        item: #1 of 46
          id: hsda-5695
      author: Storey, H. Wayne
       title: Petrarch’s “Original” of the Fragmenta 1362-1558: from Boccaccio to Rovillio’s third printing
        date: 2011
       words: 10245
      flesch: 63
     summary: But his reliance on probability, conjecture, an indirect knowledge of the material tradition, and what we might call a cultural inclination to impose artificial scientific systems, such as his creation of three categories of intervals between the periods of work Petrarch devoted to the assembly of Vaticano Latino 3195, render his results in some cases unreliable. Thus by the second half of the fifteenth century, both in manuscript and in print we have two models for constructing a book of vernacular Petrarch: 1) the text with sparse or no apparatus that boasted its authenticity and connection to the poet, from Valdezoco’s 1472 Paduan edition to the Aldine editions of 1501 and 1514; and 2) editions which offered the user an ever greater interpretative apparatus, from the Bolognese Filelfo commentary tradition of the late fifteenth century to the heavily annotated apparatuses of Vellutello in 1525 and Guglielmo Rovillo’s Lyonese editions of the 1550s.
    keywords: age; century; codex; copy; copyist; del; edition; fragmenta; francesco; holograph; humanist; latino; manuscript; original; petrarch; poems; poet; print; storey; studies; vaticano; wayne
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        item: #2 of 46
          id: hsda-5698
      author: Martinez, Ronald L.
       title: Francis, Thou Art Translated: Petrarch Metamorphosed in English, 1380-1595
        date: 2011
       words: 15899
      flesch: 66
     summary: Just as the first poem in Egerton takes up the topic of the injustice of love, which transfixes the speaker but leaves the lady untouched— an imbalance Petrarch first records in Rvf 2.13-14—the first sonnet in Wyatt’s manuscript nods to a fundamental impulse driving Petrarch’s poetic collection. If Tottel’s anthology institutes a Petrarchizing program, it also concludes an epoch: George Watson (1-3) has commented that after Tottel Petrarch is rarely the object of direct Humanist Studies & the Digital Age Ronald L. Martinez 1.1 Winter 2011 96 translation among English sonneteers, possibly for reasons of religion and ideology, since Petrarch was a Papist, but also possibly because translating Petrarch is so difficult.
    keywords: age; boccaccio; canticus; chaucer; couplet; english; howard; humanist; juliet; laura; lines; love; lyric; m&t; martinez; petrarch; play; poem; print; quatrain; rhyme; romeo; ronald; rvf; shakespeare; sonnet; stanza; studies; surrey; thomas; tottel; translation; troilus; version; winter; wyatt
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        item: #3 of 46
          id: hsda-5701
      author: Hester, Nathalie
       title: Mapping Petrarch in Seventeenth-century Italian Travel Writing
        date: 2011
       words: 3632
      flesch: 63
     summary: But in the period following Pietro Bembo’s Prose della volgar lingua (1525), which established Boccaccio as the model for prose and Petrarch for that of poetry and helped codify the Italian literary canon, one finds in Italian travel writing more programmatic allusions to canonical texts, including Petrarch’s Familiar letters and Rerum vulgarium fragmenta. […] e parmi che questa città non sia più quella medesima; e non mi truovo cosa che appagar possa il mio desio, e mi cruccio, e mi adiro, e mi confondo, e farnetico; perché troppo altamente sono in me impresse le accorte, oneste, care, e leggiadre vostre maniere, E ciò, che non è voi, Già, per lung’ uso, il core odia, e disprezza.
    keywords: careri; che; della; gemelli; hester; italian; nathalie; non; petrarch; print; travel; valle; viaggi; writing
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        item: #4 of 46
          id: hsda-5704
      author: Powell, Amanda
       title: Baroque Flair: Seventeenth-century European Sapphic Poetry
        date: 2011
       words: 6845
      flesch: 57
     summary: Women poets took up the terms, concerns, and conventions of the dominant lyric language for profane love but with a difference that marks their awareness of and engagement with gender hierarchies. Women poets enlist, but also call into question, Petrarchist paradigms and vocabularies.
