An Ephebic Inscription from Egypt Rigsby, Kent J Greek, Roman and Byzantine Studies; Jan 1, 1978; 19, 3; Periodicals Archive Online pg. 239
An Ephebic Inscription from Egypt
Kent J. Rigsby
THE DUKE UNIVERSITY ART MUSEUM possesses a Greek inscription
of Roman imperial date (inv. DCC 75.12), which I publish here
with the kind permission of the Curator of the Classical Collec
tion, Professor Keith Stanley. The monument came to the museum in
1975 from an estate in England, with no record of its original pro
venience.! Above the inscribed text is represented in relief a standing
male figure wearing a long chlamys, flanked by an amphora and a post
entwined by a ribbon. The inscription, dated to the third year of
Marcus Aurelius and Lucius Verus (A.D. 162/3), is a list of the gradu
ating ephebes of that year (oL xAafLv87]g,op~c[avTEc]), a kind of text
known throughout the Greek world.2 The list begins with the
magistrates who supervised the ephebes, the first of whom, the
kosmete, was also a member of the city council (,8ovAf[VT~C]). Then
come those ephebes who were victorious in the several competitions
of the ephebic games; the other ephebes follow. Names like Am
monius, Sarapammon, Anubias, Ptolemy, Didymus,3 taken together,
guarantee that the monument derives from Egypt. Its form and
vocabulary in fact find their closest parallel in an ephebic list from
Leontopolis (Tell Moqdam), metropolis of the Leontopolite nome,
dated to A.D. 220: this list opens with the words €ldv ot XAafLV8TJg,Op+
CaVT€C Kat eg,TJ,8€lJcavTEc, then names the presiding magistrate (the
kosmete), then the ephebes who had won victories in the games, then
the rest.4
The presence of a councilor in the Duke inscription further limits
the possible provenience, for in second-century Egypt only Ptolemais
and Antinoopolis were possessed of councils.o On the face of it,
Antinoopolis would seem the more likely candidate simply from the
1 Ex catalogue Charles Ede, Ltd, Writing and Lettering in Antiquity IV (London 1975) no.28.
2 E. Ziebarth, Aus dem griechischen Schulwesen2 (Leipzig and Berlin 1914) 82-86; for the
ephebate in Egypt see the references in O. Montevecchi, La Papirologia (Turin 1973) 183-84.
3 For the frequency of the name Didymus in Egypt see L. Robert, Hellenica 2 (Paris 1946) 8.
4 M. N. Tod, JEA 37 (1951) 86-99, with J. and L. Robert, BullEpigr 1952,180 [SB VIII 9997;
SEG XIV 878]. This text too shifts to smaller lettering when the list of ephebes begins.
6 A. K. Bowman, Town Councils in Roman Egypt (AmStudPap 11, Toronto 1971) 11-15.
239
240 AN EPHEBIC INSCRIPTION FROM EGYPT
far greater quantity of material evidence that it has yielded from the
second and third centuries by comparison with that from contempo
rary Ptolemais.6 But what fixes with certainty the Antinoite origin of
the Duke inscription is a series of inscriptions that came to light a
century ago in Cairo (SB 1481): these were five fragmentary lists of
names found at Antinoopolis. They show much the same mixture of
Greek, Egyptian and Roman names as the Duke inscription; the
majuscule copies published in 1886 reveal that several were written
in the same angular style of lettering and used interpuncts.7
Professor Andre Bernand, who is preparing a corpus on this part of
Egypt, responded generously to my letter of inquiry about SB 1481,
referring me to M. Patrice Cauderlier, who is engaged in a study of
the history and monuments of Antinoopolis. M. Cauderlier, con
fronting the five Antinoite fragments, now in Marseilles, with a photo
graph of the Duke inscription, was able to establish that the new list
joins SB 1481 fr.5. To M. Cauderlier lowe the improved readings and
the photograph of the Marseilles fragment presented here, and in
general his careful study and patient advice have contributed more
to this article than can be acknowledged point by point.
