The Government of Troy: Politics in the "Iliad" Sale, William Merritt Greek, Roman and Byzantine Studies; Spring 1994; 35, 1; ProQuest pg. 5 The Government of Troy: Politics in the Iliad William Merritt Sale I N RECENTLY PUBLISHED STUDIES of Homeric formulae I have called attention, on the basis of statistical evidence, to two facts about Homer's Trojans in the Iliad: (1) The nominative proper-name formulae used by the poet to refer to them display a remarkable lacuna: there are no frequently occurring, 'regular', formulae. 1 The other characters and peoples who are mentioned anything like as often as the Trojans all have regular formulae, usually more than one. We give the term 'regular formula' a quantitative definition, "exactly repeated six times or more," but the phenomenon is not mere­ ly quantitative; there are certain qualities that regular formulae have and that infrequently occurring formulae tend to lack. Most notable of these are their noun-epithet form (nominative proper-name noun-verb formulae all occur infrequently) and the occurrence of the formula in a major colon: 2 frequently oc­ curring formulae are noun-epithet and occupy major cola; infre­ quent formulae fall in minor cola, and the less frequently they occur, the more likely they are to fall in minor cola and to be noun-verbal in syntax. Hence the distinction between regular and infrequent formulae is qualitative, and the Trojans in the nominative lack something they ought to have, noun-epithet formulae used regularly to fill metrical spaces that the other characters have formulae to fill. A lack of regular formulae is significant; and the significance is statistically demonstrable.3 1 w. M. Sale, "The Trojans, Statistics, and Milman Parry," GRBS 30 (1989) 341-410. 2 For the nominative proper nouns, I defined the major cola as those that run from the trochaic caesura, the hephthemimeral caesura, and the bucolic diaeresis to the end of the verse. Noun-verb formulae exist for oblique cases and common nouns. 3 More will be found on the nature and behavior of regular formulae in W. M. Sale, "Homer and the Roland: The Shared Formular Technique," Oral Tradition 8.1-2 (1993) 87-142, 381-412. 5 6 THE GOVERNMENT OF TROY (2) There is a corresponding and equally striking deficiency in some of the place-phrases for Troy.4 All the places in the Iliad that are mentioned with any frequency-the Greek camp, Olympus, the battlefield, the Troad, Troy-have plenty of for­ mulae for going to the place. Almost all of them have plenty of formulae for coming from it or being in it. The Greek camp is somewhat deficient in place-from-where formulae; but that de­ ficiency is nothing compared with the almost total absence of formulae for 'from Troy', and the presence of only a few infre­ quent formulae for 'in Troy'. Again, the lacuna is striking and statisticall y si gnifican t. These two formulary gaps are demonstrable facts, not impres­ sions. They cannot be dismissed as accidental: to do so is to ig­ nore what we mean by 'statistically significant'. They must be explained. The explanations I have offered are of course not the only ones possible; the study of history rarely vouchsafes us such certainties. But they will work and they afford a coherent picture of Homer engaged in his compositional task. s In summary: The absence of regular nominative proper-name formulae (no. 1 above) can be understood when we examine the few noun-epithet formulae in the nominative case that the Trojans do possess. Several epithets tend to express very negative quali­ ties: arrogance, insolence, disdain for civilized values. The words are very similar in tone to, and indeed two of them are identical with, the epithets used of the suitors in the Odyssey. As the Trojans in the Iliad do not appear to be notably disdain­ ful or insolent, it is predictable that these epithets are never ap- 4 W. M. Sale, "The Formularity of the Place-phrases in the Iliad, " TAPA 117 (1987)21-50. 5 Here, and throughout the paper, I use the word 'Homer' ambiguously. I have in mind always "the eighth-century poet who composed the Iliad (but not necessarily the Odyssey), probably orally." I am picturing an individual's creation of a fixed oral text (sit venia verbis), something that was dictated, either to a scribe or to a person, or group of people, who could preserve it literally in their memories. But most of what I say is compatible with the picture of a whole generation of poets bringing about the changes I ascribe to just one man. Moreover the text as produced in the eighth century, even if it was written down, must have suffered alteration afterwards; I assume that this alteration was slight enough that the meanings I ascribe to Homer survived, and that any changes in the percentages of formulaic expression were random enough not to affect the statistics. The statistics are not affected, and no meaning I ascribe to Homer is altered, so far as I am aware, if we remove the lines that appear to have come into the tradition after Aristarchus. WILLIAM MERRITT SALE 7 plied to the Trojans by Homer-by the narrator-himself, or by the Trojans or their allies. They are used only by the Greeks and the gods who favor the Greeks. If now we assume that in the pre-Homeric tradition the Trojans were referred to by these unflattering epithets in regular formulae, just as the Suitors in the Odyssey are still, the lacuna in Trojan formulae is easy to understand. Homer avoided them because he wanted his listeners to feel sympathy for the Trojans. The Greeks and their gods are free to use them, because the Trojans are the enemy; but even they do not use them with any frequency. That Homer wants us to sympathize with the Trojans, and that listeners and readers do so, is not a novel idea. Poets after Homer-Euripides, Vergil, Quintus, Chaucer, Shakespeare, for instance-have painted sympathetic portraits, even when they have been critical as well. The later poets are also not very flat­ tering to the Greeks, to the people that Homer called Achaeans. Just how well the Achaeans in the Iliad come off is arguable, but the Trojans are as attractive in Homer as they are in later authors. We all feel the appeal of Homer's Priam, of his An­ dromache, and (with reservations, perhaps) of his Hector. We agree with Zeus, who says that of all cities in the world, sacred Ilium and Priam and Priam's people are "honored in my heart the most" (4.44-47). We may stand alongside the Greeks most of the time; we may even be Greeks for the nonce, however we feel about them; but much of the poem's depth is due to its ability to make us compassionate towards the Trojans in their traged y. They are an essentially decent lot, but a flaw in their culture prevents them from returning Helen and making appro­ priate restitution. We do not feel this way about the Suitors as a group. They are not an essentially decent lot, though one or two of the Suitors may appeal at times. Nor is there, so far as I know, any large group of major later poets who sympathize with the Suitors; and I think that part of the reason for the rela­ tive popularity of the Trojans in later poetry is that Homer does not say, in regularly repeated formulae, how awful they are. Homer, we are saying, changed the character of the Trojans from insolent and hybristic to decent though flawed. Such a change can help explain the other lacuna, the gaps in the formulae for the Trojan place-phrases (no. 2 above). First, we observe that when the Iliad says "in Troy" or "from Troy" (non-formulaically or formulaically) the passage usually occurs in the midst of narrative action set inside the city: such phrases are usually used in Trojan scenes. When the action is set out- 8 THE GOVERNMENT OF TROY side, the phrases are found much more rarely (one-seventeenth as often).6 We infer that the decision to locate the action inside the city is what gives rise to the occasion to say 'in' and 'from Troy'. Now, in our Iliad the Trojan scenes are one of the main sources of our sympathy for the city. There we meet Androm­ ache, there for the most part we come to know Priam, there we see Hector softened by intimate contact with his wife and child. If we were right (above) in supposing that Homer was first among the epic poets to paint the Trojans in compassionate colors, it would not be surprising if he were also the first to compose such a multitude of Trojan scenes, many of them quite long. He wants us to sympathize with Troy, and so brings us inside it frequently. His predecessors, who regularly called Trojans insolent and disdainful, probably had some Trojan scenes, but many fewer. As a result they will have said 'in Troy' and 'from Troy' much less often. And because formulae are normally developed only for ideas that poets refer to relatively frequently, they will not have developed formulae to express location in and egress from Troy. Despite what Parry some­ times suggests, the epic style is by no means 100% formulaic: even for those nouns that do display regular formulae, the average number of non-formulaic occurrences is 25%. The tradition did develop plenty of formulae for being in, leaving, and going to the Greek camp, Olympus, and the battle­ field, for that is where the action was. It developed some for 'from the Greek camp', though not as many, perhaps because this idea was usually expressed 'to the battlefield' or 'to Troy'. It developed them for going to Troy city, because this is some­ thing you do outside the walls. It created extensive and elabor­ ate formulae for the future destruction of Troy, because you dreamt of this as you stood there outside the city alongside the Achaeans. Homer inherited and employs all of these; but he inherited no formulae for 'in' and 'from Troy'. As he composed his many and sometimes lengthy Trojan scenes, he either had to make up formulae (and we catch him doing this a few times), or 6 It is possible to make a more conservative calculation than the one I gave in "Formularity" (supra n.4) 37: if we count Trojan scenes embedded in speeches spoken outside the city as not being genuine Trojan scenes, the density of 'in Troy' spoken inside is one in fifty-eight lines, the density of 'from Troy' spoken inside is one in 109; the density of 'in Troy' spoken outside is one in 973 lines, of 'from Troy' spoken outside one in 1825. Even by this conservative calculation, for both 'in Troy' and 'from Troy' the density of occurrences inside the city is seventeen times as great. WILLIAM MERRITT SALE 9 else he had to employ non-formulaic references (something any good oral poet must be able to do). Our explanations for the formulaic lacunae seem to propose a complex set of developments; but the essential hypothesis is really very simple. We have made two suppositions about the pre-Homeric epic tradition: that it had few Trojan scenes, and that it thought of the Trojans as villains. As the Iliad has many Trojan scenes and does not characterize the Trojans as villain­ ous, the rest of the argument