    keywords: age; amanda; female; humanist; love; lyric; new; petrarchist; poems; poetry; powell; print; sapphic; self; studies; texts; winter; women
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        item: #5 of 46
          id: hsda-5707
      author: Forni, Giorgio
       title: For a Study of the Reception of the Canzoniere in the “Petrarch Project”
        date: 2010
       words: 5884
      flesch: 68
     summary: In introducing the shepherd’s lament, the portrayal of solitude drawn from “Solo et pensoso” can be combined with absolute immobility and with resting the tired body against a “trunk” or a “stick,” such as the beginning of the Aristeo by Girolamo Muzio which depicts Alfonso d’Avalos, marquis of Vasto, in a pastoral setting: Il pastor Aristeo pensoso e solo appoggiato si stava al duro tronco d’un faggio antico in solitaria piaggia; e per quel che di fuor porgea la fronte scorger ben si potea che ’l suo pensiero era tutto lontan d’ogni allegrezza. Quell’ermo lido, e il gran fragor mi empiva il cuor (cui fiamma inestinguibil cuoce)
    keywords: bembo; campi; canzoniere; che; et pensoso; giorgio; non; pensoso; petrarch; più; print; reception; rime; solo; solo et; sonnet; studies; text
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        item: #6 of 46
          id: hsda-5710
      author: Mantovani, Alessandra
       title: Ghosts of Solitude: Guido Gozzano reader of Petrarch. An episode of the 20th-century reception of Rvf 35
        date: 2011
       words: 6510
      flesch: 64
     summary: Thus—Gozzano writes—“a poetry infected for years by Pascoli’s and D’Annunzio’s chlorosis” could be “restored by the desperate study of Dante and Petrarch, annotating, pondering, weighing the words needed for his [sic] palette” (Masoero 81). “Modi petrarcheschi nell’arte del Gozzano.”
    keywords: age; alessandra; che; del; gozzano; guido; humanist; mantovani; petrarch; poetry; print; solo; studies; time; winter; woman
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        item: #7 of 46
          id: hsda-5713
      author: Sobrero, Alberto
       title: Studiare dopo internet
        date: 2012
       words: 5240
      flesch: 62
     summary: Leggere un libro diventa faticoso, specie se si tratta di un romanzo, di una storia lunga e che non può essere frammentata più di tanto. E anche l’organizzazione della cultura e della società procedeva per via lineare: la divisione del lavoro fra chi scriveva un libro e chi lo leggeva, fra chi insegnava e chi apprendeva, i passaggi generazionali.
    keywords: age; alberto; alla; anche; caso; che; come; computer; con; c’è; dei; della; fra; gli; humanist; mente; modo; molto; nel; non; più; può; quanto; quella; questo; rete; sempre; sobrero; sono; studies; una; versione; wikipedia
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        item: #8 of 46
          id: hsda-5716
      author: Fiormonte, Domenico
       title: Testo Tempo Verità
        date: 2012
       words: 6686
      flesch: 63
     summary: Perdonatemi, io vi faccio perdere tempo e disperare e intanto non vi spiego la cosa più importante, se no avreste capito subito, perché l’infamia è appunto nello scopo che avevo! La filologia della “frattura e degli scarti”, invocata da Corrado Bologna, e il rispetto per la “verità dei fruitori”, di cui parla Roberto Antonelli (“Spazio, tempo e testualità”), sono un onesto tentativo di salvare il salvabile, Humanist Studies & the Digital Age Domenico Fiormonte 2.1 Fall 2012 63 ovvero la varietà storica del documento, legata al contesto dinamico della cultura in cui quel documento nasce e si “sviluppa”.
    keywords: age; alla; anche; che; ciò; come; comunicazione; con; critica; cui; dei; del testo; della; digital; domenico; dunque; essere; fall; filologia; fiormonte; fra; gli; humanist; il testo; loro; mitja; nel; non; oltre; perché; più; print; può; questa; qui; roma; segre; solo; sono; stesso; storia; studies; sua; suo; tempo; testo; tre; una; verità; viene
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        item: #9 of 46
          id: hsda-5719
      author: Riva, Massimo
       title: Liquid/Cloudy/Foggy: For a Critique of Fluid Textuality
        date: 2012
       words: 4043
      flesch: 51
     summary: There is no work of digital literary art that expresses this dilemma better Humanist Studies & the Digital Age Massimo Riva 2.1 Fall 2012 97 than Noah Fruin’s Screen, 3 on which I conclude my book and this essay: in this full immersion experience, realized for the Brown virtual reality environment, we are invited to read/listen to three stories, written in flickering characters on the walls of the Cave, like the pages of a tridimensional book or a virtual version of the origins of Writing, the latest version of the House of language. What kind of interface is/processes literary writing, today, as a cultural software?
    keywords: age; book; digital; fiorentino; language; literary; literature; print; riva; text; writing
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        item: #10 of 46
          id: hsda-5722
      author: Farley, Arthur M.
       title: Textualities in the Digital Age
        date: 2013
       words: 1805
      flesch: 40
     summary: The symposium gathered together a diverse group of scholars in digital humanities, information sciences, law, and computer science to provide widely varying perspectives regarding questions as to how the study of historical texts and the creation of new texts have changed with the advent of digital technologies. Consistent with our journal’s view of the expanded notion of digital text, we include a video of Dr. Fish’s presentation as an entry in this edition.