The Duke monument (see PLATE 1) is of white marble, broken on
all sides; its maximum dimensions are 49.0 cm high, 38.5 wide, 1.~
2.0 thick. The angular lettering varies widely in height; the inter
space is 0.5-0.6 cm. The first line, a heading, is 2.0 cm in height. Line 2,
the most irregular, began large (1.8) but decreases to 1.3; thereafter
the lines are generally 1.1 to 1.3, tending to decrease slightly, through
line 9. With line 10 the mason visibly shifts to a slightly smaller size,
0.8-0.9, more regularly written. Interpuncts separate the names on
the list. Inscription and figure were both highlighted with red paint,
much of which survives. The Marseilles fragment (Musee Borely,
archeologie inv. no.1630) is consistent with the Duke inscription in
thickness (1.5-2.0). As PLATE 1 shows, the break between the two
divides several letters which remain recognizable, so that there is no
uncertainty where the stones join, along the lower right of the Duke
piece. The height of the letters here is consistent, 0.8-0.9. The Marseilles
• For Antinoopolis see for the present the list in A. Calderini, Dizionario dei nomi 1.2
(Madrid 1966) 69-114; for Ptolemais, G. Plaumann, Ptolemais in Oberiigypten (Leipziger
historische Abhandlungen 18, 1910) 69-114.
1 E. Miller, RA N.S. 30 (1875) 107-10 (four lists); C. Jullian, RA SER. ill 7 (1886) 274-76
(these four and a fifth, in majuscules): SB I 1481. To the same series of texts probably belong
SB I 4962, 4965, 4982 and 5980 (p. Cauderlier).
PLATE 1 RIGSBY
EPHEBIC INSCRIPTION FROM ANTINOOPOLIS, A.D. 162/3
FR. A: Duke University Art Museum inv. DCC 75.12, photograph by W. Wilkerson
FR. B: Musee Borely arch.inv. 1630 (SB 1481 fr.5), photograph courtesy P. Cauderlier
KENT J. RIGSBY 241
text was also painted red. It has been damaged since its publication in
the nineteenth century; the lost portions are underlined here. On the
Duke stone, the edge of the join is of the same color and texture as the
other edges, so that the break may be ancient.
ciya01}£ ,rtJX1}£
[i1T~ ath'OIcpa}Topoc Katcapoc MapKov AVp'TJAlov [)lV'Twvtvov .EE,BaC'TOv]
[Kal. aV'TOK ]p'a'Topoc Kalcapoc AOVKlou Avp'TJAlou Q [mJpou
.EE,BacTov ± 7
4 [ ± 8 E'TOU]C 'TplTOU toW ldv o[ XAaI-'Vo'TJ>op~c[avTEc Ka~ i>'TJ,BEvCaV'T'Ec . . ]
[ ± 7 KOCI-'1nT~C 8EOOOCLOC ~,Bapxoc toW KacTwp LJ'TJIo'[ ± 23 ]
[ ± 9 C'TE>]avwOEvTEC '" cTcfoLOV toW NEI-'ECta[voc . ... ]cp[ ± 19 ]
8 [ ± 14 ]goc 0 Kal. flTOAEl-'a'ioc flToAEl-'alou toW 1TaA7JV toW .Ea[ ± 18 ]
[ ± 15 ]v '" 'Epl-'lac 'bSwpou Kal. LJ t8ul-'oc .Eapa1TCfl-'l-'w [voc ± 17 ]
[ 'I]<;t8wpov ,.., Kop~Atoc Evoall-'ovoc toW l4l-'l-'ciJVtoc
L'apa1Tlwr[ oc
l4>p]o8elctOc l4vov{3,cf8oc '" 8EOOOCtOC l41ToAAwvlov '"
flTOAEI-' [a'ioc
12 ]oc l4pcwo7Jc toW 'Epl-'lac LJ'OCKOPOU toW l4yaOoc LJall-'WV
16
[
20 [
o Kal.
pootclov toW l4l-'l-'ciJVtoc LJ'TJI-''TJTPOVTOC '" LJ'TJI-''TJ'Tptavoc
'Ic[t8wpov
] , , fl' Z .. <;, 'H \'<;' < "E' . c 0 Kat UK'T7JC 0 LOOC toW paKI\ELD'TJC 0 Kat 1TLl-'axoc
.Eapa1T[
] 'E ~ 'I" \ , '{'1 , '{'1 ,
~ toW Pl-'tVOC OUI\LOV toW ",apa1TLWV ",apa1TLWVOC '"
'lEpag 'HpaK[A
] 'A' '{'1' A , 'E' 9V ,.., r1I-'I-'WVLOC ",apa1TLwvoc ,.., ".HOCKOpOC Pl-'tou""
.tc8a" cf. Tod, loc.cit. (supra n-4): there spelled xAa,.,.v8o"'op~'iv,
as in the Michigan papyrus cited below.
