harmonia: A Pathfinder

This is a computer-generated pathfinder created against the Distant Reader study called harmonia.

Each Distant Reader study carrel is composed of many individual items. Each item is bibliographically described with author, title, date, summary, and keyword values. Below is a list of the items' most signficant keywords as well as lists of the items themselves. Purpusing the content of this pathfinder provides the student, researcher, or scholar with one way to get their heads around the scope of the carrel. The keywords include:

Yang; Dalam; Seni; Music; Art; Education; Dance; Arts; Performance; Culture; Learning; Students; People; Indonesia; Guru; Community; Media; Process; Form; Wayang; Song; Surakarta; Semarang; Harmonia; Meaning; Design; Gamelan; Teachers; Style; Pattern; Tourism; Instruments; Characters; Technique; I89; J89; F89; E89; Akuq; Dancing; Janggrung; Publisher; .$5; -"!63; -(4; .#$; /)0!4; 386<6<;78; 48l; 4b?=; 348h; 84bk; 9f9; -(,(+; +41; Terapi; /61/:$; 59.$; 4!51

Depending on how this pathfinder was created, many of the bibliographic sections will include elaborations on the meaning(s) of the given keywords. These elaborations were generated by feeding the items' summaries to a large langauge model and asking the model to address the question, "What is X?", where "X" is the keyword. The result will be a few sentences of elaboration. Be forewarned. The elaborations are often plausible, but they should not be take as truth. Instead, they should be taken as points for consideration.