    keywords: age; technology; text; university
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        item: #11 of 46
          id: hsda-5725
      author: Lollini, Massimo
       title: Petrarch’s Early Manuscripts and Incunabula in the Oregon Petrarch Open Book
        date: 2013
       words: 3756
      flesch: 43
     summary: Nonetheless, we do not emphasize the free-play of fragments of signification but hypertextual construction of meaning, the hermeneutical value of texts through editing, marking up, collating, drawing on phenomenological, comparative, hermeneutic procedures, and moving beyond a deterministic idea of text as a pure fact. The first part of the article traces a brief history of the Oregon Petrarch Open Book and the last section introduces a future project, “Texts, Images and Interpretation in the OPOB.”
    keywords: age; humanist; lollini; open; opob; petrarch; studies; text
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        item: #12 of 46
          id: hsda-5727
      author: Hollander, Robert
       title: The Princeton Dante Project
        date: 2013
       words: 3585
      flesch: 57
     summary: On the contrary, the extraordinary success of the actor Roberto Benigni, not only in Italy, but in the rest of Europe and in North and South America, who has been bringing Dante to a wider audience in his road show “Tutto Dante,” tells us that, in a time not noted for its appreciation of great literature, Dante’s success is wider than ever. The fifty-four of the seventy-five glossators (some of whom did not finish their commentaries while others may have ducked this difficult passage) collected in the Dartmouth Dante Project (of the perhaps two hundred commentaries that exist, some completed, others abandoned, in the annals of Dante scholarship) do not, among themselves, guarantee that the Dantist who consults them will come away no more confused than when entering the selva oscura of this difficult poem.
    keywords: dante; ddp; hollander; notes; pdp; poem; princeton; project
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        item: #13 of 46
          id: hsda-5728
      author: Bori, Pier Cesare
       title: Premessa all’edizione cinese del Discorso sulla dignità umana di Pico della Mirandola
        date: 2013
       words: 3734
      flesch: 61
     summary: Si può pensare che risalga a questo periodo la prima, parziale redazione (testimoniata dal Codice palatino 885), del Discorso e che risalga anche, insieme a questo, il disegno di un convegno a Roma. Pico della Mirandola (1463-1494)
    keywords: age; alla; anche; bori; che; con; cui; dei; della; discorso; gli; humanist; mirandola; nel; non; pico; più; print; questo; sono; studies; sua; suo; tesi; tra; una
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        item: #14 of 46
          id: hsda-5729
      author: Tice, James
       title: The GIS Forma Urbis Romae Project: Creating a Layered History of Rome
        date: 2013
       words: 4811
      flesch: 53
     summary: Humanist Studies & the Digital Age, 3.1 (2013) ISSN: 2158-3846 (online) http://journals.oregondigital.org/hsda/ DOI: 10.5399/uo/HSDA.3.1.3171 70 The GIS Forma Urbis Romae Project: Creating a Layered History of Rome James Tice, University of Oregon Abstract: Using advanced GIS technology and accepted scholarly methods, this multi-disciplinary project intends to create a layered history of Rome by updating Forma Urbis Romae, the cartographic masterpiece of ancient Roman topography published in 1901 by archeologist Rodolfo Lanciani. The subject of this inquiry is Rome, and the object of our investigation is the cartographic masterpiece and pioneering study of ancient Roman topography, Forma Urbis Romae (fig. 1).
    keywords: digital; forma; lanciani; map; print; project; roma; rome; tice; university; urbis
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        item: #15 of 46
          id: hsda-5730
      author: Lollini, Massimo
       title: Circles: Networks of Reading
        date: 2015
       words: 13429
      flesch: 52
     summary: The third revolution in reading since the Middle Ages may be seen both as a continuation and evolution of techniques of reading already available in medieval and early modernity; and as an introduction of completely new ways of digital reading. In her recent book Baron admits the advantages of eReading (search the text, promotion of extensive reading, democratization of the access to the written word) but emphasizes the drawbacks: in her view eReading and digital reading in general are more apt for short pieces or for light content, and not appropriate for longer more serious works that require rereading and analyzing; moreover, she argues that reading onscreen modifies the nature of reading by transforming it from and individual encounter with a text and an author into a social experience as it happens for example in online reading groups like Goodreads or the Reading Group Center created by Facebook (Words Onscreen xii-xv; 208 ff.).
    keywords: age; attention; book; century; change; culture; data; digital; example; history; humanist; lollini; new; page; print; printing; reader; reading; revolution; source; studies; texts; time; use; vico; web; writing
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        item: #16 of 46
          id: hsda-5731
      author: Riva, Massimo
       title: Change of Paradigm: From Individual to Community-Based Scholarship
        date: 2015
       words: 1398
      flesch: 38
     summary: The scholarly work is being increasingly made over into a collective, collaborative, large-scale enterprise characterized by the move from discursive to graphic-algorithmic forms of data presentation and interpretation. This change of scale is even more daunting when we move from textual phenomena to visualization in general: according to the International Data Corporation (IDC) already by 2010 we produced approximately 500 billion digital images through approximately a billion devices, and this number does not include video data generated by surveillance or for scientific use.
