id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
expositions-581	none	Dante's Commedia: Theology as Poetry. Edited by Vittorio Montemaggi and Matthew Treherne. Notre Dame, IN: U. of Notre Dame Press, 2010. 388 + xii pp. ISBN-13: 978-0-268-03519-8 (pbk.: alk. paper).	2011	8	.pdf	application/pdf	4594	136	44	6 Most of the volume‟s essays, however, concern the other aspect of reading Dante‟s poetry as theology: addressing how the poetic expression of theology may differ fundamentally from, and challenge, those discursive modes of exegesis or systematic exposition often identified with Dante‟s Commedia 82 theology tout court. A lack of crucial distinctions also mars Christian Moevs‟s “„Il punto che mi vinse‟: Incarnation, Revelation, and Self-Knowledge in Dante‟s Commedia.” 11 Moevs focuses on Dante‟s vision of the punto or point of light from the Primum Mobile, which is heretofore the pilgrim‟s closest vision of God; in sum (although Moevs might dispute this account), his thesis elides Dante with Plotinus, by way of eliding Plotinian Neoplatonism with the Aristotelianism to which Dante ostensibly cleaves.	cache/expositions-581.pdf	txt/expositions-581.txt