. so then let us turn to the poem itself. to begin: the faune wakes up on a hot afternoon, his mind filled with the thought of rosy nymphs. but he wonders i f the nymphs were real, or merely a dream. he describes his doubt as the branches of a tree, diverging outward into innumerable uncertainties. real trees surround h im, which makes h i m doubt the nymphs' existence. in other words, his memory of the nymphs occurs in a forest setting. 1" he sees that the forest setting does exist, and remains the same, but the nymphs have disappeared; thus he suspects that they were merely a dream against the real backdrop of the forest. he recalls two nymphs, one "more chaste" with "blue eyes...like a weeping spring" another in contrast, "all sighs...like a day-breeze warm upon [his] fleece." but again, the vivid memory is contradicted by his surroundings: there is "no water," no weeping spring, nor is there any real wind. instead, the notes of his music mimic the sound of water, and the breath "exhale[d] from the twin-pipes" mimics the feeling of wind. but this breath is "the visible and serene artificial breath of inspiration." artificiality and its association with art is an extremely important theme to which we wi l l soon return, but for now we listen to the faune as he recounts his encounter with the nymphs. on the banks of a river, he is cutting reeds for his flute, when he notices an "animal whiteness" undulating in the distance. looking more closely, he sees that they are not swans, as he first suspected, but naiades (or water nymphs). frightened by the sound of his flute, the nymphs flee or dive into the water: the faune cannot tell which. it must be noted that these sections, in which the faune relates his memory of the nymphs, are set off in italics to designate their status as a past occurrence, although this distinction does not remain entirely unambiguous. breaking off his story, he reminds us again that his natural surroundings are "inert" and have taken no notice of the nymphs. following this description, the imagery becomes abstracted to such an extent that it becomes difficult to explain in such a way as this summation aims. a rather inadequate paraphrase is that the faune renounces music and attempts to recapture the nymphs through speech; he is "going to talk at length." empty grape skins are then described, and the faune, "puffing into these luminous skins...[gazes] through them t i l l evening." in an attempt to adhere to summary, the simplest interpretation of this passage is as a metaphor for the nymphs, whose presence is like the "bright juice of the grapes," which the faune has "sucked" out. taking these "empty hulls," he wi l l "raise [them] to the summer sky," and with his words, inflate the "luminous skins." despite the absence of the nymphs, he embellishes his memories with language, makes them beautiful, and continues his story. searching for the vanished nymphs, he finds them among the reeds and rushes up to them. they lay "at my feet, entwined," at which point the faune "[seizes] them, not untangling them, and [runs] to this clump...of roses." i n the clearing, he attempts to ravish both nymphs. but to do this, he must separate them, and in doing so precipitates his ruin. "my crime is, gay at vanquishing their traitress/-fears, to have parted the disheveled tangle/of kisses that the gods kept so well mingled." separation leads to a necessity for decision, and the faune cannot decide. while kissing one nymph, he holds the other "with only a finger," in an attempt to have both nymphs separately. but this is an imposw h i t e s p a c e : r e f l e c t i o n s o n t h e p o e t r y o f s t e p h a n e m a l l a r m e sibility; because the faune has separated them but cannot choose one, both escape. the faune is left alone, in a frenzy of rage, and he ventures to "embrace the queen!" of love herself, venus. but even as this thought forms, the faune allows it to fade away. he is "empty of words now and the body numbed." i n the last stanza, the faune lays on the sand and returns to sleep. reflecting on this sequence of events, it becomes clear how fragile the narrative is. nothing is resolved, and there is little that actually "happens." the faune is left without the nymphs and never discerns their reality; he fails even to be changed by the experience. at the end of the poem, he goes back to sleep, just as i f he had never awoken. t h e poetry of u n d e c i d a b i l i t y this sense of utter irresolution is what hans-jost frey terms the "undecidability" of texts i n his enlightening essay on mallarme and "l'apres-midi d'un faune". he speaks first about the referential illusion of language, which, though difficult to explain, seems an essential conceit in an attempt to further comprehend mallarme. according to frey, "the referential illusion is the assumption that whatever is expressed has some extralinguistic correspondence." 1 v that is to say, words alone cannot verify the existence of that to which they refer. the word chair is not itself a chair. discourse about a chair cannot, in and of itself, confirm the existence or any physical attributes of the actual chair. more words cannot confirm that the word chair actually corresponds to a particular chair. certainly, the words can be confirmed by other senses such as sight, smell, or touch, but the words themselves are never more than letters that have become an accepted convention. another, more frightening, example of the activity of the referential illusion is the linguistic possibility for lying; a speaker can fabricate or contradict reality, which exposes the extent to which language need not correspond to reality. the illusion becomes more significant when we move out of the realm of simple objects in physical reality, and towards a discourse of actions and ideas. denial of the referential illusion "[degrades language] to an available means" of communication, treating language as a dead object, which serves merely as an inert tool for any speaker who may choose to wield it . this denial ignores the power of language to be more than simply an instrument of physical reality, and it attempts to separate the expression of the thing which is being expressed from the language that expresses it. i n short, the referential illusion attempts to deny that "expression cannot be separated from its being expressed."v on the other hand, the very terror of the referential illusion is that it may i n fact be possible that language does have extralinguistic correspondence. at times, language can indeed communicate information, refer directly to physical reality, and precipitate change in the physical world. " i t is therefore impossible to come to grips with the referential illusion by asserting a lack of referentiality. the realization that texts are undecidable is the only solution." v i why is the text undecidable? to answer this question, we must return to the fundamental alternatives that compose the referential illusion: either language is a tool of and dependent upon the reality that makes use of it, or language has no correspondence to anything outside itself, and is merely discourse. but the very nature of language is that it is simultaneously both; one cannot choose between the two alternatives, and thus language is undecidable. its extralinguistic referentiality is uncertain. as hans-jost frey demonstrates, literature is the discourse of undecidability. unlike informative communication, which "always attempts to suppress language i n favor of what it can convey," literature "is created when we realize that information is dependent upon language. " v i i the task of literature is to expose the referential illusion, to "question the fact that what is expressed is always taken seriously." v m mallarme's poetry is the poetry of this kind of literature, the poetry of undecidability. as a text that refuses to decide itself, it is a text obsessed with the "simultaneity of meaning. not only do mallarme's poems refuse to decide among alternatives, they frequently refuse even to delineate specific alternae l e m e n t s s p r i n g 05 tives. his texts are purposefully vague, and "a list of possibilities would destroy the many possibilities of vagueness.'^ a list would be a sequence of alternatives, and an "essential part of the ambiguous text is lost in the transformation of the simultaneous to the sequential."x 1 a n example of this refusal occurs immediately i n "l'apresmidi d'un faune": "reflechissons... ou si lesfemmes dont tu gloses figurent un souhait de tes sensfabuleux ! "let's think it over... or if those girls you explain be but an itching in your fabulous brain!" x the clause "ou si les femmes..." begins with "ou," which indicates a choice between two alternatives. there is one alternative after the "ou," but before the conjunction where the first alternative should be situated, there is blank space, a white space. white is used unexpectedly in mallarme's poetry; often, it represents an emptiness, an abyss, which is traditionally signified by black. but for a writer, white is perfectly appropriate as the color of uncertainty. referential illusion destroys the certainty of language, which clearly unsettles the poet, and the illusion also suggests a metaphysical uncertainty about the nature of reality and human communication. language nevertheless attempts to overcome this uncertainty and persists in efforts at communication. language, for the poet, is writing: black text on a white page. a white page evokes uncertainty: the impossibility and the failure of communication. edouard manet's famous portrait of mallarme is particularly admirable in associating the color white with mallarme. upon examining the painting, one notices that the page to which mallarme holds his pen remains blank, white and unmarked. furthermore, his eyes do not seem to be looking at the page, nor even both in the same direction. one eye appears directed toward the smoke issuing from the poet's cigar, which is a delightful way of implying that the intangibility of the escaping smoke has as much to do with the peculiar quality of mallarme poetry as does the page upon which he has not yet written. the other eye seems to be looking into the distance, into nothingness, and indeed, the poet is able to see something that we cannot. this white page is not only a symbol of uncertainty, it is also active — it fights against the words written upon it . for even when the poet does manage to take up his pen and write, to speak against the void, the white may encroach upon the poem as it does in the above stanza. the writer is never permitted to forget that his work remains unconfirmed, and that while language cannot merge with extralinguistic reality, it also cannot escape extralinguistic correspondence. this uncertainty of language is embodied in the faune, who cannot choose between art and reality. e m b o d y i n g d o u b t as frey explains, the faune turns the nymphs into language so that they acquire meaning, because for the faune beauty and significance are found in art, and poetry is the art of language. he "does not love them as they are, but as the image he has created." yet this transformation, the acquisition of meaning, is the very cause of his loneliness. "the person for whom the other is what he means, does not relate to the other in his otherness. he transforms the other into a language of his own, with which he then remains alone." x n because he transforms the nymphs into his language, his love ceases to have extralinguistic correspondence regardless of whether the nymphs are real, and his creation of images replaces the actual nymphs. as frey suggests, "the faune is trapped in language, because on the one hand he tries to go beyond language in order to achieve what he does not have in it , and on the other hand he must stay in language i n order not to lose what he cannot find outside i t , " which is significance. language imparts significance, but i n doing so, effaces reality. so what, then, does the faune really want? does he want the real nymphs, who are meaningless without language, or w h i t e s p a c e : r e f l e c t i o n s o n t h e p o e t r y o f s t e p h a n e m a l l a r m e f i g u r e a f u l f i l l m e n t the faune wishes for the physical reality of the nymphs, in which their image wi l l disappear. w i s h the faune wishes for the wish itself, for the perpetuation of desire, because reality does not correspond to the image of what is desired. therefore, fulfillment is a loss. f o r w h a t d o e s t h e f a u n e w i s h ? b l a n k the white space of an unnamed alternative. o u w i s h the image of the nymphs represents a wish for something. 'si lesfemmes dont tu gloses/ figurent un souhait...!" w h a t d o t h ey r e p r e s e n t ? r e p r e s e n t a t i o n the nymphes are representation, referring to something else. w e r e t h e n y m p h s r e a l , o r a d r e a m r e p r e s e n t i n g s o m e t h i n g e l s e ? r e a l i t y the nymphs are real, they exist extralinguistically outside of the faune's image. e l e m e n t s : : s p r i n g 05 does he desire his own image of the nymphs, which precludes their physical presence? the faune's own language enacts the conflict: "ces nymphesje les veux perpetuer. " i would perpetuate these nymphs. " first, perpetuer is the last word of the construction. without it, the sentence would read, "ces nymphes, je les veux," which is an unequivocal desire. but with the late addition of the word, the faune now wishes to perpetuate them, no longer a simple want. what is it that the faune wants to perpetuate? i f the faune wants the nymphs to stay with h im longer, then perpetuate is a strange word to use in association with presence. perhaps what he wants to perpetuate is something else entirely, such as his image of them or his desire for them. second, within the word perpetuer is contained the verb tuer, "to k i l l . " there is a sense in which the perpetuation is a death, which would certainly reinforce the reading that construes art and reality as mutually exclusive. to illustrate the doubt surrounding the faune, frey has constructed the tree of doubt (see attached figure a). the tree illustrates the several levels of doubt regarding the nymphs, of whom not only the existential reality is questioned, but also their significance to the faune. what is it that he truly wants? he himself does not know, and i n fact it seems unlikely that the faune is aware of the depth of the conflict. one of the most fabulous aspects of the character of the faune is that not only does he have doubt, he is doubt. he enacts the very undecidability of the poem. he is wonderful i n his denial of the irreconcilability of reality and art: "he refuses to recognize the disappearance of presence in connection with the turning into language." x m stubbornly, he persists in the attempt to have both art and sensuality. the poem reminds h i m of this conflict, but with tragic hilarity, it undermines h i m through his own speech: when describing the hot afternoon, the "tawny hour" in which "all things burn," he describes the natural scenery as "inerte." frey points out that, "etymologically, inerte means the absence of art, and is here used as a direct negation of art to illustrate the irreconcilability of the faune's art and surrounding nature." x 1 v the inert quality of nature is prefigured when the faune describes how "the illusion escapes from the blue eyes/and cold of the more chaste, like a weeping spring." x v nature is embodied in the coldness of this nymph, who rejects illusion with her tears, analogous to a natural spring, like the stream into which the real nymphs disappear. later, when he has separated the two nymphs and is attempting to ravish the "sister who burned," who represents the allure of art, he also tries to maintain his grip on "the little one" ("the more chaste"), who again represents the tangible world of nature. but because he has separated their necessarily intermingled state, and then tried to possess each one individually, both escape. at a certain moment in the poem, he does appear to succeed in transforming his language into reality. in the italicized stanza that begins, "mon ceil, trouant lesjoncs..." the faune seizes the nymphs and brings them to a clearing. as he is recalling the sight of the nymphs, he forgets that he is recounting the past and begins to relive the memory. although the italics stop twelve lines later, the faune continues to experience the passion aroused by the nymphs: " i adore you, anger of virgins, o fierce delight/of the sacred naked burden that slips to flee/the fiery drinking of my lips, like the crack/of l ightning!" x v l he has succeeded in merging the sensuality of the past with the artistic language of the present, but when the italics begin again, all is lost. the first phrase of the next italicized stanza begins with "mon crime, c'est...", and this first verb is in the present tense, again confusing present with the past. but this confusion must soon end, for the nymphs escape, and the faune is left alone. alone, what is the faune? importantly, he is a creature of legend: half-animal, half-myth, "a mixed being suspended between nonlinguistic nature and human spirituality." x v i i the tremendous power of the figure of the faune as narrator, his own doubt and unawareness, and his very nature suddenly become clear. the faune is like the reader, in the way that he is outside the meaning of the text in the sense w h i t e s p a c e : r e f l e c t i o n s o n t h e p o e t r y o f s t e p h a n e m a l l a r m e of not encompassing it. but he is astonishing in that he is also part of the meaning by acting as an expression of the metaphor of his own doubt, which he does not understand. ironically, the faune embodies the very abstraction which plagues h im, suggesting the inescapability of the linuistic dilemma. how does the faune react to his position, trapped i n language, his desires uncertain and inaccessible? he tells us in the last stanza: "on the thirsty sand, forgetful of/the outrage, i must sleep, and as i love/open my mouth to the powerful star of w i n e ! " x v m the faune sleeps, returning the world of dreams, drinking the wine of illusion and inspiration, but lying atop the earth itself. nothing is resolved, and yet we are left with a sense of unity in the very undecidability and ambiguity of the faune's lack of decision. in a certain sense, the poem ends where it began, and the middle text is simply a digression from the faune's dreaming. d e r r i d a a n d t h e q u e s t i o n of l i t e r a t u r e this irresolution is characteristic of mallarme, frequently to the frustration of one attempting a reading. hans-jost frey has provided a superlative reading, but there are certainly others. one i n particular, the double seance of jacque derrida surpasses any other reading in its sheer evocation of the mallarmean simultaneity of lucid perspicacity and total impenetrability. the double seance is not related to "l'apres-midi d'un faune" in particular, but is rather a reflection upon mallarme (among other topics) through the medium of a particular text. this text addresses some of the same subjects as frey, but its remarkable eloquence and form distinguish it from simple commentary. because of the text's resemblance to mallarme's own work, and because of derrida's own inimitable cognitive gymnastics, it does not support a gloss; the explanation becomes a redaction, and the essentials of the text are lost. nonethe less, the double seance is fascinating enough that even a superficial discussion is worthwhile. derrida considers two primary texts: a dialogue between socrates and protarchus on the subject of the soul, and a text by mallarme entitled "mimique." the first page proposes the question "what is literature?" and although the question is nearly dismissed before it has even been asked, and any subsequent attempt to answer is immediately undermined, it is useful to keep the question i n mind for the present discussion. derrida's central metaphor in the text is the hymen, and his central image is the mime. what is the activity of the mime? simply speaking, he mimics (imitates) reality. but the mime in mallarme's text (for example) the "ever original" pierrot mudererofhis wife, does not enact a reality that has happened, is happening, or that he expects to happen. he is referring to an event that does not and wi l l not exist. however, that is not to say that the mime exists without correspondence to reality. his gestures are consciously imitative, not meant to be actions themselves, but rather to imitate action. he is not the "empty signifier" pointing to reality, nor is he the "full signified" of reality itself. he is between these things, he is entre, in the cave, the antre, i n which the grecian faune pan chose to reside. the mime is situated between the emptiness of pure language and the inertness of simple reality. he represents the entre of mallarme, the entre de mallarme, the entre-deux, between-two. he is the hymen. the activity of the mime is the activity of literature, a point we must dwell on for a moment. like the mime, fiction mimics reality. a narrative tells the story of a reality, but the story of a reality that does not and never wi l l exist; i t gestures toward an empty reality. raskolnikov never murdered the old pawnbroker and he never wi l l , because outside of crime and punishment the character of raskolnikov does not exist. and yet the book does not claim to be reality itself; empty and nonexistent though the reality toward which it gestures may be, literature is never independent of this reality. it still makes this gesture, pointing away from itself toward something of which i t is merely a representation. x 1 x literature points toward reality without ever becoming reality. in this way, like the mime, it "is confined to a perpetual allusion without breaking the mirror." this perpetual e l e m e n t s s p r i n g 05 allusion is intimately related, i f not precisely analogous, to the metaphor of the hymen. literature, the mime, and mallarme's poetry all enact this hymen. when the hymen is intact, a woman is a virgin, and thus there is desire. when the hymen is broken, there is fulfillment, and desire is eradicated. outside the body, there is no hymen, but inside the body, when penetration has occurred, neither is there a hymen. restraint is the state of desire, penetration is the state of pleasure. in neither event is the hymen active, or "taking place." as derrida puts it so charmingly, "the hymen only takes place when it doesn't take place, when nothing really happens.' , x x that is, the hymen itself acts i n the non-existent space between restraint and penetration, between outside and inside, or as the analogy can be employed, between language and reality. this nonexistent space is actually the union of the two opposites, the two antitheticals of pure art and inert reality. the mime reflects both, but is neither; so too does the "pure medium" of fiction. mallarme's poetry is similar, in that it reflects some non-existent but corresponding reality, which one could term the void, the abyss, or any number of signifiers. immaculate white evinces the flawless clarity of undecidibility that so characterizes the poetry of mallarme. and indeed, there is a masterful beauty in this double reflection, in sitting back and simply watching the mime perform, taking pleasure in his art and in the joy of the creative act of fiction. e n d n o t e s i frey (48) i i frey (31) i i i it should be noted that although the terminology o f memory w i l l be used to describe the faune's encounter w i t h the ny-mphs, this designation is misleading, and used only for the purpose o f consistently distinguishing the fact of his memory from the question of whether the memory is a dream. that is to say, it is not i n doubt that the faune has a memory of (or rather, a feeling about) the nymphs; it is i n doubt whether he is remembering a dream or remembering a real encounter. however, the terminology of memory is i n itself too specific; a word such as vision or image or emotion is more properly vague, because the precise nature of the faune's relationship w i t h the nymphs is itself i n doubt as much as their reality. a designation such as memory removes the doubt that is so central to the poem, but it is accompanied by such past-tense terminology (for example, the faune recalls the nymphs) as aides i n describing the action o f the poem w i t h a certain amount o f necessary clarity. iv frey (8) v frey (7) vi frey (9) v i i frey (13) v i i i frey (13) ix frey (13) x selected poems (47) xi frey (34) x i i frey (37) x i i i frey (38) xiv selected poems (47) xv selected poems (51) xvi frey (46) xvii selected poems (55) xviii v. derrida. xix derrida (213) xx derrida (213) references anderson, jill, ed. 2002. australian divagations. new york: peter lang publishing, inc. cohn, robert greer. 1965. towards the poems of mallarme. berkeley: university of california press. derrida, jacques. 1981. dissemination: le double seance, trans. barbara johnson. chicago : university of chicago press. frey, hans-jost. 1996. studies i n poetic discourse: mallarme. trans. wi l l iam whobrey. stanford, california : stanford university press. houston, john porter and houston, mona tobin, eds. 1980. french symbolist poetry. bloomington, indiana: indiana university press. huysmans, joris-karl. 1998. against nature (a rebours). trans. margaret mauldon. oxford: oxford university press. kearns, james. 1989. symbolist landscapes: the place of painting in the poetry and criticism of mallarme and his circle. london: w.s. maney & sons limited. kugel, james l. 1971. the techniques of strangeness in symbolist poetry. new haven: yale university press. mallarme, stephane. 1988. selected letters of stephane mallarme. trans. rosemary lloyd. chicago: university of chicago press. mallarme, stephane. 1982. selected poetry and prose, ed. mary a n n caws. new york: new directions publishing corporation. w h i t e s p a c e : r e f l e c t i o n s o n t h e p o e t r y o f s t e p h a n e m a l l a r m e mallarme, stephane. 1957. selected poems, trans. c.f. maclntyre. los angeles: university of california press. ovid. 1954. the metamorphoses of ovid, trans. a.e. watts. los angeles: university of california press. peschel, enid rhodes, trans. 1981. four french symbolist poets: baudelaire, rimbaud, verlaine, mallarme. athens, ohio: ohio university press. peyre, d'yves. 1998. mallarme: u n destin d'ecriture. paris: editions gallimard / reunion des musees nationaux. porter, laurence m. 1990. the crisis of french symbolism. ithaca, new york: cornell university press. t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with this issue of elements: d a n i e l b a 1 r o s , technology consultant ben b i r n b a u m , executive director of the office of marketing communications e l i z a b e t h b r a n d e s , art director for the office of marketing communications c u t b e r t o garza, provost and dean of faculties d o n a l d h a f n e r , vice provost for undergraduate studies j o y c e mannix , business manager for the college of arts and sciences patrick maney, dean of the college of arts and sciences barbara vi e c h n icki, associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. please consider submitting your own research to the next issue of elements. our next deadline is wednesday, april 8, 2009. cover sign for pojoaque casino © miguel gandert/corbis p e r i o d i c i t y elements is published twice an academic year i n the fall and spring semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. elements, undergraduate research journal, volume 5, issue 1, fall 2009 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 copyright © 2009 by trustees of boston college e l e m e n t s staff e d i t o r i n c h i e f t i m k e l l y m a n a g i n g e d i t o r e r i n e. el c h a n d e p u t y e d i t o r j e n n y b r e s s h u m a n i t i e s s v e t l a n a t u r o v a , senior editor a l e k s a n dra j a c h t o r o w i t z , edit z a c h a r y m a r k a r i a n , editor c h r i s s h e r i d a n , editor b r i a n t r a c z , editor n i c o l e w o n g , editor n a t u r a l s c i e n c e s a n n e k o r n a h r e n s , senior editor a d i t y a a s h o k , editor j o h n m c c a r t h y , editor m a t t m i c l i o z z i , editor j i n h e e p a r k , editor s o c i a l s c i e n c e s e s t e b a n u r i b e , senior editor j o y batra, editor a n d r e a b o n v i c i n o , editor s a r a h c o l l i e r , editor k a r e n k o v a k a , editor v i n o d h m e c h e r y , editor p h i l i p m e r c a d a n t e , editor d a n i e l s o l o g u r e n , editor e v a n s p e e c e , editor b r i a n v a r i a n , editor l a y o u t a l y s s a d u q u e t t e , senior editor j a i m e c r o w l e y , editor s a r a h k o , editor f a c u l t y a d v i s o r e l i z a b e t h c h a d w i c k mailto:elements@bc.edu e d i t o r s n o t e when one envisions a casino, one often thinks about the glamour and glitz of the las vegas strip. often not considered are the many tribal casinos across the country located on remote reservations. our cover image was taken i n northern new mexico and shows a sign advertising a pojoaque-run tribal casino. just a few decades ago, the pojoaque found themselves i n fairly dire economic straights. the creation of a casino is credited i n part with an economic revival and has provided funds for a variety of other civic and business enterprises. despite the often remote locations of casinos like the one displayed on the cover, they draw money from many tourists and gamblers, providing an income source to people on otherwise undesirable lands. this situation is not without significant controversy due to the fact that local and state governments have difficulty exercising meaningful regulatory authority. a raw deal: conflicts over tribal sovereignty and casino proliferation offers an in-depth examination of the status and place of tribal gaming i n our federal system. also featured in this issue of elements are women of copley's boston and canned peaches and chicken parts. women of copley's boston takes a close look at the artist john singleton copley's portrayal of women i n his paintings. it exemplifies the strong connection boston college students have to the history of the greater boston community. canned peaches and chicken parts examines the role of food i n delillo's white noise and connects it to a larger theme examining consumerist society. its analysis of american culture i n the postmodern era is both insightful and provocative. a l l three of these pieces well represent the quality and superb nature of the work done by students here at boston college. this is the last production of elements for which i wi l l serve as editorin-chief. each time i sit to write the introductory note, i am struck by how much i feel the articles speak for themselves. they are well worth reading and after each process of selection i am left thoroughly impressed by the scholarly efforts of my peers. these articles are a combination of senior theses, papers written for classes, and summer projects undertaken by undergraduates, and their diversity and depth continually demonstrates the excellence of boston college. i am pleased to have been part of this project during my time here and am incredibly optimistic about the future of the university. sincerely, tim kelly editor-in-chief j u d g i n g h a r s h l y the bush doctrine in practice c h r i s t o p h e r s c u l l i n t h e b u s h d o c t r i n e , f o r m a l l y k n o w n as t h e u n i t e d s t a t e s n a t i o n a l s e c u r i t y s t r a t e g y 2002, r e o r i e n t s u n i t e d s t a t e s f o r e i g n a n d d o m e st i c s ec u r ity p o l icy t o r e c o g n i z e t h e i n c r e a s i n g t h r e a t o f t e r r o r i s t i c w a r f a r e . t h e d o c t r i n e man d a t e s t a k i n g a n y a c t i o n d e e m e d n e c e s s a r y f o r a m e r i c a n s e c u r i t y , m a i n t a i n i n g t h e o p t i o n f o r p r e v e n t i v e , u n i l a t e r a l war. t h i s p a p e r w i l l e x p l o r e t h e d o c t r i n e ' s im p a c t o n u . s . f o r e i g n p o l i c y as w e l l as its s h o r t c o m i n g s as a c o m p o n e n t o f i n t e r n a t i o n a l law. it c o n c l u d e s t h a t a s h i f t in f o r e i g n p o l i c y is n e c e s s a r y t o i m p r o v e t h e d o c t r i n e ' s e f f e c t i v e n e s s . in its opening stanzas, the united states national security strategy 2002 (nss) summarizes succinctly the spirit of the bush doctrine: "history wi l l judge harshly those who saw this coming danger but failed to act. in the new world we have entered, the only path to peace and security is the path of action."1 indeed, the bush doctrine is essentially a mandate to take any action deemed necessary for american security; it is a reaction to the changing nature of warfare, where attacks are constantly possible and tragically unexpected. the nss explains that while pre-emption is no longer useful, the need for it still exists. though its call for a new security paradigm is timely and, i n fact, overdue, its failure to revolutionize tactics i n response to this paradigm shift has led to the deterioration of the security situation. the doctrine correctly acknowledges that the main threat to u.s. interests is that of non-state or extra-state actors, most notably 'terrorist' organizations. though it is certainly true that terrorism has been an active part of international relations for some time, the disintegration of larger, old-world threats embodied by the cold war—combined with the exponential increase i n available technology—has made terrorism the central concern. the nss document essentially reorients united states foreign and domestic security policy towards this new threat, insisting that the only way to defend against it is to maintain the option for preventive, unilateral war and to concurrently spread democracy. "as its central focus, the bush doctrine codifies and centralizes for the first time one of the realities of international conflict: the option for preventive war." though reorganization was and is indeed necessary, the bush doctrine is largely couched i n old-world military tactics, and thus wi l l require much revision into the future. the doctrine fails to take into account the fundamental motivations, potentially loose organizational structure, and wide geographical spread of terrorism, thereby failing to disrupt the terrorist organization and arguably even helping to recruit more terrorists. as a principle defining a nation's response, the bush doctrine is inconsistent, too shortsighted, and, therefore, broadly ineffective. with these faults in mind, the bush doctrine, though a positive and sound first step toward reformation of global security, would have to undergo major reformation and development before it could provide any lasting security. o r i g i n s a n d o r i e n t a t i o n as its central focus, the bush doctrine codifies and centralizes for the first time one of the realities of international conflict: the option for preventive war. in addition, the doctrine insists on the option of unilateralism and expands upon the united states' commitment to spreading democracy. at first glance, an explicit focus on each of these elements is rather new to united states foreign policy. the united states has traditionally been isolationist unti l this century, when its role i n world affairs was elevated by conflicts i n europe. though the united states had supported spreading democracy, it had traditionally done so as a byproduct of its main goal of stemming the spread of communism; though it took initiative i n such conflicts as the first gulf war, it had not made explicit policy of unilateralism and police action before the bush doctrine. though the centralization of unilateralism and preventive warfare is new, the need for such a move has existed for quite some time as an evolution of the cold war conflict. i n the cold war, u.s. policy identified fair-market capitalism as a force for good i n the world and its converse, autocracy, as a source of evil. this is evident i n ronald reagan's 1982 "evil empire" speech, i n which he addressed the e l e m e n t s fall 09 bush preparing to address the national defense academy about the current policies for the war in iraq. house of commons i n britain. lauding the "consistent restraint and peaceful intentions of the west," president reagan denounced the soviet policy of "denying human freedom and human dignity to its citizens" and assured the house that "the forces of good ultimately rally and tr iumph over evil." 1 1 this mindset is essential to understanding the bush doctrine. as andrew flibbert explains, the main drives behind the u.s. decision to go to war i n iraq (an expression of the bush doctrine) were "a belief i n the necessity and benevolence of american hegemony, a manichaean conception of politics, a conviction that regime type is the principal determinant of foreign policy, and great confidence i n the efficacy of military force." ! each of these motivations is an echo of cold war foreign policy; the world had been divided into competing zones defined primarily by regime type, and military power was the means to end the crisis. in the cold war, the need for democracy sprung from the goal of withering the power of the soviet union and thus protecting american citizens; i n its evolution, terrorism has replaced the soviet union, and terrorism can be fought by reducing the origins of it, which the bush doctrine locates i n autocracy.1v president bush alluded to the connection between the struggles of the cold war and the current struggle against terrorism i n his speech at west point i n 2002, i n which he said, because the war on terror will require resolve and patience, it will also require firm moral purpose. in this way our struggle is similar to the cold war. now, as then, our enemies are totalitarians, holding a creed of power with no place for human dignity. now, as then, they seek to impose a joyless conformity, to control every life and all of life . . . america confronted imperial communism in many different ways—diplomatic, economic, and military. yet moral clarity was essential to our victory in the cold war." clearly, the moral and ethical backings of each policy are intimately connected, as indeed are the elements of the j u d g i n g h a r s h l y doctrines: preventive warfare, unilateralism, and spreading of democracy. though the bush doctrine tenets find their essential origin i n the cold war, they are "revolutionary" i n that they recognize the differences between conflicts. in noting that deterrence is no longer effective, that weapons of mass destruction are no longer a last resort, and that terrorists prize destruction as an end, the bush doctrine attempts an ideological break with the cold war period through centralizing preventive and potentially unilateral war. t h e case for t h e d o c t r i n e this centralization of terrorism leads to a new framework with which to analyze the decision to engage an enemy. the most important aspect of the military goals of the bush doctrine is preventive warfare. preventive warfare is distinct from pre-emptive warfare, yet the bush doctrine eliminates this distinction, insisting that i f terrorism is the biggest security threat, the taboo surrounding preventive warfare must be eliminated. the distinction between the two is rather simple. as lawrence freedman writes, "a pre-emptive war takes place at some point between the moment when an enemy decides to attack—or, more precisely, is perceived to be about to attack—and when the attack is actually launched" while preventive war "can be seen as preemption i n slow motion, more anticipatory or forward thinking, perhaps even looking beyond the target's current intentions to those that might develop along with greatly enhanced capabilities."v1 preemption has usually been sanctioned by the un as an act of self-defense according to article 51.v" a good example of this was the 1967 israeli attack on egypt, where the international community agreed that an egyptian attack had been imminent . v i i i on the other hand, preventive warfare, because of its potential for abuse and lower level of certainty, has traditionally been outlawed. despite this traditional view, one might argue that preventive war has been an increasingly viable option for political leaders of the past half-century and was a common theme running through the evolution of cold war thought. as saki dockrill notes, "the eisenhower administration discussed at some length the possibility of taking preventive action," and "president john f. kennedy pondered ways i n which the united states could take 'some form of action' that might discourage china from pursuing the nuclear path"; indeed, "preemptive and preventative strategies thus have strong historical roots."1 x in this light, one might suggest that preventive war is an extension of the cold war policies as well; still, the change described i n the bush doctrine is to extend and centralize its use. the bush doctrine posits that terrorism needs a home base, and thus connects terrorist activity with "state sponsor^]" of terrorisms it is not only a pending attack and its variable t iming difference, but also the very status of allowing terrorists to form organizations within a country that becomes a basis for attack under the strategy. the doctrine argues that action is necessary under these circumstances. the military provocation that preemption assumes does not exist i n the case of terrorist activity or other related guerilla tactics; yet terrorist attacks are inbust of lenin, the founder of the communist soviet union. evitable—the only difference is the time frame. the doctrine argues that preventive action is the only way to bring a reasonable assurance that american lives wi l l not be subject to constant threat. another important aspect of the bush doctrine is the emphasis on the option for unilateralism, drawn out of the concept of preventive warfare itself. it is rooted i n the sense of moral clarity that forms the backbone of the whole doctrine, believing that the united states is a force for good, and thus may act alone to effect good. the doctrine envisions the probability that the government wi l l have to act alone i f the international community doubts the efficacy or tightness of the action. x ! to become a guiding principle, however, the doctrine does have to set its limits; and although there is no specific l imit to unilateral war posited by the nss 2002, its proponents have begun to outline such limits i n their own writings. most prominent among these authors as pertains to these limits is charles krauthammer, who posits that intervention should be limited by the ability of the united states to act economically and militarily, as well as the direct application of the threat to u.s. security i n the long-term (such as to defeat violent extremism). the other major prong of the doctrine is to promote free market democracy. although not necessarily apparent, this is equally important to the emphasis on unilateralism. the bush doctrine believes the root of terrorism is illiberality: autocratic governments that deprive their citizens of freedom and thus create poverty and discontent. beyond this security goal, as charles r. kesler summarized, the bush doctrine insisted that america has a moral responsibility "as the result of our respect for human rights, to help the iraqis and others realize their democratic entitlement and destiny. " x i v when taken together, these factors add up to a theoretically effective strategic response. i f the united states takes pains to root terrorists out of their state-sponsored homes regardless of a lack of help and creates a situation for more liberty and better living conditions in at-risk societies, it is "the bush doctrine posits that terrorism needs a home base, and thus connects terrorist activity with 'state sponsor[s]' of terrorism." reasonable to assume that the united states wi l l be more secure i n the future. the weapon most readily accessible was, of course, the military, and it is only natural that it became the center of the immediate solution to the problem. w h a t w e n t w r o n g these arguments i n favor of the doctrine are certainly persuasive, yet the bush doctrine has received a tepid response. despite its commitment to the safety of its citizens, the bush doctrine has been roundly criticized both i n the popular mediums and among the political elite. to be sure, it has its defenders, but the recent election of barack obama, campaigning against the policies of the bush doctrine, suggest that the bush doctrine has failed to w i n i n the arena of public support. of course, part of this reception is directly correlated with the events surrounding operation iraqi freedom, which one might argue evolved out of the thinking of the bush doctrine (though technically operation iraqi freedom was an enforcement action of un disarmament mandates). yet there are indeed fundamental problems with the doctrine that form a legitimate basis for criticism, the most oftlevied and prominent of these being the doctrine's relationship—or lack thereof—with international law. broadly speaking, its opponents argue that the bush doctrine is acceptable when applied to one power, but problematic when its tenets are universalized such that all states act the same way. the first problem is the breaking of the weak-but-still-existent taboo on war; i f the united states is free to act as it wi l l around the world, the argument goes, so are any number of other hostile states, and it wi l l be difficult for any international structure to censure a nation for acting with the same impunity as the united states. in tandem with the breaking of the war taboo, preventive war also weakens the concept of state sovereignty, reducing the un's power to assert the rights of states under invasion. the united states specifically posits, opponents point out, that democracy must be spread to promote stability—but this tenet explicitly denies the right of self-determination i n a given state. indeed, i f borders are malleable and nations can be invaded at any country's wil l to change a governmental structure or depose a dictator, the un—dominated by one of the propagators of the weakening of state sovereignty—will have less right to put a stop to the conflict. a l l nations wi l l have incentive to gain an upper hand through preventive action, and no body wi l l exist to oppose such chaos. as ivo daalder of the council of foreign relations writes, preemptive war "wi l l exacerbate the security dilemma among hostile states, by raising the incentive of all states to initiate military action before others do." x v this weakening of international law would, the argument continues, result i n massive rearmament and an increase, naturally, i n the events of war. opponents of the doctrine point to the wars i n iraq and afghanistan as inevitable outcroppings of the "pro-war" leanings of the bush doctrine and see a new military-industrial complex lead by big corporations as the real motivation for these "illegal" (read: without un permission) wars. x v l though these claims rely on individual motivations and therefore are outside the immediate purview of this paper, their effect on public opinion has been substantial, and the bush doctrine may have trouble surviving i n the hostile climate that has formed around it. beyond the complaints of international law, there is also the more realist approach to the doctrine that posits that there are not enough resources i n the world to promote the kind of militarily enforced safety that the doctrine envisions. so while charles krauthammer does lay out a specific vision of where the bush doctrine should intervene, its opponents argue that its limits are subjective and wi l l result i n too much intervention worldwide. though there are many other arguments posed against the bush doctrine, most can be folded into one of the above categories, particularly that related to international law. the bush doctrine, according to its opponents, brushes aside international law to promote its own safety and, i n doing so, has a deleterious effect on worldwide peace. c a n t h e d o c t r i n e be f i x e d ? of course, no matter how much opposition the doctrine has garnered, it has, for the short term, achieved its immediate objective of promoting the safety of the american homeland. though the doctrine forms a solid theoretical framework for response given the resources available to the country and the need for an immediate response, it must be modified to best serve the security of the united states i n the long run. there are specific problems with the doctrine, enumerated below, that, when addressed, might be able to convert the short-term success of the bush doctrine. first, the doctrine must introduce some level of compromise with international law, i f for no other reason than that its political survival depends on a shift in public opinion only possible out of such a change. second, tactical changes are necessary. the doctrine's reliance on the military has proven, i n the words of at least one commentator, to be both "reactive and anachronistic. " x v n by failing to take into account more abstract, intangible societal and human factors and focusing mainly on military strategy, the doctrine has potentially endangered the long-term safety of the united states. for the long term, the implementation of the policy has been inconsistent, shortsighted, and ineffective. broadly speaking, the bush doctrine must first be adapted to include a consideration of international law. of course, i n its fundamental redefinition of pre-emptive war to include preventive war, the bush doctrine's fundamental tenets reject the current paradigm of international law. still, a change is possible i f the united states works to assemble a set of guidelines i n advance of a specific threat that would discourage other nations from opposing conflict for selfish reasons. for example, the united states might propose to the international community a terrorism exemption arising from terrorist attacks on a un or nato member, or rewrite its principles to include a waiting period before preventive action is possible. the first proposal would tip the balance of international law against terrorist states, as the countries of the west would rarely be able to be accused of terrorism, while the second would, though tors, such as regional or democratic stability within the country as well as the country's ability to strike back, wi l l make it impossible to punish a government for actions by terrorists within the state™" these criteria essentially l imit the bush doctrine to only militarily weak states that clearly sponsor terrorism—or, i n other words, afghanistan and potentially a few african nations. pakistan, iran, and north korea (all targets of recent rebuke from the u.s. government) would have to be exempted from the doctrine. in fact, the long-term, fervent dedication of some i n the administration to effect regime change i n i raq x l x is possibly the only reason that iraq was able to surmount this potentially prohibitive test. "the doctrine's reliance on the military has proven, in the words of at least one commentator, to he both 'reactive and anachronistic.'" preventing a tactical disadvantage i n giving the enemy more time, promote a time of reflection before conflict that would pacify to some degree those who oppose the doctrine. there are, of course, plenty of other ways that the doctrine could make more room to accommodate its political and international opponents to some degree. the doctrine does the united states a disservice by weakening international law, compromising the principle of stability that is so central to the doctrine's success. accommodation of this structure can help the doctrine not only i n its image but also i n its actual results. tactically, the bush doctrine as stated does not form a consistent framework for practical decisions. the doctrine requires a l ink between the host state and terrorist attacks to weed out terrorists. as saki ruth dockrill writes, even when such states are identified, it is probable that other facfurthermore, once the decision to take action is made, the bush doctrine faces the problem that it is ironically (given its intention to stem long-term threats) shortsighted, according to many commentators. there is a common supposition that u.s. incursion i n volatile terrorist regions actually increases terrorist recruitment, a conclusion drawn from, among other sources, the classified national intelligence estimate 20o6, x x the u.s. state department assessment of global terror i n 2007, x x t and an international institute for strategic studies report . x w one might respond that such increases lead to terrorism elsewhere than the united states and thus improve u.s. security (and some argue that i f iraq is eliminated from equations, terrorism has actually declined) ; x x i i i consequently, the actions are still effective i n breaking terrorist organization that would otherwise allow them to reach the united states. still, it is easy to conjecture that western presence i n the middle east through the years has been a major catalyst for j u d g i n g h a r s h ly u.s. soldiers being deployed for military combat in afghanistan. terrorism throughout the world. the united states might have learned from its initial funding of insurgent operations i n afghanistan i n the 1980s that incursion i n the region has long-term consequences for terrorist recruitment and planning.™7 even i f terrorists are not increasing i n number today, one suspects that this incursion wi l l cause increases in the future. another manifestation of the doctrine's shortsighted nature is its myopic focus on the middle east, a focus has compromised many other foreign policy goals. relations with russia, north korea, africa, and even other middle eastern states have suffered as a result of the investment of resources and attention i n iraq. the doctrine calls for foreign policy to be oriented toward terrorist states, but it does so at the expense of traditional foreign policy and diplomatic goals. this particular side effect is actually written into the doctrine itself, i n expectation that traditional mi l i tary antipathies were no longer valid. the nss document proclaims that russia and the united states "are no longer strategic adversaries" and welcomes a "stable, peaceful, and prosperous asia-pacific region." x x v since then north korea "has provoked the united states with missile launches and a nuclear test," x x v i and russia has undertaken an "increasingly confrontational foreign policy."30"™ alarmingly, the gap between the united states and iran has widened significantly. x v 111 without concern for how these more traditional threats might develop, there was plenty of room to engage the military i n iraq and afghanistan; yet by engaging the military, the administration no longer held a military trump card on the more traditional foes. even i f it did not increase terrorism or reduce projections of force globally, the invasions themselves have not been effective—at least i n relation to the tasks set before them. the invasion of iraq satisfied only the pre-9/11 goal of removing saddam hussein from power; i n afghanistan, al qaeda has escaped and is continuing its terrorist missions. saki ruth dockrill echoes this point when she explains, since [the invasion of afghanistan], the al qaeda network and its followers have expanded their targets across the globe. . . . so, while it is seen as legitimate, the afghanistan campaign raises the important question as to whether military intervention is an appropriate response to international terrorism.xxix indeed, the military invasion of afghanistan has successfully removed the state sponsor, yet failed to address the underlying existence of the terrorist group and its ability to strike at u.s. interests. militarily, this failure is owing to a significant misunderstanding of the terrorist threat. despite recognition that terrorism was fundamentally different from big-state violence, fundamental tactics were not changed, and each problem was still approached i n terms of military incursion on sovereign land; as lawrence freedman notes, having "taken on board the notion of asymmetric war," it was merely "geared . . . to the dominant scenarios that were guiding all american force planning." x v ; the u.s. missions of the 1990s such as i n bosnia had been able to rely on air power to effect the mission's goals; against a terrorist network, it is very hard to bomb only terrorists hiding i n houses with no strategic infrastructural sites. as freedman writes concerning afghanistan, when the us responded with its standard coercive air campaign, the minimal results it achieved during the first month reinforced the image of a great power disoriented by a tiny power offering few 'strategic' targets worth hitting, hut still able to exploit every stray 'precision' weapon that hit a civilian site to maintain the propaganda offensive.***1 the results to this point have not been encouraging, as al qaeda continues to function, and has orchestrated attacks in "bali (october 2002), spain (march 2004), and london (july 2005)," among other attacks, since the start of the conflict.50™1 clearly, terrorists have been able to become supra-national. the bush doctrine begins with an emphasis on terrorist technology; however, it should also consider the role that technology can play i n allowing terrorists to organize without a state sponsor. indeed, as cronin remarks, "[t]he current wave of international terrorism . . . not only is a reaction to globalization but is facilitated by i t . " x x x l i i as rupert smith discusses i n the utility of force, the changing nature of the threat to states requires a changed response. the bush doctrine simply fails to fundamentally alter tactics i n response to the threat. still, these shortcomings i n both accommodation of international law and tactical innovation can be easily adapted and upgraded for a new generation of technological innovation. i f the doctrine makes an explicit effort to reorient itself toward new cooperation and a new, more sophisticated appraisal of the threats, it can continue to serve as a fundamental security doctrine for the world's largest superpower. c o n c l u s i o n indeed, the bush doctrine still has hope to continue its mission of promoting homeland security. as the cornerstone of a new u.s. focus on the safety of its citizens and the beginnings of a theoretical (if not procedural) shift i n defense policy, the bush doctrine has been an important landmark i n u.s. history. into the future, the policy must be expanded, building on its stoic commitment to homeland security by ceasing to incite terrorism and weaken international law while concurrently reorienting strategy to address the threats of the new age of technology. though it is true that it has been successful in the short term, the doctrine needs to be accompanied by a rethinking of the fundamental way that security problems are approached militarily and i n relation to international law i f it is to continue to function i n the long run. i f such a refocusing were to occur, the doctrine has high hopes of continuing its short-term success into the future. "the only path to peace and security" may be "the path of action," but the doctrine needs to decide what actions constitute that path. e n d n o t e s i . national security strategy (intro.) i i . reagan i i i . flibbert (312) iv. national security strategy (intro.) v. bush vi. freedman (106-7) vii. charter of the united nations viii. heisbourg (78) ix. dockrill (347) x. national security strategy (6) xi. national security strategy (intro.) xii. krauthammer xiii. ibid. xiv. kesler xv. daalder xvi. podhoretz xvii. cronin (30) xviii. dockrill (366) xix. dockrill (357-9), referring to the pressure i n the administrat ion xx. "spy agencies say" xxi. "report: global terrorism up" xxii. "occupation has boosted al-qaida" xxiii. "iraq figures distort terrorism statistics" j u d g i n g h a r s h l y xxiv. "who is osama b in laden?" xxv. national security strategy (26-7) xxvi. " n . korea puts launch i n innocuous terms" xxvii. bremmer xxviii. ghumman xxix. dockrill (362) xxx. freedman 2001 (76) xxxi. freedman 2001 (66) xxxii. ibid. xxxiii. cronin (30) references bremmer, ian. "russia and the u.s. i n a post-aug. 8 world," . bush, george w. 2002. "remarks by the president at 2002 graduation exercise of the united states military academy." institute of communication studies, university of leeds, uk. . charter of the united nations. 26 june 1945. "article 51." nato/otan on-line library, . cronin, audrey kurth. 2003. "behind the curve: globalization and international terrorism." international security, 27(3), pp. 30-58. daalder, ivo. "policy implications of the bush doctrine on preemption". cfr.org. . dockrill , saki ruth. 2006. "dealing with fear: implementing the bush doctrine of preemptive attack". politics e[ policy, 34 (2), pp. 344-373. flibbert, andrew. 2006. "the road to baghdad: ideas and intellectuals i n explanations of the iraq war." security studies, 15 (2), pp. 310-352. freedman, lawrence. 2001. "the third world war?" survival, 43 (4)' pp61-88. freedman, lawrence. 2003. "prevention, not preemption." the washington quarterly, 26 (2). heisbourg, francois. 2003. "a work i n progress: the bush doctrine and its consequences." the washington quarterly, 26 (2). "iraq figures distort terrorism statistics: study." reuters, 21 may 2008. . kesler, charles r. 2005. "democracy and the bush doctrine." the claremont institute for the study of statesmanship and political philosophy, . krauthammer, charles. 2004. " i n defense of democratic realism." the national interest, fall. national security strategy of the united states. 2002. " n . korea puts launch i n innocuous terms." the washington post, 25 february 2009. . "occupation has boosted al-qaida, says thinktank".. the guardian, 26 may 2004. . podhoretz, norman. "enter the bush doctrine." the wall street journal. sept. 2, 2004. . reagan, ronald. 1982. "speech to the house of commons." fordham university modern history sourcebook. . "report: global terrorism up more than 25 percent." cnn, 30 apr i l 2007. . "spy agencies say iraq war worsens terrorism threat." the new york times, 24 september 2006. "who is osama bin laden?" cbc news online, 19 january 2006. . * a l l online articles accessed on 14-15 march, 2009. ghumman, kashif mumtaz. "iran-u.s. relations i n the post9/11 days: problems and prospects." the institute of strategic studies, islamabad, . e l e m e n t s fall 09 http://ics.leeds.ac.uk/papers/vpoi.cfm?outfit=pmt&folder=339&paper=38o http://ics.leeds.ac.uk/papers/vpoi.cfm?outfit=pmt&folder=339&paper=38o http://www.nato.int/docu/ba-sictxt/bt-un5i.htm http://www.nato.int/docu/ba-sictxt/bt-un5i.htm http://cfr.org http://www.cfr.org/publication/5251/policy_implications_of_the_bush_doctrine_on_preemption.html http://www.cfr.org/publication/5251/policy_implications_of_the_bush_doctrine_on_preemption.html http://www.cfr.org/publication/5251/policy_implications_of_the_bush_doctrine_on_preemption.html http://www.reuters.com/article/topnews/idusn2139567720080521%20?feedtype=nl&feedname=ustopnewsevening http://www.reuters.com/article/topnews/idusn2139567720080521%20?feedtype=nl&feedname=ustopnewsevening http://www.claremont.org/publications/crb/id.i2i8/article_detail.asp http://www.claremont.org/publications/crb/id.i2i8/article_detail.asp http://www.washingtonpost.com/wp-dyn/content/article/2009/o2/24/ar2009022400324.html http://www.washingtonpost.com/wp-dyn/content/article/2009/o2/24/ar2009022400324.html http://www.guardian.co.uk/world/2004/may/2%206%20/%20alqaida.iraq http://www.guardian.co.uk/world/2004/may/2%206%20/%20alqaida.iraq http://www.opinionjournal.com/%20extra/?id=nooo5558 http://www.opinionjournal.com/%20extra/?id=nooo5558 http://www.fordham.edu/halsall/mod/1982reagan1.html http://www.fordham.edu/halsall/mod/1982reagan1.html http://edition.cnn.com/2007/us/04/30/terror.report/index.html http://edition.cnn.com/2007/us/04/30/terror.report/index.html http://www.cbc.ca/news%20/background/osamabinladen/ http://www.cbc.ca/news%20/background/osamabinladen/ http://www.issi.org.pk/journal/2002_files/no_3/article/8a.htm http://www.issi.org.pk/journal/2002_files/no_3/article/8a.htm de m a l o r u m n a t u r a i lucretius and the nature of evil n a t h a n i e l c a m p b e l l t h i s paper seeks to explore t h e n a t u r e of evil i n respect to t h e e t h i c s of e p i c u r e a n p h i l o s o p h y p r e s e n t e d i n l u c r e t i u s ' de r e r u m n a t u r a . d r a w i n g o n a t o m i c p h y s i c s a n d its c o m p l e t e c o r p o r e a l p h y s i c a l i t y , e p i c u r e a n p h i l o s o p h y p r o d u c e s a n e t h i c a l system i n w h i c h t h e h i g h e s t g o o d is d e f i n e d i n t e r m s of m a x i m u m pleasure b o t h i n t h e body a n d i n t h e m i n d . e v i l , t h e r e f o r e , m u s t be a n y t h i n g t h a t detracts f r o m t h a t state of p l e a s u r e . it m a y be f u r t h e r c a t e g o r i z e d as e i t h e r n a t u r a l or h u m a n e v i l . h o w e v e r , it is t h e evils i n d u c e d by t h e m i s u n d e r s t o o d n a t u r e of b o t h t h e g o d s a n d d e a t h t h a t are t h e m o s t h a r m f u l to a peaceful state of m i n d . it is l u c r e t i u s ' g o a l to r o o t o u t t h e s e evils a n d , i n d o i n g so, e stab li s h t h e peace of t h e g o d s i n t h e m i n d of t h e h u m a n . "ifpleasure, that lack of pain both physical and mental, defines the nature of good, then what, we might ask, is evil?" i . i n t r o d u c t i o n of the three divisions of hellenistic philosophy-physics, ethics, and logic-the study of ethics deals most closely with the foundations of human nature and asks, among others, the fundamental question: what is the nature of good and evil? lucretius' epicurean philosophy emphasizes the physics, and it is from the basic atomic physics that arise, in large part, the ethics of the system. the complete corporeal physicality of atomic physics, in which even the mind and soul are composed of material atoms, has interesting implications for an epicurean ethics. matter is always in a state of composition and decomposition, such that no compounded substance is eternal, including both the mind (animus) and spirit (anima) of a human. the mortal nature of being precludes any ethical considerations of an afterlife; the ethics, therefore, are concerned only with the good of the present. furthermore, the inherent physical nature of everything, including the mind and spirit, focuses the ethics on actions and reactions to physical stimuli on the body and on the mind. hence, "the highest good i n life is pleasure, defined as freedom from pain in the body (aponia), and freedom from anxiety and disturbance in the mind, a state called ataraxia."1 i f pleasure, that lack of pain both physical and mental, defines the nature of good, then what, we might ask, is evil? this is a question not so easily answered, for nowhere does lucretius embark on a definitive discourse on the nature of evil. rather, we must cull his understanding of its nature from the entirety of the de rerum natura. it is without a doubt that evil exists in the world of lucretius. one important leg of lucretius' proof in book v that the gods did not create the world asserts that the world is too flawed to have been crafted by the hands of perfect deities. his poetic discourse on the deficiencies of the created world culminates in a description of the pitiful lot into which a human child is born, "as is fair for h i m to whom so many evils remain to pass in life" (ut aequumst / cui tantum in vita restet transire malorum).n john godwin has even said that this passage "is a splendid piece of reasoning on the famous 'problem of evil' whereby the world, for all its undoubted beauty, is simply too faulty to be the result of divine intelligence." 1 1 1 yet, though this passage establishes that evil exists, it does not elucidate what evil is; for this, we must look further. e l e m e n t s s p r i n g 0 6 it is important, first, to establish a linguistic approach to the treatment of evil by lucretius. it seems clear that the principal word used by lucretius for "evil" is mains, with its adjectival and substantival forms; indeed, it is used almost twice as often as all of its nearest synonyms combined. 1 v yet, lucretius uses the word malus only thirty-one times in the entire poem; for such a common word with such a wide range of uses, this seems surprisingly sparse in a work of more than 7 4 0 0 lines and almost 5 0 , 0 0 0 words. it wi l l soon become clear, however, that although the word is sometimes used with no more than poetic flourish, most often it is carefully chosen in order to craft and strengthen lucretius' ethics on the nature of evil. i n many modern metaphysics, a distinction is made between evils that occur i n nature independent of human influence and evils that occur as a direct result of human influence and action. while lucretius does, at least implicitly, draw this distinction, the difference does not affect the nature of evil per se in his ethics, i.e. a natural evil is in itself just as harmful as a human evil. lucretius does, however, recognize that, while we cannot necessarily exercise control over natural evils, we can always exercise control over human evils because they originate from our own actions. natural evils may at times be avoided by human action, but their causation is quite independent of human action. human evils consitute graver evils in th ethics of epicurean philosophy because human action, especially when armed with the tools of that philosophy, not only can more readily avoid them but can, and is the only agent that does, cause them. furthermore, he understands that some human evils are more difficult, though never impossible, to resist because there are natural tendencies in humans that incline us to commit human evils; we must, therefore, work even harder to overcome them. i i . n a t u r a l evils first, we must understand that there are definite, natural evils for lucretius. bearing in mind that the good is defined in terms of an absence of pain, it follows that natural evils are those things which cause pain, i.e. disease, cold, and hunger: "for the body suffers more i n connection to these deficiencies, and the mind suffers many evils because of their infection" (corpus enim magis his vitiis adfine laborat, / et mala multa animus contage fungitur eius).v in book v i , lucretius wi l l specifically focus on the natural evil of disease, played out most spectacularly i n his description of the plague of athens. his discourse on disease follows earlier sections in which he explains many natural phenomena. beginning at line 639, lucretius explains the nature of volcanoes; at one point i n the passage, he uses the fever of disease as a metaphor for the fire of volcanoes. "disease" (morbus) is both malus and "immeasurable" (immensus), and the earth is so full of it that its "power is able to increase" (vis queat procrescere) . v 1 while the imagery of a fever is certainly not unique to this description of volcanoes, it is interesting that lucretius should use such provocative adjectives. furthermore, he characterizes only the disease as malus and not the volcano; this would suggest that this description of disease is not only a metaphor for volcanoes but also a comment on the nature of disease i n its own right, a topic he wil l take up in full just a few hundred lines later. this characterization of disease as a natural evil becomes even stronger in the last verses of the poem in which lucretius describes the plague of athens. i n the course of only twenty-nine lines (1150-1177/78)/" he uses malus three times to describe the evil symptoms of the plague: the victim's tongue is weakened by evils, anxious anguish and complaints are mixed in with unbearable evils, and there is no rest from the e v i l . v m hence, i t becomes clear that disease, along with other naturally occurring pains, is a natural evil in lucretian ethics. i i i . t h e evils of love now we shall deal with the much more complex realm of human nature and, likewise, human evils. let us first take as an example lucretius' treatment of sexual desire and love i n book iv. after an involved discussion of the nature of dreams, lucretius uses the concept of images affecting the senses to transition to a discussion of the nature of sexde m a l o r i u m n a t u r a : l u c r e t i u s a n d t h e n a t u r e of evil ual arousal and the ejaculation of semen." in frank and even slightly technical terms, he describes how images of an external body, the "messengers of a striking face and of a beautiful color" (nuntia preaclari vultus pulchrique colons)* excite those parts of the body in which the semen atoms naturally congregate, causing them "to pour forth" (profundare).ki when he describes, however, the action of the wi l l (voluntas) "to cast forth" (eicere) the semen, he notes that i t is sent "to where dread desire strains itself" (quo se contendit diva libido) x n and that "the body seeks that [place] i n which the mind is wounded by love" (idque petit corpus, mens unde est saucia amore).xm the problem, according to lucretius, is when the purely natural urge to ejaculate is eclipsed by "the drop of sweet venus" that "has dripped into [our] heartfs]" and has been followed by "frigid care" (veneris dulcedinis in cor / stillavit gutta et successit frigida cura).xn i n successive passages he wi l l describe the various problems caused by the emotional connection of "love": the madness of the lover's absence; the insatiability of pent-up desires; the delusions created by the lovesick to hide reality . x v lucretius several times explicitly names these problems malus.xwl indeed, all of these problems caused by the entanglements of love detract from the ataraxia that is so central to lucretian ethics. our (natural) lustful desires with a prostitute, we do not lose the "enjoyment of venus" (veneris fructum); rather, we receive the pleasure of sexual fulfillment without the "punishment" (poena) of love. these "evils" that are produced by emotional attachment (and, for that matter, detachment) are human evils, for they arise from deliberate human action (voluntas). although the sexual urge to ejaculate is entirely natural, i t is from this sexual urge, when corrupted by "incorrect" notions of its nature, that the human evil arises. hence, we see that natural physical compositions can induce the conditions for, though not perforce necessitate, human evils. i v . h u m a n n a t u r e a n d h u m a n e v i l furthermore, the systematic physical composition of the human creates general characteristics that may be inclined to commit human evils. to understand the nature of human action i n the mind (animus), we must first understand the physical composition of the human soul (anima), a topic with which lucretius deals at length in book i i i . the soul is composed of four types of atoms. first, we have the three "natures" of the soul as observed from the soul as they leave the body of a dying person: wind or breath (aura), "to understand the nature of human action in the mind, we must first understand the physical composition of the human soul.. " how, then, are we to overcome the evils of love? as he tells us, we are "to flee the images" (fugitare...simulacra), "to drive away the fodder of love and turn our minds to something else," (pabula amoris / absterrere...atque alio converter e mentem), and "to cast out, not retain, the collected liquid [of semen] into whatever body" (iacere umorem collectum in corpora quaeque / nec retinere).™1 furthermore, even i f we reject the wounding blows of love straightaway by fulfilling heat or warmth (vapor), and, always commingled with the heat, air (aer)xvm none of these three can cause sensation and therefore thoughts in the mind, so there must be a fourth type of atom, nameless, which is the cause of sensations (sensifeorum motum).xlx from these causation atoms arise sensations that pass first to the heat, then to the wind, next to the air atoms, and finally to atoms of the body in general; x x in this way the soul serves as, in modern parlelem ents s p r i n g 06 ance, the central nervous system. next, we examine the mind (animus) and see within it three natures: heat (color), cold wind (frigida aura), and peaceful air (pacatus aer).xxl these natures are not the same as the atoms which compose the soul; there is, however, a clear connection between them, and it seems that it is the sensation received by each type of atom that gives rise in the mind to the corresponding nature. it is these three natures that, in turn, give rise to human behavioral types. the heat is assumed by the mind "when in anger it becomes hot and a sharper flame shines from the eyes" (in ira / cumfervescit et ex oculis micat acrius ardor).™1 likewise, the cold wind, the "companion of fear" (comitesformidinis), "gives rise to a shivering in the limbs" (ciet horrorem membris)xxm finally, the peaceful air exists "when the heart is peaceful and the face serene" (pectore tranquilo...vultuque sereno).xxw the nature of each human is determined by the corresponding proportions of soul atoms within him: a preponderance of vapor soul atoms wi l l create within h i m a nature more disposed to color and hence to ira, and likewise with wind and air and with fear and tranquility, respectively. as we wi l l see, it is these natural dispositions that give rise to the human evils of inordinate anger or fear. although an education (doctrina) can leave some people polished (politos), there wi l l always remain some vestiges of man's original nature. the key line, however, follows, i n which lucretius deems these dispositions, and the resultant anger, fear, or forbearance, as mala™ explaining that " i t must not be thought possible for these evils to be pulled out, roots and all" (nec radicitus evelli mala posse putandumst). radicitus, the word meaning "root and all," is used only one other time by lucretius, at line 877 of the same book; i n that context, lucretius describes the man who proclaims to believe in the doctrine that the soul dies with the body, though his belief is false and empty, for there is still beneath his breast a prod (subesse...cordi stimilum)xxwn that pushes h i m to fear death: this man does not pull himself out of life root and all (nec radicitus e vita se tollit et eicit). the parallel between the two lines is striking: the first two words are identical; the third word and the third and fourth word very nearly match, both in sense and in spelling with the "e" and "v;" and the scansion, with the exception of the fourth foot, is identical. furthermore, it is unusual for the second foot in both lines to coincide with the word ending. it seems clear that lucretius meant for there to be a substantive connection between the two lines. the underlying connection seems to be the failure of the man on the one hand to root out the evil that is his propensity to deviate to either anger or fear from a calm disposition, and on the other hand to root out his fear of death. x x v 1 1 1 both the disposition to anger and fear, and the fear of death are reactions and emotions that detract from the epicurean ataraxia. hence, we have the central lucretian project: hunc igitur terrorem animi tenebrasque necessest non radii solis neque lucida tela diei discutiant, sed naturae species ratioque it is necessary, therefore, that neither the rays of the sun nor the clear darts of day shatter this terror and the shadows of the mind, but that the outward appearance and theory of nature do so.xxlx these lines from book i , repeated to close the introduction of book i i i , clearly state lucretius' primary end in presenting his philosophy: he must dispel the fear and darkness of the mind, which interfere with the ultimate good of pleasure; this can only be accomplished through a thorough grounding in the (atomic) physics of nature. the first of our "failures," a natural disposition to anger or fear, is "rooted out" by an education in epicurean philosophy by which one comes to understand the true, imperturbable nature of the gods and thereafter is able to emulate them. the second "failure," the fear of death, is "rooted out" by the principal program of that education: dispelling the superstitions and misunderstandings of religion that bind man to a terrifying life after death, a life which in reality does not exist, for neither mind nor soul survive the death of the body. de m a l o r i u m n at u r a: l u c r e t i u s a n d t h e n a t u r e of evil v. t h e fear of d e a t h one might argue that a fear of death is, in fact, a natural fear, and that, just as man has the natural inclination to feel anger and fear discussed in book i i i , so man has also a natural inclination to fear death; it could also be argued the religious superstitions "invented" by man are natural responses to the truly frightening prospect of quitting the mortal life on earth. although he never explicitly answers such an objection, it seems clear that lucretius would argue that the fear of death is not natural in the same way as the inclination towards anger or fear. there is a natural composition in the atoms of the mind that produces the inclination towards anger or fear. a fear of death, however, has no basis in the natural composition of the mind because the nature of death is inevitable and final; hence, there is no rationale for fearing death. in accordance with these ethics, therefore, lucretius begins to debunk organized religion, just sixty-six lines into the poem, he begins to praise epicurus, the "greek man" (graius homo), because it was under his feet that religion was trampled. lucretius reviews the story of iphigenia at aulis as an example to demonstrate that "religion produces wicked and unholy deeds" (religio parit scelerosa atque impia facta).xxx lucretius deems the slaughter of the innocent girl i n the name of "religion" a wicked and unholy crime and from this singular incident he derives perhaps the best single encapsulation of "evil" in his ethics: "such great evils religion is able to advise" (tantum religio potest suadere malorum).10011 furthermore, we must understand that the gods have not ordained this unholy religion, for their nature is such that they are, i n fact, wholly removed from the affairs of our world, and therein lies their perfection, for they lead eternal lives absent the evil of pain that is i n our world. they are free from grief and danger, powerful in their own means, and in need of nothing that concerns us; hence, there is nothing that we can do either to gain their favor or to incur their w r a t h . x x x " affected by no worldly weather, they live i n their quiet dwelling-places with their every need supplied by nature, such that there exists nothing that can take away from their "peace of mind" (animi pax).*101111 yet, we falsely attribute to them the same "sharp angers" (iras acerhas) x x 3 u v that so plague our own hearts. hence, we learn in book v what true piety is: not to take part in the petty rituals and superstitions of religion, "but rather to be able to behold all with a peaceful mind" (sed mage pacata posse omnia mente tueri).xxxw this mens pacata is exactly the animi pax of the gods: true piety, true "religion" i f you wi l l , is to emulate the gods in attaining ataraxia. "it is this fear that so thoroughly throws human life into chaos..." finally, in order to take up fully the epicurean ethic, "this fear of acheron [i.e. the underworld] must be driven headlong out the door" (metus illeforaspraeceps acheruntis agendus). 5 0 0 0 / 1 it is this fear that so thoroughly throws human life into chaos, staining everything "with the blackness of death" (mortis nigore), and, more important, leaving behind not a single "pleasure" (voluptatem).xxxml the great evils of this life spring from it, because, driven by the desire both to escape eternal punishment and to gain eternal glory after the death of the body, it drives men to blind ambition. it is this ambition that causes them "to trespass the bounds of justice" (transcendere finis / iuris) and to become "companions of crime and ministers of murder" (socios scelerum atque ministros / nodes); it is these "wounds of life" (vulnera vitae) that are nourished "by the fear of death" (formidine mortis). this leads to civil bloodshed in which men "pile kill ing upon ki l l ing" (caedem caede accumulant), and to the ultimate impious deeds in which men "cruelly rejoice in the sad death of their brother and even fear to eat at the tables of their relatives" (crudeles gaudent in tristi funere fratris / et consanguineum mensas odere timentque).xxxym these are the evils of the world, driven by a blind and e l e m e n t s s p r i n g 0 6 irrational belief in and fear of the life after death. although the terrifying punishments imagined by the roman religion do not exist in a tartarus that itself does not exist, yet they do exist here on earth in our present lives. wretched tantalus is not numbed by the empty fear of the great rock hanging above him; rather, it is we mortals who are oppressed by an empty fear of the gods and of a death that chance has inevitably fashioned for us all. likewise, tityos does not lie stretched out, his bowels eternally devoured by birds, but we each become tityos when, lying i n the folds of love, we are consumed by the winged cupid and the anguish of lovesickness. sisyphus, too, lives here in the present day as he seeks out political power, for he wi l l never be satisfied in his quest and so is doomed ever to push the boulder of political ambition up the slope of empty power. indeed, all of the dreadful punishments that falsely we fear to await us in the afterlife are, in fact, present here in our lives, and even when we do not feel the sting of the scourge or the burn of pitch upon our backs, yet we fear them with a guilty conscience because we do not understand that with death comes the end of these evils, not their increase. x x x i x so it is that lucretius tells us in book 6: quae nisi respuis ex animo longeque remittis dis indigna putare alienaque pads eorum, delibata deum per te tibi numina sancta saepe oberunt... unless you spit these things out of your mind and banish far away thinking things unworthy of the gods and foreign to their peace, the holy power of the gods, lessened by you, will often harm you...xl v i . c o n c l u s i o n hence, we see that natural evils like disease and famine do exist, but the epicurean wi l l understand that these evils, as natural and often inevitable as death, are to be feared no more than the same. there exist also the natural evils of the human propensity to anger and to mistake the natural need to dispel a build-up of lust for a need to establish romantic entanglements. these evils, however, are conquerable and lead only to problems of emotional attachment, detachment, and imbalance, and not to the grand scale of crimes we see committed on account of the fear of death. the worst kind of evil, however, is the human evil of living in the delusions established by religious superstition. man misunderstands the true nature of the gods because this superstition teaches h i m that the gods involve themselves in the sordid affairs of man. man fears death because he fears the punishment that this superstition teaches awaits h i m after death. these superstitions cause man to drive himself into the evil of pain because neither does he understand the true nature of pleasure nor does he understand that his pain is rooted in his very fear of future pain that, in reality, wi l l never come. to overcome evil, therefore, is to overcome these mistaken natural needs, these fears and these superstitions, and to understand and implement these epicurean doctrines. e n d n o t e s i englert (xv) i i v.226-7. i i i godwin (95) iv data f rom johannes paulson's index lucretianus: foedus, -a, -um: used 4 times improhus, -a, -um: used 2 times scelus, -eris: used 5 times turpis, -is, -e: used 8 times viii .733-4. vi vi.663-4. v i i editors transpose line 1178 i n the mss to before line 1175, thus making line 1177 i n the mss line 1178 i n the critical text. v i i i vi.1150: debilitata malis; vi.1158-9: intolerabilibusque malis erat anxius angor / assidue comes et gemitu commixta querela; vi.1177(8): nec requies erat ulla mali ix though lucretius' discussion of sexuality is couched i n terms of the male arousal and ejaculation of semen into the female, he does note i n 11. 1192-1208, that intercourse and sexual pleasure are a shared experience (communus) between man and woman; therefore, his physics and ethics of sexuality, though only stated i n male terms, hold true as well for the female. x iv.1033. xi iv.1035. xi i iv.1045-6. x i i i iv.1048. xiv iv.1059-60. xv iv.1061-2, 68-9; iv.1076-1140; iv.1141-91. xvi iv.1119,1141, 1159. de m a l o r i u m n a t u r a : l u c r e t i u s a n d t h e n a t u r e of evil xvii iv.1063-6. xvii i iii.232-4. xix iii.241-45. xx iii.246-51. xxi iii.288-93. xxii tii.288-9. xxiii iii .290-1. xxiv iii .293. xxv these resultant actions are problematic, of course, only i n excess: "this man runs off more quickly to sharp angers, that one is tested more quickly by a small fear, or that th i rd man receives something more kindly than is r ight" (proclivius hie iras decurrat ad acris, / ille metu citius paulo temptetur, at ille / tertius accipiat quaedam clementius aequo) iii.311-3. xxvi iii.310. xxxvii iii.873-4. xxxviii the fear that results f rom the disposition of the m i n d of the cold wind is a separate concept f r o m the fear of death. the fear of death is a specific, final, and ultimate fear; while the fear caused by the cold w i n d is simply the generic emotion of fear. xxix i . 146-8 xxx i.83; original verb form peperit. xxxi i.101; original verb f o r m potuit. xxxii i.44-49. xxxiii iii.18-24. xxxiv v.1195. xxxv v.1203. xxxvi iii.37. xxxvii iii.38-40. xxxviii 111.5 9-73. xxxix iii.980-1023. x l v i . 68-71 references lucretius. 2003. on the nature of things. trans. walter englert. newburyport, ma: focus publishing. lucretius. 2000. lucretius: selections from de rerum natura. ed. john godwin. london: bristol classical press. paulson, johannes.1926. index lucretianus: editio altera. leipzig: wincornachdruck der spamerschen buchdrukerei. l o n g s h o t : the prospects for a conversion to euro pricing in oil markets mark e. i rvi n e o i l is c u r r e n t l y b o u g h t a n d s o l d in u . s . d o l l a r s o n t h e major o i l m a r k e t s . r e c e n t r h e t o r i c i n d i c a t e s s o m e e x p o r t e r s are c o n s i d e r i n g s u p p o r t i n g a c o n v e r s i o n t o e u r o p r i c i n g o f o i l . y e t , t h e d o l l a r has a firm g r i p . a s w i t c h is u n l i k e l y in t h e s h o r t to m e d i u m t e r m as it w o u l d be e x c e e d i n g l y d i f f i c u l t g i v e n t h e s t r u c t u r e a n d i n e r t i a i n h e r e n t in o i l m a r k e t s a l o n g w i t h t h e e u r o ' s s e c o n d t i e r s t a t u s t o t h e d o l l a r . t h e t u r b u l e n t p o l i t i c s o f m a n y o i l e x p o r t i n g c o u n t r i e s — e s p e c i a l l y i s l a m i c o n e s — c o u l d s p u r a s p i t e f u l m o v e m e n t t o e n d d o l l a r p r i c i n g b u t t h e s i g n i f i c a n t o b s t a c l e s p r o d u c e r s m u s t o v e r c o m e may be t o o g r e a t for n o w . h o w e v e r , b o t h e c o n o m i c a n d n o n e c o n o m i c p o l i t i c a l c o n c e r n s as a s o u r c e o f c h a n g e b e c o m e m o r e p r o b a b l e as t h e t i m e h o r i z o n is ext e n d e d , a l l o w i n g t i m e f o r t h e e u r o t o m a t u r e a n d a c h i e v e a g r e a t e r s t a k e in i n t e r n at i o n a l f i n a n c i a l m a r k e t s . "if the dollar is going to he dethroned... it will be as a result of the burgeoning resentment felts towards the united states across the world." in october 2003, on his visit to moscow, german chancellor gerhard schroeder responded with barely-tempered exuberance to russian president vladimir putin's suggestion of pricing russian oil in euros. back in the euro-zone, italian prime minister silvio berlusconi quickly signaled his enthusiastic approval. 1 although the proposal was nothing more than the latest russian trial balloon, the comments turned a few heads. however, this discussion did not begin with putin's comments. in fact, the now deposed dictator and accused war criminal saddam hussein was a onetime petro-euro poster boy—in 2000, he declared that iraq would only accept payment for oil in euros, jump-starting the most recent buzz. 1 1 additionally, former malaysian prime minister mahathir mohamad has been a frequent advocate of abandoning dollar pricing, 1 1 1 and the organization for petroleum exporting countries (opec) has addressed the issue in formal statements. this issue, still largely under the radar in the united states, raises important questions. wil l the switch actually happen? what would it mean for the united states? the purpose of this paper is to explore this possibility and evaluate the probability and impact of its possible outcomes. although oil exporters are not likely to push for the pricing of oil in euros in the near-term due to significant inertia in financial markets, the possibility becomes more probable as the time horizon is extended and political considerations are factored in. the effects of a switch are difficult to predict, but it would make the u.s. economy more susceptible to exchange rate volatility, hinder u.s. borrowing, and could even provide a shock to the international monetary system strong enough to usher in an era of monetary bipolarity or even euro dominance. o i l m a r k e t s a n d t h e d o l l a r oil exporters are unlikely to mobilize to change the currency denomination of oil to euros in the short-term, because of the structure and inertia inherent in oil markets and the euro's continued second tier status to the dollar. first, oil markets are highly institutionalized. the current oil pricing scheme began in 1987 after the "fixed (or administered) price system collapsed in 1985."1v it is a mindnumbing, highly complex, "market related price formulae system" built around the dollar.v since oil varies widely in quality, markets trade contracts for certain "marker crudes" (brent north sea, west texas intermediate (wti), and dubai), which establish reference prices. v l other grades of oil have prices that are calculated from these markers/ 1 1 the principal markets they are traded on are london's international petroleum exchange (ipe) and the new york mercantile exchange (nymex). v m a currency change would cause major disruption; for instance, the futures trading and hedging that occur based on the dollar would see significant effects. when such a complex market structure develops around a single currency, it is difficult to change it. second, the dollar has several advantages as an incumbent currency in international finance generally, and in oil markets specifically. the dollar is a very well-entrenched incumbent. texas was the original saudi arabia, and the united states has been the dominant global economic power since the second world war. the dollar has a "share of currency markets about four times as great as its share of world output and trade." 1" not only does the united states import the most oil , writes ramzi salman, but "most other oil importers and the opec countries themselves are dollar-related i f not linked. it is by far the main currency of pricing for most of the internationallytraded commodities, goods, and services. the dollar is also the currency of choice of most personal savings and trade in many countries such as russia, fsu, eastern europe and others." x wil l this new phenomenon—the e l e m e n t s s p r i n g 05 emergence of the euro as a challenger currency—make a difference?5" the most recent case of a rising challenger currency was the dollar in ascendancy against the weakening british sterling in the first half of the 20th century. the dollar won. however, that does not tell the whole story. the case demonstrates the advantages of incumbency. "sterling preserved a global role far in excess of the strength of the british economy for half a century. the dollar wi l l probably remain the top currency for the indefinite future," writes fred bernstein of the institute for international t h e euro the lack of understanding regarding oil exporters' role in any possible change in currency denominations has led many to ignore the massive structural hurdles that would have to be overcome i f a switch were to take effect. for instance, opec cannot simply announce that it wil l begin pricing oil in euros (as many reports suggest), because opec does not set oil prices, the markets do. in a speech two years ago in spain javad yarjani, the head of opec's petroleum market analysis department, said that "there is not much [opec] can do unilaterally unti l , and unless, there is a switch of denomination on these markets. " x i v yet, "it would take a coordinated effort of the majority of producers to effect a switch." economics.5" 1 the u.s. economy was much larger than britain's at the time and still climbing. since the eurozone's economy is in no position to surpass the u.s. economy by any comparable margin, the dollar's grip looks even safer. a change in the currency used to price oil would require collective action by the largest producers, since the system in place for pricing oil is an interconnected global market. the oil pricing system is often misunderstood. news reports sometimes confuse or gloss over the distinction between requiring payment in euros and pricing oil in euros. for instance, saddam's iraq did not price oil in euros; it simply accepted payment in that currency for contracts that were priced in dollars. this option is unattractive for most producers because it increases their exposure to "currency risk"—essentially shifting the volatility from the buyer to the producer.5" 1 1 currently, once a contract is negotiated, the producer is guaranteed a payment in dollars at the end of an agreed upon period, commonly thirty days. thus, the buyer carries the currency risk by assuming responsibility for changing currency into dollars to pay the producer at the end of the term. producers do hold the significant "power to make major changes."x v the catch is they cannot act alone. it would take a coordinated effort of the majority of producers to effect a switch. even opec does not have this weight on its own, as it amounts to about one-third of global production. i f one country—even a large one—attempted to establish its own oil market, as russian president vladimir putin has suggested, it would be unsuccessful. the problem is that arbitrage would occur between markets x v 1 the new market would mirror the established dollar denominated markets, but there would be much greater volatility as price shifts would follow changes in the exchange rate. this volatility would largely cancel the principal benefit of pricing in euros: price stability. finally, oil exporters wil l give the euro time to mature before making a decision on whether or not to support euro pricing. addressing the current state of the euro, yarjani says that opec is "assessing how the euro will settle into its life as a new currency." 5 0' 1 1 currently, more than two-thirds of the world's currency reserves are held in dollars, while about 15 percent are held in euros. the euro however has been increasing its share every year at the dollar's expense. l o n g s h o t : t h e p r o s p e c t s o f e u r o p r i c i n g i n o i l m a r k e t s the euro's advantages and disadvantages aside, the currency simply needs more time to develop. as the euro matures as a currency it is impossible to rule anything out. the euro certainly has the potential to rise to a level where it could supplant the dollar as the primary currency in which oil prices are denominated. even fred bergsten, a strong believer in the power of market inertia, believes the euro wi l l approach parity with the dollar someday. they wil l ultimately each "wind up with about 40 percent of world finance."™111 when will it get to that point? two factors that could cause the euro to catch up to the dollar very quickly are a prolonged weakness of the dollar caused by the unsustainability of the united states' borrowing position and political concerns. with a continually weakening dollar, oil exporting countries stand to suffer significant losses as the real value of their oil revenue, which depends on the value of the dollar, continues to decline. the dollar should remain depressed for some time. the factors causing the depreciation remain in place. interest rates remain relatively low and the twin deficits—trade and budget—have increased. the trade deficit in goods and services increased to $617.1 billion in 2004 from $496.5 billion in 2003 and $421.7 billion in 2002. x 1 x the budget deficit in fiscal year 2003 was $377.6 billion, increased to $412.1 billion in fy 2004, and is projected to decrease to $365 billion in fy 2005 in a massive $2,425 trill ion budget. x x the 2005 number is widely expected to be revised upwards before the fy ends in october as additional costs, such as supplemental funding for iraq, are added. already opec is responding. in december 2004 it was reported that opec countries decreased their "deposits denominated in dollars by more than 13 percentage points in the past three years, mainly to the advantage of the euro."™ t h e p o l i t i c s of o i l i f there is a wild card in the economics of the currency denomination of oil, politics is it . it is the only category that, by itself, has the ability to make many of the above arguments irrelevant. i f the dollar is going to be dethroned in oil markets in the foreseeable future, it wi l l be as a result of the burgeoning resentment felt towards the united states across the world. some leaders within the opec cartel are attempting to orchestrate what has been referred to as a "monetary j ihad"™ 1 to unseat the dollar as the king of world oil markets. although it would not seem to make economic sense to do so, the fundamental problem is states do not behave as perfectly rational units. leaders can make decisions that are not only irrational from an economic point of view, but that even oppose their state's collective interests. these leaders often have personal interest in mind . the 1973 oil embargo of the united states and the netherlands is just one example of opec placing politics first. drawing on the scapegoat theory, which proposes that political leaders with domestic problems sometimes choose "to embark on aggressive foreign policies" to divert public attention from their own failings, 5™ 1 1 1 one can imagine situations where leaders would get behind the movement to switch the pricing of oil to euros simply to punish the united states. such a tactic is used as a diversion from a government's domestic problems, capitalizing on the "us versus them" mentality that predominates when an outside party is demonized. pushing a trans-ition to the euro would be a relatively low cost application of this tactic. opec has eleven members with diverse interests. i f leaders in opec countries believe there are compelling political gains to be had by embracing a "monetary jihad" and advocating a switch to pricing oil in euros, they are likely to discount the economic rationale for dollar pricing. additionally, the major oil exporting countries in the middle east are predominantly muslim and characterized by unelected governments. these types of governments—those lacking strong sources of legitimacy—are the most likely to turn to this kind of tactic in the first place and, considering their deep resentment towards the united states already, there is a chance it could work despite the quite significant structural obstacles.^ e l e m e n t s s p r i n g 05 effects of c h a n g i n g i f the euro does somehow (partially or fully) supplant the dollar as the principal currency oil is priced in , the following could be expected. first, the united states would experience greater price volatility as exchange rates would have to be factored into oil prices. i f oil was priced in euros, the united states would have to first buy euros and then use those to buy oil. thus, an appreciation or depreciation of the dollar would have a direct effect on oil prices—a phenomena the rest of the world has always dealt with, but which would be new to the united states. yet although this arrangement is not the optimal one, there is reason to believe the united states would be able to adapt without serious economic losses. as robert solomon says, exchange rates would affect the price of oil, but it would not be "a major, major problem. ' , x x v second, the u.s. borrowing position could become untenable. the rise of the euro would "reduce the ability of the united states to finance its large external deficits," writes bergsten. 3 0™ 1 the current account deficit would quickly become unsustainable as countries decreased their dollar reserves (and hence, demand for u.s. treasury bills). the severity of the crisis would vary; but at the very least, the united states would have to pursue more restrictive monetary and fiscal policies. third, an unexpected or sudden switch to the euro could act as the "shock large enough to shift [the exchange rate structure] from one equilibrium to another. ' , x x v i i the dollar was thrust past the sterling after its devaluation in 1931, never looking back. 5 0™ 1 1 1 the magnitude of this impact would clearly depend on how established the euro is as an exchange and reserve currency at the time of the switch and whether the switch is partial or absolute. for example, oil could be priced in a basket of currencies, which would affect everyone roughly equally. the impact might not be too severe. i f the change is gradual and expected, then the psychological effects and supposed ensuing massive sell-off of dollars and dollar assets is likely to be minimized. although the possibilities are interesting to examine, in reality we are unlikely to see a situation where the euro supplants the dollar in the near future, rumors aside. it is clear that the euro has the potential to ruffle feathers further down the line, but it is not there yet. since oil markets are sufficiently routinized, supplanting the dollar-centered system with a system centered on the euro is a very difficult and costly proposition. in terms of fundamentals, the euro would have to be substantially more attractive than the dollar for it to replace the dollar on the oil markets. it becomes clear, upon examining the dollar's position, that it is still fairly secure. the continued weakness of the dollar could be a problem down the road, but extrapolating current trends into the distant future is problematic. just five years ago it was the euro that was plunging. for now, it seems the "threat" of the petro-euro is nothing more than hype and idle chatter—a pipedream best left to the imaginations of "old europe" and aspiring "monetary jihadists." e n d n o t e s i panicker (2003) i i interestingly, independent news organizations, internet message boards, and even some foreign newspapers as reputable as the guardian and the h i n d u have printed pieces arguing that saddam's announcement was the real reason for the u.s. invasion of iraq. see chapman (2004) and rajaram (2003) i i i panicker (2003) iv mabro (2000) v mabro (2000) vi horsnell (2000) vi i other grades are assigned prices "using complex formulas derived from marker crudes." see yarjani (2002). v i i i horsnell (2000) ix bergsten (2002), pp. 3-4 x salman (2004) xi bergsten (2002) 2-3 xi i bergsten (1997) xi i i yarjani (2002) xiv yarjani (2002) xv horsnell (2000) xvi mabro (2000) xvii yarjani (2002) xviii bergsten (1997) xix bea (2005) and bea (2004) xx cbo (2005) xxi new york times (2004) xxii bush (2004), pp. 34-5 xxiii levy (1988), p. 666 l o n g s h o t ! t h e p r o s p e c t s o f e u r o p r i c i n g i n o i l m a r k e t s xxiv javad yarjani, the head of opec's research arm, is quoted extensively i n this paper, but his analysis should be qualified by noting that he does not account for the substantial political dimension o f the issue. speaking as the head of opec's petroleum market analysis department, he is approaching the question from a rational economic perspective which may not be wholly consistent with the perspective of opec's more political leaders. the scapegoat theory explains an exception to the assumption of state-level rationality. see yarjani (2002) references bergsten, c. fred. 2002. "the euro versus the dollar: wi l l there be a struggle for dominance?" presented to a roundtable at the annual meeting of the american economic foundation, atlanta, january 4, pp. 3-4. bergsten, c. fred. 1997. "the dollar and the euro." foreign affairs, 76 (4) , july/august. bureau of economic analysis. 2005. "trade gap widens i n 2004." march n . bureau of economic analysis. 2004. "u.s. international trade i n goods and services (seasonally adjusted)." june 14. bush, janet. 2004. "america's foes prepare for a monetary jihad." new statesman, october 4, pp. 34-5. chapman, john. 2004. "the real reasons bush went to war." the guardian, july 28. congressional budget office. 2005. "the budget and economic outlook: fiscal years 2006-2015." january. horsnell, paul. 2000. "oi l pricing systems." oxford energy comment, oxford institute for energy studies, may. levy, jack s. 1988. "domestic politics and war." journal of interdisciplinary history, 28 (4), p. 666. mabro, robert. 2000. "oi l markets and prices." oxford energy comment, oxford institute for energy studies, august. panicker, g. 2003. "wi l l oil trading soon be conducted i n euros?" business times singapore, october 28. portes, richard and helene rey. 1998. "the emergence of the euro as an international currency." nber working paper 6424, february 9. rajaram, n.s. 2003. "the shadow war: euro vs. dollar." the hindu, apri l 22. reuters. 2004. "opec nations seen cutting worldwide deposits i n dollars." new york times, december 6. salman, ramzi. 2004. "the us dollar and oil pricing revisited." middle eastern economic review, 47 (1), january 5. solomon, robert. 1999. "the birth of the euro: how wil l it affect the world economy?" speaking event at the brookings institution, january 7. yarjani, javad. 2002. "the choice of currency for the denomination of the oil bi l l . " speech given in oviedo, spain on apri l 14. e l e m e n t s : : s p r i n g t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with this issue of elements: daniel bairos, technology consultant ben b irnbaum, executive director of the office of marketing communications elizabeth brandes, art director for the office of marketing communications cutberto garza, provost and dean of faculties donald hafner, vice provost for undergraduate studies joyce man n ix, business manager for the college of arts and sciences j o s e p h q u i n n , outgoing dean of the college of arts and sciences barbara vi ech n icki , associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions, or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. cover senagalese boys play football on the streets i n senegal. © nic bothma/epa/corbis p e r i o d i c i t y elements is published twice an academic year i n the fall and spring semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. e l e m e n t s staff e d i t o r i n c h i e f catherine halsey d e p u t y e d i t o r paul wendel m a n a g i n g e d i t o r christopher m. trueax h u m a n i t i e s junsunc kim, senior editor nathaniel campbell, editor emily cersonsky, editor alyssa duquette, editor rebecca kraus, editor n a t u r a l s c i e n c e s katherinewu, senior editor allison lord, editor aiste narkeviciute, editor s o c i a l s c i e n c e s tim kelly, senior editor kerry brennan, editor maria masaveu, editor esteban urlbe, editor l a y o u t erin e. eichan, senior editor dam i en croteua-chonka, editor alyssa duquette, editor w e b m a n a g e r katherine wu f a c u l t y a d v i s e r elizabeth chadwick, professor, college of arts and sciences honors program elements, undergraduate research journal, volume 3, issue 2, fall 2007 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 for submission guidelines please refer to http://www.bc.edu/elements/ copyright © 2007 by trustees of boston college mailto:elements@bc.edu http://www.bc.edu/elements/ e d i t o r ' s n o t e it is a paradox universally acknowledged that change is a constant in life. members of the boston college community can certainly attest to this reality, bearing witness to the ever-changing student body composition and the constant fluctuation of schedules, just to skim the surface. however, this unpredictability is by no means limited to our campus. change is indiscriminate; it touches everyone on some level at some point in life. the question is not whether we wi l l experience change, but rather, how we wil l respond to it. we can either cling timidly to the notions of the past or choose to embrace the change, looking forward to possibilities yet to be realized in the future. this edition of elements encourages us to consider the role that the past plays in our understanding of the present. one article in particular reevaluates linguistic philosophy. yet another piece takes an in-depth look at the planning and care that went into creating the boston parks system. language and parks—how often do we take these things for granted? words communicate meaning, yet we speak before thinking. we stroll through the commons and never stop to consider how such a magnificently green haven came to exist amidst the concrete and buildings of the city. however, acknowledging the legacy of those who came before us is worthwhile as it increases our appreciation of our present circumstance. additionally, it calls to mind the consideration of what our legacy wi l l be. our world, as it exists now, wi l l continue to evolve, morphing into yet another reality for those who come after us. globalization has played a major role in shaping our contemporary perspective. seemingly straightforward means of entertainment, like soccer and hip-hop, have assumed entirely new, more complicated significance that cannot be ignored. we, as humans, gifted with genuine consciousness, have a responsibility to learn from the past, to study our present, and to plan for the future. imagine the possibilities. change impacted elements in a very real way recently. with the graduation of the class of 2007, we witnessed the departure of the final founding members of the journal. under their guidance, elements has become what it is today and for that we thank them. it is with appreciation for their efforts and enthusiasm for the future of the journal that we present this, the first fall edition of elements. it boasts a new look and provides yet another opportunity for the members of the undergraduate student body of boston college to share their intellectual findings. sincerely, c a t h e r i n e m. halsey editor-in-chief a s i a n a m e r i c a n s a n d m e n t a l h e a l t h ! cultural barriers to effective treatment heather speller d i s p a r i t i e s in m e n t a l h e a l t h c a r e for r a c i a l m i n o r i t i e s r e m a i n s a s e r i o u s a n d v e r y r e a l p r o b l e m c a l l i n g f o r i m m e d i a t e att e n t i o n . t h e 2 0 0 1 r e p o r t o f t h e s u r g e o n g e n e r a l a f f i r m e d t h a t e t h n i c a n d r a c i a l m i n o r i t i e s h a v e l e s s a c c e s s t o a n d avai labi lity o f m e n t a l h e a l t h s e r v i c e s , a n d are s u b s e q u e n t ly l e s s l i k e ly t o r e c e i v e n e e d e d m e n t a l h e a l t h s e r v i c e s . t h i s p a p e r e x a m i n e s a r a n g e o f i s s u e s r e g a r d i n g a s i a n a m e r i c a n m e n t a l h e a l t h . it p r e s e n t s t h e p r a c t i c a l a n d c u l t u r a l b a r r i e r s t h a t m e m b e r s o f t h i s e t h n i c g r o u p c o n f r o n t w h e n s e e k i n g m e n t a l h e a l t h c a r e a n d exp la i n s h o w c u l t u r a l d i f f e r e n c e s s o m e t i m e s r e s u l t s in m i s d i a g n o s i s a n d i n e f f e c t i v e t r e a t m e n t . it a l s o e x p l o r e s ways t h a t t h e a m e r i c a n m e n t a l h e a l t h c a r e s y s t e m can i m p r o v e t o a c c o m m o d a t e d i v e r s e e t h n i c g r o u p s . "asian americans frequently experience and express mental illness very differently from westerners, often emphasizing somatic rather than psychological symptoms. these variations can often render accurate assessment and diagnosis more difficult for mental health professionals..." asian americans are the fastest growing minority group in the united states today. according to the 2001 u.s. census, there are over 10.2 mil l ion asian americans in the u.s., making up 3.6 percent of the total population. it is estimated that by 2020 asian americans wi l l number approximately 20 mil l ion, or 6 percent of the population. within the current asian american population 62 percent are foreign born, however american born asian americans are expected to outnumber immigrants by the year 2020. 1 as the most diverse ethnic group in the u.s., the heterogeneity among asian americans is staggering. there are as many as 43 different asian american ethnic groups, each with distinct cultural values, religious traditions, dietary practices, histories, and over 100 languages.11 over the past few decades there have been well-documented mental health disparities among asian americans. members of this ethnic group have been found to experience a number of difficult practical and cultural barriers to effective and culturally appropriate mental health care. asian americans frequently experience and express mental illness very differently from westerners, often emphasizing somatic rather than psychological symptoms. these variations can often render accurate assessment and diagnosis more difficult for mental health professionals who are unfamiliar with asian culture and patterns in asian american mental health. however these difficulties and disparities can be overcome by increasing cultural competency and making ethnic specific services available to asian american communities. a s i a n a m e r i c a n m e n t a l h e a l t h d i s p a r i t i e s the model minority myth has promoted the stereotype that asian americans are successful, hard-working, and intelligent. they are frequently viewed as resilient and healthy, experiencing fewer mental health problems than other groups. it is often assumed that the disproportionately small number of asian americans utilizing mental health services is simply an effect of an overall lower incidence of mental illness. however, low demand for mental health care is not necessarily reflective of low need. 1 1 1 these, and other erroneous conclusions stemming from the model minority myth, are just that: myths. in reality, asian americans do experience mental illness and have an equally high, i f not higher, need for appropriate mental health services as any other racial or ethnic group. asian american adolescent boys are twice as likely to have been physically abused and are three times more likely to report abuse than their white american counterparts.iv asian american women aged 15-24 and 65+ have the highest suicide rates in the u.s. out of all racial and ethnic groups/ asian american college students have been found to report higher levels of depressive symptoms than white studentsvi and kessler and others found that chinese americans have a lifetime prevalence of major depression of as high as 17 percent (1994). immigrants and refugees are considered to be "high-need" populations, as a result of magnified stressors and difficulties frequently experienced in a new and unfamiliar culture. some of the common reported stressors include crime and personal safety, unemployment/financial difficulties, language barriers, physical illness, and lack of a support network of friends and relatives.v 1 1 a consistent pattern of underutilization of mental health services among asian americans has been well documented for several decades.vu1 those who do receive mental health treatment are often greatly delayed in help-seeking, and thus tend to be more severely i l l upon treatment init iation. l x such phenomena likely contribute to the findings that asian americans who do receive inpatient care necessitate more intensive treatment and have comparatively longer lengths of stay." poor outcomes for short-term treatment are also common, with decreased patient satisfaction and frequent premature termination of care.x i in 1998 zhang and others found that asian americans, when compared to white americans, were much less likely to report mental health problems to friends or relatives, psychiatrists or mental health specialists, or to physicians (with relative rates of 12 percent, 4 percent, and 3 percent). barriers to s e e k i n g h e l p p r a c t i c a l b a r r i e r s several barriers to mental health treatment for asian americans have been identified, all of which are thought to contribute to these problematic trends of underutilization. limited availability is one of the important issues that must be addressed. in 1998 manderscheid and henderson found there were approximately 70 asian american providers available per 100,000 asian americans in the u.s., with a ratio of over twice that for whites. the availability of bilingual asian american providers is crucial, especially among immigrant populations for whom language presents a huge barrier to care. other practical barriers include high costs of treatment, a problem only magnified by the fact that over 21 percent of asian americans lack health insurance and as many as 14 percent are living below the poverty level." 1 1 many individuals working one or two full-time jobs experience difficulties with scheduling and time constraints, unable to take time off of work. however, one of the greatest barriers is a general lack of mental health awareness, especially regarding what services are available and how to access t h e m . x m c u ltu ral b a r r i e r s perhaps even more significant than the practical barriers are the cultural barriers that frequently deter asian americans from seeking psychological help. however, in order to appreciate and effectively address these cultural barriers, it is first necessary to recognize the vast cultural differences between traditional asian values and those of the dominant american culture. asian values are centered on the concept of interdependence in a collectivistic society. as a result asian cultures emphasize concepts such as emotional self-control, humility, filial piety, family recognition through achievement, and the integration of the mind and body. contrastingly, american society glorifies the individual, encouraging the self-sufficiency and independence. american culture tends to value emotional self-expression, expression of pride, a duty to satisfy personal needs, self-recognition through achievement, and the separation of mind and body. x l v subsequently it should not be surprising that many asian americans have considerable conceptual difficulties regarding the western notions of mental illness and mental health services. individuals who embrace the theory of mind-body holism often experience great difficulty distinguishing between psychological and physical ailments. x v however, in order to successfully navigate the american mental health system, it is imperative to have a clear conceptualization of "mental illness" and how it and its associated symptoms differ from physiological illness. furthermore, asian americans who do have a understanding of the western concept of mental illness often a s i a n a m e r i c a n s a n d m e n t a l h e a l t h : c u l t u r a l b a r r i e r s t o e f f e c t i v e t r e a t m e n t view it very negatively, and thus hesitate to utilize mental health services, even i f available. in accordance with the cultural tendency towards emotional self-control, many asian americans view emotional distress as a sign of weakness, resulting from a lack of discipline or will power. a 1976 study of chinese, japanese, and filipino students found that the majority believed good mental health could be achieved by the avoidance of morbid thoughts, and that getting help with this "weakness" reflects poorly on char-acter.xvl then, in 1983, cheung and others confirmed that the causes that one attributes to mental illness greatly influence the sources of psychological help one deems appropriate. one of the greatest cultural barriers to treatment, however, results from the low social acceptability of mental disorders in asian cultures. asian americans frequently view mental illness as highly stigmatizing and thus are less likely to recognize, acknowledge, or seek help for mental health problems.™ 1 it is not uncommon for an individual who is experiencing a decreased level of functioning to express feelings of shame and personal failure. he or she might be apprehensive to seek help outside of the family for fear of disgracing the family name, but also be reluctant to discuss mental health issues with family members, for fear of being burdensome. e x p r e s s i o n of m e n t a l i l l n e s s s o m a t i z a t i o n studies have found that this cultural stigma associated with mental illness is a factor influencing the observed tendency towards somatization among asian americans.™ 1 1 it is possible that members of this ethnic group are consciously or unconsciously denying the experience and expression of emotions and psychological symptoms, instead expressing such symptoms in more individually and culturally acceptable ways. many initial theories attributed somatization tendencies to a general lack of psychological mindedness among asian americans, exacerbated by the lack of descriptive psychological vocabulary in asian languages.*1* however studies have since refuted the idea that asian americans have some sort of inability to experience, access, or process psychological difficulties. in 1982 cheung and lau found that asian american patients are often fully aware of their own emotional problems as well as stressors and chronic difficulties that could be related to both their psychological and somatic symptoms. for example in initial clinical interviews vietnam refugees reported mostly somatic complaints, however, when they were asked specifically, they had no difficulties identifying and reporting their psychological symptoms as well.** it was concluded that asian americans were likely to selectively present their symptoms based on what they believed to be appropriate for a given clinical setting. different styles of symptom expression and a tendency towards somatization can make it much more difficult to recognize and treat mental illness in asian americans using traditional western diagnostic strategies. western mental health systems are grounded in the mind-body dichotomy, a concept that influences nearly every aspect of health care in america, including the expression of distress. it would not be unusual for an individual accustomed to the traditional asian organ-oriented concept of pathology to attribute mental distress to bodily disharmony, thus increasing the likelihood of seeking help from a primary care physician rather than a mental health professional. this makes it even more critical to ensure that all asian americans have access to culturally sensitive healthcare providers, who are aware of such complexities. c u l t u r e b o u n d s y n d r o m e s there are currently many difficulties regarding the crosscultural assessment and diagnosis of mental disorders, as is illustrated by the ongoing debates regarding "culturebound syndromes." a culture-bound syndrome is a recurrent, locality-specific pattern of aberrant behavior and troubling experience that may or may not be linked to a particular diagnostic category.**1 these syndromes are often indigenously considered to be "illnesses" or afflictions, most with local names. diagnostic and treatment difficulties arise when a disorder that is well-established and recognized within one culture remains ambiguous and unclassified in another. "neurasthenia" (a.k.a. shenjing shaijo) is a culture-bound syndrome originating in china that resembles major depressive disorder. however it is often characterized more by salient somatic features and often lacks the depressed mood that is so central to a diagnosis of major depressive disorder,™' as classified by the diagnostic and statistical manual of mental disorders, version 4, text revision (dsm-iv-tr). although neurasthenia is classified in the international classification of diseases, version 10, it is not recognized as an official diagnostic category in the dsm-iv-tr. a 1997 study found approximately 7 percent of chinese americans in los angeles to be experiencing symptoms of neurasthenia, less than half of whom were symptomatic of a co-morbid dsm-iii disorder.™ 1 1 findings such as these suggest that culture-bound syndromes are indeed very real phenomena that require further research and clinical attention. c l i n i c a l c h a l l e n g e s & c u l t u r a l c o m p e t e n c y given the tendency for different ethnic groups to express distress in unique and varied ways, we must ensure that the diagnostic tools being used for assessment adequately account for such potential cultural differences. unfortunately, misdiagnosis is much more common in crosscultural situations, and it is unclear whether the current western diagnostic systems and assessment techniques fit with asian american sub-cultures.x x i v assessment tools frequently become even more invalidated when translated into other languages in an attempt to accommodate nonenglish speaking populations.50™ inaccurate mental health evaluation of asian americans can also result from cultural biases among clinicians. mental health professionals who practice rigid adherence to dsm-iv diagnostic criteria may have a narrow way of defining what disorders exist and how they are manifested. it is important to note however, that errors can be a result of overpathologizing or underpathologizing. x x v i overpathologizing can occur when a clinician who is unfamiliar with the cultural nuances of the patient judges normal cultural variations in beliefs or behaviors as indicative of psychopathology. for example, the experience of hallucinations during religious practices is considered normative in certain cultures. however i f the clinician is unaware of these cultural norms, he or she might misdiagnosis the patient with a psychotic disorder. on the other side of the spectrum, the indiscriminate application of cultural explanations to all mental and/or behavioral deviations is termed underpathologizing. this could occur i f an asian american patient's reserved and flat affect is incorrectly attributed to cultural behavior norms instead of to the existence of a depressive disorder. similar problems can arise i f a clinician is influenced by the stereotype of the model minority myth; asian american clients could be seen as experiencing few or no social and psychological problems, especially in terms of their ability for adjustment to the u.s. there are many other challenges and traps that may arise when providing mental health care to asian americans that a culturally sensitive therapist must be sure to avoid. references to other asian american sub-groups could offend a client who does not see h im or herself as connected (or may actually harbor feelings of hostility) to the other ethnic group. 5 0™ 1 1 given the enormous diversity between the many asian american ethnic groups, mental health professionals must be aware of the erroneous conclusions that can be made when asian americans are treated as a single category. rather, it is important to recognize diversity within racial and ethnic groups, in addition to being aware of between group differences. to further complicate these issues there is also a wide range of variation within specific subgroups, due to the varying levels of acculturation among individuals. acculturation is defined as the adoption of the worldviews and living patterns of a new culture; 5 0™ 1 1 1 it is the process of change that occurs when two or more cultures come into contact. studies have found that more highly acculturated asian americans have more positive attitudes toward seeking a s i a n a m e r i c a n s a n d m e n t a l h e a l t h : c u l t u r a l b a r r i e r s t o e f f e c t i v e t r e a t m e n t psychological services, and display higher help-seeking behaviors.x x 1 x they also tend to be more tolerant of the stigma associated with psychological help, and are most open to discussing mental health problems with a psychologist.50™ there are large variations in values, attitudes, and methods of expressing mental illness between asian americans of high and low acculturation, and it must be cautioned that generation (i.e. how long one's family has been in the country) is not always a direct or accurate indicator of acculturation. as a crucial component of providing culturally competent and appropriate care, mental health professionals must be aware of the varying acculturation levels among their own patients. e t h n i c s p e c i f i c s e r v i c e s a culturally competent mental health system incorporates skills, attitudes, and policies to ensure that it is effectively addressing the treatment and psychosocial needs of consumers and families with diverse values, beliefs, and sexual orientations, in addition to backgrounds that vary by race, ethnicity, religion, and/or language. one of the most propulsive forces in the struggle for cultural competency is the establishment of ethnic specific services. these services recognize need for more culturally responsive mental health care for ethnic communities, and thus seek to provide bicultural and bilingual personnel, culturally relevant treatment practices, and a culturally familiar and comfortable atmosphere. studies have found that asian americans show increased utilization of mental health services when patient centers are specifically oriented towards asian americans. 5 0 0 0 lin and cheung (1999) observed a decrease in delay between symptom onset and help-seeking, as well as a decrease in premature termination of care when ethnic specific services were available. another benefit of ethnic specific services is that asian americans are more likely to receive culturally appropriate therapeutic techniques, which can have a substantial impact on the treatment outcome and patient satisfaction. for example, one of the most common therapeutic techniques in western medicine is psychotherapy. this "talking therapy" is often a completely foreign idea to asian americans, and is largely at odds with traditional asian beliefs. asian american patients are often uncomfortable with the concept of examining and discussing one's inner thoughts and feelings, especially given the commonly held asian belief that the best way to deal with mental illness is to avoid morbid thoughts and repress emotions. 5 0 0 0 1 the therapeutic technique of cognitive-behavioral therapy has been found much more effective than psychoanalytic techniques among asian americans; they often respond better to a directive, pragmatic, problem-solving approach that offers immediate and tangible help. cultural sensitivity is even important at the pharmacologic level. studies have shown asian americans to be slow metabolizers of cytochrome p-450 enzymes, rendering them much more sensitive to pharmacotherapy. 5 0 0 1 1 1 1 especially for patients who tend to have a smaller body size, it is imperative for clinicians to be aware of these differences and adjust medication doses accordingly. despite the many benefits of ethnic specific services as discussed above, some clinicians have questioned possible drawbacks to the establishment of these services. uba (1982) suggested that such downsides could include an inability to reach asian americans outside of major urban areas, and that focusing on cultural competency within specific mental health centers could potentially l imit the opportunity to provide culturally competent care among a wider range of service providers. there is also a concern that when asian americans become accustomed to using ethnic specific services, they may actually become further discouraged from utilizing other universal services for which cultural specificity is unavailable. it must also be noted that matching asian americans with asian american therapists is not always helpful, especially i f the two are from different ethnic subgroups. 5 0 0^ depending on factors such as acculturation, personal beliefs, and cultural influences, some asian americans actually express a preference for non-asian american providers. in 2002 kim and atkinson found that asian american clients with high adherence to asian cultural values evaluated asian american counselors as more empathetic and credible, e l e m e n t s s p r i n g 05 and clients with low adherence to asian cultural values evaluated european/american counselors as more empathetic. however somewhat unexpectedly, clients overall rated the session with a european/american counselor as more positive and arousing than the session with an asian american counselor. s o u t h c o v e c o m m u n i t y h e a l t h c e n t e r the south cove community health center is an ethnic specific service located in boston that targets the asian americans population in and around chinatown. i had the opportunity to chat with dr. albert yeung, a clinician in the behavioral health department at south cove, to inquire about his views on culturally specific clinics. he is a strong advocate, describing the need to reach out to a population who lack a western conception of mental health, maintain stigmatized attitudes, and thus avoid mental health services. dr. yeung was also quick to refute the aforementioned uncertainties and questioned disadvantages, providing a strong case for ethnic specific services. in areas such as boston's chinatown where much of the population is composed of non-english speaking immigrants and refugees, many of the people feel as i f they cannot and consequently will not seek help, medical or psychological, from the large boston hospitals. they are anxious, have difficulties navigating the massive hospital mazes, cannot adequately explain their symptoms, and often feel uncomfortable and hesitant to disclose their problems, especially i f an interpreter is being used. south cove does not force itself on the residents, but is there as a place where members of the asian community can feel safe and comfortable, and are able to speak with clinicians in their native tongue. additionally, dr. yeung asserted that the use of this culturally specific service does not handicap people, nor does it discourage them from using other non-ethnic specific services in the future. in fact, patients typically "graduate" to mainstream hospitals as their english begins to improve and they become more comfortable with american culture and institutions. dr. yeung also refuted the criticism that centers like south cove l imit the opportunity for other services to increase their cultural competency. i f anything, centers like south cove can be used as a model for other mental health centers, demonstrating effective ethnic specific methods of providing quality care to asian american populations. however, this is an extremely complex issue. in order to provide the much needed culturally sensitive care, clinicians need to both recognize the illness and form a connection with the patient so that the patient feels comfortable receiving treatment. one commonly held belief is that this should be facilitated by being clear and straightforward, carefully explaining to the patient everything that is going on with the diagnosis, treatment, etc. however dr. yeung brought up a difficult ethical issue that must be addressed. it is a frequent practice for doctors in asian countries to withhold certain pieces of information that they believe could have a detrimental effect on the patient. for example, i f a clinician tells an asian american patient outright that he or she is diagnosed with major depressive disorder, dr. yeung estimated that approximately one-half of patients wil l never return for treatment. for such reasons, this practice of selectively withholding information is acceptable and even standard procedure in asian mental health systems. since such a practice is prohibited by western medical regulations, a difficult question of ethics arises: is one obligated to disclose all diagnostic information to a patient, even i f one suspects that it wil l negatively impact the patients mental health (which is likely already somewhat unstable), and potentially prevent h i m or her from continuing treatment? there is a definite need for further research in this area, as many questions remain unclear. what psychiatric and psychological terminology should be used with asian americans, and what diagnostic terms are most stigmatized and wrongly interpreted by the patient? how should mental health professionals help asian americans to better conceptualize mental illness, dispelling negative stereotypes? do the treatment approaches need to be modified from the traditional western framework, and what techniques are the most acceptable and effective with asian a s i a n a m e r i c a n s a n d m e n t a l h e a l t h : c u l t u r a l b a r r i e r s t o e f f e c t i v e t r e a t m e n t americans? especially in boston (as most studies in this field are conducted los angeles), there is a lack of research on issues such as retention rates, service outcomes, satisfaction with care, and community attitudes toward mental illness and mental health services. m e n t a l h e a l t h a w a r e n e s s at b o s t o n c o l l e g e many studies have found that knowledge of and attitudes toward mental illness are strong predictors of help-seeking behaviors. x x x v asian american students often are found to have more negative attitudes toward mental illness in addition to decreased rates of mental health service utilization. 5 0 0™ given the high incidence of mental illness in today's society, and the reported hesitancy of students to seek professional psychological h e l p , x x x v n it is crucial to continually monitor public beliefs regarding mental illness i f there are to be gains in prevention, early intervention, self-help techniques, and community support of those with mental illness. to obtain more information about mental health issues on the boston college campus, i interviewed dr. frieda wong, a clinician at bc's university counseling services (ucs). dr. wong, although only able to speak from personal experience, indicated that she had not noticed disproportionate underutilization of ucs among asian americans or other students of color. it was her opinion that barriers to mental health service utilization exist for all students, and did not suspect that such barriers were greatly pronounced for minority students at bc. although no formal research has been conducted on the topic, she suggested that potential similarities in attitudes, knowledge, and help-seeking behaviors between asian american and white american students might be a result of relatively high levels of acculturation among asian american bc students. m e n t a l h e a l t h a t t i t u d e s s u r v e y in an attempt to further investigate this issue, i designed a brief mental health attitudes survey to get a small sample of the knowledge and opinions of mental illness and proclivity toward seeking psychological help among bc students. the sample was composed of nine asian american students and nine white american students, all sophomores and juniors of mixed gender. when presented with a classical depression vignette, both groups of students indicated that it was "somewhat" or "very likely" that the individual was experiencing a mental illness, and all students correctly identified the individual as depressed. it was noted that for many survey items there were few or no observable differences between the two racial groups. however it was found that slightly more asian american students believed there are certain problems which should not be discussed outside of one's immediate family, and that mental illness carries with it a burden of shame. there was a notable difference between the two ethnic groups regarding desired social distance. participants were asked to indicate, using a 5-point scale (o=yes, 4=no), the likelihood that they would engage in specific interactions with the depressed individual designed to measure social distance. as illustrated in figure 1, asian americans scored significantly higher than whites on every item (indicating that they desired greater social distance). in interpreting these results it is important to keep in mind that these questions were referencing an individual with a classical, nonchronic, non-psychotic presentation of depression, who as stated has only been feeling depressed for the past two weeks. specifically of interest was the observation that the majority of asian americans reported they would not be willing to have the individual to marry into the family, while the majority of white americans responded with either "probably yes" or "maybe." additionally, more than half of the white americans would be willing to spend an evening socializing with the individual, and would be willing to make friends with the individual. whereas in sharp contrast, none of the asian americans responded with "yes" to these items, and only a few responded with "probably yes." when asked about university counseling services, it was found that white american students were more familiar with the types of services ucs provides and felt more comfortable with the idea of seeking help at ucs. it was also observed that although one-third of students in both racial groups agreed they would feel uneasy going to a psychiatrist, less than half of white american students and only one asian american student reported feeing comfortable seeking help from ucs. reasons cited for this hesitancy ranged from general feelings of discomfort, fears about confidentiality issues and lack of trust, lack of knowledge, and a desire to deal with personal problems on one's own. the results of this preliminary survey suggested that among bc students, although there are many similarities between asian american and white american students, the two groups differ in a few key areas. the findings of higher levels of desired social distance, greater association of mental illness with shame, and more pronounced hesitancy to utilize ucs all confirm the literature findings of lower help-seeking behaviors and negative and stigmatized attitudes towards mental illness. the results also indicated that there may be a lack of knowledge and negative misconceptions among students regarding ucs, both of which likely contribute to an observed hesitancy to utilize its services. it is important to keep in mind that this study had a very small sample size and these results are only tentative. however this data has provided a good jumping off point for future research in the upcoming year regarding knowledge and opinions of mental health issues among asian and white american bc students. e n d n o t e s i u.s. census bureau (2000) i i report of the surgeon general (2001) i n lin & cheung (1999) iv schoen et al. 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"chinese americans' help seeking for emotional distress." social service review, 77: pp. 110-134. leong, f., lau, a. 2001. "barriers to providing effective mental health services to asian americans." mental health services research, 3: pp. 201-214. lin, k. & cheung, f. 1999. "mental health issues for asian americans." psychiatric services, 50: pp. 774-780. lin, k. & smith, m . 2000. "psychopharmacotherapy in the context of culture and ethnicity." in p. ruiz (ed.), ethnicity and psychopharmacology. washington, dc: american psychiatric press: pp. 1-27. liu, w., yu, e., chang, c , fernandez, m . 1990. "the mental health of asian american teenagers: a research challenge." i n stiffman, a. & davis, l. ethnic issues in adolescent mental health: pp. 92-112. lopez, s. 1989. "patient variable biases i n clinical judgment: conceptual overview and methodological considerations." psychological bulletin, 106: pp. 184-203. manderscheid, r. & henderson, m . (eds.). 1998. mental health, united states: 1998. rockveille, m d : center for mental health services. masuda, m. , lin, k., tanzuma, l. 1980. adaptational problems of vietnamese refugees: part i i . life changes and perception of life events. archives of general psychiatry, 37: pp. 447-450. mental health: culture, race, and ethnicity—a supplement to the mental health: a report of the surgeon general. 2001. rockville, md: u.s. dept of health and human services. narikiyo, t. & kameoka, v. 1992. "attributions of mental illness and judgments about help seeking among japaneseamerican and white american students." journal of counseling psychology, 39: pp. 363-369. root, m . 1998. "facilitating psychotherapy with asian american clients." in atkinson, d., morten, g., sue, d. (eds.), counseling american minorities. boston, ma: mcgraw h i l l . schoen, c , et al. 1998. the health of adolescent boys: commonwealth fund survey findings. new york: louis harris and associates, inc. suan, l. & tyler, j. 1990. "mental health values and preference for mental health resources of japanese-american and caucasian-american students." professional psychology: research and practice, 21: pp. 291-296. sue, d. 1994. "asian-american mental health and help-seeking behavior: comment on solberg et al. (1994), tata and leong (1994)' a r , d lin (1994)." journal of counseling psychology, 41: pp. 292-295. sue, d. & sue, s. 1987. counseling in the culturally different. new york: wiley. sue, s. 1976. "conceptions of mental illness among asian and caucasian-american students." psychological reports, 38: pp. 703-708. 79 takeuchi, d., sue, s., & yeh, m . 1995. "return rates and outcomes from ethnicity-specific mental health programs in los angeles." american journal of public health, 85: pp. 638643. uba, l. 1982. "meeting the mental health needs of asian americans: mainstream or segregated services." profession psychology: research practice, 13: pp. 215-221. u.s. census bureau. 2001. the asian and pacific islander population in the united states: march 2000 (update) (ppl-146). retrieved from http://www.census.gov/ population/ www/socdemo/race/api.html. yeh, m. , takeuchi, d., sue, s. 1994. "asian american children treated in mental health system: a comparison of parallel and mainstream outpatient service centers." journal of clinical child psychology, 23: pp. 5-12. yeung, a. & kung, w.2004. "how culture impacts on the treatment of mental illnesses among asian-americans." psychiatric times, pp. 34-36. ying, y & miller, l. 1992. "help-seeking behavior and attitude of chinese americans regarding psychological problems." american journal of community psychology, 20: pp. 549-556. zhang, a., snowden, l., sue, s. 1998. "differences between asian and white americans' help seeking and utilization patterns in the los angeles area." journal of community psychology zheng, y, lin, k., takeuchi, d, et al. 1997. "an epidemiological study of neurasthenia i n chinese-americans i n los angeles." comprehensive psychiatry a s i a n a m e r i c a n s a n d m e n t a l h e a l t h : c u l t u r a l b a r r i e r s t o e f f e c t i v e t r e a t m e n t http://www.census.gov/ sierra leone k a i l a h u n ai ds victi m at govern m e nt hospital © oliv ier polet/corbis l o o k i n g aids in the face © gideon mendel /corb is n a n dl temple courtesy o f the private col lec t ionof michel le hubele offering o n the ganges, varanasi , i n d i a © veni / is tockphoto w o m a n sewing at h o m e n e a r a w i n d o w for l i g h t © n o r t h w i n d picture arch ives /a lamy jesus c h o o s i n g the apostles © n o r t h w i n d picture arch ives /a lamy friends © brasrb / is tockphoto m o n i c a lewinsky s u r r o u n d e d by photographers © jeffrey marlcowitz /sygma/corbis side view portrait of alci biades © bet tmann/corb is a r c h b i s h o p oscar arnulfe romero © bet tmann/corb is 5 south african president nelson mendela w i t h a r c h b i s h o p d e s m o n d tutu © w a l t e r d h l a d h l a / a f p / g e t t y images newt g i n g r i c h h o l d i n g "contract w i t h a m e r i c a " © reuters/corbis etching by george cru i ksh an k of scenes from oliver twist by charles dickens as oliver asks for more food in w o r k h o u s e © t i m e life p ic tu re /manse l l /t ime life pictures/getty images music lesson in a southern plantation house 1 700s © n o r t h w i n d picture arch ives / a l a m y flagellation of a female slave by j o h n gabriel stedman © stapleton col lect ion/corbis w o m a n s t a n d i n g outside former slave plantation © karen kasmauski /corbis contrast in the streets of l o n d o n e n g l a n d britain uk © g i a n n i m u r a t o r e / a l a m y make poverty history rally at trafalgar square l o n d o n o n 03 february 2005 © bob johns/expressionpictures.co.uk/alamy http://co.uk/ "from the crude cacophony of inferno to the celestial music of the spheres in paradise, music abounds in the divine comedy." m u s i c as m i r r o r dante's treatment of music in the divine comedy kri s t i n a a s t e a t i m e o f g r e a t m u s i c a l d e v e l o p m e n t , t h e f o u r t e e n t h c e n t u r y i s t h e p e r f e c t b a c k d r o p f o r t h e a u d i t o r y a l l u s i o n s o f d a n t e a l i g h i e r l ' s divine comedy. t h i s a r t i c l e a r g u e s t h a t d a n t e u t i l i z e s m u s i c a l i m a g e r y a s a n e s s e n t i a l c o m p o n e n t o f h i s a l l e g o r y . i n f l u e n c e d b y b o t h c h r i s t i a n t h i n k e r s a n d p h i l o s o p h e r s , d a n t e l i k e l y v i e w e d s c h o l a s t i c m u s i c a s a n a d j u n c t o f r e l i g i o n . i n t h e divine comedy, t h e r e f o r e , d a n t e p r e s e n t s a u d i t o r y a l l u s i o n s a s a n i n e x t r i c a b l e f a c t o r o f t h e p r o t a g o n i s t ' s e p i c p i l g r i m a g e t h r o u g h h e l l , p u r g a t o r y , a n d h e a v e n . t h r o u g h a p r o g r e s s i o n o f a n t i m u s i c i n i n f e r n o t o h u m a n c o n t e x t i n p u r g a t o r y t o t h e m u s i c o f t h e s p h e r e s i n p a r a d i s e , t h i s e s s a y e x p l o r e s h o w t h e m u s i c a l l a n g u a g e o f d a n t e ' s divine comedy c o n v e y s h u m a n i t y ' s i n n a t e c o n n e c t i o n w i t h g o d . from the crude cacophony of inferno to the celestial music of the spheres in paradise, music abounds in the divine comedy. the text contains one hundred and forty-six references to music: twenty-nine in inferno, fifty-nine in purgatory, and fifty-seven in paradise. rich in hymns and liturgical songs, including "regina coelis", "gloria", "sanctus", "miserere", "agnus dei", "te deum laudamus", and " i n exitu israel", the divine comedy also features instruments of all kinds: drums, horns, trumpets, harps, kitharas, and lutes. there are choirs, polyphonic choruses, and even dances, from the fickleness of dame fortune in inferno to the joyful symmetries of the blessed in paradise. with the lukewarm in inferno, the song of casella in purgatory, and the celestial music of the spheres in paradise. each specific passage, especially seen in context of the comedy's other musical references, illustrates dante's overall thematic thesis of humanity's relationship with god. in inferno, the auditory atmosphere of chaos and suffering expresses estrangement from god. in purgatory, psalms and hymns have an active role in purification, where dante emphasizes the distinction between 'good' music of expiation and 'bad' music of sheer enjoyment." even the celestial music of the spheres encountered in paradise symbolizes perfect union with god. music plays distinct, specific roles in each book and respective realm. undoubtedly, dante alighieri was deliberate in creating such an overwhelming number of musical references. these allusions thematically unite the three books of the comedy, and as the academic robert lansing contends, "the commedia is a phonic structure whose mortar is music." 1 dante's philosophical training and his personal interest in music suggest that he employs the language of music throughout the divine comedy to support his allegory. three key passages of inferno, purgatory, and paradise outline this assertion: dante's auditory experience discussion of dante's work must begin with its biographical and cultural context. for example, it is impossible to read his poetry without understanding his great love for the city of florence and his adoration of beatrice. biographies of dante likewise reveal that he was also an enthusiast of music. in vita di dante, giovanni boccaccio writes: he greatly delighted in playing and singing in his youth, and was a friend to all who at that time excelled in singing and playing, and frequented their company . . . as a youth, e l e m e n t s : : f a l l 0 8 he derived great pleasure from music and songs. he also cherished the friendship and company of all the best singers and musicians of his day. drawn on by this delight, he composed many lyrics, which were then embellished by pleasant and masterful melodies.111 this excerpt illuminates two distinctions in dante's musical experience. michele croese divides his exposure to music into a first stage of experience and a second stage of exploration. the first stage includes the practical musical training dante received due to his high class. for example, dante and his contemporaries who wrote in the dolce stil nuovo, or the "sweet new style" of italian lyric poetry considered music a critical pastime. the second stage regards dante's own philosophy of music. this probably developed during his highly scholastic period prompted by the death of beatrice. during this time, dante encountered philosophical texts that likely pushed his musical knowledge from the practical world to the theoretical realm. among these philosophical texts was aristotle's politics, which states that music has the power to affect the morality of society.in as a humanist and a theologian, dante presumably combined this principle with the thoughts of early christian thinkers such as augustine and cassiodorus. .. music is often the way characters express their union or lament their dissociation from god." these scholars felt that music was an essential component of religion. in psalmum xxxii enarratio, st. augustine writes, "the sound of jubilation signifies unspoken love . . . i f you cannot speak h i m into words, and yet you cannot remain silent, what else is left to you i f not the song of jubilation, the rejoicing of your heart beyond all words, the immense latitude of joy without limits of syllables?"" these combined christian and philosophical influences propelled dante to a scholastic view of music as an adjunct of religion, an art capable of promoting contemplation and inspiration in the faithful. this philosophy seems to be the theoretical backdrop for the auditory allusions of the divine comedy, which presents music as an inextricable component of the protagonist's epic pilgrimage through hell, purgatory, and heaven. dante's primary and practical exposure to the art also likely influenced his writing. the dante encyclopedia states that dante "saw music involved in the human activities of singing, playing, and dancing. he saw music in the macrocosm and the microcosm, hence his musica mundana, musica humana, and musica instrumentalis."" originally penned by boethius in his fundamentals of music, thistripartite division was standard in medieval musical thought. musica mundana refers to the music of the universe; musica humana represents the human soul and body; and, musica instrumentalis classifies sounds of the voice and instruments. dante wrote about these three categories precisely in vita nuova, but explored them thematically in the divine comedy: "the troubadour song in purgatory is the worldly musica instrumentalis, the shades sing hymns to . . . reach musica humana, and the celestial 'armonia' of paradise ascends to musica mundana, the music of the spheres."v" dante the pilgrim realizes that music is often the way characters express their union or lament their dissociation from god. this is another characteristic of the medieval era, when often "the purpose of singing was to offer praise to god in a heartfelt, joyful way." u" in paradise, music is "an outward expression of an inward bliss. the picture of a kind of choric dance often rises before us as we read of the manifestations of joy in the successive spheres."1*1 in an ideal form, music represents positive expressions of god's love. m u s i c a s m i r r o r therefore, the reverse applies for those who are farthest from god—those in inferno. inferno, the physical center of dante's universe but the farthest from its spiritual center, is the realm of disharmony. dante combines the ideas of eternal confinement and lack of harmony with his usual forcefulness: he dubs inferno a cattivo coro, or "petty choir". this cattivo coro is the definition of anti-music: "there sighs and moans and utter wailing swept / resounding through the dark and starless air. i heard them for the first time, and i wept." x screams and sighs resound instead of song, an experience that is more than the pilgrim can bear. he weeps because the hopelessness of this antimusic is beyond his expectations for humanity. "shuddering din of strange and various tongues / sorrowful words and accents pitched with rage / shrill and harsh voices, blows of hands with these." this infernal disharmony is chaotic, abrasive, and devoid of order. a strict student might classify these indications as musica instrumentalis; however, it suits dante's overall theme to suggest instead that this is tumultuous noise devoid of any human qualities. dante the pilgrim even inquires, "my teacher, what are all these cries i hear?... what grief is it that makes them wail so loud?" x" he discovers that these neutrals received what they deserve and what their own disordered love has warranted. their grief is their absence from god's presence. their utter loneliness manifests itself through noise, but this same anti-music compounds their pain. this infernal disharmony continues in the "noise" of the suicides in canto x i i i v i l and the "harsh and clacking rhymes" of canto x x x i i . x i v the lustful cry "as the cranes go singing their lays," and the diviners silently advance "at the pace taken by litanies."x v i virgil even announces lucifer by stating: "vexilla regis prodeunt" or "the standards of the king of hell advance."xv1 1 this is a play on a liturgical hymn: "the parody of a liturgical hymn—more symbolic than ironic—heralds the presence of the prince of darkness." x v i i i by sardonically referencing a hymn, virgil hints at hell's desolate nature by suggesting the distorted humanity and estranged nature of inferno. dante also makes intriguing references to musical instruments throughout inferno. in the medieval era, instruments were often too costly to be commonplace. vernacular aside, the inclusion of instrumental imagery indicates an attempt to reach an audience of the merchant middle class, a group that would have had the ability to purchase instruments. nevertheless, dante still uses this imagery to emphasize his theme of man's relationship with god. his first instrumental reference is a description of master adam of brescia. the poet plays on the duplicitous nature of this counterfeiter and describes master adam in terms of two instruments. his swollen body is a "fat lute , " x l x he says, and, after another sinner strikes h im, his stomach "booms as i f it were a kettledrum. " x x the counterfeiter first appears as what he is not, a superior instrument of perfection. when sounded, however, his body "produces the disharmonious sounds of an inferior instrument, a drum."™ canto xxxi continues this instrument metaphor when barbariccia, a devil torturing the barrators, "made a bugle of his arse." x x" additionally, dante the pilgrim notes nimrod's babbling as the "deep blast of a horn / loud enough to make roaring thunder fa int . " x x i i i these two examples imply, like the parody of the hymn, the distortion of humanity that occurs in the miserable landscape of hell. even the chattering teeth of the traitors in canto xxxii contribute to the wretchedness of dante's auditory inferno. characterized by silence, screams, or disharmonious noises, inferno demonstrates that those disconnected from god have also separated themselves from their ability to utilize music in a positive manner. as dante the pilgrim moves beyond inferno to purgatory, he notices a distinct change in auditory atmosphere: "how different are these holes from those below! / here you go accompanied by song, / down there you pass the jaws with cries of woe . " a 1 v in this passage, dante underscores the contrast between hell and purgatory through musical language. in inferno, the damned utter vivid cries of anguish, including shouts, sighs, wails, and shrieks. this e l e m e n t s f a l l 0 8 t h e l o u d b l a s t o f a h o r n i n c a n t o x x x i o f t h e inferno a d d s t o t h e o v e r a l l d i s h a r m o n y . cacophony remains consistent with dante's unrelenting belief that mortal disconnection from god leads to eternal loneliness and pain. however, the souls in purgatory all know that they wi l l eventually ascend to heaven. while their counterparts are in endless agony, those in purgatory still maintain hope. in purgatory, spirits endure their punishments with prayer and song rather than cries of pain. while inferno featured anti-musical moments that echoed the hopeless nature of damned souls, purgatory reminds the reader that its inhabitants are only there unti l they reach complete purification—they sing a "song" instead of "cries of woe" .™ in purgatory, musica humana serves three functions for repairing a relationship with god: soothing, worshipping, and teaching. al l souls in purgatory are en route to achieving happiness with god after his or her allotted time; therefore, the hopeless nature of inferno disappears. there is still one similarity to inferno, though: the worship hymns , or antiphons, sung as part of the purification process often echo the virtue of the specific sin purged from the souls. the gluttonous sing, "o lord, open thou my lips" in canto li, mirroring similar acts of dante's contrapasso.xxvi additionally, the souls of the violently slain sing the "miserere", and the souls of those purified from the sin of avarice repeat the verse, "my soul cleaveth to the dust" . x x v i i these psalms and hymns help souls to expiate their specific sins. those killed by violence and saved from damnation sing the "miserere", for example, and dante reinforces their humility by having them sing "beati pauperes spiritu," a hymn based on the first beatitude—"blessed are the poor in s p i r i t " . x x v m the envious sing "beati misericordes," or "blessed are the merciful," because while on earth they were far from gracious.x x i the two songs of the siren also demonstrate the educative aspect of music: "the dream of the siren warns against the spiritual dangers of music's misuse, and the singing of lia is a symbol of the power given to music of stirring and spurring men to action."' 0 0 ' it is through casella's song that dante explores the soothing aspects of music. "the purgatory is full of sounding music—musica instrumentalis. yet it is not a place for the pleasures of music ." x x x l evident in dante's own canzone, "amor che nella mente m i ragiona", which the actual casella set to music, this song is not for mere joy, although it may appear as such at first glance. the composer sings it to h i m beautifully as the poet reflects on how music "used to quiet all my desires."x x x 1 1 "if no new law has stripped you of your art / or seized your memory of those songs of love / which used to still the yearnings of my heart,'/ said i, 'oh let it please you now awhile / to soothe my soul, which has, in coming here, / walked with my body many a weary mile."*™11 this passage exemplifies the soothing quality of music. "amor che nella mente m i ragiona', indicates music's power of soothing and diverting the m i n d . " x x x i v what begins as soothing, however, goes too far and becomes discomforting. as the passage continues, this otherworldly music takes hold of both dante the pilgrim and others: "so sweetly did he then begin to sing / i can still hear the sweetness of his sound. / and so my teacher and that throng of souls and i stood listening so contentedly / it seemed our minds were touched by nothing else." x x x v transfixed in aesthetic admiration, the pilgrim and his fellow fans encounter the emotive aspects of music, a concept that romantic madrigals were beginning to introduce i n medieval italy. these madrigals emphasized the expressive nature of music by creating a close connection between lyrics and overall musical effect.x x x v 1 ultimately, cato's harsh reproaches break the spell; "what's this, you sluggish souls! get to the hi l l ! / what l ingering, what carelessness down here! " x x x v i i this rebuke indicates that only a particular kind of musica instrumentalis may enhance our relationship with god. for example, there is no ethical or spiritual content within profane lyrics. rather than inspiring the pilgrim to love god further, the sweet sound of casella's song distracts souls from devotion e l e m e n t s f a l l 08 music becomes exu ltative as dante ascends t h r o u g h paradise. to god. therefore, the only music heard after this incident is such that it "is instrumental to the purgation and perfection of the soul, to the full realization of the highest values of musica humana. thus, prevailing in the purgatory is either the sound of psalms or, still attuned to the stern recitation of psalm tunes, that of other religious texts. " x x 5 a ' i i i although dante makes allusions to the new style of emotive music, in doing so he also indicates its dangers. i f one is to maintain a pure soul in his or her relationship with god, he or she must not allow canzones to sweep them off their feet. only a focus on the pragmatic psalms and hymns that purge the soul of wrongdoing is truly safe. this accounts for the constant singing of hymns such as "salve regina", "te lucis ante", and "te deum". through their soothing, worshipping, and teaching aspects, musica humana, or music of the mind and body, dominates. these three components combine when souls of the wrathful repeat with one accord the "agnus dei", the whole of purgatory sings the "gloria in excelsis" as a purified soul rises to true life, and the mystic group around beatrice sings the "benedictus qui venis". this merger leads the pilgrim to witness musica mundada, which heralds the beginning of dante's heavenly journey through paradise. dante's "trasumanar," his experience in the first canto of paradise of transcendence beyond humanity that "cannot be expressed in words," has as its first connotation the perception of an omnipresent concord.x a s ; 1 the experience moves the pilgrim to be "intent to hear the harmony. " x l this implies the music of the spheres, or notes that compose an intellectual harmony of ultimate beauty. dating from the tradition of ancient greek philosophers, the medieval notion of the music of the spheres emphasizes celestial order. this is music where god tunes the relevant notes and determines their pitch. therefore, its perfection is quite different from the earthly music that the pilgrim previously encountered. as a result, dante the pilgrim speaks in amazement: "the newness of the sound, the swelling gleam / lighted desire i n me to learn their cause— / keener than any appetite i 'd known." x ! i as the pilgrim ascends higher into paradise, something else becomes even more apparent. song in the lower spheres often accompanies symbolic pageantry or elaborates on theological concepts. however, the higher the pilgrim ascends, the tropes shift to simpler, purely exclamatory texts, such as "gloria", "sanctus", and "hosanna". these texts maintain complexity through their polyphonic setting, but have simple words. this is a direct contrast to the monophonic setting of the psalms of purgatory, where there was simple music but many words. this progression indicates dante's deliberate reflection on the musical evolution of his own society from monophony to polyphony. his declaration of gabriel's song to the virgin mary in canto xxii i as a circular melody and his notation of a harmonizing circle of theologians in canto xi i cements dante's nod towards emerging polyphonic tradition. m u s i c a s m i r r o r "this language is logical, for one cannot read dante's divine comedy in a vacuum. his attitudes regarding polyphonic celestial music resonate for a dramatically changing cultural world.77 '"hosanna, holy god of power and might, / illuminating with your clarity / these armies and their joyful flames of light!' / i heard, in rhythm with the harmony / of hosts, the singing of that rad iance . " 'these seemingly simple yet eloquent exclamations of praise and joy facilitate the pilgrim's discovery of the reality that a closer relationship to god sweeps earthly matters away. while theological concepts and pageantry are a part of humanity, these matters are inconsequential in god's presence. he states that heavenly music remains superior—"such songs as puts our poetry to r o u t . " x l n l when he describes gabriel's song to mary, he comments, "the earthly melody of sweetest tone / pulling the human soul with fullest power / would seem the thunder of a flatted cloud / compared against the sounding of that ly re . " x h v therefore, the heavenly music of paradise far surpasses earthly music. those in paradise enjoy the presence of god through song. their music represents the solace that they have achieved; "various voices make the sweeter song: / here in our life the various thrones endow / the wheels of heaven with sweet harmony." v ' however, this superior music may yet be beyond mortal human comprehension. the eagle in jupiter informs dante: "as my song is unfathomable to you / so too to man, the judgments of the king." x i : the mortal pilgrim attempts to describe heavenly music using earthly musical terms. these include musical instruments, polyphonic song, and dances. there is a vibrating cross in canto xiv, a lyre tuned by god in canto xv, and a comparison of the singing of both the eagle and gabriel to a heavenly lyre. dante the pilgrim even claims in canto xxx that his trumpet is too lowly to herald the transcendent beauty of beatrice. this language is logical, for one cannot read dante's divine comedy in a vacuum. his attitudes regarding polyphonic celestial music resonate for a dramatically changing cultural world. nevertheless, his insistence on the purificative psalm texts found in purgatory also reflects several medieval ideas, particularly the evolving musical traditions of his society. even his statements regarding the anti-music of inferno model tropes of his time. while his affinity for music explains the prevalence of his references to it, his philosophical and religious background also certainly account for the way he uses musical language to explain one's relationship with god. from the first mention in inferno of "where the sun is silent" 1 , 1 to the "sweet symphony of paradise," x l v u i it is evident that musical references pervade the text of the divine comedy. representative of an increasingly musical trend within the medieval world, dante uses this terminology to his advantage. dante's auditory experience with the lukewarm of inferno, casella's song in purgatory, and gabriel's song to mary in paradise are each distinct ways in which music conveys the nature of humanity's connection with god. for those who reject h i m and encounter inferno, the antimusic of silence and screams is torturous. al l noises in this realm are abhorrable. for those who are not yet ready to be in his presence, the souls of purgatory, music soothes their minds and teaches them throughout this interim state. dante even designates 'good' music that helps souls atone for their sins and 'bad' music that distracts t h e m . x l i x for e l e m e n t s " f a l l 08 those i n paradise, or true harmony with god, music expresses humanity's ultimate fulfillment. although unintelligible to a mortal ear, it is of the highest quality. while the anti-music of inferno reflects dissociation from god and the purifying music of purgatory echoes progress towards god, the sublime music of paradise indicates unity with god. through this progression from anti-music to human music to celestial music, dante effectively utilizes musical language to represent the various states of humanity's relationship with god. e n d n o t e s i . lansing (252) i i . ibid (632) i i i . musical times publications (446) iv. wright (27) v. pirrotta (257) vi . lansing (251-252) vi i . pirrotta (21) v i i i . wright (21) ix. musical times publications (447) x. inferno (iii.22-24) xi . ibid. (iii.25-27) x i i . ibid. (iii.32, 44) x i i i . ibid. (xiii.15) xiv. ibid. (xxxii. i) xv. ibid. (v.46) xvi. ibid. (xx.8-9) xvii. ibid. (xxxiv.i) xvii i . pirrotta (253) xix. inferno (xxx.49) xx. ibid. (xxx.103) xxi. lansing (632) xxii. inferno (xxi.139) xxii i . ibid. (xxxi.12-13) xxiv. purgatory (xii.112-114) xxv. ibid. (i.38) xxvi. ibid. (xxiii.11) xxvii. ibid. (xix.73) xxviii. ibid. (xi i .no) xxix. ibid. (xii.112) xxx. pirrotta (254) xxxi. ibid. (254) xxxii. purgatory (ii.108) xxxiii. ibid. (ii.109-111) xxxiv. pirrotta (254) xxxv. purgatory (ii.113-117) xxxvi. wright (86) xxxvii. purgatory (ii.120-121) xxxviii. pirrotta (254) xxxix. paradise (i.70) xl. ibid. (i.78) xl i . ibid. (i.82-84) x l i i . ibid. (vii.1-5) x l i i i . ibid. (xi1.7) xliv. ibid. (xxiii.97-100) xlv. ibid. (vi.124-126) xlvi. ibid. (xix.98-99) xlvii . inferno (1.60) xlvi i i . paradise (xxi.59) xlix. purgatory (xxiv.49) references croese, michele. 2001. "la commedia come partitura bachiana: osservazioni sul cielo del sole sul sanctus della messa i n si minore". trans. mario aste. pisa: ets. pg. 40. alighieri , dante. the divine comedy. trans. anthony esolen. new york: modern library, 2004. ferrante, joan. 1993. "poetics of chaos and harmony." the cambridge companion to dante. ed. rachel jacoff. new york: cambridge university press, pp. 153-172. gallagher, joseph. 1999. a modem reader's guide to dante's "the divine comedy". ligouri, mo: ligouri/triumph. lansing, richard ed. 2000. "dante and music." the dante encyclopedia. new york & london: garland publishing, pp. 631-634. musical times publications. jul. 1,1895. "music i n dante's "divine comedy." the musical times singing class circular, vol. 36, no. 629. pp. 446-448. pirrotta, nino. "dante musicus: gothicism, scholasticism, and music." speculum 43 (1968), pp. 245-257. wright, craig and brian simms. 2005. music in western civilization: medieval through the renaissance era. new york: schirmer books. m u s i c a s m i r r o r http://xii.no t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with this issue of elements: ben bl rn bau m, executive director of the office of marketing communications eamon n bon n er, senior graphic designer, office of marketing communications elizabeth bran des, art director for the office of marketing communications cutberto garza, academic vice president and dean of faculties donald hafner, chair of the undergraduate fellowships committee joyce mannix, business manager for the college of arts and sciences anna marie murphy, deputy editor of boston college magazine joseph quinn, dean of the college of arts and sciences barbara vi ech n icki, associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions, or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. cover photo of the blue koran, courtesy of the david collection, copenhagen, denmark, accession number 77.2004 elements, undergraduate research journal, volume 2, issue 1, spring 2006 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 for submissions guidlines please refer to http://www.bc.edu/elements/ e l e m e n t s staff e d i t o r i n c h i e f gregory wiles m a n a g i n g editor rebecca kraus h u m a n i t i e s caroline gelmi, senior editor emily cersonsky, editor catherine halsey, editor kaelin grant, editor nathaniel campbell, editor natural sciences bill hillmann, senior editor katherine wu, editor allison lord, editor social sciences kerry brennan, senior editor christopher laws, editor paul wen del, editor marisa cochrane, editor layout dam i en croteau-chon ka, senior editor kathryn brady, editor maria masaveu, editor web manager dam i en croteau-chonka faculty adviser prof. mark o'connor, director, college of arts and sciences honorsprogram copyright © 2006 by trustees of boston college mailto:elements@bc.edu http://www.bc.edu/elements/ e d i t o r ' s n o t e everyone knows the greatest artists of all time. picasso, monet, and rembrandt are among the most oft-cited names on any college campus. yet the vast majority of the boston college student body would have trouble naming just three of the great artists of the last 50 years. perhaps some would name christo, the french artist who most recently placed hundreds of orange curtains in new york city's central park. but many would even question whether or not wrapping the reichstag in cloth constitutes "art." it seems that, at least in the classic academic sense, our modern society's appreciation of art has waned. one of the articles in this second issue of elements examines the work of the great american 2 0 t h century artist rothko, a painter who would be hardpressed to find fame outside of art history circles. of course the definition of art cannot be confined to painting. art encapsulates everything from music and literature to sculpture. art began as man's attempt to recreate nature. and at least unti l the last 150 years, mainstream art was praised for its virtuosity at recreating the human experience. michelangelo's david is the greatest recreation of the human form i n sculpture. but as human thought evolved, the idea of what constituted "reality" changed. perhaps the human mind could create a reality separate from that found in nature, intellectuals theorized. although cervantes in don quixote foresaw this shift in thought centuries earlier, by the mid-ic)th century art became focused upon a new representation of reality. artists such as monet and picasso began to warp what they saw in nature into a very distinct art form. not surprisingly, this period seems to mark the peak of the popular recognition of art. painting, sculpture, and even literature in large part ceased to represent any tangible reality found i n nature. art became obscure. impressionist exhibits continue to be the most popular at art museums. it seems that slight alterations to an observable reality are what draw the most admiration from modern audiences. a l l popular modern media fit this mold. movies allow viewers to get lost i n an imaginary but familiar world. popular music also creates a slight diversion from a perfect natural beat through its use of syncopation. in short, the viewer of art wants to utilize his imagination but only to a certain degree. and so we have seen a division of art into the academic and the popular. art has always been the business of the high-minded wealthy classes; this rule has eroded of late. some even consider pornography a form of artistic expression. several of the articles in this issue of elements examine the artistic elements of everything from the koran to presidential speeches. what we find is that art is ubiquitous: no longer just to be found behind a ticket counter with a $10 museum admission charge. name three of the great artists of the last 50 years: francis ford coppola, meryl streep, and, of course, john lennon. gregory wiles editor-in-chief for a slave living under the system of chattel slavery in the american south during the nineteenth century, avenues of self-expression were extremely limited. one of the few ways slaves could exert control over their own lives was through singing and dancing. these arts gave slaves a chance to relieve stress and establish a culture through the creation of musical instruments, songs, and dances. all of these contained hints at the true nature of slaves’ feelings towards the system that oppressed them, feelings that they had to frequently repress. however, despite slaves’ efforts to make this culture entirely their own, masters tried to find ways to use it to their advantage instead of to the slaves’ benefit. the resulting covert power struggle sometimes ended in favor of the masters, taking the form of regulations on slaves’ dances, requirement of the performance of songs and dances for the masters’ entertainment, and even abuse of slaves by using their own arts. ultimately, however, slaves emerged victorious because of the hidden messages in their songs and dances. though this method of coping could not erase all the masters did, it was at least one glimmer of hope. a vigorous affirmation of life slaves in the face of dehumanization danielle nista nineteenth-century chattel slavery was designed to dehumanize those who were enslaved. masters denied african slaves and their descendants their native languages, religions, and cultures, forcing the english language, christianity, and american culture upon them. the stories of the unthinkable horrors of slavery are kept in the words of runaway slaves who published accounts of their lives in slavery, in interviews with former slaves conducted by the works progress administration (wpa), and between the lines of planters’ personal diaries. also contained within these important primary sources are the stories of slave resistance, albeit more apparent in the slave narratives than in planters’ journals. slaves had very few avenues to assert their autonomy and humanity on plantations, but whenever they found a way to do so, they did. most often, slaves tried to preserve as much of their heritage from african tribes as they could. for example, in south carolina, when many different tribes came together on plantations, they held onto the grammatical structures of several of their tribes, adapted english vocabulary, and created a new language called “gullah.”2 a more widespread example of slaves holding onto african traditions was the appearance of songs and dances in a variety of times and places on plantations. all three primary sources above contain a plethora of instances in which slaves sang, danced, or did both. while it would initially seem that slaves used their dancing and singing to assert their own type of power during celebrations and ceremonies, masters often tried to exploit slaves’ dances and songs, thus asserting even more authority over slaves. despite masters’ efforts, slaves still derived great benefit from singing and dancing, in that it gave them a way to release stress and frustration about being enslaved. there were few avenues for slaves to assert their sense of self and semblance of power on a plantation. one of the most important ones was through music and dance, which gave slaves the opportunity to create their own pieces of culture to replace those that masters had taken away from them. slaves made music in a variety of different ways and created different types of music for different purposes. the interviewees of the wpa narratives give great insights into how creative slaves had to be when it came to making their instruments. for example, to make flutes, “dey’d take a de buffalo horn and scrape it out.”3 in addition to making their own instruments, slaves also had access to fiddles,4 banjoes,5 and in two independent cases a guitar6 and a piano.7 these instruments were important for creating melodies in slave music. however, what made music “strictly southern,”8 as frederick douglass put it, was the existence of drums or a “juba beater.”9 on some plantations, they would “take pieces a sheep’s rib or cow’s jaw or a piece iron, with a old kettle or a hollow gourd and some horsehairs to make de drums.”10 when even these supplies were not available, “everybody sang and one or two would beat on tin pans or beat bones together” in order to make music.11 drums were a distinctly african musical instrument, which separated music slaves made from music their masters probably made and as a result gave slaves a distinct sense of a culture that was their own. the use of drums coupled with a long-standing tradition of african ceremonial dances helped to give rise to the importance of dance in slave culture.12 a variety of instruments and sounds led to the creation of different types of songs. even without instruments, slaves sang in the fields while they worked in order to pass the time and keep pace with each other. several former slaves remembered specific examples of work songs. one of them had the lyrics “i’se wukkin; on de building,’ and hits a sho’ foundation, and when i git done, i’se goin’ home to heb’en.”13 not only did this song serve as one to sing during long days in the fields, but it also crossed over into another genre of slave music – religious worship.14 these songs could generally be sung anywhere, not just at religious services. like the work song mentioned above, the central theme of many of these songs was salvation. wpa interviewee ellen king sang a version of the song “down by the riverside” during her interview, and it appeared as follows: down by the riverside jesus will talk and walk, ain’t going to study the world no more, ain’t going to study the world no more, for down by the river side, jesus will talk and walk.15 the song focuses on following jesus’s teachings and example so that one does not have to continue to live in his earthly kingdom anymore. the lines “ain’t going to study the world no more” indicate that the singer is looking forward to going to heaven and leaving this world behind. similarly, the song “come change my name,” sung by estella jones in her wpa interview, focuses on receiving grace from god. the singer in this song calls upon the “bright angel” and on “sweet jesus” to “come change my name from nature to grace.”16 like the line “ain’t going to study the world no more,” the idea that a person is chang34 elements : : spring 2015 ing from “nature” (or this earth) to “grace” (heaven) invokes the idea of salvation. this focus on the idea of salvation clearly shows how slaves used both religion and their music as ways to cope with and find escape from the harshness of their lives. while religious songs and dance songs were kept relatively separate from one another, as many viewed dancing as sinful,17 there was potential for overlaps in the sound of these songs. in one instance, sarah douglas remarked that she recalled hearing some people singing the song “fly away, fly away,” “an hit sounded jes like a dance chune.”18 the similarity of sound was due to the fact that the instruments used to create the music in the first place, especially the drum, were similar. despite the resemblance in sound, dance songs were extremely different in content than religious songs because they focused more on the realities of slave life rather than the hope of salvation or escape from this world.19 one such song focused on the reality of illness20 in slaves’ lives and had the lyrics “mamma’s got de whoopin’ cough, daddy’s got de measles, dat’s whar de money goes, pop goes de weasel.”21 by directly talking about a problem plaguing their lives, slaves were trying to take ownership of the situation. despite the upbeat and singsong tone that accompanies this song (as seen in the children’s nursery rhyme “pop goes the weasel”),22 these lyrics convey a sort of resignation to the fact that disease is part of life. there is no salvation narrative here in leaving the world behind, but the release valve for the emotions of fear and frustration comes from the fact that the listener is most likely dancing. instead of a spiritual outlet for pain, dancing provides a physical outlet to cope. the use of real life situations is evident in another dance song, which reads: run nigger run, de patterrollers ketch you – run nigger run, fer hits almos’ day, de nigger run, de nigger flew; de nigger los’ his big old shoe.23 this song’s end result is much more positive than the previous one, especially since it involves a slave who has left the plantation without the master’s permission. his fear that the “patterrollers” (paddy rollers, or patrol agents) will find him indicates that he does not have a pass to leave, but did so anyway. it seems that the slave makes it back to his plantation relatively unharmed, except for the fact that he lost one of his shoes, which is a small price to pay for avoiding getting whipped by the patrolmen. while this song does make reference to the restriction of slaves’ freedom of movement, it fights against this limitation since the slave ultimately avoids getting caught. in this case, both the song and the dance are outlets for coping with enslavement. in addition to songs that were imbued with certain messages and goals, some dance songs could also be classified as “unmeaning songs, composed rather for its adaptation to a certain tune or measure than for the purpose of expressing any distinct idea.”24 these songs were purely meant for the purpose of dancing and having fun. there were obviously few opportunities for slaves to try to forget completely about their enslavement and enjoy the company of their family and community, and so “nonsensical” songs that were “full of melody”25 were welcome as another means of dealing with living and working on a plantation. an example of such a song is as follows: ‘ebo dick and jurdan’s jo, them two niggers stole my yo’. chorus. hop jim along, walk jim along, talk jim along,’ &c. ‘old black dan, as black as tar, he dam glad he was not dar. hop jim along,’ &c. [sic]26 the repetition of the two lines in the same rhythm followed by the chorus would have made it easy for the person singing this song to improvise verses as they saw fit, according to perhaps what was happening on the plantation or in reference to stories that slaves told each other.27 in songs like this one, the dancing could continue even after the fiddle player had stopped playing because of the system of “patting.”28 patting is “striking the hands on the knees, then striking the hands together, then striking the right shoulder with one hand, then the left with the other– all the while keeping time with the feet, and singing.”29 the rhythm of these songs had to follow the rhythms of patting, which standardized the music, and thus made it easier to choreograph dances. as with music, slaves came up with and appropriated different types and styles of dancing. there was a lot of overlap between the types of dances whites and blacks did, such as “square dances, […] the virginia reel, and the 35 a vigorous affirmation of life round dances like the schottischa, polka, waltzes, and all them.”30 it is not at all surprising that the dance forms of these two groups came together since each group could observe the habits of the other. theoretically, a slave serving at a white wedding could see the guests doing a particular kind of dance–say, the virginia reel–and then bring it back to his or her own community. from there, dances could evolve and change if slaves forgot the exact choreography of dances or decided to change certain steps to reflect african dances or simply because they wanted to change them. one important piece of the development of slave dances was the avoidance of crossing one’s feet because “dancin’ ain’t sinful iffen de foots ain’t crossed.”31 this characteristic recalls the tension that existed between dance and religion. it was probably an answer to those who considered dancing to be contrary to religion, though it is probable that this change was not enough for those who were predisposed to thinking that dancing was a heathen practice. another important element of slave dancing was the aspect of competition. “cake walkin’”32 was one of the most famous developments of slave dancing. it was generally performed in couples and “de couple dat danced de best got a prize”33 (the story goes that the first ever prize was cake). it would appear that cakewalking was a form of dance unique to southern plantations,34 showing the creativity of slaves to be resourceful in coming up with coping mechanisms for enslavement. the cakewalk was not the only competition during slave dances. another competition involved gathering a few slaves together who “would jump up and see how many time he could kick his feets ‘fore dey hit de groun.”35 this competition seemed less formal than a cakewalk, but it still inspired its competitors to try to outdo one another in dancing ability. in trying to become the superior dancer, competitions such as the one william adams mentioned would have given a slave a personal goal to reach that was not related to the work that he or she did on the plantation. it became something particularly for slaves that no one else could touch. winning a competition surely gave the winner a sense of pride that masters, through the institution of slavery, sought to deny. as important as the creation of these two art forms was, equally as important was when slaves sang and danced, and for what purpose. the variety of times slaves would use music and dance shows just how important these two pieces of culture were to slaves since they seemed to try to work them into their lives whenever they could. marriage ceremonies were an exciting part of slave life, despite the fact that slaves were not legally allowed to be married. in the wpa narratives, anyone who mentioned a wedding was almost sure to mention that there was a “big dance”36 when there was a slave union.37 these happy times were moments when the community could come together to celebrate a bond between two people, and there was no better way to bring people closer together than sharing the art forms that connected the slave community. since religion was one of many coping mechanisms people used to come to terms with human mortality, and since religion was so important to slaves as evidenced by the number of religious songs they sang, it is not at all surprising that music was an integral part of slave funerals across many plantations. on one plantation, slaves would stay with the recently deceased until he or she was buried and “sung and prayed” to keep cats, which were considered bad luck, away from the corpse.38 beyond this mingling of christianity and african traditions, singing was also part of the funeral service itself. some of the songs were meant to invoke the idea of salvation, like many other religious songs. one such song called on angels to “bear me away on your snowy wings, to my immortal home.”39 paul smith remembered “when de preacher had done said a prayer, dey all sung: i’se born to die and lay dis body down,”40 and alice hucheson remembered a song that her community used to sing while burying the deceased. the song called attention to the fact that everyone will eventually die, but instead of trying to predict who will be the next, we should “prepare to meet our god” and ask god to give us grace to “make us fit at las’ to die.”41 the universality of the experience of death is similar to the way other slave corn shucking song (courtesy of wikimedia commons) 36 elements : : spring 2015 songs appealed to universal suffering or daily activities. music was truly meant to connect all parts of the community and foster ties that all too often were rare for slaves, since they could be broken through either death or sale to another master.42 the most universal of all experiences on a southern plantation was the work that slaves were forced to do. as previously discussed, work songs were their own genre of music for slaves, as they were performed without musical accompaniment since the slaves were obviously occupied doing other tasks besides playing instruments. there were several purposes to these songs. one such purpose was to set a pace for their work and pass the time in the fields.43 another was “a means of telling the overseer, in the distance, where they were and what they were about.”44 judging by the volume of the song, the overseer could tell where the workers were in the field without necessarily having to measure their progress.45 finally, work songs could help to motivate slaves to wake up in the morning and go to work. the following song conveys the universality of suffering and probably helped slaves remember that they were not alone: it’s a cool and frosty mornin’ and de niggers goes to work, with hoes upon dey shoulders, without a bit of shirt.46 several devices are used to remind individual slaves that the community understands what they are going through. the use of the plural shows that the listed hardships are problems that everyone has. plus, the song directly states what exactly the hardships are that everyone is going through, namely the cool temperature, the earliness of the day, the hard labor they will have to do, and the lack of adequate clothing for the season. since the singers are not hiding from the problems they face, and are on the contrary drawing attention to them, this song can be interpreted as the slave community critiquing the plantation system. since music and dancing were such key parts of helping slaves cope with their suffering, during their time off, such as after work was over, saturday nights, sundays, and holidays, music and dancing were nearly always present. the times of dances on the weekends varied from plantation to plantation. on some, they would be “after work”47 or “in de evening when de work was done.”48 on others it would be on a sunday and “rarely on saturday.”49 what was a fairly universal experience, however, was the corn shucking festival. traditions varied, but most ex-slaves in the wpa narratives remembered these festivals very fondly. generally, “one negro would sit on the fence and lead the singing, the others shuck on each side,”50 singing songs like “old liza jane” and “susan jane,”51 and this would continue until the entire task was finished.52 sometimes, it would be a competition between two teams to see who could finish first.53 after the corn shucking itself was over, there would be a feast and dancing “until daybreak.”54 even though the slaves were obviously working for the master’s benefit while they were shucking corn, this holiday gave them a chance to come together as a community for a day of work that was slightly less strenuous than normal.55 christmas was another important holiday for slaves. solomon northrup wrote: it was christmas morning – the happiest day in the whole year for the slave. that morning he need not hurry into the field, with his gourd and cotton-bag. happiness sparkled in the eyes and overspread the countenance of all. the time of feasting and dancing had come. the cane and cotton fields were deserted. that day the clean dress was to be donned – the red ribbon displayed; there were to be re-unions, and joy and laughter, and hurrying to and fro. it was to be a day of liberty among the children of slavery. wherefore they were happy, and rejoiced.56 this passage gets at the very essence of the christmas holidays for slaves. unlike the corn shucking festival, in which the festivities were explicitly linked to working for the master, this time was the slaves’ own time. there was always a huge dance following a christmas meal, which “music was truly meant to connect all parts of the community and foster ties that all too often were rare for slaves, since they could be broken through either death or sale to another master.” 