DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 The Greek Phonological Phrase A. M. Devine and Laurence D. Stephens RECONSTRUCTING THE PROSODIC' domains' 1 of ancient Greek continues to play an important role in classical philology. The syntactic components of the appositive group,2 as well as its accentual and rhythmic properties, have been analyzed in fine detail, primarily because of the value of metrical bridges in textual criticism. The major phrase-that is, the phonological counterpart of the syntactic clause or simple sentence-has also been the object of study, especially for its importance in defining the domain of the avoidance of hiatus and in the stylistic evolution of enjambement. But little or no progress has been made in reconstructing the accent and rhythm of the minor phonological phrase (hereafter simply the 'phonological phrase'), nor in analyzing its syntactic com­ position. Almost nothing has been discovered about how the words of even the simplest sentences were joined together into 1 Intuitively, a prosodic domain is the stretch or chunk of language, e.g. syllable, word, word plus enclitic, phrase, on up to paragraph, within which or to which a prosodic process such as lengthening, rhythmic grouping, lowering of pitch, etc., applies. For example in Greek, crasis applies in a domain different from and smaller than the domain in which elision applies. 2 The term appositive group refers to a prosodic structure consisting of a host word, usually lexical, and one or more non-lexicals, and not phonologi­ cally identical either to the word or to the minor phrase. The class of non­ lexical words comprises not only the clitics (the cover term for enclitics and [the traditionally understood] proclitics), but also the Article, Conjunctions, particles, negatives, pronominals, Prepositions, and other 'little' words; the class shades off into semilexicals such as the lower cardinal numerals, the Adverb tU (e.g. Aesch. Chae. 693), the modal Ott (e.g. Eur. Or. 1035), seman­ tically bleached imperatives such as tOotat : (M iletus 3) : €K 7tOA£(J)<; llv€lXt91lcrav : (Ephesus 2) : €V tpta90vt' aJlapat<; : (Naup. 42) : to 'v NaU1taK'tov FOtK£OV'tOC; : (Naup. 29) : 'tOY ~€VOV Jl€ hay€v : (Oeanth. 1) : at 'V€UO€a 7tpO~€V€Ot : (Oeanth. 8). 9 Constituency, whether phonological or syntactic, is represented by graphs known as trees (see Radford [supra nA]). Each point, or node, on the tree represents a constituent. If a constituent is complex, i.e., has internal structure, then its node branches, each branch connecting it with lower nodes for its subconstituents. Thus a binary branching constituent is one that contains two subconstituents at the next hierarchical level down. DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 A. M. DEVINE AND LAURENCE D. STEPHENS 427 There is no reason to suspect that this premium on binary structures is a mechanical or artificial epigraphical feature: some speakers of Japanese apparently have just such a preference for binary accentual structures, particularly in slower speech (Sel­ kirk). A minor phrase can be formed whether the modifier precedes the head10 or follows it: : £ NaU1taKtO avxop£ovta: (Naup. 19 [PP V]) : Kapu~al EV 'tayopal : (Naup. 20 [V PPJ), but there may be a preference for phrasing prehead modifiers with the head when both a prehead and a posthead modifier are present: in : at Ka hU1t' avaVKa<; a1t£AaOVtat : £ N aU1taKtO : (Naup. 8) the prehead adjunct is phrased with the head and the posthead complement is orphaned. Proper names having the structure head plus modifier tend to constitute fixed phrases in phrase-punctuating inscriptions: : tOt ~t OAUV1ttot : (Elis 6) : tOt Zt tOAUV1ttOt (I.Olymp. 3.4) A8£vatllt Da'tpotllt : (LSeG 113 [Guarducci, EpigrGr IV 13 fig. 5J) : A1tOAAWVO<; ~EAq)tvto (Miletus 12) A1tOAAWvt ~EAq)tVtWt: (LSAG2 65.50); sometimes also in word-punctuating inscriptions: : HEPJltt EvayovtOt : (IG P 5.3). Unarticulated forms probably have a stronger tendency to lack internal punctuation. A nonbranching subject or the head of an interrupted branching subject phrase may be phrased with a verb, at least when the verb is intransitive or when, for whatever reason, its complement is not phrased with the verb: : Opa1t£tE<; JlE £CHtt : (Acrop. 