    keywords: community; data; research
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        item: #17 of 46
          id: hsda-5732
      author: Van Peteghem, Julie
       title: Digital Readers of Allusive Texts: Ovidian Intertextuality in the 'Commedia' and the Digital Concordance on 'Intertextual Dante'
        date: 2015
       words: 9999
      flesch: 63
     summary: I take as example the digital concordance on Intertextual Dante, a project on Digital Dante (digitaldante.columbia.edu) developed in collaboration with the Center for Digital Research and Scholarship at Columbia University, which in the first phase highlights the Ovidian intertextuality in Dante’s Divina Commedia. The Digital Concordance on Intertextual Dante The Intertextual Dante project is part of the renewed Digital Dante website (digitaldante.columbia.edu).
    keywords: commedia; concordance; dante; digital; inf; intertextual; intertextual dante; metamorphoses; ovid; ovidian; passages; print; reuse; source; studies; text; van; works
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        item: #18 of 46
          id: hsda-5733
      author: Lollini, Massimo; Spagnolo, Pierpaolo
       title: Re-Reading Petrarca in the Digital Era
        date: 2015
       words: 14255
      flesch: 60
     summary: Digital close reading and encoding led us to identify their provisional discrete grouping in five major themes; these themes became the point of departure of an articulated reading strategy that privileged the active forces in the poems, the protagonists, the natural and historical settings, along with the metaphysical culture of Petrarca. Some students decided to learn the basic TEI encoding and worked towards this goal with Karen Estlund, quondam Director of the University of Oregon Digital Scholarship, who introduced them to the idea of digital close reading and encoding and followed their weekly encoding of Petrarca’s poems.
    keywords: age; age lollini; class; digital; drawing; encoding; group; hand; humanist; interpretation; laura; lollini; nature; petrarca; poems; poet; reading; rvf; serpent; spagnolo; students; studies; theme; urban; words
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        item: #19 of 46
          id: hsda-5734
      author: Frau, Ombretta; Gragnani, Cristina
       title: From Quill to Mouse: Digitizing the ‘Woman of Letters’ 1861-1922
        date: 2015
       words: 4615
      flesch: 50
     summary: At this initial stage, our time boundaries comprise the period between Italian unification (1861) and the beginning of the fascist era (1922).1 These two milestones encompass a time of important social change for Italian women when their increased visibility in literary circles, thanks to the development of the printing press (with magazines, periodicals, and even publishers supportive of female intellectuals), which favored their entrance in mainstream culture. Unlike the majority of existing digital projects on women writers, ours is not only a digitized text-bank or a mere collection of bio-bibliographical data.
    keywords: age; authors; century; culture; project; public; studies; time; website; women; works; world; writers
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        item: #20 of 46
          id: hsda-5735
      author: Priani, Ernesto; Guzman Olmos, Ana María
       title: From fragment to hypertext: Adding layers of reading
        date: 2015
       words: 4166
      flesch: 55
     summary: To show how this notion of layers of reading works with the hypertext, we will use the Bologna/Brown online edition of the 900 theses of Giovanni Pico della Mirandola1, because Pico’s text is an extraordinary model of a layer of reading, and the hypertextual edition shows how, from one layer, we can add new ones beneath and above Pico’s text. By doing this, we won’t only have Pico’s text, but we will see something like a rock formed by strata of reading, in which Pico’s text is only one stratum.
    keywords: conclusion; digital; edition; layers; pico; reading; structure; text; theses; way
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        item: #21 of 46
          id: hsda-5736
      author: Lollini, Massimo; Rosenberg, Rebecca
       title: E-philology and Twitterature
        date: 2015
       words: 26325
      flesch: 81
     summary: 216 Per te vivo nel tormento e nell’afflizione, ma rimani la mia sola passione, e mi duole che mi rifiuti il tuo soccorso. 267 Sono costretto ad ardere per Laura e a vivere di lei, anche se la morte mi ha privato di lei: di tutto il resto mi importa ben poco.
    keywords: age; age lollini; alla; amore; anche; anima; beauty; bellezza; che; che mi; cielo; class; come; con; così; cuore; death; della; di laura; e il; e la; e mi; era; eyes; gli; heart; heaven; humanist; il mio; italian; la mia; la morte; la sua; laura; laura e; lei; life; light; lollini; love; mai; miei; mio cuore; mondo; morte; nel; non; non mi; occhi; ora; original; passion; petrarca; più; poem; poetry; quando; reading; rosenberg; rvf; senza; solo; sono; soul; students; studies; sua; sun; text; time; translation; tua; tweet; una; vita; vorrei; words; world; writing
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        item: #22 of 46
          id: hsda-5737
      author: Lollini, Massimo
       title: Worlds of Meaning
        date: 2017
       words: 2397
      flesch: 41
     summary: In this perspective, one understands why this last anthropological space in which we live is not simply a way out of the earth space, territorial space or commodity space but a “bridge” between them establishing an essential continuity: the collective space of knowledge finds its unity in thought and is suspended in the void, it is “the centermost void that drives the entire universe” (Ibid. 242-244). Lévy underlines here an important point that he applies to the fourth space and previous spaces as well: “When the commodity space assumes its autonomy within the territory, it doesn’t simply abolish the preceding spaces but subordinate them, organizes them in terms of its own objectives” (Ibid. 137).
