# bib

id: interstices-287
author: Green, Keith Evan
title: Citadel: A Precise Anamoly
date: 1995-02-27
pages: 2
extension: .pdf
mime: application/pdf
words: 646
sentence: 29
flesch: 51
cache: cache/interstices-287.pdf
txt: txt/interstices-287.txt
summary:
  Thereafter, members of the studio worked to develop a precise, anomalous architecture following from their oxymoronic conception of /1 Auckland and Visitor's Centre. What is Auckland?


id: interstices-19
author: Jenner, Ross
title: The Spaces Between
date: 1990-09-16
pages: 2
extension: .pdf
mime: application/pdf
words: 641
sentence: 18
flesch: 32
cache: cache/interstices-19.pdf
txt: txt/interstices-19.txt
summary:
  We aim to provide illustration and discussion of current architecture from New Zealand, the Pacific rim, and those from further afield which we see as being of interest and relevance to local practice, student work from the schools of architecture, translation of significant writing on architecture, and extended book reviews. It is our premise that architecture only happens in an environment of critical discussion and debate.


id: interstices-527
author: Interstices, Editor
title: Colophon
date: 2019-03-19
pages: 1
extension: .pdf
mime: application/pdf
words: 861
sentence: 27
flesch: 35
cache: cache/interstices-527.pdf
txt: txt/interstices-527.txt
summary:
  (Tina) Engels-Schwarzpaul (Auckland University of Technology) Australia Suzie Attiwell (RMIT University), Jillian Hamilton (Queensland University of Technology), Stephen Loo (University of New South Wales), Mirjana Lozanovska (Deakin University), John Macarthur (University of Queensland), Jeff Malpas (University of Tasmania), Paul Walker (University of Melbourne) Germany Uta Brandes (Köln International School of Design), Ursula Baus (frei04-publizistik, Stuttgart) Italy Renato Rizzi (Università Iuav di Venezia, Architect Trento), Nigel Ryan (Architect, Rome) Sweden Hélène Frichot (KTH Royal Institute of Technology) UAE Bechir Kenzari (United Arab Emirates University) UK Mark Dorrian (Edinburgh College of Art), Anthony Hoete (What_ Architecture, London), Sally Jane Norman (University of Sussex), Peg Rawes (The Bartlett School of Architecture), Joseph Rykwert (Emeritus Paul Philippe Cret Professor) USA Peggy Deamer (Yale University), Mark Goulthorpe (MIT, deCoi Architects Paris), Jonathan Lamb (Vanderbilt University), David Leatherbarrow (University of Pennsylvania), Moana Nepia (University of Hawai’i at Mānoa) colophon Jo u rn a l o f a rc h it ec tu re a n d r el a te d a rt s This issue is supported by School of Architecture + Planning, University of Auckland, School of Art + Design, Auckland University of Technology (Institutional Sponsors) and Moller Architects, Architectus, Warren and Mahoney, JASMAX (Corporate Sponsors) Executive Editors Andrew Douglas (andrew. douglas@aut.ac.nz) and Ross Jenner (r.jenner@auckland.ac.nz) Co-ordinating Editor Susan Hedges Issue Editor Julia Gatley Contributors this issue Michael Davis, Robert Freestone, Sam Kebbell, Milica Mađanovic, Gill Matthewson, Ann McEwan, Aaron Paterson, Patrick Reynolds, Christoph Schnoor, Linda Tyler, and Lucy Vete Design and typography Catherine Griffiths Typefaces Founders Grotesk, Tiempos Text Klim Type Foundry Production Catherine Griffiths and Louise Belcher Web programming Steve Huynh Published by enigma : he aupiki, Auckland, New Zealand September 2018 ISSN 1170-585X (Print)


id: interstices-542
author: Walsh, John
title: Genius and Genealogy
date: 2006-03-20
pages: 2
extension: .pdf
mime: application/pdf
words: 1078
sentence: 49
flesch: 61
cache: cache/interstices-542.pdf
txt: txt/interstices-542.txt
summary:
  For one thing, Sir Arthur and his company were Australian, and in New Zealand Stephenson & Turner started out as a branch offi ce How important is the question of lineage in New Zealand architecture?


id: interstices-22
author: Rizzi, Renato
title: Three projects
date: 1990-09-16
pages: 5
extension: .pdf
mime: application/pdf
words: 1381
sentence: 53
flesch: 54
cache: cache/interstices-22.pdf
txt: txt/interstices-22.txt
summary:
  Only in the book Invisible cities by Italo Calvino can one savour again this fascinating intricacy and from a different point of view, some sort of analogy is offered by the machines of Jean Tinguely. An area with certain invisible aspects, free, that has never participated in and that has never been absorbed by urban re-organisation and has always resisted any transformational programme.


id: interstices-524
author: Kebbell, Sam
date: 2018-09-21
pages: 5
extension: .pdf
mime: application/pdf
words: 1675
sentence: 74
flesch: 70
cache: cache/interstices-524.pdf
txt: txt/interstices-524.txt
title:
  Sarosh Mulla and Aaron Paterson, Penumbral Reflections, Objectspace, Auckland, May 12– June 23, 2018 EXHIBITION REVIEW

summary:
  The shadows of the frame appear on the Claude glass and in the puddle of light in front of it. I circle it a few times wondering if I might stand in the puddle of light and take a good hard look into the Claude glass as Fig.


id: interstices-539
author: Gunder, Michael
title: Planning’s Contradicting Genius within the Twilight against the Empty Night
date: 2006-03-20
pages: 4
extension: .pdf
mime: application/pdf
words: 1673
sentence: 79
flesch: 52
cache: cache/interstices-539.pdf
txt: txt/interstices-539.txt
summary:
  This is a fantasy especially perpetrated by traditionalist theoreticians of modernist planning, in which only the desired enlightened side is privileged, theorised and observed. In attempting to create, at least the appearance of, a level playing fi eld of fairness as to who defi nes the good, planning generally advocates a set of core values supportive of equity, democratic method and social justice.


id: interstices-296
author: Simon, Katrina
title: Mapping Landscape
date: 2000-03-01
pages: 6
extension: .pdf
mime: application/pdf
words: 1643
sentence: 86
flesch: 63
cache: cache/interstices-296.pdf
txt: txt/interstices-296.txt
summary:
  (Andrew David, ed., The Charts and Coastal Views of Captain Cook's Voyages) MAPPING LANDSCAPE Katrina Simon Maps are spatial representations which can in turn stimulate other spatial representations ... and representation is an act of knowledge construction. Maps are pro- duced for specific reasons and they are selective.


id: interstices-562
author: Editor, Issue
title: Biographies
date: 2019-12-20
pages: 3
extension: .pdf
mime: application/pdf
words: 1634
sentence: 69
flesch: 46
cache: cache/interstices-562.pdf
txt: txt/interstices-562.txt
summary:
  NICOLA SHORT Nicola Short is a heritage consultant and lecturers in heritage and spatial environ- ments at the School of Art + Design at Auckland University of Technology. She has a Bachelor in Art History 111 biographies P R E S E N C E IN T E R S T IC E S 1 9 from Auckland University and a Masters from Sydney University in Museum Studies and Heritage Management.


id: interstices-545
author: Nepia, Moana
title: A Marriage of Convenience?
date: 2006-03-20
pages: 4
extension: .pdf
mime: application/pdf
words: 1940
sentence: 99
flesch: 63
cache: cache/interstices-545.pdf
txt: txt/interstices-545.txt
summary:
  New Zealand Listener 202, pp. 44-45. Royal New Zealand Ballet (2005). Is this what New Zealand audiences want?


id: interstices-558
author: Boyd, Nina; Smitheram, Jan
title: Staging tourism: Performing place
date: 2019-12-20
pages: 8
extension: .pdf
mime: application/pdf
words: 1737
sentence: 96
flesch: 51
cache: cache/interstices-558.pdf
txt: txt/interstices-558.txt
summary:
  IN T E R S T IC E S 1 9 93 P R E S E N C E NINA BOYD WITH JAN SMITHERAM Staging tourism: Performing place In New Zealand, tourism is tied to images of pristine landscapes into which archi- tecture is admitted as a romanticised diversion from urban places. The second theoretical shift looked to tourism studies to better rethink the pre- sumption that tourism and the ‘tourist gaze’ are essentially passive (Urry, 1992: 172).


id: interstices-267
author: Treadwell, Sarah
title: Lamella: a Spacing of Skin and Distant Boundaries
date: 1992-02-27
pages: 9
extension: .pdf
mime: application/pdf
words: 1934
sentence: 81
flesch: 53
cache: cache/interstices-267.pdf
txt: txt/interstices-267.txt
summary:
  Lamella: a spacing of skin and distant boundaries Sarah Treadwell Recent works by Barbara Tuck, a series entitled Lame/la, consist of groups of nine elliptical skins of painted aluminium. The surface of the Lamella seem to endlessly assert and withdraw from the act of enclosure, the formation of boundaries.


id: interstices-17
author: Smitheram, Jan
date: 2017-12-22
pages: 4
extension: .pdf
mime: application/pdf
words: 2123
sentence: 83
flesch: 59
cache: cache/interstices-17.pdf
txt: txt/interstices-17.txt
title:
  The Baroque in Architectural Culture 1880–1980. Edited by Andrew Leach, John Macarthur and Maarten Delbeke.

summary:
  The historical understanding of baroque as a phenomenon of the sixteenth and seventeenth century is acknowledged in the book, but the central focus is on how the baroque has been created in our more recent past. The middle chapter by Andrew Leach on the future of baroque, circa 1945, acts to an extent, but not entirely, as a datum on how the baroque is received.


id: interstices-273
author: Wigley, Mark; Walker, Paul
title: Interviews: Mark Wigley and Paul Walker
date: 1992-02-27
pages: 10
extension: .pdf
mime: application/pdf
words: 2539
sentence: 168
flesch: 68
cache: cache/interstices-273.pdf
txt: txt/interstices-273.txt
summary:
  It is my current description of my work, but one which came after the work, that what I did was to generalise my contempt for New Zealand architecture into a contempt for architecture as such, to get over the contempt and admire architecture in the way it covertly resisted certain things. Insofar as you are different from New Zealand architecture, or its lack, you apparently offend it.


id: interstices-270
author: of Auckland, University
title: The Venice Prize
date: 1992-02-27
pages: 14
extension: .pdf
mime: application/pdf
words: 2447
sentence: 122
flesch: 63
cache: cache/interstices-270.pdf
txt: txt/interstices-270.txt
summary:
  La Biennale di Venezia 1991 Settore Architettura Venice Prize The Department of Architecture, University of Auckland, New Zealand Design project model, The Architecture of Exile-Belinda Ellis. The installation awarded the 'Venice Prize', by the School of Architecture at Auckland Uni- versity, was a collection of drawings and models linked both literally and figuratively with a construction of wood and paper.


id: interstices-279
author: Daniell, Tom
title: Interview: Shin Takamatsu: Ornament and (anti) Urbanism
date: 1995-02-27
pages: 8
extension: .pdf
mime: application/pdf
words: 2734
sentence: 192
flesch: 65
cache: cache/interstices-279.pdf
txt: txt/interstices-279.txt
summary:
  4 Are such buildings intended to ritualise consumerism? Such buildings require the accumulated understanding of their many aspects.


id: interstices-281
author: Naegele, Daniel
title: The Readymade: Duchamp's Thing
date: 1995-02-27
pages: 5
extension: .pdf
mime: application/pdf
words: 2983
sentence: 144
flesch: 59
cache: cache/interstices-281.pdf
txt: txt/interstices-281.txt
summary:
  Collectively, titling, framing, classification, and museumizing form a sort of systematic thinking, an ideology if you will (and one which extended far beyond the jurisdiction of the art world), whose authority and coerciveness Duchamp began to question and ultimately set out to undermine. Although he subscribed to a philosophy of indifference, abhorred routine, and feared the habitual as taste-making, like no other artist Marcel Duchamp promoted the cumulative nature of his work.


id: interstices-551
author: Jenner, Ross
title: Presence
date: 2019-12-20
pages: 7
extension: .pdf
mime: application/pdf
words: 3494
sentence: 156
flesch: 54
cache: cache/interstices-551.pdf
txt: txt/interstices-551.txt
summary:
  Nancy’s conception of presence does not refer to a permanent state, but to nascence: “Presence itself is birth, the coming that effaces itself and brings itself back” (5). In “Between Presence and Absence: Phenomenal Interstitiality in Eisenman’s Guardiola House,” Adrian Lo examines Peter Eisenman’s treatment of architecture as a form of text which can be read through traces of presence and absence generated by his design process.


id: interstices-290
author: Kostich-Lefebvre, Gordana
title: Facing Fronting
date: 2000-03-01
pages: 6
extension: .pdf
mime: application/pdf
words: 3887
sentence: 213
flesch: 62
cache: cache/interstices-290.pdf
txt: txt/interstices-290.txt
summary:
  Face to face never ceases to be a primary condition, historically, socially and personally; it is an ineducible relation and remains the ultimate situation.'' The nominative homonym frons, frondis f. (leaf, foliage) points to the possible visual interplay between faces and leafy vegetation as a result of semantic closeness.


id: interstices-569
author: Dickson, John
title: The History Of Entrapment: A Reading Of Architecture’s 2-D Accessory
date: 2019-12-11
pages: 5
extension: .pdf
mime: application/pdf
words: 4381
sentence: 214
flesch: 68
cache: cache/interstices-569.pdf
txt: txt/interstices-569.txt
summary:
  e s t h e first building that ever was. A simplistic three-fold analysis of classical building refers first to the plinth/base, secondly to the shaft, and thirdly to the capital/entablature/roof pediment.


id: interstices-302
author: Arets, Wiel
title: Ceramique Office Building
date: 2000-03-01
pages: 2
extension: .pdf
mime: application/pdf
words: 720
sentence: 46
flesch: 73
cache: cache/interstices-302.pdf
txt: txt/interstices-302.txt
summary:
  The whiteness of newly fallen snow in the morning light, the white of perfect skin, the white paper on which the design will be sketched-white is everywhere and may be considered the color of origin and beginning. Both movements are expressed with the materiality of skins that act like alabaster-half transpar- ent, half translucent, like a chameleonic reflec- tion of the surroundings .. ..


id: interstices-586
author: Wood, Peter
title: The Stamp of Architecture: Post-marking the Architectural Drawing
date: 2019-12-11
pages: 6
extension: .pdf
mime: application/pdf
words: 4912
sentence: 201
flesch: 49
cache: cache/interstices-586.pdf
txt: txt/interstices-586.txt
summary:
  The Stamp of Architecture The Stamp of Architecture: Post-marking the Architectural Drawing Peter Wood INTERSTICES 4 The Stamp of Architecture: Post-marking the Architectural Drawing 1 The professional view of architectural drawing is perhaps that best expressed by Edwin Lutyens, who, when writing to the Lady Emily Lytton in 1897, declared his exasperation at the misunderstood nature of the architectural drawing: I was not cross only very dictatorial and impressive. Alberto Perez-Gomez has described the distance between architectural drawing and building as having always been opaque and ambiguous; because of this drawing is erroneously understood as a tool of reduction (fig 9).


id: interstices-533
author: Furján, Helene
title: Signature Effects: John Soane and The Mark of Genius
date: 2006-03-20
pages: 10
extension: .pdf
mime: application/pdf
words: 5226
sentence: 233
flesch: 56
cache: cache/interstices-533.pdf
txt: txt/interstices-533.txt
summary:
  Portrait of Sir John Soane, RA (1753-1837) Set Forth in Letters from his Friends (1775-1837). Sir John Soane’s Spectacular Theatre.


id: interstices-521
author: Paterson, Aaron; Davis, Michael
title: Propagating a Legacy: Undisciplined Drawings and Evolving Technology
date: 2018-09-21
pages: 11
extension: .pdf
mime: application/pdf
words: 5205
sentence: 247
flesch: 52
cache: cache/interstices-521.pdf
txt: txt/interstices-521.txt
summary:
  B I M AARON PATERSON & MICHAEL DAVIS Propagating a Legacy: Undisciplined Drawings and Evolving Technology The University of Auckland’s School of Architecture and Planning has a lega- cy of teaching and producing architectural media that challenges normative representations of the discipline. Fast-Forward to Now: Making, Hybridity, and the Undisciplined Drawing If we take this “undisciplined” approach as a lesson about contemporary challenges in teaching architectural media, we can imagine how asking students to invest in the idea of fabrication could produce diverse media outcomes.


id: interstices-530
author: Châtel, Guy
title: Plan Obus and Vipcity, as from Father to Son
date: 2006-03-20
pages: 13
extension: .pdf
mime: application/pdf
words: 5673
sentence: 317
flesch: 63
cache: cache/interstices-530.pdf
txt: txt/interstices-530.txt
summary:
  Luc Deleu – Urbi et Orbi (Deleu, 2002) contains about fi fteen full-page photographs of Chandigarh today. INTERSTICES02.indb 21 The artist, architect and town planner, Luc Deleu, worked for more than ten years on the project, The Unadapted City,2 a speculative urban-scale project articulated as a succession of spatial models.


id: interstices-563
author: Editor, Issue
title: Colophon
date: 2019-12-20
pages: 1
extension: .pdf
mime: application/pdf
words: 822
sentence: 27
flesch: 33
cache: cache/interstices-563.pdf
txt: txt/interstices-563.txt
summary:
  This issue is supported by School of Art + Design, Auckland University of Technology, School of Architecture & Planning, University of Auckland (Institutional Sponsors) and Moller Architects, Architectus, Warren and Mahoney, JASMAX Cheshire Architects, Augustus Architects, ACS Architects and Salmond Reed Architects (Corporate Sponsors) Executive Editors Andrew Douglas, Julia Gatley, Susan Hedges Co-ordinating Editor Susan Hedges Issue Editors Andrew Douglas, Susan Hedges, Ross Jenner Contributors this issue Nina Boyd, Konrad Buhagiar, John Dixon Hunt, Andrew Douglas, Carl Douglas, Guillaume Dreyfuss, Mark Jackson, Ephraim Joris, Felipe Lanuza Rilling, Adrian Lo, Jules Moloney, Nicola Short, Jan Smitheram, Simon Twose and Stepan Vaneyan Design and typography Catherine Griffiths Typefaces Founders Grotesk, Tiempos Text Klim Type Foundry Production Andrew Douglas, Catherine Griffiths, Susan Hedges, Ross Jenner, Joanne Mathers Published by enigma : he aupiki, Auckland, New Zealand December 2019 ISSN 1170-585X (Print) (Tina) Engels-Schwarzpaul (Auckland University of Technology), Dan Fleming (University of Waikato), Gavin Hipkins (University of Auckland), Robert Jahnke (Massey University), Ross Jenner (University of Auckland), Laurence Simmons (University of Auckland) Australia Suzie Attiwill (RMIT University), Jillian Hamilton (Queensland University of Technology), Mirjana Lozanovska (Deakin University), John Macarthur (University of Queensland), Jeff Malpas (University of Tasmania), Vivian Mitsogianni (RMIT University), Jules Moloney (RMIT University), Deborah van der Plaat (University of Queensland), Sam Spurr (University of New South Wales), Paul Walker (University of Melbourne)


id: interstices-284
author: Thompson, Rewi
title: Te Puna Hut, Waikaremoana
date: 1995-02-27
pages: 2
extension: .pdf
mime: application/pdf
words: 253
sentence: 23
flesch: 74
cache: cache/interstices-284.pdf
txt: txt/interstices-284.txt
summary:
  The relationship amongst site, visitor and architecture is understood. .. . Architecture (hut) is also revealed as a moment in time; to pause, to escape from the grandeur and shelter amongst a minute part of the whole . . . .


id: interstices-536
author: Simmons, Laurence
title: I AM: Colin McCahon Genius or Apostle?
date: 2006-03-20
pages: 10
extension: .pdf
mime: application/pdf
words: 6199
sentence: 283
flesch: 65
cache: cache/interstices-536.pdf
txt: txt/interstices-536.txt
summary:
  The voice (of James? of McCahon?) ascribes again a voice for you and I: “you who say, ‘Today or tomorrow we will go 7 Colin McCahon, A word with you … (James 5: Practical Reli- gion), 1969, conte crayon on wallpaper stock, Private Collec- tion, [cm 56]. 91 off to such and such a town and spend a year there trading and making money’” (13, emphasis added); and “What you ought to say is: ‘If it be the Lord’s will, we shall live to do this or that’” (15, emphasis added). This is why, in a version of ventrilo- quism, we fi nd McCahon taking on a voice, to lose his own voice, to fi nd it again.


id: interstices-544
author: Green, Tony
title: landscape/inscape
date: 2006-03-20
pages: 2
extension: .pdf
mime: application/pdf
words: 1020
sentence: 37
flesch: 55
cache: cache/interstices-544.pdf
txt: txt/interstices-544.txt
summary:
  Stephen Bambury, as Emmerling recognises, reverses that which in McCahon’s procedure pushes away from pictorial landscape scene to moral utterance. In a digital video by Gerhardt Mantz, the views of changing landscape are all fabricated, manipulations evidently schema- tised by some apparently inner vision.


id: interstices-540
author: Holmes, Lucy
title: The Passion of Ignorance
date: 2006-03-20
pages: 3
extension: .pdf
mime: application/pdf
words: 1478
sentence: 56
flesch: 45
cache: cache/interstices-540.pdf
txt: txt/interstices-540.txt
summary:
  For knowledge society read knowledge economy? This implicit denial of the failure and fall of knowl- edge results in a mania for progress and completion, paradoxically working to hinder the development of academic knowledge (196).


id: interstices-271
author: Scolari, Massimo; Furjan, Helene
title: L'ingresso alle Corderie dell' Arsenale
date: 1992-02-27
pages: 5
extension: .pdf
mime: application/pdf
words: 648
sentence: 26
flesch: 57
cache: cache/interstices-271.pdf
txt: txt/interstices-271.txt
summary:
  In a great exhibition of architecture this useless sculpture, not functional, not even to itself, finds in the pride of its futility the region of its existence. L'ingresso alle Corderie dell'Arsenale Massimo Scolari (translated by Helene Furjan)


id: interstices-276
author: Goulthorpe, Mark
title: In the shadow of Ledoux: Installation at Le Magasin, Grenoble
date: 1995-02-27
pages: 3
extension: .pdf
mime: application/pdf
words: 843
sentence: 29
flesch: 44
cache: cache/interstices-276.pdf
txt: txt/interstices-276.txt
summary:
  A n undcmarcatcd surface merging i11 sidc/outsidc , puhlicJprivmc Sexually a111biguous, it dissolves <li scrllniuato11· brnmdarics Eng rave d plates of Claude Nicholas Ledoux's Ba1/z Hous e a l C lrau x and the House for th e Agricullura/ Guards of Maupertuis an overlapping of an ideal of public space with au ideal of pri vate lpace The re sultant fom1: a product of distort ed s urface ten sions ,, A serie s of parall el cuts pcm1i1 s reproduc tion of the fmm MARK GOULTHORPE In the shadow of 1:edoux Installation at Le Magasin, Grenoble Material dissolution went furthest in our development of a sculptural piece for 'le Magasin' in Grenoble named 'In the Shadow of Ledoux'. It is the flow of space which invades the architecture - a turning inside-out of public space; now a mute and implacable surface.


id: interstices-23
author: Rizzi, Renato
title: The Necessity of Beauty
date: 1990-09-16
pages: 6
extension: .pdf
mime: application/pdf
words: 1605
sentence: 51
flesch: 36
cache: cache/interstices-23.pdf
txt: txt/interstices-23.txt
summary:
  The freedom of languages - which means freedom of ideas, of movement, of choice, and which represents one of the most important values by our social-historical epoch, has produced an enfeebling of quality in general, but above all notions of aesthetic quality, since it has subtracted from the great liberal progressive strategy its vital foundations: the ability to plan. The actual structure of town planning or of regulatory plans, is founded above all on a descriptive abstraction of reality that is entrusted almost exclusively, to the capacity or potential of numerical calculation - indices, relations, standards.


id: interstices-559
author: Dixon Hunt, John
title: John Ruskin and the Fabric of Architecture, Anuradha Chattergee BOOK REVIEW
date: 2019-12-20
pages: 2
extension: .pdf
mime: application/pdf
words: 921
sentence: 29
flesch: 57
cache: cache/interstices-559.pdf
txt: txt/interstices-559.txt
summary:
  IN T E R S T IC E S 1 9 101 P R E S E N C E review / JOHN DIXON HUNT Anuradha Chatterjee John Ruskin and the Fabric of Architecture Routledge, 2018 Ruskin looms huge, unwieldy, contradictory, yet happy (as he himself wrote) to be trotting round a polygon and accepting its different perspectives. 102 review / Anuradha Chatterjee John Ruskin and the Fabric of Architecture P R E S E N C E IN T E R S T IC E S 1 9 REFERENCE Ruskin, J. & Cook, E. T. (Ed.) (1906).


id: interstices-525
author: Reynolds, Patrick
title: KRTA’s Conference Centre Building, 22 Symonds Street, Auckland PHOTOGRAPHIC RECORD
date: 2018-09-21
pages: 5
extension: .pdf
mime: application/pdf
words: 1143
sentence: 67
flesch: 77
cache: cache/interstices-525.pdf
txt: txt/interstices-525.txt
summary:
  The Architecture and Planning Building was built as Stage I from 1975 to 1978, with Blair White serving as project architect. It sits back-to-back with the Design Theatre (under the turret), with the Dean’s Office to its left (south), and the Conference Centre Lecture Theatre and so-called Flat Floor Space to the right (north).