• KOLABORASI ANTARA JARAN KEPANG DENGAN CAMPURSARI: SUATU BENTUK PERUBAHAN KESENIAN TRADISIONAL by Wiyoso, Joko (2012) - Lagu-lagu yang disajikan juga lagu-lagu yang akrab di telinga masyarakat seperti Mister Mendem, Mendem Wedokan, Nyidam Sari, Caping Gunung dan yang lain. Ternyata dari usaha tersebut hasilnya sesuai dengan yang mereka hara- pan, masyarakat bisa menerima dan senang menikmati kemasan baru pertunjukan Jaran Kepang Turonggasari tersebut. Keywords: adalah; antara; atau; bentuk; bisa; campursari; dalam; dan; dari; dengan; gending; gerakan; ini; itu; jaran; juga; kebudayaan; kelompok; kemudian; kepang; kesenian; kuda; lagu; lain; manusia; masyarakat; materi; mengalami; menjadi; musik; ndadi; oleh; pada; para; penari; penonton; pertunjukan; perubahan; sampai; satu; sebagai; seperti; tata; tersebut; tidak; unsur; untuk; yaitu; yang
• KACAPI SULING INSTRUMENTALIA SEBAGAI SALAH SATU KESENIAN KHAS SUNDA by Dwi Arini, Sri Hermawati; Supriadi, Didin (2012) - Yang berlaras pelog bernu- ansa lembut dan yang berlaras slendro ber- nuansa China, gembira, berlaras lebih tinggi, oleh Perkembangan musik tradisi ada yang berkembang luas, dan ada juga yang berkem- bang hanya di daerah asalnya. Keywords: adalah; alat; anyar; atau; berlaras; budaya; dalam; dan; dapat; dari; dengan; fungsi; ini; jakarta; jenis; kacapi; kesenian; lagu; lain; memiliki; musik; oleh; pada; pertunjukan; sebagai; seni; siter; suling; tembang; untuk; wanda; yang
• MAKNA SIMBOLIS LAKON KANGSA ADU JAGO DALAM PERTUNJUKAN WAYANG KULIT PURWA by -, Randiyo (2012) - Oleh karena itu, jika melihat wayang semestinya bukan Randiyo, Makna Simbolis Lakon Kangsa Adu 19 terpukau oleh keindahan catur, keterampi- lan sabet, dan suasana yang ditimbulkan oleh karawitan, tetapi memusatkan hayatannya kepada lakonnya. Kangsa yang sebenarnya anak Gorawangsa, seorang raja dari Gowabarong, diakui sebagai anak Ba- sudewa dan diberi tambahan nama Kangsa Dewa serta dianugerahi tanah kadipaten Sen- gka Pura. Keywords: adalah; adegan; adon; adu; akan; antara; atau; baladewa; basudewa; dalam; dan; dapat; dari; dengan; dewi; ireng; jago; juga; kakrasana; kangsa; kepada; konfl; lain; lakon; lara; lena; mandura; mantra; masing; mempunyai; menjadi; narayana; negara; oleh; pada; prabu; purwa; putra; raja; sebagai; secara; sehingga; seorang; setelah; simbolis; surakarta; surati; terjadi; tertentu; tokoh; untuk; wayang; yaitu; yang
• METODE PEMBELAJARAN PENCANTRIKAN TERBIMBING DENGAN PEMANFAATAN AUDIO VISUAL by Rahayuningtyas, Wida; SDP, Endang Woro; Wardhani, Tjitjik Sri (2012) - Oleh karena itu, diperlukan metode pem- belajaran yang tepat yang dapat membantu mahasiswa mencapai hasil belajar yang op- timal. Matakuliah Repertoar 1 termasuk di dalam kelompok mata kuliah Keahlian Berkarya (MKB), adalah kelompok bahan kajian dan pelajaran yang bertujuan meng- hasilkan tenaga ahli dengan kekaryaan ber- dasarkan dasar ilmu dan ketrampilan yang dikuasai. Keywords: audio; dalam; dan; dari; dengan; gerak; hasil; ini; kuliah; mahasiswa; malang; mata; media; metode; oleh; pada; pembelajaran; pencantrikan; sebagai; siklus; tari; tersebut; topeng; visual; yang
• MODEL PEWARISAN KOMPETENSI DALANG by Jazuli, M. (2012) - Pendidikan di Sanggar Seni Sarotomo Surakarta Sanggar Seni Sarotomo Surakarta meru- pakan sebuah tempat untuk menempa setiap orang, khususnya anak-anak yang ingin bela- jar seni tari, karawitan, dan yang paling me- nonjol adalah seni pedalangan. Berangkat dari paparan di atas, masalah penelitian difokuskan pada model pewarisan (transmisi, pembelajaran) kompetensi dalang, dan persyaratan yang diperlukan untuk men- jadi dalang yang kompeten. Keywords: adalah; anak; aspek; atas; atau; dalam; dalang; dalang di; dalang yang; dan; dapat; dari; dengan; digunakan; evaluasi; garap; guru; hal; harus; ini; iringan; itu; jadwal; jawa; juga; kompetensi; lain; lebih; mampu; materi; maupun; memiliki; menjadi; metode; model; oleh; orang; pada; pakeliran; para; pdmn; pedalangan; pembelajaran; pembelajaran dalang; pendekatan; pendidikan; penelitian; pertunjukan; pewarisan; praktik; proses; sabet; sanggar; sebagai; secara; sekolah; seni; seperti; siswa; standar; surakarta; teknik; telah; tidak; tingkat; untuk; wayang; yaitu; yang
• CAMPURSARI MANTHOUS : ANTARA MUSIK JENIS BARU DAN FENOMENA SOSIAL MASYARAKAT PENDUKUNG by -, W a d i y o; Haryono, Timbul; Soedarsono, R.M.; Ganap, Victor (2013) - Jika kreator dalam mela- kukan kreativitas meninggalkan apa yang sudah ada dan yang oleh masyarakat te- Musiknya berupa adonan dari musik gamelan dan musik yang dikenal seka- rang. Keywords: ada; adalah; alat; antara; atau; baru; bentuk; berkesenian; budaya; campursari; dalam; dan; dapat; dari; dengan; fenomena; gamelan; gending; ini; itu; jawa; jenis; juga; kita; lagu; langgam; manthous; masyarakat; menggunakan; menjadi; musik; oleh; pada; pendukung; penelitian; sebagai; secara; seni; sosial; telah; tradisional; untuk; yang
• MAKNA SIMBOLIS DAN PERANAN TARI TOPENG ENDEL by Ratnaningrum, Ika (2013) - Alhasil terciptalah tari Topeng Endel dari Tegal yang sekarang menjadi tari tradisional kerakyatan kota Tegal. Model gerakan tari putri yang seperti itu, merupakan ciri khas dari gerakan tari Topeng Endel dari Tegal yang membeda- kan dengan tari yang lainnya. Keywords: adalah; dalam; dan; dari; dengan; endel; gerakan; kota; laki; masyarakat; menjadi; oleh; pada; penari; pertunjukan; sebagai; sendiri; seni; seperti; tari; tarian; tegal; topeng; untuk; yang
• KEBERADAAN KEYBOARD PADA GENDANG GURO-GURO ARON DAN PENGARUHNYA TERHADAP KARAKTER MUDA- MUDI KARO by Rahmah, Siti (2013) - Kalau seandainya para pen- dukungnya banyak mengetahui tentang nilai-nilai budaya mereka, seharusnyalah mereka menyadari begitu luhurnya nilai budaya Karo yang penuh dengan norma- norma. Kalau seandainya para pendukungnya (muda- mudi Karo) banyak mengetahui tentang nilai-nilai budaya mereka, seharusnyalah mereka menyadari begitu luhurnya nilai budaya Karo yang penuh dengan norma- norma. Keywords: adalah; adat; alat; aron; atau; bahwa; beberapa; budaya; daerah; dalam; dan; dapat; dari; dengan; gendang; gendang guro; guro; guro aron; hal; ini; juga; kabupaten; karena; karo; kebudayaan; kesenian; keyboard; lagu; masyarakat; menjadi; mereka; merupakan; muda; mudi; musik; nilai; oleh; orang; pada; penelitian; pertunjukan; perubahan; satu; sebagai; seni; seperti; sistem; tahun; telah; terjadi; tersebut; tidak; tradisional; untuk; yaitu; yang
• PENGEMBANGAN TEKNIK KONDAKTING DAN PENDOKUMENTASIAN DALAM MEDIA REKAM DAN CETAK UNTUK MENDUKUNG PROSES LATIHAN KONDAKTING by Susetyo, Bagus (2013) - Heinieh, dalam Benny (2000) mengemukakan bahwa media pem- belajaran yang dapat digunakan dalam proses penyampaian materi belajar dapat berupa: 1) media yang diproyeksikan; 2) media yang tidak diproyeksikan; 3) media audio; 4) media video; 5) media berbasis computer; dan 6) multi media kit, yang kesemuanya merupakan media rekam dan cetak yang dapat digunakan untuk mengembangkan teknik kondakting bagi pembelajaran guru-guru seni budaya di Semarang. Media rekam berupa VCD, yang dapat dilihat langsung dan di- pelajari secara berulang-ulang dan media cetak yang berupa cetakan tulisan, gambar proses kondakting yang semuanya dapat HARMONIA : Jurnal Pengetahuan dan Pemikiran Seni 11 (2) (2011): 143-152146 didokumentasi dan dapat digunakan se- terusnya bagi guru-guru seni budaya se- kota Semarang. Keywords: aba; adalah; atau; bentuk; birama; dalam; dan; dapat; dari; dengan; dirigen; gerakan; guru; harus; ini; kondakter; kondakting; lagu; media; musik; oleh; pada; penelitian; pengembangan; proses; sampai; sangat; secara; seni; seorang; sikap; suatu; tanda; tangan; teknik; tempo; tersebut; tidak; untuk; yaitu; yang
• KIDUNG SEKATEN ANTARA RELIGI DAN RITUS SOSIAL BUDAYA by Utami, Hadawiyah Endah (2013) - Islamisasi di Jawa memiliki keuni- kan dimana Islam hadir bukan di lingku- ngan masyarakat yang sederhana dan tipis kebudayaan, akan tetapi berjumpa dengan masyarakat yang memiliki peradaban dan kebudayaan tinggi. Sebaliknya ener- gi penyaji juga mempengaruhi peristiwa di Gerebeg Sekaten, yaitu tanpa ada aba-aba maupun perintah penonton memberikan ruang gerak bagi penyaji, sehingga baik penyaji dan penonton yang hadir menjadi satu kesatuan yang terpadu secara tidak langsung. Keywords: adalah; ajaran; akulturasi; antara; atau; bagian; baru; bentuk; berbagai; budaya; dalam; dan; dapat; dari; dengan; gamelan; gerak; gerebeg; islam; jawa; karya; kebudayaan; kekuatan; kemudian; kidung; masjid; masyarakat; maupun; melalui; menjadi; merupakan; nilai; oleh; pada; para; penari; perayaan; proses; ritual; satu; sebagai; sebuah; secara; sekaten; seni; seperti; simbol; surakarta; tari; tidak; tradisi; untuk; upacara; yaitu; yang
• PERSEPSI MASYARAKAT TERHADAP PERTUNJUKAN MUSIK DANGDUT ORGAN TUNGGAL by Andaryani, Eka Titi (2013) - Lebih lanjut Jamalus (1988:38) menjelaskan beberapa unsur- unsur ekspresi dalam musik adalah tem- po atau tingkat kecepatan musik (kecepa- tan suatu lagu dan perubahan-perubahan kecepatan lagu itu), dinamik atau tingkat volume suara atau keras lunaknya suara, dan warna nada yang merupakan ciri khas bunyi yang terdengar bermacam-macam, yang dihasilkan oleh sumber bunyi yang berbeda-beda, dan yang dihasilkan oleh cara Seruling Seruling adalah alat musik yang berbentuk pipa dengan sejumlah lubang penjarian (seruling dangdut memakai 6 lubang), dibuat dari bahan bambu, kayu, logam, atau paralon, yang merupakan instrument melodik yang berfungsi seba- gai penuntun lagu utama, pemberi varian dan selingan improvisasi di celah-celah ja- lur melodi. Keywords: adalah; alat; atau; bahwa; bentuk; bunyi; cukup; dalam; dangdut; dapat; dari; data; dengan; digunakan; hal; indonesia; ini; irama; juga; kota; lagu; lain; lebih; masyarakat; merupakan; musik; nada; oleh; orang; organ; pada; pemain; penelitian; penonton; penyanyi; persepsi; pertunjukan; sebagai; seperti; suara; suatu; tegal; terhadap; tersebut; tidak; tunggal; untuk; yaitu; yang
• DESKRIPSI KUALITATIF SEBAGAI SATU METODE DALAM PENELITIAN PERTUNJUKAN by -, Subandi (2013) - Terdapat tiga aspek dalam seni pertunjukan yang selalu ter- Ilmuwan perlu untuk merenungkan kembali maknanya sehingga diperlukan penelitian yang lebih luas dan mendalam. Keywords: adalah; atau; bagian; berbagai; berupa; dalam; dan; dapat; dari; data; dengan; deskripsi; diperlukan; kata; kesimpulan; koleksi; kualitatif; manusia; menjadi; merupakan; oleh; pada; penelitian; pertunjukan; sebagai; secara; sehingga; seni; seperti; tidak; untuk; wawancara; yang
• KIDUNG KANDHASANYATA SEBAGAI EKSPRESI ESTETIK PESINDEN WANITA MARDUSARI by -, Darmasti (2013) - j. Megatruh, mengisyaratkan suasana yang sedih, sendu, duka, sesal, pedih, merana dan yang sejenis. Dalam konteks penari Langendriyan, Menakjingga ditarikan Mardusari setelah mengalami beberapa perubahan gerak tambahan seperti gerak kiprahan Menak- jingga dan Menak Koncar yang sebelum- nya tidak ada. Keywords: adalah; atau; bahasa; bentuk; berbagai; berjumlah; buah; cakepan; contoh; dalam; dan; dapat; dari; dengan; ekspresi; jawa; juga; kandhasanyata; karawitan; karya; kata; kehidupan; kelompok; kidung; macapat; mardusari; menjadi; merupakan; oleh; pada; perempuan; pupuh; rasa; sastra; satu; sebagai; sebuah; sekar; seni; serta; suku; surakarta; teks; tembang; terdiri; untuk; vokal; wangsalan; yang
• KESADARAN ESTETIS MENURUT HANS-GEORG GADAMER (1990-2002) by -, Sunarto (2013) - Jika gagasan kita dari apa itu adalah untuk memahami sesuatu dengan memasukkan pengalaman seni (dan sesuatu yang lebih kecil, menurut pandangan Gadamer, akan berubah-ubah dan dogmatis) maka pema- haman harus cukup komprehensif agar kita bisa mengartikulasikan karakter pe- ngalaman Erfahrung yang dan pemahamannya yang merupakan ba- gian dari tradisi itu sendiri. Keywords: adalah; atau; bahwa; bentuk; dalam; dan; dapat; dari; dengan; estetis; filsafat; gadamer; harus; hermeneutika; ilmu; ini; itu; juga; karena; karya; kebenaran; kesadaran; kita; manusia; masa; menurut; merupakan; oleh; pada; pemahaman; pengalaman; pengetahuan; prasangka; sebagai; sebuah; secara; seni; seperti; suatu; teks; tentang; tetapi; tidak; untuk; yang
• MEMBANGUN INDUSTRI KREATIF DI MALUKU MELALUI PENDIDIKAN SENI by Ganap, Victor (2013) - Tim Peneliti pertama-tama menga- dakan survei pada Dinas Pendidikan Pe- muda dan Olahraga Provinsi Maluku, dan memperoleh pemahaman bahwa faktor geografis provinsi Maluku yang dijuluki “Provinsi Seribu Pulau” mampu menim- bulkan dampak tersendiri yang sangat mendasar dalam bidang pendidikan seni. Ke- luarga Siloi termasuk keluarga seniman totobuang yang terkemuka di Ambon, put- ranya Jonas bahkan pernah tampil dalam Pasar Malam Besar Tong Tong di Den Haag tahun 2008 sebagai anggota kontingen ke- senian Maluku yang diundang ke Negeri Belanda. Keywords: adalah; alfons; ambon; anak; bahwa; berbagai; budaya; dalam; dan; dapat; dari; dengan; dilakukan; grup; guru; industri; ini; itu; juga; kesenian; kota; kreatif; lembaga; lokal; maluku; masyarakat; melalui; memiliki; memperoleh; mereka; model; musik; namun; oleh; pada; para; pemain; pembelajaran; penari; pendidikan; penelitian; perkusi; program; sanggar; satu; sebagai; secara; sehingga; seni; seniman; seperti; siswa; smk-7; suara; tahun; tari; telah; tentang; tidak; tifa; totobuang; untuk; yang
• RUWATAN MASSAL MELALUI PERGELARAN WAYANG KULIT by -, Tjintariani (2013) - Melalui tradisi ruwatan yang diyakini oleh masyarakat pendukungnya sebagai jalan menuju penyucian jasmani maupun rohani. (k) Kurang lebih jam 10.00 pagi sampai jam 14.00 dimulailah upacara ruwatan yang Keywords: anak; atau; bathara; dalam; dalang; dan; dari; dengan; fungsi; guru; jatusmati; jawa; jejer; kala; karena; kulit; lakon; makna; massal; melalui; menjadi; murwakala; nilai; oleh; orang; pada; para; perempuan; pergelaran; pergelaran wayang; peserta; purwa; ruwatan; sebagai; semua; struktur; sukerta; tidak; tokoh; untuk; upacara; wayang; wayang kulit; yaitu; yang; yogyakarta
• BENTUK PERTUNJUKAN ORKES DANGDUT PARODI SENGGOL TROMOL DI SEMARANG: KAJIAN BENTUK DAN FUNGSI by Alviani, Euis Septia (2013) - Pada tanggal 9 September 2009, Senggol Tromol hanyalah kelompok musik yang tergolong kelompok musik biasa pada umumnya. Pada dasarnya kelompok musik Senggol Tromol merupakan kelompok musik yang memiliki tingkat musikalitas yang tinggi, tanpa diragukan lagi bahwa kelompok musik Senggol Tromol meru- pakan kelompok musik yang semua ang- gotanya mempunyai latar belakang pen- didikan seni musik di Universitas Negeri Semarang. Keywords: adalah; alat; atau; bentuk; dalam; dangdut; dangdut parodi; dapat; dari; dengan; dimiliki; fungsi; ini; jenis; karya; kelompok; lagu; mampu; masyarakat; memiliki; menjadi; mereka; merupakan; musik; oleh; orkes; orkes dangdut; pada; para; parodi; parodi senggol; pemain; penonton; pertunjukan; satu; sebagai; semarang; senggol; senggol tromol; seni; tata; tromol; untuk; yang
• MOTIVASI MASUKNYA CAMPURSARI KE DALAM PERTUNJUKAN JARAN KEPANG by Wiyoso, Joko (2013) - Harold Koonts dan kawan-kawan mengemukakan bahwa motif ”is an inner state that energizes, acti- vates, or moves(hance motivation), and that directs or channels behavior toward goals” (adalah suatu keadaan dari dalam yang memberi kekuatan, yang menggiatkan, atau yang menggerakkan, sehingga dise- but penggerakan atau motivasi dan yang mengarahkan atau menyalurkan perilaku ke arah tujuan-tujuan). Wujud seni hasil dari cipta, rasa dan karsa manusia yang di lakukan secara sa- dar serta diungkapkan melalui sebuah media sebaga sara untuk mengkomuni- kasikan kepada publik, bisa berujud atau berbentuk seni rupa, musik, tari, drama dan yang lain. Keywords: adalah; atau; bagi; bahwa; bisa; campursari; dalam; dan; dapat; dari; dengan; ini; itu; jaran; juga; karena; kepang; kesenian; lagu; lain; masyarakat; mereka; motif; motivasi; oleh; pada; para; pendukung; pertunjukan; sebagai; secara; selanjutnya; sesuatu; tersebut; tetap; tidak; untuk; yang
• DIMENSI RAME: GEJALA, BENTUK, DAN CIRI by Mulyana, Aton Rustandi; Haryono, Timbul; Simatupang, G.R. Lono Lastoro (2013) - Sebaliknya, apabila jumlah dari unsur-unsur yang terlibat dan intensitas dari interaksi dan interelasi dari dan dian- tara unsur-unsur tersebut cenderung ber- kurang maka ruang keramaian dapat me- nyempit dan akhirnya pudar. Proses rame dapat dikenali melalui tiga pola: (a) penggandaan, (b) pemeraga- man, dan atau (c) percampuran. leksitas, tidak pernah hadir sebagai sesua- tu yang kosong, atau hampa, kecuali isi. Keywords: adalah; antara; asal; atau; bagian; bahasa; bahwa; banyak; batas; bentuk; berbeda; bunyi; ciri; contoh; dalam; dan; dapat; dari; demikian; dengan; di dalam; gejala; ini; itu; kata; keramaian; lain; lebih; menjadi; merupakan; musik; namun; oleh; pada; pengulangan; pola; proses; rame; ruang; sama; satu; sebagai; sebuah; secara; selalu; seperti; sesuatu; sistem; terjadi; tersebut; tetapi; tidak; tindakan; unsur; untuk; yang
• MAKNA GAYA BAHASA SYAIR LAGU PERJUANGAN INDONESIA PENDEKATAN TEKS DALAM KONTEKS SEJARAH by H.P., F.X. Nugroho (2013) - Indonesia yang dilakukan oleh Lembaga Topografi Nasional, pulau itu jelas milik Indonesia, maka negara harus mengirim- kan pasukan ke pulau itu untuk menjaga dan mempertahankannya agar tetap milik Indonesia. Adalah sangat wajar apabila dalam menghadapi situasi kolonial yang penuh dengan pengingkaran hak-hak manusia, antara lain ketidaksamaan, ketidakadilan, kontras antara yang berkedudukan istime- wa dan yang tak berkedudukan, kontra- diksi dan konflik, kaum cendekiawanlah yang dalam posisi serta berpengetahuan untuk mendefinisikan situasi, mengiden- tifikasi permasalahan, serta menyusun pe- rumusan siasat dan cara bagaimana men- gatasi situasi itu. Keywords: adalah; airku; aku; atau; bahasa; bangsa; bangsa indonesia; dalam; dan; dari; dengan; gaya; ibuku; indonesia; indonesia raya; ini; itu; karena; kata; lagu; lagu indonesia; lain; makna; merdeka; nasionalisme; negara; oleh; pada; perjuangan; puisi; raya; sebagai; seperti; syair; syair lagu; tanah; teks; teks syair; untuk; warga; yang
• GARAP LAKON KRESNA DHUTA DALAM PERTUNJUKAN WAYANG KULIT PURWA GAYA SURAKARTA KAJIAN TEKTUAL SIMBOLIS by -, Sudarsono (2013) - Jika den- gan cara yang yang baik kedamaian dunia tidak berjalan normal, maka kurban ha- rus ditempuh untuk menjaga kelestarian dunia. Lakon Kresna duta termasuk lakon yang pendek sehingga dalang yang memiliki kreatifitas yang tinggi yang da- pat menjajikan dalam semalam suntuk. Keywords: ada; adalah; adegan; akan; alur; antara; astina; atau; dalam; dalang; dan; dapat; dari; data; dengan; dewa; duryudana; duta; garap; goro; harus; isi; jika; karena; kembali; kepada; kresna; kurawa; lakon; lakon kresna; manyura; menjadi; merupakan; nêm; oleh; pada; pandawa; pathet; perang; pertunjukan; purwa; sanga; sebagai; sehingga; setiyaki; simbolis; slêndro; sudarsono; surakarta; terjadi; tidak; tokoh; untuk; wayang; wiratha; wisnu; yaitu; yang
• PROBLEMATIKA PELAKSANAAN PENDIDIKAN SENI MUSIK DI SEKOLAH KEJURUAN NON SENI by Suharto, S. (2013) - Pelajaran Seni Budaya di SMK umum sebenarnya memi- liki substansi seni dan budaya yang terdi- ri dari tiga yaitu substansi ekspresi, sub- stansi kreasi dan keterampilan. Pendidikan seni budaya yang antara lain membentuk pribadi dan karakter atau watak yang lembut, halus seperti inovatif dan kreatif yang dapat me- nunjang tujuan pendidikan jenis lain yang mengarah pada kecerdasan seperti logika dan analisa. Keywords: akan; atau; belajar; bidang; budaya; dalam; dan; dapat; dari; dengan; ini; juga; karakter; kecerdasan; kegiatan; kemampuan; lain; manusia; mata; melalui; memiliki; musik; pada; pelajaran; pendidikan; rasa; secara; sekolah; seni; seperti; siswa; smk; tidak; tujuan; umum; untuk; yang
• BIOLA DALAM SENI PERTUNJUKAN GANDRUNG BANYUWANGI by Harmono Sejati, Irfanda Rizki (2013) - Kemudian orang tersebut mencoba me- nyelaraskannya dengan biola yang dia bawa waktu itu, pada saat dia mainkan lagu-lagu Gandrung tadi dengan biola, orang-orang sekitar terpesona dengan ira- ma menyayat yang dihasilkan biola ter- Bagian-bagian di biola seperti scroll, chinrest, tailpiece, bridge, pegs and peg box, nut, fingerboard, neck, soundpost juga sama dengan biola yang digunakan di Banyuwangi. Keywords: adalah; atau; bagian; bahwa; banyuwangi; barat; bentuk; berbeda; biola; dalam; dan; dapat; dari; dengan; digunakan; disebut; dua; fungsi; gandrung; gending; hal; ini; instrumen; juga; kebudayaan; kesenian; laki; masyarakat; memainkan; mempunyai; menggunakan; menjadi; mereka; musik; nada; oleh; pada; para; pemain; pertunjukan; pertunjukan gandrung; salah; satu; sebagai; seblang; sebuah; senar; seni; seni pertunjukan; tari; teknik; tiap; tidak; tradisi; untuk; yaitu; yang
• TARI SESAJI PANGENTAS BILAHI SUDRA TINGAL by -, Darmasti (2013) - Gerak dalam tari bukanlah gerak realistis melainkan gerak yang telah distilir. Pola gerak yang digunakan dalam tari sesaji berupa gerak-gerak dengan po- sisi bersila, jengkeng nikelwarti, dan berdiri yang tidak mengubah pola lantai. Keywords: antara; bagian; beksan; bentuk; bilahi; dalam; dan; dari; dengan; gerak; iringan; kanan; kapang; kedua; kiri; lantai; manusia; merupakan; pada; pathetan; penari; pokok; pola; putri; sebagai; seni; sesaji; sindet; sudra; tari; tiga; tingal; untuk; yang
• PEMBELAJARAN ANGKLUNG MENGGUNAKAN METODE BELAJAR SAMBIL BERMAIN by Kartika Putri, Diah Rizky (2013) - Seperti yang dikatakan oleh Seto Mulyadi dalam teorinya bahwa, dunia bermain merupakan tahap awal dari proses belajar pada anak–anak yang dia- lami oleh hampir semua manusia. Guru akan menyulap su- asana belajar menjadi arena bermain anak yang menyenangkan dengan cara, me- ngajak anak untuk memainkan angklung sesuai keserasian antara not warna de- ngan angklung warna yang anak pegang. Keywords: adalah; akan; alat; anak; angklung; belajar; bermain; berwarna; dalam; dan; dari; data; dengan; dini; guru; ini; karena; kota; lagu; memainkan; memiliki; menggunakan; merupakan; metode; musik; negeri; oleh; pembelajaran; pembina; sambil; tegal; untuk; usia; warna; yaitu; yang
• IMPLEMENTASI PEMBELAJARAN MUSIK UNTUK MENGEMBANGKAN MENTAL DAN PSIKOMOTORIK ANAK PENDERITA DOWN SYNDROM by Ardina, Mayliza Defly (2013) - Hasil dari kegiatan belajar musik untuk anak down syndrom di Balai Besar Rehabilitasi Sosial Bina Grahita Kartini Temanggung adalah mental anak down syndrom menjadi lebih terasah anak yang semula pemalu menjadi berani tampil, anak yang semula pasif menjadi aktif , dari kegiatan pembelajaran musik anak menja- di bisa bersosialisasi dengan lingkungan sekitarnya. Faktor penghambatnya adalah konsentrasi anak yang terganggu sejak anak mulai mengenal handphone se- hingga saat jam pelajaran anak lebih sering memainkan handphone. Keywords: adalah; akan; anak; bina; dalam; dan; dangdut; dapat; dari; data; dengan; grahita; guru; juga; kelompok; lagu; lebih; materi; mengembangkan; mental; mereka; musik; pada; pembelajaran; penderita; pendidikan; penelitian; psikomotorik; sistem; sosial; syndrom; temanggung; untuk; yang
• PENINGKATAN KEMAMPUAN MENGGAMBAR BEBAS SISWA B1 MELALUI STRATEGI PEMBELAJARAN PEMBERIAN MOTIVASI by Widiyastuti, Endang (2013) - Kesemua secara menyeluruh tercermin dalam sikap, kata, dan tindakan yang perlu dibelajar- kan dan dibiasakan pada peserta didik. Dalam penelitian tindakan ini merupakan sekumpulan ka- rya atau portofolio kerja yang dihasilkan oleh peserta didik dalam melaksanakan tu- gas dan latihan yang diberikan. Keywords: anak; atau; bebas; bentuk; berdialog; dalam; dan; dapat; dari; dengan; didik; guru; hasil; ini; karya; kegiatan; kelompok; kemampuan; lebih; melalui; menggambar; motif; motivasi; oleh; pada; pembelajaran; pemberian; pendidikan; penelitian; peserta; secara; seni; strategi; tindakan; untuk; usia; warna; yang
• PEMBELAJARAN BERBASIS ANAK DALAM PENGEMBANGAN BIDANG SENI (RUPA) DI PAUD BATIK DAN PAUD SABITUL AZMI SIDOARJO by Khotimah, Nurul (2013) - Pembelajaran berbasis anak dalam Pengembangan Bidang Seni (rupa) di PAUD Sabitul Azmi Sidoarjo dengan pe- rencanaaan SKH menggunakan indikator anak dapat menggambar sederhana, anak dapat mewarnai sederhana, dan anak da- pat menciptakan sesuatu dengan berbagai media. Hasil pembelajarannya sesuai de- ngan SKH dengan hasil produk karya anak sangat bervariasi antara anak yang satu dengan yang lain. Keywords: adalah; anak; azmi; batik; berbasis; bidang; dalam; dan; dapat; dari; dengan; dini; guru; hasil; kegiatan; menggunakan; pada; paud; pembelajaran; pendidikan; pengembangan; rupa; sabitul; seni; sesuai; sidoarjo; untuk; yang
• MODEL PENGEMBANGAN NASKAH AUDIO LAGU UNTUK MELATIH PENCAPAIAN PERKEMBANGAN MUSIK PADA ANAK USIA 4 - 6 TAHUN by Wulandari, Rina (2013) - (2)Mengatasi keterbatasan ruang, waktu, dan daya indera (misalnya: objek yang terlalu besar yang dapat digantikan dengan realita, gambar, film bingkai, film, atau model; objek yang kecil yang dapat dibantu dengan proyektor mikro, film bingkai, film, atau gambar; gerak yang terlalu lambat atau terlalu cepat yang da-a- pat dibantu dengan atau high-speed photo- graphy; kejadian atau peristiwa yang ter- jadi di masa lalu dapat ditampilkan lagi melalui rekaman film, video, film bingkai, foto, maupun secara verbal; objek yang terlalu komplek (misalnya mesin-mesin) dapat disajikan melalui model, diagram, dan lain-lain; serta konsep yang terlalu luas (gunung berapi, gempa bumi, iklim, dan lain-lain) Tujuan pengembangan ini adalah un- tuk mengetahui model pengembangan media audio yang dapat melatih pencapa- ian perkembangan bermain musik anak usia Kelompok Bermain. Keywords: adalah; anak; atau; audio; bentuk; dalam; dan; dapat; dari; dengan; fade; film; ini; lagu; maka; media; model; musik; pada; pembelajaran; pencapaian; pendidikan; penelitian; pengembangan; style; tahun; untuk; usia; yaitu; yang
• IMPLEMENTASI METODE PENDEKATAN KOGNITIF DALAM PEMBELAJARAN PADUAN SUARA by Destiannisa, Ayugi (2013) - Suara yang bagus adalah hasil pembentukan bunyi (artikula- si, diksi) dan resonansi yang baik. Ini tergantung dari cara membentuk suara dan cara membentuk vokal (vowels), (3) menggunanakan register yang sama Penggunana register yang berbeda (ada yang falsetto dan ada yang suara le- her), juga antara sopran dan alto yang jauh warnanya menjadikan suara tidak padu (berwarna warni). Keywords: adalah; akan; atau; baik; dalam; dan; dapat; dari; dengan; ekstrakulikuler; faktor; implementasi; ini; itu; juga; kegiatan; kendal; kognitif; metode; nada; oleh; paduan; pelatih; pembelajaran; pendekatan; pendidikan; siswa; smp; suara; teknik; tidak; untuk; yang
• RAGAM HIAS PADA PENDAPA TERAS CANDI PANATARAN DI BLITAR by -, Rustarmadi (2013) - Ke- banyakan mereka adalah pohon palem, pohon mangga, dan pohon yang tampak direkayasa dengan batang yang berbelit seperti tampar. Pakaiannya pun juga sangat sederhana, dengan kain yang dipakai model bulat di belakang (bokongan), dan kain selendang yang di- kaitkan di belakang. Keywords: abdi; adalah; atas; atau; bangunan; candi; dalam; dan; dapat; dari; dengan; hias; hidup; inang; ini; jawa; juga; laki; menggunakan; nilai; oleh; pada; pangeran; pendapa; pendeta; penelitian; perempuan; perjalanan; ragam; sedang; seorang; sidapaksa; tampaknya; tanda; teras; tersebut; tidak; tokoh; topi; untuk; wanita; yang
• PENGEMBANGAN INSTRUMEN PENILAIAN UNJUK KERJA (PERFORMANCE ASSESSMENT) KOMPETENSI EKSPRESI DAN KREASI MUSIK DI SEKOLAH MENENGAH PERTAMA (SMP) by Utomo, Udi; Ardiyarta, Theo (2013) - Se- cara rinci indikator penilaian kompetensi ekspresi dan kreasi musik yang dikem- bangkan dapat dijelaskan dalam kisi-kisi sebagai berikut. Untuk memberikan gambaran instrumen penilaian unjuk kerja (performance assess-erformance assess- ment) yang dikembangkan dalam peneliti- an ini, berikut ini akan diuraikan tentang: (1) pengembangan indikator instrumen penilaian unjuk kerja (performance assess- ment) kompetensi ekspresi dan kreasi mu- sik; (2) bentuk instrumen penilaian unjuk kerja (performance assessment) kompetensi ekspresi dan kreasi musik; dan (3) inter- pretasi hasil belajar penilaian unjuk kerja (performance assessment) kompetensi eks- presi dan kreasi musik yang dikembang- Tabel 1. Keywords: assessment; dalam; dan; dengan; dilakukan; ekspresi; hasil; instrumen; kerja; kompetensi; kreasi; lagu; model; musik; pada; pembelajaran; penilaian; performance; seni; siswa; uji; unjuk; unjuk kerja; yang
• SRI MULIH PENDAWA SEBAGAI SARANA PELENGKAP GREBEG SEKATEN DI KERATON KASUNANAN SURAKARTA by -, Sukatno (2013) - Kresna menyarankan untuk instropeksi, kemungkinan ada salah seo- rang kerabat yang yang melupakan kedua dewa itu. Dalam pertunjukan wayang untuk kepentinga ritual dan hiburan yang baru pertamakali digelar di Sitinggil keraton Surakarta dokumentasi sangat penting. Keywords: budaya; daksoko; dalam; dan; dapat; dari; dengan; dewi; dewi sri; dilakukan; islam; jawa; kepada; keraton; kulit; lakon; lebih; masyarakat; menjadi; merupakan; mulih; musik; nila; oleh; pada; pendawa; pertunjukan; probokusumo; pudak; sardono; sebagai; sekaten; seniman; sitegal; sri; surakarta; telah; tokoh; untuk; wayang; yang
• RELEVANSI PROSES PEMBELAJARAN MATA KULIAH INSTRUMEN PILIHAN WAJIB PIANO DENGAN TUJUAN KURIKULUM FPBS UPI by Latifah, Diah (2013) - Secara keseluruhan materi perkualiahan instru- men pilihan wajib piano membekali ma- hasiswa suatu kecakapan yaitu yang yang bersifat perseptual dan praktikal dalam konteks tradisi musik barat yang dilaksa- nakan melalui piano yaitu meliputi teknik- teknik yang bersangkutan dengan pengua- tan penjarian dan berbagai aktivitas kerja fisik mahasiswa. Penguasaan ketrampilan berbahasa dan seni yang menjadi pilihan,dalam hal ini instrumen pilihan wajib (piano), seba- gai kewenangan diamati cukup memadai. Keywords: atau; bahasa; bidang; dalam; dan; dari; dengan; dilaksanakan; evaluasi; guru; harus; hasil; ini; instrumen; komponen; kuliah; kurikulum; mahasiswa; mata; mata kuliah; materi; melalui; musik; pada; pembelajaran; pendidikan; penelitian; piano; pilihan; pilihan wajib; proses; sebagai; secara; seni; sesuai; setiap; tujuan; untuk; upi; wajib; yang
• PENGEMASAN BAHAN AJAR TARI TOPENG MALANG PADA MATA KULIAH VOKASI TARI MALANG by Rahayuningtyas, Wida (2013) - Khusus mengenai alat peraga atau media pembelajaran yang di- gunakan, meskipun ada tetapi kurang ber- variasi. Berdasarkan hasil wawancara da- lam survey awal yang dilakukan peneliti terhadap 3 orang mahasiwa (wawancara, 14 mei 2012), telah diungkapkan bahwa media pembelajaran yang digunakan da- lam perkuliahan masih kurang, contohnya untuk apresiasi seni mahasiswa membu- tuhkan buku pegangan yang berkaitan dengan materi tari topeng Malang. Keywords: bab; bahan; buku; dalam; dan; dapat; dari; dengan; gambar; hasil; kuliah; mahasiswa; malang; mata; materi; media; pada; pembelajaran; proses; sebagai; seni; tari; topeng; vcd; vokasi; yang
• PROSES PEMBELAJARAN SENI MUSIK BAGI SISWA TUNANETRA by Saputri, Dias Rizki (2013) - yaitu buta total (total blind) dan yang masih mempu- nyai sisa penglihatan (low visioan). Metode dan strategi yang guru la- kukan menurut Guru Seni Budaya, Sri Hartati, sebagian siswa belum memaha- mi dan sebagian sudah memahami sesuai degan IQ mereka masing-masing. Keywords: adalah; alat; anak; dalam; dan; dapat; dari; dengan; evaluasi; guru; materi; memberikan; mengajar; menggunakan; metode; musik; negeri; pada; pelaksanaan; pemalang; pembelajaran; pendidikan; proses; seni; siswa; slb; sudah; tidak; tunanetra; untuk; yaitu; yang
• PENINGKATAN KEMAMPUAN VOKAL MELALUI METODE SOLFEGIO by Sulasmono, Putut (2013) - Keberhasilan seseorang sangat ditentukan seberapa besar stimulus yang diberikan dan seberapa besar respon yang dilakukan seseorang. METODE Penelitian ini berawal dari pemaha- man dan kondisi yang ada di lapangan mengenai permasalahan kemampuan vo- kal peserta didik di SMP Negeri 2 Kayen Kabupaten Pati kurang mencapai kriteria ketercapaian maksimum atau KKM yang di bawah 70 sedangkan KKM harus men- capai 70 . Keywords: activities; aktivitas; atau; baik; belajar; cukup; dalam; dan; dapat; dari; dengan; didik; kelas; kemampuan; kriteria; kriteria baik; kurang; metode; nilai; pada; penelitian; pertemuan; peserta; peserta didik; sangat; siklus; solfegio; vokal; yang
• BENTUK DAN ANALISIS MUSIK KERONCONG TANAH AIRKU KARYA KELLY PUSPITO by Rachman, Abdul (2013) - Para Seniman keroncong hendak- nya lebih mengembangkan kreasinya da- lam musik keroncong dan menciptakan lagu-lagu keroncong yang baru agar refe- rensi lagu keroncong terus bertambah. Musik keroncong Kusbini (dalam Widjajadi, 2007: 9) mengatakan, bahwa kata keroncong me- rupakan kesan dari bunyi rangkaian dari beberapa buah butiran, berbentuk kecil, madya, dan besar yang mengisi sebuah butiran logam bulat, kecil sehingga jika digoyah-goyah akan menghasilkan bu- nyi menurut bunyi menurut besar kecil- nya butiran tersebut. Keywords: adalah; airku; akor; asli; atau; bentuk; birama; dalam; dan; dari; dengan; ini; interval; kalimat; karya; kelly; keroncong; lagu; melodi; memiliki; musik; nada; pada; puspito; remaja; tanah; terdapat; yaitu; yang
• PENDIDIKAN MULTIKULTURAL DI SEKOLAH MELALUI PENDIDIKAN SENI TRADISI by Ambarwangi, Sri; Suharto, S. (2013) - Indonesia yang memilih Pancasila sebagai ideologi negara maka semestinya juga memiliki ideologi pendi- dikan Pancasila, atau paling tidak ideologi yang yang memiliki nafas dan cara-cara yang Sistem pendidikan termasuk kurikulum tentunya juga akan mengacu pada ideologi pendidikan yang dilahirkan keadaan masyarakat yang yang memiliki cita-cita tersebut. Keywords: adalah; akan; atau; barat; bisa; budaya; dalam; dan; dari; dengan; guru; ideologi; indonesia; ini; itu; juga; karena; kecerdasan; kegiatan; kurikulum; lain; lebih; masyarakat; materi; melalui; memiliki; mereka; musik; negara; pada; pelajaran; pembelajaran; pendidikan; sekolah; seni; tidak; tradisi; tujuan; untuk; yang
• PENGARUH BUSANA TERHADAP GERAKAN TARI OLEG TAMULILINGAN by Astini, Siluh Made (2013) - Langkah kaki untuk bisa berjalan napak dengan tempo yang pelan dan berjalan jinjit dengan tempo yang cepat sangat dipengaruhi oleh disain kain yang menjulur ke belakang sepanjang 1 meter yang melewati di antara kaki kanan dan kaki kiri. Tidak ba- nyak gerakan yang dipengaruhi oleh udeng. Keywords: adalah; ampok; atau; bali; berbentuk; berjalan; bunga; busana; dan; dari; dengan; dikenakan; gelungan; gerakan; ini; juga; kain; kaki; kiri; lebih; oleg; oleh; pada; penari; sabuk; salah; satu; sentimeter; seperti; tari; tidak; warna; yang
• Bedah Buku: Musikus yang Berkompromi dengan Ideologi dan Berbaju Barat by Suharto, S. (2011) - judul lagu yang juga ditulis syairnya secara lengkap pada VII No. 1 /Januari-April 2006 83 naluri perasaannya yang ingin mengekspresi-kan apa yang dirasa, dilihat, dan yang diharapkan. Keywords: adalah; bab; buku; dalam; dan; dari; dengan; ini; ismail; juga; kita; lagu; marzuki; musik; pada; penulis; sebagai; sendiri; syair; yang
• ANALISIS KEBUTUHAN GURU SENI MUSIK DALAM KONTEKS PELAKSANAAN PEMBELAJARAN BERBASIS ACTION LEARNING DI SEKOLAH by Utomo, Udi (2013) - Berdasarkan data yang diperoleh pada kegiatan analisis konteks yang terkait dengan kebutuhan yang diperlukan dalam penelitian pengembangan materi ajar mata kuliah keahlian Program Studi Pendidikan Seni Musik dalam Konteks Pelaksanaan Pembelajaran Berbasis Action Learning ini diperoleh informasi pentingnya beberapa hal seperti: (1) penguasaan konsep dan simbul-simbol musik yang diperoleh melalui berbagai pengalaman musikal (bernyanyi, bermain alat musik, berkreasi musik, dan lain-lain); (2) strategi pembelajaran seni musik yang mencakup metode, kegiatan pembelajaran, dan media pendukung; (3) kemampuan memainkan alat musik pengiring seperti keyboard, piano atau gitar; dan (4) kemampuan menciptakan lagu model yang diperlukan dalam pembelajaran seni musik. Berdasarkan hasil penelitian dan observasi yang dilakukan di beberapa sekolah harus diakui bahwa proses pem- belajaran seni musik yang ada belum se- Keywords: action; alat; atau; berbasis; dalam; dan; dengan; diperlukan; guru; kegiatan; kompetensi; konteks; lagu; lain; learning; melalui; model; musik; pada; para; pembelajaran; penelitian; pengalaman; pengembangan; sebagai; sekolah; seni; seni musik; siswa; tersebut; yang
• MAKNA SIMBOLIK TARI BEDHAYA TUNGGAL JIWA by Pebrianti, Sestri Indah (2013) - Elemen-elemen tari Bedhaya Tunggal Jiwa Gerak Peneliti melihat hampir semua ge- rak tari Bedhaya Tunggal Jiwa yang ditari- kan oleh sekelompok penari putri, digarap dari pola-pola gerak tari gaya Surakarta dengan kualitas gerak tari putri dan tidak terbatas pada pola-pola gerak yang sudah ada. 125 Pengorganisasian gerak tari Bedha- ya Tunggal Jiwa merupakan suatu pen- gelompokan dari tataran gerak yang ter- kecil sampai yang terbesar yang saling berkesinambungan atau saling berkaitan. Keywords: adalah; atau; bedhaya; bedhaya tunggal; bentuk; besar; dalam; dan; dapat; dari; demak; dengan; digunakan; dilakukan; gerak; grebeg; ini; jawa; jiwa; lain; lantai; makna; masyarakat; menggunakan; merupakan; oleh; pada; penari; penelitian; pertunjukan; pokok; pola; rangkaian; sebagai; secara; sikap; simbolik; suatu; tari; tempat; tersebut; tidak; tradisi; tunggal; tunggal jiwa; unsur; untuk; upacara; yaitu; yang
• SEJARAH MUSIK SEBAGAI SUMBER PENGETAHUAN ILMIAH UNTUK BELAJAR TEORI, KOMPOSISI, DAN PRAKTIK MUSIK by Martopo, Hari (2013) - Bagi orang Barat, Sejarah Musik ba- nyak ditulis mulai dari periode Abad Per- tengahan, penulisnya pasti beranggapan bahwa sejarah musik harus berisi paparan tentang musik-musik yang bisa diper- tanggungjawabkan secara historis, yak- ni memiliki bukti otentik tertulis (notasi) dan ada bunyinya yang setidaknya bisa dimainkan lagi (rekonstruksi). Kata ‘Barat’ bagi bangsa kita terkadang dipersempit kono- tasinya dengan “orang bule”, ‘penjajah’, “bukan Timur seperti kita”, “bukan tradi- si kita sendiri” dan lain sebagainya yang semua sebutan itu sedikit negatif atau kurang konstruktif. Keywords: abad; aspek; atau; bagi; bahwa; barat; belajar; bisa; dalam; dan; dari; dengan; hingga; ilmiah; ilmu; itu; juga; kata; klasik; kuno; lain; menjadi; mereka; musik; orang; pada; para; pengetahuan; periode; sebagai; secara; sejarah; sejarah musik; sekitar; seni; telah; tentang; tidak; untuk; yang; yunani
• FUNGSI TOPENG IRENG DI KURAHAN KABUPATEN MAGELANG by Hapsari, Lisa (2013) - cara menggunakan adegan dan cerita yang lucu. Upaya-upaya pelestarian tetap dilakukan dari waktu ke waktu sebagai bentuk kepedulian masyarakat terhadap kesenian yang hidup di Kurahan Magelang ini. Keywords: adalah; agama; atau; bagi; bentuk; dalam; dan; dapat; dari; dengan; digunakan; fungsi; gerak; hal; ini; ireng; islam; itu; jenis; kabupaten; kesenian; kurahan; magelang; masyarakat; merupakan; pada; perkembangan; rakyat; salah; sebagai; tari; tersebut; tidak; topeng; untuk; yang
• KONSEP KEPESINDENAN DAN ELEMEN-ELEMEN DASARNYA by Budiarti, Muriah (2013) - Sindhenan dalam gending-gending mempunyai unsur penting yang berkaitan antara yang satu dengan yang lain sebagai berikut. Untuk dapat melaksanakan sindhe- nan dengan bagus, didaerah Surakarta di- perlukan konsep sindhenan yang dikenal dengan nggendingi. Keywords: abon; adalah; atau; cengkok; contoh; dalam; dan; dapat; dari; dengan; digunakan; gendhing; ini; irama; jawa; jenis; karawitan; kata; konsep; lagu; macapat; nada; pada; pesindhen; satu; sebagai; sekar; seleh; sindhenan; teknik; teks; tembang; tertentu; unsur; untuk; vokal; wangsalan; yaitu; yang
• MAKNA SIMBOLIK SENI BEGALAN BAGI PENDIDIKAN ETIKA MASYARAKAT by Lestari, Peni (2013) - Pengerti- an gemi atau hemat pengeluaran bukan- lah pelit, melainkan dapat membedakan apa yang perlu dibeli dan apa yang belum perlu dibeli. Ada dua tokoh dalam begalan yaitu tokoh pembegal dan yang dibegal. Keywords: adalah; agar; antara; atau; banyumas; begalan; bentuk; dalam; dan; dapat; dari; dengan; digunakan; etika; gendhing; gerak; hal; harus; hormat; istri; jawa; kehidupan; kepada; lain; makna; manusia; masyarakat; merupakan; nilai; orang; pada; pemain; pendidikan; pengantin; pertunjukan; pertunjukan seni; prinsip; rias; sangat; sebagai; secara; seni; seni begalan; sikap; simbol; tata; tidak; untuk; yang
• SHAMANISME: FENOMENA RELIGIUS DALAM SENI PERTUNJUKAN NUSANTARA by -, Sunarto (2013) - Mereka dibawakeda- erah tropis yang hangat dan lebih nya- man oleh para imigran yang kelihatan- nya telah terseleksi secara ketat oleh perjalanan yang panjang dan ganas. Konsep yin dan yang di dalam kon- teks festival-festival primitif China (Gra- net 1977: 20), sebagai klasifikasi utama, Lima Unsur yang bertindak sebagai klasfiikasi sekunder. Keywords: abad; adalah; asia; barat; budaya; china; dalam; dan; dari; dengan; gong; hindu; india; indonesia; ini; jawa; kalingga; kebudayaan; kepulauan; kerajaan; kuno; menjadi; musik; new; nusantara; oleh; pada; pertunjukan; sebagai; seni; shamanisme; telah; tengah; tradisi; untuk; waditra; wilayah; yang
• PEMANFAATAN MEDIA DALAM PEMBELAJARAN TARI DI TAMAN KANAK-KANAK by -, Hartono (2011) - Pengembangan gerak tari dengan memanfaatkan musik pengiring (musik gamelan Jawa) dan dengan memanfaatkan dvd sebagai sarana dan sumber belajar dalam pembelajaran tari, lebih mengarah pada tari-tarian tradisi, lebih khusus tari tradisi Jawa. Analisis data dilakukan melalui empat tahap, yaitu reduksi data, sajian data, penarikan simpulan, dan verifikasi penelitian yang dilakukan saling menjalin dengan proses pengumpulan data. Keywords: dalam; dan; data; dengan; gerak; guru; ini; jek; kaki; kanak; kemampuan; kuda; media; musik; otot; pada; pembelajaran; pendidikan; penelitian; pengetahuan; perkembangan; ragam; sebagai; seni; serta; taman; taman kanak; tari; tema; untuk; yang
• IDENTIFIKASI DEKULTURASI SEBAGAI TEORI PERUBAHAN KEBUDAYAAN DALAM MUSIK INDONESIA : KAJIAN PROSES PERUBAHAN REBANA MENJADI KASIDAH MODERN DI KOTA SEMARANG by Susetyo, Bagus (2011) - sebelumnya sudah ada seperti : kentrung, barzanji, kuntulan, opak abang, zapin, simthuduror, gambus, dengklung dan lain-lain, yang mengalami proses akulturasi yang panjang yang membentuk rebana, kemudian rebana mengalami proses dekulturasi, yang kemudian menjadi musik, kasidah modern, seperti yang ada sekarang. Diantara variabel - variabel yang banyak itu termasuk tingkat perbedaan kebudayaan, keadaan, intensitas, frekuensi dan semangat persaudaraan dalam hubungannya siapa yang dominan dan siapa yang tunduk, dan apakah datangnya pengaruh itu timbal balik atau tidak. Keywords: adalah; akulturasi; atau; baru; bentuk; dalam; dan; dari; dengan; indonesia; ini; islam; kasidah; kebudayaan; kota; maupun; modern; musik; pada; pertunjukan; perubahan; proses; rebana; sebagai; sejarah; semarang; seni; suatu; terjadi; yaitu; yang
• METAFORA DALAM CAKEPAN TEMBANG -TEMBANG JAWA by Heriwati, S Heti (2011) - Terdapat beberapa jenis kemetaforaan antara lain: Anthropomorphic metaphors (metafora antropomorfis), metafora kehewanan (animal metaphors), metafora yang timbul karena perpindahan pengalaman dari yang konkret ke abstrak atau sebaliknya (from concrete to abstract); dan synaestetic metaphors (metafora sinestetik). 4) Synaethetic metaphors, dasar penciptaannya adalah pengalihan tanggapan, a very common type of metaphor is based on transpositions from one sense to another from sound to sight; from touch to sound etc, tipe metafora yang sangat umum didasarkan pada pengalaman pengertian satu ke pengertian yang lain; dari bunyi ke pandangan atau penglihatan dari rabaan atau sentuhan ke pendengaran dan sebagainya. Keywords: abstrak; adalah; animal; atas; atau; bahasa; berikut; cakepan; dalam; dan; dapat; dari; dengan; dunia; gajah; hal; ini; jawa; jenis; kata; konkret; lain; macapat; makna; manusia; metafora; metaforis; pada; sebagai; secara; sekar; seperti; tembang; terdapat; terjemahan; ungkapan; untuk; yang
• PELESTARIAN BUDAYA BETAWI PERMAINAN ANAK CICI PUTRI DAN ULABANG/ WAK WAK GUNG : KAJIAN KANDUNGAN KECERDASAN JAMAK by Tarwiyah, Tuti (2011) - 3) Masyarakat umum, agar ikut memberikan dukungan pada anak– anak yang membawa permainan ini kepada masyarakat. 4) Adapun teori bermain klasik yang mendukung permainan anak Betawi yang menggunakan lagu tersebut ialah: teori bermain energi surplus, teori bermain rekreasi, dan teori bermain katarsis. Keywords: adalah; akan; anak; bahwa; bermain; betawi; cici; dalam; dan; dapat; dari; dengan; gung; ini; jakarta; jamak; kanan; kandungan; kecerdasan; kiri; klasik; lagu; melalui; menggunakan; musik; nada; pada; pemain; penelitian; permainan; pintu; play; putri; sebagai; syair; tentang; teori; tidak; ulabang; untuk; usia; wak; yaitu; yang
• PEMANFAATAN TARI BARONGSAI UNTUK PARISIWATA by Cahyono, Agus; Putro, Bintang Hanggoro (2011) - Masing-masing bagian merupakan bagian yang menyatu dan saling mendukung. Atraksi-atraksi di lantai divariasikan dengan pameran gerakan ekspresif, yang dilakukan dengan posisi diam, dan hanya kepala yang sedikit bergerak sambil kelopak matanya berkedip-kedip serta telinga yang digerak-gerakkan. Keywords: adalah; aspek; atau; bagian; barongsai; bendera; bentuk; budaya; dalam; dan; dapat; dari; dengan; dilakukan; ini; juga; koreografi; masing; oleh; pada; pariwisata; penghormatan; permainan; pertunjukan; sebagai; seni; simbol; singa; tari; tidak; tiga; unsur; untuk; wisata; yang
• PERTUNJUKAN TARI CAMPUR BAWUR DALAM TRADISI SYAWALAN DESA LENCOH SELA BOYOLALI by Sumaryatmi, - (2011) - Persiapan Upacara Pelaksanaan tradisi Syawalan disesuaikan dengan hasil kesepakatan dalam musyawarah yang dipimpin oleh ketua panitia dengan seluruh warga dan dukuh yang lainnya. Oleh karena itu setiap kali pementasan tari rakyat selalu dilengkapi dengan sesaji dengan berbagai tujuan, yang intinya adalah agar semua pelaku selamat dan orang yang mempunyai hajad dapat terkabulkan cita-citanya. Keywords: adalah; atau; bawur; bentuk; campur; campur bawur; celana; dalam; dan; dari; dengan; desa; digunakan; dilakukan; gerak; hari; jakarta; jawa; juga; kain; kesenian; lencoh; masyarakat; mata; mbah; menggunakan; merupakan; oleh; orang; pada; panjang; para; penari; pertunjukan; rakyat; sabuk; sebagai; selalu; sepatu; seperti; sesaji; syawalan; tari; tari campur; telah; tidak; tokoh; tradisi; untuk; upacara; warga; yaitu; yang
• PENDIDIKAN SENI SEBAGAI ALTERNATIF PENDIDIKAN MULTIKULTURAL by Pratjichno, Bambang (2011) - Melalui misi pendidikan seni semacam itu, dalam diri peserta didik dapat ditanamkan hal-hal yang berkaitan dengan konsep diri, pemahaman terhadap orang lain, budaya lain, dan lingkungan yang beragam, kehendak untuk belajar dan keterampilan belajar; tanggung jawab sebagai anggota masyarakat dan bangsa, kearifan dalam menggunakan ilmu pengetahuan dan teknologi, dan kesadaran terhadap berbagai perubahan yang terjadi. Visi Visi pendidikan seni perlu mengarah kepada: pemahaman terhadap peranan seni dalam kehidupan manusia yang beradab dan berbudaya; membantu kemampuan persepsi dan sensitivitas terhadap berbagai fenomena sosial budaya yang tumbuh dan berkembangan di masyarakat dan lingkungannya; meningkatkan kemampuan menilai (justification) dan berpengalaman seni yang bermakna dalam kerangka kehidupan berbudaya dalam kapasitas pribadi maupun kelompok; meningkatkan kompetensi untuk menggali, mengungkap, dan mengkomunikasikan gagasan, pandangan, perasaan melalui media seni (Jazuli, 2008). Keywords: adalah; atas; budaya; dalam; dan; dapat; dari; dengan; diri; hal; hidup; ini; kota; lain; mampu; masyarakat; mengembangkan; multikultural; nilai; pada; pendidikan; perbedaan; peserta; sebagai; secara; seni; seperti; sikap; sosial; terhadap; untuk; yang
• PEMANFAATAN DAN PENGEMBANGAN LAGU ANAK-ANAK DALAM PEMBELAJARAN TEMATIK PADA PENDIDIKAN ANAK USIA DINI / TK by Sinaga, Syarul Syah (2011) - Bahkan pada tema kebutuhanku, rekreasi, komunikasi, dan alam semesta tampak sekali adanya keterbatasan guru dalam memilih lagu yang yang digunakan sebagai media pembelajaran. Pemilihan lagu anak-anak yang digunakan dalam proses pembelajaran tematik senantiasa dikaitkan dengan tema yang ada dan lagu model yang sudah dikuasai guru.. Keywords: anak; atau; bahasa; ber; dalam; dan; dapat; dari; dengan; digunakan; dini; guru; hal; ini; kegiatan; kemampuan; lagu; lain; learning; lebih; media; melalui; merupakan; metode; musik; nada; oleh; pada; pembelajaran; pendidikan; pengalaman; pengembangan; program; proses; sebagai; seperti; serta; sesuai; siswa; syair; taman; tema; tematik; tersebut; untuk; usia; yang
• PENGARUH KECERDASAN EMOSI TERHADAP PRESTASI BELAJAR SISWA MATA PELAJARAN SENI BUDAYA SMP by Purnaningtyas, Arum; Suharto, Suharto (2011) - Kecerdasan emosional adalah kecerdasan yang sangat diperlukan untuk berprestasi. Kecerdasan emosional adalah kecerdasan yang sangat diperlukan untuk berprestasi. Keywords: adalah; atas; atau; bahwa; belajar; budaya; dalam; dan; dapat; dari; dengan; diri; emosi; emosional; faktor; hasil; ini; kecerdasan; kelas; kemampuan; lain; maka; mata; nilai; oleh; orang; pada; pelajaran; pendidikan; penelitian; prestasi; prestasi belajar; sangat; seni; seseorang; siswa; smp; terhadap; tinggi; untuk; yaitu; yang
• PERMAINAN ANAK YANG MENGGUNAKAN NYANYIAN (Kajian Wilayah: Jakarta, Depok, Bogor, Tangerang, dan Bekasi) by Adi Sam, Tuti Tarwiyah (2011) - HASIL DAN PEMBAHASAN Berdasarkan pada kumpulan data dari lapangan tentang permainan anak Betawi yang menggunakan lagu, penulis dapat menyimpulkan bahwa: 1) Permainan anak Betawi terdiri dari permainan yang menggunakan alat permainan dan permainan yang menggunakan lagu.yang menggunakan lagu pada umumnya dimainkan oleh anak dalam jumlah yang besar. Pendekatan ini telah diterapkan untuk mengatasi banyak anak yang dideskripsikan menghadapi problem emosional. Keywords: adalah; anak; atau; bahwa; bermain; betawi; budaya; dalam; dan; dapat; dari; dengan; ini; itu; jakarta; juga; karena; khususnya; klasik; lagu; lain; lebih; menggunakan; musik; nada; nyanyian; oleh; pada; perkembangan; permainan; play; sebagai; tahap; teori; teori bermain; tidak; untuk; yaitu; yang
• MODEL PEMBELAJARAN TARI PENDIDIKAN PADA SISWA SD/MI SEMARANG by Jazuli, M (2011) - Model pembelajaran tari pendidikan mencakup materi pembelajaran gerak (kesadaran tubuh, penguasaan gerak dasar, pengembangan gerak); gerak yang merefleksikan pikiran, perasaan, dan media komunikasi; arah pembelajaran tari (menyenangkan, kreatif, komunikatif, dan estetis); perkembangan kepribadian siswa yang muncul dalam proses pembelajaran (percaya diri, kepedulian, toleransi, dan tanggung jawab). Fokus pengamatan meliputi materi pembelajaran gerak (kesadaran tubuh, penguasaan gerak dasar, pengembangan gerak); gerak yang merefleksikan pikiran, perasaan, dan media komunikasi; arah pembelajaran tari (menyenangkan, kreatif, komunikatif, dan estetis); perkembangan kepribadian siswa yang muncul dalam proses pembelajaran (percaya diri, kepedulian, toleransi, dan tanggung jawab). Keywords: adalah; anak; atau; bahwa; bentuk; dalam; dan; dance; dapat; dari; dasar; data; dengan; dilakukan; diri; gerak; gerakan; guru; hal; improvisasi; ini; itu; juga; karena; kepada; kesadaran; ketika; kreatif; lebih; mampu; materi; memberikan; menari; merupakan; metode; model; oleh; pada; para; pembelajaran; pembelajaran tari; pendidikan; penelitian; pengembangan; proses; sebagai; secara; sekolah; seni; seperti; siswa; tari; telah; tema; tentang; terhadap; tidak; tubuh; untuk; yaitu; yang
• BIAS GENDER KOREOGRAFER WANITA DALAM KARYA TARI by Bisri, Hasan (2011) - Jumlah koreografer laki-laki pada setiap pergelaran di luar acara perkuliahan tidak pernah lebih dari 25 %, bahkan pada angkatan tahun 2010 dari 37 mahasiswa yang ada dan sebagai penata tari atau koreografer berjumlah 0%. Dalam kaitan ini dikenal dengan adanya konsep gender, yakni sebuah konsep yang menjelaskan mengenai perbedaan perilaku antara laki-laki dan perempuan yang dikonstruksi secara sosial. Keywords: akan; antara; atau; bahwa; bentuk; berbagai; budaya; dalam; dan; dari; data; dengan; gender; ini; kalangan; karya; keluarga; konstruksi; lain; laki; lingkungan; mahasiswa; masyarakat; nilai; oleh; pada; para; pendidikan; penelitian; peran; perbedaan; perempuan; proses; sebagai; seni; sosial; tari; tersebut; untuk; wanita; yang
• PENDIDIKAN SENI TARI MELALUI PENDEKATAN EKSPRESI BEBAS, DISIPLIN ILMU, DAN MULTIKULTURAL SEBAGAI UPAYA PENINGKATAN KREATIVITAS SISWA by Kusumastuti, Eny (2011) - Untuk membangun suasana yang non-deskriminatif ini, maka guru dan pegawai yang menjadi fasilitator di sekolah merefleksikan pula keragaman latar belakang siswa. Model Perombakan Dalam model perombakan pada proses pembelajaran seni tari melalui pendekatan multicultural ini, guru mengidentifikasi lima langkah dalam mengembangkan kurikulum pendidikan seni multikultural yaitu: (1) guru menganalisa dan memperbaiki sikap negatif yang dimiliki terhadap pluralisme sosial dan keragaman suku, (2) guru dan siswa melakukan analisis situasi agar akrab dengan masyarakat, (3) guru dan siswa memilih bahan kurikulum yang relevan dan sekaligus menarik, (4) guru dan siswa secara berkolaborasi menyelidiki persoalan yang berkaitan dengan bahan kurikulum yang telah dipilih, (5) guru melaksanakan program evaluasi baik baik formatif maupun sumatif. Keywords: adalah; anak; atau; bahwa; bebas; budaya; dalam; dan; dapat; dari; dengan; dilakukan; disiplin; ekspresi; gerak; guru; ini; karya; kegiatan; kemampuan; kreativitas; kurikulum; lebih; materi; melalui; memberikan; menengah; metode; model; multikultural; oleh; pada; pelajaran; pelaksanaan; pembelajaran; pembelajaran seni; pendekatan; pendidikan; pertama; proses; satu; sebagai; secara; sekolah; seni; seni tari; sesuai; siswa; tari; tersebut; tidak; tingkat; untuk; yang
• LELAGON DOLANAN ANAK DAN PENDIDIKAN KARAKTER by Widodo, - (2011) - Objek penelitian adalah kegiatan lomba seni karawitan anak, proses pelatihan karawitan anak dan proses belajar mengajar seni budaya di sekolah khususnya yang menggunakan materi lelagon dolanan anak slendro-pelog terutama ciptaan dan garapan baru. Propinsi Jawa Tengah tahun 2008, mengatakan bahwa hal-hal yang perlu diperhatikan dalam penciptaan lelagon dolanan anak antara lain: tema, bahasa, dan musikalitas gendhing disesuaikan dengan kondisi pisik dan psikis anak. Keywords: adalah; ajar; anak; antara; atau; bahasa; bahwa; baik; bangsa; beberapa; berbagai; budaya; dalam; dan; dapat; dari; dengan; dolanan; dolanan anak; guru; ilir; jawa; juga; karawitan; karena; lagu; lain; laras; lelagon; lelagon dolanan; lomba; luhur; mata; maupun; media; melalui; memiliki; menjadi; merdeka; musik; musikal; nada; nilai; oleh; pada; pekan; pelajaran; pelatih; pelog; pendidikan; sebagai; secara; sekolah; seni; serta; slendro; teks; telah; tembang; tengah; tidak; untuk; yang
• PENINGKATAN HASIL BELAJAR SENI MUSIK DENGAN MEDIA AUDIO VISUAL MELALUI METODE BERVARIASI by Kusumadewi, Lidya Fita; Suharto, S. (2011) - Seperti telah disebutkan pada bab terdahulu bahwa media pembelajaran adalah alat, metode dan teknik yang digunakan dalam rangka lebih mengefektifkan komunikasi dan interaksi antara guru dan siswa dalam proses pendidikan dan pengajaran di sekolah (Hamalik dalam Setiani, 2008: 26), tingkat aktivitas siswa terbukti meningkat menjadi lebih baik. Namun terjadi interaksi dua arah, yaitu antara guru dan siswa, antar siswa, serta siswa dengan lingkungan. Keywords: audio; belajar; budaya; daerah; dalam; dan; dapat; dari; dengan; dilakukan; guru; hasil; ini; media; menggunakan; metode; musik; pada; pelajaran; pembelajaran; pendidikan; seni; siklus; siswa; untuk; variasi; visual; yang
• POPULARITAS SINDHEN by Jazuli, M (2011) - Gladrah adalah istri kedua Djojoredjo memiliki tiga orang anak, yaitu Sugi- yem, Ngatimin, dan Ngatirah. Ngatirah selain memiliki céngkok yang khas juga mempunyai am- bitus suara yang panjang dan tinggi se- hingga bisa melagukan sindhenan yang bernada tinggi dan wiledan (variasi yang khas) yang panjang. Keywords: adalah; atau; belajar; bisa; cara; dalam; dalang; dan; dapat; dari; data; dengan; grup; hal; hari; ini; itu; jawa; juga; karawitan; karena; kemampuan; kepada; ketika; lain; lingkungan; memiliki; menjadi; narto; ngatirah; ngesti; nyi; oleh; pada; pandawa; pentas; pesindhén; rri; sabdo; sampai; satu; sebagai; selalu; semarang; seni; seorang; seperti; setiap; sindhén; sosial; suara; tahun; telah; tembang; tersebut; tidak; untuk; wayang; yang
• PENGEMBANGAN MATERI PEMBELAJARAN SENI MUSIK BERBASIS SENI BUDAYA BERKONTEKS KREATIF, KECAKAPAN HIDUP, DAN MENYENANGKAN BAGI SISWA SD/MI by Utomo, Udi; Sinaga, Syahrul Syah (2011) - Kesulitan dan kendala yang yang dialami mencakup : (1) kemampuannya dalam menterjemahkan isi kurikulum tingkat satuan pendidikan (KTSP) seni musik berbasis kompetensi; (2) Subyek penelitiannya adalah para guru, kepala sekolah, dan pakar yang berkompeten dalam pembelajaran seni musik. Keywords: alat; anak; bahwa; budaya; dalam; dan; dapat; dasar; dengan; guru; ini; karena; kelas; kemampuan; keterampilan; kompetensi; kurikulum; mata; materi; musik; oleh; pada; para; pelajaran; pembelajaran; pendidikan; penelitian; sebagai; sekolah; semarang; seni; siswa; sumber; tersebut; tidak; tingkat; untuk; yang
• PERUBAHAN PERILAKU KECERDASAN EMOSIONAL ANAK USIA DINI MELALUI PENDIDIKAN SENI TARI by Kusumastuti, Eny (2011) - Me-nurut Aminudin (wawancara 15 Sep-tember 2008) pembelajaran seni tari untuk anak yang dianggap tepat adalah materi tari yang bersifat gem-bira dan ekspresif sesuai dengan jiwa anak. 4) mampu mengasah kehalusan budi, (5) mampu menumbuhkan rasa bertang- gung jawab, (6) mampu menumbuh-kan rasa mandiri, (7) mudah berin-teraksi dengan orang lain, (8) memi-liki prestasi yang baik, (9) mampu mengembangkan imajinasi, dan (10) menjadi anak yang kreatif. Keywords: adalah; anak; atau; bagi; baik; bentuk; berani; dalam; dan; dapat; dari; data; dengan; dini; emosional; gerak; gerakan; guru; hasil; ini; itu; juga; kecerdasan; kegiatan; kemampuan; lain; lebih; mampu; materi; melalui; memiliki; menari; menjadi; nilai; oleh; orang; pada; pembelajaran; pendidikan; penelitian; perilaku; perkembangan; proses; rasa; sebagai; secara; sekolah; seni; seni tari; tari; tersebut; tidak; untuk; usia; yang
• PERKEMBANGAN BENTUK PENYAJIAN DAN FUNGSI EINE KLEINE NACHTMUSIK K.525 KARYA WOLFGANG AMADEUS MOZART by HS, Irwan Rizki (2011) - Sistem dari komputerisasi sendiri sudah banyak perkembangan dan kemajuan yang baik. Repertoar musik kamar untuk kuartet gesek merupakan karya musik yang sangat mengesankan. Keywords: adalah; atau; awal; bagian; banyak; bentuk; biola; dalam; dan; dapat; dari; dengan; dunia; eine kleine; format; fungsi; game; gesek; hal; hanya; ini; instrumen; itu; jaman; juga; kamar; karena; karya; klasik; kleine; kleine nachtmusik; komposer; konser; kuartet; lain; lebih; masa; masyarakat; mempunyai; mengalami; menggunakan; menjadi; mereka; mozart; musik; nachtmusik; oleh; opera; overture; pada; para; pendidikan; penyajian; pertunjukan; populer; produk; salah; sangat; satu; sebagai; sebuah; secara; semakin; seorang; seperti; sudah; tahun; teknologi; tersebut; tetapi; tidak; untuk; wina; yaitu; yang
• OPTIMALISASI HASIL BELAJAR MEMAINKAN MELODI TANGGA NADA PERUBAHAN MENGGUNAKAN ALAT MUSIK PIANIKA DENGAN TEKNIK JIGSAW by Hardilan, - (2011) - Hal ini menyebabkan siswa kurang berperan sehingga akhirnya nilai yang diraih terutama dalam praktek memainkan melodi lagu menggunakan tangga nada perubahan kurang dari yang diharapkan. Siswa akan mengajarkan informasi materi kepada anggota yang lain, dan pada saat yang sama siswa akan menerima materi pelajaran dari anggota lain. Keywords: alat; dalam; dan; dari; dengan; hasil; ini; jigsaw; kegiatan; kelompok; materi; melodi; memainkan; menggunakan; musik; nada; pada; pembelajaran; perubahan; pianika; siklus; siswa; skor; tangga; teknik; untuk; yang
• MENINGKATKAN PRESTASI BELAJAR SENI BUDAYA MELALUI TUGAS MANDIRI PADA MATERI ENSAMBEL MUSIK by Kuntomo, -; Suharto, - (2011) - Dari 29 siswa dalam satu kelas dibagi menjadi 7 kelompok ensambel yang masing-masing kelompok terdiri dari 4 siswa tapi ada satu kelompok yang Dalam penguasaan lagu, ada 4 kelompok yang memiliki kemampuan cukup atau 57,1%, 3 kelompok memiliki kemampuan kurang atau 42,9%. Keywords: ada; alat; atau; baik; belajar; cukup; dalam; dan; dapat; dari; dengan; ensambel; guru; hasil; iii; ini; kategori; kelas; kelompok; kemampuan; kurang; lagu; mandiri; mereka; musik; pada; penguasaan; sangat; siklus; siswa; terlihat; tidak; tugas; untuk; yang
• MENGENAL LEBIH DEKAT MUSIK ORKESTRA by Fu'adi, - (2011) - Kesadaran akan being-nya menjadi dominan dan juga diwarnai oleh hubungan yang kongkret, dan yang lebih penting adalah adanya kesatuan pribadi. Hubungan antar pribadi dalam sebuah komunitas bersifat langsung, dalam arti bahwa hubungan pribadi satu dengan yang lain terjadi tanpa perantara. Keywords: adalah; alat; bahwa; biola; ciri; dalam; dan; dapat; dari; dengan; hal; hubungan; indonesia; ini; itu; juga; komunitas; lagu; lain; lebih; mereka; musik; oleh; orchestra; orkestra; pada; para; pemain; pengalaman; sebagai; sebuah; seni; seperti; teknik; tersebut; untuk; yang
