BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 L'UVE't6<; as Aristocratic Self-Description Daniela Battisti L YNETm: is a verbal adjective formed from the verb croviruu; its plain referential meaning is 'intelligent', 'wise', or 'sagacious'. Yet the adjective and related noun auv~(nc;, I shall argue, have a wider and more complex significance in aris­ tocratic ideology. This view complements Gregory Nagy's explanation of auv~'toc; as a key-word in praise-poetry,rarallel to crOcpOC;.1 If the aristocracy is the exclusive referent 0 praise poetry,2 which can be understood only by those who share a common education, aristocrats will call themselves synetoi, as the only 'intelligent ones'. This becomes, in effect, another way of designating aristocrats as a group. In Olympian 2, composed for Theron of Acragas, and Pythian 5, for Arcesilaus IV of Cyrene, Pindar addresses his audience as synetoi.3 The question arises who these synetoi are and why Pindar addresses them in this way. As Bruno Gentili has shown, the relationship between the poet and his patron, the circum­ stances of the performance, and the audience are all compon­ ents of epinician poetry.4 The success of Pindar's praise-poetry requires not only technical mastery but also responsiveness to the expectations of his patron-audience,5 with whom the poet shares a linguistic and ethical code. Those who do not share this 1 Cf G. Nagy, The Best of the Achaeans (Baltimore 1979) 239f; for a different interpretation of this word, see B. Gentili, Bacchilide. Studi (Urbino 1958) 27. 2 Cf Nagy (supra n.1) 22: -The conceit of praise poetry is that it praises the noble only, not the base." 3 Nagy (supra n.1) also cites Bacchyl. 3.85: pov£ovn o"uvuCx yapUco. <4 B. Gentili, Poesia e pubblico nella Grecia antica (Rome 1984) 153-202 (=Poetry and its Public in Ancient Greece, tr. A. T. Cole [Baltimore 1988] 115-54). 5 On the aristocratic character of Pindar's poetry see R. W. Burton, Pindar's Pythian Odes (Oxford 1962) 134; cf. W. DONLAN, The Aristocratic Ideal in Ancient Greece (Lawrence 1980 [hereafter 'Donlan']) 95-111. 5 BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 6 IYNETOI AS ARISTOCRATIC SELF-DESCRIPTION code are excluded from poetic understanding and enjoyment. Birth, education, and culture combine to make up a community of ethical values and of the language that serves as the vehicle of these values. The word synetos characterizes the KClA-Ot KaYCl80t who claim intellectual eminence. Pindar's usage presupposes a correspondence between being aristocratic and being intelligent. 6 The 'aristocracy' in Pindar of course covers a heterogeneous group: it is an aristocracy not only of birth but also of wealth 7 and of a common moral and political culture. Pindar in fact worked within tyrannies where wealth easily supplanted birth as a criterion for inclusion in the aristocracy, which was not simply a caste but also a social and cultural melting pot of the rich, oligarchs, and hereditary aristocrats. Accordingly, I shall extend Nagy's view to show how synesis serves as a criterion for aristocratic self-definition outside praise-poetry. 8 My evidence is derived from relevant passages recorded in the TLG data-base. We begin with the archaic and classical poets and conclude with Thucydides. I shall focus upon those instances of synesis and synetos in which a clear nexus can be established between verbal usage and ideological, cultural, and social outlook. 9 , Pindar (01. 2.83-88) says: ·Under my arms. in the quiver. I have many arrows that speak clearly only to those who can understand (cruvE'tounv). but they demand interpreters to the vulgar herd ('to nav, 85)." The scholiast explains these verses by quoting Aristarchus: WG'tE 'toi~ J,l£v Gocpo~ Gocpa ~ha­ A.iYE*o'tTle; dol. lil&xoxa"A.tl1e;); and Dionysius ChaIcus (fr.4 Gentili/Prato), ayy£"A.tae; aya8ile; li£1)p' \'t£ 1t£UOOfl£VOl xal. xu"A.txrov Eplliac; lilaA:uO'a't£ xa l. xa'tu8£a8£ ,",V ~-uv £ow nap' tflOl. xa l. 'tali£ flav8uv£'t£. 