follows automatically. And the two suppositions give a highly coherent picture: the earlier poets gazed from the Trojan plain at the enemy city, with its fair walls and high towers and insolent denizens, and shared the Achaean desire to sack it. This is the picture offered by the for­ mulae: by the place-phrases, by the nominative-formulae for the Trojans, by the formulae for the destruction of Troy. It is al­ together suitable that the tradition should have looked at Troy this way; it accords not only with the way we all look at the Suitors in the Odyssey, but with the view of the enemy in such later epics as the Song of Roland and Avdo's Wedding of Meho. But it is not Homer's Troy. Homer wants us to come in­ side the city with him so that we may meet Andromache, who cannot leave the city, and Priam who can leave it only under ex­ traordinary circumstances; and so that we may see Hector in his domestic setting. He wants us inside so that we can come to know the whole city, not just its citizen-warriors. And apart from such emotional needs, Homer must bring us inside to show us something of how the Trojans govern, or fail to gov­ ern, themselves, so that their hamartia -their inability to return Helen and achieve an honorable peace-can be made evident. Once inside, we notice that the government and economy of Troy are not the same as the government and economy of the Achaeans (the Achaeans in the Iliad, that is, for the Trojans do bear some resemblance to the Ithacans in the Odyssey). The lliadic Achaean states-the Myrmidons, the Pylians, the Mycen­ aeans-are absolute monarchies with a military economy and a warrior class. The city of Troy (perhaps unlike its allies) is an oli­ garchy or aristocracy with a weak king; it is dominated by a Council of Elders, and lacks a warrior-class: with rare excep­ tions its men all have peace-time occupations. The Trojan hamartia resides in the system: some members of the Council of Elders can be bribed, and this is why Troy falls. I wish to set out this state of affairs and to explain, by invoking the same hypothesis I have already adduced for the two formulaic 10 THE GOVERNMENT OF TROY lacunae, Homer's desire to depict Troy as a tragic hero. We attribute yet another detail to the tradition: the pre-Homeric Trojans were not only insolent but were ruled, like the Achaeans, by an absolute monarch. As Homer cast the Trojans in a kindlier light, he also changed their form of government to one that permitted them to be the tragic victims of the city's hamartia, the corruptibility of their Elders. There is nothing violent in this addition to our previous assumptions. Many formulae refer to the" city of Priam" and to "king Priam"; they speak of "Priam and the sons of Priam" as if they were the Trojans; so strident is the message of these for­ mulae that I suspect most readers picture Priam as possessing much more power than the poem actually allots him. The gap between the Troy of the formulae and Troy as otherwise depicted needs to be explained. (A gap, not a contradiction: Troy is still the city of Priam, only Priam is now a very weak king.) We begin the explanation by supposing that the formulae give us the traditional government, a monarchy in which Priam ruled the Trojans with the same authority that Achilles has over the Myrmidons. As these are haughty and arrogant Trojans, we suppose them to be ruled by an equally arrogant Priam. Now Homer enters the scene. Seeking to make the Trojans tragic, he might have retained a villainous Priam and let Troy's inability to check Priam's insolence be its hamartia. But it is too easy for listeners to take a king as symbolic of the people, especially in an absolute monarchy; nor can Homer make Paris into the sole villain, unless Paris also has overwhelming political power-and this seems impossible to bring about in the "city of Priam." So instead Paris becomes one aspect of Troy's hamartia, a man who puts legitimate self-interest ahead of his fellow-citizens' equally legitimate interests, while Priam becomes Homer's ve­ hicle for what is best in Troy: kindness, gentleness, sympathy, love-love even for the most reprehensible of his fellows, Paris and Helen. Homer cannot permit Priam to retain absolute au­ thority, or else, despite his love for Paris, he must out of love for his people insist on Helen's return and deprive the poet of his Iliad. And so Priam becomes a good man sitting on a largely symbolic throne, and power is allotted to a Council of demoger­ antes that includes Priam but whose key members are corrup­ ted by Paris' bribery. This weakness in the system-the corrup­ tibility of the Council-makes an exceeding useful tragic flaw. Again, by imagining alternatives and supplying reasoning, we seem to be proposing a complex process of change from the WILLIAM MERRITT SALE 11 tradition to Homer; but again the essential hypothesis is simple. We have already supposed that the poets before Homer de­ picted the Trojans as villainous; if so, their king was no doubt just as bad. The whole lot of them, from Priam on down, were what Menelaus (understandably from his point of view) thinks they still are (13.620-39), so arrogant and fond of war that they think nothing of stealing a man's wife and fighting to keep her. All we add now is the supposition, on the basis of analogy with the Achaeans and such formulae as "the city of Priam," that this insolent and haughty pre-Homeric Priam was an absolute ruler. As before, this is not what we observe in the Iliad; and again we attribute the difference to Homer's desire to create a tragic and sympathetic city. That Priam in the Iliad is a king without great political authority, and that the Trojan demogerontes are the real rulers of Troy, is a straightforward interpretation of the Iliad that this paper will set forth. It may appear to be a some­ what surprising-at least I have never seen it stated as such­ though it cannot come as a total surprise, because every pas­ sage I discuss is similarly understood by some or all of the authorities I have consulted.? Given this straightforward inter­ pretation, the rest of the argument is extremely simple. There are several reasons why the importance of the Trojan Elders has not been stated before. The formulaic lacunae were hitherto unobserved, and therefore the inference that Homer had changed the portrait of the Trojans remained undrawn. The old formulae, "city of Priam" and the rest, were taken to imply that Troy had a powerful absolute monarchy-as, in the tradi­ tion, it no doubt did. Also most scholars have tended to assume a uniform 'Homeric society', perhaps feeling that Homer, that oral poets generally, were not capable of the complexities en­ tailed by the current interpretation. Because the Achaean states are manifestly monarchical, Troy was assumed to follow suit. Above all, the intellectual force of the creation of the polis has 7 For the poem as a whole these authorities are: R. J. CUNLIFFE, A Lexicon of the Homeric Dialect (Norman 1980) and Homeric Proper and Place Names (London 1931: hereafter 'Cunliffe, Place Names'); Thesaurus Linguae Graecae; Lexikon des fruhgriechischen Epos (Gottingen 1955-91: hereafter 'LfgrE'); LSJ; K. f. AMEIS and C. HENTZE, edd., Homers Ilias6 (Leipzig 1903-06: hereafter' Ameis-Hentze); G. S. KIRK et aI., edd., The Iliad: A Commentary (Cambridge 1985-92: hereafter 'Kirk'): Books 1-8 by Kirk, 13-16 by R. Janko, 17-20 by M. W. Edwards; W. Leaf, The Iliad (London 1900-02); P. Mazon, Homere, I/iade (Paris 1946-47); D. B. Munro, Homer, Iliad (repr. Oxford 1953); M. M. Willcock, The Iliad of Homer (New York 1978-84). 12 THE GOVERNMENT OF TROY not been sufficiently appreciated, the fact that Homer could see that the minds of his contemporaries and their fathers had brought to birth a new political entity, and that a variety of social structures was therefore a human possibility.8 We now have three suppositions about Troy in the pre-Ho­ meric tradition: villainous Trojans, few Trojan scenes, absolute monarchy. Let us note an important methodological difference between the process that leads to this third supposition as op­ posed to the first two. The formulaic lacunae are scientifically verifiable facts: visual signifiers of such-and-such a shape are wanting, and the lack is statistically significant. From these scien­ tific facts we drew historical inferences: Homer added Trojan scenes and suppressed regular formulae. These inferences im­ ply authorial intention-the desire to have us sympathize with Troy and see its fate as tragic-and the statement that Homer cherished this desire, though conjectural, is conjecturing a his­ torical fact. In positing a change in Trojan government, we are still implying the same authorial intention. But we have been led to this third step not by scientific fact, but by literary inter­ pretation. The statement that in our Iliad Troy has an oligarchi­ calor aristocratic government does not yield to statistical dem­ onstration; it emerges from the evaluation of signifieds, not the counting and comparing of signifiers. Like any literary interpre­ tation, it is quite at the mercy of critical and scholarly response. Granted, some of the evidence it rests on is hard to dispute, such as the statement that Paris bribed Antimachus to oppose the return of Helen (11.123ff). Granted too, the fact that the interpretation suits a reasonable theory of authorial intention adds to its appeal. But a scholar could, without contradiction, 8 Of course Homer's Dark Age predecessors knew that the communities they lived in were very different from Mycenae rich in gold, and they believed that men of old could throw much larger rocks; but since they could not observe the mind at work in the creation of the polis, they are less likely to have been able to appreciate in depth the differences in political structure between then and now. They were politically naive, as Homer is not. I am suggesting, and will soon state, that I think Homer modeled Troy upon the newly created polis. It is perhaps worth pointing out that the view that Trojan society differs from the Achaean was actually arrived at long before I knew anything about statistics (or indeed very much about the theory of oral composition), long before I saw the resemblance between Trojan and contemporary society, and long before I had evolved any theory of Homeric intention beyond the view that he added Book 9 and 19 to the tradition so that Achilles could question and reject the heroic code. See my "Achilles and Heroic Values," Arion 2.3 (1963) 96ff. WILLIAM MERRITT SALE 13 agree that Homer intended us to sympathize with the Trojans and still dispute the literary interpretation of Troy's political situation.9 The statement that Homer intended us to sympathize with Troy-does this not arouse certain literary inquietudes? Is the Iliad, despite its title, not a poem about the Wrath of Achilles? Are not its values heroic? How can we speak of a tragedy of Troy with Achilles occupying stage center so much of the time? To respond, perhaps too briefly: the plot of the poem (not its subject) is indeed given by the Wrath theme, and Achilles is the most important individual in the poem. And we are interested in heroism, though perhaps we are even more interested in the varieties of love that dominate Achilles' heroism after Book 9. If, however, Achilles is in stage center more than Hector, he is not on stage more than the Trojans generally. We can be deeply moved both by his tragedy and by his search for love, and still moved by Troy's plight. It is a long poem, with room for much more than heroism and wrath. The tragedy of Troy may be somewhat harder for us to see, but I do not think that it was harder for Homer's initial audi­ ence. Troy-its physical features, its government, its econ­ omy-was much more familiar to them than it is to us. For them it would be perfectly natural for Homer to begin, as he does, with Achilles and end, as he does, with Troy. They can appreciate the Wrath, and also appreciate the City. For them the title of the poem would be perfectly apt. To justify this last assertion, and to make clear why an Iliad was born where earlier an Achilleid may have stood, we need to take a further step, and assert that the government and economy of Troy in the Iliad reflects the government and econ­ omy of an eighth-century polis. 