Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Chthonians in Sicily Curbera, Jaime B Greek, Roman and Byzantine Studies; Winter 1997; 38, 4; ProQuest pg. 397 Chthonians in Sicily Jaime B. Curbera To the memory of Giuseppe Nenci S ICILY WAS FAMOUS for her chthonic deities. 1 According to tradition, Hades abducted Kore at Syracuse, Henna, or Aetna; Pindar calls Acragas EpoE apYUPEUV 07tU0l1(uV, 4 UV E~UPllC; ul)t'ov be to av- 5 epO>7tElVOU yEVEOC;. I-lIp Centuripae 2: E(1()On1(ijaan~ SEC. 3: no"bw aprUpE[o]V amiOl1(U SEC. The cursive E, (, and 00, and particularly the :=:, formed almost in one continuous stroke, point to the Roman period. Forms such as 'EAt9EPOV {for 'EAEu9rpov) and an6:011(aV (for anUOl1(u) also point to a late date, and the spellings !CUpria and i:yOrl1(itO"au~, in which n is used for a short t, exclude a date prior to IP or IIp. The uncontracted forms apyuptuv (3) and ytvEO~ (5) do not contradict such a dating, for Doric forms are found even in Christian inscriptions from Sicily, e.g. (tEa (lC XIV 506), Aavip (IC XIV 150).nolaw (3) is not a faulty spelling of nOlijaw, for another inscription from Centuripae has the aorist EnonaE (IC XIV 576, IIP?) and similar forms are well documented in Greek.4 It would be also possible to read the future of 4 E.g. P. Kretschmer, Die griechischen VaseninschriJten ihrer Sprache nach untersucht (Giitersloh 1894) 7 (btolaEv, VIla); ARV2 1531 (EnolOEv, Va); IOlympia 164 (EnolaE, ca 392 a ?); FdD III.2 70.51 (Enolouv"tO, 112/111"~ CorpPapRain 36 (no law, 266P), etc. The spelling with diaeresis nO"low (SEC) im­ plies nO(t)ijaw (with TJ=/i/) as the origin of this form, but the date of the earli­ est instances of the phenomenon is against an itacist explanation. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. JAIME CURB ERA 399 £1UqlEPCil, viz. ILt I 'noicrCil (D. R. Jordan, per litt. ), but nOlECil is well docu­ mented in this kind of offering with the meaning· make a dedication." 5 'to (4) is a popular variation of 'tou or an abbreviated 'to(u). The author asks an unnamed goddess to eliminate one Eleuthe­ ros and offers in exchange a silver cr1t(lih~. The text belongs to the category of prayers for justice motivated by the hope of re­ venge for wrongs suffered. 6 Unlike the authors of defixiones proper, authors of prayers for justice did not take the law into their own hands, but submitted their complaints to divinities. Typical features are the use of h()l1CEW (Lat. vindico), the offering of a votum to the deity, or the use of respectful forms of address. In this case the goddess is called 1(upda and she is addressed in the equally respectful optative E~apOtC;. It is worth remembering that Protagoras rebuked Homer for using the imperative in a prayer (liEl()£), where he should have used the optative (FVS 80A20). Now who is the Kupia? Preisendanz 7 thought that she was Demeter, but she is more likely to be Persephone. 8 In fact, Persephone appears to be a 'vengeance' goddess;9 in contrast to Demeter she is often invoked in Sicilian curse tablets 10 and, as the wife of the lord of the lower world, she is known to have had titles of majesty and kingship (livacrcra, f3acrtAic;, ()Ecr1tOtva, 1tacrtKpa'tEla, 1to'tVta). In particular, the use of Kupta alone for Persephone must have been quite common, for it passed on to the Latins as her proper name, as we see in two inscriptions from Amaula (Mauretania 5 A. E. Raubitschek, Dedications from the Athenian Acropolis (Cambridge (Mass.)] 1949) no. 331; M. L. Lazzarini, Le formule neUe dediche votive nella Crecia arcaica (=MemLinc SER. 4 19.2 [Rome 1976]) 112. 