• DAMPAK PERUBAHAN SISTEM NILAI TERHADAP TARI BEDHAYA SURYA SUMIRAT SEBAGAI KREATIVITAS TARI BEDHAYA BARU DI MANGKUNEGARAN by Suharji, - (2011) - Bagian ketiga, pelaksanaannya sama dengan bagian kedua, hanya lebih banyak menampilkan peran batak dan endhel ajeg yang membawakan gerak-gerak simbolis peperangan, percintaan atau perdamaian, dan juga yang lain sesuai dengan tema tari masing- masing Bedhaya. Dalam perkembangannya sekarang, terdapat Bedhaya yang menggunakan Sembilan penari puteri yaitu Bedhaya Suryasumirat. Keywords: antara; atau; bagian; baru; bedhaya; bedhaya surya; bentuk; budaya; dalam; dan; dance; dari; dengan; gerak; ini; juga; keraton; lain; mangkunegaran; menjadi; merupakan; oleh; pada; para; penari; pola; pura; raja; sebagai; secara; seni; seperti; sumirat; surakarta; surya; surya sumirat; tari; tari bedhaya; telah; tidak; tradisi; untuk; yaitu; yang; yogyakarta
• PERAN SEMAR DALAM PERTUNJUKAN WAYANG KULIT JAWA GAYA SURAKARTA by Randyo, - (2011) - Pada pengamatan lakon lahirnya Semar yang disajikan oleh Semar marah besar karena Guru Dewa dalam perang Baratayuda menginginkan pihak kurawa berperang melawan Semar yang men- dapatkan kemenangan. Keywords: adalah; agar; akan; arjuna; astina; atau; badar; bahwa; biasanya; dalam; dan; dapat; dari; dengan; dewa; dunia; gara; gareng; guru; ini; jawa; karena; kembali; kemudian; kepada; ksatria; kulit; lakon; menjadi; oleh; pada; pandawa; para; pergi; pertunjukan; petruk; sebagai; sehingga; semar; tali; terjadi; tidak; tokoh; untuk; wayang; wondo; yaitu; yang
• NILAI-NILAI LUHUR DALAM LELAGON DOLANAN by Widodo, - (2011) - Lagu dolanan yang dimaksud dalam tulisan ini adalah komposisi musikal karawitan Jawa baik vokal maupun instrumental yang teks lagu dan garap musikalnya didesain untuk keperluan dolanan dan atau “enak” sebagai musik pendukung permainan. Kepentingan hidup yang bermacam- macam seperti: kesehatan, keamanan, ekonomi, persahabatan, sepritual, keku- asaan, estetik, dan lain-lain melahirkan bermacam-macam nilai pula seperti: nilai keamanan, kekuasan, ekonomi, persahabatan, kesehatan, dan nilai sepiritual, serta nilai estetik. Keywords: anak; antara; atau; bangsa; budaya; dalam; dan; dapat; dari; dengan; dolanan; gamelan; gendhing; hidup; ini; jawa; juga; karawitan; kata; lagu; lain; laras; lelagon; masyarakat; memiliki; merdeka; musikal; nada; nilai; oleh; pada; pélog; sebagai; secara; seni; sléndro; teks; untuk; yang
• EKSPRESI ESTETIS DAN MAKNA SIMBOLIS KESENIAN LAESAN by Kusumastuti, Eny (2011) - nyanyian pengiring mengandung simbol aspek pendidikan, sindiran kepada lelaki, sindiran kepada perempuan, peringatan kepada penduduk terhadap perampok; (4) gerak tari mempunyai simbol alam sekitarnya; (5) makna trance Bandan yaitu mendekatkan diri kepada Tuhan dan bersujud kepada-Nya; permainan keris melambangkan kesuburan, karena keris yang merupakan lambang lingga ditusukkan ke dalam tubuh Laes yang sudah kemasukan roh bidadari sebagai lambang yoni; permainan jaran kepang mempunyai simbol keseimbangan antara roh yang baik dan yang jahat dengan mendapatkan perlakuan yang sama sehingga manusia akan mendapatkan keselamatan. Dengan demikian makna trance dalam permainan jaran kepang adalah adanya keseimbangan antara roh yang baik dan yang jahat dengan mendapatkan perlakuan yang sama sehingga akan manusia mendapatkan keselamatan. Keywords: adalah; atau; bidadari; dalam; dan; dari; dengan; ekspresi; estetis; gerak; ini; kepada; keris; kesenian; kurungan; laesan; makna; manusia; masyarakat; melambangkan; mempunyai; menjadi; merupakan; oleh; orang; pada; pelaku; pemimpin; permainan; pertunjukan; proses; roh; sebagai; simbol; sudah; tari; tersebut; tidak; trance; untuk; utama; yaitu; yang
• Skala Pengukuran sebagai Alat Evaluasi dalam Menilai Tari Karya Mahasiswa (Measurement Scale as Instrument of Evaluation in Assessing Student’s Piece of Dance) by Triana, Dinny Devi (2011) - Berikut contoh kisi-kisi instr-umen penilaian tari karya mahasiswa yang dapat dikembangkan sesuai dengan teori dan aspek yang akan diamati. Menilai Karya Tari Untuk menilai kemampuan keterampilan psikomotor ada satu bentuk tes yang dapat digunakan yaitu tes penampilan (performance test). Keywords: alat; atau; bentuk; dalam; dan; dapat; dari; dengan; digunakan; eksperimental; gerakan; hasil; karya; mahasiswa; menilai; observasi; pada; pengetahuan; penguji; penilaian; sebagai; seni; skala; tari; untuk; yang
• MUSIK SEBAGAI FAKTOR PENTING DALAM PENERAPAN METODE PEMBELAJARAN QUANTUM (MUSIC AS IMPORTANT FACTOR IN APPLICATION QUANTUM LEARNING METHOD) by Martopo, Hari (2011) - Aspek penggandaan ini melambangkan satu bagian positif, dan yang lainnya negatif; yang satu ekspresif, dan yang lain responsif. Porter dan Hernacki dalam Metode Pembelajaran Quantum untuk aktivitas dan tujuan yang berbeda (Porter, 2002: 74). Keywords: adalah; agustus; aspek; atau; bahasa; bahwa; baik; baru; bunyi; dalam; dan; dapat; dari; dengan; dunia; fisika; fisikawan; gelombang; harmonia; itu; jika; juga; jurnal; karena; lebih; maka; mei; memiliki; menggunakan; menjadi; metode; musik; oleh; pada; pembelajaran; pemikiran; pendidikan; pengetahuan; penting; porter; prinsip; quantum; realitas; sangat; sebagai; secara; seni; seperti; seseorang; sifat; suatu; suzuki; telah; teori; tidak; untuk; vol; yang
• MENULUSURI SARANA PENYEBARAN MUSIK KRONCONG (EXPLORING A DISSEMINATION MEDIUM OF KERONCONG MUSIC) by Widjajadi, R.Agoes Sri (2011) - Media cetak yang dilakukan adalah menotasikan musik atau lagu-lagu keroncong melalui media cetak Tio Tek Hong Company, Batavia' yang telah mencetak dan mempublikasikan lagu- lagu keroncong yang dibuat Selain itu sudah banyak penerbit yang menerbitkan buku repertoar musik keroncong yang dilengkapi pula oleh sistem penulisan notasi angka yang diserta notasi balok serta akornya. Keywords: adalah; b.j; budiman; dalam; dan; dari; dengan; indonesia; itu; keroncong; lagu; masyarakat; media; melalui; musik; oleh; orkes; pada; penyebaran; pola; profil; pula; radio; seni; tahun; telah; yang
• MOTIF KAWUNG SEBAGAI SIMBOLISME BUSANA PARA ABDI DALAM WAYANG KULIT PURWO GAYA SURAKARTA (SIMBOLISM MOTIVE KAWUNG OF FASHION COMUNITY ON WAYANG KULIT PURWA SURAKARTA STYLE) by Sarwono, - (2011) - Motif kawung juga dapat diinterpretasikan dalam suatu kesatuan atau manunggaling kawula lan raja, artinya kesatuan antara rakyat dengan raja atau merupakan kesatuan antara yang memimpin dan yang dipimpin. Persoalan kematian bagi masyarakat Jawa inilah menjadi konsep keberlanjutan hidup dan kekekalan yang diyakini selalu ada serta harus dijalankan. Keywords: akan; atau; bahwa; batik; bentuk; berbentuk; busana; dalam; dan; dapat; dari; dengan; ini; jawa; juga; kawung; makna; masyarakat; memberi; memiliki; merupakan; motif; motif kawung; oleh; ornamen; pada; pada motif; para; pewayangan; putih; raja; sebagai; sehingga; selalu; seni; serta; simbolisme; suatu; surakarta; tentang; terdiri; tiap; titik; tokoh; untuk; utama; warna; wayang; yaitu; yang
• EFEKTIFITAS PENGGUNAAN METODE SOLFEGIO UNTUK PEMBELAJARAN KETERAMPILAN BERMAIN MUSIK DI SEKOLAH DASAR (THE EFEKTIVITY OF USE OF SOLFIGIO METHOD TO TEACHING OF MUSIC SKILL IN ELEMENTARY) by Sumaryanto, F.Totok (2011) - Dengan demikian prestasi belajar vokal adalah hasil usaha belajar yang berujud pengeta- huan, sikap, dan keterampilan yang telah dicapai dari usahanya belajar vokal selama waktu tertentu. Dua kata prestasi dan belajar dapat diartikan sebagai banyaknya tingkah laku yang dapat dicapai dari satu pengalaman yang mengacu pada penguasaan pengetahuan, kecapan dan kebiasaan. Keywords: adalah; bermain; dalam; dan; dapat; dari; dengan; guru; hasil; ini; kelas; kemampuan; keterampilan; meningkatkan; metode; musik; nada; pada; pembelajaran; penelitian; pengetahuan; sekaran; semarang; seni; siswa; solfegio; untuk; yang
• PERUBAHAN MUSIK REBANA MENJADI KASIDAH MODERN DI SEMARANG SEBAGAI SUATU PROSES DEKULTURASI DALAM MUSIK INDONESIA (THE CHANGE OF REBANA MUSIC TO BECAME MODERN KASIDAH IN SEMARANG A DECULTURATION PROCCES IN INDONESIAN MUSIC) by Susetyo, Bagus (2011) - Musik reba- na adalah jenis musik yang berasal dari musik yang bercirikan Musik kasidah modern sebagai musik yang berbeda dari musik reba- na, tetapi berasal dari musik rebana yang mengalami proses dekulturasi, di suatu sisi ia kehilangan nilai-nilai sakral Islaminya, pada sisi lain ia mempunyai nilai hiburan yang lebih menarik daripada musik rebananya. Keywords: adalah; atau; bentuk; bercirikan; dalam; dan; dapat; dari; dengan; elemen; ini; islam; jenis; karena; kasidah; kebudayaan; kota; lagu; lain; lebih; mengalami; modern; musik; musik kasidah; pada; perubahan; proses; rebana; semarang; seni; tidak; unsur; yaitu; yang
• CITRA WANITA DALAM PERTUNJUKAN KESENIAN TAYUB (THE WOMAN IMAGE IN THE TAYUB ART PERFORMANCE) by Ratih E.W., Endang; Malarsih, -; Lestari, Wahyu (2011) - (d) bagi penayub harus bertindak sopan terhadap jogednya Upaya-upaya yang yang lain adalah dari diri si joged itu sendiri, yaitu dengan membentengi dirinya sendiri dari hal-hal yang berakibat negatif, misalnya selalu berhati-hati dalam bertindak. Ngibing yaitu Setelah proses pa- nembromo selesai dilanjutkan ade- gan ngibing dengan para joged yang ada, pada umumnya acara ngibing merupakan inti dari acara tayuban dan yang sangat ditunggu-tunggu oleh penon- ton, tamu maupun pengibing. Keywords: adalah; atau; bisa; blora; citra; dalam; dan; dari; dengan; hal; joged; kabupaten; kesenian; laki; masyarakat; oleh; pada; para; penari; penayub; pertunjukan; sebagai; seni; seorang; serta; tayub; tidak; untuk; upaya; wanita; yaitu; yang
• Fungsi dan Ciri Khas Kesenian Rebana di Pantura Jawa Tengah (Function and Characteristic of Rebana in the Beach Region of Central Java) by Sinaga, Syahrul Syah (2011) - *#& '!(3%)%.& ,%#-$%7& 0%$/& !5%(% $#)$J$)-&,%-.-#&/!+*,.*/4& =%+%3& %'- 0!#'-/& /!!#$%#& 1%#2& 0!(/!,0%#2& )$ ,%1%(%/%'& 9%#'-(%& & %)%+%3& /!!#$%# (!0%#%& 1%#2&,!(-.%/%#& .!#2%(-3& )%( +%3& )$(%%/%#& !0%2%$&,$+$/& ! Keywords: -"$/; .!('$; /!"!#$%; 0%#%; 0%2%$; 1%(%/%; d"+%; dan; j!("$; yang
• Makna Tari Canthangbalung dalam Upacara Gunungan di Kraton Surakarta (The Meaning of Canthangan Dance in Gunungan Ceremony in Surakarta Castel) by Wahyudiarto, Dwi (2011) - Sajian berupa gunungan dibuat di tempat yang khusus yang bernama Magangan merupakan salah satu tempat yang disakralkan didalam lingkngan kraton. Jumlah dua bagi orang jawa merupakan sistem klasifikasi simbol dualistik dikaitkan dengan hal-hal yang berlawanan, yang bermusuhan atau dua yang saling membutuhkan. Keywords: adalah; atau; bagi; bahwa; bentuk; brahmana; busana; canthangbalung; dalam; dan; dapat; dari; dengan; dilakukan; gerak; gunungan; hal; harmonia; harus; ini; jawa; juga; karena; kraton; lebih; makna; manusia; masyarakat; mempunyai; mengenakan; merupakan; oleh; orang; pada; pemimpin; pengetahuan; putih; raja; sangat; sebagai; secara; selalu; semua; seni; seperti; serta; simbol; suci; surakarta; tari; tempat; tidak; untuk; upacara; vii; vol; warna; yang
• Model Pembelajaran Musik Angklung Sunda Kreasi di Sanggar Saung Angklung Udjo Nglagena, Padasuka Bandung Jawa Barat. (Model Study of Music Angklung Creation in Gallery of Saung Angklung Udjo Ngalagena Padasuka Bandung West Java) by Supriadi, Didin (2011) - '*,$ +H'!8:$ H'6'* !'('2$%:$-/3.85'7*'>$BRRR$K$SA,: %'2/*$ !8$ ).'$ *$ 1#2/*81'68>$ 6).7'$ 3).1)24'*&'* T'2'*$ ! Keywords: /*7/1; /8?8;<8='@aab; 0*&1(/*&$; 1(/*&$; 3'7; 5'*&$; @:>=c<:>5; alat; angklung; dalam; dan; dengan; i@:>5; jenis; musik; udjo; yang
• Uji Akustik Limbah Film Roentgen sebagai Bahan Alternatif Pengganti Membran Alat Musik Drum (Acoustic Test of Roentgen Film Waste as an Alternative Material of Drum Musical Instrument) by Haryono, Slamet; Handayani, Langlang (2011) - Karakteristik akustik ini diantaranya meliputi pola gelombang, frekuensi, dan amplitudo yang dihasilkan oleh membran yang bergetar. Disarankan untuk mengadakan penelitian lebih lanjut berkaitan dengan daya tahan membran yang dibuat dari bahan ini terhadap pukulan, untuk mengetahui kelayakan limbah film Roentgen sebagai alternatif pengganti membran alat musik drum. Keywords: akan; akustik; alat; amplitudo; dalam; dan; dari; dengan; drum; film; frekuensi; gelombang; ini; limbah; membran; musik; pada; pola; roentgen; sama; snare; untuk; yang
• The Impact of Tayub Exploitation on The Tradition and Life of Javanese Society by Noordiana, Noordiana; Juwariyah, Anik; Inda, Fithriyah (2016) - Research conducted in the center of Tayub performing art showed concrete data on how modernization that infiltra- tes the existence of this traditional art has changed the face and essence of this folk art (Widyastutieningrum, 2007). Tayub performing art is not seen from its dance philosophical essence anymore, but more to the appearance of its attractive output. Keywords: art; belief; culture; dance; dukuh; era; exploitation; impact; itu; javanese; life; mereka; modernization; paruk; people; performance; research; ronggeng; rural; society; study; tayub; tradition; yang
• MAKNA SIMBOLIK DAN EKSPRESI MUSIK KOTEKAN by Aesijah, Siti (2011) - Perbedaan yang sangat terlihat untuk membedakan antara lagu yang satu dengan yang lainnya terletak pada Tunggu Omah. peneliti sebelumnya termasuk juga ekspresi estetik dari pola permainan dan perpormance yang ditampilkan kelompok musik kotekan terutama yang berada di desa ledok. Keywords: adalah; atau; bentuk; budaya; dalam; dan; dapat; dari; dengan; desa; digunakan; ini; jawa; kabupaten; kehidupan; kotekan; lagu; laki; ledok; lesung; makna; masyarakat; memiliki; merupakan; musik; oleh; orang; pada; padi; para; pemain; penelitian; permainan; saat; sebagai; simbol; suara; tidak; untuk; yaitu; yang
• CAMPURSARI: SUATU BENTUK AKULTURASI BUDAYA DALAM MUSIK by Wiyoso, Joko (2011) - Di kategorikan demikian karena, campursari merupakan sebuah genre musik yang terbentuk atau dibangun dari perpaduan beberapa genre msik yang berbeda latar budayanya baik dilihat dari segi fisik atau instrumentasi maupun dari segi musikalitasnya. Hasil penelitian menunjukkan bahwa campursari dapat dikategorikan sebuah genre musik yang lahir akibat dari proses akulturasi pada kategori sinkritisme. Keywords: campursari; dari; musik; yang
• PERJALANAN HIDUP DAN UPAYA MEMBANGKITKAN KEMBALI SENI OPERA BATAK TILHANG SERINDO by Siburian, Esra Parmian Talenta (2011) - Masyarakat Batak pada masa itu selalu mengharapkan kehadiran Opera ini untuk dipentaskan di desanya Opera Batak adalah salah satu jenis kesenian rakyat yang terdapat dalam masyarakat Batak yang mempunyai nilai-nilai tradisi dan memiliki unsur seni musik, tari, vokal dan drama. Harmonia Edisi Khhusus.pdf 2 PERJALANAN HIDUP DAN UPAYA MEMBANGKITKAN KEMBALI SENI OPERA BATAK TILHANG SERINDO Esra Parmian Talenta Siburian Abstrak Suatu fenomena menarik yang ada di tanah Batak Sumatera Utara, yaitu keberadaan kesenian tradisional Opera Batak yang pernah mengalami kejayaannya dan kini hampir mengalami kepunahan. Keywords: batak; dan; ini; opera; pertunjukan; seni; yang
• RELASI DUA KEPENTINGAN (BUDAYA POLITIK MASYARAKAT MINANGKABAU) by Arifin, Zainal; Gani, Maulid Hariri (2011) - Oleh sebab itu, akhirnya di setiap nagari cenderung akan terjadi proses ambil mengambil adat lareh yang ada melalui kelompok-kelompok suku dengan aktor- aktor yang ada didalamnya. Hal ini tidak bisa dilepaskan dari adat yang dianut oleh masyarakat Minangkabau itu sendiri, dimana peranan lareh atau ”aliran” yang ada sangat berperan besar dalam menentukan arah kebijakan yang diambil. Keywords: dari; dengan; minangkabau; yang
• SENI ORNAMEN DALAM KONTEKS BUDAYA MELAYU RIAU by Prihatin, Purwo (2011) - Seni ornamen Melayu Riau yang merupakan pengalaman dan pelajaran yang didapat dari alam dan didukung oleh kreatifitas masyarakat sehingga melahirkan seni ornamen yang mengandung muatan estetis dan etis yang sarat akan nilai-nilai tradisi yang berlaku dalam budaya Melayu Riau. Seni ornamen bagi masyarakat Melayu Riau tidak hanya bahasa gambar saja melainkan manifestasi jiwa yang terkandung makna dan filosofis hidup yang mendalam yang mengakar pada masyarakat tersebut. Keywords: budaya; dalam; dan; dengan; islam; masyarakat; melayu; ornamen; pada; riau; seni; yang
• PERKEMBANGAN KONSEP KOREOGRAFI TARI KARNA TINANDHING by Dwiyasmono, - (2011) - z2xx3xx2xc1 z6xx5xx3xc5 pentang ngigel laras pentang ingset pentang tengadah kanan tengadah kiri giyul kiri kanan kanan z.xx.xx6xc5 z!xx6xx5xc3 Bandabaya, Bandawasa, Bandawala, Lawung, Palgunadi, Sasrabahu, dan Karna Tinandhing. Keywords: adu; arjuna; asta; beksan; besut; dalam; dan; dari; dengan; gawang; kaki; kanan; karna; keris; kiri; maju; mangkunegara; pada; pentang; sampur; slendro; tanjak; tari; tinandhing; tusuk; ukel; untuk; yang
• KEMAMPUAN GURU SD/MI DALAM MENTERJEMAHKAN MATA FELAJARAN (SBK) SENI BUDAYA DAN KERAJINAN (The Ability of Elementary School Teacher in Translating Art Culture and Craft Subject) by Hartono, - (2011) - Vol. 8 No.2 Mei-Agustus 2007.pdf HARMONIA JURNAL PENGETAHUAN DAN PEMIKIRAN SENI KEMAMPUAN GURU SD/MI DALAM MENTERJEMAHKAN MATA FELAJARAN (SBK) SENI BUDAYA DAN KERAJINAN (The Ability of Elementary School Teacher in Translating Art Culture and Craft Subject) Hartono Staf Pengajar Jurusan Sendratasik, Fakultas Bahasa dan Seni, Unioersitas Negeri Semarang ABSTRAK Konsep pendidikan seni berbasis kompetensi untuk SD/MI, telah diaktualisasikan dalam bentuk desain kurikulum pendidikan seni SD/MI dan telah diterbitkan oleh Pusat Kurikulum - Badan Penelitian dan Pengembangan Departemen Pendidikan Nasional. Memahami konsep dan pentingnya seni budaya dan keterampilan, (2) Menampilkan sikap apresiasi terhadap seni budaya dan keterampilan, (3) Keywords: anak; budaya; dalam; dan; dari; dasar; dengan; guru; ini; kemampuan; keterampilan; kompetensi; lebih; mata; pada; pelajaran; pembelajaran; pendidikan; penelitian; pengetahuan; sekolah; semarang; seni; untuk; yang
• JEJAK CAMPURSARI (The History of Campursari) by Wiyoso, Joko (2011) - Kemunculan campursari pada era ini ternyata mendapat sambutan yang luar biasa dari masyarakat, dan akhirnya campursari ini dikenal secara luas tidak hanya bersifat lokal, tetapi lebih luas lagi yakni nasional dan bahkan dunia. Setelah hampir empat dasawarsa keberadaan musik campur sari kurang dikenal masyarakat secara luas, pada era tahun 90-an musik campursari kembali hadir dengan format yang berbeda dengan musik campursari yang Keywords: album; atau; campursari; cassette; dan; dari; data; dengan; era; ini; itu; juga; lagu; masyarakat; musik; oleh; pada; rekaman; rri; rri semarang; secara; semarang; siaran; tahun; tersebut; tidak; untuk; yaitu; yang
• PROFIL PURA MANGKUNAGARAN DALAM STRUKTUR ORGANISASI DAN PENGELOLAAN ORGANISASISENI (Mangkunegaran Profile in Organisation Structure and Art Organisation Management) by Malarsih, - (2011) - Dalam wawancara ini yang diwawancarai adalah sebagian dari para kerabat dan abdi dalem yang terlibat dalam Penari umum di luar Pura yang terlibat latihan tadi sebagian besar terdiri dari personil- personil yang kebanyakan berasal dari para siswa sanggar tari, sekolah seni seperti SMKI Surakarta, perguruan tinggi seni seperti STSI dan ISI Yogyakarta, seniman Surakarta, serta mahasiswa umum. Keywords: adalah; atau; bagian; budaya; dalam; dan; dari; data; dengan; gaya; ini; itu; juga; langen; manajemen; mangkunagaran; masyarakat; oleh; organisasi; pada; para; penelitian; pengetahuan; praja; pura; reksa; sebagai; secara; seni; struktur; suatu; tari; tidak; untuk; yang
• Kethoprak Humor: Kajian Kerja Sama dalam Dialog Antarpemain dalam Membentuk Cerita Ketoprak Gobyok H.M. Syakirun Lakon "Jaka Kendhil" (Humour Ketoprak: Joint Reseachn in Inter Player Dialogue in Forming Kethoprak Gebyok H.M Syakiran Tittle "Joko Kendil") by Lanjari, Restu (2011) - Teknik analisa data yang digunakan dalam penelitian ini mengacu pada analisa Miles dan Huberman (1994 :10), dimana proses analisa data yang digunakan dilakukan secara serempak dengan langkah-langkah: (1) mereduksi data, (2) meng- klasifikasi data, (3) mendeskripsikan kemudian menginterpretasi data, dan yang terakhir peneliti juga me lakukan pemeriksaan keabsahan data dengan teknik ttiangulasi data yakni teknik pemeriksaan keabsahan data yang memanfaatkan sesuatu yang lain di luar data itu untuk keperluan pengecekan atau sebagai pern banding terhadap data itu. Namun demikian, meski menonjolkan sisi humor, Kethoprak Gobyok masih berusaha menjaga agar alur cerita tidak menyimpang, dan humor yang dilontarkan tidak mengganggu dialog antarpemain. Keywords: antarpemain; bidal; cerita; dalam; dan; data; dengan; dialog; gobyok; humor; ini; jaka; kendhil; kethoprak; lakon; membentuk; pada; pelanggaran; penelitian; prinsip; tidak; untuk; yang
• KOMPETENSI KOREOGRAFER PENDIDIKAN BERBASIS IMTAK DAN IPTEKS ( Competence On Educational Choreography Based on Science Technologi and Spritual) by Triani, Dinny Devi (2011) - Jadi kreativitas selalu mencakup interpenetrasi keseluruhan kehidupan berpikir, merasa mengindera dan intuisi yang terjadi secara menyatu dan menerobos. Dengan demikian kompetensi berdasarkan pengetahuan, keterampilan dan sikap dari seorang koreografer yang berbasis imtak dan ipteks dapat terefleksi dalam karya-karya seni tari, sehingga sebagai produk dari proses kreativitas dapat dipertanggungjawabkan, baik secara moral maupun intelektual. Keywords: atau; dalam; dan; dapat; dari; demikian; dengan; etika; hal; harus; ilmu; ini; karya; kebebasan; kehidupan; keindahan; koreografer; kreativitas; makna; manusia; memiliki; merupakan; nilai; oleh; pada; pendidikan; pengetahuan; sebagai; secara; sehingga; seni; sikap; suatu; tari; tersebut; tidak; tujuan; untuk; yang
• DAMPAK TAYANGAN LAGU ANAK-ANAK DI TELEVISI PADA PENDIDIKAN SENI DI SEKOLAH (The Effect of Children Song Show on Television Toward Art Education in School) by Kusrina, - (2011) - Kurikulum di sekolah jauh dari kepentingan anak yang gunanya untuk menanggapi tuntutan hidup dan lingkungannya yang justru lebih realistis. Bahkan kadang-kadang materi pelajaran seni musik di sekolah pun harus mengikuti perkembangan musik atau lagu yang ditayangkan di televisi. Keywords: adalah; agustus; anak; atau; dalam; dan; dapat; dari; dengan; guru; ini; itu; juga; jurnal; keluarga; kemampuan; kurikulum; lagu; lingkungan; masyarakat; maupun; media; melalui; musik; oleh; pada; pendidikan; perkembangan; sangat; sebagai; secara; sekolah; seni; seperti; siswa; televisi; tidak; untuk; yang
• REOG KEMASAN SEBAG AIASET PARIWISATA UNGGULAN KABUPATEN PONOROGO (The Packes Reog as the high tourism ofPonorogo residence) by Maryono, - (2011) - Bentuk pertunjukan Reog yang ditampilkan dari masing-masing kelompok yang datang dari berbagai daerah pada festival grebeg Suro merupakan garapan ba.ru, yang bertolak dari bentuk lama. Lima jenis tarian terdapat dalam pertunjukan kesenian Reog, masing-masing tarian memiliki karakter dan vokabuler gerak yang berbeda-beda. Keywords: agustus; alun; atraksi; bagi; banyak; bentuk; budaya; bulan; daerah; dalam; dan; dapat; dari; dengan; dhadhak; festival; gerak; jathil; kesenian; lebih; masyarakat; mei; merupakan; no.2; obyek; oleh; pada; pariwisata; penari; pola; ponorogo; reog; sebagai; secara; sehingga; semakin; seni; suro; tahun; tarian; tidak; topeng; untuk; wisata; yang
• TARI PENDET SEBAGAI TARI BALIH-BALIHAN ( Kajian Koreografi) (Pendet Dance as Welcome Dance Coreography Research) by Astini, Siluh Made; Utina, Usrek Tani (2011) - Gerak tari Pendet sangat dinamis, kedinamisan gerak itu dapat terwujud dari penggarapan tempo gerak yang variatif. Pada tari Pendet unsur keseimbangan dapat dilihat pada garapan gerak, ruang, dan waktu yang variatif, sehingga dapat menciptakan tampilan ke-seluruhan tari Pendet menjadi lebih komunikatif. Keywords: adalah; agustus; aspek; atau; bagian; bali; bunga; dalam; dan; dapat; dari; dengan; gerak; hiburan; jenis; juga; keindahan; lain; menjadi; oleh; pada; pendet; pertunjukan; ruang; sangat; sebagai; sehingga; seni; seniman; seperti; tabur; tari; tarian; tempo; untuk; volume; waktu; yaitu; yang
• FUNGSI MITOS DALAM KEHIDUPAN SOSIAL BUDAYA MASYARAKAT PENDUKUNGNYA (The Function of Myth in Social Cultural Life of Its Supporting Community) by Iswidayanti, Sri (2011) - Fungsi mitos dalam kehidupan sosial budaya masyarakat pendukungnya adalah: (1) untuk mengembangkan simbol- simbol yang penuh makna serta menjelaskan fenomena lingkungan yang mereka hadapi; (2) sebagai pegangan bagi masyarakat pendukungnya untuk membina kesetiakawanan sosial di antara para anggota agar ia dapat saling membedakan antara komunitas yang satu dan yang lain ; dan (3) sebagai sarana pendidikan yang paling efektif terutama untuk mengukuhkan dan menanamkan nilai-nilai budaya, norma-norma sosial dan keyakinan tertentu. Barthes juga menggaris bawahi bahwa tuturan mitologis dibuat untuk komunikasi dan mempunyai suatu proses signifikasi yang dapat diterima oleh akal sesuai dengan situasi dan kondisi Keywords: atau; budaya; dalam; dan; dapat; dengan; dongeng; masyarakat; mitos; nilai; pemikiran; pesan; sebagai; sosial; suatu; tidak; untuk; yang
• SIMBOLISME ADEGAN JEJER KEDATONAN DAN PERANG GAGAL PADA SAJIAN WAYANG KULIT PURWA SURAKARTA (Simbolism of episode jejer kedatonan and peranggagal on the surakarta wayang kulit purwa) by Sudarsono, - (2011) - Dalam vokal adakalanya berisi ajaran moral, keagamaan, pendidikan dan ajaran yang hingga kini lebih dan 400 judul lakon yang telah dibuat Dan sejumlah lakon yang ada, paling banyak adalah lakon versi Mahabarata disusul kemudian versi Ramayana. Keywords: adalah; adegan; agustus; atau; bahwa; bentuk; cangik; catur; dalam; dalang; dan; dapat; dengan; gagal; garap; gending; hal; itu; jejer; juga; kemudian; kulit; lain; lakon; lebih; limbuk; manusia; masyarakat; mei; no.2; oleh; pada; pakeliran; patet; pertunjukan; perubahan; purwa; raja; sebagai; seni; seperti; simbolis; surakarta; telah; tidak; tindakan; tokoh; untuk; wayang; yaitu; yang
• NILAI- NILAI BUDAYA DALAM KESENIAN TUTOR PMtoH Nilai-nilai Budttya dalam Kesenian Tutur PMtoh (Cultural Values in Art of PM toH) by Yeningsih, Tata Kurnita (2011) - Pada sekitar tahun 1800, seni teater PMToH sudah mulai disampaikan oleh seorang tokoh pada masa itu yang bernama Tok Tek, dengan nama gelarnya Tok Dang. Dalam hal ini nilai sosial terbentuk dan interaksi manusia dalam ber-masyarakat yang di pengaruhi oleh status, pengalaman, kekerabatan, dan generalis dan masing- masing anggota masyarakat. Keywords: aceh; adalah; anak; bahwa; budaya; bungsu; cerita; dalam; dan; dapat; dari; dengan; diwa; fungsi; hikayat; ini; itu; karena; kehidupan; kesenian; lain; maleem; masyarakat; menurut; merupakan; nilai; oleh; orang; pada; pendidikan; pmtoh; putri; sangat; sastra; sebagai; seni; sosial; tersebut; tidak; untuk; yang
• Peranan Komunitas Mangkunagaran dalam Meperkembangkan Tari Gaya Mangkunagaran (Role of Mangkunagaran Community to Develop Dance of Mangkunagaran Style) by Malarsih, - (2011) - Berdasar hasil penelitian, disarankan: (1) hendaknya komunitas Mangkunagaran dalam memperkembangkan tari gaya Mangkunagaran tetap menggunakan pijakan tari gaya Mangkunagaran yang asli, (2) perlu adanya regenerasi untuk pelatih dan juga penari tari gaya Dengan demikian pula pengertian tari gaya Mangkunagaran di sini bisa dimengerti sebagai adanya ciri yang khas yang ada dan melekat pada tari gaya Mangkunagaran dan tidak dimiliki sama persis oleh gaya tari di luar gaya Mangkunagaran. Keywords: adalah; atau; banyak; bentuk; budaya; dalam; dan; dapat; dari; data; dengan; dilakukan; gaya; gerak; ini; itu; juga; komunitas; mangkunagaran; masyarakat; materi; memperkembangkan; oleh; pada; para; penelitian; peranan; pihak; pura; sebagai; seni; suatu; tari; tidak; umum; untuk; upacara; yang
• Pengembangan Model Pembelajaran Seni Berbasis Kompetensi Pada Anak Usia Dini (The Development of Competency Based Art Learning Model on the Early-Childhood Children) by Hartono, - (2011) - Tingkat Pola Interaksi antara Guru dan Anak Tingkat pola interaksi antara guru dan anak yang dimaksud terjadi terjadinya komunikasi anak anak dengan guru pada saat proses pembelajaran berlangsung. Tentu untuk bisa mengerjakan sesuatu yang dimaksud, diperlukan penguasaan pengetahuan, keterampilan, dan sikap yang dipersyaratkan untuk mengerjakan sesuatu tersebut. Keywords: adalah; akan; anak; april; atau; bagi; dalam; dan; dapat; dari; data; dengan; dilakukan; guru; hal; ini; kegiatan; kemampuan; kompetensi; lain; lebih; lingkungan; materi; melakukan; memiliki; metode; oleh; pada; pembelajaran; pendidikan; penelitian; pengembangan; pengetahuan; proses; sangat; sebagai; secara; sehingga; seni; serta; tersebut; tidak; tugas; untuk; usia; viii; vol; yang
• Campursari dalam Stratifikasi Sosial di Semarang (Social Statification of Campursari in Semarang) by Wadiyo, - (2011) - Berkait dengan itu maka menjadi sangat wajar jika para remaja yang berasal dari lapisan masyarakat bawah mempunyai minat lebih tinggi jika dibanding dengan para remaja yang berasal dari golongan atas. Masyarakat remaja golongan atas lebih memiliki fasilitas yang lebih lengkap dibanding dengan masyarakat remaja golongan bawah, yang dengan demikian dalam hal memilih jenis musik, masyarakat remaja golongan atas lebih banyak mempunyai alternatif pilihan. Keywords: adalah; antara; atas; atau; bawah; campursari; dalam; dan; dari; data; dengan; golongan; hasil; ini; itu; masyarakat; masyarakat remaja; minat; musik; oleh; orang; pada; penelitian; perbedaan; rata; remaja; sebagai; semarang; seni; sosial; suatu; terhadap; tidak; uji; untuk; yang
• Perkembangan Tari Ritual Menuju Tari Pseudoritual di Surakarta (The Development of Ritual Dance toward Pseudoritual Dance in Surakarta) by Bisri, Moh Hasan (2011) - Tari ritual yang disajikan kemudian tidak lagi besifat ritual murni akan tetapi menjadi ritual semu dan adakalanya berbeda sama sekali dengan makna tari ritual. Adakalanya masyarakat Jawa meskipun sudah menganut agama tertentu akan tetapi perilakunya masih agak berbahu mistik seperti selamatan dalam rangka Maulid dan yang selalu disuguhkan sesaji pada suatu sudut ruangan didalam dan diluar pendapa atau rumah milik kerabat keraton. Keywords: adalah; agama; akan; april; atau; bagi; banyak; baru; bedhaya; bentuk; berasal; bersifat; budaya; dalam; dan; dapat; dari; dengan; diciptakan; faktor; fungsi; harmonia; januari; jawa; juga; jurnal; karonsih; kehidupan; keraton; lain; lebih; manusia; masih; masyarakat; menjadi; merupakan; oleh; pada; penari; pengetahuan; perkembangan; perubahan; pseudoritual; ritual; sebagai; sebagian; sendiri; seni; seni tari; seperti; surakarta; tari; tari ritual; terdapat; untuk; upacara; viii; vol; yaitu; yang
• (Components in Music-Culture) by Sunarto, - (2011) - Di sebagian besar budaya-musik, musik yang “bagus” (good) terikat dengan musik yang “indah” (beautiful) dan berlangsung dalam konteks yang benar. dari apa yang benar dan apa yang HARMONIA JURNAL PENGETAHUAN DAN PEMIKIRAN SENI Vol. Keywords: adalah; anda; apakah; atau; bagian; bahwa; beberapa; bisa; budaya; dalam; dan; dari; dengan; dunia; ide; ini; instrumen; itu; kata; kita; lagu; lain; memiliki; mereka; musik; orang; pada; satu; sebagai; sebuah; secara; seni; setiap; tentang; tetapi; tidak; untuk; yang
• Peningkatan Kualitas Pendidikan Seni melalui Pengembangan Kurikulum Pendidikan Seni Berbasis Kompetensi di Lembaga Pendidikan Tenaga Kependidikan (LPTK) by Rapi, Muhammad (2011) - Transformasi lainnya adalah menghasilkan lulusan yang bukan saja mewarisi ilmu dan seni yang saling melengkapi antara seni tradisi etnik dan tradisi modern, tetapi juga merupakan agen-agen perubahan di masyarakat (Joko S. 2006:1) VIII No. 1 / Januari – April 2007 yaitu, kurikulum berbasis isi, ilmu dan seni tradisi etnis yang terpisah dengan ilmu seni modern, serta lulusan sebagai pewaris budaya. Keywords: adalah; berdasarkan; dalam; dan; dapat; dengan; ilmu; individu; indonesia; ini; kompetensi; kurikulum; oleh; pada; pembelajaran; pendekatan; pendidikan; pengembangan; pengetahuan; perubahan; secara; seni; serta; setiap; tinggi; untuk; yang
• Tari Ratoh Bantai (Ratoh Bantai Dance) by Syai, Ahmad (2011) - Dalam kehidupan manusia tari sebenarnya memiliki dua fungsi umum yaitu tari yang bersifat sakral dan bersifat profan. Dengan demikian setelah proses pengelompokan dilakukan dan latihan secara serius, akan langsung dapat diketahui kelompok-kelompok yang dinyatakan berhasil baik dalam upaya kerjasama kelompoknya dan dapat melakukan gerakan dengan sebaik mungkin sehingga proses pembelajaran tari Ratoh Bantai yang Keywords: aceh; adalah; bagi; bantai; dalam; dan; dapat; dari; dengan; dilakukan; fungsi; gerak; gerakan; ini; itu; kelompok; kepada; kesenian; lebih; manusia; masyarakat; oleh; pada; para; penonton; peserta; ratoh; saat; sangat; sebagai; secara; sehingga; seni; syair; tari; tarian; telah; tidak; tradisional; untuk; viii; yang
• Tari Slawatan Angguk Rame Ngargatantra : Kajian Sosiologis (Slawatan Angguk Rame Ngargatantra Dance : The Sociology Study) by Soemaryatmi, - (2011) - Di Ngargatantra terdapat beberapa jenis kesenian diantaranya; Gangsir Ngentir, Katrini, Reog, Topeng Hitam, Jathilan dan yang paling populer Slawatan Angguk Rame. Hassan Shadilly menyatakan bahwa yang dimaksud masyarakat adalah golongan besar atau kecil dari beberapa manusia, yang dengan atau karena sendirinya bertalian secara golongan dan pengaruh mempengaruhi satu sama lain (Hasan Shadilly, 1983: 47). Keywords: adalah; akan; angguk; antara; atau; bentuk; dalam; dan; dari; dengan; desa; fungsi; hubungan; juga; kelompok; kesenian; masyarakat; mereka; merupakan; ngargatantra; pada; penari; pentas; pertunjukan; rakyat; rame; roh; saat; satu; sebagai; slawatan; sosial; syair; tari; tidak; untuk; viii; yang
• Refleksi Teori Kritik Seni Holistik : sebuah Pendekatan Alternatif dalam Penelitian Kualitatif bagi Mahasiswa Seni (Reflection on Art Criticism and Holistic Art Criticism : an Alternative Approach of Qualitative Research for Art Students) by Suharto, S. (2011) - Kecenderungan pada historisme dapat dilihat pada kritik seni yang menggunakan asumsi realis dan ekspresionis (Osborne,1955) formistik (Pepper,1970), instrumentalis (Feldman, 1981), dan simbolistrik (Read, 1969). Jadi, kemampuan menangkap, berfikir, merasakan, membayangkan seperti dalam proses kritik yang terbuka diperlukan untuk semua profesi. Keywords: analisis; april; art; atau; bisa; criticism; dalam; dan; dapat; dari; dengan; faktor; harmonia; holistik; ini; interpretasi; januari; juga; karya; kritik; kritik seni; kualitatif; maupun; menurut; misalnya; pada; pemikiran; pendekatan; penelitian; pengetahuan; sebagai; sebuah; seni; sutopo; teori; tidak; untuk; viii; vol; yang
• PERAN SENI PROSES PEMBELAJARAN PENDIDIKAN LUAR SEKOLAH (THE ROLE OF ART IN THE LEARNING PROCESS IN OUT OF SCHOOL EDUCATIONAL) by Raharjo, Tri Joko (2011) - Dalam proses pembelajaran diperlukan seni bagi tutornya, sebab sasaran yang didik dan yang menjadi peserrta didik (warga belajar) bukan anak-anak usia sekolah lagi, melainkan para pemuda dan orang dewasa. Sasaran yang dibidik dan yang menjadi warga belajae bukan anak-anak usia sekolah, melainkan para pemuda dan orang dewasa. Keywords: adalah; agar; akan; bagi; baik; belajar; belajarnya; dalam; dan; dapat; dari; dengan; faktor; hal; harus; itu; kelompok; kemampuan; kepada; melakukan; memahami; oleh; pada; pembelajaran; pendidikan; pengetahuan; proses; sebagai; secara; seni; seorang; strategi; tidak; tutor; untuk; warga; yang
• Mandala Pendidikan Seni (The Mandala of Art Education) by Jazuli, Maria (2011) - Dengan misi pendidikan seni se- macam itu, dalam diri peserta didik dapat ditanamkan hal-hal yang berkaitan de- ngan konsep diri; pemahaman terhadap orang lain, budaya lain, dan lingkungan yang beragam; kehendak untuk belajar dan keterampilan belajar; tanggung jawab sebagai anggota masyarakat dan bangsa; kearifan dalam menggunakan ilmu pe- ngetahuan dan teknologi; dan kesadaran terhadap berbagai perubahan yang ter- jadi. mampu merancang dan menge- lola pembelajaran seni; (6) dan yang lebih utama adalah guru harus benar-benar memahmi bahwa pendidikan seni meru-pakan pendidikan nilai yang terus berpro- Keywords: atau; belajar; bentuk; budaya; dalam; dan; dapat; dari; dasar; dengan; diri; education; elemen; hal; harus; ini; itu; jurnal; kegiatan; kemampuan; mandala; manusia; materi; melalui; merupakan; nilai; oleh; pada; pemikiran; pendidikan; pendidikan seni; pengetahuan; peserta; sebagai; secara; seni; september; sikap; tersebut; tujuan; untuk; yang
• Spiritualitas dan Seni Islam menurut Sayyed Hossein Nasr (Spirituality and Islamic Art according to Sayyed Hossein Nasr) by AZ, Siti Binti (2011) - Nasr, di Indonesia memberi tiga ceramah dengan topik ber- beda, yaitu (1) tentang 'Seni Islam' yang sekaligus peluncuran buku Spiritualitas dan Seni Islam (Bandung, Mizan, 1993); (2) tentang 'Spiritualitas, Krisis Dunia Modern dan Agama Masa Depan'; dan (3) tentang Tilsafat Perenial'. la menguasai beberapa kajian keilmuan, antara lain sejarah Timur dan Barat, filsafat dan ilmu-ilmu pengetahuan sosial, kajian teologis Islam dan Kristen baik yang klasik maupun yang kontem- porer, dan perkembangan studi Islam baik mistisisme, Spiritualitas, seni, mau- Keywords: adalah; agama; atau; bentuk; dalam; dan; dari; dengan; dunia; hal; islam; juga; jurnal; karena; manusia; merupakan; nasr; nilai; oleh; pada; pemikiran; pengetahuan; prinsip; realitas; sebagai; seni; seni islam; spiritual; suci; tahun; tidak; tradisional; untuk; yang
• Penerapan Management Seni Pertunjukan pada Teater Koma (Management Aplication of Performing Art in Teater Koma ) by Haryono, Sutarno (2011) - Kreativitas sangat mewarnai pada setiap hasil karya dan mencirikan dengan gaya bahasa, gerak, musik, penjiwaan pada setiap karakter, dan tema yang diangkat betorientasi pada kehidupan budaya keseharian. Kecermatan dalam usahanya mengangkat tema menjadi perhatian utama melalui proses yang panjang dan melibatkan para aktor maupun aktris untuk terjun langsung di lingkungan sosial masyarakat yang menjadi objek. Keywords: adalah; akan; artistik; atau; dalam; dan; dari; dengan; dilakukan; hal; harus; ini; itu; karya; kerja; kesenian; keuangan; koma; kondisi; lebih; managemen; masyarakat; menjadi; naskah; non; oleh; organisasi; pada; pertunjukan; produksi; proses; riantiarno; satu; sebagai; sebuah; secara; seni; sudah; sutradara; teater; tidak; untuk; wilayah; yang
• Estetika Ketidaksadaran: Konsep Seni menurut Psikoanalisis Sigmund Freud (1856-1939) (Aesthetics of Unconsciousness: Art Concept according Sigmund Freud Psychoanalysis) by Zaenuri, Ahmad (2011) - Pendekatan Breuer didasarkan pada asumsi bahwa histera disebabkan oleh beberapa penga- laman emosional yang kuat yang disebut trauma, yang telah dilupakan sehingga perawatannya adalah berusaha memanggil kembali pengalaman tersebut dan mele- paskannya dengan emosi yang serupa. Surealisme menciptakan dunia yang absurd dari realitas yang terdistorsi sehingga membentuk objek yang menampilkan estetika dalam seni. Keywords: adalah; atau; bahwa; bentuk; dalam; dan; dapat; dari; dengan; desember; dorongan; dunia; ego; energi; fantasi; freud; harmonia; ini; jurnal; karya; kehidupan; kesadaran; ketidaksadaran; libido; manusia; memberikan; memiliki; menjadi; merupakan; mimpi; muncul; naluri; namun; objek; oleh; pada; pemikiran; pengetahuan; perilaku; proses; psikis; psikoanalisis; realitas; sebagai; sebuah; secara; sehingga; seksual; seni; seniman; seperti; september; simbol; surealisme; tahun; tidak; untuk; vol; yang
• Telaah Karakterisasi Tari Randai Ilau di Nagari Saningbakar Sumatera Barat (Characteristic Review of Randai llau Dance in Nagari Saningbakar, West Sumatera) by Daryusti, - (2011) - jumlah penarinya genap, apabila dilakukan di tempat yang tidak terlalu luas, gerak yang dilakukan oleh penari tersebut akan tampak jelas. Gerak da- pat dilakukan karena ada waktu, maka waktu dalam tari adalah waktu yang digu- nakan untuk pengolahan gerak jadi berbagai variasi sesuai dengan gerak yang ditentukan. Keywords: akan; angkatan; atau; besar; busana; dalam; dan; dapat; dari; dengan; dilakukan; garis; gerak; hal; ilau; ini; itu; kaki; karakter; memiliki; nagari; oleh; pada; penari; penghulu; randai; ruang; sebagai; seni; suatu; tari; tersebut; tidak; tinggi; untuk; volume; waktu; yaitu; yang
• Lakon Anoman Duta Garap Padat: Sebuah Penelitian Singkat (The Condensed Creativity of Anoman Duta : A Short Study) by Subandi, - (2011) - Anoman yang sudah diikat. Sajian wayang bocah dengan lakon Anoman Duta akan lebih mengesankan kepada wisatawan oleh karena digarap padat sehingga seluruh isi sajian dapat dite-rima dengan senang hati dan berke-san sehingga merupakan aset publi-kasi dan ekonomis yang berharga. Keywords: akan; anggada; anoman; atau; bentuk; bocah; dalam; dalang; dan; dari; dengan; dialog; digarap; dilakukan; duta; garap; gareng; gik; iringan; isi; itu; juga; lakon; nung; oleh; padat; padepokan; para; pertunjukan; petruk; sajian; sarotama; seni; september; surakarta; tahun; tidak; untuk; waktu; wayang; yaitu; yang
• Konsep "Badar" Dalam Lakon Carangan Pewayangan Tradisi Yogyakarta (he Concept of "Badar" in Yogyakarta Pupettry Tradition Branch Story) by Prasetya, Hanggar Budi (2011) - Saat mengejar Kurawa, Anoman juga mendapatinya Semar yang lain dan diajak pulang ke Klampis Ireng. kedua Semar yang sedang berkelai. Keywords: adegan; akan; amarta; anoman; astina; atau; badar; baratayuda; batara; berubah; carangan; cerita; dalam; dan; dari; datang; dengan; guru; ini; itu; karena; kayangan; kresna; lakon; menjadi; oleh; pada; pandawa; para; resi; sedang; semar; tidak; untuk; wayang; wisuna; yang; yogyakarta
• Seni Postmodern dalam Wujud Konkretnya (Postmodern Art in a Concrete Form) by Malarsih, - (2011) - Vol. VI No. 3/September-Desember 2005 HARMONIA: JURNAL PENGETAHUAN DAN PEMIKIRAN SENI pandangan yang membagi seluruh ke- nyataan menjadi subjek dan objek, spiritual-material dan lain sebagainya yang mengakibatkan objektivisasi alam yang berlebihan dan pengrusakan alam yang berlebih-lebihan pula dan menga- kibatkan krisis ekologi, 2) pandangan yang bersifat objektivitas dan positivitas yang mengakibatkan manusia disamakan de-- Jiwa yang terdalam dari yang asli berbaur dengan seni massa yang dijadikan bahan dasar untuk mewujudkan seni postmodern. Keywords: adalah; adegan; atau; bahwa; budaya; dalam; dan; dapat; dari; dengan; domain; dunia; hal; ini; itu; karena; lain; massa; masyarakat; media; menjadi; namun; oleh; pada; pemikiran; postmodern; postmodernisme; produk; rekreasi; sebagai; secara; seni; tidak; untuk; yang
• Analisis Struktur Lirik Lagu "Indonesia Raya" Ciptaan W.R. Supratman (Structure Analysis of the Lyrics of the Song "Indonesia Raya" Composed by W.R. Supratman) by Nugroho HP., F.X. - (2011) - Sebagai karya satra, ia memiliki struktur atau sistem dan tanda yang bermakna. Khusus untuk cerita atau prosa, dijelaskan bahwa order adalah urutan/ aturan; urutan aksi harus teratur, harus menunjukkan konsekuensi dan konsistensi yang masuk akal terutama harus ada awal, pertengahan, dan akhir yang tidak sembarangan. Keywords: adalah; aku; atau; bangsa; dalam; dan; dapat; dari; dengan; harus; indonesia; itu; karya; kata; konvensi; lagu; lain; lirik; makna; menjadi; merupakan; oleh; orang; persatuan; raya; sastra; sebagai; struktur; tanda; unsur; untuk; yang
• Inkulturasi Musik Gereja di Batak Toba dan Simalungun (Inculturation of Church Music in Batak Toba and Batak Simalungun) by Adimurti, Juanita Theresia (2011) - motif b ini adalah pengulangan motif a, terjadi sekuen turun pada akhir birama motif a. motif c merupakan motif penutup, motif yang mengakhiri kalimat A. motif e dan d adalah motif yang sahut-menyahut antara pertanyaan dan jawaban motif f adalah motif penutup pada akhir lagu atau sebagai coda. Melodi dari musik Batak Simalungun berkarakter tenang, meng- alk, tidak ada jarak interval nada yang besar. Keywords: adalah; atau; batak; daerah; dalam; dan; dari; dengan; dipakai; gereja; ibadat; ini; inkulturasi; lagu; liturgi; motif; musik; nada; pada; sebagai; simalungun; tangga; tersebut; tidak; toba; untuk; yang
• MAKNA SIMBOLIS KOMPOSISI BEDAYA LEMAH PUTIH (BEDAYA LEMAH PUTIH COMPOSITION SYMBOLIC MEANING) by Bisri, Moh. Hasan (2011) - Ada beberapa tari Bedaya yang diciptakan oleh pencipta tari di luar Kraton, seperti tari Bedaya Lemah Bermunculan- nya tari-tari Bedaya di luar kraton menandakan adanya perkembangan jenis-jenis tari Bedaya yang lebih terbuka, artinya arah perkembangan yang tidak selalu berpatokan dengan kaidah-kaidah tari Bedaya Kraton. Keywords: adalah; atau; bahwa; balia; bedaya; dalam; dan; dari; dengan; itu; karya; kata; kraton; lemah; manusia; merupakan; oleh; pada; penari; putih; sebagai; seni; simbol; suatu; tari; tentang; tidak; untuk; yang
• RESEPSI BUDAYA DALAM BIDANG MUSIK DI INDONESIA BARAT DAYA: SUATU PENDEKATAN MENURUT HEISENBERGIAN by Sunarto, - (2011) - genderang pe- runggu masa Pra-Indic (Soekmo- no, 1985: 64-65), rangkaian gende- rang-genderang kecil, rangkaian gong-gong kecil, sistem syair dengan atau tanpa dua tingkatan bantuan (Iran, 1980: 747), manik- manik (Eliade, 1974: 179), per- mainan genderang yang menarik untuk penyejuk jiwa dan per- sembahan kepada arwah nenek mo- yang dan Tuhan (Hagen, 1961: 98), permainan gong (Soekmono. 1985: 67), dan seterusnya. Mereka dibawa ke daerah tro- pis yang hangat dan lebih nya- man oleh para imigran yang kelihatannya telah terseleksi secara ketat oleh perjalanan yang panjang dan ganas. Keywords: 2000.pdf �; asia; bali; dalam; dan; dari; dengan; gamelan; gong; india; indonesia; ini; jawa; kebudayaan; musik; new; oleh; pada; sebagai; untuk; yang; � sampai; � �
• MITOS DAN POSISI SENIMAN DALAM ERA GLOBALISASI by Jazuli, M (2011) - Mitos terjadi karena tidak ada nilai yang kuat dan menjadi pe- gangan atau panutan dalam ke- hidupan, sehingga situasi keko- songan nilai (anomie) tak terhin- darkan. dan sekaligus keberagaman melalui teknologi, komersialisasi, dan sin- kronisasi budaya yang dipengaruhi oleh Barat. Keywords: 2000.pdf �; dalam; dan; dari; dengan; diri; dunia; fenomena; ini; mitos; nilai; pada; posisi; sebagai; seniman; sering; tertentu; yang; � globalisasi; � �
• TARI SEBAGAI TERAPI BIMBIN6AN BAGI ANAK CACAT MENTAL by Jazuli, m (2011) - Tubuh penari merupakan ins- trumen (alat) tari, dan tubuh menjadi instrumen yang unik untuk membuat hidup, kehidupan, dan sentral peng- alaman manusia. Sungguhpun pengkategorian tingkat keterbelakangan tersebut masih sulit diandalkan ketepatannya karena memerlukan observasi yang jitu dan kesabaran yang tinggi. Keywords: anak; atau; bagi; bimbingan; cacat; dalam; dan; dapat; dari; dengan; itu; lebih; melalui; mental; merupakan; pada; pendidikan; sangat; sebagai; secara; seni; seperti; tari; tubuh; untuk; yaitu; yang; � �
• SLENDRO PELOG: SUATU KETERASINGAN DI DUNIA ANAK by B.S., Widodo (2011) - Pada lingkungannya juga tersedia be- rmacam-macam jenis seni dengan nilai yang bermacam-macam pula, yang diantaranya terdapat seni yang bernilai adi-luhung, etik, religi dan estetik yang tinggi, dan jenis seni lain yang bobot nilainya sangat be- ragam. Keadiluhungan seni karawitan yang banyak terucap dari para bu-dayawan dari dalam dan luar negeri belum mampu menggerakkan cu-riousity anak-anak untuk meng- akrabi gamelan. Keywords: akan; anak; dalam; dan; dari; dengan; ini; jawa; karawitan; kita; lagu; masyarakat; mereka; oleh; pada; pelog; pihak; seni; tidak; untuk; yang; � �
• PENGELOLAN ORGANISASI SENI PERTUNJUKAN by Bisri, Moh Hasan (2011) - Pendahuluan TULISAN ini sebagai penuangan hasil pengamatan yang penulis la- kukan dari beberapa kejadian yang banyak dialami atau dilakukan oleh beberapa organisasi seni pertunjuk- an, baik yang menamakan dirinya kelompok kesenian tradisional maupun yang menyebut dirinya ke- lompok kesenian modern atau yang enggan menyebutkan dirinya dari salah satu tadi. Hal yang lebih menarik sebagai sebuah studi seni, terutama keter- kaitannya tentang adanya pernya- taan-pernyataan yang dilontarkan oleh pihak yang mengatasnamakan seniman, yang menganggap bahwa seni itu mempunyai wilayah oto- nomi sendiri, dia memiliki otoritas yang bebas dari tekanan eksternal, seni harus dibebaskan dari segala macam kepentingan di luar seni sendiri. Keywords: adalah; atau; dalam; dan; dari; dengan; hal; harus; ini; karya; kesenian; lain; manajemen; oleh; organisasi; pengelolaan; pertunjukan; produksi; seni; tidak; untuk; yang; � �
• KEMAMPUAN MUSIKAL (MUSICAL ABILITY) DAN PENGARUHNYA TERHADAP PRESTASI BELAJAR MUSIK by Sumaryanto, F Totok (2011) - Alasan yang biasanya dikemu- kakan sehubungan dengan keterba- tasan proses belajar mengajar seni musik adalah menyangkut kurang- nya tersedia media/ sarana kemu- sikan, terutama alat-alat musik yang mampu mendukung terlaksananya proses belajar mengajar seni musik sebagaimana dikehendaki, di sam- ping adanya kemungkinan terbatas- nya kemampuan guru sendiri dalam melaksanakan kegiatan belajar me- ngajar Dengan keadaan tersebut, tidak mengherankan apabila pendidikan seni musik belum dapat menun- jukkan peranan secara menonjol ji- ka dibandingkan dengan pelajaran- pelajaran lainnya, seperti pelajaran eksakta, dalam arti bahwa pelajaran musik belum mampu memenuhi ha- rapan anak didik dan kurang dapat mengungkapkan serta mengem- bangkan potensi musikal yang di- miliki anak didik. Dengan demikian prestasi bela- jar musik adalah hasil usaha belajar yang berujud pengetahuan, sikap, dan keterampilan yang telah dicapai dari usahanya belajar musik selama waktu tertentu. Keywords: adalah; bahwa; bakat; belajar; bunyi; dalam; dan; dapat; dari; dengan; faktor; kemampuan; lingkungan; melodi; musik; musikal; nada; pada; proses; seni; siswa; suatu; tersebut; tertentu; untuk; yaitu; yang; � �
• FILSAFAT SENI: ANTARA PERTANYAAN DAN TANTANGAN (Philosophy of Art : Between Question and Challenge) by Susanti, Sukatmi (2011) - Khusus bidang musik, Langer berpendapat bahwa musik bukanlah seni yang paling universal, paling tinggi, dan yang paling ekspresif. Sedangkan di ladang seni rupa, Renaissance menghasilkan seorang pelukis, pemikir, dan arsitek yang bernama Michelangelo (1475 – 1565), disamping Leonardo da Vinci (1452 – 1519). Keywords: adalah; bagi; bahwa; bentuk; dalam; dan; dapat; dari; dengan; desember; filsafat; filsuf; hal; harmonia; ide; ini; jurnal; karya; keindahan; kita; langer; lebih; manusia; merupakan; musik; oleh; pada; pemikiran; pengalaman; pengetahuan; plato; sebagai; seni; seniman; september; tentang; tidak; untuk; vol; yang
• LOMBA MUSIK DALAM KONTEKSTUAL APRESIASI UMUM (Music Contest in General Appreciation Context) by Josept, Wagiman (2011) - Misalnya saja, dengan melalui dukungan nyata terhadap sistem pendidikan musik yang ada, menyediakan kesempatan dan dana yang cukup untuk konser-konser musik dalam kancah amatir maupun profesional; membentuk badan-badan penyelenggara pertunjukan yang mandiri (independent) dengan misi kebudayaan dan seni yang jelas, memberikan dukungan bagi kelompok musik yang ebrpotensi dari skala kecil hingga format besar seperti orkestra: mencontoh tradisi music camp seperti tingkat ASEAN yang Segmen kedua ini cukup besar dan mungkin yang paling banyak mengenyam keuntungan dari kemajuan musik Indonesia dewasa ini. Keywords: apresiasi; atau; baik; bentuk; dalam; dan; dapat; dari; dengan; desember; hal; harmonia; indonesia; itu; jurnal; komposisi; lagu; lain; lebih; lomba; menjadi; merupakan; musik; oleh; pada; para; pemikiran; pengetahuan; sebagai; secara; seni; seperti; september; tidak; untuk; vol; yang
• PERAN LOKAL GENIUS DALAM KESENIAN LOKAL (The Role of Local Genius in The Local Art) by Lestari, Wahyu (2011) - Mengikuti alur pikiran Wales maka terdapat dua alat kaji yang dapat digunakan dalam menganalisis penciptaan seni budaya local, yang dapat memberikan dasar pengamatan jati diri sesuatu kelompok masyarakat, baik bagi kepentingan sosial, ekonomis, kesenian (pertunjukan, tari, musik, arsitektur, seni rupa, dan sebagainya), legenda (cerita rakyat) dan sebagainya. Jumlah dan komposisi unsur tersebut pada kesenian suatu bangsa dibandingkan dengan yang dimiliki bansga lain yang dianggap sebagai sumber pengaruh. Keywords: akan; bangsa; bentuk; budaya; dalam; dan; dapat; dari; dengan; genius; indonesia; ini; kebudayaan; kesenian; lokal; masyarakat; nilai; oleh; pada; pengaruh; pengetahuan; secara; seni; tidak; unsur; untuk; yang
• PROGRAMATISME DALAM MUSIK INSTRUMENTAL ERA ROMANTIK (Programatism of Romantic Era in Instrumental Music) by Martopo, Hari (2011) - Dengan demikian, untuk mencapai pemahaman musik yang lengkap hendaknya tetap bersumber pada sejarah musik. Schubert adalah pencipta musik yang dikategorikan sebagai spesialis nyanyian, meskipun juga menghasilkan berbagai simfoni, musik kamar, dan musik piano. Keywords: abad; adalah; atau; beethoven; bentuk; dalam; dan; dari; desember; era; juga; ke-19; klasik; komposer; komposisi; lebih; musik; oleh; pada; pengetahuan; programatis; romantik; sangat; sebagai; sejarah; seni; seperti; september; simfoni; vol; yang
• SENI TARI DALAM PERSEPSI MASYARAKAT JAWA (Dance Art In Java Society Perception) by Hartono, - (2011) - Soedarso memberikan tahapan perkembangan masyarakat Jawa yang dihubungkan dengan hasil kebudayaannya dalam hal ini seni tari: Jaman Pra-sejarah, Jaman Purba (jaman kedatangan Hindu), Jaman Madia (kedatangan Agama Islam), Jaman Modern (Sorokin dalam Pamadi, 1985: 5). Golongan ini cenderung memberikan aspirasi yang tinggi terhadap suatu bentuk dan penampilan yang baru. Keywords: atau; bentuk; budaya; dalam; dan; dapat; dari; dengan; desember; hal; harmonia; hindu; ini; istana; itu; jaman; jawa; jurnal; kebudayaan; kehidupan; kerajaan; masyarakat; oleh; pada; pemikiran; pengetahuan; perkembangan; rakyat; sebagai; seni; september; sosial; tari; terhadap; tersebut; tidak; vol; yaitu; yang; yogyakarta
• LATAR BELAKANG PENCIPTAAN SENI (Background of Creative Art) by Aesijah, Siti (2011) - Jiwa manusia yang dikatakan sebagai rahasia agama, dari padanya timbul berbagai dorongan hidup. Yang pertama menimbulkan gerak yang ajeg dan tertentu, seperti gerak alat pencernaan, gerak pernafasan, peredaran darah, proses pergantian dan pertumbuhan dalam jaringan tubuh dan yang lain. Keywords: adalah; atau; bahwa; dalam; dan; dari; demikian; dengan; desember; harmonia; hasil; hidup; ini; itu; jiwa; jurnal; kebudayaan; kehidupan; keindahan; kesenian; lain; maka; manusia; menjadi; merupakan; oleh; pada; pemikiran; pengetahuan; proses; pula; rasa; sebagai; segala; seni; september; suatu; telah; terhadap; tidak; timbul; untuk; vol; yang
• TARI BALI : SEBUAH TELAAH HISTORIS (Bali Dance : A Historical Reasearch)) by Iryanto, V Eny (2011) - Jaman ketiga adalah jaman Upanisad, bukan upacara dan saji yang dipentingkan, tetapi pengetahuan batin yang lebih tinggi yang dapat membuka tabir rahasia alam gaib itulah yang menjadi pokok pandangan hidup. Pakaian bawahnya berbentuk awiran dan lelamkan yang dibuat dari kain berwarna dan di prada. Keywords: adalah; agama; atau; bali; baris; barong; dalam; dan; dari; dengan; desember; dewa; disebut; harmonia; hidup; hindu; ini; itu; jaman; jenis; juga; jurnal; kebudayaan; kepada; kepercayaan; lain; legong; masyarakat; menjadi; oleh; orang; pada; para; pemikiran; pengaruh; pengetahuan; pura; sangat; seni; seperti; september; tahun; tari; tetapi; tidak; untuk; upacara; vol; wayang; yaitu; yang; � �
• ASPEK HISTORIS WIRAWANITA DALAM BUDAYA JAWA (The Historical Aspect of Women's Bravery in Javanese Culture) by Subandi, - (2011) - Jika perbedaan sifat ini dipergunakan sebagai dalih untuk menghinakan yang satu kepada yang lain maka akan membawa kehancuran. Sidapaksa yang ingin menjadi suaminya lagi harus Vol.2 No.2/Mei-Agustus 2001 10 HARMONIA JURNAL PENGETAHUAN DAN PEMIKIRAN SENI memenuhi persaratan yang berat, yakni harus mampu membunuh raja Sulakrama yang jahat itu. Keywords: agustus; akan; candi; dalam; damarwulan; dan; dari; dengan; dewa; harmonia; hidup; itu; jaka; jawa; jurnal; kalinyamat; karena; kaum; kemudian; ken; kepada; mei; mendut; menjadi; nawangwulan; no.2; oleh; pada; para; pemikiran; pengetahuan; perempuan; raja; rara; ratu; satu; seni; seorang; seperti; setelah; sidapaksa; sri; suaminya; tokoh; untuk; vol.2; wanita; yang
• MAKNA DALAM BUSANA DRAMATARI ARJA DI BALI (Meaning in the Arja Dance Drama Costume in Bali) by Astini, Siluh Made (2011) - Namun pada masa kini kain prada banyak digunakans ebagai busana tari sebab warna yang gemerlap sangat cocok dengan jiwa yang dinamis tarian Bali, lebih-lebih jika disinari dengan lampu penerang kain ini elihatan sangat teatrikal. Dalam ragam hias Bali, terutama seni bangunan yang bertahtakan ukir-ukiran, warna yang paling banyak digunakan adalahw arna kuning, begitu juga pada tokoh-tokoh pewayangan yang digambarkan memiliki jiwa-jiwa yang agung seperti tokoh-tokoh raja, ksatria, yang busana dan mahkotanya seluruh bentuknya dipulas dengan warna kuning atau warna emas. Keywords: adalah; agustus; arja; atau; bahwa; bali; busana; dalam; dan; dapat; dari; dengan; design; dramatari; harmonia; hias; ini; itu; juga; jurnal; kain; mei; merupakan; no.2; oleh; pada; pengetahuan; perasaan; ragam; sangat; sebagai; seni; seperti; suatu; tanda; tempat; tersebut; tidak; untuk; vol.2; warna; yang
• RELIGIO-MAGIS SRIMPI ANGLIRMENDHUNG DI KERATON SURAKARTA (The Magis Religious Aspect of the Anglir Mendhung Srimpi in the Court of Surakarta) by Supriyanto, Mt. (2011) - E. Penutup Kekeramatan suatu tarian, khususnya budaya keraon disebabkan adanya beberapa tatacara adat dan kepercayaan yang kuat yang dimiliki Keraton Surakarta. mengukuhkan suatu hubungan antara di pemberi dan si penerima yang mantap dan yang kemudian harus lebih dikukuhkan lagi dengan suatu pemberian balasan. Keywords: agustus; anglirmendhung; atau; bahwa; bedhaya; dalam; dan; dapat; dari; dengan; halus; hujan; ini; itu; karena; kekuatan; keraton; ketawang; magis; mempunyai; merupakan; oleh; pada; seni; srimpi; surakarta; tari; tidak; untuk; upacara; yang
• MEMPERTIMBANGKAN KONSEP PENDIDIKAN SENI (Considering the Concept of Art Education) by Iryanti, V Eny; Jazuli, M (2011) - Hal ini berarti bahwa pengembangan kecerdasan harus diimbangi pengembangan fungsi otak kanan, potensi emosi dan seni. Pemilihan dan pengembangan materi juga harus memperhatikan signifikansi, daya tarik, atau perhatian, dan kemampuan belajar siswa. Keywords: budaya; dalam; dan; dapat; dari; dasar; dengan; elemen; harus; itu; kebutuhan; kemampuan; kompetensi; materi; nilai; pada; pendidikan; pengembangan; pengetahuan; sebagai; seni; serta; siswa; untuk; yang
• ORGANISASI SENI PERTUNJUKAN (KAJIAN MANAJEMEN) (The Organization of Performing Art (a Management Study) by Hartono, - (2011) - Demming (dalam Sallis, 1993:48) enyatakan kembankan kerjasama yang baik dengan pengurus dan semua yang terlibat dalam pengelolaan, serta merencanakan penggunaan semua peralatan dalam rangka usaha meningkatkan sumberdaya manusia dan kualitas produk yang dihasilkan. B. Manajemen Mutu Terpadu Manajemen Mutu Terpadu menyangkut barang dan manusia yang terlibat dalam usaha perbaikan terus menerus atau seluruh pengurus di semua tingkat maupun bagian ikut berpartisipasi dan bertanggung jawab terhadap kualitas produk atau jasa yang dihasilkan oleh organisasi/lembaga. Keywords: adalah; atau; dalam; dan; dapat; dengan; harus; jasa; kualitas; menerus; mutu; organisasi; pada; pelanggan; pembinaan; pengelolaan; pengetahuan; perbaikan; perubahan; pimpinan; proses; sebagai; semua; seni; suatu; terpadu; terus; untuk; visi; yang
• KEBANGKITAN TARI RAKYAT DI DAERAH BANYUMAS (The Resurgence of Folk Dances in Banyumas) by Indriyanto, - (2011) - Mereka cenderung memandang bahwa kesenian daerah yang mereka punya dalam hal tertentu memiliki nilai yang Bupati pada hakekatnya adalah kepala kaum bangsawan daerah yang Vol.2 No.2/Mei-Agustus 2001 62 HARMONIA JURNAL PENGETAHUAN DAN PEMIKIRAN SENI menjadi kelompok penguasa daerah. Keywords: adalah; banyumas; budaya; bupati; daerah; dalam; dan; dari; dengan; dewa; istana; jawa; juga; masyarakat; pada; pertunjukan; raja; rakyat; sebagai; seni; tari; untuk; yang
• FUNGSI TARI SEBAGAI SENI PERTUNJUKAN (The Function of Dance as A Performing Art) by Ratih E.W., Endang (2011) - Faktor tata rias dan busana merupakan faktor yang penting yang perlu mendapat perhatian serta penangan khusus. Apresiator tari dalam tahap pengenalan, b) apresiator tari dalam penikmat dan pengagum dan yang ketiga adalah c) apresiator tari dalam tahap penilaian (Graha, 1983: 58). Keywords: adalah; akan; apresiasi; apresiator; atau; dalam; dan; dapat; dari; dengan; faktor; fungsi; gerak; hiburan; ini; itu; jenis; karya; menjadi; merupakan; pada; pengetahuan; penonton; pertunjukan; sebagai; seni; serta; suatu; tari; tata; tersebut; tidak; untuk; yaitu; yang
• KRITIK SENI PERTUNJUKAN (Critic of The Performing Art) by Jazuli, M (2011) - Contohnya adalah kritik di dalam drama Yunani dipakai untu menentukankarya drama yang dianggap paling baik, dan yang terbaik itu akan memperoleh penghargaan berupa daun laurel, sebagai simbol penghargaan tertinggi bagi seseorang penulis drama terbaik. Selain itu, sebuah kritik seni harus mempertahankan aktifitas-aktifitasnya yang memancarkan kejelasan dan kekuatan proporsional dan mampu menyertakan posisinys (stage of the art) di antara jenis karya seni yang menjadi objek kritik . Keywords: adalah; agustus; aktifitas; apresiasi; atau; bahwa; bisa; dalam; dan; dapat; dari; dengan; harmonia; itu; karya; kritik; kritikus; oleh; pada; pemikiran; pengetahuan; penikmat; pertunjukan; sebagai; seni; seniman; seorang; tari; terhadap; untuk; yang