10 This step, not without its perils, requires leaving the literary universe, with its facts about 9 Thus demonstrating the dangers in conunitting the intentional fallacy: not only are there good interpretations not intended by the author, but there may be a variety of interpretations consistent with a given intention. Still, if we have an interpretation that we like, and if it can be shown to fit what the author intended, it is only human to point that out. See also n.23 infra. 10 The recent arguments of H. van Wees for an early seventh-century date for the Iliad are not without force; see his "The Homeric Way of War I, II," GaR 41 (1994) 1-18,131-55, and Status Warriors (Amsterdam 1992) 54-58, 157-62, 253-58. I do not think this date would affect my position much; indeed some historical parallels would be strengthened. But it is far safer to assume that the earlier date, and the numerous arguments for it, are correct. 14 THE GOVERNMENT OF TROY the Iliad's signifiers and its interpretations of the Iliad's signi­ fieds and its relatively simple assumptions about the pre-Ho­ meric epic tradition and reconstruction of Homer's intentions, in order to turn to eighth-century physical and political history. This is a matter that we know much less about than we do about any later century in Greek antiquity, or about the late Mycenaeans, for the obvious reason that we have almost no writing dating to that century. We have Homer, of course, and historians have tended to draw upon Homer freely in order to compensate for the ab­ sence of other sources. This procedure runs grave risks-ex­ cept in one area, the Homeric similes. The similes depict a gen­ eralized present; they claim to refer to a world with which the audience is familiar; and as I read them, they do refer to such a world. "The warrior acted," says the poet, "like a lion descen­ ding upon the herd." This pretends to illuminate the less familiar from the more familiar; and if it did not, if it could be as­ sumed that no one in the audience had any experience of preda­ tory lions, the poet would be indulging a kind of irony that I find foreign to the oral epic style. 11 In contrast, the world that is being illuminated, the world of the epic narrative, is a composite of objects, events, and institutions that may belong to any era from the early Mycenaean down to the eighth century, or to a world entirely fictional. I shall develop this statement in a mo­ ment; for now I want only to insist that we cannot label a detail in the narrative world 'historical' unless additional evidence locates it in the world outside the text. The similes constitute such evidence. We also have some literary sources other than Homer, and we have archaeology. In the absence of evidence from at least one of these three outside sources, we are groping in the dark, and can easily assign a detail to the wrong century, or wrongly assume that a piece of fiction corresponds to fact. The view that we cannot use Homer's narrative world for his­ torical purposes without further corroboration may appear to be Pyrrhonian skepticism, but it in fact follows naturally from statements made recently by two British archaeologists. A. M. Snodgrass offers a careful discussion of the world of Homer, in which he maintains that there are only two "positively and 11 In contrast, say, to the irony of Od. 13.248f, where the audience and Athena know what Odysseus knows in part (and the "shepherd boy" does not know at all) that Athena disguised as the shepherd is saying that Ithaca's reputation has reached Troy-saying it to the very man who brought the name of Ithaca to Troy. WILLIAM MERRITT SALE 15 widely identifiable historical 'strata'" in the Homeric world, the full Mycenaean and the eighth century (for the Iliad)Y Snod­ grass surely means that this positive and wide identification has depended upon matching details of the Homeric world with archaeological (and perhaps other external) evidence. When he goes on to say that the "Homeric political system, like other Homeric pictures, is an artificial amalgam of widely separated historical stages," his position is very close to what my investiga­ tion will conclude, except that I shall speak of "political sys­ tems" in the plural, and attribute one, the Trojan, to the eighth century, and another, that of the Achaeans in the Iliad, partly to the Mycenaean age and partly to fiction. Snodgrass goes on to speak of the contribution of the Homeric poems as being "of priceless worth for eighth-century Greece if it is sifted carefully enough" (395); I agree, if by "sifting" we mean the process of corroboration that I think essential. An effort to avoid the need for such corroboration and to as­ sert that the institutions depicted in oral poetry are inevitably and necessarily contemporary with the poet and his audience was made in 1968 by Snodgrass' student, Ian Morris.13 This stance, ostensibly comparatist but in fact virtually a priori, is ironically similar to that of M. 1. Finley when he states that the Homeric world "is to be placed in time, as everything we know from the comparative study of heroic poetry says it must"; or when he points to the gap between history and the events of the Chanson de Roland to argue against the historicity of Ho­ mer's picture of the Trojan War; or when he adopts the view that the Roland is "not contemporary in its social conditions, its politics, or its details of war and warriors" but depicts "the France of about a century before the poet's own time" as ana­ logical support for his opinion that the Iliad and Odyssey do not reflect contemporary conditions. 14 Morris has some good criti­ cism of Finley, but both of them say far too little about the de­ tails of oral poetry to claim legitimately that their positions really are comparatist. They are intuitive: Finley feels that heroic poetry avoids excessive contemporaneity out of a need "to re­ tain the 'once upon a time' image" (48); and because oral poetry is "constantly recreated" (87), Morris is convinced that it must depict contemporary "institutions and modes of thought" (82); 12 A. M. Snodgrass, The Dark Age of Greece (Edinburgh 1971) 389. 13 I. Morris, "The Use and Abuse of Homer," CIAnt 5 (1986) 81-138. 14 M. I. Finley, The World of Odysseus2 (New York 1979) 47f. 16 THE GOVERNMENT OF TROY and each points uncritically to oral poetry to support an essen­ tially a priori stance. In looking away from ancient Greece, Fin­ ley scarcely goes beyond the Roland and Bowra's Heroic Poetry, while Morris discusses no demonstrably oral poems, preferring instead to cite authority, inaccurately and mis­ leadingly.15 He does refer to the Song of Roland, which he thinks might be a problem for him if it were orally composed; he asserts that it was not, citing Bowra as his authority and re­ vealing virtually total ignorance of discussions of the problem by medievalists, especially Joseph Duggan's statistical argu­ ments for the oral composition of the Roland. 16 He omits en­ tirely any reference to Avdo Medgedovich's Wedding of Meho, which is an especial pity, for we know for certain that it was orally composed. The political institutions in this poem reflect those of Bosnia under the Ottomans, and bear very little resemblance to Yugoslavia in 1935. Morris is unaware of Sveto- 15 For instance: R. Finnegan in the course of reminding us that oral litera­ ture involves not just a text that we can examine at leisure, but also its performance, says: "Differently performed, or performed at a different time, or to a different audience or by a different singer, it is a different poem. In this sense, an oral poem is an essentially ephemeral work of art, and has no existence or continuity apart from its performance" (Oral Poetry [Cambridge 1977J 28). Morris (supra n.13: 87) omits the first sentence and the first three words of the second, and reports "an oral poem is an essentially ephemeral work of art, and has no existence or continuity apart from its performance," leaving the reader with the impression that Finnegan is denying even the existence of an oral tradition, which she is very far from doing. On the next page she says: "In this respect, oral literature differs from our implicit model of written literature: the mode of communication to a silent reader, through the eye alone, from a definitive written text. Oral literature is more flexible and more dependent on its social context." Therefore, she goes on, a discussion of oral poetry must always take account of its performance, its audience, its performer. Nothing is said here about oral poetry reflecting contemporary institutions. But these words are supposed to be testimony against the "long­ term transmission of dead institutions within a tradition of constantly re­ created oral poetry"; in an effort to make them into this, Morris strips the two sentences down to "oral literature is ... dependent on its social context," and hopes that we will take this to mean that oral literature cannot talk about any society except the one it is composed in. There are other errors in this article, some of them very important; but its weaknesses should not affect our judgement of Morris' very interesting book, Burial and Ancient Society (Cambridge 1987), with its exciting effort to correlate the rise of the polis with the burial remains (171-210). 