id: interstices-583
author: Steiner, Vanya
title: (Mis)appropriation in New Zealand Architecture: An Incriminating Cite
date: 2019-12-11
pages: 9
extension: .pdf
mime: application/pdf
words: 6819
sentence: 323
flesch: 52
cache: cache/interstices-583.pdf
txt: txt/interstices-583.txt
summary:
  The utter competence with which the Modern reference is constructed would seem to be a resistance to others’ expectations of him as a Maori architect producing Maori architecture. In contrast to the fine arts, the avant garde o f N e w Zealand architecture in the desire to assert an architecture that was seen as progressive, modern and of this land - closed down architectural discourse by repressing any acknowledgement of overseas sources and advocating that architects need look only to New Zealand farm buildings, sheds and baches for inspiration.


id: interstices-277
author: Goulthorpe, Mark
title: Reykiavik High Court, Iceland
date: 1995-02-27
pages: 4
extension: .pdf
mime: application/pdf
words: 1210
sentence: 50
flesch: 59
cache: cache/interstices-277.pdf
txt: txt/interstices-277.txt
summary:
  Discrete scupltural forms float in open space, shrouding the judicial functions within, but clearly open to view. It anticipates this continuing desire for refinement, this straining towards an ideal of open justice, and it does so in quite marked opposition to the constraints of the brief.


id: interstices-555
author: Vaneyan, Stepan
title: Jantzen and Sedlmayr: Diaphaneia—an impossible presence?
date: 2019-12-20
pages: 10
extension: .pdf
mime: application/pdf
words: 5700
sentence: 286
flesch: 58
cache: cache/interstices-555.pdf
txt: txt/interstices-555.txt
summary:
  Lastly, it is not difficult to see Sedlmayr attempt to identify (almost by way of pun) meaning and sense: the sensory takes on the meaning and significance (in effect value) of the manifested suprasensory: it proves mean- ingful, and the sensory image becomes a symbol. IN T E R S T IC E S 1 9 54 P R E S E N C E STEPAN VANEYAN Jantzen and Sedlmayr:


id: interstices-288
author: Urbanowicz, Szczepan Jan; Panckhurst, Mark David
title: The Laugh
date: 1995-02-27
pages: 4
extension: .pdf
mime: application/pdf
words: 576
sentence: 35
flesch: 71
cache: cache/interstices-288.pdf
txt: txt/interstices-288.txt
summary:
  The total structure seeks to take a step back and celebrate the position of laughter and theatre within life. Laughable laughter is cataclysmic.


id: interstices-269
author: McKay, Bill
title: A House in the West
date: 1992-02-27
pages: 7
extension: .pdf
mime: application/pdf
words: 1520
sentence: 56
flesch: 72
cache: cache/interstices-269.pdf
txt: txt/interstices-269.txt
summary:
  In this island land, fished from the sea, and rediscovered several times over by people in boats, drawing boats up on shore to stay, we thought we detected a motif of the boat in the air: The boat - not sign or symbol, but real boat or rather imitation real boat - stands propped on mast and oar over the front door, portaged boat forming a port and portal, porte-cochere and portico.


id: interstices-528
author: Engels-Schwarzpaul, Tina
title: Introduction: Gaps between and within Gen-ius and Gen-ealogy
date: 2019-03-20
pages: 5
extension: .pdf
mime: application/pdf
words: 2135
sentence: 89
flesch: 43
cache: cache/interstices-528.pdf
txt: txt/interstices-528.txt
summary:
  Ideas of individual genius, creativity and inspired personal achievement generated within Romanticist or Enlightenment traditions collide with Indigenous knowledge traditions. His intellectual capacity to form architectural space and imagery congealed with ideas of individual genius, propagated by writers such INTERSTICES 07 as Giorgio Vasari, to suggest that an architect was a remarkable citizen with responsibil- ity for society’s visual representations.


id: interstices-543
author: Emmerling, Leonhard
title: Indifference as a subversive strategy
date: 2006-03-20
pages: 5
extension: .pdf
mime: application/pdf
words: 2787
sentence: 126
flesch: 57
cache: cache/interstices-543.pdf
txt: txt/interstices-543.txt
summary:
  … Just as art cannot be, and never was, a language of pure feeling, nor a language of affi rmation of the soul, neither is it for art to pursue the results of ordinary knowledge, as for instance in the form of social documentaries that are to function as down payments on empirical research yet to be done. 1 Adorno’s Aesthetic Theory, published in 1970, one year after his death, begins with the statement: “It is self-evident that nothing concerning art is self-evident anymore” (1).


id: interstices-15
author: Flanagan, Sean
title: The Auckland School: 100 years of architecture and planning. Edited by Julia Gatley and Lucy Treep
date: 2017-12-22
pages: 4
extension: .pdf
mime: application/pdf
words: 2044
sentence: 95
flesch: 65
cache: cache/interstices-15.pdf
txt: txt/interstices-15.txt
summary:
  The Auckland School names both a place and an educational experience that has a vivid presence in many people’s memories. Having followed the foundation pupils down into the basement of the old Auckland Grammar School, we’re then led down Symonds Street to the ClockTower arts building.


id: interstices-262
author: Treadwell, Sarah; Austin, Mike
title: Mitchell Stout House
date: 1992-02-27
pages: 13
extension: .pdf
mime: application/pdf
words: 2780
sentence: 142
flesch: 63
cache: cache/interstices-262.pdf
txt: txt/interstices-262.txt
summary:
  The classical architectural language of symmetry and axiality constructed as a series of self contained spaces hierarchically ordered from major to minor, interior to exterior, is used in this house by Julie Stout and David Mitchell. The room occupies an entire level on its own; you step up and down from it to other spaces.


id: interstices-297
author: Kostich-Lefebvre, Gordana
title: Re-visiting Mae West's Face
date: 2000-03-01
pages: 4
extension: .pdf
mime: application/pdf
words: 2731
sentence: 146
flesch: 63
cache: cache/interstices-297.pdf
txt: txt/interstices-297.txt
summary:
  Surrealists were referring to the tetes composees6 long before the first monograph onArcimboldo appeared in 1954.7 An anthropomorphic landscape by another Mannerist, Matthaus Merian (1533-1650), is curiously comparable to Dali 's ethnic paysage polyvalently titled The Para- noiac Figure, an African village-scape within a giant female face whose birth as The Para- noiac Visage Dali originally presented in 1931. Dali's portrait from the Extension of the Museo Dali.


id: interstices-573
author: Matthewson, Gill
title: Standing in the Shadows
date: 2019-12-11
pages: 9
extension: .pdf
mime: application/pdf
words: 7583
sentence: 412
flesch: 68
cache: cache/interstices-573.pdf
txt: txt/interstices-573.txt
summary:
  The presence of rules to control women in many cultures, past and present, marks a consistency so prevalent that Rapoport argues that the position of women within a culture has a decisive impact on the format and meaning of the whole built environment of that culture.4 4 In Ancient Greece, the desire to control woman is clearly articulated. The condition of woman in architecture has been so bound and constricted and acts so against us, it implies the impossibility of women being architects ... almost.


id: interstices-566
author: Brown, Deidre
title: Intersecting Lines
date: 2019-12-11
pages: 10
extension: .pdf
mime: application/pdf
words: 7326
sentence: 397
flesch: 61
cache: cache/interstices-566.pdf
txt: txt/interstices-566.txt
summary:
  Distribution The repetition of niu architectural drawings in the ‘Ua Rongopai,’ the annotated 1852 New Testament and ‘Aporo’s Sketches’ is cause for speculation that these illustrations were required for distribution. Ua Rongopai The first set of niu drawings to be discussed, appear in the ‘Ua Rongopai’ ledger-book.


id: interstices-303
author: Marshall, Daniel
title: Piha Bach
date: 2000-03-01
pages: 4
extension: .pdf
mime: application/pdf
words: 518
sentence: 38
flesch: 77
cache: cache/interstices-303.pdf
txt: txt/interstices-303.txt
summary:
  :I :I l J: l .l ' 'l ....\_ Al· ' !' _L ' 1 ' ' FLOOR FRAM ING PLAN J_ - ROOF FRAM IN G . . The site runs east/west between North Piha Road and the Tasman Sea.


id: interstices-282
author: Clifford, Patrick
title: The Architect's Residence:
date: 1994-02-27
pages: 4
extension: .pdf
mime: application/pdf
words: 44
sentence: 3
flesch: 68
cache: cache/interstices-282.pdf
txt: txt/interstices-282.txt
summary:
  Malcolm Bowes Patrick Clifford Mahendrah Daji James Penton TimMien Rod Sellars Michael Thomson MODEL: I.I· ARCHITECTUS: BOWES CLIFFORD THOMSON LTD House at Kelvin Road, Auckland 1991-1995 PROJECT TEAM:


id: interstices-523
author: Interstices, Editor
title: Auckland School of Architecture and Planning Centenary, 2017 PHOTOGRAPHIC RECORD
date: 2018-09-21
pages: 3
extension: .pdf
mime: application/pdf
words: 673
sentence: 29
flesch: 61
cache: cache/interstices-523.pdf
txt: txt/interstices-523.txt
summary:
  As noted in the editorial to this special issue of Interstices, the University of Auckland School of Architecture and Planning marked its centenary in September 2017 with a book on the history of the School, four exhibitions, the symposium at which the refereed articles in this volume were presented, a series of panel discussions with alumni, and a gala dinner. 117 Auckland School of Architecture and Planning Centenary 2017 F R O M B E AU X-


id: interstices-515
author: Mađanovic, Milica
date: 2018-09-21
pages: 16
extension: .pdf
mime: application/pdf
words: 9036
sentence: 558
flesch: 61
cache: cache/interstices-515.pdf
txt: txt/interstices-515.txt
title:
  Persisting Beaux-Arts Practices in Architectural Education: History and Theory Teaching at the Auckland School of Architecture, 1927–1969

summary:
  In architectural history, it is easy to focus on buildings and structures and, in doing so, to overlook the influence of the written word on architectural devel- opment—for various and, one might add, obvious reasons. But what about the numerous, less famous titles, subtly making their contribution to the course of architectural history?


id: interstices-518
author: Tyler, Linda
title: Imric Porsolt: The “Messenger of Modernism” in Exile
date: 2018-09-21
pages: 15
extension: .pdf
mime: application/pdf
words: 8444
sentence: 365
flesch: 58
cache: cache/interstices-518.pdf
txt: txt/interstices-518.txt
summary:
  Mr Porsolt cannot be expected to fully appreciate that the Customhouse built when Auckland was 48 years old was a considerable achievement then” (Stacpoole 1973: 3). B I M LINDA TYLER Imric Porsolt: The “Messenger of Modernism” in Exile Hungarian Imric Porsolt (1909–2005), a graduate in architecture from the Czech Technical University in Prague, arrived in Auckland as a 30 year old in June 1939.


id: interstices-541
author: Hakiwai, Arapata
title: Carved Histories: Rotorua Ngati Tarawhai Woodcarving
date: 2006-03-20
pages: 2
extension: .pdf
mime: application/pdf
words: 1067
sentence: 42
flesch: 56
cache: cache/interstices-541.pdf
txt: txt/interstices-541.txt
summary:
  The title is appropriate too, because the depth of scholarly research on Ngāti Tarawhai carving, history and life is, in fact, the history of its people as carved out by its leaders, men such as Anaha Te Rahui, Neke Kapua and Tene Waitere. Identifying Ngāti Tarawhai carvings held in museums, and in private collections around the world, is an enormous task and Neich has done a superb job bringing this information together to sit alongside the historical record.


id: interstices-274
author: Green, Keith Evan; Jenner, Ross; Simmons, Laurence
title: Editorial Particulars
date: 1995-02-27
pages: 4
extension: .pdf
mime: application/pdf
words: 1669
sentence: 87
flesch: 52
cache: cache/interstices-274.pdf
txt: txt/interstices-274.txt
summary:
  The risk, so common in our local architecture, isthataworkmay, in theabsenceofan idea, fall apart into an assemblage of details or else never rise beyond the banal, that is, the general which is opposed to the particular, for in becoming common property, a commonplace, the particular is transformed into the banal, being the particular we know too well to see. Orto turn that question round, what is the role of detail in film?


id: interstices-26
author: Kirkland, Neil; Sinclair, Kim
title: Two Houses at Haslett Street, Eden Terrace, Auckland, 1989-90
date: 1990-09-16
pages: 6
extension: .pdf
mime: application/pdf
words: 202
sentence: 24
flesch: 89
cache: cache/interstices-26.pdf
txt: txt/interstices-26.txt
summary:
  -I Sinclair and Shouler House Design: Kim Sinelair Builders: Neil Kirkland and Kim Sinclair Kirkland House Design: Neil Kirk/and Builders: Neil Kirk/and and Kim Sine/air opp. North Elevation ~ Kirkland House: Nor-West Elevation Sinc1air and Shouler House:


id: interstices-300
author: Anderson, Simon
title: Moore or Less House
date: 2000-03-01
pages: 4
extension: .pdf
mime: application/pdf
words: 357
sentence: 20
flesch: 65
cache: cache/interstices-300.pdf
txt: txt/interstices-300.txt
summary:
  It was designed as a compromised Round House, but instead of concentrating vision within, its voids allow the House to capture views to the west above neighbours (without overlooking) to Norfolk Island pines and the Indian Ocean. However the articulated structural piers and flayed service areas give the House sufficient life to accommodate stylistic modification.


id: interstices-18
author: Hale, Jonathan
date: 2017-12-22
pages: 2
extension: .pdf
mime: application/pdf
words: 777
sentence: 26
flesch: 48
cache: cache/interstices-18.pdf
txt: txt/interstices-18.txt
title:
  Atmospheric Architectures: The Aesthetics of Felt Spaces. Gernot Böhme. Edited/translated by A-C. Engels-Schwarzpaul

summary:
  IN T E R S T IC E S 1 8 93 REVIEW / Gernot Böhme Atmospheric Architectures: The Aesthetics of Felt Spaces S U R F A C E / P While Böhme does refer several times to Phenomenology as a relevant philosophical framework, it is curious that he makes only passing reference to the work of Martin Heidegger, and (apart from the Ancient Greeks) makes no reference to any non-German thinkers.


id: interstices-561
author: Jackson, Mark
title: Is the Tehran Bazaar Dead? Foucault, Politics and Architecture, Farzaneh Haghighi BOOK REVIEW
date: 2019-12-20
pages: 3
extension: .pdf
mime: application/pdf
words: 1373
sentence: 54
flesch: 52
cache: cache/interstices-561.pdf
txt: txt/interstices-561.txt
summary:
  For those old enough to remember, the years of 1978 and 1979 were marked by electrifying political events. Ghamari-Tabrizi suggests that Foucault’s encounters in Iran set him on other paths for thinking the question of political will, and the fate, in Europe, of what he called a political spirituality.


id: interstices-304
author: Gallagher, Sue
title: The St Matthew Passion: J . S. Bach Music School and Auditorium
date: 2000-03-01
pages: 4
extension: .pdf
mime: application/pdf
words: 714
sentence: 53
flesch: 73
cache: cache/interstices-304.pdf
txt: txt/interstices-304.txt
summary:
  Lines projected out proportions of St Matthews Church was de- from the Cross, formed by part one of the proc- vised and proj ected from the centre of the ess, in part two converged upon this single Cross, through the organ chamber. Stained glass window in St Matthews Church organ chamber.


id: interstices-526
author: Interstices, Editor
title: Biographies
date: 2018-09-21
pages: 2
extension: .pdf
mime: application/pdf
words: 1238
sentence: 52
flesch: 52
cache: cache/interstices-526.pdf
txt: txt/interstices-526.txt
summary:
  She also co-edit- ed, with Lucy Treep, The Auckland School: 100 Years of Architecture and Planning, published in 2017 on the occa- sion of the Auckland School of Architecture and Planning’s centenary. A registered architect, he has practised in New Zealand, Canada, and the Netherlands.


id: interstices-553
author: Buhagiar, Konrad; Dreyfuss, Guillaume; Joris, Ephraim
title: Ex Uno Lapide: The making present of absence
date: 2019-12-20
pages: 13
extension: .pdf
mime: application/pdf
words: 4704
sentence: 234
flesch: 55
cache: cache/interstices-553.pdf
txt: txt/interstices-553.txt
summary:
  The Monolith, as cutout ‘stone architecture’ enacts a correspondence between form and structure. The resultant architecture, akin to a cephalophore carrying its own head and echoing the subtractive duplications of the earlier Monolith Drawing, lent to this space intended to house the relics, a correspond- ing presence of an absence (see Fig. 13).


id: interstices-522
author: Vete, Lucy
title: Shifting Grounds: Conceptions of the Homeland and the Journey to Emergence
date: 2018-09-21
pages: 4
extension: .pdf
mime: application/pdf
words: 617
sentence: 25
flesch: 70
cache: cache/interstices-522.pdf
txt: txt/interstices-522.txt
summary:
  As a reimagining and portrayal of social space, the project speculates on the nature of identity and perception on Tongan ground and asks, How can the various conceptions of Tonga help to inform an architecture for and about Tongans? IN T E R S T IC E S A U C K L A N D S C H O O L C E N T E N A R Y S P E C IA L I S S U E 114 F R O M B E AU X- IN T E R S T IC E S A U C K L A N D S C H O O L C E N T E N A R Y S P E C IA L I S S U E 112 F R O M B E AU X-


id: interstices-560
author: Douglas, Carl
title: Binding Space: The Book as Spatial Practice, Marian Macken BOOK REVIEW
date: 2019-12-20
pages: 3
extension: .pdf
mime: application/pdf
words: 1470
sentence: 61
flesch: 50
cache: cache/interstices-560.pdf
txt: txt/interstices-560.txt
summary:
  This leads her to conclude in Part 5, by articulating book time as multiple: “there is a multiplicity, a plurality, of ‘times’ that should be included within architecture… not just the time of inhabiting, but also the times of making, recollecting and re- positioning” (135). Architectural books can be more than normative archives for completed works, or polemic texts.


id: interstices-537
author: Agamben, Giorgio; Simmons, Laurence
title: Genius
date: 2006-03-20
pages: 6
extension: .pdf
mime: application/pdf
words: 3851
sentence: 147
flesch: 64
cache: cache/interstices-537.pdf
txt: txt/interstices-537.txt
summary:
  Passion is the rope kept taut between ourselves and Genius, the rope on which life, the tight- rope walker, balances. Genius fi nds an equivalent in the Christian idea of the guardian angel – indeed of the two angels, one good and holy, that guides us towards salvation, and one evil and perverse, that prods us towards damnation.


id: interstices-263
author: Reid, G. Elliot
title: Vladamir Cacala and the Gelb House (1955)
date: 1992-02-27
pages: 10
extension: .pdf
mime: application/pdf
words: 2521
sentence: 125
flesch: 62
cache: cache/interstices-263.pdf
txt: txt/interstices-263.txt
summary:
  Cacala seems to be questioning how an individual might cope with the New Zealand conformity. Whether Cacala's work is symptomatic or critical of New Zealand suburbia is perhaps moot, n evertheless the concerns discussed h ere remain relevant and their examination is ongoing.


id: interstices-272
author: Venezia, Francesco; Ryan, Nigel
title: Interviews: Francesco Venezia and Nigel Ryan
date: 1992-02-27
pages: 12
extension: .pdf
mime: application/pdf
words: 3950
sentence: 237
flesch: 69
cache: cache/interstices-272.pdf
txt: txt/interstices-272.txt
summary:
  Of course in classical architecture one can find some regularity, but this is not usual. I was also very interested in the connection be- tween the Chicago School and the architecture of Adolf Loos because I'm sure that Loos took to Europe that which the States had understood of classical architecture.


id: interstices-30
author: , Morphosis
title: Two Recent Projects
date: 2014-09-16
pages: 10
extension: .pdf
mime: application/pdf
words: 893
sentence: 43
flesch: 56
cache: cache/interstices-30.pdf
txt: txt/interstices-30.txt
summary:
  129 f ( f 1 1, r 'f I f ill 1> ( ~ (t .,- J l T R P~·H)wo ecent rOJ~~t£ \t ·l , , , Morphosis Morphosis is a Santa Monica-based patnership established in 1977 by Thom Mayne and Michael Rotondi. Design architect: Morphosis Principals: Thom Mayne, Michael Rotondi Principal in charge: Thom Mayne Project architect: Kiyokazu Arai Project team:


id: interstices-292
author: Adams, Tim
title: White Walls, Black Holes:The Molecular Face of Contemporary Architecture
date: 2000-03-01
pages: 10
extension: .pdf
mime: application/pdf
words: 5070
sentence: 245
flesch: 56
cache: cache/interstices-292.pdf
txt: txt/interstices-292.txt
summary:
  THE MOLECULAR FACE OF CONTEMPORARY ARCHITECTURE Tim Adams ·I l Architecture Post-Face Architecture positions its ensembles- houses, towns or cities, monuments or factories-to function like faces in the landscape they transform. Deleuze and Guattari have argued that architecture arranges its elements to function like faces.


id: interstices-12
author: Choueiri, Joanne; Türetken, Füsun
date: 2017-12-22
pages: 9
extension: .pdf
mime: application/pdf
words: 2486
sentence: 157
flesch: 71
cache: cache/interstices-12.pdf
txt: txt/interstices-12.txt
title:
  Interiors of Memories: A study of personal memories based on the works of Luigi Serafini and Georges Perec

summary:
  Both authors manipulate specific objects and spaces in attempts to demonstrate the complex essence of space, elevating objects beyond the trivial and the mundane. As such memories are not just of the past but subsist with, and are housed by, domestic space itself (Bachelard, 1994: 3–7).


id: interstices-565
author: Austin, Mike
title: Theory on the Sepik
date: 2019-12-11
pages: 6
extension: .pdf
mime: application/pdf
words: 5021
sentence: 285
flesch: 71
cache: cache/interstices-565.pdf
txt: txt/interstices-565.txt
summary:
  “Abelam houses look like their neighbors’ houses yet Abelam ceremonial houses are bigger, often much bigger; they are more daringly raked forward and better-built, but in construction they are just a better version of the local type.” 34 “Traditionally, Abelam ceremonial houses were not closed at the ends as they sometimes are today.


id: interstices-574
author: Maughan, Tracey
title: The Witch in the Wardrobe
date: 2019-12-11
pages: 5
extension: .pdf
mime: application/pdf
words: 3816
sentence: 215
flesch: 64
cache: cache/interstices-574.pdf
txt: txt/interstices-574.txt
summary:
  Smell is an intimate sensation and is by definition non-visual: ... odor gives us the most intimate sensations, a more immediate pleasure, more independent of the mind, than the sense of sight; we get profound enjoyment from an agreeable odor at the first moment of its impression; the pleasure of sight belongs more to reflections, to the desires aroused by the objects perceived, to the hopes they give birth to.22 Yet even in spaces, such as the garden, where smell is experienced, it is sight, rather than smell, which governs the design. Smell is alive and it is through smell that death lives.


id: interstices-27
author: Dickson, John
title: The Kirkland House and the Sinclair and Shouler House
date: 1990-09-16
pages: 8
extension: .pdf
mime: application/pdf
words: 3304
sentence: 123
flesch: 57
cache: cache/interstices-27.pdf
txt: txt/interstices-27.txt
summary:
  This house is satisfyingly sited according to a New Zealander's expectation, no matter how much one equates the Bosphorus with Cook Strait; up a hillside, overlooking the sea, managing with its neighbours to maintain its own advantage of identity and exhilaration; with a basic variety of internal spaces, and deploying New Zealand vernacular elements in specific ways; with also a touch of Middle New Zealand deja-vu. An alliance of architecture in New Zealand with a nineteenth-century neo-classical world effected in timber, is re-stated here.


id: interstices-534
author: Lozanovska, Mirjana
title: Mistresses and Others: The “body as subject” in (architectural) discourse
date: 2006-03-20
pages: 10
extension: .pdf
mime: application/pdf
words: 5987
sentence: 317
flesch: 58
cache: cache/interstices-534.pdf
txt: txt/interstices-534.txt
summary:
  Howard Roark (Gary Cooper) is both elegant and understated, demonstrating the effects of his masculinity as mind, and, handsome and sexy, demonstrating the effects of his masculinity as body. Body as object / Body as subject Theorist and psychoanalyst, Luce Irigaray, argues that gender and sex, or the so- cial and biological are interwoven, and the connection she makes between them has thereby provided a radical and infl uential theory of sexual difference.


id: interstices-584
author: Tuck, Barbara Tuck; Treadwell, Sarah
title: Drawing variants: tilting the theodolite
date: 2019-12-11
pages: 6
extension: .pdf
mime: application/pdf
words: 5018
sentence: 287
flesch: 64
cache: cache/interstices-584.pdf
txt: txt/interstices-584.txt
summary:
  Survey lines are constructed as linkages mapping out provisional structures that register continual shifts of the body in landscape or house (f i g 1 4 ) . Enfolded within the volumes are architectural drawings of survey houses that he built and inhabited recorded with plans and perspectives.


id: interstices-322
author: Walsh, John
title: Review 2
date: 2005-09-01
pages: 3
extension: .pdf
mime: application/pdf
words: 949
sentence: 46
flesch: 58
cache: cache/interstices-322.pdf
txt: txt/interstices-322.txt
summary:
  Coloured models of ad hoc structures placed outside rooms with white models of Figures 3 and 4: Thompson House (Auckland). What may have been in the back of some visitors’ minds was the exhibition of architectural models of con- temporary Japanese houses presented by Auckland’s Objectspace gallery last June.


id: interstices-587
author: Bloomer, Jennifer
title: The Matter of the Cutting Edge
date: 2019-12-11
pages: 9
extension: .pdf
mime: application/pdf
words: 7154
sentence: 304
flesch: 58
cache: cache/interstices-587.pdf
txt: txt/interstices-587.txt
summary:
  To theorise a new game played on old ground by theorising an old game played in new space is logically appropriate within the necessary reflexivity of such a game. y never new, relying, as it must, on a move of switching the valued and devalued terms, while maintaining that tidy space in between. Were we interested not necessarily, in the discovery of new form, but in the invention of an instructive set of relations within that familiar space, maintaining that space, we might find ourselves in the vicinity of the garden, the cultural artefact, that is grounded in the messy, dark, nurturing decay of its own production.


