Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Life and artistry in the 'publication' of Demetrios Kydones' letter collection Hatlie, Peter Greek, Roman and Byzantine Studies; Spring 1996; 37, 1; ProQuest pg. 75 Life and Artistry in the 'Publication' of Demetrios K ydones' Letter Collection Peter H atlie f\ THOUGH BYZANTINE LEITERS have long presented serious problems of analysis and interpretation, researchers today have a considerable-and growing-array of methodo­ logical tools with which to meet those challenges.! One funda­ mental but still elusive issue in the study of any collection of letters is, however, the author's intentions, i.e., what letter­ writers wished to convey by and through their missives, and how to locate a distinct point of view within so-called 'private' literary letters, by far the most common type of extant Byzan­ tine epistolography, combining both literary and 'real' elements. Disclosing unequivocally the original intentions of any medieval Greek writer, Byzantine epistolographcrs not excepted, may be too much to hope for. 2 Yet a closer analysis of certain texts, with special attention to the criteria for and processes of medieval letter-writing, can throw light on some intimately related issues, including the general outlines of an author's personality,) his or her capacity and outlets for original expression,4 and the various means by which some authors sought to color the tone and 1 For a review of recent scholarship see my -Redeeming Byzantine Epistolography," ByzMGrSt 20 (1996) 213-48. 2 Cf A. Eastmond, -An Intentional Error? Imperial Art and 'Mis'interpre­ tation under Andronikos I Komnenos," ArtB 76 (1994) 502-10; M. Mullett, -The Imperial Vocabulary of Alexios I, Komnenos," in M. Mullett and D. Smythe, edd., Alexios I Komnenos, I. Papers (=Belfast ByzTTr 4.1 [Belfast 1996]) esp. 390-94; more generally see A. Kazhdan and G. Constable, People and Power in Byzantium (Washington 1982) esp. 100-16. 1 J. N. Ljubarski;, Michail Psell. Lichnost' i t'llorchest'llo (Moscow 1978). 4 M. Mullett, -Originality in the Byzantine Letter: The Case of Exile," in A. R. Littlewood, ed., Originality in Byzantine Literature, Art and Music (Oxford 1995) 39-58. 75 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 76 DEMENTRIOS KYDONES' LETTER COLLECTION mood of their letters. 5 With answers to these questions within reach, there is hope that scholars will be able to narrow the possibilities of intention in these writers by better understand­ ing the manipulation of their craft and their processes of decision-making. I Among the many challenges to analysis, certainly the most basic is simple meaning. Not infrequently the language and sen­ sibilities of Byzantine authors confound the modern reader. Some passages are all but impossible to decipher, in part owing to the consciously artificial language and high style employed by so many authors, and partly in view of the Byzantine love of riddles and word plays. In other words, numerous Byzantine authors purposely cultivated obscurity (acra~ A.Cy£!V ajooyual II yaP iiv t;j'n ("ElVQ' A.£yeLV yaP mho OlrralOv cj'II, un wy A.7JP£iv a~ Wq1r£O repm, tmOvU/;! toriuam IVxOv Cod $II; trpo, IOV III£VOoAoylav 51 On Potamios see Dennis, Reign xlviii-I, 226£ (Potamios' letter of friend­ ship tQ Glavas), and "The Letters of Theodore Potamios," in his Byzantium and the Franks 1350-1420 (London 1982) XII 1-4, 13f, 29f (edition and tr. Qf the letter to Glavas); Potamios' friendly letters to Kydones: Reign 227 (edition only), and ·Potamios," 5, 17f (editions), 20, J2f (tr.). 52 Cf. Corr. no. 235*, p.135.35--40, p.136.66-69. Possibly the earlier conflicts concerned Kydones' stand against Palamism: cf. Kianka 37ff, 70-74; John Meyendorff, A Study of Gregory Palamas 2, tr. G. Lawrence (London 1974) 81-85 passim. 53 One manuscript attributes an earlier letter, alluding to friendship, to Gla­ vas (Corr. no. 113, p.151). On friendship in Byzantium, notably the view that average friendships tended to be "instrumental," i.e., based on a mutual ex­ change of benefits, see M. E. Mullett, "Byzantium: A Friendly Society?" PaP 118 (1988) 3-25. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PETER HATLIE 93 iiA.Aa yap 'to\~ ~ta 'tiJv 1tI;viav 'taAautropou; pCll~io~ vuv 1tpoupytai'tEpa leat au)J .. oyo~ 1tii~ ~uo'ta'\)'ti. ..... 