[{"id": "hsda-5695", "words": "10245", "extension": ".pdf", "flesch": "63", "author": "Storey, H. Wayne", "title": "Petrarch\u2019s \u201cOriginal\u201d of the Fragmenta 1362-1558: from Boccaccio to Rovillio\u2019s third printing", "date": "2011", "keywords": "age; century; codex; copy; copyist; del; edition; fragmenta; francesco; holograph; humanist; latino; manuscript; original; petrarch; poems; poet; print; storey; studies; vaticano; wayne", "summary": "But his reliance on probability, conjecture, an indirect knowledge of the material tradition, and what we might call a cultural inclination to impose artificial scientific systems, such as his creation of three categories of intervals between the periods of work Petrarch devoted to the assembly of Vaticano Latino 3195, render his results in some cases unreliable. Thus by the second half of the fifteenth century, both in manuscript and in print we have two models for constructing a book of vernacular Petrarch: 1) the text with sparse or no apparatus that boasted its authenticity and connection to the poet, from Valdezoco\u2019s 1472 Paduan edition to the Aldine editions of 1501 and 1514; and 2) editions which offered the user an ever greater interpretative apparatus, from the Bolognese Filelfo commentary tradition of the late fifteenth century to the heavily annotated apparatuses of Vellutello in 1525 and Guglielmo Rovillo\u2019s Lyonese editions of the 1550s.", "mime": "application/pdf"}, {"id": "hsda-5698", "words": "15899", "extension": ".pdf", "flesch": "66", "author": "Martinez, Ronald L.", "title": "Francis, Thou Art Translated: Petrarch Metamorphosed in English, 1380-1595", "date": "2011", "keywords": "age; boccaccio; canticus; chaucer; couplet; english; howard; humanist; juliet; laura; lines; love; lyric; m&t; martinez; petrarch; play; poem; print; quatrain; rhyme; romeo; ronald; rvf; shakespeare; sonnet; stanza; studies; surrey; thomas; tottel; translation; troilus; version; winter; wyatt", "summary": "Just as the first poem in Egerton takes up the topic of the injustice of love, which transfixes the speaker but leaves the lady untouched\u2014 an imbalance Petrarch first records in Rvf 2.13-14\u2014the first sonnet in Wyatt\u2019s manuscript nods to a fundamental impulse driving Petrarch\u2019s poetic collection. If Tottel\u2019s anthology institutes a Petrarchizing program, it also concludes an epoch: George Watson (1-3) has commented that after Tottel Petrarch is rarely the object of direct Humanist Studies & the Digital Age Ronald L. Martinez 1.1 Winter 2011 96 translation among English sonneteers, possibly for reasons of religion and ideology, since Petrarch was a Papist, but also possibly because translating Petrarch is so difficult.", "mime": "application/pdf"}, {"id": "hsda-5701", "words": "3632", "extension": ".pdf", "flesch": "63", "author": "Hester, Nathalie", "title": "Mapping Petrarch in Seventeenth-century Italian Travel Writing", "date": "2011", "keywords": "careri; che; della; gemelli; hester; italian; nathalie; non; petrarch; print; travel; valle; viaggi; writing", "summary": "But in the period following Pietro Bembo\u2019s Prose della volgar lingua (1525), which established Boccaccio as the model for prose and Petrarch for that of poetry and helped codify the Italian literary canon, one finds in Italian travel writing more programmatic allusions to canonical texts, including Petrarch\u2019s Familiar letters and Rerum vulgarium fragmenta. [\u2026] e parmi che questa citt\u00e0 non sia pi\u00f9 quella medesima; e non mi truovo cosa che appagar possa il mio desio, e mi cruccio, e mi adiro, e mi confondo, e farnetico; perch\u00e9 troppo altamente sono in me impresse le accorte, oneste, care, e leggiadre vostre maniere, E ci\u00f2, che non \u00e8 voi, Gi\u00e0, per lung\u2019 uso, il core odia, e disprezza.", "mime": "application/pdf"}, {"id": "hsda-5704", "words": "6845", "extension": ".pdf", "flesch": "57", "author": "Powell, Amanda", "title": "Baroque Flair: Seventeenth-century European Sapphic Poetry", "date": "2011", "keywords": "age; amanda; female; humanist; love; lyric; new; petrarchist; poems; poetry; powell; print; sapphic; self; studies; texts; winter; women", "summary": "Women poets took up the terms, concerns, and conventions of the dominant lyric language for profane love but with a difference that marks their awareness of and engagement with gender hierarchies. Women poets enlist, but also call into question, Petrarchist paradigms and vocabularies.", "mime": "application/pdf"}, {"id": "hsda-5707", "words": "5884", "extension": ".pdf", "flesch": "68", "author": "Forni, Giorgio", "title": "For a Study of the Reception of the Canzoniere in the \u201cPetrarch Project\u201d", "date": "2010", "keywords": "bembo; campi; canzoniere; che; et pensoso; giorgio; non; pensoso; petrarch; pi\u00f9; print; reception; rime; solo; solo et; sonnet; studies; text", "summary": "In introducing the shepherd\u2019s lament, the portrayal of solitude drawn from \u201cSolo et pensoso\u201d can be combined with absolute immobility and with resting the tired body against a \u201ctrunk\u201d or a \u201cstick,\u201d such as the beginning of the Aristeo by Girolamo Muzio which depicts Alfonso d\u2019Avalos, marquis of Vasto, in a pastoral setting: Il pastor Aristeo pensoso e solo appoggiato si stava al duro tronco d\u2019un faggio antico in solitaria piaggia; e per quel che di fuor porgea la fronte scorger ben si potea che \u2019l suo pensiero era tutto lontan d\u2019ogni allegrezza. Quell\u2019ermo