id	author	title	date	pages	extension	mime	words	sentence	flesch	summary	cache	txt
humanimalia-9968	Piskorski, Rodolfo	Vicious Circles: Intersections of Gender and Species in Darren Aronofsky’s The Fountain	2013	24	.pdf	application/pdf	10218	409	57	Tommy’s and the film’s strategic disavowal of animal death is, then, fully understandable in its function of enabling the dialectical construction of human individuality by the means of the Negation of the animal. By fragmenting its plot into three separate storylines that are all concerned with gender difference, the film tries to establish the man-woman pairing as the natural and timeless foundation necessary for the discussion of its issues: death, (im)mortality, transcendence, and love.	cache/humanimalia-9968.pdf	txt/humanimalia-9968.txt