id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
humanimalia-9424	Close, Glen	Screening Slaughter: The Repressed Politics and Troubled Aesthetics of Gabriel Serra Argüello’s La Parka (2013)	2020	44	.pdf	application/pdf	17018	728	50	Shots of the animals’ eyes, as Jonathan Burt observes with regard to other animal films, form an important motif in that they represent a mutual human-non-human gaze that can signify “not just a psychic connection” but also the potential “basis of a [non-verbal] social contract” (39) and “the possibility of animal understanding” (71, italics in original). O’Brien argues that “the desire for knowledge of real human death ... incites the production and reception of cinematic representations of violent animal death” (53) and that cinema’s “recourse to animal death” is thus “supplementary” (50) in nature, in that “the medium presents images of violent animal death as a supplement for representations of human death ...	cache/humanimalia-9424.pdf	txt/humanimalia-9424.txt