    keywords: ibid; intelligence; lévy; media; new; space
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        item: #23 of 46
          id: hsda-5738
      author: Riva, Massimo
       title: Scholarly Networks and Collaborative Practices (Proceedings of the Colloquium held at Brown University on April 16-18, 2015)
        date: 2017
       words: 4112
      flesch: 21
     summary: Digital editions, for example, must now live in the networked environment built within digital library repositories: emerging curatorial and editorial practices and the semantic act of interpretation are increasingly embedded together into the primary sources and such practices are also the conduit for training the next generation of digital humanists. In the Brown Colloquium, scholars from the U.S., the U.K., http://journals.oregondigital.org/hsda/ Humanist Studies & the Digital Age Riva 5.1 (2017) 6 and Italy shared their ideas, diverse experience, and work-in-progress related to one or more of these aspects: new data-driven collaborative practices; the intersection of traditional scholarly methods and emerging computerized techniques; the new research infrastructure (digital library repositories and tools); the institutional framework within which computer- aided practices in the humanities may thrive.
    keywords: age; brown; data; digital; humanities; new; practices; research; scholars
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        item: #24 of 46
          id: hsda-5739
      author: Buzzetti, Dino; Priani Saisó, Ernesto
       title: The Pico Project: Looking ahead
        date: 2017
       words: 5942
      flesch: 51
     summary: Topic modelling can then be employed as a classification tool, with results that, in the case of the French Encyclopédie, have been found “consistent with […] previous machine classification experiments” (Roe et al. 2014, 337) conducted on the same text (Horton et al. 2009). Accordingly, an interactive concordance programme affords “instant searching for words or combinations of words through large sets of texts” (604), so that “it gives an idea of their use and the lexical field in which they occur most frequently” (Roe 2014, 92).
    keywords: approach; data; graph; march; models; new; pico; results; roe; text; theses; topic; words
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        item: #25 of 46
          id: hsda-5740
      author: Papio, Michael
       title: Geospatial Visualizations for the Study of Boccaccio
        date: 2017
       words: 7914
      flesch: 63
     summary: La Tabula Peutingeriana, Boccaccio e due etnici antichi delle Alpi occidentali. In Dante e Boccaccio, e altri scrittori dall’umanesimo al romanticismo.
    keywords: age; age papio; boccaccio; decameron; figure; filocolo; geographical; geography; humanist; map; maps; montibus; new; papio; pastore; peutinger; places; stocchi; studies; study; time; use; work; world
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        item: #26 of 46
          id: hsda-5741
      author: Armstrong, Guyda; Deegan, Marilyn
       title: Reflections on the Academic Book of the Future
        date: 2017
       words: 8536
      flesch: 34
     summary: It is vital that we think about how many of the books we are publishing this year as enhanced monographs and in open access will still be accessible and influential 150 years hence: preservation remains a key and pressing issue for digital academic books. Some of the initiatives discussed here are developing new platforms and workflows for digital book production, in partnership with university presses and libraries.
    keywords: age; armstrong; book; content; deegan; digital; editions; humanist; monographs; new; online; preservation; press; print; project; research; studies; university
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        item: #27 of 46
          id: hsda-5742
      author: Cayley, John
       title: Toward a Distributed Gallery in the scholarly network
        date: 2017
       words: 187
      flesch: 17
     summary: [video presentation]</strong></p> <p><em>John Cayley</em></p> <h3>Abstract</h3> <p>The long subtitle of this presentation sums up the fundamental question it addresses: how can we persuade universities to own their responsibilities to the practice-based research that they patronize – while bringing new, fully-accredited methodologies and infrastructures to Arts and Humanities scholarship? The “we” in this title-sentence refers to scholars interested not only in the opportunities offered by the digital infrastructure being built but willing to actively contribute to the designing of this infrastructure.</p> <p>Link to Keynote video: <a href=https://youtu.be/BNlmGD8yJhc>https://youtu.be/BNlmGD8yJhc</a></p> </body> </html>
    keywords: universities
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        item: #28 of 46
          id: hsda-5743
      author: Hall, Crystal
       title: Digital Humanities and Italian Studies: Research Outcomes
        date: 2017
       words: 2632
      flesch: 31
     summary: While the Roundtable was focused on professional questions for those working at the intersection of Digital Humanities and Italian Studies, the panelists and audience agreed that there is a continued need for documenting the specific research questions and results that are enabled by digital projects. Humanist Studies & the Digital Age, 5.1 (2017) ISSN: 2158-3846 (online) http://journals.oregondigital.org/hsda/ DOI: 10.7264/N3T1522C Digital Humanities and Italian Studies: Research Outcomes Crystal Hall Abstract This section presents new digital projects related to Italian Studies.