16 J. Duggan, The Song of Roland: Formulaic Style and Poetic Craft (Berkeley 1973). Recent mathematical work of my own goes a long way to confirm Duggan: see supra n.3. The latter was of course published too recently for Morris to use, but Duggan's book is a classic. WILLIAM MERRITT SALE 17 zar Koljevich's The Epic in the Making, which shows how a body of poetry, known to be oral, at times reflects contem­ porary society, at times earlier society, and at times a blend of societies. Koljevich is able to determine reasonably well what is contemporary and what is earlier, and how much earlier, be­ cause we have a fair amount of information about medieval and renaissance Serbia and are even relatively well-informed about later periodsY It is just not the case that all oral poetry depicts contemporary institutions; a priori, Homer can be depicting any societies that he might reasonably know about, from Bronze Age Mycenae through the eighth century, as well as societies quite fictional: witness the 'society' of the Cyclopes in the Odyssey. Morris' effort to obviate the need for outside evidence, and its failure, should make us all the more conscious of that need; it drives us back to Snodgrass' perception of what is positively and widely identifiable. Even when we do possess outside evi­ dence, we can expect to make mistakes; but there turn out to be so many parallels between Homeric Troy and the eighth cen­ tury that we are not likely to be wholly mistaken in seeing a likeness. Steven Scully singles out four aspects of Troy that sug­ gest the contemporary Ionian polis: "the city enclosure of the entire population, city temples, wall as absolute visual boun­ dary, contemporary (eighth-century) construction."18 To these physical features I would add the seated statue of the goddess in the temple. 19 I also think it probable that the government and economy of the Trojans belong to the eighth century: we have parallels to the kingship, the Council of Demogerontes, the Assembly, the diverse peacetime occupations. I agree with Scully (100-13) that the idea of individual subordination to the interests of the polis is part of the picture of Troy; I would add to that picture the contrary idea, that the polis is unable to force its will upon its citizens, at least upon the members of powerful oikoi; and it seems to me likely that both these ideas were deeply ingrained in the political life of the emerging eighth-cen­ tury city-state. Note carefully that we are not committed to the view that Troy reflects a contemporary but not an older cul­ ture. If any of these institutions can be shown to belong to the 17 S. Koljevich, The Epic in the Making (Oxford 1980). 18 S. Scully, Homer and the Sacred City (Ithaca 1990) 88. 19 Sale (supra n.4) 38; Kirk on 6.90ff. 18 THE GOVERNMENT OF TROY Dark Ages or any other era, so be it, as long as they are not denied to the eighth century. I spoke above of agreeing with Snodgrass that Homer reflects both the contemporary and Mycenaean worlds, and of the Achaeans in the Iliad as reflecting Mycenae: an idealized version of Mycenae, with many details missing, i.e., Mycenae heroized. The opinion that there are two Homeric societies in the Iliad (and perhaps still others in the Odyssey) is unusual; most his­ torians prefer to speak of a "Homeric society,» a single entity found in both poems. 20 This has been thought to be cohesive and coherent, but not historical, a poetic fiction (A. MacIn­ tyre).21 Or it has been thought to lack coherence and cohesive­ ness, and to be un historical (A. A. Long). It has been thought to lack cohesiveness and to be an amalgam drawn from several historical periods (T. B. L. Webster, G. S. Kirk, Snodgrass). It has been thought to lack cohesiveness and to reflect a historical situation that was not cohesive.22 And it has been felt to be co­ hesive and coherent and to belong mostly to a given era: the Mycenaean,23 the years from 1200 to 1000 (A. Andrewes), the years from 1000-800 (M. I. Finley, A. W. H. Adkins), the eighth century (Morris: supra n.15), or later. 24 Those scholars (above) who sense a lack of cohesiveness in 'Homeric Society' have ordinarily not identified more than one society within the poems. Others, however, are convinced that the world of the Odyssey is different from that of the Iliad. 25 I myself think that there are both resemblances and dissimi­ larities, but I have deliberately postponed a full investigation in order to make sure that we do not allow the Odyssey to color our picture of the Iliad. We cannot be sure that the Odyssey was composed by the author of the Iliad; even if it was, it was 20 Perhaps I should say 'three societies', for the Lycians and Trojans do not appear to have the same form of government. But the Lycians may not differ from the Achaeans; Sarpedon relates (12.310-21) the foundations of their society to the heroic code as we know it from Achaean culture. 21 Sources for this and most of the following views can be found in A. M. Snodgrass, "An Historical Homeric Society?" JUS 94 (1974) 114-25; I shall give full reference only for those opinions not to be found there. 22 A. J. M. Whitley, "Social Diversity in Dark Age Greece," BSA 86 (1991) 341-65. 23 E.g. M. P. Nilsson, Homer and Mycenae (Philadelphia 1933) 218. H M. Skafte Jensen, The Homeric Question and the Oral-formulaic Theory (Copenhagen 1980) 167-71. 25 E.g. D. L. Page, The Homeric Odyssey (Oxford 1955) 157. WILLIAM MERRITT SALE 19 probably composed later; and there is no necessary reason why its use of social history should correspond to the Iliad's. When, for instance, we hear Odysseus boast about his skill at plowing (18.366-75), or with the bow and arrow at Troy (8.215-20), we are struck by the contrast with the heroic warrior in the Iliad; we can try to reconcile the data, but there is no good reason to do so (see also 49, 82 infra). Naturally when we try to recon­ struct a total picture of the Achaeans in the Iliad our thoughts turn to the Odyssey, but we must resist, except to point out a likeness or a difference already established. After throughly studying the societies in both poems, we may decide that there are important likenesses; but it ought to be a strictly a posteriori decision. In identifying social differences between cultures within the poems, my stance is close to Scully's (supra 17). For example, Scheria in the Odyssey bears a close resemblance to poleis of Homer's time, especially Old Smyrna and Oikonomos (Scully 87), but on Ithaca as the Odyssey gives it to us, the polis is rela­ tively insignificant (102f) and the oikos predominates. Troy in the Iliad, as we saw earlier, is a polis. Scully does not say a great deal about the culture of the Achaeans in the Iliad. But he does stress that because they are the attackers of the polis and the Trojans the defenders, their values and psychology will be different; and indeed they live in a different community, one lacking wives and children (110).26 That the Achaeans in the Iliad differ from the Trojans is far more important to my argument than the question of what society they may derive from. If they should one day prove to be wholly fictional, or to belong to the period of the Ionian migration, that makes no essential difference. But if they are not distinguished from the Trojans, then what the Trojans actually are will be lost, and the resemblances the Trojans bear to the eighth-century Greek polis will be less meaningful. The Achaeans, and especially Achilles, maintain an epic distance; the Trojans and Hector are closer to us and especially to the eighth­ century audience. Thus certain apparent similarities-both have Elders, both have l3uolA:i1Ec; and aVa1('tEc;-can be very mis­ leading, and I shall therefore be discussing the Achaeans as well as the Trojans in great detail. 26 I have slightly revised Scully's statement, which is that Achilles' com­ munity does not include "women and children." 20 THE GOVERNMENT OF TROY Only after the picture of each society is fully drawn do we ask the question whether it resembles any particular period. Before that, we are doing literary criticism, and of a strictly new-critical sort. We cannot bring in political, social, or even physical his­ tory to support an interpretation; such a procedure would be an obvious petitio principii, because we are seeking to determine what historical period, if any, a given detail in the Iliad suits. We can hardly say, 'In this passage Homer resembles the eighth cen­ tury,' when we have introduced the eighth century to interpret the passage. Nor can we bring in authorial intention; we are trying to establish authorial intention. Nor can we speak of initial-audience reaction; that too we are attempting, in part, to recreate. Nor can we refer freely to epic tradition, as we are engaged in isolating differences between Homer and the tradi­ tion. Granted, there are probably cases where we cannot proceed in literary interpretation without invoking history: in getting at the basic meaning, for instance, of such terms as ~allllOy£pov"m; are sitting at 3.146-49: Priam and Panthous and Thymoetes And Lampus and Clytius and Hicetaon And those with them, [and] Ucalegon and Antenor, both men of wise counsel, Were in session as <>llJ..l0Y£POV1£<; beside the Scaean gates.82 In Greek: Ot uJ..lcpt fIptuJ..lov KUt fIuv800v T1<>£ 8uJlot'tllv OUKUAiyroV 1£ KUt 'Av'tTtvrop ... c'lu'tO <>llJ..loy£pov't£<;. As commentators and lexicographers have handled these words in various ways, we must take a moment to discuss them. Cunliffe (Place Names s.v. uJlcpt) gives "Ot u. nvu, a person and those with him, a group of which the person named is the chief ... With several persons named r 146." That is, Priam is not dis­ tinguished from any of the others in the accusative; they are all chiefs. Munro in his note on these lines agrees: "The phrase Ot UJ..lcpt nvu<; (plur.) implies a group, of which the persons [sic] mentioned are the most important: cpo 4.295ff." For Leaf too, the phrase "means 'the party consisting of' Priam and the others. "83 Mazon concurs: "Or, Priam, Panthoos et Thy- 82 This is probably the most literal translation. I shall discuss the oi UIlCPt con­ struction presently; as for O\l1<:t idiom is lost; and an interpretation that requires us to accuse the author of illogicality is not persuasive if good alternatives exist. Ameis-Hentze (on 3.149) also speak of seven Councilors, though they refer us (on 3.146) to 2.445, where they say, "ot ()' UJlq>' 'Arpdwva, den Atriden mit einbegrif­ fen"; Priam thus ought to be included, and we ought to have eight Councilors. 84 He considered them tribuni plebis, and their opposition, Priam, Panthous, Thymoetes, and Priam's three brothers Lampus, Clytius, and Hiketaon as royalists. This is probably making too much of the shift to the nominative, and suggests that Priam has more political authority than he turns out to possess; but it is true that at 7.347 Antenor speaks out for Helen's return, and Priam does not endorse him. In the rest of the Teichoscopia Antenor and Priam seem friendly enough, though when Antenor says that he entertained Menelaus and Odysseus and learned their counsels (3.207f) he may be saying that he was on their side, that he wanted I Ielen returned then as well as now, while Priam appears to have waffled. Antenor accompanies Priam for the oath­ taking, as if here too the feeling is that both sides need to be represented. 