16 Other significant examples: 1163f, ocp8a"A.flOl. xal. YMOOoa xal. oua'ta xal. v60e; avSprov tV fl£O'Orol 0''t,,8£rov tv O'uv£'tOte; cp-u£'tal; 903f, (lO'tle; avUA.roalv 'tTlP£t xa'tcl xpT]J.1a'ta Bt1prov, xulitO"tflv ap£'t1}v 'to~ OUV1£tOW EX£1.; cf. 1237, 1240, 1284. 17 For analysis of these verses see L. Edmunds, ·Theognis 815-18 and the Banquet of Attaginus," CP 82 (1987) 325ff. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 DANIELA BATTISTI 9 A significant reflex of the archaic aristocratic meaning is preserved in Aristophanes' portrait of Aeschylus in Frogs. The chorus (1481-99) celebrates Aeschylus as a man who has ~UVEatV ';KPt~roJ,lEVllV. Synesis here is not a plain intellectual quality but reflects rather his particular aristocratic outlook as contrasted with that of Euripides. Among his accusations against Euripides,18 Aeschylus mentions that he diverted the youth from physical activity while arousing in them an excessive interest in the art of speaking and political debate (1069££). This complaint recalls the chorus' words at 729££ that the city despises those among the citizens who are EUYEVE~, arocppova<;. OtKatOu<;. KaAou<; 'tE KclyaeOU<; Kat 'tpacp£v'ta<; EV xaAatO''tpat<;.19 For Aeschylus, Euripides' bad influence has an ideological connotation, since physical activity is considered an important part of the education of the KaAotKclyaeoi.20 Dionysus confirms this characterization. Hesitant about which poet to bring back on earth, he recognizes that Euripides diverts him (ilooJ,lat) but he considers Aeschylus O'oe; ~t>v£tae; q>pivac; ... av~prov YVCOJ.l.DtU1tCOV, Mav de; E'ptV o~t>J.I.£plJ.1.VO\e; E'Aeco(J\ (J'tp£~A.o'i(J\ naAalGJ.l.a(J\v aV't\A.oyouv't£e;. 26 Aristophanes seems to be not particularly fond of synesis and its deriva­ tives. This dislike is perhaps a reaction to the sophistic reinterpretation of the term. The fact that it occurs four times in this comedy (against once in Vesp. 632f, Av. 456, Thes. 464, Eecl. 204) may be related to Aristophanes' desire to emphasize the older connotation of the word in his contrast of the two poets. 27 As P. W. Rose has shown for Sophocles in "Sophocles' Philoetetes and the Teachings ofthe Sophists," HSCP 80 (1976) 49-105. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 DANIELA BATTISTI 11 O'UVE'tOV is a quality that everyone can possess, for it is granted by the gods to mortals without consideration of their social status. Since the entire context is unknown, interpretation is open to dispute. But in his emphasis on the universal nature of 'to O'UVE'tOV, Euripides may be questioning the old view that 'to Ot>VE'tOV is an aristocratic prerogative like 'to cppoVtJ.l.ov. Elsewhere in Euripides, the meaning of synesis and synetos varies according to the context. 28 Sometimes an aristocratic connotation seems to be at issue. At Orestes 920f, for example, the messenger reports that during the debate at Argos the only one who 'tOl<; yE XP1l0'tOl<; E-\) A,EYEtV EcpaivE'to (930) is an ai)'to'UPYo<; (920) who is nevertheless intelligent (921, ~'UVE'tO<; OE).29 The way in which Euripides claims synesis for the farmer is apologetic, as if he expects resistance to the idea. But it is clear that he means to challenge this response. In characterizing the farmer, Euripides indicates that he rarely comes into the city and the agora (919f); he is (lK:EpatO<; and his life is blameless (ciVExi1tA,llK'tov itOKllKOO<; ~iov, 922). He is not one of those shrewd and ambitious persons who pay a sophist for instruc­ tion in political success. That he is not an aristocrat by birth is suggested by the remark that he is not good-looking (918), for good looks are conventionally a distinctive aristocratic trait (cf the characterization of Thersites [II. 2.211-19], who is altogether unattractive, morally, socially, and physically).30 Euripides' point cannot be clearer: even though the farmer is not noble by birth, he is synetos. The emphatic way in which Euripides remarks on the mutual agreement of views between him and the XPllo'tOt<; brings out a particular connotation of synetos. As Di Benedetto has shown, the farmer belongs to that group who were sincerely opposed to demagogic politics, preferred to stay out 28 Cf. A. Rodgers' interpretation of synesis at Orestes 396 as "a growing awareness of the inner self, and an increasingly subtle psychological analysis,» in ·LUV£(H~ and the Expression of Conscience," GRBS 10 [1969] 241-54 at 254; see also C. W. Willink, Euripides, Orestes [Oxford 1986] 150f). 