lido, e il gran fragor mi empiva il cuor (cui fiamma inestinguibil cuoce)", "mime": "application/pdf"}, {"id": "hsda-5710", "words": "6510", "extension": ".pdf", "flesch": "64", "author": "Mantovani, Alessandra", "title": "Ghosts of Solitude: Guido Gozzano reader of Petrarch. An episode of the 20th-century reception of Rvf 35", "date": "2011", "keywords": "age; alessandra; che; del; gozzano; guido; humanist; mantovani; petrarch; poetry; print; solo; studies; time; winter; woman", "summary": "Thus\u2014Gozzano writes\u2014\u201ca poetry infected for years by Pascoli\u2019s and D\u2019Annunzio\u2019s chlorosis\u201d could be \u201crestored by the desperate study of Dante and Petrarch, annotating, pondering, weighing the words needed for his [sic] palette\u201d (Masoero 81). \u201cModi petrarcheschi nell\u2019arte del Gozzano.\u201d", "mime": "application/pdf"}, {"id": "hsda-5713", "words": "5240", "extension": ".pdf", "flesch": "62", "author": "Sobrero, Alberto", "title": "Studiare dopo internet", "date": "2012", "keywords": "age; alberto; alla; anche; caso; che; come; computer; con; c\u2019\u00e8; dei; della; fra; gli; humanist; mente; modo; molto; nel; non; pi\u00f9; pu\u00f2; quanto; quella; questo; rete; sempre; sobrero; sono; studies; una; versione; wikipedia", "summary": "Leggere un libro diventa faticoso, specie se si tratta di un romanzo, di una storia lunga e che non pu\u00f2 essere frammentata pi\u00f9 di tanto. E anche l\u2019organizzazione della cultura e della societ\u00e0 procedeva per via lineare: la divisione del lavoro fra chi scriveva un libro e chi lo leggeva, fra chi insegnava e chi apprendeva, i passaggi generazionali.", "mime": "application/pdf"}, {"id": "hsda-5716", "words": "6686", "extension": ".pdf", "flesch": "63", "author": "Fiormonte, Domenico", "title": "Testo Tempo Verit\u00e0", "date": "2012", "keywords": "age; alla; anche; che; ci\u00f2; come; comunicazione; con; critica; cui; dei; del testo; della; digital; domenico; dunque; essere; fall; filologia; fiormonte; fra; gli; humanist; il testo; loro; mitja; nel; non; oltre; perch\u00e9; pi\u00f9; print; pu\u00f2; questa; qui; roma; segre; solo; sono; stesso; storia; studies; sua; suo; tempo; testo; tre; una; verit\u00e0; viene", "summary": "Perdonatemi, io vi faccio perdere tempo e disperare e intanto non vi spiego la cosa pi\u00f9 importante, se no avreste capito subito, perch\u00e9 l\u2019infamia \u00e8 appunto nello scopo che avevo! La filologia della \u201cfrattura e degli scarti\u201d, invocata da Corrado Bologna, e il rispetto per la \u201cverit\u00e0 dei fruitori\u201d, di cui parla Roberto Antonelli (\u201cSpazio, tempo e testualit\u00e0\u201d), sono un onesto tentativo di salvare il salvabile, Humanist Studies & the Digital Age Domenico Fiormonte 2.1 Fall 2012 63 ovvero la variet\u00e0 storica del documento, legata al contesto dinamico della cultura in cui quel documento nasce e si \u201csviluppa\u201d.", "mime": "application/pdf"}, {"id": "hsda-5719", "words": "4043", "extension": ".pdf", "flesch": "51", "author": "Riva, Massimo", "title": "Liquid/Cloudy/Foggy: For a Critique of Fluid Textuality", "date": "2012", "keywords": "age; book; digital; fiorentino; language; literary; literature; print; riva; text; writing", "summary": "There is no work of digital literary art that expresses this dilemma better Humanist Studies & the Digital Age Massimo Riva 2.1 Fall 2012 97 than Noah Fruin\u2019s Screen, 3 on which I conclude my book and this essay: in this full immersion experience, realized for the Brown virtual reality environment, we are invited to read/listen to three stories, written in flickering characters on the walls of the Cave, like the pages of a tridimensional book or a virtual version of the origins of Writing, the latest version of the House of language. What kind of interface is/processes literary writing, today, as a cultural software?", "mime": "application/pdf"}, {"id": "hsda-5722", "words": "1805", "extension": ".pdf", "flesch": "40", "author": "Farley, Arthur M.", "title": "Textualities in the Digital Age", "date": "2013", "keywords": "age; technology; text; university", "summary": "The symposium gathered together a diverse group of scholars in digital humanities, information sciences, law, and computer science to provide widely varying perspectives regarding questions as to how the study of historical texts and the creation of new texts have changed with the advent of digital technologies. Consistent with our journal\u2019s view of the expanded notion of digital text, we include a video of Dr. Fish\u2019s presentation as an entry in this edition.", "mime": "application/pdf"}, {"id": "hsda-5725", "words": "3756", "extension": ".pdf", "flesch": "43", "author": "Lollini, Massimo", "title": "Petrarch\u2019s Early Manuscripts and Incunabula in the Oregon Petrarch Open Book", "date": "2013", "keywords": "age; humanist; lollini; open; opob; petrarch; studies; text", "summary": "Nonetheless, we do not emphasize the free-play of fragments of signification but hypertextual construction of meaning, the hermeneutical value of texts through editing, marking up, collating, drawing on phenomenological, comparative, hermeneutic procedures, and moving beyond a deterministic idea of text as a pure fact. The first part of the article traces a brief history of the Oregon Petrarch Open Book and the last section introduces a future project, \u201cTexts, Images and Interpretation in the OPOB.