37 a vigorous affirmation of life naturally brought together the entire slave community as one.57 these happy times, when slaves seemed temporarily free from the master’s influence and the overseer’s watch, were the ultimate way of relieving tensions from the year and reinforcing community bonds, which is exactly what songs and dances were meant to do. but, this cheerful season did have a darker side to it. slaves unquestionably had the upper hand in the creation of music and dances during festivities. however, masters often tried to take this part of slave culture away from slaves and use it to benefit themselves for either entertainment or for disciplinary purposes.58 during holidays, masters continued to remind slaves that just because they were not working did not mean that they had complete freedom to do as they pleased. often, masters would go see slave dances on christmas “an’ see de one what dances de bes’. marster an mistis laug fit to kil at de capers us cut.”59 this visit from the master and mistress seems like an invasion on the slaves’ privacy and privilege of freedom during the holiday season. the master’s mocking is especially poignant here since dancing was an event that was meant to bring the community together and allow slaves to release some of the tension felt towards masters. laughter from the master probably only added to the resentment. also, the fact that the master was the one judging which dancer was best in competitions took away some of the autonomy these competitions may have brought to slaves when master were not the ones judging. douglass wrote about a theory as to why masters felt it necessary to interfere at holidays as well as what the true purpose of giving slaves time off was. he believed that to enslave men successfully and safely it is necessary to keep their minds occupied with thoughts and aspirations short of the liberty of which they are deprived. a certain degree of attainable good must be kept before them. these holidays served the purpose of keeping the minds of the slaves occupied with prospective pleasure within the limits of slavery.60 therefore, giving slaves time off was not to be regarded as the happy time that northrup made it out to be; instead, it was just an illusion to keep slaves willing to work with the promise of having a holiday again soon. holidays were not truly the slaves’ own time, as this time was a manipulation by the masters. by making appearances at slave dances during the holidays, the masters were on one level trying to assert their dominance over slaves during the holiday itself, and on another level, trying to reign in control of music and dance. this behavior was not exclusive to just holidays. masters and mistresses alike would come to slave quarters any time there was a chance for slaves to have a taste of independence. even though they could “have all de fun [they] wanted on sa’dday nights, [….] sometimes our mistess would come down early to watch us dance.”61 these times were nominally for the slaves, but in practice were not. margaret thornton, who was very young when she was enslaved, did not remember much except for the fact that “dey herded us together an’ make us sing a heap of songs an’ dance, den dey clap dere han’s an’ dey sez dat we is good.”62 the number of times that the master and mistress must have called the slaves together for a performance must have been great for her to recall this information so strongly. the masters were trying to take the art form that the slaves had created for themselves and turn it into entertainment for the masters. this phenomenon was a direct affront to the already limited autonomy of slaves. another way in which masters limited the ability of slaves to use their own culture was that before slaves could organize a dance, they would have to ask their masters for permission first.63 on some plantations, there was a separate “house” that slaves held their dances in,64 but on others, the dances seemed to take place near the slave quarters.65 the inability to come together in their own quarters was particularly dehumanizing because it meant that slaves did not even have control over what activities went on in their homes. slaves dance to the music of banjo (courtesy of wikimedia commons) 38 elements : : spring 2015 in addition to trying to control slaves’ singing and dancing, some masters also chose not to acknowledge that it even happened. landon carter was one such master, as evidenced by two pieces of information. first, there is “no single reference to it in all his diaries,” yet he appeared to have acknowledged of the types of instruments slaves used when making music.66 he wrote about the instruments when he was making fun of king george, and talked about the “quaqua,” “barafoo,” and “banjers.”67 this obscure reference proves that carter knew enough about slave music to write satirically about it. his lack of discussion about the music his own slaves made raises some question as to why he omitted this from his otherwise very detailed diaries. carter most likely did not want to draw attention to this particular aspect of life on his plantation because it would force him to admit “how much [he] shared the domain he chronicled with the bearers of a culture alien to the literary ethos of the diary.”68 in other words, saying that slaves had music and culture meant that carter’s slaves were more civilized and less in need of a benevolent patriarch than he would care to admit. carter thrived on being in control of every single aspect of life on his plantation,69 and so the thought of the existence of something he could not control would have been unbearable to him. instead of wresting control from the slaves like other masters did, carter adopted the attitude of “if i act like it does not exist, then it does not exist.” although frustrating to slaves’ efforts to carve out a piece of culture for themselves, it is not particularly surprising that masters made their slaves sing and dance for the former’s entertainment or ignored them for the sake of pretending to have control. the extreme cruelty of the masters was more apparent when they took the culture that the slaves had worked so hard to create for themselves, turned it on its head, and used it for punishment against slaves. a mild case of this act was reported by bernice bowden, who said that her master “used to come to the quarters and make us chillum sing. he make us sing dixie. sometimes he make us sing half a day. seems like dixie his main song. i tell you i don’t like it now. but have mercy! he make us sing it.”70 the duration that bowden was required to sing for shows that this was beyond just simple entertainment. of course, bowden may have been using hyperbole when she said “half a day,” but her reason to use this technique would have been to emphasize how much she had to do this. since dixie is such a strongly pro-south song, the repetition of it was intended to remind slaves who had the power. a step up in the severity of this style of punishment would be when a master forced a boy who did not want to perform for his master to stand “barefooted on a hot piece of tin.”71 margaret thornton, the interviewee providing this story noted, “believe me he did dance.”72 the penalty for not wanting to dance was extremely severe and was torture for this young boy. though thornton does not tell her former master’s reaction to this punishment, one can imagine that he was amused by it since he got the “dance” he wanted and was reinforcing the view that he was the one in charge of the situation. slaves singing and dancing (or refusing to) independently of the master was the greatest affront to a master’s authority. whether or not this boy wanted to dance was irrelevant to the master; he wanted him to dance, so the boy was going to dance so as to show that the master’s will would not be thwarted in any case. the worst offense of forcing slaves to dance to entertain the master as well as punish the slaves was committed by edwin epps, solomon northrup’s former master. the account that northrup gives in his narrative is absolutely horrifying. some nights, epps would be in a “dancing mood” and would call all of his slaves into a large room. he then would cry out “‘dance you d–d niggers, dance,” [sic] and all would have to dance “no matter how worn out and tired [they] were.”73 if anyone “dared to rest a moment, or even stop to catch his breath,” epps would whip him.74 even when epps had stopped dancing, he still forced the slaves to continue well into the night and early hours of the morning.75 not only was epps whipping his slaves, but he was also depriving them of sleep. they had been awake all day working strenuously, then had to push themselves to continue to dance lest they be whipped by epps, and then were expected to continue to work for the entirety of the next day. obviously there was nothing that the slaves could do to stop epps from behaving in this depraved manner. not even his wife was able to stop his, as northrup sarcastically remarks, “uproarious pranks.”76 the slaves were clearly at the whim of their master. they had lost control over the culture that they sought to create for themselves as an outlet to vent frustration at their situation, but instead wanted to “cast [them]selves upon the earth and weep”77 because this culture had been turned against them. abuse of this sort only augmented the already trialfilled life of a slave. though not as physically horrific as the treatment epps inflicted on his slaves, this next case of whites taking advantage of slave dancing is still extremely cruel. some slave traders realized that when slaves looked happier, 39 a vigorous affirmation of life people were willing to pay higher prices. william wells brown wrote in his narrative that his job was to make slaves look happy by “[setting some] to dancing, some to jumping, some to singing, and some to playing cards [….] to make them appear cheerful and happy.”78 this practice was twisted in more ways than one. brown himself was a slave, and therefore he had to prepare men and women in the same situation as he himself was in for sale, “often […] when their cheeks were wet with tears.”79 furthermore, these slaves on the auction block had to use the parts of their culture that were supposed to give them relief from the horrors of slavery in order to sell themselves into the horrors of slavery. they obviously had no choice in the matter, and as brown noted, were deeply upset by this charade. so they resisted in the only way they could; through song. brown said that he heard the slaves who had been sold into the deep south sing the following: “see these poor souls from africa transported to america; we are stolen, and sold to georgia - will you go along with me? we are stolen, and sold to georgia - come sound the jubilee! see wives and husbands sold apart, their children’s screams will break my heart; - there ‘s a better day a coming - will you go along with me? there ‘s a better day a coming, go sound the jubilee! o, gracious lord! when shall it be, that we poor souls shall all be free? lord, break them slavery powers - will you go along with me? lord, break them slavery powers, go sound the jubilee! dear lord, dear lord, when slavery ‘ll cease, then we poor souls will have our peace; - there ‘s a better day a coming - will you go along with me? there ‘s a better day a coming, go sound the jubilee!” 80 the lyrics of this song do not leave anything to the imagination whatsoever. they are full of the pain of being stripped of humanity and separated from loved ones, as well as full of hope for the day when slavery ends. the slaves owned their situation as best they could in the face of having even their songs and dances taken from them. although masters did try to appropriate slave songs and dances for their own uses, slaves still ended up with the upper hand, especially through their music, as seen in the case of the slaves sold south in brown’s narrative. slaves often found comfort and benefit in their ability to make music. northrup was able to play the violin, and in his narrative, he states that he “scarcely can conceive how [he] could have endured the long years of bondage” without it.81 in addition to giving him emotional comfort, he also reaped material rewards from the various times he was paid to go play at other plantations. even at that, the psychological benefits from being “relieved […] of many days’ labor in the field, […] and […] away from the presence of a hard master”82 cannot possibly be quantified in any way. so despite the fact that northrup’s talents could put him at the mercy of his master when he was in a “dancing mood,” they were also a form of escape integral to northrup’s well being. douglass also figured out a way to derive benefit from his musical abilities. to relieve hunger pains, douglass would often sing. one of his mistresses, upon realizing this, would give him food “when she heard [him] singing under her window.”83 in this way douglass got twice the benefits of singing: he found a way to comfort himself when he was hungry, and he found a way to invoke pity in his mistress so he could get food and dispel the hunger in reality. douglass used the value masters placed on being entertained to his own benefit, thus untwisting the twist masters had placed on slave culture. beyond manipulating the system back in their favor, slaves also sang songs that contained messages that masters either did not see or simply ignored. for example, to call a religious meeting, “when de niggers go round singin’ ‘steal away to jesus,’ dat mean dere gwine be a ‘ligous meetin’ dat night.”84 the reason for this secrecy is because “de masters ‘fore and after freedom didn’t like dem ‘ligious meeintgs.”85 not only did slaves continue to have these meetings despite their masters’ objections, but they planned them right under their noses without the masters even knowing. wilson did not make any reference to the fact that these slaves ever got caught having these meetings, or that masters ever made the connection between the meetings and the song, so it is a reasonable assumption that the slaves had the upper hand here. also, a rather well known use of song to convey a hidden message was slaves’ use of the genre of religious songs to talk about wanting to be free or about going to freedom. douglass mentions in his narrative two songs that were 40 elements : : spring 2015 clearly about going to the north to escape from slavery, but that no one realized this was the meaning behind these songs. these songs contained references to being “bound for the land of canaan” and the command to “run to jesus, shun the danger” for “i don’t expect to stay much longer here.”86 on the surface, these are innocuous songs that show how slaves seem to have embraced christianity and are understandably looking forward to going to heaven. as douglass points out though, this was a veiled message targeted at the masters. hiding their message behind religion allowed slaves to be able to vent their anger at their masters for keeping them enslaved and express their desire to be free without getting into trouble. it also prevented masters from fully appropriating it into entertainment for themselves, for even if the master forced the slave to sing the song, the slave would always know the true meaning of the song, and could derive great satisfaction from the fact that the master did not know the real value of the lyrics. religious songs were not the only songs used to convey sometimes thinly veiled dissatisfaction. one song that slaves sang during the holidays appeared to be giving some sort of thanks for the food that the master gave the slaves. however, as the song goes on, one realizes that the slave is actually pointing out the unfair treatment that they get from their master, and that they really should not be grateful at all.87 the constant repetition of “we [action], dey gib us [lesser good],” shows not only the frequency with which this occurs, but the frustration the slaves have with their situation. the slaves are not happy and grateful to the masters, like the masters believe they are. this song shows a clear failure of the patriarchal system to convince slaves that they are lucky to be in the place that they are in. what it does demonstrate is that slaves used music as an outlet to express their discontent and to recognize the fact that they were important to the functioning of the plantation. another song which shows slaves’ awareness of this fact is a song that is disguised to be about making “hoecake.” the three verses of the song are structured in the same way: the first line describes the fact that someone wants to make a hoecake, the second line describes the hoecake, the third line describes the baker throwing the hoecake on some part of a slave’s body, and the fourth line says what happens after one performs the action of the third line.88 take for example the third verse: de way you bake a hoecake, de old virginny way, wrap it round a nigger’s stomach, and hold it dere all day.”89 obviously, no one is actually baking hoecake on a slave, but the line serves to show that he is an integral part of the process. if you want the hoecake to be made in “de old virginny way,” which implies a tried and true method, one has to follow the instructions in the next two lines, or else it will not come out the right way. this metaphor is meant to show how important slaves and their labor are to plantations: without them, the plantation simply would not function. masters wanted to believe that without their guidance, the plantation would fall apart and slaves would be unable to support themselves,90 but these songs are the slaves’ way of proclaiming the truth: without the slaves, there was no plantation, no wealth, and no south. finally, upon gaining freedom, many slaves throughout the south expressed their joy through the medium they themselves had helped to create: song. it was no longer possible for masters to claim that slaves had been happy under slavery since “dey was rejoicin’ and singin’” and “dey danced and had a big jamboree.”91 one of the songs slaves sang included the repetition of the line “t’ank ye marser jesus, t’ank ye” and “jesus break slav’ry chain, lord” multiple times, while describing the fact that the singer was no longer subject to repression from his master.92 the religious songs that once concealed slaves desires to be free now loudly proclaimed their joy that they were no longer the subjects of slavery. “like revolutionaries who killed a monarch or aristocrat and put his or her head on a pike to parade around the city, these slaves were parading a burning ‘king cotton’ around the master’s former kingdom.” 41 a vigorous affirmation of life some slaves however, were not happy to be free, or at least said in later interviews that they were not so. one man said that “slaves like us, what was owned by quality-folks, was sati’fied an’ didn’ sing none of dem freedom songs,”93 implying that he was sorry to have to be freed from a master whom he considered good. another woman, whose mother had been enslaved, called the book uncle tom’s cabin a lie and said that slaves were sorry to be free.94 the reason for these radically different responses from those of other slaves could be because these people had internalized the racism that they experienced and truly believed their place was as a slave. they had a very romanticized view of the old south, and they were not telling their interviewer the truth, since they thought he or she would not want to hear that they were glad to be free, or that they genuinely did like their master and were not mistreated. this last case is highly improbable, but not necessarily impossible, so it is worth noting. these anomalies aside, slaves were on the whole overjoyed to be free. one very striking image of slaves reacting to freedom comes from the interview with susan bledsoe. she describes that she and other slaves “cut long poles and fastened balls of cotton on the ends and set fire to them. then, we run around with them burning, a-singin’ and adancin.”95 burning cotton was not only literally destroying their master’s property, but it was also symbolic of killing “king cotton.” like revolutionaries who killed a monarch or aristocrat and put his or her head on a pike to parade around the city, these slaves were parading a burning “king cotton” around the master’s former kingdom. the addition of the songs and dances solidify this scene as a firm act of slaves expressing their autonomy and agency through the burning of the cotton as well as through their expression of the culture they created. hence, the struggle between slaves and masters to claim ownership of music and dancing on plantations ends with the slaves asserting their autonomy and sense of community both before and following emancipation. their ability to subvert their masters’ commands and wishes despite the day-to-day hardships they faced while enslaved is impressive and admirable. this is not to say that slaves’ resistance completely negated any abuse their masters doled out to them; that interpretation romanticizes the realities of the antebellum south and ignores the suffering of thousands of human beings. these songs and dances helped to make living in a slave society just a little bit more bearable by drawing together a community of people in a common situation. no amount of music or dance steps could ever change the fact that slaves were held in bondage against their will, could ever bring back a sold family member, or could reverse the mistreatment of a master or overseer. what it could do was give slaves a fleeting moment of sense of self, pride, and identity that was otherwise lacking in their lives. endnotes 1. isaac (216). 2. joyner, chapter 7. 3. wash wilson interview, works progress administration slave narratives at the library of congress, hereafter cited as locwpa. 4. william adams, loc-wpa; betty bromer, loc-wpa; harriett jones, loc-wpa; ellen king, loc-wpa; ida rigley, loc-wpa; leithan sprinks, loc-wpa. 5. alice baugh, loc-wpa; susan bledsoe, loc-wpa; betty bromer, loc-wpa; harriet jones, loc-wpa. 6. harriet jones, loc-wpa. 7. betty bromer, loc-wpa. 8. douglass (181). 9. ibid. 10. wash wilson interview, loc-wpa. 11. james southall, loc-wpa. 12. for more about the blending of african culture with european culture, see joyner. 13. alice hucheson, loc-wpa. 14. for more about slave religion, see faust; greenberg; irons; isaac; joyner; stevenson. 15. ellen king, loc-wpa. 16. estella jones, loc-wpa. 17. see bibb. 18. sarah douglas, loc-wpa. 19. cf. stevenson (168). 20. for more about illness and medicine for slaves, see faust; isaac; rothman. 21. mollie williams, loc-wpa. 22. which, admittedly has much less emotionally heavy lyrics. 23. mollie williams, loc-wpa. 24. northrup (219). 25. northrup (220). 26. ibid. 27. for more about slave stories, see joyner. 28. northrup (219). 29. ibid. 30. tom mills, loc-wpa. 31. wash wilson, loc-wpa. 32. estella jones, loc-wpa. 33. ibid. 34. stearns et al. (11). 35. william adams, loc-wpa. 36. paul smith, loc-wpa. 37. harriet jones, loc-wpa, tom mills, loc-wpa; paul smtih, loc-wpa. 42 elements : : spring 2015 38. paul smith, loc-wpa. 39. alice hucheson, loc-wpa. 40. ibid. 41. alice hucheson, loc-wpa. 42. for more on slave families and connections, see dew; joyner; faust; mclaurin; stevenson. 43. paul smith, loc-wpa. 44. douglass (61). 45. whether or not this practice was applied on most plantations, and whether or not this practice was effective is not for this author to judge, but frederick douglass wrote about it as an application of work songs. i was not there, and he was, so i will take his word for it. 46. harriett jones, loc-wpa. 47, james v. deane, loc-wpa. 48. james southall, loc-wpa. 49. la san mire, loc-wpa. 50. henry walker, loc-wpa. 51. alice hucheson, loc-wpa. 52. rachel adams, loc-wpa. 53. sara colquitt, loc-wpa. 54. rachel adams, loc-wpa, james v. deane, loc-wpa. 55. this is not to say that shucking corn is not difficult, as this author struggles immensely with it. however, there is a difference between planting cotton or tobacco in a hot field while standing all day, and shucking corn while sitting and singing with other members of the community. 56. northrup (282). 57. harriet jones, loc-wpa, ibid 219. 58. for more about how masters tried to control and manipulate their slaves, see drew gilpin faust, james henry hammond and the old south., kenneth s. greenberg, the confessions of nat turner and related documents., rhys isaac, landon carter’s uneasy kingdom, charles f. irons, the origins of proslavery christianity., melton a. mclaurin, celia, a slave., joshua d. rothman, flush times & fever dreams., brenda e. stevenson, life in black and white. 59. james lucas, loc-wpa. 60. douglass (182). 61. sara colquitt, loc-wpa. 62. margaret thornton, loc-wpa. 63. henry walker, loc-wpa. 64. alice hucheson, loc-wpa. 65. james southall, loc-wpa. 66. isaac (214-216). 67. isaac (216). 68. isaac (215). 69. as james lucas said, “marsters wid-out wives was de dabbil,” james lucas, loc-wpa. 70. bernice bowden, loc-wpa. 71. margaret thorton, loc-wpa. 72. ibid. 73. northrup (181). 74. ibid. 75. northrup (181–182). 76. northrup (182). it should also be noted that epps’s wife was also entertained by his forcing the slaves to dance, so it would seem that she was not sincerely trying to make him stop what he was doing. 77. ibid. 78. brown (44) 79. brown (44–45). 80. brown (51). 81. northrup (217). 82. ibid. 83. douglass (84–85). 84. wash wilson, loc-wpa. 85. ibid. 86. douglass (196–197). 87. douglass (182). 88. harriett jones, loc-wpa. 89. ibid. 90. see faust; isaac. 91. william adams, loc-wpa. 92. harriett greaham, loc-wpa. 93. james lucas, loc-wpa. 94. alice baugh, loc-wpa. 95. susan bledsoe, loc-wpa. references bibb, henry. narrative of the life and adventures of henry bibb, an american slave. electronic edition ed. new york: macdonald & lee, printers, 1849. dew, charles b. bond of iron: master and slave at buffalo forge. new york: w.w. norton, 1994. douglass, frederick. life and times of frederick douglass, written by himself. his early life as a slave, his escape from bondage, and his complete history to the present time, including his connection with the anti-slavery movement; his labors in great britain as well as in. electronic edition, new revised edition ed. boston: de wolfe fiske &, 1892. faust, drew gilpin. james henry hammond and the old south a design for mastery. baton rouge: louisiana state university press, 1985. greenberg, kenneth s. the confessions of nat turner and related documents. boston: bedford books of st. martin’s press, 1996. irons, charles f. the origins of proslavery christianity: white and black evangelicals in colonial and antebellum virginia. chapel hill: university of north carolina press, 2008. 43 a vigorous affirmation of life isaac, rhys. landon carter’s uneasy kingdom: revolution and rebellion on a virginia plantation. oxford: oxford university press, 2004. joyner, charles w. down by the riverside: a south carolina slave community. urbana: university of illinois press, 1984. library of congress. mclaurin, melton a. celia, a slave: a true story. new york: avon books, 1993. northup, solomon. twelve years a slave: narrative of s. northup, a citizen of new york, kidnapped in washington city in 1841, and rescued in 1853. [edited by d. wilson.]. edited by david wilson. auburn: derby and miller, 1853. rothman, joshua d. flush times & fever dreams: a story of capitalism and slavery in the age of jackson. athens, georgia: university of georgia press, 2012. stearns, marshall, and jean stearns. jazz dance: the story of american vernacular dance. new york: de capo press, 1968. stevenson, brenda e. life in black and white: family and community in the slave south. new york: oxford university press, 1996. 44 elements : : spring 2015 they were ghosts in history, you're a ghost in your own safe little suburban bedroom with cowboy lampshades." -melvin jules bukiet t r a n s g e n e r a t i o n a l t r a u m a : the zone of indistinction after mauschwitz r e b e c c a k r a u s g i o r g i o a g a m b e n t a l k s a b o u t t h e c o n c e n t r a t i o n c a m p a s a z o n e o f i n d i s t i n c t i o n w h e r e t h e e x c e p t i o n w a s t h e r u l e , t h e i l l i c i t l i c i t , a n d t h e e x t r e m e n o r m a l i z e d . t h i s p a p e r s e e k s t o e x t e n d a g a m b e n ' s t h e o r y t o u n d e r s t a n d t h e t r a u m a o f t h e c o n c e n t r a t i o n c a m p . i f t h e r e a l h o r r o r o f t h e c a m p w a s i n d e e d t h i s z o n e o f i n d i s t i n c t i o n , t h e n c a n w e u n d e r s t a n d t h e t r a u m a a s t h e c o n t i n u e d e x p e r i e n c e o f t h e t r a c e s o f t h i s z o n e o f i n d i s t i n c t i o n ? w h i l e t h e s u r v i v o r s w e r e i n t h e c a m p s , i t w a s a b a r b a r i c w o r l d b u i l t o n n o r m a l i t y ; i n t h e i r l a t e r l i v e s , i t w a s a n o r m a l w o r l d l a c e d w i t h t r a c e s o f b a r b a r i s m . a b r a h a m a n d t o r o k ' s t h e o r y o f t h e p h a n t o m i s a p p l i e d t o d i s c u s s h o w t h i s t r a u m a o f i n d i s t i n c t i o n i s t r a n s f e r r e d t o t h e c h i l d r e n o f h o l o c a u s t s u r v i v o r s . f i n a l l y , a r t s p i e g e l m a n ' s maus a n d m e l v i n j u l e s b u k i e t ' s after a r e e x a m i n e d t h r o u g h t h e l e n s o f t h e s e c o m b i n e d t h e o r i e s t o d i s c u s s t h e f o r m o f s e c o n d g e n e r a t i o n h o l o c a u s t l i t e r a t u r e i n r e l a t i o n t o t h e t r a n s g e n e r a t i o n a l t r a u m a e x p e r i e n c e d b y i t s a u t h o r s . i n t r o d u c t i o n everything they undertake, everything they build has a secret tie to the unnamable experience of their parents. the 'children ofjob' will never detach themselves from the tragedy that gave birth to them.1 -elie wiesel "it was nothing like that." each word punctures the airwaves ofnpr's morning edition," saturated with restrained rage. the topic of discussion is roberto benigni's fi lm, life is beautiful, and melvin jules bukiet, along with art spiegelman-both children of survivors and well-known authors of holocaust literature-are nothing short of appalled by it. bukiet expresses: "there was no fear. there was no terror. there was no despair. the clothes were not dirty, on the simplest and most physical level. there was no pandemonium as they exit the trains." both bukiet and spiegelman make a point of separating their own artistic attempts to represent the holocaust from benigni's. bukiet, author of the comic novel, after, comments: "humor is a priori, no worse or more doomed a mode for portraying the holocaust than saccharine tragedy is a formula for succeeding at portraying it. i would say that humor is maybe riskier and, therefore, can, if it's evil enough a humor, probably convey that truth better.""1 rather, bukiet feels that the humor he uses in after is appropriate to the subject matter. likewise, spiegelman also defends his portrayal of the holocaust in his comic book maus: "i think i took it personally that i 'd heard that benigni was inspired by maus. it seemed that there's a kind of zeitgeist shift, let's say, that life is beautiful is the clearest demonstration of, into using the holocaust with impunity as a metaphor...and i see maus as really something else, as using metaphors really to try to approach the actualities."1v in addition to the general questions raised in this program about holocaust representation, the responses of these two authors evoke questions specific to the second generation: why are these children of survivors so extremely bothered by the portrayal of the holocaust in life is beautiful} what unites their work as being an acceptable form of representation? the same npr program features prof. omer bartov, a historian at brown university v whose specialty is the german army on the eastern front; he provides the other side of the argument: "[benigni] tries to save some flicker of humanity . . . that is obviously so completely lacking in [the holocaust] that i f you look at it directly, you're not only faced with the impossibility of representing it, but also with the impossibility of contemplating life after it. and yet life has continued. you have to somehow come to terms with the fact that there was life in the holocaust and there was hope in i t . " v l this does more than explain the value of benigni's film; it provides a key to understanding why spiegelman and bukiet are so adamantly against it. these children of survivors are first-hand witnesses to the fact that life has continued, but at the same time, intimately familiar with the tension of the necessity and impossibility^' both of representing the holocaust and of contemplating life after it. bartov is right; we do have to "come to terms with the fact that there was life in the holocaust and there was hope in it," but this was a life that was oftentimes indistinguishable from death, it was a hope that was often blurred with despair. the only way to truly come to terms with this is to acknowledge this tension. .. the blurring of the everyday and the barbaric that occurred in the camp, for survivors and their families, did not end with liberation.77 indeed, second generation testimonies are testimonies not to the fact that life did not occur in the camps or that it did not continue after, but that the blurring of the everyday and the barbaric that occurred in the camp, for survivors and their families, did not end with liberation. in this paper i wi l l use nicolas abraham and maria torek's theory about trans-generational trauma and giorgio agamben's analysis of the concentration camp to try to understand the nature of holocaust identity in children of survivors and how this influences what they deem an acceptable representation of the holocaust. abraham and torek present the idea that a person can be haunted by a traumatic event that occurred i n his or her family and explain that this trauma is unconsciously transferred to the child through the gaps in his or her knowledge. this applies particularly well to children of holocaust survivors: despite their disparate upbringings, they all say that they always knew that something was different in their family. i wi l l combine this theory with what agamben deems a "zone of indistinction": a place where the exception is the rule, the licit elicit, and the barbaric normalized. he talks about the concentration camp as a zone of indistinction, and i wil l argue that this is precisely the phantom that haunts the second generation. in order to reduce this phantom, one must exorcize it in words, but due to the sensitivity of the subject and to the fact that it is the secret of another, this must be done in an acceptable form. for children of holocaust survivors, the acceptable terms are those that acknowledge this phantom; these works of literature insist on showing their readers the haunting zone of indistinction, where barbarity invades the everyday. a b r a h a m a n d t o r o k ' s p h a n t o m his testimony was merely secondhand. yet the staggering reality of cattle cars, the gas chambers, and the crematoria did not feel remote to him, either, even though half a century of years and an ocean of water separated him from the actual crime. but crimes don't just end with immediate injuries. the mind, alas, does not allow for that. and this was a special crime.. the dreams of his parents-actually, their nightmares-kept it all alive . . . the holocaust shaped those who were survivors of survivors. inexorably, cruelly, and unfairly so. the choices and compromises made, the relationships cultivated and broken, the psychic demons and grotesque muses that mockingly interfered with everyday life.vm -thane rosenbaum nadine fresco comments that "the artistic works of this [second] generation bear presence of an absence."lx rather, the generation is defined by the things missing, such as, grandparents, knowledge of family history, and sense of safety. this, coupled with the reluctance of many survivors to tell their stories, can create a void in familial identity; indeed, the holocaust takes on a nearly mythical quality, for it is the unspoken presence that underlies every family interaction. in the, shell and the kernel, french psychoanalytic theorists nicolas abraham and maria torek suggest that in some cases people are haunted by a phantom; however, "what haunts are not the dead, but the gaps left within us by the secrets of others. " x a family's silences are transferred to the children. although the psychoanalysts do not mention children of holocaust survivors as examples, this explanation resonates particularly well with their situation. helen epstein, one of the first second-generation authors to write about her experience, describes this phantom as being within an "iron box" which resides inside her: tor years it lay in an iron box, buried so deep inside me that i was never sure just what it was. i knew i carried slippery, combustible things more secret than sex and more dangerous than any shadow or ghost. ghosts had shape and name. what lay inside my iron box had none.xl epstein's description fits perfectly into abraham and torek's model of the phantom as "gaps left within us by the secrets of others." psychologist and second-generation survivor aaron hass notes that "the second generation exhibited a need to identify with their parents' suffering in order to understand more fully and feel closer to them."x 1 1 this tendency is t r a n s g e n e r a t i o n a l t r a u m a : t h e z o n e o f i n d i s t i n c t i o n a f t e r m a u s c h w i t z again abraham and torek's phantom, which is characterized as "a formation in the dynamic unconscious that is found there not because of the subject's own repression but on account of a direct empathy with the unconscious or the rejected psychic matter of a parental object." x i i i yet this phantom is especially problematic because "the gaps and impediment i n our communication with the love object create a two-fold and contrary effect: the prohibition of knowledge coupled with an unconscious investigation."x 1 v a common trend in the second generation is the desire to know more about their parents' past, but a reluctance to ask, to reopen their wounds. one study notes, "subjects indicated that their present motivation to ask their parents questions involved a desire to understand better their own identity through understanding the forces that had affected their parents, and, indirectly, themselves."xv however, "[a]ll subjects expressed some degree of reticence about approaching their parents with questions about the concentration camp experience."™ the children have a need to investigate this haunting phantom, but sense that this secret wi l l only cause their parents more pain, and so they retreat to their imagination i n order to identify with their suffering. yet the "questions designed to satisfy these needs often had to await the mastery of unpleasant feelings associated with their parents' past experience and present behavior."™ 1 moreover, these "unpleasant feelings" could not be expressed to the parents who "had an exaggerated need to perceive their children as happy and problem-free so that they could serve as the requisite compensatory symbol for all that was los t . " x v m therefore, no part of this search for the phantom could be verbalized: it would hurt their parents too much. children of holocaust survivors all say that they always knew, either that their parents were survivors, or at least that there was some sort of secret, something different. this is corroborated by robert m . prince's psychological study of the second generation, as well as hass' similar finding, that despite "the fact that most children of survivors were not well acquainted with their parents' lives during the holocaust, all had a sense of being aware, from a very early age, that they were, indeed, children of survivors"™ beneath this instinct is abraham and torek's observation that the "phantom is a formation of the unconscious that has never become conscious-for good reason. it passes-in a way yet to be determined from the parent's unconscious into the child's." x x epstein reinforces their theory with her experience: "all the children of survivors i spoke with said they had absorbed their parents' attitudes towards germany and the holocaust experience through a kind of wordless osmosis. they had not been explicitly instructed to feel one way or another. rather, they had picked up on cues, attitudes, desires that had never been expressed i n words."™ abraham and torok go on to explain that "the shameful [and painful] and therefore concealed secret always does return to haunt. to exorcise it one must express it in words. but how are we to accomplish this when the phantoms inhabiting our minds do so without our knowledge, embodying the unspeakable secret of..an other?"™ 1 again, they are echoed by epstein: "whatever lived inside me was so potent that words crumbled before they could describe."™ 1 1 the phantom is difficult to describe in words, not only because it is so "potent," but also because it is made up of gaps. as abraham and torok explain, "[reducing the 'phantom' entails reducing the sin attached to someone else's secret and stating it in acceptable terms so as to defy, circumvent, or domesticate the phantom's (and our) resistances, its (and our) refusals, gaining acceptance for a higher degree of ' truth."'™ v epstein expresses this challenge in her own terms of the "iron box": the box became a vault, collecting in darkness, always collecting, pictures, words, my parents' glances, becoming loaded with weight. it sank deeper as i grew older, so packed with undigested things that finally it became impossible to ignore. i knew the iron box would some day have to be dredged up into the light, opened, its contents sorted out, but i had built such fortifications that it had become inaccessible. i needed tricks to get near it, strategies to cut through the belt of numbness that formed each time i made a move towards it.xxv for epstein, the process of expression involves finding others who also have an iron box, a phantom, and through her connection with them, she is able to break through the "fortifications" of silence that she had built around her story. she explains, " i set out to find a group of people who, like me, were possessed by a history they had never l ived. , , x x v 1 though this process differs from person to person, in each case, the phantom must be exorcised in two ways: by filling in the gaps through imagination and expressing the experience of carrying this burden. more importantly, this must be done in some sort of acceptable form: a form that does not claim authenticity for an event that has not been experienced but still bears witness to the lasting effects of the holocaust on its survivors and their families. t h e p h a n t o m a s a z o n e o f i n d i s t i n c t i o n "twenty-eight years ago today, the nazis gassed my mother and four sisters," papa said. he set down the coffee cup. i thought how in a movie papa's hands would have trembled, but in real life they were steady.xxvn -barbara finkelstein a child is a hollow vessel with a thundering echo. what is a child to make of tales of hunger, humiliation, and murder? where did the tales stop and reality begin? we no longer knew.xxvm -carl friedman giorgio agamben defines the concentration camp as a "zone of indistinction between outside and inside, exception and rule, licit and illicit, i n which the very concepts of subjective right and juridical protection no longer made any sense."xx1x this zone of indistinction is "precisely the place in which the state of exception coincides perfectly with the rule and the extreme situation becomes the very paradigm of l i f e . " x x x the insight of agamben's point is his location of the unbearable aspect not in the presence of horrific events and lack of normality, but in their indistinction. he gives the example of a soccer match between the s.s. and the special forces (those prisoners assigned to work at the gas chambers) which, in the words of primo levi, appeared "as if, rather than at the gates of hell, the game were taking place on the village green. " x x x 1 agamben explains that this "match might strike someone as a brief pause of humanity in the middle of an infinite horror. i , like the witnesses, instead view this match, this moment of normalcy, as the true horror of the camp."x x x 1 1 the horrific aspect of auschwitz was not so much the fact that it was a site of horror, but rather that the horror was normalized. i want to extend agamben's idea that the normalization of the extreme was the truly horrific aspect of the camp to understand the trauma that is experienced by survivors. cathy caruth raises the question: "is the trauma the encounter with death, or the ongoing experience of having survived r t?"xxxm i would argue that another way to understand the trauma is not as an encounter with death or the ongoing experience of survival, but an encounter with what primo levi describes as a death "one hesitates to c a l l . . . death, " x x x 1 v as well as an ongoing experience of the traces of this zone of indistinction. a person on his or her way to auschwitz rode in a normal train, but it was a train to horror, and most likely, to death. survivors often continue to feel horror and panic on a normal train. in the first case, the barbaric was normal; in the second, the normal carries a trace of the barbaric. caruth locates the trauma in the experience of survival: "what one day returns in the flashback is not the incomprehensibitliy of one's near death, but the very incomprehensibility of one's own survival." x x x v i n the case of holocaust survivors, the flashback is not merely this, but also the incomprehensibility of the zone of indistinction. flashbacks are triggered by everyday things-trains, dogs, food, striped clothing-and it is precisely because the barbaric was normalized in the camp that these traces of the concentration camp still invade everyday life. while the survivors were in the camps, it was a barbaric world that had been normalized; in their later lives, their "normal" world is laced with traces of barbarism. t r a n s g e n e r a t i o n a l t r a u m a : t h e z o n e o f i n d i s t i n c t i o n a f t e r m a u s c h w i t z gate at auschwitz: "work makes you free" i am interested in trying to combine agamben's notion of the zone of indistinction with abraham and torok' theory of the phantom. i f the trauma of the camp is indeed the continued experience of the zone of indistinction, then can we align the phantom with the zone of indistinction? i would argue that the way in which the phantom is transferred, which abraham and torok say is "yet to be determined ' , x x x v l is by witnessing these barbaric traces. even children whose parents never talked about their experiences perceived this phantom i n other ways. their parents screamed from nightmares in the middle of the night, they had strange issues with food. 5 0 0™ 1 1 every normal question that a child might ask his parents could be a landmine: where did you meet? what was your childhood like? not to mention the obviously treacherous ones: what is that number on your arm? where are my grandparents? the specter of the extreme barbarity of the concentration camp makes the children recognize the gaps between what they know and their parents' experiences. in some cases these gaps consist of factual information, but even in cases where parents often told stories of the holocaust, there is always a gap between the recounting and the actual experience. because the children of survivors cannot remember this, they imagine it: they try to fill these gaps with imagination, and it is this phantom which haunts. marianne hirsch coined the term "post-memory," which she defines as "a powerful and very particular form of memory precisely because its connection to its object or source is mediated not through recollection but through an imaginative investment and creation."x x x v u 1 thus, i f the survivors' trauma of the experience of the zone of indistinction triggers memory which can manifest itself as the barbaric mixed in with the normal, the second generation is haunted by this zone of indistinction, but, instead of memory, it triggers postmemory, or imagination. the child tries to fill i n the details with an imagination, which in the case of the holocaust is necessarily barbaric, and this barbaric imagination invades their normality in the same way that flashbacks and other forms of memory do for the survivor. in the camps, the barbaric, deadly showers were presented as normal; hence, many children of survivors, such as art spiegelman in maus, "fantasize zyklon b coming out of our shower instead of water." x x x l x likewise, in the introduction to nothing makes you free: writings by descendents of jewish holocaust survivors,^ bukiet notes, "as they were ghosts in history, you're a ghost in your own safe little suburban bedroom with cowboy lampshades."xl1 once again the use of the word "ghost" calls to mind abraham and torok's conception of the phantom. other little boys do not look at their lampshades and think of human skin. in this bedroom, the barbaric imagination replaces zyklon b as the suffocating agent of any sense of safety. how do the acceptable terms of expression appear in the literature of the second generation? one method is the form that conveys this continued zone of indistinction, what the survivors experience in memory, and their children experience in post-memory, or what i call 'barbaric imagination.' this zone of indistinction, where horror and normality are inextricably bound, is what is missing from life is beautiful, in which humanity exists explicitly and inhumanity is only an allusion. maus a n d after were the novelists and poets and dramatists and cartoonists of the second generation born writers or were we compelled to write by our proximity to extremity? i don't know. i only know that these are the stories i heard at the dinner table. thus, rendering life with people who are capable of saying, "i'd rather be hung tomorrow than shot today. pass the salt," becomes one's most enduring subject.00^ -melvin jules bukiet both maus and after describe moments in the lives of survivors after liberation, in which the zone of indistinction still exists: the normal is infused with the barbaric and everyday lives are invaded by the extremity of the concentration camp. even though they are written in different ways after is a fictional narrative of survivors' lives directly after liberation and maus is a two-volume graphic novel about speigelman's experience recording his father's story of life during the holocaust the issues confronted by children of survivors appear in both of them. both works offer insight into the zone of indistinction that still traumatizes the survivors and haunts the second generation by showing the normal mixed with the barbaric. in the very first scene of maus i : my father bleeds history, young art falls down on his rollerskates and is left behind by his friends. when he cries to his father, vladek, he replies: "friends? your friends? . . . i f you lock them together in a room with no food for a week. . . then you could see what it is, friends!" x l m it is a completely normal situation, a child having a conflict with his friends and getting upset, but the scene is disturbed by the father's recollection of the barbarity of the camps. vladek is still so consumed by the zone of indistinction in which the extreme and the everyday were fused that a normal word like "friend" cannot be separated from the barbarity. in another scene in maus i, vladek rides an exercise bike while he talks about how he gave his first son, richieu, to another family for protection, even though one friend questioned his decision. he does not even stop pedaling as he says: "but his [the friend's] son remained alive; ours did not." x l l v how conflated must the exception and the rule be, that the death of a child is a normal subject? later i n the story, vladek describes the gas chambers, the ovens, and the mass graves. in the most graphic scene in all of maus he describes: "and those what finished [sic] in the gas chambers before they got pushed in these graves, it was the lucky ones. the others had to jump in the graves while they were still alive. prisoners what worked [sic] there poured gasoline over the live ones and the dead ones. and the fat from the burning bodies they scooped and poured again so everyone could burn better."x l v art exclaims, "jesus," and his wife, francoise hangs her head, but vladek calmly continues, "ach! it's 2:30. look how the time is flying. and it's still so much to do today." x l v i as unsettling as the graphic sequence that appears on the page before is, i would argue that what is even more disturbing is the ability of the survivor to tell this story of unimaginable horror and then immediately lapse back into normal life. the phantom is not created from the presence of these awful stories, but from their integration into everyday life. in his newest novel, portrait of the artist as a young %@eck!,xlvu spiegelman shows how these scenes of the concentration camp pervaded normal conversation, even from the time he was very young. he depicts a car ride with his parents on their way back from a party: art's mother: "what a fancy affair! everybody was invited-even janek!" vladek: "yes, but nobody would sit near him." art: "why don't people sit with him?" vladek: "in auschwitz he was a sonderkommando, he threw jews into the ovens." art: "why?" vladek: "if not, the germans throw him in the ovens." t r a n s g e n e r a t i o n a l t r a u m a : t h e z o n e o f i n d i s t i n c t i o n a f t e r m a u s c h w i t z art spiegelman a n d his wife, francoise, outside a bookstore c o n t a i n i n g his book maus art: "so...it wasn't his fault, right?" vladek: "yah, but it's rumors he put to the ovens his wife and his son, so nobody wants to sit." art's mother: "take a nap again, cookie! it's still a long drive, and we're just having grown-up talk."xlvm the presence of this story in the normal conversation is the trauma of survival-the ongoing presence of the traces of the zone of indistinction where horror was normalized. in most families, "grown-up talk," that mysterious, forbidden thing that children hear bits and pieces of, is about sex and scandals; in art's family it involved a man who had been able to throw his own wife and child into an oven. even though this extreme situation no longer literally exists, it still exerts its presence. in another scene, art gives his son, dash, a "family heirloom," a locked box that contains a fire-breathing monster wearing a striped prisoner's hat with hitler's face on its tongue. dash responds, "an air loom?," signifying more than just a child's limited vocabulary: it is the contaminated "air" of the concentration camp that still "looms" over its families years later. art explains, "it's been in the family for years! my dad gave it to me when i was a little boy . . . and now i 'm giving it to you!" when dash opens the box and the monster explodes out of it, art says, "it makes you feel so worthless you don't believe you even have the right to breathe!... and-just think-someday you'll be able to pass it on to your son!" x l l x once this box is opened, this monster can return at any time: there is no "normal" situation that is safe from its invasion. by giving the monster to his own son, art expresses that this zone of indistinction wi l l continue to invade everyday life even in the next generation. this point is also emphasized in maus ii, in which the e l e m e n t s s p r i n g 07 table of contents is subtitled "from mauschwitz to the catskills and beyond." with the nazis depicted as cats and the jews as mice, this clearly implies that, in one way or another, the impact of the nazis did not end with liberation; indeed, it continues into the second generation, growing up far from germany, in the catskills. this mixture of the normal with the barbaric haunts art into his adulthood. in a conversation with francoise, he admits, "when i was a kid i used to think about which of my parents i 'd let the nazis take to the ovens i f i could only save one of them . . . usually i saved my mother. do you think that's normal?"1 it is unclear whether he is asking her i f it is normal for a child to save his mother or for a child to have these fantasies at all, but either way, his question of "normalcy" evidences his skewed sense of normality. this exchange also displays how art's post-memory, or imagination, is triggered by this invasion of the normal by the barbaric. he goes so far as to say, " i know this is insane, but i somehow wish i had been in auschwitz with my parents so i could really know what they lived through!"'1 but he was not there, so instead he has to "fantasize zyklon b coming out of [his] shower instead of water."111 the haunting zone of indistinction leads to barbaric imagination. after contrasts with spiegelman's novel and the entire genre of second-generation holocaust literature because it does not directly involve the children of survivors. however, in light of the issues that these other works present, it is clear that even though the only second generation character in after is a baby born near the end of the novel, the issues of the second-generation resonate throughout the book. the survivor characters are traumatized by the zone of indistinction they experienced in the camps in such a way that the extremity of the camps still invades their lives after liberation. through bukiet's writing, the reader experiences the inseparability of the barbaric and the normal, so that he or she gets a sense of what it is like to be a child of a survivor and live in a world haunted by the zone of indistinction. the vocabulary of after is redefined in order to provide the experience of haunted words and world to the reader. in this barbarized language, certain words become charged: they attain a second meaning that can never again be separated from the normal term. in the "displaced persons" camps after liberation, the character schimmel is sent to be "processed," or have his information recorded by the allied soldiers, but anther, isaac, interprets that it "sounds like being turned into soap." l u i the effect is that any subsequent time that the reader comes across "processed," he or she is reminded of its other meaning. in another instance, one of the characters greets, "good morning! make that twenty. need any feathers? the truck wi l l be leaving for its daily pickup as soon as it gets gassed."llv the narrator feels the need to explicate this verb: "gas was for trucks now." l v for the survivors and their children, words like "processed," "gassed," "soap," and "lampshade" can never again be used without some association to barbaric meaning. the barbaric imagination of the second generation is what allows little melvin jules bukiet to feel as i f he is a "ghost" in his bedroom that has "cowboy lampshades." another way that after creates new connotations from normal vocabulary is through the use of words like "fortunately" and "of course" in sentences that, for the average person, are anything but fortunate or obvious. for example, the narrator explains: for those who had been transferred therefrom extermination camps in poland, the liebknechtwerke was like liberation; they didn't see what there was to complain about. of course death, random and vicious, was a constant companion, but... [t]he gas chamber was used as a punishment rather than the sole purpose of the place.lvi this use of the common phrase subtly demonstrates the zone of indistinction in which the exception was the rule and the extreme had become normal. similarly, when the characters are looking for a place to live after liberation, the narrator comments: "fortunately, there were empty apartments all over europe. more people were killed than apartt r a n s g e n e r a t i o n a l t r a u m a ! t h e z o n e o f i n d i s t i n c t i o n a f t e r m a u s c h w i t z merits were destroyed." l v n although it is fortunate for the characters that there are empty apartments all around europe, the reason for this is so far from fortunate that it makes the use of the word seem absurd. after also reflects how the holocaust has changed the categorization of time from past, present, and future to before, during, and after. the word "before" is never used-only "before" with a capital "b" to indicate the time prior to the war. at one point the survivors are at a show in which one of the performers says, "perhaps you saw my act before." l v m although she means the generalized "before," to the survivors, the word means only before the concentration camps. later on, one of the characters on stage says, "so what say every twenty years we have a little excitement and then after, we have a lot of fun." the narrator concludes, "they had seen the show before." l l x this conception of time is even more complicated in the second generation: in the introduction to nothing makes you free, bukiet comments: " in a way, life has become even stranger-though infinitely less perilous-for the children than their parents. i f a chasm opened in the lives of the first generation, they could nonetheless sigh on the far side and recall the life before, but for the second generation there is no before. in the beginning was auschwitz. " l x more generally, the haunting zone of indistinction can be even more problematic for the second generation, since they never experienced life without its presence. this sense of the non-existence of before is conveyed in after. "after was the same as during, and before didn't exist, not even in the mind. before was as far gone as baby teeth." l x i even though the narrator is describing a survivor, the quote reveals the pervasiveness of bukiet's secondgeneration experience. additionally, both isaac, the main character of the novel, and the narrator make barbaric jokes and metaphors. for example, in saying that "before was as far gone as baby teeth," baby teeth has double meaning: the normal connotation of the baby teeth that all the adult characters had lost long ago, as well as a grotesque reference to the teeth extracted from the dead in the concentration camps and the fact that no babies survived. like maus, it shows the insertion of the barbaric into the normalcy of everyday lives of the survivors. at another point isaac remarks, " i f we weren't so dirty, we wouldn't have needed showers." l x n this play on words is a joke, but one that bukiet deems "evil" enough: it shocks the reader, but at the same time commands attention. it bears witness to the kind of person who can say these things at the dinner table. c o n c l u s i o n in imagining, a particular tone bleeds through in all but the mildest of second generation writers. though often literarily exuberant and sometimes 'experimental,' they are viciously unredemptive, scoured for weakness as they look atrocity staring in the face with barely contained rage. despite today's insipid fetish for 'healing,' frequently engaged in by the social workers of the second generation, the writers heal nothing and comfort no one with their work. healing is another word for forgetting. healing is what movies like l i f e i s b e a u t i f u l and s c h i n d l e r ' s l i s t seek-the former with gratuitous vulgarity, the latter with insidious skill-as they concoct a spurious ray of light to falsely illumine the night. instead of closure, the writers prefer the open wound. and should that wound threaten to close, they rip out the stitches.xm -melvin jules bukiet one of the most quoted phrases about the holocaust is theador adorno's assertion that "nach auschwitz noch ein gedicht zu schreiben ist barbarisch" (as literally as possible: "after auschwitz, to still write a poem is barbaric"). l x i v michael rothberg points out that this is frequently mistranslated as "no poetry after auschwitz" or "after auschwitz it is no longer possible to write poems." l x v these renderings are especially problematic because they undermine the entire purpose of adorno's point: it is possible to write poetry after auschwitz, just as it was possible for the s.s. to read poetry at night and to work in concentration camps during the day, l x v i and this is what is barbaric. so e l e m e n t s s p r i n g 07 what is the answer-not to write poetry? adorno himself answers: " in silence we simply use the state of objective truth to rationalize our subjective incapacity, once more degrading truth into a l i e . " l x v u this is echoed in maus when art explains, "samuel beckett once said: 'every word is like an unnecessary stain on silence and nothingness.'. . . on the other hand, he said i t . " k v m 1 i f writing poetry after auschwitz is barbaric, then is the only acceptable form barbaric poetry? this is the answer given by the children of survivors, particularly art spiegelman in his comic book, maus, and melvin jules bukiet in his comic novel, after. both of these use a "comic" and therefore shocking and controversial approach to the holocaust, which, i n their ability to combine the everyday with the extreme, is appropriately barbaric. e n d n o t e s i . foreword to berger, (viii) i i . " survival in nazi germany." morning edition, march 17, 1999. david d'arcy. available at i i i . "survival"; emphasis added iv. "survival" v. at the time of the interview he was at rutgers university. vi . "survival"; emphasis added. v i i . cathy caruth uses the phrase "necessity and impossibility" to describe the problem of bearing witness to trauma in unclaimed experience: trauma, narrative, and history. v i i i . rosenbaum (2) ix. as cited in berger (2) x. abraham and torok (171) xi . epstein (1) xi i . hass (79) x i i i . abraham and torok (181) xiv. abraham and torok (188) xv. prince (45) xvi. prince (46) xvii. hass (79) xvii i . hass (62) xix. hass (70) xx. abraham and torok (173) xxi. epstein (117) xxii. abraham and torok(i88) xxii i . epstein (1). xxiv. abraham and torok (189); emphasis added xxv. epstein (5) xxvi. epstein (5); emphasis added xxvii. finkelstein (134) xxviii. friedman (134) xxix. agamben 1995 (170) xxx. agamben 1999 (49) xxxi. agamben 1999 (25) xxxii. agamben 1999 (26) xxxiii. caruth (7) xxxiv. agamben 1999 (44) xxxv. caruth (64) xxxvi. abraham and torok (173) xxxvii. for an excellent summary of the issues that confront survivors and their children see: generations of the holocaust. xxxviii. hirsch (22) xxxix. speigelman 1991 (16) xl . this is a collection of second-generation literature edited by bukiet; the title is an obvious reference to the gate of auschwitz which read: "work makes you free." xl i . bukiet 2002 (18) x l i i . bukiet 2002 (20) x l i i i . spiegleman 1986 (6) xliv. spiegelman 1986 (81) xlv. spiegelman 1991 (72) xlvi. spiegelman 1991 (73) xlvii . published in the virginia quarterly review. xlvi i i . spiegelman 2006 (34) xlix. spiegelman 2006 (40) 1. spiegelman 1991 (14) l i . spiegelman 1991 (16) hi. speigelman, 1991 (16) l i i i . bukiet 1996 (21) liv. bukiet 1996 (217) lv. bukiet 1996 (217) lv i . bukiet 1996 (98); emphasis added lv i i . bukiet 1996 (93); emphasis added lv i i i . bukiet 1996 (86) lix. bukiet 1996 (93) lx. bukiet 2002 (13) lx i . bukiet 1996 (358) lx i i . bukiet 2002 (163) lx i i i . bukiet 2002 (21-22) lxiv. rothberg (25) lxv.translation by nathaniel campbell lxvi. steiner as quoted in rothberg (31): "we come after. we know now that a man can read goethe or rilke in the evening, that he can play bach and schubert, and go to his day's work at auschwitz in the morning." lxvii . as cited in rothberg (47) lxvi i i . spiegelman 1991 (45) r e f e r e n c e s abraham, nicolas and maria torok. 1994. the shell and the kernel. ed and trans. nicholas t. rand. chicago: university of chicago press. agamben, giorgio. 1995. homo sacer: sovereign power and bare life. trans. daniel heller-roazen. stanford: stanford university press. t r a n s g e n e r a t i o n a l t r a u m a : t h e z o n e o f i n d i s t i n c t i o n a f t e r m a u s c h w i t z http://www.npr.org. agamben, giorgio. 1999. remnants of auschwitz: the witness and the archive. trans. daniel heller-roazen. new york: zone books. berger alan l. 1997. children of job: american secondgeneration witnesses to the holocaust. albany: state university of new york press. bergmann, martin s. and mil ton e. jucovy, eds. 1982. generations of the holocaust. new york : basic books. bukiet, melvin jules. 1996. after. new york : st. martin's press. bukiet, melvin jules, ed. 2002. nothing makes you free: writings by descendants of jewish holocaust survivors. new york: w.w. norton. caruth, cathy. 1996. unclaimed experience: trauma, narrative, and history. baltimore: johns hopkins university press. epstein, helen. 1979. children of the holocaust. new york: g.p. putnam's sons. finkelstein, barbara. 1987. summer long-a-coming. new york: harpercollins. friedman, carl. 1994. nightfather: a novel. trans. arnold and erica pomerans. new york: persea books, inc. hass, aaron. 1991. in the shadow of the holocaust: the second generation. london: lb. tauris & co ltd. hirsch, marianne. 1997. family frames: photography, narrative, and postmemory. cambridge, ma: harvard university press. prince, robert m . the legacy of the holocaust: pyschohistorical themes in the second generation. ann arbor: u m i research press, 1985. rosenbaum, thane. 1999. second hand smoke: a novel. new york: st. martin's press. rothberg, michael. 2000. traumatic realism: the demands of holocaust representation. minneapolis: university of minnesota press. spiegelman, art . 1986. maus: a survivor's tale: my father bleeds history. new york: pantheon. spiegelman, art . 1991. maus ii: a survivor's tale: and here my troubles began. new york: pantheon. spiegelman, art . 2006. portait of the artist as a young %@ <£*•'• virginia quartly review. 82(4), fall. e l e m e n t s : : s p r i n g oj s o n g s o f p r a i s e a n d i n v o c a t i o n : the orisha sacred songs of trinidad r i c h a r d p a u l t h e p u r p o s e o f t h i s p r o j e c t is t o s t u d y a n d t r a n s l a t e r e c o r d e d y o r u b a c h a n t s a n d p r a i s e s o n g s o f t r i n i d a d o v e r t h e p a s t 65 y e a r s . b e c a u s e o f t h e h o r r i f i c c o n d i t i o n s o f t h e t r a n s a t la n t i c s l a v e t r a d e , a l m o s t a l l orisha d e v o t e e s h a v e l o s t t h e m e a n i n g o f t h e c h a n t s , a n d c o n s e q u e n t l y , t h e e m p h a s i s is o n t h e r i t u a l s . i s e e k t o d e t e r m i n e t o w h a t d e g r e e t h e c h a n t s s u n g i n t r i n i d a d h a v e r e m a i n e d t h e s a m e o r c h a n g e d a n d t o w h a t d e g r e e t h e y h a v e a l l d e p a r t e d f r o m c o n t i n e n t a l y o r u b a . a c q u i r i n g t h e t r a n s l a t i o n s a l l o w s d e v o t e e s t o a t t a i n a p h i l o s o p h i c a l u n d e r s t a n d i n g o f t h e r e l i g i o n , a n d i n d o i n g s o , t h i s s t u d y a i m s a t r e c o n s t r u c t i n g a n d u p l i f t i n g t h e orisha r e l i g i o n o f t r i n i d a d . i received an advanced study grant and traveled to benin west africa in the summer of 2005 to conduct field research into the yoruba origins of the orisha chants of trinidad. i conducted the first segment of my research in ketu, an historic yoruba district located in the eastern part of benin, 86 miles from cotonou and 67 miles from port novo, the two main cities in the benin republic. ketu has a population of approximately 100,000 inhabitants, 77 percent of whom constitute the yoruba people, crowded into two of the six communities, namely ketu (the city) and idigny/idahin (a rural town). it was in idigny that i met with king oba thomas atanda idowu arolagbade i i and interviewed the chief priests and orisha devotees. in trinidad, the orisha movement, better known as the shango religion, which venerates the forces of nature, the orisha, is the cultural l ink between afro-trinidadians and the yoruba peoples of west africa. streams of yoruba culture have flowed from the rivers of africa and into the seas of the americas. in trinidad, the essence of yoruba culture still exists, and yoruba language has survived in song, primarily because of the vitality of the shango religion. this collection of orisha chants translated demonstrates the life experiences of african-trinidadians, from the african continent, to the middle passage, the oppressive slave plantation, and finally the present communities of trinidad. unfortunately, most trinidadians still have a colonized mentality and continue to devalue, ridicule, and demonize the orisha religious movement. their contempt for african-based religions does not diminish the joy and fulfillment orisha devotees gain from their faith. over the course of my research experience i n the benin republic, i was privy to orisha religious celebrations and observed that the orisha sacred songs of trinidadians are reflections of the rhythms and expressions of yoruba culture. the invigorating drums, the heartbeat of the tradition, and their pulsating rhythms have the power to awaken anyone in their vicinity. the beauty of the orisha drums is that they elevate our being to higher states of consciousness where, through joy in trance, we dance the dance of our ancestors. with the exception of some of the sacred songs/chants that i sang, the collection of chants translated in this research included those recorded and sung by ella andall, a prominent trinidadian orisha devotee, i n her most recent cd, shango babawa. the translations are not literal per se, but they do convey the ideological, sociological, and contextual meanings. sung to praise and honor some of the most revered orisha, in the orisha spiritual religious traditions, the oriki praise songs enabled diasporic africans to reaffirm their yoruba identity. their unquestioned trust in their orisha spiritual traditions enabled diasporic africans to remember and mentally transport their orisha to the americas. shango, who is the spirit of lightning and thunder, the orisha of justice of righteousness, the protector of children and the innocent, became the patriarchal head, the bearer and the representation of the orisha spiritual tradition in trinidad. shango, in addition to several orisha, is the cultural remnant that enslaved africans brought to the americas, including the caribbean island of trinidad. orisha devotees remember the horrors of slavery through the chant of ara romi 0, but they regain hope and assurance in songs like babawa ye rona ye rona and shango mu asefun wa. these lamentations of hope not only reveal their dependency on shango, but they also show the power andheightened self-esteem they have gained. e l e m e n t s s p r i n g 07 a r a r o m i o ara romi o my body is in pain ara romi shango shanco my body is in pain ara romi emitibini shanco i do not want my body to pain ara romi shango shango my body is in pain ojo romi e e the rain is falling on me [i am experiencing hard times] ojo romi shango the rain is falling on me [i am experiencing hard times] b a b a y e r o n a y e r o n a babawa ye rona ye rona our father has found a way to be with us shango rona shanco has found a way to be with us babawa ye rona ye rona our father has found a way to be with us shango rona shanco has found a way to be with us s h a n g o m u a s e f u n w a shango mu ase fun wa shanco give us the power orriwo you have the power shango fun wa shanco has given us the power orriwo you have the power mu ase fun wa give us the power orriwo you have the power babawa fun wa our father has given us the power in times of hardships, many questioned their faith and subjected themselves to despair as seen in ka rele. however, some of the devotees' unquestionable trust in their religion corrects those doubts when they reminded others of shango's vitality, as observed in emi ni ape shango i'ojo. k a r e l e ka rele let us go home ka rele o let us go home! ka rele ojo moni owo let us go home, the rain has no regards for anyone ojo baa de let the rain come! onian wa, bi ojo baa de onian wa people come, even if there is rain, people come e m i n i a p e s h a n g o l ' o j o emi ni ape shango l'ojo i say that they [devotees] call shanco during the rain [hard times] shango de omi lala l'ojo shanco has come [even if] there is plenty water [hard times] omi lala l'ojo there is plenty water [hard times] orisha devotees have no qualms about portraying or about celebrating shango's aggressiveness, his omnipotence and his unscathed vengeance as the fierce protector in songs like shango oloro. s h a n g o o l o r o shango oloro shanco is deadly shango olo oloro shanco owns snake venom [shanco is lethal] shango o hail shanco! shango oloro shanco is deadly s o n g s o f p r a i s e a n d i n v o c a t i o n : t h e o r i s h a s a c r e d s o n g s o f t r i n i d a d shango babawa is a typical song of invocation and fere ku few yero and emi i'awa ko pemi la fise emi i'awa are traditional praise songs. s h a n g o b a b a w a shango babawa our father shango shango alado karele shan co, the wearer of powerful amulets, let us go home and pay homage shango babawa olododo our father shango, the most powerful kabiese o! [prostrating gesture/greeting of respect] f e r e k u f e r e y e r o fere ku fero yero you [shango] are worthy to be praised gracefully la finsi babawa our dear father fere ku fere shango shango is worthy to be praised gracefully la finsi babawa our dear father e m i l ' a w a k o p e m i la f i s e e m i l ' a w a emi i'awa ko pemi la fise emi i'awa whenever you [shango] call me, i will come and serve you shango ko pemi la fise shango i will come and serve you emi i'awa ko pemi la fise emi i'awa whenever you [shango] call me, i will come and serve you shango ko pemi la fise shango i will come and serve you most shango ceremonies dismiss shango and bring closure with fete ma lo shango and/or eru dele o. t e t e m a l o s h a n g o tete ma lo shango depart quickly shango tete ma lo depart quickly shango o! tete ma lo hail shango! [now] depart quickly tete ma lo baba depart quickly father tete ma lo depart quickly shango o! tete ma lo hail shango! (now) depart quickly e r u d e l e eru dele o your servant has come to your shrine eru de your devotee has arrived mo juba i pay homage mo lo i leave eru de your devotee has come mo juba i pay homage mo lo o! [and] i leave "emi i'awa ko pemi la fise emi i'awa whenever you [shango] call me, i will come and serve youv "[spates can expect to continue to struggle to resist proliferation within their borders as new tribes, governors, and state politicians try to claim their share of the action." a raw d e a l conflicts over tribal sovereignty and casino proliferation t l m m o o n e y f e d e r a l i s m h a s p l a y e d a n i m p o r t a n t r o l e i n t h e e x p l o s i o n o f l e g a l i z e d g a m b l i n g i n t h e u n i t e d s t a t e s i n t h e l a s t t w o d e c a d e s . i n d i a n g a m i n g , i n p a r t i c u l a r , h a s c h a l l e n g e d s t a t e a n d n a t i o n a l g o v e r n m e n t s t o c o m e t o t e r m s w i t h t h e p l a c e o f a m e r i c a n i n d i a n t r i b e s w i t h i n t h e f e d e r a l i s t s y s t e m a n d o r g a n i z e a m e a n i n g f u l f r a m e w o r k f o r t h e e x p a n s i o n o f g a m i n g o n t r i b a l l a n d s . n o w l a r g e l y c o n t r o l l e d b y a f e d e r a l s t a t u t o r y f r a m e w o r k , i n d i a n g a m i n g h a s l e f t s t a t e s i n a s u b o r d i n a t e p o s i t i o n i n n e g o t i a t i n g t h e e s t a b l i s h m e n t o f m a j o r c a s i n o e n t e r p r i s e s w i t h i n t h e i r o w n b o r d e r s . c o n f u s i o n i n s t a t e s ' r i g h t s d u r i n g n e g o t i a t i o n s h a s f u r t h e r w e a k e n e d t h e i r b a r g a i n i n g p o s i t i o n , l e a d i n g t o e x t e n s i v e t r i b a l c a s i n o d e v e l o p m e n t . t h e c o o p e r a t i o n b e t w e e n s t a t e s a n d t r i b e s a n d s t a t e s a n d c a s i n o c o r p o r a t i o n s h a v e f a c i l i t a t e d c a s i n o p r o l i f e r a t i o n t h r o u g h o u t t h e u n i t e d s t a t e s , a t r e n d t h a t a p p e a r s d e s t i n e d t o c o n t i n u e u n t i l t h e m a r k e t i s f u l l y s a t u r a t e d . less than 30 years ago, a legal slot machine or high stakes poker game could not be found anywhere outside las vegas or atlantic city. that all changed i n 1987 when the supreme court handed down the landmark california v. cabazon band of mission indians case affirming the right of indian tribes to operate casino enterprises on their sovereign land. drawing on historical and judicial traditions of american indian sovereignty, the cabazon court confirmed american indian tribes as important actors i n the federalist structure and placed their sovereignty on equal footing with that of the states. these developments have strongly affected the way i n which states control gambling within their borders. indian gaming is largely controlled by a federal statutory framework, leaving states i n a subordinate position i n negotiating the establishment of major casino enterprises within their own borders. confusion over states' rights during negotiations has further weakened their bargaining position, leading to tribal casino development almost by default. the continued expansion of tribal gaming, especially vegas-sized projects, unleashed strong pressures for other states to get i n on the action by encouraging their own tribal gaming and sanctioning commercial casinos. since the cabazon case and the subsequent federal indian gaming regulatory act (igra), both tribal and commercial gaming have exploded. casinos can now be found i n 35 states, 28 of which have tribal gaming.' the combination of state competition and tribal rights has put a strong wind behind casino gambling expansion, making it one of the fastest growing businesses i n the country.11 this growth, however, has come at the expense of some of the most time-tested elements of federalism—local control, state police powers, and democratic accountability. established as a legitimate (and very profitable) business, the gaming industry has successfully co-opted state governments into a "deal with the devil" to compete with other states and save their bottom lines. t r i b e s as c o n s t i t u t i o n a l e l e m e n t s of f e d e r a l i s m american indian tribes occupy an ambiguous position within the u.s. federal system. most scholars and politicians typically consider localities, states, and the federal government to be the constituent parts of federalism i n the united states, but miss the important position granted american indian tribes by the constitution. by giving the power to make treaties and regulate commerce with tribes to the federal government1 1 1 and divesting states of their leading role i n relation to american indians, the constitutional convention made tribes and states essentially equal sovereign bodies under the national government.^ established at a time when many tribes were still considered foreign nations, the constitution grants them a large measure of sovereignty.v legally, the status of indian tribes has slowly settled on what steven light and kathryn rand call "semi-sovereignty." pointing toward complex sovereignty case law, they conclude that: the contemporary legal doctrine of tribal sovereignty essentially means that the united states recognizes tribes as independent sovereign nations whose location within the boundaries of a state does not subject them to the application of state law. at the same time, as "conquered" or "discovered" nations, tribes retain only the political and legal authority that congress has not expressly abrogated under its asserted plenary power pursuant to the u.s. constitution's "indian commerce clause." the federal legal doctrine of tribal sovereignty effectively means that tribes, in fact, are "semi-sovereign.'^1 t h e c o n s t r u c t i o n o f a c a s i n o o n i n d i a n t e r r i t o r y in c a l i f o r n i a e l e m e n t s s p r i n g 09 this reading of american indian rights leaves states with almost no control over tribes within their borders. days after it opened, sparking the lawsuit that eventually affirmed the right to indian gaming. citing ronald reagan's 1983 statement calling for increased tribal self-government "states took the passage of this act as an opportunity to air their grievances about the cabazon case and their general lack of authority over pieces of territory within their boundaries." though some judicial and scholarly arguments hold that tribal sovereignty precludes any state interference/" many politicians, especially local and state actors, detest being unable to control their own jurisdictions. according to the harvard project on american indian economic development, "state politicians have tended to act on the belief that they have responsibility for and attendant regulatory jurisdiction over all people and activities that occur within their geographic boundaries." v i i i as long as tribes were politically weak and remote from their primary interests, state politicians allowed the federal government to take the lead on american indian policy. as tribes reorganized and attempted to foster economic activity using bingo parlors and card rooms they set the stage for intergovernmental conflict between their interests and those of the states and the national government. paul pasqueretta identifies this phenomenon, saying, "although state lawmakers and law enforcement officials continually fought to l imi t the development of the indian gambling industry, federal courts consistently ruled i n favor of the tribes." with more fundamental interests now at stake, states were much less will ing to defer to the federal government on indian policy. this conflict finally came to a head i n the california v. cabazon band of mission indians. i n 1980, the cabazon band of mission indians opened a card room and bingo parlor on their reservation 18 miles outside of palm springs. state police raided the operation and self-sufficiency, justice byron white wrote i n the majority opinion that "the federal interests i n indian self-government, including the goal of encouraging tribal self-sufficiency and economic development, are important, and federal agencies, acting under federal laws, have sought to implement them by promoting and overseeing tribal bingo and gambling enterprises."x the decision turned on white's reading of california gaming statutes. white held that " i n light of the fact that california permits a substantial amount of gambling activity, including bingo, and actually promotes gambling through its state lottery, we must conclude that california regulates rather than prohibits gambling i n general and bingo i n particular. " x i though congress had granted states the right to intervene into tribal affairs i n criminal cases, white's distinction between regulation and prohibition (one which steven's dissent rejects) allowed the federal government to pre-empt the state's right to regulate indian gaming by removing it from the sphere of criminal law. the court affirmed tribes' sovereign rights over state regulation while at the same time calling for federal legislative clarification on the issue. i g r a a n d t h e state f i g h t for g a m b l i n g r e g u l a t i o n congress responded to the court's call for federal leadership on indian gaming with the indian gaming regulatory act. states took the passage of this act as an opportunity to air their grievances about the cabazon case and their gena r a w d e a l eral lack of authority over pieces of territory within their boundaries. arizona attorney general robert k. corbin testified before the house committee of interior and internal affairs, arguing for state control, saying: i firmly believe that since most of the people who will be gambling will be state [citizens], non-indians, that there should be state control. if people in my state get rooked off, get loan-sharked and everything else that comes with gambling, i am going to be the one they are going to come to. they're going to say why aren't you protecting me, why aren't you doing something about it?xn tribes were equally vocal i n asserting their right to self-determination. according to jim hena, governor of tesuque pueblo: [though] the pueblo support federal legislation to regulate gaming . . . we do not and will not support any bills which provide for state jurisdiction over gaming on indian land . . . tribal governments are part of the federal system of the united states. as a result, proposals to place indian gaming under state jurisdiction are contrary to the constitution ... and inconsistent with 200 years of federal policy.xm what emerged was a compromise. the 1988 law reaffirmed tribal sovereignty with regard to gaming, but allowed some state agency i n the regulation of particular types of gambling on american indian land. igra divided gaming into three classes: class i—"social games solely for prizes of minimal value or traditional forms of indian gaming engaged i n by individuals as a part of, or i n connection with, tribal ceremonies or celebrations," class ii—"the game of chance commonly known as bingo including pull-tabs, lotto, punch boards, tip jars, instant bingo, and other games similar to bingo" as well as any card game allowed i n the state, and class i i i — " a l l forms of gaming that are not class i gaming or class i i gaming" (usually slot machines, blackjack, and baccarat) . x i v like cabazon, the provisions of igra allow tribes to operate gambling up to the point that it is legal for charitable organizations (usually class ii) without any state interference or tax.^ this means that even without an agreement with the hosting state, tribes can usually open at least a bingo parlor or card room. igra compromises with the states, however, by allowing them to negotiate terms and conditions on methods of gaming not legally allowed i n the state. x v l because bingo and cards only allow for small-scale gaming and therefore small-scale profits, tribes wanted the life-blood of any casino: slot machines. x v n since these are illegal for all organizations i n most states, tribes and states were usually forced to negotiate a fee or percentage payment for the right to operate a class i i i casino within the state. as with any good compromise, neither side was entirely satisfied by the new law. as w. dale mason points out, "rather than resolving intergovernmental conflict over gaming the congress had i n some ways opened the door to more conf l ic t . . . the result was a classic intergovernmental confrontation, sovereign against sovereign on an issue of fundamental import: which government, federal, state, or tribal had the greatest authority on deciding what occurs i n its respective borders." x v 1 u tribes resented any state imposition on their sovereignty, while states felt railroaded into hosting gaming they did not approve. with so much at stake, both sides were compelled to negotiate. with each party perceiving the other as violating its sovereignty, these negotiations often faltered. as bays and fouberg point out, "since tribes and states have so little experience working together and negotiating, and since the relationship between tribes and the states is often contentious and concerns vital issues to both parties, the tribes and the states frequently end up i n court or i n long, drawn-out negotiations."™ in many cases, this frustration resulted from difficulties inherent i n the compacting process. l o a d e d d i c e i n t h e c o m p a c t i n g process the requirement that states and tribes meet at the negotiating table was an attempt by the federal government to allow e l e m e n t s s p r i n g 09 indian gaming expansion without totally excluding the states. provisions within igra, however, seemed to make class i i i compacts a forgone conclusion. according to the national indian gaming association's igra facts: under igra, a state is obligated to negotiate compacts that lay out the conditions, regulations and limitations for class iii gaming operations. if a state refuses to negotiate or to negotiate in good faith, tribes can sue in federal court to force mediation. if a state refuses to implement a mediator's recommendations, the secretary of the interior establishes the procedures for class iii gaming within the state.™ needless to say, states hostile toward gaming violently resisted this provision. eventually, states won a legal victory over this provision i n seminole tribe of florida v. florida where the court held that states could claim sovereign immunity under the n t h amendment to avoid forced mediation.™ a series of court cases further muddled the issue, however. in northern arapaho tribe v. state of wyoming, the court forced wyoming to reach a gaming agreement with the arapaho indians, and, when it refused, imposed a class i i i compact written by the secretary of interior.™1 inconsistent rulings and confusion about so-called "compact forcing" favored tribes. by granting class i i i gaming with no compensation or regulatory authority, federally established compacts like wyoming's were a worst-case scenario for states. in order to protect themselves from the possibility of being shut out entirely from future gaming revenue, states typically approached the negotiating table with settlement as the only possible option. in michigan, the gun lake band of pottawatomi indians used the wyoming case to bring pressure on governor jennifer granholm to come to the negotiating table. in a release following the arapaho decision, the tribe argued that "the decision paves the way for the gun lake tribe to operate a class i i i casino without a compact should the governor fail to sign the tribe's compact" and that the "decision confirms that the state of michigan wi l l lose the ability to obtain any revenues from the gun lake casino unless it enters into a compact."™1 1 though a spokesperson for granholm denied that the situa• tions were as yet analogous (the tribe was still embroiled i n lawsuits over the status of its reservation), she did not deny that the department of interior could force a compact on the states.xx1v after settling outstanding lawsuits over its reservation, the gun lake band and the state of michigan signed a gaming compact. in her letter explaining her decision to state senate majority leader mike bishop, granholm said: once the tribe's land goes into trust, the tribe will almost certainly have the right under federal law to open a commercial gamingfacility—with or without a compact with the state. given these circumstances it is in the best interest of the state to enter into a gaming compact to ensure that the state has both some say in the operation of the facility and an opportunity to share its revenue.™ with all forms of gaming seemingly on the table even i n the face of state opposition, granholm felt compelled to come to an agreement to ensure michigan received some benefits from tribal gaming. c r e e k t o w n c a s i n o is majority o w n e d by t h e s a u l t s t e . marie t r i b e o f c h i p p e w a i n d i a n s . a r a w d e a l confusion i n other elements of igra further hamstrung states i n negotiations. technology increasingly blurred distinctions made by igra's classes of gambling as slot machine companies created video machines that look and feel like slots, but technically are still considered class i i gami n g . x x v l again, this gave leverage to the tribes. should states fail to cooperate i n compacting for class i i i gaming, igra's provisions have allowed them to circumvent many prohibitions on slot machines and threaten to create fullscale, but still technically class i i , casinos.*™1 like compact forcing, class i i casinos threaten to establish full-scale gaming without any payment to states or localities. confusion over what types of gambling are allowed creates serious disincentives for states to obstruct tribes trying to build major casinos within their borders. the consequences of saying "no" may be a casino that looks and feels like a real casino but doesn't pay a dime to its host communi t i es .^" 1 s l o t m a c h i n e s are a c o m m o n s o u r c e o f r e v e n u e for many c a s i n o s . the end result of seminole tribe of florida v. florida demonstrates the danger of class i i casinos. as cited above, seminole upheld florida's sovereign right to resist court-ordered mediation for class i i i gaming, seemingly granting the state veto power over full-scale gaming within its borders. when the state refused to negotiate with the tribe, however, the seminoles responded by opening seven class i i casinos on their reservations. using electronic bingo machines i n lieu of slots, the tribe was able to sustain even large-scale casino enterprises.x x 1 x as of 2005, the seminole tribe operated 7,840 electronic bingo machines i n its various locations. x x x assuming these machines bring i n the national class i i machine average of $156 per day,50™ the seven casinos bring i n a total of $446.4 mil l ion a year i n revenue through electronic class i i gaming. of this flood of gambling money, not one drop goes to the state of florida. left on the outside looking in , florida has begun rapprochement with the seminoles. according to the miami herald, governor charlie crist has called for a class i i i compact to " give the tribe new games [slot machines] at their seven casinos i n exchange for as much as $200 mi l l ion a year i n revenue." x x x n with major gaming already going on without a compact, florida has backed off its refusal to allow slot machines i n order to gain a stake i n the casino revenue. i n c e n t i v e s to p r o l i f e r a t e amidst these serious disincentives for opposing gaming expansion are equally compelling reasons to approve plans. states stand to gain enormous sums of cash from casino projects i n their states. connecticut's two tribal mega-casinos have paid over $4.1 billion to the state over the course of their fifteen years of existence , x x x 1 u amounting to almost 3 percent of the state's annual revenue. x x x l v casino proliferation, once affirmed i n its legitimacy by the cabazon case has sustained itself on its own momentum, building pressure to expand both tribal and commercial gaming. while gaming was confined to las vegas and atlantic city, states resisted the urge to try their luck because of the perceived social costs and stigmas associated with gambling. x x x v after igra, however, gaming rapidly expanded within the borders of many different states. this removed many of the cultural pressures not to gamble and created many of the incentives discussed above. as states became aware of the benefits of casino cash, they often encouraged tribal casinos and moved to license their own private ones. casino expansion is a classic "race to the bottom," with growth driven by taxation envy. each state bordering a casino state watches as its residents cross state lines and hemorrhage precious taxable dollars on the other side of the border. michael nelson uses the spread of casinos from iowa to illinois to demonstrate this fact, saying that "because a state leaks revenue when its citizens cross the border to [gamble in] neighboring states, it has a strong incentive to keep its betters at home. " x x x v l pressed to react by dwindling tax returns, non-casino states responded by establishing gambling of their own. this trend has only accelerated as states struggle to keep abreast of the rising cost of administering a large bureaucracy and satisfying the regulations and mandates coming down from the federal government. in a political climate where tax increases are met with recalls and referenda,x x x v 1 1 "sin taxes" like gambling have become ever more p o p u l a r . x x x v m additionally, casinos have come to be regarded as agents of urban renewal. their ability to provide many jobs while bringing out-of-state customers conforms to the model of urban planning that altshuler and luberoff see i n contemporary state and local capital investment. describing changing trends, they point out that "while cities have always competed to attract investment, they had traditionally directed their services . . . toward local residents and businesses. today by contrast, they are often engaged i n 'the "by affirming tribal rights to operate casinos on sovereign land, the cabazon court hoped to provide for economic self-sufficiency for indian tribes." construction of expensive entertainment amenities, often i n partnership with private investors, designed to appeal primarily to out-of-town visitors." , x x x 1 x casinos have joined convention centers and sports facilities as new fads of urban planning. like the other venues, the hope of these public-private partnerships is to draw i n visitors using entertainment attractions and capitalize on the spin-off effects of tourism. as with other private partners, the gaming industry has pressed the government to relax restrictions on its development. casino expansion follows what altshuler and luberoff call "the most notable recent trend i n american politics"—"the ascendancy of organized business at all levels of american government . . . [and thereby] growing pressure to relax or eliminate many of the barriers to physical development. " x l as a result of the growing cooperation between states and the gaming industry, state laws and constitutions have been changed to provide a more liberal gaming environment. the current gambling debate i n massachusetts provides a good example of these mechanisms at work. facing a ballooning budget and sick of watching his citizens cross state lines into connecticut to gamble, governor deval patrick proposed three commercial casinos and moved to help foster an indian casino within massachusetts. galled by the profits made off bay staters at the two massive tribal casinos i n connecticut,5511 patrick's proposal expressed the hopes of raising revenue, boosting tourism, providing jobs, and revitalizing different regions of the state. in a press release on the proposal, housing and economic development secretary dan o'connell, explained that the proposal would "expand economic development and job creation broadly throughout the commonwealth" and "diversify employment, support tourism and convention industry and continue to position massachusetts as an economic leader. " x l n further analyzing the proposal, fr. richard mcgowan, an economist at boston college, explained the competitive side of the governor's rationale to the boston globe, saying, "for foxwoods and mohegan sun, this wil l hurt them to no end, but i f i am the governor of massachusetts, i don't care. i ' m reclaiming revenue for my a r a w d e a l state, thank you very m u c h . " x l i i i the pressure of out-ofstate competition and in-state needs have combined to make casino gaming an attractive option for massachusetts. c o n s e q u e n c e s for f e d e r a l i s m the rapid changes i n gambling policy throughout the united states have made a serious impact on the federalist s structure of its government. by affirming tribal rights to operate casinos on sovereign land, the cabazon court hoped to provide for economic self-sufficiency for american indian tribes. on one level, the case affirmed the sovereign rights of tribes that date back to the constitution and the marshall court. on another, however, it fostered intergovernmental conflict. unti l the 20th century, statetribal conflict remained i n the background because of the relative weakness of tribes. after cabazon, tribes were affirmed i n their authority to create major gaming developments—a power normally squarely within states' police powers. this created classic intergovernmental conflict: "sovereign against sovereign conflict on an issue of fundamental import. " x l l v igra, the congressional answer to the cabazon case, attempted to balance state concerns with tribal sovereignty. in actuality, it created a system that established a new major industry with almost no state regulatory power. the framework it provided contained a confusing series of mechanisms for establishing gaming that essentially compelled states to accept gambling within their territory as a forgone conclusion. with gaming revenue and regulatory authority on the line, the risk of opposition was too high. these factors, combined with recent trends i n urban renewal and competition between states, created positive incentives to proliferation. with no real ability or incentive to dissent, state governments increasingly focused on tribal and private casinos as panaceas for unemployment, state budget shortfalls, and gaming drains. the lack of a strong negative check for states on the industry allowed gaming to grow far out of proportion with the original aims of igra. as a national indian gaming commission summary put it, "since the enactment of igra i n 1988, indian gaming has grown into a $26 billion business, perhaps far eclipsing any limits which congress may have envisioned [at that t ime] . " x l v this has brought sovereignty conflict between states and tribes to a new level. as the state of the native nations points out, "controversies continue to roil tribe-state relations i n some locales as tribes spar with each other and with states over taxation and revenue sharing, off-reservation gambling, reservations for g a m b l e r s at f o x w o o d s r e s o r t c a s i n o in c o n n e c t i c u t e l e m e n t s s p r i n g 09 newly recognized tribes, regulation, campaign contributions and other issues." x l v i as tribes continue to see real gains i n political power, it wi l l be interesting to watch to see i f the court intervenes to shore up states' powers over gaming within their boundaries. as the situation stands, the momentum behind gaming makes it seem all but unstoppable. the sheer size and influence of the gaming industry have made rewriting regulations extremely dif f icul t . x l v 1 1 increasingly, it appears that market forces, not governmental ones wi l l finally restrain gaming. with the current incentives for proliferation, political opposition is almost unsustainable. as eadington points out, saturation, not political opposition, wi l l likely be the force that finally retards proliferation: if permitted gambling continues to expand in society, then the role of gaming in tourism will likely decline unless gambling—especially casino-style—becomes part of a wider range of complementary entertainment offerings... usually, casinos become tourism generators primarily because of prohibitions of gambling in places where people live. as those prohibitions disappear, then much of tourism-based gambling will diminish as well.xlym unti l then, states can expect to continue to struggle to resist proliferation within their borders as new tribes, governors, and state politicians try to claim their share of the action. barring a major change i n public feeling over taxes or clear federal leadership on the issue, casino gaming, both tribal and commercial, wi l l continue to expand across the united states. ix. reagan (98-102) x. california v. cabazon band of mission indians, 480 u.s. 202 (1987) xi. ibid. xii. house committee on interior (28) xiii. house committee on interior (373) xiv. indian game regulatory xv. ibid. xvi. ibid. xvii. ranjana (401-412) xviii. w. dale mason (89) xix. tribes and the states (xiv) xx. national indian gaming association xxi. seminole tribe of florida v. florida xxii. northern arapho expands gaming xxiii. the gun lake tribe xxiv. the grand rapids press xxv. granholm xxvi. indian gaming regulatory act xxvii. ibid. xxviii. federal register (60484) xxix. casino city's north american gaming almanac (166) xxx. ibid. (165) xxxi. meister (39) xxxii. "crist set for showdown over gambling deal" xxxiii. state of connecticut division xxxiv. fy 2008-2009 governor's budget xxxv. nelson xxxvi. ibid. (5,8) xxxvii. ibid. (9) xxxviii. douglas (10) xxxix. altshuler and luberoff (18) xl. ibid. (31, 43) xli. new england gaming research project xlii. thee commonwealth of massachusetts xliii. market will support multiple casino (a12) xliv. ibid, (xviii) xlv. federal register (60484) xlvi. the state of the native nations (156) xlvii. indian country today xlviii. eadington (134) e n d n o t e s i . bloom and opton (100) i i . ibid. (100-103) hi. u.s. constitution (article i.section 8 and article i i . section 2) iv. jay (37-38, 39) v. ward (150, 153) vi. rand and light (13) vii. ibid. viii. the state of the native natons (70) refernces alan altshuler and david luberoff, mega-projects: the changing politics of urban public investment (washington d.c.: the brookings institution press, 2003) p. 18. alan meister, "the potential economic impact of proposed changes to class i i gaming regulations," to the national indian gaming commission, (nov 3, 2006) oklahoma indian gaming association, 5 nov. 2007, p. 39, fn. 136. a r a w d e a l http://www.okindiangamhttp://ing.org/pdfs/analysis%20group california v. cabazon band of mission indians, 480 u.s. 202 (1987) casino city's north american gaming almanac, eds. steve bloom, michael opton, (newton: casino city press, 2005) p. 100. "class i i regulation changes cause conflict," indian country today (june 7, 2005) www.indiancountry.com , 6 nov. 2007 . "crist set for showdown over gambling deal," the miami herald (september 25, 2007), miamiherald.com, 5 nov 2007, . douglas m. walker, the economics of casino gambling (new york: springer berlin heidelberg, 2007) p. 10. fy 2008-2009 governor's budget, budget and fiscal management division (august 24, 2007), the state of connecticut, 5 nov 2007 p. 5. house committee on the interior and insular affairs. indian gaming control act, part i : hearing before the committee on the interior and insular affairs. 1st session (june 25, 1985) serial 99-55 (washington d.c.: government print office, 1985) p ; 28 . "house rejects limits on off-reservation casinos," san diego union-tribune (september 23, 2006) www.signonsandiego.com, 6 nov. 2007 < http://www.signon sandiego.com/uniontrib/20060914 /news_ini4casino.html> "indian gaming regulatory act: definition and classification standards; proposed rules," 72 federal register 205 (october 24, 2007), pp. 60482. indian gaming regulatory act (p.l. 100-497) 25 usc 2703 (1988). jennifer granholm, governor of michigan, to mike bishop, michigan senate majority leader (march 9, 2007) the gun lake band of pottawatomi indians, 5 nov. 2007, john jay, "federalist #3," in the federalist papers, ed. clinton rossiter (new york: new american library, 1961) p. 37-38, 39. "legal gambling's historic triumph at the polls," gaming law review, vol. 1:1 (november 1997) "market will support multiple casino plan, state officials say," the boston globe (september 18, 2007) a12. michael nelson, "the politics of sovereignty and policy toward gaming," presented at gambling and the american moral landscape, boston college (october 25, 2007) p. 5, 8 national indian gaming association (april 7, 2005) "indian gaming regulatory act history & facts." media release, "new england casino gaming update 2007," new england gaming research project (march 2007) center for policy analysis, university of massachusetts dartmouth, 5 nov. 2007, rand and light, indian gaming and tribal sovereignty: the casino compromise. ranjana g. madhusudhan, "betting on casino revenues: lessons from state experiences," national tax journal vol. 49:3 (september 1996) pp. 401-12. ronald reagan, (january 1983) "statement on indian policy," weekly compilation of presidential documents, 19 (pp. 98-102). washington, dc: united states government printing office, 1983. seminole tribe of florida v. florida, 517 u.s. 14 (1996) state of connecticut division of special revenue, "statistics for tribal gaming," september 30, 2007, the state of connecticut, 5 nov 2007 and steven light and kathryn rand, "moral policymaking and indian gaming," presented at gambling and the american moral landscape, boston college (october 25, 2007) p. 13. the casino compromise (lawrence, kansas: university of kansas press, 2005) pp. 28-29. the commonwealth of massachusetts executive department (september 17, 2007) "governor patrick unveils plan for casino gambling in massachusetts." press release, the constitution of the united states, article 1, section 8, and article i i , section 2. e l e m e n t s s p r i n g 09 http://www.indiancountry.com http://www.indiancountry.com/content.cfm?id=i0964ii043 http://www.indiancountry.com/content.cfm?id=i0964ii043 http://miamiherald.com http://www.miamiherald.com/news/politics/story/249305.html http://www.miamiherald.com/news/politics/story/249305.html http://www.ct.gov/opm/lib/opm/budget/20082009budgetbooks/bigbook/bigbook_parti_frontofbookschedules.pdf http://www.ct.gov/opm/lib/opm/budget/20082009budgetbooks/bigbook/bigbook_parti_frontofbookschedules.pdf http://www.ct.gov/opm/lib/opm/budget/20082009budgetbooks/bigbook/bigbook_parti_frontofbookschedules.pdf http://www.signonsandiego.com http://www.signonhttp://sandiego.com/uniontrib/20060914 http://www.rnbpi.org/pdf/news/press%20releases/l-gov%20sml%203-9.07.pdf http://www.rnbpi.org/pdf/news/press%20releases/l-gov%20sml%203-9.07.pdf http://gov%20sml%203-9.07.pdf%3e http://www.indiangaming.org/info/pr/presskit/stat http://www.umassd.edu/cfpa/gaming_reports.cfm http://www.ct.gov/dosr/lib/dosr/fosltweb.pdf http://www.ct.gov/dosr/lib/dosr/mosltweb.pdf the grand rapids press (sept 24, 2005): a3. infotrac custom newspapers. 5 nov. 2007, the gun lake tribe (september 23, 2005) "no state compact needed for casino." press release, < http://www.mbpi.org/pdf/secretarial%20procedures%20 %20sept.%2023.pdf> the state of the native nations: conditions under us policies of self-determination, the harvard project on american indian economic development (new york: oxford university press, 2008) p. 70. tribes and the states: geographies of intergovernmental interaction, eds. brad a. bays and erin hogan fouberg (oxford: rowman & littlefield, 2002) p. xiv. ward, churchhill. "implications of treaty relationships between the united states and various american indian nations," in native americans and public policy, eds. fremont j. lyden and lymen h. legters, (pittsburgh: university of pittsburgh press, 1992) p. 150, 153 w. dale mason, "tribes and states: a new ear in intergovernmental affairs," in tribes and states: geographies of intergovernmental interaction (lanham: rowman & littlefield, 2002) p. 89. a r a w d e a l http://fmd.galegroup.com/itx/start.do?prodid=%20spn.spo2 http://www.mbpi.org/pdf/secretarial%20procedures%20http://%20sept.%2023.pdf t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with this issue of elements: d a n i e l bairos, technology consultant ben b i r n b a u m , executive director of the office of marketing communications e l i z a b e t h bran des, art director for the office of marketing communications c u t b e r t o garza, provost and dean of faculties d o n a l d h a f n e r , vice provost for undergraduate studies joyce mannix, business manager for the college of arts and sciences patrick maney, dean of the college of arts and sciences barbara vi e c h n icki , associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. cover h i v flowing through the circulatory system © 3d4medical.com/getty images p e r i o d i c i t y elements is published twice an academic year i n the fall and spring semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. e l e m e n t s staff e d i t o r i n c h i e f c a t h e r i n e halsey d e p u t y e d i t o r k a t h e r i n e w u m a n a g i n g e d i t o r t i m kelly h u m a n i t i e s j u n s u n c k i m , senior editor erin e. e i c h a n , editor z a c h a r y m a r k a r i a n , editor mary sasso, editor svetlana t u r o v a , editor n a t u r a l s c i e n c e s k a t h e r i n e w u , senior editor erin c r o d e n , editor a n n e k o r n a h r e n s , editor s o c i a l s c i e n c e s p a u l w e n d e l , senior editor joy batra, editor j e n n y bress, editor alyssa d u q u e t t e , editor c a i t l i n a. peterson, editor esteban uribe , editor b r i a n v a r i a n , editor l a y o u t erin e. e i g h a n , senior editor alyssa d u q u e t t e , editor erin g r o d e n , editor w e b m a n a g e r k a t h e r i n e w u elements, undergraduate research journal, volume 4, issue 1, spring 2008 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 for submission guidelines please refer to http://www.bc.edu/elements/ copyright © 2008 by trustees of boston college f a c u l t y a d v i s o r e l i z a b e t h c h a d w i c k mailto:elements@bc.edu http://3d4medical.com/getty http://www.bc.edu/elements/ e d i t o r ' s n o t e the fact that boston college is a jesuit institution comes as no surprise. from the moment students arrive at freshman orientation, the school's motto—"men and women for others"—becomes a well-known catchphrase. the words of st. ignatius flood our campus, making apparent the university's strong jesuit ties. however, words are useless without actions to support them. the values embodied by our university motto come to life in the numerous service opportunities and immersion trips offered, the spiritual groups on campus, and the overall community environment here at boston college. this issue of elements highlights examples of students carrying out the mission to live for others in their intellectual pursuits, their spiritual lives, and their efforts to bring about change. one student explores the role of personal virtue, particularly in the lives of politicians, a topic important to many individuals in light of the upcoming elections. another contributing author offers insight into the growing problem of global poverty. both articles embrace the jesuit call for social awareness, encouraging critical examination of personal character and openness to the world around us. oftentimes, the urge to study the world we live in stems from an inner desire to improve the current situation. by examining our spiritual lives, we can better understand that desire. as one article suggests, learning from religions other than our own can enrich our spiritual lives and bring us closer as a global community, thus allowing us to confront worldwide concerns, such as the treatment and prevention of the hiv/aids epidemic, which is featured in our cover article. ultimately, aiming to live as men and women for others is a noble goal that requires us to know ourselves intimately, to move beyond what is familiar, and to take action. being members of the boston college community affords us both privilege and responsibility. the authors featured i n this issue offer us examples of a variety of ways to fulfill our social obligations and encourage us to find our own path of service to others. sincerely, c a t h e r i n e m. halsey editor-in-chief n a t h a n i e l cam p6ell is a junior in the college of arts and sciences, with a double major in classics and german. he is studying abroad this semester at the catholic university in eichstatt, germany. his academic interests include classical latin and greek literature and mediaeval latin and german literature. in his free time he enjoys listening to baroque music and reading, especially the works of j.k. rowling. he would like to thank dr. meredith monaghan for her help with the philosophy of lucretius. is a junior english and philosophy major in the college of arts and sciences, as well as a resident of oxford, connecticut. she is on the editorial board for stylus, boston college's art and literature magazine, elements, the undergraduate research journal, and epicenters, the in-the-works online professional arts journal, and is also a research assistant in the english department. this issue's "quixote" paper was originally submitted as an assignment for one of the best classes of all, prof. mark o'connor's honors seminar.. t i m h r n d f r s o n is a senior in the college of arts and sciences majoring in history and philosophy with a minor in asian studies. he hopes to attend law school and continue to explore his interest in modern japanese history and language after graduation. he is a member of the order of the cross and crown as well as the boston college marching band. m e r edit h h u d s o n is a senior majoring in political science and sociology with a spanish minor from waco, tx. while at bc, meredith has been active in several social justice programs such as 4boston, the school of the americas watch and a pedro arrupe immersion trip to chiapas, mexico. as aresult of her interst in feminist issues, she is currently serving as a teaching assistant in introduction to feminism. after college she plans to go to estes park, co, to teach outdoor environmental education at the ymca of the rockies, and eventually she plans to attend law school. her interests include traveling, hiking, skiing, going to concerts, rock climbing, back-packing, and working with children. j e o n g h o n a m is is a sophomore majoring in biology and currently is in pre-dental program. jeong ho nam conducted his research in neuroscience lab in suny old westbury after studying under george b. stefano, patrick cadet and kirk mantione for three years. he wants to thank them for giving h i m a great opportunity and thank his parents for support. is a sophomore at boston college. she hails from tampa, flfrom beaches to beantown. emily majors in art history with a middle eastern studies minor. she works as an intern at the mcmullen museum of art and plans to study abroad next year in cairo. • ' ! ly h. roh is a senior studying philosophy and spanish in the pre-medical program. her introductory research thesis about the environmental, social, and cultural factors affecting malaria is an intersection of her academic interests. currently, she hopes to get a degree in public health studying infectious disease epidemiology and then eventually obtain a medical degree. in addition to her appreciation towards the mcnair program and her family, emily would like to thank her mentor mohammed shahabuddin in the biology department at boston college and andrew spielman at the harvard school of public health. is a senior at boston college with an art history major and minors in fine art and hispanic studies. over the past two years she has spent time abroad in rome, madrid, hong kong, taipei and south china. she hopes to pursue a career as a professor, writer and artist in the us and overseas. b r a d y s m i t h is a senior english major from cedar rapids, iowa. he spent the fall of 2 0 0 4 at rhodes university in grahamstown, south africa, and is currently writing an honors thesis on the work of south african playwrights athol fugard, john kani and winston ntshona. t h a n k s the editors of elements would like to thank the following individuals for their generous support of and assistance with this issue of elements: p e r i o d i c i t y elements is published twice an academic year i n the fall and spring semesters. ben b i r n b a u m , executive director of the office of marketing communications elizabeth bran des, art director for the office of marketing communications cutberto garza, provost and dean of faculties d o n a l d hafner, chair of the undergraduate fellowships committee joyce m a n n i x , business manager for the college of arts and sciences a n n a marie murphy, deputy editor of boston college magazine joseph q u i n n , dean of the college of arts and sciences barbara vi ech n icki , associate dean for finance and administration we would also like to give special thanks to the dean's office of the college of arts and sciences and the office of marketing communications for providing budgetary support that made this publication possible. q u e s t i o n s & c o n t r i b u t i o n s i f you have any questions, or would like to contribute a letter for our next issue, feel free to contact the journal at elements@bc.edu. cover cinco de mayo celebration by mexican-americans i n port huron, michigan. © dennis macdonald/alamy elements, undergraduate research journal, volume 3, issue 1, spring 20067 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: kirkwood printing, 904 main street, wilmington, ma 01887 for submission guidelines please refer to http://www.bc.edu/elements/ copyright © 2007 by trustees of boston college mailto:elements@bc.edu http://www.bc.edu/elements/ e l e m e n t s staff e d i t o r i n c h i ef rebecca kraus m a n a g i n g e d i t o r s catherine halsey paul wendel h u m a n i t i e s emily cersonsky, senior editor rebecca f. buckley, editor erin e. e i c h a n , editor kaelin m. grant, editor junsung k i m , editor rohan m u l g a o n k a r , editor mary sasso, editor kathryn skaggs, editor christopher trueax, editor n a t u r a l s c i e n c e s allison lord, senior editor kathryn m. brady, editor dam i en croteau-chonka, editor ellen k i m , editor aiste narkevici ute, editor katherine w u , editor s o c i a l s c i e n c e s kerry b r e n n a n , senior editor mar isa cochrane, editor susie c o n n o l l y, editor morgan j. corcoran, editor j o h n flowers, editor t i m kelly, editor christopher laws, editor maria masaveu, editor s p e c i a l f e a t u r e s n a t h a n i e l campbell, senior editor l a y o u t dam i en croteau-chonka, senior editor susie c o n n o l l y, editor erin e. e i g h a n , editor maria masaveu, editor w e b m a n a g e r dam i en croteau-chonka f a c u l t y a d v i s e r prof. mark o ' c o n n o r , director, college of arts and sciences honors program "this is the chance and the time for a raging war." —tomds o miochdin i r i s h v e r n a c u l a r poetry a n d t h e a m e r i c a n r e v o l u t i o n irish find their voice in tomds o miochdin s a r a g o e k h i s t o r i c a l s t u d i e s o f i r e l a n d d u r i n g t h e l a t e -1 8 t h c e n t u r y ' a c e o f r e v o l u ­ t i o n ' h a v e t r a d i t i o n a l l y f o c u s e d o n p o l i t i c s a n d i d e o l o g y — t h e r e a l m o f s o c i e t y ' s e l i t e — o f t e n i g n o r i n g t h e o p i n i o n s a n d r o l e o f t h e l a r g e l y c a t h o l i c , i r i s h s p e a k i n g p o p u l a t i o n o f t h e c o u n t r y . t h i s h a s o c c u r r e d d u e t o b o t h a n i n a b i l i t y t o u n d e r s t a n d t h e r i c h v e r n a c u l a r s o u r c e s , a s w e l l a s t h e l o n g s t a n d i n g v i e w o f r u r a l p e o p l e a s a n u n d i f f e r e n t i a t e d m a s s , a v i e w t h a t w e n t l a r g e l y u n c h a l l e n g e d — u n t i l r e c e n t l y . by e x a m i n ­ i n g t h e v e r n a c u l a r p o e t r y o f t o m a s 6 m i o c h a i n , t h i s p a p e r r e c o n s i d e r s t h e r o l e o f t h e n a t i v e i r i s h s p e a k i n g p o p u l a t i o n i n d i s c o u r s e o f t h e a m e r ­ i c a n r e v o l u t i o n a n d , i n t u r n , t h e r e v o l u t i o n ' s i m p l i c a t i o n s f o r i r e l a n d . w h i l e o n l y a s i n g l e e x a m p l e o f p o l i t i c a l v o i c e i n t h e i r i s h v e r n a c u l a r d u r i n g t h i s e r a , t h e w o r k s o f 6 m i o c h a i n o f f e r a w i n d o w i n t o a m u c h m o r e c o m p l e x p r e s e n t a t i o n o f l a t e 1 8 t h c e n t u r y i r e l a n d , d e m o n s t r a t i n g t h a t p e o p l e o u t s i d e t h e e n g l i s h s p e a k i n g e l i t e c o m p r e h e n d e d t h e p o l i t i ­ c a l s i t u a t i o n a n d b r o u g h t t o i t t h e i r o w n e x p e r i e n c e s a n d u n d e r s t a n d i n g . in late-i8th century ireland, the population of the country comprised three main groups: anglo-irish elite, protestant dissenter, and catholic. historical discussion of the influence of the american revolution on ireland tends to focus on politics and ideology, but these had only an indirect impact on the catholic majority. vernacular sources are "vernacular sources are frequently ignored due to an inability to understand the language and the longstanding misperception of the rural population as an undifferentiated mass.77 frequently ignored due to an inability to understand the language and the long-standing misperception of the rural population as an undifferentiated mass. this arose because demotic opinion spread in a way unintelligible to those outside the culture: the oral tradition of irish language poetry and song. i n reality, rich literary texts from the period demonstrate a lively interest within the irishspeaking population for matters beyond the mere concern for the past and complaints of the present that many observers and historians have assumed. i n his study of irish public opinion, r.b. mcdowell directly stated that "the great output of gaelic poetry through which they expressed their feelings does not contain any formulated political ideas."1 on the contrary, these texts provide insight into the irish-speaking, catholic public's knowledge of current events and hopes for the future. three works of county clare's tomas o miochain present the poet's opinions and concerns during the era of the american revolution, demonstrating engagement i n contemporary political issues and drawing a hope of deliverance by calling his fellow irishmen to action. unti l very recently historians studying the late 18th century focused on parliamentary politics, the domain of the small anglo-irish percentage of the population, and largely ignored vernacular irish sources. the lack of interest in native literature stems from both an inability to understand the language and a view of the catholic, peasant, and largely irish-speaking section of the population as an inchoate mass unengaged and uninterested in mainstream social issues. perceiving the weakness of this viewpoint, historian gearoid 6 tuathaigh wrote that " i t is difficult to see how a discussion of cultural or 'national' consciousness in ireland in the early modern period can be conducted very sensibly by those who cannot comfortably handle sources."11 indeed, far from living in ignorance, irishspeakers left a rich record of poetry and song, the media of an oral tradition by which their views disseminated. in the early 17th century, seathrun ceitinn (geoffrey keating) justified using poetry extensively as a historical source, saying in his narrative history of ireland, forasfeasa ar eirinn "a basis of knowledge on ireland" written around 1634, "do bhrigh gurab i nduantaibh atd cndimh agus smior an tseanchusa, measaim gurab oircheas dam cinneadh mar ughdardhds air, agtrdchtadh aran seanchus"l,i "the strength that is i n poetry is the bones and marrow of history, and i evaluate it proper to depend on it as an authority, discussing the history".-" this monumental work had a profound impact on the foundation of irish identity and many 18th century poets used it as a resource. 1v while the modern day historian may not depend wholly on the weight of poetry in his or her study, the validity of that voice requires serious attention in a society where the poet functioned as a narrative voice of his or her contemporaries. throughout the 18th century, jacobitism—support for the deposed stuart monarchy—remained a central concern to all sections of the irish population, contributing to the rise and fall of catholic hopes and protestant fears unti l the e l e m e n t s : : f a l l 08 death of charles edward stuart in 1788 and the revolutionary movements of the 1790s. the catholic population may have followed the cause more on principle than conviction. they had a mindset of persecution coming out of the era of the penal laws, which had sought to prevent a rise in the social status of any catholic individual or family, and a stuart restoration offered some hope of alleviation. v the irish diaspora on the european continent also continued to play a central role in politics throughout the 18th century by linking jacobite sympathizers and the deposed stuart rulers. the focus of vernacular literature from this period lay with james i i i and his supporters and prospects during the dynastic wars ravaging europe. only with the help of another sympathetic government, notably france, could the stuarts recapture britain and ireland. the poets ignored the dublin and london parliaments, since these had little immediate effect on the lives of rural irish people. the state had limited policing power,v1 and catholics remained outside the franchise, kept there by the debilitating effect of the penal laws and the insecurity of the ascendancy elite who depended heavily on their connection to the british government for the protection of their position. prince charles edward stuart's cause offered a small hope to irish cathol ics . this new and often apprehensive ruling class of ireland perceived the support of the stuarts and their allies as well as the threat posed by these to the regime put in place by the glorious revolution (or war of the two kings) of 1688. they assumed that any popular rising would be jacobite in nature, supported by a catholic power: v u the french are all apprised that the lower class of the roman catholics in ireland, which out-number the protestants at least three to one, would join and support them with the utmost alacrity and joy, at the same time they must with the greatest reason be convinced, that the most sensible of the titular bishops and priests, as well as the roman catholics of landed interest and in trade, would be most averse to any attempt made by the french to distress this their native country.vm any jacobite rising would need european, most likely french, support. this selection also shows acknowledgement of the split in catholic opinion on lines of wealth and affluence. through institutions such as the catholic committee, those of 'landed interest' and merchants, reassessed their jacobite sympathies and at least paid lipservice to the new establishment in the hopes of future relief. lay people accepted george i i i much more slowly and support for the deposed stuart monarchy sputtered along unti l the death of charles i i i and the consuming revolutionary blaze of the 1790s.1x discussions of the american revolution and its influence on and reception in ireland most commonly focus on comparing the positions of ireland and the american colonies i n the british empire and political issues that joined them, including ones of law and the nature of sovereignty and representation. however, these two situations cannot be considered exact parallels. a primary difference lay in the nature of the leadership of the two societies in the late 18th century. unti l the time of the french and indian war (also known as the seven years' war), the anglo-american elite remained tied to the mother country, dependent on britain for protection against the french and native americans. i r i s h v e r n a c u l a r p o e t r y a n d t h e a m e r i c a n r e v o l u t i o n is o w b s v. y. ireland, p ictured here in th is contemporary map, was subordinate to britain in the 1 8th century. the defeat of these forces at the end of the war removed that threat, and the native americans lost the ability to capitalize on competing english and french interests. freed from this pressure, the colonists had the ability to develop more autonomy and redefine the nature of imperial relations. unlike their counterparts across the atlantic, the ruling class in ireland remained dependent on britain to maintain their tenuous hold on power. this stemmed partly from their sometimes paranoid fear of the catholic masses, by whom they would never be viewed as the 'natural' leaders of the country. 5 0 despite this, when the american revolutionary stirrings began, the patriot political opposition i n the irish parliament often sympathized with the colonists' cause and drew rhetorical influence from it, criticizing british empiricism. a n anonymous writer in the freeman's journal publication baratariana appealed to the parliamentary patriots to stand by their convictions and to the public to support them: "let us cast off the yoke of slavery, and vindicate our freedom and independence. let us no longer be rid, rather than ruled, as we have too long been, by men who have neither heads nor hearts."™ the rhetoric of slavery is one familiar i n the american context, but the irish political claim for rights as a kingdom equal to britain was actually more advanced than contemporary american arguments which sought to merely exclude british government from domestic affairs. the parallel experiences imply a shared intellectual inheritance across the empire and a common feeling of subordination to the parliament in london . x n because of these influences, as hostilities escalated into war in the american colonies, the irish on all levels of society maintained economic and ideological interest i n its events, hoping for a similar change at home. e l e m e n t s f a l l 08 many historians view the linguistic split in ireland as a barrier to the dissemination of news and political ideas, using this to justify theories of disinterest among the irish-speaking population with regard to the events of the late 18th century, from the american revolution to the united irish uprising. this perspective lacks a foundation and demonstrates a failure to utilize vernacular sources. during this era, irish was widely spoken in the western provinces of connaught and munster, but also by about half of the people in ulster and leinster though its use waned there due to more permanent anglicization. x l v studies of censuses conducted in the aftermath of the famine of 1845-9 indicate that approximately 80 percent of children born in connaught and 77 percent of those born i n munster in 1801-11 spoke irish, while in ulster and leinster these figures were 15 and 11 percent respectively.m of world events. these percentages may be underestimates because northern and eastern ireland transitioned to english during this period, and earlier even more of the adult population would have spoken irish. much of society was actually bilingual, and just two decades after the american revolution, hely dutton stated in his "statistical survey of the county of clare" that "there are very few, except in remote situations, that do not at least understand a little english."™ far from existing in a world cut off by the obstacle of language, irish-speaking society existed in congruity with the english-speaking world. even for those neither fluent nor literate in english, a poet and scholar such as tomas 6 miochain, who spoke both languages and held the influential role of local schoolteacher could transmit news to the non-english speakers of the community. as hedge schools flourished across ireland in the 18th through early 19th centuries, irish catholics gained access to the education that enabled comprehension and analysis of contemporary events. local populations recognized the importance of the school teacher in community life, often providing h i m with the means of living in exchange for his teaching. o miochain, described as a "teacher of accompts and mathematics in ennis," x ' n opened his longstanding school there in 1780. he also participated in the vibrant literary scene, and interacted with poets and scholars sean lloyd, sean do hora, and seamus mac consaidin. x v m local news sheets (in english) provided the material for much of his political verse, which then reached the public. many of the poems could also be sung to familiar tunes, such as "nil 'na id, td 'na mhaidin" or "sean o duibhir an ghleanna," adding to their transmissibility. the existence of the news sheets, and their interpretation, translation, and transmission demonstrates that rural ireland was far from isolated or 'hidden' from the world, even in county clare where more than half the population spoke irish. the aspects of 18th-century vernacular poetry most often emphasized and alluded to are its expressions of complaint and backward looks. however, in a world i n which this medium provided news and influential social commentary, perhaps it is unsurprising that the poet spoke to the situation of his audience. 6 miochain placed contemporary events in the wider domestic and international context, often using the condition of ireland and her people as a basis for comparison or interpretation. each of his poems that address the american revolution, "ar dtreigan bhoston d'arm shasana, 1776" "on the army of england's departure from boston, 1776", "ar gheilleadh chornwallis i r i s h v e r n a c u l a r p o e t r y a n d t h e a m e r i c a n r e v o l u t i o n ag yorktown 1781" "on the surrender of cornwallis at yorktown 1781", and "a uaisle inis eilge" "o worthies of ireland", begins with a call to the people to remember their heritage. 6 miochain alludes to the racial origin of the native irish in the 'great race' or milesians, in the opening lines of each poem: agheaga cumainn na ngaelgcumais de shaorcheap mhuireannach mileadh ' x l x o members of the capable society of the gael from the troubled family of mile [the milesians] or "a uaisle inis eilge de chnuascheap na ngael"xx ('0 worthies of ireland of the fruitful stock of the gaels'). such openings function both as a poetic device to draw the attention of the listener or reader—especially important i n the case of orally transmitted poetry—and give the audience a sense of a unified identity by drawing on common heritage. i n his first poem on the american revolution, "ar dtreigan bhoston darm shasana, iyy6" ('on the army of england's departure from boston, 1776'), o miochain asserts that the irish people, though the product of an ancient and great race, are also 'troubled' by the oppression under which they live: td treithlag tuirseach agplele bruscar gan reim faoi urchall ciosa.xxx exhausted and fed up from dealing with trash without freedom, hobbled by the rope of tax. their glorious heritage has been denigrated by colonization and imposition of the penal laws, resulting in a lack of basic liberties and overburdening of taxes. 6 miochain sympathizes with the situation of the subjugated people, expressing understanding rather than using poetic detachment. he shows his sympathy with their hardship by saying, "an daor no an dith libh suim an sceoil"xxu ('slavery and misery is the sum of your story'). they are "luascaithe i mbuaireamh is suaite ag an saol"xxm ('rocked by trouble and shaken by life') and have lost the lands of the ancestors, alluding to the sense of disconnection from the heritage they revered. it is important to note that these complaints all exist within the first four lines of each of these three poems. the historical revisionist view would argue that the rural irish-speakers' perspective went no further, mired in grievance and backwards glances. 6 miochain offers much more. moving beyond complaint, his poetry provides a commentary on the events of the american revolution, demonstrating that international news reached the population of rural ireland and at least the more scholarly members of society could determine its possible implications. under the age-old understanding that 'britain's trouble is ireland's opportunity,' he mentions specific events and people, turning the commanders of the colonial forces into the heroes of vernacular verse: isfonn's is aiteas horn howe is na sasanaigh tabhartha, treascartha choiche, is an crobhaire, washington, cabhartach, calma, igceann is igceannas a riochta.xxw it's a joy and a pleasure for me to see howe of england spent, destroyed forever, and stalwart, washington, supporting, brave, is in command of his realm. this stanza illustrates both of the abovementioned qualities: the poet revels in the hardship of the english, but also gives the anglo-american general washington the attributes of the gael (his heritage notwithstanding). additionally, it contains a careful description of events. the title refers to the british naval fleet leaving boston harbor in march of 1776. when this news reached london, it caused the duke of manchester to comment that: the mode of retreat may, to the general [howe], do infinite honour, but it does dishonour to the british nation. let this transaction be dressed in what garb you please, the fact remains that the army which was sent to reduce the province of massachusetts bay has been driven from the capital, and that the standard of the provisional army now waves in triumph over the walls of boston.*™ 6 miochain continues the stanza: sin amhais ag screadaibh gan chuil, gan charaid, gan truip nd barcaibh ar taoide, faoi shamhain go dearfa buir na breatain' ibponcfaoi thearmainn laoisigh.xxvl the mercenaries screaming without refuge or friend without troops or battleships on the tide, by november certainly the british will be trapped in the custody of louis. the 'mercenaries' mentioned were the germans who fought under general howe. the last line refers to king louis xvi of france. even though france officially abstained from entering the war unti l 1778, they provided material support to the americans from its start, pursuing their own interests against the british. 6 miochain probably wrote this poem shortly after news reached ireland of the evacuation of boston, perhaps in the summer of 1776. he expresses the optimistic hope of france entering the conflict by the fall. his sentiments demonstrate the expectation that relief of the irish situation would result from the french or americans placing stress on the reach of the empire. 5 0™ 1 "ar gheilleadh chornwallis ag yorktown 1781" ('on the surrender of cornwallis at yorktown 1781') places the war in north america in the context of other colonial struggles i n the british empire, including india and the caribbean: tdid thiar dd seideadh ag wayne's ag greene, thoir dd sniomh ag hyder ali... i mbarcaibh ghliadh sa ngrianoiledn sin ciortha cdite eastdt na sacsan.xxvin to the west they're being blown up by wayne and greene, to the east being wrung by hyder ali... in battleships in the sunny isle [tobago] the estate of the saxon is harried and destroyed. "wayne and greene" refer to american generals anthony wayne and nathaniel greene. hyder al i , an indian prince, attacked and defeated the british in september 1780 in part of the second anglo-mysore war (1780-84). this section of the poem, while still reveling in losses of the colonizer, also demonstrates an ability to analyze events i n a broader framework, beyond their implications for domestic issues, though those received the most attention. regarding concerns closer to home, o miochain never mentions the role of the dublin or london parliaments, perhaps indicating the demotic detachment attributable to the restrictions of the franchise and representation. the people would not gain freedom or alleviation of their situation from either body and instead hoped for assistance from abroad, either in the form of a stuart restoration or the weakening of the empire. political concessions by the british to the irish parliament made little difference to those kept under the landlords' yoke, who equated the anglo-irish ascendancy and the english. the irishspeaking population remained outside the 'political nation', but fully aware of it in their understanding of the divisive issues of the day. o miochain called his countrymen to assert their rights and expressed the hope for the betterment of their situation afterwards. the first of these three poems is the least advanced in terms of a call to action, suggesting that britain's defeat would lead to a stuart restoration. "searlas sointeata stiohhart"™* ('clement charles stuart,' charles iii) had long held a more prominent place in popular imagination than his father. he is described as ireland's "ceile dlitheach ceart dileas"xxx ('correct, lawful, loyal partner') and the solution to the country's troubles despite his failure in scotland i n 1745. the poem goes on to describe society after the i r i s h v e r n a c u l a r p o e t r y a n d t h e a m e r i c a n r e v o l u t i o n necessary changes have taken place: beidh reim agfili, is go saol an iolair ceadfeir is uisce ag gaelaibh, is na geaga agfilleadh re heigean duille is na heisc aglingeadh as a uontaibh.xxxl the poets will reign, and till the end of time the gaels will have license of grass and water, and the limbs bending with necessity of a leaf and the fish leaping at their nets. use of the future tense here indicates that these things, including "license of grass and water" (grazing and fishing rights) existed only as aspirations in 6 miochain's world. the grievances over rights of property, waters, and taxation also provided impetus for the american revolution, but whether he intended that connection i n these poems is unclear. neither of the latter two poems contain any jacobite sentiments, and instead focus on the possibility of change from within through action. assuming the role of the bard, 6 miochain calls on irishmen to take up arms against their enemies while they have the opportunity: gach gliaire gaoidhealach briomhar buan is gach saoiglan suairc gan seadgan taisce, faigheadh a chlaiomhgo liofa luath seo an chaoi's an uain chum caortha cogaidh.xxxn every vigorous steadfast gaelic warrior and every strong, merry man without property or wealth, his sword would be sharpened ahead of time: this is the chance and the time for a raging war. 6 miochain saw the british empire weakened, besieged by colonial problems across its breadth and forced to wage war on many fronts, and perceived the potential opportunity for a popular rising against the oppressor in ireland. he addresses his call to the part of the population, 'without property or wealth,' the tenants subjugated to the landlord system. to these 'gaelic warriors' he gives the valued qualities often associated with figures in the poetry of the heroic age, trusting i n their inherited strengths to act to change society. i n "a uaisle inis eilge" 6 miochain again calls out to his countrymen: musclaidh go luth-chlistefeasta chum eacht, is lubaidh go hurlainn bhur lannaibh go mir 1gcoinnegach dream d'jhdg sibhse go'fann lefadagan sealbhgan saoirse.xxxiii rouse yourselves nimbly for killing henceforth, and flex all your blades up to their hafts against every group which kept you enfeebled for long without property or freedom. here, he specifically entreats the people to rise against their oppressors, "every group which kept you enfeebled" referring to the anglo-irish landlords and the english i n general. notably the poems lack any indication that change could be accomplished by means other than violence. perhaps this represented the reality of the catholic position, with the preclusion of political concessions by the absence of a voice in the legislative body. nevertheless, in all three poems, the conclusion drawn by 6 miochain from the events of the time is one of hope for the future, not a "the american revolution planted the seeds of the tree of liberty across the globe, but its impact in ireland spread beyond political ideology." e l e m e n t s f a l l 08 lament for the heroics of the past or the failures of the british in the present. the american revolution planted the seeds of the tree of liberty across the globe, but its impact in ireland spread beyond political ideology. from the poetry of tomas o miochain, it can be ascertained that the colonial war taking place across the atlantic offered marginalized irish catholics an opportunity to think of a future divergent from the british empire and even the stuarts. beyond an expression of grievances, it contains analysis of the significance of international events and their implications for ireland, leaving the audience with a message of optimism and hope for deliverance i f they heed the poet's call and take independent action against their oppressors. while only a single example of political voice in the irish vernacular during this era, o miochain nonetheless provides insights to the views of the majority, ones often suppressed by contemporaries and ignored by historians. taken in the context of studies of the united irishmen i n the 1790s, this poetry demonstrates that though irish-speakers remained outside that movement, language was not a barrier. they actually existed on a parallel with their english-speaking counterparts, comprehending contemporary politics and bringing their own experiences and understandings to the situation as it developed. e n d n o t e s i . r.b. mcdowell, ir ish public opinion 1750-1800. cited in : morley 2005 (xi) i i . 0 ciardha (42) h i . ibid. iv. morley 2006 v. o ciardha (22-8) vi . connolly (198-203) v i i . ibid. (233) v i i i . sir james cadwell. cited: morley 2002 (63) ix. morley 2002 (45-6) x. anderson (xxiii) xi . whelan xi i . cited: york (212-3) x i i i . morley 2002 (95) xiv. liam de paor, "chontae an chlar le l i n n tomais u i mhiochain," i n : 0 muirithe (10-32) xv. garret fitzgerald, "estimates for baronies of m i n i m u m level of irish-speaking among successive decennial cohorts: 1771-1781 to 1861-1871". cited: morley 2006 (175) xvi. dutton xvii. cited: o'rahilly xvii i . ibid. xix. "ar dtreigan bhoston d a r m shasana, 1776," i n : o muirithe (84) xx. "a uaisle inis eilge," in : 0 muirithe (81-2) xxi. "ar dtreigan bhoston d a r m shasana, 1776," in : 0 muirithe (84) xxii. "ar gheilleadh chornwallis ag yorktown 1781," i n : o muirithe (85-6) xxii i . "a uaisle inis eilge," in : 0 muirithe (81-2) xxiv. "ar dtreigan bhoston d a r m shasana, 1776," in : 0 muirithe (84) xxv. cited: 0 muirithe (96) xxvi. "ar dtreigan bhoston d a r m shasana, 1776," in : 0 muirithe (84) xxvii. morley 2002 (185) xxviii. "ar gheilleadh chornwallis ag yorktown 1781," in : 0 muirithe (85-6) xxix. "ar dtreigan bhoston d a r m shasana, 1776," i n : o muirithe (84) xxx. ibid. xxxi. ibid. xxxii. "ar gheilleadh chornwallis ag yorktown 1781," i n : 0 muirithe (85-6) xxxiii. "a uaisle inis eilge," in : 0 muirithe (81-2) * note on translation: a l l translations from the original irish were done by this author wi th assistance from professor joe nugent, except for the full translation of "a uaisle inis eilge," which appears i n vincent morley's book irish opinion and the american revolution. r e f e r e n c e s anderson, fred. 2001. crucible of war: the seven years' war and the fate of empire in british north america, 1754-1766. new york: vintage books. connolly, s.j. 1992. religion, law and power: the making of protestant ireland 1660-1760. oxford: clarendon press. dinan, brian. 1987. clare and its people: a concise history. dublin: mercier press. doyle, david noel. 1981. ireland, irishmen, and revolutionary america, 1760-1820. dublin: mercier press. dutton, hely. statistical survey of the county of clare, 1808. the clare county library: (accessed 11/2007). kraus, michael. 1965. "america and the irish revolutionary i r i s h v e r n a c u l a r p o e t r y a n d t h e a m e r i c a n r e v o l u t i o n http://www.clarelibrary.ie movement i n the eighteenth century," richard b. morris, ed. the era of the american revolution. new york: harper & row publishers. morley, vincent. 2002. irish opinion and the american revolution, 1760-1783. uk: cambridge university press. morley, vincent. 2005. washington i gceannas a riochta: cogadh mheiriced i litriocht na gaeilge. baile atha cliath: coisceim. morley, vincent. 2006. "views of the past i n irish vernacular literature." t i m blanning and hagen schulze, eds. unity and diversity in european culture c. 1800. oxford university press. pp.171-98. 6 ciardha, eamonn. 2002. ireland and the jacobite cause, 16851766. dublin: four courts press. o'connell, maurice r. 1976. "the american revolution and ireland." eire-ireland n , pp.3-12. 6 dalaigh, brian, ed. 1998. the strangers gaze: travels in county clare, l^-ig^o. ennis, co. clare: clasp press. 6 muirthe, diarmaid, ed. 1988. tomds 6 miochdin: eiliochl. baile atha cliath: a n clochomar tta. o'rahilly, thomas. notes on the poets of clare. publisheckas a series i n an claidheamh soluis, july 28 sept. 22,1917. the clare county library: (accessed 11/2007). spellissy, sean. 2003. a history of county clare. dublin: gil l & macmillan. whelan, kevin. 1996. the tree of liberty: radicalism, catholicism, and the construction of irish identity 1760-1830. notre dame, in : university of notre dame press i n association wi th field day. york, neil longley. 1998. "the impact of the american revolution on ireland." h.t. dickinson, ed. britain and the american revolution. new york: longman, pp.205-32. http://www.clarelibrary.ie "the 'individually wrapped' square slices of cheese are iconic of a massproduced american consumer good. it is pre-packaged and ready-to-eat and caters specifically to the needs of an individual, as opposed to a group or family, on-the-go." c a n n e d p e a c h e s a n d c h i c k e n parts postmodern food in don delillo's white noise n i c o l e w o n g d e s c r i p t i o n s a n d i n t e r a c t i o n s w i t h f o o d s e r v e a s s i g n i f i e r s o f c u l t u r a l v a l u e s i n t h e p o s t m o d e r n s o c i e t y o f d o n d e l i l l o ' s n o v e l white noise. a m i d a c o n s t a n t s t r e a m o f n a m e b r a n d a d v e r t i s e m e n t s a n d f l a s h y t e l e v i s i o n c o m m e r c i a l s , c h a r a c t e r s s t r u g g l e t o f i n d s u b s t a n t i v e m e a n i n g i n t h e i r l i v e s . d e l i l l o p r e s e n t s a c o n s u m e r c u l t u r e s w a m p e d i n e x c e s s , b e l o n g i n g s , a n d c o m m o d i t i e s , w h e r e f o o d i t e m s c h a r a c t e r i z e t h e i r b u y e r s a n d e v e n c o m m i d i f y t h e i r o u t l o o k s o n l i f e . f r o m f a m i l y b a r g a i n p a c k s o f p o t a t o c h i p s i n d i c a t i n g s u c c e s s a n d w e l l b e i n g , t o p l a s t i c w r a p p e d s l i c e s o f c h e e s e f a c i l i t a t i n g a n e f f i c i e n t y e t i s o l a t e d l i f e , t h i s e s s a y d i s c u s s e s d e l i l l o ' s d i f f e r e n t u s e s o f f o o d i m a g e r y t h r o u g h o u t t h e n o v e l . d e l i l l o ' s p o r t r a y a l o f a p o s t m o d e r n c o n s u m e r s o c i e t y i s p u t i n t o d i a l o g u e w i t h a c c l a i m e d e x p e r t s a n d c r i t i c s j e a n b a u d r i l l a r d a n d t h o r s t e i n v e b l e n , a s w e l l a s a r t i s t i c w o r k t h a t c o m m e n t s o n t h e r o l e o f ' p o p f o o d s ' i n c o n t e m p o r a r y a m e r i c a n c u l t u r e , i n c l u d i n g w o r k s b y p o p a r t i s t s a n d y w a r h o l a n d r o y l i c h t e n s t e i n a n d p o e t a l l e n g i n s b e r g . in don delillo's white noise, the commodification of daily life and the value placed on brand consumption are exemplified through delillo's usage of food i n the novel. the postmodern world that delillo presents is driven by consumer needs, of which food is essential. as the novel progresses, delillo's characters have intriguing descriptions and interactions with food and garbage, which are markedly different before and after the airborne toxic event—a chemical spill that forces the protagonist, jack gladney, and his family to briefly evacuate their home. this paper wi l l investigate delillo's use of food as a signifier of cultural values and how it changes and differs throughout the novel, especially i n relation to the airborne toxic event. delillo's use of food wi l l be placed within a larger cultural context, comparing it to contemporary works i n art and poetry that address american consumer culture. this discussion wi l l ultimately reveal delillo's broader message that the only dependable way to f ind meaning i n life i n a postmodern life is by instilling value into the seemingly empty images, whether i n advertisements or on food packaging labels, that surround us. critics on the topic of consumerism in white noise often bring up the ground-breaking writings of jean baudrillard and his portrayal of consumer society i n order to demonstrate how delillo fits into the postmodern picture. critic leonard wilcox assesses delillo's works, especially white noise, as "a view of life i n contemporary america that is uncannily similar to that depicted by jean baudrillard." wilcox continues, for white noise especially—because it most specifically explores the realm of information and mediascape— baudrillard's works provide an interesting, valuable, and even crucial perspective . . . in this world common to both baudrillard and delillo, images, signs, and codes engulf objective reality; signs become more real than reality and stand in for the world they erase . . .for both baudrillard and delillo a media-saturated consciousness threatens the concept of meaning itself.1 this issue of the indeterminable "objective reality" amid the "images, signs, and codes" is the crux of understanding delillo's postmodern consumer society. this commodity culture dictates the postmodern reality for the gladney family. jack gladney's "branding" of the hitler studies program, the declared "family nights" of simply watching television together i n the same room, and frequent trips to the grocery store blend what is supposedly real with signifying actions into a portrayal of life that is marketable yet ultimately lacking i n substance. critic elise a. martucci argues that although delillo's world may be similar to how baudrillard describes consumer society, "the novel is more than a simple fictionalization of postmodern theories. by comprising a mixture of the postmodern themes of representation, reflexive language, and subjectivity with the humor and humanity of a slice-of-life novel, white noise effectively brings the reality and dangers of american consumer society into a starker and more powerful light." 1 1 while it is true that delillo's novel is not just a "simple fictionalization" of baudrillard's theories, to perhaps reduce wilcox's argument as such, the "reality and dangers of american consumer society" are only brought into a "more powerful light" after the airborne toxic event. as evidenced by the descriptions of food discussed below, the airborne toxic event marks a change i n the characters' relations with food, implying a change i n their relations with the postmodern world. martucci also argues that "gladney is at times aware and at other times oblivious to the postmodern simulacra and the stimulation of his world." 1 1 1 this distinction is vital since gladney is able to act as both a subject and an analyst of the baudrillardian world i n which he lives. postmodernism—that is, to be self-conscious, self-reflective, intensely theoretical, and re-contextualizing in the way i n which we construct truth and meaning—inclusively applies to the characters i n the novel, the depicted society, and the literary form itself. on the first page of the novel, jack gladney describes the clamor of college students moving i n to their dormitories, and among the list of material possessions ("small refrigerators and table ranges; the cartons of phonograph records e l e m e n t s s p r i n g 09 and cassettes; the hairdryers and styling irons; the tennis rackets, soccer balls . . . "), names "the junk food still i n shopping bags—onion-and-garlic chips, nacho thins, peanut creme patties, waffelos and kabooms, fruit chews and toffee popcorn; the dum-dum pops, the mystic mints." 1 v a few pages later, a similar run-down of snacks from the gladney kitchen is given: "wilder was still seated on the counter surrounded by open cartons, crumpled tinfoil , shiny bags of potato chips, bowls of pasty substances covered with plastic wrap, flip-top rings and twist ties, individually wrapped slices of orange cheese."v in the two earlier examples, the incessant listing of items and namebrand "waffelos" and "dum-dum pops" are overwhelming i n their sheer quantity and specificity. the thought of consuming "nacho thins" with "peanut creme patties", "pasty substances" and "orange cheese", is sickening and excessive with a disregard for flavor or content of the food item. the fact that it is all "junk food" also alludes to its dietary excess. there is neither steak nor vegetables, but instead all insubstantial 'empty' carbohydrates such as "toffee popcorn" and "potato chips." none of it would constitute a real meal, yet wilder is surrounded by it all, and it is as necessary to college students as hairdryers and tennis rackets. the items are already used ("open cartons", "crumpled tinfoil") and everything else is soon to be consumed by way of the easily accessible "flip-top rings" or "twist ties". consumer culture moves quickly and efficiently, and the food items are both a product of and catalyst for this consumerist lifestyle. the "individually wrapped" square slices of cheese are iconic of a mass-produced american consumer good. it is pre-packaged and ready-to-eat and caters specifically to the needs of an individual on-the-go. efficiency is favored over the actual quality of the cheese— which, with its familiar artifical "orange" color, is an inferior, less expensive standardized good. yet this characteristically orange cheese is still the preferred choice of the gladneys. i n fact, this processed cheese is also called american cheese, implying its pervasiveness i n american consumer culture, and is used i n cheeseburgers and grilled-cheese sandwiches across the nation to this day. the product listings of inventory exist both outside and inside the gladney house, which suggests that this way of buying and eating is indicative of a social norm; it portrays the whole society as bogged down i n excess, belongings, and commodities. the food-buying habits reveal the heavy influence of conspicuous consumption i n a very literal way, that is, through a bodily consumption of food. through food, delillo raises issues of life being insubstantial, fake, and inauthentic. people also seem to construct their realities and characterize themselves through these objects. potato c h i p s , " i n s u b s t a n t i a l " y e t d e s i r e d , c h a r a c t e r i z e t h e c o n s u m e r ' s d i e t . there appears to be little criticism explicidy addressing the usage of food i n white noise. nevertheless, there is a literary forum surrounding the significance of certain 'pop' foods, such as those listed i n the previous passages, i n american contemporary culture. sarah e. newton writes i n her essay "the jell-0 syndrome" that "the study of popular commercial food products can have value . . . i n uncovering the intimate, important, and sometimes symbolic relationships people develop between themselves, their world, and the foods they eat."v l i n her study of jell-o, newton discusses how the jiggly food is regarded and shared by all types of americans. she claims, "jell-0 is early associated i n the american psyche with love, family, and nurturance. but not all cultural connections with jello are so innocent. a number of informants tie jell-0 with sex . . . i f jell-0 is, as it appears to be, a cultural signifier of c a n n e d p e a c h e s a n d c h i c k e n p a r t s a n d y w a r h o l , campbell's soup cans (1962) childhood innocence, of nourishment and comfort from the hands of moms and grandmas—of what is traditionally wholesome and pure—then stories of jell-0 adulteration [jell-0 made with vodka, iell-0 wrestling], are packed with meaning." v i l newton's arguments concerning the symbolism of jell-0 i n society reinforces delillo's discussions of food as a cultural signifier. a19 91 exhibition at bard college titled "art what thou eat: images of food i n american art" also explored "the history of food i n american society through its depiction by american artists of the nineteenth and twentieth centuries.'^ 1 1 1 the curators claimed that through a "close examination of art i n a broader cultural context, a wealth of information can be revealed." l x the exhibition juxtaposed classic 19th-century still life paintings of fruit with 20thcentury representations of wonderbread and geneticallyengineered fruit. connections were also drawn between the traditional marketplace and the commercial supermarket and the transformation of sugar from a luxury good into an american staple. the exhibition worked to "explore evolving artistic style and historical change using images of food as a vehicle. " x similarly, by looking at the role of "food as a vehicle" i n white noise, it is possible to further our insight about postmodern reality. i n contrast to the earlier colorful descriptions of namebrand junk food, jack also describes a chance encounter with a colleague who deals with food i n a very different way: we ran into murray jay siskind at the supermarket. his basket held generic food and drink, nonbrand items in plain white packages with simple labeling. there was a white can labeled canned peaches. there was a white package of bacon without a plastic window for viewing a representative slice. ajar of roasted nuts had a white wrapper bearing the words irregular peanuts . . . "this is the new austerity,' he said. 'flavorless packaging. it appeals to me. i feel i'm not only saving money but contributing to some e l e m e n t s s p r i n g 09 kind of spiritual consensus. it's like world war iii. everything is white. they'll take bright colors away and use them in the war effort. .. i've bought these peanuts before. they're round, cubical, pockmarked, seamed. broken . . . but they taste good. most of all i like the packages themselves. you were right, jack. this is the last avant-garde. bold new forms. the power to shock.xl the "whiteness" and "simplicity" of the packaging shocks regular consumers. siskind's choice of generic food is unusual, even "avant-garde". the bacon without a "representative slice" showing from the outside implies suspicion of the enclosed contents, even though the representative slice is actually the real bacon inside. the packaging is "flavorless" and inferior for its mundane, monochromatic packaging. 'normal' peanuts are supposedly all round and perfectly uniform, whereas the others are relegated to the less popular "irregular" jars. however, without the modern effects of technology and genetic engineering, peanuts are usually organically shaped and irregular, "round, cubical, pockmarked, seamed, broken". i n delillo's world, the natural peanuts are scrutinized and rejected, even though they all "taste good". siskind likens buying the food to a war cause, as i f to buy "white and simple" is to sacrifice something expected and desired, as i f it is a self-inflicted inconvenience. the reference to a third world war also alludes to bare-bones war rations and the would-be assumption of simple packaging, which creates an interesting irony i n recognizing the "bold new forms" of the white wrappers. the goods are simply what they say they are, yet the people of the novel distrust that. the forms are neither "new" nor "bold"; i n fact, the simple labels are the most primitive and straightforward form of advertising possible. the packaging lacks any commercial appeal. siskind's food preferences are character-revealing when he says he is attracted to the "appealing . . . new austerity" of i t all. siskind is an alternative buyer, and therefore an alternative thinker. he is a true postmodernist, by whom "the euphoric forms of electronic data and informational flow are to be enthusiastically embraced. " x n people are uncomfortable with the blunt directness or lack of colorful distraction, as i f they need the advertised packaging to validate what is inside. they need the "images and signs" on the outside to show them how they should feel about the food or what they wi l l get out of it besides nourishment. only siskind, a postmodernist a step ahead of the average consumer, appreciates the nameless brands. it also serves well to look at delillo's usage of food i n the greater cultural context of pop art, which first emerged i n america i n the 1960s. i n his extremely influential book, the consumer society, jean baudrillard discusses pop art: pop lays claim to be the art of the banal. .. but what is the banal but a metaphysical category, a modern version of the category of the sublime? the object is banal only in its use, in the moment of its use ... the object ceases to be banal as soon as it signifies. . . now, we have seen that the 'truth' of the contemporary object is no longer to be used for something, but to signify, no longer to be manipulated as an instrument, but as a sign. and it is the success of pop, at its best, to show it to us as such.xm pop art depicted these "object" signifiers to question how we view consumer goods. among many other famous series, andy warhol painted campbell's soup cans, the subject of which is an everyday food object of mass consumption. repeating the same image side-by-side, each one hanging on the wall as i f shelved i n a grocery store, the work alludes to the uniformity and ubiquity of the campbell's can i n society, and at the same time "implies not energetic competition [from advertisements] but a complacent abundance."x 1 v warhol changed a banal food into the subject of a highly-regarded—and nowadays quite pricey—work of art. and now regarded as pop art, the image of the everyday can of soup (the "object") "ceases to be banal" and comes to signify something deeper about america's obsession with mass consumption and modern abundance of objects and possessions. other pop artists, such as james rosenquist and roy c a n n e d p e a c h e s a n d c h i c k e n p a r t s lichtenstein, also portrayed food i n art i n the commercial styles of billboards and comic strips. in lichtenstein's painting bananas e[ grapefruit #1 (1972), he invokes the image of a bowl of fruit, the subject of many a classic still life, with abstract geometric shapes and solid planes of color, a highly-stylized depiction of fruit and a far cry from realistic resemblance. lichtenstein's painting, however, seems to convey a similar message as delillo i n implying a separation between natural organic foods and the artificial, almost too-perfect products of the new postmodern reality. in one of the various scenes i n the grocery store i n white noise, jack describes the fruit aisle, observing that "there were six kinds of apples, there were exotic melons i n several pastels. everything seemed to be i n season, sprayed, burnished, bright ." x v the description alludes to the strange plastic uniformity of the fruit. they are all "sprayed" with misty chemicals and preservatives and radiate eerily. the various types are lined up and ready-to-go, and all are " i n season"—the fruit do not exist according to the rules of nature. even the "exotic melons," which are rare or imported from afar, blend into the others. again, the consumer is geared towards choosing only by the image value of the food, and not anything more substantial, like its taste or firmness. as well as producing a consumer-driven and mass-produced atmosphere, delillo also uses food to signify family well-being and prosperity. on the way back from a supermarket trip, jack reflects: it seemed to me that bahette and i, in the mass and variety of our purchases, in the sheer plentitude those crowded hags suggested, the weight and size and number, the familiar package designs and vivid lettering, the giant sizes, the family bargain packs with day-glo sale stickers, in the sense of replenishment we felt, the sense of well-being, the security and contentment these products brought to some snug home in our souls—it seemed we had achieved a fullness of being that is not known to people who need less, expect less, who plan their lives around lonely walks in the evening.™ as i n the previous citations from white noise, the idea of excess and "plentitude" arises, with the rhythmic repetition of item after item. however, instead of the nauseating description of cheese puffs and chocolate, there is a different tone of plump "contentment" and "replenishment". food represents comfort, success, and well-being. the marketed "family bargain packs" and "giant sizes" make jack and babette feel they have achieved more than others. the "crowded bags" imply a ful l house i n size and number. the family, made up of a couple with kids from different marriages, can feel snug and secure knowing they not only have the means to eat, but that they are better off than the "lonely" who do not have the comforts or company of family, either. jack and babette feel they have more "fullness of being" than those who do not have their purchasing power or the need of buying i n bulk. they have something—food, which represents prosperity and the ability to share it—that is not known to lonely individuals. the food is a physical reassurance and antidote to loneliness. jack and babette's desire not to be lonely seems to come second to satiating their physical hunger. therefore, the food shopping not only nourishes their bodies, but reinforces how they view themselves as a family. these points gel directly with the theories of consumer desires and conspicuous consumption by the famous sociologist and economist thorstein veblen. in his groundbreaking work, the theory of the leisure class, veblen theorizes that: [t]he quasi-peaceable gentleman of leisure, then, not only consumes of the staff of life beyond the minimum required for subsistence and physical efficiency, but... a specialization as regards the quality of the goods consumed ... in the process of gradual amelioration which takes place in the articles of his consumption, the motive principle and the proximate aim of innovation is no doubt the higher efficiency of the improved and more elaborate products for personal comfort and well-being™1 applying this to the previous paragraph, jack gladney, the e l e m e n t s s p r i n g 09 "quasi-peaceable gentleman of leisure" shops for more than his " m i n i m u m required for subsistence", bringing home a "sheer plentitude" of "crowded bags", and relishes i n the foodstuffs. baudrillard also chimes into this discussion, arguing that consumer society is based on the eternal search for happiness, that: the whole of the discourse on needs is based on a naive anthropology: that of the natural propensity to happiness. happiness . . . is the absolute reference of the consumer society: it is the strict equivalent of salvation . . . happiness has to be measurable. it has to be a well-being measurable in terms of objects and signs.xvm said. we heard sirens again, a different set this time, a larger sound . . . 'why do you want dinner so early?' she said . . . 7 missed lunch. *ix in the face of impending danger, jack wants to eat dinner. his need for normalcy and family come through i n a time of emergency. he wants to eat dinner i n an attempt to minimize the problem, to retreat to food as something familiar and stable. jack wants to pretend as i f everything is still fine, because as just discussed, dinner and food signify familial well-being and content. his request to eat dinner also reminds the reader that food is ultimately a grounding necessity for human existence. whether or not the toxic cloud is growing or threatening, the family must still eat to "in the face of impending danger, fack wants to eat dinner.. .in an attempt to minimize the problem, to retreat to food as something familiar and known." to follow this logic, i f buying food leads to comfort, and comfort leads to happiness, then food leads to happiness. happiness, then, can be "measured" through food, so a sheer plentitude of food must signify a plentitude of happiness and well-being. it is possible that delillo had veblen's theories i n mind when he wrote this scene. regardless, the gladneys are able to put aside the natural disaster and their marital problems and construct their reality i n these objects and signs. that is, unti l the occurrence of the airborne toxic event. food also factors into life during the airborne toxic event as a way to normalize the events that occur. when the gladneys first hear about the mysterious toxic cloud, and are discussing it, jack cuts off the dialogue: 'they're keeping it from getting bigger,' i said. 'when do we eat?'...'... if the billowing cloud is blown due south, it will miss us by a comfortable margin.' 'when do we eat?' i live. as leon kass writes i n the hungry soul, "taking food is not a matter of choice. it is a desired necessity, indispensable for all vital activity and sought after by all living animals. food is needed for growth and development, for maintenance and repair, for every motion and activity . . . one is only i f and because one eats."xx with the threat of the toxic cloud, food now not only signifies the commodification and brand-consumption of postmodern culture, but carries a deeper indication about human sustenance and need. i n the beginning of part i i i of the novel, after the airborne toxic event has passed, delillo places the action immediately back i n the supermarket, which gauges how society appears to have changed. jack remarks: wilder sat inside [the shopping cart], on the collapsible shelf trying to grab items whose shape and radiance excited his system of sensory analysis. there were two new developc a n n e d p e a c h e s a n d c h i c k e n p a r t s ments in the supermarket, a butcher's corner and a bakery, and the oven aroma of bread and cake combined with the sight of a bloodstained man pounding at strips of living veal was pretty exciting for us all.™ in the first sentence of this passage, the child's actions and sentiments are described i n a mechanical and dehumanized way. his "system of sensory analysis" refers to his instinctual, infantile mind that "grabs items" off the shelf as any curious child does when excited. using the phrase "system of sensory analysis" reduces wilder to some sort of analytical machine or visual processor, which is what delillo is trying to imply about the postmodern nature of humans. the items "radiate", as i f they are chemically enhanced, alive and beckoning, similar to the fruit i n the store that were "sprayed, burnished, bright", yet the shelf itself is "the mixture of the 'aroma of bread' and the 'sight of a bloodstained man' is ... 'pretty exciting'for the family. the 'pounding at strips of living veal' is a violent death image, but the almost casual entertainment it brings the family is a strange and perverse indication of unresolved issues." only temporary and "collapsible", probably to accommodate the "new developments" i n the store. the addition of the butchery and bakery also carries industrial tones of urban expansion and development. the phrase "new developments" could alternatively be interpreted as tumorlike growths, as i f the entities just developed out of the supermarket, which itself is its own living, breathing thing. traditional town trades of the butcher and baker have become commodified and imbibed into the supermarket conglomerate. it is an entire town i n one location, catering to every consumer need at once. the mixture of the "aroma of bread" and the "sight of a bloodstained man" is strangely uncomfortable and unsettling to the reader, yet "pretty exciting" for the family. the "pounding at strips of living veal" is a violent death image, but the almost casual entertainment it brings the family is a strange and perverse indication of unresolved issues. the strangely mechanized description of the child and the "new developments" show progress—or is it really?—towards a more extreme postmodern tendency of the people and their surroundings. this strangely social yet discomforting portrayal of the supermarket i n white noise also brings to mind allen ginsberg's famous poem "a supermarket i n california.' , x x 1 1 both depict a postmodern supermarket of plastic "signs" and "images" ("in my hungry fatigue, and shopping for images, i went into the neon fruit supermarket"), and also deal with unexpected enthusiasm and awe for the supermarket's "radiance" ("what peaches and what penumbras!"; "the brilliant stacks of cans"). the supermarket is discussed on a social plane of human interaction ("whole families shopping at night!", "wives i n the avocados, babies i n the tomatoes!"), and is distinctly commercialized, apart from a more traditional reality ("will we stroll dreaming of the lost america of love past blue automobiles i n driveways, home to our silent cottage?"). ginsberg's poem invokes similar feelings as does delillo's description of supermarkets: though they are highly-commercialized, almost fake, they are also somewhat of a haven and source of community, or at least the preserved and refrigerated remnants of it. david b. clarke writes i n his book, the e l e m e n t s : : s p r i n g 09 consumer society and the postmodern city, "modern social life was born of the city and its reconfiguration of social and physical space. the postmodern city amounts to its posthumous continuation, its fractal form. the postmodern city is 'less an identifiable city than a group of concepts—census tracts, special purpose bond-issue districts, shopping nuclei.'"™ 1 1 one of the concepts that make up the "postmodem city" would definitely be the supermarket, which i n the text has just been "reconfigured". after the airborne toxic event, their city is implicitly different, and food and supermarkets are just some of the "fractal forms" we can observe. now back to their 'normal lives', the gladneys struggle to f ind unity and comfort i n each other. one night they decide to go out for dinner, and so they: all got in the car and went out to the commercial strip in the no man's land beyond the town boundary. the never-ending neon. i [jack gladney]pulled in at a place that specialized in chicken parts and brownies. we decided to eat in the car. the car was sufficient for our needs. we wanted to eat, not look around at other people. we wanted to fill our stomachs and get it over with. we didn't need light and space.*™ the "never-ending neon" again situates the family amid the neon lights from mass-produced, commercialized signs, which jack acknowledges to be "never-ending", even i n "no-man's land". the neon of consumerism is everywhere and unavoidable. next, the fast food specialty of "chicken parts and brownies" is both unappealing i n its reference to the disembodied bird as well as its subsequent mixture with something sweet and chocolate. the referral to "chicken parts" distances the clucking animal from the easily consumable pieces. society has taken another step away from nature to convenience the needs of a consumer. brownies are also individual sweet treats cut from a larger whole sheet, but one only thinks of this when juxtaposed against "chicken parts". in this passage, the gladneys simply desire to " f i l l their stomachs" and be nourished; they are not looking for a social eating experience. they just want to "get it over with" , not even looking for "light or space". the gladneys acknowledge their bodily needs, but the warm familial feelings of well-being and content once felt from shopping, are now lost, or perhaps they realize that they were fake, just images, to begin with. the sentence structure i n this passage addresses directly what they "want" and "need"—the short staccato of the sentences produce a strangely mechanized read. continuing the narration of this episode, jack explains, "we ate fully dressed, i n hats and heavy coats, without speaking, ripping into chicken parts with our hands and teeth . . . i was surprised to find i was enormously hungry." x x v here, the family has become strangely savage, messily "ripping into chicken parts" and not even bothering to take off their outerwear. as jack eats, he realizes that he was unaware of how hungry he really was. prior to eating, he had a basic bodily need that he virtually ignored. but once he starts eating, his animal instinct to satiate his body takes over. something is not right here, whether it is a loss of humanity or an extremist take on postmodernism that causes the family to be out of touch with body experience. this is what the reader must ultimately grapple with. in regards to the choice of the fast food restaurant, john jakle, a university of illinois cultural geographer, reasons that: traditionally, roadside food has been prepared and consumed quickly and at relatively low prices. it has been at' tractive to people on the move in a society highly mobile geographically .... people find in roadside restaurants places of comfort where standardized environments, products, and services provide security as well as nourishment away from home. anxiety from adventuring is contained by the familiar .. . x x v i the roadside restaurant is iconic of consumer society. jakle supposes the customers are road-tripping americans, which makes it seem much stranger and jarring that a gladney family dinner would take place i n the parking lot c a n n e d p e a c h e s a n d c h i c k e n p a r t s of a fast food restaurant. like the supermarket, fast food restaurants are places of comfort and security, and a sort of "nourishment away from home". for the gladneys, i n their desire to leave their home and their town i f only for dinner, the fast food restaurant offers an alternative comfort, i n which the "chicken parts" signify consumer society as they once knew it. after facing the "real danger" of the airborne toxic event, they are lost i n a changed landscape of consumerism. a strange transition occurs, i n which food characterizes the individuals themselves rather than their environment. another example of food portrayed after the airborne toxic event is found i n heinrich's friend's eating habits. jack explains: i took heinrich and his snake-handling buddy, orest mercator, out to the commercial strip for dinner. it was four in the afternoon, the time of day when orest's training schedule called for his main meal. at his request we went to vincent's casa mario . . . we ordered pasta and water... j liked to watch orest eat. he inhaled food according to aerodynamic principles. pressure differences, intake velocities. he went at it silently and purposefully, loading up, centering himself, appearing to grow more self-important with each clump of starch that slid over his tongue.