29 On the political meaning of XPllO'tO; see Connor [supra n.23] 88, 189; Wil­ link ad 930). 30 Cf. W. G. Thalmann, "Thersites: Comedy, Scapegoats, and Heroic Ideol­ ogy in the Iliad, » TAPA 118 (1988) 1-28. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 12 l:YNETOl: AS ARISTOCRATIC SELF-DESCRIPTION of political turmoil and competition, and held a conservative and moderate attitude based on traditional values. »31 For Pindar and Theognis only aristocrats were synetoi; here the farmer can be synetos so long as he shows a conservative ethical outlook. In the same way he can be «lV()peioe;, even if he is not good-looking. There is thus a shift in the traditional usage. In the past, only the aristocrats were synetoi, for they shared the same ethical views, embodied and shaped in that education which made them intelligent. In Euripides, synetos still emphasizes that ethical outlook with a loss, however, of the class and educational component. Orestes was written after the restoration of democracy in 410, and such usage must be viewed within this particular historical framework. At this time Euripides is equally distant from both the extreme oligarchs and the democrats. He expounds a political ideal with conscious anti­ democratic implications. 32 The aristocrats have betrayed their own ethics of measure and moderation. An echo, however, of the old view persists also in the Phrygian'S sketch of Pylades as the true aristocratic cptA.6c; (1405f): 1tto'toe; ()E cpiMne;' 8paoue; de; «lA,KaV, ~'\}v£'toe; 1tOA,£~O'\), cpOVtOe; 't£ ()paKOOV. It is particularly significant that in a description with an archaic flavor, the adjective ~'\}v£'toe; indicates one of the elements of cptA,La. 33 Thus despite exceptional usage in Euripides, it seems clear that synetos is traditionally identified with a social group. As an alter- 31 V. Di Benedetto, Euripides, Orestes [Florence 1965] 209): -Nell' Oreste i contadini sono visti soprattutto in termini di contrapposizione ai demogoghi." The old man who reports the debate and who shows £uv01av towards Orestes and Electra also comes from the countryside (866£f). Though a peasant, he is y£vva'iov in xplia9at ... cpiA.o~. Synetos thus does not convey here an intellectual quality, but rather a particular political and ethical outlook. Euripides implies that although synesis cannot be attributed on the basis of class, the man who is synetos acts in accordance with a particular code of political behavior. This political connotation can also be perceived in Tyndareus' reproach to Orestes for being a(J'\)vt'tcO't£po~. because Orestes despises the right and the Greek lCO\vOV vOJ!ov (491-95). Since Tyndareus measures an act of unjustice in terms of lack of syne sis, such a statement cannot be in any sense a simple assertion of foolishness; synesis then must be linked to a specific political and social ethic (ef Phoin. 1726£, OUX orX! AllCa lCalCou~. OU~· aJ!d~£'tat PpmIDV aO'uvtO'ia~; and fr.645.4f N.: il tapa 9VTI'tIDV dO'tv aO'uvt'tcO't£POt il 'ta1t\£tlCti 1tpOa9tV i1ycruv'ta t ~i1CTl~). 32 Cf Di Benedetto (supra n.31) 208f. l) Cf n.23 supra. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 DANIELA BATTISTI 13 native to words like 1(aAOC;, aya9oc;, CPtAOC;,34 it expresses a specific characteristic of 'intelligence', or more precisely an 'ethical intelligence'. The historical origins of this sense of synetos lie in the archaic period and reflect the political crisis of the aristocrats. Its hegemony reduced in folitical terms, the aris­ tocracy proclaims its superiority in mora and intellectual terms, as Theognis and later Pin dar testify. Synetos asserts the identity of social aristocracy and aristocracy of the intellect: class identity is expressed in terms of sharing the same intellectual experience. 