• Community-Based Art Education as a Cultural Transfer Strategy in the Jaran Kepang Art Performance of Semarang Regency by Kusumastuti, Eny; Rohidi, Tjetjep Rohendi; Hartono, Hartono; Cahyono, Agus (2021) - This research reviews community-based art education as a means to transfer the culture of Jaran Kepang performance. Rayonan Jaran Kepang is a collabora- tion of Jaran Kepang performance by one dancing group and the other ones. Keywords: art; arts; community; culture; dalam; dance; data; education; group; jaran; jaran kepang; kepang; kusumastuti; pendidikan; people; performance; research; semarang; seni; society; transmission

• Kompetensi sebagai Basis Pendidikan Seni (Competency as a Basic of Arts Education)Kompetensi sebagai Basis Pendidikan Seni (Competency as a Basic of Arts Education) by Setiawati, Rahmida (2011) - #' #(/$ %#%?&$.!.#-#1#$ %#1&+$,&$1!+*#)&,#& 6&'$+9%#(#<$6&'$(!*5!*.#$+&,&$+!*#-&1/ &(&/$ (#,&1&6&7$ (&,&*$ +!5&+&#& 0&%#-6&$)!*'&(/'$+&,&$1*#(!*#&I1*#(!*#& 6&'$(!-&0$,#(!(&+1&$,&-&.$+!*!5&&& +! #7 @!)#:&1&$ +!,#,#1&$ &%#9&- %! Keywords: $ +; -&.$; 1&"$; 6&"'$; dan; seni