17 P.Mich. VI 426.16-18, cf. SB IV 7427 (the same man's cousin as an ephebe at Antinoopolis
in 168/9). Compare ot ~lcKp,8'v'T~c 7Ta,8~c of PSI ill 199 (Antinoopolis. A.D. 203). For ~rCKplClC
and ~7TlKPIC'C see U. Wilcken, Grundzuge 1142; V. Martin, Cd'E 7 (1932) 300-10 [SB V 7561];
P.Oxy. XVill 2186; J. E. G. Whitehorne, BASP 14 (1977) 29-38.
18 Naturally it was otherwise in the countryside of classical Roman Egypt, which lacked
councils and where magistrates conducted this examination. For cities, see Acta Alexandri
norum 1: the proposed council for Alexandria would see that the list of ephebes was kept
free of mere tax-evaders, and also would keep the citizen-body pure of the uneducated.
For Athens see A. Dumont, Essai sur l'ephebie attique I (Paris 1875) 136-37.
KENT J. RIGSBY 245
were fragments of the ephebic lists.19 By 1886 these four and a fifth
(precisely, the one that joins the Duke inscription) had been given to
the Borely family in Marseilles by a M. Connolly. I have been unable
to identify Connolly. The Borelli family of Marseilles had long
standing commercial contacts with Egypt and the Levant. Its most
famous member was the jurist Philippe-Oct ave-Marie Borelli, who
was in Egypt from 1878 to 1894 in the service of the French govern
ment.20 EVidently in 1875 the extant Antinoite lists were in the
possession of a Cairo dealer; Miller knew only those of which he had
been sent squeezes. The five which Connolly gave to the Borelli
family he must have acquired between 1875 and 1886: I imagine that
he had enjoyed some favor or hospitality at the hands of the distin
guished French jurist in Cairo, during these years of French-British
cooperation in controlling Egypt. I am inclined to assume that Con
nolly acquired the Duke fragment at the same time but kept it for
himself as the most artistic of the six. In sum, all of the fragments
extant seem likely to have come from a clandestine excavation at
Antinoopolis in the early 1870's.
In lines 5-6 are named the magistrates who supervised the ephebic
corps. I would suggest that the kosmete Theodosius was introduced,
at the beginning of line 5, by 7TpoEcr7]; the verb is frequent in educa
tional texts, used of a kosmete for example in IG II2 1009.34. The
grammatical relation between this verb and the list of ephebes proper
would be given by restoring at the end of line 4 either iJJv or simply an
interpunct. There is room for only three magistrates. At Leontopolis
sixty years later we find only a kosmete and an archiephebos in charge
of the ephebes. Perhaps the son of Heraclius was an &V7'LKOC/L~'T7Jc, as
we would expect at Athens; this term, followed by an interpunct,
probably would fill the space remaining in line 5, 7TfXLOO'Tptf37Jc would
nearly do so. If the father of the ephebarch Castor was named De
metrius, about 15 spaces remain in line 6: possibly this was left empty,
19 Of the other two, one was the Latin inscription ClL III 6609, excavated at Nicopolis
under supervised conditions in 1871: in 1875 this stone was at the Institut Egyptien and was
the only one of the six whose location was reported to Miller. The other was the asylia edict
CI] II 1449, allegedly found in Cairo; by 1881 this stone had been acquired by the Dutch
ambassador in Cairo and given by him to the archaeological museum in Berlin (cf Th.
Mommsen, EphEp 4 [1881] no.33). I shall comment elsewhere on this text, which has
nothing to do with Queen Zenobia of Palmyra.
20 Dictionnaire de biographie franraise 6 (1951) 1100. It is astonishing, however, that Jullian
in 1886 did not know the origin of the inscriptions in Marseilles; but his publication is
most perfunctory, and he was unaware also of their prior publication in the same journal.
246 AN EPHEBIC INSCRIPTION FROM EGYPT
marking the close of this section of the text; but more likely we
should seek here the beginning of the phrase that introduced the
victorious ephebes of lines 7-9, something on the order of Col (ecp7Jf3OL)
EV Tc'in (Ec/>7Jf3LK(in) aywvL cT€c/>]avwOevT€c.21
The list of the ephebes themselves begins in line 7 with the
'crowned', those who have won in the several competitions of the
games that marked their graduation. Three events at least were
held: the stadion-length footrace, wrestling, and whatever is to be
understood at the beginning of line 9 (where nu cannot be the end of
a patronymic). Line 9 demands our attention first, for here two eph
ebes are linked by Kat. This usage might indicate the existence of a
first, and a second place prize in the competition; in fact, second prizes
are well attested in the games of the gymnasium in Hellenistic cities.22
But if this is the implication of line 9, then we should expect second
prizes in all the events, as was the case elsewhere when those existed.