\u201d", "mime": "application/pdf"}, {"id": "hsda-5727", "words": "3585", "extension": ".pdf", "flesch": "57", "author": "Hollander, Robert", "title": "The Princeton Dante Project", "date": "2013", "keywords": "dante; ddp; hollander; notes; pdp; poem; princeton; project", "summary": "On the contrary, the extraordinary success of the actor Roberto Benigni, not only in Italy, but in the rest of Europe and in North and South America, who has been bringing Dante to a wider audience in his road show \u201cTutto Dante,\u201d tells us that, in a time not noted for its appreciation of great literature, Dante\u2019s success is wider than ever. The fifty-four of the seventy-five glossators (some of whom did not finish their commentaries while others may have ducked this difficult passage) collected in the Dartmouth Dante Project (of the perhaps two hundred commentaries that exist, some completed, others abandoned, in the annals of Dante scholarship) do not, among themselves, guarantee that the Dantist who consults them will come away no more confused than when entering the selva oscura of this difficult poem.", "mime": "application/pdf"}, {"id": "hsda-5728", "words": "3734", "extension": ".pdf", "flesch": "61", "author": "Bori, Pier Cesare", "title": "Premessa all\u2019edizione cinese del Discorso sulla dignit\u00e0 umana di Pico della Mirandola", "date": "2013", "keywords": "age; alla; anche; bori; che; con; cui; dei; della; discorso; gli; humanist; mirandola; nel; non; pico; pi\u00f9; print; questo; sono; studies; sua; suo; tesi; tra; una", "summary": "Si pu\u00f2 pensare che risalga a questo periodo la prima, parziale redazione (testimoniata dal Codice palatino 885), del Discorso e che risalga anche, insieme a questo, il disegno di un convegno a Roma. Pico della Mirandola (1463-1494)", "mime": "application/pdf"}, {"id": "hsda-5729", "words": "4811", "extension": ".pdf", "flesch": "53", "author": "Tice, James", "title": "The GIS Forma Urbis Romae Project: Creating a Layered History of Rome", "date": "2013", "keywords": "digital; forma; lanciani; map; print; project; roma; rome; tice; university; urbis", "summary": "Humanist Studies & the Digital Age, 3.1 (2013) ISSN: 2158-3846 (online) http://journals.oregondigital.org/hsda/ DOI: 10.5399/uo/HSDA.3.1.3171 70 The GIS Forma Urbis Romae Project: Creating a Layered History of Rome James Tice, University of Oregon Abstract: Using advanced GIS technology and accepted scholarly methods, this multi-disciplinary project intends to create a layered history of Rome by updating Forma Urbis Romae, the cartographic masterpiece of ancient Roman topography published in 1901 by archeologist Rodolfo Lanciani. The subject of this inquiry is Rome, and the object of our investigation is the cartographic masterpiece and pioneering study of ancient Roman topography, Forma Urbis Romae (fig. 1).", "mime": "application/pdf"}, {"id": "hsda-5730", "words": "13429", "extension": ".pdf", "flesch": "52", "author": "Lollini, Massimo", "title": "Circles: Networks of Reading", "date": "2015", "keywords": "age; attention; book; century; change; culture; data; digital; example; history; humanist; lollini; new; page; print; printing; reader; reading; revolution; source; studies; texts; time; use; vico; web; writing", "summary": "The third revolution in reading since the Middle Ages may be seen both as a continuation and evolution of techniques of reading already available in medieval and early modernity; and as an introduction of completely new ways of digital reading. In her recent book Baron admits the advantages of eReading (search the text, promotion of extensive reading, democratization of the access to the written word) but emphasizes the drawbacks: in her view eReading and digital reading in general are more apt for short pieces or for light content, and not appropriate for longer more serious works that require rereading and analyzing; moreover, she argues that reading onscreen modifies the nature of reading by transforming it from and individual encounter with a text and an author into a social experience as it happens for example in online reading groups like Goodreads or the Reading Group Center created by Facebook (Words Onscreen xii-xv; 208 ff.).", "mime": "application/pdf"}, {"id": "hsda-5731", "words": "1398", "extension": ".htm", "flesch": "38", "author": "Riva, Massimo", "title": "Change of Paradigm: From Individual to Community-Based Scholarship", "date": "2015", "keywords": "community; data; research", "summary": "The scholarly work is being increasingly made over into a collective, collaborative, large-scale enterprise characterized by the move from discursive to graphic-algorithmic forms of data presentation and interpretation. This change of scale is even more daunting when we move from textual phenomena to visualization in general: according to the International Data Corporation (IDC) already by 2010 we produced approximately 500 billion digital images through approximately a billion devices, and this number does not include video data generated by surveillance or for scientific use.", "mime": "text/html"}, {"id": "hsda-5732", "words": "9999", "extension": ".pdf", "flesch": "63", "author": "Van Peteghem, Julie", "title": "Digital Readers of Allusive Texts: Ovidian Intertextuality in the 'Commedia' and the Digital Concordance on 'Intertextual Dante'", "date": "2015", "keywords": "commedia; concordance; dante; digital; inf; intertextual; intertextual dante; metamorphoses; ovid; ovidian; passages; print; reuse; source; studies; text; van; works", "summary": "I take as example the digital