72 THE GOVERNMENT OF TROY Those who take the third direction feel that the lines should be read according to the Attic idiom, "so-and-so and those around him (them),» but want to translate, "Priam and those around him (sic), namely Panthous and Thymoetes ... and Ucalegon and Antenor ... were sitting as ()THlOyEpovn:<;.» Thus Kirk, LSI, and Chantraine (88). This at least makes Priam one of the ()lll.lOyEP­ OV't£<;.85 But why does Homer put Panthous and the others in the accusative, Ucalegon and Antenor in the nominative? Does this not specifically place Priam on the same level as the others in the accusative? The difference is subtle, since if Priam is in­ cluded with the rest among the ()lll.lOyEPOV'tE<;, there is a leveling effect in any case. But if Priam were the only one in the accusa­ tive, we would feel that he was definitely primus inter pares po­ litically. Homer could have put the others into the nominative; that is certainly the more obvious and the easier construction; he seems to have avoided doing that in order to avoid singling out Priam, in order to make him primus inter pares only by vir­ tue of being the first one mentioned, the one to arrest our atten­ tion, to give us our bearings in the midst of less familiar and un­ familiar names. 86 Let us look at some parallel passages. If we translate 15.301ff by the model, 'So-and-so and those around him (them),' it comes out, "Ajax and Idomeneus, Teucer, Meriones, and Meges [all these names are in the accusative in Greek] and those around them, summoning the [other] leaders, formed a battleline.» With­ out using this model, we render, "Those around Ajax and Ido­ meneus '" summoning the leaders, formed .... » Both make sense; what does not make sense is to translate, "Ajax and those around him, viz. Idomeneus, Teucer, etc.» Idomeneus, Meri­ ones, and Meges are not part of Ajax's entourage. Similarly there is no temptation to translate 4.294ff, "arranging his companions and urging them to fight, namely, tall Pelagon and those around him, viz. Alastor and Chromius and Haemon the mighty (KpEOV- 85 At least it should, although Kirk goes on to say that "these are the Trojan elders and Priam's contemporaries, Orll.lOyEpOVtf.~." leaving us confused as to whether he includes Priam among the Elders. 86 It is only fair to ask, "Why are any of the names in the nominative?" Ameis-Hentze (on 3.148) think that Ucalegon and Antenor are deliberately stressed because of the important role of Antenor in the ensuing scene, and this can hardly be wrong; indeed Antenor and Priam are paired both in the Teichoscopia and oath-taking. For K. Stanley, the nominative emphasizes the contrast between the 'perceptive' Antenor and Ucalegon (='heedless'), sym­ bolizing the overall Trojan ability to grasp reality, together with their inability to act accordingly. See The Shield of Achilles (Princeton 1993) 66. WILLIAM MERRITT SALE 73 'ta) and Bias, shepherd of the hosts." Why should Haemon and Bias, especially in view of their epithets, be part of Pelagon's en­ tourage? In both passages, however we take them, it is clear that all the names in the accusative are on the same level. At 6.435 it is especially clear: Andromache refers to an assault by o'i apur-rot allCPt Atav't£ 8um Kat eX),aKAU'tov 'I801l£vila 1)8' eXIlCP' 'A'tp£i8a<; Kat Tu8EO<; eXAKlJlOV {nov, which no one would translate, "their best, the two Ajaxes and those around them, viz. Idomeneus, and the two sons of Atreus and those around them, viz. Diomedes." First, it is exceedingly bizarre to reduce "those around them" to one person each time. Second, we cannot single out the Ajaxes as the aptcr'tot from a list including Agamemnon; we cannot even single out the Ajaxes and the Atreidae here in Book 6, where Diomedes is so much the superior Greek warrior that the Trojan women have just prayed for release from his valor. Nor can it mean, "the best men around the Ajaxes ... ," as if it were not the Ajaxes and Ido­ meneus and the Atreidae and Diomedes who were the best men. We must of necessity translate, "the best men, the two Ajaxes and Idomeneus and those around them, and the Atreidae and Diomedes and those around them." Render Ot aJlcpt idiomatically, or do not; it never singles out the first in a string of accusatives. Hence in 3.146-49 both logic and the parallel passages require, "Priam and Pan tho us and Thy­ moetes ... and those about them, and Ucalegon and Antenor [or, "both U calegon and Antenor"J, were sitting .... " Doubtless Kirk, LSJ, and Chantraine would have translated it this way if it had not been for a preconception: we all know that Priam is the king of Troy; surely it is improper to put a ~a(JtA£UC; on the same rank as the other 8TlIlo),EPOY't£C;. Of course he is the ~a(JlA£UC;; in a sense he is not on the same rank. That is why, in order to show us that Priam does not have exceptional political power, Homer must use this striking con­ struction, the succession of accusatives: Priam and Panthous and Thymoetes etc. In the company of the 8TlJlO),EPOV'tE<;, Priam is merely one of a number of them. Not that he is powerless; unlike Elizabeth II, he sits with the ruling body. But he is only one member. The one most familiar to us, no doubt; the one we are most interested in, which is why he is mentioned first. But no more powerful politically than the others. With Mazon I have given the phrase £Yaw 8TlJlO)'EpOYUC; (3.149) an institutional translation, "were in session," though it could, of course, be rendered, "were sitting [by the Scaean 74 THE GOVERNMENT OF TROY gates], Elders"; I prefer the interpretation, "were sitting as El­ ders, " partly because the word 8TlJ..loyrpov'tE~ has the feel of a technical term, and a technical term is appropriate if they are actually in session; and partly because the repetition of ~v"C' at 3.153 seems to lay such stress on their being leaders who sit: "COlot [like clear-voiced cicadas sitting on a tree] (ipa Tpwwv ilrft­ "COpEt; ~v"C' btl. 1tUpYWt (3.153), and such stress is appropriate if ther are actually engaged in leading. Also, this third book is our rea introduction to Troy-city; up to now we have heard about Troy from the Achaeans, seen an Assembly react to the ap­ proach of the Achaean army, and met the army of the Trojan alliance. It would make sense for Homer to put before us now the people responsible for the decision to fight this war, and to be exposed to their reasoning as they engage politically. If we take it as a formal Council meeting, then we are watching Troy being governed; and even if we do not, we are still in the pres­ ence of the governors of Troy, the yrpov"CEt; and ~ouAEu"Ca[ who elsewhere determine battle strategy for the Trojans. If it is a meeting, we do not know why it was summoned to meet; but when Helen appears, she becomes the agenda if she was not so already. When the Elders look at her, their minds are divided (3.156ff): No blame befalls the Trojans and Achaeans with their excellent shin-guards For suffering woes so long a time for such a woman; Her face bears dread resemblance to immortal goddesses. That is the judgment of half the Elders, or of half the minds of all of them. But (159f): Even so, though she is such, let her go home in the ships; May she not remain, a calamity for us and our children. That is the judgment of the other half. However we interpret, the Council is exactly divided, and that is why Helen remains in Troy. And that is why we have a Trojan WarP 87 The importance of the Trojan Council, and indeed of politics in the Iliad, is well brought out by W. Nicolai, "Rezeptionssteuerung in der Ilias," Philologus 127 (1983) 3-12. It is a pity that Nicolai does not discuss the difference between the Achaean and Trojan Councils, and that he con­ centrates so much on individual error that he does not do full credit to institutional failure; but his sense of the dual purpose of the poet, to set forth heroism in the traditional mode, and to offer his own political insight and criticism, corresponds roughly to my sense that the poem is about the tragic growth of Achilles and the tragic death of Troy. WILLIAM MERRITT SALE 75 Such an interpretation allows us to see why Priam tells Helen that he does not blame her, but the gods, for the war (3.164f). The division on the Council reflects a real moral dilemma. A woman as beautiful as Helen is simply worth fighting for; but the war is disastrous for the nation. The first position is highly romantic, and we may doubt whether it could have been main­ tained in any real society, except one where an absolute mon­ arch was also the lover; even in fictional Troy such a stance requires the support of bribery. But one of the things we like about the fictional Trojans is they can feel that intense human beauty has a quality of divinity in it ("her face bears dread resem­ blance to immortal goddesses"), and that for this one ought to fight. We are never told, but we feel that Priam either agrees with this, or at least feels the force of the dilemma. If he did not, he could not very well talk of the gods' responsibility for the war; responsibility would lie with an errant son and a corrupt Council. The gods are responsible because they gave a woman godly beauty that one must fight to possess, and gave it to a woman from another nation. Putting together now what we know for sure: years ago, Paris bribed certain men, including Antimachus; the Council is still hopelessly divided; Helen is retained and the war goes on. Surely the easiest way to link these facts is to suppose that it was Council members whom Paris bribed, that Antimachus who "did not allow the return of Helen" (11.1243ff) is an Elder, a Councilor, someone in a position not to allow things. The other possibility, that Paris bribed some influential Trojans, not Elders, who were able to dominate the Assembly, looks unattractive in view of the division on the Council that we observe in Book 3. It is really making matters too complicated to think of idealistic Councillors who are pro-Paris and the erotic value-choice, allying themsleves in that Assembly with a party of greedy nouveaux whom Paris has gotten to. We still have not answered the question whether it was an Assembly meeting or a Council meeting at which Helen's re­ turn was rejected. Menelaus and Odysseus request it from the Assembly (3.209), but if we agree that Antimachus was an Elder, and as such did not allow Helen's return, we feel that the Coun­ cil must have met first, and then taken its position to the As­ sembly. It is a small point, perhaps, but if we attribute a decisive Council meeting long ago to our hypothesized poem on the first year of the war, we can see in the Council meeting in Book 3 yet another borrowing from-another imitation of an event 76 THE GOVERNMENT OF TROY in-that poem. Book 3 does not mention Antimachus, because