• Banyumas People's Characteristics Symbolically Reflected on Calung Banyumasan Performance by Suharto, S. (2018) - Some aspects arising in performance reflect Banyumas people as an egalitarian, straightforward, like-to-gather, and syncretic society. This work model, which is consi- dered typical, is also supposed to appear in adjustment to Banyumas people’s sen- INTRODUCTION When we pay attention, many song lyrics and dance moves in lengger, dagelan, and senggakan are very special and reflect Banyumas people. Keywords: art; baladewan; banyumas; banyumas people; calung; character; culture; dance; data; lengger; meaning; music; people; performance; ramé; research; senggakan; songs
• The Prospect and Future of Youth Kroncong Group at Universitas Pendidikan Indonesia in Bandung by Supiarza, Hery; Sobarna, Cece; Sukmayadi, Yudi; Mulyadi, Raden Muhammad (2018) - In addition, this study will also increase the repertoire of Kroncong music, so that we can compare the future and prospects of youth in Campus’ Kroncong group activi- ty at UPI Bandung. Furthermore, the data in this study was in the form of documentation data about Kroncong music and the youth. Keywords: bandung; future; group; indonesia; kroncong; kroncong group; music; oemar; research; study; upi; youth; youth kroncong
• Integrating Parent’s Contribution into Music Class to Achieve Learning Purpose of Musical Expression by Haryono, Slamet; Ganap, Victorius; Sumaryanto, Totok; Rohidi, Tjetjep Rohendi (2018) - Teacher’s lesson material delivery The elementary school teachers in the research area delivered music lesson based on the lesson plan developed in KKG ac- tivities. All the above results indicate that the teachers teaching music lesson at the school were those who categorized as a classroom teacher. Keywords: activities; class; contribution; education; learning; lesson; music; parents; research; school; students; teacher
• Three Characters Moulded in Music Education by Sutawi, Tyas Kartiko (2018) - Music education process contains an interaction process which covers percep- tion or “rasa”, transforming, expressing and appreciating (Astuti, 2010). Music education as one of the subjects in school, could mean to students’ character building. Keywords: analysis; character; education; music; process; rasa; respect; students; table; value
• Musical Activity in The Music Learning Process Through Children Songs in Primary School Level by Sinaga, Syahrul Syah; Susanto, Susanto; Ganap, Victor; Rohidi, Tjetjep Rehendi (2018) - Syahrul Syah Sinaga et al., Musical Activity in The Music Learning Process ... 51 CONCLUSION Based on the research results, it is shown that the musical activities in SDN 01 Ungaran, SD Mardi Rahayu 01, and SD Mardi Rahayu 02 Ungaran consist of: (1) listening music activities; (2) singing acti- vities; (3) playing music activities; (4) mo- ving following the music activities; and (5) reading music notation activities. Playing music activities The activity of playing music in SD Negeri 01 Ungaran is done both as intra- curricular and extracurricular learning ac- tivities. Keywords: activities; activity; art; education; learning; music; notation; singing; song; students
• Lareh Nan Bunta: Power Systems and The Concept of Musical Aesthetics in Talempong Basaua in Luhak 50 Koto Minangkabau by Sastra, Andar Indra; Sriwulan, Wilma; Hendri, Yon (2018) - The emergence of Lareh Nan Bunta in a democratic system – or leadership – in Luhak Nan Tigo Minangkabau has cre- ated harmony in the social system of the community. Lareh Nan Bunta: Power Systems and The Concept of Musical Aesthetics in Talempong Basaua in Luhak 50 Koto Minangkabau. Keywords: basaua; bunta; concept; lareh; lareh nan; minangkabau; music; nan bunta; system; talempong; talempong basaua
• Contemporary Music and Its Challenges for Music Theory by Link, Martin W. C. (2018) - Analysis 1: Unambigious music theory in the past For centuries, music theory has been an important discipline to highlight structures and composition techniques of the great com- posers. The variety of new models such as the center tone-theory or open forms have a new challenge for music theory, which was used to give accurate definitions of a common denominator. Keywords: analysis; chords; contemporary; harmonic; hindemith; music; theory; time; tonality
• Developing Android Role Playing Game for Elementary Music Learning by Nugraha, R. Gita Ardhy; Sumaryanto, Totok; Utomo, Kamsijo Budi (2018) - Students felt bored because a lot of music learning process was delivered by theoretical and directly practice with a musical instrument, not playing songs di- rectly (Kusumadewi et al., 2011). The teacher explained that use mo- bile devices for music learning process are needed if viewed from student’s habit who often use mobile devices. Keywords: art; expert; game; indonesia; learning; media; mobile; music; process; rpg; score; songs; student
• Improving Prospective Primary School Teachers’ Skill in Playing Gamelan Degung: An Action Research in Indonesia by Julia, Julia; Supriyadi, Tedi; Iswara, Prana Dwija (2018) - To address this issue, Zakaria, Musib, and Shariff (2013, p. 226) believe that “music students have to un- dergo some training programs that can de- velop personal confidence, enhance moti- vation and skills in managing stage fright, proper breathing techniques and body communication”. Motivation to Learn to Play Gamelan Degung Motivation to Learn to Play Gamelan Degung Strongly Disagree Dis- agree Fairly Disagree Agree Strongly Agree Playing gamelan degung properly is very important to master. Keywords: action; degung; gamelan; gamelan degung; learning; music; playing; research; saron; school; students; teachers
• Kroncong Orchestration of Millennial Generation by Ganap, Victor (2019) - The first meeting with Hannah made the writer realized that kroncong music had developed outside Indonesia, thus this inspired him to conduct research on kron- cong orchestration of millennial generati- on, through a research grant of Postgra- duate lecturer at Gadjah Mada University in 2018. This situation also en- courages the writer to conduct research in welcoming the possible contribution that can be made by millennial generation to kroncong music, and strives to disseminate the results of his research to international readers. Keywords: generation; indonesian; kroncong; kroncong music; krontjong; music; musicians; orchestration; portuguese; research; song; village
• Percussion Pattern of Terebang Gede in Panggung Jati Studio, Panggung Jati Village, Serang by Suhaya, Suhaya; Rachman, Abdul; Sinaga, Syahrul Syah; Alfayad, Dandi Musa (2020) - Keywords: art; music; percussion patterns; terebang gede How to Cite: The study of percussion patterns both from rhythmic, tempo, and play will help in assessing the character values contained in the music of terebang gede. Keywords: banten; gede; instrument; jati; music; panggung; pattern; percussion; percussion pattern; research; terebang; terebang gede
• Markasan Strategy in A Best-Selling Music by Zandra, Rully Aprilia (2019) - Markasan used the power of the site in song lyrics and proved to be the domi- nant class. It can also be said that there is a link between popular song lyric writing strategies and their environmental backg- round and context. Keywords: keroncong; lyrics; markasan; market; music; scales; song; strategy; style; surabaya
• Sirojul Ummah: Music in Social Interaction by Cipta, Febbry; Gunara, Sandie (2020) - On the other hand, the support of husbands and children to the mothers of Sirojul Ummah personnel is one aspect that fosters the spirit to per- form and participate in spreading know- ledge and understanding of Islam to the surrounding community through fun and entertaining ways. However, the understanding of musicals was only obtained from the inte- raction among Sirojul Ummah personnel; then it developed over time due to the in- teractions of the personnel with the com- munity outside the Sirojul Ummah group. Keywords: actions; activities; group; interaction; marawis; music; personnel; practice; role; sirojul; ummah
• Strengthening National Identity Through The Learning of East Culture-Based Art Education by Setyawan, Dedy; Dopo, Florentianus (2020) - In the context of this research, the data obtained is a description of the analy- sis of the results of a sociological approach to see all social problems that occur in the world of art education, anthropological approach to see the problem of values that are connected between art education and reality in society, and through the libra- ry, research to explore the theoretical and scientific study problems of the meanings contained in the learning of eastern cultu- re-based art education to strengthen natio- nal identity. Local knowledge system in music education culture at indig- enous community Kampung Naga Tasikmalaya Regency. Keywords: art; arts; cultural; culture; eastern; education; identity; learning; music; ngada; research; values
• Western Song Singing Model to Improve Junior High School Students’ Singing Ability in Indonesia by Wadiyo, Wadiyo; Utomo, Udi; Haryono, Slamet (2019) - Singing activity for class Vll focused on basic singing techniques. The concepts and or theories used to discuss the problems in this study will certainly relate to creative learning using vocal techniques or singing techniques. Keywords: data; learning; material; music; research; results; singing; students; techniques
• Development of Assessment Instrument for Singing Skills and Playing Musical Instrument for The Music Teacher Candidates of General Schools by Utomo, Udi; Rachman, Abdul; Wafa, Mochammad Usman (2019) - These findings are not much diffe- rent from what happened in music teach- ers in junior high schools which showed that among music teachers there were still differences in priorities in setting goals and learning outcomes for their students. The results of these studies indicate that an increase in the professionalism of music teachers conducted both when taking education (pre-service) or when after occupying the position of the teacher (in-service) is very necessary. Keywords: assessment; education; instrument; items; music; notation; singing; song; task; teacher
• Weak of Effects of Music Education in The Establishment of Characters by Wicaksono, Herwin Yogo (2019) - Music education can form characters, that is, characters that can be formed through music education in schools. As for the weak influence of music education in shaping the character of someone who is involved with music activities, further research is needed. Keywords: activities; character; education; music; music education; research; values
• Mimicry and Hybridity of “Congrock Musik 17” in Semarang by Sunarto, Sunarto; Sejati, Irfanda Rizki Harmono; Utomo, Udi (2020) - The impact of such iden- tity politics urges local artists to create in- novations in keroncong music to develop its identity, one of which is by combining INTRODUCTION According to Paeni (2009), in the book Sejarah Kebudayaan Indonesia: Seni Pertunjukan dan Seni Media (History of In- donesian Culture: Performing and Media Arts), in the 1970s, keroncong music had been regarded as modern music because it played pop music. Keywords: arts; congrock; culture; genre; group; hybridity; identity; keroncong; media; mimicry; music; semarang; society
• Professional Competence of Teachers in Learning Music at Elementary Schools in Pontianak by Ghozali, Imam (2020) - Music art learning material in ele- mentary schools from grade one to grade six starts from getting to know, differenti- ate, make, and practice: (1) various rhyth- mic patterns, (2) tempo and dynamics, (3) short lengths and highs of low notes, (4) simple melodies, (5) simple harmonies (6) musical instruments, and (7) organizing musical performances. The implementation of music art learning in which most of the time allocation is filled with singing songs that are mas- tered (memorized) by the teacher. Keywords: art; competence; education; elementary; implementation; learning; mastery; material; music; research; school; teachers
• The Song of Macapat Semarangan: The Acculturation of Javanese and Islamic Culture by Cahyono, Agus; Widodo, Widodo; Jazuli, Muhamad; Murtiyoso, Onang (2020) - Pathêt as a concept discussing about an athmosphe- re of feeling stop in the arrangement of Javanese traditional music insrument (ga- melan), in macapat Semarangan songs are less applicable (Hastanto, 2009). However, the rules for recitation of macapat songs above are not applied in macapat Semarangan song. Keywords: acculturation; azan; composition; culture; elements; javanese; macapat; macapat semarangan; music; semarangan; semarangan song; song; syllables
• Critical View on The Existence of Gambus Tunggal Lampung: Promoting Collaborative Working Between Artists and Stakeholders by Tejapermana, Prisma; Hidayatullah, Riyan (2020) - This study’s results can be useful as a source of information, both for resear- chers, gambus tunggal artists, stakeholders, music education institutions, and the com- munity, about the form of gambus tunggal, their development in the community. The local government’s role has a tremendous impact, for example, providing an opportunity to perform gambus tunggal at various events, festivals, and many competitions. Keywords: arts; culture; existence; form; gambus; instrument; lampung; music; oud; research; tunggal
• SACRILEGIOUS ASPECT OF JAVANESE GAMELAN: PAST AND FUTURE by Pranoto, Henry Susanto (2013) - It gives some detail studies on their musical works that are influenced by Gamelan music in which those composers still gave a highly and rightful respect in their approach toward Gamelan music. Throughout history, we know for sure that Gamelan music was already introduced and being used as musical instrument for many Indonesian Kingdoms. Keywords: aspect; debussy; gamelan; gamelan music; harrison; indonesia; influence; instruments; islamic; javanese; kingdom; lou; middle; music; notes; people; piano; slendro
• Characteristics of Titounis Children Songs: A Study of Songs, Music Instruments and Onomatopoeia by Wafa, Mochammad Usman; Purwani, Neli; Malik, Abdul (2020) - The varied instrumentation of accom- paniment by utilizing imitations of sound combined with very simple song lyrics makes the presentation of Titounis songs different from songs from other children’s music video channels. Keywords: Titounis children song; onomatopoeia How to Cite: Wafa, M. U., Purwani, N., & Malik, A. (2020). Keywords: children; instruments; music; onomatopoeia; song; sound; study; titounis
• Preserving Gambang Semarang Music Through The Process of Enculturation in The Society by Raharjo, Eko; Soesanto, Soesanto; Rohidi, Tjetjep Rohendi; Utomo, Udi (2021) - serve gambang Semarang art in general and gambang Semarang music in particular. Abstract This study was devoted to investigating the preservation of gambang Semarang music through the enculturation process comprehensively. Keywords: art; culture; education; enculturation; gambang; gambang semarang; group; music; nang; nok; process; semarang; semarang music
• VALUE OF MORALITY IN MUSIC OF CONFUCIUS (551-479 BC) by Budi Santosa, J.C. (2013) - 93 VALUE OF MORALITY IN MUSIC OF CONFUCIUS (551-479 BC) J.C. Budi Santosa Department of Music, Institut Seni Indonesia Yogyakarta, Indonesia E-mail: Music could set the rhythm of human life to be regular and synergized; harmony in music could harmonize between minds and ac- tions. Keywords: 2001; ceremony; confucius; history; human; instruments; life; moral; music; people; sound
• Musical Expression of Sholawat Art in Multicultural Societies: A Study of Composition Forms by Yahya, Luthfi bin; Muttaqin, Moh.; Muchsin, Ibnu Amar (2020) - In Indonesian society, there are various kinds of sholawat known, which vary in terms of presentation, composition, lyrics, and calendar when viewed in musical terms, Sholawat Badar, Sholawat Alfiyah, Shola- wat Tibbil Qulub, and Sholawat Nariyah. For example, the song of Sholawat Badar strung together with the song Lir Ilir and popularized by Emha Ai- nun Nadjib (Najeeb, 2016), and an anony- mous artist (in Album Sholawat Terbaru Channel, 2018) and the song popularized by the Wali Band group (Vidiolirik, 2009) are using different melody. Keywords: allah; art; badar; expression; melody; music; prayer; prophet; sholawat; society; song; study; watch?v; youtube
• REOG AS MEANS OF STUDENTS’ APPRECIATION AND CREATION IN ARTS AND CULTURE BASED ON THE LOCAL WISDOM by Ambarwangi, Sri; Suharto, Suharto (2014) - The implementation of Arts and Cul- ture subject by bringing local art that is believed to contain local wisdom in Prin- gapus vocational schools is a synergistic effort due to the fact that most of the lear- ners are also the actors of these arts in their areas. Values that are believed to eventually be- come a part of the society, which are often called local wisdom, will facilitate this ma- terial as a medium of learning arts. Keywords: appreciation; art; arts; culture; education; learning; music; reog; school; students; values
• ARSIS AND THESIS: A REVIEW OF TWO ELEMENTS OF RHYTHM IN NON-TRADITIONAL MUSIC WRITTEN BY F. H. SMITH VAN WAESBERGHE D.J by -, Sunarto (2014) - Keywords: arsis; Thesis; music rhythm; non- traditional music. © 2014 Sendratasik FBS UNNES Keywords: arsis; thesis; music rhythm; non-traditional music HARMONIA : Keywords: accent; arsis; bars; melody; music; rhythm; short; thesis
• MUSIC EDUCATION AND TASTE FORMING OF CLASSICAL MUSIC STYLE: CASE STUDY IN CULTURAL INSTITUTIONKARTA PUSTAKA YOGYAKARTA INDONESIA by Sitowati, Inggit (2014) - The purpose of this study is to describe the history of Karta Pustaka and organizing classical music concerts, the concert format, and its role in supporting classical music education in Yogyakarta. Classical music concert is organi- zed by Karta Pustaka since 1970. Keywords: concert; education; karta; karta pustaka; knowledge; music; music concert; musicians; pustaka; students; study; yogyakarta
• Aesthetic Response of Audiences’ Behavior of Dangdut Koplo Music Performance by Wiharyanti, Theresia Ratna; Florentinus, Totok Sumaryanto; Utomo, Udi (2020) - This research is in line with what researchers did in ob- serving dangdut koplo music genre, which has the same goals, it is how much they like dangdut koplo music and how much dangdut music influences their daily li- ves. The results of an interview with Mas Bancet, a fan of dangdut koplo music, arises from a sense of liking to dangdut music by always following and watching the Bonex group at every show held. Keywords: audience; behavior; dangdut; dangdut koplo; group; koplo; koplo music; music; performance; research; response
• The Jaipongan Drumming Strokes in Lagu Gedé in Sundanese Gamelan by Saepudin, Asep; Yulaeliah, Ela (2021) - 43 The Jaipongan Drumming Strokes in Lagu Gedé in Sundanese Gamelan Asep Saepudin, Ela Yulaeliah Institut Accepted: 2021-04-26 Abstract This paper aims to describe the Jaipongan drumming strokes in Lagu Gedé. Keywords: artists; asep; dance; drummer; drumming; embat; gedé; jaipongan; karawitan; lagu; lagu gedé; music; opat; song; strokes; sundanese; tepak; wilet
• THE LESUNG MUSIC IN THE VILLAGE OF LEDOK BLORA REGENCY by Suharto, S.; Aesijah, Siti (2014) - The subject of research is Blora people who still play lesung music as an expression of social and cultural activities in the community. © 2014 Sendratasik FBS UNNES Keywords: lesung music; functions of arts; ethnomusicology INTRODUCTION The music of lesung is one of the tra- ditional arts that flourishes along with the expression of gratitude over the bountiful rice harvest. Keywords: art; existence; ledok; lesung; life; music; people; research; rice; village
• Teaching and Learning Music in Digital Era: Creating Keroncong Music for Gen Z Students Through Interpreting Poetry by Supiarza, Hery; Sarbeni, Irwan (2021) - Poetry was chosen since this literature type has historical closeness to Keroncong music, especially in the Keroncong Stambul and Keroncong eras in the 1950s. The issue of Keroncong, whose development has been stagnant since the 1980s, is expected to trigger the Z generation to emerge a solution in the form of Keroncong music. Keywords: analysis; digital; education; generation; group; journal; keroncong; kroncongisasi; learning; lyric; melody; music; poetry; process; project; research; song; students; style; technology
• Advocating for The Sustainability of Semai Indigenous Music Through The Collaborative Creation of New Traditional Music: A Participatory Action Research (PAR) Methodology by Chan, Clare Suet Ching; Saidon, Zaharul Lailiddin (2021) - Traditional Semai music is lo- sing its appeal to the Orang Asli youth ge- neration who are more interested in popu- lar music and global popular culture. Although our personal interests are to promote Semai musical instruments in the new arrangements, the young musi- cians were not familiar with playing any of the Semai music instruments, namely, the rangot (jew’s harp), kereb (bamboo zither) and pensol (nose flute). Keywords: action; advocacy; approach; bah; community; jenulak; kang; music; musicians; participatory; project; research; semai; sustainability; team
• Popular Banjar Song: Study on Music Form and Media Culture by Hadi, Sumasno; Sulisno, Sulisno (2021) - This amount is large enough to become a consumer of Banjar song music in the Banjar language. Meanwhile, in studying the culture-media discourse on popular Banjar songs, it is carried out using the Pierre Bourdieu’s social practice approach which focuses on the concepts of habitus, capital, and the cultural field. Keywords: banjar; banjar song; capital; culture; form; habitus; kalimantan; media; music; popularity; social; song; south; study
• The Effect of Music Listening and Progressive Muscle Relaxation on The Stress Level of Novice Music Teachers during Coronavirus Disease 2019 (Covid-19) in Malaysia by Peyee, Yong; Wing, Cheong Ku; Hwa, Poon Chiew (2021) - Fortunately, music teachers can continue to teach on- line without traveling to work. Therefore, the purpose of this research is to investiga- te the challenges that caused stress among music teachers during the pandemic and to compare the effect of music listening and PMR on the stress levels of high-mo- derate and low-stress music teachers. Keywords: challenges; journal; listening; mean; muscle; music; music teachers; participants; relaxation; research; stress; students; teachers; teaching; test
• Implementation of Kupingan Method in Javanese Karawitan Music Training for Foreigners by Widodo, Widodo; Susetyo, Bagus; Walton, Susan; Appleton, William (2021) - On the other hand, the materials of complex gending with larger formats than lancaran are more effective to be disseminated by karawitan notation that is written in detail and elaborated with a demonstration of the song play. Aside from its function as the re- ference, karawitan notation also functions as the interpretation of gending creation ex- pressed in the joint performance through the sound signal and response between ri- cikan (instruments) and vocals. Keywords: composition; gamelan; gending; instruments; javanese; karawitan; kupingan; method; music; participants; play; training
• Bach and Busoni Essentials in A Chaotic World by Lee, Seow Phing; Ooi, C. H. Raymond; Cheong, Ku Wing (2021) - Keywords: piano transcription, beauty in music, symmetry, golden section, music aesthetics How to Cite: Lee, S. P., Ooi, C. H. R., & Cheong, K. W. (2021). From “The Beautiful in Music”, Hanslick (1891, p.92) postulates that mathematics controls the intellectu- al manipulations of primary elements of music and is secretly at work in the most simple relations, especially rhythm where the fundamental in mathematical pattern and the geometrical structures embedded in musical, architectural concepts convey beautiful dynamical forms (Knyt, 2012). Keywords: bach; bariolage; bars; busoni; figure; music; piano; transcription; violin
• The Identity Construction Through Music Notation of The Indigenous Style of Gitar Tunggal Lampung Pesisir by Hidayatullah, Riyan; Jazuli, Muhammad; Syarif, Muhammad Ibnan (2021) - Keywords: Music notation, Gitar tunggal Lampung Pesisir, indigenous style, Lampung culture How to Cite: Hidayatullah, R., Jazuli, M., & Syarif, M. I. (2021). Music notation is a lan- guage that defines what can be said. Keywords: coastal; culture; dan; gambus; gitar; gitar tunggal; identity; imam; lampung; music; music notation; notation; notation system; people; pesisir; rozali; society; style; system; tunggal; tunggal lampung; writing
• A Comparative Study of Playing Patterns on Gambang and Ranat Ek Instruments by Rachman, Abdul; Teangtrong, Pramot; Jirajarupat, Phakamas; Cahyono, Indrawan Nur (2021) - This means that the playing pattern between one player and another is likely to be different even though they do the same type of basic playing pattern. Melodic playing pattern with eighth-note values tends to have fast characteristics when compared to melodic patterns with quarter notes. Keywords: gambang; hand; kan; music; note; pattern; playing; playing pattern; ranat; seleh; tone
• Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis by Indrawan, Andre; Albarsani, Noer Iskandar; Kustap, Kustap; Suryati, Suryati (2021) - Another study con- textualizes musical form study with stage communication strategy. Another study contextualizes musical form study with stage commu- nication strategy. Keywords: arrangement; astor; chord; form; guitar; kunimatsu; melody; minor; music; oblivion; original; period; phrase; piazzolla; research; study; version
• 24 Jie Ling Gu (24 Festive Drums): Imagining the 24 Jie Ling (Phenomena) of China in Enacting Cultural Solidarity among the Chinese Diaspora of Malaysia by Chan, Clare Suet Ching (2022) - 213 24 Jie Ling Gu (24 Festive Drums): Imagining the 24 Jie Ling (Phenomena) of China in Enacting Cultural Solidarity among the Chinese Diaspora of Malaysia Clare Suet Ching Chan Universiti Putra Malaysia, Malaysia Submitted: 2021-08-30. 24 Jie Ling Gu (24 Festive Drums): Imagining the 24 Jie Ling (Phenomena) of China in Enacting Cultural Solidarity among the Chinese Diaspora of Malaysia. Keywords: arts; chan; china; chinese; figure; jie; jie ling; jie qi; ling gu; malaysia; music; position
• Changes in Form and Style in Randai Performance at The Minangkabau Diaspora in Malaysia by Indrayuda, Indrayuda; Samsuddin, Mohd Effindi (2021) - Differences in Gurindam Dayang Daini between Randai Palimo and Randai Randai Palimo Randai in West Sumatera Mano sagalo niniak mamak Sarato sanak dan josudaro Rila jo maaf kami pinto Manola niniak, nan jo mamak Cukuik panonton, kasadonyo (repeated twice) Kami baRandai nan mudo-mudo Jiko kok salah maaf dipinto Sagalo kami anak-mudo-mudo Maaf jo rila,nan kami mintak Kami bamain, nan mudo mudo (repeated twice) INTRODUCTION The issue of Randai Minangkabau art has been written by many experts and researchers at various universities both in Indonesia and abroad. Keywords: acculturation; adaptation; art; arts; changes; community; culture; diaspora; form; gurindam; indrayuda; malaysia; minangkabau; minangkabau diaspora; music; negeri; performance; randai; research; sembilan; silat; story; style; sumatra; west
• Idris Sardi’s Influence on Musical Development and Education in Indonesia by Fu'adi, Fu'adi; Sudira, Putu; Astuti, Kun Setyaning (2021) - To avoid the monotony of the song’s main theme, on the four-bar beat 20 Idris Sardi plays an octave higher than part A. Idris Sardi plays the melody in bar 21 directly using vibrato, in contrast to the main theme in part A. Vibrato is combined with the glissando technique with one fin- ger. Accepted: 2021-12-26 Abstract Idris Sardi is known as a music maestro in Indonesia. Keywords: development; education; figure; fu’adi; idris; idris sardi; indonesia; keroncong; learning; music; playing; research; sardi; vibrato; violin
• Music Assessment Techniques for Evaluating the Students’ Musical Learning and Performance in the Philippine K-12 Basic Education Curriculum by Tabuena, Almighty Cortezo; Morales, Glinore Santiago; Perez, Mary Leigh Ann Corpuz (2021) - The study accomplished this purpose by res- ponding to the following refined questions: (1) How may the following be described in terms of music assessment techniques for evaluating musical learning: (a) the philo- sophy and objectives of music education; (b) classroom assessment in the K-12 basic education program; and (c) implementati- on of music classroom assessment techni- ques; and (2) what are the research-based music classroom assessment techniques for evaluating students’ musical learning in the Philippine K-12 basic education cur- riculum? As a form of intervention, music assessments enable students to see their progress over time. Keywords: assessment; assessment techniques; classroom; classroom assessment; education; evaluation; learning; music; research; students; teachers; techniques
• The Role of In-Service Teacher in Supervising Pre-Service Teachers during Teaching Practicum Program by Latifah, Diah (2014) - Results show that the supervision by an in- service teacher has been successfully enhanced the ability of pre-service teachers in teaching art and culture, particularly music lesson. The competence of pre-service teachers can be achieved by giving them examples, model, and music experience from in-service of the pre-service teachers. Keywords: learning; music; program; service; service teacher; skill; students; supervision; teachers; teaching
• Singing as a Strategy to Enhance the Ability to Speak for Early Childhood by Kristyana, Lidya Ndaru; Suharto, S. (2014) - With the presence of music les- son, children may build up their talents as well as for early age children to grow based on their talents and interests in the field of language, communication, physic, emotion, cognition, knowledge, social, and aesthetic. Children are still indifferent to the learning process 62.5%, children talk to themselves or chatting with others 83% and children still have trouble following the teaching and learning process 83%. Keywords: ability; children; cycle; language; learning; music; singing; song; speaking; strategy
• The Equivalence of Translated Songs Lyrics and their Effects - The Case of Translated Ecclesial Songs by Suharto, S.; Subroto, Edi (2014) - Keywords: eclessial songs; equivalence; song effects, song lyrics How to Cite: Suharto, S., & Subroto, E. (2014). Abstract This study aimed at describing the equivalence of eclessial song lyrics, which belong to the content word, the meaning of the sentences and their effect on church songs. Keywords: bars; content; equivalent; language; lyrics; melody; music; sentence; song; translation; words
• Chinese Music Teachers’ Perceptions of Context Issues and Transmission Modes in World Music Teaching by Zhuang, Chun Mei; Pan, Kok Chang (2022) - Music teachers in primary and secondary schools may have to choose between traditional transmissi- on systems and western formal music edu- cation or a combination of the two when developing teaching strategies. Keywords: Chinese music teachers, perceptions, world music teaching, cultural context, transmission modes How to Cite: Zhuang, C. M., & Pan, K. C. (2022). Keywords: approach; context; education; music; music teachers; perceptions; teachers; teaching; tradition; transmission; world
• Analysis of Movement and Music Characteristics of Performance Art in “Touching the Heart for a Broken Wing” Performance by Rochbeind, Fenny; Pristiati, Tutut (2022) - The characteristics or characteris- tics of performance art are borrowing sty- les and ideas from other art forms or so- metimes from other forms of activity that embrace popular art forms, not related to art, such as rituals, daily activities, and even sports. The results of the empirical analysis show that artists use performance art to challenge ‘what is art.’ Keywords: art; audience; body; characteristics; heart; movement; music; performance; performance art; performer; wing
• Development of the Religious Character of the Nation through Learning Religious Songs: Teachers’ Perception and Challenges by Julia, J.; Supriyadi, Tedi; Iswara, Prana Dwija (2022) - (Teacher 2) Religious songs were useful for growing be- lief in God and the Prophets as messengers of God, and also for strengthening students’ commitment to all obligations from God in order to give birth to virtues (Teacher 4) I used religious songs to cultivate the moral ethics of students to display commendable behaviors to both fellow humans and the en- vironment. The research resulted in themes related to teachers’ perceptions of developing students’ religious character through religious songs. Keywords: character; data; development; education; https://doi; journal; learning; music; process; research; school; songs; students; study; teachers; values
• The Use of Laras in Contemporary Gamelan Music by Gunawan, Iwan; Milyartini, Rita; Masunah, Juju (2022) - Thus, the traditional gamelan instrument is very possible to develop and change aesthetically in new ideas or con- cepts so that it can be called a contempora- ry gamelan work. In the research conducted by Risnandar (2018:104) on gamelan tone explains that the embat also determines the characteristics of the laras. Keywords: degung; gamelan; gamelan music; laras; melody; music; pelog; salendro; tones; use; work
• The Patterns of Music Learning in Phenomena of Valerio International Guitar Festival by Walidaini, Birul; Sayuti, Suminto A; Pradoko, AM Susilo (2022) - It was con- ducted in the final round of the open category of the 2018 Valerio International Guitar Festival. The research findings show that the music learning process among the finalists of the 2018 Valerio International Guitar Festival is carried out through lectures (formal), courses (non-formal), and community (non-formal). Keywords: competition; education; festival; finalists; guitar; guitar festival; international; international guitar; learning; music; research; valerio; valerio international
• Effect of Music Therapy on Oxygen Saturation Level: A Literature Review by Chakravarty, Ruma; Mehta, Neena; Vir, Dharam (2022) - Music therapy offers encouraging evidence-based outcomes for stabilising vital parameters to improve symptoms as- sociated with complex illnesses such as autism spectrum disorder or major depressive disorders. The purpose of this review is to 1) identify scientific literatures that offer insights on the effect of music therapy on oxygen saturation levels of patients undergoing treatments for diverse con- ditions; 2) compare the effects of music therapy based on identified parameters 3) analyse the critical reviews of the researchers of studies included in this literature scan and 4) synthesise the review findings for the benefit of future scientific researches on the effect of music therapy on oxygen saturation levels. Keywords: effect; et al; infants; levels; literature; music; music therapy; oxygen; oxygen saturation; papers; patients; review; saturation; studies; therapy
• The Effect of Music-Based Intervention on Linguistic Skills: A Systematic Review by Sinn, Ow Su; Hwa, Poon Chiew; Wing, Cheong Ku; Cooper, Shelly (2022) - Inclusion and Exclusion Criteria Studies selected were based on the following inclusion criteria: (1) involved participants who were kindergarten age to elementary age with typical physical and cognitive abilities; (2) researchers examin- ed the effects of music intervention, either music-based or music and movement- based, on linguistic skills; (3) methodolo- gy included pre- post-test experimental or quasi-experimental. Davis and Fan (2016) noted the combination of music and movement intervention and song- based intervention was equally effective in improving linguistic skills. Keywords: assessment; children; design; education; group; intervention; movement; music; participants; reading; skills; studies
• The Development of Art Learning Model at School (A Review of Music Education Learning in Indonesia) by Mack, Dieter (2015) - It is hoped that assumptions related to imple- mentation of Western music as the central material of music education can get dec- reased for the sake of appreciating the di- versity of local cultures. However, if art education, in this case is music education, is taught theoretically based on other cultural materials, then the consequences will be worse for students. Keywords: education; knowledge; learning; model; music; process; students
• Laras in Gamelan Music's Plurality by -, Widodo (2015) - Supanggah (2002, p. 71) formulates the classification of ricikan Gamelan based on the musical role in garap gending (the performance). How is plurality in Javanese karawitan created in order to es- tablish laras? Keywords: dan; diversity; gamelan; garap; gending; irama; javanese; jawa; karawitan; laras; means; music; order; pathêt; performance; plurality; ricikan; surakarta; tone
• Max as a Digital Platform for Noise Music Performance by Mokhtar, Muhamad Hafifi; Chan, Clare Suet Ching (2023) - This would help in analyzing the products of this ex- ploration of Max as a digital platform for noise music performance for the outcome could be recognized as noise music. Abstract This article explores Max as a digital platform for performing noise music through a practice-led research method. Keywords: audio; max; music; noise; patch; patches; performance; research; sound
• Music and Identity: Immortal Rites’ Art as the Narrative of Contemporary Kejawen Identity by Akhtabi, Petrik Mahisa; Puryanti, Lina (2022) - Kejawen Black Metal is a hybrid mu- sical subculture that articulates typical Ja- vanese values and concepts by using the Black Metal aesthetic. With approximate- ly 20 years of being active in the Indone- sian Black Metal movement, this seminal Kejawen Black Metal band stays true to the motivation of keeping Javanese antiquity from being lost and forgotten (Gerilya Ma- gazine, 2020). Keywords: ancient; api; arang; arts; contemporary; culture; daha; history; identity; javanese; jawa; kediri; kejawen; language; metal; music; narrative; rites; wallach
• Polemic and Reasons for Reusing Wayang and Gamelan as A Medium for Contemporary Preaching Islam Religion in Central Java, Indonesia by Setiawan, Aris (2022) - He revealed Aris Setiawan, Polemic and Reasons for Reusing Wayang and Gamelan as A Medium for 259 that wayang stories provide lessons or ot- her teachings not found in pesantren. Islamic stories are inclu- ded in the narrative of wayang stories. Keywords: art; arts; education; gamelan; islam; islamic; javanese; journal; kiai; music; people; pesantren; preaching; qur’an; research; santri; wayang; world
• Bia Music: Traditional Music Heritage and Preserving Tradition Across Generations by Kapoyos, Richard Junior; Suharto, Suharto; Syakir, Syakir (2022) - Bia Music performance (Documentation of Richard Jr. Kapoyos) Abstract This research aimed to see the phenomenon of the bia music of the Minahasa tribe that needed to be carefully observed in considering Bia Music then until now was shifting and changing due to the society’s lack of awareness towards Bia Music. Keywords: art; arts; batu; batu village; bia music; community; cultural; culture; education; form; generation; instrument; learning; life; minahasa; music; people; process; village
• Minang Women’s Music in Matrilineal Kinship: Revealing the Boundaries of Ethics and Performance Aesthetics by Sriwulan, Wilma; Irwan, Irwan; Kasman, Selvi; Hendri, Yon; Erizal, Erizal (2023) - That is, the descent is based on the maternal (women) line, therefore Minangkabau women have their position and role in the customs developed by their society. Keywords: women music; matrilineal kinship; performance; minang; minangkabau How to Cite: Sriwulan, W., Irwan, I., Kasman, S., Hendri, Y., & Erizal, E. (2023). Keywords: anak; bundo; dendang; kanduang; matrilineal; minang; minangkabau; music; nagari; research; society; talempong; tradition; women
• Razak Abdul Aziz’s Pepatah Episodes: Re-Imaging the Malay Proverbs through Piano Music by Zamani, Mohd Fairuz (2023) - Keywords: proverb, piano programme music, Razak Abdul Aziz, programme music analysis, Malaysian contemporary composer How to Cite: Zamani, M. F. (2023). The composer follows the tradition of piano programme music that uses figurative language elements championed by composers such as Alexander Scriabin, Claude Debussy, and Maurice Ravel. Keywords: abdul; author; aziz; composer; episodes; figure; imageries; language; movement; music; pepatah; piano; programme; razak; works
• Cognitive Determination of Musical Thinking and Musical Self-concept of Students and Musicians: Comparative Diagnostics, Aspects of Modeling and Forecasting by Mazur, Iryna; Нrinchenko, Tеtіana; Teplova, Olena; Onofrichuk, Liudmyla; Priadko, Olena (2022) - Abstract The article’s purpose is to define the cognitive determination of musical thinking and musical self-concept of students and musicians, considering the cognitive style of the individual, ana- lytical-holistic thinking, and individual psychological abilities. Keywords: musical thinking, musical self-concept, cognitive styles, analytical-holistic thinking How to Cite: Mazur, I., Нrinchenko, T., Teplova, O., Onofrichuk, L., & Priadko, O. (2022). Keywords: activity; authors; cognitive; concept; development; music; musicians; self; sense; students; thinking
• Representation of Local Styles in Cingcangkeling Performance at the International Choir Festival as a Reflection of Sunda Cultural Identity by Gustina, Susi; Paz, Farhan Reza; Soeteja, Zakarias S. (2023) - In addition to texts in the original language, choir administrators must also consider other non-musical com- ponents, such as the use of movement in choir performances. Bartolome (2018), who also focuses his research on choir groups in South Africa, concludes that the choir emerges as a resource that bridges social capital, encourages cooperation among participants from various racial and cultu- ral backgrounds, promotes inter-cultural understanding and trust, as well as foste- ring a broader sense of South African na- tional identity. Keywords: choir; cingcangkeling; cultural; culture; figure; folksong; identity; international; music; performance; research; sound; styles; sundanese; voice
• Forms, Development and The Application of Music Media in The Kindergartens: A Comparative Study of Two Kindergartens by Sumaryanto F., Totok; Utomo, Udi (2015) - Accepted: November 29, 2015 Abstract This study was aimed at investigating the form of music media employed in the teaching and learning process (TLP) in the kindergartens, and the teachers’ effort to develop and apply music media in the TLP. In TK Hj. Isriati, the teachers used music media in the form of music composition and electronic equipment; and the new music instruments were used by the teachers in extracurricular activities. Keywords: activities; activity; equipment; media; music; students; teachers; tlp
• Music and Mathematics: Processing Repetition Techniques with the Least Common Multiple (LCM) in Rajékan Music Composition by Budiawan, Hery; Ananda, Rizky Fauzy (2023) - In Rajékan’s work its use and application is different from research or repetition pro- cessing techniques from other composers, LCM works in music composition work is perceived by researchers as a new way that can ease the making of musical works (Azaryahu et al., 2023), just as the mani- pulation of motifs in music composition can make the time of working on musical works more effective ways (A. L. Uitden- bogerd & Zobel, 1998; A. Uitdenbogerd & Zobel, 1999). The polyrhythmic formed from the presentation of development motifs and original motifs played simultaneously is 1:11/2:2:3: 4:6:8 with motif patterns that cross several rhythmic segments to be able to start from the beginning of the motif with the exact same tone simultaneously. Keywords: composition; development; lcm; mathematics; motif; multiple; music; processing; rajékan; repetition; research; rhythm; technique; time; value; work
• The Forging of a “Singapore Sound” in Saxophone Compositions of Zechariah Goh by Ho, Leslie Wong Kah; Bampenyou, Rattanai (2023) - Keywords: Saxophone music; Singapore Sound, Singapore composition How to Cite: Ho, L. W. K. & Bampenyou, R. (2023). This study aims to provide insights into Goh’s fusion of Western music composi- tion techniques with traditional Tibetan and Indian music elements in two of his saxophone works: Images of Tibet for Sopra- no Saxophone and Piano, and Confluence for Saxophone Ensemble and Mridangam. Keywords: confluence; elements; figure; form; goh; images; indian; mridangam; music; saxophone; singapore; tibet
• Tegalan Song: An Expression of Musical Culture Identity of the Coastal Communities of Northern Coast of Java by Andaryani, Eka Titi; Utomo, Udi (2024) - Although using “ngoko” in Javanese, tegalan song lyrics are composed while still paying attention to meaning, like poetry. In summary, tegalan song lyrics, alt- hough not all explicitly convey the iden- tity of the Tegal community, are believed to represent the emotional structure of the Tegal community. Keywords: ana; communities; community; culture; data; dhimas; example; identity; javanese; language; lyrics; music; ngoko; research; riyanto; songs; tegal; tegalan; tegalan songs
• Ulahahan Babatu Orchestra: Concept and Functional Role of Inclusive Music Community by Aryandari, Citra; Siahaya, Karel Martinus; Hazmi, Fariz Al (2023) - Then the results of research by Veblen (2007) explain that music communities are always formed and determined by certain social settings in relation to issues of participant charac- teristics, interactions between objectives, knowledge, and teaching-learning strate- gies, as well as interactions between social context, informal cultural education, and formal. So that the discussion of music communities that focus on inclusive concepts is an in- teresting part to study; apart from that, as a traditional music community that is still relatively new to the presence of the Ula- hahan Babatu Orchestra, it is an interesting topic to discuss. Keywords: art; babatu; babatu orchestra; community; concept; education; group; members; music; orchestra; people; research; role; toki; ulahahan; ulahahan babatu
• The Role of Parents in Their Children’s Artistic Education: The Effect of Parental Involvement in the Transgenerational Process by Szűcs, Tímea; Váradi, Judit; Kelemen, Henrietta; Miklódi-Simon, Zsófia; Pusztai, Gabriella (2023) - By resear- ching the practices of ten families of three- year-old children, she explored the types of musical activities parents engaged in at home. Harris and Graves (2010), examining African American boys, found that cultu- ral capital from family backgrounds was not evident in music studies. Keywords: arts; children; education; home; involvement; journal; music; music education; parents; research; school; studies; study
• Music for Hospitalized Children in Service-Learning: Academic and Personal Implications for Teachers in Training by García-Gil, Desirée; Cuervo, Laura; Bonastre, Carolina; Camilli, Celia (2024) - The categories we obtained were related to learning achieved by university students, their personal growth, and the impact of hospital service on the different agents who participated in the experience. Mo- reover, the experience of a “real” learning environment can help university students understand music’s potential for impro- ving psychological and emotional growth in children (Gillanders et al., 2018). Keywords: children; competencies; development; education; experience; garcía; hospital; impact; learning; methodology; music; musical; project; psn; research; service; social; students; study; university
• Teaching Piano to Blind Children: An Analysis of Positive Perceptions Based on Perma Framework in Qingdao, China by Xin, Jiang; Poon, Chiew Hwa Chiew; Cooper, Shelly; Wing, Cheong Ku (2023) - It was identified in the interview that the relationship between piano teachers and blind students at the early stage of te- aching was relatively distant. There are existing research gaps in the literature regarding inclusive educa- tion and positive psychology; therefore, in this study focused on inclusive education and positive psychology to discover the issues and difficulties that Chinese piano instructors experience while educating blind piano students. Keywords: children; education; journal; learning; music; parents; perma; piano; psychology; research; students; study; teachers; teaching
• Play-Based Learning With Games as a Dance Teaching Tool by Azmi, Nurafiqah Diyanah; Ha, Sang Woo (2024) - The effectiveness of teaching games for understanding to promote enjoy- ment in teaching games of physical education lesson. Playing games repeatedly or doing repetitive movement patterns helps students understand move- ment for deepening and the game’s rules. Keywords: children; class; classes; dance; education; games; learning; movement; music; play; skills; students; teachers; teaching
• Suzuki Piano Method and Flow Experience among Adult Piano Beginners: A Quasi-Experimental Study by Chen, Liu Xiao; Ta, Wang I; Yie, Wong Kwan (2023) - Therefore, this study modified the S-FSS, creating a new measurement tool, the Learning and Performing Experience Scale (LPES), bet- ter suited for measuring flow experience in adult piano beginners. “Action-awa- reness merging,” which is a dimension of flow experience, emphasizes the relation- ship between self-awareness, spontaneity, and flow (Hart & Di Blasi, 2015). Keywords: control; experience; flow; flow experience; group; learning; method; music; participants; piano; research; state; study; suzuki; teaching
• Shadow Theatre as a Performative Art for the Development of Uninhibited Corporal Expression and Group Cohesion in Sixth-Grade Students of Primary Education by Bravo-Fuentes, Paloma (2023) - 3) Designing and implementing a learning situation: A didactic proposal centred on shadow theatre was designed, carried out in five sessions with tutors and music te- achers to create a graduation script with sequences based on the experiences of sixth grade students. Incorporating shadow theatre as a di- dactic resource in the music classroom has numerous benefits. Keywords: development; education; expression; group; music; research; shadow; shadow theatre; students; teacher; theatre; work
• Historical Accounts of the Indonesian 16th-Century Music Road by Bramantyo, Triyono; Suryati, Suryati (2023) - Kunst said, how could there be Flores people who could row without sin- ging the rhymes, complete with soli (seve- ral soloists) and the refrain sung in the cho- rus? Keywords: music road; historical accounts; gregorian music How to Cite: Bramantyo, T., & Suryati, S. (2023). Keywords: century; figure; flores; gregorian; heerkens; historical; indonesia; maluku; music; people; portuguese; research; road; time; xavier
• G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies by Zharkova, Valeriya; Zharkov, Oleksandr; Antonova, Olena; Filatova, Tetiana; Rizaieva, Ganna (2023) - Abstract The relevance of this study is conditioned upon the need to highlight the internal content of the modern academic musical language and, specifically, the features of the late work of G. Ligeti. This paper aimed to conduct an in-depth study, comprehensively covering, analyzing, and gen- eralizing the panoramic display of the creative traditions of G. Ligeti in the context of world musical art. Keywords: composer; concerto; g. ligeti; hamburg; hamburg concerto; ligeti; movement; music; second; section; study; techniques; timbre; work
• Music As An Integrated Education Tool for Preschool Students by Wadiyo, W (2015) - Art education is given at school, not only to develop the personality of a child but also to help multi intelligence of children to occur (Wardani, 2006). Art education that places integra- tive arts as an educational tool in public schools, including in preschool or kinder- garten, seems to be always implement the approach appreciation and creation or vice versa. Keywords: art; arts; development; education; kindergarten; learning; level; music; scope; students
• Revealing The Exotic Rhythm and Tonality in Bright Sheng’s Dance Capriccio by Deng, Qian; Chiat, Loo Fung (2023) - This article analyses Sheng’s Dance Capriccio composed in 2011, featuring Sherpa folk music. Like another traditional genre, Sherpa folk music consists of folk songs, instrumental music, and dance music. Keywords: bar; capriccio; culture; dance; exoticism; figure; folk; music; rhythm; sheng; sherpa; sherpa dance; style; tibetan; works
• Changes in Funeral Music Practices of Vietnamese People in the Northern Delta, Vietnam by Lam, Nguyen Dinh (2024) - In orchestra organization Orchestral organization is a concept the author borrowed from professional modern music to easily analyze the chan- ges in Vietnamese funeral music, including the additions and variations in the practice of funeral music. However, the author also realized that practitioners of traditional funeral music are losing their ways and identity as many run for profit by using non-traditional mu- sic sources to attract customers. Keywords: changes; cultural; culture; delta; drums; folk; function; funeral; funeral music; instruments; khốc; life; lâm; music; northern; orchestra; people; practice; research; vietnamese
• The Development of Moral Values of School Children with Visual Impairments Folk Music by Darkembayeva, Assiya B.; Butabayeva, Laura A.; Urazaliyeva, Moldir A.; Sultanova, Maira S.; Konysbayeva, Elmira D. (2023) - Today, the main task of pedagogy is to develop fun- INTRODUCTION Currently, the issue of teaching children with visual impairment in educa- tional institutions is insufficiently studied in the scientific literature, both in the stu- Corresponding author: E-mail: assiya.darkembayeva@gmail.com p-ISSN 2541-1683|e-ISSN 2541-2426 Assiya B. Darkembayeva et al., The Development of Moral Values of School Children 291 damentally new approaches and concepts to the development of such a category of students’ attitudes to moral principles and ideals. This ca- tegory of children should be taught with Assiya B. Darkembayeva et al., The Development of Moral Values of School Children 293 correction based on the Braille system (Plaksina, 2003), (2) Visually impaired. Keywords: children; development; education; folk; impairment; kazakhstan; music; research; study; values
• Editorial by Suharto, Suharto (2023) - Still on music research, Hafifi Mochtar and Clare Suet Ching Chan explored Max as a digi- tal platform for performing noise music through a practice-led research method. Collaborative research articles on music education are presented again in this Decem- ber edition. Keywords: art; article; arts; music; piano; research; study
• Banyumasan Songs As Banyumas People’s Character Reflection by Suharto, S.; Sumaryanto, Totok; Ganap, Victor; Santosa, Santosa (2016) - Priyadi’s study (2007) shows that Banyumas people has a special character called cablaka. Cablaka is the main character of Banyumas people. Keywords: banyumas; character; culture; javanese; language; lyrics; music; people; senggakan; songs; use; wangsalan
• Sundanese Traditional Tone Sensitivity-Based Audiation Model of Salendro Musical Scale by Latifah, Diah (2016) - Also, there were some differences detected in introducing Sundanese salendro tone compared to Western tonal learning se- quences. Research Design offered to assess the strengths of salendro tone audiation is as Figure 1. Keywords: audiation; interval; learning; music; salendro; salendro tone; students; sundanese; tone
• ACTION RESEARCH TO SOLVE MUSIC TEACHING PROBLEMS IN THE SCHOOL by Suharto, Suharto (2011) - The research is action research. Vol.1 No.1_Mei_Agustus 2000.pdf �)���� �!�!��)� �� ��$*! �%��) �!�)���' #���$!�� �� ��! �)���$ ������ �� Introduction ACTION research has been known and regard as one of the new stra- tegy for teachers development in Indonesia. Keywords: action; music; research; � �
• Church music inculturation by way of an experiment of arrangement of Dolo-Dolo mass ordinarium accompaniment- composed by Mateus Weruin for woodwind quintet by Ruswanto, Yohanes; Adimurti, Juanita Theresia (2017) - The inculturation of Church music should be understood as an endeavor to seek the pattern, style, atmosphere, and rhythmic patterns of traditional music and then process them into new songs. Church music inculturation by way of an experiment of arrangement of Dolo-Dolo mass ordinarium accompaniment-composed by mateus weruin for woodwind quintet. Keywords: bar; church; dolo; inculturation; music; pattern; phrase; song; tap
• Local knowledge system in music education culture at indigenous community Kampung Naga Tasikmalaya Regency by Gunara, Sandie (2017) - To that end, the authors believe that the study of the local knowledge system of indigenous Kampung Naga in the practice of music education should be done, con- sidering the music education practices in the classroom that developed in Indonesia today is more directed to Western models such as Kodaly, Dalcroze, Orff, Gordon and so on. Their local knowledge system deserves to be a source of innovation and skills that can be empo- wered for the welfare of society, not only for Kampung Naga people, but also for the public in general especially in the context of education in schools. Keywords: culture; education; kampung; kampung naga; knowledge; life; music; naga; people; system
• The dynamic phenomena of strékan music from colonial to contemporary era in Situbondo by Hidayatullah, Panakajaya (2017) - One of them is strékan music group named “Chandra Keluarga”. 1 The dynamic phenomena of strékan music from colonial to contemporary era in Situbondo Panakajaya Hidayatullah Faculty of Cultural Science, Universitas Jember, Indonesia Received: March 31, 2017. Keywords: brass; change; colonial; dangdut; era; group; jher; madurese; music; parlo; people; research; situbondo; space; strékan; tétét
• The Musical Structure and Meaning of Go Laba in the Context of People’s Life Philosophy in Ngadha Culture, Flores, East Nusa Tenggara by Dopo, Florentianus; Sukmayadi, Yudi (2018) - The inheritance of go laba music only emphasizes the textual aspect of how to playi go laba music, but is not accompanied by the inheritance of knowledge about its meaning. Departing from the conditions above , this study of go laba music is part of an attempt to reconstruct a written document on go laba music in the context of the life philosophy of the Ngadha community that can help to rebuild the understanding of go laba music in its entirety. Keywords: art; laba; life; meaning; music; rhythm; uto; values; wela