™11 again, food is fuel-like for the character, and the mechanistic people act as its receptacle. orest seems to exist only as an extreme model of postmodernity. his ridiculous desire to be i n the guinness book of world records for sitting i n a glass tank filled with snakes dictates his eating schedule at four o'clock and strict diet of pasta and water. jack describes "aerodynamic principles", "pressure differences", and "intake velocities" to characterize orest's eating style with an appropriately 'aerodynamic' writing style. pasta is reduced to "clumps of starch" because that is all they are to orest, simply means of attaining his goal, of potentially fulfilling the "image" he has created for himself. through orest, we see yet another extreme example of a postmodern character. it is also important to briefly examine delillo's use of garbage—or food waste—and its relation to postmodernism. under the 'clean' surface of these citizens lies their waste. as jack searches for babette's dylar pills—a blackmarket experimental drug supposed to cure the fear of death—he targets the kitchen trash compactor as a possible hideout for the pi l l . he describes: t h e c l o s i n g of white noise features a b u s t l i n g supermarket. j took the bag out to the garage and emptied it. the compressed bulk sat there like an ironic modern sculpture, massive, squat, mocking. i jabbed at it... then spread the material over the concrete floor. i picked through it item by item, mass by shapeless mass, wondering why i felt guilty, a violator of privacy .... is garbage so private? does it glow at the core with personal heat, with signs of one's deepest nature, clues to secret yearnings, humiliating flaws? what habits, fetishes, addictions, inclinations? . . . . i found crayon drawings of a figure with full breasts and male genitals i found a banana skin with a tampon inside. was this the dark underside of consumer consciousness? i came across a horrible clotted mass of hair, soap, ear swabs, crushed roaches, flip-flop rings, sterile pads smeared with pus and bacon fat, strands of frayed dental floss, fragments of ballpoint refills, toothpicks still displaying bit of impaled food. e l e m e n t s s p r i n g 09 the mixture of jack's perceptive yet unanswerable questions, which arise from picking apart the trash, are also discarded and left i n the trash. jack sifts through an odd and perverse assortment of trash, including the "shapeless masses" and the "flip-top rings" we saw at the beginning of the novel. the "glow" of food products before associated with the neon fruit and other radiating commercial products, now perhaps glow with something different. the "personal heat" alludes to the fact that all of these objects once belonged to someone, explaining jack's issues with violating privacy. the uncomfortable mix of sex organs and kids' crayons, of fruit and tampons, and "impaled food", is sickening, a view of the "dark underside of consumer consciousness"—the side where the abundance of possessions rot and are quickly forgotten. in an article on waste and residue, wutz states that: cultural theorists and practitioners have paid attention to the status of trash within the changing frameworks of present-day cultures. british 'rubbish' sculptor tony cragg,for one, has observed that, in a climate of global consumerism, visual artists (arguably beginning with duchamp) are finding 'values and meanings for all the population of objects in the world', including coke bottles, wendy's cups, and campbell's cans ... x x i x the issue of finding meaning i n everything, even what has already been discarded, brings us back again to the dependence on "images and signs" to f ind meaning i n life. this quotation is also humorous when applied to delillo's passage because jack compares his compacted square of trash to an "ironic modern sculpture", perhaps like that of michel duchamp or tony cragg. however, the construction of what is i n the trash is delillo's artful construction! from its outermost frame looking into the text, the discarded debris is intentionally placed and described as i f it were an "ironic modern sculpture". the supermarket shelves have been rearranged. it happened one day without warning. there is agitation and panic in the aisles, dismay in the faces of older shoppers. they walk in a fragmented trance, stop and go, clusters of well-dressed figures frozen in the aisles, trying to figure out the pattern, discern the underlying logic, trying to remember where they'd seen the cream of wheat.... the scouring pads are with the hand soap now, the condiments are scattered .... they turn into the wrong aisle, peer along the shelves, sometimes stop abruptly, causing other carts to run into them. only the generic food is where it was, white pack ages plainly labeled.... there is a sense of wandering now, an aimless and haunted mood . . . . the men scan for stamped dates, the women for ingredients. many have trouble making out the words. smeared print, ghost images ... and this is where we wait together, regardless of age, our carts stocked with brightly colored goods. a slowly moving line, satisfying.... everything we need that is not food or love is here in the tabloid racks.™"food carries cultural significance .. .food is used not only to ground characters as humans, but conversely to emulate the metaphoric 'consumption' of food white noise concludes i n a supermarket, describing an ultieverything has been "rearranged", and the consumers do mate scene of confusion and postmodernity i n consumer not know how to act accordingly. they look for familiar culture: brands like "cream of wheat", and attempt to actually read c a n n e d p e a c h e s a n d c h i c k e n p a r t s the packaging instead of take them as "visual signifiers". only siskind's "generic food" remains where it was. critic marc schuster interprets the end of the novel as a final comparison to life i n the supermarket to just be a way of "keeping busy" before death "or, to borrow an apt colloquialism, 'check out ' . " x x x i they are not just "keeping busy", but the characters' interactions with food allow them and the reader to gain insight into their emotions and their understanding of the postmodern consumer society i n which they exist. food carries cultural significance, and i n a search for how to find meaning i n the hyper-reality of postmodernity, food is used not only to ground characters as humans, but conversely to emulate the metaphoric "consumption" of food as an acceptance of postmodern ideas and values. as martucci argues, delillo shows us the "reality and dangers of american consumer society" i n the dehumanization of the gladneys after the airborne toxic event. after the event, food no longer holds the same significance, leading to a downfall and dehumanization of the characters. delillo shows us that, although it may be dangerous, the best way to find meaning i n a postmodern society is by depending on the ostensibly empty "images, signs, and codes" of advertisements, television commercials, and food packaging. e n d n o t e s i . wilcox (346-347) i i . martucci (77) i i i . ibid. (92) iv. delillo (3) v. ibid. (7) vi. newton (266) vii. ibid. (257) viii. snyder-grenier (1005) ix. ibid. (1006) x. ibid. xi. delillo (18-19) xii. wilcox (350) xiii. baudrillard (118) xxiv. publicity publication excerpt, the museum of modern art: new york (260) xv. delillo (36) xvi. ibid. (20) xvii. veblen (73-74), also: "the basis on which good repute in any highly organized industrial community ultimately rests is pecuniary strength; and the means of showing pecuniary strength, and so of gaining or retaining a good name, are leisure and a conspicuous consumption of goods" p. 84. xviii. baudrillard (49) xix. delillo (111, 112) xx. kass (19-29) xxi. delillo (159) xxii. ginsberg xxiii. clarke (94-95), within the quote reference is to: pynchon, the crying of lot 49, vintage, london. 1996 xxiv. delillo (220) xxv. ibid. (221) xxvi. jakle ( i n , 114) xxvii. delillo (252-253) xxviii. ibid. (247) xxix. wutz and doctorow (503) xxx. delillo (309-310) xxxi. schuster (9-10), "as the novel draws to a conclusion, the relationship between death and shopping (the two major themes of white noise) comes clearly into focus: shopping is what we do to keep ourselves busy until we die or, to borrow an apt colloquialism, "check out." from this perspective, the novel as a whole amounts to an extended examination of consumer culture's efforts at organizing society in a way that proffers the ritual of shopping as a means of holding death at bay even as we move inexorably toward it." references baudrillard, jean. 1970. the consumer society: myths and structures. london: sage publications. clarke, david b. 2003. the consumer society and the postmodern city. new york: routledge. delillo, don. 1985. white noise. new york: penguin books. ginsberg, allen. 1956. howl and other poems. san francisco: city lights books. jakle, john a. 1995. "roadside restaurants and place-productpackaging" in fast food, stock cars, and rock 'n' roll: place and space in american pop culture. george o. carney, editor. lanham: rowman & littlefield publishers. kass, leon r. 1953. the hungry soul: eating and the perfecting of our nature. new york: the university of chicago press. martucci, elise a. 2007. the environmental unconscious in the fiction of don delillo. new york: routledge. the museum of modern art. revised 2004, originally published 1999. publicity publication excerpt. moma highlights. new york: the museum of modern art. e l e m e n t s s p r i n g 09 newton, sarah e. july-october 1992. "the jell-0 syndrome: investigating popular culture/foodways" in western folklore, vol. 51, no. 3,4. western states folklore society. schuster, marc. 2008. don delillo, jean baudrillard, and the consumer conundrum. new york: cambria press. snyder-grenier, ellen m. december 1991. "review: art what thou eat: images of food in american art." the journal of american history, vol. 78, no. 3. organization of american historians. veblen, thorstein. 1899. the theory of the leisure class. new york: sentry press. wilcox, leonard. autumn 1991. "baudrillard, delillo's white noise, and the end of the heroic narrative." contemporary literature, vol. 32, no. 3. university of wisconsin press. wutz, michael and e.l doctorow. autumn, 2003. "literary narrative and information culture: garbage, waste, and residue in the work of e.l. doctorow." contemporary literature, vol. 44, no. 3. university of wisconsin press c a n n e d p e a c h e s a n d c h i c k e n p a r t s t h e p o r n o g r a p h y wars exploring two distinct feminist identities m e r e d i t h h u d s o n c u r r e n t p o l i t i c a l debates over t h e l e g a l i z a t i o n of gay m a r r i a g e a n d t h e p r o t e c t i o n of a w o m a n ' s r e p r o d u c t i v e r i g h t s rarely q u e s t i o n s t h e c r i t i cal reasons w h y o u r society u p h o l d s b o t h p a t r i a r c h a l a n d h o m o p h o b i c v a l u e s . t h i s a r t i c l e explores o n e s u c h way i n w h i c h a p a t r i a r c h y is sust a i n e d by t h e use of i m a g e s , s p e c i f i c a l l y p o r n o g r a p h i c i m a g e s . t h o u g h m a n y f e m i n i s t s w o u l d w a n t to pursue a b a n o n p o r n o g r a p h y , s u c h a ban w o u l d merely r e i n f o r c e t h e idea t h a t c e r t a i n s e x u a l desires between t w o c o n s e n t i n g a d u l t s are i m m o r a l a n d d e g r a d i n g . c o n d e m n a t i o n of i m a g e s s u c h as t h e s e has p e r p e t u a t e d t h e r i g h t for o u r c u l t u r e to u p h o l d h o m o p h o b i a for m a n y d e c a d e s , t h e r e f o r e , w e , as a s o c i e t y , m u s t be wary of s u c h a p o l i c y . i n t r o d u c t i o n though the tumultuous decade of the 1960s appeared to shake the very foundations of the american nation, many beneficial consequences also arose. various minority groups became mobilized; african-americans fought for their right to vote, women fought for their right to equal opportunity, and gays fought for the right to practice their lifestyle free from the fear of police entrapment. concurrent with the political upheaval of this time, a social revolution was occurring as well. the counter-culture movement was promoting causes such as "free-love," and the invention of the birth control pil l made this possible. the sexual revolution focused on liberating society from inhibitions about sexuality and encouraged sexual exploration. as a result of this cultural phenomenon, pornography became more widespread. for some feminists, this proliferation of sexual imagery was not liberating; rather it problematized the role of women in our society and presented them as objects merely to serve and submit to male sexual pressure. this particular school of feminism saw all sexuality as a form of male violence; every act of sexuality is inherently a situation of domination and control of the female by the male. during the 1970s and early 1980s, radical feminists formed a coalition with conservative christian groups such as the moral majority to ban pornography. these political efforts ultimately failed to make pornography illegal, but the pornography debates reveal significant tension and conflict about the identity of a feminist, as well as the role of women's sexuality. it sparked a conflict among those in the feminist movement, as well as from other sexual minorities. some groups claimed banning pornography not only intrudes upon first amendment rights, but also, by legislating sexuality and morality, risked marginalizing those who did find sexual pleasure and liberation in pornography or other devious sexual acts. f e m i n i s t a r g u m e n t s a g a i n s t p o r n o g r a p h y though feminists against pornography enacted several local-level strategies to regulate pornography, none were as controversial as the dworkin-mackinnon ordinance, since it defined pornography as a direct violation of women's rights." andrea dworkin and catherine mackinnon proposed anti-pornography legislation to the city of minneapolis in 1980 that legally defined pornography as the graphic, sexually explicit subordination of women whether in pictures or in words that also includes one or more of the following: women are presented dehumanized as sexual objects,...or women are presented as sexual objects who enjoy pain or humiliation; or women who experience pleasure in being raped...or women's body parts are exhibited, such that women are reduced to those parts; or women are presented in scenarios of egradation...shown as filthy or inferior, bleeding, bruised or hurt in a context that makes these conditions sexual}11 the law proposed civil, not criminal, action for those affected by pornography; it provided a legal framework in which those affected by pornography would have the legal right to sue makers, sellers, distributors and exhibitors of pornography. the law also provided for a court injunction to remove pornography from the public realm, so that publishers and booksellers would be under constant scrutiny and surveillance. i v feminists sought to evaluate the detrimental effects of pornography on three levels: e l e m e n t s s p r i n g 0 6 production, the product itself, and the consumers of the product. pornography is a $7 billion a year industry; there are more x-rated bookstores than mcdonalds in the united states.v eighty-four percent of men and 69 percent of women have seen pornography, though few reported, or were will ing to report, that they watched pornography frequently. ninety percent of pornography is directed at heterosexual males; most consumers are white, middle-class males. among the adult population there is no consensus as to the effects of pornography; forty-nine percent believes it is a cause for men to commit rape, 47 percent claim it improves sex within marriage, and 56 percent believe it leads to a break down of morals.v> ten percent of women reported that someone tried to inflict undesired sex acts on them that came directly from pornography, while among married women 24 percent reported such acts. v u given these statistics, even an objective observer would admit that pornography has a notable effect on american culture. the domination of women. pornography is the "material means of sexualizing inequality."v )" the subordination of women occurs i n four parts: hierarchy, objedification, submission, and violence. violence is a particularly problematic aspect of women's marginalization as men perceive that women like violence, they find pleasure i n rape, and love i n battery. images within pornography solidify and reinforce this perception. 1* mackinnon asserts that the "male gaze" has transformed women into merely objects of pleasure and gratification; women are not naturally subordinate individuals but the oppressive institution of patriarchy has transformed women into this positions for mackinnon and dworkin all sexuality is violence, the penis is a tool of invasion and domination. consensual sex between adults can never exist. x l they argue that, despite progress in women's rights, inequalities wi l l exist as long as the sexual subordination of women does. pornography is not the only reason why these inequalities exist, but it is the pornography is a $7 billion a year industry; there are more x-rated bookstores than mcdonalds in the united states." i n order to understand the theoretical arguments articulated by mackinnon and dworkin in both the definition of pornography and the regulations suggested by the minneapolis ordinance, one must understand the framework of feminism to which both women adhered. some authors define mackinnon and dworkin as radical femnists, and others refer to them as cultural feminists. regardless of the terminology, these women and their followers began to make the claim that "the personal is the political;" women's oppression in sex flows into other aspects of her life: health care, reproductive rights, employment opportunities, and politics. sexual subordination is the medium through which women are oppressed. during sex the woman is the passive, weak object whose sole purpose is to pleasure the male in any way he desires. inequality itself becomes sexualized as sexual pleasure is based off of medium that presents women as submissive and "asking for violence." for these reasons, radical feminists thought pornography must be eliminated from society for progressive change to occur. the production of pornography itself is problematic as those involved in the industry have come forth with stories of rape and coercion. women who have starred i n pornographies often report rape and assault by men who presume their sexual availability. linda marchiano, the star of the pornographic f i lm deep throat, was abducted, beaten, and forced to star in the pornography. children are manipulated and black-mailed to star in pornography, many times by their own parents. many pornography actresses are driven into the industry as a way to escape poverty/ 1 1 for these reasons, radical feminists pushed for t h e p o r n o g r a p h y wars: e x p l o r i n g two d i s t i n c t f e m i n i s t i d e n t i t i e s pornography to be viewed not as an obscenity but as a civil rights violation. expression made when one party is forced to speak i n a manner that violates their rights and dignity in not protected under the first amendment/ 1 " the radical feminists argue that even "feminist pornography" that is directed by and marketed towards women is problematic because it merely recycles the detrimental mode of pornographic representation. the specifics of pornography are irrelevant; the representation of women in a sexual manner is in itself violent. x l v r e a c t i o n s a g a i n s t a n t i p o r n o g r a p h y f e m i n i s t s the critics of the anti-pornography feminists believed the ordinances brought forth by mackinnon and dworkin were too widespread. many feminists, specifically the lesbian-feminists and the s/m feminists found their sexual practices under scrutiny and condemnation by the very people that were supposed to be fighting for the rights of women. though many women suffer the bad effects of pornography, there are those women who find pornography pleasurable, educating, and even liberating and were not will ing to curtail their own sexuality for a group of women who did not address their interests in the first place. x v a misconception about those who defended pornography is that they did recognize the exploitation and the abuse that existed within the industry; however, they knew that some people do chose to make pornography. they defended pornography to a degree: as long as the meanings expressed within the images did not directly imply the subordination of or violence towards women, i t should be allowed. many defenders of pornography did see violence as a problem, but believed its causes were mainly structural and social conditions.x v 1 as a result of mccarthystyle attacks anyone even remotely related to the pornography industry was condemned as a sexual pervert. sexual deviants, specifically those in the leather community, felt their livelihood was being threatened, and began to confront the women against pornography (wap) for fear that the feminist movement had morphed into a campaign not for women's rights, but for moral purity. the leather community was particularly vocal i n addressing the images presented i n pornography and the cultural significance attached to those meanings. for them, scenes of sadomasochistic torture were not violence for the sake of violence, but rather signified a source of pleasure and arousal. meanings assigned by the dominant culture to s/m sex were not the same as the meanings those assigned within the community. they felt that dominant culture was not entitled to regulate their sexual passions and desires. x v l i as sex radical pat califia (a leather lesbian who is now a transsexual bisexual male) stated, "the line between word and deed is a thin one. a desire that cannot be named or described is a desire that cannot be valued, acted upon or used as the basis for identity. " x v i i i califia and others thought that the initiatives taken by the anti-pornography feminists sought to regulate acceptable and unacceptable sexual identities, a process that is dehumanizing and leaves individuals feeling isolated. e l e m e n t s s p r i n g 06 lesbians specifically found the radical feminists condemnation of female sexuality to be problematic. for them, the female body is sexual and desirable based on their own terms, not on the terms of men. i f feminists were fighting for the inclusion of women into society as autonomous and free individuals, then women should have the capacity and the right to chose when to consent to sex and went to refrain. stating that no sex, even between adults, can be consensual undermines the capacity of women to make the best decisions for their own lives. for many women, erotic experiences enhance their lives, and by denying the right to view pornography, the anti-pornography feminists were actually prohibiting women from being sexually aggressive, lustful, and nonconventional. this would reinforce the stereotype that women are sexually passive.x i x the critics of mackinnon and dworkin debunked the idea that all sex is male violence by claiming: whether sexual intercourse is a political act of men subjugating women depends upon its interpersonal context which determines, say, a woman's possibilities for initiating, negotiating, and refusing the act, as well as her ability to define the place of vaginal intercourse in the entire sexual and social exchange.xx some critics of the anti-pornography feminists even claim that pornography enables women to experience the same sexual freedom as men, which is necessary before one can hope to have social equality. autonomous individuals must have the right to explore sexual pleasures and to pursue the lifestyle of their own choice. none of the defenders of pornography advocated things such as bestiality, pedophilia, or rape, but did staunchly defend the sexual choices of two consenting adults.™ many critics of mackinnon and dworkin argued from the perspective of the first amendment. legal theorists argued that the scope of the ordinance brought forth by mackinnon and dworkin was much too large; it allows for the potential censorship of novels, art, plays, movies and other cultural media that make any reference to sexuality involving the female body. this scope contradicts the essence of the amendment, which states that the impact of speech cannot be grounds for the government control of speech. enacting such policies encourages a totalitarian control on the population by the government.™ 1 c o n c l u s i o n the debates over pornography exposed serious controversy and conflict within the feminist movement. both sides recognized the negative and exploitative characteristics of pornography, such as reinforcing images of male domination within society. many felt a ban on pornography, however, would do more harm than good for several reasons. by ascribing which types of sexual behaviors are acceptable (and which are not), the government would be unjustly regulating the identity of its population. those who defended pornography criticized the radical feminists for not recognizing the way the female body can be sexual in the terms of other women and not merely as the object of men's pleasure and desire. the attempt to ban all pornography may have resulted in an attempt to establish strict norms about sexuality. for many people, sexuality is an important, personal, and exciting aspect of their lives that they would never want to be regulated by the government. while just what constitutes appropriate sexuality remains a topic of debate, many modern men and women have found ways to form sexual communities in which they can freely explore pleasure and eroticism in any way they please. e n d n o t e s i . mackinnon, 66 i i . dines, 19 i i i . dworkin, 29 iv. duggan, hunter, and vance, 131 v. douglas, 14 vi . goldstone, 10 v i i . mackinnon, 69 v i i i . dworkin, 30 ix. dworkin, 30 x. mackinnon, 67 xi . dworkin, 30 xi i . mackinnon, 62-63 x i i i . carse, 2 xiv. dines, 20 t h e p o r n o g r a p h y w a r s : e x p l o r i n g two d i s t i n c t f e m i n i s t i d e n t i t i e s xv. califia, 174 xvi. seidman, 109 xvii . califia, 12, 13,18 xvii i . califia, 19 xix. seidman, 109-111 xx. seidman, 112 xxi. seidman, 114 xxii . emerson, 81 r e f e r e n c e s califia, pat. public sex: the culture of radical sex. san francisco: cleis press: 2000. carse, alisa l. "pornography: an uncivil liberty?" hypatia 10.1 (1995): p155dines, gail. "the visual landscape and the politics of pornography production." iris 33 (1995): p 16. douglas, carol anne. "pornography: liberation or oppresion?" off our backs 13.5 (1983): p. 14. duggan, lisa, nan hunter, and carole s. vance. "false promises: feminist antipornography legislation in the u.s." women against censorship. ed.varda burstyn. toronto: douglas & mclntyre, 1985. 130-151. dworkin, andrea. "against the male flood: censorship, pornography, and equality." harvard women's law journal 8 (1985). emerson, thomas i . "pornography and the first amendment: a reply to professor mackinnon." yale policy and law review 130 (1984). goldstone, bobbie: "the politics of pornography: the pornography of politics." off our backs 1.14 (1970): p. 10 . mackinnon, catherine a. "francis biddle's sister: pornography, civil rights, and speech." feminism unmodified. cambridge: harvard university press. 1987. seidman, steven. embattled eros: sexual politics and ethics in contemporary america. new york: routledge, 1992. e l e m e n t s : : s p r i n g 0 6 t h a n k s the editors o f elements w o u l d l ike to t h a n k the f o l l o w i n g indiv idua ls for the i r generous support o f and assistance w i t h this issue o f elements: keith ake, assistant director of marketing and design for the office of marketing communications dan i el bai ros, technology consultant ben b i r n b a u m , executive director of the office of marketing communications austin eig h a n , german translator cutberto garza, provost and dean of faculties d o n a l d hafner, vice provost for undergraduate studies joyce m a n n i x , business manager for the college of arts and sciences davi d qu ig ley, interim dean for the college of arts & sciences barbara vi ech n icki , associate dean for finance and administration we w o u l d also l ike to give special thanks to the dean's office o f the college o f ar t s & sciences a n d the office o f m a r k e t i n g c o m m u n i c a t i o n s for p r o v i d i n g budgetary support that made this p u b l i c a t i o n possible. q u e s t i o n s & c o n t r i b u t i o n s i f y o u have any questions or w o u l d l ike to contr ibute a letter for our next issue, feel free to contact the j o u r n a l at e lements@bc.edu. please consider s u b m i t t i n g your o w n research to the next issue o f elements. o u r next deadline is friday, a p r i l 9, 2010. c o v e r k o n k o r d a t s u n t e r z e i c h n u n g i n r o m © bundesarchiv p e r i o d i c i t y elements is p u b l i s h e d twice an academic year i n the fa l l a n d s p r i n g semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. elements, undergraduate research journal, volume 6, issue i, spring 2010 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printing: dynagraf advanced printing solutions, 5 dan road, canton, ma 02021 copyright © 2010 by trustees of boston college e l e m e n t s s t a f f e d i t o r i n c h i e f erin e. eig han m a n a g i n g e d i t o r brian varian d e p u t y e d i t o r jaime crowley h u m a n i t i e s brian tracz, senior editor alyssa duquette, editor brendan kelly, editor dan sologuren, editor n a t u r a l s c i e n c e s a n n e kornahrens, senior editor aditya ashok, editor erin groden, editor v i n o d h mechery, editor s o c i a l s c i e n c e s chris sheridan, senior editor teja ganta, editor daniel kenny, editor greg maestri, editor allison therrien, editor andrein a yanes, editor lea yared, editor l a y o u t alyssa duquette, senior editor chris sheridan, editor brian tracz, editor w e b d e s i g n dan sologuren, senior editor v i n o d h mechery, editor f a c u l t y a d v i s o r elizabeth chadwick mailto:elements@bc.edu e d i t o r ' s n o t e "i have no greater grace than this, to hear that my children walk in truth." —john hi. 4 o n m a r c h 21, 1937, these words echoed t h r o u g h o u t nazi germany, f r o m p u l p i t to pew. mit brennender sorge ( " w i t h b u r n i n g concern") , an encyclical f r o m the office o f the h o l y see under pope pius x i , was read a loud i n g e r m a n catholic churches w i t h exhortations to the fa i thfu l to seek out t r u t h , justice, and unfettered fa i th even i n m o m e n t s o f greatest distress. w r i t t e n i n response to new policies res t r ic t ing rel igious f reedom, the encyclical challenged the seeming i n v i n c i b i l i t y o f the nazi regime. w i t h i n hours o f its first reading, the g e r m a n governmen t ordered al l copies o f the encyclical to be ceased and destroyed. compl icat ions o f dual loyalties to one's country and to one's c h u r c h sent t remors t h r o u g h o u t germany. yet the c h u r c h stood strong i n the face o f controversy. mit brennender sorge remains today a symbol o f the h u m a n struggle to confront controversy w i t h resilience. i t opened the gate—a gate forcibly locked by propaganda and ins t i tu t iona l i zed e n m i t y — t o wa lk i n t r u t h . o u r featured article examines the encyclical i n this l i ght , as a d o c u m e n t w h i c h d ip lomat ica l ly yet forcefully challenged any i n s t i t u t i o n b l o c k i n g the path to t r u t h . as y o u n g m e n and w o m e n for others, enter ing i n t o a w o r l d rife w i t h in just ice , falsehood, and ignorance, our call to act " w i t h b u r n i n g concern"—to "walk i n t r u t h " — h a s never sounded w i t h greater desperation. we, too, are called to let t r u t h resound t h r o u g h o u t our w o r l d . as students, we are pr iv i leged to have the f reedom to actively search for t r u t h i n any manner . research is no smal l task, nor a t r i v ia l ass ignment to check o f f a l ist . i t is the student's o p p o r t u n i t y to open his or her o w n smal l gate o f t r u t h . the students featured i n this issue o f elements have unlocked t ruths about a m e r i c a n diplomacy, global health, logic, and moderni ty . " i r a n and the n i x o n d o c t r i n e" suggests, contrary to convent iona l o p i n i o n , that the n i x o n doctr ine was not independent ly drafted, b u t s t e m m e d f r o m nixon's interactions w i t h m u h a m m a d reza pahlavi i n 1967. both "expanding waist l ines" and " h o r m o n e m i m i c k i n g chemicals" offer f indings imperat ive to our heal th i n response to china's chang ing attitudes towards c o n s u m p t i o n and our misconcept ions about potential ly h a r m f u l chemicals i n household products a r o u n d the w o r l d . a husser l ian analysis o f gott lob frege's conceptual n o t a t i o n — a logical analysis o f language—reveals a fatal flaw w i t h i n analytic phi losophy, as explicated i n "frege and w i t t g e n s t e i n . " two o f the articles argue the importance o f r e t u r n i n g to ancient t ru ths and ancient t radit ions b o t h aesthetically, as i n " i l l u m i n a t i n g a c u l t u r e , " and philosophical ly , as i n "the t r u t h i n t h i n g s ( a n d love i n the w o r l d ) . " we are p r o u d to celebrate the f i f th anniversary o f elements, boston college's undergraduate research j o u r n a l , w i t h a call to accept the responsibi l i ty o f researchers to seek out t r u t h and justice. i n five years, n i n e issues, and seventy-four articles the undergraduates o f boston college have cont inuous ly shattered the gates o f ignorance and the u n k n o w n . may this j o u r n a l cont inue to encourage the undergraduate c o m m u n i t i e s o f the future to wa lk i n and give voice to the ir o w n discovered t ruths . sincerely, erin e. e i c h a n editor-in-chief m u t u a l i t y a n d pleasure a discussion of the female orgasm in contemporary catholic sexual ethics c e l s o ) a v i e r p e r e z t h e o l o g i c a l r e f l e c t i o n o n c a t h o l i c s e x u a l e t h i c s h a s t r a d i t i o n a l l y p l a c e d m u c h f o c u s o n t h e m a l e e x p e r i e n c e . m a g i s t e r i a l t e a c h i n g h a s o f t e n s u g g e s t e d a l i m i t a t i o n o f l i c i t i n t e r c o u r s e t o p e n i l e v a g i n a l p e n e t r a t i o n t h a t i s o p e n t o p r o c r e a t i o n a n d w i t h i n t h e c o n t e x t o f m a r r i a g e . h o w e v e r , a c o n t e m p o r a r y u n d e r s t a n d i n g o f t h e f e m a l e o r g a s m r a i s e s q u e s t i o n s a b o u t t h e r o l e o f m u t u a l i t y a n d p l e a s u r e i n s e x u a l r e l a t i o n s h i p s . a c c o r d i n g t o t h e 1 9 9 0 kinsey institute new report on sex b e t w e e n 50 p e r c e n t a n d 75 p e r c e n t o f w o m e n w h o r e p o r t n o o r g a s m a s a r e s u l t o f p e n i l e p e n e t r a t i o n e x p e r i e n c e n o r m a l o r g a s m s a s a r e s u l t o f o t h e r f o r m s o f s t i m u l a t i o n . i n l i g h t o f t h i s s t a t i s t i c , p e n i l e v a g i n a l i n t e r c o u r s e m a y n o t b e s u f f i c i e n t f o r a g o o d s e x u a l r e l a t i o n s h i p . t h e w r i t i n g s o f c o n t e m p o r a r y m o r a l t h e o l o g i a n s o p e n u p c o n v e r s a t i o n f o r a m o r e e x p l i c i t l y j u s t f r a m e w o r k f o r s e x u a l e t h i c s . i n t r o d u c t i o n traditionally, the male orgasm and ejaculation have been the focus of much of catholic sexual ethics. first i n the judaic, and later in the christian tradition, much time and effort has been devoted to regulating the "improper emission of seed."1 in both theological traditions, sex has often been framed and defined by of the male perspective: beginning with penetration and ending with ejaculation and withdrawal. little attention has been afforded to the female orgasm, as unti l the 20th century little was noted about the female experience. however, a contemporary understanding of the female orgasm raises questions of the roles of pleasure, mutuality, and justice in a heterosexual relationship within the context of a catholic sexual ethic. r e l i g i o u s sexual ethics have f o c u s e d on r e g u l a t i n g t h e " i m p r o p e r e m i s s i o n of s e e d " t h e f e m a l e o r g a s m a thorough discussion of the implications of the female orgasm in contemporary catholic ethics must first begin with a basic physiological understanding of the female anatomy and orgasm. there are three regions in the female genital area that may be aroused to an orgasm. the clitoris, traditionally understood to be the primary area of sexual stimulation during intercourse, is composed of tissue analogous to that of the male penis, and is located above the opening of the urethra. 1 additionally, two areas of sensitive spongy tissue in the perineal area lead to similar arousal. the first, located between the anterior wall of the vagina and the urethra, is commonly known as the "g-spot." the second is found between the posterior wall of the vagina and the rectum. simulation of any of these three structures can lead to a pleasurable sensation and orgasm. l v as mary d. pellauer, points out, interpretive as well asphenomenological problems make the female orgasm elusive and hard to describe. however, certain generalizations can be made. unlike men, women do not generally undergo a refractory period after climaxing and are capable of multiple orgasms. i f they do experience such a period, it is a significantly shorter one. in 1976, sex educator shere hite reported as many as 48 percent of women required more than one orgasm to be sexually satisfied. 1 the william h . masters and virginia e. johnson research team observed as many as 50 orgasms in women directly stimulating their clitoris by means of an electronic vibrator. the existence of two different types of orgasm, clitoral and vaginal, is still debated. it is currently unclear whether these are two different states of arousal controlled by different neural pathways or a subjective experience of two different orgasms. regardless, it is clear that the male and female orgasms, while sharing some commonalities, are two distinct experiences. due to its very nature, two aspects of the female orgasm become particularly challenging to contemporary theologians and ethicists. first, while the male climaxes and ejaculates to release sperm into the vagina which in turn fertilizes the egg, the female orgasm is not a precursor to reproduction. secondly, according to the 1990 kinsey institute new report on sex, 10 percent of women do not experience any form of orgasm, a condition known as anorgasmia. concurrently, between 50 and 75 percent of women who report no orgasm as a result of penile penetration experience normal orgasms as a result of other forms of stimulation. for more than half of women, additional stimulation during intercourse is needed to lead to orgasm. as the catholic tradition has upheld the importance of both the unitive and procreative nature of the sexual act,xl the lack of fertility and need for additional stimulation during female arousal raises the questions of whether or not the female orgasm is hedonistic in nature. additionally, as in most cases, excepting those of genital dysfunctions, human males must orgasm to ejaculate and reproduce. therefore, a contemporary understanding of the female orgasm indicates a clear discrepancy between the experiences of man and woman, which beckons the question of the proper place of pleasure and mutuality in a good catholic sexual ethic. pellauer offers a couple of points of reflection, based on her personal experience, of the female orgasm. as mentioned earlier, pellauer explains there are difficulties in simply "regardless, it is clear that the male and female orgasms, while sharing some commonalities, are two distinct experiences." defining i t . x u the orgasm is something that does not come naturally to women as it does to men; rather the art of the female orgasm is something that must be learned. x m the sheer complexity of the experience, and the tendency to compare it to its male counterpart, leads to confusion among women as to what constitutes an orgasm. however, pellauer indicates, "while orgasm is not a sufficient condition for good sex, it may be among the necessary ones."x l v among the six characteristics that pellauer delineates as an elemental part of her experience, four are especially significant for catholic ethicists: the varieties of sensation, ecstasy, vulnerability, and power. "varieties of sensation" refers to the richness of the experience that pellauer recognizes as more than pleasure alone. she entertains the notion that perhaps there is more to an orgasm than simply a burst of pleasure which leads to a state of self-described "ecstasy." in her words, "standing outside the self is the closest word for this state [...] it is the most definite incarnation i know outside of childbirth, for i n it i am most completely bound to the situation of my body." pellauer describes how the experience is both transcendent and imminent, divine and human. pellauer also explains the vulnerability and power relationships inherent in an orgasm with her husband. i f an orgasm exposes women to such vulnerability, care should be taken that this not be an act of exploitation. however, i f it is indeed such as essential part of the relational and spiritual experience, additional caution should be taken when considering denying women the experience on account of its potential dangers. finally, pellauer engages the framing of the question of the female orgasm. as sexual ethics has historically been a conversation dominated by men, pellauer questions whether, "orgasm is a male-dominated standard for evaluating sex," x v u or whether it is in fact a legitimate understanding of the female experience. her own experience points toward the latter, but nonetheless pellauer opens the question for discussion. lisa sowle cahill, a professor at boston college, corroborates pellauer's claim that sex is both relational and physica l .™ 1 1 sex is a powerful experience which, when used inappropriately, may cause great harm. moreover, cahill's reminder that morality is established to protect the life of the community and improve the community's (and the individual's) relationship to god stresses the importance of justice in the sexual relationship, and the imperative that no one party be taken advantage of. l x x due to importance and difficulty of the task at hand, cahill establishes "four complementary reference points for christian ethics": scripture, tradition, the normative human experience, and the descriptive human experience. given the limits of scripture and of an understanding of tradition as a living part of the catholic community encompassing everything from established dogma to general consensus among the m u t u a l i t y and p l e a s u r e faithful, cahill calls for a critical understanding of personal experience and the "experience of god in community as the beginning point of reconciliation of body and spirit, self and others, and humanity and god." x x l james keenan, si, provides further insight into cahill's suggestion of an "ideal humanity" as a source for christian ethics. keenan writes: rather than first examining actions and asking whether we should perform them or not, virtue ethicists suggest that we ought to set ends for the type of people we believe we should become.xxiii according to this teleological approach, an individual becomes more virtuous as she exercises virtue for she constantly recognizes her limitations and grows in the virtues. virtue becomes both a means and an end. thus, the normative understanding of what woman should be becomes a legitimate source of moral insight. finally, margaret farley, professor at yale divinity school, provides two additional resources with which to construct a christian sexual ethic. although wary of moral relativism, farley introduces cross-cultural studies as a legitimate means of discerning which norms and morals are "essentially human" and which are less important societal constructs. farley also considers the secular disciplines a .. both men and women are equally entitled to orgasm. otherwise, a situation of power disparity that lends itself to abuse and injustice ensues." source for good christian sexual ethics as well. although not all of these sources wi l l be relevant to understanding the role of pleasure and mutuality, "success in judiciously [balancing these sources] is a standard by which we can measure the adequacy of various positions i n the tradition, including our o w n . " ™ 1 1 having discussed the basic physiological understanding of the female orgasm, pellauer's experiential narrative of the phenomena, and cahill's framework for christian ethics, we move on to consider insights provided by contemporary catholic theologians and the suggestions these provide on how to integrate the female orgasm into a good catholic sexual ethic. c o n t e m p o r a r y c a t h o l i c sexual e t h i c s james keenan draws on traditional catholic understanding of virtue to synthesize his own approach to good sexual ethics. in his "virtue ethics," keenan explores contemporary catholic sexual ethics by means of several modifications to the four cardinal virtues as proposed by thomas aquinas: prudence, justice, temperance, and fortitude. due to the limits of justice, the heuristic nature of aquinas' virtues, and the nature of the human as a relational being, keenan instead proposes justice, fidelity, and self-care. x x v i i i al l three virtues are to be tempered by prudence. with the aid of justice, fidelity, and care, mercy allows individuals to understand chaos at a personal, interpersonal, and societal level . 5 ™ although keenan does not specifically address the question of pleasure, he considers "sexual relationships as goods to be pursued but precisely within a virtuous environment."™ according to keenan, justice "is particularly relevant i n promoting more egalitarian understandings i n heterosexual relationships where, as elsewhere, women still do not enjoy the status of equality." d the female orgasm seems to illustrate such a situation. even though pellauer questions the normativity of orgasm i n the sexual act, a sexual ethic which systematically allows the male to climax, while e l e m e n t s f a l l 07 only allowing a female pleasure insofar as it conforms to the male experience and initiative, at the very least requires additional inquiry on grounds of justice as defined by keenan. regardless of the moral value assigned to sexual pleasure, it creates a situation of disparity that must be explored. i f sexual pleasure is construed as a moral aberration, an undue burden is placed on the man during the sexual act; both partners are thus faced with the responsibility of feeling as little pleasure as possible, or at least not engaging in sexual intercourse simply for the pleasure of the act. on the other hand, i f sexual pleasure is considered a moral good, as theologians christine e. gudorf x l i and kevin t. kel ly™ 1 1 1 suggest, there is an additional responsibility for partners to satisfy each other during the sexual act, even by forms of stimulation other than vaginal penetration, which may or may not lead to a procreative end. it seems that for a just and egalitarian sexual relationship to be upheld, both men and women are equally entitled to orgasm. otherwise, a situation of power disparity that lends itself to abuse and injustice ensues. in light of pellauer's experience of the female orgasm, it seems mutual orgasms share many of the same ends as the virtue of fidelity keenan describes. according to keenan, f idelity in a sexual relationship deepens the bond between two people through intimacy. x x x i v sex serves as a means of communication that helps the relationship between partners grow. however, it seems that i f only one person is experiencing ecstasy, both parties are not completely open to one another, and the growth in the relationship is uneven. pellauer describes the experience of increased vulnerability as a result of moments of ecstasy shared with her husband. for pellauer, being excited to the point of orgasm by her significant other led her to loving h im in ways she had not perceived before. the fact that he persisted in arousing her, even though she was not easily stimulated, refusing his own release until she climaxed as well in a mutual experience, touched her as an intimate act of selflessness. she was deeply moved as she did not expect h im to put her own pleasure before his own. pellauer writes, " i experience [orgasm] as grace, an instance of his vulnerabilityto-me reaching out to meet my vulnerability-to-him." 3 0 0" 1 this mutual openness to the other would not be possible without the female orgasm. furthermore, keenan argues that the sexual relationship is a symbol of the love from which life is engendered. x x x v n if, as gudorf and kelly suggest, sexual pleasure is good, and, as pellaeur reports, mutual orgasms lead to intimacy and means of relationships that cannot be expressed otherwise, then depriving a woman of orgasm during the sexual act wi l l infringe on the "place where faithful love and procreativity concretely flourishes." although the female orgasm itself is not procreative, it is life-giving, and strengthens "the bond into which a child is born . ' , x x x l x finally, self-care suggests an additional argument for the necessity of female orgasm. keenan writes: t h e s h a r e d e x p e r i e n c e of ecstasy can promote a posit ive and reciprocal g r o w t h in relati n os hi ps. m u t u a l i t y and p l e a s u r e self-care might also lead us to acknowledge that we have long been inhibited and fearful of intimacy, touch, or sexual expression. prudential self-care informed by mercy leads some people to delay as precipitous sexual intimacy, but for others it gently prods them to seek sexual love that has, for long, been an object of fear and dread.xl consequently, a mature understanding of self-care leads an individual to a responsible moderation of his own needs as a person. guided by a search for virtue, the individual is empowered to make his own decisions and to actively engage himself or herself in a process of self-discovery. as keenan explains, virtue ethics provide a forum in which to discuss normative ideals for the human being seeking a serious commitment to catholicism. 1 virtue ethics present a shift in the focus of the tradition's understanding of sexual ethics from one of means and acts to one of ends and the development of virtue. that is, whereas the tradition has at times held that sexual acts are illicit on account of the sinfulness inherent in the act, keenan emphasizes on the ends of these acts, and makes the means of secondary importance. a discussion of ends serves as a framework to develop conversations on the morality of specific individual means. thus, contemporary experience can be incorporated into the decision-making process. ultimately, the individual woman must prudently balance justice, fidelity, and self-care to make her decision. christine gudorf provides a more explicit description of the need for pleasure in a good sexual ethic. like cahill and farley,'1111 gudorf discards the dualism of the soul/body dichotomy as she understands it as contrary to the incarnation, "the complete unity of human and divine natures in the fully embodied." 11 human beings are not bodies and souls; rather, they are the complex unity of the two. gudorf too engages the catholic tradition, questioning how a tradition so concerned with the embodiment has traditionally disparaged embodied expressions of love. however, ultimately, she appeals predominantly to experience in her understanding of a good sexual ethic. "experience is always open to fallible interpretation, but the the ecstasy of st. teresa by bernini bottom line is that experience is, and always has been, the most reliable source for discerning god's wi l l . " gudorf explains she is "dissatisfied with the disproportionate weight given to the traditional christian religious sources," tradition and scripture. '''•11 consequently, she is more critical of scripture, explaining that internal contradictions in text force men and women to choose between one passage and another. similarly, she rejects tradition's position on sexual ethics. according to her, the tradition's contemporary understanding of sexual ethics is largely based on the erroneous assumption that this tradition is deduced from the communal reflections of the entire catholic community, as opposed to the reflections of a select few e l e m e n t s f a l l 07 catholics. x l l x traditional catholic sexual ethics also focus on specific acts, particularly those that deviate from the norm, rather than provide guidance and reflection on sexual virtue. thus, she echoes keenan's call for a sexual ethic based on the ends not the means. because gudorf seperates herself from the tradition, she can endorse a much more positive appraisal of sexuality, and more specifically, pleasure. yet gudorf does draw on some aspects of the tradition to make her point. because the creation i n genesis is good, and sexuality is part of creation, gudorf understands that sexuality and sexual relationship are a good as well. consequently, they are legitimate ways for human beings to relate to one another, ways that lead to a deepening of relational bonds that cannot be accomplished by other forms of interaction—a conclusion, in fact, very similar to the benefits keenan perceives from fidelity. however, gudorf explains that not only is the sexual relationship good, but sexual pleasure is good as well. • she appeals to natural law to argue that because the clitoris has been placed on the female body serving no other purpose than to pleasure the woman, it must be the divine wi l l that women enjoy sex.h 11 additionally, gudorf supports her claim with scientific studies of the dangerous effects of repression of the body's physical messages, especially in cases of illness. ! i v because (sexual) pleasure feels good and it is itself a good, she establishes it is a premoral good. her argument appears to border on hedonism, but she argues that while hedonism is part of man's nature, a mature christian wil l "discipline [her] pursuit of pleasure, and... induce a maximal number of others with [her] in that pursuit."^1 i n effect she advocates a form of mature hedonism she calls "moral utilitarianism." 1 1 even celibacy, gudorf argues, is a form of giving up a physical pleasure to achieve greater emotional and spiritual pleasures. l v m openness to the female orgasm is instrumental to gudorf's understanding of a good sexual ethic. not only does it help justify the innate goodness of pleasure, but it also functions as "an experience of divine reality."as gudorf reports, an orgasm is for many the closest experience they have to the divine. ! x her experience coincides with pellauer's personal understanding that she is most embodied and incarnate during moments of orgasm. and more than just the isolated incident of pleasure, an orgasm can permeate different aspects of a person's life and can change how he or she relates to the world. moreover, mutuality is an essential part of the sexual act which gudorf compares to the inclusiveness of jesus and the kingdom of heaven.1x1 the lack of mutuality i n sexual pleasure can lead to serious consequences. such is the case when a sexual relationship is only open to the male orgasm at the expense of the female orgasm. i f sexual pleasure is not mutual, the man objectifies the woman, falsifying her true identity. this exclusion is tantamount to excluding her from participation in god's reign. • 111 additionally, men who exclude women from sexual pleasure have a limited experience of sex as their relationship lacks reciprocity and vulnerability, leading the man to become an abuser.1 " finally, the nature of the relationship between the two partners is altered as well. not only is the bond between the two limited to a purely material one, but pleasure becomes dependent on a controlling/controlled dynamic which is harmful for both parties involved. l x v even i f the relationship does not constitute rape, the lack of mutuality equates pleasure with dominance distorting the nature of sexual pleasure. 1™ a just love is the cornerstone for margaret farley's framework for sexual ethics. a love is just, explains farley, when it does not falsify the reality of person loving, the person being loved, or the nature of the relationship. i x a 11 farley's paradigm for just love presents an interesting challenge to lovers, as both individuals and relationships are dynamic i n nature consequently making it difficult to define and maintain the integrity of all three. farley does not intend love to be postponed until individuals have achieved perfect understanding of the self and the other. insteaed she writes: we can love someone beyond what we can know of h im or her. this is true even of our love for god. for the union that is possible i n love can exceed our knowledge of the beloved, although its direction and form remain subject to the knowledge we have. m u t u a l i t y and p l e a s u r e this is the unconditional love all christians are called to: a commitment to loving the other within the concrete reality of the relationship, even when knowledge of this reality is incomplete)™1 in applying her framework of just love to a good sexual ethic, farley devises seven norms, which are not absolute, but rather minimal requirements for a good sexual ethic. farley stresses the importance of understanding that there are degrees in adhering to these norms, that is, a "minimal" and "maximal" justice. i x i x just as the norms have minim u m requirements, lack of prudence may also lead individuals to shy away from engaging in sexual relationships when it may be proper to do so, as described earlier by keenan. several of these seven norms are particularly relevant in understanding the role of the female orgasm. first is mutuality. farley agrees with gudorf in that "interpretations of heterosexual sex are steeped in images of the male as active and the female as passive. " i x x she understands that to undermine this traditional framework, both partners must perceive themselves as both active and receiving during the sexual act, consequently leading to mutual sexual gratification. mutuality leads the relationship to a foundation not only in pleasure, but also in the "mutuality of desire and embodied union." likewise an equality of power also complements and adds to mutuality. as previously noted, the orgasm of the man without openness to the orgasm of the woman leads to a disparity in vulnerability and objectification. l x x 1 1 although farley admits perfect equality may never be possible (hence the need for degrees), a balance in power, vulnerability, and consequently pleasure are requirements for justice in sex. finally, farley introduces the concept of "fruitfulness". as traditionally, "procreative" has been understood to mean open to reproduction, farley proposes that "beyond the kind of fruitfulness that brings forth biological children, there is a kind of fruitfulness that is a measure, perhaps, of all interpersonal l i f e . " l x x m it follows then that a sexual relationship is not only life giving when i t leads to an act of conception, but when the fruits of this relationship "[nourish] other relationships; [provide] goods, services, and beauty for others; [inform] the fruitful work lives of the partners in the relation; [help] to raise other people's children; and on and on . " l x x i v consequently, while the female orgasm may not be a precursor to reproduction, it seems that it is in fact a precursor to fruitfulness. c o n c l u s i o n james keenan, christine gudorf, and margaret farley draw on different sources to construct their respective catholic sexual ethics, but they ultimately allow for very similar conclusions about the importance of mutuality and the openness to the female orgasm in a heterosexual relationship. while gudorf is by far the most explicit in linking pleasure and mutuality, her lack of deference for the tradition raises the question of how "christian" her sexual ethics are. i f her framework for sexual ethics is to be examined in light of cahill's proposal for "complementary reference points", it seems that gudorf's approach is disproportionately experiential. however, keenan's stress on the teleological approach and farley's understanding of just love grant their respective frameworks the flexibility to uphold the tradition while incorporating contemporary experience in the normative understanding of the female orgasm. e n d n o t e s i . farley 1994 (56) i i . tuana (8) i i i . tuana (6) iv. tuana (8) v. pellauer (153) vi . hite (602-603) v i i . masters and johnson v i i i . tuana (20) ix. pellauer (155) x. reinisch and beasley (203) as quoted in pellauer; see above. xi . pope paul v i ( i i xii) x i i . pellauer (150) x i i i . pellauer (151) xiv. pellauer (149) xv. pellauer (156) xvi. pellauer (157) xvii . pellauer (152) xvii i . cahill (21) xix. cahill (24) xx. cahill (22) xxi. cahill (26) e l e m e n t s : : fall 07 xxii . cahill (22) xxii i . keenan (184) xxiv. keenan (186) xxv. farley 2006 (5) xxvi. farley 2006 (188) xxvii. cahill (22) xxviii. keenan (190) xxix. keenan (192) xxx. keenan (196) xxxi. keenan (194) xxxii. gudorf (81) xxxiii. kelly (153) xxxiv. keenan (195) xxxv. pellauer (157) xxxvi. pellauer (157) xxxvii. keenan (195) xxxviii. keenan (195) xxxix. keenan (195) xl . keenan (196) xl i . keenan (197) xl i i . cahill (21) x l i i i . farley 2006 (118) xliv. gudorf (11) xlv. gudorf (11) xlvi. gudorf (12) xlvii . gudorf (6) xlvi i i . gudorf (13); see gal 3:28 and col 3:18; t i m 2:15 and luke 11:27-28. xlix. gudorf (25) 1. gudorf (15) l i . gudorf (23) hi. gudorf (89) l i i i . gudorf (65) liv. gudorf (88) lv. gudorf (90) lv i . gudorf (95) lv i i . gudorf (97) lv i i i . gudorf (99) lix. gudorf (109) lx. gudorf (119) ixi. gudorf (116) lx i i . gudorf (119) lx i i i . gudorf (119) lxiv. gudorf (120) lxv. gudorf (121) llxvi. gudorf (123) lxvii . farley 2006 (202) lxvii i . farley 2006 (203) lxix. farley 2006 (215) lxx. farley 2006 (221) lxxi. farley 2006 (222) lx i i . farley 2006 (223) lx i i i . farley 2006 (227) lxiv. farley 2006 (228) references augustine of hippo, 1982. the literal meaning of genesis, trans. john hammond taylor. new york: newman press. cahill, lisa sowell. 1994. "sexuality and christian ethics: how to proceed," sexuality and the sacred, eds. james b. nelson and sandra p. longfellow. kentucky: westminster john know press. farley, margaret. 2006. just love: a framework for christian sexual ethics. new york: the continuum international publishing group inc. farley, margaret. 1994. "sexual ethics," sexuality and the sacred, eds. james b. nelson and sandra p. longfellow, kentucky: westminster john know press. furlow, bryant f. and randy thornhi l l . 2006. "the orgasm wars (adaptive function of the female orgasm)", 29.n1. (janfeb 1996): 42(5). expanded academic asap. thomson gale, boston college, 13 dec. gudorf, christine e. 1994. body, sex and pleasure. cleveland, ohio: pilgrim press. keenan,. james. 2005. "virtue ethics and sexual ethics," louvain studies. 30(3), pp. 183-203. kelly, kevin t. 1998. new directions in sexual ethics. washington: geoffrey chapman. pellauer, mary d. 1994. "the moral significance o f female orgasm: toward sexual ethics that celebrates women's sexuality," sexuality and the sacred, eds. james b. nelson and sandra p. longfellow. kentucky: westminster john know press. reinisch, june m . and r. beasley. 1990. the kinsey institute new report on sex: what you must know to be sexually literate. new york: st. martin's press, p. 203. salzman, todd a. and michael g. lawler. 2006. "catholic sexual ethics: complementarity and the truly human." theological studies. 67^3) . tuana, nancy. 2006. "coming to understand: orgasm and the epistemology of ignorance (critical essay)," hypatia 19.1 (winter 2004): 194(39), expanded academic asap, thomson gale, boston college, 12 dec. zuk, marlene. 2006. "the case of the female orgasm," perspectives in biology and medicine 49.2 (spring 2006): 294(5). expanded academic asap. thomson gale. boston college. 14 dec. m u t u a l i t y and p l e a s u r e http://29.n1 .. while public awareness of the gay, lesbian, and bisexual civil rights movement is growing, the average person knows very little about the psychological condition of gender identity disorder and the process of sex reassignment." t r a n s a c t i o n fees public insurance, medical necessity, and sex reassignment surgery c a i t l i n p e t e r s o n d u e t o a g e n e r a l l a c k o f u n d e r s t a n d i n g r e g a r d i n g t r a n s g e n d e r p e r s o n s , t h i s g r o u p o f i n d i v i d u a l s i s p u t a t p a r t i c u l a r r i s k o f d i s c r i m i n a t i o n i n t h e a r e a o f l a w a n d m e d i c i n e . t h e q u e s t i o n o f p u b l i c i n s u r a n c e c o v e r a g e f o r m e d i c a l t r e a t m e n t o f g e n d e r i d e n t i t y d i s o r d e r is o n e o f t h e m o s t p r e s s i n g i s s u e s i n t h i s f i e l d . t h i s p a p e r w i l l p r o v i d e a n o v e r v i e w o f t r a n s g e n d e r i s m a n d t r e a t m e n t s o f g e n d e r i d e n t i t y d i s o r d e r i n o r d e r t o a s s e s s t h e m e d i c a l n e c e s s i t y o f s e x r e a s s i g n m e n t s u r g e r y a n d o t h e r p r o c e d u r e s p r o v i d e d t o t r a n s g e n d e r p e r s o n s . w h i l e m e d i c a i d g u i d e l i n e s d o a l l o w f o r t h e d e n i a l o f m e d i c a l l y n e c e s s a r y s e r v i c e s , t h e s e d e n i e d s e r v i c e s m u s t f i t c e r t a i n c r i t e r i a . s p e c i f i c c a s e s in w h i c h s t a t e i n s u r a n c e c o v e r a g e w a s p e r m i t t e d o r d e n i e d t o t r a n s g e n d e r m e d i c a i d p a t i e n t s w i l l b e e x a m i n e d i n o r d e r t o a s s e s s t h e o v e r a l l e t h i c a l i t y o f m e d i c a i d p o l i c y t o w a r d s t r a n s g e n d e r p e r s o n s . d i s c r i m i n a t i o n a n d t h e t r a n s g e n d e r c o m m u n i t y transgender persons are part of a fast-emerging but historically understudied group. lack of understanding regarding the transgender community is reflected in local, state, and federal laws, under which transgender persons have limited rights. many anti-discrimination laws that have already been extended to include sexual orientation continue to ignore gender identity and expression.1 similarly, while public awareness of the gay, lesbian, and bisexual civil rights movement is growing, the average person knows very little about the psychological condition of gender identity disorder and the process of sex reassignment. the combination of neglect and ignorance surrounding transgender issues, when viewed from the perspectives of medicine and law, presents the possibility of abuse and discrimination of transgender patients' rights to receive insurance coverage for medical treatment surrounding their condition. the medical procedures involved in changing one's gender, especially sex reassignment surgery, are particularly unfamiliar because the topic is often regarded as taboo. private insurance companies do not provide coverage for such procedures because they consider them to be elective.11 this paper wi l l not address the issue of private insurance companies' policies because these procedures are nearly always categorically excluded in private contracts. 1 1 1 however, examining the funding policies of governmentrun programs such as medicare and medicaid can provide a unique perspective on the ethicality of current regulations regarding insurance coverage. the objective of this study is to shed light on the process of transitioning frequently undergone by transgender persons in order to determine the appropriateness of current state-run insurance policies toward procedures associated with changing one's gender and sexual identity. this paper wi l l first give an overview of the medical aspects of being transgender and the surgical procedures that often accompany gender transitions i n an attempt to assess the medical necessity of sex reassignment surgery (srs) and other medical treatments associated with gender identity disorder. it wi l l subsequently analyze the status of medicaid policy as it pertains to srs and related services as well as the denial of medically necessary services to patients under medicaid. the cases i n which state insurance coverage has been permitted or denied wi l l then be reexamined in light of these findings, and the overall ethicality of these cases and their related policies wi l l be assessed. t h e a m b i g u i t i e s of g e n d e r i d e n t i t y d i s o r d e r ! a n o v e r v i e w fluid and socially-charged terms such as those surrounding sex and gender are particularly difficult to define. some of the confusion surrounding transgender identity and the proper treatment of transgender persons can be attributed to the ambiguity regarding gender identity terminology. this section wi l l attempt to illuminate some of the problems and definitions of sex and gender as they relate to transsexuality. g e n d e r i d e n t i t y d i s o r d e r a n d t r a n s s e x u a l i t y transgender and transsexual are terms used to describe some people with the psychological condition known as gender identity disorder (gid). the psychological diagnosis of gid is often accompanied by physical ramifications, but not all persons with gid feel the need to surgically alter their bodies to physically match the bodies of their target sex.lv as such, this paper wi l l use the term "transgender" as an umbrella term encompassing all those persons who were assigned a gender at birth that differs from their internal gender identity (target gender). the term "transsexual" wi l l only be used i n reference to those persons undergoing srs. the diagnostic and statistical manual of mental disorders (dsm-iv), generally regarded as the bible of psychological diagnosis, describes individuals with gid as those who have "a strong and persistent identification with the opposite gender. there is a sense of discomfort in their own e l e m e n t s f a l l 08 gender and may feel they were 'born the wrong sex."'v i n addition, gid is a particularly sensitive diagnosis because it is often, though not always, diagnosed in conjunction with depression and suicidal thoughts.v ) the lingering effects of these other afflictions could distort assessments of the efficacy of srs, an issue that needs to be taken into account when the medical necessity of srs is assessed. p r e v a l e n c e o f t r a n s c e n d e r p e r s o n s estimates regarding the prevalence of transgender persons range from i in 11,900 to 1 i n 37,000 for assigned males and 1 i n 30,400 to 1 in 107,000 for assigned females. v i i it must be noted, however, that many self-identified transgender individuals are not professionally diagnosed, do not undergo surgery, or deal with their transgender identity in alternative ways (such as cross-dressing), which makes accurate statistics assessing the pervasiveness of transgender persons difficult to acquired" t r a n s s e x u a l i t y i n t h e c o u r t s the term transsexual, as defined by the dsm-iv diagnosis of gid, can describe individuals at any stage i n the transition process (before, during, or after hormones and surgical procedures). i n spite of this, where the law is concerned the exact operative state of a transgender individual is often a necessary detail. some court cases have allowed the use of the "he" pronoun to describe a pre-operative or mid-operative female-to-male transsexual, or the "she" pronoun for a transitioning male-to-female transsexual.1* when the sex of the individual is an integral part of the issue at hand in the trial, however, courts generally do not recognize the gender transition as having taken place unti l the genitals of the person have been altered, or, i n other words, unti l the individual has undergone srs.x persons who do not desire srs cannot, despite their gender identity and outward gender expression, be considered a member of that gender. massachusetts general law, for example, holds that birth certificates can be amended to reflect new gender identity, but only providing the person has completed sex reassignment surgery.xi even if, in all other respects, the person appears to be the opposite gender, most courts follow "the ... dsm-iv... describes individuals with gid as those who have ... . 'a sense of discomfort in their own gender and may feel they were "born the wrong sex.'"" massachusetts and still regard the individual as officially his or her originally assigned sex unti l srs is complete. x i i this can create problems for individuals who, for instance, wish to claim discrimination based on sex but have not completed male-to-female srs, and thus cannot qualify as female in the courts. this problem creates a legal necessity for srs x m that wi l l be returned to further on in the assessment of medicaid funding for srs. a n o v e r v i e w of srs p r o c e d u r e s the harry benjamin international gender dysphoria association's standards of care for gender identity disorders (hereafter known as standards of care or soc) provides an in-depth outline, for both patients and therapists, of the suggested approach for treating patients with gid. a brief overview of the methods and procedures wi l l be outlined here in order to demonstrate the extensive process involved in undergoing a sex change. by showing the vast array of criteria one must fulfill before obtaining srs, this section wi l l challenge the claim that srs and related medical procedures are often performed whimsically. x l v the process is broken into three distinct phases, although soc acknowledges that fulfillment of all three stages is not appropriate for all patients, and some wi l l be satisfied with completion of one or two phases, rendering complete srs unnecessary.xv t r a n s a c t i o n f e e s t h e f i r s t p h a s e ! p s y c h o t h e r a p y while soc acknowledges that psychotherapy is not necessary in all cases, it is certainly highly recommended for patients who wish to undergo srs in order to provide options and assess eligibility and readiness for the life adjustments involved in sex change. psychotherapy also addresses the effects of gid on the patients' work, education, and family life.3™ there is no required number of sessions of psychotherapy because patients vary greatly in emotional state and psychological history, and soc wishes to avoid patients seeing psychotherapy as simply a hurdle on their way towards their ultimate goal of srs.x v i i a woman in a psychoth eraphy sess ion, often t h e first step toward srs. during psychotherapy the therapist encourages the patient to experiment with brief forays into the world of the opposite sex through cross-dressing as well as basic cosmetic alterations such as the removal of facial hair for men or breast-binding for women." ' 1 1 in order to proceed to the second stage of hormone treatment, a patient must meet several criteria. "without first meeting these recommended eligibility requirements," soc explains, "the patient and the therapist should not request hormones or surgery." x i x these criteria should be indicated in a documentation letter written by the mental health professional. they include evidence that the patient is fully aware and has been counseled on the effects of hormones, and that he or she is over eighteen years of age and has either lived for three months as the opposite gender or has undergone a sufficient amount of psychotherapy (also usually three months). x x in addition, the patient must demonstrate that he or she is ready to continue the process in a responsible manner by showing he or she has made progress overcoming other identified problems such as alcoholism or suicidal tendencies.™ t h e s e c o n d p h a s e : h o r m o n e t r e a t m e n t once the patient's eligibility and readiness is assessed, he or she qualifies for hormone treatment. biological males are treated with estrogen in order to allow breast growth, increase body fat and curviness, decrease body hair, and shrink the testicles. biological females treated with testosterone experience a decrease in breast mass, increased body weight and upper body strength, increase in facial and body hair, and enlarging of the clitoris. x x " in essence, the patient undergoes a "psychologically unbalancing" or "second puberty." x x l" for biological females, a mastectomy can be performed during this stage along with the hormone treatments.™7 it is usually necessary for hormone treatment to continue for two years before its full effects are realized, and patients generally must continue treatment throughout their lives to maintain the desired effects. x x v at least one year of this two-year period is also required for the individual, i f he or she desires, to pass to the subsequent and final stage of gender reassignment. more assessment and psychotherapy is necessary, sultan explains, because the treating physician must be certain that the gender dysphasia is real and that "[t]he disorder is not a symptom of another mental disorder"; that is, that the person genuinely has deep-seated, irreversible issues with his gender and that the feelings of dysphasia are not manifestations of paranoia, schizophrenia, or other afflictions. x x v i e l e m e n t s f a l l 0 8 t h e t h i r d p h a s e ! s e x r e a s s i g n m e n t s u r g e r y requirements for passage into this most drastic phase of sex reassignment are stringent. the soc requires that the patient live as a member of their target gender and undergo hormone therapy for at least twelve continuous months prior to undergoing srs. in addition, he or she must be completely aware of the financial burdens, hospitalizations, and possible risks and side effects associated with srs and must obtain a competent sex reassignment surgeon . -™ 'when all of these requirements are demonstrable, a mental health professional must perform a comprehensive evaluation of h i m or her and then write a letter describing the patient's condition and mental status as ready for surgery. this letter is required before a surgeon can proceed with srs, meaning that srs is not simply an elective procedure.™ 1 1 1 patients also must be completely aware of all the particulars regarding the surgical process itself. in female-to-male patients, srs involves a phalloplasty in which a phallus is created from the patient's forearm tissues x x i x testes are created and attached, and the woman becoming a man generally has a hysterectomy and salpingo-oophorectomy to remove reproductive organs.' v other procedures include a vaginectomy, metoidioplasty (creating a micro penis from the enlarged clitoris by severing connecting tissue 5 0™), scrotoplasty, and urethroplasty in order to create a urethra and scrotum. in male-to-female patients, srs involves an orchiectomy (removal of the testicles), penectomy, vaginoplasty, clitoroplasty, and labiaplasty.v x " in essence, "this surgery involves removal of most of the penis and the entire testes, with the remaining penis turned 'inside-out' and then grafted to the newly constructed vaginal opening. " x x x i u labia and a clitoris are then created with excess tissue. for both transformations, several procedures are often necessary in order to obtain full sexual function and coital ability, and occasionally full function is not achieved. x x x i v after srs, follow-up therapy is often necessary and always one of t h e several surgical procedures srs patients must undergo . recommended to assess possible long-term medical conditions resulting from srs and hormone treatment. x x x v as demonstrated by this section, the claim that srs is performed whimsically and treated as an elective or cosmetic surgery is not supported by evidence, which shows the highly complicated and time-consuming process that transsexual individuals must go through in order to alter their biological sex. the subsequent section wil l present a brief history and outline of the rules of government-funded medical insurance programs, in an attempt to explain why coverage is so frequently, and often categorically, denied to transgender patients. t h e r u l e s o f g o v e r n m e n t f u n d e d h e a l t h c o v e r a g e medicare and medicaid were both part of programs conceived in the 1960s and passed in 1965 as part of the social security act . " x x s ! medicare provides health insurance coverage for retired persons, therefore its role in this paper is minimal. as it is highly unlikely for a person over 65 to begin srs, conflicts with funding and medicare are extremely rare . x x x v i i medicaid, on the other hand, provides coverage for the indigent. before one can adequately address the true issue of funding for srs under public insurance programs, the history and rules regarding the programs themselves must be understood. t r a n s a c t i o n f e e s m e d i c a i d a n d t h e l o o p h o l e o f j o i n t f e d ­ e r a l a n d s t a t e c o n t r o l medicaid, besides having a target user group in a lower age bracket, is a cooperative federal and state program. both the state and the federal government help to fund medicaid. the federal government provides the basic regulations and goals of the program, but leaves it to the states to decide exactly which procedures are covered. x x x v m medicaid was created by title xix of the social security act of 1965.v : v because it allows the states to create their own programs based off of loose federal regulations, any lawsuits brought against the states must be based on these federal regulations.'' the preamble of title xix designates the intended recipients of medicaid to be those who cannot afford "medically necessary" services, the first of a plethora of vague terms used to describe the functions of medicaid, including requirement that standards be "reasonable," "consistent with the objectives" of title xix and the services covered must "reasonably achieve the purpose" of the services/ states must create a program that is in the best interest of medicaid recipients, and one that has a method of reviewing claims to ensure that appropriate claims are funded. one slightly less ambiguous aspect of the statute is the prohibition of discrimination or preclusion of funding based solely on the type of illness/'" overall, however, the statutes surrounding medicaid are sufficiently vague to provide a vast array of interpretations of the requirements and role of the states in determining funding for procedures. i n c r e a s e d r e s t r i c t i o n s o n s e r v i c e s at the advent of private insurance, medicare, and medicaid, insurers relied almost entirely on doctors to determine the necessity of services. eventually, however, private insurers, and in turn medicare and medicaid, realized that they were being charged for procedures that were entirely cosmetic or unnecessary. private insurers inserted phrases restricting procedures to those considered "medically necessary," but when they continued to lose cases well into the 1970s, they began wording their contracts more strictly. medicaid also inserted statutes forbidding "experimental" and "cosmetic" treatment at this t i m e . x l i n hall explains that the "experimental treatment" in health insurance policies today responds to a growing concern "that most current medical procedures were adopted without ever having been tested rigorously and that at least some of the procedures commonly used today have limited or no medical value." x l l v likewise, the "cosmetic" exclusion came about as people began to look to medicine for weight loss and plastic surgery."1'' these are two of three chief explanations, medical necessity being the third, that have been used in courts to explain medicaid's (as well as private insurers') reasons for not funding srs. d e n i a l o f m e d i c a l l y n e c e s s a r y p r o c e ­ d u r e s a n d t h e c o s t f a c t o r it is important to consider one other aspect of title xix before attempting to apply it to srs. as finley points out, congress never defines the term "necessary medical services." x l v i he argues for further investigation into the true meaning of the medicaid statutes and how they are applicable in an ever-changing, ever more expensive medical world. title xix, finley argues, is very interested in cost-control and management of resources, and many of the statutes reference this goal . x l v n unfortunately, state investment in keeping costs down comes directly into conflict with providing all "necessary medical services" as indicated in section 1396. " i f a state is required to fund all medically necessary services", finley writes, "other viable objectives—especially those of cost control and state discretion to meet fiscal concerns—will be undercut. therefore, it is unlikely that congress intended that a requirement be inferred from section 1396, since such a construction would be detrimental to other statutory concerns." x l v i n in other words, finley shows that title xix does not mandate funding of all medically necessary services, but rather it requires that any limitations on medically necessary services be reasonable. ! this means that while medical necessity e l e m e n t s f a l l 0 8 should be the goal of funding, the federal government recognizes that there are other factors in determining the "reasonableness" of claims, such as cost. this l imiting objective is indicated in the evolution of medicaid and the additions congress made to title xix after its inception. it shows that, despite congress' ambitious intentions regarding the program, the last few decades have brought about expensive advancements in the realm of healthcare, and new medicaid restrictions must reflect the changing times. whether or not srs is cons idered a 'necessary medical procedure ' is an o n g o i n g q u e s t i o n . s r s ! d o t h e r e s t r i c t i o n s a p p l y ? while male-to-female transitions are significantly less expensive than female-to-male transitions, (with the former costing between $18,000 and $35,000 and the latter costing over $50,000) the financial burden associated with srs is astronomical regardless of the original biological sex of the individual. it is here, in light of the limits agreed upon in the previous section, that the question of insurance coverage for such procedures wil l be analyzed. while the subject of private insurance coverage for srs and related procedures is outside the scope of this paper, determinations regarding coverage of such treatments are relevant to both public and private insurance policies. this section wil l apply relevant data regarding srs and related procedures to first assess why sex change treatments are neither cosmetic nor experimental, and why they should be considered medically necessary. once the medical necessity of srs is assessed, the appropriateness of their coverage under medicaid policy wil l be determined. d e b u n k i n g " c o s m e t i c " a n d " e x p e r i m e n ­ t a l " c l a i m s characterizing srs and related procedures as either cosmetic or experimental was one of the easiest ways for states to get out of paying for srs. dasti explains, "while states cannot effect bans on necessary treatments on the basis of diagnosis discrimination, any non-necessary procedure can be barred from coverage by states as they choose."1' in other words, by designating a procedure either cosmetic or experimental, they can completely exclude it from their policy without breaking section 1392, which forbids states from discriminating against a particular illness or affliction by categorically denying funding for all treatments associated with that condition. medicaid claims that srs was cosmetic were deflated by g.b. v. lackner, a medicaid lawsuit in california in which the judge concluded: " i t is clearly impossible to conclude that transsexual surgery is cosmetic surgery."1 1 despite the fact that transsexual and transgender surgery results in an altered outward appearance of the individual, it is being used to correct a psychological disorder and should therefore not be considered cosmetic, but a surgery that is correcting an inner default. kirkland writes that physicians in lackner responded to the "cosmetic" argument with the "illness" argument: "unless this person gets sex reassignment surgery such that her genitalia and hormones match her sexual identity, she occupies the legal category of an untreated i l l person who is entitled to medi-cal benefits." 1 the judge in this case also ruled that the surgery was "necessary and reasonable," a fact that is applicable to the subsequent section on medical necessity. the use of the word "experimental" was also common medicaid terminology, and one that seems slightly more valid. in the early 1970s srs was relatively new and thus had high risks associated with i t . l l v as time passed, however, the procedure was improved upon and as early as 1976 judges began to rule that this procedure was not experimental. 1" thirty years have passed since that ruling, and doctors have made even more progress regarding srs. it is absurd, therefore, to continue to characterize such a procedure as experimental especially considering the large number of functioning transsexual persons living in society today. "the extreme social sacrifices and financial burdens that transgender patients undertake further evidences their faith in the fact that they will benefit from them." m e d i c a l n e c e s s i t y o f s e x r e a s s i g n m e n t p r o c e d u r e s after determining the reasons that srs is not to be considered cosmetic or experimental, this paper will now look at its medical necessity. standards of care characterizes both hormone treatments and srs as medically necessary procedures. regarding hormone treatment, soc concludes that: cross-sex hormonal treatments play an important role in the anatomical and psychological gender transition process for properly selected adults with gender identity disorders. hormones are often medically necessary for successful living in the new gender. they improve the quality of life and limit psychiatric co-morbidity, which often accompanies lack of treatment)™ in regards to srs, soc once again comes down strongly in favor of categorizing the procedure as medically necessary. it reads: in persons diagnosed with transsexualism or profound gid, sex reassignment surgery, along with hormone therapy and real-life experience, is a treatment that has proven to be effective. such a therapeutic regimen, when prescribed or recommended by qualified practitioners, is medically indicated and medically necessary. sex reassignment is not "experimental", "investigational", "elective", "cosmetic", or optional in any meaningful sense. it constitutes very effective and appropriate treatment for transsexualism or profound gjd. l v u as was previously mentioned, patients with gid often suffer from other psychological conditions such as depression, anxiety, and suicidal thoughts. 1 , 1 when the origins of these conditions lay in the patient's incorrect gender identity, they should be assuaged by hormone therapy and srs. such conditions could also conceivably be exacerbated, however, by societal rejection and discrimination against transsexual persons. therefore, assessing the psychological state of post-operative transsexual individuals and using this as a marker to determine the success of the srs could be a faulty assessment method due to the additional societal pressures assumed when one becomes a member of the opposite sex. a different, although similarly flawed, method to determine medical necessity is to assess patient satisfaction with their new physical gender. this should only be asked of patients who followed the standards of care recommended by the harry benjamin international gender dysphoria association, so as to assure that only properly cared for patients are assessed. the extreme social sacrifices and financial burdens that transgender patients undertake further evidences their faith in the fact that they wil l benefit from them. transsexual individuals who undergo surgery are often forced to give up their careers or are ostracized from their families. they also can become unable to bear children, and risk medical problems in the future. it seems such sacrifices would only be made i f he or she were completely convinced of the procedure's effectiveness. a n additional vital point that needs to be taken into consideration pertains not necessarily to the phrase "medical necessity" but certainly to the phrase "necessary medical services" as it is used in section 1392 of the title xix statutes. early on in this investigation, the difficulties transgender individuals experience in the courts were discussed, in particular, the inability for the courts to determine gender/sex identity for mid-operative or pre-operative persons. as dasti points out, there is a need for facilitating transsexual surgical procedures in the legal sense because without it laws that follow in society's strict binary-gendered definitions are difficult to apply and enforce. i , x "one certainly can hope for a future in which a transgender person can identify as neither fully male nor fully female, yet still be welcome as a full participant in society," dasti writes. "unt i l that day, however, the nearly fetishistic focus that the law places on genital structures undergirds a strong argument that access to sex-reassignment surgery is necessary in order to avoid shutting an entire class of citizens outside of the law." l x dasti presents an additional compelling reason for surgical procedures to be regarded as necessary: without it there would be many more genderambiguous persons, which would make the court's job even more difficult. most doctors specializing in treating transgender patients agree that, for some patients with gid, srs presents the only option for alleviating or curing the psychological condition. therefore, this paper wil l proceed from the premise that sex-change operations are medically necessary surgeries. this premise is clearly not a flawless one, and evidence as to the effectiveness of these surgeries is incomplete and certainly warrants further study, but it is generally accepted and has been upheld in several court decisions. 1"' s r s : m e d i c a l l y n e c e s s a r y , b u t f u n d a b l e ? the last question that must be addressed in this section is whether srs falls in the group of medically necessary exceptions—procedures that are deemed vital, but can be refused on the grounds that they are too expensive and would place too great of a burden on the state. despite the fact that srs procedures and associated hormone treatments can be very expensive on an individual scale, there are very few sex reassignment surgeries each year. l x , i the financial burden that such procedures would place on the state is minimal, therefore denial of such services would not fulfill the statute of a "reasonable" restriction to place on medical care. case h i s t o r y a n d t h e c u r r e n t state of coverage in order to continue with the assessment of government funding for treatment procedures, it is helpful to first delineate the options available to government programs regarding the extent of treatment funded by the programs and the levels of funding that are accepted by medicaid in different states. p o s s i b l e d e c r e e s o f f u n d i n g there are several paths that government funding of sex change procedures and treatments could take. they wil l be outlined here in order to provide a basis from which to assess the current state of medicaid coverage. i . fund nothing associated with gender identity disorder; i i . provide compensation for only psychotherapy associated with gid; i i i . compensate psychotherapy and hormone treatment, but not srs or other surgical procedures; iv. compensate for psychotherapy, hormone treatment, and surgical procedures such as mastectomy but not genital surgery; v. compensate for all medical care related to gid, including srs surgeries, but on a case-by-case basis. vi. compensate for all medical care related to gid, including all srs surgeries the first option of providing absolutely no funding is not a realistic public policy, because gid is a diagnosable psychological disorder that is recognized as such by the dsm-iv. funding is certainly provided for psychotherapy associated with other psychological disorders. as todd savage explains in an article on the high costs of gender reassignment, even private insurers typically pick up the cost of psychotherapy.ix 1 1 ] it is at the third option that many private insurers draw the line. "doctors are usually able to get reimbursed for hormone treatments," savage explained, "but only because they are deliberately vague in reporting their purpose." l x i v it can be concluded that doctors, i f they want the insurance company to fund hormone treatment, do not explicitly inform insurers that it is being used as part of treatment for gid. in the world of private insurance, denial of care can also extend to contra-care, or any care that is used in conjunction with srs, such as prostate exams for male-to-female patients or gynecological care for female-to-male. ixv s t a t e c o v e r a g e t r e n d s due to the state control of medicaid, the extent of coverage varies greatly from state to state. there are several states, including california, minnesota, washington, and iowa, that have ruled against categorical denial of all procedures relating to sex change. the court ruled that the denial of medicaid benefits was arbitrary and "inconsistent with the objectives of the federal medicaid statute." this does not mean that these states permit funding as per option six, but that they choose option five and wil l fund some procedures as presented on a case-by-case basis. 1 ' v i in the case of iowa and washington, however, this seems to mean that they wil l fund hormone treatment and smaller surgical procedure such as mastectomies, but not srs itself. in addition, iowa's groundbreaking 1980 ruling in pinneke v. priesser, in which the judge ruled that srs was the only method known that would help the plaintiff's transsexuality, x l v n was essentially overturned by smith v. ramussen in 2002. smith v. ramussen ruled that pinneke v. priesser was superseded by iowa human services department regulations. x l v i i i most other states, including alaska, illinois, and pennsylvania, still have statutes on their medicaid policies that categorically exclude procedures relating to transsexuality. oregon, for example, denied state coverage of sexchange procedures ruling that "there was no good evidence showing that sex-reassignment surgery improves patients' mental and emotional well-being or socioeconomic status or that it reduces the incidence of suicide attempts among transsexuals." i x i x in new york, two cases in the 1970s held that the plaintiffs who desired coverage of srs under medicaid had failed to prove the medical necessity of the treatment, 1 a and now new york continues to proscribe coverage for anything related to gender reassignment, including hormone therapy. l x x i slowly, cases have arisen that challenge the acceptability of categorical denial of procedures relating to gid. in minnesota, doe v. state department of public welfare held that the standards the state was using were so high as to be burdensome for patients, and that the state had to consider funding future applications for transsexual surgery. l x x i i i n massachusetts, which currently bans all srs-related procedures, the state was ordered to pay for breast reconstruction for a trans-woman who had had srs 25 years ago and whose silicone implants were l e a k i n g . w h i l e this does not reverse the ban, it does provide some hope for transgender persons that progress is being made to raise awareness regarding this issue. p r o s c r i p t i o n o f s r s i d i s c r i m i n a t i o n i n p u b l i c p o l i c y ? this paper has argued that the process of completing gender transition is very involved and closely regulated by medical professionals. therefore, the decision to undergo srs cannot be considered a whimsical decision made by a disturbed individual and instead must be regarded as a lifechanging choice that is made with the assistance of experts e l e m e n t s : : f a l l 0 8 in order to treat a psychological condition. it cannot be considered cosmetic or experimental, and is medically necessary. categorical denial of funding for treatment of transgender individuals is inappropriate and unethical, because it constitutes discrimination based on a specific type of i l l ness. this is forbidden by the medicaid statutes, as it is prejudiced against a group of people. denial of services because of cost is a specious argument because there is a very low percentage of transgender persons, so no significant monetary loss would occur from allowing coverage for srs. in addition, providing funding for treatment could decrease costs associated with long-term effects of untreated gid, such as depression, anxiety, and dangerous consequences of illegal hormone use. finally, since there is no formula presented by the federal government for making evaluations of claims, they should be made on a case-by-case basis, as finley suggests, taking into account the goals of medicaid, the best interest of the patients, and the fiscal needs of the state. l x x i v the fact that cases are still ruled in favor of state proscriptions is, in most cases, a reflection of misunderstanding and discrimination in our society. when claims made by transgender persons are treated with the same reasonableness that is extended to other claims, a part of this institutionalized prejudice wil l cease to exist. unfortunately, the prejudice extends to the very top; transgender individuals who attempt to take recourse cannot apply to the americans with disabilities act (ada). in 1990, congress specifically excluded transgender persons from protection under the act, putting them in a category of other excluded groups such as pedophiles, voyeurs, and pyromaniacs, l x x v despite the fact that transgender individuals are also said to have a non-criminal psychological condition as defined by dsm-iv. this discrepancy reflects a fear and willful ignorance of transsexuality and transgender issues that is clearly unethical and harmful to the very citizens the government is ostensibly trying to protect. this is particularly detrimental to transgender persons who have private health insurance, because when they are denied by their providers they have few options for recourse i f they cannot claim discrimination based on ada. e p i l o g u e : n e w a m a r e g u l a t i o n s a n d t h e f u t u r e o f i n s u r a n c e f u n d i n g in june 2007, the american medical association voted to amend its nondiscrimination policies to include transgender people. this new policy specifically states the a m a s opposition to "the denial of health insurance on the basis of sexual orientation or gender identity." l x v l 1 the influence of the ama's increasingly high-profile stance on gay, lesbian, and transgender issues is causing many healthcare insurers and municipalities across the united states to reexamine their policies to ensure that transgender patients are not denied access to medically necessary services. in 2001, san a woman attending the san francisco city hall vote on whether sex-chance operations s h o u l d be covered by health plans. t r a n s a c t i o n f e e s francisco became the first city to pay for srs for its workers, and berkeley wil l most likely follow soon. l x x v " the ama's amendment of its nondiscrimination policies wi l l perhaps provide an example for private insurance companies and federal and state governments in order that the categorical exclusion of members of society can cease to be a reality. e n d n o t e s i . sultan (2003) i i . savage i i i . "inpatient care exclusions, aetna h m o summary plan description 2007" (2007) iv. the harry benjamin international gender dysphoria association's standards of care for gender identity disorders '(2001) v. diagnostic and statistical manual of mental disorders (2007) vi. sultan (2003) vi i . standards of care (2001) v i i i . sultan (2003) ix. ladrach (1987) x. k v. health division, dept. of human resources (1976) xi. massachusetts general laws (2001) xi i . harris (1997) x i i i . dasti (2002) xiv. innes bowen (2000) xv. standards of care (2001) xvi. soc (2001) xvii. soc (2001) xviii . ibid. xix. soc (2001) xx. soc (2001) xxi. soc (2001) xxii. soc (2001) xxiii . sultan (2003) xxiv. soc (2001) xxv. soc (2001) xxvi. sultan (2003) xxvii. soc (2001) xxviii. soc (2001) xxix. savage xxx. sultan (2003) xxxi. "female to male transsexuals" (2007) xxxii. soc (2001) xxxiii. sultan (2003) xxxiv. soc (2001) xxxv. .soc (2001) xxxvi. "medicare history" (2000) xxxvii. for groups fighting for medicare rights for transsexuals, see www.gendercare.org xxxviii. finley (1978) xxxix. ibid. xl . ibid. x l i . ibid. x l i i . ibid. x l i i i . hall (1992) xliv. hall (1992) xlv. hall (1992) xlvi. finley (1978) xlvii . ibid. xlvi i i . ibid. xlix. ibid. 1. savage l i . dasti (2007) l i i . g. b. v. lackner (1978) l i i i . kirkland (2003) pi7 liv. rush v. parham (1980). srs was invented in 1965. by 1980, the doctor i n the case claims, several thousand patient had undergone the procedure, lv. kv. health division (1976) lvi . soc (2001) lv i i . soc (2001) lv i i i . sultan (2003) lix. dasti (2007) ix. dasti (2007) lxi . doe v. minnesota department of public welfare and hennepin county welfare board (1977) lx i i . finley (1978) ixi i i . savage lxi v. savage lxv. "ama expands non-discrimination policy" (2007) lxvi. sultan (2003) lxvii. pinnekev. preisser (1980) lxvii i . smith v. ramussen (2001) lxix. savage lxx. dasti (2007) lxxi. sultan (2003) lxxii . doe v. state, dept. of public welfare (1977) lxxii i . beger v. acting comm'r, div. of med. assistance (2000); sultan (2003) lxxiv. finley (1978) lxxv. kirkland (2003) lxxvi. "ama expands non-discrimination policy." (2007) lxxvii. "san francisco first city to pay for city workers' sex changes" (2001) references "ama expands non-discrimination policy." 3 july 2007. gaywired.com. 10 nov, 2007, . "ama expands non-discrimination policy." gay business world. 3 july 2007. beger v. acting comm'r, div. of med. assistance, 11 mass. l. rptr. no. 31, 745, 747 (mass. super. ct. may 1, 2000); sultan, 1206. e l e m e n t s f a l l 0 8 http://www.gendercare.org http://gaywired.com http://www.gaybusinessworld.com diagnostic and statistical manual of mental disorders, fourth edition (dsm-iv). as provided by allpsych online, . 15 may 2007, accessed 4 december 2007. doe v. minnesota department of public welfare and hennepin county welfare board, 257 n.w.2d 816, 819 (minn.1977) "exclusions and limitations, blue cross blue shield of arizona." . accessed 4 december 2007. "female to male transsexuals," from california's gender health site, updated 15 aug. 2007. . accessed 5 december 2007. finley, lucinda m . november 1978. "state restrictions on medicaid coverage of medically necessary services." columbia law review, vol. 78, no. 7, pp. 1491-1516. g. b. v. lackner, 145 cal.rptr. 555, 80 cal.app.3d 64 (cal.app. 1 dist., 1978). hall , mark a. and gerald f. anderson. may 1992. "health insurers' assessment of medical necessity." university of pennsylvania law review, vol. 140, no. 5. p1645-1646. harris, in re, 707 a.2d 225 (pa. super., i997)dasti, jerry l. "sex reassignment under medicaid." new york university law review. 24 december 2002. p1773. the harry benjamin international gender dysphoria association's standards of care for gender identity disorders, sixth version, february 2001. p2, 22. innes bowen "are sex change operations justified?" bbc news. 1 august 2000. "inpatient care exclusions, aetna h m o summary plan description 2007," p31. kv. health division, dept. of human resources, 552 p.2d 840, 26 or.app. 311 (or. app., 1976). kirkland, anna. 2003. "victorious transsexuals in the courtroom: a challenge for feminist legal theory." american bar association, piy. ladrach, in re, 513 n.e.2d 828831 (ohio p. ct. 1987). "medicare history" medicare rights center. updated 2 august, 2000. . accessed 6 december 2007. pinneke v. preisser, 623 f.2d 546 (c.a.8 (iowa), 1980). "required outline of coverage, blue cross blue shield texas," p7., etc. rush v. parham 625 f.2d 1150 (c.a.5 (ga.), 1980). srs was invented i n 1965. by 1980, the doctor in the case claims, several thousand patient had undergone the procedure. "san francisco first city to pay for city workers' sex changes," the chicago tribune. 01 may. 2001. savage, todd. "costly trans-actionhigh cost of sex-change operations." sultan, bradley. "transsexual prisoners." the new england law review, 20 may 2003, p i 197, 1203. massachusetts general laws, ch. 46, § 13(e) (2001). t r a n s a c t i o n f e e s http://www.allpsych.com/disorders/sexual/genderidentity.html http://www.azblue.com/healthplans/under65/ex-clusions_limitationsi.asp http://www.azblue.com/healthplans/under65/ex-clusions_limitationsi.asp http://www.genderandhealth.ca/en/modules/sexandsexuality/gss-transgendered-issues-02.jsp http://www.genderandhealth.ca/en/modules/sexandsexuality/gss-transgendered-issues-02.jsp http://cal.app.3d http://www.medicarerights.org/maincontenthistory.html http://www.medicarerights.org/maincontenthistory.html d a v i d f. b r a d l e y , j r. is a senior from tewksbury, massachusetts, majoring in h i s to ry . he is the executive editor and layout editor for the observer, a biweekly student newspaper on the boston college campus. he hopes to help create a more rational, liberty-oriented society. m ari sa c o c h r a n e is a senior international studies major in the college of arts and sciences. she wrote this article while studying abroad at the london school of economics and political science. currently, she is working on an honors thesis which evaluates the effectiveness of international election monitoring in several sub-saharan african states. c a i t l i n f i t z g e r a l d is a senior in the college of arts and sciences from natick, massachusetts, majoring in english with a concentration in creative writing. she is a member of the college fellows program, the bc flute choir, and is a dj at wzbc. caitlin spent the spring of 2006 studying abroad i n bath, england. she is currently work ing as a research as-sistant for professor james smith in the english department. caitlin has previously been published in both stylus and naked singularity. her paper was originally written for professor smith's course "contemporary fictions of britain & ireland" in the fall of 2006. she plans to pursue a career in writing or publishing. j ess ica j . f l i n n is a senior i n the college of arts and sciences with a major in history and minors in faith, peace, and justice and philosophy. she is a member of the boston college women's cross country and track teams. her home town is sandown, new hampshire and she hopes to be attending law school next fall with a concentration on health law. m att h ew h a m i l t o n is a sophomore majoring in economics and hispanic studies. hailing from delaware, matthew volunteered and did film work with the hispanic migrant workers of the delmarva peninsula. this past winter break, he joined fellow students on an immersion trip to guatemala and he hopes to continue work ing and studying latin american affairs. matthew remains active in 4boston and ugbc, and he thanks his parents and friends. rebecca k r a u s is a senior from buffalo, new york, majoring in english and minoring in hispanic studies. her paper is a portion of her senior thesis, which uses trans-generational trauma theory to examine literature written by children of holocaust survivors. she would like to thank professors maxim shrayer and frances restuccia for their help with this project. b r a d m a c d o n a l d graduated from boston college in 2006 with a b.s. in biology and a minor in environmental studies. his research with terrapins sparked a personal fascination with animal behavior and its dynamic role in conservation ecology. in the future he hopes to continue investigating this topic in graduate school. he currently plans to join central and south american sea turtle conservation efforts for the 2007 nesting season. is a senior in the college of arts and sciences completing an environmental geosciences major and an african and african diaspora studies minor. he is a native of trinidad, and his childhood exposure to the orisha spiritual tradition has nurtured his love for both the environment and african diasporic traditions. he wi l l attend graduate school to pursue both geology and trans-atlantic new world religions. d i m l t r i p h i l l i p s is a junior in the college of arts and sciences majoring in philosophy and linguistics. interested in all things ancient, the present work was originally developed for a presentation in professor nancy netzer's early medieval art of ireland and britain class. though art and history are the predominant elements in this endeavor, theology, philosophy, and even philology receive their tributes—rightly—at some points in the work. a l e x i s rife is a senior studying biology and philosophy at boston college. she has been interested in marine biology and conservation since a very young age thanks to multiple visits to california—very different from her home in tucson, arizona. she is looking forward to continuing her education in marine biology i n the future, after a few years of travel and work abroad. lau ren s o t t i le is a junior from villanova, pennsylvania, studying history and communications in the college of arts and sciences. she is an editorial board member of the heights, the independent student newspaper of boston college, currently holding the position of general manager. lauren also volunteers with the campus school. she would like to thank professor edward rugemer for his support in her research and writing. b e r n a r d z l p p r i c h is a sophomore economics major with a focus on issues of international political economy. his paper examining issues surrounding sustainable development in costa rica was prepared following a trip to the coun try under the direction of professor peter auger of the biology department and professor charles lord of the law school. in addition to thanking auger and lord for their ongoing mentorship, he also thanks his family for enabling h im to make the trip. graduated from boston college in 2007 with a b.a. i n english and a minor in history. he is a proud native of buffalo, ny. alex wrote this paper for professor christina klein's seminar "studies in american culture: globalization." he is currently a member of teach for america and wil l be teaching 8th grade english and social studies in the south bronx starting fall 2007. kerry brennan originally from st. paul, m n , graduated from the college of arts and sciences honors program i n 2007 with a b.a. in international studies, concentrating in economics, and a minor in hispanic studies. her area of research interest is in international economic development. kerry currently lives in mexico city where she is working on a study of the price elasticity of demand among microfinance clients as a project associate for innovations for poverty action. graduated with a b.a. i n history in may 2007, as a member of boston college's order of the cross and crown, and receiving the brendan connolly and arts council awards. he plans to resume his academic pursuits after further exploration of his show-business career. soren lagaard i soren lagaard is a senior in the college of arts & sciences majoring in history and political science. hailing ' from the state of minnesota, soren found the inspiration for his essay in a class taken on the history of racism last fall. he is currently studying in cairo, where he hopes to continue studying issues of race and identity. many thanks go to his instructor, professor braude, for all his guidance. is a junior from santo domingo, dominican republic majoring in theology and biochemistry. his research interests include sexual ethics, bioethics, and public health and ethics. this past summer he interned with the prevention, care, and impact mitigation team of the joint united nations programme on hiv/aids (unaids) in geneva, switzerland. graduated from boston college in may 2007 with a b.a. in political science and concentrations in international studies and french. she is currently working as a research associate for the global strategies for change project, studying the framing mechanisms of different campaigns for women's economic and political rights. sophie hopes to pursue further degrees i n anthropology. the article, "federal success in nigeria" is an excerpt from her completed undergraduate thesis entitled "federalism and ethnic conflict management strategies: a federal world order." is a member of the arts & sciences class of 2009, double majoring in philosophy and history. he is originally from saigon, vietnam but currently resides in maiden, massachusetts. he was a member of the shaw leadership program and the emerging leadership program during his freshman year. during the school year, he volunteers for the admissions office and works as a student ambassador for the gates millennium scholarship program. huy plans to continue his research into the philosophical implications of artificial intelligence as a mcnair scholar. alex yian n o p o u los a native of new orleans, graduated in may 2007 with a b.a. in philosophy and linguistics. he is currently researching tibetan buddhism on a fulbright grant to nepal, where he plans to complete a master's degree in buddhist philosophy and himalayan languages. "one of the most striking aspects of the old english philosophy surrounding poor relief is how many of its principle tenets were echoed by gingrich and his colleagues during the welfare reform of the iggos." a c o n f l u e n c e of c o n s e r v a t i v e p r i n c i p l e s newt gingrich, the republican party, and 1990s welfare reform s e a n m c m a h o . n w e l f a r e r e f o r m i n t h e u n i t e d s t a t e s , a l w a y s a c o n t e n t i o u s s u b j e c t , b e c a m e a p r o m i n e n t n a t i o n a l i s s u e i n t h e 1990s , l e a d i n g u p t o t h e 1996 p a s s a g e o f t h e p e r s o n a l r e s p o n s i b i l i t y a n d w o r k o p p o r t u n i t y r e c o n c i l i a t i o n a c t ( p r w o r a ) . t h e r e f o r m w a s p u s h e d t h r o u g h c o n g r e s s b y a r e s u r g e n t r e p u b l i c a n p a r t y l e d b y t h e f i e r y s p e a k e r o f t h e h o u s e , n e w t g i n g r i c h . t o d a y , p r w o r a i s s t i l l h a i l e d b y m a n y c o n s e r v a t i v e s a s a m a j o r s t e p f o r w a r d i n c h a n g i n g t h e w a y s o c i a l w e l f a r e w o r k s i n a m e r i c a . i t i s n o t i m m e d i a t e l y o b v i o u s , h o w e v e r , j u s t h o w c o n s e r v a t i v e r e p u b l i c a n w e l f a r e r e f o r m r e a l l y w a s . i n f a c t , t h e r e f o r m e f f o r t a n d t h e i d e o l o g i e s a n d j u s t i f i c a t i o n s b e h i n d i t h a d t h e i r r o o t s i n t h e e l i z a b e t h a n p o o r l a w o f 1 7 t h c e n t u r y e n g l a n d . t h e c o n c e p t s o f p a t e r n a l i s m a n d s o c i a l d a r w i n i s m t h a t w e r e s o p r e v a l e n t i n t h e o l d e n g l i s h l a w s w e r e m a j o r c h a r a c t e r i s t i c s o f 1990s w e l f a r e r e f o r m i n t h e u n i t e d s t a t e s a s w e l l . few aspects of domestic politics in the united states are as controversial and fundamental as the debate over the welfare system. never was this fact made more clear than during the clinton administration of the 1990s. the collision of president clinton's promise to overhaul the welfare system and the rising conservative views i n the legislature resulted in a congressional debate that was "as charged as any in recent memory."1 republican perspectives on welfare were dominant throughout this crucial period of reform that ultimately led to the passing of the personal responsibility and work opportunity reconciliation act (prwora) in 1996. conservative ideology was best personified by newt gingrich, the speaker of the house during this republicandominated time. it is important to first look at the history of the critical mid-1990s era in order to gain a perspective on who the major players were, what they stood for, and what led up to the climactic passage of the prwora. a further examination of the republican party's principles surrounding welfare reform and how their views influenced the reform is necessary. a n analysis of the elizabethan poor law and the ideas that formed its core wi l l show that these concepts are the basis for many of the republican beliefs that have had significant effect on the n e w t g i n g r i c h h o l d s a c o p y o f t h e r e p u b l i c a n s contract with america welfare system i n modern america. one of the promises on which bill clinton campaigned in 1992 was "to end welfare as we know it ." 1 1 many americans were disillusioned with the existing welfare system. as brendon o'connor explains, this promise by clinton "spoke to that majority of americans wanting to be r id of the old welfare system" which had been popularized by the democrats in the 1960s and 1970s under the great society programs.111 rather than completely oppose the rising wave of conservative thought, "[clinton's] position conceded that conservatives had been correct to criticize the results of the welfare system."1v departing from the traditional stance of his party, clinton sought to reform welfare in major ways that he believed would benefit america as a whole. his willingness to change how welfare worked was a step forward that enabled his allies and opponents to put welfare reform at the top of the political agenda. with all sides determined to impose their ideas on the new american welfare system, the stage was set for a monumental change. however, things took a turn against clinton and the e l e m e n t s s p r i n g 08 democrats when the republicans gained majorities i n the house and senate following the 1994 elections. as o'connor explains, "clinton's liberal legacy on welfare reform was very limited. his ability to pass his own welfare proposal effectively ended with the 1994 republican congressional victory."v newt gingrich, a man who embodied much of republican ideology surrounding welfare reform, was the man who did much to propel the republicans to victory in this election. the contract with america, which o'connor describes as the republican's "1994 election manifesto," was "fiercely anti-liberal and open about its conservative goals."vl as has become the case for many victorious politicians in the u.s., gingrich "claimed the election was a mandate to enact the republican agenda."vii the republicans quickly moved forward to dismantle the welfare system and remake it in their own image. "after 1994, clinton quite simply was no longer leading the welfare debate," o'connor writes, and "from 1995 onward he could only offer occasional criticisms or exercise his veto as gingrich and the gop passed strongly conservative legislation through the house and the senate."v11! with republicans pushing hard, it was only a matter of time before the welfare system as a whole was transformed. finally, " in september of 1996 clinton signed the republican's welfare bill that effectively ended the liberal welfare state. " 1 x the republicans succeeded in getting clinton to sign a bil l that fought through liberal opposition while retaining its conservative grounding and was made into law that "retained its original substance and spirit."" the prwora brought about a sweeping change in how american welfare worked, changing the nature of many federal programs and imposing new rules and restrictions on families receiving support."1 the greatest change to federal programs was the move from the existing system known as aid to families with dependent children (afdc) to a system called temporary aid to needy families (tanf). the crux of this change was the end of welfare as an entitlement under afdc and the introduction of three major policies: work requirements, a time l imit for welfare recipients, and increased control by individual states."11 as a matter of policy, the prwora was designed to "increase the flexibility of the states" and allow individual states to have more control over how they deal with their welfare-receiving constituents."'11 the time limits meant that no family could be on welfare for more than two continuous years at a time and no family could receive benefits from the government for more than an ultimate total of five years. severely curtailing how long families could stay on welfare was a major change, as was the new set of work requirements. in an effort to "end the dependence of needy parents on government benefits by promoting job preparation, work, and marriage," the prwora called for welfare recipients to be forced to work after being on welfare for the allotted t ime. x i v republican ideals are clearly present i n all of these parts of the prwora, and the development and triumph of this way of thinking about welfare is one of the chief legacies of gingrich and his republican colleagues. in the end, clinton's call to "end welfare as we know it" combined with his inability to push his own welfare reform through, allowed for the success of conservative reform movements. as o'connor explains, "the clinton administration failed this challenge on welfare reform and instead it created a political environment that played into the hands of conservative legislators."^ republican ideology was a powerful force behind the welfare reform of the 1990s, and that ideology was embodied i n the person of newt gingrich. described by contemporary newspaper articles as a "firebrand," gingrich gave the republicans their first majority in the house in forty years."vl as a member of the house, gingrich spread his consistently conservative message; with his rise to speaker, the washington post wrote i n 1994, "his party [became] hostage to his vision and his personality." x v u despite a history as a campaigner for minority rights, gingrich was a man whose "support for civil rights was incorporated within a conservative conception of social justice."™ 1 1 i n an outlook that his republican allies would all echo, a c o n f l u e n c e o f c o n s e r v a t i v e p r i n c i p l e s gingrich felt that the existing "liberal welfare state" was harming both poor people and americans as a whole by "increasing poverty and dependency."x1x gingrich's reasoning stated that welfare rewarded the poor for not working, destroying their character and making them dependent on the government; in this way, gingrich saw his calls for a change to welfare as being in the best interests of the poor themselves. as he writes in his book, to renew america, "for every day that we allow the current conditions to continue, we are condemning the poor—and particularly poor children—to being deprived of their basic rights as americans. the welfare state reduces the poor from citizens to clients. , , x x many of gingrich's conservative policies were rooted i n social darwinism, paternalism, and a concept of punitive action, all in the name of ultimately improving the poor segment of american society. many have noted gingrich's policies bear social darwinist undertones,™1 particularly i n the concept of an "undeserving poor," a group gingrich described as "[those] who refuse to work, who refuse to do anything, who refuse to try, somebody who doesn't have a legitimate claim on u s . " ™ 1 this philosophy fits into the republican conception of the goal of welfare. as robin h . rogers-dillon summarizes in the welfare experiments, "[social darwinism] emphasized the 'survival of the fittest' in society, and the inherent unfitness of those at the bottom of i t . " x x i n republicans viewed welfare as a way for society to force certain people to provide for themselves, with the belief that without being induced to work these "undeserving poor" would never motivate themselves to improve their situation. this was one reason behind the work requirements and the time limits of the prwora—the role of welfare was seen by conservatives as making the less worthy members of society work and provide for their own well-being rather than relying on the government to simply give them relief. only by l imit ing the time a family could be on welfare and by requiring work instead of welfare could the poor be stimulated to help themselves. paternalism is implied i n a vast amount of republican thought on welfare reform as well. closely connected to social darwinism, paternalistic thought sees those on welfare as people who need to be helped by the government because they cannot help themselves. this is one reason for work requirements and time limits; another becomes apparent when reading rogers-dillon's explanation of the basis behind paternalistic thought. "paternalists advocate a supervisory approach to poverty," she writes, "requiring that welfare recipients fulfill particular social obligations in return for support.' , x x 1 v this is the brand of thinking that led to the adoption of work requirements in the prwora that were strongly supported by gingrich and his fellow conservatives. the policies which sought to "encourage work' were consistent with republican goals in regards to welfare reform and carried with them a strong sense of paternalistic oversight of those receiving welfare. welfare itself is often seen as paternalistic. in their seminal work, regulating the poor, frances fox piven and richard a. cloward explain this phenomenon: "the occasion of giving vitally needed assistance can easily become the occasion of inculcating the work ethic, for example, and of enforcing work itself, for those who resist risk the withdrawal of that assistance."xxv though writing about the general philosophy of welfare programs, piven and cloward predict the sort of paternalism that is so prevalent i n the debate over how to operate welfare systems. republicans stood for the "strong promotion of the need to reinvigorate the work ethic and to get welfare recipients involved in workfare programs. " x x v 1 another aspect of paternalism was seen i n the way republicans fought the battle to write and pass the prwora. when debating the need for welfare reform, republicans asserted that the main cause of welfare reform was not to reduce dependency, poverty, or a lack of work ethic. these problems were all subservient to the true enemy: illegitimate births.x x v 1 1 the rhetoric regarding illegitimacy is most clear in the book form of the contract with america, which refers to the "out-of-wedlock births that are ripping apart our nation's social fabric," with the implication that republicans wi l l work to save the nation by correcting those who cause this problem.™ 1 1 1 title i of the prwora claims that "the negative consequences of an out-of-wedlock birth on the mother, the child, the family, and society are well documented." 5 0™ the act also details its purpose, which is, among other things, to "prevent and reduce the incidence of out-of-wedlock pregnancies" and to "encourage the formation and maintenance of two-parent families."™ those in favor of the prwora saw it as an opportunity to make the poor of america act in a way beneficial to themselves, their children, and their society. turning illegitimate births into a source of controversy showed how the republicans were willing to take a paternalistic attitude towards the poor as part of their reform agenda.™ 1 finally, paternalistic ways of thinking are quite evident in the way gingrich saw himself and his purpose i n history. like many republicans, gingrich saw his mission as one of saving america from the path it had been following for the past generation. in to renew america, gingrich writes that .. republicans asserted that the main cause of welfare reform was not to reduce dependency, poverty, or a lack of work ethic. these problems were all subservient to the true enemy: illegitimate births." "the central challenge to our generation is to reassert and renew american civilization." 5 0 0 q 1 he goes on to describe the "decay of our civilization," and much of his book deals with how to fix america for the benefit of all its citizens.™ 1 1 1 of course, everyone has a reasonable expectation that politicians should try and combat the problems facing their society, but gingrich took it a step further. the same washington post article that talks about gingrich's control of the republican party in 1994 details "his habit of archiving virtually everything he has written and said;" the article goes on to question whether gingrich "[saw] himself as a potential historical f igure ."™ 1 v gingrich responds to this inquiry by say that he "turned out to be right," suggesting that he did, in fact, see himself as something of a savior of the proper american way of l i f e . ™ v the concept of illegitimate births illuminates another aspect of the prwora and republican thought regarding welfare. focusing on illegitimacy was a major political tactic republicans used to gain support for their welfare bill , but conservative thought carried an air of corrective thinking that went beyond simple paternalism. elizabeth drew writes that "gingrich and his allies were bent on shifting the welfare debate from one concerning work to one concerning illegitimacy, which could be treated punitively."™ v l o'connor notes "their objective was to reignite the stigma of children outside wedlock . . . i n short, the prwora wished to deter potential tanf recipients and make somewhat of an example out of those receiving tanf to deter o thers . "™ v i i i another major result of the pwora is its decision to grant greater power to the states in managing their own welfare systems under tanf guidelines. the republican party often identifies with the cause of states' rights, and this aspect of the prwora shows the practical effects of that stance. but some claim that the further delegation of power to the states has the effect of weakening the voice of citizens who wish to influence welfare policy. in regulating the poor, piven and cloward note that the constitution, which gives varying powers to both federal a c o n f l u e n c e o f c o n s e r v a t i v e p r i n c i p l e s and state governments, manages to "decentralize power structurally."™ 1 5' the net effect of this system, they argue, was that "decentralization meshed with the fragmentation of national authority to make parties ineffective as instruments of popular influence." x l although this constitutional scheme was not specifically meant to deal with welroots of this conservatism. many of the recommendations that arose at this time have their roots i n the elizabethan poor law of 1601 and other elizabethan-era acts that preceded it. the "old poor law," as it is sometimes called, formalized many existing practices into one set of laws for how to deal with the poor. x l m the english system included forms of work re-fare policies, piven ; n s ' oliver twist c a v e a n a c c o u n t o f t l i f e i n t h e e n g l i s h w o r k h o u s e s and cloward mention that "the theorists of the 'democratic class struggle' place great weight on the role of labor or socialist parties in the politics of the welfare state;" this leads to their conclusion that the weakness of american political parties results in a populace that has a hard time organizing and effecting change on the issues of labor and welfare. x l 1 this way of going about welfare stands in direct contrast to the liberal great society system that republicans did away with; piven and cloward write that "the hallmark of the great society programs was the direct relationship between the national government and the ghettoes, a relationship in which both state and local governments were undercut. " x l n it is often noted that conservative views dominated this period of reform, but little has been made of the ideological quirements, punitive action, and local control, as well as a strong sense of paternalism, a concept of the "undeserving poor," and a concern for the effect poor people were having on society—all things that sound very familiar to the ideals of the republican party during the 1990s. perhaps without realizing, conservatives such as gingrich were actually looking back to the 16th and 17th centuries when they were calling for a change in america's welfare system. work requirements and local control of welfare, two of the most important practices put in place by the prwora, have direct ties to the old english system of "poor relief." the english were often in favor of the idea of "setting the able-bodied to work and apprenticing poor children" as paul slack writes in the english poor law, i^i-iy82.xhv money accrued from the "poor rates" charged to the e l e m e n t s s p r i n g 08 wealthy had, among other purposes, that of creating work for the poor. x l v the system of "indoor relief" resulted in "the idle poor [being] taken into the poor-house or workhouse where they would be set to work;" this stands in contrast to the other practice of "outdoor relief," or the provision of money, food, clothing, or other goods to paupers."x ! v i although it was not the main system of poor relief, as noted by mark d. herber in ancestral trails, indoor relief did contribute to the overall system of english welfare. x l v n the idea of setting the poor to work would reach new heights by the 19th century; the poor law amendment act of 1834 completely "replaced outdoor relief for the able-bodied poor by compulsory indoor relief in workhouses." x l v m slack makes the point that ceding control to local governments was a key part of making poor relief effective in england, and bloy explains that 1572 marked the passage of the first act that made poor relief a "local responsibility. " x l l x the contract with america echoes this idea, claiming that "the best welfare solutions come from the states, not washington, d.c."1 the language of the prwora specifically gives "flexibility" to the states in how they maintain their tanf funds and programs; although republicans had other reasons for insisting on this change to american welfare, their recognition of local solutions as being more fit for the citizens of a particular era certainly looked back to the policies of the english.1 1 aside from the practices and recommendations, republican thought shared a lot in common with the dominant welfare philosophies in england. like gingrich, english lawmakers in these times saw poverty as a problem that was affecting not only the poor but english society as a whole.'1 1 one example of this is the negative attitude towards poor people who disrupted society's workings, described by p. j.p. goldberg as a "growing contemporary concern with vagrancy."1111 this mirrors the perception of gingrich and his colleagues that poverty was destroying american culture. paternalism was also evident in english poor law; slack observes that many english felt they had a duty to engage in "social engineering" and to encourage the "moral reform" of the poor. l l v although the passage of poor laws in 1597 and 1601 provided for a governmental framework for poor relief, it was a general english attitude beforehand that "the church was considered to have moral responsibility for the poor." l v the only real change to this philosophy effected by the poor law was its intent that poor relief be "directed to particular rational ends" and that charity go beyond "the traditional obligations of the rich towards the poor." l v i slack summarizes the perspective of many english thinkers in writing, " i f idleness were rooted out, drunkards, bastard-bearers, hedge-breakers, and other rogues would disappear. poverty itself might be conquered along with ungodliness, i f only there were sufficient investment in social engineering. " l v n punitive practices were also more extreme i n early-modern england when compared with those advocated by american conservatives. while republican reformers sought to "deter potential tanf recipients," the english methods for deterring bad behavior under the poor relief system were more brutal. slack's survey of english laws from 1531 to 1610 shows many acts that call for the whipping of vagabonds, the sanction of slavery as a punishment, and the use of "houses of correction. " l v m perhaps most interesting is how later english perspectives on the failing of the poor law coincide with the republican views of america's "liberal welfare state." it has been noted that the prwora focused heavily on the need to change welfare and foster the "promotion of responsible fatherhood and motherhood. " l l x this parallels slack's view of 19th century englishmen such as thomas malthus. according to malthus and the royal commission of 1832, the system of poor relief "encouraged pauperization by subsidizing early marriage, large families and low wages." lx furthermore, herber explains that "many people also believed that the system encouraged people to avoid work," thus leading to the poor law amendment act of 1834.1x1 the elizabethan poor law of 1601 carried with it the ideas of work requirements and local control of "poor relief," as well as attitudes of paternalism and punitive action against the "undeserving poor." one of the most striking aspects of a c o n f l u e n c e o f c o n s e r v a t i v e p r i n c i p l e s the old english philosophy surrounding poor relief is how many of its principle tenets were echoed by gingrich and his colleagues during the welfare reform of the 1990s. under the administration of president clinton, congressional republicans oversaw the passage of the personal responsibility and work opportunity reconciliation act of 1996. this act fundamentally altered american welfare, providing for state control, work requirements for welfare recipients, and time limits on welfare. whether the welfare reform spurred by the prwora wil l be ultimately effective remains unclear, and so the study of both this movement and its ideological ancestors wi l l remain an important subject for years to come. e n d n o t e s i . katznelson, et al. (268) i i . clinton, quoted i n katznelson (267) i i i . o'connor (158) iv. o'connor (185) v. ibid. v i . o'connor (209) vi i . katznelson et al. (176) v i i i . o'connor (200) ix. o'connor (206-207) x. o'connor (212) xi . ibid. x i i . "tanf fact sheet." october 2006. xi i i . prwora title i , part a, sec. 401(a) xiv. prwora title i , part a, sec. 401(a)(2) xv. o'connor (201) xvi. the new york times, "firebrand who got singed says being speaker suffices," 1/22/96 xvii . the washington post, "gingrich divided gop, conquered the agenda," 12/21/94 xvii i . o'connor (207) xix. o'connor (208) xx. gingrich 1995 (71) xxi. o'connor (207) xxii . gingrich, quoted in o'connor (207) xxii i . rogers-dillon (30) xxiv. rogers-dillon (121) xxv. piven and cloward (22) xxvi. o'connor (217) xxvii. o'connor (213) xxviii. gillespie and schellhas (65) xxix. prwora title i . sec. 101(8) xxx. prwora title i , part a, sec. 401(a) xxxi. o'connor (214) xxxii. gingrich (29) xxxiii. gingrich (31) xxxiv. "gingrich divided gop," 12/21/94 xxxv. gingrich, quoted i n "gingrich divided gop," 12/21/94 xxxvi. drew, quoted in o'connor (213) xxxviii. o'connor (213) xxxix. piven and cloward (436) xl . piven and cloward (438) xl i . piven and cloward (439-440) xl i i . piven and cloward (261) x l i i i . slack (18) xliv. ibid, xlv. slack (27) xlvi. bloy, xlvi i . herber (288) xlvi i i . ibid. xlix. slack (20) and bloy 1. gillespie and schellhas (73) l i . prwora title i , part a, sec. 401(a) l i i . slack (15) l i i i . goldberg (214) liv. slack (15) lv. herber (287) lv i . slack (14, 15) lv i i . slack (24) lv i i i . slack (59-61) lix. prwora title i . sec. 101(3) lx. slack (54) lx i . herber (301) r e f e r e n c e s balz, dan, and serge f. kovaleski. 1994. "gingrich divided gop, conquered the agenda." the washington post, december 21. bloy, marjie. 2002. "the 1601 elizabethan poor law," retrieved from the victorian web [database online]. . clymer, adam. 1996. "firebrand who got singed says being speaker suffices." the new york times, january 22. gillespie, ed, and bob schellhas, eds. 1994. contract with america. new york: random house. gingrich, newt. 1995. to renew america. new york: harpercollins. goldberg, p. j. p. 2004. medieval england: a social history, e l e m e n t s : : s p r i n g 08 http://www.acf.hhs.gov/opa/fact_sheets/tanf_factsheet.html http://www.victorianweb.org/history/poorlaw/elizpl.html http://victorianweb.org/history/poorlaw/elizpl.html http://www.victori-anweb.org/history/poorlaw/elizpl.html http://www.victori-anweb.org/history/poorlaw/elizpl.html 1250-1550. london: hodder arnold. herber, mark d. 2000. "parish and town records," i n ancestral trails. baltimore: genealogical publishing co. kasich, rep. john r. 1996. personal responsibility and work opportunity reconciliation act of 1996. translated by u.s. congress. washington, d.c. katznelson, ira, mark kesselman, and alan draper. 2006. the politics of power. 5th ed. canada: thomson wadsworth. o'connor, brendon. 2004. a political history of the american welfare system. lanham, m d : rowman & littlefield. office of family assistance. 2006. "tanf fact sheet," in administration for children & families [database online]. . piven, frances fox, and richard a. cloward. 1993. regulating the poor. new york: vintage books. rogers-dillon, robin h . 2004. the welfare experiments. stanford, ca: stanford university press. slack, paul. 1990. the english poor law, 1531-1782. edited by l. a. clarkson. houndmills, basingstoke, hampshire: macmillan. a c o n f l u e n c e o f c o n s e r v a t i v e p r i n c i p l e s http://www.acf.hhs.gov/opa/fact_sheets/tanf_factsheet.html "... this intertwines the concepts of forgiveness, truth, and justice. one is not more important than the other; rather the elements are mutually constitutive and reinforcing. they are the means to an end—the path to full and enduring reconciliation." a f a i t h t h a t does justice truth and reconciliation commissions in el salvador and guatemala k a t i e s c h e r m e r h o r n a f t e r t h e f i r s t t r u t h a n d r e c o n c i l i a t i o n c o m m i s s i o n w a s i m p l e m e n t e d i n s o u t h a f r i c a , t h e m o d e l w a s a p p l i e d t o o t h e r w a r t o r n r e g i o n s a n d c o u n t r i e s w o r l d w i d e , i n c l u d i n g m a n y l a t i n a m e r i c a n c o u n t r i e s s u c h a s e l s a l v a d o r a n d g u a t e m a l a . a s a p o l i t i c a l b o d y c e n t e r e d i n a c h r i s t i a n p a r a d i g m , a t r c a i m s t o p r o c u r e p e r s o n a l a n d c o l l e c t i v e h e a l i n g . y e t , a s a r e l a t i v e l y n e w t r e n d i n c o n f l i c t r e s o l u t i o n , i t m e r i t s f u r t h e r a n a l y s i s a n d e v a l u a t i o n . b y i n v e s t i g a t i n g t h e m e a n i n g o f t h e t e r m s j u s t i c e , f o r g i v e n e s s , a n d r e c o n c i l i a t i o n i n b o t h t h e r e l i g i o u s a n d p o l i t i c a l c o n t e x t s , t h e s t u d y c a n b e t t e r n a m e t h e g o a l s a n d o u t c o m e s o f p o l i t i c a l h e a l i n g p r o c e s s e s i n t h e l a s t d e c a d e . a d d i t i o n a l l y , i t i s i m p e r a t i v e t o i d e n t i f y t h e s e s t r e n g t h s a n d w e a k n e s s e s o f p a s t d i r e c t i v e s i n o r d e r t o a v o i d f u r t h e r " s p u r i o u s r e c o n c i l i a t i o n . " i f t h e t r u t h a l o n e p r o v e s i n s u f f i c i e n t , t h i s e s s a y a t t e m p t s t o d e t e r m i n e w h a t t h e n i s t h e e f f i c a c y o f f u t u r e c o m m i s s i o n s . a r c h b i s h o p o s c a r a r n u l f e r o m e r o c a l l s h i s c o n g r e g a t i o n t o a c t i o n a civilization of love that did not demand justice of people would not be a true civilization: it would not delineate genuine human relations. it is a caricature of love to try to cover over with alms what is lacking injustice, to patch over with an appearance of benevolence when social justice is missing. true love begins by demanding what is just in the relations of those who love.1 —monsignor oscar romero after the legendary end to south african apartheid and the country's first fully democratic election, president nelson mandela performed one more remarkable act. in 1995, he established the truth and reconciliation commission (trc). a political body based on the decidedly religious concepts of reconciliation and forgiveness, the trc sought to document and investigate human rights abuses and overt acts of violence during apartheid. it granted amnesty to those who contributed their testimonies to the commission and expressed remorse. archbishop desmond tutu led this effort with his faith-based leadership and dedication to christian forgiveness and capacity for conversion. with seventeen commissioners, the trc heard nearly 21,000 statements i n both public and private hearings over three years.11 it was widely praised and lauded by the international community for creating a peaceful transition to justice and forgiveness. the trc established a precedent to attempt political forgiveness and impunity in other conflict riddled countries or regions across the world. during the past 30 years, similar commissions were established i n over 30 countries throughout latin america, africa, asia, and europe. yet, as a relatively new phenomenon and approach to postconflict resolution and national healing, the truth and reconciliation commission merits critique and analysis. does the process of truth telling inherently lead to justice and reconciliation? theologically, forgiveness can be a unilateral action where the victim offers mercy towards the offender. the offender does not necessarily have to repent or accept this motion. reconciliation, on the other hand, restores the relationship through a dynamic exchange of forgiveness and empathy. by actively including both the victims and the perpetrators, it brings back humanity to a state of peace. in his book, the healing of nations, mark amstutz writes: frequently, truth telling is regarded as a means to national reconciliation, peace, and justice. according to this prevalent view, truth can help restore victims and their families and contribute to the reformation of social and political structures, leading ultimately to national peace and justice. building on the biblical admonition that 'knowing the truth sets people free' (john 8:32), many transitional regimes have pursued truth telling in the belief that nations, like individuals can overcome their painful past through discovery and disclosure of truth.111 however, the individual healing process differs from that of the collective—specifically, the nation-state. political justice is often omitted in the increasingly popular implementation of truth commissions; an exposition of the truth alone is not sufficient. after a comparative analysis of el salvador's and guatemala's individual commissions, as e l e m e n t s s p r i n g 08 well as an understanding of the religious arguments for justice, forgiveness, and reconciliation it seems that justice and forgiveness must complement each other in order to achieve full national healing, reconciliation, and a foundation for the future. el s a l v a d o r the twelve-year civil war i n el salvador ended in january, 1992. as part of the original settlement, the chapultepec peace accords implemented the commission on truth on july 13, 1992. three international experts comprised the commission: former colombian president belisario betancur, former venezuelan foreign minister reinaldo figueredo planchart, and george washington university law professor thomas buergenthal. iv notably, no members of the commission leadership were religious figures or salvadorans. the peace accords gave the commission "the task of investigating serious acts of violence that occurred since 1980 and whose impact on society urgently demands that the pubic know the truth. " v until its conclusion in march, 1993, the commission heard 22,000 cases. in its report, from madness to hope: the 12year war in el salvador, the commission documented a myriad of massacres, extrajudicial executions, tortures, assassinations, disappearances, kidnappings, and killings by the government, the military, and the armed opposition.^1 although there were no public hearings or trials, the commission report cited individual perpetrators. for instance, it implicated arena (alianza republica nacionalista) party leader roberto daubuisson in the 1980 assassination of archbishop oscar romero, in addition to several military leaders involved directly in the massacre at el mozote and the deaths of six jesuits, their housekeeper, and her daughter. as a result, these individuals were either ostracized in salvadoran civil society, or, i f they remained politically and socially active, they were blanketed with resentment and animosity. the trc report labeled the events as atrocities and recommended penal action, yet it never mandated the ultimate acts of justice and national healing. president alfredo cristiani immediately denounced the findings of the commission report and, four days later, his party passed the general amnesty law for the consolidation of peace. he appealed to the country's need to move forward by requesting that the population "support a general and absolute amnesty [law], in order to turn that painful page of our history and seek a better future for our country."v i i the law granted total amnesty to any individual who participated in political violence, including the most horrific and unjustifiable acts. it also ignored the recommendations of the u.n.-sanctioned commission on truth that suggested legal action be pursued against alleged perpetrators of violence. interestingly, cristiani's policy and related statements supported one interpretation of truth commissions: the forgive-and-forget mentality. he wanted the nation to continue onward without regard to its historic injustices. the amnesty law remains a contentious legislative act i n the healing process of el salvador. a 1993 public opinion poll taken by the university of central america (uca) found that 55.5 percent of salvadorans were opposed to the law. v i l i eventually, an ad hoc commission successfully removed some of the high-ranking criminals from the mi l i tary, police forces, and civil service. human rights organizations protested the law due to its flagrant reversal of international law and precedents. the inter-american court of human rights decided that total impunity was unconstitutional. ucas jesuits and other salvadoran political actors continue to advocate for its removal and for retributive punishment for the crimes against humanity. today, president tony saca and his administration argue that the civil war and its associated violence belong to the past and el salvador has moved on. a professor at the national university, carlos mauricio is a survivor of military torture during the civil war. abducted from campus, he was detained for nine days. during that time, he was blindfolded and tormented i n order to force a false confession of his involvement with the oppositional guerrillas, cuba, and particular leftist leaders. ix after being a f a i t h t h a t d o e s j u s t i c e released, he fled and found refuge in the united states. mauricio was later contacted by bill ford, the brother of ita ford, a religious woman assassinated by el salvador's mi l itary government in december, 1980. bill ford wanted to bring a civil lawsuit against generals carlos eugenio vides casanova and jose guillermo garcia in his sister's honor. like others, the two former generals had immigrated to the united states and were residing in florida. mauricio served as a co-plaintiff in the prosecution, along with plaintiffs romogoza, gonzalez, and montes. the two men were ultimately charged with crimes against humanity in 2002. while the court case and its related advocacy movements have procured justice for a small number of victims and perpetrators, it does not alleviate the residual pain i n el salvador. mauricio believes that penal justice is a crucial step in an individual's healing process and the country's path to genuine democracy and legitimacy. justice has not occurred within the country, and thus the healing process remains incomplete. g u a t e m a l a after 36 years of armed conflict, democratic civilian rule returned to guatemala in 1994. the guatemalan government and the political opposition signed the u.n.-brokered peace accords and agreed to establish the historical clarification commission (ceh). overseen by the u.n. mission for the verification of human rights in guatemala, the commission was enacted in order to "clarify with all objectivity, equity, and impartiality the human rights violations and acts of violence that have caused the guatemalan population to suffer, connected with the armed conflict" and "restore dignity" to the people.* initiated on june 23, 1994, the commission heard 42,275 cases i n private hearings and informal meetings.x l with a much larger staff than the salvadoran commission on truth and a significantly larger budget, the ceh was able to gather a larger array of information, testimonies, and field reports. three commissioners lead the investigation: german international lawyer christian tomuschat, guatemalan expert on indigenous affairs otilia lux de coti, and guatemalan jurist alfredo balsells tojo. their final report, guatemala: memoria del silencio, was presented in 1999 and documented acts of genocide against the mayan population, massacres and arbitrary killings, militarized resettlement, forced displacement, forced recruitment, and sexual slavery. unlike the salvadoran commission on truth, the ceh analyzed the systemic issues that lead to decades of the documented violence. it cited racism against the mayan people, economic exploitation of the poor, and political exclusivity and authoritarianism of the oligarchy. in 1996, the national reconciliation law was passed i n an attempt to move society forward. the stated goal was to integrate former guerrilla and opposition leaders into the developing government and social structure/" even though, like el salvador's amnesty law, it actually provided immunity for all crimes committed by the state, the military, and related parties during the long war. uniquely, the ceh decided to disclose no names or identities i n their report. after the commission on truth i n el salvador accused specific individuals without having the power to enact justice or legislative action, the ceh chose to maintain the anonymity of the indictments. although widely critiqued, this enabled them to concentrate wholly on the disclosure of truth, not the prosecution of offenders or the establishment of restorative justice. nonetheless, individuals such as jose efrain rios montt, guatemalan president during some of the worst atrocities in the early 1980s, still participate in government. he was accused of genocide by external tribunals and countries, including spain, but continues to evade prosecution. similar to el salvador's from madness to hope, the ceh report was received with some disapproval and frustration. according to a new york times article the day after the report was presented, the public was displeased with the final outcome: "as the conclusions were read at a solemn ceremony at the national theatre, rights workers, relatives of victims, and others among the 2,000 people broke into e l e m e n t s : : s p r i n g 08 '"as the conclusions were read at a solemn ceremony at the national theatre, rights workers, relatives of victims, and others among the 2,000 people broke into standing ovations, sohs, shouts and chants of'justice! justice!'" standing ovations, sobs, shouts and chants of 'justice! justice!"'x111 the victims, their families, and their international supporters were disappointed with the weak outcome of the ceh report. the ceh was not the only attempt to reveal the truth in guatemala. on april 24, 1998, the archdiocese of guatemala published its official report, titled guatemala: nunca mas.'x l v the report criticized the military and its agents and demanded an end to perpetual impunity. it attributed responsibility for massacres, disappearances, and physical and emotional torture to the army. several points were recommended for social reconstruction: reparations, humanitarian aid, the development of an official guatemalan history, government acknowledgement, and investigations into alleged abuses and violence. x v to honor the victims, it adamantly proposed monuments, ceremonies, and legal assistance to the families and victims. remarkably, the report called for the cooperation of guatemalan civil, state, and religious institutions to work with international supporters and human rights organizations to prevent future violence. demilitarization, agrarian reform, and a new judiciary were steps the church foresaw on the path to peace and stability. also controversial within the public and private realm, church members who spoke out in favor of the report were in danger of state reprisal. monsignor juan gerardi spoke at the report's presentation, saying, as a church, we do not doubt that the work we have carried out in these past few years has been part of a story of grace and salvation, a real step toward peace stemming from justice . . . to open ourselves to truth and to face our personal and collective reality are not options that can be accepted or rejected. they are indispensable requirements for all people and societies that seek to humanize themselves and to be free.™ he was assassinated in guatemala city that same day. only recently has the archdiocese called for full disclosure surrounding his murder. x v u four men have been convicted for gerardi's death, but the origin of the plan and its implementation remain unknown. most recently, the international organization human rights watch beckoned the guatemalan government, under current president oscar berger, to create an investigative and judicial commission. thus, a commission of investigation into illegal groups and clandestine security apparatuses was established i n 2004 to prosecute cases in guatemalan courts . x v m designed to be led by a u.n. appointed delegate, the commission has yet to be ratified by the state legislature. justice, in guatemala, has been stalled again amidst red tape and blanket impunity. t h e o l o g y of justice truth commissions have been established politically, yet the concepts of reconciliation and forgiveness are defined i n theological terms. nonetheless, a theological basis for justice exists in the christian tradition. the prophets of the biblical old testament and jesus christ and the apostles i n the new testament call for justice and care for the "least of your brothers."x 1 x i n recent years, a f a i t h t h a t d o e s j u s t i c e pope john paul i i argued for the intrinsic connection between forgiveness and justice: forgiveness, far from excluding the search for truth, demands it. . . there is no contradiction between forgiveness and justice . . .forgiveness does not eliminate nor diminish the demand to repair, which is the work of doing justice.xx theologian stephen pope presents three normative arguments regarding the relationship between forgiveness and justice in both politics and religion: forgiveness renounces justice; justice outweighs forgiveness; justice complements forgiveness.xx1 these arguments provide the founders and commissioners of truth commissions with a distinct choice in framework. however, the incorporation of both forgiveness and justice is the only route to national healing and reconciliation. to "forgive-and forget," or to forgive without enacting justice, strives for a future without attention to its history. principally, it is unethical and irresponsible for the state to forgive the transgressions of individuals on behalf of the victims. this undermines individual sovereignty and the dignity of the victim, leaving them powerless to pursue justice. by forgetting the past in order to maintain the status quo, the country is left with mere nostalgia. one can look into the past without seeing truth and without understanding the treacherous path that led to the current situation. al l offenses and periods of violence are idealized into a struggle for national interests. president cristiani adopted this outlook after the commission on truth in el salvador. his desire for a forward-looking country was supported by leaders of the opposition party, the frente farabundo marti para la liberation nactional (fmln). conveniently, it also shielded both parties from criticism for their actions during the civil war. remembering and talking about the past aggravates old wounds; it is considered dangerous to the stable, idyllic future. when the state absolves the perpetrators for past wrongs and simply "forgives-and-forgets" it erases abuses, violence, and injustices without caring for their potential impact on the future. the second option for governments, truth commissions, and civil society is to espouse the understanding that justice outweighs forgiveness. the argument follows that respect for the victims essentially demands justice. additionally, "impunity for past acts can create a climate that makes future acts of injustice more likely."™ 1 it calls for punitive accountability but does not call for the emotional and spiritual resolution necessary in human healing. theologically, forgiveness requires repentance. as a sign of justice and equitable action, the perpetrator must respond appropriately to the hurt individual when offered forgiveness. the prophets of the old testament demand justice for the exploited and downtrodden, and they also require remorse and atonement from evil-doers. in the gospels and epistles, the authors pronounce a responsibility to repent and then to forgive. paul warned the roman community against moralism and righteousness, writing: therefore, you are without excuse, whoever you are, when you judge someone else. for on whatever grounds you judge another, you condemn yourself, because you who judge practice the same things. now we know that god's judgment is in accordance with the truth against those who practice such things. and do you think, whoever you are, when you judge those who practice such things and yet do them yourself, that you will escape god's judgment? or do you have contempt for the wealth of his kindness, forbearance, and patience, and yet do not know that god's kindness leads you to repentance?™^ the exchange of repentance and forgiveness leads to full and complete reconciliation. justice can only occur in tandem with this process. finally, the third argument affirms that justice must complement forgiveness. with this understanding, known as the classical theory, forgiveness occurs as an "interactive process" between two or more people or groups. x x i v according to amstutz, voluntary and compassionate forgiveness occurs i n response to the offender's repene l e m e n t s s p r i n g 08 tance. it is generally comprised of five preconditions—consensus on the truth, repentance, renunciation of vengeance, empathy, and the mitigation of punishment. a thorough and accepted revelation of the truth is the basic objective of truth commissions. guatemala and el salvador both renounced retaliation and cancelled formal punishment. in contrast to the classic theory, however, they did so without the consent of the victims and the remorse of the offenders. moreover, the commissions usually skip the inclusion of repentance and empathy. of these two, empathy may be the most important. empathy makes it possible to view the offenders or the perpetrators of violence as human beings. armed struggles take place between sinners; one party is not better or more righteous than the other. taking away the humanity of the offenders limits the possibility of understanding, reconciliation, and healing. it undermines the potential for a community s o u t h a f r i c a n p r e s i d e n t n e l s o n m a n d e l a r e c e i v e s t h e t r c f i n a l r e p o r t f r o m a r c h b i s h o p d e s m o n d t u t u . where groups and individuals can live in peace, without residual tension and animosity. truth commissions focus on political forgiveness, or the public response to a collective offense. like the aforementioned private forgiveness, i t too is an interactive process. collective forgiveness requires the same five preconditions to be applied wisely by leaders of both parties. while not the primary focus of political forgiveness, justice is necessary. this manifests itself through public acknowledgement, sorrow regarding shared offenses, and criminal prosecution. the difference between amnesty and pardon displays a fundamental shift in the approach.^ amnesty, derived from the latin root amnestia or forgetfulness, allows governments or social bodies to ignore and gloss over previous transgressions. pardon, alternatively, releases the offender from penal action. through this release, the government is forced to publicly admit guilt. a shift i n terminology and intent greatly impacts the trajectory toward reconciliation and collective healing. unquestionably, collective healing wil l take time and patience after extreme sociopolitical turbulence. c o n c l u s i o n remorse and forgiveness were not an official part of the original truth and reconciliation commission model in south africa. it was encouraged by the leadership, specifically that of archbishop tutu, yet it was not a formal tenet of the commission structure or a prerequisite for reconciliation and justice. regardless, tutu said, true reconciliation exposes the awfulness, the abuse, the pain, the degradation, the truth. it could even sometimes make things worse. it is a risky undertaking but in the end it is worthwhile, because in the end dealing with the real situation helps to bring real healing. spurious reconciliation can only bring spurious healing.*™1 yet a truth and reconciliation commission which exposes the truth but does not include justice yields "spurious reconciliation". this is a dangerous misstep in the healing a f a i t h t h a t d o e s j u s t i c e processes of post-conflict regions because "although partial forgiveness is realized when enemies stop hating each other and victims overcome their inward resentment and anger, the forgiveness process culminates only when victims and offenders are reconciled and when enemies begin to recognize each other's humanity, " x ™ 1 truth and reconciliation commissions took many forms i n central america, but they generally omitted mutual acts of forgiveness or reconciliation. this kind of interaction requires strong moral leadership and courageous advocates. truth-telling may be the first step in the process toward justice and healing, but it cannot be the last. national reconciliation must be accompanied by institutional change. forgetting the past in lieu of moving blindly forward breeds ignorance and fosters repetition. the catholic church in central america, particularly in el salvador and guatemala, can stimulate genuine reconciliation. liberation theologian jon sobrino calls the church to imitate jesus and his utopian vision of reconciliation. he writes, the church does not find it easy to be the historical embodiment of jesus and of his god, or to be an effective, not just routine, dispenser of the ministry of reconciliation. to be these it must do two things. the first is to show a conviction in faith that reconciliation (with its requirements of truth and conversion) is good and possible. the second is to do this with credibility. the latter can be achieved only through major gestures of truth, justice, and forgiveness.xxvili the church must confirm that it is impossible to achieve reconciliation without the essential elements of truth, justice, and forgiveness. a l l other reconciliation is a farce. with inroads to the pueblo and the powerful, the church holds the unique ability to encourage forgiveness and justice, or dynamic reconciliation, on all sides. as violence continues and even worsens, it is imperative for the church to take a stand. today, the same factions exist as before, as do the human rights violations, crime, and political brutality in el salvador and guatemala. i f the truth commissions were unable to procure peace and transitional justice by themselves, it becomes necessary that they obtain the multilateral support of civil and religious institutions in order to inspire a rejuvenated attempt at national healing. priscilla b. haynor, a director at the international center for transitional justice and author of unspeakable truths: facing the challenge of truth commissions, defines these commissions as "official, temporary bodies established to investigate a pattern of violations over a period of time that conclude with a final report and recommendations for reform. " x x 1 x however, this cannot be their definitive meaning. established after a period of atrocities and violence, truth commissions have a responsibility to initiate national healing. fundamentally, this intertwines the concepts of forgiveness, truth, and justice. one is not more important than the other; rather the elements are mutually constitutive and reinforcing. they are the means to an end—the path to full and enduring reconciliation. e n d n o t e s i . romero, oscar. speech given on apri l , 12 1979. i i . haynor (2002) i i i . amstutz (2005) iv. u.n. commission on the truth for el salvador (1993) v. u.n. commission on the truth for el salvador (1993) vi . haynor (2002) v i i . "message delivered to the nation by the president of the republic, alfredo cristiani, march 18, 1993," as quoted i n pope (2003) v i i i . pope (2003) ix. mauricio (2007) x. united nations mission for the verification of human rights in guatemala (1994) xi . haynor (2002) x i i . crandall (2004) x i i i . navarro (1999) xiv. recovery of historical memory project, remhi (1999) xv. remhi (1999) xvi. remhi (1999) xvii . pope (2003) xvii i . human rights watch (2004) xix. matthew 25:31-46 xx. john paul i i , as quoted i n pope (2003) xxi. pope (2003) e l e m e n t s s p r i n g 08 xxii . pope (2003) xxii i . romans 2:1-4 xxiv. amstutz (2005) xxv. pope (2003) xxvi. tutu (1999) xxvii. amstutz (2005) xxviii. sobrino (2003) xxix. haynor (2002) references "agreement on the establishment of the commission to clarify past human rights violations and acts of violence that have caused the guatemalan population to suffer." united nations mission for the verification of human rights in guatemala. june 1994. retrieved from http://www.usip.org/library. amstutz, mark r., 2005. the healing of nations: the promise and limits of political forgiveness. new york: rowmam & littlefield publishers. commission on the truth for el salvador. 1993. from madness to hope: the 12 year war in el salvador. new york: united nations. crandall, joanna. 2004. "truth commissions i n guatemala and peru: perpetual impunity and transitional justice compared." peace, conflict, and development, (issue 4) apri l . "el salvador: mexico peace agreements—provisions creating the commission on truth." 1991. united nations. apr i l 27, 1991. retrieved from http://www.usip.org/library. "guatemala: establish investigative commission." 2004. human rights watch. washington, dc, (january 2004). retrieved from http://hrw.org/english/docs/2004/01/14/guatem6928.htm. hamber, brandon. 2001. "does the truth heal? a psychological perspective on political strategies for dealing wi th the legacy of political violence." burying the past: making peace and doing justice after civil conflict. washington, dc: georgetown university press. haynor, priscilla b. 2002. unspeakable truths: facing the challenge of truth commissions. new york: routledge. inter-american commission on human rights. 1994. "report on the situation of human rights i n el salvador." organization of american states. doc. 28 (11 february 1994). retrieved from http://www.cidh.oas.org/countryrep/elsalvador94eng/toc.htm. mauricio, carlos. 2007. speech at boston college. apri l 19, 2007. navarro, mireya. 1999. "guatemalan army waged'genocide', new report finds." new york times. a i . (february 26, 1999). retrieved from http://www3.undp.org/rc/forums/mgr/sdnpca/msgo2085.htm 1. the niv study bible. 1995. new international version. 10th anniversary edition. grand rapids, m i : zondervan. pope, stephen j. 2003. "the convergence o f forgiveness and justice: lessons from el salvador." theological studies (64). recovery o f historical memory project. 1999. guatemala: never again! human rights office of the archdiocese of guatemala. new york: maryknoll. seijo, lorena. 2007. "plan sofia comes to light." prensa libre. march 18, 2007. retrieved from http://www.prensalibre.com/pl/2007/marzo/18/166081.html. sobrino, jon. 2003. "christianity and reconciliation: the way to a utopia." reconciliation in a world of conflicts. susin, luiz carlos and maria pilar aquino, eds. london: scm press. tiernan, kip. 1998. "are we do gooders or good doers?" seeds. tutu, archbishop desmond. 1999. no future without forgiveness. new york: doubleday. united states district court. 2000. "romogoza, gonzalez, mauricio, and montes v. guillermo garcia and vides casanova," southern district of florida case no. 99-8364. february 17, 2000. retrieved from http://www.cja.org/cases/romagoza_docs/romagozacomplai nt .htm. a f a i t h t h a t d o e s j u s t i c e http://www.usip.org/library http://www.usip.org/library http://hrw.org/english/docs/2004/01/14/guatem6928.htm http://www.cidh.oas.org/countryrep/elsalvador94eng/toc.htm http://www3.undp.org/rc/forums/mgr/sdnpca/msgo2085.htm http://www.prensalibre.com/pl/2007/marzo/18/166081.html http://www.cja.org/cases/romagoza_docs/romagozacomplai "but how many 'times' are there ? ... the most pure musical time, that which is the true nature of musical time, is a live performance... where the inter subjective relationship between musicians] is formed..." : m u s i c a l t i m e an intersuhjective relationship m i c h a e l m i n k o f f t h i s p a p e r i s a p h e n o m e n o l o g i c a l e x p l o r a t i o n i n t o t h e t r u e n a t u r e o f m u s i c a l t i m e . d r a w i n g o n t h e t h o u g h t o f h e n r i b e r g s o n , v l a d i m i r j a n k e l e v i t c h , a n d c o n t e m p o r a r y p h i l o s o p h e r s o f m u s i c , i p r o p o s e t h a t t h e n a t u r e o f m u s i c a l t i m e l i e s w i t h i n t h e p e r f o r m e r a n d t h a t i t s e x i s t e n c e i s p a r a l l e l t o t h a t o f t h e o r d i n a r y l i v e d t i m e o f t h e e m p i r i c a l u n i v e r s e . w e e x p e r i e n c e m u s i c a l t i m e a s " m o b i l e " ( b e r g s o n ' s t e r m i n o l o g y ) a n d a s a p h e n o m e n o n o f p a s s i n g . a m u s i c i a n ' s a b i l i t y t o p l a y m u s i c " i n t i m e " i s g o v e r n e d b y w h a t i r e f e r t o a s h i s " i n t e r n a l m u s i c a l b i o l o g i c a l c l o c k . " h o w e v e r , a s m u s i c i s a n a r t f o r m t h a t i s t y p i c a l l y p e r f o r m e d i n a g r o u p , a m u s i c i a n ' s r e l a t i o n s h i p m u s t b e a n i n t e r s u b j e c t i v e r e l a t i o n s h i p w h e r e t h e p e r f o r m e r s ' e x p e r i e n c e o f t i m e i s f o r g e d b y a s y n c h r o n i z a t i o n o f t h e i r i n t e r n a l m u s i c a l b i o l o g i c a l c l o c k s . when one thinks of time, many questions come to mind. after careful examination, the seemingly simple question 'does time exist?' is actually difficult to answer. a n aspect of time that can be particularly perplexing is time i n music. a musician would never initially question the existence of musical time—that which grounds a piece of music and helps it to unfold. but where does this time come from, and how can someone learn to "stay i n time" or "keep time"? this paper aims to investigate how time i n music is understood. as that is pieced together, the next step wi l l be determining whether or not this understanding is an accurate representation of the nature of musical time. from this we can move on to determine whether musical time exists at all or i f it is something which merely appears to exist. finally, we wi l l investigate the possibility of multiple musical times. vladimir jankelevitch describes the nature of music i n relation to a "musical universe" i n his book music and the ineffable. i n it he says, "the musical universe does not lie there exposed to the mind or proposed to the mind: m u s i c . . . inhabits our intimate center; we live music, as we 'live' time, as a fertile experience."1 this excerpt suggests we still understand that music, despite its ambiguous nature, flows intertwined with the fabric of our being. we experience the passage of a piece of music just as we experience the passage of time. to begin the investigation of the meaning of musical time, we first look to the thought of henri bergson. i n his book the musical symbol, gordon epperson describes bergson's thought relating to music, beginning with the concept of 'mobility'. bergson described understanding motion as mobility: "a gradual organization of our successive sensations . . . . this is just the idea of motion which we form when we think of it by itself, when, so to speak, from motion we extract mobility." 1 1 'mobility' is the term used by bergson to describe our conscious experience of the passage of time, specifically that of motion i n time. drawing from this description, epperson states that " i n its relation to time, mobility is of central importance to a consideration of music." 1 1 1 the performer as well as the listener experiences the sounds of music as passing. music cannot be described i n a mere instant, as each moment of a particular piece is a relation between the previous and subsequent moments of music. jankelevitch calls attention to this fact when he says, "a chord that is not integrated within the before and after. . . is not endowed with signifying force—this chord . . . is arrested at the stage of nontemporal materiality."