his role belongs strictly to the past. Moreover, here towards the beginning of the Iliad, Homer wants to give an idealized picture of Troy; her hamartia can unfold in due course. That is speculative; but that Homer pictured Antimachus and his group as Elders is not just speculation, and it is virtually certain that he regarded the Elders, the 81lJloy€poV't£<;. whether meeting in Councilor in Assembly, as the rulers of Troy. We are already prepared for this: we have heard the Elders giving orders to Hector (15.721ff), we have heard Hector propose to consult with them at 6.114; we know of the oath of the Elders at 22.119. When we add the deadlocked meeting in Book 3, and the power of Antimachus et al. to force Troy to go to war, we complete a consistent and reasonable picture. This confirms our conjecture (supra 63f), that Priam is a weak king, an Elder whose political power is subject to the consensus of the other Elders. A weak king, and a very gentle man, but not a weak one. The man who can go to the Greek camp and en­ counter Achilles with humility and pride in Book 24, as a father to a son, a human being to a human being, and return successful, is not a weak person. Nor is the man who can tell Helen that he does not blame her for the war (3.164), or who can openly ac­ knowledge that he loves his son Paris too much to look on his probable slaughter at Menelaus' hands (3.306). Menelaus per­ ceives him as strong: he wants Priam to witness the oaths in Book 3, not on the grounds that he is the ~aC; identifies with his people. As he should: he is the ~acrlAEuc;, his is the "city of Priam"; similarly we refer to 'Victorian Eng­ land'. At 7.345 Idaeus tells us that the Trojans "bade Paris to return Helen," and yet Priam is able to persuade them to accept his refusal, to "listen carefully and obey"(7.379). This does not sound like blind obedience, but rather a recognition that Priam can do nothing and that therefore nothing can be done. If Priam really could intervene but is too bad or too weak to do so, we would expect some expression of dissent-or might expect Athena to be taking their wits away. Instead they are trusting him, as Menelaus did in Book 3, because he is trustworthy. Late in Book 7, when the Trojans are collecting their dead upon the battlefield, Priam "does not allow his people to cry out" in mourning (7.425). Here he is the ~a(HAEUC;, in action if not in name, but his authority is of a religious or moral, not a political nature. In Book 21, Priam has been watching from the tower as the Trojans come streaming in flight towards the city; he rushes down and orders the guards to open the gates, which they do (21.526-38). This is a practical, a military decision; Priam, as one of the Elders (who have, after all, stated military authority over Hector) would naturally have the right to give such orders, and we would not have been astonished if some other Trojan elder had given it. In Book 24, Priam tells his citizens to gather timber demand), honoring his son's wilfulness (but why should he, in view of its con­ sequences for them all?), and religious scruples against deportation (but what about scruples over violating one's oath?). Nicolai later (10) calls attention to the failure of the Trojan Council, accusing it of collegial'" laissez-faire"; is "'honoring his son's wilfulness" an example of this? In any case, Nicolai has missed the importance of Paris' bribery. WILLIAM MERRITT SALE 79 for Hector's funeral; he does this partly as father of the beloved hero, and partly as a man of moral and religious authority. These are all the public actions he takes; but there is an inter­ esting reference to his status in Book 20. Achilles asks Aeneas if he hopes to be master of the dignity of Priam in the eyes of (or among) the Trojans, Tpwmo"lv avaSElv l1t1tobaJlOlO"l 'tlJllle; Tile; TIptaJlOU (20.180f). Let him not hope for this, "because Priam has sons." My translation is from Cunliffe, and agrees exactly with Munro and Leaf, and very nearly with Ameis-Hentze ("in den Besitz der Konigswurde gelangcn"). We cannot take TPWEO"­ mv as the object of ava~Elv, because 'tlJlllC; cannot then be con­ strued; I can find no parallel for Mazon's "avec Ie rang," nor does any commentator I have consulted. 90 For 'tlJlT) M. W. Ed­ wards says "power, prerogative," which is unattractive. Not that Priam lacks power-we have seen examples of it in the pre- 90 He is followed by Benveniste, though, in a very unsatisfactory discussion of tlllTr E. Benveniste, Indo-European Language and Society, tr. E. Palmer (Miami 1973) 342; earlier (336) Benveniste translates "and win the rank which Priam holds." I say "unsatisfactory" not merely because no attention is paid to the views of commentators and lexica on individual passages, but because so many apparent confusions lurk. For example, on this passage, he says, "the expression associates the ttllT] with the exercise of royal power." Now no one will dispute that there is an association between tlllT] and power; but Ben­ veniste goes on to assert that Hill, comprises royal power, as if power were denoted by the term. Again, in the same discussion he claims that 'ttf.LTl. or at least this notion of ttf.Ll, (he is not clear on this matter) is of divine origin. He cites 2.197, where Odysseus says that the HilT] of a king comes from Zeus, and says that there are more examples-puzzlingly, because we think back to 1.278f, which he has indeed discussed, and where Nestor connects the ~aol­ A£\><; and ttllT] but says that Zeus gives Kubo<;. not tlllT]. Or we think of 12.310- 21, which he has just cited, and where Sarpedon asks, "Glaucus, why are we above all honored with a special seat, and meat, and full cups, in Lycia? And why do all men look on us as gods? ... Therefore we must take our stand among the first-fighters ... so that Lycian warriors will say, 'Our ~aOtA.~E<; are not without glory, they eat and drink well, but look, their strength is also noble, since they fight among the first-fighters'" (I have compressed slightly; Benveniste's translation [337J is more elaborate, but the difference is not impor­ tant here). Now the beings who are doing the honoring here are clearly mortals; it is mortals who look upon Sarpedon and Glaucus as gods; and the answer to the question "Why?" is not, "Because these are privileges that be­ long to us because we are kings." Sarpedon might have said, "Because a scepter­ holding king has a greater share of ttll~" (1.278f), but he did not. The implied answer to his question is, "They treat us this way in the expectation that we will fight among the first; therefore let us live up to their expectations." I would not dream of using this passage to refute the view that tlllT] is of divine origin; but the assertion that it is requires a careful consideration of this passage that Benveniste does not give. 80 THE GOVERNMENT OF TROY ceding paragraph, and wealth confers power. And even the specifically political power of a very wealthy 01l1l0"(EProv might well be coveted by an outsider, a poor cousin, a Dardanian who makes his living herding cows and has long resented Priam (13.460f). But 'ttlll) does not really mean 'power' in Homer, though the possession of a certain kind of dignity can also entail the possession of power. Power (of various sorts) is Kpa'to<;, KPCl'tEro. If by 'prerogative' we mean the physical objects that accompany 'ttlll) a better word is "(E pa<;. Thus Achilles' loss of 'ttlll) in Book 1 is not a loss of power but of standing, dignity, self­ respect, which has come because Agamemnon has seized his "(Epa<; (1.352-56). But Bellerophon's receipt of half the royal 'ttlll) in 6.193 carries with it a certain amount of power (so too 2.197; 9.616; 15.189; Od. 1.117; 11.495, 503; 24.30, the other places where Cunliffe allows the possibility of the translation 'preroga­ tive'). Willcock's "rule over the domain of Priam" changes the meaning of 'ttlll) even more. I labor this point because it seems to me that the words, "be master of the dignity of Priam," as given by Cunliffe, Leaf, and Munro are so very apt. Priam is a king, as Elizabeth II is a queen, without much royal power, but with immense status-and immense wealth, to which Achilles goes on to refer (20.182). The real rulers of Troy, then, are the 01lJlO,,(EpOV't£<;. one of whom is the ~a(JlA£u<;, who meet in Council and are the speakers at the Assembly. The Elders determine foreign policy, in that they let the nation go to war over Helen (11.125); they are involved in determining the strategy of the commander-in-chief of the Trojan alliance, Hector (el 6.113f, 15.721ff). One swears the solemn «oath of the elders" (22.119; perhaps the Council has the legal power to enforce this oath). Grounds for membership in the council, apart from age, are not clear. The names in Book 3 that we recognize all clearly mark out the old aristocracy: An­ tenor, Panthoos, Priam, and his brothers; but we do not know enough about Antimachus to know whether to speak of aristoc­ racy or oligarchy. Troy bears an obvious resemblance to the city at peace on the shield of Achilles, with its elders in session to ad­ judicate a case of restitution for homicide; we do not, however, hear of any such action on the part of the Trojan 01l1l0,,(EpOV't£<;. V. The Economy of the Trojans In discussing the Achaeans at home, we called attention to the sidelights upon their lives that we get from time to time and noted that a good many Achaeans were murderers in exile. To WILLIAM MERRITT SALE 81 this the Trojans offer startling contrast. In the vignettes of their pre-war lives we hear not of crimes but of occupations that were) or could be) pursued in time of peace: Phereclus the car­ penter and shipbuilder whom Athena loved (5.59-64);91 Paris the shepherd (24.29f)) trader (6.289-96)) and home builder (6.314f) and see infra); Lycaon, a chariot-maker (21.37); Melanip­ pus (15.547f)) Aeneas (20.188)) and his father Anchises (5.313), all cowherds;92 Bucolion (6.22, the father of two Trojan warriors) and perhaps Iphidamas the Antenorid (11.221) 245)) both shep­ herds;93 Antiphus and Isus, Priamids who, like Aeneas) followed their flocks even in wartime (11.106); Helenus, also a Priamid, the seer (6.75); and Scamandrius the huntsman (5.50f). (I do not include here such men as Phorbas, who are merely described as rich in flocks, 14.490; I am including only those who perform the labor.) The Achaean culture has all or most of these pursuits) but they are engaged in by other men, not by warriors, many of whom are said, or presumed, to be back home; Calchas the Achaean seer, for example, does not fight, though Helenus the Trojan seer kills and is wounded. The Achaeans raid cattle) but they are not seen tending cattle. It is important to note the high rank of 91 The passage could be read so that Phereclus' father, not Phereclus, built the ships; Kirk (on 5.59-64) goes in this direction, while Leaf, Munro, and Ameis-Hentze go in the other. Ameis-Hentze refer to 2.872 and 5.44, where the pronoun must jump over the name of the father in order to find its antecedent, and until this parallel is refuted I prefer to follow them. Even if we go along with Kirk, and as a result cannot say that Homer calls Phereclus a carpenter, we are left with the impression that he must be one, as the carpenter's son. And grandson, as I and most others read the passage. Kirk wants 'tE1('tOVOc; to be lower-case, thus eliminating a generation, but this suggests that we need to be told that a man named Harmonides is a carpenter. 