id: interstices-531
author: Douglas, Carl
title: Latecomers
date: 2006-03-20
pages: 11
extension: .pdf
mime: application/pdf
words: 6170
sentence: 287
flesch: 58
cache: cache/interstices-531.pdf
txt: txt/interstices-531.txt
summary:
  1 OED, ‘infl uence’ 2 Bloom explains that a gene- alogical view of the relationship between the precursor and the latecomer predates the modern concept of in-fl uence: “We remember how for so many centuries, from the sons of Homer to the sons of Ben Jonson, poetic infl uence had been described as a fi lial relationship, and then we see that poetic infl uence, rather than sonship, is another product of the Enlightenment, another aspect of the Cartesaian dualism” (Bloom 1973: 26). Bloom’s insight with respect to poetic infl uence is that this laying-open does not escape the latecomer’s attention.


id: interstices-319
author: O’Connor, Maria
title: Review of The Open: Man and Animal
date: 2005-09-01
pages: 3
extension: .pdf
mime: application/pdf
words: 2238
sentence: 65
flesch: 43
cache: cache/interstices-319.pdf
txt: txt/interstices-319.txt
summary:
  —Bartoloni (2004: 13)2 Caesura: Standing Still in an Opening Perhaps Agamben’s central motif in The Open is that of the caesura—the stand-still—that holds our thinking, across any thinking of regions between man and animal; for in this book these regions are, in some way, always in- timately linked—not only serving philosophical enquiry, but all enquiry that has questioned this relationship (theology, ecology, medicine, biology etc.)—and, for Agamben, a radical re-entry, ethical in its impetus, into a genealogical analysis for an outside to humanism and all its problematic im- plications. Agamben’s open lies waiting between each section insomuch as it reveals the linkages which build upon modernity’s (humanist) prioritizing of (man’s) mastery over things (animals-himself ) in the world, thereby closing down (or forget- ting) the contingent nature of our being.


id: interstices-305
author: Austin, Mike
title: Round Table Connections: The House in the Auckland Scene
date: 2000-03-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1871
sentence: 107
flesch: 62
cache: cache/interstices-305.pdf
txt: txt/interstices-305.txt
summary:
  This seemed to lead to the old idea that Auckland is interest- ing because of what it isn 't. That Auckland is characterised by lack is not a new notion, and Light himself once proposed that the Auckland School didn ' t have any ideology. Schulz claims that The Auckland house that marks a homage to the elegance, freshness and wide erudition characteristic of the University of Auckland School of Architecture, from which all are graduates, the work of its students bearing testimony to one of the most progressive passionate and indigenous of our university faculties.


id: interstices-552
author: Lo, Adrian
title: Between presence and absence: Phenomenal interstitiality in Eisenman’s Guardiola House
date: 2019-12-20
pages: 19
extension: .pdf
mime: application/pdf
words: 7067
sentence: 374
flesch: 53
cache: cache/interstices-552.pdf
txt: txt/interstices-552.txt
summary:
  In C. Davidson (Ed.), Tracing Eisenman: Peter Eisenman Complete Works, (pp. 49-65). In C. Davidson (Ed.), Tracing Eisenman: Peter Eisenman Complete Works (pp. 25-31).


id: interstices-316
author: Hoete, Anthony
title: Bovine Buildings
date: 2005-09-01
pages: 8
extension: .pdf
mime: application/pdf
words: 3113
sentence: 187
flesch: 70
cache: cache/interstices-316.pdf
txt: txt/interstices-316.txt
summary:
  Contemporary New Zealand architecture is formulated around the private house. Figure 1: Sketch for house on Motiti Island.


id: interstices-529
author: Mical, Thomas
title: Genius, Genus, Genealogy: Hejduk’s Potential Angels
date: 2006-03-20
pages: 12
extension: .pdf
mime: application/pdf
words: 5566
sentence: 270
flesch: 51
cache: cache/interstices-529.pdf
txt: txt/interstices-529.txt
summary:
  Within Hejduk’s cryptic architectural tableaux sometimes occurs the peculiar fi gure of the angel, this most ancient avatar of genius and an anachronistic fi gure, which was almost abandoned within the visual languages of modernity. Hejduk’s oeuvre, per- haps best reconsidered as a research project of associative imaginaries crossing signifi er and signifi ed, is helpful for refi ning the question of what is possi- ble within the contingency of the image of architecture.


id: interstices-570
author: Gatley, Julia
title: Privacy & Propaganda: The Politics of the Dixon Street Flats
date: 2019-12-11
pages: 11
extension: .pdf
mime: application/pdf
words: 8363
sentence: 367
flesch: 56
cache: cache/interstices-570.pdf
txt: txt/interstices-570.txt
summary:
  The chain to the Dixon Street Flats might read: Gropius and Breuer - reproduction in books and periodicals - development of the slab apartment block and the realisation of the Bergpolder block - further reproduction in books and periodicals - author (Wilson and/or Plischke) - Dixon Street Flats.48 7 ; “ T e n d e r s , ” Building Progress (September 1940), v. 5, n. 9, p. 19; State Housing: Scheme Said to be Uneconomic,” Dominion (September 9 1940), p. 12; “Tenders: Housing Construction Department,” Dominion (November 9 1940), p. 18; “Random Notes,” Building Progress (December 1940), v. 5, n. 12, p. 24; “State Housing,” Building Progress (March 1941), v. 6, n. 3, p. 24; “Random Notes,” Building Progress (June 1941), v. 6, n. 6, p. 8; “Building News From All Quarters,” Building Progress (April 1942), v. 7, n. 4, p. 23; “News in Brief: Dixon Street Flats,” Dominion ( A u g u s t 1 8 1 9 4 3 ) , p . 6 ; “Dixon Street Flats: Opening on Saturday,” Dominion (September 2 1943), p. 7; “Multi-Unit Block: New Wellington State Flats; Building Officially Opened,” Dominion (September 6 1943), p . 4 ; “ N e w Flats Opened: Block in Dixon Street,” Evening Post (September 6 1943), p. 6; “Housing in Wartime,” Dominion (September 9 1943), p. 6; “Dixon Street Flats:


id: interstices-375
author: Jenner, Ross
title: Introduction On Adam’s House in the Pacific
date: 2009-11-07
pages: 5
extension: .pdf
mime: application/pdf
words: 1998
sentence: 82
flesch: 50
cache: cache/interstices-375.pdf
txt: txt/interstices-375.txt
summary:
  Paul James and Robin Skinner in “Sites of Defence within Picturesque Scenes: Late eighteenth century representations of natural architecture in New Zealand” explore the tension between competing attitudes infl uencing early representa- tions of the New Zealand landscape. By contrast, Mike Austin and Jeremy Treadwell in “Constructing the Pacifi c Hut” fi nd that a search for a history and theory of architectural origins, such as Ryk- wert examines, is characterised by propositions of foundational acts and tech- nological moments.


id: interstices-386
author: Pearson, Luke
title: The Draughtsman and the Delineator
date: 2010-11-08
pages: 6
extension: .pdf
mime: application/pdf
words: 633
sentence: 35
flesch: 56
cache: cache/interstices-386.pdf
txt: txt/interstices-386.txt
summary:
  INTERSTICES 11 Fig. 4: United Nations Freeport. These drawings provide an argument for semantic asso- ciation through a series of drawn journeys, each echoing Hugh Ferriss’ original illustrations of the United Nations building as a body of skyscraper islands hid- den within the “gloom of his perpetual American night”.1 The drawings pre- sented here are, on the one hand, propositional pieces (skyscraper, monument or insertion into a desk (Fig. 2)), but they also constitute a process of mapping.


id: interstices-567
author: Childs, Andrew
title: The Fearful Mirror of Apollo
date: 2019-12-11
pages: 7
extension: .pdf
mime: application/pdf
words: 5237
sentence: 228
flesch: 61
cache: cache/interstices-567.pdf
txt: txt/interstices-567.txt
summary:
  5 Le Corbusier, Le Corbusier Sketchbooks (1954-1957) (Cambridge, Massachusetts: MIT Press, 1982). Le Corbusier, Le Corbusier Sketchbooks (1954- 1957) (London: Thames and Hudson, 1981), Sketchbook H32, v. 3, p. 32. 12 Le Corbusier, The Modulor (London: Faber & Faber, 1954), p. 71. 13 Le Corbusier, The Modular pp.


id: interstices-392
author: Abe, Hitoshi
title: Hot Links, Lower 9th Ward, New Orleans
date: 2010-11-08
pages: 3
extension: .pdf
mime: application/pdf
words: 403
sentence: 24
flesch: 63
cache: cache/interstices-392.pdf
txt: txt/interstices-392.txt
summary:
  Through the inherent flex- ibility of its organisation, this house can accommodate many arrangements – single family, multiple family, renter, tenant and live/work arrangements. The array of 45 different plan options gives families the freedom to adapt their house size to their economic situation at little cost.


id: interstices-307
author: Jackson, Mark
title: Impulsive Openness: Boredom and Bio-politics
date: 2005-09-01
pages: 12
extension: .pdf
mime: application/pdf
words: 6313
sentence: 253
flesch: 51
cache: cache/interstices-307.pdf
txt: txt/interstices-307.txt
summary:
  INTERSTICES 6 Impulsive Openness: Boredom and Bio-politics Mark Jackson Introduction In a book remarkable for the brevity in which its prose develops consid- erable complexity, Giorgio Agamben interrogates animal being. He undertakes this by initially inquiring into animal being and its relation to world, which is to say in relation to animal being’s relation to beings as a whole.


id: interstices-538
author: Appel, Stephen
title: Dreamlikeness
date: 2006-03-20
pages: 4
extension: .pdf
mime: application/pdf
words: 1866
sentence: 126
flesch: 75
cache: cache/interstices-538.pdf
txt: txt/interstices-538.txt
summary:
  Dreams, as depicted in art, tend to signify dreams. lm and prose literature have several devices with which to depict dreams: from simple wavy lines or altered typeface to accompaniment by weird music.


id: interstices-398
author: Douglas, Carl
title: Tensions: Design proposals for the Confucius Institute at the University of Auckland
date: 2010-11-08
pages: 5
extension: .pdf
mime: application/pdf
words: 1284
sentence: 61
flesch: 52
cache: cache/interstices-398.pdf
txt: txt/interstices-398.txt
summary:
  Design tools are not necessarily physical implements. Seeking and producing site disturbance was another effectively-deployed tool.


id: interstices-395
author: Mitchell, David
title: Group Architects by Julia Gatley (book review)
date: 2010-11-08
pages: 3
extension: .pdf
mime: application/pdf
words: 1571
sentence: 85
flesch: 63
cache: cache/interstices-395.pdf
txt: txt/interstices-395.txt
summary:
  The multiple sources of Group work – in particular the influence of Japanese timber architecture, and also Scandinavian and American architecture – are discussed by Andrew Barrie, exposing the curious irony that men seeking New Zealandness had half an eye off-shore. Group Architects are now historical figures, and no such limitation constrains writing about them.


id: interstices-323
author: Pule, John
title: PARADISE: Looking for Exits. Review of MAU’s performances in Germany and the Netherlands
date: 2005-09-01
pages: 2
extension: .pdf
mime: application/pdf
words: 863
sentence: 41
flesch: 59
cache: cache/interstices-323.pdf
txt: txt/interstices-323.txt
summary:
  Lemi Ponifasio, the choreographer of PARADISE, a theatre piece with generic aspects of surrealism and Polynesian realism, familiarizes us with the notion that reality is not what we anticipate. All images: MAU performance PARADISE by Lemi Ponifasio at the Venice Biennale 2003


id: interstices-295
author: Barnett, Rod
title: The Sea of Tranquillity
date: 2000-03-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2260
sentence: 141
flesch: 75
cache: cache/interstices-295.pdf
txt: txt/interstices-295.txt
summary:
  It spreads its white tableaux across the intersecting fields and flows, and causes black holes to appear along the horizon and, yes, at your feet. The relationship between the garden, the landscape and the face is an aggregate in which black holes sometimes distribute themselves on a white wall, and the white line of the horizon sometimes spins toward a black hole, or both simultaneously.


id: interstices-312
author: Engels-Schwarzpaul, A.-Chr.
title: Frontiers of Shame and Repulsion
date: 2005-09-01
pages: 12
extension: .pdf
mime: application/pdf
words: 6444
sentence: 347
flesch: 62
cache: cache/interstices-312.pdf
txt: txt/interstices-312.txt
summary:
  In a striking parallel to nineteenth century European politics, the pa- pakainga was termed a “health hazard”, “a disease centre”, to be removed to make room for a new “garden suburb”.29 And yet a 1954 film (Auckland’s Drainage Problem) shows how “night carts collect sewerage from suburban Auckland homes. English hygienists were initially in the forefront of this development but, soon, other European nations entered the body works competition.18


id: interstices-389
author: Frascari, Marco
title: Splendour and Miseries of Architectural Construction Drawings
date: 2010-11-08
pages: 7
extension: .pdf
mime: application/pdf
words: 3472
sentence: 166
flesch: 42
cache: cache/interstices-389.pdf
txt: txt/interstices-389.txt
summary:
  For design drawings, there are no established conventions, because they would interfere with the creativity of architects, but for construction drawings, most of which are objective documents, the logical conclusion is that they should have been easily codified. The reason is simple: neither the normative nor the arbitrary can figure out the emotional process of creating “sound edifices and structures”; the lines of construction drawings evoke strong feelings.


id: interstices-556
author: Douglas, Andrew; Short, Nicola
title: Heritage & persistence: The case of the Kaiapoi fragment
date: 2019-12-20
pages: 16
extension: .pdf
mime: application/pdf
words: 7550
sentence: 332
flesch: 49
cache: cache/interstices-556.pdf
txt: txt/interstices-556.txt
summary:
  Kaiapoi fragment, part designation and dismantling diagram Kaiapoi fragment, elevational diagramme [Pen-work] What presence the Kaiapoi fragment?


id: interstices-554
author: Twose, Simon; Moloney, Jules
title: Drawing Canyon: Sfumato presences in drawing and landscape
date: 2019-12-20
pages: 13
extension: .pdf
mime: application/pdf
words: 4548
sentence: 237
flesch: 58
cache: cache/interstices-554.pdf
txt: txt/interstices-554.txt
summary:
  Canyon is a collaboration between Simon Twose, Jules Moloney and Lawrence Harvey, researching open possibilities in architectural drawing. This is close to the way architectural drawings operate, they are an archive of making, a sea of marks that stand in for, and bring forth, space outside them, such as a build- ing or landscape.


id: interstices-378
author: Linzey, Mike
title: Architectural Drawings do not Represent
date: 2010-11-08
pages: 9
extension: .pdf
mime: application/pdf
words: 4540
sentence: 212
flesch: 59
cache: cache/interstices-378.pdf
txt: txt/interstices-378.txt
summary:
  31 Architectural Drawings do not Represent Mike Linzey Introduction Most people view architectural drawings as a means to an end, a mode of com- munication, a medium of expression. Juliana Pallasmaa, for example, says that the energetic lines and smudges on the page of a drawing represent a kind of muscular memory in the bodily experi- ence of the draftsperson (Pallasmaa 2009: 89-105), and Mark Wigley says that the “almost-nothing” gossamer condition of architectural drawings stands for or withers in contrast to the excessive materiality and the blinding super-sufficien- cy of architecture itself (Wigley 2008).


id: interstices-329
author: Frichot, Hélène
title: Striving for a Coming Community and the Question of a Life
date: 2007-11-05
pages: 10
extension: .pdf
mime: application/pdf
words: 5883
sentence: 288
flesch: 56
cache: cache/interstices-329.pdf
txt: txt/interstices-329.txt
summary:
  INTERSTICES 08 43 Introduction The concepts of the coming community, which we discover in Giorgio Agamben’s work, and of a future people, treated by Gilles Deleuze and Félix Guattari in What is Philosophy?, appear to be utopian formulations of community. They seem to forestall, indefinitely, the arrival or satisfaction of community, making it an impossible project.


id: interstices-306
author: Engels-Schwarzpaul, A.-Chr.; Jenner, Ross; Refiti, Albert
title: Introduction
date: 2005-09-01
pages: 4
extension: .pdf
mime: application/pdf
words: 1940
sentence: 74
flesch: 44
cache: cache/interstices-306.pdf
txt: txt/interstices-306.txt
summary:
  Simmons suggests that while it is urgent to think the animal beyond mechanical paradigms, it is equally important to investigate the blurring lines between human, animal, and machine. “Woven Flesh”, too, is concerned with the space-between of human bodies, animals and ancestors.


id: interstices-393
author: Hirata, Akihisa
title: Tree-ness House, Otsuka, Tokyo
date: 2010-11-08
pages: 4
extension: .pdf
mime: application/pdf
words: 328
sentence: 20
flesch: 59
cache: cache/interstices-393.pdf
txt: txt/interstices-393.txt
summary:
  It draws in elements not typically included in architecture, such as the street and other exterior spaces, generating fully three-dimensional spaces. Within this volume, internal boxes define enclosed spaces like bedrooms and ex- ternal boxes create terraces; more open interior spaces are defined with the voids by glass walls.


id: interstices-326
author: Ostwald, Michael J
title: Rancière and the Metapolitical Framing of Architecture: Reconstructing Brodsky and Utkin’s Voyage
date: 2007-11-05
pages: 12
extension: .pdf
mime: application/pdf
words: 6729
sentence: 400
flesch: 56
cache: cache/interstices-326.pdf
txt: txt/interstices-326.txt
summary:
  Most histories of architecture in the service of politics are founded on the assumptions that political systems are innately ideological, and that architecture produced under these regimes reflects the values and beliefs of the political system (Millon and Nochlin, 1978; Dovey, 1990; Schumacher, 1993). While the proposition of a causal reflection of ideology in design has been questioned, the premise that political systems necessarily possess an identifiable and stable ideology remains largely unchallenged (Findley, 2005).


id: interstices-381
author: Barrie, Andrew
title: Okoshi-ezu: Speculations on thinness
date: 2010-11-08
pages: 10
extension: .pdf
mime: application/pdf
words: 5173
sentence: 308
flesch: 61
cache: cache/interstices-381.pdf
txt: txt/interstices-381.txt
summary:
  INTERSTICES 11 Okoshi-ezu: Speculations on thinness Andrew Barrie Introduction In a recent monograph on the architecture of Toyo Ito, eminent philosopher and architecture critic Koji Taki made use of a striking analogy – he described Ito’s Tod’s Omotesando Building (2004) as being as if “the entire volume were wrapped in a single sheet of paper” (Taki 2006: 9). (Itoh & Futagawa 1969: 84) 67 Toyo Ito and okoshi-ezu?


id: interstices-387
author: Ostwald, Michael J; Tucker, Chris; Chapman, Michael
title: Re-tracing History: Drawing the anti-monument
date: 2010-11-08
pages: 6
extension: .pdf
mime: application/pdf
words: 1027
sentence: 70
flesch: 67
cache: cache/interstices-387.pdf
txt: txt/interstices-387.txt
summary:
  Initial sketches by Michael Ostwald and Michael Chap- man were traced and converted into CAD images by Chris Tucker, before being airbrushed and rendered by Chap- man, and then scanned and computer- retouched by Ostwald. 103 Fig. 8. 99 Re-tracing History: Drawing the anti-monument Michael J Ostwald, Chris Tucker and Michael Chapman A design brief for a monument to commemorate the ‘discovery’ of the city of Newcastle, Australia, was the catalyst for this set of drawings that explore no- tions of tracing, mapping and incarceration.


id: interstices-317
author: Potauaine, Semisi Fetokai
title: The Tectonic of the Fale
date: 2005-09-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2879
sentence: 170
flesch: 65
cache: cache/interstices-317.pdf
txt: txt/interstices-317.txt
summary:
  tufunga lalava Art of intersecting line and space; lineal spatial sculpture; lashing master; lalava master. Tectonics: Ontology and Representation In general, Tongan arts are divided into faiva, performance art, and tu- funga,3 material arts.


id: interstices-592
author: Neich, Roger
title: Illuminating Pacific Perspectives
date: 2019-12-12
pages: 2
extension: .pdf
mime: application/pdf
words: 1246
sentence: 47
flesch: 44
cache: cache/interstices-592.pdf
txt: txt/interstices-592.txt
summary:
  ISBN 0-500-20281-8 Anybody brave enough to attempt a general comprehensive book covering the huge field of Pacific art is immediately faced with a major dilemma; how to deal with the dazzling diversity of Pacific arts and cultures in one volume. With his serious and thoughtful attention to contemporary Pacific arts as part of the continuous spectrum of Pacific art, Thomas’ study represents a great advance on previous Pacific art books which have either ignored the present living arts or relegated them to a final patronising paragraph.


id: interstices-535
author: Jackson, Mark
title: Genius Loci
date: 2006-03-20
pages: 9
extension: .pdf
mime: application/pdf
words: 5269
sentence: 185
flesch: 56
cache: cache/interstices-535.pdf
txt: txt/interstices-535.txt
summary:
  Lacan suggests that primitive architecture can be defi ned as something organised around emptiness. Holm stresses that Lacan didn’t ever say very much about architecture, and perhaps what is more interesting is what architectural theorists say about Lacan, that his comments directly addressing architecture are confi ned to The Ethics of Psychoanalysis (Holm, 2000: 29).


id: interstices-519
author: Freestone, Robert
date: 2018-09-21
pages: 15
extension: .pdf
mime: application/pdf
words: 8518
sentence: 466
flesch: 63
cache: cache/interstices-519.pdf
txt: txt/interstices-519.txt
title:
  Mud on His Boots: R. T. Kennedy and the Beginnings of Planning Education at the University of Auckland

summary:
  The contributions of R. T. Kennedy to New Zealand planning. B I M ROBERT FREESTONE Mud on His Boots: R. T. Kennedy and the Beginnings of Planning Education at the University of Auckland Formal university training in town planning only commenced in New Zealand in the late 1950s during the town and country planning era.


id: interstices-310
author: Wood, Peter
title: Architecture = Building + Value: Exploring the Social Purpose of Architectur
date: 2005-09-01
pages: 9
extension: .pdf
mime: application/pdf
words: 5390
sentence: 255
flesch: 49
cache: cache/interstices-310.pdf
txt: txt/interstices-310.txt
summary:
  Architecture and nihilism: On the philosophy of modern architecture (S. Sar- tarelli, Trans.). The breakdown in this successfully co-depend- ent relationship takes place when Pugin identifies the ‘true principles of Christian architecture’.


id: interstices-407
author: Engels-Schwarzpaul, A.-Chr.; Douglas, Andrew
title: Introduction
date: 2011-03-11
pages: 5
extension: .pdf
mime: application/pdf
words: 3101
sentence: 124
flesch: 48
cache: cache/interstices-407.pdf
txt: txt/interstices-407.txt
summary:
  Nevertheless, Descartes’ stove-heated rooms bring into view something that was perhaps occluded in the subsequent nineteenth century “phantasmagoria of the René Descartes (1596-1650) at work. Perhaps there is no better depiction of this critical ‘provisionality’ of interior place and its essential sidelining, than in the Discourse on the Method: Now, before starting to rebuild your house, it is not enough simply to pull it down, to make provision for materials and architects (or even train yourself in architecture), and to have carefully drawn up the plans; you must also provide yourself with some other place where you can live comfortably while building is in progress.


id: interstices-396
author: McKay, Bill
title: Villa by Jeremy Hansen, Jeremy Salmond and Patrick Reynolds (book review)
date: 2010-11-08
pages: 3
extension: .pdf
mime: application/pdf
words: 1520
sentence: 58
flesch: 61
cache: cache/interstices-396.pdf
txt: txt/interstices-396.txt
summary:
  Salmond also briefly discusses the interior design of villas and the extent to which there are regional styles; interestingly, the faceted (as opposed to square) bay villa is “essentially an Auckland style”. Salmond’s essay is quite well illustrated with a balance of period and contem- porary images; after all, too many pictures of contemporary villas can leave one feeling rather enervated, an exercise akin to leafing through the Homes for Sale section of the Saturday paper.


id: interstices-399
author: Go-Sam, Carol
title: Sep Yama: “Ground you cannot see” Finding Country (a primer) (exhibition review)
date: 2010-11-08
pages: 6
extension: .pdf
mime: application/pdf
words: 1655
sentence: 66
flesch: 38
cache: cache/interstices-399.pdf
txt: txt/interstices-399.txt
summary:
  INTERSTICES 11 155 Sep Yama: “Ground you cannot see” Finding Country (a primer) Don’t Come Gallery, Melbourne, 30 April - 6 May 2009 & Sling Exhibition, Brisbane, 25 June 2009 Co-curators: Kevin O’Brien and Michael Markham Contributors: Gina Levenspiel, Peter Steudle, Eugene Nemisi, Claire Humphreys Review by Carroll Go-Sam Sep Yama / Finding Country (a primer) – a foundation exercise in resurging insights into rights in country 1 pursued provocative expressions of Indigenous place as resistance in order to catalyse an audience response. Sep Yama reinstates rival notions of occupation and geography as a means of reordering what has been colonised.


id: interstices-320
author: Adams, Tim
title: Félix Guattari: Architectural Enunciation
date: 2005-09-01
pages: 7
extension: .pdf
mime: application/pdf
words: 3917
sentence: 212
flesch: 51
cache: cache/interstices-320.pdf
txt: txt/interstices-320.txt
summary:
  He then proposes to regroup these into four categories: —Scales that refer real space to itself (geographical, op- tical visibility, proximity and apportionmental scales); —Scales that refer architectural space to an exterior referent (for- mal, symbolic, technical, functional, extensional, dimension- 4. 121 ally symbolic, socio-cultural, modelling and economic scales); —Scales that refer architectural space to its representation (geometric, cartographical, and representational scales); and —Lastly, scales of architectural thought processes that involve a constant to-ing and fro-ing between different spaces (to “put into scale”, “give scale” etc.).6 One could no doubt list other components of this type, but from the point of view of enunciation rather than a simple taxonomic enumeration of modes of spatialisation, it is evident that their number is potentially infi- nite.