    keywords: gazzoni; humanities; italian; project; studies; text
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        item: #29 of 46
          id: hsda-5744
      author: Magni, Isabella
       title: Visualizing the Fragmenta's poetic systems
        date: 2017
       words: 4462
      flesch: 44
     summary: Portion of text index from Petrarchive: Voi ch’ascoltate in rime sparse il suono (Rfv1). This essay investigates the problem of space, genre and architecture of the http://journals.oregondigital.org/hsda/ Humanist Studies & the Digital Age Magni 5.1 (2017) 72 page in Petrarch’s songbook proposing new and “less mediated” digital solutions adopted in building visual indexes for the Petrarchive (Storey, Walsh and Magni), a new rich-text digital edition combining different levels of visualization of the text: facsimile high-quality images of Vat.
    keywords: charta; digital; fragmenta; index; magni; material; petrarch; poems; space; studies; text
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        item: #30 of 46
          id: hsda-5745
      author: Gazzoni, Andrea
       title: Mapping Dante: A Digital Platform for the Study of Places in the Commedia
        date: 2017
       words: 6335
      flesch: 56
     summary: If Mapping Dante moves away from that “panoply-model” that governs websites like Princeton Dante (Hollander), Digital Dante (Barolini) or The World of Dante (Parker), it does so out of apparent practical constraints on time and resources, as illustrated in section 2 of this essay. None of these GIS projects was known to me until months after the launch of Mapping Dante, as they have not been included in any online list of digital Dante resources, and are no longer functioning.5 2.
    keywords: age; commedia; dante; digital; geography; gis; humanist; map; mapping; maps; medieval; places; print; studies; text; world
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        item: #31 of 46
          id: hsda-5746
      author: Hall, Crystal
       title: Galileo's Ariosto: The Value of a Mixed Methods Approach to Literary Analysis
        date: 2017
       words: 5382
      flesch: 54
     summary: Although the networks, text mining, literary analysis, historical contextualization, and interpretation of Galileo's humanistic methods reveal a considerable common linguistic ground between two communities of authors, the unique and singular matches found in Galileo bring into relief the kinds of intertextuality operating in early modern Italian texts. Are there any unusual words or phrases here that would have helped a reader connect the Saggiatore to other texts, or the Furioso in particular?
    keywords: age; analysis; ariosto; figure; furioso; galileo; phrases; poem; saggiatore; sarsi; texts; use
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        item: #32 of 46
          id: hsda-5747
      author: Ferrando, Serena; Sancristoforo, Giorgio
       title: Audioscan Milano. Exploring Avant-Garde Sound Practices via Digital Humanities
        date: 2017
       words: 4091
      flesch: 48
     summary: The manipulation of noise and its transformation into musical sound via sophisticated electronic equipment emulates the Studio’s audio techniques but also exposes the reasons behind its failure to attract a wider audience. Visitors to Audioscan Milano expect to hear urban noise rather than musical sounds and, despite some enthusiasm around being able to mix sound objects on the map and move them around the room, they fail to appreciate the technical subtleties of the procedures behind the music.
    keywords: audience; audioscan; audioscan milano; city; milano; music; noise; print; sancristoforo; sound; studio
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        item: #33 of 46
          id: hsda-5748
      author: Lollini, Massimo
       title: Pierre Lévy and the Future of Internet
        date: 2019
       words: 1892
      flesch: 28
     summary: http://journals.oregondigital.org/hsda/ DOI: 10.5399/uo/hsda.6.1.1 1 Pierre Lévy and the Future of Internet Massimo Lollini Semantic Metadata, Humanist Computing and Digital Humanities, opens with an important interview with Pierre Lévy that reconstructs the key moments of his philosophical vision of the internet, and the World Wide Web, up to his most recent and highly innovative proposal of the Information Economy MetaLanguage (IEML). Lévy points out that at a time when more than 60 percent of the human population is connected to the Internet, and http://journals.oregondigital.org/hsda/ http://creativecommons.org/licenses/by-nd/4.0/ https://www.nytimes.com/2019/11/24/opinion/world-wide-web.html Humanist Studies & the Digital Age Lollini 6.1 (2019) 2 all information transmitted is reduced to digital data, it becomes crucial for users to be sovereign over their data, which are currently expropriated by the giants of Internet like Google and Facebook.
    keywords: collective; humanities; internet; lévy; project
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        item: #34 of 46
          id: hsda-5749
      author: Lollini, Massimo; Farley, Arthur; Levy, Pierre
       title: Collective Intelligence, the Future of Internet and the IEML
        date: 2019
       words: 12382
      flesch: 67
     summary: But for the particular case of collective intelligence, I think that there is a kind of symbiosis or a circular causality between human collective intelligence and human development. So, human collective intelligence, I would say, is stronger than animal collective intelligence, and it's a new layer, the symbolic layer or the cultural layer.