concordance on Intertextual Dante, a project on Digital Dante (digitaldante.columbia.edu) developed in collaboration with the Center for Digital Research and Scholarship at Columbia University, which in the first phase highlights the Ovidian intertextuality in Dante\u2019s Divina Commedia. The Digital Concordance on Intertextual Dante The Intertextual Dante project is part of the renewed Digital Dante website (digitaldante.columbia.edu).", "mime": "application/pdf"}, {"id": "hsda-5733", "words": "14255", "extension": ".pdf", "flesch": "60", "author": "Lollini, Massimo; Spagnolo, Pierpaolo", "title": "Re-Reading Petrarca in the Digital Era", "date": "2015", "keywords": "age; age lollini; class; digital; drawing; encoding; group; hand; humanist; interpretation; laura; lollini; nature; petrarca; poems; poet; reading; rvf; serpent; spagnolo; students; studies; theme; urban; words", "summary": "Digital close reading and encoding led us to identify their provisional discrete grouping in five major themes; these themes became the point of departure of an articulated reading strategy that privileged the active forces in the poems, the protagonists, the natural and historical settings, along with the metaphysical culture of Petrarca. Some students decided to learn the basic TEI encoding and worked towards this goal with Karen Estlund, quondam Director of the University of Oregon Digital Scholarship, who introduced them to the idea of digital close reading and encoding and followed their weekly encoding of Petrarca\u2019s poems.", "mime": "application/pdf"}, {"id": "hsda-5734", "words": "4615", "extension": ".pdf", "flesch": "50", "author": "Frau, Ombretta; Gragnani, Cristina", "title": "From Quill to Mouse: Digitizing the \u2018Woman of Letters\u2019 1861-1922", "date": "2015", "keywords": "age; authors; century; culture; project; public; studies; time; website; women; works; world; writers", "summary": "At this initial stage, our time boundaries comprise the period between Italian unification (1861) and the beginning of the fascist era (1922).1 These two milestones encompass a time of important social change for Italian women when their increased visibility in literary circles, thanks to the development of the printing press (with magazines, periodicals, and even publishers supportive of female intellectuals), which favored their entrance in mainstream culture. Unlike the majority of existing digital projects on women writers, ours is not only a digitized text-bank or a mere collection of bio-bibliographical data.", "mime": "application/pdf"}, {"id": "hsda-5735", "words": "4166", "extension": ".pdf", "flesch": "55", "author": "Priani, Ernesto; Guzman Olmos, Ana Mar\u00eda", "title": "From fragment to hypertext: Adding layers of reading", "date": "2015", "keywords": "conclusion; digital; edition; layers; pico; reading; structure; text; theses; way", "summary": "To show how this notion of layers of reading works with the hypertext, we will use the Bologna/Brown online edition of the 900 theses of Giovanni Pico della Mirandola1, because Pico\u2019s text is an extraordinary model of a layer of reading, and the hypertextual edition shows how, from one layer, we can add new ones beneath and above Pico\u2019s text. By doing this, we won\u2019t only have Pico\u2019s text, but we will see something like a rock formed by strata of reading, in which Pico\u2019s text is only one stratum.", "mime": "application/pdf"}, {"id": "hsda-5736", "words": "26325", "extension": ".pdf", "flesch": "81", "author": "Lollini, Massimo; Rosenberg, Rebecca", "title": "E-philology and Twitterature", "date": "2015", "keywords": "age; age lollini; alla; amore; anche; anima; beauty; bellezza; che; che mi; cielo; class; come; con; cos\u00ec; cuore; death; della; di laura; e il; e la; e mi; era; eyes; gli; heart; heaven; humanist; il mio; italian; la mia; la morte; la sua; laura; laura e; lei; life; light; lollini; love; mai; miei; mio cuore; mondo; morte; nel; non; non mi; occhi; ora; original; passion; petrarca; pi\u00f9; poem; poetry; quando; reading; rosenberg; rvf; senza; solo; sono; soul; students; studies; sua; sun; text; time; translation; tua; tweet; una; vita; vorrei; words; world; writing", "summary": "216 Per te vivo nel tormento e nell\u2019afflizione, ma rimani la mia sola passione, e mi duole che mi rifiuti il tuo soccorso. 267 Sono costretto ad ardere per Laura e a vivere di lei, anche se la morte mi ha privato di lei: di tutto il resto mi importa ben poco.", "mime": "application/pdf"}, {"id": "hsda-5737", "words": "2397", "extension": ".pdf", "flesch": "41", "author": "Lollini, Massimo", "title": "Worlds of Meaning", "date": "2017", "keywords": "ibid; intelligence; l\u00e9vy; media; new; space", "summary": "In this perspective, one understands why this last anthropological space in which we live is not simply a way out of the earth space, territorial space or commodity space but a \u201cbridge\u201d between them establishing an essential continuity: the collective space of knowledge finds its unity in thought and is suspended in the void, it is \u201cthe centermost void that drives the entire universe\u201d (Ibid. 242-244). L\u00e9vy underlines here an important point that he applies to the fourth space and previous spaces as well: \u201cWhen the commodity space assumes its autonomy within the territory, it doesn\u2019t simply abolish the preceding spaces but subordinate them, organizes them in terms of its own objectives\u201d (Ibid. 