6 H. S. Versnel, "Beyond Cursing: The Appeal to Justice in Judicial Prayers," in C. A. Faraone and D. Obbink, Magika Hiera (New York 1991) 60-104, esp.64f. 7 K. Preisendanz, "Fluchtafeln (Defixion)," RA C 8 (1972) 1-29, esp. 8. 8 Thus B. Bravo, ·Une tablette magique d'Olbia Pontique, les morts, les heros et les demons," in Poikilia: Etudes offertes a f.-P. Vernant (Paris 1987) 185--218, esp. 192. 9 A curse tablet from Cyrene explicitly identifies Praxidike and Kore: G. Pugliese Carratelli, ASAtene 23-24 (1961-62) 324f; cf Jordan no. 150. 10 A. Brugnone, IV infra (ltapa EpcrEEpcrEcpOva, IP ?), XXXIV 953 ('tU 1('\Jpdct IItpcrEqloVn, 'tU 1('\JPEiVl !Cal K6P1! . .1ftfJ.T\"CP1. 'EpfJ.£i, 'AvmJ~llh !Ca'tu 1tpOo'tayfJ.a 'tou Smu. 12 See e.g. J. Carcopino, "Le culte des Cereres et les Numides," in Aspects mystiques de la Rome paiimne (Paris 1943) 13-47; P. Xella, ·Sull'introduzione del culto di Demetra e Core a Cartagine," StudM atStor Ret 40 (1969) 215-28. 13 For similar metal offerings see W. Deonna, La vie privie des Diliens (= TravMimEFA 7.4 [paris 1948]) 87-99. 14 R. Stillwell, AJA 67 (1963) 164f; N. Nabers, AJA 83 (1979) 46.3 no. 1 (SEC XXIX 927). The best edition is that of Jordan no. 116 (SEC XXXV 1011); cf ICDS 195. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. JAIME CURBERA 401 worship of Demeter and Kore in Sicily, speaks of this tablet as a dedication to Ploutos, Ge, and Hermes,15 as if IIA.o{)'too were the dative of IIA,OUtOC;. The parallel invocation ra, 'Epl!(X !Cat e£Ot !CataXeOVtot found in other tablets of the same series indicates, however, that the names of this text are vocatives and not datives. IIA,OUtOO here is usually interpreted as the vocative of IIA,outoo(v), and this interpretation is prima facie likely.16 Among the six Morgantina tablets, however, this would be the only instance in which final - v is omitted, and we may note that in general, omission of the nasal before a guttural is not very common. 17 In order to explain this peculiarity one might think that the author confused the Latin form Pluto, but there is a like­ lier and more fruitful solution. An oracle reported by Phlegon of Tralles (FGrHist 257F36 X 24, 26, 31) calls Persephone IIA,OU­ tcovL; and an Orphic fragment refers to her as IIA,OUtrovll (Kern Orph. frag. 200). Now, goddesses' names in -ro, normally short­ ened forms or popular nicknames, are very common in Greek (e.g. 'Acppro, Bptl!ro, ~T\ro, 'Evuro, Lttro). My proposal is to read not IIA.outOO but II A,OUtro , a local epithet of Persephone formed on the analogy of the name of her husband. The form IIA,OUtro may be interpreted either as a shortened form of IIA,oU'toovic;l IIA,OUtrovll or as the feminine form corresponding to IIA,OUtOC; or IIA,Out£uc;-alternative names of Plouton.18 This suggestion needs two clarifications. In classical Greek the vocative of a name IIA,OUtro would have been IIA,OUtot, but voca­ tives in - ro are well documented in later Greek: cf e.g. P. Gur. 1.5 (oo)tOOl! l!£ Bptl!ro), SB I 5961 (Xatp£ 8wvro), Hymn. Orph. 35 (Arrero lCUaV01t£1tA,£), and the observations of C. Brixhe (REG 103 [1990J 225). One could also object that IIA,OUtro is the name of an Ocean nymph (Hes. Th. 355; Hymn. Hom. Cer. 422) and of the mother of Tantalus (e.g. Paus. 2.22.3), but such homo­ nyms are common in Greek. Thus, 'Epl!tOVll, in addition to being the name of the daughter of Menelaus and Helen, was also that of both Kore and Demeter at Syracuse (Hsch.). 