id: interstices-325
author: Engels-Schwarzpaul, A.-Chr.
title: Introduction: Consensus versus Disagreement
date: 2007-11-05
pages: 4
extension: .pdf
mime: application/pdf
words: 2362
sentence: 112
flesch: 50
cache: cache/interstices-325.pdf
txt: txt/interstices-325.txt
summary:
  Leonhard Emmerling engages with a politics of recognition that is not identity politics, is even explicitly opposed to it. Consensus politics re-established racism and xenophobia (Rancière, 2000: 119).


id: interstices-620
author: Douglas, Andrew; Hopewell, Hannah
title: 2015 Interstices Under Construction Symposium: The urban thing PROGRAMME
date: 2015-03-18
pages: 1
extension: .pdf
mime: application/pdf
words: 217
sentence: 4
flesch: 22
cache: cache/interstices-620.pdf
txt: txt/interstices-620.txt
summary:
  Time Presenter Chair Registration 9.30-10.00am Session 1, Introduction & Keynote 9.30-10.00am Introduction H Hopewell/Andrew Douglas 10.00-11.00am Keynote – Mark Dorrian Ross Jenner Morning Break Session 2, Practice as Charting 11.30-12.00pm 1 – Mark Jackson, City Corp Andrew Douglas 12.00-12.30pm 2 – Katrina Simon, Cultivating an Urban Orography 12.30-1.00pm 3 – Simon Twose, Plasticity of Engagement Lunch Break Session 3, Translating/Transposing 2.00-2.30pm 4 – Simone Chung Shu Yeng, Urban Translations Hannah Hopewell 2.30-3.00pm 5 – Robyn Creagh, Memory & Urban Place 3.00-3.30pm 6 – Kathy Waghorn & Christina Houghton, Speaking Urban Things Afternoon Break Session 4, Edge Places 4.00-4.30pm 7 Zamani /Dermott – The Analysis of an Urban Movement Sue Hedges 4.30-5.00pm 8 - Sophie Hamer - Possible Realities: Bali as Messy Urban Edge Conference Dinner Sunday, 12 April 2015 Time Presenter Chair Session 5, Tamaki Makura 9.30-10.00am 9 – Andrew Douglas, Plan/Ditch Sarah Treadwell 10.00-10.30am 10 – Ross Jenner & Manfredo Manfredini, The Virtualised Public Thing 10.30-11.00am 11 – Charles Walker, The Auckland Thing Morning Break Session 6, Blockages & Breaks 11.30-12.00pm 12 - Jacky Bowring, Strange Generation: Doing the Phenmenological within a Disprupted Urban Thing Mark Jackson?


id: interstices-532
author: Luscombe, Desley
title: Constructing the Architect
date: 2006-03-20
pages: 11
extension: .pdf
mime: application/pdf
words: 5604
sentence: 277
flesch: 53
cache: cache/interstices-532.pdf
txt: txt/interstices-532.txt
summary:
  Such correlations would indicate that individual architects were represented as exemplars of citizenry – examples of the idealised or model citizen – within a notion of the social that was ordered and structured for political purposes.6 The attributes of disegno as having the virtues of Minerva and Flora for Cosimo Bartoli and Giorgio Vasari’s “Architect”. Le vite de’ più eccellenti pittori, scultori e architettori established the value of individual architects’ works based on a correspondence with the virtues of the idealised architect.22 Rather than relying on the structure of allegorical divisions found in the frontispieces, Vasari explained through individual examples how virtuous acts, or the culmination of virtues in the individual, could determine beauty in art and achieve in real form what he called divine or natural perfection.


id: interstices-1
author: Hedges, Susan; Engels-Schwarzpaul, Tina; Jenner, Ross
title: Surface / Pattern: A pursuit of material narratives
date: 2017-12-22
pages: 9
extension: .pdf
mime: application/pdf
words: 4738
sentence: 231
flesch: 48
cache: cache/interstices-1.pdf
txt: txt/interstices-1.txt
summary:
  This is the territory contributors to Interstices 18, Surface/pattern: a pursuit of material narratives explore: the tension between ornament, adornment, object enlivenment, cladding, surface and pattern, and the strange animations inherent in surface-pattern continua. Surface architecture: Cambridge, MA: MIT Press.


id: interstices-572
author: Linzey, Mike
title: Some Binary Architecture - Sites for Possible Thought.
date: 2019-12-11
pages: 5
extension: .pdf
mime: application/pdf
words: 3842
sentence: 208
flesch: 59
cache: cache/interstices-572.pdf
txt: txt/interstices-572.txt
summary:
  What is interesting about binary architecture, is when a differentiated semantic field, which I will call a region of sameness is generated between these poles of constructed identity. It is this region of sameness between poles of identity which marks binary architecture as a site for possible thought.


id: interstices-609
author: Gatley, Julia ; Barrie, Andrew ; Jenner, Ross ; Douglas, Andrew; Hedges, Susan
title: 2018 Interstices Under Construction Symposium PROGRAMME
date: 2019-12-20
pages: 2
extension: .pdf
mime: application/pdf
words: 460
sentence: 14
flesch: 32
cache: cache/interstices-609.pdf
txt: txt/interstices-609.txt
summary:
  Ross Jenner Drawing canyon: Asymptotic presences in scale, material and sense. Julia Gatley Monumentality and ‘light’ in the Sydney Opera House Kamila Soh Heritage & persistence: The case of the Kaiapoi fragment Andrew Douglas and Nicola Short Between presence and absence: Phenomenal interstitiality in Eisenman’s Guardiola house Adrian Lo Discussion Music + Machine + Performance Chair: Harold Marshall Notations: Drawing as idea and process between the intersection of music and architecture in relation to presence (SKYPE) Charlotte Greub Troubled bridges: absence and memory in the architectural machines of Eadweard Muybridge Michael Chapman Ex Uno Lapide: a making present of absence (SKYPE) Guillaume Dreyfuss, Konrad Buhagiar, Ephraim Joris Discussion History / Culture / Theology Presences across worlds Anne Salmond Place of presence and absence in Maori philosophising Carl Mika On Holy Ground: A church as a place of Presence Merv Duffy Round table 01:00pm—02:00pm LUNCH LUNCH LUNCH 02:00pm—03:30pm


id: interstices-517
author: Schnoor, Christoph
title: Ernst Plischke as Teacher: Wellington (Auckland) Vienna
date: 2018-09-21
pages: 18
extension: .pdf
mime: application/pdf
words: 11855
sentence: 615
flesch: 65
cache: cache/interstices-517.pdf
txt: txt/interstices-517.txt
summary:
  Perhaps Plischke’s last sentence in his reflections on the train back to Wellington can open a discussion: in the Universities’ Bureau report on the applicants, Light IN T E R S T IC E S A U C K L A N D S C H O O L C E N T E N A R Y S P E C IA L I S S U E 44 Ernst Plischke as Teacher: Wellington (Auckland) Vienna F R O M B E AU X- Plischke answered Rainer with ambivalence: in his letter of January 18, he speaks about their “lovely house and beautiful big garden” and about a hesitation to “deal with the question what a new uprooting and a back-transplantation would 45 Ernst Plischke as Teacher: Wellington (Auckland) Vienna F R O M B E AU X-


id: interstices-388
author: Morgan, Christopher
title: The Landscape of Portraits
date: 2010-11-08
pages: 3
extension: .pdf
mime: application/pdf
words: 887
sentence: 46
flesch: 57
cache: cache/interstices-388.pdf
txt: txt/interstices-388.txt
summary:
  This transfigures the face (face as line) to become a subject maker.3 When we are confronted by a face – as in these drawings – whether reflective or intensive, we re-coordinate our vision of the world and consequently our actions in that world, to approach the world anew. Deleuze and Guattari speak of the transformational workings of this system: “This machine is called the faciality machine because it is the social pro- duction of face, because it performs the facialization of the entire body and all its surroundings and objects, and the landscapification of all worlds and milieus” (1987: 181).


id: interstices-394
author: Loo, Patrick; Mulla, Sarosh
title: Interview with Momoyo Kaijima of Atelier Bow-Wow
date: 2010-11-08
pages: 4
extension: .pdf
mime: application/pdf
words: 1869
sentence: 81
flesch: 58
cache: cache/interstices-394.pdf
txt: txt/interstices-394.txt
summary:
  This notoriety has developed steadily into a loyal following, and as Japanese architecture becomes more and more the focus of the international discourse, Atelier Bow-Wow seems set to become a central figure in the development of architecture globally. While at first glance some Atelier Bow-Wow projects could be written off as pure formalism, each is anchored by a genuine consideration of the inhabitation of the interior.


id: interstices-593
author: Simmons, Laurence
title: The Perplexity Of Painting
date: 2019-12-12
pages: 5
extension: .pdf
mime: application/pdf
words: 4010
sentence: 126
flesch: 55
cache: cache/interstices-593.pdf
txt: txt/interstices-593.txt
summary:
  Yale University Press, 1992) ISBN 88-366-0330-0 Attilio Brilli, In Search of Piero: A Guide to the Tuscany of Piero della Francesca trans. The Perplexity of Painting The Perplexity Of Painting Laurence Simmons “Tiene in sé la pittura una forza divina” (Leon Battista Alberti) INTERSTICES 4 Book Review: The Perplexity Of Painting 1 Carlo Bertelli, Piero della Francesca (Milan: Silvana Editrice, 1991) (English edition:


id: interstices-376
author: Treadwell, Sarah
title: Notation and Crocodiles: The architecture of Steinberg’s Magnolia Motel
date: 2010-11-08
pages: 12
extension: .pdf
mime: application/pdf
words: 5348
sentence: 258
flesch: 55
cache: cache/interstices-376.pdf
txt: txt/interstices-376.txt
summary:
  Steinberg’s free drawings reveal parts of motel architecture that conventional drawing will not notice, even as he employs disciplinary language to locate the motel within architecture. Steinberg’s plan of the Magnolia Motel is diagram, notation and, as Frascari writes in an article about architectural plans, a “passe-partout” – a key that se- cures entrance everywhere, a pass key that makes the invisible visible (Frascari 1988: 97).


id: interstices-568
author: Clark, Justine
title: Smudges, Smears and Adventitious Marks
date: 2019-12-11
pages: 8
extension: .pdf
mime: application/pdf
words: 5508
sentence: 289
flesch: 61
cache: cache/interstices-568.pdf
txt: txt/interstices-568.txt
summary:
  3 Pliny the Elder’s myth of the origin of drawing has recently enjoyed currency amongst accounts of architectural drawing, notably by Robin Evans, Stanley Allen and Werner Oechslin. In figuring architecture (both building and idea) drawings are notations and demonstrations – legible structures in which one might read stories of architecture.6 Drawing consists of representational codes to be deciphered and interpreted.7 Within the representational structures of drawing are voids – gaps in the representational logic – these are the points where lisibility and visibility are disrupted,8 “where depiction fails or is blocked as a collection of legible signs, where depiction mounts a measure of resistance to the whole mimetic project.


id: interstices-585
author: Walker, Paul
title: The ‘Maori House’ at the Canterbury Museum
date: 2019-12-11
pages: 11
extension: .pdf
mime: application/pdf
words: 9395
sentence: 436
flesch: 63
cache: cache/interstices-585.pdf
txt: txt/interstices-585.txt
summary:
  In his report on the Progress of Canterbury Museum for the eighteen months ending March 31 1875, Haast wrote The ethnological objects of New Zealand, both of historic and prehistoric times have been placed in the Maori House a n d For an account of the relationships between New Zealand and Great Britain during the late nineteenth century see Keith Sinclair, A History of New Zealand (Auckland: Penguin, 1991), pp. 213-233. 55 Sinclair, A History of New Zealand p. 154.


id: interstices-581
author: Simmons, Laurence
title: The Monument of Ornament: Michelangelo’s Moses
date: 2019-12-11
pages: 13
extension: .pdf
mime: application/pdf
words: 11299
sentence: 436
flesch: 59
cache: cache/interstices-581.pdf
txt: txt/interstices-581.txt
summary:
  For good accounts of the details of the composition and chronology of Michelangelo’s work on the tomb of Pope Julius II see Giulio Carlo Argan and Bruno Contardi, Michelangelo architetto (Milan: Electa, 1990) Paolo Portoghesi, Michelangelo architetto e d s .


id: interstices-410
author: Jenner, Ross
title: Inner Poverty: A setting of Peter Zumthor’s Brother Klaus Field Chapel
date: 2011-03-11
pages: 13
extension: .pdf
mime: application/pdf
words: 7193
sentence: 495
flesch: 67
cache: cache/interstices-410.pdf
txt: txt/interstices-410.txt
summary:
  From this point of view ferro- concrete is the most perfect material, as its potentialities far outnumber those of other materials.” By imprint it can simulate other forms but it has none of its own, except as a mixed, messy mass, a paste or dough kneaded then clotted.


id: interstices-308
author: Simmons, Laurence
title: Heidegger and the Herringbone Cowshed
date: 2005-09-01
pages: 16
extension: .pdf
mime: application/pdf
words: 7988
sentence: 393
flesch: 62
cache: cache/interstices-308.pdf
txt: txt/interstices-308.txt
summary:
  By world Heidegger does not simply mean nature or environment, but intends the capability for standing in what he elsewhere calls ‘the clearing of being’, where being comes into presence and leaves. II I am going to revisit, rework, and re-worry the bone of Giorgio Agam- ben’s careful re-reading in his book The Open of Martin Heidegger’s attempt to distinguish animal life from human life.


id: interstices-379
author: Loo, Stephen
title: Summoning Daena: Drawing the Parallel
date: 2010-11-08
pages: 9
extension: .pdf
mime: application/pdf
words: 4771
sentence: 205
flesch: 59
cache: cache/interstices-379.pdf
txt: txt/interstices-379.txt
summary:
  When Heidegger states that, “The rift-design is the drawing together into a unity of the sketch and basic design, breach and INTERSTICES 11 outline,” we hear an undecidability between whether design is imposed on the earth by human beings, or whether humans bring out the hidden design already there: that is, whether the human genius gives decisiveness and measure to the earth, or finds it there. Drawing as a practice that inscribes clefts, rifts and furrows, gathers together the whole complex of meanings that constitute human being-in-the-world, or mortals dwelling-on-earth.


id: interstices-330
author: Emmerling, Leonhard; Engels-Schwarzpaul, A.-Chr.; Chichon, F
title: PLZKLME
date: 2007-11-05
pages: 9
extension: .pdf
mime: application/pdf
words: 5145
sentence: 275
flesch: 57
cache: cache/interstices-330.pdf
txt: txt/interstices-330.txt
summary:
  My objection to identity art is that, all too easily, it plays the game of the West, and all too compliantly accepts the ‘As-If’ compensation proffered by the art business. In identity art, difference, located by Lacan within the subject, can never be found in the individual or cultural subject itself.


id: interstices-390
author: Simmons, Laurence
title: “Drawing has always been more than drawing”: Derrida and disegno
date: 2010-11-08
pages: 12
extension: .pdf
mime: application/pdf
words: 5774
sentence: 290
flesch: 69
cache: cache/interstices-390.pdf
txt: txt/interstices-390.txt
summary:
  As a sign of position and positioning its longer line may be extended as a mark for the J. (‘Je’) of J. Derrida, it points us to Jacques, and the cross-line if extended passes through the forehead of the figure, the portrait of Derrida. Valerio Adami, Jacques Derrida, allegorical portrait, pencil on paper, January 27, 2004, first exhibited at the Galerie Daniel Templon, Paris in December 2004, barely two months after Derrida’s death, among an exhibition of Adami’s paint- ing, dedicated to Derrida’s memory and titled “Préludes et Après-ludes” (Fig. 1).


id: interstices-321
author: Bartlett, Peter
title: Models for Living: 1905 – 2005
date: 2005-09-01
pages: 3
extension: .pdf
mime: application/pdf
words: 896
sentence: 39
flesch: 47
cache: cache/interstices-321.pdf
txt: txt/interstices-321.txt
summary:
  For future cultural epidemiologists, celebrated house designs, together with their ‘trickle-down’ hybrids in the commu- nity, will afford good litmus tests of wider social trends. What these exquisitely detached models of detached houses preclude is our perceptual grasp of the often specific and crucial design influences and living experiences that lie beyond these mostly suburban dwelling exteriors in the wider spaces of site and landscape.


id: interstices-313
author: Jenner, Ross
title: What Goes Up Must Come Down: The Combat of Impulses in Italian Futurism and Rationalism
date: 2005-09-01
pages: 11
extension: .pdf
mime: application/pdf
words: 6055
sentence: 362
flesch: 63
cache: cache/interstices-313.pdf
txt: txt/interstices-313.txt
summary:
  �� What Goes Up Must Come Down: The Combat of Impulses in Italian Futurism and Rationalism Ross Jenner The Impulses: Lightness and Gravity The conflicting impulses of lightness and gravity are more often taken for granted than theorised. Moreover, there would seem to be other forms of lightness, even within modernism, where the conflicting impulses come to a temporary halt.


id: interstices-397
author: Cheshire, Pip
title: The Invention of New Zealand by Francis Pound (book review)
date: 2010-11-08
pages: 3
extension: .pdf
mime: application/pdf
words: 1516
sentence: 48
flesch: 48
cache: cache/interstices-397.pdf
txt: txt/interstices-397.txt
summary:
  Though its focus is on a relatively short but critical period of New Zealand art, its text is an endlessly effervescent provocation that has one wishing for a wider education and more time to read the very many referenced texts. Pound’s thesis ends with the outside world no longer able to be held at bay by the constructs of a Nationalist ideology; by the early 1970s the Vuletic gallery in Auckland is showing New Zealand art, made here, engaged in current contem- porary discourse current in the rest of the world and without a figurative stroke in sight!


id: interstices-557
author: Lanuza Rilling, Felipe
title: Absence, silence, and the shades of Takemitsu’s Ma in Venice
date: 2019-12-20
pages: 13
extension: .pdf
mime: application/pdf
words: 6015
sentence: 327
flesch: 60
cache: cache/interstices-557.pdf
txt: txt/interstices-557.txt
summary:
  Among many, Cage influenced Takemitsu, making him discover the values of tra- ditional Japanese music (Burt, 2001: 92), mainly through his sensibility towards Japanese Zen Buddhism, in which a fundamental aspect is the simultaneous presence and absence of all things (Cage and Charles, 1981: 46). Absence, in the experience of the built environment, comes through traces, voids or fragments similarly to the way in which the texture of decaying and fading tones in Takemitsu’s pieces draw silence into them, and, with it, other sounds that can be or become part of the sound piece.12 They evoke silence in themselves, as Miyamoto notes, inasmuch as they produce an interaction with it.13 Ma thus becomes an active agent of ambi- guity that blurs the limits between sound and silence, and removes the primacy of the author’s intention to give way to a more open musical narrative.14 Isozaki suggests ma to be better understood not only as a gap but also as “the original difference immanent in things” (2011: 95).


id: interstices-400
author: Martin, Shelley F
title: Seeing in Section: The practice of photogrammatic drawing
date: 2010-11-08
pages: 7
extension: .pdf
mime: application/pdf
words: 1992
sentence: 96
flesch: 54
cache: cache/interstices-400.pdf
txt: txt/interstices-400.txt
summary:
  Both an act of recognition and an act of invention, the production of sectional drawings from 163 transformative photographic space considers the nature and demonstration of geometric construction as an act of both contingency and specificity, and within a rarefied space of drawing makes shape palpable prior to construction. The commercial was highly organised to convey relationships in ways just as in the complex spatial prospect of drawing, and, by initiating the multiple depictions of the van in reference to on object seen through it, demonstrated the registrations, re-registrations, and inhabitation of sectional planes.


id: interstices-336
author: Walker, Paul
title: Architecture Inspired by New Zealand
date: 2019-03-05
pages: 2
extension: .pdf
mime: application/pdf
words: 1137
sentence: 40
flesch: 57
cache: cache/interstices-336.pdf
txt: txt/interstices-336.txt
summary:
  INTERSTICES 08 99INTERSTICES 08 99 The premise of this book is that the relationship between house and landscape in New Zealand warrants investigation and critical assessment. Architecture Inspired by New Zealand is a coffee-table book in the scenic New Zealand genre, distinct from the rest of its type because there are images of houses interpolated into the fore- or mid-ground in most of the photographs.


id: interstices-327
author: Engels-Schwarzpaul, A.-Chr.
title: Travel in Tropical Islands: Enemies coexisting in Peace
date: 2019-03-05
pages: 10
extension: .pdf
mime: application/pdf
words: 6401
sentence: 384
flesch: 58
cache: cache/interstices-327.pdf
txt: txt/interstices-327.txt
summary:
  Thus, they may offer pointers regarding the potential of Tropical Islands to aid or prevent the appearance of different forms of relationships. Travel in Tropical Islands:


id: interstices-318
author: Treadwell, Jeremy
title: Chains of Negotiations: Navigating between Modernity and Tradition
date: 2005-09-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2505
sentence: 128
flesch: 55
cache: cache/interstices-318.pdf
txt: txt/interstices-318.txt
summary:
  In the wake of these disjunctive interventions, fale building is no longer inextricably bound by traditional context. Tohi’s sculptural work offers insights into possible transformations: working from projections of traditional Tongan lashing, Tohi has created a public sculpture already recognised for its architectural qualities.5 The Fale Pasifika is of great significance to Auckland, which already has a number of fale buildings.


id: interstices-339
author: Kerstin Thompson Architects, KTAAW
title: Waitangi Precinct: Competition Entry, Wellington, 2005
date: 2007-11-05
pages: 4
extension: .pdf
mime: application/pdf
words: 1254
sentence: 61
flesch: 50
cache: cache/interstices-339.pdf
txt: txt/interstices-339.txt
summary:
  Kerstin Thompson Architects, Architecture Workshop Architects’ Statement: New grounds for play Our proposal offers new grounds for play, for the city of Wellington. The waters edge facilities, with the folded ground plane in the foreground, the old Herd Street Post Office and the Overseas Terminal behind, and proposed gallery building on the far left.


id: interstices-654
author: Brand, Anthony
title: Forensic Architecture: An interview with Lachlan Kermode
date: 2020-12-16
pages: 8
extension: .pdf
mime: application/pdf
words: 3829
sentence: 198
flesch: 67
cache: cache/interstices-654.pdf
txt: txt/interstices-654.txt
summary:
  What are the sorts of projects that you work on? LK: Almost any of these investigations [scrolls through the list of projects from the FA website], you can click on and find that sort of thing.


id: interstices-590
author: Bell, Leonard
title: Some Thoughts on Cultural Safety : Contemporary Art from New Zealand: travel and its hazards.
date: 2019-12-11
pages: 4
extension: .pdf
mime: application/pdf
words: 2897
sentence: 91
flesch: 44
cache: cache/interstices-590.pdf
txt: txt/interstices-590.txt
summary:
  Leonard Bell INTERSTICES 4 Book Review: Some Thoughts on Cultural Safety: travel and its hazards 1 Gregory Burke et al, Cultural Safety: Contemporary Art from New Zealand exhibition catalogue (City Gallery, Wellington, Te Whare Toi, and Frankfurter Kunstverein, 1995) ISBN 0-908818-30-0 The exhibition, Cultural Safety, jointly curated by Gregory Burke, then of the City Gallery, Wellington, and Peter Weiermair of the Frankfurter Kunstverein, was held at that institution in Frankfurt and at the Ludwig Forum for International Art in Aachen in 1995. In several places the timeline listed the migration to New Zealand of people from European countries, besides Great Britain, so demonstrating that the European constituents of New Zealand history and society are heterogeneous, not homogeneous - a point that needs to be made more often in New Zealand.


id: interstices-351
author: Devitt, Simon; Gatley, Julia
title: Finalists for the Inaugural Simon Devitt Prize for Photography
date: 2008-03-05
pages: 3
extension: .pdf
mime: application/pdf
words: 138
sentence: 13
flesch: 66
cache: cache/interstices-351.pdf
txt: txt/interstices-351.txt
summary:
  Yoon Yang Lee, Noon. This year, Simon invited and judged photo- graphs under the theme of “Beauty and Decay”.


id: interstices-311
author: Refiti, Albert
title: Woven Flesh
date: 2005-09-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4537
sentence: 217
flesch: 73
cache: cache/interstices-311.pdf
txt: txt/interstices-311.txt
summary:
  In the works of 2001-2003, especially the drawings of the poem “Death of a God” (Pule, 2000), the lines con- structing the images are literally drawn-out, pulled and tugged away from the written words and lyrics of the poem—no longer illustrations of the narrative but creatures fleeing from it, littering the pages, and either con- taining dead bodies or having been butchered themselves. The va is the law that does not sit still in one place, but is rather a law continually acti- vated when bodies are gathered in a particular space, such as the space of rituals.


id: interstices-332
author: Shiau, Hong-Chi
date: 2007-11-05
pages: 8
extension: .pdf
mime: application/pdf
words: 3247
sentence: 185
flesch: 52
cache: cache/interstices-332.pdf
txt: txt/interstices-332.txt
title:
  The glamorous, but doomed, bamboo forest: The Western de/construction of local memory of the 921 Earthquake in Taiwan

summary:
  Cheng’s monument and bamboo forest were realized and the memorial was much celebrated in architectural circles. However, the two have been involved in a longstanding struggle: the centralized public sector programmes are resourceful but inefficient; while the In contrast to the design, the leaves of bamboo forest withered, turning yellow.