^ the abstraction of a particular chord i n a piece of music removes it from mobility. we no longer experience the motion of the music. instead, we hear the sounding of a few notes—major, minor, diminished, or augmented— nothing more. this is not the nature of music but the materials by which a piece of music is crafted. to get to the heart of a poem, one cannot simply look at each word individually. instead, one must look at the whole work (or at least an excerpt). the same is true for a piece of music. musical time is understood to be mobile; it is organized successively by our sensations. each point i n a piece of music is not individually posited as points on a line are. jonathan d. kramer supports this by saying, "the present is not simply a point i n time . . . . we hear notes moving to other notes because the perceptual present stretches out i n both directions forming the instant of now." v instead, a piece is conceived of as successive moments i n time as described by kramer. epperson supports this by describing music i n relation to time as "literally i n and out of time . . . we can conceive it only as moving. we use up physical time even as we imagine the course of a melody. " v 1 it is i n time when it is performed, played on a recording, or even recollected as a memory of a melody, song, or piece. it is out of time when it is awaiting performance on sheet music or when it is on a hard-drive or i n an mp3 player, awaiting the push of a button to release the potential music into actuality. therefore, we have come to realize that music unfolds i n time as successive mobility. now the question arises, "does music exist in time, or does time exist i n music?" v n musical time can either be something that is contained by time itself—as a being coexisting with the other beings i n our world—or something come l e m e n t s s p r i n g 09 pletely outside of the normal unfolding of time i n the universe. in this sense, it could be compared to another reality that manifests itself inside and simultaneously alongside our own. kramer suggests that i f we consider this alternate possibility—what i wi l l call the 'autonomy' of musical time—"then we begin to glimpse the power of music to crewhat makes the time of music appear to be within ordinary lived time. the ability of a piece of music to sweep us u p — whether it is i n relation to emotion, spirituality, or t i m e — reveals something of the nature of musical time and of music itself. "when a piece ends, or if we stop focusing on it, we return to our experience of time as we live it normally. it is as if we are transported outside of our normal state of consciousness during a piece and then, upon its ending, are returned to that state of normalcy.77 ate, alter, distort, or even destroy time itself, not simply our experience of i t . " v m as the master of its own destiny, music can suspend time with a fermata, quicken time with an accelerando, or slow down time with a ritardando. kramer's question and subsequent consideration allows us to suggest that these abilities of any piece of music do, i n fact, distort—or even destroy—time. i f musical time is located i n the temporal fabric of our own universal experience of time, it could only appear to alter our temporal experiences. however, i f musical time were i n fact its own separate time, these aspects of its ability to control and to distort time would be something exclusively possible i n music. one may object to the notion that musical time exists outside of time. on the contrary while a piece of music can speed up or slow down an experience of time, time itself still flows smoothly and uninterrupted. furthermore, i look to kramer's notion, "musical time exists i n relationship between listeners and music, just as ordinary time exists i n the relationship between people and all their experiences, including music. thus musical time and ordinary time lead parallel existences."ix this parallel existence is our own existence i n ordinary time, the temporal nature of our being-in-the-world, can appear to be altered by listening to a piece of music. this suggests that we are at least partially affected by the presence of musical time. when a piece ends, or i f we stop focusing on it, we return to our experience of time as we live it normally. it is as i f we are transported outside of our normal state of consciousness during a piece and then, upon its ending, are returned to that state of normalcy. as kramer describes, "we become immersed i n a kind of time different from ordinary lived t ime." x this immersion is what causes us to experience musical time as different from ordinary lived time. i n this regard, musical time is something other than ordinary lived time. at any point i n a day, we can know what time it is. time always appears to us as a flow from the future to the present and into the past, and there is always one universal time by which we measure all things i n our lived world. musical time, however, is something that is not always flowing but instead can be enacted at any time. another objection may arise by pointing out that ordinary time can be enacted i n a m u s i c a l t i m e a m e t r o n o m e k e e p s ' o b j e c t i v e ' m u s i c a l t i m e , g i v i n g p e r f o r m e r s an o u t s i d e r e f e r e n c e w i t h w h i c h t o c o m p a r e t h e i r m u s i c a l b i o l o g i c a l c l o c k s . similar fashion through the use of something like a stopwatch, or, even more simply, by counting. by the act of pushing a button, a new 'time' has begun, and can therefore be started and stopped at any point. however, this objection does not stand firmly against musical time as separate from ordinary lived time. while a stopwatch might measure the time of a certain event, it is still i n relation to a universal time that flows without cessation. three minutes on a stopwatch is still three minutes out of a day that contains 1,440 minutes. there is no universal musical time to which a piece of music contributes. also, a piece of music is not a measurement of time, but instead is an unfolding—it is mobile. these distinctions further separate musical time from ordinary lived time. the only aspect of musical time that is related to ordinary lived time is the duration of a particular piece of music given i n minutes and seconds (constructs of ordinary time). it is i n this sense and this sense alone that musical time participates i n the universality that is ordinary lived time. we must refer again to jankelevitch, "musical reality is always somewhere else . . . evoked by means of evasive expressions with double meanings." x i the evasive expression of particular melodic lines or mysterious harmonies, for example, is what creates the elusive nature of musical time. the 'reality' that jankelevitch refers to is a reality that exists parallel to that of ordinary lived time as described above by kramer. musical time is real, just as lived time is real. nevertheless, it is "somewhere else." we must now make an attempt at discerning where this "somewhere else" could be, or at least try to understand how we have a means to access it. we wi l l examine jazz music, as this genre has particular characteristics that may reveal some truth about the nature of musical time. when beginning a jazz piece, either a conductor or a member of the ensemble wi l l count off the piece. this means that the person wi l l begin by snapping his or her fingers i n time, typically on what would be beats one and three of a measure of music . x u this act of counting-off dictates the tempo of the piece and is generally meant to remain constant throughout the piece. the phrase used above to describe this—snapping i n time—describes an interesting phenomenon. almost without fail, an experienced musician can determine at what tempo he or she would like the piece to be performed/ 1 1 1 the tempo of the snapping comes seemingly from nowhere. musical time simply begins with the snapping of the fingers. from where does a musician get this time? this is the "somewhere else" suggested by jankelevitch. it is another time, separate from the ordinary lived time described above. a solo performance displays a rather different aspect of musical time. tempo is not necessarily maintained throughout the course of a solo performance, and the musician has the freedom to embellish a particular melodic line or insert dramatic pauses or an accelerando or ritardando.xlw here musical time is again generated from inside e l e m e n t s s p r i n g 09 the performer, but there is no relationship to be made with other musicians. this is further evidence of the nature of musical time as being other than ordinary lived time. the time of a solo piece of music is not necessarily constant or static. instead the performer can take liberties with tempo and as a result, i n the words of kramer, to distort, or even to destroy, musical time itself. kramer has an interesting insight into the ability of a musician to generate time: "musicians seem to have one particularly stable biological clock, which regulates the perception of tempo . . . several pieces have been studied i n which performers repeatedly play the same piece at virtually the same tempo, even after an interval of several years."x v i can personally attest to this fact by citing the miles davis recording of " i f i were a bell . " x v i this song is a c o n d u c t o r c o u n t s o f f t h e t e performed at a w i l l h a v e a s i m i l a r tempo of between 186 and 190 beats per minute. whenever i think of this song, i can simply start singing the melody and snapping my fingers i n time, knowing with confidence that i wi l l be snapping my fingers at about 186 beats per minute due to my musical biological clock. the notion of a biological clock sheds some light on the "somewhere else" i n which musical time might reside. i f musical time lives within the musician, then this suggests that it is a subjective time rather than an objective time. musicians must collaborate when performing a piece of any genre. there must then be an intersubjective relationship between different musicians i n which they agree on a particular tempo at the onset of a piece and then maintain this tempo together, creating a unified sound through the use of different instruments. this relationship is a sign of true musicianship. not all musicians are able to keep steady time. jazz as a genre is especially demanding for members of the rhythm section. x v u i f any of these musicians fail to uphold his or her end of the tacit agreement to stay i n time, the music suffers and "loses time" itself, an interesting phrase used to describe the moment when a piece of music fails to maintain steady musical time. using kramer's terminology, these musicians must then have flawed musical biological clocks. with practice and experience, the flaw can be fixed. however, not every musician is able to reach that level of expertise. this reveals that musical time exists within the performers and that i t requires a collective inter subjectivity to remain i n time. with this realization that musical time is an internal yet intersubjective entity, is there any way that musical time can be objective? with the onset of technology i n music, objective timekeepers have often been implemented. the metronome is a mechanical device that keeps a steady beat at whatever tempo the machine is set. used i n a rehearsal setting, a metronome can, in fact, be a completely objective source of musical time. however, this sort of device is almost exclusively used as a method for practice and would m p o s o t h a t a l l o f t h e p e r f o r m e r s m u s i c a l t i m e therefore not provide an objective time during a performance. it can, i n fact, help condition musicians to understand certain tempos and to internalize them, fine-tuning their musical biological clocks. the growing popularity of the genre known as electronic music can lead to another consideration of objective musical time. kramer comments on this phenomenon: "technology has made duration an absolute i n a far more precise way than harmonic stasis ever could. " x v m electronic music is music generated entirely on a computer. a composer or a musician may enter this type of music into a computer, but it can be tweaked and reworked i n such a way that it wi l l be perfectly i n time and perfectly i n tune. one might question whether or not this type of music holds true to the nature of musical time (not to mention music itself). as this sort of piece is never actually performed, it does not ever require the intersubjectivity of performers. the time is not generated from a musician's biological clock. instead it comes from a machine that is an artificial producer of music. this brings us to our last concern that was raised at the outset of this paper. perhaps, considering the addition of recent technological advances i n musical genres, there is, i n fact, more than one musical time. but how many 'times' are there? to explore this question, we can attempt to sketch a hierarchy of musical times. as we move up the ladder of musical time, we get closer to its true nature. of the recorded musical times, there are two subsets: human recordings and artificial recordings. the lowest musical time, that which is least akin to the true nature of musical time, is that which was described above— electronic music generated by a computer and artificial recordings. slightly higher than this is a human recording done i n a studio or other recording facility, as this type of recording is produced artificially and can be tweaked or adjusted i n a similar fashion, like electronic music. higher still than this is a live recording. the actual performance of the piece remains true to the nature of musical time, but the reproduction and subsequent playing of these performances fall out of the realm of musical time and enter ordinary lived time. it is a mobile, successive time still, but it is now at the liberty of the listener to push the play or pause buttons. the most pure musical time, that which is the true nature of musical time, is a live performance. it is at a live performance where the time is generated by the musicians' musical biological clocks, and it is here where the intersubjective relationship is formed and maintained throughout a piece of music. e l e c t r o n i c m u s i c lacks t h e i n t e r s u b j e c t i v i t y i n h e r e n t in o t h e r f o r m s o f m u s i c . what we have determined is that musical time is a mobile time intuited by our consciousness. it is different from, and therefore outside of, ordinary lived time, and it is its own sort of time. it is generated within a musical performer i n its truest nature, and this generated musical time is maintained by an inter subjective relationship between performers. there are other, less pure forms of musical time, as described i n the hierarchy of musical times. that said, the nature of musical time continues to be elusive and mysterious. jankelevitch speaks eloquently when he says, "alas, music i n itself is an unknowable something, as unable to be grasped as the mystery of artistic creation . . . " x i x while we may be unable to grasp the nature of music itself, we have at least begun to delve into just what the nature of musical time is. e l e m e n t s s p r i n g 09 e n d n o t e s i . jankelevitch (95) i i . bergson (111) i i i . epperson (88) iv. jankelevitch (109) v. kramer (370) vi. epperson (305) vii. kramer (5) viii. ibid. (5) ix. ibid. (7) x. ibid. (17) xi. jankelevitch (103) xii. for a piece in four-four time signature: four beats for every measure of music. xiii. number of beats per minute of a piece of music. xiv. see page 3 for a description of these terms. xv. kramer (346) . xvi. davis, miles, " i f i were a bell," jazz showcase, original jazz classics, 1998 xvii. drums, bass, piano, guitar: responsible for maintaining the tempo of a piece of music in jazz, with the bass as primary time keeper. xviii. ibid. (71) xix. jankelevitch (102) references bergson, henri. time and free will: an essay on the immediate date of consciousness, trans, pogson, f. l., eighth edition, redwood press limited, london, 1971. davis, miles. " i f i were a bell," jazz showcase, original jazz classics, 1998. epperson, gorden. the musical symbol: a study of the philosophic theory of music, iowa state university press, ames, ia, 1967. jankelevitch, vladimir, music and the ineffable, trans. abbate, c, princeton university press, princeton, nj, 2003. kramer, jonathan d. the time of music: new meanings new temporalities new listening strategies, schirmer books, new york, ny, 1988. m u s i c a l t i m e list of a r t w o r k images of the blue koran c o u r t e s y o f t h e p r i v a t e s l i d e c o l l e c t i o n o f s h e i l a s. b l a i r a n d j o n a t h a n s. b l o o m , b o s t o n c o l l e g e lyndon johnson's last state of the union address © w a l l a y m c n a m e e / c o r b i s president kennedy at a press conference © b e t t m a n n / c o r b i s national governor's association meeting © r o n s a c h s / c o r b i s simon'stown in south africa © s t u a r t w e s t m o r l a n d / c o r b i s mosquito © jean g r a m i n h o / s x c rainforest mossman george port © a n g u s w u r t h / s x c don quixote de la mancha © a l f o n s o d i a z quit staring. . . © l a y t o n f i n d l a t e r temple of juno at paestum © n a t h a n i e l c a m p b e l l mark rothko's works exhibited at the guggenheim museum in bilbao, northern spain © a l f r e d o a l d a i / e p a / c o r b i s boot © a l i l a t / s x c playboy bunny by andy warhol © a n d y w a r h o l f o u n d a t i o n / c o r b i s a w e a l t h o f e v i d e n c e ! the identity of the man commemorated at sutton hoo d i m i t r i p h i l l i ps t h e h i s t o r y o f e n g l a n d d i d n o t b e g i n w i t h t h e i n d u s t r i a l r e v o l u t i o n a n d n o t e v e r y t h i n g s u p p o s e d a b o u t t h e a n g l o s a x o n s r e d u c e s t o t h e m y t h o f k i n g a r t h u r a n d t h e r o u n d t a b l e . c o n t r a r y t o c o m m o n l y h e l d b e l i e f s , t h e d a r k a g e s o f t h e n o r t h w e r e f u l l o f s p l e n d o r a n d b r i l l i a n c e ; t h e o n l y t h i n g d a r k a b o u t t h e m i s t h e i r e n s h r o u d e d h i s t o r y , b u t t h a t o n l y m a k e s t h e m a l l t h e m o r e f a s c i n a t i n g . t h e g r e a t b u r i a l m o u n d a t s u t t o n h o o i n e a s t a n g l i a , d i s c o v e r e d j u s t b e f o r e w o r l d w a r i i , s h i n e s a s o n e o f t h e m o s t g r a n d i o s e s e p u l c h e r s i n h i s t o r y , y e t t h e i d e n t i t y o f i t s o c c u p a n t r e m a i n s a m y s t e r y . w a s i t a w e a l t h y m e r c h a n t , a w a r r i o r f r o m o v e r s e a s , o r a g r e a t k i n g ? t h i s p a p e r g a t h e r s , p r e s e n t s , a n d s c r u t i n i z e s t h e e v i d e n c e a n d a r g u m e n t s f r o m a n c i e n t r e c o r d s , o p u l e n t g r a v e g o o d s , a n d c o n t e m p o r a r y i n v e s t i g a t i o n s i n a n a t t e m p t t o d e t e r m i n e t h e m o s t l i k e l y c a n d i d a t e f o r t h e i n d i v i d u a l i n t e r r e d i n m o u n d 1 a t s u t t o n h o o . i n t r o d u c t i o n from the very moment of the gravefield's discovery in 1938, sparks of controversy have surrounded the identity of the person commemorated in what was to be named mound 1 of the sutton hoo cemetery, the most lavish and magnificent burial mound yet uncovered in anglo-saxon england. on their visit to the site in 1939, hector chadwick said to charles phillips, "it's the grave of king raedwald you know. i've no doubt of that."1 chadwick may have had no doubt— shortly thereafter he wrote a paper defending his position"—but others after h im have doubted this assertion, and it is still an unresolved question appearing at the head of most considerations of sutton hoo. while some claim the question to be inconsequential,1'1 the reconstruction of history, art, and culture depends on such pivotal questions as much as on anything else. the development of a more precise chronology, an understanding of the culture of kingship and of pagan religious practices, and, of particular significance to the period under scrutiny, an appreciation of the meeting point of paganism and christianity, are all spheres of study that may benefit from a more precise identification of the person honored in the greatest grave at sutton hoo. at the same time, these areas must actually assist i n the very task we undertake, and one must carefully sift through the literary and archeological evidence accumulated since its discovery to see in what ways the evidence complements and augments, supports and is supported by, our understanding of these key areas of investigation. d a t i n g t h e m o u n d ! c h r i s t i a n or pagan? first, we must establish a chronology of the mound, and the most useful find for this task is the horde of 37 coins of merovingian origin and three unstruck blanks, as well as two ingots. that they are all of foreign origin should not be surprising, as there is no evidence of coinage amongst the anglo-saxons from so early a period. l v five of the coins bear the name of a ruler, the latest of whom is the frankish theodebert i i , who died in 612 ad. although most archeologists favor a date in the 620s for the coins, individual study of the gold content of the four latest coins would allow for a latest mint date as early as 615-16.v the far end of the date range is more difficult to determine. some have argued that the burial could not have taken place more than 30 years after the lower l imit , 615 ad, because coins more fresh from the mint would certainly have been utilized. a more complex investigation, however, must take into account the state of christianity in anglosaxon england around the time in question. st. augustine, sent by pope gregory, arrived in england in 597 a d v 1 and was drastically effective in converting, or rather re-converting, its heathens. by 601, after augustine had baptized king ^ethelberht, churches were established in kent, which led to the conversion of saberht of the east saxons in 604. while both of these kingdoms relapsed for a short time into paganism after the deaths of their monarchs, christianity was quickly revived. ^ethelberht also made attempts in east anglia, but the anglian king raedwald is said to have accepted christianity only halfheartedly. it was not unti l his son, sigeberht, came to power as early as 631 ad that east anglia was fully opened to the christian life. northumbria was effectively converted by 630, though it, too, suffered ephemeral relapses into paganism. overall, christianity had a fairly tight hold on most of anglo-saxon england by 635-40 ad. it is unlikely that the newly-christian kings would have received an extravagant funeral containing so many gravegoods and a ship, a horse, or a cart buried in the ground with them. while there are examples of christian kings having lavish funerals, even—or more accurately, especially—in rome, as one moves north, christian burials tend to be plainer, with few, i f any, grave-goods. the discovery of the great christian burial at prittlewell may be a strong argument for extending the prevalence of christian burials sharing in previous pagan traditions further into the 7th century. the goods at prittlewell, however, were of far more simple and even meek design and embellishment, distinguishing that site decisively from sutton hoo. more important, however, is that the advent of christianity e l e m e n t s s p r i n g 07 brought with it the tradition of burying the faithful dead in consecrated ground in or near a church. mound i , besides being a very rich barrow, was located in the cemetery of sutton hoo, which was most definitely not consecrated ground in the early 6th century. a complication, however, is the inclusion in the burial of artifacts like the anastasius dish and the spoons marked with "paulus" and "saulus" that carried christian overtones. one possible solution is that the pagan king or his family hoped to derive some benefits from them, just as some pagan kings like rsedwald had done when they maintained the altar to christ alongside those of the pagan gods.vh another answer appeals to psychology: even i f the pagans perceived the christian connotations of the artifacts, there is little reason to believe they would have refrained from adding these rich and valuable objects to the burial mound. they probably gave little thought to the actual claims of the christian religion. i f so, they would not have feared, loathed, or even thought twice about the christian symbolism in the objects, but used them solely because of their splendor. just as people today wear halloween costumes of vampires, zeus, or pallas athena because they do not believe them to be real (while even a skeptic today would think twice of dressing up like jesus christ for halloween), in a like manner, those left to arrange the funeral did not believe in christ and would have had no problem dressing up their fallen king with some christian artifacts. a royal b u r i a l ? it must, therefore, be concluded that mound i honored one of the anglo-saxon kings who died between 615 and 640 ad. but why must it be a king? indeed, why even someone mentioned in literary record? the second question, though perhaps valid, leads us to a skepticism that precludes any further investigation. the first is a more valid and relevant question that cannot be ignored. many arguments have been proffered to prove that mound 1 at sutton hoo is a "royal" burial, the most famous being rupert brucemitford's three-volume study of sutton hoo, particularly his 10th chapter. a summary review of the evidence is obligatory, and it may even help develop the case in unexpected ways. for example, while some say that the small number of coins is a hint that this was the burial not of a king but of a merchant or soldier, others note that the 40 coins are just part of the total riches of the grave. the gold and silver content alone, shoenfeld points out, puts sutton hoo at the forefront of late antique and early medieval precious metal hordes in all of europe, including byzantium. v u l the shield has elements, such as gilded fittings, that point toward a ceremonial use. according to literary sources, only noblemen and warriors supported by the king were fortunate enough to have the protection of byrnies (long, sleeveless chain mail tunics) like the one found in the burial chamber. lx legal evidence confirms that gold-hilted swords were considered the property of great lords; men of lesser rank rarely acquired them. x according to the ripuarian laws, a normal helmet was worth six solidi. this particular helmet, however, adorned with crest, nasal, moustache and eyebrow attachments made entirely of gold, was certainly more valuable (see figure a on next page). one may claim that the presence of a mail shirt or a sword is not enough to declare it a king's grave, but the presence of a mail shirt and a gold-hilted sword, as well as a half-dozen other fantastic military supplies should put the matter to rest. a man of lower rank might have been able to acquire a distinguished sword, but that the same man also acquired a shield, byrnie, and helmet, and all the other great artifacts, is, to say the least, difficult to believe. finally, the lack of any signature female grave-goods and the profusion of military implements show it to be a man's burial. objects of foreign origin or influence further upgrade the status of the man buried at sutton hoo. the hanging a w e a l t h o f e v i d e n c e : t h e i d e n t i t y o f t h e m a n c o m m e m o r a t e d a t s u t t o n h o o f i g u r e a e l e m e n t s s p r i n g 07 bowls with running spirals and peltas, along with zoomorphic terminals, may be found i n both celtic and anglosaxon traditions, but the red enamel and millefiori inlay work, rather than germanic cloisonne, seem to point to irish craftsmanship and indicate heirloom value/ 1 michael ryan has demonstrated a number of other connections that can be drawn between objects found at sutton hoo and irish metalwork. x n the purse l id is embellished with several figural plaques, two of which depict a figure, flanked by two beasts, that associate the purse with la tene and asian traditions, and may in fact be traced all the way back to the master of beasts mot i f born most likely in mesopotamia. the heavy bronze bowl from the coptic region in egypt and the anastasius dish from byzantium are excellent examples of the travel of goods through trade and gift-exchange. furthermore, as edward schoenfield and jana schulman have noted, "in addition to sentimental value, an aesthetically pleasing object has a great deal of 'snob' value."x 1 u possession of extravagant items both foreign and native and valued by others, is an impressive show of wealth and power. furthermore, one cannot but marvel at the amount of skill and labor necessary to construct and transport the 89-foot ship, the largest from that era unearthed in northern europe to date. as gillmor has estimated, "twelve men working together could finish [such] a war ship in three months i f all the building materials had been gathered in advance,"x1v but, of course, they would not have been, and the cutting of trees and digging up of ore would have taken years. indeed, the use of a ship burial of any kind almost certainly indicates a regal burial. the second great east anglian cemetery at snape, just north of sutton hoo and overlooking the aide, also boasts a number of ship burials, the greatest of which begs comparison with sutton hoo: "the snape ship was of clinker build and riveted construction, identical to that used in the sutton hoo mound 1 ship." x v looking further afield to denmark, with its plentiful written records, one finds two distinct levels of burial customs: the upper class and the regal. the former would most likely be a lower lord or noble warrior, whose burial was furnished with aids like a horse, riding equipment, food for the journey to valhalla, and weapons for entertaining battle games in odin's ha l l . x v l these graves never contained helmets or mail shirts. the regal burials, on the other hand, were far more splendid, often containing a number of horses, and possibly even men, who were conceivably the king's entourage, such as cupbearers and marshals. these graves would also contain a ship, along with riches, goods, and unusually fine weapons x v i l finally, we must address the so-called standard and the whetstone. many have attempted to associate this 1.5-meter-long iron stand with the tufa, or standard, that the venerable bede says king edwin of northumbria carried before h im in battle and might have left with rasdwald during his exile, but recent finds make this unlikely. no traces of fabric or textile can be found on the stand, and a critical examination of the design reveals that it does not fit the requisites for attaching a standard. the whetstone, on the other hand, is far more promising, especially after the correction that placed the ring and stag on its extremity, rather than on the long iron stand. the persistent belief first that this object was a scepter was first argued by bruce-mit ford x v m the strongest argument against this is posed by michael wallace-hadrill in connection to the a w e a l t h o f e v i d e n c e : t h e i d e n t i t y o f t h e m a n c o m m e m o r a t e d a t s u t t o n h o o miniature whetstone found in a child's grave at sancton. x l x it is possible, however, that the child was of royal descent, or that the miniature whetstone is equivalent to what we would call a toy gun today. despite this evidence, the whetstone remains just one indication among many that mound i at sutton hoo is a royal burial. even i f one makes an exception for the whetstone, or claims that a commoner could have acquired a sword or byrnie, or that the purse and coins seem to reflect a merchant rather than a king, the burial contains not only a whetstone, nor only an extravagant sword, nor a purse with 40 coins alone, but the amalgamation of these and many other unusual and magnificent objects. in the end, to maintain the position that the burial is that of a very unusual merchant rather than of a unique— though not unusual or unreasonable—king creates more questions than it answers. e a s t a n g l i a o r e a s t s a x o n y ? having thus established mound 1 as a royal burial, it is time to consider the great anglo-saxon kings of the early 6th century. first, we examine the strength and durability of the arguments that place sutton hoo in east saxony as opposed to its commonly agreed location in east anglia. the main argument is that none, or very few, of the grave-goods i n the barrow were specifically east anglian, as they exhibit continental, kentish, or even east saxon styles.xx it must first be noted, however, that the rite of ship burial has been satisfactorily linked with scandinavia, where the east anglian affiliations lie. also, it wi l l be recalled that the accrual of foreign goods, whether from near or far, was considered a pompous display of wealth and power. furthermore, it has been shown that the east anglian styles, particularly the dress styles, were not absolutely distinct from other styles: "indeed, we should presume a greater mixing of people than suggested by bede, and we should not presume that distributions of ethnic groups, as defined by dress styles, coincided with political territories." x x l although some of the ornament on the jewelry, such as the zoomorphic filigree, "knotted snakes," and triangular buckles, have ties with the east saxons and with kent, other ornamental devices, like the "perforated animal body," "compact all-over animal interlace," and "processions of interlocked animals" are found almost exclusively in east angl ia . x x n broadening the search reveals more complex and seemingly contradictory evidence: snape, located just north of sutton hoo, is predominantly anglian i n grave-goods, while the contemporary cemeteries in ipswich, and the boss hall cemetery, south of sutton hoo, are all characteristically anglian.™ 1 1 the styles, designs, and ornament of the grave-goods i n mound 1 of sutton hoo are not definitive in establishing a connection with either the east anglians or the east saxons, so other sources must be consulted. the piece of evidence most often cited in this regard is the passage from bede: "sigebert was succeeded in the kingdom by suidhelm, the son of sexbald, who was baptized by the same cedd, in the province of the east angles, at the king's countryseat, called rendlesham, that is, rendil's mansion; and jethelwald, king of the east angles, brother to anna, king of the same people, was his godfather. " x x w this succession took place around 655 ad, this being a different sigebert than the east anglian sigeberht who ruled c. 631-35. thus, by the mid-7th century, suffolk was most certainly under east anglian dominance, though some contend that the territory might have been under dispute earlier in the century between the east saxons and east anglians. there are a number of problems, however, with this hypothesis. in the first place, sutton hoo was used continuously from the end of the 6th century well into the 8th century. i f the east saxons originally held the gravefield, even up until 620 or 630, and lost it to the east anglians, it is highly implausible that the latter people would continue to use it for their own dynasty. more importantly, the cemetery as a whole does not fit neatly into what is known of the history of the east saxons, but fits remarkably well within the history and culture of the early east anglians. recently, the study of east anglia has increased significantly, not only the study of sutton hoo and snape, but also of the recently excavated boss hall and buttermarket cemeteries, as well as the reevaluation of the hadleigh road cemetery in ipswich. much remains to be published, but preliminary reports point to certain similarities and differences among these cemeteries that may reveal the true nature of sutton hoo. snape and sutton hoo parallel each other in location (overlooking a river estuary), in the use of existing earthworks (the "swamping" of bronze age barrows at snape), in the attempts to place graves along linear banks and ditches, x x v and, of course, in the lavish ship burial. yet in this last similarity a delicate disparity has been noticed. at snape, the majority of burial mounds should properly be called 'average' anglo-saxon graves, x x v l while sutton hoo is predominantly composed of two types of graves. on the one hand, there are the impressive and costly burial sites of the upper class, and on the other the humble, inferior graves of their servants: the class distinctions are clear and possibly even programmed. as martin carver puts it, "this is no 'folk cemetery' which developed extravagant burial styles in its later phases, but a 'separated' cemetery, reserved for the elite, where to gain entry you must either belong to the aristocracy or be co-opted into their ideological drama." x x v u furthermore, snape was used from the end of the 5th century to the end of the 6th century, while sutton hoo began its run around 600 ad, and though it was used well into the 8th century, the period of regal splendor was relatively short, as the coming of christianity brought with it a clear simplification of burial practices. w h i c h k i n g ? the east anglian dynasty was born out of the wuffmgas, named after their father, wuffa, father of tytil and grandfather of rsedwald, who probably died in the third quarter of the 6th century. tytil most likely died just before the turn of the century, for raedwald appears to have commanded the wuffmgas from 600 a d , x x v m becoming a great and powerful king, worthy of mention among the list ofbretwaldas found i n the ecclesiastical history**1* and the anglo saxon chronicles.xxx some claim that this bretwalda title has no basis, and that the chronicler simply copied what was really an invention of bede's—the addition of kings to the list from purely personal, ulterior motives. perhaps the list in the anglo saxon chronicles does depend upon bede, but bede did not use the term bretwalda (meaning "lord of britain"). the chronicler may have thought it appropriate to give some title to the positions implied by bede and thus divined from his imagination the term bretwalda. it is more likely, however, that it was a term already i n use, whether as an official title or as an acclamation called out in the mead-halls at the king's approach. furthermore, no one has discerned any specific bias in bede's list; i f anything, the list admits of authenticity in giving claim to the power and dominion in england of rsedwald "the heretic". ultimately, "this list perhaps flattered the power of some kings and ignored that of others, but for our purposes the important point is the fact of such an ascendancy . . . behind the power of a bretwalda was the memory of the political unity of britain under the romans."xxx1 rsedwald was certainly pagan and probably only accepted christianity initially on ^thelberht's account, quickly reverting after his own ascension as bretwalda.^*11 east anglia was almost certainly pagan from the 5th century, i f not earlier, unti l at least the early 630s when sigeberht came to power. essex was more or less christian in the early 600s after saberht converted in 604 and, aside from a short relapse around 620 propelled by saberht's sons, continued to be christian thereafter. early sutton hoo, as exemplified in mounds 1 and 2, was, as shown above, a great pagan burial ground and, therefore, far more appropriate to the rising east anglian power under the pagan rsedwald than to the christian east saxons led by saberht. for similar reasons, we can rule out sigeberht of east anglia, who, as a devout christian brought up in gaul, actually relinquished the throne in rendlesham around 633 ad to enter a monastery. x x x l i l his contemporary ecgric ought also to be supposed a candidate, i f only we could determine just who he was. bede mentions h im only once, relegating h im to a minor supporting role in the story of his a w e a l t h o f e v i d e n c e ! t h e i d e n t i t y o f t h e m a n c o m m e m o r a t e d a t s u t t o n h o o cousin, the pious sigeberht. x x x l v it is possible that he is the same as the edric of the historia brittonum (philologically comparable to elric as a late form of yethelric), a theory supported by the fact that the list of kings in the historia brittonum appears to have a number of variant spellings that could be the result of philological change, scribal error, or just plain indifference. x x x v i n such a case, ecgric married hereswith and sired king ealdwulf, which would place h im in high enough regard to receive a great kingly burial, but also among pious and devoted christians. such an identification is problematic, however, as ealdwulf appears to have lived possibly as late as 713 a d , x x x v 1 which would make h im an improbably long-lived man, even by contemporary standards! furthermore, we know that anna ruled following the deaths of ecgric and sigeberht c. 635 ad and was certainly a sincere christian; he probably gave both the devout sigeberht and ecgric—whatever his true identity— christian burials. that leaves rsedwald, his son eorpwald, and the latter's murderer, ricberht. eorpwald is an unlikely candidate for mound 1 of sutton hoo: he was a christian, converted just before his death through the influence of edwin of northumbria , x x x v n and reigned but a few short years, being murdered around 627 ad by ricberht, a shadowy figure whom bede clearly disfavored and who may have taken control of east anglia after slaying eorpwald. according to bede: some time after this, it happened that the nation of the mercians, under king penda, made war on the east angles; who, finding themselves inferior in martial affairs to their enemy, entreated sigebert to go with them to battle, to encourage the soldiers...hoping that the soldiers would be less disposed to flee in the presence of him, who had once been a notable and brave commander.xxxvm on the basis of this passage, some have argued that sigeberht may have "taken his throne by force of arms, i f so presumably from the 'pagan called ricberht. " ' x x x 1 x furthermore, i f eorpwald was killed in a pagan reaction "raewald alone remains and indeed all the evidence converges on him." against his recently-adopted christianity, ricberht may have led the revolt, which would be a further reason to assume he took the crown thereafter and a sound reason to argue that ricberht might have received a royal pagan burial from the grateful heathen people of east anglia. this argument, however, breaks down once the pious sigeberht succeeds to the throne: sigeberht would not have given ricberht, the pagan assassin of his half-brother eorpwald, a royal burial. c o n c l u s i o n rsedwald, then, remains, almost by default. the gravegoods of the burial mound indicate a royal burial, and, along with the historical records, the list of possible kings comes from the east anglian dynasty between 615 and 635 ad. eorpwarld was a short-lived, minor king, unlikely to receive a luxurious burial from his assassin and successor, ricberht. neither would have sigeberht and his brother ecgric, who together subdued ricberht, been accorded a royal pagan burial as a consequence of the coming of christianity. rsedwald alone remains and indeed all the evidence converges on him. he was the greatest of the kings of east anglia, the only one worthy of mention among the northumbrians and rents in the list of bretwaldasa he fought and won a great battle against ethelfrid of northumbria and put edwin on the throne x l 1 and held his power for over 20 years. he was the first to be introduced to christianity, most likely in 618 at the court of ^thelberht of kent, from which the spoons marked with "paulus" and "saulus" perhaps came. and who would be left to bury the great king rsedwald around 625 ad? doubtless it would have been his son, eorpwald, and his wife, nameless, whose unyielding adherence to the ancient gods, as presented in the ecclesiastical history, marks her as definitively e l e m e n t s s p r i n g 07 pagan. x l n she would have made it a point to render raedwald a rich pagan burial, perhaps as a deliberate attack on christianity through a remarkable display of high pagan rites. thus, in the end, hector chadwick's f irm assertion holds true, and in the absence of any new (and what would certainly be revolutionary) evidence, we can only conclude that king raedwald's final resting place on earth was mound i at sutton hoo. e n d n o t e s i . pearson (27) i i . chadwick (76-87) i i i . carver (349) iv. kendall and wells (3) v. pearson (29) vi . bede (i.xxv) v i i . bede (ii.xv) v i i i . kendall and wells (19) ix. kendall and wells (19) x. kendall and wells (19) xi . kendall and wells (33) x i i . ryan (122) x i i i . kendall and wells (24) xiv. kendall and wells (20) xv. filmer-sankey and pestell (194) xvi. kendall and wells (161) xvii . kendall and wells (162) xvii i . bruce-mitford (689) xix. kendall and wells (85) xx. pearson (41) xxi. pearson (39) xxii. pearson (44) xxii i . pearson (37) xxiv. bede (iilxxii) xxv. filmer-sankey & pestell (265) xxvi. filmer-sankey & pestell (265) xxvii. carver (363) xxviii. bruce-mitford (696) xxix. bede (ii.v) xxx. the anglo-saxon chronicles (827) xxxi. mayr-harting (18) xxxii. mayr-harting (65) xxxiii. bede (iii.xviii) xxxiv. bede (111.xviii) xxxv. bruce-mitford (702) xxxvi. bruce-mitford (695) xxxvii. bede (ii.xv) xxxviii. bede (i l l .xvi i i ) xxxix. bruce-mitford (701) xl. bede (ii.v) x l i . bede (ii.xii) x l i i . bede (ii.xv) r e f e r e n c e s bede. 1910. the ecclesiastical history of the english nation. trans. j. stevens. new york: e.p. dutton. bruce-mitford, rupert. 1975-83. the sutton hoo ship burial, 3 vols. london: british museum publications. carver, m.o.h. , ed. 1992. the age of sutton hoo: the seventh century in north-western europe. suffolk: boydell press. chadwick, h . m . 1940. "the sutton hoo ship burial: who was he?" antiquity, 14. filmer-sankey, wil l iam, and t i m pestell. 2001. snape anglosaxon cemetery: excavations and surveys is2^-igg2. ipswich, suffolk: environment and transport, suffolk county council. kendall, calvin, and peter wells, eds. 1992. voyage to the other world: the legacy of sutton hoo. minneapolis: university of minnesota press. mayr-harting, henry. 1991. the coming of christianity to anglosaxon england. university park, pa: pennsylvania state university press. pearson, michael, robert van de noort, and alex woolf. 1993. "three men and a boat: sutton hoo and the east saxon kingdom." anglo-saxon england, 22. ryan, michael. 1991. "links between anglo-saxon and irish early medieval art; some evidence of metalwork." studies in insular art and archeology. oxford, ohio: american early medieval studies and the miami university school of fine arts. the anglo-saxon chronicles. 2000. trans. michael swanton. london: phoenix. yorke, barbara. 1985. "the kingdom of the east saxons." anglosaxon england, 14. yorke, barbara. 1990. kings and kingdoms of early anglo-saxon england. london: seaby. a w e a l t h o f e v i d e n c e : t h e i d e n t i t y o f t h e m a n c o m m e m o r a t e d a t s u t t o n h o o l e s s o n s i n s u s t a i n a b l e d e v e l o p m e n t ! monteverde, costa rica b e r n a r d z l p p r i c h i n a u g u s t 2 0 0 6 , 16 b o s t o n c o l l e g e s t u d e n t s s p e n t t h r e e w e e k s t r a v e l i n g t h r o u g h o u t c o s t a r i c a s e e k i n g t o u n d e r s t a n d h o w t h e c o u n t ry h a s d e v e l o p e d e c o n o m i c a l l y w h i l e p r e s e r v i n g i t s r a i n f o r e s t s a n d b i o d i v e r s i t y . m a n y o f t h e a n s w e r s w e r e f o u n d h i g h i n t h e h i l l s o f t h e c o u n t r y ' s c o n t i n e n t a l d i v i d e i n m o n t e v e r d e w h e r e c o n s e r v a t i o n a n d " e c o t o u r i s m " h a v e m a d e p o s s i b l e a n i n n o v a t i v e m o d e l f o r d e v e l o p m e n t : a m o d e l b u i l t u p o n t h e c o m b i n e d e f f o r t s o f p r i v a t e e n t i t i e s , g o v e r n m e n t a g e n c i e s, a n d i n t e r n a t i o n a l p a r t n e r s . i t is a m o d e l t h a t is r e f l e c t i v e o f t h e t r e n d s a t p l a y n a t i o n w i d e . t h i s p a p e r e x a m i n e s n o t o n l y c o s t a r i c a ' s c u r r e n t a p p r o a c h t o s u s t a i n a b l e d e v e l o p m e n t t h r o u g h t h e l e n s o f m o n t e v e r d e b u t a l s o i t s d i f f i c u l t i e s w i t h i n t h e p r e s e n t m o d e l a n d t h e c h a l l e n g e s a h e a d b a s e d o n c o m p e t i n g v i s i o n s f o r t h e f u t u r e . h i s t o r i c a l o v e r v i e w by the 1980s, deforestation rates in costa rica were among the highest in the world. after years of clearing away rich rainforest to make room for small-scale agriculture, the trend peaked in 1983—at which point 75 percent of the country's forests had been lost. for much of the early to mid-2 oth century, many costa ricans followed the same strategy as early american pioneers. they cleared unused land for pasture and kept livestock or grew crops on it in order to feed the family and sell the surplus. strong squatters' rights gave farmers much leeway to clear patches of rich forest and to cultivate it for small agriculture. furthermore, rainforest topsoil is generally shallow and infertile, capable of supporting agriculture for only a few years; consequently, as long as this approach to development continued, forest was being cleared faster than it could possibly regenerate, posing serious challenges to the country's biodiversity. though the government recognized the problem a decade before deforestation peaked, efforts aimed at reversing the trend largely fell short. the country thus found itself in a precarious situation. not only was the prevailing philosophy of development-bydeforestation leading the country towards environmental ruin, it was also not working. despite the huge environmental losses, life for the average costa rican family did not improve much. on the other hand, for costa rica today, it is a much different story—one told best by a small town nestled among the cloud forests high in the hills of the country's continental divide: monteverde. the story of monteverde's transformation from out-of-theway farming town to bustling ecotourist hub parallels the similar changes nationwide. the area today draws thousands of visitors each year who come to see the rare cloud forest reserves and their exceptional biodiversity. reflective of the trend nationwide, the development of ecotourism has driven countless costa ricans to give up the fields to drive cabs and to work in hotels, jobs that typically pay better than agricultural work. the once quiet community has become a burgeoning tourist hub, a development that has placed a strain on the area's natural resources, including the very cloud forests that initiated the transformation. underlying this transformation is a fundamentally different philosophy for development built upon the principle of sustainability and the recognition that conservation is a service to society. from this foundation, a new model for economic growth—the "monteverde model"—has emerged, characterized by a unique blend of private entities, international partnerships, and government policies, all working in concert to improve the lives of the country's people and to safeguard its environmental treasures through sustainable growth. though this model has allowed costa rica to become the most prosperous country in central america, serious questions still remain for the country and monteverde ahead. how wil l it continue to develop without undermining the very environmental assets that made it all possible? in other words, how can monteverde continue to develop economically in a sustainable way? a h e a d of t h e c u r v e although the trends at work today throughout costa rica run parallel with those of monteverde, at the point deforestation was at its worst nationwide, monteverde was already ahead of the curve. in 1970, a group of ornithologists arrived in monteverde to study the exotic birds found in the area's cloud forests. after recognizing the area's exceptional biodiversity, the scientists approached the tropical science center (tsc), a costa rican organization, and worked to secure 4,000 hectares of forest, which formed the basis of the original monteverde cloud forest reserve. in the 1980s, this reserve was joined by the bosque eternal de los niiios (ben)—in english, the children's eternal rainforest. established by another group, the monteverde conservation league, the land was purchased with funding from foreign donors, including school children in sweden and the united states. these two reserves were joined by e l e m e n t s s p r i n g 07 two smaller ones also in the area: the santa elena cloud forest reserve, reportedly established when the government foreclosed on a farmer's land, as well as another small reserve, set aside in the 1950s by a group of quaker settlers. together, these reserves filled the void in conservation left by the government and provided the initial impetus for transforming monteverde into the ecotourist mecca it is today. d e b t f o r n a t u r e when the government found itself with a weak economy and unable to repay debts from earlier national development projects, it capitalized on foreign interest in conservation by renegotiating repayment terms with creditors. under the new agreements, foreign donors would assume part of the costa rican debt in exchange for the government conserving land of comparable value. "debt-fornature" led to the establishment of a national park network, providing the foundation upon which the ecotourist industry emerged. when the economy picked up in the early 1990s—due in part to the success of these agreements—creditors decided that the country could repay its debts the usual way and "debt-for-nature" largely ended. nonetheless, the value of conservation economically and socially had been recognized, an insight that was not forgotten i n the years that followed. t h e m o n t e v e r d e m o d e l t o d a y reflective of the lessons learned from "debt-for-nature," the cornerstone of the government's conservation efforts lies in environmental service payments (esps). based on the philosophy that conservation and sustainable land use is a service to society worthy of compensation, landowners can receive subsidies for protecting tracts of forest, reforesting sensitive areas, and integrating farming with tree preservation, a practice known as agroforestation. to amplify the program's social and biological benefits, more money is channeled to impoverished areas and biologically sensitive areas, often in order to create biological corridors. the program, initiated i n 1996 and coupled with several other government efforts, has been tremendously successful in restoring forest and improving the quality of life. in recent years, five billion coloncs ($100 million) have been directed towards impoverished regions. in 1983, only 26 percent of the rainforest was left intact. in 1996, forest cover had recovered to 40 percent, reaching 45 percent in 2000. with the government taking the lead on conservation and land prices rising exponentially, many of the private entities that formerly led the way towards the new model in costa rica have either cashed in on their success or reinvented themselves to serve new purposes. the tropical science center, which discontinued expansion of the monteverde cloud forest reserve two decades ago, has particularly embraced the commercial potential. visitors now pay over $20 (payable in the local currency and u.s. dollars) for a guided tour of the park. the arrangement works out particularly well for tour guides who receive a significant cut of the fees. this approach is in contrast to that of the monteverde conservation league, which has focused less on promoting ecotourism at the ben and more on simply maintaining its current land holdings. a focus on education for a sustainable future is the underlying mission of another organization at work in the area, the monteverde institute (mvi). unlike the tsc and the league, the m v i was founded in 1986 with the express purl e s s o n s i n s u s t a i n a b l e d e v e l o p m e n t : m o n t e v e r d e , c o s t a r i c a pose of bringing foreign students, particularly undergraduates, to the area for study. during the 1980s, while it was still affordable, the m v i engaged in limited conservation activities. recently, however, as a result of the government's conservation efforts, increased land values, and a need to repay debts, the m v i sold its holdings and returned to its original focus on education. on the individual level, several local business owners, recognizing that they owed the success of their businesses to the environment underlying ecotourism, established the fundacion conservacionista costarricense (the costa rican conservation foundation) to conserve more land and to expand reforestation efforts. financed by the individuals' businesses as well as foreign donors, the foundation's most promising project is growing saplings for farmers to use on their fields for reforestation or to create windbreaks. farmers benefit when their cows produce more milk with less exposure to the wind and weather on the monteverde hills, while local bird species have additional tree coverage in which to nest and feed. though it is a small, local project, the government recently issued the foundation an esp grant, recognizing the group's agroforestry and reforestation work and further demonstrating the ways i n which private, government, and international efforts overlap for the model's success. a w o r k i n progress though costa rica is currently the most prosperous country in central america—in large part due to the success of the monteverde model—the present approach to economic development is not without its difficulties. with ecotourism bringing i n over a mill ion additional people to a native population of four mill ion each year, there is a tremendous strain on the country's natural resources— including the very environmental assets that the ecotourists come to see. monteverde is no stranger to this environmental strain; for many years, it lacked a municipal government to address needed infrastructure upgrades and issues of water and waste management. drug usage is also on the rise in costa rica, fueled in part by tourists engaging in illegal activities. years of poor land documentation have also complicated things, particularly for environmental service payments. frequently, more than one individual wi l l request funding for the same plot of land. though the government has worked to avoid paying two people for the same land, resolving these cases drains resources. this problem has also contributed to tensions between organizations working towards similar ends, such as the tropical science center and monteverde conservation league, which recently fought in a bitter legal dispute over the precise location of the boundary of the ben and montverde cloud forest reserve. further, as the prosperous economy now considers agreements such as the central american free trade agreement, free trade may pose challenges for costa rica's many farmers. agriculture is still a dominant economic force i n the country. in 2005, coffee, pineapples and bananas, the country's chief exports, contributed to a $7 bill ion trade surplus. however, with the united states and other countries insisting upon maintaining protectionist agricultural policies, signing the agreement may make it more difficult for costa rican farmers to compete. v a r y i n g v i e w s o n b u s i n e s s a n d t h e f u t u r e the biggest challenge to the present model comes in the form of the tension between two different philosophies on economic growth. a long-term approach seeks to ensure continued advancement, while a short-term approach focuses more on profits today, regardless of future sustainability. victorino molino is a local business leader in monteverde who helped found the fundacion conservacionista costarricense. he also owns the frog pond, a business that not only showcases costa rica's various frogs for tourists but also uses a portion of its profits to support the fundacion. molino often tells visitors, "since we make e l e m e n t s s p r i n g 07 money off of wildlife, i felt that we should give back to wildlife." in sharp contrast is the short-term approach of monteverde's beche family, which founded and recently expanded the largest hotel-resort in the area, the hotel el establo. though the facility places heavy demands on local resources, the family patriarch states, "my responsibility is to myself and family. i need to live happy." by placing greater emphasis on profits than sustainability, the beches have grown rich in ecotourism. their vision for the future of monteverde is to be in the mold of cancun. while the family patriarch argues that bigger facilities are actually better for the environment because they have to follow stricter environmental regulations, his business model raises valid concerns. i f development is pursued without regard to its ecological or communal impacts, how much can the local environment—that which made the development possible—sustain? yet most of the workers at the hotel el establo are earning more than their farmer parents ever could have imagined. though not in the ecotourism industry, coffee growers in monteverde are also benefiting from turning to more sustainable and equitable business models. cafe monteverde, a growers' co-op, now sells its beans at fair trade prices. this allows them to receive higher, more equitable prices so long as they uphold certain labor standards for their workers. the co-op arrangement itself also benefits growers. by selling beans collectively, growers benefit from lower overhead costs and higher selling prices yielded through collective bargaining. although all of these efforts have made growers' lives better in the present, for them it is ultimately 109 l e s s o n s i n s u s t a i n a b l e d e v e l o p m e n t : m o n t e v e r d e , c o s t a r i c a about the future; the co-op invests a share of its profits into the schools attended by the growers' children, hoping that they can realize their own potentials in a prosperous future. in a broader sense, the co-op's efforts offer a possible solution for reconciling the short-term/long-term tension. by maximizing short-term profits without abandoning a longterm commitment to sustainability and development, the greatest benefits can be achieved. such a solution, however, is only possible through a continued commitment to sustainable development as the monteverde model evolves further. c o n c l u s i o n as the world faces challenges such as global climate change and as developing nations strive to raise the quality of life for their peoples, several questions frequently arise: given a country's limited natural resources, how does it ensure that economic advancement can be sustainable by future generations? how does a country improve the lives of its people without harming the environment in which those people live? how does a country develop in a sustainable way? for costa rica, despite the country's present successes, these questions remain as relevant as ever. as seen in monteverde, there is tremendous potential for positive development when international cooperation is brought together with government efforts and private initiatives. however, the bigger key to success is an underlying view that recognizes the economic value of sustainability and conservation for society. in the end, the real lesson to learn from monteverde's story is not only that sustainable development is essential to the long-term well-being of a nation, but also that much progress is possible when various actors in a country are brought together to work towards a common end. as seen in costa rica, it is an effort that makes all the difference. r e f e r e n c e s all facts and figures were collected firsthand during a threeweek course on sustainable development and environmental conservation in costa rica in august 2006. the trip was directed by professors charlie lord and peter auger. e l e m e n t s s p r i n g 07 l i s t o f a r t w o r k a m s o n n t a g , d e m 11.2. b e g i n g d i e k a t h o l i s c h e a k t i o n i m b e r l i n e r s p o r t p a l a s t e i n e p a p s t k r o n u n g s f e i er, m i t d e r g l e i c h z e i t i g e i n e m e h r f u r d i e o f f e n t l i c h k e i t b e s t i m m t e f e i e r z u e h r e n des n e u e n b i s c h o f s v o n b e r l i n d r . b a r e s , v e r b u n d e n w a r © bundesarchiv g e r m a n c a t h o l i c s p l e d g i n g a l l e g i a n c e t o t h e s t a t e © bettmann/corbis h i t l e r y o u t h © hulton archive/getty images freg e a l a p j e l e k © wikimedia l u d w i g j o s e f j o h a n w i t t g e n s t e i n t t x t 1 • a 1 * © h 9 hulton archive w o r d m a d e f l e s h © donald jackson/the st. john's bible/hil l museum & manuscript library/order of st. benedict, collegeville, m n s p i r a l g a l a x y m 1 00 © n a s a / s t s c l t o t h e e n d s o f t h e e a r t h © donald jackson/the st. john's bible /hil l museum & manuscript library/order of st. benedict, collegeville, m n e x c e r p t f r o m " f a r east a n d m i d d l e east t r i ps, 1967" ( c r n ' s h a n d w r i t t e n n o t e s ) courtesy richard nixon presidential library and museum i r a n i a n m o n a r c h m o h a m m e d r e z a s h a h p a h l a v i © apis/sygma/corbis p r e s i d e n t n i x o n s h a k i n g h a n d s w i t h s h a h o f i r a n © wally mcnamee/corbis e x p o s i t i o n o f v a r i o u s w o r k s by r e n e e d e s c a r t e s , p h o t o g r a p h , a r o u 1930 © hulton archive/getty images © time & life pictures/getty images saint thomas aquinas by fra b a r t o l o m d o © arte & imaggini srl/corbis k f c a n d m c d o n a l d ' s i n o l d t o w n a r e a o f s h e n z h e n © l i u liqun i m p l a n t a t i o n des e t a b li ss e m e n t s m c d o n a l d ' s , 2004 © atelier de cartographic de sciences po c o n s o m m a t i o n d e c a l o r i e s , 2002 © atelier de cartographie de sciences po f r i e d r i c h n i e t z s c h e c h i l d r e n q u e u i n g f o r f o o d © hulton-deutsch collection/corbis c h i n a h e a l t h i s s u es o b e s i t y © diego azubel/epa/corbis t r a n s c e n d i n g t r a d i t i o n a l g e n d e r b o u n d a r i e s defining gender roles through public and private spheres j a c q u i e s m y t h c o n t r o v e r s y o v e r g e n d e r r o l e s i s a m a j o r i s s u e i n c o n t e m p o r a r y s o c i e t y . t h e d e b a t e s s u r r o u n d i n g g e n d e r a n d s e x u a l i t y h a v e e x t e n d e d t o a r e n a s f a r b e y o n d t h e h o m e ; p o l i t i c a l p l a t f o r m s a n d r e l i g i o u s v i e w s h a v e i n h e r i t e d t h e t o r c h , c o n t i n u i n g t h e a r g u m e n t i n t o t h e 2 1 s t c e n t u r y . t h i s e s s a y w i l l s h o w t h a t t h e d i s c o m f o r t a r i s i n g f r o m t h e b l u r r i n g o f t r a d i t i o n a l b o u r g e o i s g e n d e r r o l e s w h i c h a l l o c a t e d p u b l i c l i f e t o m e n a n d p r i v a t e l i f e t o w o m e n i s a t t h e h e a r t o f t h e s e d e b a t e s . b y f o l l o w i n g t h e h i s t o r i c a l p r o g r e s s i o n o f t h e s e a r g u m e n t s a n d t r a c i n g t h e e s t a b l i s h m e n t o f g e n d e r r o l e s b a c k t o t h e i r r o o t s , t h i s e s s a y i n t e n d s t o b e t t e r t h e u n d e r s t a n d i n g o f b o t h t h e o r i g i n s o f t h i s d i s c o m f o r t a n d t h e a p p l i c a t i o n o f g e n d e r r o l e s t o d a y . for centuries, the roles of men and women have been changing, but not until recently have women demanded such equal treatment in the form of the right to choose abortion, the right to vote, and the ability to work in the business world. with these demands, women are reaching outside their traditional domains of home and family life, a shift that disrupts traditional patterns of gender distinction in the western world. the correlation between the men's and women's spheres of influence and the spheres of the public and private is strikingly apparent in european history. it is the blurring of these spheres that sparks the controversy evident i n present-day europe. the traditional image of the western european bourgeois male was that of a public figure. in the christian world, the head of each family was the father, who enforced the practice of christianity i n his home and ensured his family's church attendance. the churches themselves were primarily a man's world, with all leadership positions occupied by males. in business, men conducted financial transactions, handled the family's money, and entered into the job market either by opening his own business or by working as a laborer or tradesman. additionally, men in the family were often formally educated, gaining access to resources that women were denied. a woman's sphere, in contrast, was far more limited in the traditional bourgeois society. she was instructed to remain home so she could raise her children and provide their education. her involvement in politics was nearly nonexistent, as she was forced to identify herself with her husband's t h e t y p i c a l f e m a l e s p h e r e political stance. in business, her presence was felt very slightly, i f at all; perhaps she helped her husband by handling the money that circulated around the house for the purchasing of food or furniture. beyond the reach of the home, however, a woman was rarely seen, save i n a marketplace or walking with her children. her education focused around the maintenance of the home, rarely extending beyond her mother's knowledge, who educated her daughter in domestic tasks from a young age. these spheres were well defined: the stereotypically stronger figure handled the potentially harmful outside world, while the milder, gentler figure maintained the home. uneasiness accompanied any attempt to cross these spheres—an uneasiness that sparks discussions about the genders, their roles, and whether to maintain or break these spheres of influence. men and women have been engaged in this discussion for generations. before entering into that discussion once again, however, the assumption that forms the foundation of this argument must be discussed—namely, the establishment of gender-specific spheres of influence as a basis for european society. the gender roles outlined in this paper are not a natural establishment; they were created outside of nature as western society "modernized." in addition, these roles are clearly not inflexible, as demonstrated by the celtic community, which involved both men and women in its religious society, as well as the african tribes today that are matriarchal. thus, these spheres have a deeply rooted history but are not universal because they are taken solely from the views of middle-class society in modern europe. e l e m e n t s s p r i n g 08 however, these views on gender, while more widely disputed, are still evident in our own middle-class culture. this is clear by our continuing debates over the roles of women in the world of business and the home, as well as the role of a homosexual male in a woman's sphere. once one is able to examine these gender roles in their historical context, one is able to trace their development and their impact on the 21st century. jesus a n d g e n d e r roles uncertainty of gender began even with the icon of the christian religion. in response to male dominance in the church, some depictions of christ in art took on a more ambiguous tone. these images of "modern gay christs were serious attempts by homosexual men, and more rarely, women to find a way in to the fortress of christian dogma."1 women and gay men, who were alienated and feminized by many christian ideologues, tried to break into the predominately male-oriented world of christianity. these interpretations, as would be expected, were greeted with indignation and anger from many, i f not most, in the christian community. the adverse reaction to this interpretation was spurred by post-biblical ideals of the position of masculinity in christianity. in addition, as graham robb writes in his chapter entitled "gentle jesus," many "still widely assume... that jesus condemned homosexuality."11 at the same time, however, robb explains several ambiguous passages in the bible that imply a certain homosexuality in christ's relationship with his apostle john.111 the idea of a homosexual jesus evoked more of a negative reaction than did a sexually ambiguous savior, because "a sensual, heterosexual jesus was preferable to any sort of homosexual christ." l v in the case of christ, the fear that "men, leaving the natural use of the woman, burned in their lust toward one another"v overrode any fear that a man may have been depicted as a womanly man, as long as he remained heterosexual. the sexual sphere of a woman being the receiver was usurped and blurred by the homosexual relationship, therefore the possibility of christ's homosexuality was denied vehemently by those who upheld society's traditional gender spheres. instead, jesus was generally depicted as a gentle figure who crossed the boundaries of public and private life but remained heterosexual. jesus g a t h e r s his male c o m p a n i o n s m a l e f r i e n d s h i p s the power of public and private gender spheres can also be seen i n male friendships. the friendships described i n alan bray's the friend, which would, with a modern perspective, appear homosexual, were conducted " in a public sphere,"v1 and are thus made more masculine in the context of the male's sphere of influence. in the case of william neville and john clanvowe, their entombment together was a "hint of the formal and public context for their friendship," of which the monks in the church where they are buried were fully aware.v11 the acceptance of the practice of "sworn brotherhood" was based on the fact that it was a public affair; by asserting a masculine love for another man, one was not necessarily asserting homosexuality i f one did so in a public milieu. t r a n s c e n d i n g t r a d i t i o n a l g e n d e r b o u n d a r i e s political involvement also created a space for sworn brotherhood. bray explains that "friendship was dangerous, and it was so because [of what] friendship signified in a public sphere." v m the words dangerous and public together show a respect toward these relationships, particularly those made to further political alliances. friendships made based on political advantage existed precariously due to the lack of true love seen in relationships like that between william neville and john clanvowe. furthermore, these friendships often led to betrayals of trust and a false sense of camaraderie.154 because of the tight bonds seen i n the sworn brotherhoods between men with real affection and trust, political maneuvers attempted to capture that union and create strong alliances. this shows the general acceptance of the practice in politics, which gave "the appearance of friendship in the public eye that was itself a kind of currency that could be turned to advantage."54 in the 17th century, with the elimination of the public theater in the great houses of gentlemen and the invention of hallways "screening the sharing of beds at night from view,"541 the friendships and bedfellows that had previously been accepted now became private matters. what was considered vital in establishing a loving relationship between male friends, such as serving one another and having intellectual debates while together in bed, now became censured by the same people who would have previously rules o f g e n d e r force s c r u t i n y of m a l e r e l a t i o n s h i p supported sworn brotherhood. the services brothers would willingly have bestowed upon each other were "regarded not as indicative of intimacy but as menial or degrading" because they became associated with a woman's gender role.5411 with the privatization of the home, a woman's sphere began to take shape; the affairs of the household, like cleaning, caretaking, and child-rearing were now under her jurisdiction. this distinction threw sworn brotherhood into a different light because the bedroom became the private realm of a man and his wife and was no longer a place for a man and his male friend. the implications of this arrangement were serious, and accusations of sodomy became a threat for many as the crime of sodomy required the penalty of death.54111 a new ideal of friendship, then, had to be defined distinguishing those gestures two men could perform without any homosexual implications from those they could not. contrary to past relationships, kisses and displays of affection had to be curbed because they now became private. these actions, in conjunction with the development of a private space in the home, defined a place for the wife. sworn brotherhoods came too near this threshold to be acceptable. w o m e n i n p u b l i c l i f e this newfound sphere of the home as a private space is perpetuated in natalie zemon davis' women on the margins. davis finds, in maria sibylla merian and glikl bas judah leib, two women who successfully broke the bourgeois expectations of their sex in the 17th century. the first, maria sibylla, was a natural painter, both in a sense of skill and of subject. in pursuing her artistic schooling, "merian was a pioneer, crossing boundaries of education and gender to acquire learning on insects" while still remaining at home to take care of her daughters.x1v after leaving the labadist colony, which she joined after leaving her husband, merian and daughter dorothea traveled to suriname to study new insects. with only a loan, she did not have the extensive funding a man would have received i n her place.x v maria sibylla became the scientific and e l e m e n t s : : s p r i n g 08 artistic expert for the insects of suriname, despite not having the male benefits of being a royal botanist or a fellow of the royal society. " x v 1 her habits were "anomalous, traveling without men on strange business," painting insects throughout her journeys.™ 1 the wider community did not censure her choice of occupation, however, as would be expected. "only her status as a woman divorced under unusual circumstances seems to have been hard for her to present to the fallen world, " x v i i i davis writes. in fact, her work was praised and respected in the scientific and artistic community, even by men in the f ield. x l x the divorce of her husband was perhaps made less reprehensible within her community because it was done with religious inspiration and because she took her children with her. her sphere extended from a private home life to an integral role in a religious society, in which women were allowed to participate. from this community, merian entered the public sphere through travel, education, and scientific and artistic publications. davis' title, women on the margins, emphasizes the unusual success merian gained by breaking the traditional gender norms. the second woman mentioned, glikl, is representative of a nearly complete joining of both the public and private sectors of her life. she is also an example of a non-christian woman; she was jewish. in jewish society, women were known for their strength of character and assertiveness in both their private and public lives. while her husband haim was alive, glikl was an active participant i n his business, so much so that when he died, he felt no need to name a successor to his business because, as he said, "my wife knows about everything" related to his t raded davis writes, however, that "among the german jews, it was expected that women would work," x x l so glikl was not alone in her involvement i n the business world. she was unique i n her amount of travel, but for german jews, "traveling around to fairs did not detract from a woman's reputation."™ 1 owing to her extensive travel, glikl was highly educated, unlike many christian european women. there is evidence she knew at least yiddish, hebrew, french, and german, and was aware of political situations throughout europe. x x l u because glikl was so worldly, she was able to gain a reputation as a successful businesswoman. this achievement earned her a great number of suitors, whereas a christian woman in the same situation would most likely have been treated by men with spite and anger. christian women remained mostly within city walls and had limited exposure to business. i f a christian woman had performed the same acts as glikl, she would have been met with displeasure and social discomfort. glikl, on the other hand, was greatly respected and actually desired by jewish men. glikl's role as a mother exemplifies one similarity between christian and jewish expectations for women. she composed stories that were meant to educate her children and future generations. while christian women may have aided in the education of their children, they rarely wrote down their lessons for their progeny; instead, they relied on their children to pass on lessons to future generations. regardless of the method, however, both jewish and christian women were responsible for the education of their children. perhaps as a result of women like glikl, who were successful in taking over their husbands' businesses and integrating into the traditionally male sphere, jewish men were often depicted in a more feminine light within the christian bourgeoisie. daniel boyarin observes i n his unheroic conduct that jewish women "have enjoyed rather astonishing freedom, probably a result of their active role i n business and other public professions. , , x x i v because of their heavy involvement i n the financial world, jewish women were seen as powerful figures in their culture, while men were "retiring to private spaces."xxv the reversal of the typical christian bourgeois gender spheres may have contributed to the marginalization of the jewish community within europe. jewish "male ascetics were feminized through their rejection of the most basic cultural t r a n s c e n d i n g t r a d i t i o n a l g e n d e r b o u n d a r i e s "the reaction of the european bourgeois society to the reversed gender roles within the jewish community led to an overcompensation and the creation of the 'muscle few7—the zionist movement's proof ofjewish masculinity." expressions of male identity"—the public sphere. x x v l within the jewish community, this arrangement was accepted, and, in glild's case, desired. in contrast, "the bourgeois ideology . . . disenfranchised women even more by insisting that their only functions were to be decorative and reproductive, while earlier, more traditional jewish cultures stipulated a wide range of important public, economic activity for women."™ 1 1 z i o n i s m a n d d e f i n i n g t h e j e w i s h m a l e in the case of bertha pappenheim, her public appearances on behalf of women's rights in the jewish circle and beyond greatly threatened the sphere of the bourgeois man. while the wider european community upheld its traditional gender boundaries of women in the home and men in the public sphere, pappenheim's main crusade was to return judaism from its zionist habits to its traditional roots of powerful women and passive men. her acts of hysteria, assumed to be a woman's disease, and her public oration were an example of the jewish woman's power in the public sphere. the transition from a passive male population in judaism to a fervent zionism began as jews started to assimilate with the rest of europe and as it became clear to them that a strong female and a passive male is not the typical practice of gender differentiation in bourgeois europe. "the zionist is gendered male for freud," boyarin writes, showing in freud's analysis of the jewish man the undercurrent of the bourgeois reaction to the ambiguously gendered ma le . x x v m the militant action of judaism's crusade to gain its own nation was precisely what jewish males thought masculinity was. they defined themselves as masculine through the amount of danger and publicity gained by acts of radicalism. zionism, then, became "a masculinizing of the allegedly feminized—queer—jewish male. ' , x x l x the reaction of the european bourgeois society to the reversed gender roles within the jewish community led to an overcompensation and the creation of the "muscle jew"— the zionist movement's proof of jewish masculinity. bertha pappenheim's revolt and vocalizations against the shift in gender roles show the response of a traditional society that is being changed—and perhaps corrupted—by the modern european male ideal. s o d o m y a n d g e n d e r roles male ideals are particularly prominent—and perhaps most sensitive—in regards to sex. as explained earlier, the invention of the private space created the "women's domestic sphere," l imit ing a man's acceptable interactions with other men. the "unacceptable" interactions are further explored in mark jordan's book, the invention of sodomy in christian theology. according to jordan, homoerotic desires become particularly evident in the vehement reactions against same-sex attraction. when peter damian attempts to condemn sodomy in the congregation, "he cannot know who among his official readers wil l be guilty of the very sin he enjoins them to punish. " x x x the overarching fear of sodomy is the confusion of gender in the e l e m e n t s s p r i n g 08 sexual act, because a man is put in the receiving place of the woman. the spilling of a man's semen for something other than procreation is considered the sin, however, not necessarily the attraction or desire for the same sex. x x x l it seems that the inability to procreate in same-sex coupling is graver than the act itself. attraction can lead to the sin of sodomy, exemplified by the story of pelagius, a boy known for his exceptional beauty, who drew the attention of the caliph where the boy was imprisoned. this beauty was at first physical in its manifestations, yet holy, with god's power so ingrained in pelagius that god performed a "miracle of preserving pelagius' physical beauty" even after he was dismembered and burned.x x x 1 1 the feminized depictions of pelagius also encouraged a confusion of gender, sparking the potential for same-sex desire. as with christ's homoerotic imagery, pelagius was increasingly feminized to encourage the sin of the caliph. however, "a mark of the caliph's depravity" was shown in his attraction to pelagius before god's gift of eloquence could be heard x x x , n here, to avoid a complete effeminizing of a christian saint, pelagius' beauty was transformed from god's presence in his body and face to god's blessing of the boy's speech. public speaking was also within the realm of the man's sphere, so pelagius, while cautiously regarded as being an object of male desire, maintained a proper amount of masculinity to warrant his worship as a saint with the gift of speech. this closed off enough of the female sphere to avoid controversial interpretations. f r e u d , e r o t i c d e s i r e , a n d r e l i g i o n in contrast to the effeminizing of both jesus and pelagius, freud's theory of the origin of religion has less to do with the threat of the female gender as it does with the threat within the male's own sphere. freud's invention of the oedipal complex extends to the creation of religion as its primary motivation. "religion would thus be the universal obsessional neurosis of humanity," he writes, "like the obsessional neurosis of children, it arose out of the oedipus complex, out of the relation to the father. " x x x 1 v the father figure is manifested as a supreme being, a guardian in response to "man's helplessness and need for protection. " x x x v the fervent worship of religion, then, according to freud, is an acceptance of this desire for the father, a desire that is against society's attempt to crush man's instinctual wishes—"incest, cannibalism, and lust for killing. " x x x v i despite the establishment of society in order to control these natural urges, religion is in itself a manifestation of the desire for incest. "the strength of the incestuous wishes can still be detected behind [civilizations'] prohibition against them," freud writes, and this is most strikingly found i n religion. x x x v 1 1 it was freud's reaction against this attraction to religion that established the war within the male sphere. in maintaining the masculinity of self, it seems that dedication to religion (using zionism or the predominantly male church as examples) is entirely within the male sphere, i f not integral to it. this dedication, however, is what freud considers an incestuous, homoerotic desire because it is a desire for a man's own father. his denunciation of religion in the future of an illusion is a reaction against homosexual desire, but also against what many would consider an important part of masculinity. h o m o s e x u a l m a r r i a g e a n d g e n d e r roles the internal battle with religion extends to the present-day i n the issue of homosexual marriage. in stephen schloesser's letter to congresswoman marian walsh, he defends homosexual marriage by examining the progression of marriage through its existence. contrary to arguments professing the eternal sanctity of marriage, schloesser explains that there is very little that is eternal about the institution. the transition of marriage from an economic to an emotional union comes when "bourgeois women stayed at home in the 'private sphere' and made it a cozy refuge for their husbands to return t o . " x x x v m with the division of men's and women's spaces came the creation of heterosexuality, and consequently, the invention of homosexuality. the idea of same-sex marriage infringing upon the sanctity of the home deeply concerns many people, just as the accusation of sodomy concerned those who t r a n s c e n d i n g t r a d i t i o n a l g e n d e r b o u n d a r i e s may have participated in sworn brotherhood, and just as effeminacy in the eyes of the bourgeoisie turned jewish males to zionism. the idea of men filling the position that is traditionally female is highly disconcerting, even with today's more liquid associations with sexuality. simultaneously, a woman in the workplace is not unusual until she is the breadwinner for another woman. the double standard of women in the man's sphere versus men in a woman's sphere is confusing, but the adamant fight against the effeminacy of men seems to extend to female couples as well. schloesser argues that in light the changing nature of marriage, homosexual religious union should not be banned because of the claimed sanctity of marriage between a man and a woman. the establishment of male and female gender roles creates the apprehension associated with same-sex marriage. c o n c l u s i o n the public and private spheres traditionally assigned to men and women have roots in religious, cultural, and sexual traditions in bourgeois society. this paper has demonstrated instances in which these spheres were challenged, and how society reacted to these challenges. the sexual ambiguity of sworn brothers, st. pelagius, and even jesus christ caused a discomfort within the bourgeoisie. much of this discomfort is still present today. current discussions of homosexual marriage continue to reflect this same uneasiness regarding the confusion of gender roles and spheres of influence, whether public or private. i f women's suffrage, abortion rights, or massachusetts's ruling on same-sex marriages are any indication, however, the rigidity of gender roles is on its way out, and perhaps western society is gaining speed i n the progression toward sexual and gender equality. e n d n o t e s i . robb (236) i i . ibid. i i i . robb (235) iv. robb (246) v. robb (234) vi . bray, (2) v i i . bray (19) v i i i . bray (59) ix. bray (63) x. bray (54) xi . bray (210) xi i . ibid. x i i i . bray (195) xiv. davis (155) xv. davis (169) xvi. davis (179) xvii . davis (168) xvii i . davis (166) xix. davis (182) xx. davis (13) xxi. davis (14) xxii. davis (15) xxii i . davis (27-28) xxiv. boyarin, (330). xxv. boyarin (6) xxvi. ibid. xxvii. boyarin (321) xxviii. boyarin (271) xxix. boyarin (272) xxx. jordan (50) xxxi. jordan (128-129) xxxii. jordan (23) xxxiii. jordan (21) xxxiv. freud (55) xxxv. freud (29) xxxvi. freud (13) xxxvii. ibid. xxxviii. schloesser (5) references boyarin, daniel. 1997. unheroic conduct: the rise of heterosexuality and the invention of the jewish man. berkeley: university of california press. bray, alan. 2003. the friend. chicago: university of chicago press. davis, natalie zemon. 1995. women on the margins: three seventeenth-century lives. cambridge: harvard university press. freud, sigmund. 1964. the future of an illusion. trans. w.d. robson-scott, ed. james strachey. garden city: doubleday. jordan, mark d. 1997. the invention of sodomy in christian theology. chicago: university of chicago press. robb, graham. 2004. strangers: homosexual love in the nineteenth century. 1st ed. new york: w.w. norton. schloesser, stephen. 2004. letter to marian walsh. e l e m e n t s s p r i n g 08 l i s t o f a r t w o r k / p h o t o s rio grande texas boundary between mexico a n d usa © a r c a i d / a l a m y usa i m m i g r a t i o n rally—national mall © cavanaugh/epa/corbis file photograph of bracero workers crossing border from mexico i n t o h i d a l g o in 1956 © leonard nadel /nat ional m u s e u m o f a m e r i c a n his to ry /handout /reu te r s /corb i s m i g r a n t 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pastry. © the br i t i sh library o i l fields in behran © chr i s t i an s imonpie t r i /sygma/corb is cas burn off at field in saudi arabia © george steinmetz/corbis d i a m o n d back terrapin feeding a n d d i a m o n d b a c k terrapin o n brick ramp courtesy o f the private collections o f brad macdona ld and alexis rife, boston college habitat of d i a m o n d b a c k terrapi ns courtesy o f the private collections o f brad macdona ld and alexis rife, boston college s u n l i g h t falling o n vegetation a n d rocks, costa rica courtesy o f the private col lect ion o f bernard z i p p r i c h , boston college water droplet collecting in plant, costa rica courtesy o f the private col lect ion o f bernard z i p p r i c h , boston college ecotourists, costa rica courtesy o f the private collect ion o f bernard z i p p r i c h , boston college i g u a n a , costa rica courtesy o f the private collect ion o f bernard z i p p r i c h , boston college 3-jorisha devotees d a n c i n g courtesy o f the private col lect ion o f richard paul, boston college h o r m o n e m i m i c k i n g c h e m i c a l s what they are, what they do, and where to find them a m b e r w i l l i a m s a n d d r . l a u r a h a k e r a r e l y d o w e c o n s i d e r w h a t t h e c h e m i c a l s t h a t g o i n t o o u r c o n s u m e r p r o d u c t s , t h a t a r e s p r a y e d o n t o o u r f r u i t s , o r t h a t a r e r e l e a s e d i n t o t h e a i r a c t u a l l y d o . f o r e x a m p l e , w e a s s u m e t h a t t h o s e d i f fi c u l t t o r e a d c h e m i c a l s o n o u r s h a m p o o b o t t l e l a b e l s a r e s a f e . h o w e v e r , f e w o f t h e t h o u s a n d s o f c h e m i c a l s d e v e l o p e d e a c h y e a r a r e t h o r o u g h l y t e s t e d . f o r g o i n g t h e p r e c a u t i o n a r y p r i n c i p l e , w e a r e e x p o s e d t o m a n y c h e m i c a l s t h a t a c t a s e n d o c r i n e d i s r u p t o r s . e n d o c r i n e d i s r u p t i n g c h e m i c a l s ( e d c s ) c a n m i m i c , b l o c k , o r r e r o u t e t h e h o r m o n a l s i g n a l i n g o f o u r b o d i e s . t h i s a r t i c l e a d d r e s s e s w h a t e d c s a r e , h o w t h e y a c t , a n d h o w t h e y c a u s e h a r m f u l e f f e c t s , s u c h a s r e p r o d u c t i v e a b n o r m a l i t i e s , c a n c e r s , a n d b e h a v i o r a l c h a n g e s . f i n a l l y , s t e p s t h a t w e a s c o n s u m e r s c a n t a k e t o a v o i d o r n e g a t e t h o s e e f f e c t s a r e e n u m e r a t e d . i n t r o d u c t i o n i n the twenty-f irst century, the use o f synthetic chemicals is an afterthought. t h o u g h not always desired, they are thoroughly integrated i n t o daily l i fe . embedded i n t o everything we touch , smel l , eat, and breathe, the prevalence o f these chemicals makes i t d i f f icul t to stop, take a step back, and assess the l o n g t e r m effects. the d e m a n d for i m m e d i a t e convenient i m p r o v e m e n t s , the encouragement o f technological advancements i n agr icul ture , manufacture , and medic ine , a n d the di f f iculty o f m o v i n g beyond the cancer p a r a d i g m m e a n that very few o f the thousands o f chemicals developed every year are tested for effects beyond toxicity. therefore, m a n y o f the chemicals that go i n t o our products , l ike water bottles, per fumes, shampoos, a n d plastic toys may act as endocrine d isruptors , w h i c h m i m i c , block, or reroute the h o r m o n a l signals o f our bodies. previous studies i n rodent and f i sh m o d e l organisms and h u m a n cell l ines have s h o w n that chemicals such as b i sphenol a and phthalates, w h i c h act as estrogens and antiandrogens respectively, increase occurrences o f cervical and prostate cancer, advance puberty, f emin ize males, increase reproductive organ m a l f o r m a t i o n s , and affect the integr i ty o f d n a . together these studies provide the basis for a theory that the drastic decline i n h u m a n s p e r m count i n the last fifty years and the increasing n u m b e r o f reproductive organ abnormal i t ies , cancers, and allergies results, i n part , f r o m the use o f these chemicals that affect h o r m o n a l s ignal ing pathways. e n d o c r i n e d i s r u p t o r s ! c h a r a c t e r i s t i c s a n d m e c h a n i s m o f a c t i o n endocrine d i s r u p t i n g chemicals (edcs) interfere w i t h norm a l s ignal ing o f the body's intr icate h o r m o n a l networks . h o r m o n e s , b iochemica l messengers c o n t r o l l i n g m u c h o f the body's funct ions , act as the intermediar ies between signals and actions. one part o f the body, such as the p i tu i ta ry g land, sends a message, l ike l u t e i n i z i n g h o r m o n e , to i l l i c i t an act ion i n another part o f the body, l ike s t i m u l a t i n g an ovary to release an egg. examples o f h o r m o n e s range f r o m g r o w t h h o r m o n e s , w h i c h cont ro l development, to thyroxine , w h i c h helps manage m e t a b o l i s m , to i n s u l i n , w h i c h regulates b lood glucose levels, to the sex h o r m o n e s that ru le sexual development and reproduct ion . the body's delicate h o r m o n a l balance necessitates signal consistency. the great complexi ty encompassed i n only the endocrine system is delicate and sensitive i n and o f itself, w i t h o u t external influences such as edcs. the h o r m o n a l pathway is complex at the cellular level. after t rave l ing t h r o u g h the b lood , a h o r m o n e m u s t interact w i t h a target cell . i f the h o r m o n e is a steroid, and therefore fat soluble, i t can cross the cell m e m b r a n e . ins ide , i t b inds w i t h its c o m p l e m e n t receptor, w h i c h t h e n b inds to d n a w i t h i n the nucleus. consequently, target genes are expressed, leading to proteins that accompl ish the act ion specified a n d in i t i a ted by the o r i g i n a l s ignal . examples o f these effects inc lude s t i m u l a t i o n or i n h i b i t i o n o f g r o w t h , i n d u c t i o n or suppression o f cell death, activation or i n h i b i t i o n o f the i m m u n e system, regulat ion o f m e t a b o l i s m , preparat ion for physical activity, preparat ion for puberty, and cont ro l o f the reproductive cycle. endocr ine disruptors m i m i c endogenous h o r m o n e s by b i n d i n g to the n o r m a l receptors and subsequently t r i g g e r i n g an act ion even w h e n the actual h o r m o n e is n o t present. endocr ine disruptors can also b lock essential s ignal ing by i n t e r f e r i n g w i t h the receptor, in termediate molecules , enzymes, or t ransport prote ins . 1 i t is also possible for edcs to alter the act ion altogether by, i n effect, g i v i n g the body "new" or distorted i n s t r u c t i o n s . 1 1 fat-insoluble h o r m o n e s a n d edcs tr igger actions ins ide the cell by b i n d i n g externally to receptors o n the cell m e m brane. t h r o u g h a series o f conformat iona l changes, the receptor init iates signal t ransduct ion , a type o f relay between m u l t i p l e molecules w i t h i n the cell . the s ignal ing molecule thus elicits an act ion that is n o t only ampl i f i ed thousands o f t imes compared to the o r i g i n a l signal, b u t also occurs i n m u c h less t i m e t h a n i t takes for genes to be expressed. e n d o c r i n e d i s r u p t o r s a c t u n d e r t h e r a d a r chemica l test ing methods have t radi t ional ly focused o n ase l e m e n t s s p r i n g 10 sessing acute toxicity, reflected by m o r t a l i t y or p o i s o n i n g o f test animals . based o n the a s s u m p t i o n that "the dose makes the po ison , " chemical test ing is s t i l l focused o n toxicity at relatively h i g h concentrations. g r a p h i n g toxicity test results is expected to produce a l inear dose response curve, w i t h h igher response corresponding to increased dosage. chemicals approved for use i n consumer products, o f course, show a negl ig ible toxic effect at h i g h concentrations, leading scientists to presume that these chemicals are not h a r m f u l at any concentrat ion. to the contrary, the newly recognized class o f edcs has p r o f o u n d deleterious effects at doses hundreds , or even thousands, o f t imes lower t h a n supposedly "safe" concentrations d e t e r m i n e d by classic toxicity test ing. as edcs can i n t e r r u p t h o r m o n a l pathways at t i n y doses o f parts per m i l l i o n , or even parts per b i l l i o n , daily exposure to seemingly inconsequent ia l amounts o f edcs can lead to drastic effects. m a n y edcs actually el icit a "u-shaped" dose response curve. i n other words , some edcs at very l o w a n d very h i g h concentrations may n o t show as s trong an effect as exposures to edcs at concentrations somewhere i n the m i d d l e , or conversely, the m i d d l e doses may n o t have as great an effect as l o w and h i g h doses. assessment o f the hazards o f edcs is also compl icated by the fact that the i r effects are n o t as acute as o u t r i g h t p o i s o n i n g a n d are usual ly not observed i m m e d i a t e l y after exposure. 1 " therefore, fetal exposure may n o t result i n any apparent consequences u n t i l later i n adul thood, w i t h onset o f i n f e r t i l i t y problems , cancers, a n d behavioral abnormal i t ies . b i s p h e n o l a bisphenol a (bpa) is an edc that acts as an estrogen m i m i c . i n 2 0 0 4 , the u n i t e d states alone produced about one m i l l i o n tons. as an ingred ient i n polycarbonate plastics, bpa gives the characteristic o f durabi l i ty . t h u s , polycarbonate is used to make baby bottles, water bottles, toys, and medica l devices. bpa can also be f o u n d i n the epoxy resins that coat the inside o f food and beverage cans and i n dental sealants. 1 v i n h u m a n s , bpa has been measured i n a m n i o t i c fluid, materna l and fetal plasma, and placental tissue at b i r t h . v due to the n u m e r o u s ways that bpa infi l trates daily l i fe , there are s ignif icant concerns that exposure to bpa at the levels f o u n d i n adults, and especially i n the developing fetus ( w h i c h has an under-developed abi l i ty to remove bpa), has l o n g t e r m adverse hea l th consequences. these concerns are based o n hundreds o f studies u s i n g a n i m a l m o d e l a n d tissue cu l ture systems that demonstrate effects o f bpa at levels equivalent to , a n d even lower t h a n , the levels detected i n h u m a n b lood a n d u r i n e (table 1). a study u s i n g bpa doses below w h a t the epa's safety guidel ines f o u n d that bpa ( i n c o n j u n c t i o n w i t h i n s u l i n ) tr iggers the f o r m a t i o n o f fat cells i n mice . after eleven days, w i t h bpa exposure i n only the f irst t w o days, fat content i n the cells increased by 150 percent compared to controls . w h e n the cells were exposed to bpa for 11 f u l l days, there was a 1,300 percent increase i n fat c o n t e n t / 1 s imi lar f indings f r o m other research groups, coupled w i t h measurable levels o f bpa and a host o f other edcs i n h u m a n s , have raised concerns o f a causal l i n k between bodi ly edc levels, also k n o w n as body b u r d e n , a n d the current obesity e p i d e m i c / 1 1 contaminants and viruses can work together. e l e v a t e d l e v e l s o f p s b s a n d e p s t e i n b a r r v i r u s i n c r e a s e t h e r i s k o f n o n h o d g k i n ' s l y m p h o m a by o v e r 2 0 f o l d . v i » h o r m o n e m i m i c k i n g c h e m i c a l s t a b l e 1: b p a e x p o s u r e in a n i m a l s t u d i e s daily bpa exposure .(^.^.^ .?p.p.y. w e j h t d a y ) x.7??fa :̂. .t^.^.t^x ?ju.py details reference persistent chances to breast tissue, 0.025 predisposes cells to h o r m o n e s a n d carcinogens fetal exposure, chances noted at 6 m o n t h s of ace m u n o z d e t o r o 2005 0.025 permanent chances to genital tract fetal exposure markey 2005 2 increased aggression at 8 weeks of life fetal exposure, oral route kawai 2003 2.4 decline in testicular testosterone fetal an d n eon atal exposu re, gavag e a r k i n g b e m i 2004 2.5 i m m u n e system impacts oral exposure sawa|2003 10 prostate cells more sensitive to h o r m o n e s a n d cancer fetal exposure, oral route, short duration t i m m s 2005 i n s u l i n resistance develops in 2 days, c h r o n i c hyper! n10 s u l i n e m i a at day 4 su bcutan eous in) ecti o n , s h o rt du rati o n ex pos u r e a l o n s o m a c d a l e n a 2006 20 damage to eggs a n d c h r o m o s o m e s fetal exposure, osmotic pumps h u n t 2003 reversed the n o r m a l sex differences in brain structure 30 a n d behavior o ra l du rl n g c estation a n d lactatio n kubo 2001 30 hyperactivity oral i s h i d o 2004 epa's "safe exposure level," based o n outdated, h i g h dose studies 50 epa rfd (reference dose) a n d a 1000-fold m a r g i n of safety epa 1998 t a b l e 2: e n d o c r i n e d i s r u p t o r s in c o n s u m e r p r o d u c t s t a b l e 3: w e b s i t e s o n a v o i d i n g e d c s endocrine receptor used as f o u n d in acts as l i n k e d to title description website b i s p h e n o l a epoxy resins of hard plastic water estrogen cancer/treatment t h e c a m p a i g n for safe a i m s "to protect t h e h e a l t h of www.safecosmetics.org cans, polycarbonbottles, plastic resistance, f e m i cosmetics consumers a n d workers by requirate plastics, dental toys n i z a t i o n / m a s c u l i n i n g t h e personal care products sealants z a t i o n , d n a industry to phase o u t t h e use of integrity chemicals l i n k e d to cancer, birth defects a n d other serious health concerns, a n d to replace t h e m w i t h safer alternatives." phthalates plasticizer, n a i l p o l i s h , pera n t i a n d r o c e n male g e n i t a l s k i n deep "a safety g u i d e to cosmetics a n d www.cosmeticsdatabase.com fragrances fumes, plastic a b n o r m a l i t i e s , personal care products b r o u g h t shower curtains male infertility to y o u by researchers at t h e e n v i ( l o w sperm c o u n t ) r o n m e n t a l w o r k i n g group." parabens preservative i n cos moisturizers, estrogen breats cancer, rew o m e n ' s health a n d t h e a website t h a t "explains ways t h a t w w w . w o m ensh ealth an d e n metics & p h a r m a s h a m p o o s p r o d u c t i o n a b n o r e n v i r o n m e n t o u r health can be affected by e n v i v i r o n m e n t . o r g ceuticals malities/ infertility r o n m e n t a l c o n t a m i n a n t s a n d offers ideas of h o w t o make changes a r o u n d your h o m e a n d i n your c o m m u n i t y so we can live i n a healthier world." lead p i g m e n t lipstick, dark h a i r n e u r o t o x i n c o g n i t i v e reducgreen g u i d e for everyday provided by n a t i o n a l geographic, w w w . t h e g r e e n g u i d e . c o m / b u dyes t i o n , delayed pul i v i n g i n f o r m a t i o n covering a range y i n g g u i d e berty from carpets to c l e a n i n g products to sunscreen. http://www.safecosmetics.org http://www.cosmeticsdatabase.com http://www.wom http://vironment.org http://www.thegreenguide.com/bu i n a related study, scientists f o u n d a corre lat ion between h i g h u r i n a r y bpa concentrations and b o t h cardiovascular disease and diabetes i n h u m a n s . i x i n add i t ion , m i c e exposed to bpa t h r o u g h damaged polycarbonate cages and water bottles (by n o r m a l wear and tear) led to meiot ic aneuploidy, or an incorrect n u m b e r o f chromosomes present i n the cells that develop i n t o eggs. these observations and s imi la r studies indicate that h u m a n exposure to bpa may inc i te n u m e r i c a l c h r o m o s o m a l abnormal i t ies , the leading causes o f miscarriage, congenita l defects, and m e n t a l retard a t i o n ^ bpa exposure has been l i n k e d to cancers, i n c l u d i n g breast and prostate cancer. pregnant rats treated w i t h 25 m c g / k g body we ight per day gave b i r t h to daughters that showed p e r m a n e n t l y altered m a m m a r y glands w i t h cell proli ferat i o n a n d an increase i n susceptibi l i ty to a tested carcinog e n . x l i n effect, cells became sensitized by bpa to respond to a carcinogen even before b i r t h . i n the u n i t e d states, prostate cancer is the second leading cause o f cancer death a m o n g m e n and the leading diagnosed m a l i g n a n c y . x i l prostate cancer depends o n testosterone for g r o w t h , so t reatments focus o n testosterone depr ivat ion either t h r o u g h i n h i b i t i o n o f testosterone synthesis or by blockage o f the testosterone receptor. th i s type o f t reatment is successful for u p to 18 to 30 m o n t h s w h e n recurrent t u m o r s develop i n some p a t i e n t s . x i l i g r o w t h o f recurrent t u m o r s can be s t imulated by a variety o f mechanisms . i n one study, 25 percent o f the recurrent t u m o r s h a d acquired a m u t a t i o n i n the testosterone receptor that changed the shape o f the testosterone-binding site. therefore, a l though the ablat ion therapy h a d removed al l testosterone f r o m the patients ' bodies, the t u m o r s were sensitive to s t i m u l a t i o n by other compounds , i n c l u d i n g estrogen and b p a . x i v essentially, bpa can b i n d to the m u t a t e d receptor and s t imulate cell g r o w t h a n d pro l i fe ra t ion , events n o r m a l l y s t imulated by testosterone, thus advancing the prostate cancer. bpa exposure also interferes w i t h sex specific development o f the body and b r a i n . bpa i n only parts per b i l l i o n has been s h o w n to mascul in ize areas o f the female b r a i n . the development o f the area o f the b r a i n responsible for estrous cyclicity, gonadotrop in release, and the l u t e i n i z i n g horm o n e surge necessary for ovulat ion is di f ferent i n male and female rats. however, i n pregnant rats exposed to bpa, the daughters ' brains began to resemble those o f males, a n d the daughters exhibited mascu l in ized behavior. th i s study shows that bpa can cross the placental barr ier and that the fetus is extremely sensitive to exposure, leading to longerlast ing effects. x v addit ional ly , pregnant rats exposed to bpa h a d daughters w i t h accelerated puberty. i n fact, endocr ine-d is rupt ing chemicals may be one o f the causes o f the global t r e n d o f earlier sexual m a t u r a t i o n i n g i r l s . x v i i n the u n i t e d states, gir ls b e g i n m e n s t r u a t i o n a few m o n t h s earlier t h a n they d i d 4 0 years ago and develop breasts 1-2 years ear l i e r . x v i i puberty at a younger age has been l i n k e d to an increased r i sk for depression, obesity, polycystic ovarian syndrome, breast cancer, and ovarian cancer . x v i l i social prob lems such as an increased r i sk o f sexual v i c t i m i z a t i o n and exper iment a t i o n w i t h sex, alcohol, or drugs may become m o r e l ike ly at an earlier age . x i x earlier puberty may also lead to addiedcs can increase immune responses and allergic reactions.x x s i n c e 1980 a s t h m a d e a t h r a t e s f o r c h i l d r e n y o u n g e r t h a n 19 y e a r s o l d h a v e i n c r e a s e d by a l m o s t s0%.xxi t h e p r e v a l e n c e o f p e a n u t a l l e r c i es d o u b l e d in t h e 5 y e a r s f r o m 1997 t o 2002.**" c h i l d r e n w i t h e l e v a t e d l e v e l s o f c o n t a m i n a n t s a r e 8 x m o r e l i k e l y t o h a v e c h i c k e n p o x a n d 3x m o r e l i k e l y t o h a v e 6 0 r m o r e ear i n f e c t i o n s by t h e a c e o f 3 1 / 2 . x x i i i h o r m o n e m i m i c k i n g c h e m i c a l s t i o n a l physical and behavioral problems later i n l i fe due to longer exposure to h o r m o n e s . bpa can interact w i t h b o t h cell m e m b r a n e and i n t e r n a l cellu lar receptors. for example, bpa interacts w i t h cell m e m brane receptors and increases pro lac t in secretion f r o m cells. increased pro lact in can lead to a decrease i n fert i l i ty , cell pro l i fe ra t ion , behavioral effects, and interference w i t h o v u l a t i o n . 5 0 ^ bpa also interacts w i t h b o t h types o f pancreatic cell receptors. i n effect, these cells rapidly release i n s u l i n i n t o the b loodstream to decrease glucose levels. w i t h longer exposures to bpa, the cells secrete too m u c h i n s u l i n , w h i c h eventually leads to i n s u l i n resistance. i n other words , target cells no longer uptake glucose i n response to i n s u l i n because the signal is constant a n d the cell is n o longer sensitive to i t . therefore, exposure to e n v i r o n m e n tal estrogens can enhance the r i sk o f developing type 2 diabetes, hypertens ion, and a b n o r m a l levels o f fats i n the b l o o d . ™ o t h e r e d c s other chemicals act by m i m i c k i n g or b l o c k i n g testosterone. some, l ike v i n c l o z o l i n (a fungic ide) , demascul inize male rats, exempli f ied by a decreased anogenital distance ( a g d ) , reta ined nipples , hypospadias, and absent sex accessory g l a n d s . ™ 1 phthalates are another class o f testosterone-blocking chemicals used as plasticizers i n products such as food containers, toys, medica l e q u i p m e n t , and shower curtains . perfumes, hairspray, cosmetics, and the new car smel l can also conta in phthalates. the t e r m "phthalate syndrome" has been coined to describe genital abnormal i t ies that are a result o f exposure to phthalates, i n c l u d i n g undescended testicles. a h u m a n study conducted by the centers for disease contro l , harvard school o f public hea l th , the dana farber cancer ins t i tu te , and harvard medical school examined the corre lat ion between phthalate levels i n u r i n e samples and various sperm parameters i n 168 m e n . semen samples were analyzed for s p e r m count , sperm m o t i l i t y , and the percentage o f de formed sperm. a total o f hypospadia the frequency rate for hypospadia has more than doubled since 1970. i n 1993, 1 of every 125 boys was affected.**™ sperm count the sperm count for the average male i n 1938 was 113 m i l l i o n / m l . the sperm count for the average male in 1990 was 66 m i l l i o n / m l , a 50% decline in approximately 50 y e a r s . * * ™ " sex ratio there is currently a decrease of 1 male birth in 1000 live births which results i n a loss of approximately 38,000 male babies i n 20 years i n the united states.50"* hypospadia a m a l e b i r t h d e f e c t in w h i c h t h e o p e n i n g o f t h e u r e t h r a , u s u a l l y a t t h e t l p o f t h e p e n i s , is a b n o r m a l l y p l a c e d ( o p e n i n g s o m e w h e r e a l o n g t h e s h a f t ) . anogenital distance t h e d i s t a n c e o f t h e p e r i n e u m ( b e t w e e n t h e a n u s a n d t h e b a s e o f t h e p e n i s f o r a m a l e ) . t h e a g d is t w i c e as l o n g in m a l e s t h a n f e m a l e s , s o t h e m e a s u r e is u s e d in n e o n a t a l h u m a n s t o c o r r e l a t e f e m i n i z a t i o n ( r e p r o d u c t i v e a b n o r m a l i t i e s ) t o c o n t a m i n a n t b l o o d o r u r e a l e v e l s . e l e m e n t s s p r i n g 1 eight di f ferent phthalate metabolites were f o u n d i n the u r i n e samples. m e n w i t h h i g h levels o f the d i b u t y l phthalate metabol i te were m o r e t h a n twice as l ike ly to have l o w sperm m o t i l i t y t h a n m e n w i t h l o w levels o f the metabol i te . h i g h levels o f other phthalates were also l i n k e d w i t h reduced sperm count a n d a h igher percentage o f de formed sperm. t h i s study reveals the connections between phthalate levels i n the a m e r i c a n male p o p u l a t i o n and i m p a i r e d s p e r m qual i ty and q u a n t i t y . 5 0 0 ' similarly, studies have indicated w o r l d w i d e d e c l i n i n g s p e r m counts. a review o f 61 studies pub l i shed i n 1992 discovered that the average male s p e r m count dropped f r o m 113 m i l l i o n / m l i n 1938 to 6 6 m i l l i o n / m l i n 1 9 g o . 5 0 ™ a change th is drastic i n such a short t i m e per iod cannot be solely genetically d e t e r m i n e d , so the answer most l ike ly lies i n e n v i r o n m e n t a l influences. there are n u m e r o u s theories concern ing the s p e r m count decline, one b e i n g the involvem e n t o f edcs, especially since w o m e n o f ch i ldbear ing age are one o f the groups w i t h the highest exposure l e v e l s . ™ 1 exposure to endocr ine disruptors affects w i l d l i f e as w e l l . i n an isolated lake ecosystem, f i sh populat ions exposed to the synthetic estrogen f o u n d i n b i r t h cont ro l p i l l s collapsed due to f e m i n i z a t i o n o f males. arrested testicular development and subsequent reduced fer t i l i za t ion success led to a near ext inct ion o f the fathead m i n n o w i n the lake. therefore, low-level, consistent exposure has the ecological r i sk o f disr u p t i n g the sustainabil i ty o f w i l d p o p u l a t i o n s . x x x [ i i i m p o r t a n c e the scope o f the damage endocr ine d i s r u p t i n g chemicals have caused and the i r potent ia l for damage i n the future necessitates awareness. instead o f accepting the potent ia l danger, or c o n d e m n i n g all chemicals as dangerous i t is i n stead i m p o r t a n t to regulate exposure i n order to reduce the effects. there are over 8 0 , 0 0 0 chemicals registered w i t h the u.s. e n v i r o n m e n t a l protect ion agency, approximately 3 ,000 labeled as h i g h p r o d u c t i o n v o l u m e (accounting for 9 9 percent o f the total v o l u m e ) , w i t h at least one m i l l i o n pounds produced or i m p o r t e d i n the u . s . x x x i v o f these 3 ,000 h i g h p r o d u c t i o n v o l u m e chemicals , 43 percent have n o basic toxicity test ing data available to the pub l i c and only 7 percent have the f u l l basic test ing in format ion . 5 0 0 ™ each chemical has six basic tests specified and w i t h a cost o f $205 ,000 per chemical , i t w o u l d cost the chemica l industry approximately $427 m i l l i o n to complete the basic testi n g o f the h i g h p r o d u c t i o n v o l u m e chemicals. t h o u g h this is a h i g h expense, an a r g u m e n t that the chemical i n d u s t r y pleads frequently, i n reality, i t is only 0.2 percent o f the ann u a l sales o f the top h u n d r e d chemica l i n d u s t r i e s . x x x v i aside f r o m these basic tests, n o chemical has been adequately tested for endocr ine d i s r u p t i o n . a c t i o n w i l l require policy changes to ensure the sustainabil i ty o f l i fe o n earth. most amer icans assume that chemicals used i n products are safe; however, u n l i k e the d r u g industry , the government has to prove that a chemical is h a r m f u l , rather t h a n requiri n g the manufacturers to prove that i t is safe before u s e x x x v n j l v i s protocol , a long w i t h unenforced test ing, lends to an unregulated chemica l i n d u s t r y and the use o f teflon, used as a non-stick coating for cookware, can emit toxic particles. in 2-5 ml n, teflon-coated cookware can reach temperatures at w h i c h the coating breaks a n d emits toxic particles and gases linked to hundreds (maybe thousands) of pet bird deaths and an u n k n o w n number of h u m a n illnesses each year.***"'" h o r m o n e m i m i c k i n g c h e m i c a l s inadequately tested chemicals i n consumer products . increased test ing p r i o r to sale w i l l require the development o f an appropriate procedure because current test ing for endocr ine-d i s rupt ing abil it ies is convoluted, t ime-consumi n g , and varies between testers. a c o m m i t m e n t by b o t h the government and the chemical i n d u s t r y to safeguard the hea l th o f h u m a n i t y is absolutely necessary. recently, the lowel l center for sustainable product ion and the toward t o m o r r o w ini t ia t ive released "a c o m m o n agenda for h e a l t h and the e n v i r o n m e n t , " i n w h i c h they "seek to help shift the debate about l i n k s between e n v i r o n m e n t and heal th f r o m a focus o n w h i c h materials and substances cause w h i c h problems , to a discussion about what k i n d o f w o r l d we want to l ive i n a n d h o w we get t h e r e . " 5 0 0 ™ reflecting these ideals is the development o f "green chemistry," w h i c h reduces waste, uses materials f r o m sustainable sources, and tries to design chemicals that are less hazardous ( in the short a n d l o n g t e r m ) to h u m a n heal th . n o w c o m m o n knowledge that bpa is f o u n d i n plastic baby bottles. however, i n the u n i t e d states there is n o nat iona l law regu la t ing bpa i n the bottles that feed the youngest, most susceptible cit izens. instead, e l i m i n a t i o n o f bpa is d e t e r m i n e d o n a state-by-state level. cal i fornia has passed senate b i l l 578, that "requires manufacturers o f h i g h product ion v o l u m e chemicals to provide to the state inform a t i o n re lat ing to whether a chemical causes or has the potent ia l to cause cancer, reproductive h a r m , neurologica l damage, respiratory h a r m , endocr ine d i s r u p t i o n or develo p m e n t a l h a r m . " x l n also , connect icut has banned bpa f r o m in fant f o r m u l a and baby food cans and j a r s . x ' 1 " o n the other h a n d , massachusetts pub l i c hea l th officials have only issued a w a r n i n g to mothers to avoid baby products cont a i n i n g bpa. no official regulat ions have been passed . x l i v startlingly, a recent study p e r f o r m e d by h e a l t h canada repor ted that "bpa-free" baby bottles were i n reality s t i l l l eaching bpa, w h i c h fur ther stresses the need for adequate the fda does not regulate what goes into cosmetics. 61% of 33 brand-name lipsticks tested by the campaign for safe cosmetics contained detectable levels of lead.*' environmental working group measured 16 chemicals from 4 chemical families (phthalates, triclosan, parabens, an d m u s ks) i n th e blood and urine samples of 20 teen g i rls of ag es 1 4 to ~\9.xli fur thermore , development and i m p l e m e n t a t i o n o f pol icy and regulat ions to remove demonstrated endocr ine d isruptors is p a r a m o u n t . i n the s u m m e r o f 2 0 0 8 , pub l i c awareness regarding bpa i n nalgene water bottles j u m p e d , a n d subsequently, bpa was removed f r o m these products . however, removal o f endocr ine disruptors i n products is current ly u p to the companies and consumer pressure, rather t h a n any regulatory enforcement. for example, i t is test ing and transparency w i t h i n the chemical i n d u s t r y . x l v o f course, obstacles s t i l l exist due to the n u m b e r o f products to regulate and incomplete ingred ient lists due to "trade secrets." yet, t h r o u g h research, we can become i n f o r m e d a n d consequently, can act. p r o t e c t i n g y o u r s e l f one o f the m o s t t r o u b l i n g aspects o f edcs is the i r ubiqui ty . e l e m e n t s s p r i n g 10 f r o m h u m a n s to animals , i n the city or the arct ic , they are p r e v a l e n t x l v l equally o m i n o u s , h u m a n s are exposed to a m i x t u r e o f these chemicals constantly, n o t just one at a t i m e or i n a single dose. exposure comes f r o m the air we breathe, the grass we w a l k o n , the foods we eat, and the products we apply to our sk in . studies l o o k i n g at the way some o f these chemicals w o r k together show that they can enhance effects i n a dose-additive or synergistic w a y x l v n , x lv i i i p o r example, 35 percent o f f rog tadpoles exposed to a m i x t u r e o f n i n e pesticides d ied due to a bacterial in fec t ion , compared to 4 percent fatality w h e n exposed to a single pesticide. i n add i t ion , 70 percent o f the mixture-exposed tadpoles that survived developed infect ions, seen i n none o f the controls or tadpoles exposed to one p e s t i c i d e . x l l x also, edcs do n o t share s t ructura l mot i f s , w h i c h makes the i r modes o f act ion unpredictable . since one chemical can act i n n u m e r o u s ways o n m u l t i p l e systems, our future i n re la t ion to these synthetic chemicals is entirely uncerta in . current ly , protect ion f r o m endocrine disruptors means avoid ing the i r sources. for example, plastics w i t h n u m b e r s 3, 6, a n d 7 conta in chemicals that are k n o w n to be edcs. plastic labeled "#7" is f requently polycarbonate plastic, a n d t h r o u g h n o r m a l use, the plastic can suffer wear a n d tear, causing the bpa to leach out i n t o l iqu ids or food. s imply s w i t c h i n g to a non-polycarbonate d r i n k i n g water bott le can rapidly decrease the levels o f bpa i n b l o o d and u r i n e , s h o w n by a study w i t h 77 part ic ipants i n w h i c h u r i n e levels o f bpa increased by 6 9 percent after u s i n g a polycarbonate water bott le compared to one week d r i n k i n g cold beverages f r o m a stainless steel water bott le instead. 1 m i c r o w a v i n g i n plastic is also dangerous as extreme heat causes plastic to lose its integrity , w h i c h results i n chemica l leaching. personal care products are another source o f exposure, and reading labels can a id i n reduc ing r isk. a v o i d i n g phthalates, parabens, and fragrances, a n d u s i n g the sk in deep cosmetics database is the best way to secure products w i t h m i n i m a l or l o w risks. plus, exposures i n a parent's body can show u p i n u n b o r n c h i l d r e n . a d o p t i n g precautionary pr inc ip les w i l l he lp decrease exposure to chemicals that are assumed to be safe, b u t may be labeled otherwise i n 30 years. a n u n k n o w n chemica l o n a label w i t h u n k n o w n effects and l i t t le background i n f o r m a t i o n available should be avoided. i t is n o t i n s u r e d that companies are proper ly testi n g and m o n i t o r i n g the publ ica l ly d i s t r i b u t e d chemicals . dust-free houses are also safer as chemicals can reside i n dust and can be m a i n t a i n e d for a l o n g t i m e , a c c u m u l a t i n g and sensi t iz ing the body. phthalates f o u n d i n dust samples have been l i n k e d to an increased incidence o f allergic react ions i n ch i ldren , l ike asthma a n d eczema. 1 1 protect ion f r o m edcs is cr i t ica l , b u t l i v i n g i n the chemicalladen twenty-f irst century makes completely avoiding edcs imposs ible . therefore, r e m o v i n g endocr ine d isruptors f r o m our products , food, and air depends o n advocati n g for change. endocr ine d isruptors should n o t be i n shampoos, f u r n i t u r e , and f ru i t s . because current test ing methods and safety standards are n o t u p to date and chemical companies lobby government regulatory departments , a consumer response is necessary. fortunately, pub l i c knowledge about endocrine disruptors is increasing. the n a i l po l i sh l i n e o p i advertises b e i n g phthalate-free, the l i n e yes to carrots provides paraben-free toi letr ies , and phthalates were out lawed f r o m chi ldren's plastic toys i n february 2 0 0 9 . 1 1 1 p r o t e c t i n g y o u r f u t u r e as previously m e n t i o n e d , a c h i l d developing i n the w o m b is extremely susceptible to e n v i r o n m e n t a l inf luences. a single fert i l ized cell developing i n t o an o r g a n i s m made u p o f t r i l l i o n s o f cells is a staggering process aided by i m mensely complex s ignal ing. i n the t h i r d week after concept i o n , the fetus is f o r m i n g the or ig ins o f the b r a i n , spinal cord, heart, a n d other organs. cells m u s t c o m m u n i c a t e i n struct ions w i t h one another o n where to go, w h a t to become, w h e n to divide, and w h e n to die. a l l o f th is depends u p o n relayed messages, m a n y o f t h e m chemical . i f endocrine disruptors become another c o m p o n e n t i n a chi ld 's gestation per iod , the consequences can be m o n u m e n t a l . i t is k n o w n that d r i n k i n g alcohol or s m o k i n g w h i l e pregnant h o r m o n e m i m i c k i n g c h e m i c a l s poses m a j o r threats to the n o r m a l development (physically, mental ly , and behaviorally) o f a c h i l d , and endocrine disrupters can be just as dangerous. effects can show t h e m selves directly at b i r t h , w i t h genital abnormal i t ies or i m m u n e deficiencies. cognit ive abnormal i t ies or allergies may become apparent later, a n d results may even only show u p i n adul thood, w i t h cancers, obesity, diabetes, a n d i n f e r t i l i t y prob lems . a l a r m i n g l y , the parent a n d developing fetus are n o t solely affected by exposure. endocr ine disruptors also inf luence the fetus' g e r m l i n e cells. g e r m cells eventually develop i n t o the eggs or s p e r m cells o f a c h i l d . therefore, an exposed m o t h e r can inadvertent ly r i sk the n o r m a l developm e n t o f her g randch i ldren as we l l . studies have s h o w n that endocrine disruptors can interfere w i t h genetic i m p r i n t i n g i n rats. i m p r i n t i n g o f d n a is a s t ructura l m o d i f i c a t i o n that can either a l low or i n h i b i t gene expression and can be passed d o w n t h r o u g h the g e r m cells. future generations can s t i l l exhibi t effects due to the exposure o f great-grandparents . 1 1 1 1 these changes i n the structure o f d n a i t se l f can lead to adult-onset disease, such as t u m o r s , k idney dysf u n c t i o n , and other problems l ike i m m u n e abnormal i t ies and premature a g i n g . l l v i n a d d i t i o n to the potent ia l for edcs to cause p e r m a n e n t changes i n the developing fetus and its g e r m l i n e , some edcs are passed directly to the baby as "hand-me-down poisons." m a n y synthetic chemicals are l i p i d soluble a n d can accumulate i n fat indef initely . one such transfer can occur w i t h breast m i l k . endocrine disruptors are stored w i t h i n the fatty tissue o f the breast and t h e n excreted t h r o u g h breastfeeding. bpa has been measured i n the range o f 0.2-5.0 n g / m l o f breast m i l k , w h i c h under l ines that exposure can come f r o m m a n y dif ferent sources. l v w h e t h e r i t is the pregnant mother ' s products , or her ch i l dren's toys, awareness o f these dangerous chemicals and h o w they play an integra l part i n our daily lives is crucial . c o n c l u s i o n research regarding endocr ine d i s r u p t i n g chemicals is n o t just for scientists. i t is n o t knowledge just for doctors, or lawyers, or m o m s , or even only h u m a n s . the changes that we are seeing i n reproductive organs, i n a n i m a l behavior, and i n the rises o f allergies and obesity are systems-level prob lems that need to be addressed i n a t ransdisc ip l inary way. endocr ine d i s r u p t i n g chemicals are n o t the sole cause o f any o f these problems , b u t they undoubted ly contr ibute . i t is i m p o r t a n t to r e m e m b e r that h u m a n s are b o t h b io log i cal and cu l tura l organisms embedded i n social and ecological systems. l v i edcs, w h i c h p u t h u m a n reproductive success at r i sk , affect us b o t h as a biological species a n d the way we w i l l have to respond socially. t h i n k i n g about h u m a n s as agents act ing w i t h i n socio-ecological systems rather t h a n external drivers w i l l lead to m o r e global, longlast ing s o l u t i o n s . l v l 1 th i s crisis begins at a personal , i n t i mate level i n regards to one's o w n body and extends to a global crisis o f the h u m a n race and life o n earth altogether. recognizing the potent ia l for h a r m a n d s u p p o r t i n g research concern ing the l o n g t e r m effects o f endocr ine disruptors w i l l lead to awareness, recogni t ion , and pol i t ica l act i o n i n order to protect ourselves and future generations. e n d n o t e s i . norris (2006) i i . mclachlan (2001) i i i . mclachlan (2001) iv. icis (2008) v. rubin, et al. 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(2007) xxxiv. breast cancer fund xxxv. u.s. environmental protection agency (2007) xxxvi. ibid. xxxvii. breast cancer fund xxxviii. houlihan, et al. (2003) xxxix. toward tomorrow (2009) xl. the campaign for safe cosmetics (2007) xl i . sutton, r. (2008) x l i i . breast cancer fund x l i i i . daley, b. (2009) xliv. ibid. xlv. schmidt, s. (2009) xlvi. colborn, et al. (1997) xlvii . howdeshell, et al. (2007) xlvi i i . hauser, et al. (2005) xlix. hayes, et al. (2006) 1. carwile, et al. (2009) l i . bornehag, et al. (2004) h i . news inferno (2008) l i i i . chang, et al. (2006) liv. anway, et al. (2006) lv. sun, et al. 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preschool children. environmental health perspectives 108,1203-1207. wetherill, y. b., hess-wilson, j. k., comstock, c. e. s., shah, s. a. , buncher, c. r., sallans, l., et al. 2006. bisphenol a facilitates bypass of androgen ablation therapy i n prostate cancer. molecular cancer therapeutics, 5(12), 3181-3190. wozniak, a. l., bulayeva, n. n., & watson, c. s. 2005. xenoestrogens at picomolar to nanomolar concentrations trigger membrane estrogen receptor-alpha-mediated calcium fluxes and prolactin release i n gh3/b6 pituitary tumor cells. environmental health perspectives 113(4), 431-438. h o r m o n e m i m i c k i n g c h e m i c a l s http://www.canada.com/health/free+baby+bottle+contains+tox http://www.ewg.org/ http://www.safecosmetics.org http://towardtomorrow.org/about.php http://www.epa.gov/hpvypubs/general/hazchem.htm st of a r t w o r k s o c c e r w o r l d s o c c e r f e a t u r e m i d d l e a m e r i c a © jeffrey arguedas/epa/corbis s w i t z e r l a n d 4 0 t h m o n t r e u x j a z z f e s t i v a l © oliver maire /epa/corbis fuj i m u s i c o f n i g e r i a © ludoric careme/corbis 2003-2004 f r e n c h s o c c e r l1 c h a m p i o n s h i p : psg v s . l y o n © chris topher paucell ier/photo & co./corbis street l i f e i n a b u j a © george steinmetz/corbis p o r t r a i t o f dr. n n a m dl a z i k i w e © bet tmann/corbis n i g e r i a m a p s courtesy o f the wilberforce conference on niger ian federalism b e g i n n i n g © ilexx/istockphoto p a s s i o n a t e c o u p l e © casarsa/istockphoto 7 i r o m e i t a l y b e r n i n i s s c u l p t u r e o f t h e ecstasy o f st. t e r e s a © a d a m east land/alamy p u n o , peru a l l photos courtesy o f the private col lect ion o f kerry brennan g o o d i d e a ( l i g h t b u l b ) © ktsimage/ istockphoto m a s s i v e p r o d u c t i o n © y-ntousiopoulos/ istockphoto 3d g i r l © d inn / is tockphoto o l m s t e d parks i n b o s t o n a l l photos courtesy o f the private collections o f jarret izzo and rebecca kraus a r i z o n a b r i d g e © halbergman/ istockphoto b e a c h r o c k s © rpsycho/istockphoto • "microcredit provides thousands of people, most often women, with the means to pull themselves out of poverty. it has the power to improve the lives of individuals and empower them to be responsible for their own economic success." t h e r i g h t p a r a d i g m for p u n o a micrqfinance case study k e r r y b r e n n a n a m o n g t h e m a n y p r o g r a m m o d e l s e m p l o y e d t o s p u r e c o n o m i c d e v e l o p m e n t , m i c r o f i n a n c e h a s r i s e n t o t h e f o r e f r o n t b e c a u s e o f i t s p r o m i s e o f a " w i n w i n " s i t u a t i o n f o r d o n o r s a n d c l i e n t s . m i c r o f i n a n c e i n s t i t u t i o n s p r o v i d e f i n a n c i a l s e r v i c e s s u c h a s s m a l l b u s i n e s s l o a n s t o p o o r b o r r o w e r s w h o w o u l d o t h e r w i s e l a c k c r e d i t a c c e s s . b e c a u s e t h e s e i n s t i t u t i o n s b o a s t r e p a y m e n t r a t e s a s g o o d a s o r b e t t e r t h a n t r a d i t i o n a l i n s t i t u t i o n s , t h e p r o m i s e o f s u s t a i n a b i l i t y o r e v e n p r o f i t a b i l i t y e x i s t s . a n d y e t , w h i l e t h i s p r o m i s e a t t r a c t s a t t e n t i o n t o m i c r o f i n a n c e i n s t i t u t i o n s a n d t h e i r d e v e l o p m e n t g o a l s , it m a y p l a c e t o o m u c h p r e s s u r e o n s o m e p r o g r a m s . t w o b r o a d p a r a d i g m s a p p l y t o t h e g o a l s o f m i c r o f i n a n c e ! t h e i n s t i t u t i o n i s t a n d t h e w e l f a r i s t . u s i n g t h e e x a m p l e o f a s m a l l m i c r o f i n a n c e p r o g r a m i n p e r u , t h i s p a p e r e x p l o r e s s o m e o f t h e i s s u e s s u r r o u n d i n g t h e u s e o f e a c h p a r a d i g m i n e v a l u a t i n g i n d i v i d u a l m i c r o f i n a n c e p r o g r a m s . muhammad yunus, an economist from bangladesh, bought the 2006 nobel peace prize for 27 dollars. of course, yunus did not buy the nobel prize in a shady deal in sweden. rather, he won it because of his commitment to microcredit, a commitment that started with a loan of just 27 dollars in 1976. the concept of microfmance has been the darling of development programs for several years, but it has gained special exposure recently. before yunus was awarded the nobel prize in 2006, the united nations declared 2005 the year of microcredit. this recent attention is well-founded: microcredit provides thousands of people, most often women, with the means to pull themselves out of poverty. it has the power to improve the lives of individuals and empower them to be responsible for their own economic success. the very virtue of microcredit is its simple concept-providing loans to poor individuals who would otherwise have no chance at obtaining credit to improve their situations. this seeming simplicity unfortunately means that it is all too easy to create well-intentioned microfmance programs that are not self-sustainable or do t h e hills s u r r o u n d i n g puno, peru are h o m e to very poor c o m m u n i t i e s not serve their clients as efficiently as possible. as microfinance becomes more popular, it has garnered attention from mutual funds and formal finance institutions, pushing the need for sustainability. while microfmance appears to provide a "win-win" situation, there is something of a split between those who stress the welfare benefits of microfmance and those who stress institutional sustainability. both goals cannot always be achieved simultaneously. this paper presents as a case study of a small microlending program in the city of puno, peru. the responses garnered from a survey administered to microlending clients shed light on the impact of the program and the amount of work it has left to do. rather than suggesting that either a welfarist or institutionist view is always the correct paradigm, it shows the need for the proper application of both perspectives when evaluating microfmance programs. microfmance has gained much popularity because of its broad appeal as a "win-win" option for the problem of poverty alleviation. "spurred by an accord reached at the microfmance summit i n 1997 to reach 100 mil l ion of the world's poorest households with credit, there is arguably more widespread support for microfmance than any other single tool for fighting world poverty." clients of micron nance institutions (mfis) benefit from access to money for investment or consumption, and, depending on the lending arrangement, eventual sustainability or even profitability for mfis appears within reach. "advocates who lean left highlight the 'bottom-up' aspects, attention to community, focus on women, and, most importantly, the aim to help the underserved." on the other side of the spectrum, "those who lean right highlight the prospect of alleviating poverty while providing incentives to work, the nongovernmental leadership, the use of mechanisms disciplined by market forces, and the general suspicion of ongoing subsidization." 1 1 1 with these myriad possibilities, it is no wonder that microfmance has garnered widespread adulation and mfis have sprung up all over the developed and developing world. providing credit access to poor borrowers epitomizes the charitable ideal of "teaching a man to fish." and, given the significance of gender inequalities worldwide and e l e m e n t s f a l l 07 their detrimental effects on development, the fact that microfinance is more likely to produce a fisherivoman makes it even more attractive. the economic empowerment of women can have important consequences for human development. women are more likely to spend income on food, clothing, and education for their children, a tendency that translates into dynamic and self-reinforcing improvements in the human capital of their community. alleviating poverty is not a new goal; the innovation that draws praise for the most recent incarnations of microfinance programs is less about improving the lives of the poor than it is about creating institutions that wi l l eventually become sustainable engines of poverty alleviation, without further subsidization. this innovation presents a very attractive alternative to what some may see as a constant outflow of poverty aid dollars that produces intangible results. to begin with, it is worth distinguishing between two forms of sustainability. the first hurdle of sustainability is operational sustainability. "this refers to the ability of institutions to generate enough revenue to cover operating costs—but not necessarily the full cost of capital." l v once operational sustainability has been achieved, the next goal becomes financial sustainability, which "is defined by whether or not the institution requires subsidized inputs in order to operate." some people insist that financial sustainability is the only option for mfis, arguing, "only f inancially sound, professional organizations have a chance to compete effectively, access commercial loans, become l i censed to collect deposits, and grow to reach significant scale and impact." ; this "best practices" conception of microlending stands i n contrast to the reality of most programs. "while subsidy rates wi l l surely fall as more programs gain age and scale, even many older, larger programs are far from being able to make ends meet with their own revenues."v!! it appears that the goals of sustainability and eventual profitability are less attainable than was once thought. "what began as a grass-roots 'movement' motivated largely by a development paradigm is evolving into a global industry informed increasingly by a commercial/financial paradigm."™ 1 this can be separated into two broad categories: the institutionist and the welfarist. institutionists place greatest importance on the institutional viability of programs as a means to their continued survival and financial sustainability. welfarists take a different view of the concept of sustainability. in their conception, donors function as social investors who expect a social or intrinsic return on their investment as opposed to a financial one. "microfinance social investors take this notion to the l imit , generally earning zero financial returns and relying totally upon intrinsic returns." while institutionists are likely to emphasize the importance of the commerical/financial paradigm, welfarists would fit better into the social development paradigm. certainly the "win-win" possibilities of microfinance are largely responsible for its current position as the darling of the development world. despite these possibilities, microfinance programs still fall under the umbrella of antipoverty programs, which have never been held to standards of financial sustainability or profit. the dual nature of microfinance means that there is much debate about its position in the world of development and finance. the way it is treated in the literature reflects this as well. one study, pub"spurred by an accord reached at the microfinance summit in lggy ... there is arguably more widespread support for microfinance than any other single tool for fighting world poverty." t h e r i g h t p a r a d i g m for p u n o lished i n 2004, calculated the frequency with which articles about microfinance appear in various journals. the journals containing the most articles were development focused: small enterprise development, the journal of microfinance, world development, the journal of developmental entrepreneurship, and the journal of international development. business and financial publications contain a min imum of articles, perhaps illustrating that "the challenge today is a more systemic one: finding ways to better integrate a full range of microfinance services with mainstream financial systems and markets. " x l recent coverage of microfinance programs has highlighted the social entrepreneurship aspect of microfinance and its newfound buzz factor within the financial community. one 2006 financial times article describes a decision by citibank to invest in microfinance: "ajay banga, who heads citigroup's consumer businesses outside the us, said such initiatives would help make microfinance 'sustainable as a business.' 'hopefully, it wil l inspire similar moves in other countries.'"™ a more recent article spotlights the acumen fund, a non-profit venture mutual fund that "takes a business-like approach to improving the lives of the poor," x m and has received grants from google.org and the rockefeller and cisco foundations. helping the poor has always required funding from donors, and attracting the attention of mutual funds and social investors ought to be seen as a positive development. this paradigm shift, however, has required mfis to reevaluate their mission and the place that sustainability has within it. in evaulating sustainability, there are two main concerns. first, for donors attracted by the possibility of helping to create a self-supporting anti-poverty program, it presents the need for a reevaluation of their donation goals. i f they decide that sustainability and profitability outweigh other social benefits, it is possible they wi l l withdraw funding from non-fmancially sustainable projects. morduch writes, "it is not clear why the starting point for so many is the belief that, as a matter of course, funding wi l l be pulled away from programs, even those able to demonstrate sustained social effectiveness."x1v i f the goal is poverty alleviation, "[the] acumen fund ... 'takes a husiness-like approach to improving the lives of the poor.777 even microfinance programs that do not achieve full sustainability can be beneficial and worth supporting. secondly, the idea of long-running subsidies raises legitimate concerns about the efficiency of microlending programs. subsidized loan programs of the past fell victim to inefficiencies and low levels of repayment. morduch argues, " i f constraints are kept hard and performance criteria are made clear, managers must cope with failures, and efficiency can be maintained, even in nonprofit programs."x v as with other nonprofit organizations, incentives and constraints other than financial profit can be used to maintain efficient operations i n subsidized programs. the means of achieving sustainability are thought to be found in larger scale programs or increased interest rates. while microlending programs boast repayment rates as high as or higher than commercial lending operations, repayment cannot be equated with sustainability. with the small size of most microloans, increasing interest rates appears the most viable option. this choice, however, may prevent poorer borrowers from gaining access to funds. it also runs the risk of introducing a moral hazard into operations, as borrowers seeking funds for riskier (but higher return) investments are the ones more likely to borrow even in the face of high interest rates. even i f these problems can be surmounted, interest rates may face constraints due to the entrance of new lenders into the microfinance market and increasing competition among mfis. this competition can favor subsidized institutions because it allows them to maintain lower interest rates and attract more desirable clients.™ the question of sustainability continues to affect how mfis evaluate day to day decisions http://google.org regarding their business operations. unfortunately, measuring a mfi's financial position is much easier than measuring its social impact. a number of studies have attempted to measure the effect of microloans on the financial and social position of borrowers and the ability of loans to spur job creation and economic growth. measuring the social impact of loans is very difficult for a number of reasons. first, it is difficult to pin down how a study should define "social impact." the myriad benefits that are attributed to successful microlending operations—the empowerment of women and increased household consumption to name a couple—mean that social impact tends to be broadly defined. more than that, it is difficult to distinguish whether impacts are the result of microfinance programs or other changes in the lives of borrowers. one recent development in the testing of microfinance programs relies on randomized field trials that attempt to control specific features of microfinance programs in order to isolate what causes their social and economic impacts. with the development of these research techniques, more reliable data is becoming available. despite the increasing importance of these field experiments, much research gauges social effect based on surveys of microfinance clients . x v u 1 the results of a survey i administered to clients of the small microlending program of the centro de apoyo al desarrollo de la mujer y el nino (ceadmun, center for support of the development of women and children) provide a case study to reveal the institutionist and welfarist tensions that face all microfinance institutions struggling to reach levels of sustainability, be it operational or financial. ceadmun is located in the city of puno, peru, a city in the andean altiplano on the shores of lake titicaca. a popular tourist destination with a population of around 100,000, puno also is home to very poor communities living mostly in the hills surrounding the city. the work of ceadmun combines women's empowerment, education, and capacity-building with a small microfinance program. as the name of the organization promises, their primary goals center upon increasing the economic and social development opportunities of women and children. profitability for their microlending program is seen as a possible future goal but not the main objective. funding for ceadmun's operations comes from donations from a swiss priest living in a nearby city and from partnerships with other non-profit organizations, as well as the initial capital that was put up by the organization's four founding employees. loans are generally made to solidarity groups that arise from neighborhood women's groups, though some loans to individuals are made as well. borrowers use their loan funds to support small businesses that include the sale of handicrafts, knitted goods, clothing (usually used), animals, fish, cosmetic products, and kerosene, and the operation of small stores and restaurants. the geographic distribution of solidarity groups affects the businesses in which they participate, as well as their levels of prosperity. for example, los balseritos, the solidarity group of los uros, sells handicrafts to tourists and fish to punenos and is known for their timeliness in repaying loans. los uros are a chain of man-made floating reed islands where people have been living for centuries. they are the main attraction drawing tourists to puno. this group's position stands in contrast to other groups from the neighborhoods in the muddy hills surrounding the city center, which are not nect h e r i g h t p a r a d i g m for p u n o essarily guaranteed the captive customer audience of tourists visiting the floating islands. clients are also required to make savings deposits that are available for withdrawal twice during the year: once at the beginning of the school year to assist in the purchase of the materials necessary for school attendance and again at christmas time when extra consumption needs are expected. as an intern in the office during the months of january and february of 2006, i wrote and administered a survey to gauge the impact of the microlending program on the clients. the survey consisted of a series of questions regarding the personal, business, and social situation of each borrower. in particular, i was interested in determining the effects that loans had on the financial position of the women, but also the effect they had on their self-esteem. the survey sample included 31 surveys. a l l of the clients surveyed were women with the exception of one man, the husband of a ceadmun borrower. interestingly, the majority of the respondents (27 of 31) had previously borrowed from a microlending institution other than ceadmun. the most common institution named was the popular promujer organization, which has offices in peru, nicaragua, argentina, mexico, and bolivia. from a demographic perspective, it was a varied group. al l those surveyed had at least one child, with an average of almost three children each, and many were living in homes that included members of their extended family. the education levels of those surveyed also varied greatly, ranging from three women who had no formal instruction to seven women with partial or complete university training. the range of education levels was apparent in the administration of the survey. the challenge of collecting reliable data from participants was occasionally hampered by a lack of mathematical experience on the part of the borrower, as in the case of estimating the effects of a loan on her business. additionally, it is important to mention that these surveys asked questions from the perspective of comparing the borrowers' lives with the loan to their lives without the loan. this means that environmental factors over time are not fully accounted for in the survey design. these considerations make the interpretation of the survey results problematic from a statistical point of view, but do not necessarily preclude all of their ability to assist in an understanding of the program's impact on the lives of borrowers. overall, the results of the survey demonstrate that loans from ceadmun were judged by borrowers to exert a positive impact on their lives. loans from ceadmun did not provide start-up capital for any of the women, who all had their businesses previous to their loans. they did, however, allow women to increase the size of their businesses or the consumption of their families. twenty-seven women responded "yes" to the question of whether their business had improved after the loan. the improvement was generally attributed to an ability to buy more merchandise or materials. pressed further for details of the increases, however, clients were often not able to state exactly how much personal b u s i n e s s e n t e r p r i s e s improve t h e i n d e p e n d e n c e of m i c r o f i n a n c e c l i e n t s they had spent per week or month on merchandise prior to receiving the loan. fourteen respondents also indicated that they re-invested their earnings into their business, and nearly all borrowers stated that they would borrow greater amounts and expand their businesses i f they were allowed to. this response with regard to borrowing more funds, however, contradicts the responses to other questions on the survey; it was made by even those women who had previously answered that their businesses had not improved or that they were experiencing a decreased demand for their products. this suggests that either borrowers are too pessimistic in their judgment of their business or that they are too optimistic i n their hopes for new loans. benefits regarding the support of borrowers' children were also widely reported. fourteen respondents explicitly stated children, family, and education in their responses to the question of where they spent their increased earnings. other responses included expenditures on housing, food, and clothing which can all contribute to the ability of a child to succeed in school. two respondents in particular asserted that without their loans, they would not have been able to send their children to school. apart from the material well-being reported by respondents, the series of questions related to the borrowers' self-esteem and general personal satisfaction were enlightening. a l l respondents replied in a positive manner to the question, "how do you feel, as a person, upon carrying out your business?" some individual responses show that the loans are achieving their goal of female empowerment. one 35-year-old woman expressed the independence that results from her loan: " i f i want to, i go out."x i x echoing that freedom of decision making are the responses: "what i want to buy, i can," x x and "now i don't have to depend on anyone."™ another client, trained in economics at the university level, said that her loan makes her feel optimistic and allows her more stability than other jobs. it is clear from these responses that running a business of their own, supported by access to credit, has improved the independence and freedom of opportunity for many clients of ceadmun. as a way to gauge the economic and political awareness of ceadmun's clients, i included the survey question, "how do you see the economic situation of peru?" responses tended towards laments about the lack of jobs and opportunities to earn money. perhaps the most interesting responses to this question touched on the issue of competition. while some literature on microfinance addresses the issue of competition between mfis, the issue of increased competition between borrowers is also an issue. in the case of puno, many women sell handicrafts and sweaters to the many tourists who pass through the city. with loans, they are able to purchase more merchandise to sell, but there has not necessarily been an accompanying increase i n tourists to the city. the street near the port from which tours of the floating islands depart is lined with women selling their colorful wares. the idea of a merchandise shortage would not cross the mind of any observer. it is not surprising, then, that several women mentioned that competition had contributed to a downturn in their business. this problem should correct itself with borrowers borrowing less i f they are unable to sell increased levels of merchandise, but it is worth considering whether the loans themselves are creating problems by introducing too much supply into certain markets. furthermore, the type of business that many ceadmun borrowers have—selling items on the street—is not likely to lead to the capital accumulation that would allow them a real way out of poverty. the organization would do well to consider expanding their business education to encourage more dynamic enterprises. a preliminary consideration of the case of ceadmun i n puno illustrates the tensions between the institutionist and welfarist positions. a n institutionist would likely criticize the small program's prospects for reaching the levels of operational sustainability and financial sustainability that wi l l ensure its survival and continued ability to reach those in need. a welfarist, on the other hand, would emphasize the positive impact that the loans have had on borrowers' lives over the need for financial sustainability. the microfinance t h e r i g h t p a r a d i g m for p u n o literature provides support for both a development and a financial paradigm, but which provides the best fit for this example? in the case of ceadmun, several institutional factors combine with the results of the monitoring survey to support a positive evaluation from a developmental, welfarist evaluation of the program. as a small institution focusing on a holistic approach to the question of economic and social development, ceadmun was never created with the intention of becoming a profitable microlending institution. the resources it has available in terms of technical expertise and loanable funds do not provide a practical environment for the goal of financial sustainability. in a similar vein, the loans that it is able to make are not to borrowers who are likely to achieve the kind of financial gains from their investments that could create profitable future lending possibilities. investors interested in financial gain would take one look at their small office and the businesses the loan program supports and be certain that they were not interested. this, of course, is i f they find themselves in puno at all. yet while ceadmun's loans do not appear to be producing truly great financial gains for either clients or the center, they do demonstrate a self-reported positive impact on borrowers' lives. the impact on women's self concept and independence is particularly promising, as is the increase in household income earmarked for spending on children. i f the microfinance program is seen as a way of stretching charity funds that would otherwise be spent on other development initiatives such as empowerment training or the provision of food and clothing, it can remain an important part of the organization's arsenal of development activities without ever reaching sustainability. when mfis are able to leverage their resources in a way that makes the "win-win" possibility of microfinance a real possibility, they should do just that. but the popularity and success of such programs should not make it the sole paradigm under which microfinance is considered. a "win-win" scenario might be ideal, but even a "win-break even" scenario is a useful tool in the fight against poverty. e n d n o t e s i . mcintosh and wydick (271-298) i i . murdoch 1999 (1570) i i i . murdoch 1999 (1570) iv. murdoch 1999 (1588) v. murdoch 1999 (1588) vi . littlefield and rosenberg v i i . murdoch 2000 v i i i . brau and woller (1-26) ix. brau and woller (1-26) x. brau and woller (1-26) xi . littlefield and rosenberg x i i . wighton x i i i . foster xiv. foster xv. murdoch 2000 xvi. for a more in depth discussion of the issue of competition among mfis, see mcintosh and wydick "competition and microfinance" 2002. xvii . brau and woller provide a comprehensive description of several o f these studies. xvii i . duflo, e.r. glennerster, & m . kremer. 2006. using randomization i n development economics research: a toolkit. handbook of development economics. xix. original spanish response from january 2006 interview: "si yo quiero, salgo." xx. original spanish response from january 2006 interview: "lo que yo quiero comprar, yo puedo." xxi. original spanish response from january 2006 interview: "ya no tengo que depender de nadie." references brau, james c. and gary m . woller. 2004. "microfinance: a comprehensive review of the existing literature." journal of entrepreneurial finance and business ventures. 9(1). foster, lauren. 2007. "one fund stretches charity dollar." financial times, january 26. littlefield, elizabeth and richard rosenberg, 2004. "microfinance and the poor." finance and development, june. mcintosh, craig and bruce wydick. 2005. "competition and microfinance." journal of development economics, 78(2), december. murdoch, jonathan. 1999. "the microfinance promise." journal of economic literature. 37(4), december. murdoch, jonathan. 2000. "the microfinance schism." world development. 28(4). wighton, david. 2006. "companies the americas: citigroup i n microfinance programme." financial times, september 22. e l e m e n t s f a l l 07 "the essential core of the [french national front] is nothing new; rather it is the continuation and actualization of deep-seated and longstanding attitudes and anxieties present in france." a t r a d i t i o n of r a c i s m the french national front s o r e n l a c a a r d t h i s e s s a y c o n s i d e r s t h e h i s t o r i c a l a n d p o l i t i c a l d e v e l o p m e n t o f f r e n c h f a r r i g h t s e n t i m e n t a n d d i s c o u r s e a s e n c a p s u l a t e d b y t h e n a t i o n a l f r o n t ( f n ) p a r t y t o d a y . f o c u s i n g o n t h r e e k e y a r e a s — a n t i s e m i t i s m a n d i t s p o l i t i c a l i m p l i c a t i o n s , n a t i o n a l i s m a n d t h e d u e l i n g n o t i o n o f f r e n c h i d e n t i t y , a n d t h e h i s t o r i c a l m y t h s t h a t a u g m e n t a n d l e g i t i m a t e b o t h — i s e e k t o s h o w h o w t h e n a t i o n a l f r o n t h a s s u c c e s s f u l l y p l a y e d u p o n t h e s e t r a d i t i o n a l , o f t e n r a c i s t , t e n d e n c i e s t o a c h i e v e i t s p r e s e n t e l e c t o r a l s u c c e s s . t h e p r o b l e m s a n d i n s e c u r i t i e s m a n i f e s t e d i n f r a n c e t o d a y — g l o b a l i z a t i o n , i m m i g r a t i o n , a n d j o b s e c u r i t y — a r e , t o a d e g r e e , t h e p r o b l e m s o f a h u n d r e d y e a r s a g o . t h e f n a d v o c a t e s a s i m p l e , c o m p e l l i n g , a n d a b o v e a l l , c o n s i s t e n t a n s w e r t o t h e s e c o m p l e x i s s u e s t h a t a p p e a l s t o m a n y c a u g h t i n t h e i d e n t i t y f l u x o f t h e 2 1 s t c e n t u r y . a s l o n g a s t h e s e p r o b l e m s r e m a i n u n r e s o l v e d , t h e f n w i l l e n j o y s i z e a b l e s u p p o r t . i n t r o d u c t i o n when an assorted band of french right-wing politicos founded the national front party (fn) on october 5,1972, no one could have foreseen the party's stellar rise to become one of the major forces in french politics today indeed, in its 34-year history, the fn has only recently been catapulted onto the french national stage. during the 2002 french presidential election, the fn accumulated nearly 17 percent of the popular vote—beating out the rival socialist party candidate and advancing to a run-off election between the fn leader, jean-marie le pen, and incumbent president jacques chirac.1 additionally, in 2005, the fn was instrumental in mustering french public opinion against the adoption of the european union constitution. i argue that the essential core of the fn is nothing new; rather, it is the continuation and actualization of deepseated and long-standing racial attitudes and anxieties present in france from the 19th century onward. these attitudes are exposed and furthered by the persistent insecurities of our modern era—jobs, globalization, and immigration—and are often coupled with a fundamental view that the past was right and noble, and that this past should become the exemplum for the future. in discussion of the fn and its appeal, this paper wi l l take a thematic approach, analyzing and chronicling historically racial attitudes and identities as encapsulated in the fn party. as we wi l l see, these racial identities are often integral to how many in the fn and the greater french public perceive themselves, their role i n french society, and the idea of being truly "french." a n t i s e m i t i s m of the themes present in the fn, anti-semitism is the oldest, with roots running long and deep. anti-semitism resurfaces in the occasional statement by a party member—often as a holocaust denial—and by similarities of rhetoric and method in other issues such as immigration that include racial dimensions. in order to understand these statements and the integral role anti-semitic sentiment plays in influencing the discourse within the party, we must look to the development of french anti-semitic attitudes dating back to the 19th century. anti-semitism in its modern context often acts as springboard to other forms of racial discrimination currently integrated into the platform of the fn. prior to the denouncement of captain alfred dreyfus as a traitor and german spy in 1894, much of the underlying anti-semitic attitudes present in france were holdovers from the middle ages, a time when many saw jews as scapegoats "responsible for the decadence of french society."11 however, as the industrial revolution took hold during the 19th century, jewish communities in france were transformed from a marginal population to one that participated in the growth of trade and capital, a process termed by some historians as "coming out of the ghetto."111 not all portions of the population were equally successful i n the breakneck economics of the industrial revolution, and popular perception held that the jews had a disproportionate share of economic wealth. as this idea of jewish financial success became more widespread, we see the advent of the myth of the "200 families"—the idea that 200 influential jewish families were acting as powerful oligarchs, pulling all the levers and holding all of the keys to the world economy. lv moreover, as perceptions of increasing jewish wealth became widespread, the stature of traditional cultural institutions, such as the catholic church, decreased. as a result, portions of french society began to fear that jews would begin to dominate france, as evidenced in the french philosopher pierre leroux's 1848 quip that "the true successor of napoleon is the jew."v this fear of the "other" is a precursor to the fn's modern antiimmigration slogan, "immigrants are taking our jobs, our peace, our space, our customs."v1 indeed, this victim mentality comes to full fruition i n the dreyfus affair and the advent of the infamous anti-semitic french journalist edouard drumont. in his 1886 magnum opus les juifs contre la france (the jews against france), drumont echoed and expounded upon many ine l e m e n t s fall 07 dustrial age insecurities by describing the complete "coquest" of the french state and race by the jews: one can recognize all the characteristics of a conquest: an entire population working for another population, which appropriates, through a vast system of financial exploitation, all of the profits of the other. immense jewish fortunes, castles, jewish townhouses, are not the fruit of any actual labor, of any production: they are the booty taken from an enslaved race by a dominant race.vn here we see the jew defined not only in terms of religion and economic wealth but also as a 'race' that is external and dominant over the 'enslaved race' of the french people. moreover, such words as "conquest" and "entire population" reinforce the notion that the group being subjugated is as much a state as it is a people—if not one in the same thing. in short, drumont sets the underlying idea later exemplified in the fn: there is no difference between one's nationality and one's race. the dreyfus affair changed everything. because captain alfred dreyfus was working on behalf of the french state for one of the most important military bodies and was denounced as a spy for archrival germany, anti-semitic discourse became fully political. now the jews were cast not w i l l s h e b e r e s c u e d ? political cartoon on the dreyfus affair and emile zola's open letter accusing the military of anti-semitism just as economic oligarchs but also as foreign outsiders interested in betraying france for the highest bidder. this "political anti-semitism" allowed the far-right establishment to use the jews as "perfect political scapegoats."vu1 the anti-semitic political scapegoating is a recurring theme throughout the early and mid-2oth century. in the 1920s we see the antisemitic charles maurras write an open letter to the jewish politician abraham schrameck in the antisemitic l'action francaise: "for us, you symbolize rather too visibly the foreigner who has seized the government unawares and is making it serve anti-governmental and anti-national ends." lx historian pierre birnbaum notes that the ideas of the farright were first actualized during the german-controlled vichy government i n world war i i x when the law of 2 june 1941 that "aryanized" public office and removed jews entirely from the political sphere appeared. after the war, these anti-semitic attitudes reemerged as veiled attacks upon the government for its support of what pierre poujade called jews' lack of "french guts."x l a number of other movements, such as organisation armee secrete (oas), continued the trend and gave fn leader le pen one of his first forays into politics during the 1960s. indeed, the fn used the same political scapegoating in attacking a t r a d i t i o n of racism the chirac government for its backing and support of immigrants. as it is, many founding, indeed "charter," members of the fn had backgrounds in organizations associated with antisemitism. the anti-defamation league (adl), a group whose mission statement is dedicated to the prevention of "the defamation of the jewish people, " x 1 1 notes in their dossier on le pen that such early figures as francois brigneau and jean castrillo, who rose to be editors of the fn newspaper militant, were previously involved with the vichy government and even the waffen-ss during world war 11.x 111 it is important to note that the fn and their leader le pen often portray themselves and are portrayed as one and the same. le pen is a dominating figure in the party—his face alone appears besides the prominent fn logo on the fn website x i v—and a secret to the party's longevity has been his ability to unite disparate groups under his party's banner with what the historian edward declair calls the "sheer force of his charismatic personality. " x v the adl is certainly not alone in portraying both le pen and his fn party as a cadre of extremist anti-semitic fascists. for instance, an editorial cartoon during the 2002 french presidential runoff campaign between chirac and le pen links le pen with the symbol of the swastika and the recent spate of a synagogue burning in europe, suggesting that a bottle of "le pen," which is "made in france" and branded with the swastika would be a great concoction complementing the anti-semitic flame.' 1 another example, also during the 2002 presidential runoff campaign, surfaced when over 400,000 people protested in paris against the fn and shouted the slogan, "vote for the crook, not the fascist,"xvi i and an op-ed published by the london independent on election day carried the headline, "le pen says he is demonised. but, he isn't demonised anything like enough." x v i i i le pen's anti-semitic reputation is spurred by what declair aptly calls his "rhetorical excesses."xix along with other members of the party's leadership, le pen has quite a history of running his mouth. for instance, in 1988 he made a very offensive pun in which he rhymed the name of michael durafour, a jewish minister in the socialist government, with the word crematorie, which in french means oven or gas chamber.xx following the incident, a prominent national front member close to le pen, francois bachelot, in an interview in the newspaper le monde, claimed the pun was not just le pen's sloppy mouth but a "considerable strategy" that was designed to "give the national right a shot " s o n s and d a u g h t e r s of d e p o r t e d f r e n c h jews" protest against le pen's "gas c h a m b e r " c o m m e n t in the arm."™ bachelot's claim, i f true, might suggest intentional tactics of portraying jews as an external "anti-french" group in order to stir the passions of far right supporters. in a 2001 jerusalem post report, it was argued that jeanmarie le pen has successfully used "holocaust denial to focus media attention on his party and mobilize right-wing voters." x x n i n fact, many media organizations within france and greater europe seem quite happy to publicize his every anti-semitic move. while believing that they are showing h im in a negative light, the publicity may have an unintended effect of raising awareness of le pen and the fn instead. moreover, it allows le pen to portray himself as a "victim" of what he occasionally refers to as the "jewish media," 3 0™ a strategy which seems reminiscent of drumont and the "conquering" jew. indeed, a 2002 letter to the editor i n the spectator, a u. k.-based syndicate noted that "the french electorate do not believe that [le pen] is the ogre he is made out to be by the mass media. ' , x x l v certainly by now the french people are accustomed to the latest fn and le pen holocaust denial. up until the 2007 french presidential election, the stigma against voting for le pen and the fn did not significantly affect their routine share of 10-15 percent of the vote. "an opinion poll.. .found that 33 percent of fn supporters 'disliked'jews— more then double of any other party surveyed.77 so, is the fn anti-semitic? a n opinion poll by the institut de sondages d 'opinion et d 'etudes de marche en france et en europe (csa institute) in 1995 found that 33 percent of fn supporters "disliked" jews—more then double of any other party surveyed.™ given the historical ties to anti-semitic movements, the anti-semitic language used by some in the party elite, and the rhetoric similar to historical antisemitic movements, this comes as no surprise. however seemingly prevalent anti-semitism is in the fn, it is not a classical "institutional" anti-semitism as its far-right ancestors like the action frangaise were, and certainly, the political platform and agenda of the fn are not directed toward jews unlike drumont's efforts. rather, anti-semitism i n the fn is directed exclusively toward the french state and her history; furthermore, it is still partially used as a political scapegoat to explain political failures and to muster votes. moreover, the fn has morphed this old tendency into a vehicle through which they are successfully able to generate controversy, publicity, and attention. n a t i o n a l i s m the french far right has historically found itself in a quandary when it comes to defining the idea of the french nation. the historian pierre birnbaum argued that politically right groups in the 19th century which believed in the "unchallengeable strength of the [french] state found it hard to tolerate the construction of a pluralist political democracy. " x x v 1 presently, a tension exists between electoral participation in a democratic and meritocratic fifth republic and a romantic desire for the strong state that once existed under the ancien regime—the time perceived by the far right as the "golden age" of france.™ 1 1 it comes as no surprise then that the dreyfus affair affirmed and reinforced many perceptions on the far right that the jews were instrumental in betraying france to her greatest enemies. edouard drumont was quick to l ink dreyfus to one of the definitions of a nation: the jews have done what they announced, and we must recognize that they have proceeded to this moral destruction of the french army with unequalled virtuosity.xxvm his sarcastic language of "moral destruction" and "virtuosity" reveal his mockery of emile zola's earlier 1896 letter in which zola says, "let us enrich ourselves with [jewish] virtues, since virtues they have." x x i x although nowhere near as stark, we see this political anti-semitism manifested in the fn today. in 2002, le pen commented that president chirac was "in the pay of jewish organizations,"™ insinuating that both chirac and the french state were being corrupted by an outside force. in many ways, the tension with the far right boils down to different conceptions of citizenship. in the case of the third republic, pierre medes france, a prominent jewish politician in the socialist government of the early 20th century, emphasized, "true democracy is the intimate association, the fusion, of the state and the citizen. " x x x 1 this statement is a fully inclusive definition of citizen and state, and this inclusiveness makes the citizen and the state wholeheartedly the same thing. p.m. france's statement is cona t r a d i t i o n of racism sistent with the general expansion of the french definition of citizenship and the state as the natural extension of all citizens and inevitably puts it on a collision course with the far right. for instance, the staunch catholic writer for revue des deux mondes and academie francaise member ferdinand brunetiere argued in 1899 that race and "frenchness" are a product of "latin" culture: for us the french, is to he and remain latins, latins, in sentiment, latins in morals, latins in taste, latins in spirit, latins in language and latins in thought.xxkn for brunetiere the idea of the "nation" is one rooted in common traditions of the past, and a true french citizen is rooted in a national french "soul" comprised of this unassailable and unchanging "latins" cultural ident i ty . x x x m therefore for brunetiere, one's citizenship, one's "frenchness," is one's race. this idea—and its full implications—manifests itself in the undertones of the fn. during the course of declair's interviews with fn, one conversation is particularly illuminating: one of his colleagues, a founding member of the front, discusses her visit to an immigrant neighborhood in paris: "there wasn't a single white person. there were hundreds of people in the area, and there wasn't one white person." as she realizes the import of her comments, she stops and says, "i'm not talking about the color of one's skin, i'm talking about their nationality, "xxxiv clearly, this "founding member"—caught in the act of her racism—encapsulates the l ink i n fn thinking linking a person's racial identity and their supposed "nationality." these two dissimilar notions of nation and of "being french" lead to very different attitudes in the conceptions of society, culture, and government. most of secular, modern france has no problem with a parliamentary democracy that espouses citizenship for all under law regardless of ethnic origin. drumont, brunetiere, and the fn have core ideological disagreement with this conception of french democracy because it includes people that, i n their view, are incapable of understanding or participating in french culture and history and are therefore ineligible to be french citizens. like drumont's own fears, these apprehensions seem rooted i n insecurities of identity and belonging. another interviewee of declair's hits this cord when he says, "my . . . biggest fear is that we are losing our cultural identity for a sort of cultural melting pot which has no foundation." furthermore, we see this core insecurity translated into common fn slogans, such as "putting our people f i r s t " x x x v l and "we live in france and we have to remain french!" x x x v u the fn, while participating fully in french democracy, has never been able to agree with the definition of citizen espoused and lauded by the modern french state. this often has fn supporters looking back in history for meaning and identity. n o s t a l g i a , m y t h , a n d lies intertwined with a healthy dose of nationalist sentiment, nostalgia for the way the far right perceives things once were has a long tradition in the french right political domain. much of this nostalgic sentiment is tied to longing for the strong state, the ancien regime, and thus almost exclusively looks back to the period before the revolution. this tendency, like political anti-semitism and nationalism, has its roots in the far right reaction to the dreyfus affair. a prime example of such is the previously mentioned figure ferdinand brunetiere, who later framed the struggle of french identity as eternal conflict: "our entire history can be interpreted in terms of the persistence of our effort to maintain, to claim, to defend . . . against the invaders from outside and the enemies from within. " x x x v u 1 it seems that brunetiere was conveying an identity based on separation from external "invaders" and internal "enemies," most likely for h im a group of jews; this identity holds that all of french history has been about "maintaining" and laying "claim" to that separate identity. brunetiere was in effect, claiming that the definition of what a french citizen is has been constant, and that the battle to prevent any entity or group from changing, interrupting, or distorting national front right-wing leader j ean-mari e le pen that historical constant is the battle that defines what matters most—french identity. as for carrying on this nostalgia in the fn, jean-marie le pen provides a great wealth of rhetoric. beyond frequently alluding to joan of arc in his speeches (as the woman who "had the courage to say 'no' to a foreign invader")*™*, we see a poignant illustration of his belief in the unchanging myth of france on his personal website: my mother was a small peasant woman, a true salt of this earth person. she started tending cows at the young age of twelve, just as all my ancestors from the morbihan region of brittany had done since long before the french revolution. x l by pointing to a period "before the french revolution" and the region of brittany, le pen is pointing to a time and place when his ancestors weren't french at all—they were actually bretons. moreover, the bretons didn't even speak french; they spoke their own dialect, which is quite separate from the modern french language. second, the "french revolution" which he is effectively snubbing by alluding to an earlier pastoral time, is the very unifying movement that is responsible for his modern idea of what it is to be "french." in short, he is caught i n a paradox—the very thing that allows h im to be "french" is the thing he desires to marginalize and avoid. like much of the fn, he is projecting an ideal, a solution to his modern day insecurities, into the past and deriving from it a mythical and unchanging identity that, historically true or not, affirms his worldview. this false belief in french identity often leads to a call to change those things in the present that do not correspond to this myth. edouard drumont exemplified this when he said, "never has there been a more serious moment"*1' while attacking what he perceived as decadent jewish elements that were destroying his perception of france. le pen is eerily similar when he says, "the battle of france has already begun. it's a battle of liberation, which must be won so that tomorrow, france can continue to be french."*1" le pen's "battle" is a battle against those same decadent forces he and his party perceive as corrupting france, a france that has lost what it is, requiring "liberation", a return to the old, constant myth of nation—a 'vict im mentally' we've seen earlier with drumont—all so that, akin to brunetiere's thesis, "france can continue to be french." in truth, france has never really been the france that le pen assumes it once was. le pen, like his historical predecessors, looks to project an idealized, mythic past i n reaction to and as a comfort from the acute problems that have invaded and challenged his and the fn's ultimately racist idea of the french nation. t h e f u t u r e of t h e f r e n c h n a t i o n a l f r o n t as argued in this paper, many dimensions central to the human experience—insecurity, economics, immigration, history, identity—are intimately bound up and, in the case of the national front, are inseparable from the racial tendencies the front exhibits. the virulent anti-semitism of the 19th century became the virulent anti-immigration of the fn today, for the jew and the immigrant represent the same threat to front members' perceived identities. antisemitism remains a viable political tool to generate votes and publicity. the idea of the nation, too, never really changed, for the fn it is still inseparable from one's race, and is antithetical to modern conceptions of nation and cita t r a d i t i o n of racism izenship. the ideal of the past forms the core of their identity; they reject, wall-off, and marginalize many other viewpoints and people of the world. the myth of the past becomes the litmus test for what is agreeable in the modern world, and it becomes the standard for how they seek to change it. the fn performed badly in the 2007 french presidential election—amassing only n percent of the vote on the first round. x j m it was certainly a poorer showing than the 2002 election that witnessed the front and le pen make it to the second round of voting. many were surprised by this turn of events, although many reasons were given to explain the results. for one, polls indicated that many who may have in the past voted for le pen chose this time to vote for victorious ump center-right candidate nicolas sarkozy, who had campaigned by employing similar "france for the french" rhetoric as le pen in discussing hot-button issues like immigration and the integration of minorities i n french society. this was so apparent that le pen himself accused sarkozy of "stealing his ideas" and demanded h im to stop. for many, sarkozy was a candidate that spotlighted many fn voters concerns, and did so without the baggage, stigma, andcrassness of le pen. the fn may have suffered an electoral defeat in the latest election, but some of the ideas they advocated as a fringe party have now become a part of mainstream french politics. the following months and years of the sarkozy presidency wi l l show whether his election rhetoric matches his policy and vision of france. e n d n o t e s i . international foundation for election systems, "ifes election guide—election profile for france." . (accessed november 29, 2006.) i i . birnbaum (4) i i i . katz, provided by birnbaum (5) iv. arnold (xvi) v. leroux (accessed december 1, 2006). vi . heroles, http://www. worldpress. org/americas/584. cfm#down. (accessed december 9, 2006). v i i . drumont, http://www. cooper, edu/humanities/core/ hss3/e_drumont. h tml . (accessed november 15, 2006). v i i i . ibid (5) ix. published i n laction franeaise, 9 june 1925, provided by birnbaum (236) x. arnold (135) xi . no citation in text. pierre poujade comment provided by birnbaum (129) x i i . anti-defamation league mission statement, http://www. adl. org/annual_report/o5annual%2oreport-web. pdf. (accessed december 2, 2006). x i i i . anti-defamation league, http://www. adl. org/international/lepen-2-history. asp; 2002 addendum, http://www. adl. org/international/le-pen_new. asp. (accessed december 2, 2006). xiv. fn official website: http://www. frontnational. com/, (accessed december 1, 2006). xv. declair (213) xvi. a n online l ink can be found here: http://www. jr. co. i l /humorpic/pcoo62. jpg. (accessed november 22, 2006). xvii . richburg, http://www. washingtonpost. com/ac2/wpdyn/a37423-2002may5?language=printer. (accessed december 3, 2006). xvii i . lichfield, "french election" xix. declair (90) xx. jacobson, "le pen basks in limelight" xxi. biffaud, "national front keeps anti-semitism on the boil" xxii . mckay, "taking on france's 'fascist university'" xxii i . igounet, "the rise of france's far right; holocaust denial is part of a strategy" xxiv. "the meaning of le pen; letters to the editor." xxv. opinion poll, csa institute, 15-24 november 1995. translated i n arnold (266) xxvi. birnbaum (15) xxvii. arnold (43) xxviii. drumont as translated by mitch abidor, marxists, org, "the jews against france," http://www. marxists. org/history/france/dreyfus-affair/drumont. h tm. (accessed december 2, 2006). xxix. zola, (5) xxx. pascal. xxxi. pierre medes france, restaurer l'etat', i n oeuvres completes, vol. 1 (gallimard, paris, 1984), p. 99. translated in birnbaum, (37) xxxii. ferdinand brunetiere from la nation et i'armee' (paris: hetzel, 1899). translated by arnold, 25. xxxiii. arnold (29) xxxvi. declair (132) xxxv. interview conducted by author. translated by declai (133) xxxvi. jean-marie le pen official website: http://english. lepen. info/book/wekome. htm. (accessed november 20, 2006). xxxvii. quetteville, "our town isn't racist" xxxviii. ferdinand brunetiere, la nation et i'armee' (paris: hetzel, 1899.) translated by arnold (27) xxxix. "anti eu constitution sentiment dominates may day i n elem ents : : fall oj http://www.electionguide.%20org/results.%20php?id=425 http://www.electionguide.%20org/results.%20php?id=425 http://muse.%20jhu.%20edu/journals/history_of_politicalrconomy/vo35/3l).%204cokman.%20html http://muse.%20jhu.%20edu/journals/history_of_politicalrconomy/vo35/3l).%204cokman.%20html http://www http://www http://www http://www http://www http://www http://www http://www http://www http://english france," euronews. xl . jean-marie le pen official website, "a personal welcome," http.y/english. le-pen. info/book/welcome, h tm. (accessed november 20, 2006). x l i . edouard drumont as translated by mitch abidor, marxists, org, "the jews against france," http://www. marxists. org/history/france/dreyfus-affair/drumont. h tm. (accessed december 8, 2006). x l i i . jean-marie le pen official website, "the future is now," http://english. le-pen. info/book/futur. h tm. (accessed november 20, 2006). x l i i i . the washington post, "2007 french presidential elections," http://www.washingtonpost.com/wpdyn/content/art icle/2007/o4/i3/ar200704i30i40i .html. references "2007 french presidential elections." 2007. the washington post, apr i l 13. agence france presse: english, november 2005 november 2006. anti-defamation league. 1999. "jean-marie le pen: a rightwing extremist and his party." . "ami eu constitution sentiment dominates may day i n france." 2005. euronews—english version, may 1. arnold, edward j. 2000. the development of the radical right in france: from boulanger to le pen. new york: st. martin's press. bennhold, katrin. 2006. "new arena for ideas of le pen" international herald tribune, january 13. birnbaum, pierre. 1992. anti-semitism in france: a political history from leon blum to the present. trans. mir iam kochan. cambridge, m . a.: blackwell. coleman, wil l iam. anti-semitism in anti-economics. duke university press. . declair, edward g. 1999. politics on the fringe: the people, policies, and organization of the french national front. durham: duke university press. drumont, edouard. les juifs contre la france. (the jews against france). translated by mitch abidor for marxists, com and faculty of cooper university. . "france's far-right leader le pen convicted of inciting racial hatred." 2006. turkish daily news, may 12. "french anti-immigrant leader le pen gets more support: poll." 2006. xinhua general news service (people's republic of china), november 25. "french leader pays german fine for sedition." 2000. bbc monitoring europe: political, apr i l 14. fn official website: . heroles, federico reyes. 2002. "europe tilts rightward," world press review. 49(7). . international foundation for election systems,"ifes election guide election profile for france." . independent, the. (london), may 2002 september 2006. le pen, jean-marie. jean-marie le pen official website (in english). . manchester guardian weekly, september december 1998. mckay, neil. 2001. "taking on france's 'fascist university'," the jerusalem post, august 3. pascal, julia. 2005. "under siege two important works explore a virulent form of anti-semitism," financial times (london), apr i l 9. quetteville, harry de. 2002. "our town isn't racist," the daily telegraph (london), apr i l 23. richburg, keith. 2002. "french extremist loses big," washington post, com, may 6. . "the meaning of le pen; letters to the editor." 2002. the spectator (london), may 4. times, the. (london), december 1989 november 2006. united press international (upi), november 2005. united states department o f state report, "background note: france." (accessed december 1, 2006). zola, emile. 1996. the dreyfus affair: j'accuse' and other writings. trans. eleanor levieux. new haven: yale university press. a t r a d i t i o n of r a c i s m http://http.y/english http://www http://english http://www.washingtonpost.com/wphttp://www%20adl.%20org/interna-tional/lepen-2-history.%20asp;%202002%20addendum,%20http://www.%20adl.org/international/le-pen_new.%20asp http://www%20adl.%20org/interna-tional/lepen-2-history.%20asp;%202002%20addendum,%20http://www.%20adl.org/international/le-pen_new.%20asp http://www%20adl.%20org/interna-tional/lepen-2-history.%20asp;%202002%20addendum,%20http://www.%20adl.org/international/le-pen_new.%20asp http://muse.%20jhu.%20edu/journals/history_of_political_economy/vo35/35.%204coleman.%20html http://muse.%20jhu.%20edu/journals/history_of_political_economy/vo35/35.%204coleman.%20html http://www.%20marxists.%20org/his-tory/france/dreyfus-affair/drumont.%20htm%20and%20http://www.cooper.%20edu/humanities/core/hss3/e_drumont.%20html http://www.%20marxists.%20org/his-tory/france/dreyfus-affair/drumont.%20htm%20and%20http://www.cooper.%20edu/humanities/core/hss3/e_drumont.%20html http://www.%20marxists.%20org/his-tory/france/dreyfus-affair/drumont.%20htm%20and%20http://www.cooper.%20edu/humanities/core/hss3/e_drumont.%20html http://www.%20frontnational.%20com/ http://www.%20worldpress.org/americas/584.%20cfm%23down http://www.%20worldpress.org/americas/584.%20cfm%23down http://www.electionguide.%20org/results.%20php?id=425 http://www.electionguide.%20org/results.%20php?id=425 http://english.%20le-pen.%20info/ http://www.%20washingtonpost.com/ac2/wp-dyn/a37423-2002may5?language=printer http://www.%20washingtonpost.com/ac2/wp-dyn/a37423-2002may5?language=printer http://www.%20state,%20gov/r/pa/ei/bgn/3842.%20htm husserl 's logical investigations the phenomenological revolution a l e x y l a n n o p o u l o s t h e v i e w t h a t l a n g u a g e i s a v e h i c l e f o r t h e c o m m u n i c a t i o n o f ( i m m a t e r i a l ) " c o n c e p t s , " i n o p p o s i t i o n w i t h t h e ( p h y s i c a l ) " w o r d s " t h a t c a r r y t h e m , i s t h e f o u n d a t i o n o f w e s t e r n p h i l o s o p h y o f l a n g u a g e , a n d p e r h a p s t h e f o u n d a t i o n o f w e s t e r n p h i l o s o p h y i n g e n e r a l . a s e d m u n d h u s s e r l a n d j a c q u e s d e r r i d a c o n f r o n t t h i s r e l a t i o n s h i p b e t w e e n i d e a l i t y a n d r e a l i t y i n l a n g u a g e , t h e o l d o r d e r p r o m u l g a t i n g t h i s b i n a r y c o m e s i n t o q u e s t i o n . t h e f o l l o w i n g e s s a y e x p l o r e s t h i s c h a l l e n g e t o t h e t r a d i t i o n a l a c c o u n t o f l a n g u a g e a s w e l l a s i t s w i d e r i m p l i c a t i o n s f o r o n t o l o g y a n d s u b j e c t i v i t y . one of the seminal texts of the modern era, and indeed a text that would influence the course of continental philosophy throughout the 20th century, is husserl's logical investigations. conceived in part as a response to what husserl termed "psychologism," the view that the truths of logic are derived from the facts of psychology, the logical investigations1 were a pivotal moment in the history of western philosophy. husserl's stated intention was to provide a stable ground for truth and knowledge, by "delineating" a ...new, purely theoretical science, the all-important foundation for any technology of scientific knowledge, and itself having the character of an a priori, purely demonstrative science.11 this "new science" would be based on the principles of "pure logic," a decision made in reaction to what he saw as the tendencies of philosophy to downplay or deny the possibility of a direct knowledge and to assert that the universal and ideal truths of logic were derived from empirical experience. over the course of the investigations, the theory of knowledge that husserl articulated was, in its own way, radically different from everything that preceded it. his philosophy came to be known as "phenomenology," and it claimed to represent a total shift in how philosophical inquiry could, and should, proceed. the phenomenological revolution was characterized by its proponents as a radical break with the tradition of western metaphysics—a new way of conceiving reality. however, while certain aspects of phenomenology were no doubt radical, the question remains as to what degree husserl's philosophy actually managed to break completely with traditional western philosophy. was the phenomenological revolution in fact a complete revolution independent of classical philosophy's principles, or was it constituted from within western metaphysics? this question provides the starting-point for derrida's critique of husserl, entitled speech and phenomena. in the introduction to speech and phenomena,111 jacques derrida poses the question of how we are "to accept and read" the "portentous distinction" 1 husserl makes between expression and indication. this question is whether or not phenomenological necessity, the rigor and subtlety of husserl's analysis, the exigencies to which it responds and which we must first recognize, nonetheless conceal a metaphysical presupposition ... [and] harbor a dogmatic or speculative commitment which ... would constitute phenomenology from within. phenomenology was conceived by husserl as a theory of science or knowledge in general: a "science of sciences." fundamentally, this was an attempt to ground epistemology in the human consciousness of the present moment. the "transcendental reduction" central to phenomenology is transcendental insofar as it reaches toward the ideal essences of things, hence the motto "return to things in themselves;" however, the locus of this ideality is necessarily the "real" world of appearances. since husserl posited no separate transcendental realm, he was, in this regard at least, not a platonist. and how is the ideal essence of things, the "thing itself," to be comprehended? as robert sokolowski notes, "the transcendental reduction is the turn toward the ego as the agent of truth:" it is the perceiving subject, "intuiting" the world around him, to whom truth is made apparent. true knowledge is the truth of experience as lived by a transcendental ego. moreover, true knowledge is considered absolute and ideal: "since husserl posited no separate transcendental realm, he was, in this regard at least, not a platonist." e l e m e n t s : : f a l l of experiences are real particulars, temporally determinate, which come into being and pass away. truth, however, is 'eternal,' or, better put, it is an idea, and so beyond time.1'1 the investigations were termed "logical," and in many senses their object is, indeed, logic. logic is, for husserl, the ground of true knowledge as the sole guarantor of truth in its ideal form. i f logic is indeed the vehicle of truth, it is nonetheless clear that human language is by no means a simple or pure logical system. it is at this point that the relationship between the ideality of a pure logical grammar and the reality of human language must be examined. simply put, what is the relation of formal logic to practical language? it is in answer to this question that husserl proposes the distinction between expression and indication. a n expression, in husserl's sense, is a linguistic sign which incorporates or is animated by a formal, logical, propositional meaning. a n indication, by contrast, is still a sign, though one deprived of meaning. the difference between the two is thus explicitly one of meaning.vm the meaning of an expression is defined as an ideal logical content; as derrida puts it, the logos is "determined from logic." but it is also something more: the ideal re-presentation of a conscious subject's experience. husserl's position was that any experience of an object of cognition ("noema"), even the experience of its representation in language or memory, i n some way refers to ("intends") that object in and by itself. meaningful communication occurs when a sensible signifier—e.g. a series of sounds—is "animated" by nonsensible conceptual content, always determined on the basis of both a pure logic and an ideal object, in the mind of a conscious subject. what is meaningful about a series of words is not the material words themselves—not the pattern of sound in the case of spoken language nor the pattern of light and dark in the case of written language—but rather the conceptual content they hold. for husserl, the distinction clearly functions at the level of an explicit willed meaning-content. for example, one can approach i ng storm c l o u d s indicate rain hear the utterance, "it wi l l rain"; alternativley, one can see storm-clouds gathering. the knowledge gained in both cases is, in theory, identical. in the former case, however, the words function as an expression. in the latter, the stormclouds function as an indication: they are that which "moves something such as a 'thinking being' to pass by thought from something to something else.": what separates indication from expression is that the "something else," to which an indicative sign refers, is an existent entity and not an ideal meaning. expressions, on the other hand, "refer" exclusively to ideal, conceptual meaning-content. however, concerning the possibility of a radical separation between expression and indication, derrida notes, the difference between indication and expression very quickly appears in the course of the description to be a difh u s s e r l ' s l o g i c a l i n v e s t i g a t i o n s ference more functional than substantial. indication and expression are functions or signifying relations, not terms. one and the same phenomenon may be apprehended as an expression or as an indication, a discursive or nondiscursive sign depending on the intentional experience [vecu intentionneljwhich animates it.xl this is clear enough to see in a more salient example. what is the difference between a stone as a trail marker—a classic example of indication—and that same stone as part of a predetermined system of communication, with an explicit s t o n e s a l o n g a path as an example of indication meaning? husserl wi l l say that "signs in the sense of indications do not express anything, unless they happen to fulfill a meaning as well as an indicative function." in other words, even when considering one and the same phenomenon, or one and the same communicative act, its indicative and its expressive functions are supposed to remain absolutely heterogeneous. and yet he wil l , on the other hand, admit that "meaning—in communicative speech—is always interwoven with such an indicative relation."5411 but how can it be that a rigid delineation between two entities exists when they are "always interwoven?" as hume pointed out, what is in theory distinguishable is always in principle separable/111 in fact, this provides the opening for derrida's critique. as he states, we will have to clarify the modalities of this interweaving. but it is already evident that this defacto necessity of entanglement, intimately associating expression and indication, must not, according to husserl, cut off the possibility of a rigorous distinction of essence. this possibility is purely de jure and phenomenological. the whole analysis will thus advance in this separation between de facto and dejure, existence and essence, reality and intentional function.xw by admitting on the one hand an empirically necessary interweaving that on the other hand may ideally be done away with, husserl has already involved his theory of language and thus of knowledge in a rigid separation between fact and idea. he has subordinated the former to the latter; though expression always and everywhere involves indication, there is nonetheless an assumed difference between indication and expression. empirical necessity does not impact ideal truth, the truth of phenomenology. this separation of reality and ideality, matter and form, constitutes phenomenology as well as the entirety of western metaphysics. husserl claims that "no conceivable gradation could mediate between the ideal and the real,"3" and by extension that ideal meaning-content could never, i n any way, have anything to do with the real experienced world. this is precisely the difference between form and matter, essence and existence, substance and accidents which inaugurates western philosophy. in fact, as derrida has pointed out often over the course of his works, signs function at the border between ideality and physicality. any sign, in order to signify, must have some generally recognizable, universal qualities—an idealitythrough-repetition—since a purely particular "event" would be absolutely unintelligible.