15 Hinz (supra n.2) 33, 133. Her assertion that the tablets from Morgantina document the manumission of a slave and her dedication to the deity (134) is plainly wrong. 16 Cf SEC XXIX, index s.v. m.o{mov, or ICDS, index p.288. 17 Such omission is much more frequent before a dental, but even so it is not documented in the texts from Morgantina: cf Jordan nos. 117, 119, 121: B£VoV(J't(lV 'tou 'PouEpm:EP­ O'E ]7t£P raou lCat <1>[ E] pO'O'O'oEpO'oEpO'oEPO'EEpp€£pcroq>acrcra instead of £pcr£cpova: both rao~ and £paocpaaaa were colloquial forms more suitable for a prose text than X8ovtO~ and £pa£cpova. 26 This interpretation may have some significance in the study of Aeschylus. At Supp. 156 Hades is called Z£u~ yai:o~ (-tOV yatov ['tatOv M, corr. WellauerJ, 'tOY 1tOA:\)~£vffi'ta'tov Zilva).27 WeI­ lauer's yatov has been challenged on the grounds that yato~ does not elsewhere signify X80v tO~, 28 but the text from Cama­ rina may now prove that such a use was known in Greek. On the other hand, yato~ is one of the forms put forward by those who see Sicilian influence in the extant work of Aeschylus. Al­ though recent studies tend to diminish the value of his alleged Sicilian isms, yalo~ is one of the words still considered dis­ tinctively Sicilian. 29 This inscription provides more positive evi­ dence for a Sicilian origin, for it shows that this particular sense of yato~ (= X8ovtO~) applied to Hades was current in Sicily. In adopting yato~ for one of his songs, Aeschylus gave poetic dignity to this popular epithet of Hades. 24 U. von Wilamowitz Moellendorff, Der Glaube der Hellenen (repr. Darm­ stadt 1959) 205f. 25 Cf Epich. 42.9 K; Etym. Mag. 223.24; Hsch. s.'1l. It is not surprising that an author like Pindar does not use the word: G. Bjork, Das Alpha impurum in die tragische Kunstsprache (Uppsala 1950) 332. 26 It may be relevant that an epitaph from Centuripae (l G XIV 581, I-IIP?) shows, instead of the learned formula 8co"i~ KU'tax8ovtOl~, the more local expression 8co"i<; KmayatOtOl<;. 27 For Zeus (Chthonios, Catachthonios, etc.) in the sense of Hades see M. L. West, Hesiod: Works and Days (Oxford 1978) ad 465; Wilamowitz (supra n.24) I 307. 28 See the discussion in A. F. Garvie, Aeschylus' Supplices (Cambridge 1969) 188f. 29 Garvie (supra n.28) 52; M. Griffith, "Aeschylus, Sicily and Prometheus," in R. D. Dawe et aI., Dionysiaca: Nine Studies in Greek Poetry by Former Pupils Presented to Sir Denis Page (Cambridge 1978) 108. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 404 CHTHONIANS IN SICILY IV. "Priestesses of Demeter"? We know that, from at least the fifth century B.C., the Eu­ menides received official cult in Selinus. 30 In 250 B.C. the entire population of Selinus was moved to Lilybaeum (Diod. 24.1.1), and it is possible that this or a similar cult was continued in the new city. A curse tablet from Lilybaeum recently published by Antonietta Brugnone may contain an unnoticed allusion to the Erinyes.31 The tablet has on Side A eight lines of text written retrograde; Side B has only three short lines in Greek followed by a list of nine Latin names in the Latin alphabet. Brugnone's text of Side A begins: ~ lCa'taOECO ZC01tupicova 'tii~ Mu~/3up 7tapa <; 7tap' cX7tEUXO~£[V ]a[lO"]tV. (Ku'tu)x86vtoc; belongs to the realm of poetry and religion (cl supra III). Thus PGM IV 1444-55 contains an invocation of seventeen infernal powers, everyone followed by the (solemn) word X86vtoC; (,EPllll x86vlr KUt 'EK(l-tTl x8oviu, KUt 'AXEPWV x86vu: KUt wllorporopov 'tou 'twv Kopdwv aywvo~): he had no reason to use the official name and he simply used a generic and more common 38 A. J. Letronne, -Memoire sur I'utilite qu'on peut retirer de I'etude des noms propres grecs pour I'histoire et I'archeologie," CEuvres choisies IIF (Paris 1885) 1-126, esp. 125. 