id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
grbs-16405	Kárpáti, András	A pais kitharistēs on a Fifth-Century Krater: Innovation in Musical Contest Iconography and the ‘Thracian’ Kithara.	2020	28	.pdf	application/pdf	8244	343	62	3–40, 161–166, 177–180; M. F. Vos, “Aulodic and Auletic Contests,” in H. A. G. Brijder (ed.), Enthousiasmos: Essays on Greek and Related Pottery presented to J. M. Hemelrijk (Amsterdam 1986) 121–130; H. Kotsidu, Die musischen Agone der Panathenäen in archaischer und I ANDRÁS KÁRPÁTI 499 ————— Greek, Roman, and Byzantine Studies 60 (2020) 498–525 merits close scrutiny because the painter depicted him with a so-called ‘hybrid’ kithara,4 the iconographic role of which in contest scenes is still not quite clear.5 Within a main group of 23 vases representing hybrid kitharas, we are now able to define a subgroup of eleven as ‘musical contest scenes with hybrid kithara’ (see Table 1). Th.Cc.53 pais 4? (frag- mentary) seated on hydria with sprig, an other pais with kithara, name inscriptions References to earlier lists containing musical contest scenes with hybrid kitharas: TPh = Talcott and Philppaki, Hesperia Suppl.	cache/grbs-16405.pdf	txt/grbs-16405.txt