There is easily space for Ptolemy'S son (line 8) as a second ephebe
after "stadion", linked by Kat to Nemesianus (who must then have a
rather long alias and patronymic). But there is clearly no room for a
second name and patronymic after "wrestling." Therefore I would
suggest rather that Hermias and Didymus ended their event in a draw,
winning a 'sacred victory'. In Greek contests, in case of a draw, the
prize was not split between the two contestants who were tied; this
tradition was old, stemming from the days before money when
prizes were exclusively objects and were not divisible. The prize
was instead dedicated to the god, and the two competitors were said
to share a 'sacred victory', the god's victory. Such a 'victory' was none
theless something to be proud of, and the two rivals, called CVCT€cpavw
OeVT€C, would include the 'sacred victory' among their other victories
in any list of their accomplishments.23 But ties were rare, and if this
is the situation in line 9, still it should not be assumed elsewhere in
the text.
In short, the long space after Nemesianus in line 7 must have been
filled not by an indication of another draw (Kat) but by the name of
another event, whose victor was the son of Ptolemy. If the term for
the lost event was short, Nemesianus may well have had an alias, e.g.
21 A list of ephebes at Gela begins simply €CPT/{Jo, ol cn;cpavW8€VT€C: IG XIV 256.36.
22 Syll.8 958 (Coresia); OGIS 339.81 (Sestos), with L. Robert, RN SBR.V 15 (1973) 43-53.
28 References in L. Robert, RevPhil1930, 28 (= Opera Minora Seleew II [Amsterdam 1969]
1128).
KENT J. RIGSBY 247
NE}LE"C£a[voc 0 Ka'J <.!?[p{wv-], and indeed the name of the event may
have carried over to line 8. Again, at the end of line 9 there is no space
to restore a fifth event with the name and patronymic of the victor;
nor is such an entry likely to have carried over to line 10, for in line 10,
written in visibly smaller lettering, begins the list of the other
ephebes. Perhaps line 9 ended with a vacat, marking the close of this
section of the text; or else with the beginning of a rubric introducing
the other ephebes. It seems, then, that there were four events and
four prizes in the ephebic games of Antinoopolis in 162/3. At Leon
topolis sixty years later there were also four events (wrestling, pan
cration, stadion, diaulos), but eight prizes, since there the ephebes
were divided into two age groups.
At Oxyrhynchus in A.D. 202 Aurelius Horion endowed ephebic
games with ten thousand denarii, the interest from which was to pay
for prizes equal to "those for which the Antinoites now compete." I
have argued elsewhere that his reference cannot be to the panhellenic
Great Antinoeia, as has been thought, but is rather to (unattested)
ephebic games at Antinoopolis.24 The present inscription, while a
pleasant surprise, lends no particular support to that interpretation,
merely proving that Antinoopolis had ephebic games, as we would
have assumed in any case. But if that argument is correct, and if
Horion's fund was the total source of the prizes at Oxyrhynchus
(rather than an addition to an older source), and if the Antinoite
prizes were the same forty years earlier, then here at Antinoopolis in
A.D. 163 a sum of approximately 1200 denarii25 was to pay for four
prizes-worth an average 300 denarii apiece. There are too many vari
ables here to insist on such computations. But I may note that this
valuation is broadly consistent with a cash prize list of imperial date
inscribed at Aphrodisias.26 There account was given of several con
tests, which were of different orders (in one the trumpeter wins 150
denarii, in a second 500). In the lower-paying contests, we find the
following prizes in the boys' category: dolichos 500 denarii, stadion
625 or 525, diaulos 500, pentathlon 250, wrestling 1000, boxing 1000,
pancration 1250 or 1550. In a more illustrious contest in the account,
24 Wilcken, Chr. 153, with Cd'E 52 (1977) 147-55.
26 The usual interest rate of 12% is attested e.g. at Oxyrhynchus in A.D.178 by P.Oxy. III
485.
28 CIG 2758 [0. Liermann, Analecta epigraphica agonistica (Diss.Philol. Halenses X, 1889) no.
37], cf. MAMA VIII 420.