35 The word thus marks semantic intersection of two categories that are not necessarily related but are thought to be: mental and moral attitude and membership in a social class. 36 The aristocracy employs its cultural prerogatives to confirm the exclusiveness of its 'intelligence'. If one accepts that native intelligence can be improved upon by a specific educational process, it is no surprise that aristocrats, who alone had this privilege, could with reason call themselves the synetoi. Educa­ tion takes on a symbolic value, becoming a social 'sign', a status 34 In Plato too the old aristocratic connotation of synesis is still alive. In the category of 'to. leaAa QVOlla'ta (Cra. 411A-12c), synesis is closely linked to the aristocrats' ethical virtues. Socrates assembles under 'to. leaAa Qvolla'ta words such as apE'tTt, OUVEC:J1.<;, SlleatOOUVTIo -and all the others of the same kind" that are opposed to the poaUVll, ayaeov, and oocpta. What makes these words leaAa is their coded representation of the aristocratic claim. Plato specifies, intentionally or unintentionally, a word field: a leaAOV YEVO<" that gathers linguistic stereotypes, semata of a social stereotype. On Plato's attitude towards the aristocratic ethical view cf. Rose (supra n.27) 96£: -The ethical values and 'skills' with which Plato's pupils were to be indoctrinated have the same names as the old heroic virtue celebrated in Pindar .... " 35 Cf. Donlan 127ff, 153, 155--77. 36 Pindar provides a good example, equating the readmission of the exiled Damophilus into the social fabric with his participation in the banquet by playing the lyre (Pyth. 4.295f): tV 'tE oocpo'i<" SatSaAiav cp6Pluyya ~ao'tat;cov 1toAhat<" i}OUXt~ 81yEIlEV. This equivalence of the acquisition of his right place in the society and the performance of a poetic sophia gives a special value to the latter, as if it were a class attribute. Cf. Ar. Frogs 727-30: 'tIDV 1tOAt'tIDV e' aU; IlEv iOIlEV EUYEvE'ir, leal. orocppova<" nvSpar, ov'ta<" leal. Sl1ClltOUr, leal leaAou<" 'tE lCaya9ou<" leal. 'tpacpEv'ta<" tv 1taA.ato'tpatr, leal. xopo'i<" leal. 1l0U­ ouen. Cf. Connor (supra n.23) 190-93 for the interpretation of these verses. 0 n the significance of the banquet see D. B. Levine, - Symposium and the Polis," in Figueira and Nagy (supra n.13) 176-96. Cf. Il. 9.186, CPPEva'tEp7tOJ.LEVOV cp6Plltyyt AlytiU; 189, 'tU 0 yE SuIlOV t'tEP1tEV, nElSE ~' apa leAEa avSpIDv, where Achilles, the perfect young aristocrat, plays the phorminx. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 14 IYNETOI AS ARISTOCRATIC SELF-DESCRIPTION symbol, signifying membership in a selected group and opposi­ tion to those outside it; and synetos emphasizes this privileged cultural 'skill'. By the time of Aristophanes, this status is threatened by a new form of synesis-the new education offered by the sophists. 37 The evidence of the Frogs might lead one to believe that the older synesis had disappeared. On the contrary, it persisted through the period of the Peloponnesian War, as the following discussion will show. II. Thucydides Thucydides often employs synesis and synetos to refer to political and strategic intelligence strictly relating to a knowledge of possible consequences and future events. 38 Elsewhere synesis is applied to quite different peorle and situations; but an analysis of the context in each case wil indicate when and how it is used according to the aristocratic code.39 The aristocratic background of the word is clearly evident in the Sicilian demagogue Athenagoras' defense of democracy against certain unnamed opponents (6.39.tf): "There are people who will say that democracy is neither an intelligent (~,\)vE't6v) nor a fair (i(Jov) system, and that those who have the money are also the best rulers. But I say, first, that what is meant by the demos, or people, is the whole (~UJ.l7t(lv) State, whereas an oligarchy