Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Bonds and headless demons in Greco-Roman magic Dickie, Matthew W Greek, Roman and Byzantine Studies; Spring 1999; 40, 1; ProQuest pg. 99 Bonds and Headless Demons in Greco-roman Magic Matthew W. Dickie I N THIS PAPER I wish to discuss the meaning of a gem-stone in black jasper from the Numismatic Museum in Athens that Armand Delatte published in 1914. The stone is inscribed with a headless human figure, its hands bound behind its back and surrounded by seven symbols with the legend BAXYX below it (no. 615).1 The symbolism of the hands bound behind the back will be the first topic dealt with and then the identity of the demon will be considered. Some texts from Late Antiquity or with their roots in Late Antiquity reveal both the significance of the binding and the identity of the demon. The binding of the hands behind the back will represent an attempt at cancelling the harm that the demon may do. The belief that the maleficence of demons is rendered null and void by imposing a bond or 8EO'1l6~ on them runs throughout the sub­ magical text known as the Testament of Solomon. In it one demon after another presents itself to Solomon to tell the king how its power may be annulled. They come before Solomon already in 1 A. Delatte, "Etudes sur la magie Grecque V: 'AKe) and who then has a further vision, this time of Symeon pinioning the arms of the demon behind its back with the shackles (of]O"a~ alHov EV 'tn a.AuO"n om0"9uYKwva), and of his dragging the demon to his pillar, where he kindled a Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. MATTHEWW. DICKIE 101 pyre into which he threw the demon. As he saw the sight, the disease left the boy and he became whole again (231). At one level the image of the demon rendered impotent by the bonds or shackles that are imposed on him needs no ex­ planation: its meaning is intuitively obvious. It is not, however, a matter of chance that the image of binding was used to symbolize cancelling a demon's power to do harm and not one of the many other images that might equally well have been used. The harm that demons do is pictured in terms of binding. The demon bound is then very much the biter bit. V.Sym.Styl.J. is again one of the principal sources of images of demons bind­ ing their victims. There is the silentarius from Constantinople who could not have intercourse with the wife he had just taken, because of a bond a demon had cast upon him (ebf.GIlf.Uell U1tO bulIlOVOs).2 This led to his sending a messenger to Symeon ask­ ing that he be released from the bf.O"lloC; and to Symeon's being filled with the holy spirit and breathing in the direction of the west, while praying that the man be released from the bf.GIlOC; of the Devil (ev "to ovollun "tou Kuplou 'hllwv 'IllGOU XptO"'tou AUell o b£0"1l0C; "tau bla~oAou, 151).3 Then there is the presbyter from the village of Kassa who, prompted by envy, spoke ill of Symeon and finally excommunicated him in an anathema; he immediately saw a host of demons pinioning his arms behind his back (1tAlleOC; batllOVc.oV bllGaV't{A'tpOl~ KCX'tCXOT)ao!lat (2.159) as she puts a love-spell on an errant lover to force him to return to her.6 In the magical papyri of the 4th century A.D., such a spell would have gone under the rubric q>lA'tpoKcx'ta­ OEa!lO~ (PGM IV.296). It may well have been called that in The­ ocritus' time.7 What is clear is that there has been an extension 40n early binding-spells, see C. A. Faraone, "The Agonistic Context of Early Greek Binding Spells," in Hiera Magika: Ancient Greek Magic and Religion, edd. Christopher A. Faraone and Dirk Obbink (New York/Oxford 1991) 3-6. 5 A. Audollent, Defixionum tabellae (Paris 1904) 52; Wiinsch, IG III.3 40, 41, 45,47, 48, 49, 50, 52, 74, 84a, 86. 6C. A. Faraone, Ancient Greek Love Magic (Cambridge [Mass.] 1999) 27- 28, maintains that a 6vo~, who is human in all of his limbs, but is headless (avepW1tO~ IlEV rtav"Ca "CeX IlEAT] au"Cou, aK£ovo<;, 'to EXOV JlEV mxv'ta 'ta JlEAll 'tou uv9poJ1tou, UKEaAO<; OE OV, 'to ~AE1tOV oux 'trov Ilacrarov 'to 1tOWUV ~ov~ou<; 'tou<; uv9poJ1tou<;, 'to KatapyovllEVOV Ola 't11<; ej.mvpou ucr'tpa1t11<; (Anecd.Ath. I 234.23-27). 12Anecd.Ath. 1489.7-490.7. The same codex contains one other very similar recipe for the cure of demoniacs and epileptics that also involves engraving.!he figure of an evil spirit on some jasper with its hands and feet bound (dta Aa~rov AWOV lacr1tlV 06KlIlOV YAVIjIOV ev a1l'tip 1tVEUlla 1tOVllPOV OEOEIlEVOV XEipa<; Kat 1tooa<;, ovolla OE au'tip 1:a'tav, Anecd.Ath. I 487.4-5). The accompanying figure shows a devil with horns with its hands bound in front of it and its feet also bound.