4) : ha OE ~oAa 7t01:EAa'to : (IG IV 554.6) : Kat xpEJlata 1taJlato1ttFot90t : (Naup. 34) : at Ka jl£ y£vo<; £v 'tat tonat : (Naup. 16) : F£Kao'tov vOJlo<; £on : (Naup. 30). This phonological pairing in the absence of syntactic motivation is also found in the phrasing of unaccented words in Japanese, where optionally indirect object and direct object may be paired without intervening initial lowering (Selkirk). But there is apparently some resistance to joining either a direct object or an indirect object to its Verb to the exclusion of the other complement: : 'tc>VKaA£tjlEVOt : 'tav 8tKaV : 80jlEV 'tov apxov : (N aup. 41) : at Ka jl£ 8t8ot : 'tOt £VKUAEtjl£VOt : 'tav 8tKUV : (Naup. 43). The next step is to phrase single appositive groups orphaned by the preceding steps. This may be accomplished by allowing the orphans to stand as autonomous phrases: : 'taAav'tov K' apyupo : u1tonvotav : (Elis 5) : 'tOt 6t OAUV1ttOt : 'tOt KaOaA£jl£VOt : (Elis 6) : £v u8ptav : 'tav 'Vacpt~LV Etjl£V : (Naup. 45) 'tEKYat Kat jlaxavat : jlE8Ejltat : FE90v'ta<; : (Naup. 12) : 'tOVKUAEtjlEVOt: 'tuv 8tKaV : (Naup. 41, cf 43) DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 432 THE GREEK PHONOLOGICAL PHRASE : EV NUU1tUK'tOl : KUpU~Ul EV 'tUYOPUl : (Naup. 20) : J.1.E cpupElV : EV Ao9pol<; 'tOl<; HU1tOKVUJ.1.l~hol<; : (Naup. 5). Alternatively, the orphan appositive group may be adjoined to a preceding or following phonological phrase according to its syntactic constituency relations: this solution may have been favored when one of the three appositive groups was phono­ logically light or lacked appositives: : E1tUYEV J.1.E'tU 'tPlUKOV'tU FE'tEU : (Naup. 13) : Evop90v 'tOl<; E1tlFOlKOl<; EV NUU1tUK'tOV : (Naup. 11) : h01to<; Upl1t'tlO<; : (Priene 3) : 'to 1tUpU 'tOl<; ~EV AaKEbaq.lOvloU<;, ib livbpE<; ~u~~axol, OUK av En aitla Kat 1tap 1tOAEJlO : (Elis 4) : KE 8aJlo K£ 90tvavov : (Naup. 4) : 'tExval Kal Jlaxaval : (Naup. 38, cf 12). Pairing of conjuncts and disjuncts proceeds left to right, so that a third item is phrased separately: : al'tE F£'tae; anE 'tEAEo'ta : al'tE 8aJloe; : (Elis 8). A recurrent feature of the phrasing of conjuncts and disjuncts is disregard for constituency: : 'tPE'tO Kal 8aJlEuEOo8o : EVe; A8Evalav : (IG IV 554.5) : E 'tae; XaAEl8oe; : 'tOY OtaV8Ea JlE8E 'tOY XaAElEa : E 'tae; Olav8l8oe; : (Oeanth. 2) : H01tOV'tLOV : 'tE XlALOV : 1tAE8at Kal NaF1taK'tLOv : 'tOY E1tlFOt90v : 1tAE8at : (Naup. 39). It is not clear whether this violation of constituency is due to restructuring or simply to the mechanical application on the part of inscribers of a rule requiring conjuncts to be phrased together. 20 J. P. Gee and F. Grosjean, "Performance Structures: A Psycholinguistic and Linguistic Appraisal," Cognitive Psychology 15 (1983) 411. DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 436 THE GREEK PHONOLOGICAL PHRASE Of the three questions we would like to answer about the phonological phrase in Greek-what are its syntactic com­ ponents? what are its temporal and rhythmical properties? what, if any, are its accentual properties?-the above analysis has provided a fairly complete answer to the first. The answer to the second question follows automatically, at least in broad outline. The mere fact of inscriptional phrase punctuation implies some form of temporal demarcation, and this in turn implies a more cohesive domain for rhythmic organization as well as for the application of sandhi processes. 21 Between interpuncts, for instance, Priene consistently applies the rules of connected speech-elision, crasis, assimilation of final nasals, movable nu. It is also reasonable to look for accentual proper­ ties specific to the Greek phonological phrase. Recent work on the Japanese pitch accent22 has revealed that long major phrases can be broken up into more manageable subunits by means of an intermediate raising of the pitch range at the beginning of (often, but not exclusively, syntactically defined) subunits. The result can be interpreted as a hierarchical structuring of phrasal downtrends. Musical records can be used to discover whether something of a similar nature occurred in Greek. It is necessary to begin with a review of the principal phonological process affecting accentual pitch excursions in the domain of the major phonological phrase, namely catathesis, the name given to the lowering and compression of the intervals of rise to and fall from pitch peaks in alternating High-Tone/Low­ Tone structures; catathesis is distinguished from declination, a smaller progressive lowering of pitch from the beginning to the end of the domain. 23 The effects of catathesis are dramatic whether the High-Low structures are tonal, as in Hausa,24 or 21 Sandhi (from Sanskrit sam + dhii, 'put together') is a term covering the different phonological modifications that words undergo when they come into contact. Such modifications in Greek are traditionally classified as, e.g., eli­ sion, aphaeresis, crasis. 22 H. Kubozono, The Organization of Japanese Prosody (diss.Edinburgh 1987); cf Selkirk. 