137).", "mime": "application/pdf"}, {"id": "hsda-5738", "words": "4112", "extension": ".pdf", "flesch": "21", "author": "Riva, Massimo", "title": "Scholarly Networks and Collaborative Practices (Proceedings of the Colloquium held at Brown University on April 16-18, 2015)", "date": "2017", "keywords": "age; brown; data; digital; humanities; new; practices; research; scholars", "summary": "Digital editions, for example, must now live in the networked environment built within digital library repositories: emerging curatorial and editorial practices and the semantic act of interpretation are increasingly embedded together into the primary sources and such practices are also the conduit for training the next generation of digital humanists. In the Brown Colloquium, scholars from the U.S., the U.K., http://journals.oregondigital.org/hsda/ Humanist Studies & the Digital Age Riva 5.1 (2017) 6 and Italy shared their ideas, diverse experience, and work-in-progress related to one or more of these aspects: new data-driven collaborative practices; the intersection of traditional scholarly methods and emerging computerized techniques; the new research infrastructure (digital library repositories and tools); the institutional framework within which computer- aided practices in the humanities may thrive.", "mime": "application/pdf"}, {"id": "hsda-5739", "words": "5942", "extension": ".pdf", "flesch": "51", "author": "Buzzetti, Dino; Priani Sais\u00f3, Ernesto", "title": "The Pico Project: Looking ahead", "date": "2017", "keywords": "approach; data; graph; march; models; new; pico; results; roe; text; theses; topic; words", "summary": "Topic modelling can then be employed as a classification tool, with results that, in the case of the French Encyclop\u00e9die, have been found \u201cconsistent with [\u2026] previous machine classification experiments\u201d (Roe et al. 2014, 337) conducted on the same text (Horton et al. 2009). Accordingly, an interactive concordance programme affords \u201cinstant searching for words or combinations of words through large sets of texts\u201d (604), so that \u201cit gives an idea of their use and the lexical field in which they occur most frequently\u201d (Roe 2014, 92).", "mime": "application/pdf"}, {"id": "hsda-5740", "words": "7914", "extension": ".pdf", "flesch": "63", "author": "Papio, Michael", "title": "Geospatial Visualizations for the Study of Boccaccio", "date": "2017", "keywords": "age; age papio; boccaccio; decameron; figure; filocolo; geographical; geography; humanist; map; maps; montibus; new; papio; pastore; peutinger; places; stocchi; studies; study; time; use; work; world", "summary": "La Tabula Peutingeriana, Boccaccio e due etnici antichi delle Alpi occidentali. In Dante e Boccaccio, e altri scrittori dall\u2019umanesimo al romanticismo.", "mime": "application/pdf"}, {"id": "hsda-5741", "words": "8536", "extension": ".pdf", "flesch": "34", "author": "Armstrong, Guyda; Deegan, Marilyn", "title": "Reflections on the Academic Book of the Future", "date": "2017", "keywords": "age; armstrong; book; content; deegan; digital; editions; humanist; monographs; new; online; preservation; press; print; project; research; studies; university", "summary": "It is vital that we think about how many of the books we are publishing this year as enhanced monographs and in open access will still be accessible and influential 150 years hence: preservation remains a key and pressing issue for digital academic books. Some of the initiatives discussed here are developing new platforms and workflows for digital book production, in partnership with university presses and libraries.", "mime": "application/pdf"}, {"id": "hsda-5742", "words": "187", "extension": ".htm", "flesch": "17", "author": "Cayley, John", "title": "Toward a Distributed Gallery in the scholarly network", "date": "2017", "keywords": "universities", "summary": "[video presentation]</strong></p> <p><em>John Cayley</em></p> <h3>Abstract</h3> <p>The long subtitle of this presentation sums up the fundamental question it addresses: how can we persuade universities to own their responsibilities to the practice-based research that they patronize \u2013 while bringing new, fully-accredited methodologies and infrastructures to Arts and Humanities scholarship? The \u201cwe\u201d in this title-sentence refers to scholars interested not only in the opportunities offered by the digital infrastructure being built but willing to actively contribute to the designing of this infrastructure.</p> <p>Link to Keynote video: <a href=https://youtu.be/BNlmGD8yJhc>https://youtu.be/BNlmGD8yJhc</a></p> </body> </html>", "mime": "text/plain"}, {"id": "hsda-5743", "words": "2632", "extension": ".pdf", "flesch": "31", "author": "Hall, Crystal", "title": "Digital Humanities and Italian Studies: Research Outcomes", "date": "2017", "keywords": "gazzoni; humanities; italian; project; studies; text", "summary": "While the Roundtable was focused on professional questions for those working at the intersection of Digital Humanities and Italian Studies, the panelists and audience agreed that there is a continued need for documenting the specific research questions and results that are enabled by digital projects. Humanist Studies & the Digital Age, 5.1 (2017) ISSN: 2158-3846 (online) http://journals.oregondigital.org/hsda/ DOI: 10.7264/N3T1522C Digital Humanities and Italian Studies: Research Outcomes Crystal Hall Abstract This section presents new digital projects related to Italian