• Traditional Art Strategy in Responding Capitalization: Case Study of Kubrosiswo Cultural Art Commodification by Irianto, Agus Maladi; Laksono, Arido; Hermintoyo, Hermintoyo (2018) - Second, the nature and function of art Kubrosiswo art for the supporting society. The paper is based on field research presenting a case study of the existence of Kubrosiswo traditional art from Magelang Regency, Central Java, Indonesia which develops the cultural comodification as a strategy to respond to the economic capitalization demands, especially the emergence of the tourism industry which appeared in this globalization era. Keywords: art; arts; demands; development; existence; globalization; identity; indonesia; industry; islam; kubrosiswo; kubrosiswo art; magelang; muda; mudo; number; people; regency; research; society; strategy; tourism
• Establishment of Learners’ Character Through Learning Traditional Dance in Senior High School by Riyaningsih, Etik; Maryono, Maryono; Harini, Harini (2018) - In addition to this as a form of practice to the art of dance learners can find the theme of the dance is the the- me of animals, nature, as the basic idea of God’s greatness that of the theme that can be a manifestation of God’s grace. The experience of learning to work in dance fosters learners to give thanks for God’s gifts. Keywords: art; bajul; bajul mahambara; character; dance; dance learning; education; establishment; floor; form; learners; learning; mahambara; mahambara dance; method; motion; process; research
• The Application of Asa Berger Humour Technique by Sabri Yunus from The Dramaturgy Perception in “Karoot Komedi” by Ismail, Mardiana; Indrayuda, Indrayuda; Shamsuddin, Mohd Effindi Bin (2018) - There are two aims for this paper which are to interpret Sabri Yunus role as a dramaturgy through the modification of the television program Karoot Komedi and also to decipher Sabri Yunus’s perfor- mance idea through research analysis to- wards implementation of hilarious acting in the television program Karoot Komedi. Asa Berger humour technique is a technique widely used by dramaturgy perpetrators. Keywords: art; asa; berger; berger humour; dramaturgy; humour; karoot; komedi; performance; research; sabri; sabri yunus; technique; yunus
• The Acculturation of Kentrung “Tri Setyo Budoyo” in Dayu Village, Nglegok District, Blitar Regency: The Theoretical Study of Cultural Change by Widikurnia, Nurisa (2018) - Keywords: Acculturation; Kentrung Tri Setyo Budoyo; Cultural change How to Cite: Widikurnia, N. (2018). With the openness to new cul- ture, able to use power as one of art enhancer “Kentrung Tri Setyo Budoyo” to continue to live in modern era like nowadays, even can grow more advanced. Keywords: art; budoyo; change; kentrung; santoso; setyo; tri
• Langen Tayub Padang Bulan As A Manifestation of Social and Cultural Change in Community by Juwariyah, Anik (2018) - The description above shows that in order Langen Tayub art to survive, the sys- tem must carry out these four functions, namely adaptation, purpose, integration, and pattern maintenance. The system surrounding Langen Tayub art is a solid basis for the creation of an existing balance or equilibrium system. Keywords: art; bulan; langen; langen tayub; padang; penayub; performance; stage; system; tayub; waranggana
• The Perception and Views of Photographers on Artistic Photography in Turkey by Yaman, Hakan (2018) - Good photography could be achieved with good photographic technique, a good photo is relying on the influence to the spectator, photo critics/reading should be mainly based on technique, the most influential movement is realism, artistic photography will improve, photography in future will improve, and some are participating in photographic projects. They mainly thought that photos should be taken for documentary reasons, the creativity is mainly dependent on perspective (or photographic seeing), good photography could be achieved with good photographic technique, a good photo is relying on the influence to the spectator, photo critics/rea- ding should be mainly based on technique, the most influential movement is realism, artistic photography will improve, photo- graphy in the future will improve, and some are participating in photographic projects. Keywords: art; august; n=1; photographers; photography; photos; study; turkey
• Madurese Soap Opera: An Industry and Madurese Culture Migration of Situbondo People by Hidayatullah, Panakajaya (2019) - Abstract The purpose of this study is to describe a variety of research problems, including the industriali- zation of Madurese soap opera and the Madurese cultural migration of the Situbondo commu- nity. The results showed that Madurese soap opera is a product of cultural industrialization that is produced based on the logic of mass cultures. Keywords: art; arts; badar; community; culture; drama; industry; madurese; media; people; record; situbondo; soap opera; television
• Pantun in the Text of Nyanyian Lagu Melayu Asli (NLMA) by Ritawati, Tengku (2018) - The other result of this study found the functionality of the origin creation of Pantun associated with; (1) commoners who created pantun through their own living experiences, (2) wise people who issued wise words from their contemplation and (3) wise verses from the holy book, namely the Qur‟an. Pantun as a literary art As a literary work, pantun must have met the criteria as one of the culmination of Malay heritage art. Keywords: art; asli; beauty; community; culture; example; hitam; lagu; life; malay; meaning; melayu; nlma; nyanyian; pantun; people; research; rhymes; song; text; values
• Malang Mask Puppet in Era of Globalization: Social and Cultural Impact by Wibowo, Arining (2019) - Padepokan Seni Asmoro Bangun located at Kedung- monggo Hamlet Malang Regency modifies the art of Malang mask puppet in order to turn the function of traditional art from ritual to the commodity. The result shows that modification creates three impacts, social and cultural impacts, also the occurrence of new senses in terms of Malang mask puppet includes creativity, prosperity, education, aesthetic, conserva- tion, and identity sense. Keywords: art; asmoro; bangun; dance; hamlet; kedungmonggo; malang mask; mask puppet; modification; padepokan; performance; process; society
• The Existence and Practice of Art For Children (AFC) Yogyakarta as A Non-Formal Art Education by Prihadi, Bambang; Rohidi, Tjetjep Rohendi; Retnowati, Tri Hartiti (2018) - Soesatyo (1984) summarizes some principles of teaching to art children as follows: (1) We must look at the child’s painting as a recording of his or her perso- nality; (2) During the time the child works, always give the child wide opportunity to express the important experience in his life (opportunity of self-expression); (3) nurtu- re the child’s familiar relationship with his natural environment with his or her sen- sitivity; (4) Good technique development is done by tracing and encouraging the child’s own experience; (5) Do not attempt to provide a particular theory or technique based on the notion of an adult; (6) Give corrections or assistance if necessary and do not force the child to do things; (7) Besi- des the final results, note also that the pro- cess should always be kept in a free and fresh atmosphere; (8) The guidance is gi- ven in the form of a question, for example: Although they both have no background of formal art education, they have much concern for children education and have long ex- perience in teaching drawing to children in elementary schools. Keywords: activity; afc; art; art education; center; children; drawing; education; parents; sanggar; yogyakarta
• The Aesthetic Taste Representation of Coastal Community by Wiyoso, Joko; Putra, Bintang Hanggoro (2020) - Barong art in the Weleri Penyang- kringan area, turns out to be different from the art barongan illustrations mentioned above. Barong art in Weleri is unique in the format of the show. Keywords: aesthetic; art; arts; barongan; community; group; packaging; performance; research; tastes
• Acting, Movements, and the Three Important Components Configuration in Marginalizing Randai as an Entertainment Show by Indrayuda, Indrayuda (2019) - The issue of actors who have not been able to act properly has an impact on the lack of ex- pressiveness of Randai shows, and this has encouraged the audience to marginalize Randai performances in various places. Referring to the fact that Randai art has entertainment value for the Minang- kabau people, Randai cultivation as an entertainment media must be able to pro- vide something of entertainment value to the community, both through movement, music, and the acting of the players. One of the best ways is to bring about a change in the form of packaging for the art show, just like Randai art, whe- re its existence has begun to be reduced by the weakness of its own artistic death. Keywords: acting; actors; art; arts; audience; community; configuration; entertainment; movement; people; performance; randai; randai art; randai performance; techniques
• Arts Education Within The Mayong Pottery Artisan Families: A Local Art Conservation Strategy by Triyanto, Triyanto; Syakir, Syakir; Mujiyono, Mujiyono (2019) - Second, human resources, cultural values, and the natural environment show the interrelationships in the formation of art education patterns in the family. Research targets in- cluded cultural values of the artisans, the realization of the potteries produced along with the functions that accompany them, patterns of informal art education in the form of the process of inheriting know- ledge, attitudes, and skills from parents to children of the next generation in conser- ving the continuity of its cultural culture, and the condition of environmental resour- ces and changes that provide support for the preservation and development of the local ceramics of Mayong Village. Keywords: art; artisans; arts; capital; ceramic; children; education; family; learning; mayong; parents; process; values
• Revitalization of Jatidhuwur Jombang Mask Dance as An Effort To Reintroduce Local Cultural Values by Yanuartuti, Setyo; Winarko, Joko (2019) - The results show that in the Jatidhuwur Mask dance performance there are local cultural values such as religious values, discipline values, life values, and the value of struggle. The purpose of this study is to realize the Jatidhuwur mask dance as a medium to introduce Jombang local cultural values to the current generation. Keywords: art; dance; generation; jatidhuwur; mask; mask dance; revitalization; values
• Positive Paradigm As The Barrier of Art Creativity Interpretation by Pradoko, Susilo (2019) - Empirical positivistic research is not appropriate for research which aims to uncover human thinking and let alone artistic creativity. This study will present the chains of positivistic research in edu- cation and art. Keywords: art; education; era; human; meaning; object; paradigm; positivistic; research; science; society; study; thought
• Entrepreneurship and Art Education Tourism: A Study on Results of Management Skills Training Program for Students by Nugraheni, Trianti; Budiman, Agus; Sukmayadi, Yudi (2019) - Training program on entrepreneurial skills, in particular, intends to provide ex- perience, knowledge, and comprehension to an individual as a means of innovation in one’s business; this is particularly rela- ted to technical skills, business manage- ment skills, and personal entrepreneurial skills (Sugiarto et al., 2015). The model comprised steps i.e.: 1) plan- ning, 2) identification of training program requirements, 3) analysis in the implemen- tation of training program, and 4) evalua- tion. Keywords: art; arts; education; entrepreneurship; management; participants; program; public; skills; students; tourism; training
• The Essence of Siganjua Lalai Values in Dance Movements of Minangkabau Women by Astuti, Fuji (2019) - Siganjua Lalai Based Dance Choreographers and artists who ini- tiates Minangkabau dance must consider the philosophy of siganjua lalai as a reflecti- on of Minangkabau women’s smoothness expressed through dance movement and find the form of design/pattern of siganjua lalai based dance movement. Keywords: women, dance movements, siganjua lalai How to Cite: Astuti, P. (2019). Keywords: art; dance; dance movement; essence; form; lalai; minangkabau; movement; siganjua; siganjua lalai; sumbang; values; women
• The Arts Learning Model of BPK2 (Creative Work Practice Learning) Activities by Handayaningrum, Warih; Tutuko, Djoko; Suwahyono, Agus (2019) - According to (Basuki, 2014) the nature of educational assessment according to authentic assessment is the process of collecting various data that can provide an overview of the development of student learning. This is important be- cause the teacher will know the develop- ment of student learning. Keywords: activities; art; arts; dance; learning; model; process; sendratasik; students; unesa
• Wayang Tengul Art Performance: A Study of People’s Appreciation of Wayang Tengul Art by Nurdiyana, Tutung (2019) - Sidobandung people’s appreciation of wayang tengul art performance becomes the research’s focus. The au- dience of wayang tengul art performance was gathered accidentally when a perfor- mance was in progress, and the fans were not only obtained during the performance, but visited in their home. Keywords: art; audience; dalang; people; performance; society; story; tengul; village; wayang; wayang tengul
• History of Inheritance of Wayang Topeng Malangan (Malang Traditional Mask Puppet) in Pakisaji and Tumpang by Wibowo, Arining; Kurnain, Joko; Juanda, Juanda (2020) - Through the dedication of Kik Roesman, Malang mask puppet art began to spread in the area of East Malang to the Tengger mountains. Further- more, the art of Malang mask puppet is no longer widely known by the younger ge- neration in the city of Malang. Keywords: art; arts; asmoro; dharma; family; inheritance; malang; malang mask; mangun; mask; mask puppet; padepokan; puppet; puppeteer; soleh
• The Concept of Panutan in Governance Festival Lima Gunung in Magelang Central Java Indonesia by Aswoyo, Joko; Sularso, Sularso (2020) - Panutan and Governance Five Mountain Festival For decades Sutanto Mendut has li- ved with village communities on the slo- pes of five mountains. Betah and seneng (comfortable and happy or happy) are Sutanto Mendut’s principal capital in living life together with village art. Keywords: art; arts; community; festival; governance; mendut; mountain; panutan; sutanto; village
• The Effect of Architecture of Arts Education Tourism Towards Interest in Learning Arts for High School Students by Budiman, Agus; Nugraheni, Trianti; Purnomo, Purnomo (2020) - Research data analysis uses simple regression test data analysis techniques to find out whether there is an influence of art education tourism activities on high school students’ interest in learning art at school. Keywords: educational tours; art education tourism; art learning interest How to Cite: Budiman, A., Nugraheni, T., & Purnomo. (2020). Keywords: activities; art; arts; education; interest; learning; program; research; school; students; tourism; upi; variable
• The Relation of Kendang and Jaipongan: Functions and Inspirations of Kendang Musicality on Jaipongan’s Journey by Wiresna, Asep Ganjar; Sobarna, Cece; Caturwati, Endang; Gunardi, Gugun (2020) - Another study conducted by Saepudin (2013) explores the process of creating the Kendang Jaipongan tepak by Suwanda. According to Saepudin and Haryono (2010), the creation of a variety of tepak Kendang Jaipongan that is new, original, and acceptable to West Java peop- le shows the creativity and ability to play Kendang that is owned by the artist. Keywords: art; arts; dance; instrument; jaipongan; jaipongan dance; kendang; movements; pengendang; performance; research; tepak
• Creativity and Innovation of Artist in Maintaining and Developing the Songah Tradition Art by Ridwan, Ridwan; Narawati, Tati; Karwati, Uus; Sukmayadi, Yudi (2020) - Based on existing findings and the- ories related to community phenomena in developing art, it is necessary to study in- depth the creative process carried out by the people of Citengah Village in utilizing bamboo plants to become the traditional art of songah. For example, the cultural acculturati- on between the Sasak ethnic group as the original inhabitants of Mataram city and the ethnic immigrants including Javanese, Balinese, Bugis, Bima, Flores, Chinese, Arabic, and others has been able to main- tain the continuity of existing arts. Keywords: art; art community; arts; bamboo; citengah; citengah village; community; creativity; people; research; songah; songah art; songsong; village
• THE PHILOSOPHY OF PUPPET CHARACTERS BATHARA IN MURWAKALA PLAY FOR THE VALUE OF LEADERSHIP ETHICS by Lestari, Wahyu (2014) - The research begins with literary re- search activities in particular Bathara from Murwakala puppet plays, then applied in the field with the condition of the perfor- ming arts that have been collaborating. CONCLUSION The creation and design of Bathara from Murwakala puppet plays, the setting of the main figure tells about the events and issues of daily life. Keywords: art; arts; bathara; characters; design; leadership; murwakala; play; puppet; research; values
• The Function of Pantun in the Art Performace of Batang Hari Sembilan Solo Guitar during Sedekah Bumi Ceremony Held in Batu Urip Hamlet, South Sumatera by Andari, Imelda Tri; Suharto, Suharto (2020) - Although there are various songs of Batang Hari Sembilan Solo Guitar art, the music played is the same (Interview with Saliyam, 28 December 2018). The lyrics of pantun sung in Batang Hari Sembi- lan Solo Guitar art have a number of Ritual function and Emotional expression functi- on in Sedekah Bumi activity to the people in Batu Urip hamlet as follows: Ritual Function Since the beginning, it is stated that Batang Hari Sembilan Solo Guitar art is an art for ritual since the lyrics of pantun of the art song in the opening serves to sum- mon ancestral spirits to attend the sedekah bumi ceremonial activity. Keywords: art; batang; batang hari; batu; guitar; hari; hari sembilan; pantun; people; sembilan; solo; solo guitar; urip
• The Image of Woman in the Sintren and Kuda Kepang Arts: Gender Reality and Aesthetic Exploration by Lestari, Wahyu; Iryanti, Veronica Eny; Barus, Syukur Samuel (2021) - Based on these characteristics, Kuda Kepang art from the aspect of number and distributi- on can develop more widely when compa- red to Sintren art, which can only survive and thrive on the northern coast of Java, especially Central Java. This research on the image of women in Sintren and Kuda Kepang arts in the con- text of studies in gender perspective and aesthetic expression aims to: (1) explain the forms of Sintren and Kuda Kepang arts; (2) explain the image of women in the art performances of Sintren and Kuda Kepang in the context of gender reality and aesthe- tic exploration. Keywords: art; arts; dancers; gender; kepang; kuda; kuda kepang; performance; research; sintren; women
• Musical Facts and Sustainability of Trunthung Music in Eco-cultural Studies by Sinaga, Fajry Sub'haan Syah; Sinaga, Syahrul Syah (2021) - The performance has dy- namic and complete movements such as peasants cultivating rice fields, complete with Trunthung Music performance that mingles with the highly dynamic move- ment and beat of the feet (Hidayat, 2019). METHOD The study has been conducted in Warangan Hamlet and several other lo- cations of Trunthung Music performance throughout the Regency of Magelang. Keywords: art; dance; dimension; ecosystem; figure; gunung; hamlet; lima; magelang; performance; soreng; study; trunthung music; warangan
• Pedagogical Competency of Dance Instructors in The Training of Malay Court Dance Skills Among Upper Secondary Students at Johor National Art School by Taib Bin Saearani, Muhammad Fazli; Chan, Abdul Hamid; Abdullah, Nur Nabila Micheal Lung (2021) - Therefore, this article will discuss the issues and address whether the competen- cy level of dance instructors includes the use of methods and dance teaching techni- ques that are suitable in the teaching of Malay Court Dance. Therefore, dance instructors must widen the scope of their competency to strengthen and improve their level. Keywords: art; competency; court; dance; dance instructors; education; instructors; knowledge; learning; school; students; teaching
• The Popularity of Waranggana Tayub Malang through Body Exploitation by Hidajat, Robby (2014) - The Popularity of Waranggana Tayub Malang through Body Exploitation. Robby Hidajat, The Popularity of Waranggana Tayub Malang through Body Exploitation 73 More superficially, men use these seduc- tion scenarios to position themselves in a masculine prestige hierarchy. Keywords: art; body; dance; devotees; journal; malang; research; style; tayub; waranggana; women
• Creativity Education Model through Dance Creation for Students of Junior High School by Malarsih, M.; Herlinah, H. (2014) - Closely related to the understan- ding of dance creativity is dance creation as a creativity to produce new products in conjunction with creativity education through dance creation. Wi- rupa is the clarity of dance movement that is shown through conformity between cos- HARMONIA : Journal of Arts Research and Education 14 (2) (2014): 147-157152 the students are also told about the func- tions of the dance in the society. Keywords: art; creation; creativity; creativity education; dance; dance creation; education; movement; new; research; school; students
• Kidung: Myth of Welfare for Kuthuk People in Kudus Regency by Bahtiar, Hafid Zuhdan (2014) - At that time Kuthuk people believed that many mystical elements were believed to bring prosperity and peace to their family members. Abstract The study is to describe the art of kidung in Kuthuk village Blora regency. Keywords: art; arts; community; ing; kidung; kudus; kuthuk; leaders; malinowski; people; prayer; regency; research; ritual; song; theory; village
• The Civilization of Sandur Watch’s Transcendence in the Age of Globalization by Hidajad, Arif; Zulaeha, Ida; Sahid, Nur; Cahyono, Agus (2022) - It means that art plays a role as a pillar supporting civilizations that are tied to human life as the subject of driving the pace of modern civilization. That is why art from a phenome- nological perspective is closely related to understanding the nature of life to severe problems between subjects and objects in human life. Keywords: art; civilization; form; globalization; humans; life; meaning; normativity; power; ritual; sandur; scene; society; song; spectacle; system; transcendence
• Commodification of Gamelan Selonding in Tenganan Pegringsingan Village, Bali by Suharta, I Wayan (2022) - In production, Gamelan Selonding is duplicated into a commodity by imitating its original form; distribution is an attempt to spread Gamelan Selonding production, which increases development consequences; and consumption Gamelan Selonding is used as a ritual compliment and an artis- tic medium. Vil- 147 Sudiastika (Interview in Tenganan Village, August 1st, 2017), the following described the juru gambel of Gamelan Selonding duwe in Tenganan Village. Keywords: art; arts; balinese; commodification; community; culture; figure; form; gamelan; gamelan selonding; people; plawah; poleng; research; sacred; selonding; tenganan; tenganan village; tourism; values; village
• Exploring the Indonesian Maritime Art toward Appreciation of Coastal Literacy by Heriyawati, Yanti; Wita, Afri (2022) - It presents the results of maritime art appreciation through Focus Group Discussion (FGD). Their experience of appreciation showed the importance of perception of maritime art in actualizing local genius. Keywords: appreciation; art; art appreciation; community; culture; doi; education; experience; fgd; indonesia; knowledge; literacy; maritime; participants; perception; process; public; research; sea
• Luwes and Philosophical: Dewaruci Puppet Performance in Suryomentaram’s Kasampurnan Concept by Zustiyantoro, Dhoni; Nuryatin, Agus; Supriyanto, Teguh; Doyin, Mukh (2022) - What Kind of Relationship Is be- tween Ki Ageng Suryomentaram and Ki Hadjar Dewantara? : The purpose of this study is to describe the elements of Dewaruci puppet performance and how the concept of kasampurnan in Javanese cultural psychology was initiated by Suryomentaram (1892-1962). Keywords: art; bima; context; cultural; culture; dewaruci; drona; education; happiness; indonesia; javanese; journal; language; life; literature; luwes; pathet; people; performance; perspective; psychology; puppet; research; suryomentaram
• Oscar Wilde’s Moral Philosophy: A Synthesis between Aestheticism and The Picture of Dorian Gray by Akudolu, Linus Oluchukwu; Okwuosa, Ikechukwu K.; Okeke, Ifeanyi J.; Okolie, Charles N.; Ofoegbu, Francis C.; Ojiegb, Valentine N.; Akpa, Christopher O.; Solomon, Kingsley C.; Eze, Hillary O.; Okolo, Chinwe Jane (2024) - Keywords: aestheticism; hedonism; Oscar Wilde; moral philosophy; Dorian Gray How to Cite: Akudolu, L. O., Okwuosa, I. K., Okeke, I. J., Okolie, C. N., Ofoegbu, F. C., Ojiegbe, V. N., Akpa, C. O., Solomon, K. C., Eze, H. O., & Okolo, C. J. (2024). Apart from De Profundis and The Bal- lad of Reading Gaol, other notable and or- ganized literary works of Oscar Wilde in- clude: Ravenna (1878), Poems (1881), The Happy Prince and Other Stories (1888, fairy stories), Lord Arthur Savile’s Crime and Other Stories (1891, stories), A House of Pomegra- nates (1891, fairy stories), Intentions (1891, essays and dialogues on aesthetics), The Picture of Dorian Gray (first published in Lippincott’s Monthly Magazine July 1890, in book form in 1891; novel), The Soul of Man under Socialism (1891, political essay), Lady Windermere’s Fan (1892, play), A Woman of No Importance (1893, play), The Sphinx (1894, poem), An Ideal Husband (performed 1895, published 1898; play), and The Im- portance of Being Earnest (performed 1895, published 1899; play) (Oscar Wilde, www. wikipedia.org) Keywords: aestheticism; art; dorian; gray; oscar; oscar wilde; philosophy; picture; pleasure; wilde
• Photography as Cinematic Ekphrasis: Intermedial Study in Garin Nugroho’s Opera Jawa by Wibisono, Sony (2023) - Opera Jawa ekphrasis is in the pho- tographic frame of moving character intro- duction from the basic modalities of film to photography. In a singing Opera Jawa text (00.08.31- 00.08.51), Setyo revealed that his life with Siti was like Rama and Sinta, who were pushed out of their place. Keywords: art; characters; ekphrasis; film; form; intermediality; jawa; media; opera; opera jawa; photography; practice; setyo; sinta; siti; studies; study; time
• Comparative Study of Japanese and Indonesian Panji Mask in Light on Fine Art Elements and Principles by Subiyantoro, Slamet; Fukuda, Takamasa; Hindrayani, Aniek; Fahrudin, Dimas; Kuswara, Yogi (2023) - Panji masks and Noh masks are long-standing cultural heritage arts. Keywords: comparison; Panji masks; Noh masks; elements of art; principles of art How to Cite: Subiyantoro, S., Fukuda, T., Hindrayani, A., Fahrudin, D., & Kuswara, Y. (2023). Keywords: art; arts; colors; elements; figure; harmony; lines; mask; noh; noh masks; panji; panji mask; principle; shape
• Exploring Students’ Experiences of Virtual Learning Environment for Art History Classroom by Park, Jiyeon; Sohn, Sooyun (2023) - Town as more useful for using digital resources in Art history classes: ”I feel that the metaverse is necessary for Art history class because there are a lot of visual elements.” In order to be used in art history classes, each educatio- nal content needs to be designed for each individual grade level (Hutson, 2022). Keywords: art; art history; class; classes; classroom; digital; education; gather.town; history; interaction; learning; metaverse; platform; space; students; webex
• Aesthetic Morphology of Animation by Wikayanto, Andrian; Damayanti, Nuning Yanti; Grahita, Banung; Ahmad, Hafiz Aziz (2023) - In animation character de- sign, identity is shaped by the character’s cultural background and life experiences. In animation, aesthetic mor- phology can be used to identify forms and styles used by animators, study animation characteristics in a particular country, and study animation styles that are popular or developed in a specific era. Keywords: aesthetics; animation; art; audience; character; design; elements; film; form; history; morphology; motion; narrative; research; scene; sound; style; time; visual
• An Analysis of Spatial Construction in Pictorial Art from the Perspective of Formalism by Feng, Hanping; Shahir, Safrizal (2024) - Indeed, these philosophers and scholars argue that formal aesthetics is based on the senses and physical properties; therefore, I apply a similar approach to my formal analysis of space construction. However, in the field of formalist analysis over the past century, except for a few formalist critics who have engaged with pictorial space, few have attempted to use creative methodologies to systematically analyze how pictorial space is constructed in the painting, par- ticularly in works by contemporary painters. Keywords: analysis; art; artists; construction; method; narrative; painting; research; space; study
• Tiger Dance: Transformation and Cultural Property Rights Discourse in Kerinci, Indonesia by Febriyandi YS, Febby; Swastiwi, Anastasia Wiwik (2024) - Realizing the potential of tiger dance as an economic resource and as Kerinci’s regional identity, the artists then created a discourse of property rights over ti- ger dance. This discourse is slowly making tiger dance endangered because it is only controlled by a small group of artists. Keywords: art; biru; ceremony; culture; dance; harun; imo; journal; kerinci; ngagoah; pasir; people; property; pulau; rights; studio; telaga; tengah; tiger; tiger dance; village
• Training of Choreographers in Higher Education Institutions by Androshchuk, Liudmyla; Medvid, Tetiana; Blahova, Tetiana; Zhyrov, Oleksandr; Bykova, Olha (2023) - However, in the context of many yea- rs of professional choreographic activity, these aspects can lead to the occurance of professional fatigue, the emergence of psychological barriers, a decrease in work capacity and a partial loss of certain pro- fessional skills and abilities. Keywords: the art of dancing; professional development; professional competence; personality professionalisation; self-education How to Cite: Androshchuk, L., Medvid, T., Blahova, T., Zhyrov, O., & Bykova, O. (2023). Keywords: activity; art; choreographers; competence; development; education; education institutions; institutions; process; skills; study; training
• New Art Therapy Technology – Quilling by Iskakova, Zhansaya; Kassymova, Roza; Zhamalova, Tansholpan; Chalimbayeva, Anel; Utegenova, Kamilya (2023) - This article analyses the main types of art therapy, as well as the in- tegration of the experience of art therapists through the development of quilling art in the modern psychological segment of the development of rehabilitation of children who have received traumatic experiences and adults who require the necessary the- rapy, and also studied ways to use quilling therapy, as art therapy technologies. Abstract This research work aims to study the main features of quilling technology in art therapy, as well as its impact on group and individual consciousness. Keywords: art; art therapy; children; experiment; group; people; quilling; research; technology; work
• Integration of Experience and Achievements in the Development of Performing Skills of Kazakh Dance in Higher Education Institutions of the Republic of Kazakhstan by Kenzhetaeva, Aliya; Aitkalieva, Karlgash; Amreyeva, Tolkyn (2023) - In the process of studying the in- tegration of experience and achievements in the performing skills development of Kazakh dance in higher education insti- tutions of the Republic of Kazakhstan, the authors of the article consider the necessi- ty of continuing the study due to the rapid development of choreographic education in the country and the world, as well as the active involvement of digital techno- logies in the process of teaching young ta- lents the art of Kazakh folk dance. This study also found that modern teaching is based on the integration of experience and achievements in the art of choreography for the development of performing skills and choreographer-performer skills of Kazakh folk dances in higher educational institutions of the Republic of Kazakhstan. Keywords: art; choreographic; dance; development; education; folk; folk dance; kazakh; kazakhstan; performing; skills
• Stambul Comedy Exploration in Early 20th-Century Semarang: Meaningful Teaching about Colonialism by Amin, Syaiful; Sariyatun, Sariyatun; Gunarhadi, Gunarhadi; Purwanta, Hieronymus (2024) - Regarding Indies art, the dominant attitude among students is an awareness that art development is not always synon- ymous with aesthetics; many aspects sur- round it. Therefore, for readers and resear- chers of colonial art development, it is im- portant to convey the above conditions to students so that the new generation does not misunderstand the concept and practi- ce of colonialism in Indonesia. Keywords: art; arts; century; colonialism; comedy; culture; development; education; indies; indonesia; journal; knowledge; learning; process; research; semarang; stambul; students; understanding
• Continuity of Tradition Dance: Acedemicians’ Intervention on Artists and Performing Arts Groups by Indrayuda, Indrayuda (2015) - Later on, inability of traditional performing art groups influen- ces the continuity of traditional-dance de- velopment in West Sumatera. Hence, this article reveals intervention of the academi- cian in developing and providing support in the forms of improving skills and knowledge of the artists and art groups. Keywords: art; artists; arts; groups; knowledge; performing; skills
• Art Discourse in Modern Fine Arts in Surabaya: An Analytical Historical Research by Djatiprambudi, Djuli; Sampurno, Muchammad Bayu Tejo (2023) - Three bases of art discourse emerged as the core expressions of aesthetics in modern fine arts in Surabaya during the 1970s to 1990s: 1. These three discourses demonstrate similarities and differences within the context of art discourse that evolved in modern fine arts in Indonesia. Keywords: 1990s; aksera; art; art discourse; artists; arts; context; development; discourse; education; fine; generation; identity; indonesia; market; modern; paintings; research; surabaya; works
• The Development of Jathilan Performance as an Adaptive Strategy Used by Javanese Farmers by Irianto, Agus Maladi (2016) - The next question will be who was the first creator of Jathilan performance? Minimally, four flat, artificial wooden bamboo horse is used in Jathilan performance. Keywords: art; arts; community; culture; horse; jathilan; javanese; magelang; medium; performance; performing; regency; society
• The Role of Stakeholder in Fostering Traditional Art Awareness (A Case Study of Sundanese Local Song ‘Cianjuran’ Artist Training in Sumedang Regency West Java, Indonesia) by Julia, Julia (2016) - Abstract This paper examines the process of seeding or training of Sundanese Song Cianjuran by art- ists in Sumedang regency that is conducted by a stakeholder of Sundanese traditional arts. RESULT AND DISCUSSION Forms of Stakeholder Participation in Cultivating Traditional Art Awareness In doing the role of stakeholder in Sundanese traditional art, there are several stages done by Noerony, as follows: HARMONIA : Keywords: art; awareness; cianjuran; noerony; role; song; stage; stakeholder; sumedang; sundanese; trainees; training
• Malang Mask Puppet Presentation Structure Arrangement of the Story Rabine Panji as Cultural Tourism Commodity in Malang Regency East Java by Suprihatin Dyah Pratamawati, Endang Wara (2016) - Malang Mask Puppet dance is the Endang Wara Suprihatin Dyah Pratamawati, Malang Mask Puppet Presentation Structure... 71 Beska lan Patih; 2) Jejer 1, Jenggolo King- dom (Java), 3) Jejer 2, Sabrang Kingdom, 4) Gagal War, 5) Kaputren, 6) Abstract This research aimed to describe the model of structure arrangement of Malang Mask Puppet tra- ditional art performance as the tourism commodity. Keywords: art; art performance; dance; malang; malang mask; mask; mask puppet; panji; performance; presentation; puppet; story; structure; tourism
• Building Creative Art Product in Jombang Regency by Conserving Mask Puppet by Yanuartuti, Setyo (2016) - There were three products of mask dance created as a result of this research. The community and mask, puppet performer agreed to the development of mask dance to become a more creative art product that could be enjoyed by the young generation. Keywords: art; creative; dance; jombang; mask; mask dance; mask puppet; panji; performance; puppet; research; story
• PENDIDIKAN ESTETIKA MELALUI SENI BUDAYA DI FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI SEMARANG by Malarsih, -; Wadiyo, - (2011) - Formal aesthetic education are done by all of students in languages and arts faculty through art materials. No 1 tahun 2009.pdf This research is aimed to give an image of aesthetic education implementation through art in Languages and Arts Faculty in Semarang State University. Keywords: art
• FUNGSI DAN MAKNA KESENIAN BARONGSAI BAGI MASYARAKAT ETNIS CINA SEMARANG by Putro, Bintang Hanggoro (2011) - Research studies were: (1) origin of Barongsai, (2) form of Barongsai art performance, (3) function of Barongsai art, (4) meaning of Barongsai art for Chinese ethnic in Semarang. Function of Barongsai art for Chinese ethnic in Semarang are ritual, entertainment, and politic function. Keywords: art; barongsai
• Lawet dance and ebleg dance: the term analysis towards its movement qualities by Santosa, Djarot Heru; Dewi, Gardenia Kartika; Rahayu, Aprina Dwi (2017) - Based on the analysis of word and meaning formation process, the form of words and meaning will be known and understood in the scoop of names of move- ment qualities used in Lawèt dance, as well as reference derived from the term, speci- fically one contained in the eleven names of Lawèt dance movement along with 28 sub qualities of movement of Lawèt dance in Kebumen Regency. Example of the activity is the linguistic analysis of terms used to label the kinds or quali- ties of dance movement from Central Java province, in this case are Lawet dance and Ebleg dance. Keywords: analysis; art; dance; ebleg; ebleg dance; formation; kebumen; lawèt; meaning; movement; qualities; research; study
• Audience Perception of Effective Communication in Nigerian Paintings by Abodunrin, Johnson Adelani (2016) - Also, the level of education obtained by the audience does not have much to do with understanding of contempo- rary Nigerian painting but a better exposure to the issue concerning the stylistic development of Nigerian painting. The paper concludes that audience requires a better exposure to the issues concerning the stylistic development of Nigerian painting for effective communication to take place. Keywords: art; audience; communication; content; difference; nigerian; painting; perception
• Political Practice and Its Implication on Folk Art Marginalization (Case Study of Wayang Orang/ Human Puppet Ngesti Pandhowo) by Lanjari, Restu (2016) - Abstract The government, political practice, both reflected in the government, politics, policies and the attitude of the public figure, influences the existence of folk art that is overshadowed by changes as the results of modernization and industrialization. The aim of this research is to find out the marginalization of folk art because of political practice. Keywords: art; culture; folk; folk art; government; human; indonesia; ngesti; pandhawa; politic; puppet; research; semarang; society
• The art education construction of woven craft society in Kudus Regency by Sugiarto, Eko; Rohidi, Tjetjep Rohendi; Kartika, Dharsono Sony (2017) - Research results show that art education grows within the society as the result of enculturation process of woven craft art in Jepang Village that takes place in the forms of: (1) the transmission of the craft skill and (2) the transmission of socio-cultural values. Results and Discussion The Woven Craft of Jepang Village in Kudus Regency Anyaman or woven in the context of craft art actually refers to the “technique of making” that can be given an analo- gy as carving. Keywords: art; art education; arts; craft; education; jepang; kudus; society; village; weaving; woven
• Visual aesthetic of Petta Puang theater group performance in South Sulawesi by Mukadas, Andi Baetal; Florentinus, Totok Sumaryanto (2017) - Patterns of Petta Puang show rely on elements of tradi- tional culture with comedy frames/ jokey style of the innocent people, closely with the typical Bugis Makassar. 96 Visual aesthetic of Petta Puang theater group performance in South Sulawesi Andi Baetal Mukadas1,2, Tjetjep Rohendi Rohidi2, Totok Sumaryanto Florentinus2 1Universitas Muhammadiyah Makassar, Indonesia 2Postgraduate of Art Education, Universitas Negeri Semarang, Indonesia Received: March 3, 2017. Keywords: aesthetic; art; bugis; makassar; performance; petta; petta puang; puang; songkok; south; sulawesi; theater; visual; wear
• Aesthetics and functions of craft art in public art space by Lufiani, Alvi; Sabana, Setiawan; Haldani, Achmad (2017) - 41 Aesthetics and functions of craft art in public art space Alvi Abstract The problem in this research is about how to assess the aesthetics and functions of craft art in Indonesian city public space compare to other cities in other countries. Keywords: art; bench; city; craft; craft art; place; public; society; work
• Ceprotan Performing Art: A Traditional Folkart Based on Urband Legend by Setyawan, Bagus Wahyu; Saddhono, Kundharu (2018) - Ceprotan performing art performed the sendratari (dramatic dancing art) telling the story of Ki Godeg and Dewi Sekar journies with develop the Sekar Village. Form of this research is qualitative descriptive with focused to describe and explain about Ceprotan performing art in Sekar Village, that source from the local history, that is the story of Ki Godeg and Dewi Sekar. Keywords: art; ceprotan; ceremony; dewi; godeg; kyai; panji; sekar; sekartaji; story; village
• Training in Nigerian art schools: a critique of gender distribution by Abodunrin, Johnson Adelani (2017) - The study is to examine gender distribution in Nigeria art schools with aim of looking at gender biases and specialization affinities and it is limited to painting specialization within the south- western Nigeria. The study aimed at examining art training in relation to gender distribution into various areas of specialization in art schools in Nigeria. Keywords: art; arts; gender; lautech; nigeria; specialization; students; textile