    keywords: collective; digital; farley; human; ieml; intelligence; language; lollini; lévy; people; studies; things; think
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        item: #35 of 46
          id: hsda-5750
      author: Buzzetti, Dino
       title: The Origins of Humanities Computing and the Digital Humanities Turn
        date: 2019
       words: 13280
      flesch: 38
     summary: In other words, in the artificial sciences, the computer is what writing represents for natural language: the artificial sciences consist of formal algebra for the generation of artificial models (structures and processes), in the same way in which natural languages are made up of semantics, syntax and pragmatics for the generation of texts. Building on the thoughts of Jean-Claude Gardin on the analysis of discursive practices in the human and social sciences – in particular, on the homology between the structure of knowledge base expert systems and the structure of the schematizations of data and argumentations in humanities scientific texts – I have noted a significant convergence, or rather a substantial homology, between the analysis of the self-referential phenomena of natural language and the establishment of data processing rules in automatic adaptive systems.
    keywords: buzzetti; computing; content; data; digital; expression; form; gardin; humanist; humanities; language; markup; model; representation; research; rules; sciences; self; structure; studies; systems; text
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        item: #36 of 46
          id: hsda-5751
      author: Ferrando, Serena; Wardecker, Mark
       title: Noisemakers! Putting the Analog in Digital Humanities
        date: 2019
       words: 4078
      flesch: 54
     summary: Max sound map in “Presentation Mode.” For their soundwalks, their goal was to create digital maps with their laptops on which the locations of their recordings would be highlighted.
    keywords: analog; arduino; map; max; music; noise; patch; sound; students; studies
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        item: #37 of 46
          id: hsda-5752
      author: Benvegnù, Damiano
       title: The Dialogues Bioregional Project: Landscape Ecology in Central Italy from the Sixth Century to the Present
        date: 2019
       words: 7993
      flesch: 50
     summary: Gregory’s Dialogues Pope Gregory I, commonly known as Saint Gregory the Great, was the first monk to be elected pope of the Catholic Church, an office he held from 590 AD to his death fourteen years later. My aim is to introduce readers to the ecological potentials of Gregory’s book and thus prompt scholars interested in the environmental humanities and the integration of biophysical and analytical approaches with humanistic and holistic perspectives to become part of the “Dialogues Bioregional Project” and collaborate in its further development.
    keywords: benvegnù; central; dbp; dialogues; digital; gregory; human; italy; landscape; map; narratives; print; project; space; story; studies
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        item: #38 of 46
          id: hsda-5753
      author: Pisacane, Gerardo; Briante, Elisa; Lear, Marena
       title: #LauraSpeaks: Remediations of Pellegra Bongiovanni’s “Risposte”
        date: 2019
       words: 14801
      flesch: 56
     summary: Our Twitter versions of the poems are not only condensed forms of the translations, but creative remediations that within the hypertext, take on a living quality that the reader can choose to engage with alongside other Petrarca poems, musical and artistic renderings, poetic re-writings, and translations. Introduction Much recent Francesco Petrarca scholarship has focused attention on the idea that the powerful vernacular voice of Humanism was not a singular voice, but a plural one.
    keywords: age; bongiovanni; briante; cinema; digital; francesco; humanist; hypertext; laura; lear; love; medium; movie; pellegra; petrarca; pisacane; poems; project; remediation; studies; text; translation; work; writing
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        item: #39 of 46
          id: hsda-5754
      author: Lollini, Massimo
       title: The Blind Spot of the Future
        date: 2022
       words: 3439
      flesch: 37
     summary: The possibility of magnifiche sorti e progressive — a “splendid and progressive destiny” — made possible by human technology inspires hope in some and critique in others. Finally, in the last paragraph, I reflect on how the hyperobject anthropocene re-establishes a sense of limit in human history.
    keywords: age; book; essay; future; human; poetry; present; technology
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        item: #40 of 46
          id: hsda-5755
      author: Schnapp, Jeffrey; Lollini, Massimo; Farley, Arthur
       title: Education, Technology, and Humans: An Interview with Jeffrey Schnapp
        date: 2022
       words: 6938
      flesch: 52
     summary: In your current teaching of medieval literature do you use digital technologies? What contribution can the Internet and digital technology make, if any, in creating an educated literary audience in the global network environment?
    keywords: age; digital; farley; future; human; humanities; intelligence; lollini; new; print; schnapp; studies; technology; work; world
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        item: #41 of 46
          id: hsda-5756
      author: Lollini, Massimo
       title: Time of the End? More-Than-Human Humanism and Artificial Intelligence
        date: 2022
       words: 19765
      flesch: 54
     summary: I understand his point, but if we think of an idea of conscience not in ontological terms but precisely in ethical terms as Levinas does in Otherwise than Being, we must think that our conscience is not established once and for all but rather develops in the relationships we entertain with other human beings, other animals, machines, things, the environment. Kairos comes to designate the incarnation in the Christian world, which is considered the most crucial moment of human time.