Studies.", "mime": "application/pdf"}, {"id": "hsda-5744", "words": "4462", "extension": ".pdf", "flesch": "44", "author": "Magni, Isabella", "title": "Visualizing the Fragmenta's poetic systems", "date": "2017", "keywords": "charta; digital; fragmenta; index; magni; material; petrarch; poems; space; studies; text", "summary": "Portion of text index from Petrarchive: Voi ch\u2019ascoltate in rime sparse il suono (Rfv1). This essay investigates the problem of space, genre and architecture of the http://journals.oregondigital.org/hsda/ Humanist Studies & the Digital Age Magni 5.1 (2017) 72 page in Petrarch\u2019s songbook proposing new and \u201cless mediated\u201d digital solutions adopted in building visual indexes for the Petrarchive (Storey, Walsh and Magni), a new rich-text digital edition combining different levels of visualization of the text: facsimile high-quality images of Vat.", "mime": "application/pdf"}, {"id": "hsda-5745", "words": "6335", "extension": ".pdf", "flesch": "56", "author": "Gazzoni, Andrea", "title": "Mapping Dante: A Digital Platform for the Study of Places in the Commedia", "date": "2017", "keywords": "age; commedia; dante; digital; geography; gis; humanist; map; mapping; maps; medieval; places; print; studies; text; world", "summary": "If Mapping Dante moves away from that \u201cpanoply-model\u201d that governs websites like Princeton Dante (Hollander), Digital Dante (Barolini) or The World of Dante (Parker), it does so out of apparent practical constraints on time and resources, as illustrated in section 2 of this essay. None of these GIS projects was known to me until months after the launch of Mapping Dante, as they have not been included in any online list of digital Dante resources, and are no longer functioning.5 2.", "mime": "application/pdf"}, {"id": "hsda-5746", "words": "5382", "extension": ".pdf", "flesch": "54", "author": "Hall, Crystal", "title": "Galileo's Ariosto: The Value of a Mixed Methods Approach to Literary Analysis", "date": "2017", "keywords": "age; analysis; ariosto; figure; furioso; galileo; phrases; poem; saggiatore; sarsi; texts; use", "summary": "Although the networks, text mining, literary analysis, historical contextualization, and interpretation of Galileo's humanistic methods reveal a considerable common linguistic ground between two communities of authors, the unique and singular matches found in Galileo bring into relief the kinds of intertextuality operating in early modern Italian texts. Are there any unusual words or phrases here that would have helped a reader connect the Saggiatore to other texts, or the Furioso in particular?", "mime": "application/pdf"}, {"id": "hsda-5747", "words": "4091", "extension": ".pdf", "flesch": "48", "author": "Ferrando, Serena; Sancristoforo, Giorgio", "title": "Audioscan Milano. Exploring Avant-Garde Sound Practices via Digital Humanities", "date": "2017", "keywords": "audience; audioscan; audioscan milano; city; milano; music; noise; print; sancristoforo; sound; studio", "summary": "The manipulation of noise and its transformation into musical sound via sophisticated electronic equipment emulates the Studio\u2019s audio techniques but also exposes the reasons behind its failure to attract a wider audience. Visitors to Audioscan Milano expect to hear urban noise rather than musical sounds and, despite some enthusiasm around being able to mix sound objects on the map and move them around the room, they fail to appreciate the technical subtleties of the procedures behind the music.", "mime": "application/pdf"}, {"id": "hsda-5748", "words": "1892", "extension": ".pdf", "flesch": "28", "author": "Lollini, Massimo", "title": "Pierre L\u00e9vy and the Future of Internet", "date": "2019", "keywords": "collective; humanities; internet; l\u00e9vy; project", "summary": "http://journals.oregondigital.org/hsda/ DOI: 10.5399/uo/hsda.6.1.1 1 Pierre L\u00e9vy and the Future of Internet Massimo Lollini Semantic Metadata, Humanist Computing and Digital Humanities, opens with an important interview with Pierre L\u00e9vy that reconstructs the key moments of his philosophical vision of the internet, and the World Wide Web, up to his most recent and highly innovative proposal of the Information Economy MetaLanguage (IEML). L\u00e9vy points out that at a time when more than 60 percent of the human population is connected to the Internet, and http://journals.oregondigital.org/hsda/ http://creativecommons.org/licenses/by-nd/4.0/ https://www.nytimes.com/2019/11/24/opinion/world-wide-web.html Humanist Studies & the Digital Age Lollini 6.1 (2019) 2 all information transmitted is reduced to digital data, it becomes crucial for users to be sovereign over their data, which are currently expropriated by the giants of Internet like Google and Facebook.", "mime": "application/pdf"}, {"id": "hsda-5749", "words": "12382", "extension": ".pdf", "flesch": "67", "author": "Lollini, Massimo; Farley, Arthur; Levy, Pierre", "title": "Collective Intelligence, the Future of Internet and the IEML", "date": "2019", "keywords": "collective; digital; farley; human; ieml; intelligence; language; lollini; l\u00e9vy; people; studies; things; think", "summary": "But for the particular case of collective intelligence, I think that there is a kind of symbiosis or a circular causality between human collective intelligence and human development. So, human collective intelligence, I would say, is stronger than animal collective intelligence, and it's a new layer, the symbolic layer or the cultural