'tov 'tE 'tOUPleOV Kat 'tf]V 't(;)V ava"(lCa iCllv a1to[~OA.nv] [XEt ~tftYlwa.54 KWE\aOat; Kat1toia 1tEpt 'tiJv aa60£!av vYY apxatpCOlal'> 7tpO 7tOAAWV EJ.Loi'tl9cJ.L£voov.59 Kydones' central message is that Glavas' vanity and personal ambition have spoiled his powers of reasoning) a character judgment to which he returns toward the end of letter 235 (el Corr. 137.99ff) 133f.129-33). As a corollary to this essentially new picture of Glavas comes a touched-up depiction of Kydones. In the revised letter Kydones makes a point of showing that) while strictly rational in his thinking) he resists taking this habit to excess. In other words, he is not argumentative for its own sake and is not alone in thinking the way he does: Letter 235* 'Ai.,i.,' iooo,> au'to~, aAit9Elav 'tTl'> £v ainwJ.LCvo,>, U7tCpT]pnlCov, aYVOlav liE J.LOVOV EPoUOW 0'1. yc Letter 235 d utv oJv aA-vOda, {}wy, zrt:!oroutvrov IaoaU£lV TOu, iKetvrov AProv, ci7fC!pa!vounv. W, <5& • , .., ?" EVCKC!VTO Ka! uamv([!v n([av CWWOI fa 7foQQ!JrYEA-utva 7f!([TOua8al fOf' ff<5n fKetVOK u&v 015fro zwdivuoyuivo!, cixumi v civa(OXllvTOv ~UllV alha, OE oti£i&y r1uov fiw tt cion!, 7fEpi at rvwunv nc;{ovv fnoelv to!Ktva! A.£rrov fa, Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 98 DEMENTRIOS KYDONES' LETTER COLLECTION dV«l 'tUtlO 'tWV 1tu't£prov vou9£oiutlO fi 'twv 1tUtO£u'twv (OUmiulO. ......•.................. 0UIO opwllEV J!£J!'I'£Ot J!UAAoV T\ £1tuivotlO 'tOUIO ut£"i1O fi 'tOUIO J!u9Tj'talO Oxp£A.£lV 1tE tproJJ.£VOUIO. 62 ~ 'tallO 'tWV 1tU't£Prov T\ 'tWV 1t«lO£u'tWV vou9EOlatlO. a~ UzrM'k u&y oi5-rroc (ix·ououivac 1580pc av T" K"a i Am60p{ac K"ailWm;v Urroc 8' UV TOUC &izrOVTaC K"ai bOpouc oinOd" K"ai 8{/ffiV 'tij, &Jlrouqn, 'tooru'tn'to," cizralWq£l£V Q M rDv IcPV ac"ovtwv tzrllrrciu£vo, yvmunv mi Ptalvi!1E!al mi iiV'tlV ' au'tol," auo18irv 'trov QXlI)uuu'tll)V EK"dvlI)v azroooln 'mV(r£t 'taii'ta 41}vaa6at K"ai 'tCZc noO, Eue 'tou 9auuumou 8eaqaMv{rn, brlIluz1qc" , , ,.. , , azrcq)a&VOU"V nyat rap TaVTa~ namo, TC K"ai o16aQxuilou, ~ OPWJ!EV J!EJ!'I'ECH J!UAAoV fi E1tUiVOtlO 'tOUIO ut£"i1O T\ 'toulO J!u9Tj'talO OxpEA.clV 1t£tproJ!£VOUIO·63 '2Corr. 135f.16-32: -These were the things they said. And they added that one should not look naively at your former praises, but that it was an artifice in order to exhibit more easily the blame after these praises. For [they said that] it was strange that he who praised me thus before was then moved by hate to say bad things. Rather [they said] he should have proffered better statements so as to seem to speak the truth also on the second time. So in the end they wanted further not even to consider you as a friend, dismissing the definition of friendship upon which you operate. [I myself took issue with these decisions] when they would not understand that you are a friend to me even more in view of your present criticisms than in view of your past praises. For they said that, when there is support on all sides for friends who are undergoing a triaL this is the proof of true friendship. But [I said that] 1 derive no benefit from your praise; for the process of praising seems only good, but is not doing so, and sometimes even harms, since it satiates the one praised with vain arrogance, which is always the cause of many bad things in both private and public life. And as for the accusations, [I said that] they benefit those who pay attention to them in the highest degree by persuading one to amend the things with which one is accused, similar to the admonitions of fathers and teachers, who, as we know, attempt to benefit their sons and pupils more through criticism than praise." 'lCorr. 131.19-40: -These were the things they said. And they added that one should not look naively at your former praises, but that there was an artifice in your attempt, after these [praises], to keep the blame from surfacing. For [they said that] just as he who simply criticizes everything is rightly suspected to be moved by hate in his criticism, so too when someone divides himself between praising some things and preferring to censure others, in truth he seems bent on producing both praises and reproofs. These are the things they said. But as for me-with the character and the eloquence and all the other excellencies with which you adorn the priesthood, and since above aliI was not conscious of anything unpleasant about Your Virtue until now- Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PETER HATLIE 99 The divergence of the two letters on the subject of friendship IS particularly evident in the very close of this peroration: Letter 235* f' \ \ '" \, , Ol~ lOCU 'ta~ u~ tll£ aa~ t1tl'tl~T\atl~ £A.tyov £ouc£vm, lh' 6>V xal