id: interstices-382
author: Hedges, Susan
title: Scale as the Representation of an Idea, the Dream of Architecturemand the Unravelling of a Surface
date: 2010-11-08
pages: 10
extension: .pdf
mime: application/pdf
words: 4168
sentence: 232
flesch: 61
cache: cache/interstices-382.pdf
txt: txt/interstices-382.txt
summary:
  The use of geometry, line drawings and other rep- resentational conventions, the signs of architecture, the modelling of the scene, are held together for a moment before being teased apart. The relationship of the idea to a physi- cal scale relies on internal systems of comparisons, the notion of hierarchy, selec- tion and example of drawn details.


id: interstices-357
author: McKay, Bill; Gatley, Julia
title: Long Live the Modern: New Zealand’s New Architecture, 1904-1984
date: 2008-03-05
pages: 2
extension: .pdf
mime: application/pdf
words: 257
sentence: 17
flesch: 56
cache: cache/interstices-357.pdf
txt: txt/interstices-357.txt
summary:
  INTERSTICES 09 Long Live the Modern: New Zealand’s New Architecture, 1904-1984 Curated and designed by Bill McKay and Julia Gatley Long Live the Modern was held at the Gus Fisher Gallery, The University of Auck- land, from 17 October to 22 November 2008. New photo- graph by Simon Devitt; period photographs by Ted Mahieu / collection of Bill McKay; and model by Clio Kei-Yan Chiu.


id: interstices-391
author: Waghorn, Kathy
title: TRANS-FORM-ers: Auckland Architecture Week, 2009
date: 2010-11-08
pages: 3
extension: .pdf
mime: application/pdf
words: 911
sentence: 43
flesch: 61
cache: cache/interstices-391.pdf
txt: txt/interstices-391.txt
summary:
  Studios and events such as this allow students to learn through experience. To realise a project such as these for TRANS- FORM-ers, students are required to engage with the world, seeking out materials and systems, locating equipment, managing budgets and negotiating assistance and support.


id: interstices-643
author: Haghighi, Farzaneh; Bobic, Nikolina
title: Political Matters
date: 2020-12-16
pages: 9
extension: .pdf
mime: application/pdf
words: 4962
sentence: 246
flesch: 52
cache: cache/interstices-643.pdf
txt: txt/interstices-643.txt
summary:
  Another attempt to define architecture beyond a political symbol or a physical by-product of the political economy of neoliberalism, is offered by Graham Cairns in Reification and Representation: Architecture in the Politico-Media-Complex (2018). The necessity and complexity of social participation is ad- dressed by Christina Deluchi in “The politics of social architecture in Medellín: A reading of the Parque Biblioteca España”.


id: interstices-374
author: Wilson, Carin
title: Paki Harrison: Tohunga Whakairo. The Story of a Master Carver by Ranginui Walker
date: 2009-11-07
pages: 3
extension: .pdf
mime: application/pdf
words: 1245
sentence: 54
flesch: 59
cache: cache/interstices-374.pdf
txt: txt/interstices-374.txt
summary:
  Nevertheless, his was not to be the tapu life of the tohunga of the tradi- tional world.2 Paki revels in being the occasional rabble-rouser, Paki falls in love and marries Hinemoa, Paki buys a Ford Zephyr, Paki carves in the presence of his grand-daughter. While he was working on Tane- nui-a-Rangi at the University of Auckland, Paki began taking work across to the studio workshop he had built at Harataunga in Kennedy Bay on the Coromandel Peninsula.


id: interstices-315
author: Simpson, Deane
title: Instinctive Systems
date: 2005-09-01
pages: 6
extension: .pdf
mime: application/pdf
words: 2283
sentence: 119
flesch: 53
cache: cache/interstices-315.pdf
txt: txt/interstices-315.txt
summary:
  “Copenhagen X is a creative forum for innovation in dwellings, urban spaces and urban develop- ment in Copenhagen. The last three quarters of the twentieth century produced certain types of urban planning (such as the master-minded hygienist neuroses of CIAM and the nostalgic delusions of New Urbanism) which, more often than not, failed due to an excess of will and intention.


id: interstices-354
author: Treadwell, Sarah
title: Pulp Fictions and Interior Life (Exhibition Review)
date: 2008-03-05
pages: 3
extension: .pdf
mime: application/pdf
words: 2273
sentence: 110
flesch: 59
cache: cache/interstices-354.pdf
txt: txt/interstices-354.txt
summary:
  The drawings were made, as it states in the catalogue, to “accom- pany an exhibition of Piranesi prints” (Andrew McLeod, 2007). INTERSTICES 09 119 Pulp Fictions and Interior Life: Pulp Fictions: The Art of Giovanni Battista Piranesi and Andrew McLeod:


id: interstices-309
author: Treadwell, Sarah
title: Animation, the Cat and Escaping Drawing
date: 2005-09-01
pages: 8
extension: .pdf
mime: application/pdf
words: 4483
sentence: 243
flesch: 70
cache: cache/interstices-309.pdf
txt: txt/interstices-309.txt
summary:
  (Cixous, 1998d: 142) For Cixous drawing is not necessarily a visual act: “The drawing wants to draw what is invisible to the naked eye” (Cixous, 1998c: 24). But for Cixous speed is the antithesis of non-dominative thinking; Yoko falls slowly into pleasure.


id: interstices-408
author: Engels-Schwarzpaul, A.-Chr.
title: Restless Containers: Thinking interior space – across cultures
date: 2011-03-11
pages: 12
extension: .pdf
mime: application/pdf
words: 7526
sentence: 418
flesch: 57
cache: cache/interstices-408.pdf
txt: txt/interstices-408.txt
summary:
  INTERSTICES 12 say “we”, creates interior spaces as spheres (Sloterdijk, 1998: 14; 2005: 403). Sloterdijk is not the only Western philo- sopher who explores how alternative notions of self can reconnect the isolated individual with the social and natural world (see, for instance, Nancy 2007).


id: interstices-346
author: Clark, Justine
title: Serendipity: Between Making a Magazine and Writing History
date: 2008-03-05
pages: 6
extension: .pdf
mime: application/pdf
words: 4288
sentence: 232
flesch: 61
cache: cache/interstices-346.pdf
txt: txt/interstices-346.txt
summary:
  New Architecture and New Art. INTERSTICES 09 75 Non-refereed Papers, Images, Reviews, Interviews INTERSTICES 09 77 Serendipity: Between Making a Magazine and Writing History Justine Clark How does architectural history engage with serendipitous events, with a chance encounter that is put to use in the practice or making of something, but which leaves no overt archival record?


id: interstices-337
author: Deamer, Peggy
title: Dick Toy’s Last Lecture
date: 2007-11-05
pages: 8
extension: .pdf
mime: application/pdf
words: 3032
sentence: 118
flesch: 57
cache: cache/interstices-337.pdf
txt: txt/interstices-337.txt
summary:
  He re-introduces his new and third topic, the Auckland bay form. All credit to Adam Wild, NZIA Auckland Branch committee member for heritage, for pur- suing the re-creation of this lecture as an adjunct to his Auckland Architecture Week exhibition on Toy’s churches, and also for inviting Prof. Peggy Deamer to take up the task of recreating the lecture.


id: interstices-516
author: McEwan, Ann
date: 2018-09-21
pages: 12
extension: .pdf
mime: application/pdf
words: 7358
sentence: 476
flesch: 61
cache: cache/interstices-516.pdf
txt: txt/interstices-516.txt
title:
  Learning in London: The Architectural Association and Early Twentieth-Century New Zealand Architects

summary:
  It is difficult to quantify the value of an Architectural Association education for New Zealand architects and planners, beyond making some general com- ments about the professional success and standing that they later attained. Mr. Samuel Hurst Seager; New Zealand architect.


id: interstices-380
author: Twose, Simon; Smitheram, Jan
title: The Paper Life of Building: Performative intra-action
date: 2010-11-08
pages: 13
extension: .pdf
mime: application/pdf
words: 5580
sentence: 268
flesch: 54
cache: cache/interstices-380.pdf
txt: txt/interstices-380.txt
summary:
  Process While drawing, the design flattens on the drawing board into a self-contained world: successive iterations of butter paper drawings build on top of one an- other, often with the same shapes reinforced again and again, with only subtle variation. In drawing, this means the creation of distance and a discon- nection between the subject and the object of drawing.


id: interstices-377
author: Goffi, Federica
title: Drawing Imagination and the Imagination of Drawing
date: 2010-11-08
pages: 11
extension: .pdf
mime: application/pdf
words: 6130
sentence: 323
flesch: 57
cache: cache/interstices-377.pdf
txt: txt/interstices-377.txt
summary:
  It draws out and traces nothing, perhaps, but this impalpable line… (Jean-Luc Nancy, The Ground of the Image) In contemporary understanding, architectural drawing produces an image of likeness; as such, representation renounces its dialogue with the humanities and becomes a narcissistic act, focused on the production of a self-reflection of the visual world, a duplication that does not allow a transcending of the visible, and provides a fixed image. The dominance of photorealistic images should be challenged, undermining the notion that architectural drawing is a portrayal of likeness, and restoring its full potential as an iconic representation of presence.


id: interstices-343
author: Simpson, Deane
title: Nomadic Urbanism: The Senior Full-time Recreational Vehicle Community
date: 2008-03-05
pages: 7
extension: .pdf
mime: application/pdf
words: 5764
sentence: 285
flesch: 50
cache: cache/interstices-343.pdf
txt: txt/interstices-343.txt
summary:
  5: RV non-physical network. Nomadic space is characterized by the dominance of the trajectory of movement (pathway or line) over the importance of destination (node or fixed point).


id: interstices-352
author: Barrie, Andrew
title: Thomas Daniell, After the Crash (Book Review)
date: 2008-03-05
pages: 1
extension: .pdf
mime: application/pdf
words: 982
sentence: 35
flesch: 43
cache: cache/interstices-352.pdf
txt: txt/interstices-352.txt
summary:
  This dubious anthropology was denounced at the time as an attempt by the architects involved to exoticize Japanese architecture, and by extension their own work, but the ideas found a foothold and were repeated so regularly as to become clichés. Japan’s slow-motion economic crash in the early 1990s made apparent the frivolousness of much of what had gone before and marked the emergence of a new seriousness in Japanese architecture.


id: interstices-588
author: Colomina, Beatriz
title: Battle Lines: E.1027
date: 2019-12-11
pages: 8
extension: .pdf
mime: application/pdf
words: 6416
sentence: 340
flesch: 69
cache: cache/interstices-588.pdf
txt: txt/interstices-588.txt
summary:
  In 1938, the same year he went on to paint the mural Graffite à Cap Martin, Le Corbusier had written a letter to Eileen Gray, after spending some days in E. 1027 with Badovici, where not only does he acknowledge her sole authorship but also how much he likes the house: I am so happy to tell you how much those few days spent in your house have made me appreciate the rare spirit which dictates all the organisation, inside and outside, and given to the modern furniture - the equipment - such dignified form, so charming, so full of spirit.27 INTERSTICES 4 Battle Lines: E.1027 5 Why, then, did Le Corbusier vandalise the very house he loved? “What a narrow prison you have built for me over a number of years, and particularly this year through your vanity,” Badovici wrote to Le Corbusier in 1949 about the whole episode (in a letter that Adam thinks may have been dictated by Gray herself).25 L e Corbusier replied in a way that makes it clear that he is replying to Gray:


id: interstices-372
author: Hartoonian, Gevork
title: The Judicious Eye; Architecture against the other arts by Joseph Rykwert
date: 2009-11-07
pages: 3
extension: .pdf
mime: application/pdf
words: 1433
sentence: 62
flesch: 52
cache: cache/interstices-372.pdf
txt: txt/interstices-372.txt
summary:
  In this latter text, Rykwert resonates with Aldo van Eyck, the Dutch architect, who in 1950 wrote that the time has come for architecture to reconcile basic values. Ex- asperated by the Secessionist and Art Nouveau movements, and the utopian claims underpinning the objectives of the reformist schools of the time, Loos made a characteristically modernist distinction between art and architecture.


id: interstices-5
author: Douglas, Andrew
title: On territorial images: Erewhon, or, chiastic desire
date: 2017-12-22
pages: 14
extension: .pdf
mime: application/pdf
words: 7290
sentence: 361
flesch: 52
cache: cache/interstices-5.pdf
txt: txt/interstices-5.txt
summary:
  In Life and Habit (1878), Butler asserted that all individuation entails a type of contemplative knowing, itself a conceit arising only with habitual action: …for even the corn in the fields grows upon a superstitious basis as to its own existence, and only turns the earth and moisture into wheat through the conceit of its own ability to do so, without which faith it were powerless (82; similarly cited in Deleuze, 1994: 75). A T T E R N Butler, in his rethinking of Darwinian evolution, similarly appealed to an immemorial past, or “unconscious memory”, rich in Platonist implications an- ticipating Henri Bergson—whose thinking is key to Deleuze’s temporal genesis.


id: interstices-520
author: Matthewson, Gill
title: Where Do You Go To?: The Class of ’76
date: 2018-09-21
pages: 16
extension: .pdf
mime: application/pdf
words: 9947
sentence: 506
flesch: 65
cache: cache/interstices-520.pdf
txt: txt/interstices-520.txt
summary:
  The Australian data I analysed also strongly suggest greater attrition for women students of architecture: the difference between the propor- tion of female first years who do not graduate averages out at between 3.5% and 4% higher than the males (Matthewson 2017: 174). The work of his practice appears in a number of books about New Zealand architecture (Lloyd Jenkins 2004: 253, 256, 276–79; Shaw 1991: 193–94, 210–11, 226; Walker 2005: 217), and he has written one himself (Cheshire & Reynolds 2008).


id: interstices-646
author: Grinceri, Daniel
title: Tracing the border: Excursus on the wall
date: 2020-12-16
pages: 18
extension: .pdf
mime: application/pdf
words: 10493
sentence: 569
flesch: 57
cache: cache/interstices-646.pdf
txt: txt/interstices-646.txt
summary:
  Instead, we are witness to the emergence of border walls and barriers, to an extent not hereto- fore seen; razor-wire fences, concrete security walls, offshore detention centres, security checkpoints and surveillance systems at airports, roadways, or anywhere that crosses international lines (Nail, 2016). Border walls between the world wars (1918–1945) Dates denotes construction and demolition dates.


id: interstices-633
author: Simmons, Laurence; Barrie, andrew
title: 2009 Interstices Under Construction Symposium The Traction of Drawing BROCHURE
date: 2010-03-08
pages: 17
extension: .pdf
mime: application/pdf
words: 10023
sentence: 399
flesch: 47
cache: cache/interstices-633.pdf
txt: txt/interstices-633.txt
summary:
  Analysis of these drawings will explore the proposition that architectural drawing can be analysed as a collective formation, in the sense derived from sociologist Gabriel Tarde, who, in Monadologie et sociologie, wrote of collective formations like crowds that individual elements, “soldiers of those various regiments, provisional incarnations of their laws ... escape from the world they consti- tute”. Architectural drawings are considered as a medium of thought and can be understood as a primary clue to thought processes and ideas.


id: interstices-591
author: McCarthy, Christine
title: Artifice: Architecture, Film, Theory, Photography, Design, History, Art and Things.
date: 2019-12-11
pages: 4
extension: .pdf
mime: application/pdf
words: 2282
sentence: 86
flesch: 52
cache: cache/interstices-591.pdf
txt: txt/interstices-591.txt
summary:
  This face, or mask, or skin, covers the surface of Artifice: a booklet and a CD-rom (fig 1). A b o o k l e t a n d a C D - r o m , Artifice points to, but makes unclear, the relation of one media to the other.


id: interstices-333
author: Daniell, Tom
title: The Letter Of The Law: Constraints on architectural form in Japan
date: 2007-11-05
pages: 6
extension: .pdf
mime: application/pdf
words: 2760
sentence: 137
flesch: 59
cache: cache/interstices-333.pdf
txt: txt/interstices-333.txt
summary:
  Many of the city’s unusual building profiles are simply the outcome of thoughtless compliance with building codes. The law provided simple formulas that defined maximum building volumes.


id: interstices-383
author: Davis, Mike
title: Maintaining the Abstract Critical Facility in Post-Digital Drawing Practice
date: 2010-11-08
pages: 10
extension: .pdf
mime: application/pdf
words: 3596
sentence: 151
flesch: 44
cache: cache/interstices-383.pdf
txt: txt/interstices-383.txt
summary:
  However, post-digital drawing practices shift the craft of drawing from the accumulation of information in a single medium to the quick produc- tion of multiple packets of information spread across multiple media. The neces- sity of post-digital drawing practices is to be literate enough in terms of any new tools or techniques so as to recognise the qualities of craft in them, a necessity that can only occur through practical engagement.


id: interstices-328
author: Douglas, Carl
title: Barricades and Boulevards: Material transformations of Paris, 1795-1871
date: 2007-11-05
pages: 12
extension: .pdf
mime: application/pdf
words: 5704
sentence: 337
flesch: 60
cache: cache/interstices-328.pdf
txt: txt/interstices-328.txt
summary:
  However, the construction of street barricades and boulevards in Paris between 1795 and 1871 transformed the city. These oppositional pairs align with the two poles of barricade construction: the mound and the wall.


id: interstices-347
author: Walsh, John
title: Places, Spaces, Baggage
date: 2008-03-05
pages: 2
extension: .pdf
mime: application/pdf
words: 1172
sentence: 54
flesch: 61
cache: cache/interstices-347.pdf
txt: txt/interstices-347.txt
summary:
  The problem seems to be that houses in magazines or books look too good. No doubt it would be morally improving for readers to confront houses in their more dishevelled states and at their less photogenic moments, but as for paying for the privilege – why should they?


id: interstices-338
author: Gatley, Julia
title: New Measures For Other Moderns
date: 2007-11-05
pages: 6
extension: .pdf
mime: application/pdf
words: 1527
sentence: 82
flesch: 61
cache: cache/interstices-338.pdf
txt: txt/interstices-338.txt
summary:
  My analysis of the Library’s collection of measured drawings confirmed that there was plenty of scope for pursuing the measuring and drawing of modern buildings within the course. Positive roll-on effects would include a record of changes being made to the measured buildings over time and, potentially, the extension of the Library’s existing collection of measured drawings through the production and acquisition of plans, sections and elevations for significant modern buildings not measured and drawn in previous years.


id: interstices-418
author: Walsh, John
title: Just Looking
date: 2011-03-11
pages: 3
extension: .pdf
mime: application/pdf
words: 1283
sentence: 59
flesch: 57
cache: cache/interstices-418.pdf
txt: txt/interstices-418.txt
summary:
  Seated at my desk, my relationship to many buildings was necessarily distant. I spent a good part of my working day judging buildings by their appearances.


id: interstices-422
author: Sabini, Maurizio
title: Marco Frascari, Eleven Exercises in the Art of Architectural Drawing (A review)
date: 2011-03-11
pages: 2
extension: .pdf
mime: application/pdf
words: 1141
sentence: 46
flesch: 42
cache: cache/interstices-422.pdf
txt: txt/interstices-422.txt
summary:
  (Frascari 2011: 178) With such a disquieting definition, Marco Frascari concludes in his postface his fascinating journey into the meanderings of architectural theory, taking draw- ings as a pretext. The concept of “formativity” is appropriately borrowed from the Turinese philosopher Luigi Pareyson, whose definition of the concept (“a way of making such that, while one makes, one invents the way of making”) reso- nates particularly well within Frascari’s discourse.3 The 11 exercises that Frascari proposes are indeed non-trivial processes of discov- ery, within the complexity of the architectural experience.


id: interstices-363
author: Gatley, Julia
title: What’s in a Name? The First House in New Zealand architectural discourse
date: 2009-11-07
pages: 10
extension: .pdf
mime: application/pdf
words: 5514
sentence: 379
flesch: 67
cache: cache/interstices-363.pdf
txt: txt/interstices-363.txt
summary:
  Architects of award-winning houses acknowledged the infl uence of the Group on their work, and comparisons to Group houses became an accepted practice among critics. House New Zealand, (7), 85-100.


id: interstices-340
author: Payot, Daniel; Adams, Tim
title: The Judgement of Architecture
date: 2007-11-05
pages: 10
extension: .pdf
mime: application/pdf
words: 5824
sentence: 197
flesch: 48
cache: cache/interstices-340.pdf
txt: txt/interstices-340.txt
summary:
  The difficulty would then be that, if the obviousness of the common prevents the judgement of architecture occurring with any precision, reflective judgement could no longer consist of the exposition of laws, rules or norms that would make architectural judgement a determinant judgement. Because it must formulate itself prior to any concept of the beautiful being given, aesthetic judgement can only be reflective; it isnot preceded by the presentation of a principle by which it would then only need to select particular things to order to declare them beautiful.


id: interstices-644
author: Buchanan, Ian
title: Architecture and control society
date: 2020-12-16
pages: 9
extension: .pdf
mime: application/pdf
words: 5562
sentence: 232
flesch: 61
cache: cache/interstices-644.pdf
txt: txt/interstices-644.txt
summary:
  The question that interests me, then, is precisely the one Deleuze neglects to ask: has control society given rise to its own architectural forms? In order to answer the question of whether control society has yielded new archi- tectural forms, I will try to do two things—I will briefly explain how (according to Deleuze) control society differs from disciplinary society; then I will try to de- termine which (if any) new architectural forms have arisen in the transition from discipline to control.


id: interstices-412
author: Sobelle, Stefanie
title: Inscapes: Interiority in architectural fiction
date: 2011-03-11
pages: 9
extension: .pdf
mime: application/pdf
words: 5510
sentence: 258
flesch: 57
cache: cache/interstices-412.pdf
txt: txt/interstices-412.txt
summary:
  Both works tease out the relationships between book and novel, house and home, structure and inhabitant, thus daring readers to explore how and why domestic space is constituted in particular ways. Both columns serve visually as structural support for the centre, as between them are the overlapping stories of Truant’s narrative and Zampanò’s account of Navidson’s, and these are broken up further by other doorways and windows, which in this example consist of an upside down list of films on page 132 and a sideways list of novels on page 133, each in turn cataloguing spaces of horror.


id: interstices-355
author: Douglas, Carl
title: [arc/sec] (Exhibition Review)
date: 2008-03-05
pages: 3
extension: .pdf
mime: application/pdf
words: 2163
sentence: 118
flesch: 59
cache: cache/interstices-355.pdf
txt: txt/interstices-355.txt
summary:
  In [arc/sec] digital tools are used to explore materiality and environmental processes, not simply experiment with form. The work collected in [arc/sec] shares many of these premises.


id: interstices-627
author: Löschke , Sandra Karina; Luscombe, Desley
title: 2012 Interstices Under Construction Symposium: Immaterial Materialities BROCHURE
date: 2013-03-15
pages: 24
extension: .pdf
mime: application/pdf
words: 10957
sentence: 359
flesch: 25
cache: cache/interstices-627.pdf
txt: txt/interstices-627.txt
summary:
  This might be understood in terms of “perceptual  artifice,” in which the organisation of materials into stripes, can locate the viewer and choreograph their  movement through space, by exerting its control over the visual perception and affective phenomena of  architecture.       It  considers the role of information in both disassembling the material/substantial character of architecture as well  as the activation of materials through observation.


id: interstices-331
author: Walker, Linda Marie; Loo, Stephen
title: And the Open Bridge: Labour, Enchantment, There Forever
date: 2007-11-05
pages: 14
extension: .pdf
mime: application/pdf
words: 6230
sentence: 247
flesch: 57
cache: cache/interstices-331.pdf
txt: txt/interstices-331.txt
summary:
  … The problem, first of all, is to create some breathing room, to loosen the bonds that en- close spectacles within a form of visibility, bodies within an estimation of their capacity, and possibility within the machine that makes the ‘state of things’ seem evident, unquestionable (Rancière, 2007: 261).5 Within the modernist paradigm of public space, the politics of art work is collapsed into the ‘public’ as an inherently political category: public art effectuates the public politics. Our citizenship of public space is reliant upon the contingent experience of kinesis (from work associated with drifting migration and emigration, to experiencing artwork, to the use of certain infrastructures and not others, etc.).


id: interstices-624
author: Douglas, Andrew; Engels-Schwarzpaul, Tina ; Jenner, Ross
title: 2013 Interstices Under Construction Symposium: Moved on atmospheres and affects BROCHURE
date: 2014-03-18
pages: 27
extension: .pdf
mime: application/pdf
words: 14959
sentence: 860
flesch: 52
cache: cache/interstices-624.pdf
txt: txt/interstices-624.txt
summary:
  Air and Architecture: everything together and simultaneously nothing Ainslie Murray This paper examines air-related tensions with- in a range of architectural spaces. Through a consideration of the instability of moving bod- ies and their relationship with the pervasive air, I will propose a phenomenological sense of architectural space that is constructed from imagining the intangible condensations, stratifi- cations and undulations of air.


id: interstices-613
author: Engels-Schwarzpaul, Tina; Jenner, Ross; Hedges, Susan
date: 2017-12-19
pages: 47
extension: .pdf
mime: application/pdf
words: 16339
sentence: 858
flesch: 50
cache: cache/interstices-613.pdf
txt: txt/interstices-613.txt
title:
  2017 Interstices Under Construction Symposium: Pattern / Surface - a pursuit of material narratives BROCHURE

summary:
  In Butler’s fiction chiastic desire may be read as a critical animator in the constitution of surface patterns generally. Convex brick concave stone: beauty in the irregularity of surface patterns in South Fujian, China Naibin Jiang


id: interstices-415
author: Di Stefano, John; Hannah, Dorita
title: Intermission: Interstitial moments in creative and cruel practice
date: 2011-03-11
pages: 8
extension: .pdf
mime: application/pdf
words: 5097
sentence: 227
flesch: 56
cache: cache/interstices-415.pdf
txt: txt/interstices-415.txt
summary:
  It is in the tension between real lion, and preconceived image of “lion” – much of which we have ac- quired through film – that a powerful undertow of the work emerges. Artaud, who resisted representation in the theatre and rejected the logic of language, resorted to the scream as a means of fracturing reality and theatrical space (Weiss 2004: 158).