layer.", "mime": "application/pdf"}, {"id": "hsda-5750", "words": "13280", "extension": ".pdf", "flesch": "38", "author": "Buzzetti, Dino", "title": "The Origins of Humanities Computing and the Digital Humanities Turn", "date": "2019", "keywords": "buzzetti; computing; content; data; digital; expression; form; gardin; humanist; humanities; language; markup; model; representation; research; rules; sciences; self; structure; studies; systems; text", "summary": "In other words, in the artificial sciences, the computer is what writing represents for natural language: the artificial sciences consist of formal algebra for the generation of artificial models (structures and processes), in the same way in which natural languages are made up of semantics, syntax and pragmatics for the generation of texts. Building on the thoughts of Jean-Claude Gardin on the analysis of discursive practices in the human and social sciences \u2013 in particular, on the homology between the structure of knowledge base expert systems and the structure of the schematizations of data and argumentations in humanities scientific texts \u2013 I have noted a significant convergence, or rather a substantial homology, between the analysis of the self-referential phenomena of natural language and the establishment of data processing rules in automatic adaptive systems.", "mime": "application/pdf"}, {"id": "hsda-5751", "words": "4078", "extension": ".pdf", "flesch": "54", "author": "Ferrando, Serena; Wardecker, Mark", "title": "Noisemakers! Putting the Analog in Digital Humanities", "date": "2019", "keywords": "analog; arduino; map; max; music; noise; patch; sound; students; studies", "summary": "Max sound map in \u201cPresentation Mode.\u201d For their soundwalks, their goal was to create digital maps with their laptops on which the locations of their recordings would be highlighted.", "mime": "application/pdf"}, {"id": "hsda-5752", "words": "7993", "extension": ".pdf", "flesch": "50", "author": "Benvegn\u00f9, Damiano", "title": "The Dialogues Bioregional Project: Landscape Ecology in Central Italy from the Sixth Century to the Present", "date": "2019", "keywords": "benvegn\u00f9; central; dbp; dialogues; digital; gregory; human; italy; landscape; map; narratives; print; project; space; story; studies", "summary": "Gregory\u2019s Dialogues Pope Gregory I, commonly known as Saint Gregory the Great, was the first monk to be elected pope of the Catholic Church, an office he held from 590 AD to his death fourteen years later. My aim is to introduce readers to the ecological potentials of Gregory\u2019s book and thus prompt scholars interested in the environmental humanities and the integration of biophysical and analytical approaches with humanistic and holistic perspectives to become part of the \u201cDialogues Bioregional Project\u201d and collaborate in its further development.", "mime": "application/pdf"}, {"id": "hsda-5753", "words": "14801", "extension": ".pdf", "flesch": "56", "author": "Pisacane, Gerardo; Briante, Elisa; Lear, Marena", "title": "#LauraSpeaks: Remediations of Pellegra Bongiovanni\u2019s \u201cRisposte\u201d", "date": "2019", "keywords": "age; bongiovanni; briante; cinema; digital; francesco; humanist; hypertext; laura; lear; love; medium; movie; pellegra; petrarca; pisacane; poems; project; remediation; studies; text; translation; work; writing", "summary": "Our Twitter versions of the poems are not only condensed forms of the translations, but creative remediations that within the hypertext, take on a living quality that the reader can choose to engage with alongside other Petrarca poems, musical and artistic renderings, poetic re-writings, and translations. Introduction Much recent Francesco Petrarca scholarship has focused attention on the idea that the powerful vernacular voice of Humanism was not a singular voice, but a plural one.", "mime": "application/pdf"}, {"id": "hsda-5754", "words": "3439", "extension": ".pdf", "flesch": "37", "author": "Lollini, Massimo", "title": "The Blind Spot of the Future", "date": "2022", "keywords": "age; book; essay; future; human; poetry; present; technology", "summary": "The possibility of magnifiche sorti e progressive \u2014 a \u201csplendid and progressive destiny\u201d \u2014 made possible by human technology inspires hope in some and critique in others. Finally, in the last paragraph, I reflect on how the hyperobject anthropocene re-establishes a sense of limit in human history.", "mime": "application/pdf"}, {"id": "hsda-5755", "words": "6938", "extension": ".pdf", "flesch": "52", "author": "Schnapp, Jeffrey; Lollini, Massimo; Farley, Arthur", "title": "Education, Technology, and Humans: An Interview with Jeffrey Schnapp", "date": "2022", "keywords": "age; digital; farley; future; human; humanities; intelligence; lollini; new; print; schnapp; studies; technology; work; world", "summary": "In your current teaching of medieval literature do you use digital technologies? What contribution can the Internet and digital technology make, if any, in creating an educated literary audience in the global network environment?", "mime": "application/pdf"}, {"id": "hsda-5756", "words": "19765", "extension": ".pdf", "flesch": "54", "author": "Lollini, Massimo", "title": "Time of the End? More-Than-Human Humanism and Artificial Intelligence", "date": "2022", "keywords": "age; consciousness; data; digital; earth; end; ethics; face; future; gunkel; human; humanist; idea; information; levinas; life; lollini; machine; nature; new; perspective; philosophy; press; print; question; schmitt; sense; space; studies; technology; time; world", "summary": "I