92 The latter two are Dardanians, not Trojans, but they are cousins of Priam, and Aeneas of course is destined to rule the Trojans (20.307). Aeneas goes into battle accompanied by Antenorids (2.823), which makes the tie even closer. 93 11.245 speaks of goats and sheep, 'ta Ot aT)1l0- need not mean 'popular' in Horner-or at least not 'popular as opposed to aristocratic'-as the term <>T)lloy£prov is used of ~aO'lAEUC; nus as well as the royal and aristocratic members of the Trojan Council. It is at least theoretically possible that a person who served on a <>T)1l00'lT) ~oAft would be called a <>T)lloy£prov. And there is no reason why the Chian Council could not have been enlarged in the course of time, and have been a small group of aristocrats once. Of course we cannot show that this Council was in existence in the eighth century. And even if we take it to be a popular council and assume the existence of another, aristocratic council, we cannot safely push the latter back to the eighth century-we simply do not know enough. Chi os in 575 also possessed ~aO'lAElC;, who appear to have been magistrates with specific duties; it is not clear whether any of them were on the Council. We hear of a King Hector on Chios, but he seems to have belonged to the same generation as Cod­ rus' sons, traditional leaders of the Ionian migration; he falls six generations after Theseus (Drews [supra n.46] 22). If he existed, he was already ruling on chios when the various Codrids (if they existed) carne to Ionia, some 200 years before the eighth century opened. During those years, Chios no doubt went through changes of government that we cannot trace. We know of a (probably) seventh-century ~aO'lAEuc; named Hippoclus who was almost certainly not a monarch and who might well have been one of a number of such as those referred to on the inscription of 575, as Drews suggests. A building on the acrop­ olis of Emporio can plausibly be called the house of a ~aO'lAEUC;, if we may take the term to refer to a leader of a relatively small local community. But none of this gives a satisfactory model for Priam as ~aO'lAfu<; and <>T)1l0YEProV because it does not point to established royalty. There are other ~ouAal and colleges of ~aO'lAfl<;, but none that I know will give more precise potential models for Homeric Troy than these. As for Assemblies: we know of early ones at Sparta and Lyctus, accompanying the Councils already mentioned. The Chian inscription refers to the 'demos assembled'. That there was an Assembly at Athens in the time of Solon seems reasonably clear, however much scholars may dispute the extent of Solon's political reforms. lOS Pursuit of the 108 Aristotle (Alh. Pol. 7.3) says that Solon limited the role of the Thetes to the Ecclesia and Dicasteria, and (Pol. 1274a16ff, 1281 b32-35) assigned election and audit of the rulers to the demos, processes that can only have occurred in 94 THE GOVERNMENT OF TROY actual evidence here (which is slightly less than one would wish) is probably not necessary, because most historians, reasonably enough, assume that popular Assemblies existed when poleis began to form. Even if they had no power at all, there had to be a way in an oral culture for the populace to be informed; and it was surely helpful for the rulers, in turn, to be informed about the feelings of the people they ruled.109 We have therefore seen enough to make it probable that when Homer talked about a Trojan Council of Elders, consisting largely of aristocrats, governing a city together with a weak j3uO't­ Ad)<; and an Assembly, he was referring to institutions familar to his audience in their own experience, even if they knew of no one polis that matched Troy point for point. Turning to the economy of the eighth century, we go, in part, to a different source, the similes. These are necessarily drawn from, or could have been drawn from, the world contemporary with Homer. It is in the nature of a Homeric simile to use the generalizing present or aorist tenses, usually with the particle 'tE, to add meaning to the narrative set in the distant past, the long-ago time when men threw rocks that we could barely lift. Some of the similes are no doubt traditional, and may even be quite old. But I do not think that any of them could refer to events or situations that could not be found in the poem's present; they function to bridge a gap between our time and the age of the heroes, between a world mostly at peace and a world at war. Naturally we shall also employ archaeological evidence to reinforce what the similes tell us. a formal Assembly. For the dispute over the actual power, and a sensible defense of Aristotle's testimony here, see Wallace (supra n.105) 53ff with notes. 109 I have refrained from calling attention to states governed in the eighth century by one aristocratic family that ruled as a family (e.g. Corinth, Lesbos), because the Priamids of Troy, though certainly very powerful, are not the only source of olHwY£POVt£<;. The Antenorids are also powerful, and Antenor is on the Council. Even states governed by more than one such family (e.g. Athens, Sparta) may not be precisely parallel, since there is a good chance that Homer thought of Antimachus as a orUlOytpwv, and we do not know whether he was aristocratic or just wealthy. Moreover, we have no reason to regard Phereclus as of lower political status than any other Trojan warrior, though he comes from an artisan family. Still, the impression we have is that power is largely in the hands of aristocrats and indeed that the Priamids dominate. These are not quite comparable to the Bacchiads, but they dominate more than do anyone of the Eupatrids, Eteobutads, Alcmeonids, Eumolpids, or other Athenian clans. On the existence of an Athenian clan named EultatpiOal see the persuasive discussion of F. Jacoby, Atthis (Oxford 1949) 263 n.156. WILLIAM MERRITT SALE 95 The commonest source of similes in the Iliad is the world of the herdsman. A rough count gives over thirty-five of these, in­ cluding similes drawing upon the lion-hunt (e.g. 5.476, 12.41-48, 17.133-36,20.164-73), which is undertaken to protect the herds; without the lion-hunt, there are about thirty-two pastoral similes (e.g. 2.469-75,478-83; 3.11, etc.). The life of the herds­ man is presented as difficult and dangerous, a constant battle against predators; the herdsman-hunter is a domestic hero, and, though the class status of a herdsman is never given, it would not be surprising if it were high. There are over twenty similes that pertain to agrarian farming, counting the hunting similes that include the boar (e.g. 11.292f [boar or lion], 11.413-18 [boar]), who is threatening the orchards and grain (as well as providing edible meat); without the boar hunt I have counted twelve farming similes (2.147f; 5.87-92, 499-502; 10.5-8, etc.). The pre­ ponderance of pastoral similes arises partly because the lion descending on the herd gives a more precise parallel to events in battle than a boar ravaging an orchard, and a boar is normally not a threat to standing livestock. Still, we should note that this imbalance also matches the preference of Trojan aristocrats for the pastoral life, and the virtual absence of any mention of Tro­ jan agrarian farming even though we are reminded often enough of their having plowland and orchards. It would certainly make sense to imagine that Homer's audience included a number of aristocratic herdsmen who could readily respond to similes re­ lating the perils of their lives to the risks run by heroes of old­ particularly if some of those old heroes were also herdsmen, and if they were on occasion warriors. For we must not forget that the Trojan aristocratic herdsman is a fact of the Iliad, not a conjecture; the conjecture resides only in the hypothesis that they were drawn from real life, from the everyday world of the eighth century. As for the Trojan agrarian farmer, who is not a fact of the Iliad, we and Homer's early audience have the Shield, where the multitudes plow and the ~acrlAEuc; looks on, to explain the poet's silence. Archaeology can affirm that animal husbandry and agrarian farming were certainly practiced in the eighth century. Snod­ grass, following Thalia Howe in part, has offered the theory that the Mycenaean Greeks had large amounts of meat in their diets, that this remained the practice in the early Dark Ages, but that with the Geometric period came a shift to a more vegetarian 96 THE GOVERNMENT OF TROY diet, with grain replacing meat.110 This theory almost cries out for another theory: the Iliad, with its upper-class Trojan herds­ men, is no doubt earlier than the Odyssey, where Odysseus the experienced agrarian farmer is served by herdsmen-slaves, and this progression imitates history. This could be true, but even Snodgrass' theory is not proven, and has been criticized-not decisively, in my opinion-by Coldstream. 111 Moreover, we have seen good reason why Homer might have conceived Troy as highly agrarian without mentioning the fact; the farmers may belong to the lower orders, men too poor to provide armor for themselves. If we argue a progression, we apparently have to speak not only of a shift from animal husbandry to agrarian farming, but also of a class-shift: the farmer has risen in the social scale, the herdsman has fallen. But the situation in the Odyssey is sufficiently topsy-turvy to block convincing analysis: Eu­ maeus is a king's son, and is called OPXallos av<>pwv, an epithet also used for Philoetius; Philoetius was in a position to take his flocks to someone else had he chosen to (Od. 20.218-23); both distinguish themselves in the fighting against the Suitors. There is much material here for literary interpretation, but historical inference is risky. We are able to say that the archaeological evidence reveals that animal husbandry was certainly practiced in the eighth century; but as far as I can see it does not reveal whether or not aristocrats practiced it. The Iliad also includes similes from hunting such food-animals as boar, stag, and goat (e.g. 3.23-26 [stag or goat], 12.146-50 [boars], 15.579ff [fawn], 22.189-22 [deer]). This reminds us of the career of the Trojan Scamandrius, who could kill all manner of wild beasts (5.50ff). There are hunting scenes on Late Geometric objects; some are orientalizing, but others seem local in inspiration (Coldstream 198). The similes also include chariot-making (4.482-87), the activity practiced by Lycaon (21.380). Chariots were especially used in burial in the eighth century: see Coldstream 350; Snodgrass (supra n.12) 433. Ship-building occurs in at least six similes (3.60- 63, 13.389ff, 15.410ff, 16.482ff, 17.742-45, 18.161£), reminding us of the Trojan Phereclus (or his father) at 5.59-63. I do not know how to point to real artisans who are counterparts to Phereclus, 110 Snodgrass (supra n.11) 378ff; T. P. Howe, "Linear Band Hesiod's Bread­ winners," TAPA 89 (1958) 44-65. t t t J. N. COLDSTREAM, Geometric Greece (New York 1977: hereafter 'Cold stream') 314. WILLIAM MERRITT SALE 97 but they must have existed, because there are plenty of pictures of ships, and because the eighth century had to have ships for trading and colonization. As Chios is one of the places named as Homer's birthplace, it is interesting to note eighth-century ex­ ports of wine from Chios attested at Old Smyrna. Homer speaks of the wine of Maron, i.e., Maroneia, an early colony of Chios in Thrace (Od. 9.196ff; Thracian wine is mentioned also at I/. 