is only a section of the State; and I say next that though the rich are the best people for looking after money, the best counsellors are the intelligent ('toue; ~,\)VE'tOUe;), and that it is the many ('toue; 7to,,",,"oue;) who are the best at listening to the different arguments and judging between them. And all alike, whether taken all together or as a separate class, have equal rights in a democracy."4o 37 Cf. Rose (supra n.27) 8Mf, esp. 87f: -Rather than attacking the pretensions of the aristocrats, they chose to set them in a new context which stressed the need for the noble physis to be supplemented by paideia." 38 Cf. L. Edmunds, -Thucydides' Ethics as Reflected in the Description of Stasis (3.82-83)," HSCP 79 (1975) 73-92 at 80ff with n.22 for bibliography. 39 Cf. P. Huart, Le vocabuiaire de l'analyse psychologique dans l'oeuvye de Thucydide (Paris 1968) 279-90. The only two examples of the word's use for a practical skill are at 1.84.3, 142.8. 40 R. Warner, tr., Thucydides, History of the Peloponnesian War (Har­ mondsworth 1954) 435f. All quotations are from this translation. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 DANIELA BATTISTI 15 The criticism of democracy at the beginning of this passage can only come from aristocratic circles, where those who rule are the 'rich' or the 'intelligent': for there is no longer a sharp distinction between two groups, which are considered-as already in Pindar-as an unicum. 41 Democracy is not ~,\)vE'[6v, because those who rule are neither 'intelligent' nor 'rich'. Athenagoras, in his effort to demonstrate the advantages of democracy,42 reports an argument of its opponents in which 'intelligence' hints at their code of values.43 Ot 1tOAAot, who have the last and decisive word in democracy, lack intelligence, for they lack that kind of education and culture of which synesis is the result. 44 Democracy cannot offer synesis in principle, since its constitutional form denies the predominance of those who are synetoi; it is in fact opposed to their interests and their values.45 The political implication of the adjective ~,\)vE'[6v is clear. 46 These examples show that synetos is not a simple adjective referring to mental ability; Athenagoras appropriates the term for Ot 1tOAA.ol in a clear criticism of the aristocratic code. There are, however, cases in which the word is used with less obvious implications. 41 Figueira (supra n.7: esp. 450-56) considers such a distinction based on wealth and inherited status within the system of the nine archons at Athens. 42 Donlan emphasizes (142) the "'weakness of the Sicilian's rebuttal of this doctrine"; cf. his n.38: "'Nor, as a matter of fact, does he refute the claim to superiority based on the wisdom of the upper class-the many are implicitly contrasted with the wise counsellors, their role is merely to listen and to vote." 43 In a different historical context Demodocus of Mytilene comments (fr.1 GentililPrato): "'The Mytilenians are not a;uvE'tol but they act as if they were such" (opoocJtv o· ota It£p a;uv£'t01.). In other fragments he employs vocabulary typical of the aristocratic code: lCalCol UV€pE~ (frA), X'iOl lCUlCOl (fr.3) and KUlt­ ltUOOlCat cpaUMH ... lCtpOoU~ o· EtVElCa cpauAO'ta'tOl (fr.6). 44 Alcibiades defines the political and social structure in terms of intellectual shrewdness, stating (6.18.6) that a polis needs three kinds of people in order to obtain the greatest strength and safety: "'the inferior types, the middle types, the profoundly calculating types" ('to 't£ cpauAov, 'to ~(Jov, 'to MVu alCpl~t~). 