understand his point, but if we think of an idea of conscience not in ontological terms but precisely in ethical terms as Levinas does in Otherwise than Being, we must think that our conscience is not established once and for all but rather develops in the relationships we entertain with other human beings, other animals, machines, things, the environment. Kairos comes to designate the incarnation in the Christian world, which is considered the most crucial moment of human time.", "mime": "application/pdf"}, {"id": "hsda-5757", "words": "12274", "extension": ".pdf", "flesch": "50", "author": "Staiger, Jeff", "title": "After the Book, the Book? The Digital Writing Experiments of Fran\u00e7ois Bon", "date": "2022", "keywords": "age; bon; book; digital; future; limite; livre; logic; material; new; novel; print; print book; process; project; staiger; studies; technology; version; web; writing", "summary": "Humanist Studies & the Digital Age Staiger 7.1 2022 8 The Book Repurposed The two experiments with digital books that Bon conducted before the publication of Apr\u00e8s le livre both exploit the qualities of immediacy, brevity, and plasticity that, as we have seen, he identifies as the particular virtues of the new medium, though in different ways. On the other hand, readers have manifested a distinct preference for print books when it comes to the immersive reading of works in such areas as literature and history.", "mime": "application/pdf"}, {"id": "hsda-5758", "words": "7981", "extension": ".pdf", "flesch": "34", "author": "Simeone, Micaela", "title": "Unknown Future, Repeated Present: A Narrative-Centered Analysis of Long-Term AI Discourse", "date": "2022", "keywords": "bostrom; digital; floridi; human; humanity; narrative; nixon; spectacular; superintelligence; technology; term; violence", "summary": "Though Floridi\u2019s narrative does not include this religious dimension, his view of AI seems to be bolstered by a similar faith in the controllability of technology\u2013AI models are extensions of human vision and human craft, and thus can be made to work on our behalf and reflect our values in order to rectify or repair some of the damage humans have caused. In particular, Maitra highlights how numerous Indigenous perspectives offer \u201cwell-developed epistemologies adept at accounting for the non-human, a task that defies Western anthropocentrism,\u201d and that would thus potentially provide useful steps toward finding new ways to frame our relationship with AI as AI models become more powerful and their capabilities challenge our conceptions of human and machine (320).", "mime": "application/pdf"}, {"id": "hsda-5759", "words": "12358", "extension": ".pdf", "flesch": "50", "author": "Linardaki, Christina", "title": "Poetry at the first steps of Artificial Intelligence", "date": "2022", "keywords": "age; computer; creativity; example; generation; generators; gon\u00e7alo; human; humanist; humanities; intelligence; july; language; linardaki; oliveira; poem; poetry; poetry generation; result; studies; text; time; words", "summary": "The real issue of AI poetry generation is that it should be intelligent; in other words, the computer should be able to actually do it on its own. Poetry generation started in the Digital Humanities, which developed out of humanities computing; nowadays, however, it is part of Computational Creativity, a field that tackles several areas of art and science.", "mime": "application/pdf"}, {"id": "hsda-5760", "words": "676", "extension": ".pdf", "flesch": "29", "author": "Schnapp, Jeffrey", "title": "Two Projects from the metaLAB (at) Harvard", "date": "2022", "keywords": "gaze; harvard; names", "summary": "[JS] Their Names Matthew Battles and Kim Albrecht metaLAB (at) Harvard, (summer 2020) Their Names is a kind of dynamic memory wall (which is to say, an online Denkmal or monument) that visualizes the names of 28,000+ fatal encounters with American police dating from the year 2000 up until the death of George Floyd on May 25, 2020. Humanist Studies & the Digital Age, 7.1 (2022) ISSN: 2158-3846 (online) http://journals.oregondigital.org/hsda/ DOI: 10.5399/uo/hsda/7.1.7 1 Two Projects from the metaLAB (at) Harvard Jeffrey Schnapp A Flitting Atlas of the Human Gaze Kevin Brewster, Todd Linkner, Dietmar Offenhuber, and Jeffrey Schnapp metaLAB (at) Harvard, (summer-fall 2020/winter 2021)", "mime": "application/pdf"}, {"id": "hsda-5761", "words": "6746", "extension": ".pdf", "flesch": "44", "author": "Maness, Jack; Pham, Kim", "title": "Just Because We Can Doesn\u2019t Mean We Should: On Knowing and Protecting Data Produced by the Jewish Consumptives\u2019 Relief Society", "date": "2022", "keywords": "access; age; collections; data; htr; human; jcrs; materials; project; records; research; studies; use; work", "summary": "Once the project was funded, the EAB was presented the project design and objectives, primers on the ethical considerations of relevance, and asked to help construct a model by which access to JCRS data would be provided. Access to these records is provided in the form of visits to the archive or by browsing digital records available through our Digital Collections @ DU platform, https://specialcollections.du.edu/. Researchers often opt to visit the archive for an assignment or for research and record data using their laptop or mobile device from these records, effectively transcribing the same number of documents for their personal use.", "mime": "application/pdf"}]