COPTIC CULTURE IN THE BYZANTINE WORLD: NATIONALISM AND RELIGIOUS INDEPENDENCE DOWNEY, GLANVILLE Greek and Byzantine Studies; Oct 1, 1958; 1, 2; ProQuest pg. 119 Coptic Culture in The Byzantine World: Nationalislll and Religious Independence GLANVILLE DOWNEY Dumbarton Oaks} Washington} D. C. COPTIC CULTURE, ESPECIALLY AS IT IS KNOWN to most of us, through its art and its surviving literature, seems so re­ mote, and so limited in its significance for the present time, that to many modern students it does not appear to have a very real place in either the history of Christianity or the history of the Byzantine Empire.1 The Coptic language is not widely 1 In the preparation of a general study such as this I have necessarily made use of the work of others, and I am indebted to the researches of a number of scholars, though I believe that the point of view adopted in this paper, and the conclusions, are my own. The best guide to the subject is the study of E. R. Hardy, Christian Egypt: Church and People: Christianity and Nationalism in the Patriarchate of Alexandria (New York, 1952), and I am greatly indebted to this book. Other valuable works are H. I. Bell, Cults and Creeds in Graeco­ Roman Egypt (Liverpool, 1953), W. H. Worrell, A Short Account of the Copts (Ann Arbor, 1945), and Coptic Egypt, containing the papers read at a symposium under the auspices of New York University and the Brooklyn Museum held at the Brooklyn Museum in 1941 and published by the Museum in 1944. With books such as these available, it has not seemed necessary to give full bibliographic references for all the statements made in the present study, especially when so many of them are matters of common knowledge. References are given for direct quotations and points which are of special interest for the argument. 120 GLANVILLE DOWNEY [CBS 1 studied, and the literature, so far as it is available in trans­ lation, has had only a limited circulation. To some students the Coptic ,vorld seems to have its natural connections with Ethiopia rather than with Byzantium. Nevertheless, an exam­ ination of the antecedents of Coptic culture, and an effort to trace the development of the characteristics which distin­ guished it in the world of its day, will show us how the Copts and their religion and art and literature constitute a natural phenomenon, in the environment in which they developed, and will suggest the lessons which we may draw from the observation of the influences which went to build up the Coptic world. The development is, like all such evolutions, a unique one, but the principles which it illustrates are basic both to Christianity and to the political and intellectual heritage of the Graeco-Roman world and its continuation, the Byzantine state; and an analysis of the factors involved (which so far as the present writer knows has not hitherto been undertaken along the lines followed in this study) will give us a new view both of the Copts and of the Empire in which they lived. The Byzantine Empire, as the continuation and natural development of the Roman Empire in the eastern Mediter­ ranean area, shows us how a centralized imperial government, based upon an ancient tradition of power, and of success, can hold together a wide-spread territory containing a variety of quite distinct nationalities, differing in ethnic origin, language and religion-and this was a very large empire, if we compare the relatively slow and difficult means of travel and communi­ cation of those times with the methods of communication em­ ployed in the present day. A considerable part of the value and interest of Byzan­ tine history lies in the way in which we can see what the elements were which kept this empire together and gave it its strength-elements such as the Roman experience in adminis­ tration, the Gr