39 But, instead of I1(u)ppia, EUIlEVtcS61:o, I1EouXPXO, the text could also be read I1(u)ppia, EUIlEviO(a) 1:0 I1EOUJ.pxO: see Dubois' commentary; also see D. R. Jordan, -A Meilichios Stone from Selinous," ZPE 86 (1991) 279-82 (SEC XL 806). 40 F. Cordano, Le tessere pubbliche del tempio di Atena a Camarina (Rome 1992) no. 129, ca 450". 41 See F. Bechtel, Die historischen Personennamen des Criechischen bis zur Kaiserzeit (Halle 1917) 522-26; R. Hirzel, Der Name (Leipzig 1918) 40-46. 42 See e.g. Nilsson, Feste 358; Polacco (supra n.2) 26. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. JAIME CURB ERA 407 designation of the festival. 43 As for Sicily, Plutarch used 't a Kopno. to emphasize the impiety of Kallipos, who after swearing to Kore that he was not plotting against Dion, killed him at the feast of this very goddess ('tllv Eop'tllv ~~ Wj.tOOE SEQ), no matter which one this feast was. Similarly, the name Kopno~ shows that the child was born during a feast of Kore. The name of Demeter, unlike that of Persephone, does form theophorics. Curiously enough, however, these names do not seem to have been frequent in Sicily: there are some 100 theo­ phoric names of Apollo, some 100 of Heracles, some 80 of Zeus, some 70 of Artemis, but only 35 bearers of .1o.j.t(i'tpLO~ or .1o.j.to.'tpio.. It is significant that only one of the more than seventy Sicilian landowners and magistrates listed in Cicero's Verrines was called Demetrius (2.4.92). This is striking in view of the importance that literary sources ascribe to the cult of Demeter in Sicily: lEpav {l1tUPXEtV 'tllv vfloov MH.lTl'tpo~ Kat Ko PTl~ (Diod. 5.2.3). It would be tempting to interpret this dearth of 'Demetriac' names as a reflection of the chthonic connotations of her cult. Demeter's absence on Sicilian curse tablets suggests, however, that, unlike her fellow chthonians, she was not considered a goddess of ill omen. A non-religious explanation may be possible. Most onomastic evidence in Sicily comes from official inscriptions; the majority of the proper names that are preserved are thus those of magistrates and of­ ficials of Sicilian cities. It is true that Demeter was an immensely popular deity in Sicily, but her cult and festivals seem also to have had a strongly plebeian (and feminine) character. 44 It is fair to posit that-in contrast to the theophorics based on Apollo, Heracles, or Zeus-'Demetriac' names were not thought appropriate to the ruling classes, whose onomastics are the best known. Therefore, the evidence for the importance of this goddess in Sicily is not in conflict with the relative scarcity of 4J L. Robert, Documents d'Asie Mineure (Paris 1987) 16M. 44 D. White, "Demeter's Sicilian Cult as a Political Instrument," GRBS 5 (1964) 261-79, esp. 264ff. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 408 CHTHONIANS IN SICILY personal names derived from hers, just as Homer's rare references to Demeter do not prove her insignificance in his time. 45 MADRID June, 1999 45 J. Griffin, Homer on Life and Death (Oxford 1980) 18M: -[In the Iliad] the gods who would be irreconcilably out of place in the society of Olym­ pus-fertile Demeter, raging Dionysus-are as far as possible stylized out of the poem and the world" (my italics). I am grateful to David R. Jordan for his numerous suggestions regarding the improvement of this paper, and to Dottoressa Curcio and her staff for facilitating my work in Syracuse.