™ a word can be understood i f and only i f it conforms somehow to predetermined expectations: a phoneme or grapheme is necessarily always to some extent different each time that it is presented in an operation or a perception. but, it can function as a sign, and in general as language, only if a formal identity enables it to be issued again and to be recognized. this identity is necessarily ideal.xvn because the ideal form of a sign is precisely nothing actual or empirical, the very physicality of a signifier, and hence the signifier itself, is necessarily and absolutely different from the ideality it instantiates. the basis of this ideality is the act of repetition, and not the other way around: any preexisting ideality would necessitate the existence of a preempirical, ideal realm, and thereby a lapse into stark platonism. by contrast, phenomenology asserts that the locus of ideality is the phenomenal world, and thus, that the source of ideality is the act of indefinite repetition. we have already seen that derrida viewed the distinction between indication and expression as more "functional than substantial." this was for two reasons: first, any sign may function both indicatively and expressively, and second, any actual expression is indicative, as the primary presentation or intuition of an object of cognition is always denied an interlocutor. a conversation partner wil l never have access to the full, ideal meaning of an expression, because any actual event of expression is always interwoven with indication, which makes the conceptual meaning-content impure. however, where the notion of "expression" could still possibly be relevant is within the consciousness of the subject. expression is supposed to be more "full" than indication because it connects directly with the willed meaning of a conscious subject. this meaning is taken to be that subject's filled intuition. however, this is not necessarily the case. husserl writes that what is 'meant' or intended can either be actually present, through accompanying intuitions, or may at least appear in representations, e.g. in a mental image, and where this happens the relation to an object is realized. alternatively this need not occur; the expression functions significantly...but it lacks any basic intuition that would give its object.™111 fulfillment of intuition is unnecessary for the functioning of expression. as derrida concludes, "the absence of an object is hence not the absence of meaning."*1* from the very beginning, husserl's project was to restore the "dignity" of knowledge, in part by ensuring that the "aim" of scientific inquiry (i.e. certain knowledge of the truth) is arrived at properly: husserl insists, as we have already noted, that "whether a science is truly a science, or a method a method, depends on whether it accords with the aims that it strives for." a language, in this view, is subordinated to the search for truth. the "dignity" of language lies in its ability to express the truth. if "possibility" or "truth" is lacking, an assertion's intention can only be carried out symbolically; it cannot derive any "fullness" from intuition . .. it then lacks, as one says, a "true," a "genuine" meaning.xxl "symbolically" is equivalent to "mediately," and insofar as mediation involves a step away from the "fullness" of true meaning, it accordingly introduces an impurity into the meaning that is communicated. language can be used without the possibility of truth, but this is not how language should be used. instead, language is ideally used to re-present an initial fullness of intuitive content, the "truth," the actual presence of an ideal object to consciousness. if, however, such a pure and full initial presentation is never, in fact, possible, the possibility of such a use of language would be radically altered. regardless, such a state of affairs would in no way affect the ability of language to function. the dignity of language might be i n the search for truth, but the possibility of language necessitates no truth. thus, even if, as derrida notes, "[language] attains its enetelechy when it is true," x l ! it is nonetheless the case that language requires no accompanying present-intuition. the h u s s e r l ' s l o g i c a l i n v e s t i g a t i o n s ideality of meaning, which husserl had attempted to determine earlier on the basis of a simple and pure relationship with such a present-intuition, is therefore constituted totally separate from any such intuition. i f an ideal meaning exists, it does so only after language; the possibility of a pure expression is a question, and one raised only after the nonideality of an indicative signification. derrida sees this through to its logical conclusion: "we might be tempted to maintain not only that meaning does not imply the intuition, but that it essentially excludes it."xxm the existence of an ideal meaning makes the notion of any full, present-intuition absolutely impossible. this argument hinges on the distinction between the meaning of an expression and the ostensibly-accompanying—but in fact never-accompanying—intuition of an actual speaker. i f the general structure of signification is constituted by the possibility of absence, as indeed it is constituted by repetition and representation, it would be completely unjustified to determine this absence as exterior, secondary, or derivative to an initial presence or presentation. and far from being exiled as an abnormality or failure, it is this primordial absence or nonpresentation which is the foundation of meaning i n general, as it is the necessary precondition of intelligibility. in examining husserl's concept of the sign, derrida reveals that the "sign" conceived as the mediation between ideality and reality is always already deconstructing. as a result, the opposition between ideality and reality is untenable. this is true of any conceptual operation that would seek to establish the terms of a relation in absolute purity. hence, deconstruction is the construction of a new type of order from the incoherence of the old order. this old order is the structure of extremes; it is the determination of being as absolute presence and non-being as absolute absence. now, negation is often viewed as an independent mode of existence, as though the concept of "not-a" were intelligible without the prior concept of "a." non-existence is all too frequently misunderstood as simply the negative analogue of existence. but "a does not exist," in addition to not being a purely formal claim, is meaningless without the prior existence of a. otherwise, 1) why should as nonexistence be any different from, e.g., b's? 2) how should the nonexistence of a be properly identified in the first place? without a, how could we speak of the nonexistence of a? even within the more formal realm of propositional logic— that is, excluding statements of existence or nonexistence—these results are by no means exclusive to the negative term, not-a. would a proposition that could not be negated make any sense? even a tautology may be negated into a contradiction. i f not-a is unintelligible without a, a is no less unintelligible without not-a. a and not-a, then, are both alike in only being intelligible on the basis of a. a negation may express an assertion of as nonexistence, but this assertion cannot be made without reference to a. as a result there can be no pure negation of a; existence and nonexistence are only ever misunderstood as opposites. husserl's separation of the real from the ideal is no less radical than the distinction between the existent and the nonexistent, or the true and the false. in fact, it is both coterminous and coextensive with these oppositions. husserl ultimately reserved a peculiar, eternal mode of existence for the ideal; in real or empirical terms, 'the ideal' could only be said not to exist. derrida's analysis of husserl is neither definable as commentary nor determinable as interpretation. derrida does not simply explain husserl's philosophy, nor does he simply draw conclusions from it, though both of these are stops along the way. speech and phenomena points out the critical incoherence of the linguistic model, generally assumed in the west, which would hold that language is a kind of vehicle that transmits a conceptual meaning, the signified, in or on or through a material signifier. husserl's account of e l e m e n t s f a l l 07 language, and in particular his strong attachment to ideality, might sound tinny to postmodern ears. but, in fact, his account of language—in which a conceptual meaning-content is transmitted across a physical medium—remains the dominant understanding of language i n the west. in the most general form, this model of language is predicated on the premise that there is a substantial materiality separable from a substantial immateriality, on whose basis truth is defined, and further that a material quantity can "refer" to an immaterial quantity, thus forming a mediation of experience and truth. it may be that husserl expressed these premises i n a more radical form than other thinkers had previously; certainly, i f nothing else, derrida brings to light the absolutely fundamental nature of husserl's initial distinction between ideality and reality. but that husserl expressed the split in radical terms does not in any way imply that other thinkers did not hold or indeed have not held to it. i n fact, it is this precise distinction between the material and the immaterial, hyle and morphe, which inaugurates western metaphysics, and which continues to determine its course. husserl gave this distinction the most definitive formulation of the modern era, but it does not begin with him; and though he radicalized the issue, he was not the last to wittingly or unwittingly commit to its being radicalized. for husserl, this conceptual meaning was necessarily propositional, but that is only because within his philosophy of true ideality, the truth of ideality is restricted to propositional logic, analogous to the formal rules of syntax. derrida's critique is leveled foremost against the view that speech or writing is primarily "representative" of an initial, conceptual meaning-content, whether it is purely propositional or not. derrida ultimately points out the elements of husserl's account of language which work against each other; he demonstrates that husserl's sundering of ideal from real is an operation that is anything but purely descriptive. rather, that which authorizes this philosophy to speak is the case which should render it mute: the case where the real and the ideal are conjoined, the spoken word. the defining characteristic of speech, in phenomenology, is its bridging of the gap between materiality and immateriality. husserl predicated truth on ideality; however, ideality is not mediated through the senses. that is to say, for husserl, the truth had to be absolute, ideal, and formal: thoroughly nonphysical. but there cannot be an apprehension of this truth apart from some sort of sensory activity. husserl's thought was in a trap; there had to be some means by which the truth of ideality could be grasped, else there was no sense positing it in the first place. this mediation is the spoken word. the spoken word is, in phenomenology, the unfolding-intime of eternal, ideal truth. it is the case which perfectly joins or mediates ideal meaning with real expression, eternity with temporality. this is because in spoken speech there is an unbroken link between the ideal meaning of the t h e s p o k e n word mediates between t h e real and t h e ideal w o r l d of p h e n o m e n o l o g y h u s s e r l ' s l o g i c a l i n v e s t i g a t i o n s expression and the real acoustic pattern. the voice is the place where the distinction between the ideal and the real collapses. it is the perfect mediation between the two ends of the opposition. as a result, it is the "sole case to escape the distinction between what is worldly and what is transcendental [i.e. ideal]; by the same token, it makes that distinction possible. " x x 1 v though there is not and cannot be any experiential difference between the voice and the meaning it signifies, such a difference must be maintained by husserl, in order to preserve the initial "essential distinction" between the ideal and the real. because the voice perfectly mediates between the two, it demonstrates that such a mediation—and hence that such a distinction—is in fact possible. a n objective worldly science, in husserl's sense, can teach us nothing at all about the nature of the voice, precisely because this selfnature escapes empirical access, precisely because the voice is inscrutable in its ideal unification of the ideal and the real. "the signifier," derrida writes, "would become perfectly diaphanous due to the absolute proximity to the signified." x x v the reason? there is an unfailing complicity here between idealization and speech ... my words are "alive" because they seem not to leave me: not to fall outside me, outside my breath, at a visible distance; not to cease to belong to me.xxm in contrast with every other action, speaking brings the ideality of meaning and the reality of the world into indistinguishable contact. at the very moment that speech is produced, as it comes into being, its material body—sound—fades away. as a result, "this effacement of the sensible body and its exteriority is for consciousness the very form of the immediate presence of the signified.' , x x v 1 1 speaking in the phenomenological sense is the foundation of and the authorization for the whole chain of sine qua non first principles: self, ideality, presence, and so forth. writing, however, is a fundamentally different case. there is no active consciousness producing the written page as it is read; writing exists (or may exist) in no way dependent upon its author. unlike the voice, which always—at least until the invention of telecommunications—had to be produced in proximity to a recipient, and further could not be reproduced in time, writing bears no even putatively necessary relation between the physical word and the conscious meaning-intent of a subject. the subject who produced a text, the author, the " i , " may be unconscious or dead, and the text is still legible. it exists in the world, despite the fact that there is no "animating" intention. there can consequently be very little sense in positing this animating intention as a necessary requirement for intelligibility. the written word remains perfectly understandable, even without that which husserl saw as absolutely required for intelligibility. husserl followed the traditional western model; he viewed writing as merely a re-presentation of speech, which was itself simply a representation of the original meaning of an expressive act of communication. however, what he neglected to take into account was the radically cast-off nature of the written sign. i f writing is merely a representation of speech, i t nonetheless remains a full (in the sense of complete) use of language. what is the phenomenological dif"unlike the voice ... writing bears no even putatively necessary relation between the physical word and the conscious meaning-intent of a subject." "it is ... hearing-oneself speak which is the pure form of subjectivity: before one's speech ... has gone 'out' into the world, it [remains] within the 'solitary mental sphere' of subjective activity." ference between producing a speech-utterance and producing a written utterance? the actual moment of conscious activity is fundamentally indivisible in both instances; the neurological processes involved may be different, but both make full use of language, both require the structures that define and order language use in general. there was never a speech that was not "writing," i f we understand writing as what derrida ultimately terms protowriting: the process of differentiation within the self that was always the origin of the concept "self." there is no undivided self, and no pure presence which could exist in meaningful or mediable opposition with absence—there is no expression without indication. the motion of this protowriting is evident in the deconstruction of "expression," "present" or "presence, and "self"; the very condition of these concepts' intelligibility is their ultimate incoherence. what allows us to say "present" as opposed to "absent," "self" as opposed to "other," is a never-ending operation of effacing differance, effacing the fact that the condition of self-identity is an irreducible alterity—an alterity which, by extension, can never be pure or primal or absolute. differance "produces sameness as a self-relation within self-difference; it produces sameness as the non-identical."*™ 1 1 t h e preceding examination of the transcendental or phenomenological reduction reveals difference always already at work within the same. this difference, however, does not and cannot exist i n opposition with any notion of sameness; it is a difference within the same, a sameness within difference, that destroys the possibility of any meaningful opposition between sameness and difference, of any absolute self-identity or absolute difference. differance does not exist to be grasped. in critiquing husserl's concept of the sign, then, derrida is in fact showing how husserl's attempts to absolutely separate presence from absence, ideality from reality, and existence from nonexistence are absurd and futile efforts. the very attempt to articulate a notion of pure presence demands reference to a nonpresence or nonplenitude which prima facie constitutes the possibility of any presence at all. nowhere is this more clear than within husserl's philosophy of language, precisely because language is so commonly viewed as the phenomenon which mediates between the world of sense and the world of ideas. but is such a mediation i n fact possible? in general, a mediation is that which forms a connective link between two terms. or a mediation is that connection itself. as far as one may trust etymology as a source of (philosophical) knowledge, mediation is derived from the latin medius, "middle." the medium of a discussion is the material basis of a dialogue through which meanings are transferred. and the very assertion of an act of mediation, of a concept which is able to function as a midway point between the two poles of an opposition, implies that opposition. for husserl, as ultimately for saussure, the sign is the mediation between the sensible and the intelligible; this ineluctably presupposes the existence of such things as intelligibility and sensibility, at least insofar as the two are not one and the same. thus, i f the opposition between expression and indication, the ideal and the real, were tenable in the slightest, a mediation between the two terms would be possible. h u s s e r l ' s l o g i c a l i n v e s t i g a t i o n s however, husserl's account of language, and by extension the entire phenomenological project, requires an absolute inferiority, a pure subjectivity. it is in fact nothing other than hearing-oneself-speak which is the pure form of subjectivity: before one's speech, and hence one's thought, has gone "out" into the world, it is asserted to remain within the "solitary mental sphere" of subjective activity. in husserl's philosophy, as derrida demonstrates, the eventual exit of speech into the world is by no means necessary to its constitution as expression, that is, as representative of an original pure ideality. such a pure subjectivity is only ever and can only ever be a fantasy, in husserl's words, an "ideal l imit, something abstract which can be nothing for itself." x x l x just as "a" is unintelligible without "not-a," the notion of a "self" is not comprehensible without reference to the notion of "other." this mutual dependence of the terms of a conceptual opposition upon each other represents an irreducible alterity within the " i , " or in general within the self-nature of any phenomenon. this alterity is not opposed to anything; it is what derrida terms the primordial bifurcation, the differance which constitutes any notion of "self" or "other" from within. "but this attack stems ultimately not from derrida's pen hut from within the very conditions set forth hy the notions of immateriality and selfnature. 77 what an indication lacks is the immaterial volitional content typically termed "meaning." it is purely a physical phenomenon, with no ideal mental component. hence the substance of derrida's critique may be taken as an attack on the very notion of an immateriality separable from a materiality, or an intelligibility separate from a sensibility. but this attack stems ultimately not from derrida's pen but from within the very conditions set forth by the notions of immateriality and self-nature. and this is by no means to say that derrida is a materialist, or that he is asserting the existence of only the sensible signifier. in speech and phenomena as elsewhere, he admits that language is to some degree an operation of not-strictly-empirical entities. rather, the thrust of the argument exposes the open contradiction at the heart of any philosophical position which separates the ideal from the real—and this would include denying the existence of one or the other. the "law of non-contradiction" would hold that an entity cannot be both material and immaterial; the related "law of the excluded middle" would hold that an entity must be one or the other. but through the critique of husserl's theory of signs, derrida points out that the notions of materiality and immateriality, sensibility and intelligibility, are radically inseparable. in general, "a" is not in principle separate from "not-a." one may assert with the empiricists that the material is primary, or with husserl that truth and meaning are strictly ideal, but in either case there is a total failure of philosophical coherence. reality and ideality, the material and the immaterial, hyle and morphe, self and other, existence and nonexistence—far from being separable quantities, even in theory, these remain inextricably bound to each other. while philosophy had always been determined on the basis of being as presence, the purity of this presence was always an impossible, incoherent idea. concordantly, the refutation performed by derrida is not and could not be done in the name of an absolute absence or nonexistence. within philosophy there is no possible objection concerning this privilege of the present-now; it defines the very element of philosophical thought, it is [phenomenological] evidence itself, conscious thought itself, it governs every possible concept of truth and sense. no sooner do we question this privilege than we begin to get at the core of consciousness itself from a region that lies elsewhere than philosophy, a procedure that would remove every possible security and ground from discourse. in the last analysis, what is at stake is indeed the privilege of the actual present, the now. this conflict, necessarily unlike any other, is between philosophy, which is always a philosophy of presence, and a meditation on nonpresence—which is not perforce its contrary, or necessarily a meditation on a negative absence, or a theory of nonpresence qua unconsciousness.xxxl e n d n o t e s i . husserl 2001 i i . husserl 2001 (14) i i i . derrida iv. derrida (4) v. husserl 1970 (17) vi . moran (58) v i i . ibid. v i i i . cf. logical investigations (183): "every sign is a sign for something, but not every sign has 'meaning,' a 'sense' that the sign 'expresses.'" expressive signs have "sense" or "meaning;" indicative signs do not. fx. husserl (2001) early on speaks of "the concepts or propositions which function as the meanings of our expressions" (65) x. derrida (28) xi . derrida (20) xi i . husserl 2001 (269) x i i i . cf. a treatise of human nature: "whatever is distinct, is distinguishable; and whatever is distinguishable, is separable by the thought or imagination." what would it mean to posit two entities, e.g. expression and indication, which were never in principle separable? what possible sense would there be in claiming that two entities are being considered? i n examining the "interwovenness" of expression and indication, derrida is in fact interrogating the very possibility of the unity of the sign, wi th everything that might entail; "to say that there could be a truth for the sign i n general, does this not suppose that the sign is not the possibility of truth, does not constitute it, but is satisfied to signify it?" derrida (24) xiv. husserl 2001 (20-21) xv. husserl 2001 (50) xvi. cf. "signature, event, context" in limited inc (18-21) xvii . derrida (50) xvii i . husserl 2001 (280) xix. derrida (91-92) xx. husserl 2001 (25) xxi. husserl 2001 (section 11, pp. 285-286) xxii . derrida (98) xxi i i . derrida (92) xxi v. derrida (78) xxv. derrida (80) xxvi. derrida (75-76) xxvii. ibid. xxviii. derrida (82) xxix. moran (63) xxx. cf. speech and phenomena (50): "a signifier (in general) must be formally recognizable i n spite of, and through, the diversity of empirical characteristics which may modify it . it must remain the same, and be able to be repeated as such, despite and across the deformations which the empirical event necessarily makes it undergo. a phoneme or grapheme is necessarily always to some extent different each time that it is presented in an operation or a perception. but, it can function as a sign, and in general as language, only i f a formal identity enables it to be issued again and to be recognized. this identity is necessarily ideal." xxxi. derrida (63) references derrida, jacques. 1973. speech and phenomena. translated by allison, david b. evanston: northwestern university press. husserl, edmund. 1970. the crisis in european sciences and transcendental phenomenology. evanston: northwestern university press. husserl, edmund. 2001. logical investigations, volume i . translated by j.n. findley. new york: routledge. moran, dermot. 2000. introduction to phenomenology. new york: routledge. h u s s e r l ' s l o g i c a l i n v e s t i g a t i o n s t h e m o r a l i t y test an ancient perspective on personal virtue and patriotism in public life t i m o t h y m o o n e y t h i s p a p e r f o l l o w s t h e l i f e o f a l c i b i a d e s o f a t h e n s , t h e b r i l l i a n t l y s u c c e s s f u l g e n e r a l i n t h e p e l o p o n n e s i a n w a r , w h o s e d i s s o l u t e p r i v a t e l i f e a n d l a c k o f p a t r i o t i s m m a d e h i m a s i n i s t e r f i g u r e i n a t h e n s . h a v i n g n e i t h e r l i v e d a v i r t u o u s l i f e n o r m a d e i t c l e a r t h a t h e w o u l d s u b o r d i n a t e h i s i n t e r e s t t o t h e c i t y , a l c i b i a d e s f a i l e d t o g a i n t h e t r u s t o f t h e d e m o c r a t i c p o p u l a c e o f a t h e n s . w h e n s u s p i c i o u s c i t i z e n s r e c a l l e d h i m f r o m t h e b a t t l e f i e l d , a l c i b i a d e s t u r n e d t r a i t o r a n d f o u g h t f o r s p a r t a , e f f e c t i v e l y r u i n i n g a t h e n s ' c h a n c e s f o r v i c t o r y . g i v e n t h i s e x a m p l e , t h i s p a p e r a r g u e s t h a t t h e p r i v a t e l i v e s o f p u b l i c f i g u r e s a r e r e l e v a n t t o t h e i r p o s i t i o n s a s l e a d e r s o f t h e s t a t e . t h e a b i l i t y f o r a c o m m u n i t y t o t r u s t a n d r e s p e c t i t s l e a d e r s i s o f p a r a m o u n t i m p o r t a n c e a n d m u s t b e p r o t e c t e d b y t h e a p p o i n t m e n t o f v i r t u o u s a n d p a t r i o t i c l e a d e r s t o p u b l i c p o s i t i o n s . in the sordid aftermath of the monica lewinsky scandal, americans engaged in an intense debate over the private lives of their public figures. republicans condemned presidential philandering as unbefitting the integrity of the office while democrats defended the president's right to privacy i n his personal life. i n the wake of the attacks on september n , 2001, scholars increasingly scrutinized the effects of president clinton's infidelity, wondering i f the scandal distracted his attention from more important matters.1 a second political vignette sets charles wilson before the senate as a nominee for secretary of defense. as the leader of general motors, some senators questioned where his loyalties lay, leading to his now infamous response: "what is good for the country is good for general motors i n t h e w a k e o f s c a n d a l , l e w i n s k y a t t e m p t s t o e s c a p e t h e p u b l i c e y e and vice versa"11 (it was the vice versa they were worried about). these stories raise the questions: did president clinton have a responsibility to be virtuous in his private life? should the motives of a well-qualified candidate like charles wilson be an important factor i n appointment to public service? the implications of these questions have been debated for centuries. this essay looks to one of the great historical works of antiquity, thucydides' history of the pdoponnesian war, for guidance. by looking at the impact of the personal conduct and private motivation on the public life of the great athenian general alcibiades, we can come to a fuller understanding of the importance of private virtue and an unmitigated patriotic spirit for public figures. as the man boasting the most remarkable deeds, the most versatile character, and the most compelling relationship to his city, alcibiades and his actions dominate the second half of thucydides' history of the peloponnesian war. irrepressible, he is a figure both of limitless ambition and eminent ability; he has youth, beauty, and eloquence on his side and is not afraid to use them. yet, in the midst of all his gifts and abilities there are ominous rumblings about his character—his dissolute private life, shallow roots, and insatiable desire for greatness—that must give pause. he has all of the eloquence and charisma of his predecessor, pericles, without the restraint that made periclean athens so stable. he has little respect for the laws of the city and feels no desire to submit his personal glory before that of athens. within the athenian democracy, these qualities make h im a sinister figure. through his words and deeds, in addition to the force of his character, alcibiades bodes i l l for athens, bringing to fruition thucydides' initial warning that the great military expedition to sicily "failed not so much through a miscalculation of the power of those against whom it was sent, as through the fault i n the senders in . . . choosing rather to occupy themselves with private squabbles."111 this is not to say that the failure of the sicilian expedition is the fault of alcibiades. he called for the deployment of the vast majority of the athenian military might to the conquest of a foreign territory largely irrelevant to the peloponnesian war, and his final goals stretched throughout most of the known world. plutarch says of him: he possessed the people with great hopes, and he himself entertained yet greater; and the conquest of sicily, which was the utmost bound of their ambition, was but the mere outset of his expectation ... alcibiades dreamed of nothing less than the conquest of carthage and libya, and by the accession of these conceiving himself at once made master of italy and peloponnesus, seemed to look on sicily as nothing more than a magazine for war.w e l e m e n t s s p r i n g 08 these ambitions, however, are not in and of themselves sinister. according to pericles, they are actually the foundation of athenian greatness—"forcing every sea and land to be the highway of [athens'] daring." v thucydides implies that under the leadership of alcibiades, this bold expedition would have succeeded.vl what is important to notice, however, is how alcibiades fails to gain the trust of the people. even as the head of a project the people "fell in love wi th , " v i i he failed to get the public to fall in love with h im because his character impeded his legitimacy as a public figure. unable to gain the public's trust, his ambition roused suspicion i n the athenian people. alcibiades' ambitious project required his sharp mind and military ability, but his licentious private life prevented their full use. athens recognized his ability but was loath to trust h im due to its disgust with his lifestyle and fear of his personal ambition. the liberality with which alcibiades lived life was famous i n ancient times. plutarch says of him: with all these words and deeds, and with all this sagacity and eloquence, he intermingled exorbitant luxury and wantonness in his eating and drinking and dissolute living. . . the sight of all this made the people of good repute in the city feel disgust and abhorrence, and apprehension also, at his free living and contempt of law, as monstrous in themselves, and indicating designs of usurpation.™1 thucydides sums up alcibiades' private life and its effect on public feeling saying, "his habits gave offense to everyone and caused them to commit affairs to other hands and thus before long ruin the city." l x instead of investing their trust in his leadership, the "people of good repute" whose sensibilities alcibiades so offended allowed his enemies to recall h im from the sicilian expedition, to answer trumped up charges of impiety and thereby deprive their armies of the dynamic leader the expedition so required. alcibiades' private excess unnerved athens, but it was the self-focused nature of his ambition that ultimately led them to reject h im. unlike pericles, who subordinated himself to the laws and the interest of athens, alcibiades holds himself above them. strauss says of pericles in relation to his contemporaries, "his superiority is obvious, unambiguous, not like the ambiguous superiority of themistocles and alcibiades. pericles justly occupies the center of the triptych the out figures of which (themistocles and alcibiades) are superior to h im only by nature but not by law."x indeed, alcibiades has a different vision of greatness than that of pericles. instead of "feeding his eyes upon [the a l c i b i a b e 8 . a p o r t r a i t o f a t h e n i a n g e n e r a l a l c i b i a d e s power of athens] from day to day, t i l l love of her fills your hearts,"x1 as pericles says, alcibiades feasts his eyes on himself. he is only concerned in the glory of the city when it also corresponds to his own glory. in his speech to the athenian assembly he brags of his olympic victories, saying, "this is no useless folly, when a man at his own private cost benefits not himself only but his city: nor is it unfair that he who prides himself on his position should refuse to be upon an equality with the rest." x u this refusal to be on equal terms is a crucial difference between alcibiades and pericles. alcibiades's character would never allow h im to do as pericles had at the beginning of the war where: finding that the invasion was to take place, [he] conceived the idea that archidamus, who happened to be his guestfriend, might possibly pass by his estate without ravaging it. this he might do either from a personal wish to oblige him, or acting under instructions from sparta... fie accordingly took the precaution of announcing to the athenians in the assembly that, although archidamus was his guest-friend, yet this friendship should not extend to the detriment of the state, and that in case the enemy should make his houses and lands an exception to the rest and not pillage them, he at once gave them up as public property, so that they should not bring him into suspicion.*111 here pericles recognized that he must give up his own private property in order to protect himself from possible public backlash. in order to continue to offer his valuable leadership to the city, he has to put its interests before his own. alcibiades refuses to do this. what athens does in recalling h im is not fair, but it is a direct result of his failure to take precautions with his lifestyle so that he won't be taken into suspicion. alcibiades is a poor leader not simply because of his sins of commission, but also for his sins of omission, namely his inability to qualify his personal greatness with any sense of the common good or restraint. strauss says of the situation, "the sicilian expedition surpasses everything undertaken by pericles; whereas pericles stood for love of the beautiful qualified by thrift, the sicilian expedition, being in the style of alcibiades . . . was inspired by love of the beautiful on the level of lavishness."x l v without the thrift in public or private life, alcibiades became a lightning rod for suspicion of the athenians. some might say alcibiades is the archetypal athenian with his incredibly quick mind and limitless ambition. this view, however, fails to take into account the fact that he cares first of all about himself. his megalomania foreshadows a situation where athenians, jealous of his renown, wi l l conspire against h im. having not taken his precautions or made it clear that he wi l l subordinate his interest to the city, he has failed to ensure that he would be in charge of a project so ambitious that it needs a man of exceptional ability at its head. this alone makes the alcibiades a sinister figure for athens. even more ominous, however, is his shallow commitment to athens as a city. when his honor and position are usurped by the intrigues he fails to guard against, he lashes back at his own city. in a fit of vengeful, defeated egoism, he fails to follow the examples of the defeated nicias and demosthenes who lay low in the face of an angry athenian populace and instead betrays his friends and family to their bitter enemy the spartans. his versatility allows h im to access power wherever he goes. this trait, which plutarch describes as "peculiar talent and artifice for gaining men's affections, that he could at once comply with and really embrace and enter into their habits and ways of life and change faster than the chameleon, " x v marks the height of his danger to athens. his exceptional abilities and silver tongue led democratic athens to embark on projects that require his leadership at the same time as his outrageous lifestyle and selfish ambition prevented the citizenry from fully trusting him. when slighted by these citizens, alcibiades, incapable of passively bearing offense,™ actively opposed his city. this demonstrates what strauss characterizes as post-periclean politics: "after "alcibiades is a poor leader not simply because of his sins of commission, but also for his sins of omission ..." pericles there was no longer among the leading men that perfect harmony between private interest and public interest . . . the concern with private honor and private gain prevailed. " x v u alcibiades acts first for private gain and glory, and then is a traitor to his own city to satisfy his jilted private honor. he says that "love of country is what i do not feel when i am wronged, " x v 1 ] 1 fulfilling pericles prophesy that "a man possessing [knowledge of the proper policy and the ability to expound it], but no love for his country, he would be but a cold advocate for her interests; while were his patriotism not proof against bribery, everything would go for a price."x 1 x for alcibiades, this price is his personal greatness. the reaction of the athenians to alcibiades's raucous behavior demonstrates how private life, when lived immoderately, can spill over into public policy. as machiavelli says, a good leader must "guard against. . . being contemptible and hated," for against this leader it "is difficult to conspire, difficult to mount an attack. " x x within a democratic system like athens, this is particularly important because one's mandate comes from the people. if, as plutarch says, alcibiades' behavior inspires contempt in the good citizens of athens, he cannot hope to continue living his debauched lifestyle with no repercussions. as we see, he fails to recognize this and leaves himself open for conspiracy. his lack of patriotism compounds the problem. not only does he destroy the athenian military by failing to win the trust of his constituents, but he actually switches sides and opposes athens i n armed military engagements. for these reasons, the story of alcibiades provides a cautionary tale about the types of men we should look for to be our leaders. the destruction he brings upon himself and the catastrophic losses his project brings to athens underscore the necessity of integrity i n public figures and the danger leaders with ulterior motives pose to their countries. e n d n o t e s i . this contention is implied by the 9/11 report which states: "at the time [when a l qaeda was on the public agenda because of air strikes on terror camps], president clinton was embroiled i n the lewinsky scandal, which continued to consume public attention for the rest of that year. 9/11 report (117) i i . charles wilson. january 15.1953. nominations. confirmation hearing before the senate committee on armed services. quoted in piatt (1989) i i i . thucydides (ii.15.10-11) iv. plutarch (270) v. thucydides (ii.41.4) v i . strauss says of thucydides, "he is quite sure that the success of the sicilian expedition depended decisively on alcibiades's participation i n i t ." strauss (204) v i i . the word here is actually eros or erotic desire. the project became the object of athenian desire; they lusted after it. thucydides, loeb library (226) v i i i . plutarch (269) ix. thucydides (vi.15.4) x. strauss (219) xi . thucydides (ii.43.1) x i i . thucydides (vi.16.3-4) x i i i . thucydides (ii.13.1) xiv. strauss (205) xv. plutarch (275) xvi. a point borne out in the fact that alcibiades opens o f each of his speeches wi th a complaint. xvii . strauss (192) xvii i . thucydides (vi.92.4) xix. thucydides (ii.60.6) xx. machiavelli (65, 72) r e f e r e n c e s machiavelli. 1998. the prince. trans. harvey mansfield. chicago: university of chicago press. national commission on terrorist attacks upon the united states. 2004. cj/11 commission report. thomas h . kean (chair). washington, dc: government printing office. piatt, suzy, ed. 1989. "respectfully quoted: a dictionary of quotations from the congressional research service." washington, dc: library of congress. retrieved from www.bartleby.com/73/. plutarch. 1992. lives. trans. john dreyden. ed. arthur hugh clough. new york: the modern library. strauss, leo. 1964. the city and man. chicago: the university o f chicago press. thucydides. 1996. history of the peloponnesian war. trans. richard crawley. ed. robert b. strassler. new york: simon & schuster. thucydides. 1964. history of the peloponnesian war. loeb library. cambridge, ma: harvard university press. t h e m o r a l i t y t e s t http://www.bartleby.com/73/ l i s t of a r t w o r k laeken royal greenhouses winter garden dom e, brussels © chris baker/alamy hotel solvay by victor horta, brussels, 1894. © ange lo h o r n a k / a l a m y . belgium brabant brussels © eye u b i q u i t o u s / a l a m y parish of san jose © corbis de la barca © h u l t o n archive/getty images dress rehearsal of 'don juan, el burlador de sevilla' by tirso de molina © q u i m llenas/cover/getty images ecstasy of saint cecilia by raphael © a l i n a r i archives/corbis romantic young couple in love, 17th century © d u n c a n walker concert for fashionable society during 18th century © bet tmann/corb i s la dolce vita movie poster © s w i m i n k 2, llc/corbis marcello mastroian n i and anita e kb erg in la dolce vita © cinemaphoto/corbis 1957 cannes film festival © mirk ine/sygma/corb i s anita ekberg in la dolce vita © cinemaphoto/corbis cochlear implant to be placed in chilean deaf dumb boy © eliseo fernandez/reuters/corbis doctor testing boy with cochlear implants © george steinmetz/corbis chilean deaf boy reacts to hearing his first sounds after cochlear implant © eliseo fernandez/reuters/corbis celestial phenomena © d u n c a n walker a witches coven © lebrecht mus ic & arts/corbis writer john aubrey © michae l nicholson/corbis erminia finds tancred injured © a l i n a r i / a r t resource, n y portrait of pope innocent x by diego rodrig u ez de si lva y velazquez © a l i n a r i archives/corbis torquato tasso © georgios kollidas. interior view of exhibition hall in the galleria doria pamphili © a l i n a r i archives/corbis . e x p o r t i n g c i t i z e n s , i m p o r t i n g r e m i t t a n c e s the developing world's newest strategy to combat poverty c h r i s t o p h e r m a r o s h e g y i t o d a y , t h r e e p e r c e n t o f t h e w o r l d ' s p o p u l ati o n l i v e s a n d w o r k s o u t s i d e its c o u n t r y o f b i r t h . t h i s r i s e in m i g r a t i o n h a s l e d t o a s u r g e in r e m i t t a n c e s , w h i c h n o w r e p r e s e n t t h e m o s t im p o r t a nt s o u r c e o f i n c o m e f o r m a n y d e v e l o p i n g c o u n t r i e s . t h i s p a p e r w i l l f o c u s o n t h e d e b a t e s u r r o u n d i n g t h e i m p a c t o f r e m i t t a n c e s o n p o v e r t y a m o n g b o t h r e c e i v i n g h o u s e h o l d s a n d t h e n o n r e c e i v i n g c o m m u n i t y in t h e c o u n t r y o f o r i g i n , c o n c l u d i n g t h a t r e m i t t a n c e s h a v e a h i g h e r p r o p e n s i t y t o be i n v e s t e d in e d u c a t i o n , h e a l t h , a n d e n t r e p r e n eu r s h i p t h a n n o n r e m itt a n c e b a s e d i n c o m e . its f i n d i n g s h i g h l i g h t t h e p o t e n t i a l o f a s u s t a i n a b l e m e t h o d o f s o u t h t o s o u t h d e v e l o p m e n t t h a t may v e r y w e l l r e d e f i n e h o w p o l i c y m a k e r s a p p r o a c h m i g r a t i o n a n d d e v e l o p m e n t . i n t r o d u c t i o n the growing demographic and economic dichotomy between the developed and developing world continues to fuel the rise of international migration into the twenty-first century. today, 3% of the world's population—175 mi l lion—live and work outside their country of birth, a phenomenon highlighted by a movement of workers from less developed countries to more developed countries. this large migratory flow brings with it heavy social, political, and economic baggage, affecting both the new host country and the country of origin. early research on international migration has been dominated by a focus on the negative aspects of international migration, highlighting its drain not only on its new host society, but also on the negative consequence of migrants on the economic development of sending countries. only recently have governments, scholars, and members of the civil society begun to explore the potential benefits of international migration on the development of the countries of origin, long thought to be the biggest losers of the outflow of human capital. one of the biggest reasons for this changing mindset is the rise of international migrant remittances sent back from their host country to family i n their country of origin. as remittances surge and begin to outstrip development aid to the developing world i n terms of income flow, policy makers and scholars have engaged i n a debate about whether remittances can contribute to development i n receiving countries and, i f so, which policies should be enacted to maximize inflows and benefits. this paper wi l l focus on this debate of the impact of remittances on the developing world with a particular investigation on its effect on poverty among both receiving households and the non-receiving community i n general. using numerous studies conducted around the world, this paper wi l l show that remittances do i n fact have the potential to reduce poverty. by increasing household income, remittances have a higher propensity to be invested i n education, health, and entrepreneurship than non-remittance based income. i n t e r n a t i o n a l w o r k e r m i g r a t i o n : scope a n d t r e n d s international migration is not a new phenomenon. the nineteenth and twentieth centuries witnessed a mass migration of millions of workers to the shores of america and australia. recent decades, however, have seen an unprecedented rise i n migration. the number of international migrants rose from 76 mil l ion i n i 9 6 0 to 80 mil l ion i n 1972 and has since more than doubled to over 175 mil l ion mi grants throughout the world.' this latest wave of migration has been dominated by a trend of migrants moving from less developed countries to industrialized, developed countries i n the organisation for economic co-operation and development (oecd). while the growth of south to south migration—migration between two developing countries—actually fell over the past decade, migration to industrialized countries has notably been increasing since the 1970s. each decade from 1970 to 2000 witnessed a 2.4%, 2.9%, and 3.1%, growth i n migrants destined for industrial countries, respectively.11 migration i n north africa and the middle east presents a more complicated picture. both regions are characterized as labor sending and receiving countries with massive outflows of migrants from the maghreb to europe and an equally impressive inflow of asian and indian migrants to the gulf states. further complicating the picture is—at least unti l recently—a strong trend towards interregional migration from arab countries to the gulf (a phenomenon which is increasingly being reduced thanks to the influx of asian and indian workers to f i l l labor intensive, low wage jobs). jordan, syria, and especially egypt sent large number of workers to the gulf, which, coupled with asian and indian workers, represented 40% of the gulf's population at its peak i n the 1990s.1'< • in fact, recent statistics have revealed that south to south migration is again on the rise after decades of decline, with the region hosting a growing number of south to south migrants. nearly 2% of north africa and the middle east's population are migrants, particularly from asia, india, and sub-saharan africa, a trend which looks to continue i n the future as migrants from elem ents : : fall 09 s c o p e the sheer size and pace of the growth of remittances place it at the forefront of the migrant led development discussion. i n 1970, when remittances first emerged as a serious topic of debate and statistical record, international migrant remittances totaled only $2 b i l l ion . v n in just a few years time, the later part of the decade saw an average amount of remittances numbering $7.8 bil l ion. ' 1 1 1 remittances doubled i n one year from 1979 to 1980, when they amounted to $18.4 billion. since then, remittance flows have experienced an almost exponential rate of growth. the annual average soared 12 times the amount sent during the mid1970s to $98 billion between 1998 and 2003. by 2003, gross flows of remittances to developing countries equaled $142 billion. even the yearly growth is truly staggering. 2004 witnessed a nearly $20 billion increase i n remittances to $160—a 66% increase i n the gross receipt of mi grant remittances of developing countries between 2001 and 2004. this growth shows no sign of letting up in the future. as statistics continue to pour in , the world bank estimates that i n 2007, migrant remittances may very well have totaled over $300 billion—doubling the amount of income flowing into the world's poorest countries i n a span workers remittances and other foreign exchange flows to developing countries, 1970-2003. • ; c c e x p o r t i n g c i t i z e n s , i m p o r t i n g r e m i t t a n c e s sub-sahara continue to flood the maghreb.1v compared to other regions of the world, however, the middle east and north africa have lower emigration flows. lebanon is the only country i n the region with an emigration rate over 10%, and morocco, long the leader of labor exportation i n the region, sends less than 8% of its labor force abroad.v by contrast, nearly half of latin american and caribbean countries have over 10% of their labor force living abroad.vl r e c e n t r e m i t t a n c e t r e n d s : scope a n d factors as the number of international migrants—particularly to industrialized countries—rises, so too does the amount of income sent back to developing countries i n the form of remittances. scholars and governments, who began to change their policies recently i n order to develop better ties with their migrants and to encourage more remittances, have come to recognize remittances as a substantial and increasingly important source of income for developing countries. of just four years.x the magnitude of this rise is best understood when examined within the context of other macroeconomic indicators available i n developing countries. in north africa and the middle east, worker remittances accounted for anywhere between 2% and 22% of their gross domestic product (gdp). egypt, the largest recipient of remittances i n the region during the 1990s and among the highest net remittance recipients relative to net migration i n the world, received an average of us$3,279 billion accounting for 5.45% of its entire gdp throughout the decade.a morocco, also among the highest net remittance recipients relative to net migration i n the world, experienced a remittance to gdp percentage of 4.24% during the i990s . x i i these gdp statistics reveal the magnitude and, i n effect, the importance of remittances to developing countries. but simply examining the amount of remittances to gdp is not enough. to fully understand the magnitude of remittances to the developing world, one must conduct a cross-analysis of remittance flows with other sources of income for developing countries. characterized by narrow domestic markets and a scarcity of investment and capital, poor countries depend heavily on outside sources of income, including foreign direct investment (fdi), development aid, and running a budget deficit. remittances have been shown to be both more sustainable and stable than more volatile sources of foreign income, including fdi and development aid. x l i l as the figure above reveals, remittances long ago outstripped development aid and non-fdi private capital inflows to become the second largest source of income for developing countries. analyzing the flows of the different incomes, the stability of remittances quickly becomes apparent compared to the volatility of fdi. i n 2004, remittances accounted for more than 5% of developing countries' imports and 8% of domestic investment. x i v f a c t o rs because individuals migrate for different reasons, scholars have yet to reach a consensus regarding the most important factor determining the amount and motive of specific mi grant remittances. three trends are apparent when analyzing the factors behind migrant remittances: altruism (assisting family and friends in need), insurance (providing family back home with a source of income were there to be migrant remittances are sentthrough various money transfer agents. a shock or disaster), and investment (either for family left behind or as a move to accumulate assets for an eventual return of the migrant). studies have shown that remittance factors vary significantly across countries and migrant situations. additionally, migrants utilize a wide variety of tools to facilitate their remittance transfer, including banks, credit unions, financial transfer companies, postage, and hand delivered cash. the factors determining which channel a migrant wi l l use—formal or informal—to transfer his income varies from situation to situation. it has been noted that the main obstacle migrants face when trying to utilize formal channels, and thus more secure and efficient means of transfer, is the sheer absence of banking facilities or similar financial services connecting their host community with their community of origin. x v in many cases, especially in africa, the financial network needed to transfer remittances simply does not exist i n rural communities. e l e m e n t s fall 09 however, the mere existence of these financial networks does not guarantee that a migrant wi l l utilize them. high transfer costs are another main obstacle migrants face i n utilizing formal channels, reducing both the volume and the effect of these potentially massive flows. banks and credit unions usually levy high fees for transferring cash around the world, charging migrants both a fee for the transaction and a commission on the amount of currency converted. ghosh highlights the astronomical cost for these often low skilled and low income earning mi grants: the average cost of sending $200 f rom a sample of 6 countries—france, germany, saudi arabia, south africa, the united kingdom, and the united states—to 14 receiving countries around the world totaled 6% i f sent through transfer companies, 7% i f sent through banks, and 12% i f sent through international money transfer companies such as western union. examining transfer costs to individual countries, especially among the leading remittance recipients, reveals even higher costs. moroccan mi grants, who send back the fourth highest amount of remittances i n the world, face a stiff average transaction cost of i4%. x v i much to the detriment of migrants, these high fees do not actually represent the true cost of transfer borne by financial institutions. rather, these high fees can be blamed on the imperfection of the financial sector, including a lack of competition coupled with a lack of efficiency i n developing countries. as a result, almost a fifth (17%) of international migrants still use informal channels of remittance transfer, including mail and hand delivery.nv" this study by ghosh highlights the untapped potential of policy interventions i n improving financial markets and thus reducing costs i n order to increase the volume of formal remittances. r e m i t t a n c e s a n d poverty given the increase i n remittance flows to developing countries over the past decades, scholars have begun to analyze the effect of remittances on the economic development and growth of receiving countries. a watershed moment i n the debate came i n 2005, when the world bank concluded that remittances do i n fact have a positive effect on the development and welfare of receiving countries, a claim which has since been supported by numerous studies. the debate has revolved around the nature of remittances, which many characterize as a private transfer of income used not for productive investments, but rather for consumption of basic commodities. because of the private nature of remittances and the historical failure of governments to capture the income flows for greater development uses, many scholars have argued that remittances are nothing more than a method to increase household consumption i n receiving countries, and may i n some instances actually harm the receiving country's economy. led by the world bank, a growing number of scholars and studies have emerged to support the positive impact of remittances on development and especially poverty, both from the macroeconomic and microeconomic side. "in communities where a majority of a households' small income goes towards mere survival, remittances allow these families to appropriate greater income towards human capital, which is in itself the most important investment for the future of these communities." e x p o r t i n g c i t i z e n s , i m p o r t i n g r e m i t t a n c e s r e m i t t a n c e s a n d t h e m i c r o e c o n o m y : d i r e c t p o v e r t y r e d u c t i o n the debate of the microeconomic effects of remittances revolves around the perceived household use of this newly found source of income. a review of relevant literature reveals that there is general agreement that most remittances are used for household consumption purposes, rather than what economists would coin productive investment. x v i i i using this as ammunition, some scholars dismiss the development potential of remittances, writing them off as pure consumption-based income. this analysis, however, misses the productive elements of consumption, especially i n such poor countries. i n these communities, consumption of goods such as education and healthcare represent a type of productive consumption investing i n human capital. in fact, numerous studies have shown that "many of the consumption investments financed by remittances make positive contributions toward human development in poor areas," including "spending on nutrition, health, and education."x 1 x i n communities where a majority of a household's small income goes towards mere survival, remittances allow these families to appropriate greater income towards human capital, which is i n itself the most important investment for the future of these communities. john page and sonia plaza put forward one of the most comprehensive studies on remittances and poverty reduction, using a data set that includes statistics on migration, remittances, and poverty for 74 developing countries. the report finds that remittances have a strong impact on reducing poverty i n recipient countries across the world: "a 10% increase i n the share of international migrants i n the population or of remittances received i n gdp reduces the fraction of people living on less than one dollar per day by 1.9% and 1.6% respectively. " x x i n addition to lifting individuals out of poverty, the study found that an increase i n remittance also reduces the depth and severity of poverty. nikola spatafora's 2005 study of 101 developing countries throughout 1970-2003 reached many similar conclusions. measured by use of poverty headcounts and the poverty gap between high and low income individuals, spatafora argues that there is a clear inverse relationship between the level of remittances and poverty—the more the remittances, the lower the level of absolute poverty. there is clear evidence that remittances reduce poverty i n the developing world especially when unofficial remittances are taken into account. a case studies i n some of the poorer remittance recipient countries highlight the impact of remittances i n even the poorest of communities. a study done i n burkina faso—ranked second to last on the un's human development index—reveals that remittances have led to a reduction of poverty by 7% i n rural areas and by 3% i n urban areas.xx i i contrary to one of the greatest criticisms levied against remittances—that they do not flow to the poorest countries and households—this significantly highlights the potential of remittances to reach even the poorest of the poor. this is further supported by a household survey conducted by ratha, which suggests that remittances have significantly reduced the poverty headcount i n several low-income countries "by 11 percentage points i n uganda, 6 percentage points i n bangladesh, and 5 i n ghana. in nepal, remittances may explain a quarter to a half of the 11 percentagepoint reduction i n the poverty headcount rate over the past decade (in the face of a difficult political and economic situation)."™" e d u c a t i o n a n d h e a l t h a main reason for the reduction i n poverty, besides the inherent rise i n income for impoverished households, is the tendency for remittent receiving households to invest i n human capital, especially education and healthcare. in fact, richard adams, jr. reveals, that "households receiving remittances actually spend less at the margin on [basic] consumption—food and consumer goods and durables— than do households receiving no remittances. ' , x x i v specifically, adams finds that a particularly large amount of remittance income is spent on education i n receiving countries, especially on the margin, where "households receiving internal and international remittances spend 45% and elem ents fall 09 58% more, respectively, on education than do households with no remittances. , , x x v remittances reduce poverty in reci pi ent cou ntri es across the world. a number of other studies make the same conclusion about the higher propensity to "consume" education by remittance recipients. a recent study conducted by dean yang, which analyzed the impact of remittances i n the philippines, found that "a rise i n remittances of 10% of ini tial income wi l l increase the fraction of children, aged 17 to 21, attending school, by more than 10 percentage points ." x v 1 the impact of remittances is especially evident i n el salvador, where roughly 15% of all households received remittances i n 1997. surveying a large sample of 14,286 individuals aged 6-24, the study made the fairly representative conclusion that remittance income i n el salvador has a much larger impact on school retention than any other source of income, including official a i d . x x v n providing households with the additional income needed to allow their children to attend school—poor households often rely on child labor for supplementary income or simply cannot afford the costs of education—it was found that " i n urban areas the average level of remittances lowers the hazard that a child wi l l drop out of elementary school by 54%" and that "the average level of remittances i n rural areas lowers the hazard rate that a child wi l l drop out of elementary school by i 4 % . " x x v m healthcare also received considerable attention from remittance recipients and their higher incomes. the mexican migration project, which studies migration flows from the united states and mexico, found that three quarters of migrants i n the united states who remit a portion of their income spent a portion of their funds on healthcare. x x l x this is backed up by research done by frank and hummer i n 2002, whose study argues that children born into remittance receiving families are healthier at birth and exposed to less health risk than non-remittance receiving households. lopez cordova provides some impressive statistics to sustain these claims, concluding that " i f the fraction of remittance-receiving households increased by five percentage points, starting from zero, infant mortality falls by almost 5%, children's school attendance rises by more than 3%, and illiteracy drops by 34%.' > x x x the increased income as a result of remittances not only improves health access, but also health knowledge, an essential tool i n especially poor and rural areas where healthcare may be limited. a study presented by plaza and sonia found that mothers i n migrant households have more health knowledge than their counterparts i n non-migrant households, importantly, they also f ind significantly higher levels of health knowledge among non-migrant households i n high migration communities, supporting the hypothesis that knowledge spillovers exist within these communities/™ i n v e s t m e n t s as the effects of remittances on health and education become established, many skeptics still point out that remittances are rarely, i f ever, used on productive investment such as starting a business, and therefore are out of the policy scope of development goals. early studies did make strong arguments that remittance income was used mainly for consumption. i n his review of international remittance trends, dovelyn rannveig agunias points out that i n latin e x p o r t i n g c i t i z e n s , i m p o r t i n g r e m i t t a n c e s america, more than 80% of remittance receiving households reported using their new income to cover basic necessities. x x i a i there is, however, a growing body of evidence to suggest that productive investments vis-a-vis remittances, especially i n low-income countries, are actually on the rise. adams finds that i n guatemala—a country ranked 118th on the un's human development index—a majority of remittance income was not spent on basic goods. the study found that "at the mean level of expenditures, households without remittances spend 58.9% of their expenditure on consumption goods compared to 55.9% on the part of households receiving international remittances. "»«m adams suggests, along with a growing number of migrant scholars, that households have a higher propensity to invest their remittances than ordinary income because remittances are seen as temporary income. the temporary nature of the income prevents frivolous consumption as "this bottom-up process allows income to flow exactly where it is needed without flowing through the inefficient channels of governments or foreign investors who lack the in-depth knowledge which migrants possess about their own country." households seek to extend the impact of what they see as a short term inflow of cash. a small but growing number of studies have concluded that remittances are increasingly being spent on entrepreneurial investments. for example, it has been found that a fifth of the capital invested by mexico's microenterprises was directly funded by remittances from the united states, a number which "reaches 40% i n states with a high number of immigrants to the united states." ' a similar trend is emerging i n the caribbean, where remittances are having a positive impact on private investment. in a study done across 13 countries i n the region, a 1% increase i n remittances is linked to a 0.6% increase i n private investment . x x x v egypt, characterized by a large population of temporary emigrants who intend to return to their communities, has also witnessed a rise i n investment from remittances, particularly i n housing.n x x v 1 the longer egyptians spend abroad learning skills and the more income they earn, the more likely they are to become entrepreneurs upon r e t u r n . x x x v " as aquanis points out, remittances have been fueling a bourgeoning class of migrant led entrepreneur ship: these recent findings complement earlier studies suggesting that remittances have been critical to the capitalization of migrant-owned businesses. as early as 1990, escobar and martinez suggest that 31% of migrants surveyed in guadalajara used u.s. savings to set up businesses. cornelius's study located in three rural mexican communities suggests an even higher percentage of businesses founded through remittances.*™™ r e m i t t a n c e c r i t i c i s m s despite these encouraging results, a number of reservations remain about the impact of remittances on poverty reduction and development on the whole. i n addition to criticisms that remittances lead to dutch disease and inflation, some scholars worry about the moral hazards to receiving governments as a result of this new windfall ine l e m e n t s fall 09 come.x x s 1 x by exporting their labor and reaping the benefits of their income that is sent back, governments can ignore the root of the economic problem which sent their m i grants off i n the first place. at the macro level, government policy "ignores economic imbalances (e.g. trade deficits) and fails to pursue needed economic reforms as it anticipates getting a big slice of dollar remittances every year from migrant workers." it might even "pursue politically beneficial but economically unwise policies" as long as remittances insulate the economy from the negative impact of these policies."x l given that many of the receiving countries are characterized by either poor, corrupt, or authoritarian governments (or a combination of all three), this is an especially salient observation. despite the probability of this theory, there can be no direct linkage between remittances and moral hazard at the state level, especially links that would override the microeconomic benefits of remittances. and while it is out of the scope of this paper to examine the role of the diaspora on governance and reform, a growing academic consensus on its potential, especially i n the case of india, has recognized its benefit and potential to negate this moral hazard and induce governmental reform. other skeptics point out that remittances actually work to exacerbate inequality i n receiving states. this argument rests on the statistics which reveal that it is not the poorest who migrate. rather, because of the high costs of migration, it is the upper-lower classes and above which mainly benefit from migration and remittances—especially given the direct and private method of income transfer. this theory is highlighted by studies conducted i n both rural egypt and pakistan, where data indicates that remittances have led to a sharp income inequality between migrant and nonmigrant families. i n egypt, households i n the second and third poorest quintile send the least amount of migrants abroad and are severely underrepresented i n remittances. according to adams jr., it is these variations in the number of migrants produced by different income groups—and not differences in either migrant earnings abroad or marginal propensities to remit— that cause international remittances to have a negative effect on rural income distribution.*^ a number of studies and theories have emerged to question adam's criticism. in fact, a study of remittances i n rural mexico has concluded the opposite, suggesting that remittances actually marginally reduce income inequality. ; : rather than exacerbating inequality, a number of other studies conducted i n latin america have concluded that remittances either have a marginal role or a neutral role i n reducing poverty. it has also been found that while inequality may worsen i n the short run, " in the long run the income distribution [of remittances] becomes more equal through the liquidity provided for capital accumulation" and the multiplier effect. x l i v especially apparent i n demand-deficient economies— where incomes are too low to fuel domestic markets—the massive flow of remittances can induce higher incomes for non-migrant families through the consumption and investment multipliers of remittance receivers. robert e.b. lucas notes that "as migrants' families increase their consumption of services or goods produced i n sectors with excess capacity, the additional demand can create jobs for other families who i n turn spend and create further demands. " x l v a n overarching effect on equality has yet to be found, and its effect varies from country to country depending on the nature of a given country's migration. c o n c l u d i n g r e m a r k s as official development aid continues to decline and developing countries continue to grapple with development issues, migrant led development is increasingly being regarded as a potential engine of poverty reduction and economic growth. in fact, with migrant remittances to developing countries estimated to be over $300 billion annually—and billions more that go unaccounted for—remittances have the potential to turn what was once regarded as the developing world's greatest achilles' heel—the loss of e x p o r t i n g c i t i z e n s , i m p o r t i n g r e m i t t a n c e s its skilled human capital—into a potential source of development for these desperate countries. remittances are especially appealing given their source—as remittances outstrip development aid from richer countries, the poor are beginning to support the poor more than the developed world is. this bottom-up process allows income to flow exactly where it is needed without flowing through the inefficient channels of governments or foreign investors who lack the in-depth knowledge which migrants possess about their own country. this self-led development wi l l lead to more sustainable and beneficial long term development. remittances are more than a simple private transfer of income spent on immediate consumption. rather, studies have shown that remittances have a direct impact on reducing poverty by allowing households to invest i n human capital, including education and healthcare. the benefits are also apparent i n the macro-economy, where, despite the ongoing debate, remittances provide capital strapped countries with the ability to finance development projects. the recorded ability of remittances to reduce poverty through development is only the tip of the iceberg, however. through appropriate policy measures of providing a banking infrastructure and incentives to migrant remitters, remittance flows can be expanded and their effect on poverty enhanced. by bringing multilateral financial institutions (mfis) into the fold, remittances would flow to poorer and more rural households, while at the same time providing the capital to lend to and develop the very same economies. mfis, with lower cost, are able to open branches i n areas where traditional banks cannot, extending the reach of remittances outside of urban communities. leveraging remittances for development through financial institutions, especially mfis, would lead to higher income and development for entire receiving communities and states, not just direct remittance recipients. this would, i n turn, lead to less reliance on migration and remittance i n the first place. thus, the goal should not only be to cultivate a greater flow of remittances but, rather, to focus on providing the income and infrastructure for developing countries to reduce their reliance on migration and become self-sufficient and developed. e n d n o t e s i . page (3) i i . ibid. i i i . kapiszewski (3) iv. page (54) v. adams 2006 (3) vi . ibid. v i i . de haas (605) v i i i . ghosh (7) ix. ibid. x. newland xi . hatton (335) xi i . ibid. x i i i . lucas (156) xiv. page (9) xv. page, ghosh xvi. ghosh (10) xvii. aqunias xvii i . eversole xix. eversole (306) xx. page (19) xxi. munzele 2005 xxii. lucas "migration and economic development" (369) xxiii . ratha, leveraging remittances (5) xxiv. adams 2005 xxv. ibid. xxvi. page (20) xxvii. adams 2006.(6) xxviii. ibid. xxix. eversole (306) xxx. page (20) xxxi. ibid. xxxii. aqunias (25) xxxiii. ibid. xxxiv. aqunias (26) xxxv. ibid. xxxvi. ibid. xxxvii. adams 2006 (6) xxxviii. aqunias (25) xxxix. dutch disease occurs when a country experiences a rise i n revenue from natural resources, or i n this case remittances, which raises the exchange rate of that country and subsequently harms the country's export sector. xl. aldaba xl i . aldaba (35) x l i i . lucas 2005 (189) x l i i i . ibid. xliv. lucas (190) xlv. lucas (156) elem ents fall 09 r e f e r e n c e s adams, richard h . , jr. 1991. the effects of international remittances on poverty, inequality,and development in rural egypt. research report no. 86. washington, dc: international food policy research institute. adams, jr., richard h . 2005. "remittances, household expenditure and investment i n guatemala," world bank policy research working paper no. 3532, march 2005. adams, richard h . , jr. 2006. "migration, remittances and development: the critical nexus i n the middle east and north africa." un/pop/egm/2006/01. adelman, irma, and j. edward taylor. 1990. "is structural adjustment wi th a human face possible? the case of mexico." journal of development studies, 26.3, pp. 387-407. aldaba, fernando. 2004. the economics and politics of overseas migration in the philippines. paper presented at the overseas filipinos and the 2004 elections forum, economic resource center for overseas filipinos, . amuedo-dorantes, catalina and susan pozo. 2004. "workers ; remittances and the real exchange rate: a paradox of gifts," world development 32.8, pp.1407-1417. aqunias, dovelyn. 2006. "remittances and development: trends, impacts, and policy options," migration policy institute. chami, ralph, connel fullenkamp, and samir jahjah. 2005. "are immigrant remittance flows a source of capital for development." imf staff papers, 52.1. de haas, hein and roald plug. 2006. "cherishing the goose wi th the golden eggs: trends i n migrant remittanes from europe to morocco 1970-2004," international migration review, 40.3. durand, jorge, emilio a. parrado, and douglas s. massey. 1996. "migradollars and development: a reconsideration o f the mexican case." international migration review, 30.2, pp. 423-44. eversole, robyn. 2005. "direct to the poor revisited."migration and economy. lillian trager (ed.). rowman altamira. frank, reanne and robert a. hummer. 2002. "the other side of the paradox: the risk of low birth weight among infants of migrant households with in mexico." international migration review, 36.3, pp. 746-765. ghosh, bimal. 2006. migrant's remittances and development: myths, rhetoric, and realities, international organization for migration. geneva: switzerland. hatton, timothy j. and jeffrey williamson. 2005. global migration and the world economy. cambridge, ma: m i t press. kapiszewski, andrzej. 2006. arab versus asian migrant. un/pop/egm/2006/2. lopez cordova, ernesto, 2004. "globalization, migration and development: the role of mexican migrant remittances." lucas, robert. 2005. "international migration regimes and economic development." edward elgar publishing: stocholm. lucas, robert. "migration and economic development i n africa: a review of evidence." journal of african economies, 15, aerc supplement 2. maimbo, samuel munzele. 2005. migrant labor remittances in the south asia region. report no 31577/ finance and private sector development unit . south asia region. the world bank. newland, kathleen. "a new surge of interest i n migration and development," migration policy institute. . accessed 29 apri l 2008. page, john and sonia plaza. 2005. "migration remittances and development: a review of global evidence." the world bank, 18 august 2005. quartey, peter., and t. blankson. 2004. do migrant remittances minimize the impact of macro-volatility on the poor in ghana? final report submitted to the global development network (gdn). spatafora, nikola. 2005. "two current issues facing developing countries." i n world economic outlook: a survey by the staff of the international monetary fund. yang, dean. 2004. international migration, human capital, and entrepreneurship: evidence from philippine migrants' exchange rate shocks. ford school of public policy working paper series, no. 02-011. university of michigan, a n n arbor. e x p o r t i n g c i t i z e n s , i m p o r t i n g r e m i t t a n c e s http://www.ercof.org/papers/migrationaldaba.html http://www.ercof.org/papers/migrationaldaba.html http://www.migra-tioninformation.org/feature/display.cfm?id=58o http://www.migra-tioninformation.org/feature/display.cfm?id=58o "more united states immigrants claim mexico as their homeland than any other national group... what sets mexico apart as the primary source of immigrants? v a n h i s t o r i c a l ( i n t e r ) d e p e n d e n c y : mexican migration to the united states m a t t h e w h a m i l t o n l o n g s t a n d i n g i n c e n t i v e s f o r m i g r a t i o n h a v e e n c o u r a g e d i n d i v i d u a l s t o t r a v e l f r o m m e x i c o t o t h e u n i t e d s t a t e s i n s e a r c h o f h i g h e r w a g e s a n d e c o n o m i c s u r v i v a l . t h e s e i n c e n t i v e s e x i s t d e s p i t e t h e s t a t e d g o a l o f v a r i o u s o f f i c i a l s t o c u r b i m m i g r a t i o n t o t h e u n i t e d s t a t e s . i n f a c t , t h e m i g r a t i o n o f w o r k e r s i s a k e y f a c e t i n t h e h i s t o r i c a l r e l a t i o n s h i p b e t w e e n t h e u n i t e d s t a t e s a n d m e x i c o . s e v e r a l p o l i c i e s h a v e c o n t r i b u t e d t o t h e c o n t i n u e d m i g r a t i o n a n d h a v e f u r t h e r e n t r e n c h e d a g r o w i n g d e p e n d e n c y b e t w e e n t h e t w o n a t i o n s . t h i s p a p e r s e r v e s a s a n i n d e p t h e x a m i n a t i o n o f t h e c a u s e s o f t h i s e c o n o m i c d e p e n d e n c y a n d i n v e s t i g a t e s w h a t e f f e c t t h e l a t e s t o f t h e s e p o l i c i e s , t h e n o r t h a m e r i c a n f r e e t r a d e a g r e e m e n t , h a s o n t h e i s s u e . i n t r o d u c t i o n more united states immigrants claim mexico as their homeland than any other national group. as of march 2002, 30 percent of all immigrants residing in the united states and 57 percent of all latin american immigrants, or 9.8 mill ion people, hailed from mexico.' what sets mexico apart as the primary source of immigrants? historical immigration trends, policies, and practices have been conducive to the flow of peoples into the united states since the late 19* century. further, migrant networks supported by both american and mexican policies have perpetuated immigration. over time the flow of peoples also created a dependency within mexico and the united states on migrant wages and labor. in terms of policy, the north american free trade agreement (nafta) further evinces the existing dependent relationship between the two nations. dependency theory locates the relationship between the developed and prosperous core and the underdeveloped and impoverished periphery; it involves the exchange of resources between the two, at times an exchange between a "superordinate" and "subordinate" unit." according to christopher chase-dunn, dependency is born out of three related features and behaviors in the interactions between the periphery and the core, namely, "exploitation, structural distortion, and suppression of autonomous policies."1'1 that is, the core embarks on exploitative measures which include "decapitalization, unequal exchange, and subordination to external controls in a competitive system."1 n furthermore, the core disfigures the economy of the periphery by relegating it to a "specialization in raw material production (low differentiation); outward-oriented infrastructure (low integration); [and] the creation of resource patterns which retard economic development" because of the influence on the periphery of multinational corporations controlled by the core.v finally, the core realizes its dependency by forming "a political situation which retards development by linking elites in the periphery to the interests of the core."v i dependency is a historical process as much as it is an economic reality, and accordingly, the history of mexican politics, economics, and society relating to migration portray mexico as a dependent of the united states. the dependency between the united states and mexico originally took root i n the underdevelopment caused by diseases and spanish colonial structure. colonially-subjugated mexico divided land according to the hacienda system in which a single ruling family profited from the labor of medieros, or sharecroppers, andjornaleros, or day laborers.vh the ruling family typically "consumed the surplus . . . produced by the jornaleros and medieros, rather than investing it in machinery.'^111 the byproduct of the ruling family's absorption of profits was a lack of capital, which in turn encouraged capital-poor ruling families to "superexploit the peons or else try to get more land by means such as encroachment." lx the exploitation at the hands of colonial spain, coupled with malnutrition, slavery, and "repeated epidemics of smallpox, typhoid, measles, and tuberculosis," reduced the population of native indians from between 15 and 20 mill ion to one mill ion by 1620, where it remained until the 2 0 " 1 century.x mexican independence exposed the political unpreparedness of the nation after colonialism. alexander monto writes that members of the politically-inexperienced creole class assumed control of the mexican government from spain, although "seldom did a president serve even a year of his term," as the country was rocked by instability and conflict. at the same time, the united states acquired land close to mexico with the louisiana purchase, made claims on texas, annexed the oregon territory, and attempted to purchase california/ 1 monto continues, "many people in mexico even favored a u.s. takeover of the whole country" because of economic stagnation and political volatility. the treaty of guadalupe hidalgo in 1848, which gave the united states land "from texas and colorado west to california," only served to produce "a persisting legacy of bitterness" over the lost territory/ in the shadow of this bitterness and national underdevelopment rose president benito juarez, whose 1857 reform embarked on a u.s.e l e m e n t s : : s p r i n g 07 supported reconstruction of the economic and governmental infrastructure. juarez's successor, porfirio diaz, hastened mexican advancement through increasing american economic, social, and political ties within the country, thus heightening mexican dependency. although juarez's programs offered some modernization in mexico, it was not unti l diaz's implementation of the porfiriato that mexico modernized through the provision of "huge foreign concessions for mining, railroad, telephone, and electric development, often favoring u.s. companies."™ 1 during diaz's government, "push" factors in mexico and "pull" factors in the united states worked together to increase mexican migration across the border. diaz's permission for hacienda expansions through the annexation of smaller neighboring communities displaced peasants. during the late 1800s, the american demand for labor in the southwestern portion of the country offered an employment opportunity to many mexicans across the border primarily for "railroads (particularly construction and maintenance), agriculture, and general, unskilled manual labor."x1v the flow of migrants into the southwestern united states was so vital to the american economy that, by the turn of the century, "mexico under porfirio diaz was certainly a u.s. economic satellite. labor export soon became a major element of that economic dependency."xv the mexican revolution and the cristiada, x v l which occurred from 1910-1929, both contributed to increased migration, although there were still fluctuations owing to american foreign policy and the economy, especially during the great depression, which exposed the interrelatedness of mexico and the united states. specifically, monto discerns that the period of the mexican revolution and the ensuing cristiada "with the destruction of haciendas and crops, impressments and looting, and declining agricultural production" made migration desirable to many mexicans. x v u however, movement of people between mexico and the united states was occurring free from any form of governmental regulation until 1917, when the passing of the immigration act in the united states "required that every immigrant who was over 16-years-old be literate in at least one language and pay an $8.00 tax upon entry." x v m with the passage of the immigration act and subsequent acts throughout the 20th century, mexican migration became officially illegal. sanderson writes that the presence of undocumented migration was regulated by border patrols, yet there were also efforts among "employers of mexican migrants . . . to exempt their employees from the new rule." x l x the roots of latter-day labor dependency can be seen in such efforts and in the discontinuation of the immigration act during world war i in order to compensate for the absence of men in the united states. accordingly, sanderson writes that "the border remained essentially unpatrolled and the tradition of migration was already well established."'x during the early 1920s, the american economic recession led to resentment of migrants, which bred violence towards mexican workers and temporarily halted migration. economic prosperity diminished such acts of violence in the later 1920s; migration reestablished itself only to have the great depression render mexican migrants unneeded, again causing migration rates to drop. x x 1 the american great depression, world war i i , and the a n h i s t o r i c a l ( l n t e r ) d e p e n d e n c y i m e x i c a n m i g r a t i o n t o t h e u n i t e d s t a t e s post-war era coincided with the establishment of the ejido land tenure system, which created the need for migration remittances. the communal ejido system granted formerly hacienda lands to groups of medieros, or sharecroppers, to work . x x u ejidos "created a demand for capital by giving poor campesinos access to land but not the credit required to engage in production."™ 1 1 monto concurs, specifically with respect to the purchasing of agricultural equipment as "single-share steel plows were often bought with migrant earnings."xx1v massey notes, further, that mexicans hailing from regions with an ejido system, as opposed to those lacking the ejido system were more likely to seek labor in the united states, namely to gain access to credit through remittances. thus, mexico's labor and capital demands sought supply from the resuscitated post-world war i i economy of the united states, which increased migratory flows and the ensuing transfer of capital in the form of remittances. american and mexican governments cooperated in legislating the placement of mexican workers in the american economy by adopting the bracero program in 1942, through which "more than a half-million mexican workers were migrating per year."x x v it was structured so that "each laborer (only males) would work under a specific contract that guaranteed certain rights such as food and housing, medical care, specified pay, and a return home at the end of the [working period]," which was capped at 90 days and restricted primarily to agricultural labor.x x v 1 furthermore, the bracero program required that the mexican government assign laborer quotas to regions throughout the country, the largest of which were assigned "to the west-central states of mexico, where rural economic conditions were among the poorest and from which many of the previous migrants had come." x x v" this bilateral program advanced the "circular and recurrent flow [of laborers] which was mainly constituted by young rural men from western mexico ." x x v m for the mexico ejido system, however, the benefits of the bracero program were approximately $200 mill ion, which was transferred to mexico from migrant labor from just 1942 to i947_ x x 1 x outside the bracero program, however, undocumented migration still occurred to such an extent that, as demetrios papademetriou points out, "the united states deported more than three mill ion mexicans between 1950 and 1955 without seriously impeding the ability of u.s. farmers to employ mexican labor." x x x a dependency can be seen in the presence of legalized and undocumented migration into the united states through the bracero program. nonetheless, the discontinuation of the bracero program in 1966 seemed to hint at a diminished need for mexican labor in the united states. in actuality, it was the result of political pressure in the united states and increased illegal immigration. the laborer cap of the bracero program was insufficient to meet the demand for mexican labor.x x x 1 moreover, monto claims that "some growers were said to prefer illegal migrants (also called "wetbacks") as they would work for lower pay."xxx11 thus, american agricultural advocacy groups supported the discontinuation of the legalized worker program in favor of illegal migrant workers who would hold wages at very low levels. although "the mexican government continued to back the program as an outlet for surplus labor and a source of income," the u.s. yielded to internal pressures from "the press, the unions, and congress" and eliminated the hracero p rogram. x x x m although the flow of migrant laborers continued beyond 1966, this mechanism of mexican-american dependency was rendered illegal. t h e s h i f t f r o m i n t e r d e p e n d e n c y to d e p e n d e n c y the end of the hracero program marked the beginning of the policy of economic liberalization which shifted mexico towards the status of dependency, as it began to enact policies that favored foreign investment over economic sovereignty and development. such programs increased unemployment, as foreign capital tended to push peasantry out of agriculture along with situating people in the raw material production, which chase-dunn refers to as the border's maquiladoras. this economic liberalization widened the gap between the rich and the poor, tying richer elites closer to the interests of the united states than to the interests of peripheral mexico. legislation in the united states, nafta being the most recent and salient example, exacerbated such dependencies by fully opening mexico up to foreign investment, industry, and economic control. overall, nafta removed autonomy from the mexican economy, yet the historical process found its momentum in post-hracero mexico. before continuing to assess the migration of mexican laborers as part of a dependent relationship between the united states and mexico, it is important to enumerate the concept of migration networks, whose role became more prominent following the discontinuation of the hracero program. the world institute for development economics research of the united nations university (unu-wider) sought to define migrant networks as "a set of economic, social, political, and cultural ties or dependencies linking sending and receiving countries. ' , x x x l v broadly speaking, migrant networks are the means through which resources such as information flow. migrant networks influence a potential migrant's "length of stay and capacity to settle and integrate in countries of destination." x x x v they serve as generators of "positive externalities" which include "the transfer of remittances,... business links or ideas, support for local charitable initiatives, or pressure for political and social re form. ' , x x x v l moreover, the theory put forth by unuwider indicates that migrant networks can "generate a self-perpetuating dynamic of continued migration flows, regardless of attempts to l imit quotas." x x x v i l they constitute social capital, making migration more secure in a variety of dimensions. as douglas massey writes, "among people considering a trip to the united states, ties to current or former u.s. migrants represent a valuable social asset since these connections can be used to acquire information and assistance that reduce the cost and risks of entering the united states and raise the odds of getting a good u.s. j o b . " x x x v i i i migration networks facilitate migration through the security they provide, and, as zahniser identifies, they "lower the costs of migrat ion, . . . reduce the risks associated with migration, . . . may provide the migrant with valuable job contacts,... [and] may make life in the united states more appealing to the migrant. " x x x 1 x migrant networks can take the form of a familial tradition, such as housing communities within the u.s. whose residents have the same regional mexican background, one migrant helping another simply because they share a common hometown, or the presence of coyotes whose transportation assistance is contracted by migrants will ing to cross the border. : l observing the rea n h i s t o r i c a l ( i n t e r ) d e p e n d e n c y i m e x i c a n m i g r a t i o n t o t h e u n i t e d s t a t e s suits of survey and population data, massey writes that migrations increased "in response to variation in the quantity of social capital at a man's disposal." x l 1 specifically, the likelihood of illegal migration increases i f one's parents have migrated and doubles i f a prospective migrant has two migrant siblings. x , n migration trends are, therefore, selfsustaining, as numerous scholars posit that the social capital created by migrant networks facilitates more migration. papademetriou points out that there was a multiplier effect as some workers left their seasonal labor through the brace.ro program in order to establish permanent employment and residency. looking back, then, the initial movements of people into the united states for economic survival established a myriad of migration networks comprising a self-propelling migration juggernaut. x l m following the discontinuation of the brace.ro program, a forward-thinking mexican government introduced maquiladoras, factories for assembling and processing manufactured goods, in the northern mexico border region. kathryn kopinak writes that the mexican government fully "intended to provide jobs lost through the u.s. cancellation of the bracero program" with the passing of the border industrialization program, "which allowed u.s. components to be assembled in other countries and then re-exported back to the united states without being taxed on re-entry. " x l l v although the immediate goal of the maquiladoras was to off-set the lost labor opportunities offered by the bracero program, the mexican government's long-term goal was "to change the isolated northern border "a sign of the growing dependency, any type of recession in the u.s. would significantly hurt mexico." of mexico into a dynamic growth pole for the whole northern border, and possibly the whole country." x l v a related view is proposed by elizabeth fussell, who writes that during the 1970s and early 1980s, the border economy, the locus of maquiladora industry, was actually "more closely tied with the u.s. economy than with the mexican economy." a sign of the growing dependency, any type of recession i n the u.s. would significantly hurt mexico. x l v i the establishment of maquiladoras was, therefore, in accordance with the government's economic aim to give "priority to the industrial sector at the expense of the peasantry" in order to attract u.s. investment and commercial development in the border region. x l v u the united states considered the maquiladoras to be part of the interdependency agreement since they were "a way of using cheap mexican labor without having to negotiate with u.s. unions" or employ illegal immigrants . x l v m for mexico, the policy goal was that foreign investment through the maquiladora, the "instrument necessary to increase the competitiveness of mexican industry," would globally integrate the mexican economy. x l l x following the 1982 currency crisis, when mexico "was obliged to open its economy and engage in austerity measures," the maquiladoras became more than a unique aspect of the northern border; rather, they became part of mexico's response to "a policy of structural adjustment and changes in production and policy."1 specifically mexico wanted "greater liberalization of the economy, . . . a major change in the functioning of the labor market," and also to enact "a policy of openness to the outside [through] the encouragement of export substitution and the promotion of various forms of international subcontracting."'1 after 1982, the maquiladoras were promoted not only as a means of economic development along the border, but also as agricultural and industrial advancements. rather than meeting the economic needs of the united states and mexico, the maquiladoras increased unemployment in mexico. they "increased the distance between rich and poor, to the point . . . of putting mexico in the runnerhttp://brace.ro http://brace.ro up spot in the hemisphere."1" the strategy of attracting foreign investment and building maquiladoras further "led to a rise in job insecurity, cutbacks in real wages, polarization of industrial employment, [and] more underemployment and informal employment."'1 1 1 u.s. technology in maquiladoras, as well as in other industrializing programs in agriculture and manufacturing, affected migration, such that bustamente writes, "when such foreign technology was utilized in a country like mexico . . . a displacement of labor power was produced that could not be absorbed by other sectors and that ended up emigrating to the united states."llv after the 1982 industrial shift in mexico, the "needs" of mexico and the united states were met by undocumented migrations and remittances. massey draws on his own statistical evidence to show that "an increase in the rate of u.s. employment growth tends to be followed by an increase in the likelihood of illegal migration. " i v he also points out the fallacy in assigning migration to the unemployment and poor wages resulting from industrialization and structural adjustment since "high levels of industrial development and wages" raise the likelihood of illegal migration to the united states.ivi migration to meet the needs in both developing and under-developing parts of the mexican economy began with the ejidos, which, as discussed, "create[d] a need for capital by providing farm families with access to land but not the capital needed to begin or expand agricultural production." i v 1 1 the structure of mexican development strategies and the resulting unemployment gave rise to migration just as colonialism resulted in underdevelopment. the immigration reform and control act (irca) in 1986 continued the existing dependency between mexico and the united states by permanently establishing the residency of over two mill ion mexican nationals. l v i" the u.s.'s immigration control legislation specifically "provided for the legalization of unauthorized immigrants who could show they had been resident in the united states since january 1,1982, or had worked in u.s. agriculture." l l x the i rca also permitted "amnesty recipients to sponsor the undocumented migration of their friends and relatives. " l x however, as chavez and whiteford write, the fault in the i rca in controlling immigration rests in its belief that a unilateral policy can solve a bilateral issue.1x1 the legalization of undocumented migrants only propelled migration forward since, owing to newfound legalization, it created significantly more secure social capital. migration became more viable and attractive in the long-run due to the effects of the legalization by the i rca, and massey determined that the probability of undocumented migration to the united states increased by 55 percent i f a family member was among those legalized by the irca. l x n the benefits provided by remittances are another facet of mexican dependency on the united states. popularly termed "migradollars," remittances are the u.s. wages sent back to mexico from migrant workers which have "become critical resources for the sustenance of homes and families i n rural and urban mexico." i x i" in fact, remittances from migration constitute a "survival strategy" for mexican families facing the "restructuring pressures" brought about by economic policies such as those enacted in 1982 and the industrialization of the maquiladoras ) x k as the opening of the economy made "employment more precarious, with a general reduction i n wages," min imum wages specifically experienced "an uninterrupted tendency to fall steadily" a n h i s t o r i c a l ( i n t e r ) d e p e n d e n c y ! m e x i c a n m i g r a t i o n t o t h e u n i t e d s t a t e s .. by 1991, mexicans accounted for 47.7 percent of the 1.13 million detained along the us.-mexico border, a figure which does not even include those who made it across." over t ime. l x v in light of industrialization and this economic stagnation, remittances made migration "a more attractive option than working in new industrial zones or in cities in the mexican countryside." l x v i the statistics regarding migration show that typical remittances were "2.4 times the official min imum wage, which is two-thirds of the average working income i n mexico," meaning that migrants earn "as much money as one-third of the resident population" of mexico. l x v n since such remittances "are largely spent on current consumption," however, the remittances become an indication of dependency. despite this, even illegal migration is an economic form of survival. 1™ 1 1 with migration providing such benefits in the form of migradollars, it is no surprise that by 1991, mexicans accounted for 47.7 percent of the 1.13 mill ion detained along the u.s.-mexico border, a figure which does not even include those who made it across. l x i x the ulterior motive of nafta, in conjunction with the agreement's economic development benefits, was to prevent such migration. such aims led mexico's president salinas to declare, amidst the early 1990s hammering out of nafta, his desire to escape the labor dependency and its associated benefits: "we want to export goods, not people." l x x similarly, president george h.w. bush declared in 1991, "we share the concerns expressed by some in congress and the private sector that a nafta not lead to increased immigration of foreign workers." l x x i although nafta is exclusively a trade agreement, migration was clearly an objective i n its adoption. provisions within nafta express a plan to promote trade and international investment within mexico and among its partners in order to effect sound and vibrant economic development. monto summarized the primary provisions of nafta as removing all or most tariffs, opening government contracts "to firms of free-trade partners," imposing "no new discriminatory measures on investment," and eliminating "mexico's limits on foreign investment." 1™ 1 such a policy promotes economic development through the liberalization and integration of the mexican, american, and now canadian economies, and thus fits within the pattern of development salient in the 1982 restructuring of the economy through promotion of industrialization and the maquiladoras.lxxm overall, this promotion of economic growth and employment wi l l then make each nafta country more competitive. l x x i v the prevailing view prior to and during the initial phases of nafta's inception held that migration would be stifled and rendered less economically viable. contrary to the observations of massey, schott and hufbauer postulated that nafta would best control immigration by allowing "economic prosperity i n mexico to ameliorate the flow of immigrants over the next several decades." lxxv however, joyce vialet averred that nafta might engender an initial increase in migrations in the short run owing to the agreement's "potential for displacing mexican agricultural worke r s . " 1 ™ 1 similarly, hinojosa-ojeda and robinson wrote that "complete liberalization in mexican agriculture wi l l greatly increase the speed of out-migration from rural areas." 1™' 1 1 cognizant of the effects of migrant networks, the long-standing roots of migration and migrant remittances, and the need for capital among mexican people, vialet predicted that "conditions for continued large-scale migration from mexico are already in place." l x x v i i l that is, nafta wil l only serve to continue encouraging the migratory flow of mexicans into the u.s. nafta-era mexico has verified that the agreement not only fails to alleviate, but also heightens economic pressures while further exposing the dependency on the united states. liberalization of the economic system resulted in the purchase of 85 percent of mexican banks by international banks with investors whose principal aim was found to be "in taking deposits and making high-interest-rate consumer loans [rather] than in developing mexico's internal economy." l x x l x moreover, mexico has experienced poor productivity, as christian stracke points out that "productivity has declined . . . whereas productivity in the united states—already a developed nation with presumably fewer opportunities for easy gains i n this area—has risen by a third since 1990." l x x x according to stracke, central to this decline in productivity growth is the fact that "the labor force rose by over 230 percent, [while] gdp rose by just 220 percent," although such statistics do not show the "brain drain" or the loss of educated and skilled laborers; currently, 20 percent of mexican immigration to the u.s. are educated. faux adds that the curtailing of farm subsidies within mexico by $1.5 billion, while at the same time the u.s. increased its agricultural subsidies, has been doubly detrimental. thus, the united states' '"comparative advantage' enabled u.s. agribusiness to blow thousands of mexican farmers out of their own markets. "'x x x 1 as earlier, the locus of industry is in both northern mexico's maquiladoras along the mexico-u.s. border, where the "low-value-added operations that depend on cheap labor" and in other regions in mexico, which are enclaves of industry that polarize the economy and engender a hinterland of few or simply low-value-added jobs . l x x x n migration has continued accordingly in mexico, motivated by such a poor economic outlook that a "half-million mexicans come to the united states every year; roughly 60 percent of them are undocumented. " l x x x 1 1 1 migration is thus integral to mexico's dependency today, as the exportation of labor comprises a cause, an effect, and a central mechanism of that dependency. it is the result of many factors: underdevelopment, capital restrictions in the ejido system, the lure of remittances, poor economic climates, unemployment, the pull of social capital, and the desire to establish a new life in the united states. the historical, political, and economic policies of both mexico and the u.s. have prolonged the dependency on mexican labor through the inertia of migration networks. nafta is no exception: owing to external influences such as agricultural subsidies, high population growth, and poor productivity growth, it might even be considered the most dependencyfostering policy in the history of migrational mexico-u.s. economic policy. e n d n o t e s i . passel i i . chase-dunn (212) i i i . chase-dunn (213) iv. chase-dunn (213) v. chase-dunn (214) vi . chase-dunn (215) v i i . monto (36-38) v i i i . monto (39) ix. monto (39) x. monto (26) xi . monto (27) x i i . monto (27) x i i i . monto (28) xiv. sanderson (292) xv. monto (9) xvi. the cristiada was a rebellion agaist the anti-catholic mexican government. xvii . monto (39) xvii i . sanderson (292) xvix. sanderson (292) xx. sanderson (293) xxi. sanderson (294) xxii . massey et al (954); monto (40) xxii i . massey et al (954) xxiv. monto (48) xxv. papademetriou (44) xxvi. monto (56) xxvii. monto (56) a n h i s t o r i c a l ( i n t e r ) d e p e n d e n c y : m e x i c a n m i g r a t i o n t o t h e u n i t e d s t a t e s xxviii. canales xxix. monto (57) xxx. papademetriou (44) xxxi. monto (57) xxxii. monto (57) xxxiii. monto (58) xxxiv. boswell and crisp (16) xxxv. boswell and crisp (16) xxxvi. boswell and crisp (16) xxxvii. boswell and crisp (17) xxxviii. massey et al (951) xxxix. zahniser (10-11) xl . zahniser (3-4) xl i . massey et al (965) x l i i . massey et al (965) x l i i i . papademetriou (45) xliv. kopinak (7-8) xlv. kopinak (8) xlvi. fussell xlvii . bustamente (270) xlvi i i . kopinak (8) xlix. kopinak (16) 1. canales; fussell l i . canales hi. bustamente (8) l i i i i . canales liv. bustamente (271) lv massey et al (962) lvi . massey et al (961) lv i i . massey et al (962) lv i i i . papademetriou (45) lix. papademetriou lx. massey et al (991) lxi . chavez and whiteford (26) lx i i . massey et al (968) lx i i i . conway and cohen lxiv. conway and cohen lxv. canales lxvi. canales lxvii . canales lxvii i . conway and cohen lxix. monto (207) lxx. vialet lxxi. vialet lxxii . monto (208) lxxii i . monto (210-11) lxxiv. vialet lxxv. hufbauer and schott lxxvi. vialet lxxvii. hinojosa-ojeda and robinson lxxviii. vialet lxxix. faux lxxx. stracke lxxxi. faux lxxxii. stracke lxxxiii. faux references boswell, christina and jeff crisp. 2004. "poverty, international migration and asylum." policy paper from the unu-wider conference on poverty, international migration, and asylum. helsinki, finland: u n u world institute for development economics research. bustamente, jorge a. 1983. "mexican migration: the political dynamic of perceptions." u.s.-mexico relations: economic and social aspects. clark w. reynolds and carlos tello (eds.). stanford, california: stanford university press. canales, alejandro i . 2003 "mexican labour migration to the united states i n the age o f globalization." journal of ethnic and migration studies, 29(4), pp. 741-62, july. chase-dunn, christopher. 2000. "the effects of international economic dependence on development and inequality: a cross-national study." from modernization to globalization: perspectives on development and social change. j. timmons roberts and amy hite (eds.). maiden, massachusetts: blackwell publishing, pp. 210-28. chavez, manuel and scott whiteford. 1996. "beyond the market: political and socioeconomic dimensions of nafta for mexico." policy choices: free trade among nations, eds. karen roberts and mark i . wilson. east lansing: michigan state university press. conway, dennis and jeffrey h . cohen. 1998. "consequences of migration and remittances for mexican transnational communities." economic geography, 74(1), pp. 26-45, january. faux, jeff. 2003. "how nafta failed mexico: immigration is not a development policy." the american prospect, 14(7), pp. 3538, july-august. fussell, elizabeth. 2004. "sources of mexico's migration stream: rural, urban, and border migrants to the united states." social forces, 82(3), pp. 937-68, march. hinojosa-ojeda, raul and sherman robinson. 1992. "labor issues in a north american free trade area. nafta: assessing the impact." the brookings institution, pp. 97-98. hufbauer, gary clyde and jeffrey j. schott. 1992. "north american free trade: issues and recommendations." institute for international economics, p. 129. e l e m e n t s s p r i n g 07 kopinak, kathryn. 1996. desert capitalism: maquiladoras innorth america's western industrial corridor. tuscon, arizona: the university of arizona press. massey, douglas s. and kristin e. espinosa. 1997. "what's driving mexico-u.s. migration? a theoretical, empirical, and policy analysis." the american journal of sociology, 102(4), pp939-99. monto, alexander. 1994. the roots of mexican labor migration. westport, connecticut: praeger. papademetriou, demetrios g. 2003. "the shifting expectations of free trade and migration." carnegie endowment for international peace, pp. 39-59, november. passel, jeffrey s. 2004. "mexican immigration to the u.s.: the latest estimates." migration policy institute. 21 apr i l 2006 . sanderson, warren c. 1983. "the problems of planning for the expected: demographic shocks and policy paralysis." u.s.mexico relations: economic and social aspects. clark w. reynolds and carlos tello (eds.). stanford, california: stanford university press. stracke, christian. 2003. "mexico the sick man of nafta." world policy journal, xx(2). vialet, joyce c. 1993. "the north american free trade agreement and immigration." migration world magazine, 21(23), pp. 23-27, march-june. zahniser, steven s. 1999. transnational business and corporate culture: problems and opportunities series. stuart bruchey (ed.). mexican migration to the united states: the role of migration networks and human capital accumulation. new york: garland publishing. a n h i s t o r i c a l ( i n t e r ) d e p e n d e n c y : m e x i c a n m i g r a t i o n t o t h e u n i t e d s t a t e s http://www.migrationinformation.org/feature/display.cfm "'god is everywhere. god doesn't ask me to come to him because he's everywhere—in my home, in the temple, in the chair at my side. if i touch god, it doesn't change anything between us."' lessons i n d e v o t i o n a convergence of christian and hindu religiosity m i c h e l l e h u b e l e w h i l e s p e n d i n g t i m e i n b a n g a l o r e , v a r a n a s i , a n d a r u n a c h a l a , i n d i a , m i c h e l l e h u b e l e i n v e s t i g a t e d t h e i m p o r t a n c e o f d e v o t i o n i n t h e b h a k t i , k a r m a , a n d j n a n a p a t h s o f h i n d u i s m . i n t e r v i e w i n g m e m e b e r s o f e a c h t r a d i t i o n , s h e w a s a b l e t o l e a r n f i r s t h a n d h o w e a c h g r o u p p e r c e i v e s t h e s i g n i f i c a n c e o f t h e i r a c t s o f d e v o t i o n w i t h i n t h e l a r g e r m a t r i x o f t h e i r r e l i g i o s i t y . f r o m t h e r e , m s . h u b e l e w a s a b l e t o c o m e t o a g r e a t e r a w a r e n e s s o f h o w t h e o u t w a r d e x p r e s s i o n s o f f a i t h i n t h e t r a d i t i o n s r e v e a l e d e a c h p a t h ' s u n d e r s t a n d i n g o f g o d . t h i s r e s e a r c h u l t i m a t e l y a l l o w e d h e r t o a n a l y z e w h a t i m p o r t a n t l e s s o n s c h r i s t i a n i t y a n d h i n d u i s m c o u l d l e a r n f r o m o n e a n o t h e r w i t h r e g a r d s t o t h e i r u s e o f d e v o t i o n i n t h e i r r e s p e c t i v e t h e o l o g i e s . hinduism is a diverse religion. deemed one tradition by the westerners who came to india, it is actually a collection of faiths. the gods worshipped, the method of worshipping, and the places held sacred vary as much as the individuals who claim the identity of hindu. such a range of beliefs may make dialogue between hinduism and other religions seem fairly void of meaning. how can there be something to learn from a religion i f there is not even a defined theology? in the face of such disbelief, though, it is possible to recognize thematic concepts within hinduism that can inform and transform the religions engaged in dialogue. three main paths to salvation exist within hinduism, each leading to the same truth. this truth, brahma, can be understood by two different philosophies. even with this seeming assortment of beliefs, though, the fruits of interreligious dialogue between other religions and hinduism can be extensive. in the instance of christianity, the concepts of devotion found in the margas of bhakti, karma, and jfiana offer the possibility of deepening christian devotion. through study of these three forms of hinduism, a christian can learn new ways to approach christ, the world, and her or his own self. b h a k t i m a r g a bhakti-marga, the path of love of god, is one of "reciprocal movement."1 heinrich von stietencron explains, "the deity reveals itself to the person who praises it. it helps him, shows itself to h im in images, in mental visions, and in all beings. love for god prompts service of god, which should find expression in every thought and deed."11 a devout bhakti-hindu should thus pursue and serve god. the bhagavad-gita encourages this through the discourses of lord krishna to arjuna. by doing everything out of love of god, the believer purifies every action and receives full understanding of god. thus, the believer, regardless of caste, class, or sex, can reach moksha (liberation from reincarnation). bhakti-marga is popular throughout india. with a pantheon of gods that numbers 333 million, the diversity of deities allows believers to adore billions of combinations of gods. each temple wi l l offer something different to the devotee, making bhakti-marga an excessively varied path to the divine. however, regardless of the deities worshipped, the idea of the transcendent within bhakti-marga follows ramanuja's singular description of god (brahma). as hans kiing explains: ramanuja, believes that brahma is "without second" [advairtam, meaning no secondness]; but not that it is without characteristics, attributes, or personality. ramanuja's crucial insight is that brahma is identical with the personal god. . . brahma is none other than the personal god who from eternity releases the world from within himself, upholds it, directs it internally, and takes it back again ... but precisely for this reason, brahma [god] is essentially distinct from matter and the individual soul: brahma and atman, brahma and the world ... must be distinguished.111 e l e m e n t s s p r i n g 08 such a differentiation between god and man allows for bhakti-marga's specific forms of devotion. puja (ritualistic worship) at the nandi temple in bangalore, india, showcases a common form of devotion. removing one's shoes with respect for the holy site, the worshipper enters a simple, open-air foyer. through the doorway, one can see the large black image of nandi (shiva's bull-formed escort). this idol is adorned with garlands offered it throughout the course of the day, and has been anointed with oil and spices. nandi stares at the individuals with large, painted eyes, the prominence of which allows for darean (the beholding of the divine). this act of seeing the god is perceived as worship in and of itself, and the experience of the god seeing the individual is received as a divine blessing. l v through this, the full participation of devotion can occur. upon entering the sanctum, the scope of the idol becomes apparent. the solid figure stands i n awe-inspiring grandeur at twelve feet tall. its posture is that of the traditional nandi, reclining but for one hoof ready to go to shiva whenever shiva may beckon. the posture of the bull god reminds nandi devotees of shiva, which may bring the worshipper to deeper thoughts of the divine. brahman priests approach the believers, offering a golden tray bearing incense and a l i t oil lamp. worshippers generally offer money, flowers, or food to nandi upon this tray, and i n return anoint their heads and eyes with the heat from the l i t lamp. after making her or his offering, the believer wi l l then proceed to circumambulate the large idol in the auspicious clockwise direction. with these actions, the devotee wi l l remove bad karma (taint) and receive the god's blessing. the devotional act seen at the nandi tempe takes less than three minutes, but it is perceived as a full participation i n the ritual form of bhakti. the temple is located close to residential areas in bangalore, and the act is often repeated daily. many local temples exist throughout india and allow bhakti rituals to be performed throughout the day, every day of the week. it is common for individuals to turn to these temples regularly, and when walking through an indian community, one wi l l frequently encounter individuals with the sandalwood paste marking the forehead above the nose.v this outward symbol of bhakti reveals to an observer that bhakti-marga is quite prolific in india. the act of bhakti performed at a temple is common. but, some hindus explain, the act of going to the temple is not inherently necessary for devotion to take place. manish jai, a devout hindu, says: "god is everywhere. god doesn't ask me to come to h im because he's everywhere—in my home, i n the temple, in the chair at my side. i f i touch god, it doesn't change anything between us."v) that being said, pintu lai, another devout hindu, added, "the ritual is important. the understanding is that god is everywhere, but going to the temple allows for a deeper realization."v ! 1 when asked how one decides which god to adore, the response was that "god is one." rajeev rastogi further explained that "there are many temples for many different gods. each of the gods has a different story. whichever message i accept, i go to that temple." v l n these young men discussed their understanding of bhakti while they stood at the large puja ceremony for the river ganges (an incarnation of shiva). the ceremony, a daily exercise in varanasi, india, is to help bring devotees to god. l x throughout the day, believers approach the waters for a sacred cleansing and blessing. though the action seems purely external, the ritual necessitates an inward meditation and trust. says rajeev rastogi, "before going into the river, you must cleanse your soul and behavior. then, you bless the river by anointing the water and raising your hand to your forehead. once you thank god, you bathe. you don't have to go in completely. a little bit of the water is enough. while you're in the river, you offer its water to the sun and you say the mantras the priests or gurus give you. you do this every day . . . and i f you trust [in the ganges], you wi l l realize."x the significance of such an act is in the inward transformation. behavior, understanding, and thought must be aligned with the act of devotion or else the l e s s o n s i n d e v o t i o n act is rendered useless. thus, i t is an internal act of lifestyle devotion as much as a visible act of worship. the ganges puja when compared to the nandi temple visit reveals the range of rituals within bhakti-marga. generally, though, all rituals retain certain elements. heinrich von stietencron explains that believers approach their god with gifts and expectations: giving and taking become symbolic [in the act of bhakti]. the gifts are usually small, but as far as possible one does not come before god with empty hands. a handful of water is enough, or a leaf. the gift is, after all, only a sign. behind it stands the real offering, a devoted hearts the offering of the devoted heart is reminiscent of lord krishna's statements i n the bhagavad-gita: "by devotion alone / can i , as i really am, / be known and seen / and entered into, arjuna / acting only for me, intent on me, / free from attachment, / hostile to no creature, arjuna, / a man of devotion comes to me." x u the act of devotion, expressed through the offering of a gift, presents a manifestation of the believer's heartfelt focus on the god. and with this attention to the god comes the removal of karma. lord krishna indicates this release from karma when he mentions the idea of "free from attachment.. . a man of devotion comes to me . " x m thus, through bhakti-marga one can reach moksha. significantly, it is through these unattached actions of devotion that ramanuja's understanding of god manifests itself in bhakti believers. hans kiing explains: what interests ramanuja is a knowledge from the heart and an intimate personal relationship with the saving and loving god, who calls the believer to a personal communion with him. here is where good works, ritual, and the lofty ethos demanded by the gita come in, along with contemplation™ although believers do not particularly indicate this statement's truth, they do behave in such a way that verifies this concept: the act of puja is made with gifts that symbolize the devoted heart; the rituals are performed to reveal such a devotional relationship with the god; as rastogi indicated, even before performing the ritual bath i n the ganges (or any act of puja) individuals must approach the action with a cleansed behavior (one that, no doubt, resembles lord krishna's directive of being "hostile to no creature") and mind (one that trusts fully in the power of god to respond). their devotion reveals their relationship to god and their faith in salvation. k a r m a m a r g a in karma-marga, or the way of action, the focus of devotion is slightly different. traditionally fulfilled by strictly following one's dharma (duty) as dictated by caste, karma-marga has instead been translated into a path of social engagement. von stietencron explains: "[the bhagavad-gita] gives [the way of action] a new dimension by adding social responsibilities to ritual as an essential element. fulfill your duty in the world, the gita would say, but don't tie yourself down to the world." x v the passage that von stietencron indicates is i n chapter two of the bhagavadgita: lord krishna exhorts arjuna: "be intent on action, / not on the fruits of action; / avoid attraction to the fruits / and attachment to inaction! / perform actions, f i rm in discipline, / relinquishing attachment. " x v 1 by engaging i n the world without attachment to the world, followers of karmamarga actually remove themselves from the cycle of rebirth by ceasing to acquire karma. salvation is reached through disinterested action in the world. revolutionized by the bhagavad-gita, this marga no longer merely advocates vedic sacrifice but, more importantly also advocates works of social awareness. fireflies ashram, x v n just outside of bangalore, presents an image of karma-marga. working to create an ecological awareness in the community, fireflies holds conferences and seminars for the local hindus. according to director siddhartha, fireflies works to create awareness of e l e m e n t s s p r i n g 08 humanity's responsibility for the environment by engaging devotional ideas. one such example of this devotional engagement is the ganesha festival fireflies hosted for the local community. knowing the importance of the elephant-headed god to the local people, fireflies offered to orchestrate the festival. while preparing and participating in the traditional weeklong festival, fireflies ran seminars teaching devotees how to translate their devotion to social activism. the leaders of the seminars asked believers to explain the significance of ganesha in the believers' lives. fireflies used those understandings to encourage discussion and holistic vision. the ramifications were as follows: i f ganesha is the wisher of well being, how should believers translate wishing well to other people? i f ganesha is the remover of hardship, what hardships should the community work towards removing? i f ganesha is half nature and half human, how should the community react and behave towards nature? by asking these questions and encouraging dialogue, fireflies was able to help the local community translate its new knowledge into social activism. one result was that the members of the community decided to use unpainted idols in their bathing rituals during the festival. in the past the community would take its heavily painted ganesha to "fireflies worked within society not for its own benefit but for that of the greater good ... [manifesting] the selflessness that the bhagavad-gita encouraged." the local lake to bathe it. while the idol was submerged, some of the paint would come off and contaminate the local waters. fish would die as a result. through the social activism of fireflies, this phenomena was brought to the community's attention and, through a communal choice, the use of painted idols was stoped. by engaging the devotional ideals of the community, fireflies was able to bring about social change in an informed and effective way. the process of informing the community also allowed fireflies to introduce other devotional actions. these teachings started initiatives for water conservation and the replanting of trees. thus, by teaching and being socially engaged, fireflies was able to further eco-devotionalism. understanding the ecological future of the community to be transcendent of the individual, fireflies worked within society not for its own benefit but for that of the greater good. fireflies manifested the selflessness that the bhagavad-gita encouraged. devotion i n such a schema is such that the actor does not give recognition to her or his action. by doing so, she or he follows the injunction of lord krishna when he says, "as the ignorant act with attachment / to actions, arjuna, / so wise men should act with detachment / to preserve the w o r l d . " x v m the goal of such socially aware actions is not for the believer's benefit; it is for the larger society. and when one understands such a notion, she or he is acting in full devotion. lord krishna goes on to explain such a concept by saying, "surrender all actions to me, / and fix your reason on your inner self; / without hope or possessiveness, / your fever subdued, fight the battle!" x l x only when one's actions render her or h im apathetic to her or his own benefit is the personal "possessiveness" extinguished and the devotional understanding of karma-marga brought to the fore. when the "fever" of self involvement is removed, then action is handed over to god and ultimately made possible. von stietencron explains this idea with the statement that in karma-marga "the deity alone is the origin of all activity."x x this devotional understanding of god acting through detached human action is only l e s s o n s i n d e v o t i o n possible with disinterest i n the results of karma-marga. karma-marga requires devotion to the deity and to be only engaged as a devotion for the deity. the understanding of god is more ambiguous within karma-marga. rather than readily aligning itself with ramanuja's view of god (as we have seen bhakti-marga do) or stemming out of shankara's view of god (as we wi l l see jnana-marga does), karma-marga may view god in either light. some socially engaged hindus act out of devotion to a separate, imminently present deity; x x l others act out of an awareness of the true nature of self. x x n while either view of god may easily lend itself to karma-marga, the significance of devotion does not necessarily require a view of god. the goal and act of devotion is in the present engagement in social improvement. each believer may approach his or her work out of a different type of devotion; such diversity does not render the actions void or without devotion. thus, within karma-marga, it is not necessarily significant how the practitioner views god. in fact, the most important approach to god is disinterestedness even i n the fruits of devotion. salvation, as an end in and of itself, should not be considered within karma-marga. oxymoronically, the most devout karma-marga follower does good for the sake of the good. j n a n a m a r g a in jnana-marga, or the path of knowledge, the goal is to learn the nature of atman (the deepest self). through spiritual exercises (generally in the form of meditation), the individual comes to understand the truth of shankara's philosophy of non-dualism. this philosophy, also known as advaita, is the philosophy of the "discovery of the one, of the unity of the human soul (atman) with brahma.' , x x i i i hans kung explains: "a mystic par excellence, shankara interpreted the upanishads, the bhagavad-gita, and the brahma sutras (in other words, the fundamental hindu texts) to contain a 'pure,' consistent, absolute 'doctrine of oneness' (a-dvaitam, meaning non-duality)." x x i v kung explains further that: "each believer may approach his or her work out of a different type of devotion; such diversity does not render the actions void or without devotion." according to shankara, the prerequisite for true knowledge is the distinguishing of two levels of truth. on the level of ordinary empirical truth, there are, of course, many things and many separate selves. but this naive kind ofknowledge is deceptive. on the level of the higher metaphysical truth, all the various selves are one with the absolute self... only the one really exists, the truly real, outside of which there is no true reality, the eternal, infinite brahma, which is at once pure being (sat), cognitive consciousness (at), and overflowing bliss (ananda), but which can be known only through holistic mystical experience. in the mystical experience of unity, our individual self, the atman, is known for what it is: only another aspect of the absolute self, brahma. x x v with this concept of the transcendent, jnana-marga practioners work to experience this oneness. to be successful, they must strip away all understanding of their own persons. it is only at this point that true knowledge is reached. thus, through different forms of meditation (and, we shall see, devotion), the j nana practitioners reach loss of self and moksha. given the diversity of the actions of karma-marga and the assortment of worshipped deities in bhakti-marga, the range of devotional understanding within jnana-marga may seem the most unexpected. however, this path to e l e m e n t s s p r i n g 08 salvation possesses the highest prestige among hindus.x x v i that said, each group within the tapestry of advaita-hindus maintains its own supremacy in understanding of the one truth. in the ramakrishna tradition, the understanding of the path of knowledge inherently comes with a path of devotion. in an interview with one of ramakrishna's 1600 monks, i learned that ramakrishnas believe in the existence of one truth as it relates to all world religions. followers of ramakrishna believe all people wi l l ultimately be reincarnated until they are given the grace of god to reach this understanding of the truth through the ramakrishna tradition. only then wi l l these believers reach moksha.^ 1 1 devotion in the traditional sense is not enough within ramakrishna's philosophy: one must have a transformation of self. exercises in devotion may give the believer graces to reach a consciousness of the truth enough to manifest this transformation of self; thus, devotional acts still have value within this system. 5™™ 1 ramakrishna and his followers practiced a devotion to the goddess kali, praying to her image and offering puja within her temples. while the concept of monism proclaimed by advaita is actively professed in ramakrishna's tradition, it does seem to be contradicted by this concept of the necessary grace given by god. devotion to god is a tool through which one may recognize atman. yet, this knowledge is a gift from god. it is unclear whether devotion is directed to a transcendent, external god who is able to give, or to the god within (the self following the advaita system) who would seemingly be rendered too near to have the separation of a grace-giver. with such a blurry concept of god, it is apparent that the traditional understanding of devotion is redefined within the advaita system of ramakrishna. reminiscent of the "devotion-as-a-tool" teachings of ramakrishna are the teachings of ramana maharshi. while advocating acts of devotion i n a large group because it creates a "resonance" that helps with the awareness of self, followers of ramana maharshi do warn that one cannot make the act of devotion itself the end. x x l x through practicing devotion, though, believers can become more aware of their own divine centers. ramana maharshi himself possessed an intense devotion to shiva, moving to the caves of arunachala to be near the incarnation of shiva on earth. he explained the significance of such devotion in a way that permitted his advaitic understanding to still be true: "whatever you do, do without egotism, that is without the feeling ' i am doing this.' when a man reaches that state even his own wife wil l appear to h im as the universal mother. true bhakti (devotion) is surrender of the ego to the self." x x x attaching shankara's value of the self to his own understanding the self, ramana maharshi was able to align his form of devotion with a non-dualist devotion. there is no external entity to which one must be devoted. rather, the deeper, divine self is that to which one must surrender the superficial self. ramana maharshi's devotion to shiva would thus merely be an exercise of surrendering the ego. from this surrender, a deeper awareness of the self would emerge. ramana maharshi, thus, retains shankara's views on god while advocating devotion. yet another form of jnana-marga would be the teachings of sri sri ravi shankar. creator of the art of living meditation program, ravi shankar's philosophy follows the schema of pranayama yoga. focusing on the power of the breath as a tool for learning about the self, ravi shankar advocates a devotion of gratefulness. during an interview with one of his followers, this notion of gratefulness as devotion was explained: "there should be a devotion to the self as it is divine (and is within you). it is the height of love to show devotion, and the [manifestation] of devotion is gratefulness and appreciation of beauty: beauty of nature, of other people, and the love everywhere."x x x i ravi shankar himself explained, "devotion is an internal feeling. anything can trigger it. it is the culmination of love. darsan does not help . . . it is too short and we close our eyes when we are before the god." x x x i l while discussing the best form of worship, the art of living advocates that, "the best 'puja,' the best form of worship, is to be happy, to be l e s s o n s i n d e v o t i o n grateful ." x x x m such perpetual happiness transcends the traditional idea of an act of devotion made to god. rather, it turns devotion into an attitude of optimism and gratefulness. each of these jfiana hindu traditions offers a different understanding of the nature of devotion in the pursuit of truth. however, each retains a place for devotion as a tool with which one may come to a deeper understanding of god. while the understanding of god within the path of knowledge may ultimately lead to a non-dualist system (which makes devotion to god seem obsolete), the retention of devotional aspects in each tradition can ultimately bring one's understanding to the divine within each person. as one vedantic follower explained, " i worship humanity because each human is god." x x x l v d e v o t i o n a l c h r i s t i a n i t y i n i n d i a as seen above, hinduism is a universalizing term for a diverse assortment of faiths. when christianity is put in dialogue with hinduism, the multi-faceted nature of hinduism leads to a multi-faceted dialogue. organizations like the national biblical, catechetical, and liturgical centre (nbclc) and the christian-ashram movement in india work towards this inculturated christianity; through engagement with local hindu understandings of devotion, a deeper liturgical, social, and theological understanding can emerge within christianity. bhakti-marga hinduism can be translated liturgically i n the devotion-dialogue between christianity and hinduism. one such instance of already inculturated christian-hindu devotionalism would be the indian rite mass. the roman catholic liturgy is infused with hindu devotional acts, whether it is garlanding the gospel as a hindu would her or his idol, or anointing one's head with the heat from the li t lamp on the offering tray. these small actions that are reminiscent of bhakti puja allow for an inculturated representation of christianity within india. through the engagement of bhakti actions while approaching christian devotion, the offering of a devoted heart (as hindus understand puja) could inform christian approaches to devotion to christ. the bhagavad-gita's lessons on complete devotion to god (in all acts and thoughts) could inform christianity's love of christ and its devotional attitude towards the trinity. it is hoped that the engagement of christian-hindu dialogue with regards to bhakti-marga may ultimately lead to a deeper devotion of christians to god. with regards to karma-marga, the concept of completely selfless action i n utter devotion to god could inform christians' social activism. as von stietencron explains: christians can sympathize [with the difficulty of detaching oneself completely from emotional attachment to the world], because they, too, are called to selflessness and generally fail to keep this straightforward commandment. to be selfless to the degree that no more ties of any sort are created . . . is a radical demand. to be strictly logical, this kind of unselfishness would require giving up the wish for one's own salvation.™™ such radical devotion to social action i n the world is something that christianity has always professed, but has always struggled to exhibit. by engaging karma hinduism, christianity could take lessons from the bhagavad-gita and karma-marga leaders like mahatma gandhi, and ultimately may be able to reach a deeper understanding of the devotional side of social activism. christ's call to serve could be put into dialogue with lord krishna's call to surrender all action to him. thus, by allowing both tradition's understanding of social activism to engage a deeper,more informed call to social action may be discovered. lastly, ifiana-marga's understanding of using devotion as a means to deepen understanding of the imminent nature of god in the world could inform christian understanding of the dignity of human in the image of god. while the translation of one understanding (non-dual) to the other (reverential distance between man and god) does not completely align, lessons i n respect and reverence for the human other e l e m e n t s s p r i n g 08 may stem from such dialogue. i f christians profess jesus christ's ability to be within the other (an idea manifested within matthew 25:31-46), advaita vedanta can reverse the concept (as in a notion of "christ within"). devotion to god within, as is found in the path of knowledge, brings christians back to the awareness of christ within themselves. by studying and dialoguing with jnana-hindus, christians can come to a deeper understanding of teachings of their participation i n christ's body. but dialogue is a two way street. the goal for those involved i n the engagement between religions must be always to have a sharing of ideas. christianity's devotion to christ can inform hindu ideas of devotion just as christianity's devotion to christ can be informed by hindu ideas of devotions. questions arising from dialogue (such as ambiguities about the nature of god within the different faith-systems) can lead to deeper self-understanding as each religion must articulate its own beliefs. the exchange of ideas, practices, and questions can ultimately lead to a more vibrant and structured theology within each religion engaged in dialogue. as such, the ultimate goal of the interreligious dialogue can be reached. e n d n o t e s i . von stietencron (222) i i . ibid. i i i . kiing (203) iv. eck (3) v. this placement is significant for hindus because it signifies the power of the mind and the source of the soul. by receiving the anointing there, hindus receive a reminder of their relationship wi th god. source: interview with rajeev rastogi vi . jai, manish. v i i . lal,pintu. v i i i . rastogi, rajeev. ix. ibid. x. ibid. x i . von stietencron (251). x i i . the bhagavad-gita (108) l e s s o n s i n d e v o t i o n x i i i . the bhagavad-gita (108) xiv. kiing, "man and salvation in hindu religions" (229) xv. von stietencron, (221) xvi. the bhagavad-gita (38) xvii . a n ashram resembles a monastery and is traditionally built around a guru. in the instance of fireflies ashram, the environment is treated as the guru. xvii i . the bhagavad-gita (46) xix. the bhagavad-gita (47) xx. von stietencron (221) xxi. as evident wi th some individuals working at fireflies ashram. xxii. seen through the life o f gandhi. xxii i . kiing, (201) xxiv. kiing, (201-202) xxv. kiing, (202) xxvi. von stietencron, (220) xxvii. ramakrishna temple xxviii. ibid xxix. ashram of ramana maharshi xxx. osborne (86-87) xxxi. interview at the art of living international headquarters. xxxii. shankar, ravi xxxiii. art o f living online xxxiv. lai pintu. xxv. von stietencron (221) references art of living online. 7 july 2007. the bhagavad-gita. 2004. translated by barbara staler miller. new york: bantam classic eck, diana. 1985. darsan: seeing the divine image in india. chambersburg: anima books. jai,manish. 16 june 2007. personal interview. varanasi, india lai, pintu. 16 june 2007. personal interview. varanasi, india. rastogi, rajeev. 16 june 2007. personal interview. varanasi, india. ramakrishna temple. 24 may 2007. personal interview. varanasi, india the art of living international headquarters. 29 may 2007. personal interview. varanasi, india ashram of ramana maharshii. 28 may 2007. personal interview. varanasi, india kiing, hans. 1993. i n christianity and world religions by hans kiing. maryknoll: orbis books. osborne, arthur. 1970. ramana maharshi and the path of selfknowledge. york beach: weiser books, llc. shankar, ravi. 29 may 2007. question and answer. the art of living headquarters. bangalore, india von stietencron, heinrich. 1993. in christianity and world relgions by hans kiing. maryknoll: orbis books e l e m e n t s s p r i n g 08 http://www.artofliving.org/ds_multilingual.asp .. the system which was supposed to raise up the white mistress and enable her to fulfill her social obligations towards her slaves as a beacon of pious morality was the same system which turned many white slaveholding women into jealous and contemptuous sadists..." race r e l a t i o n s a n d t h e i d e o l o g y of d o m e s t i c i t y a study of the women's antebellum south m e l a n i e f i r t h t h i s p a p e r w i l l e x a m i n e t h e r e l a t i o n s h i p s t h a t e x i s t e d b e t w e e n w h i t e , s o u t h e r n p l a n t a t i o n m i s t r e s s e s a n d t h e i r f e m a l e s l a v e s . t h e s e i n t e r a c t i o n s w e r e s h a p e d b y t h e s o c i a l m o r e s o f t h e 1 9 t h c e n t u r y a m e r i c a n s o u t h , i n c l u d i n g t h e i m p o s i t i o n o f t h e " i d e o l o g y o f d o m e s t i c i t y " o n t h e m i s t r e s s e s . e q u a l l y i m p o r t a n t t o t h e r e l a t i o n s h i p s b e t w e e n m i s t r e s s e s a n d t h e i r s l a v e s w e r e t h e d a m a g i n g p s y c h o l o g i c a l e f f e c t s c a u s e d b y t h e m a s t e r s ' o f t e n f r e q u e n t s e x u a l l i a i s o n s w i t h t h e s l a v e s . u n f o r t u n a t e l y , t h i s c r e a t e d a n i n h e r e n t c o n t r a d i c t i o n i n t h e r e l a t i o n s h i p s b e c a u s e w h i l e t h e m i s t r e s s e s w e r e p r e o c c u p i e d w i t h t h e i d e o l o g y o f d o m e s t i c i t y , t h e y s i m u l t a n e o u s l y f u r t h e r e d i n j u s t i c e t o w a r d s s l a v e s w h e n p r e s e n t e d w i t h t h e i r h u s b a n d ' s s e x u a l e x p l o i t s . c a r e f u l e x a m i n a t i o n o f i n t e r v i e w s f r o m f o r m e r s l a v e s t a k e n d u r i n g t h e f e d e r a l w r i t e r s ' p r o j e c t o f t h e 1 930s s h e d s l i g h t o n t h e s e c o m p l i c a t e d a n d i n t r i c a t e b i r a c i a l r e l a t i o n s h i p s . i n t r o d u c t i o n race relations i n the old south have been studied extensively by historians over the last century. one aspect of the interaction between blacks and whites in the antebellum south that is particularly complex was the relationship between white mistresses and their female slaves. these relations were defined by various aspects of their surroundings, including the social mores which dictated their lives and the white men who had absolute control over both the black and white women. white women and their female slaves lived and worked in close proximity to one another, forming intense personal relationships that set the basis for the quotidian dealings between the two groups of women. additionally, mistresses and their slaves had to interact with each other within the confines of societal expectations placed upon women. southern plantation mistresses were compelled to follow the "ideology of domesticity," a dogma which dictated how affluent white women in the south were to act towards their family members, friends, and most importantly, their slaves. similarly, slave women had certain social standards to which they were required to adhere. since they had few legal rights in southern states, slave women were required to be completely submissive to their masters and mistresses. oftentimes, this unquestionable obedience subjected them to a master's unwanted sexual advances. mistresses were usually aware of the sexual relationships between their husbands and female slaves, but since they, too, were at the mercy of the white master, they often took out their anger, hurt, and aggression on their servants. this occurred despite the fact the slave may have been a vict im of rape. ultimately, the social constraints and requirements placed on both white mistresses and black slave women, along with the deep psychological affects of a master's sexual liaisons with his slaves, were important aspects of slavery which shaped the relationships between mistresses and their female slaves. t h e s o u t h e r n w o m a n ' s i d e o l o g y of d o m e s t i c i t y the ideology of domesticity dictated the social parameters for 19th century american women i n both the north and the south. the similarities between northern and southern women's ideology of domesticity stopped with the integration of the institution of slavery. southern white mistresses, more specifically the elite plantation mistresses, were expected to reflect the gentility of their class and gena w e l l t o d o s o u t h e r n w o m a n a n d h e r h u s b a n d a t h o m e der. never outspoken in terms of political or social matters, like many "brazen" women to the north, the prototypical southern woman was a warm and gentle mother and wife. she was to be obedient to her husband while at the same time exemplifying ideal christian piety. whether her husband was a ruthless politician or a skilled planter, she was to be his moral counterweight and provide h im with an example of perfect moral rectitude. a southern woman was virtuous and chaste. never would a proper southern lady find herself tangled in any kind of sexual scandal; to do so would ruin her marital prospects as well as her family's honor. indeed, the southern lady was a "symbol of gentility and refinement for plantation culture, designed to fill the requisites of chauvinist stereotype by embracing those qualities slave owners wished to promote . . ."x e l e m e n t s s p r i n g 08 t h e s o u t h e r n w o m a n a n d h e r s l a v e part of the ideology of domesticity that southern women strove to fulfill concerned the southern lady's treatment and interaction with her slaves. as a result, slaveholding women liked to maintain a vision—whether it reflected reality or not—of an organic community on her plantation or farm where she was the head of a biracial family made up of her own children as well as her slaves.11 as part of her role as head of a black and white, slave and free household, she was to impart religious education to her slaves and be the guardian of moral integrity. according to thomas nelson page, the mistress was essentially a connection between god and those around her, as "she was the head and front of the church; and unmitred bishop in partibus, more effectual than the vestry or deacons, more earnest than the rector; she managed her family, regulated her servants, fed the poor, nursed the sick, consoled the bereaved."111 the mistress was also to care for her sick slaves, who were only too happy to receive her charity: who knew of the visits she paid to the cabins of her sick and suffering servants! often, at the dead of night, "slipping down" the last thing... with her own hands administering medicines or food; ever by her cheeriness inspiring new hope, by her strength giving courage, by her presence awaking faith . . . what poor person was there, however inaccessible the cabin, that was sick or destitute and knew not her charity! who that was bereaved that had not her sympathy!1"-' thus, it was the responsibility of the mistress to be the guiding light and protector of not only her white family but her slave family as well. it was essential to the slaveholding ideal of white and black relations that mistresses be seen in this light. this image of the benevolent mother-figure was an integral part of the patriarchal system of southern slavery and was a vital aspect of mistress and slave relations. southern mistresses themselves also left behind accounts of how they viewed their relationships with their slaves, and how the ideology of domesticity—though not referred to in such terms—dictated their interactions with their "black family." these accounts reveal how mistresses and their slaves, and more importantly their female slaves, became closely connected to one another. mary polk branch touched upon this topic when she wrote that "many [slaves] were descendants of those who had served in the same family for generations—for instance, the nurse who nursed my children was the daughter of my nurse, and her grandmother had nursed my mother."v these bonds, which in many cases stretched over generations, were emphasized by the ideology of domesticity because they allowed for the two families, both master and slave, to become closely interconnected. because of their intimate propinquity, mistresses felt even more obliged to uphold their moral requirements under the ideology of domesticity to these slaves who had been a part of their family for so long. in a letter to her children after emancipation, mary norcott bryan described the "tender tie that existed between mistress and servant."v1 bryan clearly elucidated the fact that there indeed was a close connection between the mistress and her slaves, although her opinion was biased as there was nothing "tender" about the institution of slavery. in another letter, she explained that for the mistress, "such a busy life was hers, the care of many slaves, the responsibility of their souls, teaching them truth and honesty, watching over the sick, entertaining strangers."v i l these bonds created by slavery were heightened by the generations of slaves who remained within the same family, which allowed the mistress to become closely involved in her slaves' lives, thereby fulfilling the ideology of domesticity. a large part of a southern woman's social role was to be a beacon of piety, and this was translated to her interactions with her slaves when she involved herself i n their religious education. indeed, the role of the mistress as a religious leader and teacher to her slaves was essential to the ideology of domesticity. one southern man remarked upon the mistress's interaction with her slaves in a letter, stating "it is very common for the young ladies of the household to have classes on sunday of the children as well as grown negroes, to whom they give oral instruction, texts of scripture, r a c e r e l a t i o n s a n d t h e i d e o l o g y o f d o m e s t i c i t y and hymns." v m this was common in many slaveholding families throughout the south. the reverend w. e. northcross, an ex-slave, recalled his religious background in an interview as part of the federal writer's project. according to northcross, who was a slave in alabama before the civil war, "during this time my mistress made all the children, both girls and boys, come to her every sunday and she taught sunday school. the book used was the old fashioned catechism."1x northcross also noted, ...[i]t was against the law for them to learn to read and write, so she taught them the lord's prayer and a few other things in the book. she said that she wanted them to know how to pray, how to tell the truth and not to steal, and always try to do right in the sight of everybody and in sight of god* although northcross was a male slave, it is safe to assume that there were also female slaves involved in these religious and moral lessons. consequently, northcross's mistress was fulfilling her duties under the ideology of domesticity by teaching her slaves christian beliefs and creating an essential aspect of mistress-slave relations in the antebellum south. although slavery was inherently brutal and dehumanizing, there were mistresses who, in their efforts to fulfill the ideology of domesticity, provided their slaves with some comfort within the degrading slave system. during the 1930s, the federal writers project conducted numerous interviews with ex-slaves, providing us with invaluable insights into the everyday life of slaves in the south before the civil war. from these, we discover how mistresses strove to fulfill the ideology of domesticity through interaction with their slaves. alice houston remembered how her mistress and master cared for their slaves, saying that "my white folks, dey tries to teach us to read and spell and write some and after ole marster move into town he lets us go to a real school."x1 i n addition to promoting literacy among their slaves—which most slaveholders and indeed southern laws prohibited—houston's master and mistress were kind to them in other ways as well. houston's interview shows how the ideology of domesticity manifested when her mistress made sure that "we goes to church wid our white folks at dem camp meetin's and oh lawdy! yes, mam, we all sho' did shout. sometimes we jined de church too." x n houston's mistress was dedicated to extending to her slaves the kindness and care that southern society required. another former slave, john f. van hook, reported in his wpa narrative that his master and mistress taught their slaves how to read and write. again, this took place in an era when slave literacy was illegal in many states. van hook noted: "oh! why, my white folks took a great deal of pains teaching their slaves how to read and write. my father could read, but he never learned to write, and it was from our white folks that i learned to read and write. slaves read the bible more than anything else." x m van hook's masters were giving their slaves autonomy while at the same time going beyond a simple display of kindness. it was clear that van hook's master and mistress viewed their roles under the ideology of domesticity as that of the benevolent masters who cared for their slaves so much that they were not worried that the slaves would use their literacy against their masters, but rather towards furthering their religious education. many mistresses also fulfilled the ideology of domesticity when caring for their sick slaves by sending for their own doctor and bringing special supplies to the slave cabins. exslave fannie griffin recalled how her mistress practiced this act of kindness: "our massa and missus was good to us when we was sick; they send for de doctor right off and de doctor do all he could for us, but he ain't had no kind of medicine to give us cepting sperits of turpentine, castor oil, and a little blue mass."x l v although these "remedies" may not have made the slaves any better, they nevertheless indicate the role a mistress played in her slaves' well-being. by sending for a doctor, instead of simply ignoring an i l l slave's complaints, the mistress fulfilled her duties under the ideology of domesticity by caring for her slaves' physie l e m e n t s s p r i n g 08 'although slavery was inherently brutal and dehumanizing, there were mistresses who, in their efforts to fulfill the ideology of domesticity, provided their slaves with some comfort..." cal well-being. while slaveholders frequently were concerned about their slaves' health for pecuniary reasons—if a slave was sick, he or she could not work and therefore generated less profit for the master—the ideology of domesticity played a vital role in a slaveholder's involvement in his or her slaves' physical condition. to neglect an i l l slave was to reject the social mores which required the master and mistress to be benevolent parental figures to their slaves. there was a time of year in which southern women especially personified the munificent mistress, a time of year the slaves looked forward to: the christmas season. junius quattlebaum spoke about his experiences with his "good missus," miss martha, during the christmas season. through quattlebaum's interview, we can see that at christmastime, "all the slaves on de plantation had three days give to them, to rest and enjoy themselves."xv although a christmas break was a common practice among slaveholders in the south, one aspect of quattlebaum's experience was not. quattlebaum recalled that during christmas, "missus and de two little misses fixed up a big christmas tree. it was a big holly bush wid red berries all over i t . " x v l quattlebaum also remembered seeing "missus so plain now, on christmas mornin', a flirt in ' 'round de christmas trees, commandin' de little misses to put de names of each slave on a package and hang it on de tree for them." x v n pearl randolph described how gifts handed out to the slave children usually were made up of candies, fruit, nuts, and usually some special article of c lofh ing . x v m thus it is clear that mistresses fulfilled their duties as dictated under the ideology of domesticity through holiday gift-giving. in doing this, they were not only imparting kindness upon their slaves, but also involving them in a christian holiday, thereby taking a role in their slaves' religious life. gifts at christmas were indeed a large and invaluable part of the mistress' role of the pious and benevolent white mother-figure to her slaves. l i f e of t h e f e m a l e slave unlike their mistresses, female slaves had no standing in white society and were forbidden to fulfill the ideology of domesticity as dictated by southern white society. they assumed certain positions which required them to forgo their status as a woman i n the eyes of their white masters and mistresses. they did, however, fulfill the role of the ideal woman within the slave society. female slave jobs in the old south ranged very widely, from field hands to domestic slaves. although white mistresses did come in contact with the female field slaves, the mistress and her female domestic slaves were in a much closer proximity. domestic slaves were seamstresses, cooks, nurses, and personal servants for the mistress or her daughters. usually the slave children who were intended for domestic work became companions of either the master or mistress or assisted the older, more experienced domestic slaves.x1x the quintessential domestic slave—about whom many racial stereotypes have stemmed—was the "mammy", an epithet given to the slave by the whites. she was the image of the ideal domestic slave for the whites. according to thomas nelson page, a white southerner who lived on a plantation during the antebellum period, the mammy worked the closest with the mistress. she was "the zealous, faithful, and efficient assistant of the mistress in all that r a c e r e l a t i o n s a n d t h e i d e o l o g y o f d o m e s t i c i t y pertained to the care and training of the children. " x x page elaborated on his description of the mammy's duties with respect to the white children: . . . [f]rom their infancy she was the careful and faithful nurse, the affection between her and the children she nursed being often more marked than that between her and her own offspring. she may have been harsh to the latter; she was never anything but tender with the others. "xx1 page, like so many other white southerners, clearly glorified the position the mammy held within the plantation's hierarchy. although he neglected the fact that slaves caring for white children had to treat them well lest they be punished, his account of the mammy's duties reveals an essential part of the mistress-slave relationship within the slaveholding household. slave women were certainly an integral part of their plantation, farm, or household, although their experiences as women during the antebellum period were vastly different from those of their white mistresses. adeline johnson told of her tasks as a slave in the wpa slave narratives project, stating that she "never have to do no field work; just stayed 'round de house and wait on de mistress and de chillun."™ 1 this was a common task among slave girls. irene roberston, another former slave, carried out much different tasks as a field slave. living on a large plantation, robertson had been "raised to work" and "cooked and washed and ironed and done field work a l l . " x x i n robertson was an example of a slave woman who did her field work and also had to cook, clean, and do other household chores for her family. she was not only responsible for her master's demands, but also that of her slave family. s e x u a l e x p l o i t a t i o n a n d a b u s e since the ideology of domesticity did not apply to slave women, they were placed at the bottom rung of southern society and were subject to brutal sexual exploitation. especially in the case of master-slave sexual abuse, a male slave was unable to protect his wife, sister, mother, or daughter from the advances of a persistent and morally deficient white master or overseer. as a result, a master's vicious sexual advances upon one of his slaves caused serious tension between the female slave victim and her mistress. ultimately, because masters had the ability to sexually coerce their house or field slaves, many of whom may have even been their daughters, the dynamic of the household situation bred an environment for the slave women that "constituted a dense pattern of day-to-day resistance that could at any moment explode into violence.' , x x 1 v this violence, excluding the inherent violence associated with the rape of the slave woman by her master, usually manifested itself in the relations between the mistress and the slave vict im. the sexual exploitation of slaves was one of the most brutal and inhumane aspects of slavery, one which deeply and irrevocably affected mistress-slave relations within a slaveholding family unit. it is perhaps logical to assume that the role of the mistress as dictated by the ideology of domesticity would have lessened the harsh reality of human bondage. yet, because of the nature of a master's blatant infidelity within his own home, many mistresses, themselves under the complete control of their husbands, were unable to overcome the anger and resentment they felt towards their husbands. out of this situation inevitably grew "hostility, jealousy, and rage" x x v among both the slave women and their mistresses. although slave rape is extremely complex in nature, one crucial facet of the abuse lies in the masters' unfailing persistence. in fact, some masters were so consumed by their desires that they would stop at nothing unti l they had succeeded. one master was so determined to have one of his slaves that when she tried to escape, he set the bloodhounds after her. he then caught her and "knocked a hole in her head and she bled like a hog, and he made her have h i m . " x x v l the slave then told her mistress, who said that she should just submit to his wi l l '"cause he's gonna ki l l you. ' , x x v 1 1 this incident displays both the horrors of the sexual exploitation that was commonplace in the antebellum e l e m e n t s s p r i n g 08 slavery system and one way white women responded to it. indeed, this practice was even upheld by the law in the south. the alabama state law in the nineteenth century stated that the slave woman must give her master "absolute obedience, and subordination to the lawful authority of the master . . . the law cannot enter into strict scrutiny of the precise force employed [by the master], with the view of ascertaining that the chastisement had or had not been reasonable. " x x v 1 u masters could manipulate this law to interpret "absolute obedience and subordination" to include sexual coercion. the sexual power that masters held over their female slaves had dire repercussions for mistresses and their relations with their female slaves. m i s t r e s s e s ' r e a c t i o n s : i g n o r a n c e o r v i o l e n c e mistresses reacted to their husbands' infidelity in various ways, either by simply ignoring it, considering it a disgraceful but inevitable part of the southern slave society, or by inflicting punishment upon the female slave victim. according to one southern slaveholding woman, mary chestnut, many mistresses ignored the fact that their husbands sexually exploited their female slaves. she claimed this was a common occurrence since like the patriarchs of old our men live all in one house with their wives and their concubines, and the mulattoes one sees in every family exactly resemble the white children—and every lady tells you who is the father of all the mulatto children in everybody's household, but in her own she seems to think they drop from the clouds, or pretends so to think.™* f l a g e l l a t i o n o f a f e m a l e s a m b o e s l a v e to ignore that within their own household there were children who were borne out of their husband's infidelity must have caused deep psychological repression. this discretion was, however, a part of the ideology of domesticity; genteel southern women were expected to keep the knowledge of their husband's unfaithfulness quiet. x x x yet, these mistresses were only human, and many took out their frustrations on the only people over whom they held power: their slaves. james henry hammond, a famous southerner, was involved in a close and extensive sexual relationship with one of his slaves, as well as her daughter. his wife, catherine, became deeply bitter about hammond's infidelity and "attempted to end [the liaison] by demanding the sale or effective banishment of his slave mistresses."™ 1 despite the fact that hammond never did sell the slaves, this instance reveals important aspects of mistress-slave relations in the antebellum south. neither catherine nor the slaves who were the victims of hammond's sexual coercion were able to force the master to take any action, whether it be the cessation of his sexual advances or the sale of the slaves. thus, all women involved were forced to submit to hammond's ultimate demands. yet, instead of empathizing with the plight of the slaves, catherine instead chose the only option that would allow her to maintain the facade of a genteel southern woman, which was to punish the slave women by attempting to have them sold away from the plantation where they had family or close friends. r a c e r e l a t i o n s a n d t h e i d e o l o g y o f d o m e s t i c i t y i n t h e i r o w n w o r d s ! t h e s l a v e s s p e a k o u t many slave women who were victims of their master's sexual exploitation never had the opportunity to share their stories with the world, making it difficult for historians to study thoroughly the psychological ramifications of their masters' sexual advances, as well as how it affected their relationships with their mistresses. the federal writers' project again provides us with some insight into the mistreatment they received from their mistresses. these resources are flawed, however, because many of the slaves the wpa chose to interview concealed their true feelings towards the brutality of slavery because they did not want to become targets of the deepseated racism still prevalent in the south during the 1930s. still, they must not be disregarded, as they give an invaluable insight into the lives of slaves until the civil war. a n interview with hannah plummer revealed a particularly brutal aspect of slave-mistress relations. hannah described how her mother had been subject to her mistress' violence, stating, "missus caroline whupped her most every day, and about anything. mother said she could not please her in anything, no matter what she done or how hard she tried. missus would go up town and come back and whup her." x x x n i n fact, hannah's mother was so badly treated, that on one occasion, miss caroline went up town, an' come back mad. she made mother strip down to her waist, and then took a carriage whup an' beat her until the blood was runnin' down her back. mother said she was afraid she would kill her, so she ran for the woods and hid there, and stayed there for three weeks.xxxm a w o m a n s t a n d s o u t s i d e a p l a n t a t i o n w h e r e h e r g r a n d p a r e n t s w o r k e d a s s l a v e s whether she was so cruel to hannah plummer's mother because of a sexual relationship with her husband is something we cannot glean from the interview itself. there were, however, no other mentions throughout the interview of "missus caroline's" brutality towards other slaves. moreover, most mistresses saw their female slaves as subhuman and did not take into account the psychological damage that may have been caused by rape. x x x l v because of this dehumanization of their slave women, it was much easier for mistresses to let their anger and frustrations out on the vulnerable slaves. the brutal relationships between slave women and their mistresses, the result of sexual exploitation by masters, were not unknown to other slaves on the plantation. austin steward, a slave on captain william helm's virginia plantation, recalled his experience with his mistress's brutality towards her slaves. the institution of slavery, he said, "hardens the heart, benumbs all the fine feelings of humanity, and deteriorates from the character of the slaveholders themselves— man or woman." x x x v i n his commentary, steward touched upon the role that the ideology of domesticity played in mistress-slave relations and how white woman should have exhibited christian benevolence towards their slave women, but oftentimes acted the opposite. because society dictated that the mistress was to be a pillar of virtue and kindness, it would follow that she should have acted so towards her slaves. steward asserted that it was slavery that caused her to be so harsh because "otherwise, how could a gentle, and in other respects, amiable woman, look on such scenes of cruelty, without a shudder of utter abhorrence."xxxv1 instead, these slaveholding women of the old south "can and do use the lash and e l e m e n t s s p r i n g 08 cowhide themselves, on the backs of their own slaves, and that too of their own sex!"x x x v" slaveholding women, no matter how society may have imposed certain mores upon them, were still capable of certain atrocities because of the horrors of slavery, namely the sexual coercion of their slave women by their own husbands. c o n c l u s i o n within the slaveholding south, white mistresses were expected to impart benevolence and religious direction on their slaves as part of their duties as genteel white women under the ideology of domesticity. yet, these mistresses were not always able to live up to social expectations when they were faced with their husband's sexual exploitation of female slaves. here lay one of the great ironies of the institution of slavery in relation to the ideology of domesticity; the system that was supposed to raise up the white mistress and enable her to fulfill her social obligations towards her slaves as a beacon of pious morality was the same system that turned many white slaveholding women into jealous and contemptuous sadists as they took out their frustrations and impotence i n the face of their husband's sexual l i aisons with their slaves. there were some slaveholding women, however, who did try to live up to the expectations placed on them by the ideology of domesticity. as the wpa slave narratives project shows, many slaves were aware that their mistresses could soften the otherwise harsh realities of the slave system. mistresses were able to both provide some respite for the slaves within the brutality of slavery while at the same time fulfilling their duties under the ideology of domesticity. they accomplished this by teaching their slaves to read and write, caring for them when they were sick, giving out presents during the christmas holiday, and teaching them about christianity. this is not to say, however, that the mistresses who were kind to their slaves because of the ideology of domesticity were innocent bystanders within the slave system. they were often just as guilty as the brutal overseer or master, condoning the repressive and dehumanizing nature of slavery. it was through the ideology of domesticity that the mistress could fulfill her supposed god-given duties to care for the "barbarian" slaves, while simultaneously living up to the societal expectations placed upon them as part of the old southern culture. in doing this, they accepted white supremacy and the dehumanization of their black slaves, acknowledging that due to their supposed superiority, they were required to guide and teach their seemingly dim-witted slaves. mistresses contributed even more to the brutality of slavery when they succumbed to anger and resentment about their husbands' infidelity with their slaves. as the white slaveholding women of the south witnessed the sexual exploitation that occurred in their homes, they often ignored their social and christian duties to be kind and loving towards their slaves. instead, they took their anger out on the women who were merely the victims of their master's lascivious nature. ultimately, whether a white mistress was kind to her slaves or whether she was brutal because of the sexual exploitation that was a large part of slavery in the antebellum south, she was still a guilty party within the brutal slave system that existed in the united states for over 200 years. e n d n o t e s i . clinton (17) i i . fox-genovese (100) h i . page iv. ibid. v. branch v i . bryan v i i . ibid. v i i i . weiner (80) ix. northcross x. ibid. x i . houston x i i . ibid. x i i i . van hook xiv. griffin xv. quattlebaum xvi. ibid. xvii . ibid. xvi i i . randolph xix. stevenson (187) r a c e r e l a t i o n s a n d t h e i d e o l o g y o f d o m e s t i c i t y xx. page xxi. ibid. xxii . johnson xxii i . green xxiv. fox-genovese (315) xxv. weiner (52) xxvi. fox-genovese (325-326) xxvii. ibid. xxviii. ibid. (326) xxix. weiner (97) xxx. fox-genovese (238) xxxi. faust (87) xxxii. plumrner xxxiii. ibid. xxxiv. stevenson (200) xxxv. steward (37) xxxvi. ibid. xxxvii. ibid. (37-38) references branch, mary polk. 1912. memoirs of a southern woman "within the lines," and a genealogical record. chicago: the joseph g. branch publishing co. http://docsouth.unc.edu/fpn/branch/ill2.html. 10 march 2007. bryan, mary norcott. 1912. a grandmother's recollection of dixie. new bern, nc: owen g. dunn. http://docsouth.unc.edu/fpn/bryan/menu.html. 10 march 2007. burton, annie l. 1909. memories of childhood's slavery days. boston: ross publishing co. retrieved from http: / / docsouth.unc.edu/fpn/burton/menu.html. burwell, letitia m . 1895. a girl's life in virginia before the war. new york: frederick a. stokes company. http://docsouth.unc.edu/fpn/burwell/burwell.html. clinton, catherine. 1982. plantation mistress: woman's world in the old south. new york: pantheon books. faust, drew gilpin. 1982. james henry hammond and the old south: a design for mastery. baton rouge: louisiana state university press. fox-genovese, elizabeth. 1988. within the plantation household: black and white women of the old south. chapel h i l l : the university o f north carolina press. green, emily camster. wpa slave narratives project, missouri. volume 10. griffin, fannie. wpa slave narratives project, south carolina narratives. volume 14, number 2. houston, alice. wpa slave narratives project, texas narratives. volume 16, number 2. johnson, adeline. wpa slave narratives project, south carolina. volume 14, number 3. joyner, charles. 1984. down by the riverside: a south carolina slave community. chicago: university of illinois press. kilbride, daniel. 2006. an american aristocracy: southern planters in antebellum philadelphia. columbia: the university of south carolina press. northcross, reverend w.e. wpa slave narratives project, alabama narratives. volume 1. memory.loc.gov/ammem/snhtml/snhome. page, thomas nelson. 1897. social life in old virginia before the war. new york: charles scribner's sons. http://docsouth.unc.edu/southlit/pagessocial/menu.html. 24 march 2007. plummer, hannah. wpa slave narratives project, north carolina. volume 11, number 2. quattlebaum, junius. wpa slave narratives project, south carolina narratives. volume 14, number 3. randolph, pearl. wpa slave narratives project, florida narratives. volume 3. roberts, giselle. 2003. the confederate belle. columbia: university of missouri press. sidbury, james. 1997. ploughshares into swords: race, rebellion, and identity in gabriel's virginia, 1730-1810. cambridge: cambridge university press. stevenson, brenda e. 1996. life in black and white: family and community in the slave south. new york: oxford university press. steward, austin. 1995. "twenty-two years a slave and forty years a freeman," from maurice duke, don't carry me back! narratives by former virginia slaves. petersburg: the dietz press. van hook, john f. wpa slave narratives project, georgia narratives. volume 4, number 4. weiner, marli f. 1998. mistresses and slaves: plantation women in south carolina, 1830-1880. chicago: university of illinois press. e l e m e n t s s p r i n g 08 http://docsouth.unc.edu/fpn/branch/ill2.html http://docsouth.unc.edu/fpn/bryan/menu.html http://docsouth.unc.edu/fpn http://docsouth.unc.edu/fpn/burwell/burwell.html http://memory.loc.gov/ammem/snhtml/snhome http://docsouth.unc.edu/southlit/pagessocial/menu.html t h e i m p o s s i b i l i t y of a r t i f i c i a l i m a g i n a t i o n a question of genuine consciousness h u y t r i n h i s it p o s s i b l e t o c r e a t e g e n u i n e c o n s c i o u s n e s s , a r t i f i c i a l i n t e l l i g e n c e ? t h i s p a p e r w i l l e x a m i n e t h i s q u e s t i o n t h r o u g h t h e p h i l o s o p h i c a l u n d e r s t a n d i n g o f i m a g i n a t i o n . i m a g i n a t i o n i s t h e c r e a t i v e f a c u l t y t h a t n o t o n l y s e p a r a t e s m a n f r o m b e a s t b u t a l s o a l l o w s m a n t o r e c o g n i z e h i m s e l f , a n d it h e l p s h i m t o s e e b e y o n d h i s i m m e d i a t e b e i n g . w i t h o u t i m a g i n a t i o n , m a n i s b l i n d t o f u t u r e p o s s i b i l i t y a n d u n a b l e t o c o n c e i v e o f f u t u r e e v e n t s . i m a g i n a t i o n p r o d u c e s m a n ' s m e n t a l c o g n i t i o n t h a t m a k e s h i m a r a t i o n a l a n d c r e a t i v e b e i n g . t h e t w o m o d e r n m e t h o d s o f a . i . p r o g r a m m i n g a r e i n c a p a b l e o f i m b u i n g t h e i r a l g o r i t h m w i t h i m a g i n a t i o n . w i t h o u t i m a g i n a t i o n , a . i . n o t o n l y l a c k s g e n u i n e c r e a t i v i t y , b u t it a l s o r i s k s n e v e r u n d e r s t a n d i n g s e l f a u t o n o m y a n d t h e r e f o r e c o u l d n e v e r b e a f r e e a n d i n d e p e n d e n t e n t i t y . i n t r o d u c t i o n for millennia, the power of creation has been the prerogative of omnipotent divinities. with the advent of computer and artificial intelligence (a.i.), man is slowly replacing the gods as the givers of consciousness and intelligence. before science fiction writers can fantasize about a.i.'s plan for global domination, however, computer scientists must answer one of the most important questions about a . i . : "can a . i . imagine?" and the answer is no. the ability to imagine denotes a consciousness that sees beyond itself and recognizes the infinite possibilities of the world. without this faculty, any self-professed intelligence cannot qualify as a truly independent conscious being. the two current approaches to a . i programming—formalism and bottom-up—are incapable of duplicating the creative or reflective power of imagination. neither is it conceivable that programmers wi l l come up with an algorithm that can represent imagination. the logician kurt godel's incompleteness theorem demonstrates the inherent weakness of computer algorithm and its confining boundary. the algorithm of a . i . creates an objective mental frame that prevents a . i . from being subjective in its judgment or from going beyond its immediate environment. this structural limitation prevents a . i . from being greater than its program, from being self-aware, and from plotting world domination. imagination is a unique creative element of human consciousness that acts both as a mirror for self-reflection and a telescope to see beyond the narrowed vision of the present. it is impossible to mathematically transfer this subjective productive element to an objective structure. t h e role of i m a g i n a t i o n to understand why a . i . cannot imagine, the questions of what imagination does and why a . i . needs imagination i n order to be conscious must be addressed. man's ability to comprehend the sublimity of images, transcending colors and dimensions, depends on imagination. the german philosopher immanuel kant credits imagination for "bringing together the manifold of intuition" of the mind so mere images and thoughts can become a source of cognition. by combining sensual experiences with reason "imagination and creative and emotions to create images and ideas that might not be there empirically, imagination unifies sensation and abstract thoughts together giving the mind a medium to comprehend the physical world. 1 1 these reproductive and productive aspects of imagination have earned it the ire of ancient philosophers like plato and augustine. they attack imagination not only for its mimicking but also for its corruption of the real. plato denounces imagination's irrationality and its users—i.e. artists, poets—as corrupters of reality.111 they are mistaken, however, on the crucial • _ _ „ „ „ _ j „ , „ „ role the irrationality of imagination plays in cognition. imagination "releases thing[s] from their conjaculzy decause tingent status as facts . . and grants them an it is not ideal status as possibili* ties . . . " imagination constvlcted is a productive and ere_ ative faculty because it taczs ana is not constricted by facts and empirical actuality. imagination's irrational nature frees it from rationality's predictability. i f reason was the sole cognitive faculty then reactions to external stimuli would be solely logical and predictable without variations and changes. because of its irrational nature, imagination can see beyond the real and into what is possible or impossible beyond the fact: the "irreality," and the most important of such irrealities is the future—a mental world of tomorrow. imagination channels many different mental faculties— e.g. memory, reason, emotion and impulses—when projecting the images of the possible. and imagination is continuously active in formulating and projecting futuristic reality throughout a person's life. every individual wakes up each morning and prepares for the day's activities in order to satisfy future needs; the individual eats to keep the future self alive, sleeps to keep the person awake the next morning. the past is gone and the present is fleeting, but only through the future, with its "irreality" and infinite possibilities, can humans find the reason for continuous survival— even i f those dreams are hollow and meaningless.1 this reproduction of reality by the imagination can be detected in brain-scans: when the brain imagines, it mimics the actual world i n its imagination. one neurobiologist documents that "mental activity in the absence of non-mental stimuli can result in similar i f not identical neural activity as that generated by the material stimuli." 1 one can see that the human brain not only reproduces the empirical world through imagination, but it also behaves the same way in this imaginative world as it would have in the real one. the futuristic possibilities conjured by imagination are the primary components i n the recognition of the self and its freewill. imagination, by not being a subject to external imagery, can see the essence, the platonic form of the object without being bound to sensorial boundary. imagination can "engage in a free play [or freedom to create] since no definite concept restricts [it] to a particular rule of cognition." 