id: interstices-358
author: Refiti, Albert L
title: Whiteness, Smoothing and the Origin of Samoan Architecture
date: 2009-11-07
pages: 12
extension: .pdf
mime: application/pdf
words: 7553
sentence: 433
flesch: 68
cache: cache/interstices-358.pdf
txt: txt/interstices-358.txt
summary:
  In this context, how does Samoan architecture relate to the tenet that architecture continually returns “as guarantee of renewal: not only as a token from the past but as a guide to the future” (Rykwert, 1981: 191)? One could say that ‘forgetfulness’ and ‘return’ combine in Western thought to imprison the ancients forever in Paradise, suspending them in mist: mythos.3 To analyse Samoan architecture through Rykwert’s return to (lost) origins is problematic.


id: interstices-34
author: Bowes Clifford Thomson, Architectus:
title: Two Single Dwellings: McCrae House and Grace House
date: 1990-09-16
pages: 9
extension: .pdf
mime: application/pdf
words: 130
sentence: 12
flesch: 85
cache: cache/interstices-34.pdf
txt: txt/interstices-34.txt
summary:
  \ cKHlds ~U1i\1loa4:~nOll.{lplllAlJl10JJOMa1A \ -unos lS3M ·---m- ill]] Hi~ON iSV3\ -- V'i..1OG,ca.'~~ &!~~~8~-rtv_~<'I~~ 930fiUJ1O)~~-alQt '3J.HS~0<::''iLea__ ·ON133HS·ONl::HrOl:fd '7~~~QlI~4~~~~~Nl~~~-l~. 11 31\fO E'JI 03>1:)3H:J~i!)~..?lit''(IA-------,-'~_~~- ';,,r \ ooz J.Jru~1I lWlSN:;(Jl!T::rOl Nln !INlhn'i W(l')'iI'HlYiL WIXlll1.59 H'XI~H1Ya'5 10100,11:138' NlHJm. !


id: interstices-634
author: Simmons, Laurence; Barrie, Andrew
title: 2009 Interstices Under Construction Symposium: The Traction of Drawing PROGRAMME
date: 2010-03-08
pages: 5
extension: .pdf
mime: application/pdf
words: 431
sentence: 21
flesch: 52
cache: cache/interstices-634.pdf
txt: txt/interstices-634.txt
summary:
  2009 symposium brochure final_spread.indd Friday 13 November Opening Address Jenny Dixon Dean of NICAI, The University of Auckland Patrick Clifford President Elect of the New Zealand Institute of Architects Drawing Practice Today with Jessica Barter, Pip Cheshire, Patrick Clif- ford, Lynda Simmons, Simon Twose Chair: Fleur Palmer Drinks & Launch: Interstices10: On Adam’s House in the Pacifi c Introduction to Professor Marco Frascari Ross Jenner Drawing: The Sapience of Facture and the Neurological Paradigm Marco Frascari Dinner Vivace Restaurant, Level 1, 50 High Street, Auckland 4:00 - 4:30 pm 4:30 - 6:00 pm 6:00 - 6:45 pm 6:45 - 7:00 pm 7:00 - 8:00 pm Design Theatre, Conference Centre The University of Auckland 8:30 pm Saturday 14 November Presenting | Making Visible 1. Takohi ‘Okusitino Māhina 3.Tatau Sēmisi F. Potauaine Lunch at the Conference Centre 9:00 - 10:30 am 10:30 - 11:00 am 11:00 - 12:30 pm 12:30 - 1:30 pm Design Theatre, Conference Centre The University of Auckland Saturday 14 November Enactment | Translation 1.


id: interstices-353
author: Poppelreuter, Tanja
title: La Construction des Villes Christoph Schnoor
date: 2008-03-05
pages: 1
extension: .pdf
mime: application/pdf
words: 753
sentence: 31
flesch: 55
cache: cache/interstices-353.pdf
txt: txt/interstices-353.txt
summary:
  The experiences and education Le Corbusier drew from in later life can be linked to two early events. INTERSTICES 09 117 La Construction des Villes Christoph Schnoor Review by Tanja Poppelreuter La Construction des Villes (The Construction of Cities) is the title of a manuscript written by the young Le Corbusier while living in Germany in 1910-11.


id: interstices-373
author: Kawiti, Derek
title: Maori Architecture: From fale to wharenui and beyond by Dr Deidre Brown
date: 2009-11-07
pages: 2
extension: .pdf
mime: application/pdf
words: 715
sentence: 25
flesch: 43
cache: cache/interstices-373.pdf
txt: txt/interstices-373.txt
summary:
  Such peer support would help to consolidate Māori research, especially in areas involving sometimes sensitive material. The emerging Māori research support network will hopefully develop defi nitions and interpretations of processes and parameters that will offer consistency and support for researchers and authors regarding the assessment, adoption and framing of Māori cultural material.


id: interstices-608
author: Calvelo, Marianne
title: Interview with Manuel Aires Mateus
date: 2012-03-15
pages: 5
extension: .pdf
mime: application/pdf
words: 1802
sentence: 124
flesch: 71
cache: cache/interstices-608.pdf
txt: txt/interstices-608.txt
summary:
  You’ve talked a lot about good architecture, could you now define for us a good architect? I think good architecture is always about an idea that we all could understand.


id: interstices-425
author: Jenner, Ross
title: Law Faculty Library at the University of Zürich by Santiago Calatrava
date: 2011-03-11
pages: 6
extension: .pdf
mime: application/pdf
words: 1750
sentence: 106
flesch: 64
cache: cache/interstices-425.pdf
txt: txt/interstices-425.txt
summary:
  Caves, underground constructions and interiors inserted into other buildings seem to be examples of such. Law Faculty Library at the University of Zürich by Santiago Calatrava Ross Jenner Can there be an inside without an outside?


id: interstices-652
author: Kaji-O’Grady, Sandra
date: 2020-12-16
pages: 3
extension: .pdf
mime: application/pdf
words: 1746
sentence: 81
flesch: 54
cache: cache/interstices-652.pdf
txt: txt/interstices-652.txt
title:
  Critical Care: Architecture and Urbanism for a Broken Planet Edited by Angelika Fitz and Elke Krasny

summary:
  But other projects in the book are put forward because of the caring values held by their clients or the programmes they facilitate. Only by inspiring thousands of other projects that address questions of ecology, com- munity, and labour can any tangible impact be realised.


id: interstices-446
author: Daniell, Tom
title: Familial Clouds, an exhibition by Simon Twose and Andrew Barrie (A review)
date: 2012-03-15
pages: 4
extension: .pdf
mime: application/pdf
words: 1383
sentence: 44
flesch: 40
cache: cache/interstices-446.pdf
txt: txt/interstices-446.txt
summary:
  Titled “Familial Clouds”, the room was dominated by a large white plinth acting as a backdrop for a diagrammatic diorama of the historical lineages that weave through New Zealand architecture from the colonial period onward. Now that the circuitry is so revealed with such clar- ity, we can better address the information being passed along it: the ways in which the stylistic and technical evolution of New Zealand architecture has been facili- tated and advanced by its substrate of personal relationships.


id: interstices-614
author: Jenner, Ross ; Engels-Schwarzpaul, Tina; Hedges, susan
date: 2017-12-19
pages: 3
extension: .pdf
mime: application/pdf
words: 475
sentence: 12
flesch: 31
cache: cache/interstices-614.pdf
txt: txt/interstices-614.txt
title:
  2017 Interstices Under Construction Symposium: Pattern / Surface - a pursuit of material narratives PROGRAMME

summary:
  Time Presenter Chair Opening Night – WG126, Sir Paul Reeves Building 6.00-6.30pm Drinks 6:30-.7:00pm Opening Address – Sue Hedges / Tina Engels-Schwarzpaul / Ross Jenner 7.00 – 8.00pm Keynote: Spyros Papapetros Saturday, 3rd June 2017 WG126, Sir Paul Reeves Building Registration 9.00-9:30am WG128, Sir Paul Reeves Building Session 1, Drawing / Digital - Surface / Pattern 9:30 -9.50am 1 - Natalie Haskell: Superficial immersion: flat ontologies and the picture plane 10.10 - 10.30am 3 – Yannis Zavoleas + Mark Taylor: Skin Deep 3D printed surfaces 10:30 – 11am Questions/Discussion Morning Break WG128, Sir Paul Reeves Building STREAM A: WG126, Sir Paul Reeves Building Session 2A, Power, Agency, Surface 11:30 -11:50am 4 – Dorita Hannah: Agonistic ornamentation: street art as resistant patter- nation Sue Hedges 11:50 -12.10pm 5 – Farzaneh Haghighi:


id: interstices-625
author: Douglas, Andrew; Engels-Schwarzpaul, Tina; Jenner, Ross
title: 2013 Interstices Under Construction Symposium PROGRAMME
date: 2014-03-18
pages: 4
extension: .pdf
mime: application/pdf
words: 639
sentence: 43
flesch: 50
cache: cache/interstices-625.pdf
txt: txt/interstices-625.txt
summary:
  On Disgust and Odour Philippa Nicole Barr Move to AUT WG building, Governor Fitzroy Place 12:45 - 1:30 pm Lunch Tree House, Level 4, Sir Paul Reeves Building AUT University, Governor Fitzroy Place Streams 1&2: Level 6, Sir Paul Reeves Building AUT University, Governor Fitzroy Place 1:30 - 3:00 pm Place effects (S 1) Chair:


id: interstices-657
author: Editor, Issue
title: Biographies
date: 2020-12-16
pages: 3
extension: .pdf
mime: application/pdf
words: 1849
sentence: 84
flesch: 43
cache: cache/interstices-657.pdf
txt: txt/interstices-657.txt
summary:
  CHRISTINA DELUCHI Christina Deluchi is a Lecturer in Interior Architecture, School of Architecture at the University of Technology Sydney (UTS). Recent pub- lications include chapters in Flow: Between Interior and Landscape (Bloomsbury), Inter and Transdisciplinary Relationships in Architecture (AITNER), Mediated Identities in the Futures of Place: Emerging Practices and Spatial Cultures (Springer), and Architecture Filmmaking (Intellect).


id: interstices-335
author: Leach, Andrew
title: The Myth of the Nation
date: 2007-11-05
pages: 4
extension: .pdf
mime: application/pdf
words: 2142
sentence: 82
flesch: 44
cache: cache/interstices-335.pdf
txt: txt/interstices-335.txt
summary:
  Nevertheless, the broad tendency in New Zealand architectural culture is to dismiss this complexity in favour of a search for national origins, and for local innovations within international phenomena: a desire that mirrors much popular cultural commentary in New Zealand, and, in turn, the general outlook of any number of cultural settings that revel in the rhetoric of being “exquisite apart”. However, in the long-term practice of documenting and challenging the history of New Zealand architecture, it is not without its problems; this criticism holds true both within the academy and beyond it to professional and general audiences.


id: interstices-423
author: Wilson, Carin
title: Whare Māori (A review)
date: 2011-03-11
pages: 5
extension: .pdf
mime: application/pdf
words: 2701
sentence: 104
flesch: 59
cache: cache/interstices-423.pdf
txt: txt/interstices-423.txt
summary:
  — The key to comprehending this decidedly Māori world is in the seamless track linking the creative source with stories about the journey, tales of arrival and a connection made. The series Whare Māori rested on dialogues that un- selfconsciously led us into the territory that defines a culture.1 Thirteen episodes drew on examples of unusual inventiveness in art, skilled craftsmanship, cus- toms, religion, boldness, revival of lost arts, values, role exchanges between client and principal, characters and personalities – while at the same time delving into many uncharted areas of history – and Rau Hoskins delivered all this as an archi- tect’s take on life.


id: interstices-35
author: Walker, Paul
title: Grace and McCrae Houses: A Review
date: 1990-09-16
pages: 4
extension: .pdf
mime: application/pdf
words: 1161
sentence: 56
flesch: 66
cache: cache/interstices-35.pdf
txt: txt/interstices-35.txt
summary:
  210 If this building is intrigued by ideas of houses that are essentially literary (and I think this may have been instigated in part by the client who, for instance, insisted on going upstairs to go to bed) The vertical boards, window and door treatments, and even the direct relationship of house and car are reminiscent of the expansive suburbia of twenty-five years ago.


id: interstices-443
author: Barrie, Andrew
title: Interview with Taira Nishizawa
date: 2012-03-14
pages: 8
extension: .pdf
mime: application/pdf
words: 3332
sentence: 264
flesch: 75
cache: cache/interstices-443.pdf
txt: txt/interstices-443.txt
summary:
  103 Interview with Taira Nishizawa Andrew Barrie Since opening his Tokyo studio in 1993, Taira Nishizawa has established himself as a leading figure among his generation of Japanese architects. A few years earlier it had been very easy for young architects.


id: interstices-334
author: McKay, Bill
title: A Short Venting of the Spleen on the subject of the architect and science
date: 2007-11-05
pages: 3
extension: .pdf
mime: application/pdf
words: 1720
sentence: 89
flesch: 69
cache: cache/interstices-334.pdf
txt: txt/interstices-334.txt
summary:
  This is in contrast to the other arts, which have been transformed by this new knowledge, and it is particularly the case in little New Zealand, where we still agonise about our identity, and our supposed distance from the rest of the world. From the beginning then, New Zealand has been a disappointment, not just to explorers, but to hunters of moa and whale, missionaries, Wakefield’s settlers, diggers of gold and amber, Māori, immigrants and almost everyone and everything else.


id: interstices-420
author: Confurius, Gerrit; Engels-Schwarzpaul, A.-Chr.
title: On Modernism’s Secret Anxieties
date: 2011-03-11
pages: 6
extension: .pdf
mime: application/pdf
words: 3494
sentence: 176
flesch: 58
cache: cache/interstices-420.pdf
txt: txt/interstices-420.txt
summary:
  With a conviction that today seems grotesque, Le Corbusier and Scharoun’s designs were associated with an un-neurotic liberality. 121 1 See also Le Corbusier (1943).


id: interstices-356
author: Barrie, Andrew
title: Jun Aoki Interview (Transcript)
date: 2008-03-05
pages: 3
extension: .pdf
mime: application/pdf
words: 2759
sentence: 177
flesch: 76
cache: cache/interstices-356.pdf
txt: txt/interstices-356.txt
summary:
  I think Tokyo is a very special city – at Tokyo University, lots of architects were invited to teach the students. We also we had guest professors like Arata Isozaki, Kazuo Shinohara and other architects.


id: interstices-348
author: Tyler, Linda
title: Czechoslovakian Crystal in Pavlova Paradise: Vladimir Cacala, 1926-2007
date: 2008-03-05
pages: 5
extension: .pdf
mime: application/pdf
words: 3917
sentence: 181
flesch: 62
cache: cache/interstices-348.pdf
txt: txt/interstices-348.txt
summary:
  In Auckland, émigré Czechoslova- kian architect Vladimir Čačala (1926-2007) Vladimir Oldrich Čačala was born in Prague in 1926, only The author would like to acknowledge the considerable help she had in prepar- ing this article from Vladimir Cacala's four daughters: Shas Cacala, Liza Clark, Tanya Healey and Vicki Wallace.


id: interstices-436
author: Walker, Linda Marie
title: Writing (Lines) Alive
date: 2012-03-14
pages: 7
extension: .pdf
mime: application/pdf
words: 4443
sentence: 156
flesch: 61
cache: cache/interstices-436.pdf
txt: txt/interstices-436.txt
summary:
  The wondering, initially, was not so much “who”, but “how”: how is it that writing, a writing, comes to be what it is; where does it begin, for how long has it been coming, and in the wake of what pleasures and displeasures and their conscious and unconscious affects; that is, what is a writing’s passage, what is its life before life, as it comes to life, into the rhythms of phenomena, of things and conditions; what is it in the minuteness of its substance, in the face of the vastness of existing writing, and what am I in its eyes. Writing takes fits and starts, bits and pieces, adding and subtracting, scratching and scribbling, glue, sticky tape; time is the heart of the process, the passing of life, the life-span.


id: interstices-413
author: Brennan, AnnMarie
title: Life at the Periphery: The urban politics of Neorealism in post-war Rome
date: 2011-03-11
pages: 8
extension: .pdf
mime: application/pdf
words: 4937
sentence: 208
flesch: 58
cache: cache/interstices-413.pdf
txt: txt/interstices-413.txt
summary:
  Such figures included Giorgio Manfredi, the Resistance fighter in Rome Open City, who would move throughout the city at night along rooftops, Mamma Roma, who earned a living as a prostitute walking the streets at night, and Antonio Ricci, the poster hanger whose job was to assist in introducing a new economic order of consumers by applying layers of advertising to city surfaces (Armes 1986). Films such as Roberto Rossellini’s Rome Open City (Roma Città Aperta, 1945), Vit- torio De Sica’s Bicycle Thieves (Ladri di Biciclette, 1948), Umberto D. (1952) by De Sica and Cesare Zavattini, and Pier Paolo Pasolini’s Mamma Roma (1962) presented realistic experiences of the city, demonstrating the effects of economic develop- ment and how the traditions of the Italian domestic interior were forfeited for eco- nomic and social mobility.


id: interstices-350
author: Fraser, Rowan
title: Transnational World: Imagining an Afterspace
date: 2008-03-05
pages: 2
extension: .pdf
mime: application/pdf
words: 1561
sentence: 121
flesch: 62
cache: cache/interstices-350.pdf
txt: txt/interstices-350.txt
summary:
  Throw it all away, and space resurges like a mistreated animal. INTERSTICES 09 105 no longer rely on space as the platform for communication and culture-sharing but rather on time.


id: interstices-342
author: Daniell, Tom
title: From Far East to Middle East: Revitalizing Metabolism
date: 2008-03-05
pages: 6
extension: .pdf
mime: application/pdf
words: 5083
sentence: 253
flesch: 49
cache: cache/interstices-342.pdf
txt: txt/interstices-342.txt
summary:
  Arata Isozaki (2001: 227) Located at the western tip of the Zhu Jiang Kou (Pearl River Delta), Isozaki’s Mirage City (a name that seems less than optimistic about its ultimate realization) is explicitly utopian, its ambitions humorously manifest in the form of the design itself. 5Fig. 4 Fig 4: Arata Isozaki, Mirage City sketches.


id: interstices-365
author: Adams, Tim
title: Benoît Goetz: A French reader of Rykwert’s On Adam’s House in Paradise
date: 2009-11-07
pages: 9
extension: .pdf
mime: application/pdf
words: 5166
sentence: 271
flesch: 60
cache: cache/interstices-365.pdf
txt: txt/interstices-365.txt
summary:
  On Adam’s House in Paradise Tim Adams Introduction: the end of theory When Joseph Rykwert started teaching his History and Theory of Architecture course for masters students at the University of Essex in 1968 this marked, among other events, the beginnings of a profound shift from the way history was being taught in architecture schools.1 No longer would history be taught as a study of precedents purely for the sake of guiding future architectural prac- tice (condemned by Manfredo Tafuri as “critica operativa” or the ideological use of history to defend current bourgeois practices of architecture): from now on architectural history and theory would be intertwined as a critical engagement with cultural ideas for their own sake. Goetz’s redefi nition of architecture as an endlessly recurring event of dislocation at once solves the problem of where architecture sits in relation to the other arts and, curiously, this takes us directly to the heart of the matter of Rykwert’s latest book, The Judicious Eye: Architecture against the Other Arts (2008).


id: interstices-433
author: Malpas, Jeff
title: Building Memory
date: 2012-03-14
pages: 11
extension: .pdf
mime: application/pdf
words: 6685
sentence: 265
flesch: 56
cache: cache/interstices-433.pdf
txt: txt/interstices-433.txt
summary:
  At the level of Australian domestic architecture, Richard Leplastrier’s “Lovett Bay House” at Pittwater, New South Wales, built on the site of an earlier dwelling de- stroyed by wild fire, provides a striking illustration of a mode of architectural practice that consciously draws on memory, building memory into the forms it constructs, allowing memory to emerge in and through the site – and doing so on a multiplicity of levels (see Fig. 1). Memory and place – place and memory There is a long tradition that connects place to memory.


id: interstices-409
author: Sturm, Sean; Turner, Stephen
title: “Built Pedagogy”: The University of Auckland Business School as Crystal Palace
date: 2011-03-11
pages: 12
extension: .pdf
mime: application/pdf
words: 6024
sentence: 376
flesch: 60
cache: cache/interstices-409.pdf
txt: txt/interstices-409.txt
summary:
  This is not unlike the telematic (wired; Greek, “acting at a distance”) Business School, which, as befits our national penchant for fast-following, transplants neoliberal business practice from the “centre” of neoliberalism (whether we take that to be Chicago or Wash- ington or, rather, their transcendental equivalents, the School and the Consen- sus).7 To grow right, such a species requires a glasshouse – in Sloterdijk’s terms, an “immaterialized” and “temperature-controlled” enclosure (2008: 12). (FJMT and Archimedia 2010) More than a public domain, then, whose exchange of inside and outside makes the enclosed space feel “natural,” the Business School embodies a “built pedagogy” – and it offers us an education in topology.


id: interstices-448
author: Loo, Stephen; Douglas, Andrew
date: 2012-03-15
pages: 4
extension: .pdf
mime: application/pdf
words: 575
sentence: 20
flesch: 39
cache: cache/interstices-448.pdf
txt: txt/interstices-448.txt
title:
  2011 Interstices Under Construction Symposium: Technics, Memory and the Architecture of History PROGRAMME

summary:
  Hannah Lewi: “Deranging Oneself in Someone Else’s House” 5.45pm - 6.15pm Interstices 12// Journal launch and Cocktails School of Architecture + Design Foyer 6.15pm - 7.30pm Key Speaker// Rory Spence Lecture Theatre (School of Architecture + Design) Alessandra Ponte: The Archives of the Planet: Cinema, Photography and Memory, 1908-1931 Interstices// Under Construction Symposium University of Tasmania Launceston 25-27.11.2011 01. 02. Saturday// 26.11.2011 School of Visual + Performing Arts School of Architecture + Design John Roberts: Reflecting on the Architectural After-effects of September 11 James Lewis: Understanding the Iconic Icon Tanja Poppelreuter Mneme of Space 5.00pm - 5.30pm Drinks// School of Architecture + Design Foyer


id: interstices-439
author: Taylor, William
date: 2012-03-14
pages: 12
extension: .pdf
mime: application/pdf
words: 5979
sentence: 249
flesch: 47
cache: cache/interstices-439.pdf
txt: txt/interstices-439.txt
title:
  Shotgun Houses and Housing Projects: Architectural typology and memory techniques of two New Orleans reconstruction scenarios

summary:
  New Orleans houses. While the condition of much New Orleans public housing was truly deplorable by September 2005, its dereliction was only partly due to Katrina and the impact of stormwater and floodwater on building fabric.


id: interstices-344
author: Findlay, Michael
date: 2008-03-05
pages: 7
extension: .pdf
mime: application/pdf
words: 6915
sentence: 343
flesch: 61
cache: cache/interstices-344.pdf
txt: txt/interstices-344.txt
title:
  So High You Can’t Get Over It: Neo-classicism, Modernism and Colonial Practice in the Forming of a Twentieth-century Architectural Landmark

summary:
  Connell’s critical profile has been partially shaped by the soubriquet ‘Wild Colonial Boys’, used to frame the work of Connell and others by the English architectural historian Dennis Sharp. Such an interpretation overlooks the depth of Connell’s experience prior to High and Over and arguably overplays his anti- theoretical and outsider status.


id: interstices-636
author: Jackson, Mark; Jenner, Ross; Engels-Schwarzpaul, Tina
title: 2008 Interstices Under Construction Symposium: On Adam's House in the Pacific PROGRAMME
date: 2009-11-07
pages: 7
extension: .pdf
mime: application/pdf
words: 4074
sentence: 175
flesch: 50
cache: cache/interstices-636.pdf
txt: txt/interstices-636.txt
summary:
  This is consistent with an ongoing fascination with the house in New Zealand architecture, yet ironically the building met with a lukewarm response from New Zealand’s architectural and design community, who celebrated the New Zealand exhibits but cringed about their island nation being represented on this international stage by a small, simple, low-cost and seemingly Japanese-inflected building. Recently selected by Manukau City Council’s ART source creative entrepreneurial programme, Charmaine is establishing a consultancy for Pacific architecture, which she hopes to advance more research-informed architecture that is responsive to our Oceanic region.


id: interstices-455
author: Mindrup, Matthew
title: The Merz Mill and the Cathedral of the Future
date: 2013-03-15
pages: 10
extension: .pdf
mime: application/pdf
words: 6360
sentence: 347
flesch: 62
cache: cache/interstices-455.pdf
txt: txt/interstices-455.txt
summary:
  Elizabeth Burns Gamard argued in her book, Kurt Schwitters’ Merzbau, that Spengemann’s interpretation of Haus Merz as an “expression of a truly spiritual intuition, of the kind that raises us to the infinite: absolute art” had parallels with the “anagogic perspective of Gothic cathedrals and Romantic art” (2000: 76). 8 For the different identifications of the objects in Haus Merz see Spengemann (1920: 41); Elderfield (1985: 113-4); Burns Gamard (2000: 74); Dietrich (1993: 170).