• Implementation of Arts Education in Society Through The Thematic Community Service Program by Masunah, Juju; Kurniawati, Lely (2018) - Creating Dances for Children in the Mu- sical Drama As a follow up to the workshop on arts education, the students and the wo- men created dances for children in their respective villages. Participants of this research were women and children from Bandung Barat Re- gency of West Java and students of Universitas Pendidikan Indonesia. Keywords: adults; arts; arts education; children; community; dances; education; posdaya; research; songs; students; village; women
• Mapping Constraints of Art Extracurricular in Indonesia as An Effort of Policy Design by Herdiati, Dian; Saputra, Dani Nur (2021) - To achieve the goal, this research looks at government initiatives aimed at enhancing the standard of arts extracurricular activities in elementary schools across the Country, which were carried out from 2013 to 2019. This technical guidance activity in districts/cities explains how to organize extracurricular arts activities in schools and explain the strategy for disseminating this technical guidance to schools in one cluster. Keywords: activities; arts; city; constraints; district; education; elementary; guidance; implementation; level; provincial; schools; stage
• Wix Web-Based Dance Learning Media to Support Teaching in The Pandemic Era in High School by Sekarningsih, Frahma; Budiman, Agus; Gustiaji, Gaung Rizki (2021) - In addition, it is also carried out to ob- tain real and accurate information related to the need for dance websites that can be used by students in learning dance in high schools. The development of the Nari Kuy website is carried out to provi- de alternative dance learning solutions in developing dance learning media that utilize technological literacy as a learning resource. Keywords: dance; dance education; dance learning; digital; education; journal; kuy; learning; material; media; nari; research; students; teachers; teaching; technology; website
• Production of Aesthetic Tastes and Creativity Education of Indonesian Glass Painting Artists by Casta, Casta; Rohendi Rohidi, Tjetjep; Triyanto, Triyanto; Karim, Abdul (2021) - 266 Production of Aesthetic Tastes and Creativity Education of Indonesian Glass Painting Artists Casta Casta1, Tjetjep Rohendi Rohidi1, Triyanto Triyanto1, Abdul Karim2 1Universitas Negeri Semarang, Indonesia 2Universitas Muhammadiyah Cirebon, Indonesia Submitted: 2021-05-25. Abstract This study aims to find the repertoire of aesthetic taste as a creative act and its relation to sym- bolic power in the arena of Indonesian cultural production of glass painting. Keywords: artists; bourdieu; capital; creativity; education; glass; glass painting; indonesian; journal; painting; power; production; research; strategy; taste
• The Role of Dance Education for Personality Development of Upper Primary School Students by Singh, Huidrom Rakesh; Devi, Laimayum Subhadra (2021) - Thus, dance Education as a curriculum subject should be compulsory at all levels of schools. Effect of Manipuri dance education on the social value in the teaching-learning process of school in Imphal west-district and Imphal east district, Manipur Table 1. Keywords: dance; dance education; development; district; education; imphal; learning; manipuri; manipuri dance; process; school; students; teaching; value
• Braindance Activities Based on Minang Dance Basic Movements in Children Ages 5-6 Years Old by Yetti, Elindra; Syarah, Erie Siti (2021) - Thus, based on the results of interviews and observations, it provides an overview of the results of the analysis of Minang dance movements that are modified into braindance for crea- tive thinking skills for early childhood. Accepted: 2021-12-19 Abstract Braindance activities based on Minang dance basic movements are moving activities carried out by children aged 5-6 years at an early childhood education institution in Bukittinggi City since 2019 when the trial results of the development of braindance based on the Minang dance basic movements were implemented at the Early Childhood Institutions. Keywords: activities; basic; braindance; childhood; children; dance; education; minang; minang dance; movements; research; skills
• Dolanan Anak Dance Learning for Children in “Mekarsari” Kindergarten by Cahyaningrum, Nilam (2014) - CONCLUSION Dolanan Anak dance learning in Me- karsari Kindergarten, Kandeman District, Batang consists of several components, there are: the teaching and learning acti- vity, goal of teaching, teachers, students, the teaching materials, methods, media, equipment, as well as evaluation. Mekarsari Kin- dergarten is one of the kindergartens that chooses Dolanan Anak dance as the lear- ning material. Keywords: activity; anak; children; dance; dolanan; education; kindergarten; learning; mekarsari; movements; students; teachers
• The Roles of The Dance Education Institute and The Ngayogyakarta Hadiningrat Palace in The Inheritance Process of Yogyakarta Classical Dance Style by Saearani, Muhammad Fazli Taib Bin (2015) - The method employed was a qualitative meth- od through interviews and observations with a number of informants from dance institutions in Yogyakarta. Informants from formal dance educational institutions consisted of two lecturers and one princi- pal, i.e. a lecturer from the Dance Educa- tion Department, Faculty of Performing Arts, Indonesian Institute of Art (ISI), Yo- gyakarta and a lecturer from the Dance Education Department, Faculty of Langu- ages and Arts, State University of Yogya- karta (UNY), as well as the Principal of a State Vocational School Keywords: artwork; dance; dance education; education; inheritance; institutions; layer; palace; roles; students; sultan; tkgy; yogyakarta
• Tension-Pleasure and Education Values of the Meta-Figurative of Indonesian Contemporary Paintings by Adnyana, I Wayan Kun; Totton, Mary Louise; Remawa, Anak Agung Gede Rai; Muka, I Ketut; Ruta, I Made; Wirakesuma, I Nengah; Kondra, I Wayan; Suardana, I Wayan; Sugita, I Ketut Adi (2023) - Meaning there are portraits of social bodies that become the foundation of the expression departure of the artists. Figu- res become the artist’s intuitive language to represent social bodies. Keywords: artists; arts; bodies; body; contemporary; education; expression; figures; indonesian; painting; portraits; representation; self; subject; visual; works
• Evaluation of the Management of Performing Arts Creation Learning by Sustiawati, Ni Luh; Negara, I Gede Oka Surya; Sumarno, Rano; Nalan, Arthur Supardan (2023) - Based on the relevant theoretical studies and research findings, it can be concluded that art learning management should establish systematic, systemic, and comprehensive collaborations both inter- nally and externally. The internal synergy of art learning management involves all faculty members and stakeholders of the PSP program in carrying out their tasks and functions in the learning process. Keywords: arts; arts creation; arts education; creation; denpasar; education; evaluation; isi; learning; management; process; quality; research; students
• Comment and Comics Artwork by Mohd Yaman Ahmad Mus in Anak Sabah Newspaper on 1957 by Rahim, Mohd Sawari; Ibrahim, Ismail; Zakaria, Suraya Hani (2015) - Awareness about road safety was created to give guidance to road users. Advise other road users with utmost prudence Responsibility, honesty , caring , honest and loving. Keywords: ahmad; artwork; attitude; drawing; education; image; level; lines; mohd; motivation; road; sabah; safety; school; use; users; yaman
• Development of Professional Competencies of The Future Costume Designer in the Design System by Faizulina, Elvira; Yessengaliyeva, Aliya; Jumagaliyeva, Venera (2024) - This study is an at- tempt to clarify this ambiguity by defining the term “professional competence” in the context of costume design education and specifying the components (motivational, cognitive-operational, creative, and ref- lective) that constitute professional com- petencies for future costume designers. This study aimed to substantiate and implement the methodology for developing professional competencies of future costume designers in higher education institutions in Kazakhstan. Keywords: competencies; costume; costume designers; design; development; education; future; kazakhstan; professional; training
• Preservation of Intangible Cultural Heritage Using Advance Digital Technology: Issues and Challenges by Idris, Muhammad Zaffwan; Mustaffa, Norsimaa Binti; Yusoff, Syed Osman Syed (2016) - Cultural heritage is a symbol spiritual and intellectual wealth of a civilization, while intangible cultural heritage is associated to tradition and living expressions. Within the four categories that had been stated by the Operational Guidelines 2015 in their World Heritage List, cultural heritage has the most distinctive differences among the categories hence the difference being most appreciated between movable and immovable forms where the former are of- ten referred as intangible cultural heritage meanwhile the latter as tangible cultural heritage (Hennessy 2012; Sun 2010; In- tangible Cultural Heritage Convention, 2003). Keywords: convention; culture; digital; education; figure; heritage; journal; preservation; technology; unesco; world; world heritage
• The inheritance of values in Sundanese song of Cianjuran in West Java by Julia, Julia; Supriyadi, Tedi (2017) - In the end, it is hoped that this study may result in a clear picture about the actual condi- tion of the form of inheritance of value of Cianjuran Sundanese song. 120 The inheritance of values in Sundanese song of Cianjuran in West Java Julia, Tedi Supriyadi Faculty of Education Science, Universitas Pendidikan Indonesia, Indonesia Received: January 29, 2017. Keywords: arts; cianjuran; education; indung; inheritance; instrument; kacapi; lyrics; song; sundanese; sundanese song; values

• The character of Gareng’s Gecul movement in Sumar Bagyo version of dance by Wulandari, Dewi; Slamet, Slamet (2017) - 163 The character of Gareng’s Gecul movement in Sumar Bagyo version of dance Dewi Wulandari, Slamet Institut Seni Indonesia Surakarta, Indonesia Received: July 17, 2017. The character of Gareng’s Gecul movement in Sumar Bagyo version of dance. Keywords: bagyo; character; dance; gareng; gecul; gecul movement; motive; movement; puppet; shadow; stage; sumar; sumar bagyo
• Mangkunegaran dance style in the custom and tradition of Pura Mangkunegaran by Malarsih, Malarsih; Rohidi, Tjetjep Rohendi; Sumaryanto, Totok; Hartono, Hartono (2017) - Meanwhile, the data was analysed by using text analysis towards the Mangkunaga- ran dance style and the context analysis towards the role of Mangkunagaran dance in the custom and tradition had by Pura Mangkunagaran. The aim of this research is to find out how Mangkunagaran dance style is and what kind of roles that Mangku- nagaran dance style has that may influence the custom and tradition in Pura Mangkunagaran. Keywords: custom; dance; dance style; gesture; mangkunagaran; mangkunagaran dance; pura; pura mangkunagaran; style; tradition
• Silat as the Source and Identity of the Minangkabau Ethnic Dance by Asriati, Afifah; Kosasih, Ahmad; Desfiarni, Desfiarni (2019) - How this idea is reflected in dance movements? Based on the phenomenon descri- bed above, it is necessary to conduct an in-depth study that involves the concept of dance movement in general (dance ele- ments) and the specific forms of Minang- kabau dance movement. Keywords: adat; arts; dance; dance movements; dancers; fgd; identity; june; minangkabau; minangkabau dance; movement; research; silat; values; women
• The Non-Aesthetic Aspect of Mangkunagaran-Style Dance: Study From The Perspective of Social Context by Malarsih, Malarsih; Utina, Usrek Tani; Bisri, Moh Hasan (2020) - The ability of Mangkunagaran party to save the existence of the Mangkunaga- ran style dance As mentioned by Kim and Lausberg (2019), different dance styles have been developed in different cultures to provide emotional as well as aesthetic expressions. Keywords: aspect; community; dance; function; mangkunagaran; pura; pura mangkunagaran; study; style; style dance
• The Geculan Bocah Dance Performance As A Creative Space for Children by Paranti, Lesa; Putri, Rimasari Pramesti; Pebrianti, Sestri Indah (2019) - The results showed that Geculan Bocah dance performance consisted of 3 parts, namely the beginning, middle (core) and final (ending). The liminal phase appears when child dancers start to play the role of warok. Keywords: bocah; bocah dance; children; creativity; dance; dance performance; dancers; geculan; geculan bocah; performance; research
• Characteristics of Bedayan Retna Dumilah Dance Motions Created by S. Ngaliman Condropangrawit by Herlinah, Herlinah (2019) - Bedayan Retna Dumilah dance is a combination of the classical dance motions of the Surakarta Kasunanan Palace with the motions of Kemlayan village artists who try to develop based on their own tas- te, so that the dance style of the Kemlayan village dance appears as reflected in the sense of dance motions by S. Ngaliman. Based on these descriptions, researchers are interested in studying more deeply the characteristics of Bedayan Retna Dumilah dance motions. Keywords: bedayan; characteristics; dance; data; dumilah; motions; palace; retna
• Conservation Strategy in Preserving The Local Image Existence of Wayang Topeng by Suprihatin, Endang Wara; Pratamawati, Dyah (2019) - Ten years into the 21st century shows a great effort from the artists who joined the Wayang Topeng Malang dance studio, Asmorobangun led by Tri Handaya (43), in preserving its existence. Rationale behind con- ducting the research is that the studio has been consistently maintaining and de- veloping Wayang Topeng Malang, both in its performance and also visual mask formed as souvenir products and proper- ties for mask dance besides some accomp- lishments which have been achieved, and many domestic and foreign tourists who come to see the show, learn to dance or learn to sculpt or to paint a mask which make this studio popular. Keywords: arts; conservation; dance; malang; mask; performance; research; studio; topeng; wayang
• Organizing Bandung Isola Performing Arts Festival (BIPAF) As A Market of Innovative Performing Arts in Indonesia by Sukmayadi, Yudi; Masunah, Juju (2020) - In a discussion held by BIPAF 2017, Rama Thaharani said that: usually, festival directors look for works following their ar- tistic framework and themes, the relevan- ce of work for the festival itself, with the context of the audience, so it is not simp- le form where the works are staged. What is meant by Indonesian tradition is limited by regional characteristics where the artist originated, while collaborative dance works are dance works produced by one or two overseas choreographers or more by choreographers and/or dancers/ performers from Indonesia. Keywords: artists; arts; bandung; bipaf; community; dance; director; festival; indonesia; isola; people; performing; research; work
• Creativity of Virtual Dance Competition of “Beksan Nir Corona” in The Kraton of Yogyakarta by Kuswarsantyo, Kuswarsantyo; Fitrianto, Otok (2020) - Keywords: creativity; Beksan Nir Corona; virtual dance competition How to Cite: Kuswarsantyo, K., & Fitrianto, O. (2020). The inter- personal intelligence is related to dancers’ personal responsibility in actualizing Bek- san Nir Corona in groups to participate in virtual dance competitions. Keywords: beksan; competition; creativity; dance; dance competition; movement; nir corona; participants; yogyakarta
• JAROG DANCE FOR CHILDREN WITH SPECIAL Needs : Case Study in The Celebration of The International Dance Day in Surakarta by Wahyu, Eko (2013) - The Order of the Performance The performance of Jarog dance started with Jaranan dance performed by 5 female dancers using the properties made of woven bamboo which looked like hor- ses or jaran kepang. Jarog dance was created to facilitate children with special needs in order to celebrate the International Dance Day in Surakarta in 2013. Keywords: children; dance; dancers; day; jaranan; jarog; jarog dance; jeg; kendhang; movements; needs; performance; students; surakarta
• Performance Assessment Through Motion Literation to Assess The Motoric Skill of Junior High School Students Based on Laban Notation by Triana, Dinny Devi; Yudha, Rivo Panji (2021) - This also impacts on improving motor skills in students to undergo the learning process at a later stage. Keywords: performance assessment, motion literacy, motor skills, Laban notation How to Cite: Triana, D. D. & Yudha, R. P. (2021). Keywords: assessment; baseline; condition; dance; intervention; literacy; motion; motor; movement; performance; skills
• Baris Memedi Dance in Jatiluwih Village Tabanan Bali: A Strategy to Preserve Traditional Arts by Dana, I Wayan; Artini, Ni Kadek Juni (2021) - Based on observation, Baris Memedi dance has four stages in its presentation form. Keywords: Baris Memedi dance, preservation strategy, traditional art How to Cite: Dana, I. W., & Artini, N. K. J. (2021). Keywords: arts; bali; balinese; baris; baris memedi; community; cultural; culture; dance; jatiluwih; memedi; memedi dance; preservation; village
• Tayub as a Symbolic Interaction Medium in Sedekah Bumi Ritual in Pati Regency by Suryani, Sisca Dwi (2014) - It consists of three elements, as follows: 1) kenduren prayer, 2) offerings and ambeng, 3) Tayub dance. Tayub dance is performed in both occasions since it is be- lieved that the dance can magically affect fertility. Keywords: ambeng; ancestors; audiences; bumi; ceremony; dance; interaction; ledhek; offerings; process; ritual; sedekah; society; tayub
• Ngesti Utomo Rodhat Dance as a Means of Bersih Sendang Dadapan Ritual in Boyolali Regency by Suharji, S. (2014) - Ritual dances are performed for overco- ming any disruptions, either naturally or supernaturally. Ritual dances are always related to supernatural things. Keywords: bersih; dance; dancers; data; form; gunungan; lor; people; ritual; rodhat; sendang
• The Kelantan Mak Yong: Dancing Towards a Compromise Between Culture and Religion by Sripaoraya, Kanit (2022) - This research aims to discuss the contemporary issue of Kelantan Mak Yong and to propose the safeguarding method that compromises between culture and religion by reflecting the lessons learned from three participation anthropological fieldworks as a Mak Yong practitioner, a traditional dance-drama researcher, and a traditional dance-drama lecturer from 2014 until the present day. While conducting participatory obser- vation as a dance practitioner, I discovered the essence of Mak Yong performance as formed by traditional beliefs and socio- cultural-political codes. Keywords: arts; culture; dance; heritage; islamic; kelantan; kelantan mak; mak; mak yong; malay; performance; performing; state; study; women; yong; yong performance
• Manortor as a Solidarity and Identity Building Media of Mandailing Ethnic Group in Rokan Hulu, Riau Province by Novita, Elmi; Soewarlan, Santosa; Sukerna, Nyoman (2022) - Collective memory is a represen- tation of the past that exists in the minds of Mandailing community members, cont- ributing to their sense of identity (Manier & Hirst, 2008, p. 253). Relationships among members of kinship groups are expressed through cultural symbols that are carried out together, such as traditional rituals, weddings, dancing, singing, and others. Keywords: community; dalihan; dance; dancers; family; group; identity; kinship; mandailing; manortor; movement; research; solidarity; tolu
• Aesthetics of Prajuritan Dance in Semarang Regency by Jazuli, Muhammad (2015) - Therefore, Prajuritan dance brings the mission to evoke sense of courage, discipline, and responsibility for the young generation. Keywords: Prajuritan dance; choreography; cultural value systems How to Cite: Jazuli, M. (2015). Keywords: aesthetics; dance; dancers; form; gelar; moves; pattern; performance; prajuritan; regency; semarang; soldiers; value
• The Analysis of Topeng Sinok Dance in Brebes Regency by Sintho Rukmi, Dinar Ayu; -, Indriyanto (2015) - This paper purposes to uncover the meaning behind Topeng Sinok dance movement. Topeng Sinok dance is performed beautifully, elegant, and swift. Keywords: dance; dancers; hand; head; left; movement; right; sinok; sinok dance; topeng
• The Symbolic Meaning of the Wireng Dance Choreography at the Kasunanan Surakarta Palace by Jazuli, Muhammad; Suharji, Suharji; Pebrianti, Sestri Indah (2022) - The implication of studying the cho- reography and symbolic meaning of the wirèng dance is that dance values and their meanings can cultivate conscious human attitudes and behavior to create peace. CONCLUSION The existence of Keraton Kasuna- nan Surakarta dance is inseparable from the cultural conception of its environment which is always based on ethical-aest- hetic, philosophical, and cultural norms (value systems) with divine nuances. Keywords: bedhaya; beksan; choreography; dance; dance choreography; dancers; form; human; javanese; jazuli; kasunanan; life; meaning; movement; palace; research; surakarta; value; wirèng
• Revitalization and Socialization of Daeng Dance in Purbalingga, Indonesia by Anggraeni, Dinar (2015) - The results and discussion of the re- search focused on the revitalization and socialization of Daeng dance in Purbaling- ga, which contain a brief history of Dance, dance, the revitalization process, the shape of the show after revitalization and socia- lization. Accepted: June 13, 2015 Abstract The purpose of the study is to know and depict the revitalization and socialization of Daeng dance in purbalingga, Indonesia. Keywords: daeng; daeng dance; dance; purbalingga; revitalization; socialization
• Siriah Gadang Cultural Values in Galombang Dance in Pariangan, West Sumatra by Asriati, Afifah; Shafii, AS Hardy; Yuliasma, Yuliasma; Putra, Irdhan Epria Darma; Desfiarni, Desfiarni (2024) - Abstract This article aims to expose the revitalization of Siriah Gadang cultural values in Galombang dance performed in Guguak village, Pariangan, Tanah Datar Regency, West Sumatra. This approach is applied to obtain data on reconstructing and re- vitalizing Siriah Gadang cultural values in Galombang dance performances. Keywords: adat; asriati; betel; dance; gadang; galombang; guests; leaves; minangkabau; pariangan; people; research; revitalization; siriah; siriah gadang; syarak; symbolizes; values; village
• The Ability of Choreography Creative Thinking on Dance Performance by Triana, Dinny Devi (2015) - Moreover, Murgiyanto explained dance composition process include design, knowledge of art, choosing accompanying dance, group composition, costume, ligh- ting, stage arrangement, and theme deve- lopment. Doubler (1985) explained that dance composition is a structure or structural unity of dance elements that is combined with variety, contrast, balance, climax, sequence, transition, repetition, and harmony (p. 42). Keywords: ability; choreography; composition; creation; dance; movement; research; thinking
• Taksu and Pangus As An Aesthetic Concept Entity of Bali Dance (A Case Study of Topeng Tua Dance) by Mariasa, I Nengah (2015) - What are the aspects affected Topeng Tua dance that makes this dance is attracted for the audiences? Visual Manifestation of Topeng Tua dance The presentation (performance) technique of Topeng Tua dance is not easy to be done by a beginner dancer. Keywords: bali; dance; pangus; performance; taksu; topeng; tua
• The Tryout of Dance Teaching Media in Public School in The Context of Appreciation and Creation Learning by Malarsih, Malarsih (2016) - Specific target to be accomplished in this study is the re- alization of dance learning media as one of appreciation and creation educational tool in public school. The product’s trial result showed that the use of dance learning media that was designed specifically for appreciation and creation approach has succesfully driven the students to be more active and creative. Keywords: appreciation; creation; dance; learning; media; school; students; study; teaching
• The Acculturation of Malay-Islamic Elements in the Dabus Dance Ritual in the Malay Community of Perak, Malaysia by Chan, Abdul Hamid; Saearani, Muhammad Fazli Taib; Alfarisi, Salman (2024) - The findings show that 1) the process of Malay-Islamic acculturation in Dabus dance rituals has been since the arrival of Dabus dance in the Malay peninsula and continues until now; 2) one of the most significant Islamic-Malay acculturation methods and strategies is the reinvention of the Dabus dance over time; 3) Islamic-Malay acculturation includes not only physical forms (forms, structures, and ritual elements) but also non-physical aspects (doa, zikir, selawat, berzanji, belief). All main informants were presented with questions related to the history of the Dabus dance, the social context of the Da- bus dance, the performance structure of the Dabus dance, performance equipment, Dabus dance practices, Dabus rituals, re- cent developments in the Dabus dance, and community and government respon- ses to the Dabus dance. Keywords: acculturation; caliph; community; culture; dabus; dabus dance; dance; elements; figure; group; islamic; malay; perak; performance; process; reinvention; research; ritual; symbols
• Costume Characteristics of Children Creation Dance in Kindergarten at Buleleng Bali by Sutrisno, Langen Bronto; Suartini, Luh; Budiarta, I Gusti Made (2015) - Aesthetic aspect in dance costume that has adjacency to the tradi- tion is shown in patterned costume, especially the use of kamen prada. Creating dance costumes are also a form of art practice in the field. Keywords: children; colour; costume; creation; dance; impression; kindergarten; stripes
• The Existence of Local Wisdom Value Through Minangkabau Dance Creation Representation in Present Time by Indrayuda, Indrayuda (2016) - Abstract This paper is aiming at revealing the existence of local wisdom values in Minangkabau through the representation of Minangkabau dance creation at present time in West Sumatera. Object of the research was Minangkabau dance creation in present time, while the data was collected through interview and direct observation, as well as documentation. Keywords: dance; dance creation; existence; minangkabau; minangkabau dance; society; sumatera; values; west; wisdom; wisdom values
• Smart kinesthetic measurement model in dance composision by Triana, Dinny Devi (2017) - There was a correlation between conveying movement ability and kinesthe- tic intelligence. It would be dis- cussed based on the finding and the result of hypothesis test as follow: There was a correlation between movement perception ability and dance arrangement. Keywords: ability; correlation; dance; influence; intelligence; kinesthetic; measurement; movement; perception; test
• Bedhaya Bedhah Madiun dance as a tourism superior asset in puro Mangkunagaran by Suharji, Suharji (2017) - Triangulation data is collected from the interviewees together with the manuscript of dance performance and direct observation of Bedhaya Bedhah Madiun dance. Bedhaya Bedhah Madiun dance: As a tourism superior asset in puro Mangkunagaran. Keywords: arts; attraction; bedhah; bedhaya; bedhaya bedhah; culture; dance; madiun; mangkunagaran; palace; performance; puro; research; surakarta; tourism
• The symbolical meaning of Macanan dance in Barongan Blora by Budy, Elinta (2017) - The theory delivered by Bandem ex- plained before is considered relevant to be used to analyze the meanings contained in Macanan dance movement in Barongan Blora dance. Beliefs hold by the Blora people towards the tiger becomes the main consideration of the use of tiger mask and the choice of Barongan dance movements. Keywords: barongan; blora; dance; macanan; macanan dance; movement; tiger

• Colour dematerialization in spiritual literature and painting by Sudrajat, Dadang; Piliang, Yasraf Amir; Sanjaya, Tisna; Kusmara, Andriyanto Rikrik (2017) - Colour dematerialization in spiritual literature and painting. Siliwangi, Coblong, Kota Bandung, Jawa Barat 40132 E-mail: lafadzagat@gmail.com p-ISSN 2541-1683|e-ISSN 2541-2426 Dadang Sudrajat et al., Colour dematerialization in spiritual literature and painting 175 Research about Serat FJW is consi- dered new since it attempts to study new knowledge related to Tarekat Kadisiyah. Keywords: arts; colour; dematerialization; fjw; literature; painting; sadali; serat; spiritual; study
• The Javanese Panji Story: its transformation and dissemination into the performing arts in Southeast Asia by Bramantyo, Triyono; Hung, Susan (2017) - The main characters of Panji story are Prince Panji Kertapati simply known as Panji and his fiancée namely Princess Dewi Sekartaji or Galuh Candrakirana. Abstract This paper studies descriptively several versions of Javanese Panji Story with its transformation and dissemination into the performing arts found in Southeast Asia. Keywords: arts; bossaba; daha; eynao; javanese; king; naung; panji; story; thailand
• The Visual Arts of Masjid Agung Sang Cipta Rasa Cirebon: Hybrid Culture Identity by Kartika, Nyai; Piliang, Yasraf Amir; Santosa, Imam; Dienaputra, Reiza D. (2020) - The development of visual art in Masjid Agung Sang Cipta Rasa Cirebon is divided into four parts, namely the early period, the influence of Hindu-Buddhism, 15th century; The second period, the spread of Islam, 16-17th century; The third period, Colonial politics or the Dutch East Indies period, 18th and 19th centuries; The fourth period of restoration, the 20th century. The existence of several hybrid ele- ments contained in the visual element of Masjid Agung Sang Cipta Rasa Cirebon basically does not merely provide identity, but also shows evidence of artifacts resul- ting from crossing cultures with several origin countries. Keywords: arts; cipta rasa; cirebon; culture; decoration; form; java; masjid agung; mosque; ornamental; porch; rasa cirebon; variety; visual; wall; west
• Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia) by Setiawan, Aris (2021) - Kidungan Ludruk. A large number of Ludruk groups in East Java that became the driving force for political party propaganda made the Lud- ruk group split into two big groups. Keywords: arts; criticism; durasim; east; era; japanese; java; jula; juli; kidungan; kidungan jula; ludruk; media; order; parikan; performance; pki; propaganda; setiawan
• Renteng Dance in Saren Village, Nusa Penida as a Source of Inspiration for the Creation of Ceremonial Dances in Bali by Ruastiti, Ni Made; Indrawan, Anak Agung; Sariada, I Ketut (2021) - Balinese people seem to know more about the Rejang Renteng Dance than the Renteng Dance. Keywords: Renteng Dance, Development Source, Rejang Renteng Dance, Dewa Yadnya Ceremony in Bali How to Cite: Ruastiti, N. M., Indrawan, A. A., & Sariada, I. K. (2021). Keywords: arts; bali; balinese; ceremonial; data; journal; nusa; penida; performance; pradana; rejang; rejang renteng; renteng dance; research; ruastiti; saren; temple; village
• Meaning Differences in Indigenous Kriya and Crafts in Indonesia and Their Leverage on the Craft of Science Globally by Hendriyana, Husen (2022) - As a global phenomenon, craft products can carry out transformational ac- tions and interdisciplinary collaborations in art, cul- ture, technology, society, politics, and economics at personal and collective levels. In today’s digital era, the added value of craft products is not only Husen Hendriyana, Meaning Differences in Indigenous Kriya and Crafts in Indonesia 343 focused on retail selling value in the form of goods, but also on creative ideas and concepts, as well as techniques that can in- fluence others to be able to carry out a simi- lar creative process. Keywords: activities; arts; community; context; craft; culture; definition; design; elements; group; indonesia; journal; kerajinan; kriya; meaning; products; research; science; term; work
• Traditional Art Kayori as An Identity of Taa Society in District of Tojo Una-Una in Globalization Era by Hasan, Abdul Rasyid (2015) - This research tries to describe the existence of kayori tradition in terms of its existence in Taa society in the district of Tojo Una-Una. Based on the issue in- vestigated, this research aims to describe form, function, and meaning of kayori art in Tojo Una-Una district. Keywords: arts; kayori; society; taa; tradition; una
• Innovation of Form and Function of Banyumulek Pottery Craftsmanship in Lombok as Heritage of Traditional Culture by Muka, I Ketut; Suardana, I Wayan (2024) - This research employs a qualitative descriptive method to explore innova- tions in the form and function of Banyumulek pottery. Changes and innovations in Banyumulek pottery reflect economic and tourism growth and affirm the values of the social and cultural identity of the local community. Keywords: artisans; arts; banyumulek; banyumulek pottery; craft; development; form; function; identity; industry; innovation; journal; lombok; pottery; products; research; village; west
• Dutch Batik Motifs: The Role of The Ruler and The Dutch Bussinesman by Patria, Asidigisianti Surya (2016) - The trail was reflected in a va- riety of Batik motif on the north coast of the island of Java and the other hand, in Surakarta and Yogyakarta is the center of the aristocracy. A royal era has passed, but the principles of the appli- cation of Batik motif still adhere. Keywords: arts; batik; culture; dutch; european; indo; java; motif; role; theory