9.71£).112 The Chians therefore had ships, and shipbuilding (as well as vineyards). Seafaring occurs in at least three similes (7.4- 7, 15.624ff, 19.375-78), reminding us of Paris' voyage. Home­ building is mentioned by one simile (16.212-23), recalling Paris and his assistants (6.314ff). That the eighth century had house­ builders goes without saying, since they had houses; but whether individuals built their own houses and hired profes­ sional assistance is not clear from any evidence I have seen. A ~a.crtA.£U~ is mentioned in a simile, a man who owns a horse and will receive a purple-stained ivory cheek-piece; the dyeing is done by a Carian or Maeonian woman, suggesting that the ~a(H­ A.EUC; lives in southern Asia Minor and therefore near Homer (4.141-45). Finally, though almost all the similes draw upon a world at peace, two of them mention war on a city (18.207-13, 219f). These do not say anything about the occupations of the war­ riors, so we turn to other evidence, and here we encounter a difficult problem of dating. The citizen warrior of the polis, with his civilian occupation is an obvious model for the civilian occu­ pations of Trojan warriors. And this model was clearly in place by the beginning of the seventh century, the time of the so­ called hoplite revolution, when warfare was conducted in massed infantry formations requiring a relatively large percen­ tage of the citizen body. Archaeologists are not in agreement as to whether such formations came into being in the seventh century, or had long existed. Snodgrass, among many others, argues for the beginning of the seventh century; Morris puts it much earlier, saying that "as far back as it can be traced Greek warfare always relied on massed formations of infantry. "113 If 112 See C. Roebuck, "Chios in the sixth century B.C.," in J. Boardman and C. E. Vaphopoulou-Richardson, edd., Chios (Oxford 1986) 81-86. 113 A. M. Snodgrass, Arms and Armour of the Greeks (Ithaca 1967) 45-49; Morris (supra n.14) 25. Morris derives much of the support for his position from J. Latacz, Kampfparanase, Kampfdarsteltung und KampfwirkLichkeit in der lLias, KaLLinos und Tyrtaios (Munich 1977) and W. K. Pritchett, The Greek State at War, Part IV (Berkeley 1985). Some important criticism of Latacz and 98 THE GOVERNMENT OF TROY Morris is right, and we can imagine a large percentage of the pop­ ulation of Old Smyrna, say, fighting in massed formation, aristo­ crats and wealthier artisans side by side, the resemblance to Troy is clear. Snodgrass (supra n.12: 415f) paints a convincing picture of the community of Old Smyrna cooperating in building the fortification walls and the houses, and leading in the development of the polis; we add to this their fighting side-by­ side. We would like to imagine this, because we have conceived of a large percentage of the Trojan population engaged in battle; to suppose a Trojan army of 5,000 as a small proportion of a huge population, 50,000 or more, most of them engaged in non­ military activity, feels wrong. But it may not be wrong; and it may also be true that eighth­ century warfare was more haphazardly fought, with a relatively small percentage of the population. Still, it was surely true that the warriors were mostly the wealthy landowners. And it seems improbable that these warriors formed a class that was other­ wise unoccupied: such a social organization in a settled com­ munity requires more wealth and power than most cities of the eighth century appear to possess. Wealthier landowners will of course have had people working for them, but they will have been occupied with their farms or pastures even if they did not actually plow or tend the herds. Most of the Trojan religious institutions are replicated in the polis, though the dates are not always easy to establish, and the similes are of no help on this point. The cult of Athena Polias, with its priestess and seated statue on the acropolis of Athens, probably goes back to the eighth century;114 an offering of a pep­ los to the statue dates to at least 566/565, when the Greater Panathenaia was established, and may well be much older; 115 the temple is mentioned by Homer at 2.549. The seated Athena at Lindos probably belongs to the eighth century, as Lorimer, who Pritchett is offered by van Wees, (supra n.10). See also A. M. SNODGRASS, Archaic Greece (Berkeley 1980: hereafter 'Snodgrass, AC') 100-07. 114 Kirk on 6.90ff (p.168); D. D. Feaver, "The Priesthoods of Athens," YCl5 15 (1957) 132; see also Burkert (supra n.99) 90; ] Herington, Athena Parthenos and Athena Polias (Manchester 1955) 22; H. W. Parke, Festivals of the Athenians (Ithaca 1977) 17. 115 See W. Burkert, Homo Necans, tr. P. Bing (Berkeley 1983) 156 n.92; Parke (supra n.114) 33. L. Deubner, Attische Feste (Hildesheim 1966) 30, denies that the handing over of the peplos was older than the institution of the Greater Panathenaea. WILLIAM MERRITT SALE 99 would not wish it so, admits (supra n.9S: 144). The seated Hera of Tiryns, later housed in the Argive Heraeum, was served by a priestess at least as early as the seventh century, and probably earlier (Lorimer 114). Pausanias (2.17.Sf) says that this was one of the oldest images in existence, presumably because of its ex­ tremely primitive appearance; he "has a real feeling for early Greek art" (Herington [supra n.114] 17), and his testimony makes an eighth-century date not unlikely. A peplos was of­ fered to the seated statues of Hera at Olympia and at Argos; we do not know the founding dates for these festivals, though they easily could be very ancient. 116 The standing Apollo at Amyclae also received a peplos (Paus. 3.16.2, 19.2). A priest of Hephaestus is attested in Lemnos: the date is very late, but the priesthood may well be as old as the city of He­ phaestia and go back to pre-Greek times. There were priests, or at least tEP01tOtOl, of Hephaestus at Athens in the fifth century, but the date of his introduction to Athens is not known (Deub­ ner [supra n.115] 212f). He is virtually neglected elsewhere on the mainland, and though his worship must have been wide­ spread in Asia Minor and the eastern islands, it was mostly con­ fined to private cult, and therefore lacked priests. I can find no trace of a polis with a cult of Hephaestus in the Archaic period, and it seems most probable that Homer knew of the worship of Hephaestus from the pre-Greek inhabitants of Lemnos, his Sin ties (Il. 1.594). Apollo is another matter: he has a temple in Eretria just after 750, another in Corinth around 700, another (probably Apollo's) at Dreros 725-700, and perhaps one in Thermon. 117 Religion as an economic activity was certainly prominent in the Archaic period (Snodgrass, A G 131). It was becoming so earlier; in the words of Coldstream (317): As prosperity gradually returned to the Greek world, the gods received an increasingly generous share of its fruits. During the ninth century, hardly more than a dozen sanc­ tuaries had been receiving votive offerings, and at none of 116 See ]. V. O'Brien, The Transformation of Hera (Lanham [Md.] 1993) 137, 143,232; Burkert (supra n.115) 16lf. Speculations on the origin of the Athenian rite are recorded by Stanley (supra n.86) 416f; they seem incon­ clusive, but testify to a general scholarly tendency to attribute high antiquity to the practice. 117 For Thermon sec Snodgrass (supra n.11) 409, and the reports of I. A. Pa­ papostolou's excavations in To "EpyoV'tT]r; 'ApX. 'E'tutpEiur; (Athens 1992) 41- 52, (1993) 44ff. 100 THE GOVERNMENT OF TROY these places can we be sure that the resident deity was honoured with a temple. By 700 B.C. we know of at least 70 places of worship all over the Greek world, of which nearly half already possessed temples. This corresponds well with the amount of religious activity we have noted among the Trojans: the two temples on the acrop­ olis, one with a named priestess and the other assumed to have at least one priest; the hve other religious hgures: priests of Zeus, Hephaestus, and Scamander, and two prophets. It is a commonplace that the eighth century was a time of vig­ orous commerce, though Snodgrass warns us (AG 136) not to exaggerate its importance even in Archaic Greece. To the aristo­ crat Paris as trader, and to nameless traders who amassed Troy's fortune in times of peace, we may compare such men as Demar­ atus of Corinth (Polyb. 6.11a.l0) and Colaeus of Samos (Hdt. 4.152.1). They belong to the seventh century, but they probably had counterparts in the eighth; the Corinthians at that time were so active in commerce that it is unthinkable that the Bacchiads should not have been prohting from it. l18 To hnd an exact paral­ lel to the 1tE1tAOl that Paris brought from Sidon can hardly be our portion, since they are perishable; and eastern Greeks-more likely as models for Homer-were less in touch with the Levant than the others. Still, Lindos and the Heraeum at Samos are rich in North Syrian ivories and bronzes, some of which belong to the eighth century. Where there is trade, there are ships, and ships must be built by someone. There is a good deal more evidence from the eighth century that we could sift through, but this should be enough to show that Homer's Troy owed a great deal to that century, both politi­ cally and economically, and especially to the emergent polis. By the same token, the Achaeans do not seem contemporary. Not only are their form of government and their economy different from that of the polis, but they retain an epic distance; their cul­ ture is out of the heroic past. As individuals, to be sure, they are recognizably human, though it is legitimate to wonder how many members of Homer's audience could have felt the imme­ diacy of Achilles' wrestling with the heroic code in Book 9. Indeed in Books 20-21 Achilles transcends humanity altogether, becoming more than ourselves, and also, in his brutality, less (at least than we like to think); it is the Trojan l3a