23 Full documentation and discussion in A. M. Devine and L. D. Stephens, "Dionysius of Halicarnassus, de compositione Verborum XI: Reconstructing the Phonetics of the Greek Accent," TAPA 121 (1991, forthcoming). 24 S. Inkelas and W. R. Leben, "Where Phonology and Phonetics Intersect," in Kingston and Beckman (supra n.6) 17. DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 A. M. DEVINE AND LAURENCE D. STEPHENS 437 accentual, as in Japanese.25 In Greek catathesis applies to sequences of fully accented words, that is words bearing the acute or circumflex, or appositive groups. Catathesis is very strongly respected in the musical settings of the Delphic hymns. 26 Although sometimes the accentual peak of the second of two successive, fully-accented words is set higher than the peak of the first, both the frequency and the magnitude of pitch falling from the first to the second peak are so great that an overall mean fall from one accentual peak to . the next of a semitone occurs. Catathesis is blocked by the grave accent. Since the grave does not have the pitch fall after the accentual peak that triggers catathesis, a word bearing the grave may form a single accentual trajectory with a following, fully-accented word. The result is that in strings of full + grave + full accent the peak of the second full accent may be higher than than that of the first. Allowing for the effect of the grave and for local pitch rises due to emphasis, it is typical for a clause or major syntactic phrase to have its highest note on the accentual peak of its first fully accented lexical word, after which the pitches of the peaks and valleys fall all the way to the end. At the beginning of the next clause or major phrase the pitch level is reset upward, but within periodic sentences generally not quite so high as in the preceding clause or major phrase. Both the relative magnitude of the lowering of accentual peaks and the locations in which the infrequent exceptions to it may occur are regulated by the articulation of the catathesis domain into constituent minor phonological phrases. To avoid circu­ larity in the definition of minor phonological phrases, the analysis will proceed initially in terms of syntactic constituency relations. It will be shown (1) that syntactic constituency imposes very strict constraints on the relative magnitudes of successive peak-to-peak intervals in the musical setting of the Delphic hymns; (2) that the syntactic structures involved in those constraints correspond to minor phonological phrases; and (3) that minor phonological phrase structure not only explains the exception to the syntactically formulated con­ straints, but also accounts for the variability of the interval 25 W. J. Poser, The Phonetics and Phonology of Tone in Japanese (diss. Massachusetts Institute of Technology 1985). 26 E. Pohlmann, Denkmaler altgriechischer Musik (Niirnberg 1970: hereafter 'DAM') nos. 19f. DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 438 THE GREEK PHONOLOGICAL PHRASE relations in syntactic configurations not included in the initial syntactic formulation of the rules. The unit of analysis is a string of three fully-accented lexical words not interrupted by grave accents. Such a string is the minimal sequence in which two successive peak-to-peak inter­ vals can be observed. Proper names constitute a special class and will be treated separately.27 Description of the interval re­ lations is simplified if falling intervals are defined as positive and rising intervals as negative; in other words the interval from D to C is + 1 tone, the interval from C to D -1 tone. 28 The basic principle is that greater peak-to-peak intervals occur within smaller, more cohesive syntactic constituents, and, con­ versely, smaller (including rising) intervals occur across such constituents, i.e., within larger, less cohesive stretches of the sentence. This principle can be rendered sufficiently explicit for empirical testing as follows. In any string of three lexical words, Ll L2 L), not interrupted by grave accents or non-clitic non­ lexicals, (1.a) if Ll does not belong to the smallest constituent containing L2 L), then the peak-to-peak interval between L2 and L3 is not less than the interval between Ll and L 2• Conversely, (2.a) if L) does not belong to the smallest constituent containing Ll L 2, then the interval between L 1 and L2 is greater than the interval between L2 and L). If the smallest constituent containing Ll L2 is identical to the smallest constituent containing L2 L), then the interval relations are determined by asymmetry in subconstituency between Ll and L). (1.b) If Ll is not a sister of L2, but belongs to a branching subconstituent (i.e. , has a sister