• Women domination in the Galombang dance: between the customary idealism and the market use by Indrayuda, Indrayuda; Ardipal, Ardipal (2017) - Art stu- dio or artists working on Galombang dance by placing women as dancer trend is inc- reasingly entrenched even the performing arts market wants to do so. Considering women are as artistic appeal in Galombang dance, hence now the num- ber of female dancers have increasingly dominated the Galombang dance perfor- mance in West Sumatra. Keywords: dance creations; dancers; existence; female; galombang dance; padang; performance; role; sumatra; west; women
• Laras concept and its triggers: A case study on garap of jineman Uler Kambang by Widodo, Widodo; Ganap, Victor; Soetarno, Soetarno (2017) - Supanggah (2002, p. 86) in Bothékan Karawitan book I briefly de- fines laras as an aesthetic sense but its rela- tionship formed with gendhing garap is not further discussed, similarly to Sumarsam 1992, p. 1) who starts his dissertation by quoting tembang texts containing the word laras as one karawitan aesthetic sense. The first data are collected through literature sources and karawitan practitioners who are directly involved in gendhing garap and as appreciators, while the second ones are contained within the direct performance of Jineman Uler Kam- bang, Pélog Lima as well as in the audiovi- sual recording documents. Keywords: balungan; barung; concept; garap; gendhing; gendèr; javanese; jineman; karawitan; laras; pattern; performance; playing; ricikan; sense; sindhènan; type; vocal; work
• Community identity politics of Brijo Lor society, Klaten in Ki Ageng Glego myth through Reog performance by Sutiyono, Sutiyono; Suharjana, Bambang (2017) - Abstract This research is aimed to describe community identity politics of Brijo Lor society, Klaten in Ki Ageng Glego myth through Reog performance. The research questions are how is the com- munity identity politics in Brijo Lor society, and what is the relationship between the identity politics with Ki Ageng Glego myth through Reog performance? Keywords: ageng; brijo; brijo lor; community; glego; identity; lor; performance; reog; society
• Innovation of Suminten Edan Stories by Ketoprak Wahyu Manggolo Pati by Purnomo, Sucipto Hadi; Astuti, Tri Marhaeni; Irianto, Agus Maladi (2018) - In performing the story, despite being bound by the basic norms of performance known as pakem, Suminten Edan story is performed with some modifica- tions to show innovations. Suminten Edan story develops among Javanese people. Keywords: cempluk; character; edan; gentha; group; ketoprak; pakem; performance; play; se-2; story; subrata; suminten; suramenggala
• The Meanings and The Myths Behind The JKT48 Kiii Team “Jangan Kasih K3ndor” Show at The Seskoal Indoor Basketball Building by Arista, Amanda Dwi (2019) - Team KIII is currently the strongest team in JKT48 and is the team with the biggest fan loyalty proven in a solo concert made by JKT48 Team KIII entitled “Jangan Kasih K3ndor” on Saturday, July 29, 2017, at the Seskoal Indoor Basketball Hall. Therefore, it is also benefi- cial for JKT48 Team KIII because the more fans that like Team KIII and being loyal makes it easier for Team KIII to realize whatever they want. Keywords: cinderella; concert; fans; jangan; jkt48; jkt48 team; k3ndor; kasih; kiii; meaning; members; performance; song; team; team kiii; theater
• Adaptation of The Wiruncana Murca Play in The Wayang Topeng Jatiduwur (Jatiduwur Mask Puppet) Jombang Performance by Yanuartuti, Setyo; Juwariyah, Anik; Puspito, Peni; Winarko, Joko (2020) - Setyo, 2017) This new Wayang Topeng perfor- mance received appreciation from obser- vers as a form of the success of the Tri Pur- wa Budaya mask group in revitalizing the Wayang Topeng Jatiduwur performance in Jombang. Wiruncana Murca play in the Wayang Topeng Jatiduwur Performance in the past was used for nadzar rituals. Keywords: adaptation; festival; jatiduwur performance; jombang; mask; mask puppet; murca play; panji; panji festival; performance; play; process; puppet performance; raden; research; scene; topeng jatiduwur; topeng performance; wayang topeng; wiruncana murca
• Aesthetic Value of Wahyu Manggolo’s Kethoprak Performance Presenting Mahesa Jenar Series Alap-Alap Jentik Manis by -, Pujiati (2015) - Keywords: aesthetic value; kethoprak; character How to Cite: Pujiati. Aesthetic Value of Wahyu Manggolo’s Kethoprak Performance Presenting Mahesa Jenar Series Alap-Alap Jentik Manis. Keywords: alap; data; jenar; jentik; kethoprak; mahesa; manggolo; manis; performance; research; stage; value; wahyu
• The Conveyance of the Japanese Atmosphere to Visitors as a Performance at Marugame Udon, Solo Paragon Lifestyle Mall by Majid, Ainun; Suastiwi, Suastiwi; Simatupang, Gabriel Roosmargo Lono Lastoro (2023) - 154 The Conveyance of the Japanese Atmosphere to Visitors as a Performance at Marugame Udon, Solo Paragon Lifestyle Mall Ainun Majid1, Suastiwi Suastiwi2, Gabriel Roosmargo Lono Lastoro Simatupang1 1Universitas Gadjah Mada, Indonesia 2Institut The findings of this study are: (1) the “action” exploration finds that the interior display is a manifestation of Marugame Udon’s identity as a Japanese restaurant chain and its commitment to introducing Japanese culture, especially Sanuki; (2) the “interac- tion” exploration finds that the presence of interior elements is a mutually dependent system in displaying the atmosphere (Japanese), and visitors interact most with noren and the theater kitchen; (3) the “relationship” exploration reveals that Marugame Udon does not only act as a restaurant providing food and drinks but also as a stimulating agent that influences visitors’ per- ceptions and evokes their memories and desires related to Japanese culture. Keywords: architecture; atmosphere; culture; elements; figure; identity; interaction; interior; japanese; journal; kitchen; marugame; performance; research; restaurant; study; udon; visitors
• Social Criticism in Wayang Kulit Purwa Performance by Purbo Asmoro, Study of Interpretation (Sanggit) and Treatment (Garap) by Nugroho, Sugeng (2023) - In creating a ‘new’ lakon, the dalang must master various references—both written and spoken—which will later be used as hipogram texts, interpret various hypogram texts into a story, and translate them into lakon wayang. The dalang must also be able to interpret various hypogram texts into a story and translate them into the treatment of lakon wayang. Keywords: asmoro; characters; criticism; dalang; figure; god; god sambo; heavens; lakon; performance; ponorogo; purbo; purbo asmoro; réyog; sambo; scene; story; structure; suralaya; tumult; wayang
• Reinterpretation of Gender Concept and Its Influence on Preservation of Barong Show Performance in Blora by Cahyono, Agus; Sunarto, Sunarto; Ary, Deasylina da; Prameswari, Nadia Sigi; Guntaris, Endik (2023) - Women in Barongan performances can also act as Barongan dancers. This is contrary to the situation in the past, where female dancers in Barongan performances were considered unethical, so men mostly performed the role of Barongan dancers. Keywords: barongan; barongan blora; barongan dancers; barongan performance; blora; character; dancers; female; feminine; figure; gender; jathil; joko; lodro; movements; pembarong; performance; research; role; women
• Awakening Philippine Cultural Consciousness in the Youth through Amelia Lapeña-Bonifacio’s Papet Pasyon by Ramolete, Amihan Bonifacio; Tiatco, Sir Anril Pineda (2024) - Lapeña-Bonifacio and Ramos had formal training in the theatre, but neither had formal training in puppet theatre. The traditio- nal repertory of puppet theatre in India and a majority of Southeast Asian count- ries is based on the Indian epics Ramay- ana and Mahabharata. Keywords: audience; bonifacio; children; christ; filipino; jesus; lapeña; life; mulat; papet; papet pasyon; passion; pasyon; performance; philippine; play; puppet; puppeteers; theatre

• Representation of the Meaning of Indung in Artworks by Maulina, Rini; Sabana, Setiawan; Damayanti, Nuning Yanti; Muhtadin, Teddi (2021) - Indung in Sundanese culture is found in Paribasa, Babasan, Carita Pantun, Waditra (Sundanese traditional musical instrument), traditional ceremonies, and others. Indung is found in almost all ele- ments of Sundanese culture, such as in language, social systems, livelihood sys- tems, religious systems, knowledge, and art systems. Keywords: artworks; batik; culture; data; indung; life; meaning; research; results; source; sundanese; visual
• The Development of the Indonesian Culture Gunungan Design: Wayang Godhong “Smoking Violated” by Purwantoro, Agus; Prameswari, Nadia Sigi; @ Mohd Nasir, Roziani Binti Mat Nashir (2022) - If in previous studies, Wayang Godhong performances still used creations using natural leaves, then for Harmonia: Journal of Arts Research and Education 22 (1) (2022): 62-7772 research, Wayang Godhongs were not only made from leaves but developed using wood. The data collected through the implementation of formative evaluations are grouped into two parts, namely: (1) the first stage of evaluation data in the form of Agus Purwantoro, et al., The Development of the Indonesian Culture Gunungan Design 65 Wayang Godhong design from tobacco far- mers, (2) second stage evaluation data in the form of Wayang Godhong design from puppeteers expert test results, and (3) third stage of evaluation data in the form of Wayang Godhong design from Chairman of the Ketoprak Association of Temang- gung Regency. Keywords: culture; design; development; figure; godhong; gunungan; indonesia; journal; leaf; leaves; media; people; performances; public; research; smoking; structure; tobacco; wayang; wayang godhong
• Iconography: Sundanese Calligraphy as Artistic Expressions of Identity by Raden, Agung Zainal Muttakin; Rustopo, Rustopo; Haryono, Timbul; Pratama, Dendi (2023) - Rahwana character is composed in calligraphy Sundanese script with pupuh asmarandana titled “Edun” Harmonia: Journal of Arts Research and Education 23 (1) (2023): 132-140136 Figure 2 shows a Sundanese calli- graphy which is formed from the text edan- edan jaman akhir, banyak yang bertingkah gila, yang sakit jiwa melongo, kalah saing jatah pe- ran, jin setan jingkrak jingkrak, tambah teman sorak seru, sang alim takut kuwalat (Crazy in the end times, many are acting crazy, mentally gawking, losing their competiti- ve role. The forms of Sundanese calligraphy that will be analyzed are taken from Edi Dolan’s social media. Keywords: calligraphy; culture; figure; form; iconography; identity; jaipongan; media; script; semar; social; sundanese; sundanese calligraphy
• Mythologization of The Goddess Mazu: Readings through Spacial Setting and Activity in the Interior of Cu An Kiong Temple by Triatmodjo, Suastiwi; Tsai, Ted Tsung-te; Burhan, M. Agus; Prasetya, Hanggar Budi; Budiarti, Endah (2022) - The Relation between the Setting System, Activity System, Value, and The Meaning of The Rooms Setting System/Rooms Activity System Value Meaning The altar of Mak Co with wider, more magnificent, and more beau- tiful space The altar of Mak Co/Goddess Mazu is made bigger, prettier, and more luxurious Exalta- tion Space of Exaltation The space to do prayer to Mak Co Mak Co is asked for her blessing, prayed to Exalta- tion The space of Mak Co where taking pictures is forbidden It is forbidden to take pictures of Mak Co Purifi- cation The space (Temple CAK) guarded & monitored The altar is carefully guarded against vandalism Purifi- cation The space/table of offerings Mak Co is presented with offer- ings, incense, foods, and murals Exalta- tion The space of inheritance is still authentic The main altar in the temple is maintained authentic Exalta- tion Long historical remembrance (peluhuran) space In total, the ritual of offering has been carried out for 400 -500 years continuously Endless belief ces in the village/city so that people can be protected and safe from harm. The big celebration involving Mak Co is the Chinese New Year, the Lampion Festival as part of the Chinese New Year celebration, Goddess Mak Co birthday, and the temple anniversary. Keywords: altar; chinese; community; culture; goddess; goddess mazu; kiong; lasem; mak; mak co; mazu; myth; research; space; temple
• The Existence of Aesthetic Transformation in Traditional Batik Colors Based on the Review of Memetics Theory (Case Study: Traditional Batik in Tuban, East Java, Indonesia) by Ciptandi, Fajar; Arumsari, Arini (2024) - Therefore, it is necessary to address the intervention factors that have caused these changes using established cultural theories to produce findings in the form of an interpretation of the factors causing the weakening of the existence of aesthetics in traditional Tuban batik colors and the daily behavior patterns of people in current conditions. In traditional Tuban batik, one of the embodiments of its aesthetics is found in the colors of the batik fabric itself, which has always been a significant part of the tradition and even serves as the basis for reproducing traditional identity values held by the Tuban community today. Keywords: aesthetic; batik; colors; culture; design; existence; fabric; form; journal; knowledge; level; memes; process; tradition; transformation; tuban; tuban batik
• SENI PEMBEBASAN : ESTETIKA SEBAGAI MEDIA PENYADARAN by Zaenuri, Ahmad; Lestari, Wahyu (2011) - Art as a media of freedom is an effective alternative as a means of massage delivery about situation of social life that grow attempts of policies of decision maker and global capitalism who create system of culture value in society for capitalist interest. Reality life is imagination, fantasy, and absurd dreams, whereas the truth and kindness of beauty only occur in ideas which create beauty of life management and the value of culture system itself. Keywords: culture
• Visual Metaphor of Javanese Cartoon: The Interpretation of Cultural Socio-Politic in Goenawan Pranyoto’s Comic Cartoon Mbeling “Ande Ande Lumut” (1951-2014) by Thalhah, Abdullah Ibnu (2016) - On one hand, Metaphor in comic cartoon Mbeling was a tool created to insinuate and criticize the corrupt and feudal Orde Baru authoritarian. Keywords: social-politic; metaphor; comic cartoon How to Cite: Thalhah, A. I. (2016). Keywords: ande; cartoon; comic; culture; indonesia; javanese; mbeling; metaphor; signs

• SIGNIFICANT INFLUENCES OF VIOLIN EXTRACURRICULAR ACHIEVEMENT TO EMOTIONAL INTELLIGENCE by Salafiyah, Nafik (2014) - The result of learning violin is nee- ded to achieve emotional intelligence opti- mally. Many the- ories have been argued by specialist about emotional intelligence, it can be assumed that there is a correlation, relation, and contribution of extracurricular learning re- sult of violin toward students’ emotional intelligence. Keywords: emotional; extracurricular; intelligence; learning; students; violin
• IMPLEMENTASI KURIKULUM TINGKAT SATUAN PENDIDIKAN (KTSP): DALAM PEMBELAJARAN SENI MUSIK DI SMA CITISCHOOL SEMARANG by Joseph, Wagiman (2011) - In analyzing data, the researcher use descriptive and interactive analysis from Milles, which consists of data collection, data reduction, data presentation, and conclusion. Suggestion in this research: quality of teachers’ administration should be increased, optimize learning process, and learning evaluation should be appropriate with appreciation and creation aspects in activities. Keywords: learning
• PEMBELAJARAN TARI DI TAMAN KANAK-KANAK NEGERI PEMBINA PLANTUNGAN KABUPATEN KENDAL by Hartono, - (2011) - In analyzing data, the researcher use descriptive and interactive analysis from Milles, which consists of data collection, data reduction, data presentation, and conclusion. Suggestion in this research: quality of teachers’ administration should be increased, optimize learning process, and learning evaluation should be appropriate with appreciation and creation aspects in activities. Keywords: learning

• KECAKAPAN PERSEPSI DALAM PEMBELAJARAN KETERAMPILAN PSIKOMOTORIK KESEGARAN JASMANI DAN SENI GERAK by Dwiyantoro, Haryanto (2011) - In fact, students have perceptual and physic ability. These abilities really help students in interpreting stimulation that come from out side so that students will find it easier to make decision toward their environment. Keywords: students

• The Aesthetics Effect of Surakarta-Style Pakeliran on East Javanese Pakeliran by Nugroho, Sugeng (2018) - There are three things that distin- guish between Pakeliran Jawa Timuran and Pakeliran Surakarta style. That is, at this time Pakeliran Jawa Timu- ran also displays limbukan and gara-gara as well as Pakeliran Surakarta style now in ge- neral. Keywords: aesthetics; east; figures; janturan; javanese; jawa; jawa timuran; jejer; king; pakeliran; pakeliran jawa; pathet; people; puppet; shadow; style; style pakeliran; sub; surakarta; surakarta style; text; timuran; wayang
• The Experiment of Jepara Troso Woven in Local Wisdom by Sarwono, Sarwono; Prameswari, Nadia Sigi; Darwoto, Darwoto; Akhmad, Zunaila; Hassan, Hanisa (2023) - The craftsmen of Troso woven fabrics made in Jepara primarily receive orders with motifs from other regions, including Bali, Sumatra, and Kalimantan. Caroline et al. (2021) focus on developing silk pattern designs for Troso woven fabrics because, as a producer of woven fabrics, the Troso area does not have authentic silk patterns and tends to imitate other places. Keywords: city; cloth; design; fabric; identity; indonesia; jepara; motifs; people; research; troso; turtle; village; weaving
• Symbolic Meaning of Drama “Perlawanan Diponegoro” by Sahid, Nur; Susantina, Sukatmi; Septiawan, Nicko (2016) - Prince Diponegoro, or kno- wn as Pangeran Diponegoro (1785-1855) was well-known as a mystic, an obedient Muslim, and a warlord, opposing Dutch colonialism during the years of 1825-1830. The treaty had Prince Diponegoro and Colonel Jan Baptist Cleerens to discuss the reconciliation since February, 1930. Keywords: danurejo; diponegoro; drama; dutch; meaning; patih; people; perlawanan; perlawanan diponegoro; prince; prince diponegoro; story; theme; war
• Leadership characters in shadow puppet show by Junaidi, Junaidi (2017) - The appearance of the ugly ruler of King Prabu Ravana from Alengka and the crown prince of Raden Indrajid (left) and the king of good character Prabu Bisawarna, king of Singgela and Begawan Kuntawibisanadi from Candramanik hermitage (Photo: Junaidi, 2016). These leadership traits are taught by Begawan Kuntawibisana to his son King Prabu Bisawarna, in order to be respected as king in Singgela. Keywords: bèrbudi; characters; data; figure; giving; good; junaidi; king; leadership; meaning; nation; nature; people; power; prabu; puppet; research; resi
• The Character Adaptation of Masked Puppet Figures in Ruwatan Ritual by Hidajat, Robby (2016) - On the other side of the universe, Ajar Kala met Narada along his way who final- ly told him everything about the sperm of Sanghyang Manikmaya story and how he was finally born. It is believed that if one has the blood of a ritual puppeteer then he can be ritual puppeteer, so does one who has teacher that can per- form the ritual then one can perform the ritual as well. Keywords: batara; batara kala; character; javanese; kala; manikmaya; people; puppet; puppeteer; ritual; ruwatan; sanghyang; society; village

• The Meaning of Political Conflict in the Ketoprak “Satru Ing Ngepal” by Sahid, Nur; Junaidi, Junaidi; Iswantara, Nur (2023) - SIN tells the story of the political conflict between Panem- bahan Senopati as the king of Mataram, and Mangir Wonoboyo, who controlled the Perdikan Land of Mangir (Perdikan = tax-free). Mangir Wonoboyo and his fol- lowers lived in Perdikan Land of Mangir, which was privileged to be tax-free by Pa- nembahan Senopati (Hatley, 2008). Keywords: analysis; conflict; dan; elements; indonesia; ketoprak; mangir; mataram; meaning; order; pembayun; perdikan; plot; prabowo; research; sahid; semiotics; senopati; sin; theater; wonoboyo
• An Aesthetic “Touch” for the Development of Rattan Bag Handicraft Products in Indonesia: A Systematic Literature Review by Cahyadi, Dwi; Ismail, Siti Haida; Mohammad, Roslina; MD Daud, Mohd Yusof; Irwan, Muh (2024) - Therefore, this study aimed to assess the aesthetic fac- tors used in developing rattan bag handicraft products using the Systematic Literature Review (SLR) approach, guided by Preferred Reporting Items for Systematic Review and Meta-Analysis (PRISMA). The results showed that six aesthetic factors were applied in developing rattan bag products: materials, motifs, eth- nic/culture, shapes, patterns, and colors. Keywords: bag; bags; design; development; factors; figure; handicraft; indonesia; journal; materials; motifs; products; review; study
• MUSIK DANGDUT: SUATU KAJIAN BENTUK MUSIK by Aesijah, Siti (2011) - Abstract 1007 times PDF 391 times Afifah Asriati(1), AS Hardy Shafii(2), Yuliasma Yuliasma(3), Irdhan Epria Darma Putra(4), Desfiarni Desfiarni(5), (1) Universitas Negeri Padang, Indonesia (2) Universiti Sains Malaysia, Malaysia (3) Universitas Negeri Padang, Indonesia (4) Universitas Negeri Padang, Indonesia (5) Universitas Negeri Padang, Indonesia PDF 165-176 The Existence of Aesthetic Transformation in Traditional Batik Colors Based on the Review of Memetics Theory (Case Study: Traditional Batik in Tuban, East Java, Indonesia) DOI 10.15294/harmonia.v24i1.43243 Abstract 2383 times PDF 778 times Syaiful Amin(1), Sariyatun Sariyatun(2), Gunarhadi Gunarhadi(3), Hieronymus Purwanta(4), (1) Universitas Sebelas Maret, Indonesia (2) Universitas Sebelas Maret, Indonesia (3) Universitas Sebelas Maret, Indonesia (4) Universitas Sebelas Maret, Indonesia PDF 1-17 Changes in Funeral Music Practices of Vietnamese People in the Northern Delta, Vietnam DOI 10.15294/harmonia.v24i1.47436 Keywords: abstract; doi; indonesia; malaysia; negeri; pdf; times; university
• BARATAYUDA SULUHAN GATUTKACA GUGUR SEBAGAI PAHLAWAN : KAJIAN DARI ASPEK ETIS DAN ESTETIS by Subandi, - (2011) - Abstract 1007 times PDF 391 times Afifah Asriati(1), AS Hardy Shafii(2), Yuliasma Yuliasma(3), Irdhan Epria Darma Putra(4), Desfiarni Desfiarni(5), (1) Universitas Negeri Padang, Indonesia (2) Universiti Sains Malaysia, Malaysia (3) Universitas Negeri Padang, Indonesia (4) Universitas Negeri Padang, Indonesia (5) Universitas Negeri Padang, Indonesia PDF 165-176 The Existence of Aesthetic Transformation in Traditional Batik Colors Based on the Review of Memetics Theory (Case Study: Traditional Batik in Tuban, East Java, Indonesia) DOI 10.15294/harmonia.v24i1.43243 Abstract 2383 times PDF 778 times Syaiful Amin(1), Sariyatun Sariyatun(2), Gunarhadi Gunarhadi(3), Hieronymus Purwanta(4), (1) Universitas Sebelas Maret, Indonesia (2) Universitas Sebelas Maret, Indonesia (3) Universitas Sebelas Maret, Indonesia (4) Universitas Sebelas Maret, Indonesia PDF 1-17 Changes in Funeral Music Practices of Vietnamese People in the Northern Delta, Vietnam DOI 10.15294/harmonia.v24i1.47436 Keywords: abstract; doi; indonesia; malaysia; negeri; pdf; times; university

• Ethical Values of Malangan Shadow Puppet Show from East Java in the Lakon of Kalakerna Gugat by Sudarsono, S. (2014) - Bethara Guru Dewa, the tritagonist, felt that he made a mistake by arranging life unjustly so that he was reminded by Kalakerna and had to agree with his request to keep the justice and preserve the world. In lakon Kalakerna Gugat, many characters behaved different- ly because they thought that certain ethical values had to be kept, like how Kala Kerna asked Bethara Guru Dewa for his promise. Keywords: bethara; characters; duties; gods; guru; kalakerna; lakon; puppet; rights; shadow; values
• Modelling Naïve Bayes for Tembang Macapat Classification by Wibawa, Aji Prasetya; Ningtyas, Yana; Atmaja, Nimas Hadi; Zaeni, Ilham Ari Elbaith; Utama, Agung Bella Putra; Dwiyanto, Felix Andika; Nafalski, Andrew (2022) - Optimization of feature selection using Genetic Algo- rithm with Naïve Bayes classification for home improvement recipients. Keywords: Naïve Bayes, Classification, Tembang Macapat, Wulangreh How to Cite: Wibawa, A. P., Ningtyas, Y., Atmaja, N. H., Zaeni, I. A. E., Utama, A. B. P., Dwiyanto, F. A., & Nafalski, A. (2022). Keywords: bayes; classification; data; guru; javanese; journal; macapat; model; research; table; tembang; wilangan

• Pragmatic and Semiotic Studies: A New Perspective on Bakaran Batik Legend Motif, Juana District, Pati Regency, Indonesia by Supriyadi, Slamet; Ismail, Abd Rasid; Yunianti, Esterica (2024) - Bakaran Batik is synonymous with brown and black. Bakaran Batik by Nyai Ageng Donowati contains symbols that are closely related to beliefs and valuable values for society. Keywords: ageng; ageng danowati; bakaran; batik; batik motif; community; danowati; druju; journal; juana; legend; majapahit; motif; nyai; nyai ageng; pati; research; village

• Lifestyle Ambiguity: The Visuals of Cigarette Advertisements in the Dutch East Indies Era by Riyanto, Bedjo; Alimin, Nurhayatu Nufut; Murni, Endri Sintiana (2022) - Taking on lifestyle expression recor- ded in the visual style of cigarette adverti- sements published in magazines from 1925 to 1940 as its formal object, the purpose of this research is to analyze the form and visual style of cigarette advertisements published in magazine media during the Dutch East Indies era before the Japanese occupation (1925-1940). CONCLUSION Some of the layers of meaning that can be inferred from the visual narrati- ve of cigarette advertisements during the Dutch East Indies era are: first, the ciga- rette advertisement simulation space ser- ves as propaganda for The Dutch East In- dies government’s success in advancing and modernizing the indigenous society through its emancipatory political poli- cy. Keywords: advertisements; advertising; cigarette; cigarette advertisements; colonial; dutch; dutch east; east; east indies; era; indies; industry; lifestyle; magazine; media; research; society; tobacco; white

• Tamarind (Tamarindus indica L.): Source of Ideas Behind the Semarang Batik Motifs to Strengthen Local Cultural Identity by Syakir, Syakir; Sobandi, Bandi; Fathurrahman, Moh.; Isa, Badrul; Anggraheni, Dini; Verayanti R., Sri (2022) - The aims of this study are: (1) To explain the process of creating Semarang batik motifs using the idea of Tamarind through the stylization of forms; (2) to analyze the shape of the Tamarind batik motif to strength- en the identity of Semarang’s local culture. Asem is a unique type of flora and is often used as a source of ideas in making Semarang batik motifs because it is closely related to environmental conditions and the past history of the city of Semarang. Keywords: artisan; asem; batik; batik motifs; design; form; ideas; identity; isen; journal; motif; process; semarang; semarang batik; source; tamarind
• Development of Artistic and Creative Activities for Design Students by Zhu, Lin; Lu, Jiachang (2023) - The results are the importance of developing modern students’ artistic and creative activity for design departments of higher educational institutions to improve their skills in creating artistic product design and the ability to develop innovative design were obtained. Keywords: art design, innovative product design, innovative teaching method How to Cite: Zhu, L. & Lu, J. (2023). Keywords: activity; design; design students; development; process; product; product design; skills

• Vernacular Typography Design of Bamboo Keben Craft as an Opportunity of Creating Digital Typeface by Sari, Ni Luh Desi In Diana; Mudra, I Wayan; Sarjani, Ni Ketut Pande (2022) - Keben motif design as a result of collective creativity, forms a distinctive identity of Kayubihi village craftsmen cre- ated through weaving techniques passed down through habits without being docu- mented and recorded (Yeny et al., 2015:60). Mo- tivation, enthusiasm, tenacity, and being supported by creative individuals are the capital for craftsmen to continue to be cre- ative, innovate, and produce various types of keben motif designs to maintain the art of bamboo crafts in modernization and globalization. Keywords: bamboo; craftsmen; design; figure; form; kayubihi; kayubihi village; keben; keben craftsmen; keben motifs; motifs; typography; typography design; vernacular; village; weaving

• Javanese Cultural Paradoxism: A Visual Semiotics Study on Wayang Purwa Characters of Satria and Raseksa Figures by Subiyantoro, Slamet; Kristiani, Kristiani; Wijaya, Yasin Surya (2020) - The outer structure is in the form of wayang purwa visual elements, which turns out to be the opposite shape from both Pandavas and Kuravas figures. International- ly, wayang purwa has been recognized by UNESCO as the Masterpiece of Oral and Intangible Heritage of Humanity, a grand masterpiece of local human heritage, which greatly contributes to shaping the high value of human civilization (Nurgiy- antoro, 2011). Keywords: character; figures; javanese; kuravas; pandavas; puppet; purwa; raseksa; satria; structure; study; wayang
• A Review of The Sundanese Scale Theory by Sasaki, Mariko; Masunah, Juju (2021) - The first author has been studying Sundanese gamelan salendro since 1998 and has researched Sundanese scales as a re- view of Kusumadinata’s scale theory (Sa- saki, 2006, 2007). According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in gamelan salendro performance. Keywords: gamelan; golek; kusumadinata; pelog; salendro; scale; sorog; sundanese; theory; type; wayang

• The Analysis of Meanings and Forms in The A.T. Mahmud’s Song Lyrics by Ekaningrum, Prastiana; Suharto, Suharto (2015) - Keywords: analysis of meaning; figure of speech; form analysis; song lyrics; music composition How to Cite: Ekaningrum, P. (2015). The characteristics of small lizards when creeping on the wall and how to catch it preys have been the contents of song lyrics that are intended to communi- cate with children. Keywords: a.t; bars; bintang; children; lyrics; mahmud; pelangi; phrases; song; song lyrics

• Gendhing, King, and Events: The Creation of Gendhing Panembrama During Pakubuwana X by Daryanto, Joko; Rustopo, Rustopo; Sunarto, Bambang (2021) - Gendhing Panem- brama became one of the symbols of Paku Buwana X’s resistance to the Dutch East Indies govern- ment policy. Paku Buwana X’s skills in managing good relations with foreign countries earned him appreciation in the form of honorary stars from rulers in parts of Europe, Asia, and Africa. Keywords: abdi; buwana; buwana x; dalem; der; gendhing; honorary; karaton; karaton surakarta; karawitan; king; paku; paku buwana; panembrama; star; surakarta; van

• MUSIK TRADISIONAL THONG-THONG LEK DI DESA TANJUNGSARI KABUPATEN REMBANG by Rachman, Abdul (2011) - ”Analisis Kualitalif” dalam Lembaran Penelitian No.1 tahun VIII. Seni Rakyal, Perkembangan dan Pengaruhnya Terhadap Kehidupan Masa Kini dan Masa Depan yang Akan Datang. Keywords: semarang

• FOREWORD by -, Editor-in-Chief (2014) - Likewise, national index institutions, such as the Indonesia Publi- cation Index (IPI/Portal Garuda), Indonesian Scientific Journal Database (ISJD) that make Harmonia a national indexed journal. International index institutions, such as the Directory of Open Access Journal (DOAJ), Google Scholar, Mende- ly, Citeulike, and Worldcat, have been making Harmonia as one of the journals linked there. Keywords: harmonia
• EKSISTENSI WANITA PENARI DAN PENCIPTA TARI DI KOTA SEMARANG by Kusumastuti, Eny (2011) - Harmonia Edisi Khhusus.pdf EKSISTENSI WANITA PENARI DAN PENCIPTA TARI DI KOTA SEMARANG Keywords: harmonia
• PENGEMBANGAN MATERI DAN KEGIATAN PEMBELAJARANNYA DALAM KURIKULUM TINGKAT SATUAN PENDIDIKAN BIDANG SENI MUSIK by Suharto, Suharto (2011) - Harmonia Edisi Khhusus.pdf Keywords: harmonia

• Plaosan Temple Ornaments As Iconography Metaphorical Hindu-Buddhist Ideology by Handriyotopo, Handriyotopo (2022) - Keywords: Plaosan temple, metaphor, ornament, iconography, symbol How to Cite: Handriyotopo, H. (2022). Plaosan temple is surrounded by 72 moats, 286 perwara temples, and stupas (Sahruni, 2021). Keywords: buddhist; building; decoration; elements; hindu; iconography; meaning; metaphorical; motifs; ornaments; perwara; plaosan; prambanan; reliefs; research; structure; temple; temple ornaments
• Paradoxical Aesthetics in Panji Mask Visual Structure: Alusan and Gagahan Profiles in Bobung, Yogyakarta by Wijaya, Yasin Surya; Tjahyadi, Sindung; Yulianto, Vissia Ita (2022) - Abstract This study focuses on Panji masks in Bobung, Yogyakarta region. The conclusion is that the visual form of Panji masks in Bobung, Yogyakarta, is structured by paradoxical aesthetic value. Keywords: aesthetics; alusan; binary; bobung; character; figure; gagahan; jamang; jurnal; masks; meaning; mouth; nose; panji; panji mask; pattern; profile; shape; structure; topeng; visual; world

• Teak Trees as Source of Inspiration for Developing Batik Motifs by Mulyanto, Mulyanto; Hartono, Lili; Murni, Endri Sintiana; Handayani, Endang Sri; Nurcahyanti, Desy (2022) - Archaeological sites in Sragen were probed as a source of inspiration for developing batik motifs such as elephants, bones, etc. (Mulyanto, 2018). The pelung chicken, an endemic ani- INTRODUCTION Many studies on the development of batik motifs have been conducted, with ideas drawn from various superior potenti- als in the local area. Keywords: batik; batik cloth; batik motifs; cloth; color; design; figure; flowers; leaf; leaves; motif; pattern; source; teak; textile; wax

• The Concept of Balance at Sekati Ririg Gending in Tejakula, Buleleng Regency by Aditya Putra, I Ketut; Santosa, Hendra; Sudirga, I Komang (2020) - The following is an example of the oncang-oncangan playing technique in Sekati Ririg Cenik gending. Sekati Ririg Cenik gending can be classified into the beats’ tempo of the three tempo levels mentioned. Keywords: balance; ceng; cenik; concept; gamelan; gending; gong; instrument; playing; ririg; sekati; sekati ririg; technique

• Structural Process and Impacts of Mentoring Module in Ballet Certificate Program: A Case Study on CBTS Program, Royal Academy of Dance, Malaysia by Chen, Xian Yuin; Ha, Sang Woo (2022) - In the researchers’ view, while completing the whole pro- gram, mentoring is required at the very last stage but plays a significant part in en- suring that student-teachers are well pre- pared and ready to begin their career as ballet teachers. Out of step: the need for change in ballet teacher train- ing. Keywords: ballet; cbts; mentoring; mentors; module; program; researchers; student; teachers; teaching

• Jogja Fashion Week Carnival Costume in The Context of Locality by Setiawan, Deni (2015) - The creation concept of JFWC costume is related closely to social events and seve- ral stories or folklores that are developed in society, such as costume design that is based on the myth of Nyi Roro Kidul, Dewi Lanjar, Ratu Ular, as well as costu- me worn by Kings and Queens of Indone- sian Ancient Kingdom. The fabrics are processed and combin- ed with other materials, such as: plastics, parachute fabrics, as well as matting that were transformed into JFWC costume and cosplay. Keywords: carnival; colour; costume; event; fashion; jfwc; principle; style; theme; week

• Mixed Choir and Instruments in the Composition of the Worship Music of the Stations of the Cross by Hananto, Paulus Dwi; Sukerta, Pande Made (2020) - The journey of the Station of the Cross began when Jesus was sentenced to death by the Jewish priests in front of Pon- tius Pilate and ended up on a rock called Golgotha which means skull (Indonesi- INTRODUCTION The Station of the Cross is a religion offering (devotion) to the Passion story of the journey of Jesus Christ. In that incident, Jesus imme- diately gave an example of a sacrifice that was selfless and wanted to love and pray for those who persecuted Him. Keywords: bar; choir; composition; cross; fermata; figure; jesus; melody; pattern; station

• Leather Craft Industry and Tourism: A Symbiotic Relationship? (A Case Study of Magetan East Java Indonesia) by Sugiarti, Rara; Margana, Margana; Muthmainah, Muthmainah; Fauzia, Laela Rizki (2019) - Data display relates to the information organization concer- ning leather craft products. In this context, display inclu- des providing graphs, charts, maps, and tables related to leather craft products and tourism. Keywords: craft; craft products; industry; journal; leather; leather craft; magetan; products; research; souvenirs; study; tourism; tourists

• 8Th Century Musical Instrument on Kalasan Temple’s Relief by Pradoko, Susilo; Widyastuti, Maria Goretti; Fu'adi, Fu'adi; Walidaini, Birul (2021) - Abstract This research aims to unveil the types, size, figures, and functions of musical instruments carved as reliefs of Kalasan Temple as a way to revitalize the music from the 8th century. Keywords: Kalasan Temple, musical instruments, relief How to Cite: Pradoko, S., Widyastuti, M. G., Fu’adi, & Walidaini, B. (2021). Keywords: figure; instruments; kalasan; kalasan temple; relief; research; size; tara; temple
• The Organology of Rotenese Musical Instruments According to the Hornbostel-Sachs Classification System by Listya, Agastya Rama (2022) - This article discusses the construc- tion, materials, size, and ways of playing Rotenese musical instruments according to the Hornbostel-Sachs (H-S) classificati- on system of musical instruments. This article does not cover the dis- cussion of the Rotenese classification sys- tem of musical instruments following the social-cultural meaning of Rotenese musi- cal instruments (i.e., the significance and function of Rotenese musical instruments). Keywords: classification; figure; idiophones; instruments; labu; listya; meko; number; organology; research; rotenese; sasandu; system

• Modification of Visual Characters in Indonesia Animation Film by Ekawardhani, Yully Ambarsih; Santosa, Imam; Ahmad, Hafiz Azis; Irfansyah, Irfansyah (2020) - The embodiment of animated film characters is inseparable from the modification of the form. Disney brings animated film characters to have an affinity with the adult audience. Keywords: body; characters; figure; film; inah; jarwo; physiognomy; shape; somat; theory

• Strengthening Vocal Register through Tembang Jawa Ornament Practice by Latifah, Diah (2015) - Register technique can be achie- ved by all five respondents, even though, to achieve fully head voice and around do- nor has not achieved perfection. Abstract This study analyzes Javanese’s song ornament luk to strengthen vocal register. Keywords: luk; ornament; register; research; technique; voice

• Pola Pewarisan Nilai-Nilai Kesenian Tayub ( Inheritance Pattern of Tayub Values) by Cahyono, Agus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eywords: .8&/; 3cbc; < d; < h; < i8; < l; b9b4; cbf8k8; cbt8;8; d8e; e8 <; e89k; e89k j; f8 <; i89; j848; j848 g; j89; jb9k89
• Rantaya Gagah sebagai Dasar Pembentukan Sikap Penari Gagah (Rantaya Gagah as a Basic of Attitude Formation in Gagah Dancers) by -, Suharji (2011) - F89M' KB9C:8G8<' I89 KB98RG<;F895 85 #B9CB984 +B9CB;D<89' KB9CB984' H89C IB;4:' I<48F:F89M' GBJ8C8<' S39D3E J8C88D' :9D:F' JB48L8;' KB98;<' GB48<9' S8;8 KB9<;:5' 18G8;89' >8I8' 48D<489'KB48F:F89'CB;8F89M'IB9C89 48DKeywords: 48d; 89d8h8; 8d8; 8i8; b98; cb;8f; e89; f89; gbj8c8 <; h89c; i848k; i89; ib9c89; jb9d

• Musik Klasik Mozart dan Beethoven suatu Refleksi Konsep Estetika Plato (The Clasical Music of Mozart and Bethoven a Reflection of Plato’s Aesthetic Concept ) by -, Kustap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eywords: 048i <; 8k848l; < j; g k; j48i; j89; j8;o8; k848h; k89; kc9g89; n8h89; o89 g

• Ketahanan Budaya melalui Kesenian dalam Wujud Prinsip Aransemen Musik Anak (Cultural Endurance through Art in Shape of Children Music Arangement Principles) by Santoso, Budi (2011) - BKQ8:C'I898'FKDK;8G889'FKD:G8E889'B:8H:'I8BE8;8F8H'H:ID:C'G89'DK;FKID89J9E8 SBKC8HO' B8F8F89'B848C B8H:'N8G8C'G3I<989H':9H:F'IK9J8;H: IK9H;89BP3;I8B':9H:F'IK93>89J'FK489JB:9J89'FKH8C8989'D:G8E8'E89J'BKF84F89'F39BK>=F39BK>O'>;<9B<>=>;<9B<>'E89J'G8FKIO'IKH3GK E89J' DK98;O' I8F8' G8>8H' G<48;' >K9E89JJ8' FKH8C8989 D:G8E8'BKF84=>;<9B<>' 8;89BKIK9' I:B' IK9JJ:98F89' G:8' I8R8I >;<9B<>' G8;<' DKDK;8>8' >;<9B<>' 8;89BKIK9 >8G8' :I:I9E85' !G8>:9' >;<9B<>=>;<9B<> HK;BKD:H'8G848C'BKD8J8<'DK;'DK48Q8;'B8ID<4'DK;I8<9 +;<9B<>' <9<' G<>K;J:98F89' HK;:H8I8 :9H:F' IK9J:;89J<' ;8B8' D3B89O' QK9:CO H8F:HO' HK;HKF89' G848I' >;3BKB >KIDK48Q8;89' I:B' <9< IK9JK9J:9JF8>' KFB>;KB< G89' B8;898' >K9JC8E8H89' G<' B8<5' +KHK;' W4KHRCK;O$ .,-/>$ Keywords: 898f; e89j; f89; g848i; g89; gk9j89

• Telaah Karakterologi dan Etika Tokoh Bisma dalam Pewayangan Jawa (Charachterologi and Ethic of Bisma Figure in Javanes Pupetry) by Randya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eywords: 34go; 8e89; < e8; < h; < mb8; bg9p8n <; d8 <; d89j; e89; gh <; h3e3o; mg3;89j; mgc8j8 <; n848b; n89; ng9j89