id: interstices-676
author: James, Paul
title: Bare Architecture: A Schizoanalysis, by Chris L. Smith
date: 2021-11-22
pages: 4
extension: .pdf
mime: application/pdf
words: 1813
sentence: 95
flesch: 51
cache: cache/interstices-676.pdf
txt: txt/interstices-676.txt
summary:
  Additionally Smith notes; “The body parts the architectural phenomenologist’s focus is upon too, are 86 review / Chris L. Smith Bare Architecture: The majority of the text is written in a relatively conventional academic manner with linear arguments 85 review / Chris L. Smith Bare Architecture:


id: interstices-653
author: Walker, Stephen
date: 2020-12-16
pages: 4
extension: .pdf
mime: application/pdf
words: 2258
sentence: 69
flesch: 35
cache: cache/interstices-653.pdf
txt: txt/interstices-653.txt
title:
  The Routledge Companion to Critical Approaches to Contemporary Architecture Edited by Swati Chattopadhyay and Jeremy White

summary:
  Essays address architecture as this relates to buildings, but also explore architecture and architectural ques- tions in a wide range of other situations that expand conventional definitions of what architecture might be, where it might be found, what architects might do, and who they might be. The Routledge Companion to Critical Approaches to Contemporary Architecture Routledge, 2019 The Routledge Companion to Critical Approaches to Contemporary Architecture is a big book—464 pages.


id: interstices-672
author: Mika, Carl
title: A Māori reflection on Spinoza’s primordial
date: 2021-11-22
pages: 7
extension: .pdf
mime: application/pdf
words: 4314
sentence: 225
flesch: 67
cache: cache/interstices-672.pdf
txt: txt/interstices-672.txt
summary:
  The reasoning we have employed is dependent on infinite contingencies, and I reiterate here that Māori philoso- phy may be more intent on exploring the speculative outcomes of not knowing in relation to grasping any particular contingency at any point than dominant Western philosophy. As in my thinking with Novalis, though, in my Spinoza-Māori  en- counter I don’t set out just to give comparisons as such between Māori  thought and Spinoza’s, but to also be productive in my development of Māori notions of the primordial.


id: interstices-416
author: Leatherbarrow, David
title: Disorientation and Disclosure
date: 2011-03-11
pages: 12
extension: .pdf
mime: application/pdf
words: 6188
sentence: 342
flesch: 67
cache: cache/interstices-416.pdf
txt: txt/interstices-416.txt
summary:
  In what follows, I will introduce and 95 interpret several buildings. The weighty walls never meet the ground, but shade the Left: Giuseppe Terragni, Asilo Sant’ Elia, 1937, entry façade.


id: interstices-411
author: van der Plaat, Deborah
title: Cosmopolitan Interiors: Oscar Wilde and the House Beautiful
date: 2011-03-11
pages: 11
extension: .pdf
mime: application/pdf
words: 5952
sentence: 258
flesch: 54
cache: cache/interstices-411.pdf
txt: txt/interstices-411.txt
summary:
  2 O’Brien’s reconstruction is based primarily on ‘Oscar Wilde Lecture,’ Montreal Daily Witness, 22 May 1882, 2. Cosmopolitan Interiors: Oscar Wilde and the House Beautiful Deborah van der Plaat In 1882, the Irish poet, writer and aesthete, Oscar Wilde (1854-1900) travelled to the United States and Canada to promote, in an early example of indirect marketing, the American showing of Gilbert and Sullivan’s comic opera Patience. Travelling throughout America and Canada over a 10-month period, and lecturing in diverse and often unconventional venues, including the “Trimmed Hat Department” of the Eric Bros., Department Store in New York, Wilde delivered variations of four basic lectures: “The Renaissance in English Art”, a presentation on the Pre-Raphaelites and the Grosvenor Gallery Artists, “Irish Poets and Poetry of the Nineteenth Century”, “Art and the Handicraftsman” and “House Decora- tion”.


id: interstices-589
author: Wigley, Mark
title: Recycling Recycling
date: 2019-12-11
pages: 14
extension: .pdf
mime: application/pdf
words: 12729
sentence: 651
flesch: 61
cache: cache/interstices-589.pdf
txt: txt/interstices-589.txt
summary:
  The ikonic value of particular images is replaced with the “alchemy of the moving image in the rectangle,” whether it be mammoth screens at mass rallies blowing up the image of a single figure, the mass of flickering monitors from which the TV director assembles a program from live feeds arriving from different places all over the continent, or a drive-in cinema. Precisely by pretending that cyberspace is new we can preserve particular images of architecture and neutralise certain historically specific forms of resistance to them.


id: interstices-428
author: Douglas, Andrew; Engels-Schwarzpaul, Tina
date: 2011-03-11
pages: 17
extension: .pdf
mime: application/pdf
words: 8256
sentence: 364
flesch: 47
cache: cache/interstices-428.pdf
txt: txt/interstices-428.txt
title:
  2010 Interstices Under Construction Symposium Unsettled Containers - Aspects of Interiority BROCHURE

summary:
  Restless Containers: How to think interior space? A.-Chr. For DeLillo, interior space is a frontier of ex- ploration into the future of the novel.


id: interstices-645
author: Engels- Schwarzpaul, A.-Chr.
title: Peripheral territories: Imagining common worlds differently
date: 2020-12-16
pages: 19
extension: .pdf
mime: application/pdf
words: 10664
sentence: 651
flesch: 55
cache: cache/interstices-645.pdf
txt: txt/interstices-645.txt
summary:
  ENGELS-SCHWARZPAUL Peripheral territories: Imagining common worlds differently Introduction At the beginning of spatial struggle is separation: a perception of what is in, or outside, one’s body, one’s house, intimate group, kin, neighbourhood, and poli- ty. Against this backdrop, this paper explores the politics of place and mobility, 21 Peripheral territories: Imagining common worlds differently P O L


id: interstices-669
author: Chua, Eu Jin
title: Introduction: The arts, architectures, affects, and ecologies of Spinoza in Aotearoa
date: 2021-11-22
pages: 17
extension: .pdf
mime: application/pdf
words: 10998
sentence: 611
flesch: 62
cache: cache/interstices-669.pdf
txt: txt/interstices-669.txt
summary:
  There’s a school of thought in Spinoza studies that says this particular conjunction between philosopher and theme is fated to be an exercise in futility. A developing consensus in Spinoza studies identifies prolepsis as key to the mod- ern misconception that he had no aesthetics: certain assumptions about art and aesthetics tend to be retroactively projected upon his seventeenth-century texts, which are then unsurprisingly found to be lacking because being tested against unsympathetic yardsticks from the eighteenth and nineteenth centuries.


id: interstices-629
author: Loo, Stephen; Douglas, Andrew
date: 2012-03-15
pages: 17
extension: .pdf
mime: application/pdf
words: 14923
sentence: 602
flesch: 42
cache: cache/interstices-629.pdf
txt: txt/interstices-629.txt
title:
  2011 Interstices Under Construction Symposium: Technics, Memory and the Architecture of History BROCHURE

summary:
  Whilst Huberman rightly identifies the widespread failure to represent he also gives meaning and legibility to that Bio// Karen Burns is a Senior Lecturer in architectural history and theory in the Department of Architecture at Monash University, Melbourne, Australia. And for Sibel Bozdogan the Between the ‘represented’ and ‘representing’: The Crisis of Urban History and the Techniques of Historiography Iman Al-Attar problem is that architectural history is mainly Eurocentric and historiography emphasizes cultural difference rather than cultural diversity.


id: interstices-464
author: Cook, Marshall
title: Athfield Architects by Julia Gatley (book review)
date: 2013-03-15
pages: 2
extension: .pdf
mime: application/pdf
words: 631
sentence: 32
flesch: 60
cache: cache/interstices-464.pdf
txt: txt/interstices-464.txt
summary:
  INTERSTICES 14 Athfield Architects by Julia Gatley Review by Marshall Cook The precious history of architecture in New Zealand is rarely explored as compre- hensively as in architectural historian Julia Gatley's book on Athfield Architects. It is in the final section of the book that the work of Athfield Architects displays the firm’s depth of design skills.


id: interstices-677
author: Editor, Issue
title: Biographies
date: 2021-11-22
pages: 1
extension: .pdf
mime: application/pdf
words: 697
sentence: 36
flesch: 60
cache: cache/interstices-677.pdf
txt: txt/interstices-677.txt
summary:
  GÖKHAN KODALAK Gökhan Kodalak is a theo- rist, teaching philosophies of architecture, nature, and cities at Pratt Institute; an architect, directing design studios at Parsons School of Design; and a historian, having recently completed his PhD dissertation titled “Spinoza and Architecture” at Cornell University. A long-term art-phi- losophy research project, The Swerve of Freedom After Spinoza, comprising more than 50 performative readings, papers, videos, interventions, collaborations and dance, is in the throes of completion.


id: interstices-471
author: Nepia, Moana
title: Mihi whakatau
date: 2014-03-18
pages: 3
extension: .pdf
mime: application/pdf
words: 792
sentence: 47
flesch: 79
cache: cache/interstices-471.pdf
txt: txt/interstices-471.txt
summary:
  I’ve chosen today to share some poetry with you that gathers ideas regarding atmospheres evoked through Māori ritual greetings and lament, and to touch on some of the themes that this symposium is addressing.1 When we talk about atmosphere in Māori, one of the words we use is rangi. There are many atmospheres in Māori thinking, many states and names for Rangi.


id: interstices-658
author: Editor, Issue
title: Colophon
date: 2020-12-16
pages: 1
extension: .pdf
mime: application/pdf
words: 819
sentence: 26
flesch: 29
cache: cache/interstices-658.pdf
txt: txt/interstices-658.txt
summary:
  This issue is supported by School of Art + Design, Auckland University of Technology, School of Architecture & Planning, University of Auckland (Institutional Sponsors) and ACS Architects, Architectus, Augustus Services, Cheshire Architects, Moller Architects, Salmon Reed Architects, Warren and Mahoney, JASMAX (Corporate Sponsors) Co-ordinating Editor Susan Hedges Issue Editors Farzaneh Haghighi, Nikolina Bobic Contributors this issue Endriana Audisho, Andrew Benjamin, Anthony Brand, Sarah Breen Lovett, Ian Buchanan, Tina Engels-Schwarzpaul, Carl Douglas, Xavier Ellah, Christina Deluchi, Daniel Grinceri, Susan Hedges, Frank Liu, Sandra Kaji- O’Grady, Cameron Logan, Gerard Reinmuth, Stephen Walker Design and typography Catherine Griffiths Typefaces Founders Grotesk, Tiempos Text Klim Type Foundry Production Nikolina Bobic, Andrew Douglas, Julia Gatley, Catherine Griffiths, Farzaneh Haghighi, Susan Hedges, Joanne Mathers Published by enigma : he aupiki, Auckland, New Zealand December 2020 ISSN 1170-585X (Print) Jillian Hamilton (Queensland University of Technology), Stephen Loo (University of Tasmania), Mirjana Lozanovska (Deakin University), John Macarthur (University of Queensland), Jeff Malpas (University of Tasmania), Jules Moloney (Deakin University), Vivian Mitsogianni (RMIT Design Research Institute), Deborah van der Plaat (University of Queensland), Sam Spurr (University of New South Wales), Paul Walker (University of Melbourne) Germany Ursula Baus (frei04-publizistik, Stuttgart), Uta Brandes (Köln International School of Design) Italy Renato Rizzi (Università Iuav di Venezia, Architect Trento), Nigel Ryan (Architect, Rome) Tunisia Bechir Kenzari (United Arab Emirates University) UK Mark Dorrian (Edinburgh College of Art), Jonathan Hale (University of Nottingham), Sally Jane Norman (University of Sussex), Peg Rawes (The Bartlett School of Architecture), Joseph Rykwert (Emeritus Paul Philippe Cret Professor) USA Peggy Deamer (Yale University), Mark Goulthorpe (MIT, deCoi Architects Paris), Jonathan Lamb (Vanderbilt University), David Leatherbarrow (University of Pennsylvania), Moana Nepia (University of Hawai’i at Mānoa) Executive Editors Andrew Douglas, Julia Gatley, Susan Hedges colophon


id: interstices-424
author: Morris, Emma
title: The Archive of Atmosphere: Installation as an interior architectural event
date: 2011-03-11
pages: 8
extension: .pdf
mime: application/pdf
words: 1017
sentence: 83
flesch: 56
cache: cache/interstices-424.pdf
txt: txt/interstices-424.txt
summary:
  Archives, as interior conditions, are a necessary safe-keeper of past collections enabling the prediction of vast external change. Pencil on trace 139 The Archive of Atmosphere: Installation as an interior architectural event Installation at the Bartlett, London, September 2010 Emma Morris To create an interior micro-ecology, this archival project uses the technique of in- stallation and an organisational strategy analogous to the ‘natural archive’ of an ice core.


id: interstices-697
author: Nees, Tim
title: Aaron Paterson, Sarosh Mulla and Marian Macken Drawing room
date: 2022-03-21
pages: 4
extension: .pdf
mime: application/pdf
words: 1322
sentence: 66
flesch: 63
cache: cache/interstices-697.pdf
txt: txt/interstices-697.txt
summary:
  We the visitor, however, cannot help but think we make an unreliable interpreter, that if we were called upon to articulate our thoughts we would falter, for surely TOI MOROKI CENTRE OF CONTEMPORARY ART, CHRISTCHURCH, NOVEMBER 28, 2020– FEBRUARY 20, 2021 IN T E R S T IC E S 2 1 167 review / Aaron Paterson, Sarosh Mulla and Marian Macken Drawing room F I X I N G there is an official version tethered to the drawings that will trump us. [Photograph by Simon Devitt (2020)] IN T E R S T IC E S 2 1 168 review / Aaron Paterson, Sarosh Mulla and Marian Macken Drawing room F I X I N G see themselves as cutting edge artists or provocative set designers, though I realise that if they can combine all the qualities required to create memorable architecture and marry them ephemerally to an existing architectural space, and by so doing create a palpable murky energy as demonstrated in this exhibition, their skill as architects is unquestionable.


id: interstices-367
author: Rykwert, Joseph
title: Adam’s House Again
date: 2009-11-07
pages: 3
extension: .pdf
mime: application/pdf
words: 1632
sentence: 61
flesch: 60
cache: cache/interstices-367.pdf
txt: txt/interstices-367.txt
summary:
  Public social space in a city so constituted is constantly eroded by private in- terest: any conspicuous building is expected to act as a carrier of advertising. It may be, though, that the reported rise in the sales of the books of Karl Marx and Maynard Keynes provides no real demonstration of a cultural shift, and for that matter the demonising of bankers throughout the Anglo-Saxon world does not indicate anything more – as yet – than a glitch in the fortunes of the market, but the signs do seem to be pointing to a dissatisfaction with the shopping mall as the image of public space.


id: interstices-444
author: Pickersgill, Sean
title: Architecture and Violence, edited by Bechir Kenzari (A review)
date: 2012-03-15
pages: 3
extension: .pdf
mime: application/pdf
words: 1858
sentence: 59
flesch: 37
cache: cache/interstices-444.pdf
txt: txt/interstices-444.txt
summary:
  Herscher and Treadwell, at least, show how a particularly specific spatial and ma- terial strategy inherently recorded a pattern of violence, but these instances do not occur within an overall narrative within Architecture and Violence that demon- strated their relevance to an architectural practice that drew upon and developed military practice. It is Architec- ture and Violence, not ‘Architecture or Violence’, ‘Architecture for Violence’, or even ‘Violent Architecture’.


id: interstices-680
author: Editor, Issue
title: 2017 Interstices Under Construction Symposium PROGRAMME
date: 2021-11-22
pages: 7
extension: .pdf
mime: application/pdf
words: 941
sentence: 54
flesch: 49
cache: cache/interstices-680.pdf
txt: txt/interstices-680.txt
summary:
  WF202, 2nd Floor, AUT Business Building, 95 Governor Fitzroy Place, Auckland University of Technology. Saturday 27 May 9.15 – 9.30 Registration (self-service) 9.30 – 11.00 Parallel Sessions Rooms WG607 and WG609, 6th floor, Sir Paul Reeves Building, Governor Fitzroy Place, Auckland University of Technology.


id: interstices-632
author: Douglas, Andrew ; Engels-Schwarzpaul, Tina
date: 2011-03-11
pages: 3
extension: .pdf
mime: application/pdf
words: 439
sentence: 23
flesch: 49
cache: cache/interstices-632.pdf
txt: txt/interstices-632.txt
title:
  2010 Interstices Under Construction Symposium Unsettled Containers - Aspects of Interiority PROGRAMME

summary:
  Musings on Indoor-Outdoor Flow Kara Rosemeier Drinks Conference Centre, The University of Auckland Dinner O’ Sarracino Restaurant, 3-5 Mount Eden Road, Auckland 1:30 - 3:00 pm 3:00 - 3:30 pm 3:30 - 5:00 pm 5:00 - 6:00 pm Design Theatre, Conference Centre The University of Auckland 7:00 pm Saturday 9 October ALR5, School of Architecture and Planning The University of Auckland 3:30 - 5:00 pm Inside | Out 1. Interstices11: The Traction of Drawing Introduction to Professor David Leatherbarrow Dr. Ross Jenner, School of Architecture and Planning, The University of Auckland Disorientation and Disclosure Keynote by David Leatherbarrow Dinner Vivace Restaurant, Level 1, 50 High Street, Auckland 4:00 - 4:30 pm 4:30 - 6:00 pm 6:00 - 6:45 pm 6:45 - 7:00 pm 7:00 - 8:00 pm Design Theatre, Conference Centre The University of Auckland 8:30 pm Saturday 9 October Containment | Exposure 1.


id: interstices-484
author: Austin, Michael
date: 2019-03-18
pages: 2
extension: .pdf
mime: application/pdf
words: 784
sentence: 35
flesch: 62
cache: cache/interstices-484.pdf
txt: txt/interstices-484.txt
title:
  Beyond the State: New Zealand’s State houses from modest to modern by Bill Mackay and Andrea Stevens (review)

summary:
  Not the working class, and not those who are currently ‘allocated’ State houses and who, according to contemporary myths, are without work. What a contrast with architects’ attitudes to State houses half a century ago, when they were considered beneath contempt.


id: interstices-719
author: Douglas, Andrew
title: Securing Urbanism: Contagion, Power and Risk, Mark Laurence Jackson and Mark Hanlen
date: 2023-08-16
pages: 6
extension: .pdf
mime: application/pdf
words: 2946
sentence: 103
flesch: 46
cache: cache/interstices-719.pdf
txt: txt/interstices-719.txt
summary:
  Between COVID-indifference, petty security despotism, and the crude herding under- pinning inter-urban air travel, though, reading this way seemed entirely in tune with the disquieting conditions pictured by Securing Urbanism—our everyday acquiescence to commercially inflected risk management and its shuttering and productive shaping of urban possibility. A L book review / ANDREW DOUGLAS Securing Urbanism: Contagion, Power and Risk By Mark Laurence Jackson and Mark Hanlen Springer, 2020, 483 pp.


id: interstices-421
author: Simmons, Lynda
title: Interior Darkness / Contained Shadow
date: 2011-03-11
pages: 5
extension: .pdf
mime: application/pdf
words: 3010
sentence: 181
flesch: 62
cache: cache/interstices-421.pdf
txt: txt/interstices-421.txt
summary:
  While there is clearly a uniquely Māori architecture, which developed separately from the architecture of other, also diverse, Pacific cultures, for the purposes of this discussion of contained shadow and interior darkness, the similarities are important. Tanizaki’s notion of the beauty of darkness is found in many aspects of Japanese interiors, and it relates to this third condition of contained shadow.


id: interstices-710
author: Gatley, Julia ; Aitken Rose, Elizabeth
title: Urban Historical
date: 2023-08-16
pages: 6
extension: .pdf
mime: application/pdf
words: 2729
sentence: 120
flesch: 45
cache: cache/interstices-710.pdf
txt: txt/interstices-710.txt
summary:
  It explores matters of interest across the fields of architectur- al history, planning history, urban design history, and heritage conservation, including historical moments of cross-disciplinary exchange that engage specifi- cally with the urban. Architecture, planning, and urban design have similar DNA.


id: interstices-465
author: Jenner, Ross
title: In memoriam: Marco Frascari (1945-2013)
date: 2013-03-15
pages: 2
extension: .pdf
mime: application/pdf
words: 460
sentence: 23
flesch: 55
cache: cache/interstices-465.pdf
txt: txt/interstices-465.txt
summary:
  “L’occhio” (the eye) from the serie piccolo (with kind permission of Paola Frascari) 127 A prolific scholar, Marco wrote on architectural theory, history, representation and tectonics in most leading journals and, notably, in two books, Monsters of Architec- ture (1991) and Eleven Exercises in the Art of Architectural Drawing: Slow-Food for the Architect’s Imagination (2011). INTERSTICES 14 In memoriam: Marco Frascari (1945-2013)


id: interstices-432
author: Loo, Stephen
title: Introduction: Technics, Memory and the Architecture of History
date: 2012-03-14
pages: 6
extension: .pdf
mime: application/pdf
words: 2417
sentence: 101
flesch: 41
cache: cache/interstices-432.pdf
txt: txt/interstices-432.txt
summary:
  Similarly, it asked what image-objects are “inherited” by the historian and what are the ontological conditions surrounding their construction and dissemination, and their effects on remembering the past? Jeff Malpas frames the overarching theme of memory through a philosophical demonstration of how human memory is inextricably connected to places and built form beyond a purely subjectivist position or as temporal-experiential ad- ditions to them. Therefore technics as tertiary memory both makes possi- ble and is constitutive of primary conscious perception as well as the imagination in secondary recollection.


id: interstices-440
author: Lewi, Hannah
title: Deranging Oneself in Someone Else’s House
date: 2012-03-14
pages: 7
extension: .pdf
mime: application/pdf
words: 3630
sentence: 201
flesch: 72
cache: cache/interstices-440.pdf
txt: txt/interstices-440.txt
summary:
  The research asks how we come to know and experience houses that are not necessarily our own, but that we have more than limited access to because they have been retained as embalmed ob- jects of shared interest? However, even without such wizardry, houses are potent domestic sites of embodied histories, memories and experiences that also frame our own inner identities, anxieties and memories.


id: interstices-678
author: Editor, Issue
title: Colophon
date: 2021-11-22
pages: 1
extension: .pdf
mime: application/pdf
words: 911
sentence: 44
flesch: 49
cache: cache/interstices-678.pdf
txt: txt/interstices-678.txt
summary:
  Australia Suzie Attiwill (RMIT University), Hélène Frichot (University of Melbourne) Jillian Hamilton (Queensland University of Technology), Stephen Loo (University of Tasmania), Mirjana Lozanovska (Deakin University), John Macarthur (University of Queensland), Jeff Malpas (University of Tasmania), Jules Moloney (Deakin University), Vivian Mitsogianni (RMIT Design Research Institute), Deborah van der Plaat (University of Queensland), Sam Spurr (University of New South Wales), Paul Walker (University of Melbourne) Germany Uta Brandes (Köln International School of Design), Ursula Baus (frei04-publizistik, Stuttgart) Italy Renato Rizzi (Università Iuav di Venezia, Architect Trento), Nigel Ryan (Architect, Rome) UAE Bechir Kenzari UK Mark Dorrian (Edinburgh College of Art), Jonathan Hale (University of Nottingham), Peg Rawes (The Bartlett School of Architecture), Joseph Rykwert (Emeritus Paul Philippe Cret Professor) USA Peggy Deamer (Yale University), Mark Goulthorpe (MIT, deCoi Architects Paris), Jonathan Lamb (Vanderbilt University), David Leatherbarrow (University of Pennsylvania) colophon I N T E R S T This issue is supported by School of Art + Design, Auckland University of Technology, School of Architecture & Planning, University of Auckland (Institutional Sponsors) and ASC Architects, Architectus, Augustus Services, Cheshire Architects, Moller Architects, Salmond Reed Architects, Warren and Mahoney, JASMAX (Corporate Sponsors) Executive Editors Andrew Douglas, Julia Gatley, Susan Hedges Co-ordinating Editor Susan Hedges Issue Editors Eu Jin Chua, Farzaneh Haghighi Contributors this issue Sue Ruddick, Michael LeBuffe, Carl Mika, Sean Sturm, Stephen Turner, Gökhan Kodalak, Jonathan Lahey Dronsfield, Paul James Design and typography Catherine Griffiths Typefaces Founders Grotesk, Tiempos Text Klim Type Foundry Production Catherine Griffiths, Susan Hedges, Joanne Mathers Published by enigma : he aupiki, Auckland, New Zealand October 2021 ISSN 1170-585X (Print)


id: interstices-655
author: Logan, Cameron
title: Green Square Library and Plaza, Sydney Stewart Hollenstein in association with Stewart Architects
date: 2020-12-16
pages: 4
extension: .pdf
mime: application/pdf
words: 1733
sentence: 77
flesch: 60
cache: cache/interstices-655.pdf
txt: txt/interstices-655.txt
summary:
  A L M A T T E R S review / CAMERON LOGAN Green Square Library and Plaza, Sydney Stewart Hollenstein in association with Stewart Architects But the new Sydney library that has arguably attracted the widest attention and most acclaim in recent years is Green Square Library and Plaza (Stewart Hollenstein, 2018).


id: interstices-417
author: Sloterdijk, Peter; Engels-Schwarzpaul, A.-Chr.
title: Architecture As an Art of Immersion (2006)
date: 2011-03-11
pages: 5
extension: .pdf
mime: application/pdf
words: 2810
sentence: 130
flesch: 57
cache: cache/interstices-417.pdf
txt: txt/interstices-417.txt
summary:
  A core aspect of artificial immersion, as a phenomenon, is the potential replacement of whole environments – not only of the images, usually framed, one looks at in galleries. Significantly, the awareness of being embedded became suddenly depoliticised after 1945 and disappeared from the lofty collectivist spheres – as though people never wanted to hear again that there are art forms which encase man in man.