    keywords: age; consciousness; data; digital; earth; end; ethics; face; future; gunkel; human; humanist; idea; information; levinas; life; lollini; machine; nature; new; perspective; philosophy; press; print; question; schmitt; sense; space; studies; technology; time; world
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        item: #42 of 46
          id: hsda-5757
      author: Staiger, Jeff
       title: After the Book, the Book? The Digital Writing Experiments of François Bon
        date: 2022
       words: 12274
      flesch: 50
     summary: Humanist Studies & the Digital Age Staiger 7.1 2022 8 The Book Repurposed The two experiments with digital books that Bon conducted before the publication of Après le livre both exploit the qualities of immediacy, brevity, and plasticity that, as we have seen, he identifies as the particular virtues of the new medium, though in different ways. On the other hand, readers have manifested a distinct preference for print books when it comes to the immersive reading of works in such areas as literature and history.
    keywords: age; bon; book; digital; future; limite; livre; logic; material; new; novel; print; print book; process; project; staiger; studies; technology; version; web; writing
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        item: #43 of 46
          id: hsda-5758
      author: Simeone, Micaela
       title: Unknown Future, Repeated Present: A Narrative-Centered Analysis of Long-Term AI Discourse
        date: 2022
       words: 7981
      flesch: 34
     summary: Though Floridi’s narrative does not include this religious dimension, his view of AI seems to be bolstered by a similar faith in the controllability of technology–AI models are extensions of human vision and human craft, and thus can be made to work on our behalf and reflect our values in order to rectify or repair some of the damage humans have caused. In particular, Maitra highlights how numerous Indigenous perspectives offer “well-developed epistemologies adept at accounting for the non-human, a task that defies Western anthropocentrism,” and that would thus potentially provide useful steps toward finding new ways to frame our relationship with AI as AI models become more powerful and their capabilities challenge our conceptions of human and machine (320).
    keywords: bostrom; digital; floridi; human; humanity; narrative; nixon; spectacular; superintelligence; technology; term; violence
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        item: #44 of 46
          id: hsda-5759
      author: Linardaki, Christina
       title: Poetry at the first steps of Artificial Intelligence
        date: 2022
       words: 12358
      flesch: 50
     summary: The real issue of AI poetry generation is that it should be intelligent; in other words, the computer should be able to actually do it on its own. Poetry generation started in the Digital Humanities, which developed out of humanities computing; nowadays, however, it is part of Computational Creativity, a field that tackles several areas of art and science.
    keywords: age; computer; creativity; example; generation; generators; gonçalo; human; humanist; humanities; intelligence; july; language; linardaki; oliveira; poem; poetry; poetry generation; result; studies; text; time; words
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        item: #45 of 46
          id: hsda-5760
      author: Schnapp, Jeffrey
       title: Two Projects from the metaLAB (at) Harvard
        date: 2022
       words: 676
      flesch: 29
     summary: [JS] Their Names Matthew Battles and Kim Albrecht metaLAB (at) Harvard, (summer 2020) Their Names is a kind of dynamic memory wall (which is to say, an online Denkmal or monument) that visualizes the names of 28,000+ fatal encounters with American police dating from the year 2000 up until the death of George Floyd on May 25, 2020. Humanist Studies & the Digital Age, 7.1 (2022) ISSN: 2158-3846 (online) http://journals.oregondigital.org/hsda/ DOI: 10.5399/uo/hsda/7.1.7 1 Two Projects from the metaLAB (at) Harvard Jeffrey Schnapp A Flitting Atlas of the Human Gaze Kevin Brewster, Todd Linkner, Dietmar Offenhuber, and Jeffrey Schnapp metaLAB (at) Harvard, (summer-fall 2020/winter 2021)
    keywords: gaze; harvard; names
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        item: #46 of 46
          id: hsda-5761
      author: Maness, Jack; Pham, Kim
       title: Just Because We Can Doesn’t Mean We Should: On Knowing and Protecting Data Produced by the Jewish Consumptives’ Relief Society
        date: 2022
       words: 6746
      flesch: 44
     summary: Once the project was funded, the EAB was presented the project design and objectives, primers on the ethical considerations of relevance, and asked to help construct a model by which access to JCRS data would be provided. Access to these records is provided in the form of visits to the archive or by browsing digital records available through our Digital Collections @ DU platform, https://specialcollections.du.edu/. Researchers often opt to visit the archive for an assignment or for research and record data using their laptop or mobile device from these records, effectively transcribing the same number of documents for their personal use.
    keywords: access; age; collections; data; htr; human; jcrs; materials; project; records; research; studies; use; work
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