45 At the end of the speech, Athenagoras invites the demos not to appear a;Uvt'tID'ta'tol (6.40.1): almost an exhortation to the demos to avoid looking more "'foolish" than the aristocrats think it already does. 4b An explicit correspondence between intelligence and the reward of power in Aesop Fab. 109 Hausrath-Hunger: Zeus gives the fox 'to ~(J\A.ElOV over 'troY uAOyOlv ~cpOlV because he loved 'to (JUVE'tOV 'troY cpptvOlv lCal 'to ltOllC1AoV of the fox. BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 16 IYNETOI AS ARISTOCRATIC SELF-DESCRIPTION In attacking the critics of his decision on Mytilene (3.37.3), Cleon opposes the cpaUMYtEpOt to the ~UVE'tclYtEPOt. The former, as he explains, are more clever at administering the polis, while the ~,\)VE'tfirtEPOt want to appear wiser than the law. The cpa'\)­ A,0£ a.OUV(l'to~, cO~ A(lX£OatI.10VlO~, d1t£iv (4.84.2). BATTISTI, DANIELA, "Synetos" [Greek] as Aristocratic Self-Description , Greek, Roman and Byzantine Studies, 31:1 (1990:Spring) p.5 18 l:YNETOl: AS ARISTOCRATIC SELF-DESCRIPTION the accusation against democracy in Athenagoras' sreech with Cleon's connection between the positive value 0 a lack of synesis and lack of education (a~(lei(l. a~(le£au~pot), it be­ comes clear that Cleon implicitly endows the term with its traditional aristocratic meaning. 51 In these contexts, the word indicates the way in which individuals or groups positioned themselves within the polis or in relation to the decisions that had to be made in the polis. In a changing cultural and political background, the word is a relic of a specific way of thinking and of representing the world. The synetoi are a social group with precise cethical' views, and the word still recalls the aristocratic code of values. Archidamus, therefore, must be thinking about this type of synetoi as the object of Cleon's attack. What looked like an intriguing agreement between two different personalities is actually an artfully conceived interplay of different attitudes. Pericles offers another paradoxical use of the word showing how it preserves its traditional meaning: «And when the chances on both sides are equal, it is intelligence (it ~uvEalC;) that confirms courage ('tTtv 't6A~(lv)-the intelligence that makes one able to look down on one's opponent" (2.62.5, cf. 65.1). Elsewhere in Thucydides, however, 't6A~a can be a vice (3.82.4).52 Snell has shown that synesis is opposed by Pindar to 't6A~(l. 53 But in Pericles' words, synesis is not only associated with 't6A~a but is its source. This apparent contradiction may be explained by the particular moment at which the speech takes place. Pericles in fact gives this speech after the plague, when he is trying to reconcile himself with, and to encourage, the demos. All his language is paradoxical, showing the rhe­ torical mechanism of strong effects and emotions. Pericles is intentionally changing the meaning of the word. This change involves the dissolution of an opposition: the association of these two antithetical words produces an oxymoron, an intel­ lectual paradox that goes beyond the communis opinio and 51 Donlan (148f) sees in Cleon's words an attempt to show that the demos is actually the repository • of the qualities claimed by the upper class. " 52 Cf. Edmunds (supra n.38) 7(r79. 53 Nem. 7.60; fr.231; Snell (supra n.9) 55; cf Thuc. 6.36.1, where Athenagoras establishes the opposition al;;uvtoUx - 'tOA....,a. Cf also Eur. fr.552.1£ N.: nO'ttpa y£vi06al ail'ta XPTlO\~On£pov o'Uv£'tov l:i'toA.~oV 11 8paoUv 't£ lCaJ.La8f1. 'toA.~a is contrasted with oCOPUVtXO<; Ka'tEo'tl1. OUK a~UVE'to<; dvat (8.27.5). Phrynichus' case might seem contradictory in that he is a general of democratic Athens. But although the reference here is to his particular strategic ability, Thucydides specifies that his synesis is not limited to his strategy. All the other references to Phry­ nichus are to his oligarchic political involvement: the phrase £c; ooa aAAa PUVtxo<; Ka'tEo'tl1 must refer to political offices he might have held. 59 Phrynichus is OUK a~uvE'to<; because of his 58 Cf Edmunds (supra n.38) 80. 59 Thucydides' further information on Phrynichus is in fact concentrated on his part in the oligarchic coup of 411: b cl>pi>VtXO~ £u'U'tov nav'tIDv lhu 'totm)'t(!> dOEt (i.e. democracy) Kat 1tpOEO'tro'tE~ puvtx6~ 'tEo 60 On this point the account in Ath.Pol. is close to Thucydides'. In this ver­ sion Peisander, Antiphon, and Theramenes are called avoprov Kat 'YtyEVT\­ ~ivcov E-O Kat OUV£OEt Kat yvro~n OOKOUV'tCOV Ota