248 AN EPHEBIC INSCRIPTION FROM EGYPT
the victor in boys' stadion receives 1400 denarii. These were all prizes
for professional athletes, meant to attract famous and talented com
petitors to Aphrodisias; we should not be surprised to find that the
prizes awarded ephebes, local boys of diverse physical capacities com
peting by requirement,27 were worth less than half those given
professionals at even a minor festival. A value of about 300 denarii
thus seems credible.
It would be superfluous to attempt here a discussion of the nomen
clature and prosopography of the text: these matters will be put on a
new basis by M. Cauderlier's work on the onomastics of Antinoopolis.
I may note that I do not understand the exclusive use of a metronymic
by several ephebes (Anubias 11, Arsinoe 12, Demetrous 14, Zois 15);
the same usage occurs in other of the Antinoite lists. Metronymics are
of course common in the papyri, but normally as an addition to the
patronymic. In the Leontopolis ephebic list, most of the boys name
both father and mother, some only the father; but there too we find
in several instances the metronymic alone.28 Perhaps one listed
that parent who was a citizen of the city.
The relief above the text presents its own difficulties, on which I
would defer to those more expert. The figure may simply be the type
Qf the ephebe, a Cchlamys-wearer'.29 But his flowing mane, on a
monument from Antinoopolis, must surely indicate Antinous himself,
here in the role of ephebe. The rendering of his left hand is too schem
atic to reveal whether it clasped some object (rather than the chlamys
alone); perhaps a small bottle (aryballos or lekythos would be appropri
ate) was once represented here, now weathered smooth, or even a
small bird, the emblem of a dead child (suggestion of Professor
Robert). The amphora to his left must certainly evoke the allotment
for the games.30 By the object to his right I am puzzled: it seems
.7 The Leontopolis list in fact contains a section of boys excused from the competitions
because of physical inadequacy: the Roberts, op.cit. (supra n.4) 68.
88 The high percentage (ca 15%) of these at both cities and the questions about
parentage asked at EtCKPLctC (SB 7561) speak against the theory (H. C. Youtie in Le Monde
grec, Hommages d Claire Preaux [Brussels 1975] 730-32) that they are simply illegitimate,
«:TraTOpEc.
It A figure wearing a chlamys appears e.g. on the contemporary ephebic monument IG III
3746, erected in honor of one ephebe by his fellows; the figure holds a shield.
10 See for example the Athenian ephebic monument IG ill 3734 (A.D. 126/7), with the
important discussion of D. Peppas-Delmousou, AAA 9 (1976) 241-52; an amphora beside
a victorious athlete at Caesarea, J. Ringel, Cesarfe de Palestine (Paris 1976) 115 with pI. 14.3,
cf. J. and L. Robert, BullEpigr 1976, 733. In general, H. Gaebler, ZjN 39 (1929) 271-312;
L. Robert, Hellenica 7 (Paris 1949) 107-08.
KENT J. RIGSBY 249
a slender post, tapering toward the bottom, bearing a small plaque
topped by a circle or ball, entwined by a tapering pennant or ribbon.
The width and the taper of this last feature seem to exclude its being
a mitra or another of the bands with which athletes were crowned,31
hung here as a trophy. Nor, lacking a head, ought it to be a snake.32
There are traces of red paint on the plaque; since they are not recon
cilable with letters, and since all of the frieze was painted, I take these
traces to be random survivals and not an inscription. The post and
its trappings thus remain to be explained.33
DUKE UNIVERSITY
May, 1978
31 See E. Egger and E. Fournier in Daremberg-Saglio, Dietionnaire I 1520-37, esp. 1523,
s.v. "Corona"; A. De Ridder, id. III 1955-56 S.v. "Mitra." Professor Gerhard Koeppel has
kindly drawn my attention to elements of Roman triumphal art which, he notes, are only
slightly similar: on the one hand, the inscribed tabulae ansatae carried atop posts in the
triumph (to be seen e.g. on the arch of Titus); on the other, the taenia tied to the top of a
scepter and hanging or fluttering down (e.g. M. Rotili, L'Areo di Traiano a Benevento [Rome
1972] pIs. 114 and 135).
32 An Asclepiean emblem would be appropriate to Antinous, who was a healing god
(Origen, C. Cels. 3.36), but probably not on an ephebic monument. Serpent and amphora
together on an altar from Phrygia: T. Drew-Bear, GRBS 17 (1976) 259.
33 My warm thanks, for their advice and encouragement, to Louis Robert, Jeanne
Robert and William H. Willis.