1 1 1 because of this freedom to process, imagination can examine the mental selfhood of a being outside of the being. ! kant explains that the " i " which thinks does not exist under its own prerogative; instead, it is rooted in the synthesis between the infinite possibilities and the actual reality via the productive imagination. ; x the " i " in descartes' famous philosophical maxim, " i think therefore i am," denotes a being that recognizes its mental selfhood. to recognize its mental selfhood, the mind must be able to separate itself from the rest of reality and put itself in a place independent of its body; imagination is this haven that gives the mind the freedom to reflect about itself. it is only through the realization of its mental selfhood that a conscious person recognizes that he has freewill. from the abstraction of its mental selfhood, the " i " uses reason to to be self-aware, a.i. must a c k n o w l e d g e its "i" as an a u t o n o m o u s , f r e e t h i n k i n g b e i n g . identify its complete autonomy within its consciousness. imagination's delphian vision expands the autonomy of the mental self through its formulation of futuristic possibilities. the concept of free wi l l emerges from this mental autonomy, and with imagination, the mind decides which futuristic possibilities it wants to enact. we can conclude that man's mental existence, his " i , " is an existence via imagination and reason—they are like lines joined together to create a complete plane of cognition; without either one to connect to the other, the plane is neither complete nor whole. intelligence experts agree that for an a . i . to be called a conscious being it must be greater than the sum of its parts— streams of meaningless digital characters. to be selfaware, an a . i . must acknowledge its " i " as an autonomous being, free from the orders its creator had placed on it; it must also match the human consciousness at both the sublime and irrational levels. with irrational imagination, a . i . can envision the infinite possibilities that are beyond its experience and program. i f the a . i . is bound by the rationality of its program, then it is trapped in a cage it does not know exists. imagination and mental freedom are inseparable; i f devoid of imagination, then a . i . wi l l be nothing more than a mirror mimicking the world as is and not as the world might be. t h e i m p o s s i b i l i t y of a r t i f i c i a l i m a g i n a t i o n l i m i t a t i o n s of f o r m a l i s m there are two schools of artificial intelligence: formalist a.i. and computational intelligence (bottom-up). the former tries to program a mind into the machine and the latter tries to develop a mind through education; the difference between these two approaches is similar to that of empiricists and rationalists. nevertheless, neither school can reproduce the imaginative consciousness due to a shortcoming they both share: their dependency on algori thm. formalism believes mental activity is "the carrying out of some well-defined sequence of operations [algorithms],"x and consciousness is a "passive concomitant of possession of a sufficiently elaborate control system and does not, in itself, actually 'do' anything."x l i n other words, the human mind is a complicated set of mathematical sequences, which can be discovered and duplicated. consciousness is the side effect of the neural network working seamlessly together to form the illusion of "oneness." the formalist's theory of cognition is similar to the platonic form or descartes' innate ideas. by programming complex logical rules and premises, formalist a . i . researchers believe a system of consciousness wi l l emerge from their mathematical algorithm. one of the early researchers of a . i . , the mathematician and logician alan turing, outlines the basic principle of cognition i n his hypothetical turing machine—a machine that runs on an unimaginably large and comprehensive algorithm that takes into account every conceivable potential input and output. the turing machine's only function is analyzing the data from the artif ic ial i n t e l l i g e n c e is ch el im inat ing any e l e m e n t of input and then releasing an output by following the preprogrammed instruction. both the input and the output are codified into numerical forms making it easier to compute; the outputs are then translated from numbers into human language. li most a . i . supporters see the human mind as nature's finest and most complicated turing machine; the mind takes in data through sensations and then reacts according to the circumstances. formalist researchers see chess-playing computers as a prime example of what is possible with the turing machine; their machine can out "think" the best human chess player when programmed with the algorithm of chess. x m despite its promises, formalist a . i . suffers from many debilitating drawbacks. one of the drawbacks of formalist a . i . is its consumption of huge amounts of computer power and the vast amount of computer codes involved, which also increases the chance of mistake and bugs. formalist researchers acknowledge the computer's serial calculation—one calculation at a time—is vastly inferior to the parallel distributed processing (pdp) power of the human brain—multiple calculations performed simultaneously by the same computational unit. nevertheless, formalist researchers are confident that a newer and much faster supercomputer wi l l overcome the speed limitation. formalist researchers' greatest hope is the quantum computer—a super computer that has overcome the limitation of quantum mechanics to compute at an unimaginable speed. quantum computers, researchers believe, can replicate the "oneness" of consciousness that serial computers can never reproduce. the physicist john hopfield ignited al ned to sets of a l g o r i t h m s , g u e s s work or irrationality e l e m e n t s : : f a l l oj a new revolution in computer thinking with his groundbreaking discovery of spinning atoms behaving like neurons when organized into a neural-like network. this discovery promises a new phase in computer's evolution, one that might match the computing power of the brain within a few decades. the only remaining, but nevertheless most daunting, obstacle is the complicated neural networking and algorithm that simulate intelligence. formalist researchers contend that this challenge wi l l be tremendously difficult but not impossible. x l v beside computational speed, the formalist approach faces numerous problems that are not only technologically daunting but are also logically impossible to overcome. first, the algorithm that runs a turing machine is, at its most basic level, a series of material conditional—if-then statements. since a serial computer is coded in algorithms, it cannot have one flawed instruction; addtionally, each axiom is built from the previous one so a mistake would create errors throughout the algorithm. the brain contains many unreliable elements that can break down when stressed; evolution, however, has "[exploited] the fault tolerance and functional persistence that pdp automatically confers ." v > since each neuron performs only a small margin of the overall work and the job it performs can be handled by another neuron, even i f a tenth of all the neurons were to disappear, the overall performance would only suffer marginal degradation. in contrast, "[formalist] machines are limited," the philosopher paul churchland points out, "that is, to computing mathematical functions whose inputs and outputs can be expressed as ratios of whole numbers."xx) this allegory means that the inherently rigid and inflexible structure of algorithm must have all of its mathematical sequences working harmoniously to produce a rational result, represented by whole numbers. i f any input or output contradicts its mathematical sequence or produces an answer that it does not recognize (e.g. an imaginary number that has no real existence), the result wi l l be erroneous. basically, formalist a . i . cannot be irrational by going against its program. as a whole, formalist a . i . is vastly inferior to the human mind in term of flexibility and reliability. the next obstacle formalist researchers must face is the feasibility of the programming process. creating a massive algorithm requires a large number of programmers working collectively for a long period of time and the constant updating of the algorithm to confront new challenges. "the universal turing machine is a mimic" of its programmers; it is neither autonomous nor independent from the programmers' instruction. v 1 1 the formalist a . i . can be sophisticated and complicated, but it can never evolve on its own, supplementing and expanding on its older algorithm to the extent that it can be free from its own algorithmic limitations. in contrast with the formalist machine, human's mental judgment depends upon "complicated interconnected-combination of sense-data, reasoning and guesswork."xvlii this guesswork represents the non-algorithmic imagination that gives humans the freedom to not only do what is right and logically sound but also to be irrational and fatuous. the structure of formalist a . i . is the antithesis of imagination because it leaves no room for selfimprovement or self-discovery. the a . i . simply cannot defy its rule of cognition, exercise free play or guess. ultimately, a . i . is prisoner to its algorithmic cage. the ultimate challenge to a formalist researcher is the problem of algorithm, and it is this limitation that prohibits the creation of genuine a. i . . before examining this dilemma further, an investigation into the second approach to a . i . is necessary. t h e b o t t o m u p a p p r o a c h the second school of a . i . programming, known as computational intelligence (c.i.), or bottom-up, approaches a . i . from an empirical direction. bottom-up researchers abandon the cumbersome and complex algorithm for a naturalistic intelligence. their method resembles locke's view of cognition where the mind is a "tabula rasa," ready to be filled with new experiences and knowledge. unlike their formalist counterparts, bottom-up researchers use robots in their experiments. through trials and errors, these rot h e i m p o s s i b i l i t y of a r t i f i c i a l i m a g i n a t i o n bots learn from their mistakes and build on their progress, slowly edging toward intelligence. a bottom-up robot is not preprogrammed with restricted instructions; rather, it has the freedom to experience the world as it is. the robot is equipped with sensual instruments and a pain-pleasure index to record its experiences in a realistic fashion. although most of the bottom-up robots learn at an incredibly slow speed (partially due to their small sizes and low computational power), they appear to genuinely learn from what they are experiencing. from learning how to hold forks to recognizing human faces, these robots gather, store, and respond to data. researchers hope that with the increase in computer power, they can build a smaller, more efficient robot. 1 unfortunately, despite its promising start, the bottom-up school faces structural limitations of its own and shares the same algorithmic set-back as that of formalist a . i . a bottom-up robot gathers data differently than a formalist a . i . ; however, it only replaces the programmer with natural experiences. the robot still operates under an algorithm—one that expands as it learns—therefore, it has all the shortcomings of an algorithmic machine. the robot's most severe setback is its dependency on empirical stimulus: it only cognizes what it has experienced; everything beyond its memory is incomprehensible. the robot has no abstract concept of the objects it perceives. it breaks down and stores the data it has received without interpreting that data as anything more than data. moreover, as a reactive machine, the robot cannot grasp the temporal dimension. it cannot take a leap of faith and perform an action that it has not experienced before; therefore, it is forever trapped in the present. the phenomenological theory of imagination recognizes this shortcoming of perception without imagination: from perception alone we could never conclude that extension is integral to thinghood as an eidetic necessity. for if we were confined to our immediate perception we could not imagine instances where this might not he so, and thereby (by process of negation) discover it must be so.xx the absence of a priori imagination prevents the robot from ever developing an ego to comprehend the "thinghood" of the objects it has perceived. to remediate this problem, researchers of bottom-up must create artificial imagination. their only alternative is to program an a priori imagination into their robot using a set of algorithm. this is where researchers of bottom-up confront the same impossible challenge as researchers of formalist a . i . ; both schools of artificial intelligence have met an obstacle they cannot bypass: programming a conscious algorithm. both the bottom-up and formalist a . i . researchers' faith in innovations in computational technology is a gamble that wi l l not pay off. technological advancement in hardware does not mean researchers can produce the software to run it. computer hardware might be able to simulate the firing process of neurons and adapt the brain's pdp system, thus improving the structural makeup of the machine, increasing its speed and efficiency, but the computer's basic software remains the same. a serial or a parallel computer wi l l always remain a turing machine that needs a sophisticated algorithm to run it. a.i.'s last hope, the quantum computer, is also an unlikely source of intelligence. despite its unfathomable speed, quantum computers cannot perform "non-algorithmic operation."x x 1 the physicist hopfield was only suggesting that "intelligence might arise from the quantum theory of mindless atom, without any programs whatsoever," hinting at how our own intelligence might have evolved but does not promise that it can duplicate the intelligence through programmatic means. x x u i n the end, a quantum computer is only a very fast turing machine. the final case against a . i . not only destroys the hope of building an autonomous a . i . through algorithm, but i t wi l l also provide evidence supporting the non-algorithmic nature of imagination and human consciousness. godel's proof a g a i n s t a . i . ' s i m a g i n a t i o n the final case against genuine a . i . consciousness comes from the austrian logician kurt godel and his incompleteness theorem, which states that "no finite set of algorithmic w h i l e a.i. can b e c o m e i n c r e a s i n g l y similar to t h e human race, it can not ach i eve tru e humanity procedures can generate all arithmetic truths." in other words, no system of algorithm or mathematical equation can prove itself infallible under its own rule without risking a paradox. because each algorithm needs to have another algorithm to validate itself, no algorithm is ever complete. since formalist a . i . is built from algorithms, it can never prove any propositions or ideas that it invents or discovers on its own using its own algorithm.™ 1 1 this severe limitation means that a . i . wi l l be far short of full consciousness. the human mind, however, faces no such restriction thanks to its imaginative faculty. the infinite possibilities conjured by imagination allow the mind to sidestep any mental restriction placed on it; this means that the mind is capable of answering the questions it raises, e.g. a mathematician can discover an unproved theorem and then prove his own theorem. formalist researchers counter by arguing that the mind runs a very complex algorithm that has both questions and answers within it. ironically, the argument raised by a . i . supporters creates a paradox when examined more closely. i f a . i . researchers claim to have discovered the algorithm to the human mind, they must present a proof that it is indeed the right algorithm. according to godel's indisputable theorem, however, an algorithm cannot examine its own system without fallacy; therefore, the human mind cannot safely examine the algor i thm of human consciousness, and i f researchers cannot validate this algorithm, then they cannot assert that it is the correct algorithm.' ix this paradox dispels both the possibility of ever knowing the algorithm of human consciousness and the possibility of its duplication. the mathematician roger penrose concludes that by convincing "ourselves of the validity of godel's theorem, we not only 'see' it, but, by so doing, we reveal the very non-algorithmic nature of the 'seeing' process itself." 0 • through godel, one can see the mind operates in a non-algorithmic fashion. the mind does not have an algorithm because imagination allows consciousness to "emancipate itself from its immersion in the world of actuality and to return to a realm of pure possibility."-v i a n algorithm can never imagine an improbable idea or understand that reality is an "infinite metamorphosis"; it only sees the world that it was designed to see. c o n c l u s i o n imagination is "a power capable of intending the unreal as i f it were real, the absent as i f it were the present, the possible as i f it were actual. , , x x v 1 1 imagination is a surreal and mystical faculty of our consciousness. descartes once questioned the nature of his reality because he did not trust his imagination; he fears that reality is a fantastic dream created by his imagination. descartes is right i n his fear because there is nothing imagination cannot touch, no t h e i m p o s s i b i l i t y of a r t i f i c i a l i m a g i n a t i o n boundary that it cannot cross. with imagination, reality becomes a blur; without imagination, reality has no meaning: it is because of this indefinable faculty that the human mind remains unique. the flaw with a . i . designers is that they "cared relatively little about exactly what processes take place inside us, so long as they implement the right inputoutput function."x x v i 1 1 artificial intelligence is a product of a rational system; therefore, it could never act contrary to its purpose. it cannot be programmed to create the unreal out of the real—doing so would create a counter system to its present system. lacking an independent mental selfhood, a . i . is incapable of distinguishing the right from the wrong system. intangible abstractions like time and "thinghood" require irrationality as well as rationality. unfortunately, these two properties are counterintuitive to the a.i.'s system. a n intelligent machine operates under a mathematical language that cannot comprehend the meaning behind the symbols that represent its being. it is human who assigns the meta-mathematical language to the inherently meaningless binary. x x l x i n the end, it is human consciousness that interprets the essence behind a . i . without our imaginative mind to give it purpose and meaning, a . i . wi l l only exist in a state of reactive behaviors. it is doubtless that one day in the near future, humans wi l l create a life-like artificial intelligence that wi l l mimic our exact behaviors. it wi l l speak with a life-like voice, behave like our dearest of companions, and fight like the most patriotic soldier. it wi l l perform its tasks with a level of efficiency we could never match. we wil l relegate more and more tasks to our a . i . , becoming more dependent on its services than ever before. some wi l l claim that we have become pets to our own creation. despite the important roles a . i . wi l l play in our society, the human mind wil l remain the sole genuine consciousness on this planet. the secret of our consciousness remains locked within the pandora's box of our imagination. it is this imagination that has liberated us from an empirical prison; however, when we look beyond ourselves, we wi l l realize that we are alone i n our freedom. e n d n o t e s i . kearney and rasmussen (12) i i . kearney 1998 (48) i i i . kearney 2001 ( 93) iv. kearney 1998 (19) v. kearney 1998 (23) v i . rose (219) v i i . kearny 2001 (12) v i i i . kearny 2001 (21-22) ix. kearney 2001 (49) x. penrose (17) x i . penrose (405) x i i . penrose (7) x i i i . kaku (74-5) xiv. kaku (83-84) xv. churchland (13) xvi. churchland (243) xvii. penrose (51) xvii i . penrose (99) xix. kaku (87-88) xx. kearney 1998 (25) xxi. penrose (399-402) xxii. kaku (83) xxii i . nagel and newman (111) xxiv. penrose (417) xxv. penrose (418) xxvi. kearney 1998 (22) xxvii. kearney poetic (16) xxviii. churchland (251) xxix. churchland (244) references churchland, paul m . 2000. the engine of reason, the seat of the soul. cambridge: m i t press. kaku, michio. 1997. visions: how science will revolutionize the 21st century. new york: anchor books. kearney, richard. 1998. poetics of imagining. new york: fordham university press. kearney, richard. 2001. the wake of imagination. london and new york: routledge. ed. kearney, richard and david rasmussen. 2001. continental aesthetic: romanticism to postmodernism. maiden: blackwell publisher. penrose, roger. 1989. the emperor's new mind. new york: oxford university press. nagel, ernest and james newman. 2001. godel's proof. ed. douglas hofstadter. new york: new york university press. rose, steven. 2005. the future of the brain: the promise and perils of tomorrow's neuroscience. new york: oxford university press. elem ents f a l l 07 "mit brennender sorge made it indisputably clear the racial ideology expressed by the nazi party was not supported by the catholic church." mit brennender sorge an exegesis on the encyclical to the third reich a l e x a n d r a v a l d e z t h r o u c h o u t t h e 1930s, t h e a s c e n d a n c e o f t h e n a z i r e g i m e n o t o n l y d i m i n i s h e d t h e a u t h o r i t y o f t h e r o m a n c a t h o l i c c h u r c h i n g e r m a n y , b u t a l s o d i r e c t l y c o u n t e r e d f u n d a m e n t a l c a t h o l c d o c t r i n e s . i n f a c e o f t h e m o u n t i n g a t r o c i t i e s o f t h e g e r m a n g o v e r n m e n t , p o p e p i u s x i , w i t h t h e h e l p o f e u g e n i o p a c e l l i , n u n c i o t o g e r m a n y , a n d g e r m a n b i s h o p m i c h a e l f a u l h a b e r , i n a n u n p r e c e d e n t e d o u t r e a c h t o t h e e n t i r e g e r m a n f a i t h f u l , i s s u e d t h e e n c y c l i c a l mit brennender sorce. a p p e a l i n g p a r t i c u l a r l y t o t h e y o u t h a n d t h e l a i t y , t h e e n c y c l i c a l c h a l l e n g e d g e r m a n s t o u s e c o n s c i e n c e a s a f i n a l r e s o r t i n a s s e s s i n g t h e v a l i d i t y o f a r e l i g i o u s i n s t i t u t i o n o r p o l i t i c a l m o v e m e n t . i n i t s a d d r e s s t o t h e g e r m a n p e o p l e , mit brennender sorce r e f l e c t e d t h e d e l i c a c y o f t h e r e l a t i o n s h i p b e t w e e n t h e h o l y s e e a n d t h e n a z i r e g i m e b y n o t r e f e r e n c i n g a n y p e r s o n , p a r t y , o r o r g a n i z a t i o n s p e c i f i c a l l y . n e v e r t h e l e s s , t h e p u r p o s e a n d t h e t i m e l i n e s s o f t h e e n c y c l i c a l w a s l o s t o n f e w , p a r t i a l l y d i s p e l l i n g t h e w i d e s p r e a d b e l i e f t h a t t h e c a t h o l i c c h u r c h t u r n e d a b l i n d e y e t o t h e t h i r d r e i c h . i n t r o d u c t i o n passion sunday, 1937: the encyclical to the g e r m a n c h u r c h — m i t brennender sorge ( " w i t h b u r n i n g c o n c e r n " ) — was read at the pulp i t s o f catholics churches t h r o u g h o u t the g e r m a n reich. th i s d o c u m e n t is the sole official public declaration f r o m the head o f rome against the nazi reg ime. i n the years after the war, the response o f the catholic c h u r c h , part icular ly o n the hierarchical level, to the atrocities that took place u n d e r the c o m m a n d o f a d o l f h i t l e r has been considered grossly insuff ic ient . i t is the responsibi l i ty o f an i n s t i t u t i o n such as the r o m a n catholic c h u r c h to take a stand against any miscarriage o f justice. t h u s , to r e m a i n a bystander i n the face o f a leviathan such as the holocaust is beyond inexcusable. w i t h the s i g n i n g o f t h e reichskon kordat, there was the appearance of cooperation between the catholic c h u r c h a n d t h e n a z i regime. a n y j u d g m e n t o f the catholic church's actions is far f r o m be ing settled. mit brennender sorge is at the center o f this heated debate. the most vehem e n t critics emphasize h o w the d o c u m e n t failed to defend the jews i n germany. the anti-semitic views o f the nat ional socialist party were explicit f r o m its incept i o n , and by 1937, the harshly d i sc r iminatory n u r e m b e r g laws had been i n effect for a lmost two years. i n other words , i t was distressingly clear that the r ights o f thousands o f indiv idua ls , part icular ly the jews, were b e i n g disregarded by the g e r m a n government . by r e m a i n i n g m u t e o n the subject, the c h u r c h — w i t h her o w n h a n d i n anti-judaist s e n t i m e n t — c a n be construed even as desirous o f such an atrocity. but for every i n d i v i d u a l that holds the c h u r c h i n c o n t e m p t for her v i r t u a l silence, there is another that cites mit brennender sorge as p r o o f that the c h u r c h , as an i n s t i t u t i o n , defied the nazi reg ime. d e t e r m i n i n g the culpabi l i ty o f the c h u r c h i n these matters does not fall under the scope o f h istor ica l study. t h u s , i t is not m y i n t e n t i o n to either c o n d e m n or exonerate her. rather, this w i l l be an analysis o f the encyc l ica l—in its content and l anguage—attempt ing to determine what the c h u r c h was c o m m u n i c a t i n g to the german-cathol ic popu la t ion . t h e reichskonkordat before b e g i n n i n g a discussion o f the encyclical, i t is i m p o r tant to address another d o c u m e n t that is invaluable w h e n cons ider ing relat ions between the catholic c h u r c h and the t h i r d reich d u r i n g the per iod preceding the outbreak o f w o r l d war i i : the concordat between the h o l y see and the g e r m a n reich. o n july 20 , 1933, less t h a n six m o n t h s after a d o l f h i t l e r was s w o r n i n as chancellor, cardinal secretary o f state eugenio pacelli and vice-chancellor franz v o n papen signed the reichskonkordat, w h i c h was meant to define the state's re lat ionship w i t h the roman catholic c h u r c h . the m a j o r i t y o f the articles out l ine a series o f freedoms that were to be assured to the c h u r c h under the g e r m a n government . the concordat guaranteed the profession and publ ic practice o f the catholic r e l i g i o n (art ic le 1), u n h i n d e r e d c o m m u e l e m e n t s : : s p r i n g 10 "it is the responsibilty of an institution such as the roman catholic church to take a stand against any miscarriage of justice." n i c a t i o n between the h o l y see a n d g e r m a n catholics (art ic le 4) , the m a i n t a i n e d existence o f theological faculties i n state univers i t ies (art ic le 19), catholic educat i o n i n schools (art ic le 21), the r i g h t o f the bishops to approve all catholic r e l i g i o n teachers (art ic le 22), the retent i o n o f catholic d e n o m i n a t i o n a l schools as w e l l as the establ ishment o f new ones (art ic le 23), and the protect ion o f catholic organizations and societies i n a d d i t i o n to the i n st i tut ions a n d activities thereo f (art ic le 31).1 the g e r m a n government gains l i t t l e f r o m this agreement i n compar i son to the protections p r o m i s e d to the c h u r c h . the m o s t notable article that w o u l d be considered advantageous to the state requi red the catholic bishops to take an oath o f loyalty to the g e r m a n reich (art ic le 16). 1 1 a n o t h e r advantage—and possibly the sought advantage—of the g e r m a n government was that the agreement w i t h the c h u r c h w o u l d discourage the c h u r c h f r o m openly c r i t i c i z i n g the nazi regime, i n order to preserve the protections guaranteed by the concordat. i t is clear f r o m this concordat that the catholic c h u r c h h e l d the protect ion o f herse l f as an i n s t i t u t i o n and the r ights o f its m e m b e r s to practice freely o f the u t m o s t i m p o r tance. unfortunate ly , as t i m e w o u l d te l l , the t h i r d reich was n o t part icular ly d i l i gent i n u p h o l d i n g the agreements made i n the reichskonkordat. the m o s t a l a r m i n g and incessant breaches o f the agreement were encroachments u p o n catholic educat ion a n d y o u t h organizat ions. a policy was established f o r b i d d i n g double-membersh ip i n the h i t l e r youth and other y o u t h organizat ions . 1 1 1 i n 1936, the gesetz tiber die hitler jugend (law o n the h i t l e r youth) was passed. a l t h o u g h i t was not p u t i n t o strict effect u n t i l 1939, i t w o u l d require "the ent ire g e r m a n y o u t h inside o f the reg ion o f the reich" to become m e m b e r s o f the h i t l e r y o u t h . l v the gove r n m e n t sought to secularize schools by decreasing school prayers a n d rel ig ious services, c u r t a i l i n g the n u m b e r o f rel ig ious instructors , and even a t t e m p t i n g to remove crucifixes f r o m classrooms. a campaign to convert confessional schools i n t o i n t e r d e n o m i n a t i o n a l schools caused great a l a r m a m o n g the g e r m a n bishops for these ins t i tu t ions were specifically protected u n d e r the reichskonkordat? t h e near abo l i t ion o f private schools and a b a n o n m e m b e r s o f re l ig ious orders f r o m teaching came as a fur ther b l o w to the catholic educational system. v l o n august 20 , 1935, the bishops o f germany gathered i n fulda to draw u p a m e m o r a n d u m sent directly to a d o l f hi t ler . i n a d d i t i o n to expressing concern over the violat ions o f the concordat, the bishops were distressed over the "neopagan attacks against chr i s t ian i ty and the c h u r c h " a n d "the general secularization o f al l aspects o f publ ic l i f e . " v n they received no response. as a result , i n january o f 1937, the bishops reassembled i n fulda once m o r e to draft another m e m o r a n d u m , b u t expecting the same result as the f irst , they appealed to h igher power. shortly f o l l o w i n g the conference, the three cardinals o f germany, ber t ram, faulhaber, a n d schulte and two bishops, galen and preysing arr ived i n rome at the request o f pope pius x i . here , they appealed for the pope to make a publ ic declarat i o n o n the c o n d i t i o n o f the catholic c h u r c h i n germany. a t the request o f eugenio pacelli, michae l faulhaber prepared the encyclical, w h i c h was t h e n revised by pacelli and the h o l y father h i m s e l f . v l " the encyclical fiercely bemoaned the grievances c o m m i t ted by the t h i r d reich against the concordat and the c h u r c h . however, a l though the violations o f the reichskonkordat were the leading catalyst to the dra f t ing o f the encyclical, the m a i n focus was n o t o n the g e r m a n gove r n m e n t . instead, rome addressed the g e r m a n fa i th fu l . the t h i r d reich's disregard for d ip lomat ic agreement mit brennender sorc e c o m m u n i c a t e d t w o th ings to the g e r m a n c h u r c h . first, the t e m p o r a l power that the c h u r c h and the papacy once exerted h a d become extremely l i m i t e d . second, the protect i o n that the c h u r c h h a d sought to atta in for the fa i th fu l t h r o u g h d ip lomacy was by no means assured. i n l i g h t o f these t w o facts, the c h u r c h realized that appeals to the t h i r d reich were useless. t h u s , they released an encyclical that was ent ire ly unprecedented i n the l o n g his tory o f the c h u r c h i n rome. i n t r o d u c t i o n t o t h e e n c y c l i c a l mit brennender sorge—translated i n the official engl i sh vers ion as " w i t h deep anxiety"—li tera l ly means, " w i t h b u r n i n g concern." these words evoked a sense o f urgency. the body o f the encyclical was d iv ided i n t o three m a i n sections, exc luding the i n t r o d u c t i o n and the c o n c l u s i o n . 1 x the first section o u t l i n e d a n d reiterated the pr inciples o f the catholic fa i th and cr i t ic ized the nazis use o f language to create a r e l i g i o n out o f the i r fascist ideology. the second section (not discussed i n this work) ident i f i ed the author i ty o f m o r a l i t y and natura l law as superior to t e m p o r a l decrees and i t served as a re in forcement o f the first section by disparaging the fabricated m o r a l standards o f the nazi ideology w h i c h removes god as the b e i n g that shapes m o r a l i t y and natura l law. the final and m o s t u n i q u e section was a direct address to the g e r m a n fa i th fu l i n three sections: one to y o u t h , one to the priests and the ordained, and one to the laity. reiner claube: u n a d u l t e r a t e d f a i t h the first section was compr i sed o f five smaller sections. o n l y the first three w i l l be discussed as the m a j o r points are largely encompassed w i t h i n t h e m . the first four broke d o w n the pure components o f what catholics believe starti n g w i t h god (reiner gottesglaube), t h e n discussing chr is t (reiner christusglaube), t h e n the c h u r c h (reiner kirchenglaube), and finally the headship o f pope (reiner glaube an den primat). the fifth subsection is t i t l e d , keine umdeutung heiliger worie und begriffe, w h i c h cr i t ic ized the adopt ion o f c h r i s t i a n vocabulary i n nazi speech. these f irst sections were addressed to the fa i th fu l and act as a cong e r m a n catholics pledge loyalty to the state d u r i n g mass. scientious r e m i n d e r o f foundat iona l beliefs o f cathol ic i sm. i t was also a po ignant r e p r i m a n d o f the current g e r m a n reich. as a h i g h l y d ip lomat ic document , there was no n a m i n g o f perpetrators n o r is there specific m e n t i o n o f naz i sm; however, the people and the problems b e i n g addressed were clear to all w h o heard i t i n 1937. reiner gottesglaube: u n a d u l t e r a t e d f a i t h i n g o d reiner gottesglaube emphasized that fa i th i n god, according to the catholic creed, is very specific and defined. i t served as a sharp cr i t ique o f the neopaganism a n d p a n t h e i s m perpetuated i n nazi speech and ceremony and asserted that there can be no subs t i tu t ion for the b e i n g called god: our god is the personal god, supernatural, omnipotent, e l e m e n t s s p r i n g 10 infinitely perfect, one in the trinity of persons, tri-personal in the unity of divine essence, the creator of all existence. lord, king and ultimate consummator of the history of the world, who will not, and cannot, tolerate a rival god by his side.x the nazi ideology made th is r iva l god by d i v i n i z i n g the state a n d the so-called a r y a n race. the nazis created a state i n w h i c h i t was no longer possible to serve god properly s imultaneous ly w i t h the g e r m a n n a t i o n , for "no one can serve t w o masters."" 1 not only d i d the c h u r c h reject the elevation o f race and the state o n the g r o u n d o f idolatry, b u t also the c h u r c h expressed recogn i t ion o f a universal equali ty owed to al l m e n before the eyes o f god: "as god's s u n shines o n every h u m a n face so h i s law knows nei ther privilege n o r exception. " x n i t is also o f note that the re ject ion o f a h igher race (rasse) is m e n t i o n e d three t imes i n th is sect i o n a l o n e . x m the repet i t ion o f th is w o r d and the repeated denial o f its significance before god, t h o u g h not an art iculate defense o f the jews, clearly stated that these racist attitudes were w h o l l y incompat ib le a n d u n s u p p o r t e d by christ ianity . yet, there were a countless n u m b e r o f catholics d u r i n g th is t i m e per iod w h o conflated these ideologies w i t h o u t reservation. reiner christusclaubel u n a d u l t e r a t e d f a i t h i n c h r i s t there are t w o i m p o r t a n t points b r o u g h t f o r t h i n the next section: reiner christusglaube (unadulterated fa i th i n chr is t ) . one o f these points was a defense o f the o l d testament as an essential part o f the chr i s t i an fa i th. "the sacred books o f the o l d testament are exclusively the w o r d o f god, and const i tute a substantial part o f h is revelation. " x l v the recogn i t ion o f this issue was the closest that th is encyclical comes to m e n t i o n i n g the jews. w h i l e i t certainly was not a defense o f judaism n o r a c o n d e m n a t i o n o f the nazi policies against the jews, i t is s ignif icant that i t denied the b lasphemy that chr i s t ian i ty was independent o f judaism, especially i n a society i n w h i c h the denial o f jesus' jewish ancestry was b e i n g professed. x v the next i m p o r t a n t p o i n t was the d e n u n c i a t i o n o f a l f r e d rosenberg's "the m y t h o f the 2 0 t h century," a poisonous c o m p o s i t i o n w h i c h contained seething anti-catholic and anti-semitic ideas. this w o r k was part icular ly dangerous because i t orda ined the a r y a n race as superior, n o t so m u c h o n biological grounds (i.e. d a r w i n i s m ) , b u t rather o n spir i tua l grounds: "the soul signifies race as seen f r o m inside. a n d , vice versa, race is the exterior o f the s o u l . " ™ this declarat ion alone makes the super ior i ty o f a race n o t designed by nature , b u t i n t e r t w i n e d i n t o the very p l a n o f god, the creator. this w o r k o f nazi propaganda never became part o f official naz i teaching as hi t le r ' s mein kampfi b u t because o f its message, namely that i t was n o t jesus chr is t that saved, b u t rather race and b lood , the c h u r c h responded w i t h great ferocity. neither rosenberg n o r his book was explicit ly n a m e d , b u t there was absolutely no mis take that w h e n the encyclical decried the "so-called m y t h o f b lood and race," i t was a direct and u n a m b i g u o u s address to th is p a r a d i g m o f nazi p r o p a g a n d a . x v n reiner kl rch enc laube: u n a d u l t e r a t e d f a i t h i n t h e c h u r c h the church founded by the redeemer is one, the same for all races and all nations. beneath her dome, as beneath the vault of heaven, there is but one country for all nation and tongues; there is room for the development of every quality, advantage, task and vocation which god the creator and 'asking someone to choose between his nationality and his faith was essentially asking him to reject a part of himself" mit brennender sorge savior has allotted to individuals as well as ethnical communities.™111 these l ines f r o m mit hrennender sorge encompass the pure m e a n i n g o f what i t means to be catholic, that is, universal . already w i t h i n the f irst twenty paragraphs o f the encyclical, i t was iterated t i m e and again that b l o o d and race and nat i o n m e a n n o t h i n g before god, and thus i t is fallacious to raise the fo rmer above the latter. i n the same paragraph, the encyclical ident i f ied one m o r e o f the four marks o f the c h u r c h : unity . th i s oneness is such o f an indiv i s ib le nature that those w h o t ry to d i s rupt i t are gu i l ty o f a t t e m p t i n g to d i smant le what god has designed. u n d e r these two p r i n c i p l e marks , the encyclical l aunched i n t o what is possibly its most per t inent message. i t underl ines that there w i l l be n o excuse for those w h o cause d iv i s ion i n the c h u r c h . ever the d ip lomat ica l ly w o r d e d docum e n t , the encyclical does not excuse the c h u r c h f r o m scrut iny and se l f recr iminat ion. th i s is used as a device to stress that such scrut iny m u s t also be appl ied to "other organ iza t ions . " x i x fur thermore , there is an appeal to the conscience, a n d the duty that all m e n have to examine and heed i t , s tat ing, " i t yet remains t rue that at no m o m e n t o f history, n o i n d i v i d u a l , i n no organizat ion can dispense h i m s e l f f r o m the duty o f loyally e x a m i n i n g his conscience, o f mercilessly p u r i f y i n g himsel f , and energetically r e n e w i n g h i m self i n sp i r i t and i n a c t i o n . p e r h a p s such words were n o t s trong e n o u g h to convert those w h o h a d already abandoned the c h u r c h , b u t to those w i t h misg iv ings , these words w o u l d r e m i n d t h e m that there w o u l d be no pardon for ignorance or adher ing to an ideology. the c h u r c h recognized that t a k i n g a stand for one's fa i th can be di f f icul t , even m o r e so w h e n i t p u t a person i n cont e n t i o n w i t h his country. a n d yet, this d i d n o t stop her f r o m asking the very highest price f r o m her members : " o u r wholehearted paternal sympathy goes out to those w h o m u s t pay so dearly for the i r loyalty to chr i s t and the c h u r c h , b u t directly the highest interests are at stake, w i t h the alternative o f sp i r i tua l loss, there is b u t one alternative left, that o f h e r o i s m . " ™ by 1937, i t had already become evident that any defiance to the r e i g n i n g party w o u l d possibly result i n great suffer ing and persecution. a s k i n g someone to choose between his nat ional i ty and his fa i th was essential ly asking h i m to reject a part o f h imsel f . unfortunate ly , such was the c o n u n d r u m w i t h w h i c h m i l l i o n s o f germans struggled p r i o r to and d u r i n g w w i i . a n d i e g l a u b i c e n : t o t h e f a i t h f u l previously, encyclicals were largely reserved for the clergy and the educational elite. t h o u g h the issues discussed may have been o f some concern to the laity, these papal letters were n o t w r i t t e n for the m a j o r i t y o f the popu la t ion . even today, the m a j o r i t y o f the catholic fa i th fu l do not read the papal encyclicals, a l t h o u g h they are easily obtainable. th i s direct address to the fa i th fu l was entirely unprecedented i n 1937. indeed, the c h u r c h had never before faced a crisis such as that o c c u r r i n g i n germany. addi t ional ly , the role o f the r o m a n catholic c h u r c h had changed a great deal i n the past centuries. gone were the days w h e n the pope could exercise great power over w o r l d leaders w i t h the threat o f exc o m m u n i c a t i o n . the h o l y see's voice o n the pol i t ica l f r o n t h a d waned, a n d its demands and request fel l o n deaf, or perhaps s i m p l y indi f ferent , ears. t h u s , he t u r n e d to the body o f chr is t , to the fa i th fu l , w h o were w a i t i n g to hear h i m address the i r crisis. to the y o u t h , pius x i chal lenged t h e m to be u n y i e l d i n g to "a gospel that has n o t been revealed by the father o f heaven. " x x i l h e encouraged t h e m to participate i n the y o u t h organizations created by the state b u t to combat any host i l i ty against the h o l y m o t h e r c h u r c h and christ ianity , foster ing love and loyalty to the i r earthly country so l o n g as i t shall not result i n unfaithfulness to the heavenly h o m e . this section i l lustrates that the c h u r c h h a d a s imi la r awareness as the nat ional socialists: the y o u t h were the future . to the priests, pius x i sent words o f congratulat ions a n d support for the i r faithfulness i n t imes o f t r i a l . h e asked t h e m always to be fa i th fu l to the t r u t h . here , pius x i made the assertion that fai lure to correct error a n d deviat ing f r o m the t r u t h was not only a disloyalty to god " b u t also an offense against the real welfare o f your people and c o u n t r y . " x x m lastly, he expressed his deep grati tude and empathy to those w h o h a d already made great e l e m e n t s s p r i n g 10 sacrifices and suffered i m p r i s o n m e n t i n j a i l or concentrat i o n camps. i n the f ina l subsection, " to the followers f r o m the laiety," the h o l y father addressed the parents i n particu lar a n d emphasized the importance o f the i r ob l igat ion and r i g h t to educate the i r c h i l d r e n according to the fa i th . a l t h o u g h there were great campaigns against confessional schools a n d rel ig ious educat ion i n i n t e r d e n o m i n a t i o n a l schools, he ordered parents to ensure that the i r chi ldren's chr i s t i an educat ion was n o t ta inted by the ideas o f a false gospel, caut ion ing , "yet do n o t forget th i s : n o n e can free y o u f r o m the responsibi l i ty god has placed o n y o u over your c h i l d r e n . " x x 1 v r e a c t i o n s the g e r m a n government ' s reaction to the encyclical was i m m e d i a t e . dated m a r c h 14,1937, the encyclical was actually set to be read f r o m the p u l p i t a week later o n m a r c h 21st—palm sunday. the actual reading was d iv ided i n t o t w o parts, the first h a l f be ing read i n the m o r n i n g and the last h a l f i n the evening. as soon as seven o'clock the evening o f m a r c h 2 0 t h , the government h a d issued an order for the seizure o f the e n c y c l i c a l . ^ fortunately, the actual reading o f the letter was left u n d i s t u r b e d . theoretically, the pope's abi l i ty to correspond w i t h the m e m b e r s o f the catholic c h u r c h was protected u n d e r a r t i c l e 4 o f the reichskonkordat. i t declared that , " i n s t r u c t i o n s , ordinances, pastoral letters, official diocesan gazettes, a n d other enactments regard ing the sp i r i tua l d i rect ion o f the fa i th fu l issued by the ecclesiastical author i ties w i t h i n the f r a m e w o r k o f the i r competence (art . 1, sect. 2) may be pub l i shed w i t h o u t h indrance and b r o u g h t to the notice o f the fa i th fu l i n the f o r m h i ther to u s u a l . " ™ " th i s t e r m "usual f o r m s " x x v 1 1 came to be def ined by the governm e n t as amtsblatter or as a s e r m o n f r o m the p u l p i t . ™ " 1 1 therefore, any extra publ icat ions or flyers were n o t protected u n d e r the concordat and were i m m e d i a t e l y confiscated u p o n d i s t r i b u t i o n . two days after the release o f mit brennender sorge, m i n i s t e r for c h u r c h affairs h a n n s kerr l charged al l the g e r m a n bishops w i t h v io la t ing the i r oaths o f loyalty i n a letter. subsequently, he p r o h i b i t e d the p r i n t i n g , r e p r o d u c t i o n , and fur ther d i s t r i b u t i o n o f the encyclical a n d the two p u b l i s h i n g houses that h a d p r i n t e d the docum e n t were c l o s e d . x x l x i n a letter addressed m a r c h 30, 1937, to secretary o f state eugenio pacelli, cardinal faulhaber describes w h a t he has heard o f the recept ion o f the fa i th fu l to the encyclical: the letter was listened to by the people with tense concentration and visible emotion. in spite of bad weather, the parishioners came to the parish church from the mountains and the remote farms. in some parishes, the pastor read the whole letter on palm sunday morning and even in this case, the faithful stayed in the church—without exception— until the end.™* i t seems that i t was i m p o r t a n t to the fa i th fu l to hear what the i r h o l y father h a d to say about the i r cur rent s i tuat ion . hitler jug end supplanted all catholic y o u t h o r g a n i z a t i o n s by n a z i decree. mit brennender sorge faulhaber indicated that the last section o f the encyclical, w h i c h directly addressed various groups w i t h i n the c h u r c h , made a part icular ly s trong impress ion . t h o u g h the churchgoers were certainly in f luenced by these words , two pastors indicated that i t was necessary to provide future analysis for al l the contents o f the letter to be clear. one priest expressed the dif f icult ies that have arisen because o f the seizure decree w h i c h does not a l low the people to have a n d read the encyclical o n the i r o w n , an issue protested by b o t h cardinal b e r t r a m and n u n c i o orsenigo. i n the wake o f the encyclical's release, the m i n i s t r y for c h u r c h affairs considered t a k i n g act ion that w o u l d have radically changed the re lat ionship between the g e r m a n state and the c h u r c h . kerr l proposed sending a note to the vatican to declare the concordat i n v a l i d — a rather i r o n i c proposal cons ider ing the repeated violations made by the g e r m a n state against the c h u r c h . the c h u r c h w o u l d n o t request such a t e r m i n a t i o n because i t served as d ip lomat ic p r o o f that the nazi government that p r o m i s e d to respect the rel ig ious f reedom o f the r o m a n c h u r c h i n germany. the t h i r d reich, w i t h its c o n t i n u e d violat ions against the agreement, had l i t t l e to lose i n e n d i n g this re lat ionship . ul t imate ly , th is note was never sent and d ip lomat ic interact ions r e m a i n e d . 5 0 ™ t h u s , despite the i n i t i a l waves caused by the release o f the encyclical, the interact ions o f the c h u r c h i n germany w i t h the g e r m a n government were most ly unchanged. the ebb and f low o f antagoni sm o f the nazis against the c h u r c h r e m a i n e d after mit brennender sorge, b u t no attempts at completely d isabl ing the c h u r c h were made. parishes r e m a i n e d open and the sacraments were always a v a i l a b l e . x x x n o n the catholic side, services were w e l l attended, as were p i l g r i m a g e s . 5 0 0 5 1 1 1 m e a n w h i l e , the f ight for the y o u t h raged o n as a steady oneby-one d i sso lut ion o f catholic y o u t h organizations i n dioceses t h r o u g h o u t the country were enacted. by the early m o n t h s o f 1938 the eradication o f al l y o u t h organizations excepting the h i t l e r jugend was i n effect i n paderborn, minis ter , trier, breslau, bavaria, cologne, and aachen. finally, a pol icy was passed i n february 1939 w h i c h declared a reich-wide abo l i t ion o f such organizat ions . x x x 1 v mora l i ty trials w h i c h had been essentially abandoned since the s u m m e r o f 1936 were revisited. these tr ials , w h i c h began i n 1935, were a campaign to prosecute m e m b e r s o f rel igious orders that h a d been accused o f sexual offenses. the trials were used as a part icular ly mal ic ious means o f propaganda, w h i c h is evidenced by the sporadic nature i n w h i c h the trials proceeded. clearly meant to cause great distrust a m o n g the catholic believers i n the clergy, i t is questionable whether the trials had the i r i n t e n d e d effect. the means by w h i c h the police at tempted to prove the cr imes o f the clergy m e m b e r s made i t all the m o r e obvious that m u c h o f the i n f o r m a t i o n was fabricated, w h i c h m o s t often resulted i n generated sympathy for the c h u r c h and those i n d i c t e d . 5 0 0 ^ t h o u g h the persecution o f the c h u r c h d i d rouse u p sympathy a n d support , the c h u r c h was s t i l l suf fer ing o n the i n side. the same year that mit brennender sorge was read wi t nessed approximately 108 ,000 m e m b e r s leave the c h u r c h , over double the n u m b e r that that had w i t h d r a w n the previous year. the year 1938 w o u l d see 88 ,700 m e m b e r s aband o n the c h u r c h . x x x v l there are too m a n y variables a n d a substantial lack o f d o c u m e n t a t i o n to be able to def init ively say whether those w h o left were in f luenced to do so by the papal letter; however, d i s m i s s i n g i t as coincidence w o u l d be "by issuing a papal document, the church brought the situation of the church in germany to the attention of the world." e l e m e n t s : : s p r i n g 10 unwise . i t is never the i n t e n t i o n o f the h o l y father, i n anyt i m e per iod or s i tuat ion , to alienate any m e m b e r s o f his flock. o n the other h a n d , there are those w h o f i n d t h e m selves no longer i n c o m m u n i o n w i t h the h o l y m o t h e r c h u r c h w h e n such strong decrees, as those made i n mit brennender sorge, are declared. whatever t h i n guise o f cooperat ion that had been constructed by the concordat h a d been t o r n away. the c h u r c h , as an i n s t i t u t i o n , was p u t i n c o n t e n t i o n w i t h the nat ional socialist party, the governm e n t o f the g e r m a n n a t i o n . the catholics w h o defied the state cou ld n o longer be dismissed s i m p l y as radical outl iers. the entire catholic body h a d been charged by the pope to stand t rue to the fa i th , even i n the face o f persecut i o n . i t was clear that the nazi ideology, part icular ly the m y t h o f b l o o d and race—the d e f i n i n g doctr ine o f nat ional soc ia l i sm—could n o t be compat ib le w i t h catholic doct r i n e . i f the encyclical was taken to heart, i t is clear w h y there w o u l d be those w h o w o u l d be compel led to leave the c h u r c h as a result . p u r p o s e a n d l a n g u a g e o f t h e e n c y c l i c a l mit brennender sorge was composed for two ends. first, i t was drafted to express the grievances o f the c h u r c h i n germany w i t h the g e r m a n government ' s violations o f the reichskonkordat, as w e l l as to decry the nat ional socialist ideology that u n d e r m i n e s catholic doctr ine . second, the h o l y father w i s h e d to directly address the c h u r c h i n germany i n order to give t h e m encouragement i n the i r suffer ing a n d to r e m i n d t h e m o f the i r personal responsibi l i ty before the c h u r c h a n d before god. i t was o f the u t m o s t i m portance to c o m m u n i c a t e these messages w i t h o u t p i t t i n g the c h u r c h against the g e r m a n n a t i o n . some o f these delicacies o f language have already been referenced. the ent i re d o c u m e n t was b u i l t o n subtlety, b u t subtlety w i t h o u t the loss o f clarity. the reader w i l l notice that there was n o m e n t i o n o f specific names; hi t le r , rosenberg, even the n a m e o f the party i t se l f were absent f r o m the pages o f the letter. i n d o i n g so, the c h u r c h was m a k i n g universal statements that can be appl ied t h r o u g h o u t al l ages a n d to any "organizat ion" that may violate these universa l pr inc ip les . yet, a l l w h o heard the encyclical k n e w exactly to w h o m and o f what the encyclical spoke. for al l practical purposes, the outcome was the same. but i n n o t n a m i n g indiv idua ls and organizat ions explicitly, the encyclical avoided m a k i n g an o u t r i g h t accusation. the encyclical called the perpetrators "whoever" (wer).xxxyn i t was the l isteners w h o identi fy the " w h o , " and thus make the accusation complete . i n t e rms o f what i t hoped to achieve, cardinal michae l faulhaber, cardinal eugenio pacelli, and pope pius x i d i d n o t expect mit brennender sorge to fix the problems o f the catholic c h u r c h i n germany. indeed, they k n e w that i t w o u l d not . the t h i r d reich's t reatment o f the reichskonkordat and the fulda conferences h a d already proved that those r u n n i n g the g e r m a n government w o u l d pay n o heed grievances o f the h o l y see. the t o i l o f the c h u r c h , however, d i d not fai l ut ter ly to bear f r u i t . t h o u g h the pol i t ica l inf luence o f the r o m a n catholic c h u r c h h a d d i m i n i s h e d , its far-reaching inf luence h a d not . by i s su ing a papal document , the c h u r c h b r o u g h t the s i tuat ion o f the c h u r c h i n germany to the a t tent ion o f the w o r l d . t h o u g h i t certainly d i d not cause an u p r i s i n g against germany, i t cannot be d ip lomat ica l ly favorable for a country 's governm e n t to be cr i t ic ized by the h o l y see. m o r e important ly , pope pius x i was f u l f i l l i n g his al l i m p o r t a n t role as shepherd, w h i c h i n part means car ing for the m o s t vulnerable m e m b e r s o f the flock. t h o u g h he may have r e m a i n e d s i lent o n the specific issue o f ant i -semit i sm, he d i d not leave the r o m a n catholic c h u r c h i n germany to suffer alone and i n silence. the h o l y father we ighed his w o r d carefully. not w a n t i n g to alienate m e m b e r s o f the body o f chris t , he d i d his best to express that sacrifice w o u l d be necessary, b u t avoided i n s i n u a t i n g that i t r equ i red a re ject ion o f one's g e r m a n national ity . h e called for a re ject ion o f u n faithfulness, o f apostasy, o f an "organizat ion . " the call was n o t to open rebe l l ion , b u t rather conscientious object ion. c o n c l u s i o n the pope considered his greatest responsibi l i ty as the head o f the catholic c h u r c h to be the protect ion o f the c h u r c h , to ensure that she can thr ive i n sp i r i t a n d i n t r u t h . mit brenmit brennender sorce nender sorge made i t indisputably clear the racial ideology expressed by the nazi party was n o t supported by the catholic c h u r c h . unfortunate ly , n o fur ther act ion was taken to oppose the anti-jewish measures. th i s is m o s t l ikely because the c h u r c h feared that any drastic act ion w o u l d only serve to c o m p o u n d the problems o f the g e r m a n catholics. i n h i n d s i g h t , this fai lure is regrettable. however, i w o u l d argue that the encyclical mit brennender sorge cannot be i n c l u d e d i n the c r i t i c i s m o f the church 's silence. i t d i d n o t express the church's sympathy for the jews because that was n o t its purpose. based o n its purpose, this encyclical was a s trong and unequivocal docum e n t that was addressed to a n d for the m e m b e r s o f the g e r m a n catholic c h u r c h . its m a i n focus was the people o f germany, n o t the nat ional socialist government . fur thermore , the reactions o f the g e r m a n government , t h o u g h not drastic, clearly c o m m u n i c a t e d that widespread fear o f fur ther persecut ion was not u n f o u n d e d . the r i g h t to practice the catholic fa i th was never fu l ly taken away, b u t the government d i d its u t m o s t to cont inue to alienate the p o p u l a t i o n f r o m the c h u r c h . the c h u r c h was engaged i n a battle for the ears a n d the hearts o f her fa i th fu l , and i t w o u l d be the loss o f souls as w e l l as the loss o f lives that w o u l d preoccupy her t h r o u g h the rest o f the r e i g n o f the nazi r e g i m e — a n d l o n g after the swastika ceased to fly. e n d n o t e s i . "concordat between the holy see and the german reich" i i . "concordat between the holy see and the german reich": "before god and on the holy gospels i swear and promise as becomes a bishop, loyalty to the german reich and to the state o f . . . i swear and promise to honor the legally constituted government and to cause the clergy of my diocese to honor i t . i n the performance of my spiritual office and i n my solicitude for the welfare and the interests of the german reich, i w i l l endeavor to avoid all detrimental acts which might endanger i t . " h i . helmreich (290) iv. "gesetz iiber die hitler jugend.": "die gesamte deutsche jugend innerhalb des reichsgebietes ist i n der hitlerjugend zusammengefalst." v. helmreich (275) vi. helmreich (289) v i i . helmreich (275) v i i i . helmreich (280) ix. the organization and structure of the english version is considerably different from that o f the german. the english version, for example, does not contain section titles, and the paragraphs are divided differently. i have used the official english translation from the vatican website for my citations. however, when i refer to the structure, it w i l l be i n reference to the original german structure. there has been some controversy over the whether or not the current english translation is the most accurate because it was from the latin translation, rather than from the original german. therefore, i have provided citied passages that are significantly different i n the footnotes i n its original german, i n order to highlight aspects o f the german language that do not come through i n the english translation. x. pope pius x i , pacelli, and faulhaber, "mit brennender sorge," para. 9. xi . mt 6:24. xi i . " m i t brennender sorge," para. 10. x i i i . " m i t brennender sorge," para. 8,10,11. xiv. " m i t brennender sorge," para. 15. xv. „die wahrscheinlichkeit, dass christus kein jude war, dass we keinen tropfen echt judischen blutes i n den adern hatte, ist so gros, dass sie einer gewissheit fast gleich kommt." von „grundlagen des 19. jahrhunderts" von h . st. chamberlain i n adam, "jesus der christus und wir deutsche." xvi. rosenberg, der mythus des 20. jahrhunderts, 2 "seele aber bedeutet rasse von innen gesehen. und umgekehrt ist rasse die aukenseite einer seele. " translation by author. xvii. " m i t brennender sorge," para. 17. xviii . " m i t brennender sorge," para. 18. xix. " m i t brennender sorge," para. 19. xx. " m i t brennender sorge," para. 19. xxi. " m i t brennender sorge," para. 21.: "aber—heir ist der punkt erreicht, wo es u m letztes und hochstes, u m rettung oder untergang geht, und wo infolgedessen dem glaubigen der weg heldenmutigen starkmutes der einzige weg des heiles ist." xxii. " m i t brennender sorge," para. 33. xxiii . " m i t brennender sorge," para. 36. xxiv. " m i t brennender sorge," para. 48. xxv. faulhaber (315) xxvi. "konkordat zwischen dem heiligen stuhl und dem deutschen reich." xxvii. "ublichen formen" xxviii. helmreich (280) xxix. helmreich (282-3) xxx. faulhaber (315): "das rundschreiben wurde vom volk m i t gespannter aufmerksamkeit u n d sichtlicher ergriffenheit angehort. trotz schlechten wetters waren die pfarrkinder...von den bergen und entfernten bauernhofen zur pfarrkirche gekommen. i n einigen pfarreien haben die pfarrer das ganze rundschreibens am palmsonntag vormittag verlesen...und auch i n diesem fall. . . sind die glaubigen ohne ausnahme bis zum schluss . . . i n der kirche geblieben." translation by author. xxxi. helmreich (285) xxxii. helmreich (296) e l e m e n t s s p r i n g 10 xxxiii. helmreich (294) xxxiv. helmreich (290-1) xxxv. helmreich (288) xxxvi. hehl (105) xxxvii. " m i t brennender sorge," para. 10-12. r e f e r e n c e s adam, karl. "jesus der christus und wir deutsche." wissenschaft u n d weisheit 10 (1943). einheitsubersetzung der heiligen schrift. stuttgart: katholische bibelanstalt, 1980. faulhaber, michael. akten kardinal michael von faulhabers 1917-1945. vol. 1935. 2 vols. mainz: matthias griinewald verlag. "gesetz iiber die hitlerjugend," dezember 1, 1936. hehl, ulr ich von. "das kirchenvolk i m dritten reich." i n die katholiken und das dritte reich, edited by klaus gotto and konrad repgen, 93-118. mainz: matthias griinewald verlag, 1990. helmreich, ernst christian. the german churches under hitler: background, struggle, and epilogue. detroit: wayne state university press, 1979. "concordat between the holy see and the german reich," july 20,1933. pope pius x i , eugenio pacelli, and michael faulhaber. " m i t brennender sorge," march 14,1937. < http: //www. vatican.va/holy_father / pius_xi/encyclicals/docume nts/hf_p-xi_enc_i403i937_mit-brennender-sorge_ge.html.> german english rosenberg, alfred. der mythus des 20. jahrhunderts. munchen: hoheneichen verlag, 1930. mit brennender sorce http://www.documentarchiv.de/ns/1936/hj_ges.html. http://www.newadvent.org/library/docs_ss33co.htm. http://www.vatican.va/holy_father/pius_xi/encycli-cals/documents/hf_p-xi_enc_i403i937_mit-brennender-sorge_en.html http://www.vatican.va/holy_father/pius_xi/encycli-cals/documents/hf_p-xi_enc_i403i937_mit-brennender-sorge_en.html http://www.vatican.va/holy_father/pius_xi/encycli-cals/documents/hf_p-xi_enc_i403i937_mit-brennender-sorge_en.html http://www.scribd.com/doc/2628285/der-mythus-des-20-jahrhunderts-alfred-rosenberg. http://www.scribd.com/doc/2628285/der-mythus-des-20-jahrhunderts-alfred-rosenberg. n t i o x i d a n t s a n d g e n e r e g u l a t i o n ! the effects of vitamins c and e on estrogen receptors j e o n g h o n a m research s h o w s t h a t e s t r o g e n b i n d i n g to its receptor plays a role i n breast cancer d e v e l o p m e n t a n d t h a t a n t i o x i d a n t s possibly m i t i g a t e t h i s effect. past research e x a m i n e d w h e t h e r v a r i o u s t r e a t m e n t s lead to accelerated cell d i v i s i o n , but c h a r a c t e r i z a t i o n a n d c o m p a r i s o n of t h e effects of d i f f e r e n t t r e a t m e n t s o n g e n e level e x p r e s s i o n of t h e receptor was n o t a c c o m p l i s h e d . i n i t i a l l y , t h e effect of a n t i o x i d a n t s o n t h e e s t r o g e n receptor e x p r e s s i o n was i n v e s t i g a t e d , r e v e a l i n g t h e presence of v i t a m i n s c a n d e. s u b s e q u e n t ly, t h e i n d i v i d u a l effects of v i t a m i n s c a n d e o n n i t r i c o x i d e release (a possible cancer r e d u c t i o n a g e n t ) s t i m u l a t e d by e s t r o g e n a c t i n g o n t h e surface e s t r o g e n receptor of breast cancer cells was o b s e r v e d . g e n e r a l ly, v i t a m i n e was m o s t effective for i m p r o v i n g n i t r i c ox ide release. i n t r o d u c t i o n breast cancer is one of the most common cancers among women worldwide. statistical data have shown that among american women, nearly one out of three cancers diagnosed is a breast cancer and in the year 2001 , approximately 192,200 cases of breast cancer were diagnosed among women in the united states. through many years of breast cancer research, it has been documented that estrogen plays a critical role in the development of breast cancer.1 estrogens are steroid molecules and sex hormones that stimulate the development of female characteristics and sexual reproduction. the most common forms of human estrogens are ly-beta estradiol and estrone that are produced and secreted by the ovaries. two of the female organs that play a central role in sexual reproduction, the breast and the uterus, are the main target organs of the estrogen molecule. cells of the breast and the uterus have estrogen receptors (alpha and beta) that have specific sites to which only estrogen can bind. estrogen molecules are only effective when they bind to the receptors. when estrogen molecules pass through the membrane of the cell and bind to the estrogen receptors, the shape of the receptor changes and estrogen receptor complex attaches to the estrogen response elements (eres) i n dna, causing certain genes to become active. the active genes produce molecules of messenger rna that influence cell activity i n a variety of ways by synthesizing specific proteins. 1 1 this study examines the interaction of estrogen and antioxidants on the expression of estrogen receptor genes. cancer is caused by mutations in growth regulatory genes. mutations may be caused by transcription errors in dna before the process of cell division. 1 1 1 as these cells proliferate, the transcription errors are then carried on to the new generation of cells and may lead to uncontrollable proliferation. besides its role in developing female sexual characteristics, estrogen also impacts on the health of the immune system, and the body's response to the stress and the changing environment.^ one of the main effects of estrogen is inducing stimulation for cell proliferation. v cell proliferation is estrogen's natural role but it increases a woman's chance of developing breast cancer or uterine cancer. previous studies have demonstrated the effect of ij-beta estradiol on cell proliferation. i n several studies, rj-beta estradiol enhanced the rate of cell proliferation and also decreased the level of apoptosis of breast cancer cells by inducing the bcl-2, antiapoptosis gene . v 1 estrogen cannot distinguish between mutated cells and healthy cells. proliferation stimulated by estrogen can result in the proliferation of mutant cells, thereby causing cancer.v11 to prevent estrogen from promoting cell proliferation, researchers have been developing anti-estrogen substances such as tamoxifen, and raloxifene that can block the estrogen receptor.™ currently, two types of estrogen receptors (er) have been identified, alpha and beta. they both bind to dna but it has been shown that in mcf-7 adenocarcinoma human breast cancer cells, er alpha is the prevalent form and er beta is hardly detectable. estrogen a^ha-receptor is also mainly involved with the development of a breast cancer.1x most research on breast cancer regarding antioxidants has focused on the effect of melatonin (pineal indoleamine), a type of an antioxidant, on the proliferation of mcf-7 breast cancer cells. various studies have demonstrated that melatonin has an anti-proliferative effect on estrogen responsive mcf-7 breast cancer cells and also that the administration of melatonin reduces the incidence and growth rate of chemically induced mammary tumors. x according to the several studies, not only does melatonin inhibit the mcf-7 cell growth but it also increases cell doubling time and delays the entry of mcf-7 cells into mitosis. x l furthermore, it has been shown that melatonin decreases er bonding activity and er mrna expression/ 1 1 however, when melatonin and estradiol were treated together, the anti-proliferative effect of melatonin was reversed, demonstrating that the effect of melatonin can be counteracted by cell cycle acceleration stimulated by estradiol/ 1 1 1 e l e m e n t s s p r i n g 06 in addition, the effects of other types of antioxidants such as carotenoids, and retinoic acid on mcf-7 cell growth also have been widely studied. these antioxidants have been shown to have an inhibitory effect on the er positive mcf7 cell growth but not on er negative mda-mb-231 breast cancer cells. x l v on the other hand, it has been reported that vitamin e, selenium, and palm oil tocotrienols have been shown to be effective anti-proliferative agents in both er negative and positive cells breast cancer cells. x v unlike previous studies where researchers observed the effect of antioxidants on the proliferation of the cells, i n the first part of this study, the effect of the antioxidants ascorbic acid (vitam i n c) and alpha tocopheral (vitamin e) on the gene expression of estrogen receptor wi l l be observed. another part of this study is to investigate whether ascorbic acid and alpha tocopherol can affect the nitric oxide release from the surface receptor of er positive mcf-7 cells. several studies have found the existence of surface estrogen receptors in human peripheral monocytes and the ganglionic nervous system of mytilus edulis, the common mussel. these investigations also demonstrated that 17beta estradiol stimulates nitric oxide (no) release by binding to the cell surface estrogen receptor.x v 1 nitric oxide is a free radical that scavenges other free radicals and controls the activation state of various tissues such as immune cells, thereby helping to maintain appropriate levels of cellular activity. no has also been shown to play a host defense against tumors, viruses and bacteria. i n addition, it has been shown that free radicals promote cancer by damaging dna. since no release is one of estrogen receptors' critical functions, investigating the effect of antioxidants on no release by surface estrogen receptors on mcf-7 cells is e s " sential. however, it has been found out that while no plays an important role in numerous physiological and pathophysiological conditions, excessive concentrations of no may lead to a tissue damage and organ dysfunction.™ 1 i n the second phase of this experiment, cells are pre-treated with ascorbic acid and alpha tocopherol, and then the no release triggered by ij-beta estradiol is measured by using no-specific amperometric probe. m a t e r i a l s a n d m e t h o d s g e n e e x p r e s s i o n cell c u l t u r i n g a flask with mcf-7 cells (american type culture collection, atcc), rpmi1640 10 percent media (gibco, invitrogen, carlsbad, ca) and tripsin (sigma, st louis, mo) were prepared. from the original flask with mcf-7 cells, the media was removed, and then washed with 2 m l of trypsin. three m l of trypsin was added to the flask containing mcf-7 cells, and the flask was tilted back and forth so the trypsin would cover the whole surface with mcf-7 cells. the flask was then sat still for 5 to 15 minutes unti l all the cells detach from the flask surface. when all the cells were detached, 7 m l of media was added to neutralize the tripsin. remaining cells were rinsed with phosphate buffered saline (pbs) by using a pipet. everything i n the flask was transferred to a 15ml tube and then centrifuged for 3 minutes at 1000 rpm. after the tube was centrifuged, the liquid in the tube was decanted. the cell pellet in the tube was then resuspended by adding 1 0 m l of rpmi media. the cell pellet and the media were pipetted up and down unti l cell pellet was completely broken. 1 x 106 cells was added to each well of two six wells plates in 2 m l rpmi media and then incubated in a 37 oc incubator. p r e p a r i n g s o l u t i o n s ascorbic acid (vitamin c) stock solution with i m concentration was prepared by adding o . i8g of ascorbic acid (sigma, st louis, mo) to i m l of pbs (phosphate buffer saline) (gibco, invitrogen, carlsbad, ca), and then 10ii was added to 9 9 0 u i of pbs, to make i o m m solution. alpha tocopherol solution (vitamin e) (sigma, st louis mo) was prepared next. i m stock solution was made by adding o.43g to i m l of ethanol. 50 i i from theim stock solution was added to 9 5 0 i i of ethanol for concentration of 5 o m m . again 1011 of the solution was added to 9 o i i of p b s for concentration of 5 m m . a n t i o x i d a n t s a n d gene r e g u l a t i o n : t h e effects of v i t a m i n s c a n d e o n e s t r o n g e n receptors estrogen solution was also prepared. 10-3 m stock solution was prepared by adding o.oo3g of 17-, estradiol (sigma, st louis mo) to 1 0 m l of ethanol. r o l l of the solution was then added to 9 9 0 i i pbs for concentration of 10-5 m. c e l l t r e a t m e n t two six wells plates were treated in the following order. first two wells were untreated as controls. next two wells were treated with ascorbic acid. 2 0 i i of i o m m ascorbic acid solution was added to these wells for final concentration of 1 0 0 i m for each well. same procedure was repeated for next two wells but 17-beta estradiol solution was added with ascorbic acid. 2 o i l of the 10-5 m 17-beta estradiol solution was added the wells for final concentration of 10-7 m along with 2 0 i i of i o m m ascorbic acid solution. after treating first plate, second plate was treated with combinations with alpha tocopherol solution. first two wells were treated with alpha tocopherol solution. 2 0 i i of 5 m m alpha tocopherol solution was added to the well for a final concentration was 5 0 i m for each well. next two wells were treated with combination of alpha tocopherol and 17-beta estradiol solution. again 2 0 i i of 5 m m alpha tocopherol solution was added to the two wells and then 2 0 i i of the 10-5 m 17-beta estradiol solution was added. for last two wells, ascorbic acid and alpha tocopherol solutions were added together. 2 o i l of i o m m ascorbic acid solution was added, and then 2 o i l of 5 m m alpha tocopherol solution was added. these plates were incubated for 24 hours at 39 degrees celcius. r n a i s o l a t i o n u s i n g r n e a s y ( r ) p r o t e c t m i n i k i t ( 2 5 0 ) ( q i a g e n ) after 24 hr. incubation, each type of cells was collected into 15ml falcon tubes using sterile cell scraper. tubes were then centrifuged for five minutes at 300-x g. after centrifuge was done, supernatant from each tube was discarded, and then 6 0 0 ii of buffer rlt was added to each tube to disrupt the cells. when buffer rlt was added to the tube, it was pipetted up and down several times for homogenization. after that, 6 0 0 i i of 70 percent ethanol was added to the homogenized lysate of each tube and mixed well by pipetting. 7 0 0 i i of each sample was added to rneasy m i n i spin column sitting in a 2-ml collection tube (supplied), and centrifuged for 15 seconds at 10 ,000 rpm. volume of the each sample exceeded 7 0 0 i i , so flowthrough of the collection tube was discarded and then rest of the aliquots were added to the same rneasy column and the each column was centrifuged again. after the centrifuge, flow-through was discarded. 7 0 0 i i of buffer rwi was pipetted onto each of rneasy column, and columns were centrifuged for 15 seconds at 10 ,000 for washing. after that flow-through and collection tubes were discarded. rneasy column were transferred into a new 2-ml collection tube (supplied). 5 0 0 i i of buffer rpe were pipetted onto the each column, and the columns were centrifuged for two minutes at maximum speed to dry the rneasy membrane. after the centrifuge was done, rneasy spin column were placed in a new two-ml collection tube, which were not supplied and old collection tube with filtrate was discarded. rneasy spin column with new collection tubes were centrifuged at full speed for 1 minute. after this step was completed, each rneasy column was transferred into a new 1.5-ml collection tube (supplied), and 3 0 i i of rnase-free water was directly added to the each of rneasy column. columns were centrifuged for one minute at io ,ooorpm as for final step in collecting mrna. mrna from each sample was collected into the tube and the columns were discarded. mrna sample tubes were immediately placed on ice. r t ( r e v e r s e t r a n s c r i p t i o n ) optical density was first founded for each sample of mrna, for the calculation for making the concentrations of rna samples to be equal. rna samples were diluted in rnase-free water in a new 2 0 0 i i tubes. these samples were then denatured at 95 degrees celcius for one minute. after the denaturation step, to the each tube, following reagents (all from invitrogen™, carlsbad, ca) were added: 811 of dntp's, 4 i i of 5x 1st strand buffer, 2 i i of 0.1 m dtt, i l l of random primer, i l l rnase inhibitor (sigma, st louis, mo). after reagents were added, i l l of enzyme, e l e m e n t s : : s p r i n g 0 6 super script™ i i rnase h-reverse transcriptase (invitrogen™, carlsbad, ca) was added to the each sample. samples were ran in thermal cycler (gene amp pcr system 9 7 0 0 , applied biosystem) for 6 0 minutes a t 4 0 ° c , and then 10 minutes at 65°c. after rt was done samples were placed in ice. pcr (polymerase chain reaction) to the 2 0 0 i i tubes prepared for the cdna (rt products), following components (invitrogen™, carlsbad, ca) were added for pcr: 5ii of 10x pcr buffer, 1.5ii of magnesium chloride, 2 i i of dntp's, i l l of estrogen -receptor forward primer, i l l reverse primer, 2 9 i i of rnase free water, i o i l of cdna. in addition, primers specific for the ,-actin gene was also used as an internal control for the pcr reaction. sequence of forward and reverse estrogen alpha primer: forward primer: 5'-atcctgatgattggtctcgtct-3' reverse primer: 5'-ggatatggtccttctcttccaga-3' sequence of forward and reverse estrogen beta primer: forward primer: 5'-gctcatctttgctccagatcttg-3' reverse primer: 5'-caatcacccaaaccaaagcatc-3' the samples were denatured at 95°c for 2 minute in a thermal cycler (gene amp pcr system 9 7 0 0 , applied biosystem), and then added 0.5ii of taq dna polymerase to each tube. the pcr analysis was performed for 35 cycles at 95°c for 30 sec, 55°c for 30 sec, 72°c for 1 min , then as a final primer extension step, 72°c for 10 minutes. the pcr product was analyzed by gel electrophoresis. e l e c t r o p h o r e s i s ig of agarose was added to a flask then 6 0 m l of ix tbe buffer solution were added. the flask was then m i crowaved for about 2 minutes unti l the solution started boil. after the solution cooled down, 5ii of ethidium bromide was added and mixed well. the gel was then cast onto a horizontal gel electrophoresis apparatus. 45i i of each pcr product was mix with 9 i i of dna loading buffer, and 3oi l from the mixture was loaded onto the gel. after electrophoresis, the gel was visualized and analyzed by a gel documentation system (uvp) containing an ultraviolet transilluminator. nitric oxide determination cell c u l t u r i n g same step was performed as for gene expression except that nitric oxide determination was done to the cells in 9 6 wells plates, so 2 0 0 i i from mixture of cells and media were pipetted to the each well. this step was done to 15 wells. cell t r eat m ent first five wells were left as control. to next five wells, 2 i i of ascorbic acid (vitamin c) solution with concentration of i o m m was added for the final concentration of i o o l l for each well. to last five wells, 2 i i of alpha tocopherol (vitamin e) solution with concentration of 5 m m was added to each well for the final concentration of 5 0 i m . pre-treated cells were incubated for 24 hours at 39 degrees celcius. n i t r i c o x i d e d e t e r m i n a t i o n for nitric oxide detection, apollo 4 0 0 0 free radical analyzer manufactured by world precision instrument (sarasota, fl) was used. no release was detected with an no-selective microprobe manufactured also by world precision instruments (sarasota, fl). the redox current was detected by a current-voltage converter circuit and continuously recorded. the dimensions of the probe (30 i m diameter, 0 . 5 m m length) permitted the use of a micromanipulator (zeiss-eppendorff). the sensor was placed approximately 100 i m above the respective tissue surface. calibration of the electrochemical sensor was performed by use of different concentrations ( i o i l , 2 0 i i , 4 0 i i , and 80i i ) of a nitrosothiol donor s-nitroso-n-acetyl-dl-penicillamine (snap). each well was placed under the probe and the graph was observed by the computer interfaced duo18 software (world precision instruments, sarasota, fl). when the graph line stabilized, i o i l of 17-, estradiol solution with concentration of 10-5 m was added to the well to stimulate no release. amount of no release was graphed on the monitor and it was measured. research paper t i t l e figure 1 a figure 1 b gene expression for estrogen alpha receptors i n m c f 7 cells figure i a : the band in the left lane represents the amplified cdna of er-alpha genes in mcf-7 cells that were treated with vj-beta estradiol. the band on the right lane is that of control group of untreated cells. the brightness of the band on the right lane (control group) is slightly brighter than brightness of the band on the left lane (17-beta) estradiol, suggesting that vj-beta, estradiol slightly down-regulated the gene expression. figure ib : expression levels for beta-actin primer remained constant for two samples in figure ia, which verified equivalent sample loading. figure 2a: the band on the left represents the amplified cdna of hr-alpha genes in a group of mcf-7 cells that were treated only with ascorbic acid, and the band on the right lane represents amplified cdna(er-alpha) of the group treated in a combination of vj-beta estradiol and ascorbic acid. the brightness of the band on the right lane (a group treated with the combination) is shown to be brighter than the brightness of the band in the left lane (a group treated with ascorbic acid), which means that more cdna was amplified in the group treated with the combination. also when the two bands in figure 2a are compared to the control band in figure ia, the control group of figure 1 is brighter than the left lane of figure 2 (ascorbic acid) but dimmer than the right lane of figure 2 a (17-beta estradiol and ascorbic acid). this indicates that ascorbic acid alone resulted in a down-regulation (less cdna were amplified) of er-alpha gene expression and the combination of ascorbic acid and iy-beta estradiol resulted in an up-regulation. figure 2b: expression levels for beta-actin primer remained constant for two samples in figure 2a, which verified equivalent sample loading. g e n e e x p r e s s i o n pcr products were analyzed on a two percent agarose gel and a gel documentation system containing a uv transilluminator (uvp) (figure 1-4). brightness of the bands from the results of beta-actin gene expressions (figure ib, 2b, 5b) verified equivalent sample loading. figures ia and 2a below show bands that represent the amplified amount of cdna for er-alpha genes. the brighter the band is, the more amplified cdna is present. since the cdna was generated by a reverse transcription of mrna, the brighter the band, the greater level of the expression of the er-alpha gene that produced the mrna. the right lane i n figure ia shows the bands of amplified cdna of a control group of untreated mcf-7 cells (right lane), and the experimental group treated with ly-beta estradiol (left lane). a slight difference in the brightness of the two bands can be noticed. it appears that the control group band is brighter than the lj-beta estradiol treated group, which means that the eralpha gene had diminished expression i n the group treated with estradiol. in other words rj-bcta estradiol appears to have down-regulated the gene. figure 2a shows the band of the group treated with ascorbic acid (left lane), and the band of the group treated with the combination of ascorbic acid and iy-beta estradiol (right lane). when the left lane in figure 2a (ascorbic acid treatment) is compared to the right lane of figure ia (control), the control again appears brighter, suggesting that ascorbic acid also down-regulates the expression of the er-alpha gene. the right lane (ascorbic acid and iy-beta estradiol treated) is brighter than both the left lane (ascorbic acid treatment) of figure 2a and the right lane (control) of figure ia, suggesting that when ascorbic acid is i n a combination with estrogen, it can upregulate the er-alpha gene. i n the rt-pcr for estrogen-beta receptors, it was difficult to compare the expression levels because the bands (shown i n figures 3, and 4) were so faint. a possible explanation for such a low expression level might be because in mcf-7 cells, the alpha-receptor is the prevalent form and the betareceptor is hardly detectable. x v m it appears that the anti-proliferative effect of ascorbic acid on mcf-7 c e u s reported in the literature x l x is related to the down-regulation of estrogen receptor gene expression in mcf-7 c e u s treated with ascorbic acid. there was also a slight down-regulation in the gene expression level in the group treated with rj-beta estradiol and it seems that this down regulation was caused by a negative feedback due to the addition of iy-beta estradiol. previous work found that when estrogen is added to the melatonin, an antioxidant, the anti-proliferative effect of melatonin was reversed. similarly in this research, it appears that the down-regulating effect on the er alpha-rev i t a m i n e nitric oxide determination average amount of nitric oxide released for the control group was 0.4 nm. two groups treated with vitamin c and e released more no than the control group but overall vitamin e caused more increase in no release than vitamin c a n t i o x i d a n t s a n d gene r e g u l a t i o n : t h e effects of v i t a m i n s c a n d e o n e s t r o n g e n receptors figure 4 figure 5b figure 5b gene expression for estrogen beta receptors i n m c f 7 cells figures 3 and 4: possibly due to the fact that estrogen alpha-receptors are the prevalent form in mcf-7 cells and that beta-receptors are hardly detectable, a minimal amount of cdna for beta receptors were amplified. this caused the brightness of the bands visualized on the gel to be very faint. no conclusions could be drawn. gene expression for estrogen alpha receptors i n m c f 7 cells figure 5a: from left: control group (untreated), alpha tocopheral (vitamin e) treated group, and the group treated in a combination of 17beta estradiol and alpha tocopheral. no significant difference in the brightness of the bands of control group and vitamin e treated group could be found, but when third band (vitamin e and ly-beta estradiol) is compared to other two bands, the third band is less bright. the combination of alpha tocopheral and estrogen appears to have down-regulated er-alpha gene expression level. figure 5b: expression levels for beta-actin primer remained constant for all three samples, which verified equivalent sample loading. figure nitric oxide determination a direct comparison of the contol group and vitamir e group. !_ 7. s 6ceptor gene caused by ascorbic acid was counteracted by the up-regulating addition of vy-beta estradiol. figure 5a, shows by contrast that i n the alpha tocopheral (vitamin e) treatment, alpha tocopheral alone (middle lane) did not cause much change in the gene expression level of estrogen a^fca-receptors when compared to the control group (first lane from left). however, the band from the combination of alpha tocopheral and ly-beta estradiol (third lane from left) is dimmer and therefore the combination of alpha tocopheral and xy-beta estradiol caused downregulation in the gene expression level of er-alpha. it appears that alpha tocopheral and ascorbic acid have opposite effects when combined with the addition of iy-beta estradiol. n i t r i c o x i d e d e t e r m i n a t i o n a total of 15 trials were performed for nitric oxide determination. figure 6 shows the bar graph of the average amounts of no release for three groups of mcf-7 cells with a different treatment for each group. overall, compared to the control group, both vitamin c and e increased the level of nitric oxide release. however, it appears that vitamin e was more effective in boosting no release. figure 7 shows that this is true i n a direct comparison of the control and vitamine e. as mentioned in the introduction, an excessive amount of no may have negative effects, but the amount of no increased by vitamin e was not in a reach to be considered as an excessive level. since no is a scavenger for other free radicals that may promote a cancer, it appears that vitamin e may has positive effects in l imit ing cancer development by increasing no release. f u t h e r research more studies regarding antioxidants and estrogen receptors wi l l have to be done. i n the future, real time pcr may be conducted, which is the type of pcr that gives the exact quantity of amplified cdnas. by getting an exact quantity through conducting real time pcr, it would be possible to get clearer data. more trials can be conducted in addition. also in the future, a variety of other antioxidants other than vitamin c and e wi l l be used for similar types of experiments. c o n c l u s i o n although further studies wi l l have to be done, this study demonstrated the overall effect of ascorbic acid (vitamin c), alpha tocopheral (vitamin e) and their combination with 17beta estradiol on er-alpha gene expression. this study a n t i o x i d a n t s a n d gene r e g u l a t i o n : t h e effects of v i t a m i n s c a n d e o n e s t r o n g e n receptors demonstrated that ascorbic acid might have positive effects in l imiting the spread of breast cancer by decreasing the estrogen receptor level. however, this study also revealed that the combination of estrogen and ascorbic acid could cause up-regulation of er-alpha gene expression, which may be a possible explanation for the phenomena of greater proliferation that occurred i n the previous studies. it can be suspected that the combination of estrogen and ascorbic acid can make cells more vulnerable and may accelerate the mcf-7 c e u growth due to the increased level of estrogen receptors. i n contrast to ascorbic acid (vitamin c), alpha tocopheral (vitamin e) caused a down-regulation of er-alpha gene expression level when the cells were treated in combination with ij-beta estradiol. acting alone, alpha tocopheral showed no effect on regulation of this gene. this study also demonstrated the effect of antioxidants on the release of nitric oxide on the surface estrogen receptor of mcf-7 cells. this study showed that the both antioxidants increased no level but vitamin e was more effective than vitamin c, suggesting that vitamin e may have positive effects in preventing cancer. vitamin c and vitamin e appears to be working by different mechanisms since vitam i n e cause a significant release of no, whereas vitamin c caused a significant decrease of er-alpha gene expression i n the mcf-7 human breast cancer cells. overall, the data from this study wi l l help further understand how antioxidants work in the prevention of cancers and other type of diseases. e n d n o t e s i . refernce 1 i i . refernce 2 i i i . refernce 2 iv. refernce 2 v. refernce 3 v i . refernces 4-8 vi i . refernce 2 v i i i . refernces 9-10 ix. refernces 11-12 x. refernces 8-18 xi . refernces 19-21 x i i . 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i ( i) :89io8. 35. noto v, taper hs, jiang y h , janssens j, bonte j, de loecker w. effects of sodium ascorbate (vitamin c) and 2-methyl-i,4naphthoquinone (vitamin k3) treatment on human tumor cell growth i n vitro. i . synergism of combined vitamin c and k3 act ion. cancer. 1989 mar i ;63(5):90i-6. e l e m e n t s s p r i n g 06 "cookbooks and recipe pamphlets do not simply provide instructions on how to prepare meals. during world war ii, they also provided instructions on how to live healthily and how to he a good citizen." w o r l d w a r i i c o o k b o o k s : rationing, nutrition, patriotism, and the citizen consumer in the united states and great britain j e s s i c a j . f l i n n c o o k b o o k s h a v e b e e n u s e d t o i m p a r t d o m e s t i c a d v i c e a n d n a t i o n a l i s m t o t h e i r r e a d e r s f o r c e n t u r i e s . a m e r i c a n a n d b r i t i s h c o o k b o o k s d u r i n g t h e s e c o n d w o r l d w a r s e r v e d n o t o n l y a s a m e a n s o f d i s t r i b u t i n g r e c i p e s t h a t t o o k i n t o a c c o u n t r a t i o n i n g a n d f o o d s h o r t a g e s , b u t a l s o a s a w a y o f e d u c a t i n g w o m e n a b o u t n u t r i t i o n a n d h e a l t h y d i e t s , a s w e l l a s t o p r o m o t e t h e c i t i z e n c o n s u m e r . d e s p i t e t h e s h o r t a g e s o f f o o d , t h e n u t r i t i o n a n d h e a l t h o f b o t h n a t i o n s i m p r o v e d d u r i n g t h e w a r y e a r s . t h i s a r t i c l e c o m p a r e s t h e u s e o f a n d m o t i v e s b e h i n d r a t i o n r e c i p e s d u r i n g w o r l d w a r i i i n t h e u n i t e d s t a t e s a n d g r e a t b r i t a i n by e x a m i n i n g p r i m a r y s o u r c e s , i n c l u d i n g p a m p h l e t s , c o o k b o o k s , m a g a z i n e a r t i c l e s , a n d a d v e r t i s e m e n t s . o v e r t l y p a t r i o t i c c a r t o o n s , p o e m s , s o n g s , a n d c a t c h y s a y i n g s w e r e a l l u s e d a s m e a n s o f e d u c a t i n g t h e c i t i z e n c o n s u m e r . c o o k b o o k s a n d r a t i o n r e c i p e s p l a y e d a n i n t e g r a l r o l e i n w i n n i n g w o r l d w a r i i o n t h e k i t c h e n f r o n t . i n t r o d u c t i o n during world war i i , cookbooks and recipe pamphlets did not simply provide instructions on how to prepare meals. in both the united states and great britain, they also provided instructions on how to live healthily and how to be a good citizen. in addition to distributing recipes that took into account rationing and food shortages, they also educated women about nutrition and healthy diets and promoted the citizen consumer. lizabeth cohen coined the term "citizen consumer" in her book, a consumer's republic. cohen describes how the united states government "put the market power to work politically" and the ways in which "loyal female citizens were defined in consumerist ways," creating the idea of the citizen consumer.1 the cookbooks also show the cooperation of the government and food companies in creating the citizen consumer. authors had used cookbooks to impart domestic advice and nationalism to their readers long before world war i i . in the 19th century, american domestic advisors used cookbooks to communicate their guidance, because middleclass american women were familiar with cookbooks.'' the first cookbook printed in the united states, amelia simmon's american cookery of iyg6, displayed nationalism through recipes with names such as "indian pudding" and "johnny cake."111 during world war i i , the nationalism displayed in cookbooks went from the names of recipes to construing cookery as vital wartime defense work. sherrie a. inness identified the essential aspects of cookery defense as: "maintaining the health of the family and keeping the family's spirits high with plentiful, well-cooked, and palate-pleasing meals. 1 v g o v e r n m e n t a n d food c o m p a n i e s the extent of the rationing and food shortages in great britain was much more severe than in the united states. great britain felt the effects of the german blockade and of constant air attacks on their food supply. the united states was not only an ocean away from the fighting, but it was a country large enough to be self-sufficient. the difference in rationing in the two countries can be illustrated with the example of milk: in the united states, rationing allowed an adult to have one pint of milk daily compared to the three pints of milk each adult in great britain was allotted weekly.v another striking difference in rations is found with meat; americans were allowed approximately 6 ounces of meat per day (42 ounces a week) compared with the 16 ounces of meat that the english were allotted per week.v l despite these differences, the governments of both nations worked to distribute information about food rationing and recipes to citizens. the british government was much more active than the united states government was in the distribution of food information to the public. looking at the ladies' home journal and good housekeeping reveals that private food companies also sought to educate consumers on war-time rationing. the first federal ration book in the united states was war ration book no. 1, which was distributed in 1942/' ' the rationing began with sugar and went on to include coffee, butter and other fats, canned and frozen goods, and red meat . v m meat rationing went into effect in 1943 with the war ration book two, which contained red ration stamps. the red stamps were required to purchase fresh, frozen, cured, and canned beef, veal, pork and lamb, all variety meats (i.e. liver and heart), ready-to-serve meats like sausage and hot dogs, and canned meat, fish, and poultry. the stamps were also needed for butter, lard, margarine, shortening, salad and cooking oils, and cheese (with the exception of cottage cheese).ix the saying "watch your p's (points) and q's (quantities)" comes from this period in american history.x the point values of different foodstuffs were changed monthly depending on the supplies available for the consumer market and were posted in grocery stores.x1 extra ration points could sometimes be earned by selling fat back to the butcher. x i i a n advertisement for tuna i n the ladies' home journal used the fact that tuna was low i n red points as a selling point. x l " recipe pamphlets gave tips regarding rationing, such as, "spend blue ration points on legumes for protein, to help stretch red ration points." x i v in contrast to the voluntary food restrictions of world war i , the ration-stamp system was established by law. x v e l e m e n t s s p r i n g 07 rationing in great britain began earlier in the war than rationing in the united states, and persisted longer after the war was over. in 1939, the british government began a system of food rationing which was not completely abandoned until 1 9 5 4 . ™ the rations in great britain varied slightly from month to month, as foods became more or less scarce. according to noelle walsh, one of the compilers of the home front: the best of good housekeeping 1939-1945, the average weekly food supplies i n great britain included 4 ounces of bacon, 3 ounces of cheese, 2 ounces of butter, and 6 ounces of cooking fat and margarine. x v n marguerite patten provides an excellent list of the rations for an adult per week in her introduction to we'll eat again: a collection of recipes from the wartime years.xviii in addition to the weekly rations, there was a monthly points system. "as an example of how these could be spent, the 16 points allowed you to buy one can of fish or meat or 2 pounds of dried fruit or 8 pounds of split peas."xix early in the war, good housekeeping published articles such as "feeding five on /3.10 a week" (april 1940). the five people the article sought to feed were a wife, husband, maid and two children (ages 10 and 12). it laid out menus consisting of a dinner and a supper for each day of the week, practical tips, and a weekly shopping list to accompany the menus. x x the ration recipes of world war i i were primarily distributed through pamphlets, cookbooks, magazine articles, and advertisements. food companies created many pamphlets. for example, the september 1943 issue of ladies' home journal, an american magazine, included numerous advertisements for pamphlets and booklets produced by food companies. swan down cake flour advertised a wartime recipe booklet for 6 cents.™ another advertisement offered "120 wartime meat recipes," using less familiar cuts of meat for 10 cents; an advertisement for knox gelatin offered recipe booklets with "all protein, no points" that were free i f one sent away for them. x x i l a jell-0 advertisement in the same issue promised: "you can still say 'welcome' in wartime." it included four recipes made with jell-o, including a savory jell-0 vegetable salad mold. 5 0 ' 1" timely pamphlets from the federal government on cooking were available free of charge to those who requested them.54*™ the food companies advertised the availability of their pamphlets much more than the government did, and some commercial cookbooks also alerted consumers to the availability of the government pamphlets. the committee on food habits (cfn) distributed its reports on ways to change america's food habits during the war, by mass mailing and conferences held every few months. then, other organizations, such as the war food administration and the office of price administration (opa), passed this information on to the american public. x x v the government agencies often provided food companies with this information, and many of the pamphlets distributed by the food companies also included information from the government. in great britain, the women's magazine good housekeeping played a similar role to the american ladies' home journal. good housekeeping worked closely with the ministry of food (f.m.) throughout the war; in fact, it was partly due to its relationship with the government that the magazine was able to continue publication during the war years, showing readers how to make delicious and nutritious meals with their rations. x x v i due to the rationing of paper i n britain there were not many advertisements in this magazine. of the advertisements that were i n the publication, a large proportion were propaganda and information from the government ministries, in particular the f.m. 5 0 5 ™ a full-page advertisement issued by the f.m. in a 1943 issue of good housekeeping, for example, promoted the use of dried eggs. it also provided an address to which citizens could send a postcard, in order to receive a free dried-egg leaflet containing "many interesting recipes." x x v i n the cooperation between the magazine and the f.m. is also evident i n an article entitled "dried eggs." the article reads like propaganda, promoting dried eggs as one of the best foods that wartime rationing brought to great britain. it offered some practical tips and tested recipes. war-time recipes like these typically emphasized that they had been "tested." the recipes in this particular article included: bacon omelette, egg and potato fritters, w o r l d w a r i i c o o k b o o k s : r a t i o n i n g , p a t r i o t i s m , a n d t h e c i t i z e n c o n s u m e r parsley eggs, potato surprises, and an egg and rice loaf. x x , x ladies' home journal did not feature as much government propaganda as good housekeeping displayed, but it did include advertisements from food companies offering recipes and patriotic messages. a mcdougall's selfraising flour advertisement in the april 1940 issue offered readers a recipe for an egg-less family cake and a coupon for a free wartime cookery book i f readers sent in the coupon in an unsealed envelope. the cookery book contained "much useful advice and a big variety of excellent tested recipes."*** daniel horowitz summed up the relationship between government and food companies when he wrote that "working closely with business, labor, and consumer groups during world war i i , the united states government educated, cajoled, and forced citizens to buy and consume food in ways that minimized the diversion of labor and foodstuffs from the war effort."5 0™ many food companies produced recipe pamphlets and cookbooks, specifically for cooking under wartime rationing. the pamphlets and cookbooks were educational, useful, and patriotic, but they were also promotional. the better meals in less time for less money pamphlet had recipes that used pet milk, and it included an advertisement for the author's radio demonstrations. x x x n similarly, your share advertised for general mills products. a n advertisement for fray bentos and for oxo, in britain, notes with a star that "all supplies of corned beef including fray bentos are now distributed by the f.m." x x x m this advertisement shows that the food company that made fray bentos brand was working with the f.m., and they seemed to be using that as a selling point as well. n u t r i t i o n a n d h e a l t h y d i e t s despite the shortages of food, the nutrition and health of both nations improved during the war years. this is i n large part due to the educational campaigns that both governments waged to increase citizens' knowledge of healthy diets and the importance of vitamins and minerals. they often used cartoons and rhymes in their campaigns to help citizens remember the facts. in 1942, the united states government introduced "uncle sam's food rules," of which there were eight. the office of defense health and welfare services advertised the food groups, telling citizens to "every day, eat this way." food was arranged into the following groups: mi lk and dairy products; bread and cereal; oranges, tomatoes, grapefruits; meat, poultry, or fish; green or yellow vegetables; other vegetables, fruit; eggs; and butter and other spreads.xxx1v in 1943, the food and nutrition board, under the office of defense health and welfare services, replaced uncle sam's rules with the "seven basic food groups." x x x v recipe pamphlets in the united states almost universally included a section on nutrition and meal planning, and it was not uncommon for a diagram of the seven basic food groups to be at the end of a pamphlet. in the victory cook book there are useful facts about food, including the vitam i n content and calories of the different ingredients used in the recommended meals. the women in national service's "ten rules for wartime eating" included keeping a list of the seven basic food groups in the kitchen or in the woman of the house's purse. consumers were to pay attention to these rules when planning and buying . x x x v l the u.s. government and food companies created and/or modified recipes to help ensure that americans received a balanced diet. evaporated milk, cooked soybeans, and soy e l e m e n t s s p r i n g 07 flour were added to recipes to increase protein and to wean consumers away from rationed meat and fat. peanut butter was used as a substitute for rationed fats (shortening) and also for added flavor and pro te in . x x x v n food companies caught on and began to advertise the nutritional value of their products. a n advertisement for van camp sea food company tuna had this rhyme: pat-a-cake, pat-a-cake, baker's man, pack me a tuna pie, as fast as you can. roll it and pat it and mark it with a v, to stand for vitamins "a" and "d. "xxxviii surprisingly, considering the emphasis on stretching meat and the strict controls put on its distribution, the nation's consumption of meat actually grew during the war years, especially among the poorest third of the population. 5 0 0 0" betty crocker's your share pamphlet is filled with nutrition-oriented cartoons and rhymes. here is a rhyme that is included in the egg section: wcdupfy e g g s humpty dumpty's always on call bursting with vitamins far as b/l proteins and minerals, too, in his shell what we all need to help keep us well. do you know your egos? federal and state regulations for grading eggs vary. find out your a g o o d e g g for the breakfast tabic . . . is strictly fresh (top grade). for cooking (in meat loaves, custards, etc.) . . . is a smaller egg (lowe for baking (especially cakes) . . . is a large egg (2 oz.) or measure etj full amount. the large eggs recipes . marie-francoise durand, benoit martin, delphine placidi, marie tournquist-chesnier « implementation des etablissements mcdonalds, 2004 ». atlas de mondialisation, ze edition. (paris : presses de sciences po, 2007). lenton, nina. 2008. "childhood obesity a heavy burden for parents" retrieved from . lu, le and ilan alon, "analysis of the changing trends i n attitudes and values of the chinese: the case of shanghai's young & educated," journal of international and area studies 11(2) 2004. markey, sean. 2006. "obesity explosion may weigh on china's future" national geographic news retrieved from . nestle, marion. food politics. (berkley: university of california press, 2002). news-medical.net. 2006. "more fat people than starving i n the world." retrieved from . popkin, barry m . and mendez, michelle. "the rapid shifts i n stages of the nutrit ion transition: the global obesity epidemic" i n globalization and health edited by ichiro kawachi and sarah wamala, oxford university press: 2007. popkin, barry m . "nutr i t ion transition presentation." university o f north carolina, chapel h i l l , school of public health. retrieved from . webmd. 2009. 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"overweight and obesity i n china" bmj. retrieved from . zhang, xiaoyong, hans dagevos, yuna he, ivo van der lans, fengying zhai, "consumption and corpulance i n china: a consumer segmentation study based on the food perspective" food policy, 33(1). february 2008. zhu, delphine, sciences-po, paris masters student from shanghai, china e l e m e n t s s p r i n g 10 http://www.planetretail.net http://www.chinadaily.com.cn/china/2008-i2/o3/content_72654i5.htm http://www.chinadaily.com.cn/china/2008-i2/o3/content_72654i5.htm http://news-medical.net http://www.news-medical.net/news/2006/09/04/19792.aspx http://www.news-medical.net/news/2006/09/04/19792.aspx http://medical.net/news/2006/09/04/19792.aspx%3e. http://www.authorstream.com/presentation/woodworkhttp://www.webmd.com/cholesterol-management/obesity-health-risks http://www.webmd.com/cholesterol-management/obesity-health-risks http://www.who.int/dietphysicalactivity/publications/facts/obesity/en http://www.who.int/dietphysicalactivity/publications/facts/obesity/en http://www.bmj.com/cgi/content/full/333/7564/362 t h e t r u t h i n t h i n g s ( a n d love i n t h e w o r l d accessing the natural law's metaphysical and theological s h a n e ulbrich t r o u b l e d by t h e fruits of c o n t e m p o r a r y p h i l o s o p h i c a l a n d s p i r i t u a l n i h i l i s m a n d h a v i n g d i s c e r n e d t h e i n a d e q u a c i e s of p o s i t i v i s m , a g r o w i n g n u m b e r of people experience p r o f o u n d d i s s a t i s f a c t i o n w i t h m o d e r n i t y a n d are r e n e w i n g t h e search for " t h e t r u t h i n t h i n g s , " as a n s e l m e of c a n t e r b u r y o n c e stated. s o m e seek a corrective e l e m e n t t h r o u g h a t r a d i t i o n a l u n d e r s t a n d i n g of n a t u r a l law, a n d a n u m b e r of c a t h o l i c s c h o l a r s have m a d e it t h e i r task to r e a p p ro p r i at e a n d a r t i c u l a t e t h e n a t u r a l law for t h e m o d e r n a g e , b o t h w i t h v a r i e d success. t h i s article traces s o m e of t h e f o u n d a t i o n a l n o t i o n s t h a t g r o u n d n a t u r a l law t h i n k i n g . it i llustrates h o w t h e n a t u r a l law m i g h t be better recovered a n d c l a r i f i e d i n l i g h t of m o d e r n p h i l o s o p h i c a l a s s u m p t i o n s . f i n a l l y t h e article suggests t h a t t h e n a t u r a l law m u s t be v i e w e d t h r o u g h t h e t h e o l o g i c a l lens of c h r i s t i a n c h a r i t y for its full s u b s t a n c e to be a p p a r e n t . a t w e n t y f i r s t c e n t u r y s e a r c h f o r n a t u r a l l a w i n many ways, the intellectual history of the twentieth century is the history of the dissemination of nineteenth century philosophy, particularly its hermeneutics and language, into popular consciousness. in the twentieth century, various strands of nihilistic philosophy, avantgarde literature, and scientific theory—once the preserve of an intellectual elite—came to influence various social, political, cultural, and religious institutions and were suddenly (and subtly) thrust upon popular sensibility. darwinian and marxist theory, the modern literary turn begun by baudelaire, and nietzsche's challenge to the entire western tradition are some of the intellectual movements which profoundly affected everyday men and women, creating a mixed modern consciousness unlike any other in human history. the dominant values of the century were those of liberal democracy, especially equality, with appeals to human rights as the preeminent moral category. beneath this, though, the century held a strongly positivistic view of law and politics (i.e. the view that the existance and content of the law depend primarily on societal positivism and nihilism. young people in particular tend to seek a movement, a way of thinking, a group, or a person in which they can believe and to which they can commit themselves. some seek a return to traditional wisdom, often connected to religious conversion, in which natural law seems to play an important, i f unclear, role. it has mostly been particular historical events of the past century, rather than abstract philosophical ruminations, that have prompted the new search for the natural law. in the rise of national socialism, the nazis seem to have used pseudo-nietzschean thought as the philosophical rationale behind their project, or at least to have seized upon the weaknesses of the modern soul that nietzsche so well understood. but nietzsche's thought, as well as the problems of modernity that he both saw and created, appears elsewhere—even in boston. allan bloom indicates the ways in which late nineteenth-century german thought and language have quietly infiltrated american sensibilities to the detriment of the liberal arts." parallels may be found in the legal sphere; a well-known opinion of justice anthony kennedy in planned parenthood v. casey (1992) i l "the dominant values of the century were those of liberal democracy, especially equality, with appeals to human rights as the preeminent moral category." conditions). nietzsche shows, moreover, that once modern optimism fades, a deadly nihil ism is revealed as that which dwells deepest in the contemporary psyche. prominent catholic intellectuals like karol wojtyla and joseph ratzinger tend to believe that philosophical developments have real consequences for human communities. in light of the troubling history of the twentieth century, their belief seems compelling. 1 it is this realization that has prompted many people from different walks of life to seek an alternative to modern—and now postmodern— lustrates some of the strange notions at the end of the twentieth century: "at the heart of liberty is the right to define one's own concept of existence, of meaning, of the universe, and of the mystery of human life." absent the inculcation of nineteenth-century philosophical conclusions, it would be hard to imagine that such a view of liberty could ever be taken seriously. such a philosophical climate does not much countenance appeals to natural law. those interested in the natural law tradition often find themselves teetering on the fringes of e l e m e n t s s p r i n g 10 what is politically and academically permissible; those who take it seriously in turn find it difficult to be taken seriously themselves. it is then a cause for wonder to see a number of people responding to contemporary crises of international crime, global atrocities, and racism, as well as questions of reproductive rights, marriage, and abortion, from the perspective of the natural law. they seem to believe that the present age, despite its successes, is weak in its inability ever to provide satisfactory solutions, from sound theoretical bases, to these serious problems. a positivistic mind and a nihilistic spirit are not up to the task. some then have turned to the natural law because it provides something that positivism cannot. prosecutors at the nuremburg international war-crimes trials of 1945-1946 found it necessary to appeal to natural law arguments in the absence of any positive law that could account for the crimes of the third reich. jacques maritain, as a member of the commission on human rights that drafted the universal declaration of human rights, considered it a great step forward to enlist the natural law in support of natural rights. dr. martin luther king, jr., frequently appealed phy: what ernest fortin has described as "unconscious but rampant" n ih i l i sm. l v a n examination and re-appropriation of the natural law and its theoretical foundations promises to save contemporary men and women from an otherwise dismal fate. on one level, it guards society from the totalitarian rule of a purely positive human law, wherein might defines what is right and naked power is able to revoke tomorrow the rights it protects today. even more profoundly, the natural law and its foundations could save modern man from the prospect of the "existential" individual standing finally alone, without any truth or good worth living for, overcome by what charles taylor calls the "spectre of meaninglessness."v many catholics in particular have taken up this task of articulating the natural law anew. they have in their philosophical and theological tradition some of the richest resources for undertaking the task. i n such a context, the natural law should be newly appropriated in terms of a comprehensive thomist realism, smartly aware of present and past challenges, and with a sound understanding of its roots in the christian theological tradition. "even more profoundly, the natural law and its foundations could save modern man from the prospect of the 'existential' individual standing finally alone." to the natural law and to its traditional sources as he struggled in the 1950s and 1960s against segregation statutes. he saw that justice would only be guaranteed in civil society i f natural law were to inform and check the positive law. in 1963, from birmingham city jail, he wrote to fellow clergymen, "never forget that everything hitler did in germany was legal." 1 1 1 for many twenty-first century men and women, the natural law offers a corrective not only against positivism, but also against that second prong of nineteenth century philosotowards u n d e r s t a n d i n g n a t u r a l law t h r o u g h is-and-ought it is necessary to articulate, even i n limited scope, some of the foundational underpinnings of the natural law. to accomplish this, it wi l l be helpful to engage some modern philosophers, and to address some of the difficulties—of both tacit sensibility and explicit philosophical understanding—that hinder the modern mind's grasp of the metaphysical and epistemological foundations of the natural law. t h e t r u t h i n t h i n g s ( a n d l o v e i n t h e w o r l d ) one way to enter into such theoretical considerations is through the problem of is-and-ought. in some sense, all problems in natural law thinking of intellect-and-will, and duty-and-right, first require some grasp of the is-ought question. the modern philosophic tradition, beginning with machiavelli, has long rejected the classical conception of is-ought. it has replaced it with a hermeneutic that makes it difficult for the modern mind to sympathize with thomist realism. a brief exposition of some key moments in the history of modern philosophy and modern scientific and political theory may enlighten consideration of this subject. this exploration should make clear what was lost when classical theories were sidestepped. m o d e r n d o c t r i n e s of is-and-ought the issue of is-and-ought provides a powerful lens for viewing the history of western philosophy at its most important moments. the most revolutionary thinkers each propose, more or less explicitly, new definitions of is and ought and a new understanding of their relationship. we begin at the end of classical political philosophy with niccolo machiavelli who, in the midst of the flourishing of renaissance humanism, proposes what seems to be a profoundly anti-humanist doctrine. machiavelli turns the mind to practical considerations in a radically new way. he definitively breaks from the entire tradition before h im, from metaphysics and virtue, when he writes i n the prince: . . .my hope is to write a hook that will he useful. .. and so i thought it sensible to go straight to a discussion of how things are in real life [la veritd effettuale della cosa] and not waste time with a discussion of an imaginary world . . .for the gap between how people actually behave and how they ought to behave is so great that anyone who ignores everyday reality in order to live up to an ideal will soon discover he has been taught how to destroy himself not how to preserve himself?1 machiavelli here defines what is simply as "how things are rene descartes expounded v o l u m i n o u s l y o n t h e isand-ought d i c h o t o m y . in real life"; human nature is simply "how people actually behave," observed empirically.v 1 1 the old ought is identified with is in an entirely new way: in his political realism, one simply pursues, by whatever calculated, even cruel means possible/ 1 1 1 those goals that "all [men] share" and do not question: "the acquisition of glory and riches." 1" one can see how machiavelli opens the way for what follows, including hobbes' "warre of every man against every man." x it begins with machiavelli's repudiation of the classical moral is—of the platonic forms, the aristotelian virtues, christian beatitude—for the sake of the is-andought of "practical realities" and self-preservation. machiavelli says something with which everyone before h i m agrees—that "we do not live in an ideal world"—but he means to say much more: that effectively there is no ideal world. rene descartes accomplishes a parallel recasting of isought, through science rather than political philosophy. despairing over his own uncertainties after years of serious education, and only further discouraged by the perennial clashes among great philosophers past and present, descartes resorts to a new understanding of is-and-ought, of our capacity for knowledge and the role of nature. descartes would ultimately have students grow into techni e l e m e n t s s p r i n g 10 cians mastering nature, rather than lovers after wisdom who learn from nature: . . . it is possible to arrive at knowledge that would be very useful. . . in place of that speculative philosophy taught in the schools, it is possible to find a practical philosophy, by means of which [we might be able] to use [the force and actions of nature]for all the purposes for which they are appropriate, and thus render ourselves, as it were, masters and possessors of nature. this is desirable not only for the invention of an infinity of devices that would enable one to enjoy trouble-free the fruits of the earth ... but also principally for the maintenance of health, which unquestionably is the first good and the foundation of all the other goods of this life.xl descartes here dramatically redefines the scope of philosophy. whereas speculative philosophy—and even common sense—might question in what sense health is the "first fri edrich nietzsche urged m a n to embrace his i n n e r " w i l l to power." good," descartes' practical philosophy accepts it as "unquestionably" the first and foundational good, and proposes to redirect the whole potentiality of human reason to purely instrumental work. his discourse on method and its philosophical progeny laid the foundation for a profound technologization of the western mind, which is trained to seek the most effective means to presupposed ends, not unlike the schema of machiavellian realism. what is are the certainties of math and science, subjected to methodical doubt, that can bring man and society to axiomatically assumed "oughts," such as health and mastery over nature. modern philosophy's treatment of is-and-ought moves forward through variations in bacon, hobbes, rousseau, kant (who, uniquely, seeks to preserve something like the old moral law, though on a rationale that has definitively discarded the old metaphysics), darwin, and nietzsche. nietzsche offers a radical reevaluation of all former conceptions of is-and-ought—from the platonic to the darwinian. he does to modern philosophy what machiavelli had done to classical political thought. in light of the "death of god," nietzsche rejects classical idealism, machiavellian realism, and cartesianism, along with the emptiness of technological progress. i n their place, nietzsche proposes that man has another kind of ought to answer to: a responsibility to himself by virtue of his own potential for greatness, seeking security and solace from the traditional moralities. the truly great are called to abandon life-denying religious i l lusions and kantian rationality. instead, man must seek his self-divinization and embrace the greater potentiality within himself, the "wil l to power" which a true view of history reveals as the deep driving force of humanity. instead of a passive conformity to the natura naturata—created nature as the non-existent god has fashioned it or as the everyday world simply operates—to be pursued is the action of natura naturans, a singular "creating nature" that pronounces "so things ought to be" rather than a passive, stupid "so it is."xu for nietzsche, at the center of reality, of what is, are the wi l l and strength of the singular man who becomes a law unto himself, and who creates meaning and his own ought out of chaos. x m t h e t r u t h i n t h i n g s ( a n d l o v e i n t h e w o r l d ) this survey of modern intellectual history begins to suggest how thomistic metaphysics and its natural moral law have been rendered radically foreign and therefore incomprehensible to the modern mind. natural law can only be grasped through an intelligent criticism of these many layers that form the contemporary consciousness. it is a difficult project, to say the least. t h e m e t a p h y s i c s u n d e r l y i n g t h e n a t u r a l law to see the classical theory against which modern thought defines itself, we may begin with josef pieper, a popular catholic philosopher of the twentieth century. he provides some keen insight into the clash of the classical and modern, and also indicates what thomist realism positively consists of. in a lucid exposition of the realist ethics of st. thomas aquinas, he begins by capturing a key metaphysical insight of the scholastics by two brief statements: "omne ens est verum," (all that is real, is true); and "omne ens est bonum," (all that is, is good). x l v with different historical emphases than those of this paper, pieper demonstrates how this key metaphysical principle of "the truth of all things" has been impatiently dismissed in modern philosophy. hobbes characterized the old metaphysical principle as "inane and childish," x v spinoza claimed that truth "could only reside in a statement," since things on their own are "mute," x v ] and kant judged the scholastic doctrine sterile and tautological. x v n in the understanding offered by "omne ens est verum," however, knowledge of being yields moral knowledge; is teaches ought. this view involves a conception of reason different from the one to which the modern mind, as a product of the enlightenment, is accustomed. the modern, technologized mind envisions a sharp division between practical and theoretical reason. it devotes its energy to instrumental rather than contemplative reasoning (a la descartes). theoretical contemplation and reason is tacitly dismissed as idle, uncertain speculation—the preserve of irrelevant hermits—while progress in technology bears real fruit for the world. but thomas' understanding is fundamentally different. his epistemology assumes the underlying unity of practical and theoretical reason; both operate in the same human person. the theoretical reason at bottom involves seeing reality, grasping real things' essences (in some mysterious fashion). having grasped a res in intellection, having come to a theoretical knowledge of it—through experience and the senses as much as any purely cerebral activities—the mind also gains a practical knowledge of what is its nature, and what that nature demands and seeks as an end. what someone or something is indicates how it ought to be approached, treated, and used . x v m thomas fay offers a clear summary of jacques maritain's understanding of this approach by his understanding of the ontological and "gnoseological" aspects of the natural law: . . . man has a being-structure which is the locus of intelligible necessities. . . . he possesses ends which necessarily correspond to his essential constitution and which are common to all men. this means that there is, by virtue of human nature itself, an order or a disposition which human reason can discover and according to which the human will should act if it is to attain the necessary and essential ends of being human.xlx maritain soundly appropriates thomistic realism and natural law, including its integral philosophic foundations, which commentators like ralph mclnerny consider crucial for recovering the natural law in the present age. t h e o l o g i c a l c o n s i d e r a t i o n s : t h e n a t u r a l law a n d c h r i s t i a n love yet even while articulating the natural law's classical philosophical foundations, we may ask whether something theological is also necessary for a coherent account of the natural law. given the natural law's historical development, it may be asked whether the natural law can substantially survive i f abstracted from its original, christian theological setting. several scholars have recently suggested that the structure of the summa theologiae implies the necessity of e l e m e n t s s p r i n g 10 theology for the natural moral law. aquinas' treatise on law is located in the secunda pars, which is couched by the prima pars (on natural and sacred theology), and the tertia pars (on christ). this structural decision may be more than a coincidence; it may indicate something about a necessary interrelation of the three parts. i n a recent essay, brian j. shanley, o.p., suggests exactly this in terms of human beings as imago dei: fiat—imposes arbitrary laws, an arbitrary ought, upon chaotic creation.™ 1 instead, the classical understanding affirms: omne ens est verum. indeed, it maintains not only that intellect has priority over wi l l , but also that, absent god and his act of creation, the natural law can have no ultimately coherent foundation.™ 1 1 yet, as st. thomas understood, this does not mean that natural law can only be known by the "privileged communication" of revelation. 5 0^ the doctrine of imago dei means that human action . . . can only be understood in the light of the exemplar of the trinity. the secunda pars makes sense only in the light of the prima pars and as pointing to the tertia pars™ to similar effect, glenn w. olsen writes in a recent issue of communio: thomas' account of the relation between natural and divine law . . . reveals its deepest meaning saintthomas aquinas, forem when read against the background of his doctrine . . . that nature, as such, desires a fullness that it can attain only within the context of gracious elevation to the visio beatifica™ claiming the necessity of christian theology as the sure locus of natural law does not necessitate fideistic conclusions, such as the argument that the natural law is something inaccessible to man's reason, dependent completely upon divine revelation. in such a case, there would be nothing natural about the natural law. the involvement of theology in our speculative considerations does not necessarily mean that simply the wi l l of god—by voluntarist, divine natural law thinking, in the way that we understand it from the high middle ages, could not have developed as it had were it not for the setting of christian theology. though intimations are made of it in stoic philosophy, its high development in the christian tradition is unique. ernest fortin explains that the natural law came to fruition out of the need "to complement the moral teaching of the new testament by means of a law that takes into account the realities of the political and social life."50™ as a crude but suggestive simplification, it could be said that this need became more apparent as christians realized in the first centuries that the second coming was not so imminent as was first believed. they would have to sojourn—to live, think, and participate in the world down through the generations—and would have to involve themselves in ordinary work, family, and even government—mundane matters no doubt relativized by the gospel, but nonetheless a necessary part of the earthly life to which god calls his people for his purposes. the new testament itself by no means provides concrete guidance for all worldly concerns, and christians needed some supost scholar of natural law. t h e t r u t h i n t h i n g s ( a n d l o v e i n t h e w o r l d ) "natural law thinking, in the way that we understand it from the high middle ages, could not have developed as it had were it not for the setting of christian theology." plementary wisdom. fr. fortin spells out this problem and illustrates the function that natural law came to serve: the great novelty of the new testament is that, while it begins by abrogating the old law, it does not replace it by a new one but by something that transcends all divine and human law, namely, faith in christ. . . . nowhere does the new testament give us any specific rules to live by or any inkling as to how the general rules that it does give us might apply to society at large. in all interesting cases, one is at a loss to draw any definite conclusions from the universal commandment of love, which lends itself to the most diverse interpretations. . . . [the natural law] injected an element of rationality into the moral ideal of the gospel, enabled people to discover in that ideal a universality that it might otherwise be thought to lack, insured its effectiveness by spelling out some of the modalities of its application to concrete situations, and provided an added safeguard against the misuses to which it easily lends itself. [this] explains why medieval christendom is the only society in which the natural law ever played anything like a determinative role.™1 the natural law thus fills a "gap" in the new testament by complementing it. moving beyond fortin's analysis, i f we consider that the secunda pars is only comprehensible in light of the doctrine of imago dei and the christ to whom it points as fulfillment, we see that the natural law employs human reason and the metaphysics of a classical realism, ultimately to carry out the mandate of christian love on earth. i n this theological view, the natural law is eminently rooted in love and represents an authentic movement of deepening christian love for the world and humanity, rationally rooted in the ontology of "the truth of all things." the use and development of the natural law i n the christian tradition down to the present is i n one way an attempt to spell out rationally the promptings of love—love for the created world in which christians find themselves, a world which in turn finds its end in love itself, in love's natural, human forms as well as its divine fullness. the natural law then appears as an element of love's incarnation in jesus christ and his loving affirmation of creation—of man's own mundane life and mundane loves, which he desires to see flourish as the beauty of created nature grafted onto the gospel's grace. divine love does not obliterate natural, human love—there is no radical opposition between agape and eros, for instance—but rather draws it up into completion. as thomas writes, "gratia perficit naturam secundum modum naturae": "grace perfects nature according to the manner of nature. ' , x x v i l this connection between the natural law and love is precisely what seems, i f quietly, to lay at the center of many contemporary catholic philosophical searches for the natural law. i n this hermeneutic, the natural law is not at heart a matter of casuistic theorizing, of reactionary traditionalism, or even primarily of justice, but of love, and love in two senses. first is the christian, gospel-motivated love for the world which seeks the integral good of man and society; as st. ignatius of antioch wrote, "the glory of god is man fully alive." second, and perhaps more interesting, is love as the end to which the natural law itself, with its primary and sece l e m e n t s s p r i n g 10 ondary principles, strives. i n christian natural law, then, even the virtue of justice is incomplete as an end: it must itself serve love. 5 0™ 1 1 1 especially striking in this vein is a passage from heinrich rommen. in the midst of treating contemporary legal issues, he suddenly and surprisingly places love at the center of the classical vision, and in very concrete terms: we do not start with a fictional status naturalis in which man existed as a quasi self-sufficient individual and which he left for utilitarian, even material, reasons or for greater economic security. we see man being begotten of the union of man and woman in the protected and protective enclosure of the family. we see man being begotten of an eminently social act, however much it be surrounded by emotions and the urges of the animal part of man. we see man being born and growing up in the loving circle of the family, the first, foremost and indispensable educative society. we see the family again as the member of many societies. . . . that man is by nature social means also that to man, in his essence, belong certain acts, spontaneously, freely elicited from the innermost center of the person which are social insofar as they find the fulfillment of their intentional essence only by the answer of another person. the act of love in all its forms and "objects"—if such a term is at all permitted— such as friendship, conjugal love, patriotism, comradeship, brotherhood, parental and filial love, and finally divine charity, all involve another person, and are a trustful surrender of ourselves to other persons with a readiness to sacrifice self-interest and material things. we grow, we gain in personal values by love which is value-producing and implies the most tender respect for the other person. love in all its forms is so fundamentally an essential human act, a community-building act, that the man without any love becomes "inhuman." the "ego" then demands the "thou" and becomes conscious of itself in the form of "we." love in all its forms is an unconditionally essential act of man's nature. a world without love is an inhuman world.xxlx the classical natural law, then, is preeminently conscious of man's social nature, at the center of which is love of all kinds: spousal, familial, fraternal, and divine. the facilitation of authentic love, the source and summit of coherent human society, is thus a preeminent concern of the classical natural law. a realist, christian ethics based on the natural law looks to such love, the greatest good of man, and seeks to understand its complex workings, so as to refine and protect it for fellow man and society. c o n c l u s i o n this essay has hopefully illuminated some aspects of the natural law in st. thomas' thought, in his metaphysics, and in its larger theological setting. at times, the contemporary situation seems to present insurmountable obstacles to establishing the legitimacy of natural law thinking, even amongst christians. there is pressing need for serious and resourceful reflection on the foundations of natural law. clarity about metaphysical and theological issues is necessary for recovering a full-bodied understanding of the natural law that wi l l be viable and responsive to the needs of the present day. e n d n o t e s i . weigel (no) i i . bloom (67) i i i . king (294); i n the same letter, dr. king cites aquinas: "an unjust law is a code that is out of harmony w i t h the moral law. to put it i n the terms of st. thomas aquinas: a n unjust law is a human law that is not rooted i n eternal law and natural law." iv. fortin, "natural law and social justice" (1-20) v. taylor (717) vi . machiavelli (48) v i i . machiavelli provides a few cutting examples of "how people actually behave," how the world "really" operates: "all armed prophets are victorious, and disarmed ones are crushed" (20); "men are quicker to forget the death of their father than the loss of their inheritance" (50) v i i i . moral considerations are effectively abolished: "those who use cruelty well may indeed find both god and their subjects are prepared to let bygones be bygones" (30) ix. machiavelli (75) x. hobbes (no) xi . descartes (34-35) x i i . nietzsche, advantage and disadvantage (48-49) x i i i . nietzsche, twilight of the idols (50-51) xiv. pieper, "the truth of a l l things" (13); pieper additionally cites two other equivalent expressions: "ens et verum convertunt h e t r u t h i n t h i n g s ( a n d l o v e i n t h e w o r l d ) tur," and "omnis res est vera et nulla res est falsa" (thomas aquinas, quaestiones disputatae de veritate i , 10) xv. pieper, "the truth of a l l things" (16) xvi. pieper, "the truth of a l l things" (17) xvii. pieper, "the truth of a l l things" (19); kant writes: "... the concepts o f unity, t ruth , and perfection . . . are, i n themselves, empty. . . . i t is the same regarding truth; for t ruth be i n this: that every thing would be what it is—which is tautological as well ." (fn.19) xvii i i . summa theologiae, la q. 79 a. 2; summa contra gentiles, 3, c.25 xix. fay (439-48); see also mclnerny, "natural law and human rights" (1-14) xx. shanley (345-69) xxi. olsen (367) xxii. ibid; ". . . the path to holiness revealed i n scripture is not a positivistic decree only fideists can accept, but has a purchase on the inner rational structure of human nature." xxiii . olsen (366); ". . . the natural law is god's command as found i n nature, though, as thomas is quick to point out, commanding belongs to reason, not to voluntaristically understood w i l l . " xxiv. bourke (92-96) xxv. fortin, "natural law and social justice" (10) xxvi. fortin (5-9) xxvii. summa theologiae, la q. 62 a. 5 xxviii. pieper, "on the limits of justice" (111); "the man who strives for justice ... realizes (thomas says) that fulfi l l ing an obligation and doing what he is really obliged to do are not all that is necessary. something more is required, something over and above, such as liberality, ajfabilitas, kindness, i f man's communal life is to remain human." xxix. rommen (128-140) r e f e r e n c e s anselm of canterbury. de veritate, ix. bloom, allan. 1987. the closing of the american mind. new york: simon and schuster. bourke, vernon j. 1956. "two approaches to natural law." natural law forum. 1, pp. 92-96. descartes, rene. 1998. "discourse on method." discourse on method and meditations on first philosophy. indianapolis: hackett publishing company, pp. 34-35. fay, thomas a. 1991. "maritain on rights and natural law," the thomist, 55, pp. 439-48, july. fortin, ernest l. 1985. "natural law and social justice." the american journal of jurisprudence, 30: pp. 1-20. fortin, ernest l. 1996. human rights, virtue, and the common good: untimely meditations on religion and politics. rowman & littlefield: lanham, pp. 159-164. hobbes, thomas. 1971. "leviathan, chapter x i i i : of the natural condition o f mankind, as concerning their felicity, and misery." the great legal philosophers: selected readings in jurisprudence. philadelphia: university o f pennsylvania press, pp.110. king, martin luther, jr. 1986. "letter from birmingham city jail." a testament of hope: the essential writings and speeches of martin luther king, jr. new york: harper & row, pp. 294. machiavelli, niccolo. 1994. "the prince," selected political writings. indianapolis: hackett publishing company, pp. 48. mclnerny, ralph. 1991. "natural law and human rights." the american journal of jurisprudence, 36, pp. 1-14. mclnerny, ralph. 1980. "the principles of natural law." the american journal of jurisprudence, 25, pp. 1-15. nietzsche, friedrich. 1980. on the advantage and disadvantage of history for life. indianapolis: hackett publishing company, pp. 48-49. nietzsche, friedrich. 1990. "how the 'real world' at last became a myth." twilight of the idols and the anti christ. london: penguin books, pp. 50-51. olsen, glenn w. 2008. "natural law: the first grace." communio, 35(3), pp. 367, fall. pieper, josef. 2003. "on the limits of justice." the four cardinal virtues. notre dame: university o f notre dame press, pp. i n . pieper, josef. 1989. "the truth o f a l l things: a n inquiry into the anthropology o f the high middle ages." living the truth. san francisco: ignatius press, pp. 13. ratzinger, joseph. 2006. without roots: the west, relativism, christianity, islam. new york: basic books. planned parenthood v. casey, 505 u.s. 833 (1992). rommen, heinrich. 1955. "natural law: man and society." fordham law review. 24, pp. 128-140. shanley, brian, o.p. 2008. "aquinas' exemplar ethics." the thomist, 30, pp. 345-69. taylor, charles. 2007. a secular age. cambridge: harvard u press, pp. 717. weigel, george. 2005. the cube and the cathedral: europe, america, and politics without god. new york: basic books. e l e m e n t s s p r i n g 10 t h e act of m a n u m i s s i o n ! correlations between the freeing of slaves and socioeconomic status of philadelphia quakers l a u r e n s o t t i l e t h e p h i l a d e l p h i a s o c i e t y o f f r i e n d s b a t t l e d t o r i d i t s e l f o f t h e i n f e c t i o n o f s l a v e r y f o r n e a r l y a c e n t u r y , f i n a l l y f o r b i d d i n g s l a v e h o l d i n g w i t h t h e m i n u t e s o f 1 776. t h e r o a d t o r e d e m p t i o n w a s n o t e a s y , a s m e e t i n g m e m b e r s f i r s t s t r u g g l e d t o r e a l i z e t h e c o n t r a d i c t i o n b e t w e e n t h e i r l i f e s t y l e s a n d r e l i g i o n , t h e n t o s t a n d u p i n s i n g u l a r i t y t o p r e s e n t t h e i r n e w f o u n d t r u t h , a n d f i n a l l y t o a d d r e s s i t o n a l a r g e s c a l e i n o r d e r t o c o n v i n c e t h e i r b r o t h e r s o f i t s s i n f u l n e s s . t h e s o c i e t y o f f r i e n d s i s o f t e n s e e n a s a g r o u p o f f o r w a r d t h i n k i n g r e f o r m e r s , a n d w h i l e t h e i r a c t i o n s c a m e b e f o r e m a n y o t h e r a b o l i t i o n i s t g r o u p s , t h e i r m a t e r i a l i z i n g c o n s c i o u s n e s s w a s a n y t h i n g b u t u n i f i e d . the quaker embrace of manumission was complex, beginning in 1711 with abolitionist efforts by the philadelphia meeting, a religious organization intertwined with the quaker-dominated pennsylvania government. prohibitions on the further importation of slaves were passed by the pennsylvania general assembly, but disallowed by the privy council, as were similar measures to impose a prohibitory duty of £20 on slave imports. 1 this movement was isolated, and efforts to curb the trade subsided for the time being. in fact, imports of human cargo were expanded to diversify the commerce of the delaware river as well as to provide a vessel for the growing investments of quakers who were finding success in philadelphia's trade and crafts markets. although quakers facilitated these trades, they expressed misgivings about their cargo, which surprisingly "sprang from the uncertainties of quality and sales and the prevalence of stomach disorders among the merchandise, not from moral revulthe earliest men to protest the institution of slavery in philadelphia were ralph sandiford in 1729 and benjamin lay in 1737. these two men set the tone for what would become the standard in presenting the wrongs of slavery. sandiford, in his paper brief examination of the practices of the times, spoke with outraged eloquence, presenting his argument on the wrongs of slavery in purely biblical terms. he paralleled slaveholding to theft in the bible, looking at "the brethren of joseph, that sold h im to the israelites, the seed of the bond-woman, and then again sold h im into egypt, and though they paid for h im by bargain twenty pieces of silver, yet it did not excuse them from theft."111 this view of the purchaser of plundered goods being as guilty as the plunderer is one presented time and time again in the argument for manumission. sandiford set the tone of the argument against slaveholding, while benjamin lay chose the audience. in his paper, all slave-keepers that keep the innocent in bondage, he opened with an address to "my dear beloved friends and elder brethren," aiming his words at this particular demographic.1v efforts by individuals to promote manumission were almost exclusively targeted at leaders in the friends community, who were older, wealthy and landed, creating an influence that swayed only the upper echelons of quaker society. however small a voice these two men had in philadelphia society, there was an appropriate and sizeable reaction among the men at whom their messages were aimed. from 1730 to 1750 the percent of slaveholders within the philadelphia upper class dropped from 60 percent to 50 percent, while the same statistics for the lower classes climbed significantly. while some, including lay and sandiford, would argue that this progress in the upper classes was made through realization that one must free their slaves to free themselves from the manacles of sin, it can be argued that economics and social climate played a much larger role than are given credits the influx of immigrant workers in the 1730s up to the seven years war set the stage for a shift in ownership of slaves from the wealthy to the working. the availability of cheap labor in the form of german immigrants, fleeing religious persecution in the german states, drove down the prices of slaves. these low prices, combined with the exponential growth of urban commerce in the early decades of pennsylvania's colonial life, made slave holding very attractive to workers, craftsmen, and artisans for whose industry one extra body could make a large difference. philadelphia's economy was organized in a way where labor was the most cost-intensive of all overhead. e l e m e n t s s p r i n g 07 according to the books of gregory marlow and james west shipbuilding company, in the early decades of the 1700s, the cost of building one boat included towards supplies and /30 towards workers.v 1 the temptation to hold slaves was powerful to a middle class not tempered against it. records and wills of the time reflect this middle class transition to slaveholding as the upper classes began to abandon the institution. in the two decades prior to the seven year's war, the percentage of craftsmen and middle class members holding slaves jumped from less than 36 percent to over 70 percent/ 1 1 clearly, during this period the economy-driven middle class embraced slaveholding, as intellectual and religious forces began the dissolution of slaveholding among the upper class. in 1758, in the midst of the seven years war, the philadelphia yearly meeting made its first official decision toward prohibiting slavery among its members. the decision took a two-pronged approach: punishing those who purchased and sold slaves by eliminating them from meeting leadership, as well as by forming committees to treat, which would visit the homes of slaveholders to convince them of their wrongs.v 1 1 1 this approach was a compromise, an effort by reformers to move toward ending slavery while slaveholders won time to ponder the institution, yet still reap the benefits of unpaid labor. these two initiatives were aimed at affluent quakers, as lay's and sandiford's writings had been, and continued the trend of influencing the wealthy, as threats of public discussion and reprimand had less of an impact on the middle class. the minutes came at a time of crisis within the economy, as the war with france dried up the supply of men and women who could serve as indentured servants and workers. at the height of the labor shortage, thomas willing, a successful philadelphia merchant and quaker asserted that "all importation of white servants is ruined by enlisting them and we must make more general use of slaves."1x the resulting phenomenon of price increase had a two-fold effect on quaker middle class society. first, the minutes' subsequent banning of trading slaves would have given craftsmen economic incentive to hold on to their investments. scarcity of free labor as well as the future value of their slaves provided sound economic basis for slaveholding. second, the push to import slaves made their possession, accumulated by the middle classes during the pre-war dip in prices, more of a status symbol than ever. as seen in figure a (on next page), which illustrates the populations of slaves and servants in philadelphia, there is an obvious decline in the importation of slaves in the decade ending in 1760. this drop in the urban slave population of 10.6 percent to 8.5 percent would have created a shift i n supply and therefore a downward turn in prices, creating an atmosphere where many middle class individuals took advantage of low prices to make their purchases.x this bargain combined with the push for slaves during the war and the postwar recession made urban middle class slavery the dominant issue as the society of friends attempted to push slavery from its society all together. the committees to treat, formulated in the minutes of 1758, are the most visible and recorded pieces of the process toward manumission. the philadelphia committee, or the committee of five, was led by prominent quaker figures and ministers including daniel stanton, john scarbough, john churchman, john sykes, and most notably john woolman. their influence, combined with the caveats surrounding slaveholding societal leadership, effectively convinced upper class quakers to manumit their slaves.x1 the efforts of the committees to treat were effective because the audience they were targeting was susceptible to their specific message. the quaker aristocracy, the descendants of the first purchasers of penn's land, had nothing to gain from the social clout associated with slaveholding during the colonial period. the close marriage bonds among founding families created a tight circle, which few controlled and fewer could hope for assimilation into. the philadelphians, headed by the lloyd family, later to become the pemberton and lloyd families, held a strong influence that was not l imt h e a c t o f m a n u m i s s i o n ! c o r r e l a t i o n s b e t w e e n t h e f r e e i n g o f s l a v e s a n d s o c i o e c o n o m i c s t a t u s 285 575 635 slave pop. 880 1209 1131 5808 801 7 10720 % srvts i n phi la. pop. 4,9 7.2 5.9 15.2 15.1 10.6 f i g u r e a srvt: slave ratio 1 to 3 1 to 2 1 to 2 1770 396 1682 15718 2.5 10.7 1 to 4 1775 457 1394 18692 2.4 7.5 1 to 3 s o u r c e : s a l i n g e r , t o serve well and faithfully: labor and indentured servants in p en nsylvan na, 1682-1800. ( c a m b r i d g e u n i v e r s i t y press: n e w y o r k ; 1 9 8 7 ) . t a b l e a 3 , 64 . "as seen in the data above, which illustrates the populations of slaves and servants in philadelphia, there is an obvious decline in the importation of slaves in the decade ending in 1760." e l e m e n t s : : s p r i n g c>7 ited to the city's boundaries. ties to the prominent families of newport, new york, and virginia cemented their status as leaders i n their circle, whether or not they owned slaves.xu the quaker leaders, first in wealth and influence, were not only exempt from the social maneuvering that was so important among the middle classes, but also found themselves in the unique situation of being able to set the direction in which societal trends moved. the first three decades of the eighteenth century were marked by a subtle move toward the finery of high society and away from the simplicity of truth. likewise, by 1750 the tides of fashion had turned, as shifts in power and population made leadership "perceive a need to strengthen their solidarity by emphasizing the religious peculiarities which differentiated them from their fellow philadelphians." x n by the same token, the upper class of philadelphia society had motivations to stop the trading of their slaves under the threat that they would lose their positions of leadership within the church. this clause provided a dark reality to the leaders, as they had lost much of their influence i n the decade prior. at the start of the seven year's war, quakers sitting on the general assembly forfeited their seats in favor of their religious pledge to denounce violence, a pledge they could not possibly keep in the face of aggressors approaching both by land, the native americans, and by sea, the french. without a voice in the colonial government, the meeting was the last place where their influence could be felt—and i f the price to keep that influence was their slaves then they were more than willing to end their involvement in the slave trade system. with the majority of factors playing to the advantage of upper class friends—the accepted establishment, social status, and economic security— the main concern of these men, so involved in the leadership of their religion, was their relationship with the lord and the condition of their soul and conscience. realizing this, the committees to treat did their utmost to take advantage of their audience's vulnerability with religious arguments, similar to those of sandiford and lay, recounted in detail in woolman's journals. the men worked to foster a sense of responsibility and example in the leading members of the society. woolman devoted time and energy meticulously transcribing this goal. he wrote of many accounts of meetings with elders, ministers, and friends of influential leaders in his diaries, and consistently cited his discussions in which he spoke "freely and plainly to them concerning their slaves." in one particular meeting with ministers and elders in may of 1758, woolman relates his conversation, noting that he told the men present that "as the first rank in society . . . [they] were under the stronger obligation to look carefully at themselves . . . to be thoroughly divested of all selfish views." he goes on to call on the men present to serve as an example to the lower classes, and to take up their obligation to educate them through example. x l v the language of the committees, as well as that of other articles published for the purpose of conversion, was aimed to pull at the heart strings of the men and women addressed. the prose written and spoken by committees and individuals alike seemed to present the darkest of outcomes in the most eloquent of manners, discussing the damnation of those who did not remove themselves from the trading of slaves. notably, woolman referred to the habits of slaveholders as "likely to prove snares in that theymay more grievously entangle them in the spirit of selfishness and exaltation, which stand in opposition to real peace and happiness; and renders them enemies to the cross of christ. " x v in writings brimming with biblical references, these men hoped to dissolve every possible piece of biblical evidence upon which one would be able to build a case for slavery. woolman drew on proverbs, as well as old testament stories to prove his points. he looked at the story of cain and abel, denouncing the commonly held idea that slaves were the descendants of cain, marked with dark skin for the sin of killing his brother. he defeats that idea by sighting scripture to prove that the flood killed those most offensive in the lord's eyes-including cain's lineage.xv) nathanial appleton, in his considerations on slavery in a letter to a t h e a c t o f m a n u m i s s i o n : c o r r e l a t i o n s b e t w e e n t h e f r e e i n g o f s l a v e s a n d s o c i o e c o n o m i c s t a t u s friend, pointed to the wrongs of slavery in much the same fashion. appleton called on passages from deuteronomy to explain the sins in that "he that stealeth a man and selleth him, or i f he be found in his hands, he shall surely be put to death." x v i i this imagery, combined with accusations of absent virtues, and the promise of judgment by those slaves wrongfully held expedited the process of manumission among the wealthy. the upper classes were also at an advantage as they were economically able to support their slaves after freedom. the minutes of 1758 dictated that no slave could be bought or sold, so all had to be set free, with their former master held accountable i f they fell into need. x v m while the upper classes were willing to free their slaves for the cause of their image, faith, and salvation, at their moment of conversion their concern was not generally one of freeing of slaves, but of freeing themselves from sin. the upper classes of quaker society were successful in achieving the goals of the minutes of 1758; however, the middling classes of craftsmen and artisans could not claim the same progress. the lack of manumission within the middle class can be credited to the lack of effort of the committees to treat put toward influencing this crosssection of society, as well as a lack of the consequences that mulation of one or two slaves that set an individual apart from their neighbor.x v 1 x the economic disadvantages of the middle classes were also clear, as their income offered less flexibility than did that of the upper class. the requirement of supporting freed slaves and restrictions on the sale of slaves led to prohibitive losses from manumission for most. additionally, for many the holding of one slave was the difference between turning a minimal profit and a substantial one. often trained in a specific trade, a slave was counted on to be an extra, free set of hands and in some cases even work to support a family after the death of his master.xx for these reasons and others, as the upper class shed their slaves in favor of cheap immigrant labor and a clear conscience, craftsmen and artisans took on more than enough slaves to keep the ratios of white to black workers steady, as seen in salinger's data on slave and indentured servant populations. now why did this happen—why were committees so effective among the upper class and not the working? philadelphia middle class quakers were not alone in facing the challenge of balancing morality with affluence. new york and other northern urban centers saw the same inconsistency in slaveholding between classes—both quaker and non-quaker. craftsmen and skilled workers through.. at their moment of conversion [the upper class concern] was not generally one of freeing of slaves, hut freeing themselves from sin." had been found so persuasive by the upper class. unlike the grandees and first purchasers of the quaker aristocracy, the middle classes lived in a situation where social status was anything but cemented in place. for the wealthy, "a staff of black servants clearly denoted the owner's power and wealth," however for the middle class it was the accuout the northeastern colonies preferred slaves to servants for two reasons. first, servants or apprentices would one day become competition within the trade, while slaves would never rise to the position of a peer. second, and also reflecting middle class quaker reluctance toward manumission, was the influence of upper class slaveholding, which molded the middle class to "have seen ownership of slaves as a sign of prestige to which they aspired."™ certainly, individuals of a certain religious persuasion would not be immune to the forces so strongly in play throughout their society. "unlike the wealthy, there was very little soul-searching taking place, as those who still held their slaves were not inclined to suddenly have an awakening of conscience.17 in 1774, as disownment loomed on the horizon for slaveholders, the dominant demographic was much the same as it had been in the 1760s, with working men and women holding the most slaves. in examining the wills of 900 citizens from the tri-colony area (pennsylvania, new jersey and delaware), 131 of which were from philadelphia, it is clear that on the eve of forced manumission society's wealthiest had already freed their slaves, generally for religious and moral reasons. even in this small sample of society, the working class owned overwhelmingly more slaves than the wealthy (see figure b on next page).™ 1 i n examining the wills below, compiled without note of religion, evidence is provided for the argument that middle class quakers not only held the most slaves, but also were entrenched in a social and economic environment where, among their peers, manumission was the exception rather than the rule. in an atmosphere such as this one, where a middle class, regardless of religion, was most involved with slavery, the result was an attitude toward manumission that was nearly the polar opposite of the religious vehemence behind the motivations of the upper class over the past two decades. as committees began to court the remaining individuals owning slaves, interactions became colder than ever as many offenders, seeing the impending loss, would purposefully be out or would simply ask for more time to consider. unlike the wealthy, there was very little soul-searching taking place, as those who still held their slaves were not inclined to suddenly have an awakening of conscience.™ 1 1 the predominant factor in this lack of reflection and embrace of the law was the absence of motivation in the middle classes. the wealthy risked losing their leadership within the meeting i f they continued to buy and sell men and women, therefore slave trading halted among them. this shift presumably sent prices down to levels where the working class could continue and even increase their purchases of slaves. by the end of the 1760s, the middle class made up over one-third of all masters and controlled about 40 percent of the slave population, reflecting their tightening grip on the institution.™ v even in the economic crunch of the post-war years, hired help would have been a viable alternative had it not been for the structure established to regulate manumissions. such factors as the inability to sell the slave made a large loss necessary in order to come clean with the practice. many were unwilling to absorb this loss. the requirement of supporting freed slaves, often economically unrealistic to artisans struggling to make ends meet, only added to the negative light shining on manumission. economic hardship, coupled with the complex social strata of the working class and the reality of competition with non-quaker slaveholders, made for a reality incompatible with the teachings of the committees to treat. with concerns and goals based on immediate needs, middle and working class people were not susceptible to the antislavery religious arguments used so successfully on the wealthy, nor were they as frequently targeted.™ t h e a c t o f m a n u m i s s i o n ! c o r r e l a t i o n s b e t w e e n t h e f r e e i n g o f s l a v e s a n d s o c i o e c o n o m i c s t a t u s f i g u r e b name profession slave staus wealth, pounds j o h n engle binckes farmer n o n e 10 martha elliot w i d o w 2 children 43 henry ireland innkeeper mulatto boy 84 l u d w i c s t u m p y e o m a n servant boy, 12 years 142 dan i el lon dis saddler 8 years of a servant c i r l ' s tlme 211 dan i el jones baker 3 male slaves 314 george kemble stable keeper m a n , w o m a n , a n d baby 321 israeljenkins cooper 1 m a n 341 t h o m a s gilbert merchant n o n e 361 jacob duffield yeoman 1 mulatto wench 481 charles jolley fam er an d m i ller 125 525 t h o m a s h u m p h r y farmer negro girl 609 will iam heaslton mariner 2 servants time 650 andrew crocket farmer m a n , w o m a n , boy, a n d 2 girls 892 joseph maxfield legal officer 1 w e n c h 895 abraham wentz s m i t h 1 w o m a n 923 joseph frazer baker time of 3 servants 1037 george plim carpenter n o n e 1113 andrew georger farmer n o n e 1116 james taylor mariner 1 m a n , 1 wo m a n , 1 gi rl, an d 1 m u latto 1361 w i l l i a m goetting shopkeeper n o n e 1379 george stump yeoman n o n e 1487 benjamin howell farmer m u latto m a n , n ec ro boy 1532 lyn ford lardn er province offlcer an d lan dholder n o n e 1826 capt. joseph stout capt. royal navy 1 m an cri pple d, 1 boy 2397 elizabeth van de rs pi eg le w i d o w n o n e 2562 j o h n j o h n s o n tallow chan dler 1 m an an d 2 yo u n g girls (9 an d 1 1) 2609 james miller captain n o n e 2761 j o h n isaac klein farmer n o n e 5159 margaret will iams w i d o w n o n e 5308 stephen carmick merchant n o n e 8931 samuel neave merchant none 11415 e l e m e n t s s p r i n g 07 the final steps towards abolition within the quaker community were not taken until nearly twenty years after the publication of the minutes of 1758. the minutes of 1774 were the first of a two-part ultimatum issued to those who persisted in slave holding. it prescribed that anyone who continued in the slave trade was to be disowned i f they did not provide for the freedom of their purchase. the second portion, published two years later in the minutes of 1776, required that all local meetings were to disown all slaveholders, effectively ending slavery in philadelphia's quaker society and the surrounding meeting area. the mechanisms for enforcement which varied by meeting were slow in taking root, but once the already converted leadership began to pursue the topic after 1776, decisions had to be made. instead, the middle classes approached manumission and the threat of disownment by accepting the certainty of economic and social loss. as the philadelphia meeting took a stricter approach leading up to 1776, the prosecution of slaveholders became the standard, and expulsion became all the more common in an effort to exemplify philadelphia's moral leadership, which had come to be expected in its role as the largest meeting in the area. between the years of 1765 and 1776, when holding slaves would no longer require a trial but outright disownment, 75 percent of cases heard by the monthly meetings on individuals who would not free their newly purchased slaves ended in expulsion from meetings, or from the society itself.x x v 1 when looking at this data, that those middle class members who manumitted their slaves did so under duress is clear. many chose to hold on to their slaves and forego their religion. the continued dominance of slaveholding among their social tier led many to side with the germans and scots-irish of the area in their continued practice of finding compatibility between their religion and chattel slavery. the story of warner mifflin, a quaker who freed his slaves before his death in keeping with the decisions of the meetings, was published in the early 1800s in multiple newspapers i n both the colonies and in britain as an example of the outcome of quaker manumission. mifflin, painted as a warm, caring man, called his 27 slaves into his parlor one by one and addressed them, announcing their freedom. he left each with the quaker directions to "be prudent and industrious: i n every misfortune and distress, thou wil l find a sure friend in thy ancient master, warner miffl in. " x x v i l this account, while an example of the best side of an upstanding individual eager to manumit his slaves, highlights the illusion of a united, decisive front against slavery. in truth, especially in the case of philadelphia, the hub of the society in the new world, the endeavor was anything but unified. the writings and meeting minutes collected from the mid to late 1700s show, through first-hand accounts and hard statistical evidence, that in truth the manumission of slaves was not a unilateral decision by the society of friends, nor was it accepted by all quakers. hoping to free and educate their slaves was more of an exception than a rule. before the threat of disownment, treating had little effect on the middle class because, as david cooper noted in his observations on slaveholding in a mite cast into the treasury, one cannot force someone to obey the laws of god when the laws of men are on their s ide.^ 1 1 once the laws of god and man met in 1774, the society of friends, in philadelphia and elsewhere, was successful in completely flushing slavery from their system nearly a century before the rest of the continent would. it should be remembered that this societal shift did not occur seamlessly, but in a series of calculated compromises which were engineered along class boundaries. in the actual moment of manumission, most of those who did free their slaves were not thinking of the souls of their captives but of their own, and were not motivated by the cause of freedom, but of ridding the society of its worldliness and sin. e n d n o t e s i . bronner (33-67) i i . wax (147-48) i i i . sandiford (5) iv. lay (7) v. "probate records on occupation, wealth, and slaveholding among inventoried decedents i n philadelphia (1682-1780)"; soderlund (64) t h e a c t o f m a n u m i s s i o n : c o r r e l a t i o n s b e t w e e n t h e f r e e i n g o f s l a v e s a n d s o c i o e c o n o m i c s t a t u s vi . "gregory marlow and james west account book, 1703" published in wigley (21) v i i . "probate records"; soderlund (64) v i i i . soderlund (149-50) ix. thomas wil l ing to coddrington carrington, september 3, 1756, quoted in wax (32) x. salinger (64) xi . woolman xi i . tolles (109-132) x i i i . tolles (123, 233) xiv. woolman (67) xv. woolman (108) xvi. woolman (60) xvii. appleton; cooper xvhi. soderlund (150) xvix. soderlund (64) xx. berlin (45-100); soderlund (62-64); "marlow and west account book" published i n wigley (21) xxi. harris (346) xxii. jones xxii i . soderlund xxiv. berlin, 180 xxv. woolman xxvi. soderlund xxvii. locke (37-38); "the benevolent quaker" xxviii. cooper (17) references appleton, nathaniel. 1767. considerations on slavery in a letter to a friend. boston, massachusetts: edes and gil l . berlin, ira. 1998. many thousands gone: the first two centuries of slavery in north america. cambridge, massachusetts: harvard university press. bronner, edwin b. 1982. "village into town, 1701-1746." philadelphia: a 300-year history. russel f. weigley, ed. new york: w. w. norton & company, pp. 33-67. brown, ira v. 1988. "pennsylvania's antislavery pioneers: 16881776." pennsylvania history, 55(2), pp. 9-77. carroll, kenneth l. 1985. "an eighteenth-century episcopalian attack on quaker and methodist manumission of slaves." maryland historical magazine, 80(2), pp. 139-150. claypool, james to edward claypool, 23 september 1682, published in jean r. soderlund et al., eds. 1983. william penn and the founding of pennsylvania, 1680-1684: a documentary history. philadelphia: university of pennsylvania press: pennsylvania historical society, pp. 179-181. cooper, david. 1772. a mite cast into the treasury: or, observations on slave-keeping. the new york public library collection of rare books. philadelphia, market street: joseph crukshank. davis, david brion. 1999. the problem of slavery in the age of revolution, ijjo-1832, new ed. new york: oxford university press. davis, david brion. 1966. the problem of slavery in western culture. ithaca: cornell university press. densmore, christopher. 2004. "be ye therefore perfect: ant i slavery and the origins of the yearly meeting of progressive friends in chester county, pennsylvania." quaker history, 93(2), pp. 28-46. drake, thomas e. 1965. quakers and slavery in america. gloucester, massachusetts: peter smith. ebersole, mark c. 2000. "abolition divides the meeting house: quakers and slavery in early lancaster county." journal of lancaster county historical society, 102(1), pp. 2-27. foster, a. kristen. 2004. moral visions and material ambitions: philadelphia struggles to define the republic, 1776-1836. oxford: lexington books, pp. 1-114. hamm, thomas d. 2003. the quakers in america. new york: columbia university press. harris, leslie m . 2004. "slavery, emancipation, and class formation i n colonial and early national new york city," journal of urban history, 30(3), p. 346. "instructions of wil l iam penn to the commissioners for settling the colony, 30 7th mo. 1681," mary maples dunn and richard s. dunn, eds. 1982. the papers of william penn 16801684. philadelphia: university of pennsylvania press, p. 121. jones, alice hanson. 1977. american colonial wealth, documents and methods, volume 1. new york: arno press. lay, benjamin. 1737. all slave-keepers that keep the innocent in bondage, apostates pretending to lay claim to the pure ef holy christian religion; of what congregation so ever; but especially in their ministers, by whose example the filthy leprosy and apostacy is spread far and near; it is a notorious sin, which many of the true friends of christ, and his pure truth, called quakers, has been for many years, and still are concern'd to write and bear testimony against; as a practice so gross el hurtful to religion, and destructive to government, beyond what words can set forth, or can be declared of by men or angels, and yet lived in by ministers and magistrates in america. the leaders of the people cause them to err. written for a general service, by him that truly and sincerely desires the present and eternal welfare and happiness of all mankind, all the world over, e l e m e n t s s p r i n g 07 of all colours, and nations, as his own soul. philadelphia: benjamin franklin. lloyd, arnold. 1950. quaker social history: 1669-1738. plymouth, great britain: the bowering press. locke, mary stoughton. 1901. anti-slavery in america i6ig1808. gloucester, massachusetts: peter smith. meranze, michael. 2002. "materializing conscience: embodiment, speech and the experience of sympathetic identification." early american literature, 36(1), pp. 71-88. probate records on occupation, wealth, and slaveholding among inventoried decedents in philadelphia (1682-1780). published i n jean soderlund's quakers and slavery. salinger, sharon v. 1987. to serve well and faithfully: labor and indentured servants in pennsylvania, 1682-1800. cambridge university press: new york. nash, gary b. 1973. "slaves and slave owners in colonial philadelphia" for the william and mary quarterly, 3(30), pp. 227-231. nash, gary b., and jean r. soderlund. 1991. freedom by degrees: emancipation in pennsylvania and its aftermath. new york: oxford university press. sandiford, ralph. 1729. a brief examination of the practice of the times, by the foregoing and the present dispensation: whereby is manifested, how the devil works in the mystery, which none can understand and get the victory over but those that are armed with the light, that discovers the temptation and the author thereof, and gives victory over him and his instruments, who are now gone forth, as in the beginning, from the true friends of jesus, having the form of godliness in words, but in deeds deny the power thereof; from such we are commanded to turn away. philadelphia: benjamin franklin and hugh meredith. soderlund, jean r. 1985. quakers el slavery: a divided spirit. princeton, new jersey: princeton university press. "the benevolent quaker." 1822. the lincoln intelligencer. early american newspapers: series 1.1(28), p. 4, september 5. "the following is the petition from the quakers at their annual meeting, for the abolition of the slave trade." 1798. the gazette of the united states. early american newspapers: series 1 xiv(i853), p. 2, august 20. tolles, dr. fredrick b. 1948. meeting house and counting house: the quaker merchants of colonial philadelphia 1682-1783. new york: norton and company. wax, darold d. 1962. "quaker merchants and the slave trade i n colonial pennsylvania," pennsylvania magazine of history and biography, (86), pp. 147-48. wil l ing, thomas to coddrington carrington, september 3, 1756, quoted in darold d. wax, "the negro slave trade in colonial america." 1962. ph.d. dissertation, university of washington, p. 32. witt, john. 1995. "development of an abolitionist consciousness." germantown crier, (46), pp. 22-39. woolman, john. 1969. the works of john woolman, i n two parts. philadelphia, market street: joseph crukshank, 1775. reprinted miami , florida: mnemosyne publishing co. t h e a c t o f m a n u m i s s i o n : c o r r e l a t i o n s b e t w e e n t h e f r e e i n g o f s l a v e s a n d s o c i o e c o n o m i c s t a t u s mission statement elements, the undergraduate research journal of boston college, showcases the varied research endeavors of fellow undergraduates to the greater academic community. by fostering intellectual curiosity and discussion, the journal strengthens and affirms the community of undergraduate students at boston college. e elements spring 2014 thanks we would like to thank boston college, the institute for the liberal arts, and the office of the dean for the college of arts and sciences for the financial support that makes this issue possible. questions & contributions if you have any questions, please contact the journal at elements@bc.edu. the next deadline is friday, april 25, 2014. all submissions can be sent to elements.submissions@gmail.com. visit our website at www.bc.edu/elements for updates and further information. cover © claudiad/istockphoto periodicity elements is published twice an academic year in the fall and spring semesters. the information provided by our contributors is not independently verified by elements. the materials presented represent the personal opinions of the individual authors and do not necessarily represent the views of elements or the boston college community. elements, undergraduate research journal, volume 10, issue 1, spring 2013 boston college, 140 commonwealth avenue, service building 103, chestnut hill, ma 02467 printed by kirkwood printing,904 main street, wilmington, ma 01887 copyright © 2013 by the trustees of boston college elements staff editor-in-chief emily simon managing editor brandon bavier deputy editor eric tracz layout editor frank a. direnno humanities grace west, senior editor patty owens, senior editor marie pellissier, editor lydia orr, editor marissa marandola, editor sciences frank a. direnno, senior editor corleone delaveris, senior editor alexander tingle, editor saljooq m. asif, editor ellen white, editor alex gilligan, editor anna whitham. editor media & advertising grace west, senior editor patty owens, senior editor web design mike henry, senior editor faculty advisor elizabeth chadwick it may be argued that fiction exists to make the real world manageable. narratives weave together the messy strings of life by imposing upon its chaos plot arcs, recognizable archetypes, and the promise of a resolution. stories make of history something coherently meaningful and easier to stomach, restoring to it the unities of time, place, and action that life never had in the first place. though it is a comfortable impulse, something is always left out in the process. the tendency to order is also an alluring—and in cases of writing historical narratives, potentially dangerous—tendency to reduce. to make clean cuts and instill unities is tantamount to framing a very small portion of a very large painting: the manageable result remains aesthetically pleasing, but a whole outer world that goes unnoticed. often more important to our construction of history than the truth of “what really happened” is the way that we have framed what has passed. how we make sense out of what terrifies us with its dearth—or more terrifically, its excess—of meaning is the truly revelatory aspect of the human narrative. march 8 of this year will mark the tenth anniversary of hockey player todd bertuzzi’s vicious on-ice assault on rival steve moore. though the contested hit transpired during only seconds of game time, the conversation and interpretation that it generated has occupied athletic discourse for almost a decade. jen dobias’ article sometimes sorry is never enough explores the way in which this brief moment of history became an infamous story, and the media and legal pandemonium that over-determined its significance. she explores the way in which a single moment in time—a loose, dangling thread in life—has been woven and re-woven into our cultural narrative, and has crystallized into a pervasive rhetorical trope. the legacy of the event persists even today, not least of all because the long-awaited trial involving bertuzzi and moore is scheduled to occur on september 8 of this year. this issue of elements explores that tenuous border between fact and fiction, and the dangers incumbent between those who fail to see their intimate inextricability. we may not be able to go so far as to claim, as oscar wilde once did, that “life imitates art,” but it would be foolish—and even treacherous—to ignore the fundamental interdependence between life and its representations to which his famous epigram speaks. marissa marandola’s the odds in its favor explains the runaway success of suzanne collins’ the hunger games trilogy in exactly such terms: young adults devoured the novels because they located within them the travails of their existence within america’s great recession society. our cover article, altruism or imperialism?, challenges the traditional recounting of the five-day war between russia and georgia, revealing its motivations and ramifications to be—as is always the case—more complex and less lucid than the story of history has made it out to be. both breaking the normative and the anthropological machine seek to rewrite social narratives of desire by reconsidering and redefining what society has so long condemned as aberrant. there are the meta-narrative resonances too: in culling, editing, and circulating a research journal, we too are composing the narrative that purports to carve out the gap between fact and fiction, while instead blurring that self-same line. elements is itself a text, in dialogue with all of the written and recorded narratives it analyzes in this issue. we hope that we have given voice to a myriad of historical, literary, and ethical stories in this issue— all of them true, and false, in turn. happy reading! best, emily simon editor-in-chief editor’s note contents sometimes sorry is never enough: the todd bertuzzi incident explored jen dobias applying benoit’s theory of image reconstruction to the 2004 todd bertuzzi incident and the media maelstrom that followed. surmounting the anthropological machine: the persistence of animal drives in j.m. coetzee’s disgrace alexander trimes employing agembenian and freudian theory to analyze the effects of animalistic drives in j.m. coetzee’s novel disgrace. consequences of climate change: rising violence and environmental degradation michael martina correlating environmental degradation with increasing violence and proposing a potential solution.. the odds in its favor: the appeal of the hunger games to post-recession america marissa marandola illuminating the similarities between suzanne collins’ the hunger games series and modern american class economics and how they contributed to the books’ success. 