The Athena Temple at Paestum and Pythagorean Theory Nabers, Ned;Ford Wiltshire, Susan Greek, Roman and Byzantine Studies; Fall 1980; 21, 3; Periodicals Archive Online pg. 207 The Athena Temple at Paestum and Pythagorean Theory Ned Nabers and Susan Ford Wiltshire T HE LACK of contemporary evidence for Pythagorean activity in southern Italy during Pythagoras' own time there, roughly 53211 to 49413 B.C.,l causes us to examine with special in­ terest the case for Pythagorean qualities in the design of the temple of Athena at Paestum, which is commonly dated to around 510 B.C. In a study published in 1958 H. Kayser attempted to demon­ strate that the number theories of Pythagorean philosophy influ­ enced the design of the temple. 2 Although the results of his study were questionable at best,3 the idea that this temple incorporated tenets of Pythagoreanism was taken up again by R. Ross Holloway in 1966.4 Basing his arguments on the precise measurements of the temple published by F. Krauss,s Holloway clearly demonstrated that the number four, the creative principle in Pythagorean thought, and the numbers ten and twenty-four permeate the fundamental design of the temple. We wish to offer here further evidence cor­ roborating this thesis. The crucial importance of the numbers four, ten, and twenty­ four to Pythagorean philosophy derives from the discovery by Pythagoras that intervals in the musical scale could be expressed by mathematical ratios involving the first four integers. 6 Here was empirical evidence, it was felt, for an inherent order in the uni- I G. S. Kirk and J. E. Raven, The Presocratic Philosophers (Cambridge 1957) 217ff, review the biographical evidence, most of which is late and obscure. The tradition was that Pythagoras left his native Samos and settled in Croton in 532/1. E. L. Minar, Jr., Early Pythagorean Politics (Baltimore 1942) 133-35, suggests 494/3 for his death. 2 Paestum: Die Nomoi der drei altgriechischen Tempel zu Paestum (Heidelberg 1959) 49-60. 3 See R. Ross Holloway, "Architettura sacra e matematica pitagorica a Paestum," Par Pass 106 (1966) 64 n.lO. 4 Holloway (supra n.3) 60-64; cf. his A View of Greek Art (Providence 1973) 64-68. 5 Die Tempel von Paestum 1.1 (Berlin 1959). 6 W. K. C. Guthrie, A History of Greek Philosophy I (Cambridge 1962) 220-22, dis­ cusses the attribution of the discovery to Pythagoras and generally accepts its authenticity. The ratios are 1:2 (octave), 3:2 (fifth), and 4:3 (fourth) (Guthrie 223). 207 208 THE ATHENA TEMPLE AT PAESTUM verse. 7 Ten, as the sum of the first four integers, was considered by the Pythagoreans to be the perfect (reA..c:lOv) number, comprising, in Aristotle's terms, the whole nature of numbers (mzaav •.• r1]v rwv apz(}/1wv cpvazv, Metaph. 986a8-9). The four integers were represented graphically as an equilateral triangle with one point at the top, followed by two points and three more under them, then four at the bottom. This figure, called the rc:rpal