to its left) and L3 does not, then the interval between L2 and L) is not less than the interval between Ll and L 2. Conversely, (2.b) if L) belongs to a branching subconstituent 27 The frequency of interruption by grave accents and non-clitic non-Iexicals and damage to the inscriptions reduce the number of such lexical triples, but the settings of enough are preserved to permit a definitive statistical test as given below in the text. 28 The definition has no substantive consequences and in no way prejudices the test results; it merely allows the substitution of 'greater' for the periphrasis 'which falls more / rises less'. If the reverse definition is chosen, then the inequalities in rules 1 and 2 are reversed. Defining falling intervals as positive, however, has the intuitive appeal of according with the progressive lowering of pitch imposed by catathesis. Furthermore, since intervals measured in tones are merely the logarithms of fundamental frequencies (I ij=log[f/fj]=log fi - log ~), when intervals are calculated in the direction that the notes are sung, if the hrst is higher than the second the difference log f i-log f j is positive, and, conversely, if the second is higher than the first, the difference is negative. DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 A. M. DEVINE AND LAURENCE D. STEPHENS 439 (i.e., has a sister to its right) and L 1 does not, then the interval between Ll and L2 is greater than the interval between L2 and L3. 29 If L h L2, and L3 are sisters, or if Ll and L3 are both immediate constituents of respective branching subconstitu­ ents, no prediction is made about the relative magnitudes of the intervals. Rules 1.a-b and 2.a-b can be more readily com­ prehensible with the help of some shorthand notation. Let 112 and 123 stand for the magnitudes of the intervals between the peaks of the accents of L 1 and L2, and, respectively, between the peaks of L2 and L 3. Let square brackets indicate the constituency relations among LJ, L 2, and L3. Then 2.a. [Ll L2] L 3 } 2.b. [Ll L2 [L3X]] Rule 1.a applies to a lexical triple such as ~ ~bl'~ ~ r I a !p PO I 0 ~ Jl 3 ~pE-\.lWV a - EI - OA - OI-OIS ~[E] - AE - OW DAM 19.14 since the Adjective and the Noun belong to a Noun Phrase that does not include the Participle on the left. The prediction of the rule is correct, since 112 = -0.5 but 123 = +0.5 tones. Rule l.b applies to a lexical triple formed by the last three words of a Noun Phrase consisting of a branching Genitive Phrase + Noun + Adjective, e.g. 29 Constituents are sisters if they are at the same hierarchical level; thus a Genitive Phrase consisting of an Adjective and Noun may be the sister of a single Noun that is the head of the Noun Phrase comprising all three words, but the Noun in the Genitive is not itself a sister of the Noun that is the head of the Noun Phrase. The rather involved definition of rules l.b and 2.b is required because we do not wish to beg the questions of formal syntactic analysis posed by discontinuous constituents in Greek. DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 440 THE GREEK PHONOLOGICAL PHRASE t(pl] - 13pO-l.Iov-ov av-ya-Tpes ev - W - A(eVOI,] DAM 19.2 since there are no obvious grounds for grouping 9{ryatpE<; with either the Genitive Phrase to the exclusion of the Adjective, or vice versa, but the Genitive Phrase branches, so that £pl~p6JloU has a sister to its left. The prediction of the rule is correct, since 112 = +0.5 but 123 = + 1 tone. Rule 2.a applies to a lexical triple such as I ~a ~ ~ ~ IDr 0 r I br DAM 20.3 8 at VI - cpo-136- AOVS T!~-TPCXS val - ee' since the Adjective and the Noun belong to a Noun Phrase that does not include the Verb. The prediction of the rule is correct, since 112 = +2 but 123 = 0 tones. Excluded from these rules are head interrupted configura­ tions in which neither of the flanking modifier or complement element branches, for example JlaVtElOV £CPE7tWV mxyov (DAM 19.8) VEWV Jlllpa tauprov (DAM 19.12) and also configurations of two modifiers preceding (or follow­ ing) their head, for example, otv(J)7ta oacpva<; (DAM 20.23f). These configurations will be treated separately. We now provide examples of how rules 1 and 2 regulate the interval relations in different syntactic structures. Rule 1 pre­ dicts that in a triple in which the first lexical belongs to a Prepositional Phrase, the second to a Direct Object Phrase, and the third is the Verb, if there is a falling interval and a rising inter­ val, the falling interval will occur between the word of the Direct Object Phrase and the Verb, the rising interval between the word belonging to the Preposi tional Phrase and word belonging to the Object Phrase. ~ pbi• r 0001 rzorJJCJtI t:J.eA- cpov a-vex [lTpJw-w- va \,la-av- DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 A. M. DEVINE AND LAURENCE D. STEPHENS 441 ct 0 0 0 I j ]J J II DAM 19.7-8 T£l - E1 - ov tva.c; at least forms a minor phonological phrase, probably but not necessarily to the exclusion of KAa­ oov . Unfortunately there is no evidence that could indicate a difference between complements and adjuncts. The syntactically formulated rules 1 and 2 may now be re­ stated in terms of minor phonological phrases. Within minor phonological phrases the pitch of accentual peaks falls more / rises less, than across minor phonological phrases, where pitch falls less / rises more. These rules may be formalized as 30 See Devine and Stephens (supra n.23). DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 A. M. DEVINE AND LAURENCE D. STEPHENS 445 where q> indicates that the brackets now refer to the boundaries of m~nor phonological phrases. Rules l' and 2' may be tested against all pairs of uninterrupted fully-accented lexical words in the hymns. This prediction is that the mean interval between accentual peaks will be greater in pairs that are within the same minor phonological phrase, smaller in pairs of words belonging to different minor phonological phrases. The size of the data set for the test is therefore greatly increased beyond that available for the lexical triples above. The results are presented in the table below. Within P1P2] = 1.12 s = 1.00 t = 3.68, df = 46 p<.OOS Across Pt][ P2 = 0.00 s=1.11 Mean Interval between Peaks The parsing into minor phonological phrases was done accord­ ing to the algorithm deduced from inscription punctuation. The mean fall within minor phonological phrases was found to be just over a whole tone, whereas the mean fall across minor phonological phrases was observed to be zero. The difference between the means is highly significant. 31 The effect of rules l' and 2' on accentual pitch excursions may be illustrated by a schematic diagram of a major phonological phrase articulated into three minor rhonological phrases. Each minor phrase is taken to consist 0 only two medially-accented lexical polysyl­ lables. Such polysyllables have a Mid-High-Low, rather than a Low-High-Low, pitch pattern. 32 The diagram does not attempt 31 The parsing into minor phonological phrases employed for the test is not the only one compatible with the algorithm discussed above, but one that minimizes minor phonological phrases of three appositive groups in length. Other parsings will yield somewhat different means, but the mean interval within minor phonological phrases will always be greater than the mean across them. 32 See Devine and Stephens (supra n.23). DEVINE, A. M., The Greek Phonological Phrase , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.421 446 THE GREEK PHONOLOGICAL PHRASE to represent to scale the compression effect of catathesis, only the average lowering of about a tone of successive accentual peaks within minor phrases, and the small pitch boost at the be­ ginning of successive minor phrases that blocks the lowering of the first peak vis-a-vis the last peak of the preceding minor phrase. [Minor Phrase1] [Minor Phrase 2] [Minor Phrase 3] The interval relations described by rules l' and 2' are the re­ sult of the processing of pitch excursions in minor phonological phrases. There is a major upward reset at the beginning of pri­ mary catathesis domains, which are basically coterminous with major phonological phrases. There is also a minor pitch boost, much smaller than initial reset, at the beginning of minor phonological phrases. As a result, the pi tch of the first full ac­ cent in a minor phonological phrase is not as much lower than the last peak of the preceding minor phonological phrase as is the following pitch peak within a minor phonological phrase. The initial pitch peak may in fact sometimes be higher than the last peak in the preceding minor phonological phrase, but on the average it is about the same, since the mean interval was observed to be O. It follows that catathesis works in terms of a self-similar hierarchy: (1) the minor phonological phrase that has a minor pitch boost on its first lexical full accent and strong catathesis lowering of the following full accent; (2) the major phonological phrase, or primary catathesis domain, which has a major pitch reset at its beginning and general fall over the minor phonological phrases within it; (3) the periodic sentence, which has an even greater initial pitch level and long-term pitch fall over the primary catathesis domains within it. STANFORD UNIVERSITY UNIVERSITY OF NORTI-I CAROLINA, CHAPEL HILL March,1991