9 25 31 43 breaking the normative: the modern homosexual as nietzsche’s übermensch brandon short examining the aspects of the übermensch gained in rejecting heteronormativity. death: a conversation: the moral and legal complexities of assisted suicide richard balagtas engaging in a critical dialogue about the ethical and legal repurcussions of medically assisted suicide. altruism and imperialism: russia’s invasion of georgia in the five-day war sean keeley contrasting the 1991-2 and 2008 georgian-south ossetian conflicts to elucidate the causal factors and justifications of war. author biographies list of artwork 65 57 51 77 79 march 8 of this year marks the tenth anniversary of todd bertuzzi’s infamous on-ice attack on steve moore. although he apologized sincerely at the time and has made steps to revive his nhl career, bertuzzi is still most known for this violent episode and is cast as a villain for his actions. the purpose of this article is to explore why bertuzzi has never been, and likely will never be, fully forgiven. it begins by using benoit’s theory of image restoration to critique his two most prominent public statements. tyler’s work on the legal implications of apologizing is then used to explain why he has done little to try to clear his name as more ugly details about the case have made headlines. this article goes beyond evaluating the effectiveness of his public statements. it applies birkland’s vision of a focusing event, in conjunction with kruse’s work on the distinctive nature of sports apologies, to explain why he has yet to restore his reputation even though his apologies fit the norms established by benoit and others. in bertuzzi’s case, sorry will never be enough because his attack threatened the nhl and has since crystallized into a particularly salient rhetorical symbol. sometimes, sorry is never enough the todd bertuzzi incident explored jen dobias overview of the bertuzzi incident on march 8, 2004, the colorado avalanche and vancouver canucks met in vancouver for a battle for first place in the northwest division.1 it was a rough game from the start: there were three fights in the first period alone, and the avalanche held a 5-0 lead by the end of the period.2 during the first intermission, “nhl executive vice-president colin campbell and director of officiating andy van hellemond placed a phone call to [the] referees…to discuss the potential for additional fights or other events during the lopsided game.”3 these nhl executives were right to be worried: the violence would escalate to extreme, almost unprecedented, levels after colorado lengthened its lead to 7-2 early in the third period.4 at 8:41 in the third period, vancouver’s todd bertuzzi chased colorado’s steve moore down the ice. when moore, who had been involved in one of the fights in the first period, did not respond, bertuzzi grabbed him by the back of his jersey.5 moore’s back was turned when bertuzzi punched him in the head and drove him to the ice face first.6 on the air, vancouver radio play-by-play man john shorthouse called what bertuzzi did a “‘cheap shot, sucker punch from behind.’”7 as moore lay face down on the ice in a pool of blood, fights broke out among avalanche and canucks players.8 it took 10 minutes for the trainers to get moore onto a stretcher and off the ice, and bertuzzi was thrown out of the game for attempt to injure.9 “the punch was witnessed by more than 18,000 people at the arena and [was] shown repeatedly in tv clips broadcast across north america and europe.”10 bertuzzi was suspended indefinitely that night, and avalanche general manager pierre lacroix said that bertuzzi’s punch was “‘the cheapest shot i’ve ever seen’” on a televised news conference the next day.11 what damaged bertuzzi’s reputation even more was that his attack was seen from the beginning as retaliation for moore’s un-penalized hit on vancouver captain markus naslund earlier in the year. colorado player derek morris told reporters: “‘it was disgusting…i haven’t seen anything like that in my seven years of playing hockey. this was premeditated; this was the worst thing i’ve seen.’”12 espn’s game recap from that night also insinuated a connection by describing the aftermath of moore’s hit on naslund: moore delivered the hit last month that knocked canucks captain markus naslund out for three games with a concussion. canucks tough guy brad may talked about a bounty after that feb. 16 game, but he backed off those comments. the teams played to a 5-5 tie without incident last wednesday.13 may’s direct quote also appeared in some articles: “‘there’s definitely a bounty on his [moore’s] head. clean hit or not, that’s our best player and you respond. it’s going to be fun when we get him.’”14 some articles quoted bertuzzi himself; he said moore was “‘a piece of s—.’”15 and, on march 9, the stakes were raised. the vancouver police announced that they were investigating the incident and that bertuzzi faced an assault charge.16 in fact, “the legal response to this incident was so immediate that police officers began interviewing fans, players, trainers, coaches, and administrative personnel who were in attendance.”17 because of the potential for a long suspension or even jail time, this incident threatened his reputation and playing career, and bertuzzi had to respond. benoit’s theory of image restoration professor william benoit offers a framework that can be used to understand the strategies that people or corporations use to repair their images in the wake of a crisis, such as the bertuzzi incident. he argues that an attack, which holds a person or company responsible for an offensive act, prompts a response. in looking at an attack, “perceptions are more important than reality,” which means that, so long as the relevant audiences believe that the person is responsible and that his or her actions are heinous, a response is necessitated.18 benoit then outlines five categories of image repair strategies: denial, evasion of responsibility, reducing offensiveness of event, corrective action, and mortification.19 most of benoit’s categories have variants. denial includes simple denial, asserting that one did not perform the act, and shifting the blame, claiming that another party is responsible. evasion of responsibility has four variants: people can say their actions were instigated by another party (provocation), can minimize the problem or damage (minimization), can say that it was an accident or can assert that they had good intentions in performing the action.20 they can also promise to take corrective action, including fixing the current problem and working to prevent future ones. reducing offensiveness of the event has six subsets: bolstering, minimization, differentiation, transcendence, attacking the accuser, and compensating the victim. for the purpose of this article, bolstering, differentiation, transcendence and attacking the accuser must be examined more closely. benoit writes that “a rhetor may use bolster10 elements : : spring 2014 ing to strength the audience’s positive feelings towards the accused offsetting the negative feelings toward the wrongful act.”21 people can also “employ differentiation, in which the act is distinguished from other similar but more offensive actions.”22 transcendence “attempts to place the act in a more favorable context.”23 attacking the accuser involves trying to reduce his or her credibility.24 mortification is benoit’s final strategy and involves confessing and asking for forgiveness.25 when using the mortification strategy, an individual admits to committing the act and expresses remorse. benoit also contends that if people demonstrate “a professed willingness to suffer” the consequences of their actions, audiences may be more likely to view their apology as sincere, and audiences that perceive an apology as sincere are more likely to forgive the transgression.26 benoit admits that “the potential drawback for this strategy is that it might invite lawsuits from victims” but does recommend in an earlier work that “‘those guilty of wrong-doing accept their responsibility immediately and apologize.’”27 after examining the literature on image restoration strategies used specifically by athletes, it becomes clear that mortification is the cornerstone of sports apologies. apologia and sports in her seminal work on apologia in team sports, kruse asserts that sports figures often engage in three particular strategies: they “bolster by aligning themselves with the sports they represent and by asserting their attitudes toward the game are positives,” “are likely to say, ‘i’m sorry,’ and express regret for their conduct,” and “rarely elaborate upon the circumstances in which they were involved.28 she writes that “these apologists verbalize their remorse so frequently that this can be identified as a convention of the discourse” and that their statements tend to be “brief and general.”29 one of kruse’s most important contributions is her idea that, because winning is everything, athletes can redeem themselves through their actions on the playing field. she points out that because “the concept of winning dominates the team sport ethic,” players can restore their reputations by helping their teams win and by displaying the proper loyalty and commitment to winning.30 jerome takes kruse’s work further in her examination of nascar driver tony stewart’s campaign to restore his image after allegedly striking a cameraman in the chest. she contends that if an athlete is talented and has a great amount of potential to win, he will be more readily forgiven. she also takes into consideration the importance of having a good reputation before an incident occurs, as she notes that “stewart had committed similar, highly publicized, wrongdoings in the past that compounded the problem.”31 similarly, brazeal argues that previous controversy surrounding talented wide receiver terrell owens caused him to face an uphill battle when he went to apologize for becoming “belligerent with the coaching staff and publically critical of his quarterback” because of a dispute with the eagles over contract negotiations.32 in their discussion of the image repair strategies used by olympic gold medalist michael phelps to restore his reputation after being photographed smoking a marijuana pipe, walsh & mcallister-spooner show how having a good pre-crisis reputation can help an athlete considerably. all of these writers share the presupposition that apologizing is particularly effective for athletes, especially when they also align themselves with their sports’ values. brazeal effectively summarizes it when he explains:todd bertuzzi, professional canadian hockey player (courtesy of wikimedia) 11 sometimes, sorry is never enough although public figures may be reluctant to admit wrongdoing, it is sometimes essential to a successful apology…for athletes faced with apologizing, it is critical to embrace the values of their sports. cherished by fans, players, and coaches, these bedrock values should be rhetorically re-affirmed, perhaps by expressing appreciation for the honor of being a professional athlete or the privilege of playing for their team.33 given that apologizing is stressed as an effective image restoration strategy for athletes in the literature, it is important to underscore that the consensus is that entertainers (a group which includes athletes), can apologize more easily than other types of public figures such as politicians or corporate leaders. in examining actor hugh grant’s image restoration strategies, benoit concludes that “entertainers are much less likely to have third parties make, or prolong, attacks reported in the media. while it is never easy to admit wrong-doing and apologize, entertainers may find it less difficult than politicians to confess.”34 benoit also contends that, because individual people are less likely to be sued than corporations, it is easier for entertainers to apologize than it is for corporate leaders because the threat of litigation is not as high.35 critique of bertuzzi’s apologies two days after the incident, bertuzzi addressed the media at a press conference; he read a statement and did not take any questions.36 the press conference occurred the night before nhl commissioner gary bettman announced the length of bertuzzi’s suspension.37 when bertuzzi went up to the podium to speak, he did not begin right away because he was crying. first, he addressed moore: “steve, i just want to apologize for what happened out there. i had no intention of hurting you. i feel awful for what transpired.” next, he addressed moore’s family: “i’m sorry that he had to go through this, and i’m sorry about, again, what happened out there.” after he said, “i’m relieved to hear that steve is going to have a full recovery; it means a lot to me to hear that’s going to happen,” he apologized to the canucks organization and his teammates before he stepped back from the podium to be consoled by his wife. he then concluded: “to the fans of hockey and the fans of vancouver, for the kids that watch this game, i’m truly sorry. i don’t play the game that way, and i’m not a meanspirited person, and i’m sorry for what happened.” in total, bertuzzi used the word “sorry” four times and the phrase “i want to apologize” twice.38 bertuzzi spent most of his time apologizing, which kruse contends is typical of athletes. his statement falls into kruse’s framework because it was brief and general. it lasted roughly three minutes and would have been shorter if he had not had to pause to collect himself repeatedly. it did not go into the specifics of the incident. while it is clear that bertuzzi relied primarily on benoit’s mortification strategy, he also engaged in differentiation, bolstering and denial. in saying, “i don’t play the game that way, and i’m not a mean-spirited person,” bertuzzi differentiated himself from the player who attacked moore and implied that his actions were not indicative of who he is as a player and person. when he expressed relief that moore would recover, he engaged in bolstering, by making himself seem like a caring person, as benoit argues hugh grant did when he expressed concern for his girlfriend.39 bertuzzi used benoit’s conception of simple denial when he denied that he had any intention of hurting moore, which was something that he had to address because of the rumblings that he had attacked moore in retaliation for his hit on naslund.40 speaking to his victim directly, bertuzzi denied that his actions had such malicious intent. in many of the articles following this apology, including ones after he was charged with assault, bertuzzi was described as “tearful,” “distraught,” and “remorseful.”41 even reporters, like sports illustrated’s michael farber, who gave withering accounts of his violent actions, used such language. farber called bertuzzi “remorseful” and “lachrymose.” it is clear, then, that bertuzzi’s apology was effective in convincing most people that he was truly sorry, which is something that benoit would consider beneficial in his quest to repair his image. benoit contends that “one must appear sincere” for the mortification strategy to be its most effective.42 yet, some did point out that bertuzzi was a repeat offender.43 in 2001, he was suspended 10 games for leaving the bench to start a fight.44 at the time, it was only the seventeenth suspension of 10 or more games in the history of the nhl.45 later, after he started to put up all-star numbers, bertuzzi claimed to have learned from his mistake.46 however, when he was asked if he regretted what he did, he said that he did not.47 jerome and brazeal demonstrate that having a questionable reputation before a crisis can make it more difficult for athletes to effectively utilize image restoration strategies to clear their names. having a previous history of on-ice violence and trouble with trying to “control his emotions” did not help bertuzzi’s cause.48 12 elements : : spring 2014 bertuzzi’s suspension was announced march 11. he was suspended for the remaining thirteen games of the regular season and also for the playoffs.49 the canucks were fined $250,000, and bertuzzi lost more than $500,000 of his salary.50 to be reinstated, bertuzzi would have to meet with bettman.51 the canucks, who were considered a stanleycup favorite before their star player was suspended, fell in seven games to the calgary flames in the first round of the playoffs.52 in june, four months after the incident, bertuzzi was charged with assault with intent to injure by british columbia’s criminal justice system.53 in late december, a few days before it was announced that bertuzzi would be put on probation after pleading guilty to assault, the international ice hockey federation banned bertuzzi from european play, which meant that he could not play at all during the nhl lockout.54 bertuzzi faced up to eighteen months of prison, and his sentence, which mandated that he do eighty hours of community service and never play against moore, left him without a criminal record.55 during all of this intense, and potentially career-threatening, activity, bertuzzi chose to remain silent. he was silent for nearly a year and a half and spoke only after he was reinstated to the nhl.56 on august 11, 2005, a day after he was reinstated, he posted a thank-you letter on the canucks’ website. he wrote: “i’ve played my best hockey in vancouver…we have had some success but i feel as a team our best is still yet to come. i am excited about this team and look forward to getting back on the ice.”57 kruse would call this thank-you letter standard for an athlete as he aligned himself with his team and expressed excitement for the new season. he appealed to the fans directly, which kruse says that athletes must do “whenever their conduct might have harmful effects upon [their] teams,” and his suspension during the playoffs hurt the canucks.58 bertuzzi finally addressed the media on august 15, 2005 at the orientation camp for the canadian olympic team, one week after he was reinstated by bettman.59 this time, he mainly utilized benoit’s strategies of bolstering, differentiation, attacking the accuser and, most extensively, transcendence. he did not address his plea bargain or the civil lawsuit filed by moore.60 one of his most quoted statements was the following, which was his response to a journalist’s question as to why he deserved to return to the nhl: i’m a firm believer in second chances, and if we’re going to go through life not giving anyone second chances, what kind of life are we going to have? people make mistakes in life. unfortunately i was under the microscope and on tv when my mistake happened and if i’m going to sit here and keep getting ridiculed about it, how are we ever going to give someone a second chance to become better or to change situations? and i hope everyone can do that for me.61 bertuzzi reframed the situation to make it about forgiveness and second chances, rather than the brutal nature of his attack. benoit says that the key characteristic of the transcendence strategy is to pose that there are “more important considerations.”62 bertuzzi posed that the important consideration in his case was that people forgive him and give him another chance, not that his career would continue while moore’s was in jeopardy, not that his punishment may have been overly lax because his suspension occurred during the nhl lockout so he did not miss an actual nhl season. bertuzzi also bolstered when he expressed concern for moore’s recovery, as he did during the initial press conference. this strategy was seen again when he vowed: “‘i’m going to do what i can do to make sure that my career and my life aren’t defined by what hapcanadian hockey player brad may made claims insinuating the placement of a bounty on moore’s head as the inciting incident. (courtesy of wikimedia) 13 sometimes, sorry is never enough pened on march 8th…but rather what i did before, and most importantly what i do after.’”63 before the incident, he was “the game’s most-feared power forward,” a hulking 6-foot-3 winger who scored 46 goals during the 2002/2003 season and played on vancouver’s top line with naslund and brendan morrison.64 jerome argues that if an athlete has potential to win, he will be more readily forgiven. bertuzzi alluded to his considerable talent throughout in order to show that, not only did he want to help his team win, he could do so. bertuzzi engaged in differentiation when he said, “‘if i could [explain it] i wouldn’t be here…trust me, i’ve been off for a long time and had a lot of sleepless nights trying to think of things.’”65 by stressing that he could not explain what happened or why he did what he did, bertuzzi differentiated himself from the player who injured moore. this is in a similar vein as edward kennedy’s utilization of differentiation when he argued that his mind was in an altered state during the chappaquiddick incident.66 when bertuzzi addressed reports that he had never reached out to moore personally to apologize, he used denial and attacked the accuser. he said: “‘i was hoping for the opportunity to confront him and speak to him and his family and it has never come about…you have to respect people’s decisions on things, and some people forgive a lot easier than others and you just got to deal with it and move forward…i’ve made my attempts and am still going to try, but i can’t change someone else’s mindset on me.’”67 since bertuzzi relied primarily on transcendence to position forgiveness and giving people a second chance as the most important consideration, he reduced moore’s credibility by alleging that he was unwilling to allow him to try to apologize personally. he made moore appear rather petty and vindictive. like the initial press conference, this address can be considered effective, especially in his use of benoit’s strategy of his transcendence. this strategy was also used by bettman when he reinstated bertuzzi. in a written statement, he explained: “‘i believe that reinstatement of mr. bertuzzi at this point in time is appropriate and consistent with a ‘fresh start’ for the 2005-06 season.’”68 noted espn writer scott burnside began his article on bertuzzi’s address as such: “if the rehabilitation of todd bertuzzi begins with words, let it not be said that he did not choose his words carefully, powerfully, as he starts down the uncertain road toward redemption.”69 he added that he “thoughtfully answered questions,” “avoided hitting any false notes” and was “genuine.”70 while benoit and other writers who focus on sports apologies would find bertuzzi’s initial apology and this address effective, bertuzzi is still cast as a villain for his actions on march 8, 2004. he never truly got his “‘fresh start,’” to borrow bettman’s words.71 the complication of civil lawsuits from the beginning, it was unclear if moore would ever play hockey again. his injuries included three fractured vertebrae, facial lacerations and a severe concussion that would later cause him to have post-concussion syndrome and amnesia.72 after bertuzzi’s plea bargain, moore and his lawyer, tim danson, told reporters that they would file a civil suit if moore could no longer play hockey.73 moore said then: “‘i still suffer from significant post-concussion symptoms which prevent me from living a fully normal life…i’m just not the same person i was.’”74 in 2006, moore filed a civil lawsuit against bertuzzi. moore’s initial statement of claim was for $38 million, but more recent articles have put the amount of money that he is seeking at closer to $60 million, roughly the amount that bertuzzi has made during his nhl career.75 it is important to note that “due to an exception in the canucks’ insurance policy for criminal acts, bertuzzi is not covered and is personally liable for any damages.”76 after delays, the trial is set to begin this year in the ontario superior court.77 at the same time, bertuzzi was a plaintiff in a different case. in 2008, bertuzzi sued his coach at the time of the incident, marc crawford, arguing that “any damage against bertuzzi should be paid by crawford” since he “encouraged him to go after moore as a result of the hit on naslund.”78 in 2012, bertuzzi dropped this third-party lawsuit against crawford. danson learned of the bertuzzi-crawford settlement “i’m a firm believer in second chances, and if we’re going to go through life not giving anyone second chances, what kind of life are we going to have?” 14 elements : : spring 2014 and won the rights to see the details of the settlement, which also involves the canucks organization.79 these details will not be released to the press until the moore-bertuzzi trial begins. largely as a result of the lawsuits, the bertuzzi incident has remained in the news. as time went on, new reputation-damaging details about the attack and its aftermath surfaced. in 2007, moore revealed that he would never play hockey again and that he suffered from memory loss.80 in 2011, danson told reporters: “‘we have the top neurosurgeons in the world on this case and we have reached the point where we can say steve’s brain injury is permanent.’”81 as a direct result of bertuzzi’s lawsuit against crawford, it became clear that the attack was intentional, possibly even commanded from above.82 in 2013, the toronto star obtained court documents that described moore’s struggles in detail. the documents said that moore “‘does not exhibit the ability to plan, make decisions, set priorities, and to multi-task and is not capable of performing adequately in a wide range of managerial, executive, and professional work.’”83 they concluded: “‘while it is possible that steve moore could obtain employment as a hedge fund marketer, there is a very low probability that he would have been able to keep the job.’”84 the globe and mail reporter bruce dowbiggin argued that the “passing of time works in steve moore’s favour” because, in the years since the incident, there has been extensive research done on the effects of concussions. also, one of the nhl’s star players, sidney crosby, was sidelined with this injury in 2011, leading the league to take concussions more seriously than it had in the past.85 since it is now clear that the incident altered the course of moore’s life, bertuzzi’s reputation has been further sullied because of his violent attack. yet, it is unclear if bertuzzi can apologize again or even attempt to use any image restoration strategy. tyler contends that “it is naïve to believe [mortification] would work equally well in all situations.”86 apologizing can “increase perceived blameworthiness” because “an apology implies guilt.”87 part of the reason why bertuzzi’s first statement was effective was that he apologized in a manner that seemed sincere. however, making “an apology is potentially dangerous” when there is the threat of litigation or, as in bertuzzi’s case, when an individual is already involved in ongoing lawsuits.88 as the lawsuit has played out, reporters have demanded answers and the public wants to hear bertuzzi, who is often cast as a villain, express some kind of remorse.89 tyler argues that such pressures result in “an equivocal or ambiguous apology that leaves the unsatisfied public demanding a more felicitous apology, a demand that frequently results in defensive communication.”90 bertuzzi has opted for silence. “he has said little about the incident since [the initial news conference] for personal and legal reasons.”91 now a detroit red wing, he answers questions about games and about himself as a player, but about little else. even in articles that focus on him reviving his career with the red wings, bertuzzi is quoted only talking about how he has begun to focus on his defensive play, how he likes living in the detroit area and how his goal is to help his team win a stanley cup.92 because he often emphasizes his commitment to his team and to winning, it can be said that he is using the strategies outlined by kruse. also, even though bertuzzi has been held quiet because of the lawsuit, red wings executives and teammates have vouched for him by differentiating him from the player who hurt moore and the person that the media has made him out to be. after detroit signed him to a contract extension in 2011, general manager ken holland said, “‘i think that we all deserve a second chance… he’s been a good citizen.”93 teammate dan cleary called him “‘a big teddy bear’” and “‘certainly not the person he’s been portrayed in the media in years past.’”94 yet, bertuzzi’s reputation has yet to be fully restored; he is still known, first and foremost, as the player who sucker punched moore. this is because the incident, a focusing event, did not only damage his individual reputation, but also threatened the nhl as a whole. birkland’s focusing event theory birkland explains that “a focusing event is an event that is sudden; relatively uncommon; [and] can be reasonably defined as harmful or revealing the possibility of potentially greater future harms.”95 also characteristic of a focusing event is “that it is known to policy makers and the public simultaneously” and “gain[s] attention more suddenly and rapidly than problems such as crime or disease that longer-term analysis of statistical evidence seeks to understand.”96 birkland divides this process into two phases. in the first, “the news media immediately respond to event attributes that are most closely related to the event itself: the level of damage, for example, or the number of people affected.”97 in the second, “the rarity and the scope of the event are key variables, as are the amount of news coverage,” because this phase is a “longer-term reaction,” which could yield legislative change and impact the policy-mak15 sometimes, sorry is never enough ing process.98 to give an example, fishman argues that the 1996 crash of valujet flight 592 is a focusing event: “in the aftermath of the valujet crash, the media caught onto a larger and more compelling storyline: how could a discount airline with the highest profit margins among all the airlines and the highest accident rates be allowed to operate if the public safety was being optimally protected?”99 fishman concludes that this media scrutiny led to policy change and “served to dispel the central myth of aviation that all airlines were equally safe.”100 bertuzzi’s attack can be seen as a focusing event because it was sudden, unexpected, and caused harm in the form of moore’s career-ending injuries. and, as seen in the valujet case, the media quickly latched onto the “more compelling storyline” after the bertuzzi incident.101 instead of focusing on bertuzzi, the media moved to the issue of on-ice violence. the threat to the nhl the day of bertuzzi’s apology, nbc’s countdown with keith olbermann had as its “no. 3 story” of the night the issue of on-ice violence in the nhl and brought in former player henry boucha to share his story.102 olbermann introduced the segment as such: “bad sports: a violent hockey player apologizes, and is suspended.”103 the use of the word “violent” would prove to be telling because the nhl’s extreme level of violence, not so much bertuzzi, became the topic of conversation. olbermann compared the bertuzzi incident to the attack that ended boucha’s career in the 1970s and the blindside hit that ended ace bailey’s career in the 1930s. “as suggest[ed] by your story and that of…ace bailey, the over-the-line violence is at least seven decades old,” he said before he asked boucha, “do you think the nhl has ever done enough to stop true violence, over-the-line stuff, or is there part of the league that hesitates to curb it, because there’s still a mind-set that says violence is part of the appeal of the sport?”104 this was the exact question that many were asking. in general, the american media implied or explicitly stated “that the nhl was blighted by out-of-control violence” more so than the canadian media, but both were rather unforgiving.105 the day after bertuzzi’s suspension was announced, the toronto star’s sports section ran “‘does somebody have to die?’” as its top headline.106 the today show ran a segment on the attack: “it’s impossible to have the second story on ‘the today show’ feature your sport’s darkest hour and not have your character sullied significantly,” famous hockey writer greg wyshynski reflected on the seven-year anniversary of the incident.107 espn columnist jim kelley outlined what he called hockey’s “history of assault that rivals that of a street gang” when bertuzzi was charged.108 after giving seven examples of nhl players charged with assault from four different decades, he wrote: “the league has a track record of violence. it says it can contain the violence, but history shows that it cannot…the never-ending series of ‘incidents’ brings precedent into the picture.”109 focusing events train attention on a problem that may have been previously out of view and reveals “the possibility of potentially greater future harms,” in this case the possibility that a player could easily suffer a career-ending, life-altering injury.110 because he was a star player and because his sucker punch was so blatantly violent and widely televised, the bertuzzi incident made many people ask if the nhl’s culture would allow it to adequately police itself or whether the justice system should become involved to protect players. as kelley showed in his editorial, the nhl has a long history of violence, which league officials appeared to have done little to try to correct at the time of the bertuzzi incident. in an article written two years before bertuzzi’s attack, jones & stewart argue that the nhl, which they call “the only major league in which violence is, if not quite institutionalized…actively encouraged,” would never truly attempt to curb violence because it had no incentive to do so.111 they first describe how “violence is revenue enhancing,” and how players, and not their teams, are the ones normally disciplined and fined.112 thus, “a team has the incentive to promote violence, hires players for that specific purpose, but, if and when the violence occurs, is rarely culpable.”113 fighting, for example, was (and still is) very popular. espn writer jeff merron connected acts like bertuzzi’s to the nhl’s approval of fighting: “there’s no mystery as to why the nhl sanctions fighting. it draws fans…the brawls, and the cheap shots like bertuzzi’s that almost inevitably follow, should be gone.”114 gee & potwarka insinuate a link between other aggressive on-ice behaviors, like slashing and cross-checking, with extreme cases of violence and argue that these behaviors must be better policed even though they have always been considered to be just a part of the game. usa today columnist christine brennan wrote, after describing an espn highlight video of “the nhl’s ‘greatest’ hits,” “there always has been room in the nhl for violence, and there always will be.” farber noted: “after the nhl announced bertuzzi’s suspension…bett16 elements : : spring 2014 man said the assault had nothing to do with hockey. that is true only if the act can be separated from the hockey culture around it, and it can’t. bertuzzi’s act of thuggery is only an extreme extension of the game’s accepted law of expediency: scores are settled with a punch.” the consensus at the time was that the bertuzzi incident arose out of hockey’s violent culture, which could make self regulation difficult. jones & stewart pose that “self-regulation to reduce violence only works if those regulated have an incentive to reduce violence. if they do not—and remember the economic evidence is that violence and revenue are positively related—the private system of justice will not produce results compatible with perception of violence as a societal ‘bad.’”115 they then show that the decisions in the twist case and the mcsorley case allowed “disciplinary power over violence to be placed totally in the hands of the league,” a clear conflict of interest because violence is so engrained in the nhl’s culture and helps to sell tickets.116 yet, in concluding their examination of the twist case and the mcsorley case, jones & stewart argue that getting the courts involved would not cause any real change: “both criminal and civil, as it presently stands in canada and the u.s., is not an effective constraint on hockey violence” because the legal process can take too much time to act as a deterrent.117 the more high-profile bertuzzi case re-opened this discussion when he was charged with assault. kelley put the threat to the nhl best when he explained: “a good attorney, in either a criminal or civil case, would be able to argue that in fact the nhl cannot or does not police itself adequately and in fact condones an environment that leads to action…that’s what makes the bertuzzi case so dangerous to the nhl. the sheet shows that even though the league punishes offenders, the punishments aren’t deterrents.” yet, the court’s punishment of bertuzzi, probation, cannot be considered the greatest of deterrents. gee & potwarka argue that “the act that todd bertuzzi committed was perceived to be extreme and outside the confines of the game…it is likely that players perceived this punishment to be an isolated incident and to be associated with only that ‘extreme’ form of aggression.”118 this means that his punishment is a deterrent for only extreme violence but not for “other aggressive infractions,” like fighting, which can potentially escalate into the more extreme forms of violence if left unchecked.119 thus, jones & stewart may be right that “self-regulation as a constraint on violence has definite appeal” if applied quickly and equitably.120 they argue that a long suspension without pay is more likely to curb violence. for the most part, the nhl was commended for its handling of the incident, which helped to quiet the calls for the court system’s involvement in policing the league. bertuzzi was suspended indefinitely the night of the attack and was later suspended for the end of the regular season and the playoffs, losing a substantial chunk of his salary. famous nhl writer barry melrose wrote, “the league did the right thing in sitting him down until at least the beginning of next season…this sets a precedent by telling players that crossing the line with their on-ice behavior is unacceptable, and it should be a good lesson for everyone.” melrose applauded the nhl for not taking into consideration the fact that, at the time, “bertuzzi [was] one of the 10 best players in the world” and his suspension “basically cost the vancouver canucks a chance at the stanley cup.” league officials proved that they would not play favorites when they suspended an all-star on a team favored to win the stanley cup. they showed that they would penalize teams when they fined the canucks organization. jones & “thus, the bertuzzi incident, as a focusing event, not only trained attention on the issue of on-ice violence in general. it trained attention on a more alarming ‘unspoken’ part of hockey culture, one of violent retribution and bounties potentially directed from above by coaches or team executives.” 17 sometimes, sorry is never enough stewart would argue that the fine levied against the canucks was a step in the right direction because it showed that the league would hold teams accountable as well. however, even though the nhl staved off greater court involvement, it has not recovered from the bertuzzi incident’s tie to there being a “‘bounty on [moore’s] head.’”121 while the criminal case was closed years ago, the civil case is still ongoing. in court documents from this case, moore connected bertuzzi’s attack to the nhl’s culture. he explicitly tied it to “an unspoken hockey ‘code’ of violence instilled from the top.”122 the court filings argued that crawford and then vancouver general manager brian burke ordered the hit as retaliation for moore’s hit on naslund; these documents also contended that this “‘conspiracy of silence’” “‘calls for a closing of the ranks’” “‘to make sure that coaches and general managers cannot be held accountable.’”123 time will tell if these allegations are true, partially true, or false, but they have still clearly damaged the nhl’s reputation. in his comparison of bertuzzi’s attack and the new orleans saints bounty scandal, espn reporter lester munson described the issues that are raised by this type of controversy: “in both cases, a ‘bounty’ meant deliberate attacks on opposing players that were expressly designed to cause injury, and both involve significant issues of player safety and the integrity of competition.” thus, the bertuzzi incident, as a focusing event, not only trained attention on the issue of on-ice violence in general. it trained attention on a more alarming “unspoken” part of hockey culture, one of violent retribution and bounties potentially directed from above by coaches or team executives. kruse writes that “whenever individuals violate the ethical norms that hold simultaneously in both the sport world and the world at large, they will be evaluated negatively by fans and the general public alike.”124 this held true for bertuzzi: he was called violent, undisciplined, and many other things. kruse posits that “these individuals will often attempt to repair their images with apologies directed to the fans,” which bertuzzi did in the initial press conference and in his thank-you letter to the fans after his reinstatement.125 kruse’s conclusion helps to illuminate why bertuzzi has never been fully forgiven even though his statements and thank-you letter fit her framework and benoit’s: “sports personalities must defend their moral worth as sports figures whenever their conduct might have harmful effects upon teams, games, or the world of sport and their actions seem to result from personal characteristics that make them unworthy to represent the fans” in the sport.126 as has been seen, bertuzzi’s actions, which were seen as reprehensible by the general public, had sweeping implications for the nhl. yes, they affected bertuzzi’s career as he was never the same high-scoring player afterwards.127 yes, they affected the canucks as they were fined and bowed out of the playoffs in the first round. but it is clear that, since the incident was a focusing event, it became nearly impossible for bertuzzi to apologize enough. if the threat of the court system becoming involved was bad enough, his actions also led to calls for the reduction of violence and the elimination of fighting, elements of the game that “the core audience seem[ed] to embrace.”128 they helped to drive away casual fans who were disturbed by such blatant violence.129 they caused a shift in the nhl’s culture, a shift that most people would consider good: “you don’t hear talk of bounties all that often. or the joy of violent retribution.”130 when the lockout ended in 2005, the nhl began to emphasize a skilled, less violent game, and marketed high-scoring players like crosby and alexander ovechkin instead of bruising enforcers. “new regulations and stronger enforcement of existing rules led to more flow in games. skill players were impeded less, and previously stifling defensive systems were less effective.”131 finally, because “the incident and its aftermath remain mired in increasingly acrimonious litigation” that is considered newsworthy by reporters, the nhl still faces questions about the incident to this day.132 and the bertuzzi incident has become the symbol for on-ice violence. “the ultimate standard for reckless, intentional violence” near the end of his article on the seven-year anniversary of the attack, wyshynski asked, “now, how many sucker punches have we seen in the nhl described as ‘bertuzzilike’ or ‘bertuzzi-esque’ in their denouncement?” he answered “plenty” and even gave his own example: “matt martin’s wallop on max talbot during that new york islanders/pittsburgh penguins chaos.”133 the penguins-islanders game on february 11, 2011 was mired by out-ofcontrol violence, including blindside hits, goalies fighting and players leaving the bench to defend teammates. during one of the brawls, martin came up behind talbot and punched him in a move that “remind[ed] viewers of todd bertuzzi’s sucker punch on steve moore.”134 on december 21, 2006, the buffalo sabres held a 7-2 lead over the nashville predators, the same lead that the avalanche had on the canucks at the time of bertuzzi’s attack.135 “with 4:39 remaining in the game, nashville centerman scott nichol sent buffalo defenseman jaroslav spacek down to the ice 18 elements : : spring 2014 with a wild sucker-punch from behind…the play had shades of todd bertuzzi’s career-ending attack on steve moore.”136 there have also been “bertuzzi-like” attacks in the american hockey league, the top minor-league affiliate of the nhl. on january 11, 2005, edmonton roadrunners’ rocky “thompson chased down st. john’s’s david ling before delivering a blow to the head of the baby leaf forward during the third period of the leafs’ 3-0 victory.”137 maple leaf head coach doug shedden told reporters, “what rocky did is almost a bertuzzi-like incident, the way he hunted him down and hit him from behind…if you look at the tape it’s almost the same thing.”138 even attacks that happened before march 8, 2004 have been equated with bertuzzi’s. philadelphia inquirer reporter tim panaccio talked to then flyer donald brashear the day after bertuzzi’s apology because “brashear was a victim of bertuzzilike violence when he played in vancouver. in february 2000, former boston bruin marty mcsorley was charged with attacking brashear with his stick.”139 these are just four of many examples of violent on-ice attacks being explicitly compared to bertuzzi’s sucker punch. while birkland contends that focusing events provide a window of opportunity for legislative change, fishman argues that focusing events can often become rhetorical symbols.140 for example, fishman says that the shootings at columbine high school have become shorthand for school violence; it has crystallized into a rhetorical symbol that people use to describe and attempt to understand new events that are similar in nature.141 fishman’s vision of focusing events becoming rhetorical symbols fits what happened in the bertuzzi incident, as has been seen. it is true that “bertuzzi’s attack on moore…is one of a kind. it may be the most vicious attack in the history of team sports.”142 wyshynski is right that “if you compare what todd bertuzzi did to steve moore to any…melee you’re describing, there’s no going back. you’ve elevated it to the ultimate standard for reckless, intentional violence in the rink.” this is exactly why the bertuzzi incident persists as a particularly salient rhetorical symbol; it was so egregiously violent and the clip of him “sucker-punching moore from behind, the most cowardly of deeds, then driving his head into the ice like a pro wrestler” was played on so many different platforms and criticized by so many different people.143 bertuzzi’s attack has become the benchmark by which all new cases of extreme on-ice violence are measured because it is the symbol for on-ice violence and, in many respects, can be considered the nhl’s darkest hour. after the incident, “bertuzzi rapidly went from a pre-lockout all-star to a risky vagabond.”144 although he is a former all-star and did revive his career with the red wings, the defining moment of his career is still his sucker punch of moore. as has been seen, bertuzzi’s apologies fit the frameworks provided by benoit, kruse, and others. yet, they did little to restore his reputation because the incident was a focusing event that called into question the nhl’s culture and its ability to police its players to prevent serious injury. now unable to apologize because of the ongoing civil suit, his name is constantly brought up in association with on-ice violence because the incident becomes a rhetorical symbol for this controversial side of the sport. thus, in bertuzzi’s case, saying that he was sorry was never going to be enough. endnotes 1. cbc sports, 2004b 2. ibid. 3. ibid. 4. ibid. 5. ibid. 6. espn, 2004a 7. frei (270) 8. espn, 2004a 9. cbc sports, 2004b 10. espn, 2004d 11. westhead 12. espn, 2004a 13. ibid. 14. westhead 15. farber 16. westhead 17. gee & potwarka 18. benoit, 1997a (178) 19. benoit, 1997a 20. ibid. 21. benoit, 1997b (254) 22. benoit, 1997a (181) 23. ibid. 24. benoit, 1997a 25. ibid. 26. benoit, 1997b (257) 27. as quoted in tyler (57) 28. kruse (280-281) 29. kruse (281) 30. kruse (278) 31. jerome (125) 32. brazeal (145) 19 sometimes, sorry is never enough 33. brazeal (149) 34. benoit, 1997b (265) 35. benoit, 1997b 36. espn, 2004b 37. ibid. 38. kagemusha168 39. benoit, 1997b 40. benoit, 1997a; espn, 2004a; westhead, 2004 41. espn, 2004b; cbc sports, 2004a; espn, 2004d; nbc sports, 2004 42. benoit, 1997b (264) 43. farber; cbc sports, 2004a 44. farber 45. cbs sports, 2001 46. adelson 47. ibid. 48. ibid. 49. nbc sports, 2004 50. el-bashir 51. ibid. 52. espn, 2004c 53. kelley 54. usa today, 2004a, espn, 2004e 55. espn, 2005a, usa today, 2004a 56. espn, 2005c 57. espn, 2005b 58. kruse (274) 59. espn, 2005c 60. ibid. 61. espn, 2005c; burnside 62. benoit, 1997a (179) 63. burnside 64. roarke; cbc sports, 2004a 65. espn, 2005c 66. ware & linkugel 67. espn, 2005c 68. espn, 2005a 69. burnside 70. ibid. 71. espn, 2005a 72. el-bashir 73. usa today, 2004a, usa today, 2004b 74. usa today, 2004b 75. shoalts, westhead 76. shoalts 77. westhead 78. cbc sports, 2008; shoalts 79. westhead 80. campigotto 81. maki 82. shoalts 83. westhead 84. ibid. 85. dowbiggin 86. tyler (57) 87. ibid. 88. tyler (52) 89. cole 90. tyler (52) 91. klein 92. st. james; klein 93. klein 94. st. james 95. birkland, 1998 (54) 96. ibid. 97. birkland, 1997 (29) 98. birkland, 1997 (29-30) 99. fishman, 1999 (367) 100. fishman, 1999 (369) 101. fishman, 1999 (367) 102. nbc news, 2004 103. ibid. 104. ibid. 105. taipei times 106. nbc sports, 2004 107. wyshynski 108. kelley 109. ibid. 110. birkland, 1998 (54) 111. jones & stewart (173) 112. ibid. 113. ibid. 114. espn page 2 115. jones & stewart (193) 116. jones & stewart (197) 117. jones & stewart (192) 118. gee & potwarka (24) 119. ibid. 120. jones & stewart (192) 121. westhead 122. cribb 123. ibid. 124. kruse (277) 125. ibid. 126. kruse (274) 127. cole 128. farber 129. espn page 2 130. wyshynski 131. anderson 20 elements : : spring 2014 132. munson 133. wyshynski 134. murray 135. szeglowski; cbc sports, 2004b 136. szeglowski 137. zeisberger 138. ibid. 139. panaccio 140. fishman, 2013 141. ibid. 142. munson 143. simmons 144. 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(2011, february 11). penguins islanders brawl bertuzzi-esque? puck watch. retrieved from http://www.puckwatch. com/2011/02/penguins-islanders-brawl-bertuzzi-esque.html nbc news. (2004, march 12). ‘countdown with keith olbermann’ for march 11. retrieved from http://www.nbcnews.com/ id/4515400/#.uxg8vuqjssp nbc sports. (2004, march 13). bertuzzi suspension fires debate about fighting. retrieved from http://nbcsports.msnbc.com/ id/4483528/ panaccio, t. (2004, march 11). brashear grasps motive behind hit the flyers winger called the attack on steve moore ‘ridiculous,’ but said he understood the intent. the philadelphia inquirer. retrieved from http://articles.philly.com/2004-03-11/ sports/25384554_1_vancouver-authorities-donald-brashear-bertuzzi-incident roarke, s. (2003, april 11). for canucks, the line is fine. nhl.com. 22 elements : : spring 2014 sports/hockey-police-are-investigating-hit-by-bertuzzi-on-avalanche-player.html westhead, r. (2013, january 14). bertuzzi-moore court documents shed light on ex-nhl player’s struggles. toronto star. retrieved march 21, 2013 from http://www.thestar.com/sports/hockey/2013/01/14/bertuzzimoore_court_documents_shed_light_ on_exnhl_players_struggles.html wyshynski, w. (2011, march 8). seven years later, how bertuzzi’s assault changed hockey’s tone. yahoo sports. retrieved march 21, 2013 from http://sports.yahoo.com/nhl/blog/puck_daddy/post/ seven-years-later-how-bertuzzi-s-assault-change?urn=nhl-331447 zeisberger, m. (2005, january 12). coach calls hit ‘bertuzzi-like’: ahl looking at thompson punch on leafs’ ling. slam hockey. retrieved from http://slam.canoe.ca/slam/hockey/ ahl/2005/01/12/pf-895990.html retrieved from http://www.nhl.com/intheslot/read/indepth/bertuzzi/line.html shoalts, d. (2012, january 5). todd bertuzzi drops third-party lawsuit against marc crawford. the globe and mail. retrieved from http://www.theglobeandmail.com/sports/hockey/todd-bertuzzidrops-third-party-lawsuit-against-marc-crawford/article4085431/ simmons, b. (2004, march 19). we couldn’t help but watch. espn page 2. retrieved from http://sports.espn.go.com/espn/ page2/story?page=simmons/040319 st. james, h. (2012, february 20). fearsome todd bertuzzi revives career as defence-minded red wing. the toronto star. retrieved from http://www.thestar.com/sports/hockey/2012/02/20/ fearsome_todd_bertuzzi_revives_career_as_defenceminded_ red_wing.html szeglowski, p. (2006, december 21). dangerous but different: nichol’s attack draws comparisons to bertuzzi incident. let’s go sabres. retrieved from http://letsgosabres.outlastmedia.net/ pressbox/fullstory.php?newsid=10111 taipei times. (2004, december 24). bertuzzi plea-bargains to avoid possible jail sentence. retrieved from http://www.taipeitimes.com/news/sport/archives/2004/12/24/2003216615 tyler, l. (1997). liability means never being able to say you’re sorry. management communication quarterly, 11(1), 51-73. usa today. (2004a, december 21). bertuzzi gets probation for hit on moore. retrieved april from http://usatoday30.usatoday.com/ sports/hockey/nhl/canucks/2004-12-21-bertuzzi-plea_x.htm usa today. (2004b, december 23). moore still feeling impact of bertuzzi ambush. retrieved from http://usatoday30.usatoday. com/sports/hockey/nhl/2004-12-23-moore-bertuzzi_x.htm walsh, j. & mcallister-spooner, s.m. (2011). analysis of the image repair discourse in the michael phelps controversy. public relations review, 37, 157-162. ware, b.l. & linkugel, w.a. (1973). they spoke in defense of themselves: on the generic criticism of apologia. quarterly journal of speech, 59, 273-283. westhead, r. (2004, march 10). hockey; police are investigating hit by bertuzzi on avalanche player. the new york times. retrieved march 21, 2013 from http://www.nytimes.com/2004/03/10/ 23 sometimes, sorry is never enough throughout j.m. coetzee’s novel disgrace, protagonist david lurie encounters failure in his relationships, in his occupation, and in his artistic endeavor to produce a libretto. this article employs both agembenian and psychoanalytic theory to interpret david’s state of disgrace as the result of his inability to repress his animal drives. david’s failure to repress deviates from the paradigm established by what giorio agamben calls “the anthropological machine of the moderns,” and subsequently neglects the popular notion that humanity is predicated upon an absence of animality. as will be discussed, it is through david’s acceptance of his disgrace, that is, his inherent and inextinguishable animality, that he removes himself from anthropological humanity and lives a life representative of agamben’s egalitarian concept of the open. the anthropological machine the persistence of animal drives in j.m. coetzee’s disgrace alexander trimes toward the conclusion of j.m. coetzee’s disgrace, david lurie apologizes for the grief his affair with melanie caused mr. isaacs’ family, attributing the relationship’s failure to his own “lack [of ] the lyrical.”1 in context, david’s failure to supply the “lyrical” refers to his lack of passion during sex as well as his “cold, surly” temperament toward his lovers after the act.2 in the larger scope of the novel, it also alludes to his inability to write the byron libretto. david’s incapacity for both romance and cultural achievement results from his frequent capitulation to animal drives. as sigmund freud asserts in beyond the pleasure principle, human life and development is distinguished from that of animals due to the “untiring urge toward perfection [that] can be easily understood as a consequence of the repression of the drives; it is on this repression that the most valuable achievements of human culture are founded.”3 that david lurie does not adhere to the concept of human repression, but instead acts as a “servant of eros,”4 like an animal obeying its drives, prevents him from “mastering and […] destroying his animality.”5 as a result, david is incapable of defining himself as man over animal in accordance with the anthropological machine of the moderns discussed in giorgio agamben’s the open, and contrarily begins to advocate in favor of animality. it is through his increasing identification with the shelter dogs, and the subsequent disintegration of the barrier between human and animal, that david lurie surmounts the anthropological machine and enters agamben’s open. david initially encounters the anthropological machine at the university committee hearing. though david “plead[s] guilty”6 to melanie’s charges against him, whatever they may be, the committee requires “an admission that [he was] wrong.”7 such a stipulation obliges david to condemn his adherence to eros and therefore his own inherent animality. the committee, a political fixture in the realm of cape technical university, is in this sense congruous to the anthropological machine, which “isolat[es] the nonhuman within the human”8 and demands that humanity assume “total management” of its internal “animality.”9 david’s defiance of the committee’s orders, which simultaneously serves as his refusal to perpetuate the law of the anthropological machine, foreshadows his eventual triumph over the machine and entrance into the open. the concept of the anthropological machine is challenged yet again when david relates the golden retriever anecdote to lucy. after explaining that the dog’s owners beat it “with pavlovian regularity” in an attempt to curtail its “desire,” david concludes that “no animal will accept the justice of being punished for following its instincts.”10 he then posits that an animal “might have preferred being shot” over being castrated, as the latter forces it to live on in denial of “its nature.”11 david employs the anecdote in order to convey to lucy his conviction in “the rights of desire.”12 he contends that the committee’s censuring his own natural “impulse”13 is no more right than the dog’s owners punishing the retriever for its excitement at “the smell of a bitch.”14 he identifies with the dog insofar as they are both penalized for pursuing their drives, and their “rights to desire” are undermined by their respective authorities.15 additionally, in accordance with his supposition, david chooses “being shot”—that is, losing his position at the university and ruining his reputation—instead of being castrated, or renouncing eros.16 david’s identification with the golden retriever opposes the anthropological machine, which declares “man is the being which recognizes himself as such,”17 that man “must recognize himself in nonman in order to be human.”18 although david recognizes a wall mural of italian philosopher georgia agamben, whose theory of the anthropological machine informs a reading of coetzee’s novel disgrace (photo by thierry ehrmann) 26 elements : : spring 2014 himself in the golden retriever, non-man, there is no evidence suggesting he subsequently recognizes himself as human. on the contrary, he defends instinct as well as animality and sympathizes with the dogs who, like he himself, “suffer […] most of all from their own fertility.”19 though the dogs and david are both plagued by “the problem of sex,” it afflicts them in different ways.20 as bev shaw suggests, the dogs “don’t think it’s a bad thing to have lots of offspring” and reproduce continuously, leaving “too many of them” to properly care for.21 like the golden retriever, the wild dogs are simply adhering to their nature, yet without the intervention of owners. david’s treatment of sex as a “problem”22 that must be solved and the comparison of his sexual temperament to that of a snake—“intense,” but never “passionate,” “absorbed, but rather abstract, rather dry, even at its hottest”—indicates that he is subject to the same animal nature.23 he does not seek romance, only the fulfillment of his drives. when he fails to repress these drives and has sex with melaine, his student, he fails to manage his animality and neglects the “certain sacrifices” required by “academic life.”24 succumbing to his sexual drives results in david being “asked to resign”25 from the university and thus, as his uninhibited animality becomes publicized, his “disgrace.”26 despite the fact that david’s disgrace and the overproduction that threatens the dogs are very distinct issues, they both originate from the pursuit of sexual impulses, and they both terminate at the animal clinic. the stray dogs are collected at the clinic, “a mob of scrawny mongrels filling two pens to bursting point,” and david is able to find work there “doctoring dogs”27 alongside bev shaw, what he calls “playing right-hand man to a woman who specializes in sterilization and euthanasia.”28 in reality, david’s description of bev is partially inaccurate, as it is actually dr. oosthuizen who neuters the animals. by working alongside bev and euthanizing the dogs “that no one wants,”29 david is providing them with death over castration; he is preserving their nature and abiding by his notion of “the rights of desire.”30 at the clinic, david begins to identify with the animals on a level deeper than their mutual compliance with drives. he comprehends the meaning of lucy’s statement that “the only life there is” is the one “which we share with the animals”31 and eventually transitions into the open, where “animal life and logos […] are separated forever” in order to “liberate their own truer nature.”32 the beginning of david’s transition is perhaps best observed when the narrator acknowledges the recent developments in david’s character: curious that a man as selfish as he should be offering himself to the service of dead dogs. there must be other, more productive ways of giving oneself to the world, or to an idea of the world. one could for instance work longer hours at the clinic. one could try to persuade the children at the dump not to fill their bodies with poisons. even sitting down more purposefully with the byron libretto might, at a pinch, be construed as a service to mankind. but there are other people to do these things—the animal welfare thing, the social rehabilitation thing, even the byron thing. he saves the honor of corpses because there is no one else stupid enough to do it. that is what he is becoming: stupid, daft, wrongheaded.33 the passage occurs immediately after david acknowledges his role as “dog-man.”34 he has made it his primary responsibility to “take care of [the dogs] once they are unable, utterly unable, to take care of themselves”; once they are dead.35 david accepts this duty despite his own belief that preserving dog corpses bound for the incinerator is illogical, “stupid,” as it does not actually benefit anyone.36 david’s awareness of his irrationality is significant because it starkly contrasts his previous position among the university’s “rationalized personnel,” or those members of faculty forced to teach more practical courses after the institution underwent a period of “great rationalization.”37 his shift from rational to irrational resembles that of the “figure” who has departed from logos and entered the open; as “he saves the honor of corpses because there is no one else stupid enough to do it. that is what he is becoming: stupid, daft, wrongheaded.” 27 surmounting the anthropological machine agamben explains, the figure “is no longer human, because it has perfectly forgotten every rational element, every project for mastering its animal life.”38 though david has “perfectly forgotten” neither his rationality nor how to manage his animality, he willingly undermines rational thought and does not concern himself with the repression of his drives.39 by relinquishing these typically human traits, in addition to admitting that writing the libretto, his attempt at the “superhuman” concept of “art,” was never his responsibility, david returns to “animal praxis.”40 although david has begun his return to animal praxis, he has not yet overcome the anthropological machine. he acknowledges that his duty lies with “sav[ing] the honor of corpses” rather than preventing human children from poisoning themselves, but refuses to classify his actions toward animals as loving, only “wrongheaded.”41 david does not fully accept the significance of his involvement with the animals at the clinic and does not cease to distinguish himself from the animals until he apologizes to mr. isaacs. after the apology, david interprets his move back to cape town as a “betrayal” of the dead dogs, which without him “will be tossed into the fire unmarked, unmourned,”42 indicating that he now discerns the meaning of his “daft” dedication to the animals.43 additionally, when ryan, melanie’s boyfriend, tells david to “stay with [his] own kind,” likely referring to people david’s age, david moves back to the country and resumes his work at the clinic more devotedly than ever before.44 though david’s return to the eastern cape is prompted by lucy’s obscure behavior, it is not insignificant that, after this encounter with ryan, he begins to dedicate the majority of his time to the animals. it is because david admits that he “lack[s] the lyrical” that he is able to enter the open after apologizing to mr. isaacs.45 his lack of the lyrical, displayed not only in his affair with melanie, but also in his inability to compose the byron libretto, is a direct result of his failure to repress his animal drives. in accordance with freud’s theory, without repression, david is unable to adopt the “restriction upon sexual life” that would bind him to a single partner, and is also unable to accomplish cultural achievement.46 in this sense, a lack of the lyrical is analogous to a lack of repression of the drives; the lyrical thus represents humanity in terms of the anthropological machine, which dictates that humans must manage their animality in order to declare themselves as human. during the conversation, it is made evident that david is not only aware of his lack of humanity, but also accepts it, as he explains that he has embraced the disgrace it has caused: i am sunk into a state of disgrace from which it will not be easy to lift myself. it is not a punishment i have refused. i do not murmur against it. on the contrary, i am living it out from day to day, trying to accept disgrace as my state of being. is it enough for god, do you think, that i live in disgrace without term?47 though david does not accept that it is just to be punished for pursuing one’s instincts, as conveyed by the golden retriever anecdote, he tries to accept the “punishment” itself; he does not “murmur against it,” but understands that he now “live[s] in disgrace without term.” his willingness to serve his indefinite punishment indicates that he accepts what it is he is being punished for, that is, his lack of anthropological humanity. psychoanalysis avers that accepting one’s lack “is in fact a matter of taking the route toward one’s real desires, and not merely submitting to the other.”49 in david’s particular case, the other can be identified as the university committee, or rather, much more broadly, humanity as defined by the anthropological machine. prior to admitting his own lack of humanity, david aspired to “return triumphant to society as the author of an eccentric little chamber opera”; he planned to satisfy the committee’s demand that he repress his animality, and thus exhume himself from disgrace, through cultural achievement.50 upon accepting his lack and his existence in a state of disgrace, david is able to more fully commit himself to the animals at the clinic, unhindered by humanity’s conjectures of more appropriate, “productive ways of giving oneself to the world.”51 david’s bolstered dedication to the animals can be observed through the ways in which his life on the eastern “david has become a creature, a ‘dog-man:’ he is no longer suspended between ‘man and animal,’ but is simultaneously both man and animal.” 28 elements : : spring 2014 cape differs before and after he accepts his animality. while he lives with lucy when he initially is “expelled”52 from the university, upon his second stay in the country he “hires a room in a house”53 because he can no longer tolerate “the people she lives among.”54 more significantly, he spends less time interacting with humans and more time with the dogs, as “the clinic, more than the boardinghouse, becomes his home.”55 he “feeds the animals” and “occasionally talks”56 to them, even developing “a particular fondness” for one of the dogs.57 david’s concern for the animals after he accepts his lack severely contrasts with his previously negative sentiments toward them, as suggested by his prior opinion of “animal-welfare people,” whose “cheerful and well-intentioned” demeanors made him want to “kick a cat.”58 he was once “repelled” by the odor of “dog mange” and thought little of those who care for animals, but he now commits himself to them almost entirely.59 furthermore, david has altered his attitude toward his and bev’s “sessions of lösung,” or bev’s solution to the problem of sex that plagues the animals.60 though david once interpreted bev as “part of the repressive apparatus”61 that condemned his pursuit of eros, he has since discerned that by working alongside her and euthanizing the animals whose “term has come,” he is in fact liberating them from a world that condemns animality as disgraceful. he has now learned what bev meant when she said that, while putting down the animals, she “mind[s] deeply”63; when david administers the “lethal,” he too must mind deeply and provide the animal with the affection and consideration it deserves.64 he must “concentrate all his attention on the animal they are killing, giving it what he no longer has difficulty in calling by its proper name: love.”65 at the conclusion of coetzee’s disgrace, david’s disgrace no longer represents his lack of the lyrical, his lack of humanity in the terms of the anthropological machine, but has rather become his existence. his immersion in the dog’s “egalitarian”66 order, which elevates neither animality nor humanity, renders his lack negligible and eliminates from his being all predication upon “negativity.”67 though he once lived as neither human nor animal in a society that defines man based upon his ability to fulfill the definition provided by the anthropological machine, the “ironic apparatus that verifies the absence of a nature proper to homo, holding him suspended between a celestial and terrestrial nature,” he has since transcended this rigid existence and has emerged in agamben’s open. david has become a creature, a “dog-man”68: he is no longer suspended between “man and animal,” but is simultaneously both man and animal.69 endnotes 1. j.m. coetzee, disgrace (new york: penguin, 2000), 171. 2. coetzee, 171-2 3. sigmund freud, beyond the pleasure principle, ed. todd dufrense, trans. gregory c. richter (peterborough, ont.: broadview editions, 2011), 80. 4. coetzee, 52. 5. giorgio agamben, the open. trans. kevin attell (stanford: stanford up, 2004), 12. 6. coetzee, 48. 7. ibid.,52. 8. agamben, 37. 9. ibid., 77. 10. coetzee, 90. 11. ibid. 12. ibid., 89. the protagonist of disgrace is unsuccessful in his attempt to write the byronian libretto, a failure he attributes to his “lack of the lyrical.” (photo courtesy of wikimedia) 29 surmounting the anthropological machine 13. ibid., 52. 14. ibid., 90. 15. ibid., 89. 16. ibid., 90. 17. agamben, 26. 18. agamben, 27. 19. coetzee, 142. 20. ibid., 1. 21. ibid., 85. 22. ibid., 1. 23. ibid., 2-3. 24. ibid., 52. 25. ibid., 63. 26. ibid., 85. 27. ibid., 84. 28. ibid., 91. 29. ibid., 85. 30. ibid., 89. 31. ibid., 74. 32. agamben, 90. 33. coetzee, 146. 34. ibid. 35. ibid. 36. ibid. 37. ibid., 3. 38. agamben, 90. 39. ibid. 40. ibid., 6. 41. cotezee, 146. 42. ibid., 178. 43. ibid., 146. 44. ibid., 194. 45. ibid., 171. 46. freud., 90. 47. coetzee, 172. 48. ibid. 49. gohar homayounpour, doing psychoanalysis in tehran (cambridge, ma: mit, 2012) 23. 50. coetzee, 214. 51. ibid., 146. 52. ibid., 90. 53. ibid., 211. 54. ibid., 209. 55. ibid., 211. 56. ibid. 57. ibid., 215. 58. ibid., 73. 59. ibid., 72. 60. ibid., 218. 61. ibid., 91. 62. ibid., 218. 63. ibid., 85. 64. ibid., 83. 65. ibid., 219. 66. ibid., 85. 67. agamben, 87. 68. coetzee, 146. 69. agamben, 29. references agamben, giorgio. the open. trans. kevin attell. stanford: stanford up, 2004. print. coetzee, j. m. disgrace. new york: penguin, 2000. print. freud, sigmund. beyond the pleasure principle. ed. todd dufresne. trans. gregory c. richter. peterborough, ont.: broadview editions, 2011. print. freud, sigmund. civilization and its discontents. ed. james strachey. new york: w.w. norton &, 2010. print. homayounpour, gohar. doing psychoanalysis in tehran. cambridge, ma: mit, 2012. print. 30 elements : : spring 2014 climate change is one of the foremost issues in twenty-first century politics. normally, the effects of climate change tend to be abstract or long term consequences, which do not translate well to the short term priorities of many groups. however, relating climate change to increased scarcity of resources, and thus increased conflict, reveals its clear and present danger is the immediate loss of human life. unfortunately, as industrialized countries continually produce greenhouse emissions, it is very often undeveloped countries that suffer the most because of reduced resource availability and multinational exploitation from lack of regulation. by adopting a public trust doctrine via a u.n. charter, the effects of climate change and the ensuing violence may be curbed. consequences of climate change rising violence and environmental degradation michael martina on april 17, 2007, an unprecedented argument took place at the united nations security council on climate change and security; the majority of the council members agreed that climate change presented a serious threat to international security.1 by 2005, the u.s. department of defense identified environmental instability as a fundamental strategic concern because evidence suggested that environmental stress is an important contributor to contemporary conflicts.2 the many facets of environmental degradation are foreseeably the most prevalent social, political, cultural, and ideological problems facing the twenty-first century. environmental issues are intertwined with countless aspects of global systems, institutions, and processes. i believe that of these relationships, the nexus between environmental degradation and large-scale violence is one of the most important to address. focusing on environmental degradation’s role in global violence, rather than on disclosing the consequences of climate change in relation to areas that are not directly affected by humans, demonstrates the ramifications of climate change to life by presenting them in terms that everyone can relate to: direct loss of human life. climate change and other environmental issues are intrinsically problematic; however, they have and will continue to have one of the largest impacts on human life through their connection to violence and wars. there exists a complex relationship between global violence and environmental degradation. additionally, both u.s. domestic law and international law play into this relationship and the viable paths that law can take in order to deter environmentally-related violence from occurring. not only does that violence cause environmental degradation, but also, perhaps more importantly, that environmental degradation generates violence. there are a vast number of factors and intricate relationships that affect this. however, the message remains: global peace will not occur without environmental sustainability. it is necessary to examine the causes of war from a historical and ideological perspective in order to see how environmental problems can create the necessary situational factors for war to erupt. the roots of all war and violence do not lie in economic issues, however, it is important to focus on the economic causes of war because it is within this cause (as opposed to national desire for power, ethnocentricity, mob patriotism, etc.) that environmental change plays the largest role. although it is nearly impossible to isolate one aspect of conflict from all other political, social, and cultural aspects, this article aims to view the ways in which environmental degradation interacts with these other elements in order to instigate and accelerate violence. furthermore, environmental degradation often acts as a catalyst to pre-existing forms of violence, making them much more brutal and wide-spread. stripped of all modern political and social institutions, an examination of the ik people of uganda reveals that humans are centrally motivated by self-preservation. when economic influences restrict one’s capability to receive essential resources, people are stripped of morality and are especially inclined toward violent behavior. the ik peacefully lived in the karamoja region of northeast uganda for centuries. they practiced rich cultural activities and were completely independent, relying on subsistence farming for nourishment. however, in 1958, the creation of the kidepo valley national park by the colonial british government shattered the societal structure of the ik people. the establishment of these hunting grounds forced the ik to leave their fertile fields and settle in the less arid mountainous region of uganda near the kenyan border. this radical transition caused the ik to suffer from widespread famine. because they could no longer rely on subsistence farming in order to feed themselves, the cultural backbone of ik society was broken, turning the ik community into “a conglomeration of individuals of all ages, each going his own way in search of food and water, like a plague of locusts spread over the land.”3 the ik turned from a peaceful tribe to a people dramatically inclined towards violence. first-hand accounts by colin turnbull reveal the atrocities committed by the starving ik population. he described accounts of parents deliberately allowing their children to die when food sources ran scarce in order to save enough food for their own survival. he offered stories of family members brutally killing each other without remorse in order to salvage small scraps of food. the ik became “the loveless people” whose lives simply do not have room “for such luxuries such as family and sentiment…nor any morality beyond filling one’s own stomach”.4 on the most basic scale, the horrific transformation of ik society demonstrates the role that economic hardship can play in creating violent behavior. when the ik were stripped of their economic system of subsistence farming, they were forced to abandon all love and morality in order to protect themselves from starvation. even though the ik are an extreme example, their examination effectively demonstrates the power that economic hardships have in causing violent behavior on the most basic level. when resources become scarce or unobtainable, violent behavior often follows. the dissection of many theories of the causes of war fur32 elements : : spring 2014 ther discloses the strong connection between economic forces and large-scale violence. both the marxist and leninist theories of imperialism show how capitalist markets can encourage the eruption of war. while the historical context of these arguments must be taken into account, their theories still offer seemingly legitimate causes of war with many historical examples to further justify their claims. both of these theories are based on an underlying form of the “underconsumption theory of the trade cycle” where it was argued that “because there was chronic tendency for the working classes to have too little to spend [in capitalist markets], there developed a struggle for international markets which tended from time to time to culminate in war.”5 this essentially involves a wage paradox in which the workers are paid too little to purchase the goods that they make. lenin furthers this ideology by offering five features of capitalist development that he argues will inevitably lead to “clashes of interest and war.”6 the features include: the concentration of production and capital into monopoly-like industries, the merging of bank capital and industrial capital on the basis of finance capital, the export of capital instead of commodities, the formation of international capitalist monopolies, and the territorial division of the world amongst the greatest capitalist powers.7 as we look at the historical examples where these conditions are met, it is undeniable that investment interest has played a leading role in imperialist expansion and subsequent war. in the second boer war in 1899, “it does not seem possible to deny that it was the investments on the witwatersrand and the pressure form their owners which played the leading role” in fueling the violence.8 one of the central raids in the war, the jameson raid, was planned by rand capitalists aiming to protect their investments over the newly discovered gold on the witwatersrand. additionally, all subsequent negotiations “were concerned with the position and interests of foreign investments and investors.”9 the conflicts and wars in samoa by the germans, in haiti and guatemala by the americans, and in venezuela by the british and germans are all cases in which the leading motivation behind war is the protection or expansion of foreign investments by imperialist powers. in regard to the russo-japanese war of 1904, “the root cause of this conflict was the desire of the russian government to safeguard the interests in certain yalu timber estates of a group of investors in close touch with the russian court.”10 additionally, the opium wars in china demonstrate the vast violent measures that imperialist powers will take to protect their foreign investments. the british used the full force of their navy, then the most powerful navy in the world, in order to ensure that the chinese government did not interrupt the selling of tens of thousands of chests of opium into china, despite the detrimental effects that the drug had on chinese society and productivity.11 throughout history, there are countless examples in which imperialist powers, fueled by capitalism, wage war in order to protect or expand foreign investments. noam chomsky offers a unique perspective on the cause of violence and war in his deeply skeptical criticism of american foreign policy. chomsky attributes much of american militaristic intervention to be centrally motivated by neoconservative economic interests in the name of moral protection and humanitarian efforts. he embodies many anti-american sentiments across the globe by arguing that the true reasoning behind american military intervention is to protect u.s. corporations’ economic interests abroad, even though political leaders claim they are intervening for moral reasons. one example chomsky commonly uses to demonstrate this immoral use of neoconservative morality is the fact that america has a history of overthrowing democracies and instilling oppressive, american-sponsored dictators in their place. the irony of this situation is that the american government commonly uses the manifest destiny ideology of spreading democracy to justify military intervention abroad.12 in 1953, the democratically-elected guatemalan president jacobo arbenz nationalized some uncultivated land of the american firm united fruit. subsequently, a cia-organized coup overthrew arbenz, forcing him into exile and initiating “40 years of military-government death squads, torture, disappearances, mass executions and unimaginable cruelty.”13 “‘violence serves not only as a convenient and economical instrument to transform society, but also as an excellent communicative vehicle with which to make symbolic statements.’” 33 consequences of climate change the u.s. sponsored dictator castillo armas came to power after arbenz, instilling “indisputably one of the most inhumane chapters of the 20th century” all in the name of protecting western democracy from ‘communist imperialism.’14 similar situations in el salvador, cambodia, thailand, the congo, brazil and many other countries show that america’s history of foreign intervention warrants skepticism of the true motives behind political leaders as well as those behind the powerful members of the private sector. thus, chomsky suggests, america is creating so much tension amongst the global poor and the global rich that class warfare may be imminent. as the global rich push the poor closer and closer to the edge, they will begin to fight back before toppling over. chomsky also attributes much of american immoral foreign intervention to the protection of the global elite from the global poor. he argues that, throughout the period of u.s. hegemony, “there has been no hesitation to resort to force if the welfare of u.s. elites is threatened by…‘national regimes that are responsive to the popular demands for improvement in the low living standards of the masses.’”15 american political leaders place so much emphasis on remaining the hegemonic power that they are ready to deploy harsh militaristic punishment to any country that shows resistance to american will. chomsky believes that there is such a drastic inequality of wealth and resource use that the united states must keep the global poor submissive through fear of the formidable u.s. military. although this theory is not the subject of this article, it offers a unique perspective on a mere possibility of class warfare being heightened by environmental degradation. most of the environmental degradation that is occurring today is carried out by powerful, economically-motivated institutions at the cost of the lives and comfort of the global poor. the region of the world that is predicted to suffer the most from global climate change is africa.”16 in addition to being unprepared to adapt to climate change due to its unstable governments, africa is also expected to experience the worst effects of climate change. yoweri museveni, the president of uganda, declared at an african union summit in 2007 that climate change was an “act of aggression” by the developed world against the developing world. that same year the namibian representative to the united nations, kaire mbuende, claimed that “the developed countries’ emissions of greenhouses [is] tantamount to ‘low intensity biological or chemical warfare.’”17 this is eerily ironic in that the average african produces less than a twentieth of the emissions of the average american.18 the ik people are a classic case study of resource scarcity resulting in violence. (photo courtesy of wikimedia) 34 elements : : spring 2014 the same capitalist motivations that encourage imperialistic expansion and globalization are deeply intertwined with the environmental degradation that is sweeping across the world. the short term economic frame of discourse that dominates western market systems goes hand in hand with the short term focus that causes environmental issues and climate change. the same economic incentives that encourage corporations to exploit resources abroad also encourage these same corporations to operate with highly-efficient, low-cost procedures that render great profits. the leaders of these corporations are not sinister antagonists that aim to destroy the ecosystems of the world. rather, the corporations that will not sacrifice environmental harm for profit will be weeded out in the market. sustainable businesses are much less likely to be able to compete with corporations that exploit the earth’s resources because the sustainable businesses will have to pay more in order to carry out their environmentally-responsible tasks. this will drive up the price of the good or service they are operating, thus putting them at a disadvantage compared to the rest of the market. in order to solve climate change and the violence that it causes and catalyzes, peacekeepers cannot overlook the importance of the underlying economic incentives. as the historical aspects of the relationship between environmental change and violence are examined, it is first helpful to observe how war and violence affect the natural environment. in southern sudan, african tribal groups and arab militia forces backed by the sudanese government are engaged in a civil war. the massive civil war between the insurgency and the government has largely destroyed southern sudan. this conflict has undermined hope of economic recovery by destroying infrastructure and agricultural areas. conflict has been shown to deplete human and natural resources, undermine critical communication networks, and weaken government institutions needed for economic development and innovation.19 more interesting, however, is the evidence that environmental degradation causes violence, not the other way around. in some instances, a simple rise in temperature has been correlated with a rise in conflict. the summer of 2012 in chicago, illinois was one of the bloodiest times in chicago’s recent history. many experts and locals have attributed a portion of the increase in killings to the unusually warm summer. when interviewed, residents of chicago’s south side describe the increased homicide rate as a result of growing agitation and an increase in time spent outdoors due to the record-breaking heat. in sub-saharan africa between 1982 and 2001, a study by the proceedings of the national academy of sciences examined databases of temperatures and instances of civil conflict that left at least 1,000 people dead. the study found an interesting correlation between instances of conflict and warmer temperature: conflict was about fifty percent more likely in unusually warm years. the role of environmental degradation in causing conflict is not an entirely new concept. for example, environmentally triggered conflict precipitated widespread warfare in ancient china and was a large factor in determining the collapse of the anasazi and akkadian civilizations.21 although climate change and its effects are usually studied within the post-industrial revolution context, examination of the mid-seventeenth century provides us with historical examples of the ways in which violence and climate change have been intertwined in the past. the middle of the seventeenth century featured abnormal and extreme weather patterns. in west africa, the semi-arid savannah south of the sahara desert experienced a prolonged drought from 1614 until 1619. a five-year drought almost caused the virginia colonies to fail. 1628, the “year without summer,” proved to be the wettest summer in europe in the past 500 years.22 india suffered a perfect drought in 1630 and 1631, which was followed by catastrophic floods in 1632 . the canadian rockies experienced severe and prolonged drought from 1641 until 1653, and virtually no rain fell in the valley of mexico in 1640. on the other side of the pacific, java, from 1643-1671, experienced the longest drought recorded during the past four centuries. drought caused the indonesian rice harvest to fail in 1641 and 1642. the grand canal dried up in 1640 due to lack of rain. in 1641, the nile river fell to the lowest level ever recorded. western europe experienced extremely cold winters and dangerously short summers. in the southern hemisphere, similar catastrophes were widespread. war and violence was widespread across the globe during this same exact time period. more wars took place in that era than in any other era in recorded history before world war ii22: “most of those who survived through the seventeenth-century crisis identified war rather than climate change as the principal cause of their misfortunes.”23 english burial records show that the armies that fought in the english county of berkshire in 1643 killed significantly more people than were killed by the plague epidemic of 1624-25.24 pitirim sorokin, a russian sociologist, created an index of war intensity that rose from 732 in the sixteenth century to 5,193 in the seventeenth century. the rate 35 consequences of climate change of increase was at least twice that of any other time period. additionally, the mid-seventeenth century “witnessed more civil wars than any previous or subsequent period.” people of the seventeenth century “believed that the wars of their day were not only more frequent but also more harmful to both people and property” than usual.25 the scarcity of resources relates the drastic climate change and the eruption of violence across the globe. as climate change produced more severe weather patterns, the natural systems of the biosphere were unable to cope with the changes effectively. up until the mid-seventeenth century, “the mean global temperature [showed] remarkable stability over the last six millennia.”26 however, the shift in global temperatures and the increased occurrence of extreme weather developed so rapidly—in geological terms—that ecosystems were unable to adapt fast enough. the earth’s intertwined ecosystems evolved over centuries to be specially suited to the stable climate and weather patterns of their habitats. thus, changes in precipitation and temperature caused ecosystems to collapse and induced massive agricultural failure. crops failed throughout the world, causing famine and desperation. during this period, the earth provided significantly fewer natural resources than were needed to sustain the human population. in particular, food shortages caused hunger to be the “heart of the crisis” of the seventeenth century.27 as we have seen with the ik, people are driven to extremes, often violent extremes, when they are barely holding on to the brink of survival. from a communal standpoint, war and violence can be seen as a rational strategy. the sentiment that “it was always better to die by the sword than to die of hunger” was felt by starving communities across the world.28 in addition to fueling “more rebellions and revolutions than any comparable period in world history,” the changes in climate and the hunger that followed were linked to the formation of “roving bandits.”29 desperate people would gather into violent throngs and use force to obtain whatever food and natural resources they could find. these infamous bandit groups struck so much fear in the hearts of traveling merchants that qing officials were forced to keep manuals on the locations and positioning of bandit groups in order to warn travelers. these officials noted that “those who did not die of famine will rise to become bandits.”30 from an anthropological perspective, david riches reasons why resource scarcity causes ordinary people to be driven to commit violent crimes against their neighbors. he suggests that “violence serves not only as a convenient and economical instrument to transform society, but also as an excellent communicative vehicle with which to make symbolic statements.”31 similar to many terrorist organizations of the twentieth and twenty-first centuries, people of the seventeenth century used violence and fear tactics to enact social and political change. hungry rioters kidnapped wealthier members of the community and would subsequently kill or torture them in public in order to incite fear into the other members of the community that had food and resources. furthermore, the increase in revolutions and political upheavals in the seventeenth century seemingly reinforces chomsky’s notion that climate change can cause class tension to grow, thus resulting in increased warfare. the correlation between climate change and its societal implications in the seventeenth, twentieth, and twentyfirst centuries is remarkable. the examination of the crises of the seventeenth century allows us to examine the consequences that climate change can have on human conditions and warns us of what can come if drastic measures are not taken to prevent climate change. even though the climate became drastically colder in the seventeenth century, whereas the climate is becoming warmer in the present, the environmental implications are very similar. because the earth’s ecosystems have evolved to be particularly adapted to their specific habitats and climates, any rapid and persisting change in temperature—whether an increase or decrease—can have dire consequences on the ecosystem’s functionality. despite the differing temperature fluctuations, the climate change of the seventeenth century and that of the present day both result in the vast scarcity of resources. the general path connecting scarcity of resources to violent conflict is as follows: resource scarcity inherently causes competition between various groups and individuals that use these resources. this competition may then grow to a state of conflict as the remaining resources are not able to sustain every group involved. if conflict-resolution institutions fail to resolve the smaller-scale outbreaks of violent competition, then large-scale violence may result. thus, the droughts, famines, and subsequent acts of violence that were seen around the globe in the seventeenth century are mirrored in many third world countries as global warming begins to gain more momentum. when the temperature stayed consistently low in the seventeenth century, extreme weather events were recorded all over the world. the late twentieth and early twenty first centuries have observed similar extreme weather. according to a white paper prepared for the european commis36 elements : : spring 2014 sion, “almost two-thirds of all loss events between 1980 and 2007 were directly attributable to weather and climate events (storms, floods and heat-waves) while a further quarter are attributable to wild fires, cold spells, landslides, and avalanches, which may also be linked to weather and climate.”32 the paper estimated that in 2009 “losses from weather events are growing at an annual 6 per cent, thus doubling every 12 years.”33 as seen in the seventeenth century, the global poor are more likely to live along coastal areas or mountainous regions, both of which are especially susceptible to drastic alterations during climate change. additionally, poorer demographics are generally observed in countries with less stable governments. for the most part, these third world governments are not able to cope as effectively with environmental degradation as the governments of developed countries. in addition, coastal and mountainous regions of the world tend to be “economically less performing,” thus in these areas “the cost to cover adaptation needs will be so huge that they exceed the capacity of public funding” by these weaker governments.34 for example, the 1999 drought in kenya caused damage equivalent to sixteen per cent of the gross domestic product of the entire country. in comparison, hurricane katrina in 2005 caused damage equivalent to one percent of the gross domestic product of the united states.35 because these effects are felt mainly by the poor, the poor look to the wealthier members of society in times of desperation because the rich are more likely to have resource security and have more access to foreign food. thus, tension grows between the ‘haves’ and the ‘have-nots’ as resources become more and more scarce due to climate change. chomsky’s analysis on the growing class tension in the world could be drastically heightened as the effects of global warming are felt by greater numbers of the global poor. one of the central reasons behind the prediction that climate change and environmental degradation will cause large-scale violence to erupt is the sheer number of people whose lives centrally revolve around land use. about one half of the world’s population relies on direct use of the land for their economic well-being.36 projected climate change, desertification, drought, deforestation, and soil erosion will have major consequences in these areas. in many undeveloped or developing areas of the world, pressures to use renewable resources at an unsustainable rate further deplete existing resources. nearly two billion people do not have access to clean drinking water, and close to seventy-five percent of the world’s most impoverished inhabitants are subsistence farmers that are being forced to reside on smaller and plots of land.37 the expected manifestations of climate change will have a wide range of detrimental consequences for many regions across africa. an assessment by the intergovernmental panel on climate change described how, as climate change continues to gain stride, agricultural production is predicted to fall, especially in semi-arid areas, existing water shortages will be heightened, rates of ecosystem change are predicted to increase, the risks of inundation in low-lying settled areas is supposed to increase, and risks to human health from vector-borne diseases are likely to increase.38 generally speaking, africa is more dependent on climate sensitive sectors of the economy than other regions of the world. by 2050, sub-saharan africa is predicted to have up to ten percent less annual rainfall in its interior, where seventyfive percent of the agriculture is rain-fed.39 because climate change is predicted to increase rainfall variations and cause more violent weather patterns on both ends of the spectrum, existing water-related problems in africa are predicted to become more extreme. reduced overall rainfall on the western part of the continent will exacerbate current water stress. however, the reduced rainfall is predicted to fall more isolatedly and intensely, thus increasing the threat of flooding in these same areas. areas like the nile basin will certainly face challenges due to the fact that their water supplies are particularly sensitive to variations in rainfall.40 many low-lying coastal regions in africa are predicted to succumb to rising water levels, thus displacing regions that currently possess some of the highest population densities in the continent.41 these rising sea levels are predicted to take over low-lying industrial areas in egypt, the gambia, the gulf of guinea and senegal where the costs associated with this displacement is predicted to be equivalent to be between five to ten percent of the gross domestic products of the overall region.42 the resulting forced migration has been shown to cause outbreaks of violence.43 “the united states emitted 5,425 million tonnes of greenhouse gases in 2012, nearly five times as much as the entire continent of africa.” 37 consequences of climate change even though much of the violence caused by environmental degradation has yet to come, the world has already witnessed its first environmental wars. the roots of the darfur war and genocide lie in the scarcity of resources created by climate change. the darfur conflict “began as an ecological crisis” between the arabs and the native african tribal groups.44 in the darfur region of sudan, climate change has played a large role in instigating and accelerating armed conflict and genocide. since 2005, the janjaweed, an armed militia group of arab soldiers, have been systematically killing african tribal groups of darfur.45 peter takirambudde, the executive director of human rights watch’s africa division, declares that “it’s absurd to distinguish between the sudanese government forces and the militias—they are one.”46 however, when darfur insurgency forces gained momentum in khartoum, the government only heightened its ethnic cleansing and destruction of african tribal groups. this unimaginable persecution has roots in climate change and is accelerated by the continuing effects of climate change on the susceptible semiarid region. in the face of climate change, the most effective way to prevent violence across the globe is through collective security ideologies involving a strong united nations charter. because the problems of climate change are felt all over the world, they will require a world-wide solution, and thus all should contribute. although industrialized countries contribute the most to climate change, it is difficult for domestic policy alone to limit emissions. corporations can circumvent policies by moving to poorer nations in order to exploit resources with less regulation. thus world needs a binding u.n. charter to regulate and enforce climate change policies. furthermore, collective security efforts are needed in order to bring environmental justice to the global poor by connecting them, through international law, to the global rich that are causing the majority of the issues. strong, enforceable international law with a criminal court system should hold perpetrators accountable for exploiting resources. additionally, if violence breaks out, a strong u.n. organization should be able to prevent escalation more effectively by allowing the voices and the context of all parties involved to be heard and understood. the curthe un can hopefully implement effective policy to prevent further enviromental degradation. (photo courtesy of patrick gruban) 38 elements : : spring 2014 rent system is ineffective against battling climate change because the industrialized countries, which have the security council vetoes, are some of the biggest contributors to climate change. the united states emitted 5,425 million tonnes of greenhouse gases in 2012, nearly five times as much as the entire continent of africa (rogers). furthermore, many of the emissions in third world countries come from industrial processes carried out by american, western, and chinese corporations that have moved abroad in search of cheap labor. although industrialized countries are contributing proportionally more to climate change, they are least aware of it because they do not directly feel such imminent costs. in order to create a global awareness of the implications of climate change on human life, cultural boundaries between the global rich and the global poor must be eliminated. the rich must be connected to the poor in some manner in order to fabricate a human utility incentive for sustainability. collective security strategies can do this by politically uniting the global rich and the global poor. consequently, the u.n. must be restructured, revising the policy of the five permanent security council members. ideally, the u.n. should create a bi-cameral system. one of the organizations would have a system of gdp proportional representation, whereas the other organization would represent each country equally. this would give pre-industrial countries a much-needed voice. in addition, this system would allow international law to grow to reflect the needs of the poorer countries that are suffering the most from climate change. however, all countries must be able to be held accountable under this system in criminal court. under the current hegemonic-dominated u.n. charter, industrialized countries are often not held accountable in criminal court. under a criminal court system, countries would find real incentive to avoid breaking international law because they would face much more dire consequences. developed and developing countries could more effectively collaborate to find an economically feasible route toward sustainability. the most effective outlet to hold the industrial powers accountable for their contributions to climate change, assuming the establishment of strong un charter, is through the international implementation of the public trust doctrine (ptd). the idea of public trust goes back to the ancient roman empire, where emperor justinian declared that the air, the running water, the sea, and the seashore were all to remain common to mankind. this historical depth adds validity to the concept and gives it the necessary global application to be used on a worldwide basis. the core of the public trust doctrine aims at preserving the commons for the use by the public. in the tragedy of the commons, a shared resource is depleted because of individual use. each person, acting under short term self-interest, uses the commons for their benefit, thus externalizing the costs of their usage to the entire public. eventually, the commons, whether it is a park, the ocean, the air, the seashore, or the land beneath the seashore, will be depleted to the point where no one can use it. in the case of environmental law, the public trust doctrine can be used to protect the commons from exploitation. on a global scale, an international organization may stand as the trustee of public trust for the benefit of the global citizen. most cases in environmental law are constructed around the ultimate benefit to humanity. however, the public trust doctrine would greatly expand the range of what is considered to be ultimate human utility. the ptd goes beyond the traditional definition of harm by recognizing the ultimate value that ecological preservation and protection provide to humanity. in addition to its historical legitimacy and acceptance, this quality of the public trust doctrine makes it the perfect tool for helping to solve climate change and reverse environmental degradation. in order to use the ptd effectively on a global scale, all three settings of the doctrine—resource defense, alienation, and diversion—would have to be recognized. resource defense can be used to prevent the derogation of the environment in the first place, alienation can be utilized to protect the selling off of public lands to private institutions, and diversion can be exercised in order to protect public lands from more exploitive public or governmental uses. the public trust doctrine is a promising tool for solving environmental issue and the violence that ensues because most cases of environmental issues involve a use of commons and externalizing the costs of that use to the public. for example, when a large corporation emits an unsustainable amount of greenhouse gases, the atmosphere becomes slightly more toxic and the earth essentially warms up a tiny amount. the company thus exploits the use of the atmosphere at the cost of the global public who suffers from polluted air and a warmer climate. even though the effects of one company’s emissions are miniscule, the total impact of thousands of similar companies is significant and creates great harm for humanity as a whole. however, the ptd is limited in that it only protects what is legally determined to be the commons. therefore, in addition to the sea and the air, it would be necessary for the u.n. to create large-scale preservation areas across the globe that can be protected by international law. 39 consequences of climate change in order for the public trust doctrine to be effective, it must be made clear that all contributors to global warming will be held accountable. hopefully, global solidarity will be fostered in the fight against climate change and will provide the societal, cultural, and political pressures for the creation of such a strong statute. if both developing and developed countries are connected through the bicameral system of the u.n., then the necessity for such a powerful legal stand may arise. thus, the widespread use of the public trust doctrine can be used to stop environmental degradation and bring an end to environmentally-instigated conflict. the twenty-first century will suffer from the immense problem of environmental degradation that ominously looms ahead. because of the scarcity of resources that environmental degradation is creating, the manifestation of violence in environmentally related issues is already apparent. by way of a bicameral united nations force and the implementation of the public trust doctrine on a global scale, the global community may resolve environmental issues and the subsequent conflict that arises through them. endnotes 1. brown, hammill, mcleman 2. krakowka, heimel, galgano 3. derber 4. derber 5. robbins 6. robbins 7. robbins 8. robbins 9. robbins 10. robbins 11. robbins 12. derber-morality wars 56 13. blum 130 14. blum 131 15. chomsky 274 16. brown, hammil, mcleman 17. brown, hammil, mcleman 18. brown, hammil, mcleman 19. brown, hammil, mcleman 20. black 21. krakowa, heimel, galgano 22. parker 1 23. parker 24. parker 25. parker 26. parker 27. parker 55 28. paker 29. parker 30. parker 31. parker 32. parker 33. parker 34. parker 35. parker 36. krakowka, heimel, galgano 37. krakowka, heimel, galgano 38. brown, hammill, mcleman 39. brown, hammill, mcleman 40. brown, hammill, mcleman 41. brown, hammill, mcleman 42. brown, hammill, mcleman 43. reuveny 44. brown, hammill, mcleman 45. brown, hammill, mcleman 46. brown, hammill, mcleman references babwin, don. “chicago’s homicide rates slowing after violent summer spike.” the huffington post. http://www.huffingtonpost. com/2012/10/23/chicagos-homicide-rates-s_n_2007174.html (accessed may 3, 2013). black, richard. “climate ‘is a major cause’ of conflict in africa.” bbc news. http://news.bbc.co.uk/2/hi/science/nature/8375949. stm (accessed april 29, 2013). brown, oli, anne hammill, and robert mcleman. “climate change as the ‘new’ security threat: implications for africa.” wiley online library. http://onlinelibrary.wiley.com/doi/10.1111/ j.1468-2346.2007.00678.x/full (accessed april 20, 2013). chomsky, noam. “human intelligence and the environment.” international socialist review. http://www.isreview.org/issues/76/ feat-chomsky.shtml (accessed april 15, 2013). derber, charles. morality wars. london: paradigm publishers, 2010. johansen, robert. “lessons for collective security.” world policy journal, , 561. parker, geoffrey. global crisis. new york: yale books, 2013. 40 elements : : spring 2014 reuveney, rafael. “climate change-induced migration and violent conflict.” sciencedirect. http://www.sciencedirect.com/science/ article/pii/s0962629807000601 (accessed may 1, 2013). robbins, lionel. the economic causes of war. new york: howard furtig, 1968. rogers, simon. “world carbon dioxide emissions data by country: china speeds ahead of the rest.” the guardian. http://www.guardian.co.uk/news/datablog/2011/jan/31/world-carbon-dioxideemissions-country-data-co2 (accessed may 1, 2013). 41 consequences of climate change suzanne collins’ young adult dystopic trilogy, the hunger games, soared to popularity following its september 2008 release. millennials’ response to collins’ grim depiction of the future as a struggle for survival defined by class conflict provides critical insights into this generation’s coming-of-age moment. this article examines the success of the hunger games within its political and economic context in order to understand young americans’ perceptions of their future. the odds in its favor the appeal of the hunger games to post-recession america marissa marandola in the late fall of 2008, the american youth watched as the stock market tumbled, homes foreclosured, and the future they had once envisioned for themselves became ever more elusive. during this time of mounting concern, suzanne collins’ novel the hunger games was released to critical and popular acclaim. why, at a time already saturated by dread, did american young adults turn to a story of poverty, oppression, and brutal violence? the story responded to their apprehensions and reflected the injustices they saw in the america of their present and future. the hunger games’ themes of social and economic inequality, class stratification, and the struggle to overcome oppression resonate with the fears and ambitions of young adults coming of age in an era of high unemployment, great uncertainty, and fierce competition. the popularity of the book is a testament to youth pessimism about the possibility of achieving the american dream. suzanne collins’ the hunger games tells the tale of a dystopian north american nation, panem. the country is composed of an all-powerful, totalitarian capitol surrounded by twelve districts that function as exploited colonies for the capitol. citizens of the districts live in abject poverty and are forced to labor in their district’s designated industry. seventy-five years earlier, the districts rebelled against the capitol, but were soundly defeated. as punishment for their uprising, the capitol instituted the annual hunger games, a sporting event in which each district sends two tributes, a boy and a girl, between the ages of twelve and eighteen to battle to the death in an arena. a lone tribute survives the ordeal and returns home as a victor, with great wealth and commendation. collins’s protagonist, katniss everdeen, lives in the impoverished district twelve and volunteers as a tribute to spare her younger sister from nearly certain death. upon its release in 2008, the hunger games quickly gained popularity among young adult readers. it remained on the new york times bestsellers list for more than two years.1 collins wrote two sequels to the initial novel, catching fire (2009) and mockingjay (2010), both of which built on the success of the hunger games. prior to the hunger games trilogy, the harry potter series was widely regarded as the standard against which success in young adult literature was measured. collins surpassed harry potter author jk rowling to become the author of amazon’s bestselling series in august 2012.2 she was the first young adult genre author, and only the sixth author overall, to be admitted to amazon’s “kindle million club”, indicating the sale of one million kindle books.3 a recent glance at the hunger games’ various facebook pages indicates that, to date, nearly 13 million have “liked” collins’s trilogy. such statistics demonstrate the cultural significance of the hunger games. young adult science fiction novels are a relatively old cultural phenomenon. before world war ii, young adult science fiction was an unknown genre, although early science fiction novels such as george orwell’s 1984 and aldous huxley’s brave new world were already popular.4 writers who had survived the war as children or adolescents rejected the romantic ideas surrounding youth and sought to break with the innocence and sentimentality of early 20-century youth fiction.5 beginning in the postwar era and especially during the 1960s, young adult science fiction emerged with an emphasis on the “violent, inhumane social and political worlds” in which the youth of the day would become adults.6 in keeping with this theme, the hunger games presents a world in which the rich minority imposes poverty on the many and forces them to sacrifice their children to a grotesquely violent reality television program, certainly a criticism of the economic structure and mass media of modern america. young adult dystopian societies typically feature the “absence of hunger, unemployment, and sickness”: the oppressive society imposes intellectual, not physical, mistreatment.7 in this way, the hunger games defies genre expectations. physical and material suffering as well as intellectual repression characterize panem. young adult science fiction is meant to raise concerns about societal flaws and their potential consequences and the “bitter inheritance” of the next generation.8 previous novels in the genre, such as lois lowry’s the giver, were written in times of material prosperity, when questions of sameness and the threat of communism dominated discussions of the future. similarly, the hunger games tackles the problems of its time: war, scarcity and competition for resources, and the growing chasm between the rich and poor. the hunger games is a young adult dystopian fiction suited to its audience. today’s young adults have only vague memories of a pre-9/11 america and have grown up in a nation at war.9 the violence featured in the hunger games is merely a reflection of features on the nightly news programs they have watched since childhood. furthermore, the hunger games was released on september 14, 2008, the day before lehman brothers collapsed, signaling the onset of the great recession. given its release date, it is apparent that suzanne collins did not write the book in response to the global financial panic; however, the coinci44 elements : : spring 2014 dence of its arrival with the beginning of an economic crisis certainly influenced public response. the hunger games is appropriate for an era of “financial upheaval and a bleak job market”.10 unlike its immediate predecessors in young adult fiction, the appeal of the hunger games lies in its darkness and the uncertainty of the protagonists’ success. its tone and “biting irony” suited the needs of a population confronted with the possibility of total economic decline.11 georgetown university’s campus newspaper, the hoya, commented that, where young adults once sought escapism and social activism in their literature, the grim reality of recession had shifted their interest towards the more applicable theme of survival.12 certainly, young adults’ fears of their reduced future prospects influenced the success of the hunger games upon its release. young adults coming of age in the late 2000s and early 2010s face a world in which the american dream known to their parents seems increasingly unattainable. previous generations have acquired a higher standard of living than their parents, characterized by suitable employment after college, home ownership, and some level of financial stability. a 2011 gallup poll shows that 55 percent of young people believe that they are “somewhat” or “very” unlikely to have a better life than their parents; by comparison, only 26 percent of young people expressed similar sentiments in 1999.23 american youth, to a large extent, no longer believe in the certainty of the american dream. the popularity of the hunger games echoes this shift from optimism to pessimism about the future and the reality of the american dream. collins’ opening scene features katniss, a sixteen-year-old from coal mining district twelve, illegally hunting in the woods in order to feed her family. she nears the fence marking the district’s boundary, ostensibly meant to protect the district but actually intended to prevent people like katniss from leaving. katniss comments, “district twelve. where you can starve to death in safety.”14 her sarcastic evaluation of a system apparently meant to help its people speaks to a generation of young adults who see the guarantees given to their parents’ generations falling away as they come of age. katniss’ experience of poverty speaks to “the anxiety caused by the biggest recession in generations” and the apprehension of the american dream failing to come true for the millennial generation, the young adults coming of age in the midst of the great recession.15 katniss was born into a world in which an “all-powerful ruling elite,” the capitol, exploits the weak and forces them into competition. millennials were born into the opulent world of the capitol, a world of “indulgence, superabundance, and optimism,” and then were abruptly thrown into a fiercely competitive world of uncertainty and scarcity, not unlike katniss’s district twelve.17 like katniss, the youth see that they will have to fight for their futures, which contain a real possibility of poverty or, at least, less material success than their parents. the central plot element of the hunger games is the event itself, the days katniss spends in the arena fighting for her life. readers follow as weak tributes perish and strong or clever tributes succeed. katniss eventually is crowned the co-victor of the hunger games because of her physical abilities, her survival skills, and her endurance. in this way, the hunger games is, quite simply, a “brutal, darwinian struggle” which some are better equipped to win.18 one college freshman and avid fan of the hunger games said that she equates this competition in the novel with the ferocity of professional sports or, in a symbolic way, to “the violence of capitalism when the economy isn’t doing well.”19 this is a clear indication that young people are seeing and responding to similarities between the opposition katniss faces in the novel and the societal forces they must confront as they enter adulthood. american youth believe that capitalism, a central precondition for the american dream, is an aggressive system in which they must “roll over [their] rivals or starve.”20 an oft-used slogan of capitol citizens towards district tributes is “may the odds be ever in your favor.”21 clearly, american young adults find that, in the capitalist arena, the odds are not in their favor. the hunger games gives voice to the feelings of stagnancy and frustration experienced by young adults coming of age during the great recession. “where young adults once sought escapism and social activism in their literature, the grim reality of recession had shifted their interst towards the more applicable theme of survival.” 45 the odds in its favor the hunger games continuously reinforces the reader’s initial impression of the wealthy capitol citizens as apathetic towards the districts, self-centered, and content with the status quo. every year, the capitol regards the murder of 23 teenagers in the hunger games as a prime form of entertainment.22 as the occupy wall street movement and similar demonstrations of political discontent have shown, young americans identify the wealthy as a source of inequality and injustice in society. an article from campus blueprint, a student magazine from the university of north carolina at chapel hill, compares the capitol citizens’ exploitation of the districts to young americans’ experience of “abuse at the hands of the ultra-rich.”23 katniss is an underdog competitor in the hunger games: she is a girl from an exceptionally impoverished district who has lived her entire life on the verge of starvation. before leaving district twelve to compete in the games, she herself describes her chances of victory as slim: i can’t win. prim must know that in her heart. the competition will be far beyond my abilities. kids from wealthier districts, where winning is a huge honor, who’ve trained their whole lives for this. boys who are two to three times my size. girls who know twenty different ways to kill you with a knife. oh, there’ll be people like me, too. people to weed out before the real fun begins.24 katniss is an underdog not because of her personal attributes, but because of the advantages other tributes have by virtue of birth and wealth. the extreme nature of katniss’s experience is a “conduit for universal experiences” of coming of age.25 she, like most american youth, is formed by the history not only of her family, but also of her nation and of her circumstances.26 for young americans, this is quite similar to the college admissions process, in which students from wealthy families, who have more opportunities available to them, meet with greater success, as do students with college educated parents.27 the hunger games offers a mechanism through which adolescents can question these standards that are central to the american coming of age experience and wrestle with their struggles connected to economic uncertainty.28 katniss’ underdog status is indicative of the extreme class stratification that characterizes her society. citizens from certain districts favored by the capitol are wealthier and better “educated,” more similar to capitol residents than to katniss and her family. one of the most striking features of panem’s class system is its strict subscription to a class binary: the very rich, composed of government officials and the lucky few born in the capitol and its favored districts, and the abjectly poor, the commonplace laborers in the other districts. when she arrives at the capitol to compete in the hunger games, katniss observes the stark distinctions between life there and in her world of district twelve: what must it be like, i wonder, to live in a world where food appears at the press of a button? how would i spend the hours i now commit to combing the woods for sustenance if it were so easy to come by? what do they do all day, those people in the capitol, besides decorating their bodies and waiting around for a new shipment of tributes to roll in and die for their entertainment?29 the reader must compare katniss’s account of nearly starving to death in district twelve to the gross overabundance of food she encounters in the capitol. the suffering of panem’s poor is caused not by scarcity of resources, but by misdistribution of those resources in the overwhelming favor of the wealthy. while collins does not offer an explicitly political message through her class system, it is evident that there is no middle class in panem. like most young adult dystopias, the society presented in the hunger games provides a life of opulence for the few and “utter misery” for the many.30 modern american concerns about “the erosion of the middle class” from the mid-1980s continuing to the present day could, ultimately, result in as stark a division between rich and poor as seen in panem.31 young people, who are witness to the contrasting images of billionaires such as warren buffet and their unemployed parent, can easily envision modern american society, where the middle class is essential to the economy and to culture, transitioning into a panem-like model, where families are classified as either rich or poor. recent commentary has even gone so far as to compare washington, dc, the hub of economic and intellectual power in the united states that “the odds favor,” to “collins suggests that katniss has become a symbol of hope throughout the districts.” 46 elements : : spring 2014 “an imperial power where courtiers and influence-peddlers abound”: panem.32 the obvious reference to the hunger games indicates this author’s thought pattern: panem is the true descendant of american society as it currently exists, and ambivalence towards the existence of an oppressive class will allow this trend to continue. american young adults see the unfairness of the income bracket the occupy movement deemed ‘the 1 percent’ reflected in its most extreme form in the hunger games. for them, it is not a very difficult jump from owning a disproportionate share of american wealth and limiting social mobility to strictly enforcing an unbreakable class binary. in fact, ‘the 1 percent’ merely represents the first of many stages to eliminate the middle class and thus create the class binary. the university of north carolina at chapel hill’s campus blueprint magazine wryly asks its readers to “imagine a nation where catastrophic wealth imbalance has led to a widening chasm between the rich and the poor, where violent reality-tv programming dazzles and satiates the general population, and where the wealthiest citizens enjoy abundant luxuries while the lowliest struggle to find their next meal.”33 the author is ostensibly describing panem, but clearly means to imply that his readers are already living there and ought to recognize the features he mentions in their own lives. young adult science fiction often uses the death of children to “highlight the negligence and corruption” of institutions.34 collins utilizes the death of 12-year-old rue, a tribute from district eleven, to this effect. during the hunger games, katniss forms an alliance and friendship with little rue, who is brutally speared to death by another teenage tribute. katniss sings rue to sleep and touchingly covers her body with flowers. she then describes the impact of rue’s death: gale’s voice is in my head. his ravings against the capitol no longer pointless, no longer to be ignored. rue’s death has forced me to confront my own fury against the cruelty, the injustice they inflict upon us. but here, even more strongly than at home, i feel my impotence. there’s no way to take revenge on the capitol. is there?35 for katniss, rue’s death is the clear sign that the system under which she lives is intolerable for its crimes against children. it is the turning point at which katniss decides that she will no longer passively tolerate, at least mentally, the abuses of the capitol. one of the purposes of young adult dystopias is to voice concerns for the future so that young people will turn to “realistic problem solving” on a societal scale.36 the hunger games offers young adults a fictional portrayal of their world in extremes. through the novel, readers can express “their impotence and fear,” but they can also ponder the changes their generation will seek in political and economic institutions.37 at the end of the novel, collins suggests that katniss has become a symbol of hope throughout the districts. in order to save the male tribute from district twelve, she threatens to commit suicide and deprive the capitol of a victor. the capitol’s ruling elite becomes infuriated with the manner in which katniss achieves victory. this act “smacks of rebellion” and places her life in peril, but also serves as an inspiration to the discontented citizens in every district of panem.38 in the next two books of the hunger games trilogy, the districts, led by katniss, successfully rebel against the capitol. she is the catalyst for widespread societal change. young people, who feel powerless against the scope and depth of the great recession, are attracted to the hunger games because katniss impacts her world in a way that the american youth wish they could impact theirs. the hunger games clearly suggests that “young suzzane collins wrote the best-selling hunger games trilogy. (photo courtesy of wikimedia) 47 the odds in its favor people must be integrated into political life” for a society to become just.39 thus, young people choose to read the hunger games because, underneath the brutality, poverty, and blatant oppression, all of which resonate with their coming of age moment, it includes a message of hope. american young adults may be able to emulate katniss and succeed despite the societal factors, such as class stratification, that seem to prevent them from reaching the american dream. suzanne collins’s the hunger games skyrocketed to popularity following its 2008 release because it echoed the sentiments of its youth audience through themes of social and economic inequality, class stratification, and striving to overcome oppression. as youth deal with the phenomenon of coming of age in a time of uncertainty, the hunger games acts as a mechanism through which they can express their fears and hopes for change. american young adults are no longer convinced of the promise of the american dream; they see a world of class division and increasing economic and social hardship and oppression in their futures. the hunger games is a dystopia for this generation, highlighting their concerns about the culture and the institutions they are poised to inherit. endnotes 1. tom henthorne, approaching the hunger games trilogy: a literary and cultural analysis (jefferson, nc: mcfarland, 2012), 144. 2. husna haq, “’hunger games’ passes ‘harry potter’ as bestselling amazon series,” the christian science monitor, august 21, 2012. 3. brian bethune, “dystopia now: a frightening story about kids killing other kids for the amusement of adults has become a blockbuster,” maclean’s, april 9, 2012. 4. henthorne, approaching the hunger games, 23. 5. mary hilton and maria nikolajeva, eds., contemporary adolescent literature and culture: the emergent adult (burlington, vt: ashgate, 2012), 6. 6. kay sambell, “carnivalizing the future: a new approach to theorizing childhood and adulthood in science fiction for young readers,” the lion and the unicorn 28.2 (2004), 247. 7. maria nikolajeva, power, voice, and subjectivity in literature for young readers (new york: routledge 2010), 77. 8. bethune, “dystopia now”. 9. sue corbett, “ya comes of age,” publishers weekly 258.40 (2011), 21. 10. terry goodrich, “the hunger games-a new film about an adolescent fight-to-the death contestreflects society’s anxiety about ‘dog-eat-dog capitalism’, baylor university culture critic says,” baylor university, accessed april 22, 2013. 11. henthorne, approaching the hunger games, 2. 12. henthorne, approaching the hunger games, 144. 13. “americans divided on outlook for next generation,” gallup inc., accessed may 3, 2013, http://www.gallup.com/poll/159737/ americans-divided-outlook-next-generation.aspx. 14. suzanne collins, the hunger games (new york: scholastic 2008), 6. 15. goodrich, “the hunger games”. 16. sambell, “carnivalizing the future”, 248. 17. janice turner, “no wonder the young relish this brutal struggle: the hunger games is a fantasy that reflects the grim reality that many teenagers are afraid of in adult life,” the times, march 31, 2012, 23. 18. turner, “no wonder”, 23. 19. danielle nista, interview with author, may 2, 2013. 20. goodrich, “the hunger games”. 21. collins, the hunger games, 19. 22. henthorne, approaching the hunger games, 119. 23. wilson hood, “occupy panem: class conflict in both the hunger games and the ‘occupy movement,” campus blueprint, jennifer lawrence plays katniss, the main character of the trilogy, in the movie adaptation. (photo courtesy of mingle media tv) 48 elements : : spring 2014 march 24, 2012. 24. collins, the hunger games, 36. 25. laura miller, “fresh hell”, the new yorker, june 14, 2010, 132. 26. manohla dargis and a.o. scott, “a radical female hero from dystopia,” the new york times, april 8, 2012, arts and entertainment 1. 27. eric f. dubow, paul boxer, and l. rowell huesmann, “longterm effects of parents’ education on children’s educational and occupational success”, national institutes of health, accessed may 3, 2013, http://www.ncbi.nlm.nih.gov/pmc/articles/pmc28 53053/. 28. mike roberts, “acid-washed jeans, a moussed-out mullet, and eternity cologne: the challenges of growing up,” english journal 100.6 (2011), 106-07. 29. collins, the hunger games, 65. 30. nikolajeva, power, voice and subjectivity, 75. 31. henthorne, approaching the hunger games, 117. 32. glenn harlan reynolds, “are we living in the hunger games?,” usa today, november 27, 2012. 33. hood, “occupy panem”. 34. sambell, “carnivalizing the future”, 250. 35. collins, the hunger games, 236. 36. sharon a. stringer, conflict and connection: the psychology of young adult literature (portsmouth, nh: boynton/cook 1997), 49. 37. turner, “no wonder”, 23. 38. collins, the hunger games, 363. 39. carrie hintz, “monica hughes, lois lowry, and young adult dystopias,” the lion and the unicorn 26.2 (2002), 263. references “americans divided on outlook for next generation.” gallup inc. accessed 3 may 2013. http://www.gallup.com/poll/159737/americans-divided-outlook-next-generation.aspx. bethune, brian. “dystopia now: a frightening story about kids killing kids for the amusement of adults has become a blockbuster. maclean’s. 9 april 2012. contemporary adolescent literature and culture: the emergent adult. e. mary hilton and maria nikolajeva. burlington, vt: ashgate, 2012. collins, suzanne. the hunger games. new york: scholastic 2008. corbett, sue. “ya comes of age.” publisher’s weekly 258.40 (2011), 21. dargis, manohla, and a.o scott. “a radical female hero from dystopia.” the new york times. 8 april 2012. dubow, eric f., paul boxer, and l. rowell huesmann. “long-term effects of parents’ education on children’s educational and occupational success.” national insitutes of health. accessed 3 may 2013. http://www.ncbi.nlm.nih.gov/pmc/articles/pmc2853053/. goodrich, terry. “the hunger games—a new film about an adolescent fight-to-the-death contest reflects society’s anxiety about ‘dog-eat-dog capitalism,’ baylor university culture critic says.” baylor university. haq, husna. “‘hunger games’ passes ‘harry potter’ as bestselling amazon series.” the christian science monitor. 21 august 2012. henthorne, tom. approaching the hunger games trilogy: a literary and cultural analysis. jefferson, nc: mcfarland, 2012. hintz, carrie. “monica hughes, lois lowry, and young adult dystopias.” the lion and the unicorn. 26.2 (2002). 254-264. hood, wilson. “occupy panem: class conflict in both the hunger games and the ‘occupy movement.’” campus blueprint. 24 march 2012. miller, laura. “fresh hell.” the new yorker. 14 june 1012. nikolajeva, maria. power, voice, and subjectivity in literature for young readers. new york: routledge, 2010. nista, danielle. interview with author. 2 may 2013. reynolds, glenn harlan. “are we living in the hunger games?” usa today. 27 november 2012. roberts, mike. “acid-washed jeans, a moussed-out mullet, and eternity cologne: the challenges of growing up”. english journal 100.6 (2011), 103-107. sambell, kay. “carnivalizing the future: a new approach to theorizing childhood and adulthood in science fiction for young readers.” the lion and the unicorn 28.2 (2004), 247-267. stringer, sharon a. conflict and connection: the psychology of young adult literature. portsmouth, nh: boynton/cook, 1997. turner, janice. “no wonder the young relish this brutal strug49 the odds in its favor gle: the hunger games is a fantasy that reflects the grim reality that many teenagers are afraid of in adult life.” the times. 31 march 2012. 50 elements : : spring 2014 in thus spoke zarathustra, nietzsche introduces the idea of the übermensch: a superhuman god-like creator of values who concerns himself chiefly with “this world,” as opposed to with some afterlife. the socio-political landscape of contemporary heteronormative american society affords a homosexual the opportunity to emerge as an übermensch of sorts. simply in engaging in society openly and honestly in order to express his or her sexuality, he or she must reject the call to sameness and behave independently, authentically, and uniquely. to achieve the end of living a genuine and sincere life, he or she will necessarily adopt a host of qualities with which nietzsche explicitly and implicitly associates the übermensch. breaking the normative the modern homosexual as neitzsche’s übermensch brandon short throughout contemporary western culture, there exists a notable disparity between the sociopolitical sexual experiences of a heterosexual person and those of a homosexual person. until that disparity is—at least in terms of ease, regularity, and acceptance—gone, there remains a unique opportunity for an otherwise run-of-the-mill american to distinctly create himself to be a nietzschean übermensch, at least in the realm of his sexual expression. “it wouldn’t always have been this easy,” nietzsche, nostalgic for life-affirming greco-roman society, might cry today, “to emerge as an übermensch-type figure.” before the advent of christianity and the christianization of the west, and before a society in which “[e]verybody wants the same, everybody is the same: [and] whoever feels different goes voluntarily into a madhouse,” homosexuality was accepted and prized in some prominent forms often encountered in that greco-roman society. male athletes at gymnasium and the strongest of warriors on the battlefield were normally involved in homosexual relations (or at least lodged firmly in a culture the same was commonplace). to disappoint one’s lover, who was often one’s mentor and coach, and who was of the same sex, was the ultimate disgrace. “far from finding homosexuality and athleticism mutually exclusive, [the greeks] considered gay sex an excellent training regimen and an inspiration for military valor.”1 in terms of expression of homoeroticism, and as a parallel to the nietzschean critique that christianity and its facets (such as heteronormativity) shifed society’s value from strength to weakness, christianity valorized weakness in expression. if life is to be lived as an art, christian morality concerning sexuality attempts to regulate that art: “religion distorted the human by enshrining a moral code suitable only for slaves.”2 with women, men are to do x, y, and z at a, b, or c time; but never to do p or q. it is not the case that pre-regulation is a state prior to any rules regarding and constricting freedom, but rather that under pre-regulation there existed a different set of rules more conducive to free expression (especially regarding sexuality). social constructs give us a reality to which we can cling; facts—which, per nietzsche, are only social constructs— come about to prevent us from feeling lost. a regulation of sexuality gives society a beacon of stability. since most members of society are heterosexual, normalizing heterosexuality as “permissible” was an all-too “natural” process. the creation of heteronormativity as a “truth” has, historically, served as a stepping stone to the gathering and control of power, insofar as “truth resides in the enhancement of the feeling of power.”3 because of the undeniable existence of homosexual persons, the normalization of and granting-of-power to heterosexuality has resulted in a naturalized condition in which there is less tolerance of conflict with reality; notably when such a conflict with reality means “coming out of the closet.” the homosexual, the matthew shepherd, the cross-dresser, and the slut or asexual, pose potential threats to the constructed reality that austere heterosexuality is reality. although much progress has been made since the days of burning witches with faggots or the assassination of harvey milk, support of the one who embraces the “chaos in oneself,” or those who support such an embrace still face consequences to the tune of boycott in a capitalistic the society.4 for example, in 2012, nabisco, the producer of the famous oreo cookie, released a “gay” cookie—rainbow frosting filling their standard cookie wafers—to celebrate a gay-pride parade; it felt the blowback from one million moms and other “moral watchdog groups,” who were calling for a boycott of the cookie and the company. when nabisco, in its small way, separated from the herd, its separation was not welcomed by all. when one is “thrown into the world” homosexual (to lease heidegger’s terminology), one is born into quite a paradoxical state. one is likely “to become a function of the herd,” that herd of “our european morality.”6 he is more likely to be such because he is kept in check by fear of departing from the accepted morality of the powerful. simultaneously, though, and paradoxically, he is in a position to surpass the commonly established right and wrong. his unique condition of self lets him live artfully; and the art of his life will be extra unique, in accordance with his condi“though man has a tendency, according to niezsche, to torture himself, the übermensch refuses to be self-torturous.” 52 elements : : spring 2014 tion. for him to “live at the right time” or to live at all (according to nietzsche) is for him to shatter norms and rules.7 when a homosexual person comes out of the closet by publicly expressing his human drives and desires, he engages in a conflict with reality. by denying the temptation to follow the herd and not to express his homosexuality, such as by remaining in the closet, resorting to suicide, etc., he is compacting to “sail only into uncharted seas.”8 for nietzsche, there are yea-sayers and nay-sayers, and he who embraces his true nature is shouting a “yea!” since such an embrace laughs in the face of the heteronormative set of societal standards. he is currently winning the “fearful struggle on earth,” which it has been involved in as a part of the timeless struggle between the opposing values of “good” and “bad.”9 the übermensch-esque affirmer of life who “comes out of the closet” rejects what nietzsche models as christianity’s “oneness.” to one-ify all as heterosexual, it can be said, might be an extrapolated “goal” of western christianity’s unification. progress of this unification is impeded by the free expression of the homosexual other. like a nietzschean übermensch, the homosexual stays left out, and remains misunderstood. despite and because of his lonely condition in the fabric of society, he sees the empty abyss of the hollowness and flimsiness of the “value” of heteronormativity, and he does not waver. though man has a tendency, according to nietzsche, to torture himself; the übermensch refuses to be self-torturous. driven and cheered on by his knowledge of the above-mentioned hollowness, he is able to garner real power, by existing as his possibilities. each time he holds his boyfriend’s hand in public, or each time she marches in a gay-pride parade, he or she is moving toward life. he or she recognizes that there is no absolute truth, so homosexuality is not an abomination (“against whom, anyway?” nietzsche would wonder), and that the real truth is his or her interpretation and carrying-out of his or her most intimate human drives. overcoming the fear of ridicule (or death, in some countries) is to accept life. living his potential and expressing his will to power is how he comes closest to real truth. acceptance and expression of self by a homosexual allows that person to become—to use a nietzschean term—a “strange one,” and thus, to become closer to being an übermensch.10 it is not hard to imagine a “closet case’s” life as full of resentment. of course, he who chooses not to express his deepest and most intensely driven desires will find the energy of those desires become pent up. the energy of such desires, not expressed naturally, manifest in the form of resentment, anger, disgust, and jealousy. by nature, the “closet case” has desire to live, and to live truly; but nonexpression of his most human drives stunts his living, and makes futile and unfulfilled his desire to live. such a closet case will always be surmising, and never living. all his actions will be thought, and not actualized. in the case of homosexuality, one can (with a little imagination) figure what form imaginative “thought actions” might take. mere mental representations or non-conventional encounters behind the backs of their wives take the place of more routine methods of sexual expression. for them, the functional, open, and “immoral” practice of homosexuality is, astoundingly, not preferable to self-torture. this poor case misses out on the joy, strength, and terribleness of living dangerously and humanly. the price paid for such repression is freedom, and specifically, the freedom to live immediately. the glory of immediacy is forgone for a safer, planned, and inauthentic existence. german philosopher friedrich neitzsche proposed his theory of the übermensch in his work thus spoke zarathustra. (photo courtesy of wikimedia) 53 breaking the normative when a homosexual finds himself thrown into the world as such, he experiences a crisis: he can either live inauthentically and follow the herd, or he can follow his nature and refuse to upset what is given to him. in choosing the latter, he opts to live sincerely (sine-cira), or without a mask. one can explore and analyze the übermensch-like affirmer of life and his own sexuality, through the lens of the nietszchean prospect of the “eternal recurrence of the same.” when the affirmer embraces his sexuality, he is overcoming a fear and expressing a will to power. once a person appreciates his own sexual reality as it actually, phenomenologically is, he finds an existence which is suitable for eternal recurrence. that is to say, once there is no externally-influenced construction of fantasies of an alternate, non-existent reality, then there is a man who is connected with reality and the way that things are. the openly gay person is willing to change his life for “sacred injustice” he is willing to shift from the inauthentic to the authentic for the sake of the integrity of his life as a work.11 there is some considerable speculation that nietzsche may have been a homosexual. through this lens, although it runs the risk of being historical gossip, it is interesting to consider that his discontent with society and its life-crushing set of standards and roles may have had roots in his own sexuality. taking into consideration a common tendency to relate homosexuality with femininity, joachim koehler comments on nietzsche’s acquisition of effeminacy that those who knew him were “not blind to [his] vanity and the scrupulous care he devoted to his appearance…especially his huge moustache, which protected him from any charge of having feminine characteristics about him” and “[h]e had ‘an attractive deportment,’ with a trace of the feminine about it.”12 at nietzsche’s time, undoubtedly, there were societal pressures of heteronormativity even stronger than those that exist today. koehler notes pressure from by nietzsche’s male contemporaries to marry, along with pressure for him not to “spend [his] time with men.”13 at several points throughout his life, nietzsche was under pressure from such contemporaries to marry—an act which would finally consummate an alignment of nietzsche with the sexual norms of his (and our) era. koehler takes his insinuations so far as to claim that nietzsche had “a double identity.”14 if nietzsche did, in fact, have homosexual urges, it does little but contribute to an explanation for the thoroughness and depth of his arguments against blindly following the herd. nietzsche’s being urged by doctors to “find himself a wife” gave him an all-too-proximate sampling of the calling of his heteronormatively culture to deny life, leave independent artful expression by the wayside, and subscribe to the way of the many. in this century, it is interesting to consider the grim case of tyler clementi, who took his own life after being “outed” by several peers in the fall of 2010. tragically, the heteronormative and homophobic conditions which pervade contemporary american society and allow for the everyday homosexual to become a sort of übermensch, are the very same conditions which cause hundreds of non-heterosexual people to resort to such extreme measures every year. nietzsche might consider these as the only two options actually available, in the long run: “he destroys himself or creates himself for eternal life.”15 the desire to “come out” and express oneself and one’s will to power is a “source of pain because it induces [one] to experience [one’s] actual condition as ‘dissatisfying’ or ‘lacking.’”16 if the conditions for an openly homosexual person are too awful to bear, according to one’s own perceptive reality, then the above-mentioned desire cannot be satisfied. “the pain,” reginster suggests in his analysis of the nietzschean will to power the affirmation of life, “is now caused by the mere occurrence of a desire.”17 in order to make the pain stop and to bring about the elimination of suffering, or psychological tension, caused by the panging dissonance between oneself and one’s condition, clementi (and that tragic number throughout history of those who have done what he did) ended his own life, and therefore ended his suffering. when a homosexual refuses the call to sameness, and instead affirms life and creates his own truth, he emulates a nietzschean übermensch. overcoming fears of being “othered” and acknowledging the vacuity backing western “when the affirmer embraces his sexuality, he is overcoming a fear and expressing a will to power.” 54 elements : : spring 2014 standards of “moral” sexual conduct allow this heroic figure to emerge as the one over the many. tragically, it can also happen that a repression of life, caused by the human need to follow the many, leads to a literal rejection of life: one possible contributing element in the discussion on suicide among glbtq youth. endnotes 1. grossman. 2. rothstein. 3. soloman, 95. 4. ibid., 73. 5. nietzsche, 323. 6. solomon, 68-69. 7. nietzsche, 95. 8. kearney. 9. marino, 140. 10. nietzsche, 330. 11. wake, 215. 12. ibid., 119-120 13. ibid., 99 14. ibid. 15. löwith, 158. 16. reginster, 112. 17. ibid. references aubrey, john. remaines of gentilisme and judaisme. london: w. satchell, peyton, and co., 1881. black, william. folk-medicine; a chapter in the history of culture. new york: b. franklin, 1970. blecourt, willem. “witch doctors, soothsayers and priests. on cunning folk in european historiography and tradition.” social history 19, no. 3 (1994): 285-303. bourne, henry. antiquitates vulgares; or, the antiquities of the common people. newcastle: j. white, 1725. browne, thomas. pseudodoxia epidemica. london: theodore harper, 1646. clark, stuart. “inversion, misrule and the meaning of witchcraft.” past and present 87 (1980): 98-127. davis, natalie. society and culture in early modern france. stanford: stanford university press, 1975. hunter, michael. john aubrey. london: duckworth, 1975. kittredge, george. witchcraft in old and new england. new york: russell & russell, 1958. oxford dictionary of national biography. “reginald scot.” http:// www.oxforddnb.com/ oxford dictionary of national biography. “sir thomas browne.” http://www.oxforddnb.com/ oxford dictionary of national biography. “john aubrey.” http:// www.oxforddnb.com/ scot, reginald. discoverie of witchcraft. london: william brome, 1584. sharpe, james. instruments of darkness: witchcraft in early modern england. philadelphia: university of pennsylvania press, 1997. thomas, keith. religion and the decline of magic: studies in popular beliefs in 16th and 17th century england. london: weidenfeld & nicolson, 1971. walsham, alexandra. “recording superstition in early modern europe: the origins of folklore.” past and present supplement 3 (2008): 178-206. witchcraft in early modern europe. ed. jonathan barry, marianne, hester, and gareth roberts. cambridge: cambridge univesity press, 1996. 55 breaking the normative the use of euthanasia and assisted suicide as treatment for those suffering from terminal or chronic neurological diseases continues to be a highly controversial ethical and legal question. illegal in most of the world, euthanasia and assisted suicide continue to be neglected as possible routes to the reduction of an individual’s suffering. as the number of terminal illnesses threatens to rise exponentially in future decades, this article examines “the right to die” as a potentially legitimate medical option. however, if we as a society are to permit the use of assisted suicide, there must be stricter regulations to prevent abuse and malpractice both physically and ethically. death: a conversation the moral and legal complexities of assisted suicide richard balagtas suffering is highly subjective, and, as is often the case, it is an internal and psychological feeling. physically, it is impossible for ethicists or physicians to fully understand a patient’s pain. therefore, individuals with a terminal illness often contemplate the thought of euthanasia and assisted suicide. common reasons for patients to consider euthanasia include pain, anticipated pain, fear of indignity, loss of control, and cognitive impairment; the most reported reason is fear of being a burden.1 “suicide was contemplated by a few, who would have preferred a change in the law to allow them to end their lives with medical help,” allowing for a more dignified death.2 according to the telegraph, one in ten suicides is committed by someone seriously ill, suffering from a terminal or chronic neurological disease such as multiple sclerosis (ms), motor neuron disease, huntington’s disease, or cancer.3 the world health organization states that certain neurological illnesses such as dementia and alzheimer’s disease will double by 2030 and more than triple by 2050.4 given that the number of individuals that will become afflicted with a terminal neurological disease is increasing, the amount of suicide cases will more than likely follow. many of these suicides could be avoided if there were a safer, more regulated process of ending life, such as assisted suicide. there is the possibility that greater care and attention for individuals suffering from such diseases that are contemplating suicide would result in lower suicide rates. however, every patient has the right to refuse medical treatment, resulting in a form of passive euthanasia undertaken by the patient. there may not be a right answer to the question of euthanasia or assisted suicide, however, there are several factors that need to be considered if one is to approach the question ethically. given the understanding that one in ten suicides is committed by individuals with terminal illnesses, could it be morally ethical to euthanize terminal patients with their permission under the argument that it would be a safer, more peaceful way to end their suffering? as a result of the potential in reducing suffering, could euthanasia or assisted suicide evolve into an accepted medical treatment or practice? if this is to occur, we, as a society, are definitively stating that it is acceptable to utilize and prescribe death as a treatment for terminal patients. what is assisted suicide? when discussing euthanasia, there must be a clear disstinction between what is morally and legally acceptable. what is acceptable in terms of the law may not always be morally and ethically acceptable. there are two types of euthanasia: active euthanasia and passive euthanasia. active euthanasia is described as direct action with the intention of killing the patient. passive euthanasia is described as withholding treatment, thereby allowing for the patient to die. this distinction is “endorsed in a statement adopted by the house of delegates of the american medical association.”5 as one can imagine, the passive form of euthanasia can take significantly longer to cause the death of the patient. while active euthanasia is quick and painless, passive euthanasia can take up to a few days or even weeks of continual suffering. the american medical association (ama) states that, “the intention of the palliative treatment is to relieve pain and suffering, but the patient’s death is a possible side effect of the treatment.”6 sharon fraser and james walters claim that it is ethically acceptable for a phybritish author terry pratchett directed the documentary choosing to die, which profiles several cases of assisted suicide (courtesy of wikimedia) 58 elements : : spring 2014 sician to gradually increase the medication for a patient with the understanding that this medication may depress respiration and cause death.7 doctors are generally permitted to administer medication that may potentially cause death as long as they are able to support that the drugs also had the ability to reduce pain. the question that arises is which of these two forms of euthanasia is considered more morally or ethically acceptable? those who oppose euthanasia believe that the act of killing someone is morally worse than letting someone die. this is emphasized by the ama’s support of passive euthanasia. however, is this a valid statement? philosopher james rachels provides two hypothetical scenarios to shed some light on this belief. in the first event, a man plots to end the life of his 6 year old cousin as he stands to gain much from the boy’s death. he drowns the child and collects the insurance money. in the second scenario, a man enters the scene with the same intention of ending the boy’s life for a profitable gain. however, just as he is about to commit his crime, the boy slips and hits his head and begins to drown. the man is delighted and stands nearby waiting in the event that the boy’s head resurfaces.8 if we take the view of the ama, the man who allowed the boy to die has acted within the law. such a statement is controversial. suppose that the man who allowed the child to die pleaded with the court stating, “i didn’t kill him; i merely let him die.” in a society in which letting someone die was in itself less bad than killing, this statement would alleviate some blame. however, such an audacious claim in a court setting today can only been seen as a convoluted perversion of moral reasoning. note that doctors do not face this same situation. james white’s idea that “doctors are concerned only with cases in which the patient’s life is of no further use to him, or in which the patient’s life has become or will soon become a burden,” may seem like a brutal statement, however the point is the same in each case.9 one of the primary concerns cited by terminally ill is that they “…don’t want to get to that point in life where [they] can no longer move or take care of [themselves]. ‘i don’t want to be a burden for my loved ones.’”10 the difference between killing someone and letting someone die does not present a clear moral distinction. for example, if a doctor lets a patient die, he is in the same ethical and moral position as if he had given the patient a lethal injection. euthanasia is often looked at in terms of utilitarianism. peter singer states that, “there are no paternalistic reasons that justify denying voluntary euthanasia.”11 if one believes that a person is a conscious and rational being, then to voluntarily euthanize someone is to be seen as a form of active euthanasia with the consent of the person being killed. for example, in hospitals, people can refuse to receive medical treatment essential to keeping them alive, thereby practicing voluntary euthanasia. while killing a person is immoral, in singer’s case, it would be worse to deny someone the right to end his or her life. singer states that the point of euthanasia is often to end suffering. thus, to prohibit such a right would result in increased unhappiness since the patient would be forced to live with prolonged suffering. it is important to note that even in some regions where euthanasia is legalized, the right is often abused. according to the canadian medical association journal (cmaj), records show that in 2007, in the flanders region of belgium, euthanasia practices were carried out without the explicit consent of the patient in 77.9% of cases.12 euthanasia and assisted suicide predominately involved patients less than 80 years old (79.6%), those with progressive cancers (80.2%), and those who were dying at home (50.3%).13 the most popular reason given by physicians who administered euthanasia procedures without patient consent was that the patient had fallen into comatose (70.1%). in 40.4% of cases, physicians stated that the patient had, “…previously expressed a wish to end life.”14 it is critical to note that this “expression” is not equivalent to an explicit request for euthanasia. in countries where euthanasia is illegal, doctors do not have the ability to directly end a patient’s life even with patient consent. however, in countries such as belgium, some doctors are taking it upon themselves to decide when a terminal patient’s life should end. this is by no means ethical or moral, as it does not respect the dignity of the human person. active euthanasia can be considered murder even with the written request of the terminal patient. for example, a man named sean davison, a forensics professor from the university of the western cape, was forced to make the decision between watching his 84-year-old mother die a slow painful death from progressive cancer or to end her life himself. pat ferguson, sean’s mother, had signed a living will requesting no antibiotics, no resuscitation, and no form of nutrition. by asking to be taken off life support, she was accepting the reality of her unfortunate death. however, due to laws prohibiting euthanasia, she was unable to receive a peaceful, quick death. instead, she had no other alternatives except to endure the suffering until her 59 death: a conversation time came naturally. as described by her son, “…no one could have imagined her skin bruising and sticking to my fingers, the smell of rotting flesh, a tongue that is completely decayed and bed sores that make you wince at their sight.”15 in late 2012, mr. davison was arrested and sentenced to five months house arrest in new zealand for procuring and counseling assisted suicide. when the sentence was handed down, the high court judge stated, “although in my view there was significant premeditation, you acted out of compassion and love and not for any personal gain.”16 from one perspective, mr. davison murdered his mother. from the other, mr. davison ended the suffering that his mother was experiencing, essentially performing euthanasia. from both a legal and moral standpoint, the result is the same: he took the life of another human being. however, there is an important distinction to be made here. he did not take his mother’s life out of spite or greed, but out of love. it was clear by his description that his mother was in a tremendous amount of pain, and very few people would be able to watch complacently as his mother tarves herself to death. in situations like this, one can see the potential of active euthanasia. the current reality of euthanasia and assisted suicide if one cannot alleviate the growing number of terminal patients who wish to end their lives, one can provide the means for a safer, more regulated process of euthanasia. “to live with dignity – to die with dignity,” has been the motto of dignitas since its founding in 1998 in switzerland. the non-profit organization is infamously known for being a “point-of-no-return” travel destination for those wishing to end their lives. dignitas has helped end the lives of over 1,000 people since its founding. admission into the program is tightly regulated. in order to qualify, one must be a member of dignitas, be of sound mind and judgment, and possess the minimum level of mobility required to self-administer the drug. in addition, the patient is required to be examined by a medical physician on two instances to determine if the individual has a “…terminal disease, an incapacitating disability, or unbearable pain.”17 medical records and a written letter of consent stating the explicit desire of the individual for assisted suicide is also necessary. however, due to the debilitating effects of many terminal or chronic illnesses, some people contemplating the idea of assisted suicide may have to end their lives earlier than is really necessary. for example, many individuals who are diagnosed with alzheimer’s or multiple sclerosis and choose to end their lives through dignitas’ services do so at an age at which their disease has not progressed far. the illness has not yet destroyed their mental processes, which could possibly degrade to a point in which communication becomes an issue. at this time, they would no longer be considered suitable for assisted suicide with dignitas as they cannot give their explicit consent. “there was the fear that if i didn’t do it now, i might not be able to do it all,” stated a 42 year old who was accepted into the assisted suicide program of dignitas for multiple sclerosis.18 all of these factors are necessary to ensure that individuals are not abusing the potential benefits of assisted suicide. the individual must be healthy enough to make the decision to end his or her life but also deemed ill enough to be considered for assisted suicide in the first place. chemical structure of pentobarbital, the most commonly used lethal substance in assisted suicides. (courtesy of wikimedia) 60 elements : : spring 2014 the act of watching someone willingly end his or her life is without a doubt very difficult. in a bbc documentary titled terry pratchett: choosing to die, terry pratchett, an author struggling with early onset alzheimer’s, tells the story of two individuals who have decided to end their lives through dignitas’ services. one of the most shocking scenes in the film is the death of peter smedley. after wilingly taking the lethal dose of the barbituate nembutal, smedley’s first words are, “can i have chocolate now? oh! what a ghastly taste. i’d like to thank everyone here; you’ve all been first class.”19 the caretakers, and even his own wife, do not seem to be at all disturbed by the sight of smedley’s suicide. dignitas utilizes sodium pentobarbital, a commonly used narcotic, which induces comatose when ingested in concentrated amounts. this causes the patient to fall asleep as they gradually lose respiratory function, causing the heart to lose oxygen, and eventually die. the whole process, from drinking the fatal sedative to death, takes only a few minutes. while disturbing to watch, this method of death is a peaceful alternative for many suffering from terminal illness. if there is a way in which assisted suicide should happen, a peaceful, quick death is considered the best option. in mr. smedley’s final moments, he laid his head down as his wife gently caressed his hands. terry pratchett states, “…i can’t believe the calmness. what’s going on here isn’t exactly medicine,” in reference to a dignitas caretaker asking mr. smedley if he is sure that he wishes to die today. twenty-one percent of people receiving assisted suicide in dignitas do not have terminal or progressive illnesses but “a weariness of life.” in addition, 70% of people who reach out to dignitas requesting assisted suicide do not go through with the procedure: “…sometimes just having the option to die is enough. people don’t go through with it because they know they can.”20 this statistic illustrates that even if people were given the legal right or capacity to euthanize themselves in a safe manner, many would choose against it. allowing people the right to euthanasia or assisted suicide does not necessarily mean that there will be an increase in the amount of people electing for treatment. tighter, more stringent requirements for euthanasia and assisted suicide will be the only way to properly handle this growing trend. the death with dignity act passed by voters of oregon in 1994, which was later reaffirmed in 1997, allows terminally ill oregon residents to obtain and use lethal prescriptions from their physicians for assisted suicide. under this act, ending one’s life in accordance with the law is not considered to be suicide. the act legalizes physician-assisted suicide but explicitly prohibits euthanasia.21 many of the requirements to obtain a prescription are similar to dignitas regulations, but with one crucial difference: the person must be a resident of the state of oregon. similar to dignitas, several physicians must examine the patient to ensure that he or she is of sound mind and is fully aware of the consequences of taking the drug. in addition, the individual must suffer from a terminal illness and have the capacity to self-administer the drug.22 terminal illness is defined by the death with dignity act as: “… an illness that will lead to death in six months.” according to oregon’s public health department, “to comply with the law, physicians must report to the department of human services, all prescriptions for lethal medications.”23 as of 2012, there have been 673 documented cases of people who have died through assisted suicide. however, 1,050 prescriptions were written out, so although 1,050 people received the lethal drug, only 64% of them decided to end their lives. this supports the idea that if one has the ability to take one’s own life in a peaceful, controlled way, many times he or she will not go through with the procedure. regulation: euthanasia and assisted suicide are not treatments the ethics of euthanasia and assisted suicide revolve around the question of whether the means justify the ends. does there exist a true solution to the ethical controversy of euthanasia and assisted suicide that respects and dignifies the person’s life it is ending? if so, does this solution take the institution of euthanasia and prescribe it as an accepted medical treatment? “the ethics behind euthanasia and assisted suicide revolve around the question of whether the means justify the ends.” 61 death: a conversation in order to be a solution, euthanasia and assisted suicide require a clearer, more distinct outline of its boundaries. according to emeritus professor len doyal, one of the uk’s leading medical ethicists, “doctor assisted deaths are taking place on a regular and recurring basis in the uk.”24 if euthanasia and assisted suicide are to co-exist with ethics and morality, they must be properly regulated and understood. doctors will often times withdraw life-sustaining treatments such as feeding tubes from terminal patients with the ultimate goal of alleviating suffering. many medical professionals may not wish to admit the hard truth, but the act of removing life-sustaining treatment from terminally ill patients is morally equivalent to active euthanasia. there must be a clear understanding that if euthanasia and assisted suicide are to be considered permissible in the medical field, they are not to be used as an alternative treatment. countries such as france are making rapidly new developments in the area of assisted suicide. president francois hollande commissioned a report which gives doctors permission to “accelerate death” for the terminally ill. “the right to die should be granted to those who have made an explicit request, or if the patient is unconscious, to those whose family requests a withdrawal of life-support; or to those in a vegetative state,” states medical school professor dr. didier sicard.25 since 2005, doctors in france have the ability to “leave patients to die” when deemed that the patient was gravely and incurably ill. terminally ill patients and their families are criticizing many doctors. they accuse the medical profession of having a “cure at all costs” mentality that does not take into account the “…psychological distress of patients and of their wishes.”26 dr. sicard recommends three acceptable scenarios in which assisted suicide should be allowed: one, an explicit request by the terminal patient, or previous instructions prior to the condition which has left the patient deteriorated and unable to give permission; two, the withdrawal of life supporting machinery by the explicit request of the patient’s family when the patient is unconscious; and three, the withdrawal of medical treatment when it sustains the body in only a vegetative state.27 while painkillers will relieve much of the pain that an individual is experiencing, they are by no means a suitable treatment. painkillers can not cure or treat a patient’s terminal disease, but merely make one comfortable in their final hours. this is the current method utilized by doctors who have the understanding that there is nothing more they can do to cure the patient. the three conditions for approved assisted suicide described by dr. sicard respect the decision of the patient and stress the importance of the explicit permission and consent of the patient requesting to die. in this situation, euthanasia and assisted suicide are not looked at as medical treatments but as peaceful alternatives to unavoidable suffering. for many people, medical justice is understood as the fair and equal treatment of patients. what many do not realize is that the current situation contains elements of injustice. terminally ill patients are sometimes too debilitated to take the steps necessary or to go through the lengthy process to end their suffering should they desire to do so. in france, the medical board has allowed the assisted suicide of terminally ill patients only after the continual persistence of the patient with a request to end their life. however, there exists a fear of allowing euthanasia or assisted suicide to persist, for “…there is the perception that any change in the status quo will inevitably lead to widespread abuse.”28 if one of the principle reasons not to support euthanasia or assisted suicide is the potential abuse of the system, then the only solution is tighter regulation. currently, both dignitas and the public health department of the state of oregon allow for assisted suicide in terminally ill patients. however, both of these organizations require a lengthy screening process that usually takes up to three to four months from moment of contact to assisted suicide. there is not much room for error when it comes to death. in both instances, several physiatrists review the terminal patient to ensure that he or she is of sound mind. furthermore, several psychiatrists review the terminal patient, each requesting the medical history of the patient. only when the terminal patient has passed each round of inspection is he or she given the opportunity to end his or her life through assisted suicide. there is no way to speed up the process once it has begun. in this manner, euthanasia organizations can ensure there is no foul play. unfortunately, this system has failed dignitas in the past. in 2005, the swiss based company went under investigation for helping a woman who was not terminally ill to end her life. according to records, the 69-year-old women approached dignitas with a medical report showing that she had terminal liver cirrhosis. after she passed through the screening process, she was given a lethal dose of sodium pentobarbital to induce comatose, and eventually death. “a routine autopsy carried out by german authorities when the body was brought back from switzerland exposed the 62 elements : : spring 2014 report as a fake and added that although the woman had depression, she was physically fit”; this meant that something had gone wrong during dignitas’ screening process. how could they have made such a critical error when dealing with such an ethical issue? furthermore, the primary doctor who had reviewed her files employed by dignitas had also passed away, having committed suicide after he was informed that the german woman he had helped to commit suicide was not terminally ill. further investigation discovered that the woman had persuaded her personal doctor to falsify her medical records under the understanding that she wished to obtain sick leave from work. her doctor reported that he had no idea she would use the false records to persuade a case with dignitas to help her commit suicide. ludwig minelli, the founder of dignitas defended his organization by stating: “the doctor’s report that i was given indicated the woman was suffering the cirrhosis of the liver as well as hepatitis.”29 even if the medical records stated that she was terminally ill, the mandatory inspections by doctors employed by dignitas should have followed up on the report to ensure no foul play. if assisted suicide and euthanasia are to become an integrated part of the future, stricter investigation and regulation of the process must be ensured so that nothing of this magnitude happens on a larger scale. when discussing the legalization of euthanasia and assisted suicide, it is important to discuss its purpose. if the purpose of euthanasia and assisted suicide is death, the dignity of the individual is not taken into account. therefore this approach is immoral and unethical. if the explicit desire and wish to end the suffering of the patient is the purpose, then euthanasia and assisted suicide could be an ethical treatment. a doctor is both a physician and a healer, assigned with curing and treating diseases, but also healing and appealing to the human aspect. as grim as it may be, assisted suicide and euthanasia may provide the solution, provided that the patient has given his or her explicit consent that this is their desire. if the purpose of euthanasia and assisted suicide is to end the suffering of the patients, thus increasing happiness, it is considered more ethical and moral than if the purpose is to view death as a specific treatment. assisted suicide and euthanasia have been at the center of medical ethics for decades. the difficulty of the matter lies in the danger of viewing euthanasia and assisted suicide as potential treatments for terminal disease. if we devolve into a society that willingly kills people who are going to die anyway, we lose much of what makes us human. however, there is much to be gained in working toward a society in which assisted suicide and euthanasia are viable options for terminal patients who wish to end their suffering in a controlled, predictable manner. endnotes 1. terry pratchett: choosing to die, bbc television, directed by charlie russell (2011: keo north). 2. a chappelle, “what people close to death say about euthanasia and assisted suicide: a qualitative study,” the journal of medical ethics 32 (2006): 706. 3. louise bazalgette, william bradley, and jenny ousbey, “hidden data provide new insights into life at the end…”: the truth about suicide (london: demos, 2011). 4. world health organization, alzheimer’s disease international, “neurological disorders: public health challenges,” dementia: a public health priority (united kingdom: who, 2012). 5. james rachels, “active and passive euthanasia,” intervention and reflection: basic issues in medical ethics 5th ed (belmont: wadsworth, 1996), 78. 6. ceja report b – a-91, “decisions near the end of life.” 7. sharon fraser, walter james, “death – whose decision? euthanasian and the terminally ill,” journal of medical ethics (2000): 122. 8. james e. white, “active and passive euthanasia: james rachels,” contemporary moral problem (cengage learning, 2008), 157. 9. ibid. 10. choosing to die 11. white (157) 12. chambaere, “physician-assisted under the euthanasia law in belgium: a population based survey,” canadian medical association, 1. 13. ibid. 14. ibid. 15. thalia holmes, “granting a death wish: south africa’s euthanasia debate,” mail & guardian online, may 17, 2012. 16. ibid. 17. “dignitas: live with dignity – die with dignity,” accessed april 22, 2013. http://www.dignitas.ch/index.php?option=com_content &view=article&id=4&lang=en. 18. choosing to die. 19. choosing to die. 20. choosing to die. 21. oregon department of public health, “death with dignity act annual reports,” january 16, 2012. 22. ibid. 23. ibid. 24. the royal society of medicine, “legalise non-voluntary euthanasia, says professor of medical ethics,” the royal society of medi63 death: a conversation cine (2006). 25. france24. “france opens the door to medically-assisted suicide,” france 24, december 19, 2012. 26. ibid. 27 ibid. 28. fraser 29 michael leidig, “dignitas is investigated for helping health woman to die,” bmj: british medical journal 331.7526 (2005): 1160. references bazalgette, louise, bradley, william, and ousbey, jenny. “hidden data provide new insights…”: the truth about suicide. london: demos, 2011. chambaere, bilsen, cohen, onwuteaka-philipsen, mortier, deliens. “physician-assisted under the euthanasia law in belgium: a population based survey.” canadian medical association journal. 17 may 2010. 20 april 2013. print. chappele a, ziebland s, mcpherson a, et al. “what people close to death say about euthanasia and assisted suicide: a qualitive study.” the journal of medical ethics. no. 32. pg 706-710. 2006. print. dignitas – “live with dignity die with dignity.” 18 april 2013. 22 april 2013. web. france24. “france opens the door to medically-assisted suicide.” france 24. 19 dec. 2012. 25 apr. 2013 holmes, thalia. “granting a death wish: south africa’s euthanasia debate.” 28 march 2013. leidig, michael. “dignitas is investigated for helping health woman to die.” bmj: british medical journal. vol 331. no. 7526. pg. 1160. bmj publishing group: 2005. jstor. 23 april, 2013. print. fraser, sharon; walters, james. “death – whose decision? euthanasian and the terminally ill.” journal of medical ethics. california: 2000. print. oregon department of public health. “death with dignity act annual reports.” 16 january 2013. 22 april 2013. the royal society of medicine. “legalise non-voluntary euthanasia, says professor of medical ethics.” the royal society of medicine report. 2006. 22 april 2012. print. rachels, james. “active and passive euthanasia.” intervention and reflection: basic issues in medical ethics. 5th ed. pp 171-175. belmont; wadsworth 1996. print. terry pratchett: choosing to die. dir. charlie russell. prod. charlie russell. 2011. keo north, 13 june 2011. bbc television. white, james e. “active and passive euthanasia: james rachels.” contemporary moral problems. pp 155-160. cengage learning: 2008. print. world health organization, alzheimer’s disease international. “neurological disorders: public health challenges.” dementia: a public health priority. pp 50-112. 2012. print. 64 elements : : spring 2014 in august 2008, russian tanks and troops rolled into the neighboring state of georgia to fight over the disputed separatist regions of south ossetia and abkhazia. since then, the five-day war has been justified by russia as an act of humanitarian intervention, even as the west has denounced it as a show of aggressive neo-imperialism against a democracy. such simplistic judgments, however, hide the more complex truth that both sides were at fault. enabled by the nationalist sentiments and new political structures of its rose revolution, georga overzealously plunged into battle on the misguided expectation of american assistance, while russia craftily exploited a humanitarian crisis to pursue long-standing policy objectives. a comparison with the 1991-1992 south ossetian war, in which russia did not intervene on a state basis, reveals that the main difference lies not in a policy change but in the two states’ relative power distributions and practical considerations, which made direct russian-georgian war tenable in 2008 but not in 1991. altruism and imperialism russia’s invasion of georgia in the five-day war sean keeley in august 2008, just as leaders of the international community gathered in beijing for the summer olympics, the world’s attention was diverted to a volatile region of the south caucasus. on the morning of august 8, russian troops and tanks rolled into the neighboring state of georgia in response to georgian attacks on the city of tskhinvali, part of the disputed separatist region of south ossetia.1 five days, 850 deaths and 100,000 displaced civilians later, russia emerged the clear military victor, making a peace settlement with georgia, while for the first time declaring the territories of south ossetia and abkhazia independent states.2 russia may have easily won the military victory, but they did not emerge unscathed on the international stage. for many in the west, what came to be known as the five-day war was a troubling indication of russian aggression, imperialism, and even a return to cold war-era power politics.3 senator john mccain spoke for many in denouncing russia for invading “a small, democratic neighbor to gain more control over the world’s oil supply, intimidate other neighbors, and further their ambitions of reassembling the russian empire.”4 the russians, however, put forth a much different story, claiming that they intervened for humanitarian purposes following georgia’s aggressive attacks on tskhinvali and their general oppression of the south ossetian minority.5 in november of 2008, russian foreign minister sergei lavrov argued that the war was fought “to defend the highest civilization values: the right of a human for life and freedom, protection against ethnic discrimination.”6 with such dichotomous views of the war’s origin and purpose, the question remains: why did the 2008 russiangeorgian war happen? since the war, opinions as to its cause have tended to be split along stark lines, with many commentators seeking a “criminal/victim distinction” that would place the blame solely on one side.7 however, such views are short-sighted, informed by bias that overlooks larger historical trends and the uncomfortable truth that both parties were almost equally at fault. looking at the south ossetia war of 1991-1992—a similar conflict between georgia and south ossetia that saw a more moderate russian response—provides a fruitful comparison to explain why russia responded so aggressively in 2008 but was more hands-off in the earlier conflict. the evidence suggests that russia’s invasion in 2008 was not a coldly premeditated attack nor a sincere altruistic effort, but rather a shrewdly opportunistic action that took advantage of a humanitarian crisis to achieve russian policy objectives. under the aggressive leadership of prime minister vladimir putin and president dmitri medvedev and equipped with considerable military power, russia was able to act decisively in a manner that would have been impossible in the chaotic transition period of the early 1990s. however, it was georgia that first initiated the conflict and gave russia an excuse to invade. the new political system ushered in with georgia’s rose revolution of 2003 gave great power to the executive, allowing president mikheil saakashvili to make largely unchecked decisions. he overestimated u.s. assistance and did not foresee the strength of the russian response to his aggressive targeting of south ossetia. russia’s action was not a policy aberration but a fulfillment of their existing objectives, enabled by georgia’s rash attacks and russia’s improved power standing compared to 1991. altruism or imperialism history is full of cases in which a strong, politically potent state invades a much smaller and weaker one. when this happens, the justification for the intrusion can generally be explained by one of two opposing schema: the “interventionist” and the “imperialist” explanation. the connotations to these two words suggest their distinct meanings. “interventionism,” as defined here, entails policies where a third party intercedes in a conflict to bring about an outcome with some purported moral good—whether it is promoting democracy, halting genocide, or ceasing hostilities between warring factions. “imperialism,” on the other hand, carries no such benevolent pretensions. when states act on imperialist motives, they are acting to project their power, and extend their sphere of influence. defined in this way, it is easy to see that imperialist invasion has a long history. thucydides’ “melian dialogue,” appearing in his history of the peloponnesian war, provides the quintessential example of imperialist logic. the dialogue presents an argument between the powerful athenians, who wish to conquer the small island of melos as a pawn in their larger war against sparta, and the peaceful, neutral melians. over the course of the dialogue, the athenians dismiss all of the melians’ morality-based arguments about why they should be spared.8 the athenians instead declare, “the strong do what they have the power to do and the weak accept what they have to accept,” a famous quote that encapsulates the power-based philosophy underlying imperialism.9 when a large and powerful state invades a lesser one, therefore, the imperialist explanation 66 elements : : spring 2014 says that the larger country is looking after itself, exploiting a weaker neighbor for its own selfish interest—whether that interest lies in tactical strategy, economic wealth, or some other factor. interventionist logic, on the other hand, is a more modern phenomenon, and the assumptions involved are radically different than those behind imperialism. the intervening state is assumed to be essentially altruistic, an actor with a moral stake in the issue who mediated in order to guide a less capable actor to a desired resolution. in today’s world, most intervention comes through the context of international organizations like the un or nato rather than unitary actors; international action in bosnia and somalia provide relevant examples.10 still, when states invade much smaller countries, they usually do so by appealing to some moral good justifying the necessity to intervene, thus employing interventionist logic. perhaps such a strong dichotomy between intervention and imperialism is deceptive, for many wars between strong states and much weaker ones can be explained by a combination of the two factors. in such a case, the powerful state would intervene to create an outcome that at once promoted a desired moral good while remaining strategically useful for the invading country. the united states’ intervention in vietnam serves as an illustrative example: american leaders invaded both to prevent the spread of communism, which they denounced as a moral evil, while also acting to contain the soviet union’s spread of influence across the world.11 indeed, much of the cold war was fought on these twin justifications of ideology and strategic interest, employing both interventionist and imperialist thinking. however, all three of these causal mechanisms approach the question from the perspective of the invading state, without addressing the invaded state’s actions that may have caused such a response. it is quite possible that the decision to invade could come about from tactics of aggression or provocation on the part of the smaller state. even an ostensibly weak, small state is not helpless, and it could conceivably be hostile or violent enough toward the larger state to trigger a response of invasion and war. indeed, the most convincing formulation for why large states invade much smaller ones comes from a combination of these last two mechanisms. in the modern international order, even powerful states would be very reluctant to invade a tiny neighbor on purely imperialist grounds. widespread, shared norms of human rights, along with the constraints of international institutions and the threat of punishment, prevent most developed countries from invading the grounds of pure power-seeking. some other justification must be proffered to make such an invasion palatable to the international community. still, it is unrealistic to expect countries to intervene with purely benevolent, unselfish motivations. no state would logically commit its troops and money to resolving a conflict in which it had no real strategic interest. thus, such invasions are most likely when there exists a strategic interest in the smaller state, and when the volatile dynamics of the small state can justify humanitarian intervention. the powder keg of the south caucasus to understand the causes for the conflicts in south ossetia in 1991 and 2008, one must first briefly explore the historical origins of the region’s tension. south ossetia is a mountainous region located on georgia’s northern border with russia, with a population that is primarily of iranian origin and quite distinct from most native georgians.12 the conflict between the ossetian population and georgia goes back at least as far as 1917, when many ossetians allied with the bolsheviks against georgia in order to reunify with the russian-controlled north ossetia.13 the georgian state, seeking homogeneity, denied south ossetia the right to autonomy and committed bloody acts of ethnic cleansing, killing 5,000 and sending 20,000 ossetian refugees fleeing to russia.14 the soviet union’s takeover of georgia cooled such nationalist movements, but they resurfaced in dramatic fashion as the ussr fell apart in the late 1980s, leading to the two cases under consideration here.15 the 1991-1992 south ossetian war and the 2008 five-day war are good candidates for comparison because of several shared constants as well as a few key divergences. both conflicts arose from long-standing border conflicts and ethno-historic tensions between south ossetia and geor“the strong do what they have the power to do and the weak accept what they have to accept.” 67 altruism and imperialism gia. both drew in russia in one form or another—as impartial peacekeepers in the first case, and as an invading force in the second. in both cases, georgia was led by a zealously nationalistic president determined to prevent south ossetia from separating—zviad gamsakhurdia in 1991 and mikheil saakashvili in 2008.16 and yet, for all these similarities, the two conflicts arose during two distinct political climates—russia in 2008 was a much different power than the crumbling ussr of the early 1990s, and the same is true for georgia following the rose revolution in 2003. these key differences show why one conflict spurred direct russian-georgian war and the other did not. the 1991-1992 south ossetia war the south ossetian conflict resurfaced in the early 90s as the ussr was crumbling internally and new georgian nationalism was rising. zviad gamsakhurdia, soon to be first president of the new georgia, stoked such sentiments by calling for a “georgia for the georgians,” antagonizing the south ossetian and abkhazian minorities.17 georgian calls for russian and georgian to be the national languages angered south ossetia, and periodic skirmishes began to occur starting in 1989. in september 1990, after south ossetia declared its sovereignty as an independent republic separate from georgia, legal tussles between georgia and south ossetia soon escalated, to the point where georgia abolished the region’s autonomy, while moscow issued decrees trying to countermand these rulings and keep things under control.18 nonetheless, a state of emergency was declared and combat broke out on a large scale between georgian and south ossetian forces.19 gamsakhurdia’s government first tried to take the region’s capital city of tskhinvali in january 1991 with paramilitary forces, then in september with the national guard, and finally launched a devastating attack in june 1992 which destroyed almost 80 percent of the city’s dwellings.20 the sochi agreement, a ceasefire treaty brokered by russia, was subsequently signed on june 24, and provided for peacekeeping forces from russia, georgia, and north ossetia.21 throughout the war, russia kept a close eye on the developments, and some individual russian soldiers and peacekeepers did participate in the conflict on the side of south ossetia.22 still, the russian government never officially committed its troops to the conflict, despite clear strategic interest and humanitarian reasons for doing so. strategically, russia stood to hold on to the territory of south ossetia even as georgia—and so many other soviet states—were slipping away. early in 1991, one south ossetian politician said, “we are the only nation which wants gorbachev to declare emergency rule.”23 indeed, the region was crying out for soviet rule while the rest of the ussr was splitting up. moscow made its support of the south ossetian cause clear enough, issuing a presidential decree from gorbachev that chided georgia’s legal actions as unconstitutional and demanded the immediate removal of armed forces.24 nevertheless, russia’s actions did not seem to measure up to such strong rhetoric. beyond self-interested imperialist motives, russia could also surely conceive of humanitarian justifications for intervention. much of the georgian offensive was based on the principle of ethnic cleansing—gamsakhurdia, after all, was a nationalist who was not above denouncing mixed marriages and claiming that the ossetians had “no right to a state here in georgia…they are a national minority.”25 putin talks to italian prime minister silvio berlusconi. (photo courtesy of www.kremlin.ru) 68 elements : : spring 2014 the actions of his forces bore out that message with startling violence, as the georgians bombed tskhinvali mercilessly, burned entire villages, and ultimately killed about 1,000 people while creating many more refugees.26 the 1991-1992 war, then, would seem to carry both the imperialist and interventionist justifications for going to war: russia had a strategic interest in holding on to power in the region, and they witnessed widespread humanitarian atrocities on the part of georgia. that russia did not commit itself militarily is a sign that such causes are not sufficient to trigger an invasion. one must also consider the existing power dynamics and political structures behind each country’s actions. by examining the situation while considering that factor, it is clear that early 1990s russia could not afford being drawn into a drawn-out military conflict—a fact that georgia counted on. russia in the early 1990s was a shambles, and its military was no less so. in his 1993 article “fallen from grace: the new russian military,” john erickson traces the decline of the russian military into a “hungry, homeless, and orphaned” force whose prestige was tarnished by corruption, but also by a disillusioned press that turned distinctly antimilitary in the days of perestroika.27 this skepticism toward military solutions was certainly on display during the south ossetian conflict. in june 1992, for example, a prominent moscow paper published an opinion piece arguing that despite russia’s obligations to south ossetia, “the decisive use of military force is a last resort, one that is capable only of freezing the conflict, not of resolving it.”28 russia’s run-down military, popular discontentment with the regime and its use of military force, and the general brokenness of the soviet system made a military commitment in georgia untenable. aware of this fact, gamsakhurdia surely acted more aggressively than he otherwise would have, even if not all of the damage can be attributed to him. as vicken cheterian points out, the state of georgia in the early 90s was only just constructing its armed forces, and “the conflicts were led by semi-official armed formations inspired by national ideology and often motivated by criminal interests.”29 sixteen years later, though, georgia’s state structures would be much more solidified and their aggression would receive a very different response from moscow. the five-day war when war broke out in the south caucasus once again in august 2008, the situation in south ossetia was both eerily familiar and scarily unprecedented. the governments of russia and georgia had undergone major transformation since 1991. the russian federation rose from the ashes of the ussr and 2003’s rose revolution, carried out after disputed parliamentary elections, putting president mikheil saakashvili into power in georgia under what was supposedly a more democratic system. meanwhile in south ossetia, minor and sporadic fighting between georgians and ossetians had occurred since the ceasefire, but the peacekeepers put in place by the sochi agreement were still in force.30 still, the renewal of the conflict was not entirely unexpected. during the summer of 2008, both georgian and russian troops engaged in separate military exercises, anticipating possible combat. moreover, the georgians did so with u.s. troops by their side.31 united states secretary of state condoleeza rice had visited georgia in july, expressing american support for georgia’s attempted union with nato while cautioning against the use of force or the provocation of russia.32 nonetheless, on the night of august 7, georgian tanks began bombing the city of tskhinvali in south ossetia, in order to “restore constitutional order” to the region, and russia responded during the early hours of august 8 by invading georgia via the roki tunnel.33 although there have been considerable disputes as to the exact timing of events, an independent, 1,100page report commissioned by the eu found that georgia did trigger the immediate conflict, even if war had been brewing for years.34 many have pointed to russia’s swift and decisive deployment of troops as proof that the invasion was premeditated, and that the russian leadership was trying to spring a trap in order to justify invasion.35 it is more accurate to say that russia was acting on an existing contingency plan in the case violence should erupt in the region. the combat readiness of russian troops on the border is not surpris“that russia did not commit itself militarily is a sign that such causes are not sufficient to trigger an invasion.” 69 altruism and imperialism ing, considering the historic volatility of south ossetia and the escalating tensions in the weeks leading up to the war. critics of russia have tended to harp on anecdotal accounts, such as that published in a russian newspaper on august 15, of russian soldiers claiming that they were deployed on august 7, before the georgian bombing of tskhinvali.36 even if some battalions were deployed early, though, that fact does not discredit the entire russian army, nor does it explain the mechanism by which russia could set a “trap” for georgia. such one-sided finger-pointing tends to ignore the extensive evidence of georgian premeditation. in the weeks leading up to the attack on tskhinvali, the georgian government shut down the main water supplies to the city, shut down news access in south ossetia, and moved into position even while claiming that there were no troop movements.37 such actions do not suggest the behavior of an innocent state stumbling into a trap, but rather the concerted efforts of a state preparing for conflict. in retrospect, georgia’s aggression in south ossetia seems foolish, for the georgian military could not have possibly matched the might of russian forces. however, saakashvili was emboldened by his close relationship with the united states, the much-improved georgian military (since 2005 the army’s ranks had swelled by 46 per cent), and the expectation that he would only be fighting south ossetian militias, not russia.38 although u.s. leaders like condoleeza rice are on record as having warned saakashvili against the use of force, there is evidence to suggest that he was expecting u.s. assistance if fighting broke out. american talk of obligations to defend allies, american support for georgia’s quest to join nato, the joint u.s.georgian military maneuvers that summer, and longstanding friendships between saakashvili and politicians like john mccain all likely contributed to saakashvili’s confidence in the alliance.39 at the same time, russia’s lack of a direct intervention in the 1991-92 conflict surely made the prospect of a russian invasion unlikely. finally, saakashvili’s errors were enabled on the basis of a system he had helped create. when he took power during the rose revolution, saakashvili made some democratic reforms, but he also dramatically increased executive powers in order to successfully fulfill his policies.40 thus, saakashvili’s decisions went largely unchecked, and he was able to put his miscalculated policies into place with hardly any challengers. why did russia respond so strongly, though? a perusal of official accounts reveals an attempt to justify intervention to the international community using a variety of established principles. first russia invoked article 51 of the un charter and argued its right for self-defense, since georgian actions killed a number of russian peacekeepers.41 russia also argued that its response was merely a “reinforced russian peacekeeping contingent,” an extended response to saakashvili’s violation of the 1992 sochi agreement.42 most gravely, putin used the word “genocide” to describe georgia’s attacks on south ossetia, and thus invoked the responsibility to protect doctrine.43 none of these justifications of the russian invasion is entirely convincing. russian civilians died in the 1991 conflict, yet the state did not invade georgia. violent ethnic cleansing occurred then, too, but again, no direct response. nor, for that matter, has russia seemed to express much concern for the discontented minorities within its own borders, whether in chechnya or circassia.44 finally, russia was no supporter of the nato military intervention in kosovo, so it seems disconcerting that they would sudgeorgian prime minister mikheil saakashvili delivers a speech in tibilisi. (courtesy of wikimedia) 70 elements : : spring 2014 denly apply the same responsibility to protect logic to their own conflicts.45 even as such justifications ring hollow as motivational factors, though, russia’s invocation of them does at least suggest that in today’s world, such principled norms are needed to make such invasions theoretically acceptable. in some way, this is a testament to the power of such norms— though it is also disturbing that russia could manipulate them to their own ends. commentators such as charles king have argued that the five day war shows russia distancing itself from western institutions, yet russia’s need to explain its actions in the language of un initiatives and humanitarian principles suggests that such ideas do have sway.46 purely imperialist motives for invasion are simply not acceptable to the international community. ultimately, though, it was imperialist motives that most defined russia’s reaction to georgian aggression. its powerful response was enabled by a stronger, more stable russian military than in 1991 and by russia’s more prominent place in the international order compared to the transitional chaos of the early 90s. such a dramatic invasion was also more vital to russian strategic interest than in 1991 because of subsequent developments, notably georgia’s ambitions to join nato and its burgeoning alliance with the united states, both of which threatened russia’s sphere of influence. russia may not have premeditated the war with georgia, but it was ready to respond to their aggression, and doing so with resolute force solidified their power in the region. conclusion russia’s decision to invade georgia in august 2008 was sufficiently shocking—especially in comparison with russia’s more measured response to the south ossetia war in 1991—to cause a bevy of reactionary responses in the west, with many commentators painting russia as the sole villain and decrying a return to soviet-era aggression. the true factors underlying the five-day war of 2008, however, encompass much greater territory than simplistic russian evildoing. the premeditated aggression of georgia toward south ossetia, catalyzed by u.s. support and demonstrated in president saakashvili’s actions against the south ossetians prior to august 7, cannot be dismissed as a causal factor spurring russia to a violent reaction. and though russia’s motivations for invading were hardly selfless, their actions do not represent a sudden return to soviet antagonism or a new policy deviation. if anything, their actions represent the fulfillment of longexisting objectives to hold on to power in the region—objectives they were unable to follow through on in 1991 due to a crumbling political structure and weak military. the russian-georgian war of 2008 will continue to hold immense meaning for the future of u.s.-russian relations, but its implications extend far beyond the sphere of those two countries. russia’s use of humanitarian justifications for invasion, though arguably representative of the power of those norms, should also raise concerns about other states’ potential for similarly manipulating them. doctrines like the responsibility to protect were conceived in good faith and with the understanding that they would be used for benevolent purposes. however, the 2008 war reveals that they can also be shrewdly manipulated to serve a state’s own strategic goals. the united states and the international community should work to clarify such doctrines’ applicability and minimize the possibility of them being exploited. the renewed mistrust and condemnation of russia on the part of many u.s. politicians following the five-day war raises the unfortunate possibility that u.s.-russian relations will continue to be characterized by hostile cold warstyle rhetoric. instead, the united states should use the lessons of the war to try to understand russia’s objectives rather than denouncing them outright. the united states should also perform some self-examination about its own role in the war. america’s fervent, almost unquestioning support of georgia—a state that is much less democratic than it appears—certainly played a role in encouraging saakashvili’s overconfidence and precipitating georgian aggression in south ossetia. the united states should consider that its policy of supporting fledgling democracies should not blind themselves to the corruptions of those governments, nor their propensity for conflict. “purely imperialist motives for invasion are simply not acceptable to the international community.” 71 altruism and imperialism although the five-day war was settled quickly and forcefully, the questions it raises still linger. one line of inquiry involves russia’s future ambitions in the region. the war demonstrated russia’s forceful commitment to maintaining influence in the south caucasus and fighting the encroachment of nato into its sphere of influence. since 2008, no comparable wars have erupted in the region, but the question remains whether russia would use its military force again to achieve its objectives. another set of questions pertain to relations between america and russia. after the war, many saw a sharp decline in the two countries’ relationship, but the obama administration promised a reset. fruitful research could be dedicated to the subject of whether or not the obama administration has significantly changed american policy toward russia or improved relations. finally, the war broaches the topic of how international doctrines of humanitarian intervention or genocide prevention can be twisted to suit a state’s self-interest. future scholarship could place the five-day war within this conceptual context to explore other cases where such tactics have been used, and offer prescriptions to prevent them. endnotes 1. charles king, “the five-day war: managing moscow after the georgia crisis,” foreign affairs 87:6 (2008): 2. 2. mike bowker, “the war in georgia and the western response,” central asian survey, 30:2 (2011): 207. 3. ibid., 197. 4. daniel treisman, the return: russia’s journey from gorbachev to medvedev (new york: free press, 2011) 154. 5. roy allison, “russia resurgent? moscow’s campaign to ‘coerce georgia to peace,’” international affairs 84:6 (2008): 1151. 6. rick fawn and robert nalbandov, “the difficulties of knowing the start of war in the information age: russia, georgia, and the war over south ossetia, august 2008,” european security, 21:1 (2012): 72. 7. noelle higgins and kieran o’reilly, “the use of force, wars of national liberation and the right to self-determination in the south ossetian conflict,” international criminal law review 9:3 (2009): 583. 8. thucydides, “the melian dialogue,” in international politics: enduring concepts and contemporary issues, ed. robert j. art and robert jervis. (boston: pearson education, 2013), 8-14. 9. ibid., 9. 10. walter clarke and jeffrey herbst, “somalia and the future of humanitarian intervention, foreign affairs 75:2 (1996): 70. 11. john f. kennedy’s inaugural address suggested moral purposes for the war (“to assure the survival and success of liberty,” and to help those “across the globe struggling to break the bonds of mass misery…because it is right.”) yet vietnam was also recognizably a manifestation of the george kennan’s containment policy to stop the ussr’s expansion. “inaugural address of john f. kennedy,” the avalon project, accessed by may 6, 2013, http://avalon.law.yale.edu/20th_century/ kennedy.asp. 12. higgins and o’reilly, “the use of force,” 568. 13. julian birch, “ossetiya—land of uncertain frontiers and manipulative elites,” central asian survey, 18:4 (1999): 502. 14. ibid. 15. ibid., 503. 16. higgins and o’reilly, “the use of force,” 4-5. 17. ronald d. asmus, a little war that shook the world: georgia, russia, and the future of the west (new york: palgrave macmillan, 2010). 60. 18. birch, “ossetiya,” 503. 19. christopher zurcher, pavel baev, and jan koehler, “civil wars in the caucasus,” in understanding civil war: evidence and analysis, vol. 2—europe, central asia, and other regions, ed. paul collier and nicholas sambanis, (washington, d.c.: world bank publications, 2005.) 268. 2-. ibid. 21. higgins and o’reilly, “the use of force,” 4. 22. king, “the five-day war,” 5. 23. birch, “ossetiya,” 504. 24. mikhail gorbachev, “decree of the president of the union of soviet socialist republics: on certain legislative actions adopted in december 1990 in the georgian ssr,” in countdown to war in georgia: russia’s foreign policy and media coverage of the conflict in south ossetia and abkhazia, ed. ana k. neidermaier. (minneapolis: east view press, 2008), 19-20. 25. birch, “ossetiya,” 503-504. 26. ibid., 504 and “georgia: avoiding war in south ossetia,” (tbisili/brussels: international crisis group, 2004), 4. accessed at http://unpan1.un.org/intradoc/groups/public/documents/ untc/unpan019224.pdf, 4. 27. john erickson, “fallen from grace: the new russian military,” world policy journal, 10:2 (1993), 19-24. 28. mikheil shevelev, “epicenter: war is coming from the south – the fate of peace in southern russia is being decided today in ossetia,” in countdown to war in georgia: russia’s foreign policy and media coverage of the conflict in south ossetia and abkhazia, ed. ana k. neidermaier. (minneapolis: east view press, 2008), 44. 29. vicken cheterian, “the august 2008 war in georgia: from ethnic conflict to border wars,” central asian survey, 28:2 (2009): 157. 30. king, “the five-day war,” 5. 31. ibid., 164. 72 elements : : spring 2014 32. ibid. 33. nicolai n. petro, “the russia-georgia war: causes and consequences,” global dialogue 11 (2009): 1. 34. for a detailed look at the uncertainties of the timing and the dispute over who started the war, see fawn and nalbandov, “the difficulties of knowing the start of war in the information age.” the authors’ summary of the eu report cited above is on page 58. 35. petro summarizes (and then contests) this argument in “the russia-georgia war: causes and consequences,” 3. 36. fawn and nalbandov, “the difficulties of knowing the start of war in the information age,” 70. 37. petro, “the russia-georgia war: causes and consequences,” 5. 38. ibid. 39. bowker, “the war in georgia and the western response,” 204206. 40. ibid., 204. 41. roy allison, “russia resurgent? moscow’s campaign to ‘coerce georgia to peace,’” international affairs 84:6 (2008): 1151. 42. ibid. 43. ibid. 44. king, “the five-day war,” 6. 45. memli krasniqi, “russian opposition should not defer kosovo’s independence,” today’s zaman, last modified april 12, 2007, http://www.todayszaman.com/newsdetail_getnewsbyid. action?load=detay&link=108072. 46. ibid, 11. references ronald d. asmus, a little war that shook the world: georgia, russia, and the future of the west (new york: palgrave macmillan, 2010). countdown to war in georgia: russia’s foreign policy and media coverage of the conflict in south ossetia and abkhazia, ed. ana k. neidermaier. (minneapolis: east view press, 2008) daniel treisman, the return: russia’s journey from gorbachev to medvedev (new york: free press, 2011) international politics: enduring concepts and contemporary issues, ed. robert j. art and robert jervis. (boston: pearson education, 2013) understanding civil war: evidence and analysis, vol. 2—europe, central asia, and other regions, ed. paul collier and nicholas sambanis, (washington, d.c.: world bank publications, 2005.) julian birch, “ossetiya—land of uncertain frontiers and manipulative elites,” central asian survey, 18:4 (1999): 501-534. vicken cheterian, “the august 2008 war in georgia: from ethnic conflict to border wars,” central asian survey, 28:2 (2009): 155170. john erickson, “fallen from grace: the new russian military,” world policy journal, 10:2 (1993), 19-24. rick fawn and robert nalbandov, “the difficulties of knowing the start of war in the information age: russia, georgia, and the war over south ossetia, august 2008,” european security, 21:1 (2012): 57-89. noelle higgins and kieran o’reilly, “the use of force, wars of national liberation and the right to self-determination in the south ossetian conflict,” international criminal law review 9:3 (2009): 567-583. roy allison, “russia resurgent? moscow’s campaign to ‘coerce georgia to peace,’” international affairs 84:6 (2008): 1145-1171. nicolai n. petro, “the russia-georgia war: causes and consequences,” global dialogue 11 (2009): 1-10. charles king, “the five-day war: managing moscow after the georgia crisis,” foreign affairs 87:6 (2008): 2-11. mike bowker, “the war in georgia and the western response,” central asian survey, 30:2 (2011): 197-211. walter clarke and jeffrey herbst, “somalia and the future of humanitarian intervention, foreign affairs 75:2 (1996): 70-85. “georgia: avoiding war in south ossetia,” (tbisili/brussels: international crisis group, 2004), 4. accessed at http://unpan1. un.org/intradoc/groups/public/documents/untc/unpan019224.pdf, 4. memli krasniqi, “russian opposition should not defer kosovo’s independence,” today’s zaman, last modified april 12, 2007, http://www.todayszaman.com/newsdetail_getnewsbyid. action?load=detay&link=108072. 73 altruism and imperialism richard balagtas is a sophomore in the college of arts and sciences. he is studying philosophy and political science with concentrations in business ethics and international human rights. he is involved in the bystander intervention program at boston college, and he is the director of faculty relations for bcharity: water. in his spare time, richard enjoys playing tennis, and he coaches graduate students and young children at bc’s recreational complex. jen dobias is a member of the honors program in the college of arts and sciences, class of 2014. she is a communications major with minors in film studies and management & leadership. a sports writer with a passion for ice hockey, her paper was inspired by her desire to explore one of the darker moments in the nhl’s history to see how it has continued to affect the game. a new jersey native, she has worked for the courier-post and the wilkes-barre/ scranton penguins and her articles have been featured in usa today’s daily pitch and the college hockey news. she also founded a boston college sports blog and was a member of the screaming eagles marching band sean keeley sean keeley is a junior at boston college, majoring in international studies with a particular interest in russian politics. he is spending the spring 2014 semester in russia, studying at smolny college in st. petersburg. when on campus, sean works at instructional design & eteaching services and writes for the arts section of the heights, for which he served as an editor in 2013. his paper in this issue of elements was written for professor peter krause’s introduction to international studies course in may 2013. marissa marandola is a sophomore in the college of arts and sciences, majoring in political science with minors in american studies and management and leadership. her academic interests include american constitutional law and development, geographic and ideological political polarization, and youth participation in politics. she works as a research assistant to professor david hopkins of the political science department and earned an advanced study grant to explore an establishment clause controversy in her home town of cranston, ri. author biographies michael martina brandon short is a member of the class of 2014 of the college of arts and sciences studying linguistics, philosophy, and economics. he is originally from long island, new york. his academic areas of interest include sociolinguistics, natural law theory, psychoanalysis, and ancient philosophy. post-graduation, he will attend law school and has hopes of working on the prosecutorial side of criminal law. brandon is a member of the glbtq community. alexander trimes is a senior in the college of arts & sciences, majoring in english and minoring in philosophy. he spent the fall term of his junior year studying abroad at queen mary, university of london, and hopes to teach english in japan following graduation. his academic interests include literary and cultural theory, as well as postmodern literature. as a long-term goal, alexander plans to further pursue these interests through graduate study. his article was originally written for professor restuccia’s “contemporary novels of the world” seminar. list of artwork todd bertuzzi 2005 © wikimedia commons bradmay © wikimedia commons girogio agamben, wall portrait © thierry ehrmann/ wikimedia commons byron 1824 © thomas phillips/ wikimedia commons ik people 2005 © cevin soling/ wikimedia commons un general assembly hall © patrick gruban/ wikimedia commons suzzane collins 2010 © david shankbone/ wikimedia commons jennifer lawrence at the 83rd academy awards © minglemediatv friedrich nietsche 1874 © mr f. hartmann terry pratchet at worldcon 2005 © wikimedia commons pentobarbital 2d skeleton © wikimedia commons putin talks to italian prime minister © kremlin 11 13 26 29 34 38 47 48 53 58 60 68 saakashvili, italian prime minister © wikimedia commons 70 "la dolce vita aspired with unprecedented ambition to make film a core media of high modern art, and the cultural conditions of its production could not have been more auspicious for such an ambition." f i l m as history fdlini's la dolce vita as a historical artifact z a c h z i m m e r m a n n , c in 1960, italy was a country in rapid cultural t r a n s i t i o n . nowhere was this cultural current, this ebb of conservative italian virtue and flow of flashy italian c o n s u m e r ism, more evident than in italy's a g e o l d seat of power: rome. during this time, famed director f e d e r i c o fellini undertook to enlist t h e elements o f h i g h m o d e r n i s m and auteurism in t h e creation of a work of art that would capture s o m e t h i n g of t h e new culture rising in rome. t h e result was t h e now canonical film la dolce vita. infamous for its sensuality, but e m i n e n t for its masterly artistic story-telling, fifty years have s e e n t h e value of f e l l i n l ' s film for film critics and historians alike increase substantially. here, that value will be assessed by an analysis of t h e film's reception at t h e time of its release, followed by a c l o s e look at t h e film itself. an exploration of how la dolce vita simultaneously captures and criticizes t h e period of its production demonstrates this work o f art's invaluable status as a historical artifact. o i n t r o d u c t i o n as federico fell ini 's in famous f i l m la dolce vita begins, a hel icopter suspends a statue o f chr i s t as i t flies over the city o f rome, the helicopter, a man-made marve l , passes an ancient r o m a n aqueduct as i t nears h is tor ic st. peter's basilica. w i t h this p o w e r f u l v isual , fe l l in i i m m e d i a t e l y alerts the viewer to the d i s t i n c t i o n between the o l d r o m e — the rome o f ancient structures, m o n u m e n t s , a n d churches—and the new, m o d e r n rome. th i s o p e n i n g alerts the audience that the h i m w i l l consider and reflect o n the n e w rome. fe l l in i h i m s e l f acknowledged that , w h i l e i n t e n d i n g to make a very dif ferent type o f film after his previous film, nights of cahiria, he came to "realize that the rome he h a d i n t e n d e d to depict had been replaced by another city, m o r e brash a n d cosmopol i tan . " 1 instead, fe l l in i made the can o n i c a l film, la dolce vita, o f equal value to film critics and histor ians alike. as an e m i n e n t w o r k o f its t i m e , the film a n d its recept ion elucidate the c l imate w h i c h produced i t ; b u t the film also reacts against that c l imate i n ways w h i c h have become histor ical ly fascinating i n the decades since its release. indeed, la dolce vita crystall ized s o m e t h i n g o f italy's u n d e r s t a n d i n g o f salvation i n i 9 6 0 , and remains , therefore, an invaluable artifact. la dolce vita documents the tale o f gossip c o l u m n i s t marcello r u b i n i , and s o m e t h i n g o f that tale s h o u l d be t o l d here p r i o r to a discussion o f the film. h a v i n g left h is dreary, prov inc ia l existence b e h i n d , marcel lo wanders t h r o u g h an u l t r a m o d e r n , ultra-sophisticated, ultra-decadent rome. h e yearns to w r i t e seriously, b u t his inconsequent ia l newspaper pieces b r i n g i n m o r e money, and he is too lazy to struggle against th is c o n d i t i o n . instead marcel lo attaches h i m s e l f to a bored socialite whose search for t h r i l l s b r ings the pair i n t o contact w i t h a n u m b e r o f fantastical characters. the events that fo l low f o r m seven d is t inct episodes o f act ion that are loosely threaded together. t h r o u g h o u t al l h is adventures, marcello's dreams, fantasies, a n d n i g h t mares m i r r o r the h e d o n i s m o f his w a k i n g l i fe . i t is these m o m e n t s o f unrea l i ty that un i fy the seven episodes i n t o a coherent whole , c u l m i n a t i n g w i t h a shrug: w h i l e his l i festyle is shal low a n d u l t i m a t e l y pointless, there is n o t h i n g he can do to change i t , so he m i g h t as w e l l enjoy i t . r e c e p t i o n as a g a u g e of c u l t u r a l c l i m a t e u p o n its domestic release, the film i m m e d i a t e l y caused controversy. a segment o f the i ta l ian p o p u l a t i o n was morally outraged, resu l t ing i n "protests o n the streets as w e l l as i n the papers." 2 conservative o p i n i o n leaders denounced v . the film as l icent ious and m o r a l l y depraved, label ing i t " the w o r k o f a c o m m u n i s t . " 3 soon after the v a t i c a n — w h i c h or ig ina l ly accepted the film—retracted its approval a n d c o n d e m n e d la dolce vita, swift ly b r i n g i n g the clerics w h o h a d i n i t i a l l y approved o f the film i n t o accord w i t h official policy. the press assiduously d o c u m e n t e d these censures, captivat ing pub l i c consciousness and, ironical ly , t u r n i n g "la dolce vita i n t o a social and c u l t u r a l event." 4 partly as a result o f the controversy, the film became an i m m e d i a t e box-office success i n italy and internat iona l ly u p o n its release abroad. 5 ital ians l i n e d u p to see the film u p o n its release. i t was a cu l tura l sensation, u l t i m a t e l y grossing over 2 , 2 0 0 , 0 0 0 , 0 0 0 l i ra . reflecting o n the decade i n film, the new york times ha i led la dolce vita as "one o f the m o s t wide ly seen a n d acclaimed european movies o f the 1960s." 6 the publ ic 's c lamor to see the film was accompanied by ovations f r o m a m a j o r i t y o f p r o m i n e n t critics i n italy and the rest o f europe. la dolce vita earned the palme d 'or (golden palm) at the i 9 6 0 cannes f i l m festival. the new york times reported that the festival ended " w i t h italy's la dolce vita as the u n a n i m o u s choice for the golden pa lm first pr ize , " its presentat ion be ing so overpower ing that i t h a d "set the tone o f the whole festiva l . " 7 w h e n the film was released i n a m e r i c a the f o l l o w i n g year, the film again received praise f r o m critics w i t h some m i n o r exceptions, a m o n g w h i c h was a notable review i n time magazine: "for al l its vitality, the film is decadent, an artistic f a i lure , " 8 and " "wors t o f a l l , la dolce vita fails to attract the moviegoer as m u c h as i t repulses h i m , fails to insp i re his sympathies as w e l l as his d isgust . " 9 most crit ics , t h o u g h , l ike bosley crowther, a w r i t e r for the new york times, concluded that the film "proved to deserve al l the hurrahs and the impressive honors i t has received." 1 0 i n his review, crowther writes that the film is an "awesome picture , l icent ious i n content b u t m o r a l a n d vastly sophisticated i n its att i tude and what i t says." 1 1 la dolce vita was n o m i n a t e d for four academy awards, i n c l u d i n g best d i r e c t o r — w i n n i n g for best costume design: black-andw h i t e — a n d received a new york f i l m critics circle award for best foreign f i l m . fel l ini 's film was received positively i n a m e r i c a due i n part to the inte l lectual c l imate i n t o w h i c h i t was released. i n the 1950s and 1960s fe l l in i became, as joseph m c b r i d e puts i t , the "director as superstar" 1 2 for academics as w e l l as the p u b l i c . 1 3 fe l l in i achieved such superstardom pr imar i l y because his w o r k as a d i r e c t o r — e p i t o m i z e d i n la dolce e l e m e n t s : : f a l l 2 0 1 0 uietato ai minori di t6 ami la dolce vita b r o u g h t t h e a l l u r e o f i t a l i a n c u l t u r e t o c i n e m a s a c r o s s t h e u n i t e d states. vita "dovetailed w i t h three m a j o r movements i n the arts and i n film i n the 1950s and 1960s: h i g h m o d e r n i s m , the art film, a n d a u t e u r i s m . " 1 4 h i g h m o d e r n i s m refers to the a l i g n m e n t o f m o d e r n art w i t h h i g h (versus popular) culture , m a r k i n g a clear d i s t i n c t i o n between innovative, exclusive " h i g h " art and art appearing i n pop cul ture , favori n g the former. a r t film, especially i n a m e r i c a n vernacular, refers to a film that presents i t se l f as a piece o f h i g h art, w i t h such films generally be ing directed by an auteur, or a filmmaker whose films are p r i m a r i l y guided by his o w n creative v i s ion . a l l three o f these movements were interrelated and al l three were f u n d a m e n t a l to fell ini 's internat i o n a l success w i t h la dolce vita. la dolce vita encapsulates the h i g h m o d e r n m o v e m e n t i n film, b e i n g an art film i n every sense o f the w o r d , especially as i t was made u n d e r the d i rec t ion o f the auteur. i n p r o d u c i n g la dolce vita, fe l l in i a t tempted above al l else to craft the film i n t o a piece o f h i g h art. h e drew o n m o d e r n ist l i terature and exper imented w i t h modes o f narrative: the film presents seven loosely connected episodes, resemb l i n g a col lect ion o f short stories that are only m a r g i n a l l y b o u n d . together, this m o d e r n i s t narrative technique, u n convent ional i n film at that t i m e , " c o n f i r m e d fell ini 's repu t a t i o n w i t h i n h i g h m o d e r n i s t circles o f the t i m e " 1 5 and led crit ics to consider the film one o f the greatest art films ever produced. fe l l in i hoped that la dolce vita w o u l d become a c inematic p o e m , and most contemporary critics felt that he had done so. moreover, fell ini 's cont ro l over the direct i o n o f the film was unprecedented and is rare even today. h e crafted each detail o f the film so that i t t r u l y became his piece o f art. f i l m crit ic peter bonadello compared fell ini 's t h e f i l m ' s portrayal o f l o o s e s e x u a l i t y r e s o n a t / i t h a m e r i c a n a u d i e n c e s i n t h e 1960s. construct ion o f his films to " the art produced i n the workshop o f a renaissance painter . . . v i r tua l ly every d e t a i l costumes, m a k e u p , l i g h t i n g , sets—of every film was m i nute ly sketched out by fe l l in i w i t h his famous felt-t ip m a r k e r . " 1 6 la dolce vita aspired w i t h unprecedented a m b i t i o n to make film a core media o f h i g h m o d e r n art, a n d the cu l tura l condit ions o f its p r o d u c t i o n could not have been m o r e auspicious for such an a m b i t i o n . one begins to u n derstand the cr i t ical acc la im. 1 7 the cu l tura l c l imate i n a m e r i c a also c o n t r i b u t e d substant ia l ly to the film's reception by the publ ic , for i t enjoyed considerable box-office receipts o f over $ 19 ,500,000 i n amer ica . th i s success is t i ed to the t i m i n g o f its release, w h i c h coinc ided w i t h a rise i n the a m e r i c a n people's interest i n in te rnat iona l films. as film crit ic frank burke wri tes , there existed "widespread postwar a m e r i c a n movie interests overseas" 1 8 and i ta l ian (and french) c inema experienced considerable success i n a m e r i c a n markets . t h i s popular reception reflected t w o movements i n a m e r i c a n cul ture . first, the recept ion o f la dolce vita—and i ta l ian film i n general—represented a larger cu l tura l fascination w i t h i t aly. d u r i n g the 1950s and 1960s, what a m e r i c a wore , what its citizens drove, a n d h o w they looked, was i n f l u enced considerably by italy's trendsetters, w h i c h i n c l u d e d fashion designers, film directors, and automakers . i f i t came f r o m italy, a n d the designer's n a m e ended i n a vowel, the a m e r i c a n publ ic was b u y i n g i t . even first lady jackie kennedy, an i c o n o f america 's style, was enamored w i t h oleg cassini designs. th i s fascination w i t h i ta l i an cu l ture coincided w i t h a peak i n a m e r i c a n interest i n film. i n this cu l tura l c l imate , i t is n o t s u r p r i s i n g that fe l l in i the i ta l i an director and his mas terwork la dolce vita experienced such popular a n d cr i t ica l success i n amer ica . second, the reception o f the film occurred i n the m i d s t o f an evolving cu l tura l and sexual revo lut ion i n amer ica . not released i n a m e r i c a u n t i l 1961, the reception o f the film was preceded by three s ignif icant events i n a m e r i c a n cult u r a l history: the i s su ing o f the kinsey reports (1948 and 1953), the election o f president john fitzgerald kennedy (january i 9 6 0 ) a n d the development o f the p i l l (may i 9 6 0 ) . the kinsey reports, t w o studies by a l f r e d kinsey explor ing male a n d female sexuality, challenged wide ly h e l d beliefs about h u m a n sexuality, i n c l u d i n g prevalent medica l l i terature that posited that w o m e n were not sexual beings. m o r e t h a n any previous book, kinsey's studies placed sex o n the nat ional stage and i n s p i r e d publ i c dise l e m e n t s f a l l 2010 course o n a m e r i c a n sexuality. these reports h a d b e g u n to t r a n s f o r m american 's perceptions o f sexual behavior, b u t by i 9 6 0 w i t h the election o f the g lamorous and sexy kennedy family, amer icans h a d an entire ly n e w understandi n g o f sex. u n l i k e ever before, amer icans were remarkably open about and interested i n sex. th i s new perspective o n sex affected cr it ics ' percept ion o f the p r o m i s c u i t y i n la dolce vita and drove the pub l i c to the theaters, w a n t i n g to see its cur ios i ty played out o n the b i g screen. a large reason for th is f i lm's popular appeal was its sex appeal. i n t e r n a t i o n a l films h a d m o r e n u d i t y and were generally m o r e r isque t h a n a m e r i c a n films. la dolce vita d i d n o t disappoint . the so-called "orgy scene," the final scene o f the film exc luding the epilogue o n the beach, i n w h i c h marcel lo conducts the revelers, was w h o l l y unprecedented i n f i l m . even the new york times reviewer, w h o lavishly praised the film, noted that the film was " l i c e n t i o u s . " 1 9 roger ebert postulated that the popular reception o f the film was due largely to this e lement o f the film: "we are afraid that , despite the a lmost extreme good taste w i t h w h i c h the mov ie was f i l m e d , we are afraid that m a n y o f the thousands w h o queued u p before the theatre h a d rather elementary m o t i v e s . " 2 0 moreover, the recept ion o f the film also coincided w i t h ser ious economic development i n amer ica . given the corres p o n d i n g social effects o f that development o n 1950s amer ica , the mater ia l ist ic rome that fe l l in i presented i n la dolce vita was not ent ire ly fore ign to a m e r i c a n moviegoers; a m e r i c a n audiences cou ld relate to the film and its social commentary . by 1949 i n amer ica , despite the cont i n u i n g problems o f postwar re-conversion, an economic expansion h a d b e g u n that w o u l d cont inue w i t h only b r i e f i n t e r r u p t i o n s for a lmost twenty years. a m o n g the m o s t s t r i k i n g social developments o f the i m m e d i a t e postwar era was the r a p i d extension o f a middle-class lifestyle a n d outlook to an expanding p o r t i o n o f the p o p u l a t i o n . as histor i a n a l a n br ink ley remarks , "at the center o f middle-class cu l ture i n the 1950s was a g r o w i n g absorpt ion w i t h cons u m e r goods." 2 1 by i 9 6 0 a m e r i c a and italy h a d experienced an economic revo lut ion , and port ions o f b o t h populat ions were concerned about the social effects o f the t r a n s i t i o n . these amer icans viewed fell ini 's social commentary as relevant a n d poignant ; bosley crowther, a w r i t er for the new york times, captured this feel ing i n his review o f the film: " o f al l the inte l l igent filmmakers w h o have been t r y i n g i n recent years to give us a comprehensive p icture o f the frantic c iv i l i zat ion o f the present day, i t looks as i f federico fe l l in i has come closest to d o i n g i t i n his great i ta l ian f i l m , 'la dolce vita.'"22 crowther even suggests that the i l ls that fe l l in i portrays are applicable to "alm o s t any h i g h l y c iv i l ized r e a l m . " crowther 's c o m m e n t s , l ike those f r o m the previously m e n t i o n e d contemporary crit ics , reveal the pol i t i ca l , social, and c u l t u r a l c l imate i n w h i c h the film was produced. la dolce vita as a c u l t u r a l c r i t i q u e the t e l l i n g nature o f la dolce vita's reception suggests its importance to his tory as a cu l tura l artifact, b u t beyond d o c u m e n t i n g the c l imate o f the per iod , the film offers a commentary . a n d i n the years preceding the p r o d u c t i o n o f la dolce vita, italy experienced radical changes. d u r i n g those years, italy entered a n e w phase o f g r o w t h a n d change. as film cr i t ic stephen gundle wr i tes , " n o longer the p r e d o m i n a n t l y agr icu l tura l and only p r i m i t i v e l y indust r i a l country that had emerged f r o m the second w o r l d war, [italy] was rapidly developing i n t o an i n d u s t r i a l society w i t h a prof i le o f its o w n . " 2 3 i n the i m m e d i a t e post-war per iod , italy had experienced a devastating depression, b u t by the end o f the 1950s italy's economic for tune h a d t u r n e d a r o u n d , i n part due to its n e w f o u n d allies a n d newf o u n d resources. i n the 1950s, italy became a m e m b e r o f the n a t o al l iance—benef i t ing i m m e n s e l y f r o m the funds allocated by the marsha l l p l a n — a n d a m e m b e r o f the european economic c o m m u n i t y ( w h i c h later became the european u n i o n ) . a i d e d by these n e w allies and the discovery o f methane , w h i c h re invigorated the i ta l i an steel "the film is undoubtedly a reaction to the turbulence facing an italy in transition, but the film also constitutes a response to calamities facing fellini, in transition himself/' industry , italy experienced an impress ive economic revival and g r o w t h . suddenly, i n the wake o f a serious depression, ital ians experienced unprecedented prosperity. th i s econ o m i c development, later ent i t led the "economic mirac le , " j la dolce vita federico fellini a n d o n e of his m a n y wives, g i l l li etta mas i n a, in "1957. began i n 1957 a n d was i n f u l l s w i n g i n 1959, the year i n w h i c h fe l l in i filmed la dolce vita. the economic mirac le h a d a considerable i m p a c t u p o n the social a n d cu l tura l c l imate i n italy, and the film catches the swift changes o f r a p i d development. i n the m i d s t o f the economic mirac le , italy became the locat ion o f m a n y outsourced a m e r i c a n films. i n the late 1950s, a n u m b e r o f a m e r i c a n studios financed films shot o n locat ion i n italy, p r i m a r i l y rome. amer icans studios d i d so for t w o reasons: i n a d d i t i o n to capita l iz ing o n the a m e r i c a n people's fascin a t i o n w i t h italy, the studios were able to increase the i r prof i t m a r g i n s given the relatively cheap cost o f labor i n rome. a m e r i c a n films such as three coins in the fountain and summertime in venice he lped feed the frenzy for anyt h i n g i ta l i an , were received w e l l by the a m e r i c a n publ ic , a n d l ed to considerable profits for the a m e r i c a n studios. gundle wr i tes , "as rome became the leading european centre for a m e r i c a n locat ion films, so a sizeable mov ie colony sprang u p . " 2 4 i n the 1960s i n italy, " the d i s t i n c t i o n between the [ital ian] nat iona l film i n d u s t r y and h o l l y w o o d film became b l u r r e d . " 2 5 rome became referred to as " h o l l ywood o n the tiber." la dolce vita seizes o n a n u m b e r o f aspects o f this new movie colony. at th is t i m e , a m e r i c a n actresses a n d actors v came to l ive i n rome, n i g h t l y convening together a long the via veneto. these a m e r i c a n celebrities, "unprotected by the studios.. . f o u n d themselves at the mercy o f the opport u n i s t p h o t o g r a p h e r s " 2 6 that suppl ied the tab lo id press. the presence o f these amer icans actors a n d actresses is "clearly evoked i n la dolce vita via sylvia a n d her fiance, robert . " 2 7 likewise, the constant presence o f the tab lo id photographers , specifically paparazzo, i n the film reflects the seeming omnipresence o f the same photographers i n contemporary rome. f r o m the first f u l l scene o f the film, fe l l in i recreates th is atmosphere i n al l its splendor, sensat i o n , a n d d o l d r u m . after the prologue featur ing the he l i copter, the film begins i n a n i g h t c l u b o n the via veneto. th i s scene captures the banal ity o f the celebrity w o r l d as marcel lo haggles the waiter to find out w h a t one o f the celebrit ies had ordered for d inner ; l ikewise, marcello's interact ion w i t h maddalena captures the p a i n f u l b o r e d o m o f the in -crowd. as the film proceeds, this b o r e d o m — a n d absence o f meaning—becomes m o r e explicit a n d the via veneto is never far, nor are the paparazzi that i n h a b i t i t . the economic mirac le led to a n u m b e r o f drastic social changes, n o t al l o f w h i c h were positive. large-scale urbaniza t ion catalyzed a dramat ic p o p u l a t i o n shift f r o m the i m poverished south to the indust r i a l i zed n o r t h . i n increas ing n u m b e r s , peasants "abandoned r u r a l areas to seek a better l i fe i n the c i t i e s " 2 8 and the i r m i g r a t i o n led m a n y ital ians to reassess the i r c u l t u r a l values: "as the m o v e m e n t occurred, the values o f c o n s u m e r i s m came to be wide ly accepted" 2 9 a n d as a result o f " this new social mobi l i ty . . . an a lmost i n stantaneous drop o f interest i n re l ig ious sent iment i n italy [occurred] . " 3 0 these currents are i m m e d i a t e l y visible i n la dolce vita. fe l l in i made these effects visible not on ly to m a r k t h e m , b u t to single t h e m out for considerat ion and c r i t i c i s m . most crit ics agree that the film represents an observation, i f n o t a commentary , u p o n these changes: "there seems l i t t l e doubt that [fel l ini] wanted to say s o m e t h i n g cr i t ica l about the change o f cu l ture that was occurr ing . i f fe l l in i was n o t a mora l i s t t h e n he was at least sat i r ica l . " 3 1 fe l l in i "fellini, thus, haves open the possibility that the audience can succeed where his characters failed." e l e m e n t s f a l l 2 0 1 0 h i m s e l f noted that w i t h his film he "wanted to p u t the therm o m e t e r to a sick w o r l d . " 3 2 i n la dolce vita, fe l l in i presents an image o f th is n e w rome i n w h i c h r e l i g i o n is absent and mater ia l a n d sexual impulses ru le . h i s u n d e r s t a n d i n g o f the n e w rome is clear f r o m the prologue o f the film: as the hel icopter carries chr i s t over rome and "the shadow o f chr is t falls over the great city, only a few boys pursue the image, and those w h o bother to glance u p do so i n a cur ious , idle way o n the l i v i n g god w h o is gone n o w — o n l y idols , o f one k i n d or another r e m a i n . " 3 3 t h e m e a n d e r i n g tale o f marcel lo that follows demonstrates that l i fe i n th is new rome consists o f b o r e d o m and false idols . the film, thus , lays bare the emptiness o f the socalled "sweet l i fe . " as i f to c o n f i r m th is , fe l l in i i n c l u d e d a n u m b e r o f actual h is tor ic events, s i tuat ing the surreal story w i t h i n a fami l iar context. for example, the orgy scene a l luded to a " s t r ip perf o r m e d by the t u r k i s h dancer a iche nana at rome's rugant ine n i g h t c l u b i n november 1958." 3 4 the str ip h a d caused a large controversy i n the press and w o u l d be i m mediately recognized by i ta l i an audiences. likewise, the image o f a n i t a ekberg i n the trevi f o u n t a i n w o u l d be fam i l i a r to fell ini 's domestic audience. u p o n ekberg's arr iva l i n rome, she "had i m m e d i a t e l y become a favorite o f the i l lustrated weeklies ,"and her image filled page u p o n page o f the tabloids . 3 5 one o f the most in famous pictures was w h e n "ekberg h a d been photographed i n the trevi f o u n t a i n . " 3 6 like the "orgy scene," and a n u m b e r o f the other scenes, the trevi f o u n t a i n scene w o u l d have been instant ly recognized. the time review even suggested, perhaps w i t h a b i t o f hyperbole, that "every episode i n the film was suggested by a r o m a n scandal o f the last t en years." 3 7 the new york times review echoes the same sent iment : "to m o s t o f us a m e r i c a n moviegoers, the authent ic i ty o f the episodes and, indeed, o f the total d e m o n s t r a t i o n may n o t be as incontestable and r i c h l y appreciated as i t has been to audiences i n italy, where events ident ica l to these have actual ly occurred and what is m o r e i m p o r t a n t , have been elaborately reported i n the press." 3 8 t h o u g h i t may n o t have been as i m m e d i a t e l y evident to a m e r i c a n filmgoers, fe l l in i i n c l u d e d these fami l ia r events to r e m i n d the viewer that the rome i n la dolce vita is n o t u n l i k e the actual rome i n w h i c h the film was produced. the i n c l u s i o n o f these events indicates that the film is undoubted ly a react i o n to the turbulence facing an italy i n t r a n s i t i o n , b u t the film also constitutes a response to calamities facing fellin i , i n t r a n s i t i o n h i m s e l f . 3 9 this autobiographical e lement i n la dolce vita is u n m i s takable . 4 0 as film cr i t ic edward m u r r a y wr i tes , " m a n y i n c i dents f r o m fell ini 's past have been woven i n t o his pict u r e s , " 4 1 and la dolce vita, i n particular, "seems to conta in s ignif icant autobiographical e lements . " 4 2 i n m a n y ways the story o f marcel lo is the story o f fe l l in i h imsel f . marcello holds " the same k i n d o f journa l i s t job that fe l l in i h i m s e l f once h e l d i n rome. " 4 3 like marcel lo , fe l l in i left h is h o m e o n the coast o f italy b e h i n d , m i g r a t i n g to the capital city and t a k i n g a job as a j o u r n a l i s t : 4 4 " d u r i n g his early periods i n the i ta l i an capital, fe l l in i br ief ly reported police news for ii popolo di roma."45 a n d l ike marcel lo he was n o t content w i t h th is vocation; i n interv iews, fe l l in i has "often r e m a r k e d that this was not a happy per iod i n his l i fe disparaging his mindless w o r k and craving a m o r e artist ic m e d i u m . marcello's vocation and his f rus t ra t ion w i t h that vocat ion seem to be an a l lus ion to fell ini 's early years i n rome. i n add i t ion , fel l ini 's father, urbano , f requently traveled to the n o r t h o n business a n d was largely absent f r o m fell ini 's ch i ldhood . i n la dolce vita, marcel lo spends an evening w i t h h is father, a t rave l ing salesman, w i t h w h o m he has a n i t a ekberg's i n f a m o u s b a p t i s m i n t h e trevi f o u n t a i n . la dolce vita never h a d an i n t i m a t e re lat ionship . i t seems di f f icult n o t to conclude that " u r b a n o fe l l in i seems to have been the m o d e l for the father . " 4 6 the l i k e l i h o o d o f autobiographical ref lect ion is s trengthened by the i n n e r t u r m o i l that fe l l in i faced at the t i m e o f p r o d u c t i o n . m i d w a y t h r o u g h product i o n o f the film, fel l ini 's father passed away and fe l l in i experienced a complete m e n t a l breakdown. i n this t i m e o f personal t r a n s i t i o n , cr i t ical ref lect ion o n one's personal h i s tory w o u l d be a natura l response. the presence o f these autobiographical elements indicates that the film n o t only reflects the social t u r m o i l i n italy, b u t also the personal t u r m o i l w i t h i n fe l l in i . marcel lo is no hero. by the e n d o f the film he is corrupt , l i teral ly w a v i n g goodbye to innocence w i t h an air o f complete indifference. h e has been corrupted by the film industry . a n d i f marcello's story is also that o f fe l l in i , t h e n marcello's corrupt i o n int imates fell ini 's o w n c o r r u p t i o n . the story t h e n funct ions as a m e m o i r o f fel l ini 's loss o f innocence i n pursuit o f h is art. t h u s , the film is b o t h an i n d i v i d u a l and an autobiographical story, c o m p o s i n g a c o m m e n t a r y o n i ta l i an society as a whole . f r o m this narrative, fel l ini 's concept o f salvation emerges. u n t i l the final reel o f the film, i t seems fell ini 's concept ion is d i m . both for h i m and for the larger i ta l ian p o p u l a t i o n , l i fe i n this new w o r l d seems empty: the "sweet l i fe" is not sweet at a l l . the o l d w o r l d is gone, and al l that remains are false idols and b o r e d o m . the first episode— por t ray ing the via veneto t h r o u g h marcello's and maddalena's excursions—shows this hangout o f the wealthy a n d bored, d e m o n s t r a t i n g h o w the bored retreat i n t o sensual i ty—a false i d o l — f o r comfort , delaying the i r perpetual dissatisfaction. the second episode employs marcello's encounters w i t h sylvia (anita ekberg) to d o c u m e n t the shallowness o f the "sweet l i fe" i n the v i v i d bacchanalian festival, e n d i n g w i t h the in famous false b a p t i s m i n the trevi f o u n t a i n , represent ing yet another false i d o l for the anti-hero. the t h i r d episode, the m e d i a spectacle o f the "mirac le , " reveals a w o r l d w i t h o u t real r e l i g i o n , where "rel i g i o n has been replaced by publ ic i ty , " r e n d e r i n g the m e d i a i t se l f a false i d o l . 4 7 i n the f o u r t h episode the "natura l , ordered, inte l lectual , t rad i t iona l , artistic, f ami ly group" appears to be the "answer to life's m e a n i n g , " 4 8 b u t subsequent suicide shows that even steiner is n o t free o f the m o d e r n c o n d i t i o n and has become a false i d o l . i n the fifth episode, marcel lo meets w i t h his father only to realize that b o r e d o m is at the center o f b o t h the i r lives and that they can teach each other n o t h i n g ; as the episode concludes, b o t h marcel lo a n d his father " r e t u r n to his o w n place o f v i so lat ion and b o r e d o m , " and to e m p t y ideas o f f ami ly and h o m e . 4 9 the s ixth episode, the castle scene, fur ther demonstrates the death o f the o l d w o r l d and the emptiness o f sensuality. i n the final episode, i n the wake o f steiner's death, marcel lo leads the revelers at the party as "everyt h i n g is a n n u l l e d , " and the party celebrates the vo id , w i t h meaningless (and unexci t ing) sexual encounters ; the revelers do n o t look for an i d o l because they k n o w i t is n o t t h e r e . 5 0 as marcel lo progresses t h r o u g h these episodes, he experiences a progressive sp i r i tua l a n d m o r a l deter iorat ion: " h a v i n g lost contact w i t h the sp i r i tua l and natura l wor lds , h a v i n g at tempted to computer ize a n d rat ional ize al l experience [marcel lo, l ike all] m e n has been left we ighted w i t h b o r e d o m . " 5 1 yet fe l l in i does n o t suggest that salvation is imposs ible . the e n d i n g is t e l l i n g , for i n the epilogue marcello sees paola—the image o f innocence i n the film—but chooses to leave her b e h i n d , w a v i n g his h a n d i n indifference. marcel lo freely chooses to do so. marcel lo , l ike the other characters, is persistently presented w i t h the opport u n i t y to grow, b u t he fails to pursue that oppor tuni ty : "the film is a story o f fai led evo lut ion i n w h i c h characters are unable to g row f r o m physical to imaginat ive l i f e . " 5 2 fe l l in i , thus , leaves open the poss ibi l i ty that the audience can succeed where his characters failed. i n the final shot o f the p icture—paolo star ing at the aud ience—fel l in i challenges the spectator i n t o e x a m i n i n g his or her o w n life and values: "at the e n d i t is n o t only marcel lo left w i t h a choice, w i t h the poss ibi l i ty o f t u r n i n g his l i fe a r o u n d and becomi n g a new, and t ruer m a n ; the viewer is presented w i t h the same o p t i o n . " 5 3 w i t h this gorgeous last image, fe l l in i seems to suggest that t h o u g h salvation i n this new rome is n o t plausible, i t remains possible. fe l l in i , l ike m a n y o f the i ta l i an people, had given u p his be l i e f i n christ ianity . t h o u g h he saw the terr ib le effects o f the nation's and his o w n t r a n s i t i o n , fe l l in i reta ined hope that salvation was possible. like the i ta l i an people, he had given u p fa i th i n christ ianity , b u t he h a d n o t ent ire ly embraced n i h i l i s m . h e had n o t given u p hope. a n d his film is a relic o f that struggle, w h i c h fe l l in i shared w i t h fe l low ital ians and w i t h m a n y across the western w o r l d . w h i l e the i ta l ian people came to lose the i r fa i th i n christ ianity , they searched elsewhere for m e a n i n g . la dolce vita documents that search, s h o w i n g the i ta l i an people's struggle and w o r s h i p o f false idols , such as sex and m a t e r i a l i s m , as replacements for chr i s t ian i ty i n 1960s italy. the film, thus , provides the h i s t o r i a n a g l impse n o t on ly i n t o the pol i t ica l , social, and cu l tura l c l imate , b u t also allows for e l e m e n t s f a l l 2010 ins ight i n t o italy's concept ion o f—or rather struggle to contempor ize—salvat ion . the f i l m , therefore, is an invaluable artifact. a n assessm e n t o f the film's recept ion provides the h i s t o r i a n an u n derstanding o f the social, pol i t ica l , cu l tura l , and intellectua l c l imate i n b o t h a m e r i c a and italy i n i 9 6 0 . a n a l y z i n g the film i t se l f allows the h i s t o r i a n to move beyond s imple characterization a n d to apprehend s o m e t h i n g o f the feel and popular consciousness o f the t i m e . hence, the histor i a n can ga in an u n d e r s t a n d i n g o f the i ta l ian people's search for m e a n i n g and salvation as the i r fa i th i n chr i s t i anity eroded. just so was fell ini 's a m b i t i o n c o n s u m m a t e d : n o t only is la dolce vita a master fu l film, i t is a masterpiece o f art i n the t w e n t i e t h century. e n d n o t e s 1. gundle (133) 2. gundle (136) 3. gundle (136) 4. gundle.(137) 5. another factor contributing to the success of la dolce vita i n italy was the influence of anita ekberg; to italian men, the beauty of a blonde woman is incomparable. 6. "review summary" new york times, http://movies.nytimes. com/movie /27906/ladolce-vita/overview 7. crowther (30) 8. "cinema: the day of the beast," time magazine, apri l 21, i96i,http://www.time.com/time/magazine/ article/0,9171,8953ii,oo.html?artid=8953ii?conttype=article?ch n=us#ixzzowzcrnkid 9. like most of the negative responses, the time review misinterprets the f i lm, failing to see the underlying currents of satire and sharp criticism, (e.g. "good deal of the picture is outand-out sensationalism, smeared on with a heavy hand to attract the insects...the f i l m is vulgar and naive.") 10. crowther (30) 11. ibid. 12. burke (1) 13. in the cultural and theoretical climate of subsequent.decades, which that came to deny the autonomy of the individual (i.e. structuralism) "the concept of the modern artist-as-romantic hero was debunked and fellini became viewed as an egoistic anachronism" (burke 1). though, fellini had been a "a favorite among many academics in the 1960s, he became an outcast among f i l m academics of the 1970s and 1980s" (burke 2). the development of scholarship on fellini is beyond the scope of this essay, but it is important to understand that development occurred further demonstrating that la dolce vita was filmed i n shifting ideological climate. 14. burke (7) 15. burke (98) 16. bondanella (3) 17. the intellectual climate not only influenced the reception of the f i lm, but also the production of the film for, the intellectual climate not only influenced the critics but also fellini himself and the patrons that financed his film. the narrative structure of the film is entirely modernist, evoking "comparisons to t.s. eliot, james joyce and other major modernist writers" (burke 103). fellini had, indeed, read such literature and hoped to mirror it i n film. these modernist sympathies ensured that fellini received the financial backing necessary to create the project. at the time of la dolce vita's production, american investment had become critical to fellini's capability to make movies. and at the time, the cold war was i n ful l swing and americans felt that the spread of liberalism "required not only money but the infusion of american ideology" (burke 9). accordingly, "american ideology enlisted high art and the cult of the artist as symbols of american individualism and freedom of thought" (burke 9). fellini, as an auteur and producer of high art, fit the bil l , receiving significant financial support from american investors. 18. burke (8) 19. crowther (30) 20. ebert (1961) 21. brinkley (887) 22. crowther, "la dolce vita: fellini's urbane film looks askance at life"(ii9) 23. gundle (135) 24. gundle (135) 25. burke (8) 26. gundle (135) 27. gundle (137) 28. gundle (135) 29. ibid. 30. ibid. 31. ibid. 32. costello (35) 33. murray (116) 34. gundle (139) 35. gundle (139) 36. gundle (139) 37. "cinema: the day of the beast," time magazine, april 21, i96i,http://www.time.com/time/magazine/ article/o,9171,895311,oo.html?artid=8953ii?conttype=article?ch n=us#ixzzo wzcrnki d 38. crowther,"la dolce vita: fellini's urbane film looks askance at life." (119) 39. as fellini's style as a director changed with h i m . this film is a transitional piece between neo-realism and the aesthetic of his later work, the style that would later be termed fellini-esque. the film, in many ways, is markedly not a neo-realist film: segments of the movie are filmed i n a studio, the focus of the film is not upon the commonplace but upon the extraordinary and the wealthy, the films experimental narrative structure is a stark contrast f rom the mise-en-scene of neo-realist films. the film, though, retains the goals, i f not the methods of neo-realist cinema. like the neo-realists, fellini intends for his films to bring about the "transformation of consciousness" (murray la dolce vita http://movies.nytimes http://www.time.com/time/magazine/ http://www.time.com/time/magazine/ 4).the neo-realists sought to bring it about by showing the negative consequences of the war. fellini, instead, "sought to offer narrative models of transformation, rooted i n the experience and imaginative growth of individual characters" (murray 4). likewise, i n la dolce vita, fellini does not yet embrace the dream sequences of his later films, not altering music, and simply presenting life as he sees it (although the life i n focus is that of the wealthy not the impoverished). like the neo-realist, he is simply directing the facts even i f his focus is different than that of the neo-realists. 40. whether fellini would agree with this assessment is questionable. concerning the autobiographical element i n his works, fellini himself has been (characteristically) inconsistent i n his remarks on the subject. as murray notes, "on the one hand, he has said: 'an artist can only be understood through his work what i have to say, i say i n my work. my work can't be anything other than a testimony of what i am looking for. it is a mirror my searching.' on the other hand he has also said: ' i cannot remove myself f rom the content of my films. i f i were to make a film about the life of a sole, i t would end up being about me...there is autobiographical vain that is i n all my work'" (murray 4). 41. murray (8) 42. murray (9) 43. costello (36) 44. admittedly, this allusion is not perfect. fellini, unlike marcello, migrated to rome only after l iving i n florence, where he was employed as a cartoonist for a number of years. 45. murray (9) 46. murray (6) 47. costello (51) 48. costello (53) 49. costello (54) 50. costello (69) 51. costello (126) 52. burke (86) 53. costello (131) r e f e r e n c e s bondanella, peter. the films of federico fellini. cambridge: cambridge university press, 2002. brinkley, alan. the unfinished nation: a concise history of the american people. new york: columbia university press, 2000. burke, frank. fellini's films, from postwar to postmodern. new york: twayne publishers, 1996. burke, frank. federico fellini: variety lights to la dolce vita. new york: twayne publishers, 1984. crowther, bosley. "fellini film lives up to foreign hurrahs." the new york times, 20 april 1961: p. 30. crowther, bosley. "la dolce vita: fellini's urbane film looks askance at life." the new york times, 23 april 1961: p. 119. v chandler, charlotte. i , fellini. new york: cooper square press, 2001. "cinema: the day of the beast." time magazine. 21 april 1961. . costello, donald p. fellini's road. notre dame, i n : university of notre dame press, 1983. ebert, roger. "la dolce vita." the daily i l l in i . 4 october 1961. < h t t p : / / r o g e r e b e r t . s u n t i m e s . c o m / a p p s / p b c s . d l l / article?aid=/i96noo4/reviews/5o8o90oi/io23>. gundle, stephen. the movies as history. gloucestershire: redwood books, 2000. ketcham, charles b. federico fellini: the search for a new mythology^ new york: paulet press, 1976. murray, edward. fellini the artist. new york: frederick ungar publishing co., inc., 1976. "movies abroad: everymantis." time magazine. 5 october 1962. < h t t p : / / w w w . t i m e . c o m / t i m e / m a g a z i n e / a r t i cle/0,9171,829205,oo.html?artid=829205?conttype=article?chn =us>. "movies abroad: the winners at cannes." time magazine. 30 may i 9 6 0 . . rohdie, sam. fellini lexicon. london: british film institute, 2002. "review summary." the new york times, . e l e m e n t s : : f a l l 2010 http://www.time http://rogerebert.suntimes.com/apps/pbcs.dll/article?aid=/i96noo4/reviews/5o8o90oi/io23 http://rogerebert.suntimes.com/apps/pbcs.dll/article?aid=/i96noo4/reviews/5o8o90oi/io23 http://www.time.com/time/magazine/arti-cle/0,9171,829205,oo.html?artid=829205?conttype=article?chn=us http://www.time.com/time/magazine/arti-cle/0,9171,829205,oo.html?artid=829205?conttype=article?chn=us http://www.time.com/time/magazine/arti-cle/0,9171,829205,oo.html?artid=829205?conttype=article?chn=us http://www.time.com/time/magazine/arti-cle/0,9171,939686,%20oo.html?artid=939686?conttype=article?chn=us%23ixzzowzdqie90 http://www.time.com/time/magazine/arti-cle/0,9171,939686,%20oo.html?artid=939686?conttype=article?chn=us%23ixzzowzdqie90 http://www.time.com/time/magazine/arti-cle/0,9171,939686,%20oo.html?artid=939686?conttype=article?chn=us%23ixzzowzdqie90 http://movies.ny-times.com/movie/27906/la-dolce-vita/overview http://movies.ny-times.com/movie/27906/la-dolce-vita/overview http://times.com/movie/27906/la-dolce-vita/overview%3e. "where there is homosexuality, there is often backlash, sickness, chaos, imprisonment.. .yet there is also intimacy, acceptance, health, and an abundance oflove-aspects of homosexual identity that are often denied, or perhaps not yet realized, by irish society." s e x u a l i t y , s i c k n e s s , s i l e n c e : the gay man in contemporary irish narrative c a i t l i n f i t z g e r a l d t h i s p a p e r i n v e s t i g a t e s r e p r e s e n t a t i o n s o f m a l e h o m o s e x u a l i t y i n c o n t e m p o r a r y i r i s h n a r r a t i v e s , e x p l o r i n g t h e p r o g r e s s i o n o f h o m o s e x u a l i t y i n i r e l a n d a s i t h a s m o v e d f r o m a s u p p r e s s e d c r i m e t o a c o n f i d e n t l y a s s e r t e d i d e n t i t y . d o e s i n c l u s i o n o f h o m o s e x u a l i t y i n n a r r a t i v e n e e d t o s u b s c r i b e t o e x p l i c i t , " i n y o u r f a c e " f o r e g r o u n d i n g i n o r d e r t o b e i m p o r t a n t t o t h a t n a r r a t i v e ? d o e s a g a y v o i c e i n c o n t e m p o r a r y i r i s h n a r r a t i v e h a v e t o b e t h e l o u d e s t i n o r d e r t o s i g n i f y a s s e r t i o n o f t h e h o m o s e x u a l i d e n t i t y ? m u s t g a y a r t i s t s b e a r t h e b u r d e n o f t h e o p p r e s s i v e p a s t i n a d d r e s s i n g h o m o s e x u a l i t y i n t h e i r w o r k , o r i s i t u n f a i r t o p l a c e s u c h c a t e g o r i z a t i o n s a n d r e s t r i c t i o n s o n a r t ? t h e s e q u e s t i o n s a r e a d d r e s s e d t h r o u g h t h e c u l t u r a l a n d h i s t o r i c a l c o n t e x t o f h o m o s e x u a l i t y i n i r e l a n d , l o o k i n g a t t h r e e d i f f e r e n t c o n t e m p o r a r y i r i s h n a r r a t i v e s t h a t f e a t u r e h o m o s e x u a l i t y ! c o l m t o i b i n ' s the blackwater lightship, k e i t h r i d g w a y ' s the long falling, a n d n e i l j o r d a n ' s f i l m the crying game. "how do artists depicting homosexuality situate themselves in a nation where, until 1993, gays were considered criminals?" how do artists depicting homosexuality situate themselves in a nation where, until 1993, gays were considered criminals? while this recent shift in the national definition of gay identity in ireland might lead us to expect a dearth of representations of homosexuality i n contemporary irish narrative, a surprising number have been produced in the past 15 years. these narratives stand on shaky ground. on the one hand, they represent an identity historically suppressed and silenced in ireland, and, thus, act as unmistakable assertions of this identity by their very existence. on the other hand, they run the ubiquitous risk of furthering societal stereotypes of male homosexuality, which often reduce gay men to mere instruments of sex acts. contemporary irish narratives that figure homosexuality cannot avoid critical labels such as "gay novel" or "gay f i lm," simply because gay identity is such a controversial battleground in irish culture. but is it reductive to place such categorical titles on these narratives? does society view such representations through too narrow a lens? in addressing these questions, we can look at three irish narratives produced in the 1990s that figure male homosexuality: colm toibin's the blackwater lightship, keith ridgway's the long falling, and neil jordan's f i lm the crying game. by examining these representations of homosexuality, we wi l l be able to assess the ways in which each asserts gay identity while simultaneously subverting the reductive stereotypes commonly imposed on that identity by irish society. in order to fully examine these representations, we must examine the historical and sociopolitical background against which they are set. ireland's decriminalization of homosexuality in 1993 was the result of a widespread gay rights campaign that began i n dublin in the 1970s. starting "from a position of almost total marginalisation and powerlessness,"1 the irish gay rights movement (igrm) benefited from increasingly progressive, reformbased politics in ireland and was able to grow and assert itself as a legitimate civil rights movement. the igrm continually defended gay men being persecuted under anti-gay laws throughout the 1970s, effectively phasing out these laws before their official abolition. 1 1 gay rights organizations like the gay and lesbian equality network (glen) or the dublin lesbian and gay men's collectives focused on the social as well as the legal aspects of attaining equal rights as irish citizens. the former participated in many forms of social protest, organizing defense campaigns against police harassment and hate crimes.1 1 1 glen, a pillar of irish gay rights, pushed for legal inclusion in irish society, issuing reports on civil rights issues for irish communities and publishing books and pamphlets that went so far as to include model bills to be passed by the irish government.^ chris robson summarizes the successful strategy of the igrm: lesbian and gay activists have tended (in crude summary) to veer between two well-known stances: 'please, please, be nice to us', and 'give us our goddamned rights, and give them now'. the first tends to provoke contempt, the second to elicit the perfectly reasonable response, 'what's so bloody special about you?' there is, however, a third approach: 'you will agree that equality before the law is a basic principle. on the particular equality issue in question, your responsibility is to abolish statute x, and to add "sexual orientation" to clause y statute z. please sign here. thank you. 'v e l e m e n t s s p r i n g 07 robson points to the binary nature of an elided identity fighting to assert itself: members of this marginalized group oscillate between childlike pleas for recognition and boldly militant demands for it. a balance is eventually found in a less extreme, more universalized request that characterizes the gay rights movement in purely human terms. humanizing homosexuals to the rest of society was not an easy task in patriarchal 1980s ireland. as was written in a 1986 publication by the dublin lesbian and gay men's collectives, "the media censors us, the churches condemn us, the law outlaws us, and all decent, right-thinking people know that we are perverts, child-molesters, genetically damaged, hormonally imbalanced and generally disgusting. '^ 1 while this is certainly a depiction of extremist societal opinions of irish gays and lesbians during this time, it is echoed in much of the political language surrounding the gay rights movement. in praising the 1993 decriminalization of homosexuality, senator david norris said, "young people wil l no longer have to grow up in the shadow of the taint of criminality which had blighted the vulnerable youth of so many of our citizens with terror and shame. " v 1 1 both norris and the contributors to out for ourselves cite the gay stereotypes caused by the prevalence of aids within the homosexual community: "the sensationalist coverage of aids is a telling example of the bigoted ignorance we face, best reflected in the common medical perception of our sexuality as an illness in itself." v u l for a cultural identity so laden with the "shame" of such associations to achieve legal equality is remarkable i n and of itself. the fact that so many irish artists were inclined to figure homosexuality in their narratives speaks to an even higher level of acceptance and understanding in irish culture, quite different from the condemnation referenced in 1986. yet, some representations of homosexuality in contemporary irish literature have been dissected and accused of a reductive brand of silence, one that suggests an unwillingness to fully confront this once-marginalized identity. colm toibin occupies this peculiar space in irish culture— a gay author writing about gay characters only years after decriminalization, yet accused by some critics of writing novels that are not "gay enough." his 1999 novel, the blackwater lightship, set i n that pivotal year of 1993, foregrounds the relationship between helen, lily, and dora, women of three generations in a family dealing with the suffering of declan, their gay brother, son, and grandson, respectively, with aids. some critics have found declan's representation troublesome due to its silence, as he is somewhat relegated to the background of the blackwater lightship while toibin focuses on the intricacies of the women's relationships, an authorial choice that eibhear walshe characterizes as reductive of declan: as the central figure, declan is represented in an oddly absent manner within the novel, existing only as a catalyst within these jarring familial relations. as the novel progresses, his subjectivity becomes eroded by this absence, rendering him as simply the body upon which death and disease has announced itself.lx s e x u a l i t y , s i c k n e s s , s i l e n c e : t h e g a y m a n i n c o n t e m p o r a r y i r i s h n a r r a t i v e walshe alleges that through an effacement of declan's homoeroticism, the character becomes a mere object, existing only to bring together three previously estranged women rather than to express his gay identity. declan "has no gay subjectivity beyond his bodily frailty, no boyfriend, no lover, no named sexual partners, no erotic past—only a future clearly marked by death."54 jennifer jeffers takes this reading of declan even further, claiming that his sexual silence points to a moral lesson of toibin's: "the blackwater lightship sets up a kind of moral punishment for declan's multiple-partner sex life that is particularly damaging in a time and place in which [aids] is still not fully understood. "x 1 walshe and jeffers read the quietude of declan's homosexuality as a problematic representation of gay identity within a contemporary irish novel, empty of sexuality and full of fatalism. while declan's gay, adult voice is certainly not the loudest i n the blackwater lightship, to characterize h im as just a "body upon which death and disease has announced itself" is to miss a central thrust of the novel that is evident in many of its flashbacks. while declan is indeed a gay man with a sexual identity, he is more importantly a child in desperate need of a mother. declan's voice is figured most prominently i n helen's flashbacks to their childhood time spent in their grandmother's house: declan was afraid. he was afraid of the black clocks which darted awkwardly across the floor, afraid that if you stepped on one of them all the bloody insides would be on your feet. he was afraid of the dark and the cold and of his grandparents' movements upstairs which seemed to echo in the rooms below. and helen knew that there was another fear, which was never mentioned in all that time: the fear that their parents would never come back, that they would both be left here.xn from the outset declan is a frightened figure, crying easily, getting sick easily, needing "someone to watch out for h i m . " x m in place of the failed biological family, the ones who have watched over declan are his gay friends, notably larry and paul, who care for h im throughout his illness. paul remembers declan's visits to h im and his longtime partner: he would come for long weekends and he'd make us hang out in bars and clubs with him, and he'd usually abandon us at a certain time and then come back home in the early hours like a half drowned dog. my best memory of him was in the morning; he would crawl in the bottom of our bed. he was like a small boy, and he'd talk and doze and play with our feet.xw here paul subtly embeds an assertion of declan's recklessly promiscuous past into the "best" memory of h im as a child at the end of his surrogate parents' bed. this memory is a microcosm of declan's characterization throughout the novel; references to his sexuality are indirect and often overshadowed by his infantilization. what are the broader implications of declan's infantilization in the blackwater lightship} while it could initially be seen as an inability to accept a gay character as an adult (the neo-liberal, celtic tiger response to homosexuality), this implication is not commensurable with the author's own homosexuality. it is not just the heterosexual characters in the novel that infantilize declan; he is a child through his own voice. when declan calls out, "mammy, mammy," as his condition worsens, x v it is simply narrated rather than expressed through the viewpoint of another character. terry eagleton argues that the aim of the book is to express that "[rjevealing or not revealing what you are is a way of trying to make contact with a mother, not a condition in itself ."™ indeed, mothers are unconventionally resistant to the homosexuality of their sons in this novel, a distinct contrast from ridgway's the long falling, which adheres to the more conventional structure of overtly masculine, unaccepting fathers disowning their gay sons. during larry's story of bringing home his partner to his family in the blackwater lightship, he says, "it was ok in the end, mainly because of my father, oddly enough," a statement which characterizes his situation as different from the irish norm. x v 1 1 larry's story also posits the unconventional tolerance of the catholic church; a catholic priest performs a marriage rite for the couple. "he changed into his vestments and said mass and gave us communion and then he married us . . . he said: 'welcome to the catholic church'. " x v m the traditional irish instruments of oppression, patriarchy and the catholic church, are surprisingly docile in this representation of homosexuality within irish culture. the social discomfort with homosexuality referenced by gay rights groups is most often expressed by mothers in toibin's novel—for example, when larry relates to dora his story of sleeping with four brothers. after he tells the tale, dora says, "i've heard everything now" in a voice that was "hard and . . . louder than it needed to be." x l x yet, acceptance shines through for many characters by the end of the novel. in a small victory, larry teaches dora how to drive, x x and in a much larger one, lily cradles her son as he cries for her.5 0 0 the fact that toibin includes a variety of gay characters i n the novel with a variety of life stories indicates a more complex representation of gay identity that, while it indirectly references gay sexuality, is not as reductive and objectifying as walshe alleges. at the end of the blackwater lightship, declan is sick but still living, and the focus is on the reconciliation between his mother and sister. i f declan is merely an object upon which death announces itself, why then does the novel not end with his death? a connection that michael cronin points out between the blackwater lightship and keith ridgway's novel the long falling is that both novels contextualize male homosexuality i n the realm of the family trauma.™' indeed, there are even more similarities between the two representations, as cronin points out, largely based on the "metropolitan" nature of adult homosexual characters versus the "rural, traditional" setting of their childhoods x x m in the long falling, grace, mother of the gay main character martin, murders her brutally abusive husband in their rural town and flees to dublin, where martin lives. rural ireland is associated with abuse and oppression in this novel, further elicited by the backgrounded x case. in contrast, the modern, cosmopolitan ireland in which the homosexuals in both books live is one associated with "emotional health, particularly in regard to family relationships."x x 1 v in the blackwater lightship, dora's house in cush is one full of memories of abandonment for helen and declan, while the adult gay men live in urban areas like dublin (declan) or brussels (paul). the modern, urban center is a space in which irish homosexuals create new families composed of those who share their sexual identities and life experiences: declan finds larry and paul, martin finds kindred spirits like sean, philip, and his lover henry. cronin aptly points out that toibin's novel presents an optimistic marriage of these two conflicting worlds while ridgway does not reconcile them. x x v in the blackwater lightship, the modern, metropolitan surrogate family merges with the initially failing traditional family, synthesizing the two seemingly oppositional worlds in a time of extreme need for the person who has inhabited both of them. in contrast, martin cannot forgive his mother for the act she committed back in his hometown, "treating her coldly and finally betraying her." x x v l while toibin's view of a future ireland is one of a synthesized group of supporters of homosexuals outweighing the traditional oppressors, ridgway's is one of "dissatisfaction and alienation"x x v h that does not get resolved within the pages of the long falling. "... while it indirectly references gay sexuality, [toibin's representation of gay identity] is not as reductive and objectifying as walshe alleges." s e x u a l i t y , s i c k n e s s , s i l e n c e : t h e c a y m a n i n c o n t e m p o r a r y i r i s h n a r r a t i v e eibhear walshe's critique of the blackwater lightship focuses largely on its lack of homoeroticism and overt sexuality, elements of gay identity that are very present i n the long falling. displaying scenes of personal gratification, anonymous sexual promiscuity, and monogamous physical intimacy ridgway's approach to gay sexuality is far more bold and direct than toibin's. the first instance of sexuality in the novel involves martin masturbating as he thinks of his lover, henry (away on business i n paris): martin, moving his hands, the skin of his arms brushing the skin of his thighs, closing his eyes again .. .just breathing, just skin . . . he held his balance and held it still a little longer, and held it still a moment more, and then felt it failing, stumbling, gone, and him falling, as if through water, as if the very skin of his body was the world entire ... he laughed out loud at coming so quickiy.xxvm employing lyrically urgent prose, ridgway goes beyond the realm of the indirect reference in asserting the sexuality of his homosexual characters. the editors of the irish field day anthology characterize ridgway as an employer of the "in-your-face gay aesthetic," largely due to his willingness to confront the physicality of homosexuality full-on in his wr i t i ng . x x l x the scene from the long falling included in field day is one i n which a slightly intoxicated martin visits a gay sauna in dublin, which he thinks of as "a grey area . . . leave your panic and your guilt and your fear at the door."*™ this sauna is presumably a place in which homosexual men can engage in anonymous sexual acts in a steamy room full of other naked gay men looking to participate as well. cronin characterizes the sauna as representative of "a key freedom from the social, legal, and psychological taboos placed on homosexuality in the twentieth century."xxx1 indeed, the following scene would certainly be absent from a traditional, patriarchal canon of contemporary literature: inside there were grey bodies piled in a corner. .. almost immediately his cock was in somebody's hand . . . the man from the shower came in and stood beside him . . . he put his hand on martin's balls, very gently, and leaned in close as if to kiss him. martin stood, turned, faced the guy, pointed his cock at him, tried to hold his head.xxxn martin's experience in the sauna is blatantly physical, but is also complicated by his love for the absent henry: "[he] saw parts of henry spin around in front of h im like branches broken off i n a s torm."™ 1 1 1 homosexuality in this section of the novel is not the exclusively promiscuous identity that exists in stereotype, nor is it empty of sexuality, be it promiscuous or monogamous, i n the least. in this way, ridgway achieves a simultaneous assertion of gay identity and subversion of the easily stereotyped, hypersexual gay man. in contrast to declan, martin is certainly a much more sexual character but is also a very different kind of child. while declan is a gay character in desperate need of a mother, martin is a gay character who rejects his mother—a sort of non-child. while the novel includes references to martin's childhood through the memories of his mother grace, we see h im largely from age 19 (the age at which he came out to his parents) onward. when grace tells philip about the walks she and martin used to take, he tells her, " i can't imagine martin as a little boy. ' , x x x l v we can understand this as readers who are given much more evidence of martin's adult identity and sexuality than of his childhood or childlike nature. and remarkably, even grace sees philip's point: "grace nodded. she could understand that." x x x v for a mother to empathize with a person who cannot imagine her child as a little boy is telling of the fractured relationship between martin and grace. in his metropolitan, "out" life, martin has become a different person, a person whose true life began the moment he left home after coming out: he walked down to the road, afraid to look back. he decided that he would wait until he reached the gate, and turn then and wave at his mother. but when he got there, he could not make himself stop. he felt that he had e l e m e n t s s p r i n g 07 already left, that he was already far away. he thought that if he stopped and looked back there would be nothing there.xxxvi once martin vocally asserted his homosexual identity, his childhood and his once-strong connection to his mother were virtually erased, echoing the inability of traditional, intolerant ireland and modern, tolerant ireland to reconcile in this novel. whereas declan did not lose his former identity in asserting his homosexual identity, thus synthesizing the traditional and the modern within himself, martin saw it as one or the other, and ultimately chose the other. what both of these novels undoubtedly accomplish is a humanistic representation of homosexuality in contemporary ireland. while these characters have many differences, they are as complex and as "normal" as heterosexual characters, existing marginally in a society that, for years, has been "conservative, family-centred, monogamous, [and] heterosexual."xxxv11 another contemporary irish narrative that takes this humanistic approach to homosexuality is neil jordan's 1992 film the crying game, famous for its sharp twist on this representation. parts of the fi lm can be viewed as a sort of allegory for homosexuality's journey from a silenced, criminal identity to a boldly asserted one, despite the fact that it was released the year before homosexuality was decriminalized. progressing from a largely political thematic structure to a full-on erotic thriller, the crying game questions the various guises of contemporary irish (and british) society that obfuscate the fundamental humanity of different members of this society, including homosexuals. the central figure of the fi lm, fergus (played by stephen rea), is an ira operative who forms a bond with the prisoner, jody (played by forest whitaker), whom he is instructed to guard and eventually assassinate. as kristin handler notes, the homoeroticism of this bond is first signaled when jody has to urinate and cannot do so without fergus's assistance, as his wrists are bound. fergus hesitates to touch jody's penis, but ultimately does so, after chiding from jody: "it's only a piece of meat! " x * ™ 1 1 after a series of events that lead to jody's death, fergus travels to england, forming a relationship with dil (played by jaye davidson), the woman jody had loved. as they become involved, fergus perpetuates a sort of obsession with jody dreaming about h im playing cricket and sustaining this dreamlike vision of jody during his first orgasm with dil, when she performs oral sex on him. fergus's flirtation with the homoerotic while still remaining outwardly "homosocial" is confronted with "in-your-face" homosexuality at dil's first disrobing: the person he thought was a woman has an unmistakable, blatantly exposed penis. fergus becomes violently i l l at the sight of dil's penis, a reaction that handler characterizes as "gut-level" and "homophobic," and one with which the viewer initially sympathizes.x x x 1 x yet, fergus is able to move beyond that homophobia and still care for dil , albeit non-sexually— while he wi l l not engage in sexual activity with dil, he wi l l still put a hand to her cheek. handler writes of jordan's goal in representing homosexuality i n this revelatory manner: by luring us into desiring what is supposed to seem like a heterosexual love story while never ceasing to signal the fundamentally homoerotic component of fergus's desire for dil, the film forces us, with fergus, to confront the continuity between male bonding ("normal," valorized by patriarchal culture, especially in the military) and male homosexuality (stigmatized, feared, repudiated) x l handler's comments seem to suggest that a relationship characterized as homosexual from the start would not force viewers to question their stereotypes and valorizations of heterosexuality as effectively. the fi lm asks: how much does dil's gender really matter in terms of fergus' caring for him? handler alleges that "[w]hile ultimately, and importantly, fergus does not explicitly experience homosexual desire, the fi lm wants to show that he is a better man for overcoming violent homophobia." x l ] and yet, while fergus' self-sacrifice in order to save dil at the end of the fi lm displays the care he has for him, it also eliminates fergus' need to confront the possibility of a homosexual res e x u a l i t y , s i c k n e s s , s i l e n c e : t h e c a y m a n i n c o n t e m p o r a r y i r i s h n a r r a t i v e lationship with dil . as handler points out, "fergus' sacrifice puts h im safely behind bars, beyond the imminent possibility of sexual consummation."^ 1 1 by removing himself from the societal realm in which his relationship with dil would not be tolerated, fergus absolves himself from having to personally deny dil and hurt his feelings. however, this does not imply a mere lack of hesitance on fergus'part; it is not likely that i f dil were in jail with h im, he would wil lingly pursue a sexual relationship. fergus' unwillingness to progress from the suggestively homoerotic (tension-riddled yet nonsexual situations, nonsexual dreams of jody) to the barefaced homosexual (symbolized by dil's penis) echoes, to an extent, the nonsexual nature of declan in the blackwater lightship. while the obvious difference is that fergus is a heterosexual man with homoerotic thoughts and declan is completely homosexual, their narratives exist in a society that would rather disguise homosexuality than deal with it. eibhear walshe writes in an essay about oscar wilde: because the homosexual is assumed to be a transgendered 'pretend' woman ... gay identity is acutely threatening and unsettling within a post-colonial culture like ireland. the emergent post-colonial nation perceives the sexually different as destabilizing and enfeebling, and thus the lesbian and gay sensibility is edited out, silenced.^111 dil exemplifies this in dressing as a woman, a guise that masks his homosexuality as the more socially acceptable female heterosexuality. once that guise is removed as dil disrobes, his true humanity is revealed. the "destabilization" to which walshe refers is further exemplified by the chaos that ensues in the f i lm as a result of the homoerotic bond between fergus and jody. while the other ira operatives continually place a black hood over jody's face as he is tied to the chair, fergus continually unmasks him, exposing his humanity. their "sexually different" kinship prevents the intended torture and assassination of jody; fergus' attempt to ki l l h im in militant ira fashion is "enfeebled" and jody escapes, only to be run over by a tank involved in a siege on the ira base where his captivity took place. fergus' bonds with jody and dil cannot exist in this place—they are too complicated, too threatening, and simply too different to warrant societal and even personal acceptance. the crying game differs from the toibin and ridgway novels in that its context is political, and not familial, trauma. mothers are absent here, and military organizations symbolize the patriarchal society that silences gay identity. both the novels and the fi lm, however, portray homosexuality as an identity fraught with associations and stereotypes that detract from its essence as a human identity, specifically the idea of "sexuality as an illness itself." each narrative depicts this struggle in a different way in the blackwater lightship, declan's humanity is represented by his characterization as a needy child, a universal role with which all readers can presumably identify. and yet his physical deterioration, the presumed result of sexual promiscuity, is described with visceral bluntness throughout the novel: "he asked for the basin under the sink to be put near him, and soon, with each spasm, he vomited and retched into i t . " x l l v in the long falling, martin has left his child identity behind in place of his adult, homosexual one, confidently assured of his sexuality and yet still sensing a certain grotesqueness in it. as he talks to his friend sean about the sauna, martin says, "and the smell and the eyes, everybody rotten in some way, rotting, as i f we're thrown here, dead."x l v we cannot help but think of declan's eroding body and its connection to his sexuality. the most overt connection of sexuality and illness is that, in the crying game, fergus instantly retches at the shocking sight of .. their narratives exist in a society that would rather disguise homosexuality than deal with it." e l e m e n t s s p r i n g 07 dil's penis. a revulsive tension is connected to sexuality in each of these narratives and is never fully resolved in any of them. while handler describes it as "gut-level," it seems more likely that such a tension is the product of a society that for years has propagated the notion of the "generally disgusting" homosexual. contemporary artists that figure homosexuality into irish narrative bear a manifold burden. firstly, they must assert gay identity strongly enough, for a group so systematically marginalized i n irish culture demands a voice. secondly, they must be sure not to include any societal stereotypes of homosexuals within their representations, for those have been propagated long enough. and while doing both of these things, they must keep a human perspective on the narrative. i f every gay character in a novel were exactly the same, it would be reductive of the identity as a whole. are such burdens fair to contemporary artists, especially artists who are gay themselves? perhaps not from a formalist perspective; art should always be able to stand on its own, outside the confines of cultural and historical context. and yet a gay, irish reader might protest that such requirements are fair. in his introduction to love in a dark time, toibin explains his intentions in writing the book (a collection of essays on gay artists): i am interested in tracing the tension between the fearless imagination and the fearful self. i want to trace, in writing, the connection between the altar boy's half-understood sense of his own sexual difference, which would soon develop into strategies of concealment... i want to imagine now the lone figure ... as he opens a book in solitude and secrecy to find there the story of his life, told to him by e.m. forster or james baldwin or thomas mann or thorn gunn, or by one of the others who have broken the silence that has surrounded our lives for so long.xln artists who choose to represent homosexuality in ireland today, and the rest of the world, cannot avoid the fact that they are breaking the silence to which toibin refers. they cannot escape the fact that they are writing for that lone figure searching for himself within the pages of a novel or the scenes of a film. the narratives we have discussed show that lone figures can be very different characters, and do not gloss over some of the grim realities of the gay man today. where there is homosexuality, there is often backlash, sickness, chaos, imprisonment. to deny this would be to deny reality. yet there is also intimacy, acceptance, health, and an abundance of love—aspects of homosexual identity that are often denied, or perhaps not yet realized, by irish society. in order to depict these aspects, artists do not necessarily have to adhere to the "in-your-face" aesthetic i n terms of sexuality. instead, they must present an "in-your-face" humanity—a purpose that toibin, ridgway and jordan all ultimately achieve. e n d n o t e s i . rose (2) i i . rose (11) i i i . rose (19) iv. robson (51) v. robson (51) vi . out for ourselves (7) vi i . norris (23) v i i i . out for ourselves (9) ix. walshe 2004 (18) x. walshe 2004 (18) xi . jeffers (118) x i i . toibin 1999 (56) x i i i . toibin 1999 (203) xiv. toibin 1999 (174) xv. toibin 1999 (258) xvi. eagleton (http://www.lrb.co.uk/v21/n20/print/eaglo1_.html) xvii . toibin 1999 (170) xvii i . toibin 1999 (172-3) xix. toibin 1999 (147-8) xx. toibin 1999 (247-8) xxi. toibin 1999 (155) xxii . cronin (258) xxii i . cronin (259) xxiv. cronin (260) xxv. cronin (261) xxvi. cronin (260) xxvii. cronin (262) xxviii . ridgway (45-6) xxix. walshe & kilfeather (1040) xxx. ridgway (114) xxxi. cronin (262) xxxii. ridgway (117) s e x u a l i t y , s i c k n e s s , s i l e n c e : t h e c a y m a n i n c o n t e m p o r a r y i r i s h n a r r a t i v e http://www.lrb.co.uk/v21/n20/print/eaglo1_.html xxxiii. ridgway (117) xxxiv. ridgway (299) xxxv. ridgway (299) xxxvi. ridgway (190) xxxvii. walshe & kilfeather (1039) xxxviii. handler (33) xxxix. handler (34) xl. handler (33) xl i . handler (33) x l i i . handler (34) x l i i i . walshe 1995 (149) xliv. toibin 1999 (253) xlv. ridgway (122) xlvi. toibin 2001 (8) r e f e r e n c e s cronin, michael g. 2004. "he's my country: liberalism, nationalism, and sexuality i n contemporary irish gay fiction." irish american cultural institute. eire-ireland, 39(38:4), pp. 250-267. dublin lesbian and gay men's collectives, ed. 1986. out for ourselves: the lives of irish lesbians el gay men. dublin: women's community press. eagleton, terry. 1999. "mothering." london review of books, 21(20), october, . handler, kristin. 1994. "sexing the crying game: difference, identity, ethics." film quarterly, 47(3), pp. 31-42, spring. feffers, jennifer m . 2002. "the blackwater lightship." the irish novel at the end of the twentieth century: gender, bodies, and power. new york: palgrave, pp. 112-19. norris, david. 1995. "criminal law (sexual offences) bill 1993." lesbian and gay visions of ireland eds. ide o'carroll, and eoin collins. new york: cassell, pp. 13-24. ridgway, keith. 1998. the long falling. london: faber and faber. robson, chris. 1995. "anatomy of a campaign." lesbian and gay visions of ireland eds. ide o'carroll, and eoin collins. new york: cassell, pp. 47-59. rose, kieran. 1994. diverse communities: the evolution of lesbian and gay politics in ireland. cork: cork university press. the crying game. 1992. dir. neil jordan. perf. stephen rea, forest whitaker, jaye davidson, and miranda richardson. miramax. toibin, colm. 2001. love in dark time and other explorations of gay lives and literature. new york: scribner. toibin, colm. 1999. the blackwater lightship. new york: scribner. walshe, eibhear. 1995. "oscar's mirror." lesbian and gay visions of ireland eds. ide o'carroll, and eoin collins. new york: cassell, pp. 147-157. walshe, eibhear. 2004. "the vanishing homoerotic: cultural contexts for colm toibin's the blackwater lightship and the master." conference paper. walshe, eibhear and kilfeather, siobhan, eds. 2003. "contesting ireland: the erosion of heterosexual consensus, 1940-2001." the field day anthology of irish writing. (4), pp. 1039-1089. e l e m e n t s s p r i n g 07 http://www.lrb.co.uk/v21/n20/print/eaglo1_.html this paper is the culmination of a semester’s worth of research and work conducted at the burns library at boston college as part of dr. sylvia sellers-garcia’s “making history public” course in the spring of 2014. this class focused on cartography from the early modern era, and this article focuses on an incredible atlas that was published in 1775 entitled the west india atlas. the atlas, which is a detailed example of colonial-era cartography, was published by an assistant to a mr. thomas jefferys, who was the geographer to king george iii at the time of his death in 1771. this remarkable text features not only accurate maps and representations of the caribbean islands, but also vivid descriptions of the various territories and their histories. both the economic contexts at the time the atlas was published and how jefferys and his assistants chose to represent these contexts within the various maps through symbols and references to navigational resources were examined and analyzed. cartographers in the caribbean economics and mapping in the colonial new world benjamin shapiro introduction as a region of tropical islands and countless waterways, the caribbean represented far more than just a picturesque landscape for exploration to those who lived there during the eighteenth century. from the pirate haven of nassau to the sweltering plantations of barbados, people from across europe and other parts of the world came together in this region for opportunities in the realms of trade and wealth. this vast amount of wealth manifested itself in items and concepts such as precious metals, personal glory, and mass quantities of commodities like sugar and rum, which attracted those from the highest and lowest echelons of society to locations as diverse as their backgrounds. the islands themselves even reflected these differences to an extreme degree; on islands like jamaica and cuba, lush tropical forests dominated the landscape and contrasted sharply with the islands of the sandy and flat bahama archipelago.1,2 exoticism, to most europeans, remained a very broad term at this time, but the consensus on its definition seems to include foreign flora, fauna, climate, societies, and language. with islands occupied by the spanish, french, dutch, and british, the caribbean embodied this exoticism during the colonial times. tropical jungles containing wild species of mammals and birds fascinated many of these europeans, who became evermore curious about the islands. they came to view these exotic islands, and the surrounding regions of mexico and florida, through pieces of artwork and the tales of individuals who lived and traded there. combined with the growing merchant networks of individuals in the region, these methods of portraying exoticism seemed to draw most of the migrants to the region. depending on their background, many of these migrants sought their fortunes in trade, pirating or privateering, or plantation agriculture. this influx of labor and use of merchant networks and agricultural lands for economic gain constituted the most important foundational pieces for the industrial revolution in the early nineteenth century.3 the romanticized nature of the caribbean during this time also provided some measure of inducement for migrants to make the journey across the atlantic, though this effect is difficult to gauge. romanticizing the region impacted various social groups in different ways during the colonial era. tales of the high seas and abundant wealth available for the taking likely inspired the ruffians of society, pirates and privateers, far more than rational and economically sound merchants. collectively, one can refer to the system that characterized the increase in trade and growth on an economic basis as mercantilism, and the method in which this system operated as the triangular trade. as a system of trading networks across the vast atlantic ocean, the triangular trade required extremely precise charts and maps for sailors and merchants who carried and directed shipments of cargo to specific ports. in the mid-eighteenth century, an english cartographer and geographer to the king of england named thomas jefferys began compiling a series of charts and maps that formed the basis of his atlas entitled, the west indian atlas or a general description of the west indies: taken from actual surveys and observations.4 unfortunately, jefferys passed away in 1771 before the completion of his work, which subsequently fell to one of his editors to complete and publish.5 because of his role as the king’s geographer, jefferys, and subsequently the maps he created, carried strong credibility and respect. in this particular atlas of the west indies, jefferys clearly focused on the aspects he deemed necessary for travelers and inhabitants of the region to know. by charting out the vast territories and wide stretches of open waters within a merchant and economic context, jefferys presented the atlas under the heavy influence of the mercantilist attitude prevalent throughout europe, which ultimately resulted in the map’s limited objectivity. the images and drawings associated with the maps, along with the context of mercantilism that existed during this time, indicate that jefferys created the atlas for the specific purpose of providing topographic and economic information “situated thousands of miles away from europe, the caribbean represented an extremely distant and exotic place to many europeans, both figuratively and literally.” 65 cartographers in the caribbean about some of the significant islands to expose the trade potentiality of the caribbean. however, he makes no specific references to mercantilism itself in the atlas, and is therefore not likely to make an argument for or against it. european governments, in contrast, heavily promoted these mercantilist doctrines of encouraging government control over trade for the accumulation of wealth, often depleting the finite amount of available resources on the planet.6 these doctrines also ignored the well-being of the lands where the resources came from, as conveyed by jefferys’s editor: “europe is continually enriched by carrying constantly to america not only all the goods which it produces or manufactures, but likewise those that its ships fetch from asia or africa.”7 from this quote and indicators within the maps, it becomes clear that this ideology heavily influenced the atlas jefferys created, which truly limited the objectivity of the maps. one can infer that europeans viewed, and utilized partially through accurate mapping, the caribbean and its islands as a vital economic hub of trade and resources. mapping and imagery situated thousands of miles away from europe, the caribbean represented an extremely distant and exotic place to many europeans, both figuratively and literally. artists and cartographers like jefferys sought ways to convey the characteristics of this strange region, including the island jungles’ stifling humid climate and their newly discovered creatures. by describing a land full of bountiful resources and wealth prime for the taking, many eighteenth-century literary and cartographic pieces attracted european merchants and lower-class citizens to the islands. in jefferys’s atlas alone, there exist significant depictions of this economic thinking through an ornate drawing on the title page, as well as smaller references within the introductory text. the title page drawing, which depicts a type of island scenery with a european man and several africans on the beach, gives some indication about the kind of presence europeans imposed on the region. in the picture, one of the africans pictured is smoking a pipe of tobacco and is sitting amongst a group of barrels that, by the presence of a bottle on top of one of them, seems to indicate barrels of rum.8 rum, developed from sugar, became a massive export to both mainland north america and europe, while tobacco became a heavily addictive substance in both of these regions as well. the basic formatting system jefferys employs for the atlas bears some resemblance to the practices illustrated in modern cartography; however, he also uses some protoanthropologic analysis throughout the atlas. the map of texas, for example, is meticulously accurate in and of itself, but jefferys also places a description of the local inhabitants by writing the information in a wide arc on the map itself. his emphasis on the exotic nature of the caribbean region and the new world in general, which contrasts heavily with many european ideals and social norms, is evident in his account of some of these natives as “tribes of wandering indians.”9 jefferys also follows a trend of many european cartographers by indicating the impact of christianity on the region through the labeling of towns and villages in mexico. on these labels, the only indicator besides the name is a symbol of a church steeple, which dominated many eighteenth-century cityscapes in europe and in the european colonies of the new world.10 as a series of islands surrounded by water, trade through overseas shipping became critical for the survival of colonial populations in the caribbean. jefferys takes very careful note of this through his maps and points out several locations that might interest ship captains, such as “good anchoring and watering for ships” on a bahamian island as well as the presence of “fresh water” in florida (figure 1).11 trying to facilitate the passage of ships in the region indicated, at the very least, an understanding by jefferys of the vast merchant networks under development in the region. figure 1: a map of the northern coast of cuba, emphasizing the wind currents and regional geography to aid in navigation of merchant fleets.11 66 elements : : fall 2015 on a far narrower scale, jefferys also mentions a very specific trade route: that of the spanish treasure fleet, the flota, on its return journey from the americas to spain. considering that this is an english atlas, it seems rather provocative and suggestive for jefferys to deliver such crucial information regarding another country’s property.12 this inclusion ties in directly with the inherently competitive nature of mercantilism found in jefferys’s atlas. he also takes care to decorate most of the larger maps with other drawings of european vessels on the water, which further emphasizes the naval and commercial lifestyle of the region (figure 2).13 within the mappings of territories outside english control, jefferys includes detailed locations of towns, roads, and physical features of these different regions. most of these details are likely due to the acquisition of charts from spanish ships in the 1760s during the most recent war with spain, which is assumed to be the seven years’ war.14 for example, the mapping of the southern coast of hispaniola is notable for its french labeling, along with the english equivalents in some locations. the markings of the land’s physical features were also useful for sailors in that region (figure 3).15 the anglo-spanish rivalry, as seen in the map of the southern part of cuba, can also be seen through english intrusions and surveying of spanish possessions for their own benefit.16 jefferys, or possibly his editor, did not just limit his illustrations to his maps; he also included in the atlas an elaborate illustration following the introductory descriptions of the different islands and regions. the image is very clearly that of an angel standing, in a classical pose, on the beach of an island, which seems to exist somewhere in the caribbean considering the surrounding flora. the most poignant connections to the ideals of european superiority and exploitation lie within the objects that surround the angel in the picture. signs of civilization, ranging from a telescope to a sheet music book, lie at the angel’s feet amid further clutter, while a european vessel is present in the background. the symbolic nature of all these different images refers to the notion many europeans held of the transfer of culture and civilization from europe to the caribbean islands.17 not all development of the caribbean region stemmed from european intrusions, as many agricultural practices in the region and its immediate surrounding areas originated from native american practices. for example, the physician sir hans sloane provided a depiction of the exotic practice of how natives grew cactus plants in southern mexico for the production of red dye, which they accomplished by taking acid from the body of the beetle that feeds on the cactus.18 geography in a tropical climate like the caribbean, europeans discovered a wide variety of physical features and wildlife foreign to these settlers amongst their small settlements and plantations. ranging from the tropical jungles of cuba to the flat swamplands of south florida, this geography often posed problems for settlement and economic development, but the european settlers on each island utilized these physical features to their advantage. one could usually classify these advantages in terms of natural fortificafigure 3: an illustration found in the opening pages of the atlas that illustrates the exotic characteristics of the caribbean that europeans emphasized. 15 figure 2: a map of central jamaica with very distinctive indications of settlements, plantations, and roads on the island surrounding kingston and the port royal area. 13 67 cartographers in the caribbean tions or suitable climates for agriculture. for example, the “great mountains” of jamaica provided great natural fortifications against intrusion of foreigners or pirates hostile to the british settlers in kingston and port royal.19 jefferys’s atlas depicts these massive mountains through detailed and accurate illustrations of multi-layered mountainous formations (figure 4).20 he also offers a sea-level depiction of the island of barbados by sketching the mountains from the perspective of a sailor approaching the island from the northwest.21 topographical differences between the islands ultimately influenced the respective successes of different colonists within the region. in the bahamian archipelago, for example, the settlers in the early eighteenth century primarily consisted of pirates and privateers who settled the island of providence and established a colony at nassau. because of a lack of drinking water and suitable soil for cultivation, the colony and its descendants generally relied on the spoils of their plunder.22 in contrast, the agricultural islands of the lesser antilles produced huge amounts of crops for export, such as the french-owned island of guadeloupe that annually yielded “46 million weight of sugar.”23 numbers from other sugar-producing islands such as barbados remained similar, trading “above 432,000l. sterling,” to different points throughout the triangular trade regions.24 relative stability in english governance and victories over the french and spanish in several wars during the eighteenth century truly provided the british with a distinct economic advantage over their competition. with an expanded economic base in north america following the seven years’ war and the transfer of experienced seamen to the caribbean following the war of spanish succession, the available markets for goods and the sailors to transport those goods expanded as well. in jefferys’s atlas, the presence and importance of these plantations was significant enough that he felt it necessary to mark their borders within detailed maps of individual islands in the lesser antilles.25 however, the most notable topographical descriptions of the islands actually lie off the coasts of each island through the presence of water depth indicators. these measurements, utilized by european ship captains to ensure goods safely arrived to their destinations, proved critical for the facilitation of trade in the caribbean. jefferys’ maps include not only depth measurements along coastal waters, but also small indicators of rocks and other hazards located in the water.26 these critical measurements and indicators dictate the importance of shipping to europeans in the caribbean, and further emphasize the intent of exploitation of the region’s natural fruitfulness by the europeans. with accurate depth measurements that facilitated this exchange, european merchants eventually helped provide the basis for further economic growth in other colonies and in europe.27 to assist in the establishment of colonies within these islands, european explorers and adventurers took great care to give accurate descriptions of exotic flora and fauna within the region. in the late seventeenth century, sloane journeyed to the caribbean with the recently appointed governor of jamaica, the duke of albemarle.28 his extensive accounts of the flora in jamaica, addressed to queen anne of great britain, constitutes one of “the largest and most considerable” collections of natural descriptions from this period.29 sloane, throughout the book, makes constant references to the potential of different plants and wildlife in providing sustenance for those who arrived. however, there do seem to be some exceptions to the natural fruitfulness of the land, including a type of seaweed that is “saltish to the taste” and “delightful to the irish palats.”30 fauna in the region, relatively untouched by man except for native interaction, also became a very important source of sustenance for european explorers venturing throughout the caribbean islands. sloane mentions bird species figure 4: a map of the western islands in the bahamas, with a special note emphasizing where ships could anchor and take on fresh water.20 68 elements : : fall 2015 such as boobies and noddies that “suffer themselves to be catch’d by the hand,” which further emphasizes the need of europeans to survive on animals rather than agriculture during their long voyages. because the voyages required being at sea for weeks at a time, food for the sailors became an absolute necessity, and fishing was the primary means of providing it. his sketches of the tropical bonito fish and its corresponding description, for example, emphasize their rather large size and “savoury” taste.31 to continue development of shipping lanes and traffic, information such as this for european ship captains became vital. making connections from home to other regions provided the european sailors with some familiarity, such as the acknowledgment of specific types of shellfish being present in both jamaica and scotland.32 this simple mention of a connection between foodstuffs and geography likely gave a reader of this volume residing in great britain a sense of perspective and a guide to where one could seek food. mercantilism and triangular trade the ideologies of mercantilism and exchange manifested themselves through the establishment of the trans-atlantic triangular trade networks between europe, africa, and the colonies of the new world.33 the trade networks connected to the caribbean colonies often relied on individual ship captains operating under very specific directives from their respective merchants, who resided thousands of miles away in europe. one prominent london merchant, william freeman, even gave one of his ship captains a directive to lie to officials who boarded their ships, a common practice among merchants in order to make sure goods reached their destinations.34 merchants formed consistent bonds with ship captains that made regular voyages to the new world territories like jamaica generally out of a need for familiarity and consistency in dealings.35 in terms of mapping, jefferys clearly realizes the vast array of shipping throughout the caribbean during the period of triangular trade, and he decorates many of his maps with illustrations of his ships on the open seas. these ships, pictured in countless different locations, seem to concentrate around regions where shipping is at its highest volume in different channels or straits. throughout the maps, many of these pictured ships follow the directions of the small “darts” which represent the currents on the open seas.36 to ship captains and merchants, these current markings are an invaluable tool for navigation and transporting goods at a more rapid pace than relying on wind alone. jefferys and his editor make other allusions to practices such as the cultivation of sugar throughout the atlas. the map key of st. vincent in the lesser antilles notes that the island possesses twenty-two rivers capable of driving sugar mills, which indicates the importance of sugar cultivation in the region.37 the trials and tribulations of agriculture extended far beyond the english realms however, as the french in la martinique discovered during the eighteenth century. with little progress made in the production of cacao or sugar, the planters on the island started producing coffee beans that became a raging success.38 likewise, in puerto rico, jefferys describes how the island does not produce enough goods beyond the basic needs of its “lazy possessors.”39 this blatant and unwarranted bias against the spanish likely stems from historical conflicts with the spanish, some of which led to jefferys gaining possession of many of the maps in the first place. conclusion accurately describing, much less depicting, a varied landscape such as the caribbean presented an enormously challenging task for the cartographer thomas jefferys during the eighteenth century. his work, along with that of other europeans, utilizes several different methods to accomplish this task, and consequently provides modern day historians with a perspective on the region and mercantilism. through an analysis of imagery within jefferys’ maps and the methods he utilizes to describe geography and his important references to trade and mercantilism, the general european viewpoint on the caribbean seems clear. as a tropical land with a favorable climate for the cultivation of sugar, tobacco, indigo, coffee beans, and cacao, the caribbean region represented an enormous opportunity for exchange during the eighteenth century. this trade, manifested through the practice of triangular trade as well as the economic doctrine of mercantilism, dominated every aspect of caribbean colonial life during this time. however, the most important role the caribbean played during the colonial era truly came after the eighteenth century, when the goods it exported helped provide the capital for industrialists and economies to expand in the industrial revolution. analysis of the economic exchange in the caribbean unfortunately never takes into account the lasting human impact on people such as african slaves or native americans living in the caribbean. for example, on the passage from africa to america, slave mortality rates ranged from 8.2-21 percent.40 these figures, while shocking themselves, do not even account for the countless oth69 cartographers in the caribbean ers who passed away from the malicious treatment received on the plantations in the region. european mortality rates, while evidently lower, also create a deeper understanding of the horrid conditions that many of the colonizers went through during the triangular trade era. the suffering that many people endured in the caribbean during this time are tragedies best classified as silences within these maps. they are also representative of the major disadvantages to the economic development of the region. instead of trying to describe these horrific stories, jefferys creates a series of truly remarkable and incredibly detailed maps that likely facilitated the passage of ships and cargo, and gives a much clearer understanding of life in the caribbean at the time. this understanding really serves a dual purpose, however, as it both feeds into the romanticized european image of the exotic colonial caribbean while telling a mercantilist history of the region. his atlas, although it does not specifically argue for mercantilist ideals, clearly embodies the pri nciples of this colonial economic system and focuses specifically on the aspects of naval commerce. jefferys, and other europeans like him, understood that accurate maps of this region could facilitate the development process and provide merchants with the best possible opportunity for successful exchange of goods in the colonial era. endnotes 1. thomas jefferys, the west indian atlas or a general description of the west indies: taken from actual surveys and observations, (london: robert laurie and james whittle, 1794), 18. 2. ibid., 22. 3. penelope ismay. “financing the industrial revolution.” class lecture, the credit nexus: the secret economy in britain, 1600s-1900s from boston college, chestnut hill, ma, february 24, 2014. 4. jefferys, the west indian atlas, i. 5. “jefferys, thomas (c.1719–1771),” laurence worms in oxford dictionary of national biography, eee ed. h. c. g. matthew and brian harrison (oxford: oup, 2004); online ed., ed. lawrence goldman, january 2008, http://www.oxforddnb.com/view/ article/14696 (accessed march 16, 2014). 6. “mercantilism (economics) -britannica online encyclopedia.” http://www.britannica.com/ebchecked/ topic/375578/mercantilism. 7. jefferys, the west indian atlas, 7. 8. ibid. 9. ibid., plate 2. 10. ibid., plate 5. 11. ibid., plate 4. 12. ibid, plate 4. 13. ibid., plate 7. 14. ibid., i. 15. ibid., plate 12. 16. ibid., plate 8. 17. ibid, iv. 18. sir hans sloane, a voyage to the islands madera, barbados, nieves, s. christophers and jamaica, with the natural history ... of the last of those islands; to which is prefix’d an introduction, wherein is an account of the inhabitants, air, waters, diseases, trade, &c. ... illustrated with the figures of the things describ’d, ... by hans sloane, ... in two volumes. ... london: printed by bmfor the author, 1707. 19. christian lilly. description of jamaica [by capt. lilly, the engineer], june 18, 1700. http://gateway.proquest.com/ openurl?url_ver=z39.88-2004&res_dat=xri:csp-us:&rft_ dat=xri:csp:rec:v18-e000990. 20. jefferys, the west indian atlas, plate 1. 21. ibid., plate 10. 22. ibid., 23. 23. ibid., 25. 24. ibid., 20. 25. ibid, plate 13. 26. ibid., plate 4. 27. robert brenner, “the social basis of english commercial expansion,” in merchant networks in the early modern world, ed. sanjay subrahmanyam (brookfield, vermont: ashgate publishing company, 1996), 300. 28. “sloane, sir hans, baronet (1660–1753),” arthur macgregor in oxford dictionary of national biography, eee online ed., ed. lawrence goldman, oxford: oup, , http://www.oxforddnb.com/ view/article/25730. 29. sloane. a voyage to the islands volume 1, title page. 30. ibid., 49. 31. ibid., 28. 32. sloane, a voyage to the islands volume 2, 256. 33. brenner, “the social basis”, 300. 34. david hancock, the letters of william freeman, london merchant, 1678-1685 (london record society), (london: london record society, 2002), 31. 35. kenneth morgan, bristol and the atlantic trade in the eighteenth century, (wiltshire, great britain: cambridge university press, 1993), 81. 36. jefferys, the west indian atlas, plate 7. 37. ibid, plate 11. 38. ibid., 25. 39. ibid., 15. 40. herbert s. klein, new approaches to the americas: atlantic slave trade (2nd edition), (cambridge, uk: cambridge university press, 2010), 141. 70 elements : : fall 2015 references brenner, robert. “the social basis of english commercial expansion.” in merchant networks in the early modern world, edited by sanjay subrahmanyam, 300. brookfield, vt: ashgate publishing company, 1996. hancock, david. the letters of william freeman, london merchant, 1678-1685 (london record society). london: london record society, 2002. ismay, penelope. “financing the industrial revolution.” class lecture, the credit nexus: the secret economy in britain, 1600s-1900s from boston college, chestnut hill, ma, february 24, 2014. jefferys, thomas. the west-india atlas : or, a compendious description of the west-indies : illustrated with forty-one correct charts and maps, taken from actual surveys, together with an historical account of the several countries and islands which compose that part of the world ... london: r. laurie and j. whittle, 1794. klein, herbert s. new approaches to the americas: atlantic slave trade (2nd edition). cambridge, uk: cambridge university press, 2010. lilly, christian. description of jamaica [by capt. lilly, the engineer], june 18, 1700. http://gateway.proquest.com/ openurl?url_ver=z39.88-2004&res_dat=xri:csp-us:&rft_ dat=xri:csp:rec:v18-e000990. macgregor, arthur. “sloane, sir hans, baronet (1660– 1753).” arthur macgregor in oxford dictionary of national biography, online ed., edited by lawrence goldman. oxford: oup. http://www.oxforddnb.com/view/article/25730. “mercantilism (economics) -britannica online encyclopedia.” accessed march 16, 2014. http://www.britannica. com/ebchecked/topic/375578/mercantilism. morgan, kenneth. bristol and the atlantic trade in the eighteenth century. wiltshire, great britain: cambridge university press, 1993. sloane. hans. a voyage to the islands madera, barbados, nieves, s. christophers and jamaica, with the natural history ... of the last of those islands; to which is prefix’d an intro duction, wherein is an account of the inhabitants, air, waters, diseases, trade, &c. ... illustrated with the figures of the things describ’d, ... by hans sloane, ... in two volumes. ... london: printed by bmfor the author, 1707. worms, laurence. “jefferys, thomas (c.1719–1771).” laurence worms in oxford dictionary of national biography, edited by h. c. g. matthew and brian harrison. oxford: oup, 2004. online ed., edited by lawrence goldman, january 2008. http://www.oxforddnb.com/view/article/14696. 71 cartographers in the caribbean .. all of egypt's foreign policy moves in the igyos can and should be understood as resulting from its economic position." h u n g e r for peace: egypt's economic reasons to seek peace with israel d a v i d f. b r a d l e y , j r. i n 1978 , e g y p t ' s a n w a r a l s a d a t l a u n c h e d a h i s t o r i c p e a c e i n i t i a t i v e w i t h i s r a e l , u l t i m a t e l y c u l m i n a t i n g i n a p e a c e a g r e e m e n t t h a t , n e a r l y 30 y e a r s l a t e r , s t i l l s t a n d s . t h i s p a p e r t r a c e s e g y p t ' s e c o n o m i c s t a t u s u n d e r a n w a r a l s a d a t a n d c o n c l u d e s t h a t s a d a t , r a t h e r t h a n j u s t b e i n g a n i n n a t e l y p e a c e l o v i n g m a n , h a d r e a l e c o n o m i c i n c e n t i v e s i n s e e k i n g p e a c e w i t h i s r a e l , e g y p t d i v e r t e d r e s o u r c e s f r o m i t s i n f r a s t r u c t u r e a n d i t s p e o p l e i n o r d e r t o p a y f o r a h e a v i l y a r m e d b o r d e r w i t h i s r a e l . h o s t i l i t i e s t o w a r d i s r a e l a l s o c o s t t h e c o u n t r y f o r e i g n d i r e c t i n v e s t m e n t a n d f o r e i g n a i d f r o m t h e w e s t . s a d a t ' s d e s i r e f o r p e a c e w a s l i t e r a l l y h u n g e r b e c a u s e h i s c i t i z e n s w e r e s t a r v i n g . i n t r o d u c t i o n on january 18,1977, the smell of tear gas and gunpowder permeated the cairo air. the people of egypt were rising in protest against anwar al-sadat and his latest policy move reducing the subsidies on basic products such as cigarettes, sugar, flour, rice, oil, beer, and cooking fuel.1 although the policy decision that sparked the so-called "food riots" did not affect many staples, such as bread and tea, and the change in prices was generally small for the poor, teeming masses of cairo, even the resulting small increase had significant repercussions. by the time the military put down the riot on the evening of january 19, security forces had killed 79 and injured 800." it was the largest popular uprising since the nasser revolution of 1952. sadat later reversed the subsidy cuts. the january 1977 riots were an indication of the failure of sadat's economic policies from the previous four years. in that time, sadat attempted to loosen the reins the state held on the economy through a series of policy decisions collectively called infitah, or "opening." by opening the economy, sadat hoped to encourage western businesses to move to egypt and to stimulate the economy. however, liberalization i n the economy was only one of the steps necessary to encourage foreign investment and foreign aid. two other critical steps involved distancing egypt from the soviet union and making a stable peace with israel. to this end, after the riots, sadat began planning for a major, public peace initiative with israel. in november, ten months after the january riots, these plans came to fruition when anwar al-sadat made his famous speech i n front of the israeli knesset. this sequence of events was no coincidence. domestic economic factors played a significant role in sadat's moves for peace, not just in november 1977, but throughout the 1970s. when sadat inherited control of egypt from his predecessor, gamal abdal nasser, in 1970, the economy was in shambles. egyptian pride was at an alarming low, and relations with both superpowers, the soviet union and the united states, were strained. egypt's sense of lost honor and of rocky relations with the two superpowers factored into economic stagnation and even backslide. while the 1973 yom kippur war ended with an eventual military defeat for egypt, it helped restore egyptian pride. such sentiments paved the way for public acceptance of a lasting peace with israel in 1977, which helped reduce the budgetary strain of maintaining a heavily militarized border on sinai. moreover, peace with israel helped build the confidence of private foreign investors. sadat's private negotiations with the americans following the 1973 war and his public distancing from the soviet union helped egypt to gain american financial and mil i tary backing. improved relations with the western powers, particularly the united states, led to an increase in badlyneeded foreign aid. in short, all of egypt's foreign policy moves in the 1970s can and should be understood as resulting from its economic position. e g y p t ' s e c o n o m i c w o e s from nasser's 1952 revolution until the camp david accords, egypt's economy had been disarrayed. infrastructure was poor, and the constant threat of war made it difficult to find funds to improve its condition. crowding in the cities following the exodus from sinai and the closure of the suez canal also resulted from wars and threats of war. author anthony mcdermott blames the political infrastructure created by nasser for the economic decline: " i f one is searching for a crucial reason why since 1952 the economy has not taken off, and why, in spite of all the planning, the gap between targets and fulfillments has been so large, the establishment of this [new] bureaucracy may well provide the answer."111 by way of comparison, 250,000 egyptians were in the civil service when nasser took over in 1952 while over one mill ion were in the civil service by the 1970s.1v the legacy of nasser's policies is significant for understanding the economic development of egypt under sadat. nasser based his new government in 1952 on six "revolutionary principles," which included land reform, greater social justice, and liberal democracy.v nasser decided that the socioeconomic condition of the country e l e m e n t s s p r i n g 07 needed improvement before he could obtain his primary goal: liberal democracy. nasser encouraged industrialization, adult literacy, and public education, yet the results of nasser's programs left much to be desired. the policy of subsidizing staple goods arose during the reign of nasser. he encouraged industrialization but nationalized private businesses-a certain way to discourage investment in industry. attendance in public secondary and university-level schools skyrocketed, but there were no jobs for the college graduates-except i n the massive government bureaucracy/1 the confiscatory and redistributive tax system, too, did nothing to help encourage foreign funds. egypt's military actions also drained the economy. during the war of 1956, many egyptians living in sinai fled to the cities, causing crowding problems in urban areas such as cairo and alexandria. in 1967, this problem became much more acute. egypt's high birthrate caused a 400 percent population increase from 1897 to 1977 with only a 127 percent rise in cultivated land, which spelled disaster for food supplies and infrastructure/ 1 1 maintaining military forces on the sinai border further drained the national treasury. the military buildup along the sinai border, even after the ceasefire agreements, was significant. in 1976, egypt had a 500,000-man army, all of whom, of course, needed food and payment/'1 1 1 not only was the military on the sinai border, but several thousand soldiers were i n yemen engaged in a civil war there. l x the funding of the army consumed nearly 50 percent of egypt's total budget and caused continual debt problems, leaving little room for other budgetary considerations, such as subsidizing food prices, without going into debt. the indirect costs of military action, including the closure of the suez canal and the loss of money from the oil fields in israeli-occupied sinai, were damaging as well. the western foreign aid the country received in the 1960s dried up because of egypt's close relations to the soviet union. as sadat rose to power i n 1970, egypt's economic outlook was bleak. growing national foreign debt, poor balance of trade, no foreign investment, and huge military expenditures plagued the country. the new leader had to do something to improve the economy so he decided to embark on a program of liberalization, or infitah. this program depended on foreign governmental aid and foreign direct investment money, neither of which egypt received in the early 1970s. despite the establishment of free trade zones in egypt, foreign direct investment (fdi) was rare. l x following the 1973 yom kippur war, this changed— slightly. as mentioned above, the united states government and private american banks promised over $150 million in construction loans directly following the war to build an oil pipeline. more liberalization occurred, as sadat granted foreign and domestic capitalist protections against nationalization of their businesses and reduced the taxes paid on business profits. sadat attempted to form a mixed economy-one with a large public sector (through nationalized businesses and the ever-expanding national governmental bureaucracy) and heavy food subsidies, combined with attempts at private business ownership. however, sadat's efforts were ineffective, as he lacked a thorough understanding of economics. instead, he left many of the economic details to his advisors-most of h u n g e r f o r p e a c e : e g y p t ' s e c o n o m i c r e a s o n s t o s e e k p e a c e w i t h i s r a e l whom were bona-fide marxists.x although sadat talked often—and earnestly—of easing economic restraints and encouraging capitalism through his infitah program, it was not until 1981 that egypt ended the most anti-capitalist laws such as the capping of annual salaries and profits. during the 1970s, central planning, through soviet-style "five-year programs," framed economic development. the trappings of socialism remained, including high, confiscatory taxation, heavy central planning, and relative minim u m wage (a system under which businesses had to pay employees a certain percentage of that business's profits), inhibiting local industrial capitalists . x 1 a perceived absence of peace in the region also accounted for the scarcity of fdi. even after the sinai ceasefire accords and the opening of the suez canal, the threat of war seemed high to many foreign businesses—too high, in fact, to justify investment. according to an editorial in the january 21,1977 edition of the egyptian gazette, egypt's best hope for economic gain was to "opt out of the war with israel altogether."x11 i n early november 1977, shortly before sadat's trip to jerusalem, several major companies, including ford motor company, coca-cola, colgate-palmolive, motorola, and xerox, were willing to open business in egypt, but because of their dealings with israel, the egyptian boycott office opposed their entry. x l i l peace with g a m a l abdel nasser israel would allow these companies to enter egypt. despite sadat's best intentions, infitah failed—as the 1978 food riots seemed evidence of that. the riots resulted from sadat's reduction in the food subsidies, an act fitting with his other attempts at liberalization. it was an attempt to placate the imf, which was demanding that egypt balance its budget as part of its debt relief program. after seeing the uproar created by the subsidy decreases, sadat knew he would not be able to reduce the subsidies and remain in power; thus, he sought another way of decreasing budgetary strains. there was one other path to take to balance the budget, and it required two actions: 1) to increase sources of income, mainly through foreign aid and fdi; and 2) to decrease military spending. both objectives required peace with israel. egypt a n d t h e c o l d war like most states, egypt was greatly influenced by the cold war, as much development and military aid was available from the soviet union and the united states (and their respective allies). in the arab world, the soviet union took the dominant role in providing defense and economic aid; egypt, too, fell under soviet influence during the 1950s and 1960s under the leadership of nasser. when sadat took power after nasser's death in 1970, he began secret talks with the united states to help repair the damage done to american-egyptian relations by the war of 1967. e l e m e n t s s p r i n g 07 in 1955, the united states refused to provide arms to nasser's revolutionary regime in egypt. as a result, nasser turned to the default arms dealer to the arab world, the soviet union . x l v however, financial aid from the soviet union was less forthcoming. the need to fund the national budget, combined with the removal of western aid, led to the nationalization of the suez canal and the subsequent war with israel in 1956. egypt's leadership in the war with israel helped propel the country to the front of the pan-arab movement, making nasser conform to the movement's ideals. one key tenet of pan-arabism was economic selfdependence and the maintenance of a favorable balance of trade. as a result, nasser nationalized a string of privatelyowned foreign and domestic industries in the late 1950s and early 1960s. despite these nationalizations, the united states resumed economic aid to egypt i n the early 1960s. when in 1964 egypt continued to favor the soviet union, as it was the superpower most likely to help foster pan-arabism, the united states withdrew economic aid again from egypt.x v despite nasser's efforts to make egypt self-sufficient, the the soviet union for arms and on the united states and arab countries for economic assistance. following nasser's death in 1970 and an immediate jockeying for power, his eventual successor, sadat, pursued a different course. because the soviet union had unsuccessfully interfered in the egyptian power struggle and attempted to install a leader more sympathetic toward soviet interests, the soviets earned sadat's contempt and distrust.™ 1 1 in june 1970, the united states issued the rogers plan for a peaceful end to the war of attrition against israel. in response to soviet delays i n arms shipments and attempts at interference i n the transfer of power in egypt, sadat signaled to the americans his readiness to work to bring about regional peace. his willingness to work with the americans in 1970 and 1971, in the opinion of historian kirk beattie, betrayed the view held by sadat that the "united states alone held the key to the conflict's resolution because the united states, in his estimation, was the only true superpower."x1x still, i n 1971, sadat signed a soviet-egyptian friendship pact, much to the dismay of the americans. egypt's leadership in the war with israel helped propel the country to the front of the pan-arab movement, making nasser conform to the movement's ideals." consequence of the united states' withdrawal of economic aid was drastic: egypt's gross national product growth fell from 6.4 percent in fiscal year 1963-1964 to 0.3 percent in fiscal year i966i967 . x v l following defeat in the war of 1967, rich oil-producing countries i n the middle east tried to compensate for the economic damage inflicted by the closure of the suez canal and the destruction of egyptian oil refineries. the soviet union replaced the $1-1.5 billion in equipment lost during the war of 1967.^" thus, nasser's foreign policy was marked by a dependency upon most of the discussions with the united states occurred through back channels, including secure telephone lines from sadat's home to washington and messages conveyed during secret meetings with members of the united states interests office in cairo. x x in february 1971, egypt made a significant move towards the united states by complying with the united nations jarring proposal, which was based on united nations resolution 242. egypt complied with the jarring proposal's requests, while israel mainly ignored it. in doing so, sadat hoped to show the united states that h u n g e r f o r p e a c e : e g y p t ' s e c o n o m i c r e a s o n s t o s e e k p e a c e w i t h i s r a e l he was serious about making peace. in april , when sadat made a clear and specific peace settlement proposal that president nixon and the united states state department did not take seriously,x x l he became angry with the americans for not rewarding egypt's willingness to make peace and for not punishing israel's intransigence. henry kissinger told sadat that there would have to be a change in the status quo before any peace would be considered on terms acceptable to sadat.xx11 yet, the expulsion of the soviet military advisors from egypt in july 1972 was apparently not enough of a change to please the americans, as they did not attempt to provide any positive response to the act. hence, sadat began preparations for war. interestingly, the yom kippur war of 1973 helped bring peace, by restoring the pride the egyptians lost i n 1967 and humbling the israelis to the point of being able to consider relinquishing the sinai. equally interesting is the united states response to egypt's aggression-increased foreign investment. in early 1974, the united states offered over $180 mill ion in loans funded by the government and private businesses for the construction of an oil pipeline from the suez canal to the mediterranean sea—a project that, while it never actually came to fruition, would have been of great benefit to the egyptians.™ 1 the united states, to the exclusion of the soviet union, was heavily involved in the ceasefire agreements following the yom kippur war. the signature of the second sinai ceasefire agreement in september 1975 "helped drive a stake in egyptian-soviet relations."x x 1 v six months later, the egyptians broke their friendship treaty with the soviets. in response, the americans increased their aid: us aid was $371.9 mil l ion in 1975 and $986.6 mil l ion in 1976. x x v by may of 1977, following the food riots, arab aid topped $1.5 billion and us aid topped $1.0 bi l l ion. x x y 1 by the summer of that year, egypt was no longer sending cotton to the soviet union, and the united states was supplying egypt with military goods. f f l v i i at this time, the soviet union was also supporting increasingly hostile regimes in neighboring libya, sudan, and chad. sadat blamed soviet-backed libyan communists for instigating the food riots earlier in the year and feared that the soviet union could persuade chad and sudan, both through its own strength and through libya, to cut off the lifeline of egypt—the nile river. x x v l u this potential conflict with libya, sudan, and chad may have contributed to sadat's desire for a quicker peace with israel, so he could move his army from the egyptian-israeli border to the borders with libya and sudan. the soviet-american joint announcement of a new geneva conference surprised sadat. indeed, it could have been seen as an insult after egypt undertook four years of distancing from the soviet union. shortly after the announcement, sadat began sending out feelers to see i f israel's prime minister menachim begin would respond positively to his potential trip to jerusalem, a trip that materialized in november 1977. sadat's speech in front of the israeli knesset started two processes: ostracization from the arab world and negotiations between israel, the united states, and egypt, which culminated in the september 1978 camp david accords. the winding paths of these negotiations have little bearing on egypt's economic reasons for peace with israel, yet it should be noted that there was little open discussion during the camp david negotiations about the economic repercussions to peace, according to memoirs written by president jimmy carter and anwar al-sadat. what is important is that the camp david accords of 1978 marked the culmination of eight years of attempts by sadat for peace, and that the desire for peace stemmed in large part from economic motives. a p p l i c a t i o n s i n t h e o r y i wi l l now use the information discussed above and attempt to apply these facts to several concepts in international theory, such as ripeness in peaceful territorial change and negotiating for side benefits. a condition of ripeness, stemming from a mutually harmful stalemate and a mutual interest in the united states as a common ally, existed in the israeli-egyptian conflict. because this paper has foe l e m e n t s s p r i n g 07 cused almost exclusively on the egyptian economy and foreign policy, i wil l only address ripeness i n egypt. egypt negotiated with israel for side benefits mentioned above, such as foreign aid and increased fdi. from 1970 to 1973, the stalemate between egypt and israel was especially damaging to egypt, as the country had to maintain expensive forces on the sinai border and could not cut its ties with the soviets, which cost egypt the united states' favor. a n end to the stalemate may have been in egypt's economic interest, but at the time, the united states would not mediate a deal acceptable to sadat. the 1973 yom kippur war, which dealt a blow to the israeli ego, ended this stalemate. by working closely with the united states to develop the two sinai ceasefire agreements, egypt received more favor (and favors) from the united states. by 1978, the united states, under president jimmy carter, was willing to broker a deal more acceptable to sadat. in addition, both the israelis and egyptians were willing to trade land for peace. this stalemate ended in a peace agreement. the contents of the peace agreement and, from the accounts of sadat and carter in their respective memoirs, the negotiations at camp david focused little on the direct economic effects of peace. there were some side agreements whereby the egyptian air force received american aid and the israelis purchased oil at market value from the sinai oil wells which were turned over to egyptian control. however, the bulk of the negotiations seemed to focus on other issues—the future of the palestinians and israeli settlements in the sinai, for example. x x l x although the camp david accords netted little in terms of formal arrangements with the united states, sadat had every reason to think that the united states would provide some reward for his willingness to sign a united statesmediated peace deal. after signing the united statesanwar al-sadat, j immy carter, a n d m e n a c h e m begin s h a k i n g h a n d s at camp david accord s i g n i n g h u n g e r f o r p e a c e : e g y p t ' s e c o n o m i c r e a s o n s t o s e e k p e a c e w i t h i s r a e l mediated sinai ceasefire agreements, egypt received increased development aid from the united states. by 1977, the united states was providing arms to only three countries i n the middle east: israel, saudi arabia, and egypt. sadat saw the benefits of going along with united states initiatives, and in 1978 decided to launch an initiative of his own that would endear h im even more to the hearts of united states' policymakers with the unspoken hope that it would lead to more american foreign aid. c o n c l u s i o n the economic motivation for camp david was not there. after all, the arabs offered him an option. he knew the arab world would boycott egypt; he didn't have any offer from the u.s. side or others at the time, so it was a genuine effort by him to make peace. -mustafas khalil, prime minister of egypt lgjs-igso.7001 is prime minister mustafas khalil correct? it would be a fool's errand to try to prove i n this paper that a true desire for peace for peace's sake did not motivate sadat, at least in part, to seek peace with israel. the psychological aspects of this peace process are, indeed, an important topic. however, egypt's foreign policy history shows that sadat understood the correlation between peace and western aid, and economic history shows that sadat's policies required western aid and investment in order to succeed. whether or not egypt's economy improved following the camp david accords is irrelevant to this study; sadat's intentions are the focus. because it is human nature to aggrandize one's own benevolence for posterity, sources such as the memoirs of sadat and president carter are not wholly useful, as they, by nature, tend to accentuate the moralistic aspects of their policy decisions. this is why secondary historical sources have primarily been relied upon for this paper. hence, former prime minister khalil's statement should be scrutinized through the lens of history. indeed, the arabs did offer increased aid to egypt in an effort to steer sadat away from the negotiating table. in a november 1978 meeting of the arab league in baghdad, lebanon alone offered sadat $5 billion over ten years i f he would not attend the scheduled camp david summit. sadat's ironic reply was that his nation's future was not for sale. x x x l i n fact, the future of sadat's nation was for sale, but not for a mere $500 mill ion in aid per year. instead, its price was the expectation of increased western aid and fdi. while khalil is correct in saying that there was never an explicit agreement that the united states would increase their aid to egypt following a peace with israel, a look at the his"egypt's peace movements towards israel in the igyos can be cynically but accurately viewed as an extension of sadat's domestic economic policies." tory of egyptian-american relations makes it appear reasonable for sadat to assume that peace with israel would lead to increased american foreign aid. throughout the 1970s, as egypt drew closer to the united states, their aid packages increased. the increase which followed the signing of the two sinai ceasefire agreements was especially dramatic: us aid was $371.9 mil l ion in 1975 and $986.6 mill ion i n 1976, the year after the signature of the second sinai agreement. 5 0™ 1 a similar jump in united states aid took place after the signing of the camp david accords: from $1.0 billion in 1977 to $2.2 billion in i 9 7 9 . x x x m not only did peace with israel promise increases in foreign aid, but it also allowed companies such as coca-cola to enter the country despite their dealings with israel, something that kept them out of egypt before the camp david accords. fdi increased from 10 percent of all egyptian investment in 1977 to 14 percent in 1979. in summation-, egypt's peace movements towards israel in the 1970s can be cynically but accurately viewed as an extension of sadat's domestic economic policies. at the very least, one must incorporate this view into any complete understanding of the 1970s peace between egypt and israel. sadat's infitah program of liberalization of the economy could only succeed i f foreign development aid and fdi levels were high. as egypt moved from the soviet union towards the united states, its foreign aid and foreign investment increased, and sadat exploited this pattern and throughout the 1970s. domestically, cutting subsidies was obviously not an option following the january 1978 riots, yet balancing the budget was a necessity; cutting military spending was a clear way to achieve this goal. sadat's attempts to fix these domestic economic issues resulted in his decision to seek a lasting peace with israel. e n d n o t e s i . friedlander (6) i i . friedlander (208) i i i . mcdermott (122) iv. mcdermott (122) v. beattie (3) vi . beattie (93) v i i . mcdermott (131) v i i i . friedlander (6) ix. friedlander (4) x. beattie (214) ix. friedlander (5) x. beattie (139) xi . beattie (141) xi i . quoted i n beattie ( 220) x i i i . beattie (220) xiv. beattie (5) xv. beattie (5) xvi. beattie (6) xvii. mcdermott (127) xvii i . israeli (32) xix. beattie (50) xx. beattie (55) xxi. beattie (87) xxii. beattie (132) xxii i . beattie (138) xxiv. beattie (179) xxv. beattie (179) xxvi. beattie (216) xxvii. friedlander (67) xxviii. israeli (153) xxix. carter (319-403) xxx. quoted i n beattie (228) xxxi. friedlander (257) xxxii. beattie (179) xxxiii. beattie (231) r e f e r e n c e s beattie, k. j. 2000. egypt during the sadat years. new york: palgrave. carter, j. 1982. keeping faith: memoirs of a president. toronto: batnam books. friedlander, m . 1983. sadat and begin: the domestic politics of peacemaking. boulder, col.: westview press. israeli, r. i . 1981. egypt-aspects of president anwar al-sadat's political thought. jerusalem: the magness press. mcdermott, a. 1988. egypt from nasser to mubarak: a flawed revolution. london: croom h i l l . h u n g e r f o r p e a c e : e g y p t ' s e c o n o m i c r e a s o n s t o s e e k p e a c e w i t h i s r a e l "despite differences in the healthcare systems in the united states and england, there is strong evidence supporting the presence of socioeconomic status disparities with regard to cochlear implantation in both countries." h e a r i n g t h e classes a study of cochlear implantation and socioeconomic status r k a t h e r i n e k o n i a r e s p r o f o u n d h e a r i n g l o s s a f f e c t s t h o u s a n d s o f p e o p l e i n t h e u n i t e d s t a t e s a n d t h e u n i t e d k i n g d o m , w i t h a h i g h e r i n c i d e n c e a m o n g p e o p l e o f l o w s o c i o e c o n o m i c s t a t u s . a c o c h l e a r i m p l a n t i s a s u r g i c a l l y i m p l a n t e d d e v i c e t h a t h a s b e e n d e m o n s t r a t e d t o i m p r o v e c o m m u n i c a t i o n a n d q u a l i t y o f l i f e a m o n g p r o f o u n d l y h e a r i n g i m p a i r e d i n d i v i d u a l s . t h i s r e v i e w p o s t u l a t e s t h a t t h e r a t e o f c o c h l e a r i m p l a n t a t i o n a m o n g e l i g i b l e c a n d i d a t e s c a n b e u s e d t o a s s e s s q u a l i t y o f h e a l t h c a r e , w i t h a v i e w t o w a r d e x a m i n i n g d i s p a r i t i e s i n h e a l t h c a r e s e r v i c e s b o t h i n a m e r i c a n f r e e m a r k e t s y s t e m a n d i n t h e b r i t i s h n a t i o n a l h e a l t h s e r v i c e . a s y s t e m a t i c l i t e r a t u r e s e a r c h w a s p e r f o r m e d f o r p e r t i n e n t a r t i c l e s i n v e s t i g a t i n g s o c i o e c o n o m i c s t a t u s a n d c o c h l e a r i m p l a n t a t i o n . d a t a f r o m t w e n t y t w o s o u r c e s w e r e a n a l y z e d , a n d i t w a s s h o w n t h a t — d e s p i t e d i f f e r e n c e s i n t h e h e a l t h c a r e s y s t e m s o f t h e u n i t e d s t a t e s a n d e n g l a n d — s i m i l a r t r e n d s a r e a p p a r e n t i n t h e t w o c o u n t r i e s w i t h r e g a r d t o a l o w e r r a t e o f p e d i a t r i c c o c h l e a r i m p l a n t a t i o n s u r g e r y i n c h i l d r e n w i t h p r o f o u n d h e a r i n g l o s s a s f a m i l i a l s o c i o e c o n o m i c s t a t u s d e c r e a s e s . i n t r o d u c t i o n h e a r i n g loss is one o f the m o s t prevalent hea l th condi t ions i n the u n i t e d states a n d england, w i t h moderate to prof o u n d bi lateral hear ing loss diagnosed i n 2-3 infants per 1 ,000 b i r ths i n the u n i t e d states and 1 per 1 ,000 b i r t h s i n england. 1 fifty to n inety percent m o r e c h i l d r e n are diagnosed w i t h hear ing i m p a i r m e n t by 9 years o f age. 2 c h i l d r e n f r o m lower i n c o m e famil ies are twice as l ike ly to be deaf w h e n compared to c h i l d r e n f r o m h igher i n c o m e fami l ies . 3 degrees o f hear ing loss are measured i n decibels, and are def ined as moderately severe (66-74 db) , severe (75-90 db) , or p r o f o u n d (>90 db) , according to the 4-frequency (500, 1000, 2 0 0 0 , a n d 4 0 0 0 h z ) pure-tone average (pta). 4 cochlear i m p l a n t a t i o n (ci) is an o p t i o n for i n d i viduals w i t h severe to p r o f o u n d hear ing loss, w h o receive m i n i m a l benefit f r o m hear ing aids. 5 a c i is an electronic device surgically embedded i n the i n n e r ear, used to s t i m u late the auditory nerve i n response to s o u n d and generate the outcome o f h e a r i n g . 6 u n l i k e hear ing aids, a c i requires surgery and necessitates considerable costs t h r o u g h o u t the patient's l i f e t i m e . 7 pcis differ f r o m the i r adult equivalents because c h i l d r e n depend o n cis to learn spoken language skills and therefore require costly and extensive hab i l i t a t ion . a successful c i m a y lead to i m p r o v e d academic achievement, superior e m p l o y m e n t o p p o r t u n i ties, and decreased dependence o n social services as an adul t . 8 low ses, w h i c h is characterized by m i n i m a l educat ion, househo ld i n c o m e , a n d accumulated wea l th , often curtails the abi l i ty o f indiv idua ls to access crucia l healthcare, such as pcis. w i t h i n the d o m a i n o f pcis, there is a g r o w i n g disparity w i t h regard to the rate o f cochlear i m p l a n t a t i o n s a n d pos t implanta t ion speech and language development for c h i l d r e n w i t h hear ing loss. 9 a p e d i a t r i c c o c h l e a r i m p l a n t w i t h a m o d e l o f t h e h u m a n ear. to examine the effects o f ses o n cochlear i m p l a n t a t i o n i n the u n i t e d states a n d england, a l i terature search was perf o r m e d u s i n g three databases—medline, p u b m e d , a n d google scholar. art ic les were restricted to those publ i shed between 1999 and 2 0 0 9 . the f o l l o w i n g keywords were used i n r a n d o m combinat ions and l i n k e d u s i n g the 'and ' o p t i o n i n advanced searches: cochlear i m p l a n t , pediatric, ses, socioeconomic status/disparity, medica id , us, a n d u k . once the results were reviewed and valuable ar t i cles ident i f ied , the i r references were combed for per t inent articles. further cr iter ia i n the selection o f articles i n c l u d e d a pediatric (age less t h a n 18 years) study popula t ion . a d d i t i o n a l ly, articles e x a m i n i n g ses w i t h regard to race/ethnicity a n d gender were excluded. fourteen articles were i d e n t i f ied u s i n g the established cr iter ia a n d an addi t ional e ight sources were used for statistical a n d background i n f o r m a t i o n . results several studies i n the u n i t e d states and the u n i t e d k ingficure v. us i n c o m e c a t e g o r y c o m p a r e d t o ci f a m i l i e s . after s o r k i n et a l . (2008) . income category c i families, n (%) u.s. families i n category, % less t h a n $25,000 19 (12.8) 28.7 $25,001 $50 ,000 35 ( 2 3-6) 29 .4 $50,001 $75,000 35 ( 2 3-6) 19.4 $75,001 $ 100 ,000 21 (14.2) 10.2 $ 100 ,000+ 35 (23-6) 12.3 e l e m e n t s fall 2010 affluence level implanted, n (%) i (least affluent) 130 (14.9) 2 72 (8.4) 3 73 (8-4) 4 73 (8-4) 5 8 9 (10.2) 6 75 (8-6) 7 95 (10.9) 8 92 (10.5) 9 79 (91 ) i o (most affluent) 93 (10.7) figure 2: u k a f f l u e n c e level c o m p a r e d t o i m p l a n t e d f a m i l i e s . after f o r t n u m et a l . ( 2 0 0 2 ) . d o m have compared household i n c o m e w i t h the rate o f pediatric cochlear i m p l a n t a t i o n . 1 0 one study i n the u n i t e d states examined the re lat ionship between household i n come, the n u m b e r (and percentage) o f famil ies w i t h a c h i l d w h o received a c i , and the percentage o f household famil ies i n each i n c o m e category (figure 1). i t was concluded t h r o u g h x2 analysis ( p < o . o o i ) that famil ies o f ch i l d r e n w i t h a c i were m o r e l ike ly to earn over $ 100 ,000 a n d less l ike ly to earn u n d e r $25 ,000 t h a n famil ies nat ionw i d e . 1 1 a study i n the u n i t e d k i n g d o m (figure 2) showed that there was a s ignif icant decrease i n the percentage o f c h i l d r e n w h o received a c i as affluence decreased ( p < o . o o i ) . 1 2 data o n cochlear i m p l a n t procedures p e r f o r m e d o n chi l d r e n i n the u n i t e d states i n 1997 was acquired f r o m a nat i o n a l pediatric hospi ta l discharge database, the kids ' i n pat ient database (kid) f r o m the h e a l t h care cost a n d u t i l i z a t i o n project ( h c u p ) , w h i c h is a col lect ion o f private and state resources and is sponsored by the agency for h e a l t h care research a n d qual i ty ( a h r q ) . 1 3 i t was f o u n d that 4 7 % o f patients i n the k i d w h o received a pci l ived i n households f r o m the highest k i d category (>$35,ooo), a n d m o r e t h a n 7 0 % o f patients w i t h a pci came f r o m families w i t h an annua l i n c o m e above the nat iona l average. c i manufacturers ' data o n pci recipients ' household i n c o m e was s imi la r to that o f the k i d . 1 4 a study p e r f o r m e d i n the u n i t e d k i n g d o m , a i m e d at determ i n i n g the out-of-pocket costs for famil ies a t tending a c i p r o g r a m at n o t t i n g h a m pediatric cochlear i m p l a n t a t i o n p r o g r a m m e (npcip) , concluded that the m e a n total outof-pocket a n d t i m e costs for a fami ly per year were £ 2 , 4 6 2 . however, these costs varied s ignif icantly depending o n the n u m b e r o f years the pat ient h a d been i n the p r o g r a m , f r o m a m e a n cost o f £ 3 , 0 9 0 d u r i n g the first 2 years to £ 2 , 1 5 9 f ° r those i m p l a n t e d 2-5 years ago, to £ 1 , 8 1 5 f ° r pc is carr ied out over 5 years ago. the change i n average cost per year reflects the need for n u m e r o u s appointments a n d support for famil ies i n the years i m m e d i a t e l y fol lowi n g i m p l a n t a t i o n . 1 5 a study i n the u n i t e d k i n g d o m that evaluated parents ' wil l ingness-to-pay (wtp) for a pci concluded that the m e a n monetary value parents are w i l l i n g to pay is £ 1 2 7 per m o n t h for 25 years o f t reatment . i f parents p a i d £ 1 2 7 per m o n t h for 25 years, the w t p for pci per c h i l d w o u l d s u m to £ 3 0 , 3 4 9 . i n 2 0 0 0 / 2 0 0 1 , the annua l n h s costs for pci were £ 9 . 2 3 m i l l i o n for a total o f 1,527 c h i l d r e n (1,290 chi l d r e n w i t h exist ing c i and 237 newly i m p l a n t e d ) . i f the famil ies o f al l 1,527 c i patients were w t p £ 1 2 7 per m o n t h , the total w t p for 2 0 0 0 / 2 0 0 1 w o u l d have only been £ 2 . 3 m i l l i o n , l eading to a £ 6 . 9 3 m i l l i o n deficit i n supply verses d e m a n d . 1 6 p a r e n t a l c h a r a c t e r i s t i c s the results o f a study i n the u n i t e d states i n w h i c h audiologists were asked to describe specific causes for the poorer outcomes o f pci i n c h i l d r e n w i t h a l o w ses ident i f ied a lack o f parental self-efficacy i n l o w ses famil ies , w h i c h makes i t cha l lenging for parents to advocate for the i r ch i l d r e n i n healthcare settings. low ses parents also have difficulty adher ing to schedules for appointments . i n response to a quest ion c o m p a r i n g i m p l a n t candidacy and adherence, 4 7 % (47 o f 101) o f audiologists said they w o u l d either "never" or "rarely" r e c o m m e n d p e r f o r m i n g a c i o n a c h i l d whose parents showed non-adherence d u r i n g assessment. 1 7 figure 3: p a y m e n t m e t h o d s o f c h i l d r e n o t o l 8 years o f a g e w h o r e c e i v e d a ci i n 1997a f t e r s t e r n et a l . (2oo5) . insurance payment type frequency (%) private, i n c l u d i n g h m o 74-5 medica id 21 self-pay 1 • other 3-5 h e a r i n g t h e c l a s s e s a s e v e n y e a r o l d boy h a v i n g h i s c o c h l e a r i m p l a n t s t u n e d i n a n a n e c h o i c c h a m b e r . one u.s. study p e r f o r m e d an analysis concern ing whether or not a referral for a c i was made. mult ivar iab le logistic regression was u t i l i z e d to observe a re lat ionship between socio-demographics and referrals. o f the 105 patients i n c luded i n the study, 73 ( 6 9 % ) received a referral . c h i l d r e n w h o were referred for a c i were m o r e l ike ly to have marr ied parents ( 9 1 % verses 7 0 % ) . 1 8 p a y m e n t m e t h o d s several studies have explored the re lat ionship between payment methods used to cover the costs o f a c i i n the u n i t e d states and u n i t e d k i n g d o m , a n d r e i m b u r s e m e n t rates for hospitals. figure 3 shows that m o r e t h a n 7 0 % o f the pci recipients used private hea l th insurance i n the u n i t e d states as the i r p r i n c i p a l means o f payment i n 1997, w h i l e 21% used m e d i c a i d . 1 9 i n one study i t was f o u n d that i n at least 18 states medica id r e i m b u r s e m e n t policies d i d n o t cover hospitals ' costs o f b u y i n g c i devices. these 18 states comprise 4 4 % o f medicaid e n r o l l m e n t . i n at least 8 other states, medica id r e i m bursements usual ly compensated hospitals for the cost o f the c i device, b u t these states comprise only 8 % o f medicaid e n r o l l m e n t . the average purchase price for a c i prosthetic system is $19,745 (n=46 hospitals) . a l t h o u g h medicaid policies for r e i m b u r s i n g hospitals for cis vary wide ly f r o m state to state, the m e d i a n r e i m b u r s e m e n t rate for medica id is $13,800 (n=9 hospitals) , w h i l e the m e a n r e i m b u r s e m e n t rate for private insurers is $15,757 (n=27 hospita l s ) . 2 0 v i t has already been established that cis are cost effective, independent o f the patients ' age at the t i m e o f implanta t i o n , b u t a study was p e r f o r m e d i n the u n i t e d k i n g d o m to determine the direct cost o f i m p l a n t a t i o n per c h i l d charged to hea l th authorit ies by the n p c i p i n 1997-1998. 2 1 the cost for assessment and i m p l a n t a t i o n was est imated to be £ 2 7 , 5 0 0 ( $ 4 4 , 0 0 0 , a s suming £ 1 = $1.60). rehabi l i tat ion a n d maintenance for the first two years f o l l o w i n g i m p l a n t a t i o n cost , £ 4 , 0 0 0 ($6 ,400) per year. maintenance for the t h i r d year after i m p l a n t a t i o n and each consecutive year was expected to cost £ 2 , 3 0 0 ($3,680) per year. therefore, the total cost i n c u r r e d by the government for the first 4 years i n c l u d i n g the i m p l a n t a t i o n was est imated to be £ 3 7 , 8 0 0 ( $ 6 o , 4 8 o ) . 2 2 d i s c u s s i o n despite differences i n the healthcare systems i n the u n i t ed states a n d the u n i t e d k i n g d o m , there is s t rong evidence s u p p o r t i n g the presence o f ses disparities w i t h regard to cochlear i m p l a n t a t i o n i n b o t h countries . there are s imi la r patterns o f affluence and pci prevalence i n the u n i t e d states, where the m a j o r i t y o f patients have private insurance, and the u n i t e d k i n g d o m , where the n h s pays for the complete medica l cost o f cis. th i s impl i e s that variables besides household i n c o m e a n d educat ion level affect rates o f p c i . 2 3 there are several possible factors l i m i t i n g access to cis, i n c l u d i n g a lack o f knowledge about cis a m o n g famil ies o f hear ing i m p a i r e d c h i l d r e n , n o t havi n g insurance, and financial incentives for providers or ig i n a t i n g i n payment policies for pub l i c and private insurers . 2 4 i t has been extensively d o c u m e n t e d that m o r e c h i l d r e n w i t h pcis are f r o m famil ies w i t h annua l incomes h igher t h a n the nat iona l average. 2 5 one explanation for this is that affluent indiv iduals are m o r e l ike ly to employ healthcare service's i n genera l . 2 6 this may be because famil ies w i t h a h igher ses are m o r e concerned w i t h heal th and are less discouraged by personal expenses, such as t i m e and travel, i n c u r r e d for u t i l i z i n g healthcare facilities. th i s is part icular ly per t inent to pci centers i n the u n i t e d k i n g d o m because there are only 16 facilities that provide the procedure , and therefore, famil ies m u s t f requently travel extensive distances, especially d u r i n g the first few years f o l l o w i n g i m p l a n t a t i o n . 2 7 c h i l d r e n o f lower ses famil ies often have parents w i t h l o w levels o f educat ion and subsequent low-paying employm e n t , w h o m u s t w o r k l o n g hours i n order to earn an adee le m e n t s f a l l 2010 quate i n c o m e . long w o r k i n g hours lead to an inf lexible schedule a n d i m p a i r the i r abi l i ty to attend appointments . low ses famil ies have a shortage o f resources such as t i m e a n d t ransportat ion , and are confronted w i t h such challenges as f ami ly size, childcare, and single parenthood , w h i c h only exacerbate the inab i l i t y to attend appointments and thus det r imenta l ly affect the l i k e l i h o o d o f b e i n g considered as a pci candidate . 2 8 financial incentives for audiologists may impede l o w ses patients ' access to pcis because o f l o w r e i m b u r s e m e n t rates for patients u s i n g medica id , as compared to private insurance companies . 2 9 cis do n o t replace alternative expensive medica l t reatments because m o s t c i candidates have hear ing i m p a i r m e n t s that are too severe to be rectified by hear ing aids. rather, savings are encountered outside the healthcare f ie ld i n such areas as educat ion, comm u n i c a t i o n , and employabi l i ty , i n add i t ion to the psychological a n d social aspects o f the chi ld 's we l l -be ing . 3 0 i n england, pci is capacity-constrained, m e a n i n g that on ly a l i m i t e d n u m b e r o f facilities receive f u n d i n g each year; therefore, pci programs are not heavily advertised. instead, referral to the p r o g r a m is requ i red f r o m the pat ient 's doctor. not only are famil ies w i t h a h igher ses m o r e l ike ly to vis i t the doctor, b u t they are consequently m o r e i n f o r m e d about pcis and m o r e articulate i n advocati n g for the i r c h i l d . 3 1 possible steps to alleviate disparities a l t h o u g h rect i fy ing the root cause o f u n e q u a l access to pci services w o u l d require e l i m i n a t i o n o f global poverty, some less ambi t ious objectives may be i m p l e m e n t e d i n order to i m p r o v e access to care for patients i n l o w ses famil ies i n the u n i t e d states and u n i t e d k i n g d o m . one such goal is to a u g m e n t the workforce o f c i providers , especially those t ra ined to w o r k i n underserved and m o r e cul tura l ly diverse c o m m u n i t i e s . th i s w o u l d reduce the t ransportat ion and t i m e costs i n c u r r e d by famil ies w h o have to travel l o n g distances to attend pci appointments , and w o u l d increase the access l o w ses c h i l d r e n have to pcis. addit ional ly , i m p l e m e n t i n g educat ion and counseli n g programs w o u l d i m p r o v e parents ' abi l i ty to advocate for the i r chi ldren's healthcare. 3 2 the u.s. medica id system, w h i c h insures 37.5 m i l l i o n people or 12 .9% o f the popu la t ion , should be restructured to a l low for universa l hospita l r e i m b u r s e m e n t standards i n every state and r e i m b u r s e m e n t policies comparable to a f a t h e r a n d h i s s i x y e a r o l d s o n react t o t h e s o n h e a r i n g h i s f i r s t s o u n d s t h a n k s t o a c i . those o f private insurance companies . 3 3 th i s w o u l d e l i m i nate any propensi ty for physicians a n d audiologists to preferential ly p e r f o r m pcis o n privately i n s u r e d candidates. rather t h a n pay hospitals and doctors o n a proced u r a l basis, payment s h o u l d be d i s t r ibuted based o n the qual i ty o f care. u n d e r such circumstances, a patient's i n surance status w o u l d have n o bear ing o n the i r level o f healthcare. president barack o b a m a is t a k i n g steps to i m p l e m e n t a publ ic heal th insurance o p t i o n for those i n d i viduals w i t h o u t insurance. this w o u l d p u t pressure o n private insurance companies to keep the i r p r e m i u m s d o w n and increase l o w ses patients ' access to healthcare. 3 4 the n h s has taken steps to aid l o w ses famil ies ' access to healthcare t h r o u g h such programs as the healthcare travel costs scheme, w h i c h provides a r e f u n d for travel expenses i n c u r r e d w h i l e t ravel ing to a hospita l or other n h s locat ion for n h s funded t rea tment . 3 5 despite efforts to e l iminate financial inequal i t ies , the ses disparity remains . the establ ishment o f a self-help support group for l o w ses parents w o u l d i m p r o v e self-efficacy and adherence to ) h e a r i n g t h e c l a s s e s scheduled appointments . the ideal p r o g r a m w o u l d provide medica l care for the c h i l d i n c o n j u n c t i o n w i t h educat i o n a n d support for the parents . 3 6 l i m i t a t i o n s ses is di f f icult to define and is measured by a variety o f di f ferent scales. 3 7 a l t h o u g h studies have been conducted i n the u n i t e d states and the u n i t e d k i n g d o m to explore disparities between ses and the rate o f pcis, di f ferent ses proxies were used i n each country. therefore, trends i n ses disparities can be analyzed i n each i n d i v i d u a l country, b u t i t is n o t current ly possible to quantitat ively compare the extent o f disparity i n the u n i t e d states to that i n the u n i t e d k i n g d o m . addit ional ly , the populat ions o f the u n i t e d states and u n i t e d k i n g d o m are n o t u n i f o r m . t h u s , even t h o u g h studies e x a m i n i n g disparities between race/ ethnic i ty a n d gender were n o t i n c l u d e d i n th is l i terature review, part icular ses categories m a y be m o r e represented by certain social groups. also , studies i n the u n i t e d kingd o m d i d n o t always have corresponding data for the u n i t ed k i n g d o m , and vice versa. therefore, some aspects o f ses disparit ies were m o r e t h o r o u g h l y investigated i n one country t h a n the other. f u r t h e r r e s e a r c h after analyzing the current l i terature o n ses disparities and the rate o f pcis, i t is essential to suggest topics for fur ther research. a study should be under taken to compare the ses o f famil ies w i t h c h i l d r e n w i t h a c i u s i n g the same standard o f measurement i n the u n i t e d states and u n i t e d k i n g d o m , such as the jarman score or h o l l i n g s head's four-factor score. future research s h o u l d also explore the wa i t t i m e for pci i n the u n i t e d states and u n i t e d k i n g d o m , a n d investigate whether or n o t there is a relat i o n s h i p between ses a n d wa i t t i m e . th i s w o u l d a l low for a concrete compar i son o f ses disparities i n the t w o countries. addi t ional ly , research s h o u l d explore the speech deve lopment and l o n g t e r m educational outcomes o f ch i l d r e n w h o received a c i at a y o u n g age versus those w h o were older at the t i m e o f i m p l a n t a t i o n . c o n c l u s i o n the free-market healthcare system i n the u n i t e d states differs f r o m the n h s i n the u n i t e d k i n g d o m , b u t b o t h systems exhibi t ses disparities w i t h regard to pcis. a l t h o u g h the n h s pays for al l costs o f pcis, these disparities are s t i l l present i n the u n i t e d k i n g d o m . thi s should be taken i n t o account by u.s. legislatures w h e n f o r m u l a t i n g new healthcare plans for the u n i t e d states. i n l i g h t o f the current healthcare re forms u n d e r the obama adminis t rat i o n , w h i c h a i m to provide healthcare for al l amer icans , i t should be noted that a universa l healthcare system does not necessarily e l iminate disparities. i n a d d i t i o n to prov idi n g healthcare payment for al l amer icans , the u.s. governm e n t s h o u l d focus o n educat ing amer icans about the i r healthcare options t h r o u g h nat iona l m e d i a campaigns a n d local workshops specialized for part icular medica l fields, w h i c h w o u l d enable ind iv idua l s to advocate for t h e m selves. further research is needed to m o r e t h o r o u g h l y i n vestigate the issues involved i n healthcare disparit ies, b u t the results o f this l i terature review indicate that ne i ther a free-market nor a universa l healthcare system is the ideal m e t h o d for p r o v i d i n g equal healthcare to al l . a p p e n d i x ses i n d i c e s townsend material deprivation score: the townsend score combines the individual scores of four variables to form an overall score that can then be used to rank particular geographical areas relative to others. the average score is zero, and the higher the score, the more deprived the area. the four variables are: 3 8 1) unemployment percentage of residents actively seeking employment 2) car ownership percentage of households that do not possess a car 3) owner occupation percentage of households that do not own their accommodations 4) overcrowding percentage of households wi th more than one person per room jarman score: the jarman score is used to determine deprivation payments to general practitioners and consists of the following variables:3 9 1) people over the age of 65 who are living alone 2) children under the age of 5 3) single parent households 4) unskilled workers 5) unemployment e l e m e n t s : : f a l l 2010 6) overcrowded households 7) address change i n the past year 8) ethnic group hollingshead's four-factor score: the hollingshead score is derived from education and occupation characteristics of each parent. individual education and occupation scores are weighted to obtain a single score for each parent that represents 1 of 5 social strata (1 represents unskilled laborers and 5 represents higher professionals). the scores for each parent are then averaged to determine a single score for the household. the education and occupation scores are calculated as follows: 4 0 1) education score ranges from 1-7, wi th 1 equal to less than 7* grade education and 7 equal to graduate level education 2) occupation score ranges from 1-9, with 1 equal to farm laborers/menial service workers and 9 equal to higher executives, owners of large businesses, and major professionals medicaid: medicaid is a government program that provides health insurance for low-income individuals. eligibility is based on a combination of income and population "category." the populations generally eligible are children, parents of dependent children, pregnant women, the disabled, and the elderly. the income levels at which these groups qualify for medicaid differ f rom state to state.41 q u o r u m f l o w c h a r t articles identified as potentially relevant to pediatric cochlear implants, n= 415 articles identified as potentially relevant to pediatric cochlear implants, n= 415 articles excluded due to lack of relevance to ses disparities i n the united states or united kingdom, n= 383 articles excluded due to lack of relevance to ses disparities i n the united states or united kingdom, n= 383 articles excluded due to lack of relevance to ses disparities i n the united states or united kingdom, n= 383 articles identified as relevant to ses disparities i n the united states or united kingdom and pediatric cochlear implants, n= 32 articles excluded due to lack of relevance to ses disparities i n the united states or united kingdom, n= 383 articles identified as relevant to ses disparities i n the united states or united kingdom and pediatric cochlear implants, n= 32 articles identified as relevant to ses disparities i n the united states or united kingdom and pediatric cochlear implants, n= 32 articles excluded due to lack of relevance to rates of cochlear implantation, n= 10 articles excluded due to lack of relevance to rates of cochlear implantation, n= 10 articles excluded due to lack of relevance to rates of cochlear implantation, n= 10 articles with useful and relevant information, n= 22 articles excluded due to lack of relevance to rates of cochlear implantation, n= 10 articles with useful and relevant information, n= 22 t h e k i d the kid provides data for analysis of national pediatric hospital discharges (for inpatient stays lasting longer than 24 hours) and consists of a random sample of 80% (n=i,905,797) of non-newborn pediatric discharge records from 22 states i n 1997. the variables recorded i n the kid include age, race, procedure codes, diagnostic codes, length of stay, total charges, and insurance coverage. children receiving cochlear implants have one of three primary diagnoses—sensorineural hearing loss, sensorineural loss combined type, or hearing loss—and one of three primary procedure codes—electromagnetic hearing device implant, i m planted cochlear prosthetic device, or implanted mechanical cochlear prosthetic device. once the patients were identified, demographic information including age and median household income i n the geographic region of the patient's home zip code (categorized as: $o-$25,ooo; $25,ooi-$30,ooo; $30,ooi-$35,ooo; and >$35,ooo) was collected. the average household income i n 1997 was $35,145. demographic information concerning ses and household educational level was provided by the advanced bionics and cochlear corporations and was then compared with the kid. o u t o f p o c k e t expenses out-of-pocket costs include transportation, overnight accommodation, child-care, and time costs of the children and parents not being able to work while attending appointments. time costs were calculated as 65% of the parents'/children's weekly wage rate. e n d n o t e s 1. national institute for deafness and communication disorders 2008 2. fortnum et al. (2001) 3. national health interview survey 4. wiley et al. (2009) 5. nhs national institute for health and clinical experience; shiomi et al. (1999) 6. o'neill et al. (2009); sach et al. (2005) 7. national institute for deafness and communication disorders (2008) 8. o'neill et al. (2009) 9. kirkham et al. (2009) 10. sorkin et al. (2008); fortnum et al. (2002) 11. sorkin et al. (2008) 12. fortnum et al. (2002) 13. steiner et al. (2002) 14. stern et al. (2005) 15. sach et al. (2005) 16. sach et al. (2004) 17. kirkham et al. (2009) ) h e a r i n g t h e c l a s s e s 18. wiley et al. (2009) 19. stern et al. (2005) 20. garber et al. (2002) 21. summerfield et al., 2010 22. o'neill et al. (2009) 23. stern et al. (2005) 24. garber et al. (2002) 25. sach et al. (2005) 26. goddard et al. (2001) 27. sach et al. (2004) 28. kirkham et al. (2009) 29. garber et al. (2002) 30. o'neill et al. (2009) 31. sach et al. (2004) 32. kirkham et al. (2009) 33. u.s. department of health and human services 34. the white house 35. nhs 36. kirkham et al. (2009) 37. oakes et al. (2003) 38. nhs public health network 39. ibid. 40. cirino et al. (2002) 41. u.s. department of health and human services r e f e r e n c e s cirino, paul t., christopher e. chin, rose a. sevcik, maryanne wolf, maureen lovett and robin d. morris. "measuring socioeconomic status: reliability and preliminary validity for different approaches." assessment, 9.2 (2002): 145-155. fortnum, heather m . , david h . marshall, and a. quentin summerfield. "epidemiology of the uk population of hearingimpaired children, including characteristics of those with and without cochlear implants audiology, aetiology, comorbidity and affluence." international journal of audiology, 41.3 (2002): 170-179. fortnum, heather m . , a. quentin summerfield, david h . marshall, a.c. davis, and j.m. bamford. "prevalence of permanent childhood hearing impairment i n the united kingdom and implications for universal neonatal hearing screening: questionnaire based ascertainment study." british medical journal, 323.7312 (2001): 536-539. garber, steven, susan ridgely, melissa bradley, and kenley w. chin. "payment under public and private insurance and access to cochlear implants." archives of otolaryngology-head & neck surgery, 128.10 (2002): 1145-1152. goddard, m . and p. smith. "equity of access to health care services: theory and evidence from the uk." social science & medicine, 53.9 (2001): 1149-1162. kirkham, erin, chana sacks, faud baroody, junes siddique, mary ellen nevins, audie woolley, and dana suskind. 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"recent epidemiology of pediatric e l e m e n t s : : f a l l 2010 http://www.nidcd.nih.gov/health/statistics/quick.htm http://www.nidcd.nih.gov/health/statistics/quick.htm http://www.nhs.uk/nhs%20england/%20healthcosts/%20pages%20/travelcosts.aspx http://www.nhs.uk/nhs%20england/%20healthcosts/%20pages%20/travelcosts.aspx http://www.nhs.uk/nhs%20england/%20healthcosts/%20pages%20/travelcosts.aspx http://www.nice.org.uk/ta166 http://www.avon.nhs.uk/phnet/phinfo/%20understanding.htm http://www.avon.nhs.uk/phnet/phinfo/%20understanding.htm cochlear implantation i n the united states: disparity among children of different ethnicity and socioeconomic status." the laryngoscope, 115.i (2005): 125-131. summerfield, a.q., r.e. lovett, h . bellenger, and g. batten. "estimates of the cost-effectiveness of pediatric bilateral cochlear implantation." ear and hearing, 30.5 (2010): 611-624. u.s. department of health and human services. "overview of the uninsured i n the united states: a n analysis of the 2005 current population survey." 28 november 2009 . the white house. "health care the president's plan." 6 december 2009 . wiley, susan and jareen meinzen-derr. "access to cochlear implant candidacy evaluations: who is not making it to the team evaluations?" international journal of audiology, 48.2 (2009): 74-79h e a r i n g t h e c l a s s e s http://aspe.hhs.gov/health/reports/05%20/uninsured-%20cps/index.htm http://aspe.hhs.gov/health/reports/05%20/uninsured-%20cps/index.htm http://www.whitehouse.gov/issues/health-care http://www.whitehouse.gov/issues/health-care "... the nixon doctrine more than any other u.s. or iranian policy contributed directly to the rise and fall of shah muhammed reza pahlavi." i r a n a n d t h e n i x o n d o c t r i n e american arms and the rise and fall of the shah alex c u i t t a r d t h e 1969 n i x o n d o c t r i n e — w h i c h called for e m p o w e r i n g a m e r i c a n all ies i n order to reduce t h e i r d e p e n d e n c e o n t h e u n i t e d states for s e c u r i t y — h a s l o n g been t i e d to p r e s i d e n t n i x o n ' s a i m of r e d u c i n g t h e a m e r i c a n m i l i t a r y presence i n v i e t n a m . h o w e v e r , notes f r o m n i x o n ' s 1967 m e e t i n g w i t h t h e s h a h of i r a n s u g g e st t h at t h e m o n a r c h h e a v i l y i n f l u e n c e d f o r e i g n policy p u r s u e d by t h e future p r e s i d e n t . t h e d o c t r i n e also a l l o w e d t h e s h a h to f u l f i l l h i s r e g i o n a l p o l i t i c a l a m b i t i o n s by f a c i l i t a t i n g t h e sale of b il l i o n s of dollars w o r t h of t h e m o s t s o p h i s t i c a t e d a m e r i c a n w e a p o n r y to i r a n . h o w e v e r , as o i l prices b e g a n to drop i n t h e late 1970s , t h e s h a h ' s defense s p e n d i n g b e g a n to have a n i n c r e a s i n g l y adverse effect o n t h e i r a n i a n e c o n o m y , u l t i m a t e l y c o n t r i b u t i n g to t h e o v e r t h r o w of t h e pah lav i d y n a s t y . t h e d e v e l o p m e n t o f t h e n i x o n d o c t r i n e i n 1969, newly elected president richard n i x o n l a id the cornerstone o f his presidency's fore ign policy w h e n he ann o u n c e d an in i t ia t ive w h i c h w o u l d become k n o w n as the n i x o n doctr ine . a i m e d at r educ ing the u n i t e d states' m i l i tary c o m m i t m e n t s i n southeast asia, the doctr ine called o n america 's allies to provide for the i r o w n defense, rather t h a n depending solely o n the u n i t e d states for the i r security. breaking w i t h the past c o n t a i n m e n t strategies that engaged a m e r i c a n forces i n l o n g and costly conflicts i n korea and v i e t n a m , the new doctr ine st ipulated, in cases involving other [non-nuclear] types of aggression we shall furnish military and economic assistance when requested and as appropriate. but we shall look to the nation directly threatened to assume the primary responsibility of providing the manpower for its defense.1 "the u n i t e d states w o u l d become the arsenal rather t h a n the po l i ceman o f the n o n c o m m u n i s t w o r l d , " 1 1 p r o v i d i n g weapons and t r a i n i n g to regional allies to conta in the soviet threat. "eventually, his ambitions became 'considerably more grandiose' as the shah began to see himself as the regional hegemon—'the ruler from whom all had to seek permission and indulgence.'" t h o u g h th is course o f act ion was or ig ina l ly f ramed as a shift i n u.s. pol icy towards southeast asia, the n i x o n doctr ine h a d its real roots i n tehran. there , i n 1967, form e r vice president n i x o n m e t w i t h the shah o f i r a n , w h o argued that i t w o u l d be "better for u.s. to have i r a n able to defend [it]self t h a n have [a security] guarantee and another v i e t n a m . " 1 1 1 th i s counsel f r o m america 's foremost m i d d l e eastern ally predates the doctr ine by over t w o years and u n doubtedly played a cr i t ica l , format ive role i n the developm e n t o f nixon's fore ign policy. i n m a k i n g his suggestion, the shah was n o t mere ly offeri n g advice, b u t was also seeking a m e r i c a n support for his ambi t ions to play a m o r e d o m i n a n t role i n the m i d d l e east, especially i n the persian gulf . such ambi t ions were l o n g i n the m a k i n g and were the product o f the shah's ardent persian n a t i o n a l i s m and distrust o f " the motives o f h is a m e r i c a n a d m i r e r s . " 1 v m u h a m m a d reza pahlavi k n e w he h a d only come to the peacock t h r o n e after his father was deposed by the al l ies i n 1941. h i s restorat ion by the c i a i n 1953 fur ther added to his insecur i ty by d e m o n s t r a t i n g the inf luence that outside powers wie lded over his k i n g d o m . i t was i n this v e i n that the shah's early m i l i t a r y goals started as b e i n g defensive, "seeking to deter a soviet invas ion" so that he may " u l t i m a t e l y become s t rong e n o u g h to w i t h stand any fore ign pressure." v however, as the i r a n i a n economy developed i n the mid1960s , " iran 's g r o w i n g o i l wea l th . . . a l lowed [the shah] to t h i n k about p lay ing a b igger role i n the m i d d l e east." v l eventually, h is ambi t ions became "considerably m o r e grandiose" as the shah began to see h i m s e l f as the reg ional h e g e m o n — " t h e ru ler f r o m w h o m al l h a d to seek p e r m i s s i o n and i n d u l g e n c e . " v n w h e n great b r i t a i n announced that i t w o u l d w i t h d r a w its forces "east o f the suez" by 1971, the shah d i d n o t pass u p the o p p o r t u n i t y to replace b r i t a i n as guard ian o f the gulf . speaking w i t h n i x o n i n 1967, the shah made a t h i n l y vei led compar i son to britain 's i m m i n e n t w i t h d r a w a l and america 's prob lems i n v i e t n a m , t e l l i n g n i x o n that "the b r i t i s h are spread too t h i n to be s trong e n o u g h everye l e m e n t s s p r i n g 10 1 . — j 'x &y 70 **. y / j w .