id: interstices-414
author: Linzey, Kate
title: Reflective Interiors: The Pepsi Pavilion and the Tower of the Sun
date: 2011-03-11
pages: 8
extension: .pdf
mime: application/pdf
words: 4195
sentence: 215
flesch: 59
cache: cache/interstices-414.pdf
txt: txt/interstices-414.txt
summary:
  Osaka Expo ‘70, like the Olympic Games which preceded it in 1964, was an event designed to demonstrate the strength of the emerging post-war economy, and the resilience of the Japanese people (Urushima 2007:394). While it is common for nationalised projects to explore how design can produce identity, Osaka Expo ‘70 presents an unusual instance where that identity was defined as unsettled, divided and point- edly anxiety-producing.


id: interstices-457
author: Paine, Ashley
title: Striped effects: The articulation of materiality and directionality in striped architecture
date: 2013-03-15
pages: 11
extension: .pdf
mime: application/pdf
words: 5336
sentence: 244
flesch: 52
cache: cache/interstices-457.pdf
txt: txt/interstices-457.txt
summary:
  In this light, frontality and rotation are not simply another pair of visual effects of stripes that operate through clarifying or obscuring form, attracting or diverting attention. It is also a remarkable demonstration of the psycho-perceptual effects of stripes, and their capacity to assert the physical and visual qualities of space in a dialectical interplay that oscillates between mate- riality and immateriality.


id: interstices-661
author: Haghighi, Farzaneh; Bobic, Nikolina
title: Interstices Issue 20: Political Matters CFP
date: 2020-12-16
pages: 2
extension: .pdf
mime: application/pdf
words: 679
sentence: 45
flesch: 45
cache: cache/interstices-661.pdf
txt: txt/interstices-661.txt
summary:
  To answer the question of what it means for space to be political beyond it merely being an expression of hegemonic orders, we follow Hannah Arendt’s celebration of political action, and her stance that political questions are far too serious to be left to politicians (1970). The thematic call on Political Matters: Spatial Thinking on the Alternative for Issue 21 of Interstices: Journal of Architecture and Related Arts seeks ambitious, innovative and rigorous scholarship of 5,000-word papers.


id: interstices-437
author: Chapman, Michael
title: (re) Findings: Discovery and memory in the architecture and legacy of surrealism
date: 2012-03-14
pages: 9
extension: .pdf
mime: application/pdf
words: 5491
sentence: 315
flesch: 54
cache: cache/interstices-437.pdf
txt: txt/interstices-437.txt
summary:
  Dali also launched a reclamation of art nouveau architecture in opposition to modernism (Fanés 2007: 90-91; 162-164). New architecture was subjected to continual ridicule by the surrealists, especially by Breton and Dali.


id: interstices-480
author: Böhme, Gernot
title: The theory of atmospheres and its applications (translated by A.-Chr. Engels-Schwarzpaul)
date: 2014-03-18
pages: 8
extension: .pdf
mime: application/pdf
words: 4492
sentence: 227
flesch: 56
cache: cache/interstices-480.pdf
txt: txt/interstices-480.txt
summary:
  Art The staging of art works, too, is an application of the aesthetic theory of atmospheres – I have al- ready mentioned this. Meanwhile, though, the influence of an aesthetic of atmospheres has expanded, and this has led to a relativ- ization of conventional modes of accessing art works, through semiotics or hermeneutics.


id: interstices-434
author: Madsen, Jane
title: The Space of Collapse: A two-part terrain
date: 2012-03-14
pages: 10
extension: .pdf
mime: application/pdf
words: 5648
sentence: 271
flesch: 59
cache: cache/interstices-434.pdf
txt: txt/interstices-434.txt
summary:
  For Kleist collapse also came about by read- ing Kant’s critical writing and the loss of the certainty of empirical observation. In Earthquake in Chile (Das Erdbeben in Chili) (1807), Kleist gives literary form to the terrain of collapse where architectural and temporal space is represented as destruction.


id: interstices-698
author: Editor, Issue
title: Biographies
date: 2022-03-29
pages: 3
extension: .pdf
mime: application/pdf
words: 1620
sentence: 76
flesch: 36
cache: cache/interstices-698.pdf
txt: txt/interstices-698.txt
summary:
  He has been researching and teaching at Newcastle since 2015, and in 2019 was awarded a PhD in Architecture through creative practice research that examined the role of making, drawing, and play within design processes. Ngāi Te Rangi) has a Bachelor of Design (Interior Architecture) and Master of Landscape Architecture (Professional) from Victoria University of Wellington.


id: interstices-496
author: Hale, Jonathan
title: Architectural projects of Marco Frascari: The pleasure of a demonstration. Sam Ridgway
date: 2015-03-18
pages: 2
extension: .pdf
mime: application/pdf
words: 986
sentence: 31
flesch: 48
cache: cache/interstices-496.pdf
txt: txt/interstices-496.txt
summary:
  It is this idea that drew him towards working with historic buildings, again in an echo Architectural projects of Marco Frascari: The pleasure of a demonstration J o n a t h a n H a l e of Scarpa’s approach to the layering of historic and contemporary fabrics – perhaps best exemplified at the Castelvecchio Museum in Verona. The rotation of these key elements highlights another of Frascari’s design preoccupations: the role of geometric drawing instruments in the ‘drawing out’ of an idea.


id: interstices-475
author: Boswell, Anna
title: Fractured Atmospherics
date: 2014-03-18
pages: 11
extension: .pdf
mime: application/pdf
words: 5887
sentence: 348
flesch: 62
cache: cache/interstices-475.pdf
txt: txt/interstices-475.txt
summary:
  As the two responses also indicate, in accordance with its own changing needs (particularly national distinctiveness and connectedness-to-place), settler culture has adopted and reconstructed Te Rerenga Wairua as a place of emotional, patriotic pilgrimage. As Mason Durie has noted, the imposition of an imagined “universality” of feeling by settler culture in relation to such places mistakes Māori understandings of the nature of relation- ships between entities in a linked-up environment (2010: 239).


id: interstices-453
author: Löschke, Sandra Karina
title: Material aesthetics and agency: Alexander Dorner and the stage-managed museum
date: 2013-03-15
pages: 13
extension: .pdf
mime: application/pdf
words: 6627
sentence: 305
flesch: 50
cache: cache/interstices-453.pdf
txt: txt/interstices-453.txt
summary:
  It is through this lens that Dorner understood his historical re-organisation of the entire museum, where “a walk through the art collections of the museum unrolls the almost complete development of art from the year 1000 up until our day, and in beholding the artworks, we experience the great Fig.4 Alexander Dorner. (Dorner ca. 1930, Part 2: 7) Fig.5 Alexander Dorner.


id: interstices-684
author: Brina, Luciano
title: Pharmakon landscape: An emerging territorial model for deep-time, geo-bio-chemical governance
date: 2022-03-29
pages: 13
extension: .pdf
mime: application/pdf
words: 5891
sentence: 286
flesch: 47
cache: cache/interstices-684.pdf
txt: txt/interstices-684.txt
summary:
  Pharmakon landscape: modelling geo-bio-chemical governance by means of waste management Pharmakon landscape is a model of intense territorial intervention for climate change mitigation and geo-bio-chemical governance which, rather than reclaim- ing the decayed inner periphery for its former rationale and imaginary, aims to reorganise and enhance its ongoing poisonous, everyday practices, enabling them to have a positive terrestrial effect, across a timespan longer than human (social) time. Pharmakon landscape is a model that comprises waste management, infrastruc- tural repurposing, rewilding, curated direct human presence and self-funded relocation, remote and in-site sensing, and military enforcement.


id: interstices-682
author: Chua, Eu Jin; Haghighi, Farzaneh
title: 2017 Interstices Under Construction Symposium CFP
date: 2021-12-14
pages: 3
extension: .pdf
mime: application/pdf
words: 898
sentence: 26
flesch: 39
cache: cache/interstices-682.pdf
txt: txt/interstices-682.txt
summary:
  With regard to the second aim, we invite submissions on any aspects of Spinoza studies that have a connection to New Zealand, Australia, the South Pacific, or Asia-Pacific and the Pacific Rim more broadly. CFP The Arts of Spinoza The Arts of Spinoza + Pacific Spinoza Interstices Under Construction symposium, 26-28 May 2017 Auckland University of Technology and University of Auckland, New Zealand www.interstices.ac.nz Plenaries / keynotes include: MOIRA GATENS Challis Professor of Philosophy, University of Sydney MICHAEL LEBUFFE Baier Chair, Early Modern Philosophy, University of Otago SUSAN RUDDICK Professor, Geography & Planning, University of Toronto ANTHONY UHLMANN Professor, Writing and Society, University of Western Sydney Plenary panel JACOB CULBERTSON Visiting Assistant Professor, Anthropology, Haverford College ALBERT REFITI


id: interstices-345
author: Skinner, Robin
title: Further Investigations into an Authorship: Reassessing the Dixon Street Flats Archive
date: 2008-03-05
pages: 7
extension: .pdf
mime: application/pdf
words: 6846
sentence: 469
flesch: 64
cache: cache/interstices-345.pdf
txt: txt/interstices-345.txt
summary:
  Letters: Plischke PR. Plischke had trained under Oskar Strnad and Peter Behrens and had worked for Behrens and Josef Frank in Vienna and for Jacques Ely Kahn in New York.


id: interstices-488
author: Hughes, Russell
date: 2015-03-18
pages: 7
extension: .pdf
mime: application/pdf
words: 5544
sentence: 303
flesch: 51
cache: cache/interstices-488.pdf
txt: txt/interstices-488.txt
title:
  The Internet of politicised ‘things’: urbanisation, citizenship, and the hacking of New York ‘innovation’ City

summary:
  At this formative stage, would it appear that the global civic trend toward smart cities is merely a ‘smarter’ way for triple-helicoid partners to stealthily track and control the flows of their capital and influence? For this new urban imaginary, Nancy’s glomus is not so much a problem as it is a fortuitous opportunity for commercial solutions, in particular those that navigate cities as dense concentrations of scientific and entrepreneurial ‘innovation’.


id: interstices-445
author: Walsh, John
date: 2012-03-15
pages: 3
extension: .pdf
mime: application/pdf
words: 1692
sentence: 74
flesch: 60
cache: cache/interstices-445.pdf
txt: txt/interstices-445.txt
title:
  My Desk is My Castle: Exploring personalisation cultures, edited by Uta Brandes and Michael Erlhoff (A review)

summary:
  That is, the office visitors took photographs of desks and their accretions of objects and then the authors tried to make sense of this material, in part by sort- ing items into “clusters” – “toys and figurines”, for example, “life accessories” and “plants and greenery”, the latter also defined as “personal horticultural organ- isms”. Desks were photographed, but their users were interviewed in a very cursory manner.


id: interstices-6
author: Galliot, Sebastien
date: 2017-12-22
pages: 12
extension: .pdf
mime: application/pdf
words: 7026
sentence: 328
flesch: 52
cache: cache/interstices-6.pdf
txt: txt/interstices-6.txt
title:
  From ritual efficacy to iconic efficiency: ritual encoding, surface/pattern and global perceptions of Pacific tattoo iconography

summary:
  So, addressing the case of Samoan tattooed images simultaneously opens a space of debate that also encompasses other Polynesian tattoo iconographies. On the other hand, Pacific tattooists who proclaim and emphasize the indigenousness of their work have adopted not only western standards of hygiene and technology, but also what one could consider as a western understanding and interpretation of tattooed images.


id: interstices-722
author: Editor, Issue
title: Colophon
date: 2023-08-16
pages: 1
extension: .pdf
mime: application/pdf
words: 861
sentence: 31
flesch: 36
cache: cache/interstices-722.pdf
txt: txt/interstices-722.txt
summary:
  (Tina) Engels-Schwarzpaul (Auckland University of Technology) Italy Renato Rizzi (Università Iuav di Venezia, Architect Trento), Nigel Ryan (Architect, Rome) Tunisia Bechir Kenzari (United Arab Emirates University) UK Mark Dorrian (Edinburgh College of Art), Jonathan Hale (University of Nottingham), Peg Rawes (The Bartlett School of Architecture), Joseph Rykwert (University of Pennsylvania) USA Peggy Deamer (Yale University), Mark Goulthorpe (MIT, deCoi Architects Paris), Jonathan Lamb (Vanderbilt University), David Leatherbarrow (University of Pennsylvania) colophon I N T E R S T Australia Suzie Attiwill (RMIT University), Jillian Hamilton (Queensland University of Technology), Stephen Loo (UNSW Sydney), Mirjana Lozanovska (Deakin University), John Macarthur (University of Queensland), Jeff Malpas (University of Tasmania), Jules Moloney (Deakin University), Vivian Mitsogianni (RMIT Design Research Institute), Deborah van der Plaat (University of Queensland), Sam Spurr (UNSW Sydney), Paul Walker (University of Melbourne), Hélène Frichot (University of Melbourne) Germany Uta Brandes (Köln International School of Design), Ursula Baus (frei04-publizistik, Stuttgart), A. Chr.


id: interstices-674
author: Kodalak, Gökhan
title: Spinoza’s affective aesthetics: Art and architecture from the viewpoint of life
date: 2021-11-22
pages: 9
extension: .pdf
mime: application/pdf
words: 6251
sentence: 337
flesch: 52
cache: cache/interstices-674.pdf
txt: txt/interstices-674.txt
summary:
  This is the latent ethos underlying processes of complica- tion from the viewpoint of Spinoza’s aesthetics: an affective transformation that, rather than reducing and subjugating life forces, affirms and contracts them. This begs the question: is there, despite our persistent negligence, much more to the relationship of Spinoza and aesthet- ics than first meets the eye?


id: interstices-472
author: Douglas, Andrew
title: Introduction: Being Moved
date: 2019-03-18
pages: 6
extension: .pdf
mime: application/pdf
words: 3865
sentence: 146
flesch: 38
cache: cache/interstices-472.pdf
txt: txt/interstices-472.txt
summary:
  If for Massumi the societal aspect of control society is composed of three dimensions – firstly, a politi- cal/governmental domain engineering command and control of life-affirming and life-diminishing forces, secondly, an economic domain indexed – in the name of “productivity and efficiency” – to monetary liberalism, and thirdly, a cultural domain of managed affects bridging the previous two dimensions – the new sociology Baudrillard anticipated might well be understood to entail reading into and across the constructed reality of the far from stable “self-organising system of systems” that is advanced capitalism (Massumi 1998: 47). Perhaps not surprisingly, this systems analogy – itself a product of the development of cybernetic feedback or enfolding between the 1940s and 1960s (Sedgwick 2003: 105) – seems to closely mirror the sys- tematicity of control societies that Deleuze diagnosed and the affective capitalism sustaining it.


id: interstices-467
author: Löschke , Sandra Karina; Luscombe, Desley
title: 2012 Intersticies Under Constrcution Symposium: Immaterial Materialities PROGRAMME
date: 2013-03-15
pages: 1
extension: .pdf
mime: application/pdf
words: 537
sentence: 14
flesch: 5
cache: cache/interstices-467.pdf
txt: txt/interstices-467.txt
summary:
  The (im)material architecture of Venice and the Venice Hospital Sophia Psarra The Bartlett School of Architecture, University College London, U.K. Impersonal geometries Stephen Loo School of Architecture, University of Tasmania Field Affects: Shaping Spatial Experience Ross McLeod School of Architecture and Design, RMIT 29 nOvemBer (cont.) On the appropriation and expansion of Brutalist materiality in Australian architecture Nugroho Utomo School of Architecture, University of Canberra Faith in Steel: The Fragmented Afterlife of the World Trade Centre, Mediating Modernity after 9/11 Andrea Connor School of Design, University of Technology Sydney 6.00 KeynOte - Philip ursprung (at mca) 7.15 Panel discussion: rachel Kent (senior curator mca) and others 30 nOvemBer 9.00 - 11.00 atmOsPhere cOlOur lIGht (moderation: claudia Perren) Ambient Atmospheres Ross Jenner School of Architecture, University of Auckland, New Zealand White Table / White Aalto John Roberts School of Architecture and Built Environment, University of Newcastle Striped Effects: Articulating the Material and Immaterial Ashley Paine ATCH Research Centre, School of Architecture, University of Queensland Translucency, brilliance and sparkle: an exploration of the interplay between light and materials Ruth McDermott School of Design, University of Technology Sydney 11.00 - 11.30 MORNING TEA 11.30 - 12.15 ArchItectural PractIce sessIOn (moderation: Olivia hyde/Bvn) 12.15 - 1.00 Plenum sessIOn 1.00 clOse FIlm PresentatIOns


id: interstices-670
author: Ruddick, Sue
date: 2021-11-22
pages: 12
extension: .pdf
mime: application/pdf
words: 6973
sentence: 349
flesch: 62
cache: cache/interstices-670.pdf
txt: txt/interstices-670.txt
title:
  Common notions and composite collaborations: Thinking with Spinoza to design urban infrastructures for human and wild cohabitants

summary:
  The project area, the Greater Toronto Area (GTA), is an excellent urban laboratory for the above ques- tions pertaining to the relations between human cities and non-human nature. Rather it is a composite body that functions perfectly well— it is just that it functions in the service of specific aspects of human urban life at the expense of non-human wildlife.


id: interstices-509
author: Milojevic, Michael
title: Ethno-Architecture and the Politics of Migration by Miriana Lozanovska BOOK REVIEW
date: 2016-12-25
pages: 3
extension: .pdf
mime: application/pdf
words: 1444
sentence: 47
flesch: 37
cache: cache/interstices-509.pdf
txt: txt/interstices-509.txt
summary:
  Since we’ve had migration longer than architecture, the latter’s history is a pal- impest inscribed by the histories of migrations. The canonical Western history of architecture in the Old World is a succession of migrations—the dynastic Egyptian migrations up into Nubia, Greek migrations west into ancient Sicily, Umayyad and Almohad migrations north into Iberia, and of course reversals and re-reversals.


id: interstices-442
author: Daniell, Tom
title: After the Aftershocks
date: 2012-03-14
pages: 3
extension: .pdf
mime: application/pdf
words: 1564
sentence: 61
flesch: 57
cache: cache/interstices-442.pdf
txt: txt/interstices-442.txt
summary:
  To me it simply suggested the sea – not a particularly original reaction, to be sure – and I sent him this paragraph: Spending most of my life on island nations (New Zealand, Japan), I’m al- ways close to a coast. On March 11, 2011, the Pacific Ocean did rise and inundate part of the northeast coast of Japan.


id: interstices-503
author: Jenner, Ross; Clifford, Patrick
title: In Memorium, Rewi Thompson, Architect OBITUARY
date: 2016-12-25
pages: 6
extension: .pdf
mime: application/pdf
words: 2418
sentence: 124
flesch: 68
cache: cache/interstices-503.pdf
txt: txt/interstices-503.txt
summary:
  Vale Rewi REFERENCES Thompson, Rewi. Rewi is a hugely significant figure in the culture and architecture of Aotearoa— New Zealand.


id: interstices-485
author: Douglas, Andrew; Hopewell, Hannah
title: Introduction: The city without qualities
date: 2015-03-18
pages: 6
extension: .pdf
mime: application/pdf
words: 5204
sentence: 341
flesch: 69
cache: cache/interstices-485.pdf
txt: txt/interstices-485.txt
summary:
  In the current closed mechanisms taking hold of urban space, he sees an escalating brittleness and inflexibility that does away with the deep redundancy and reusability of city fabric and the diverse cultural practices vested in it. Yet the plethora of claims on the value and sustained identity of urban place potentially operates as cover for something far more disconcerting – something that Saskia Sassen calls the savage sorting effected by cities (a sorting out of the trustworthy from the suspicious, the haves from the have-nots, and the new productive and cultural elites from the rest).


id: interstices-512
author: Interstices, Editor
title: Biographies
date: 2016-12-25
pages: 3
extension: .pdf
mime: application/pdf
words: 1994
sentence: 88
flesch: 43
cache: cache/interstices-512.pdf
txt: txt/interstices-512.txt
summary:
  ANDREW DOUGLAS Dr Andrew Douglas is a Senior Lecturer in Spatial Design at the School of Art+Design at Auckland University of Technology. Davis co-founded architecture and design practice ‘Ark’ with Vanessa Ceelen in 2004 and has practiced his trade in New Zealand, Canada and the Netherlands, while being involved in projects from Ethiopia to New Caledonia.


id: interstices-493
author: Manfredini, Manfredo; Jenner, Ross
date: 2015-03-18
pages: 12
extension: .pdf
mime: application/pdf
words: 12027
sentence: 1238
flesch: 82
cache: cache/interstices-493.pdf
txt: txt/interstices-493.txt
title:
  The Virtual Public Thing: de-re-territorialisations of public space through shopping in Auckland’s urban space

summary:
  New malls are increasingly complex elaborations of spatial and decorative patterning that favour ostension and originality in pursuit of memorability and imageability. Shopping malls in Australia: The end of public space and the rise of ‘consumerist citizenship’?


id: interstices-7
author: Engels- Schwarzpaul, Tina
title: Binding and arresting: surface and pattern in a contemporary traditional Pacific building
date: 2017-12-22
pages: 13
extension: .pdf
mime: application/pdf
words: 7459
sentence: 417
flesch: 53
cache: cache/interstices-7.pdf
txt: txt/interstices-7.txt
summary:
  He was clearly aware of iconic power as valuable strategic resource and ordering principle and used iconic patterns to galvanize narratives and juxtapose perspectives. Surface patterns are not merely traditional but living iconic survivals, in which collective feelings can consolidate and “be- come conscious of themselves” (Durkheim & Fields, 1995: 421).


id: interstices-481
author: Hopewell, Hannah
title: Moved on: Intertidal atmosphere
date: 2014-03-18
pages: 2
extension: .pdf
mime: application/pdf
words: 664
sentence: 42
flesch: 54
cache: cache/interstices-481.pdf
txt: txt/interstices-481.txt
summary:
  INTERSTICES 15 100 The notion of atmosphere offers a cogent conceptual manifold for something that is sensually manifest, yet ambiguous, cloudy and unstable.1 Atmospheres function like apertures of immediacy; they hang in space and time as elusive agents of intimacy, resisting manipulation or capture. Affective atmospheres.


id: interstices-699
author: Editor, Issue
title: Colophon
date: 2022-03-21
pages: 1
extension: .pdf
mime: application/pdf
words: 788
sentence: 25
flesch: 31
cache: cache/interstices-699.pdf
txt: txt/interstices-699.txt
summary:
  Australia Suzie Attiwill (RMIT University), Jillian Hamilton (Queensland University of Technology), Stephen Loo (University of New South Wales), Mirjana Lozanovska (Deakin University), John Macarthur (University of Queensland), Jeff Malpas (University of Tasmania), Jules Moloney (Deakin University), Vivian Mitsogianni (RMIT Design Research Institute), Deborah van der Plaat (University of Queensland), Sam Spurr (University of New South Wales), Paul Walker (University of Melbourne), Hélène Frichot (University of Melbourne) Germany Uta Brandes (Köln International School of Design), Ursula Baus (frei04-publizistik, Stuttgart), A. Chr. This issue is supported by School of Art + Design, Auckland University of Technology, School of Architecture & Planning, University of Auckland (Institutional Sponsors) Executive Editors Andrew Douglas, Julia Gatley, Susan Hedges Co-ordinating Editor Julia Gatley / Susan Hedges Issue Editors Jeanette Budgett, Carl Douglas, Simon Twose Contributors this issue Luciano Brina, Jeanette Budgett, Sibyl Bloomfield, Yue Yu, Verarisa Ujung, Julieanna Preston, Carl Douglas, Timothy Burke, Michael Chapman, Louisa King, Tamsin Salehian, Chris French, Maria Mitsoula, Anastasia Globa, Lawrence Harvey, Jules Moloney, Simon Twose, Julia Gatley, Tim Nees Design and typography Catherine Griffiths Typefaces Founders Grotesk, Tiempos Text Klim Type Foundry Production Catherine Griffiths, Susan Hedges, Joanne Mathers Published by enigma : he aupiki, Auckland, New Zealand March 2022 ISSN 1170-585X (Print)


id: interstices-700
author: Editor, Issue
title: 2021 Interstices Under Construction Symposium PROGRAMME
date: 2022-03-29
pages: 1
extension: .pdf
mime: application/pdf
words: 311
sentence: 8
flesch: 39
cache: cache/interstices-700.pdf
txt: txt/interstices-700.txt
summary:
  The Politics of the Pile: Material imagination and improvisation in the 1871 Paris Commune 17 19 3:55:00 PM 17 Tectonic agency in Africa: Reinvigorating collective making through repair 19 11 4:20:00 PM 19 (Un)Fixing Aloula: Maps, Images and Paradigms of The Attic (Marble) Landscape 11 7 4:45:00 PM 11 Typology of Fixing 7 5 5:10:00 PM Finish up i c e s Journal of Architecture and Related Arts “FIXING”: WORKSHOP PROGRAMME FOR 14 AUGUST 2021 (AS AT 17 JULY 2021): New Zealand time Paper to be discussed Reviewer 1 Reviewer 2 8:20:00 AM Welcome 8:30:00 AM 07 From vulnerable to resilient: ‘Fixing’ mechanisms and ‘unfixing’ practices 15 18 8:55:00 AM 15 Pharmakon landscape: An emerging territorial model for deep-time geo-bio-chemical governance 18 8 9:20:00 AM 18


id: interstices-656
author: Breen Lovett, Sarah
title: Human Shelter Directed by Boris B. Bertram
date: 2020-12-16
pages: 5
extension: .pdf
mime: application/pdf
words: 2210
sentence: 109
flesch: 67
cache: cache/interstices-656.pdf
txt: txt/interstices-656.txt
summary:
  The notion of home being the catalyst for transcendence can be understood as a rethinking of Maslow’s well-known Hierarchy of Needs (1943: 370-396), extended by his lesser known The Farther Reaches of Human Nature (1971) and most specif- ically “Various Meanings of Transcendence” (1971: 259-269). The curator says that his un- derstanding of home is as a place you can leave and come back to.


id: interstices-513
author: Interstices, Editor
title: Colophon
date: 2016-12-25
pages: 1
extension: .pdf
mime: application/pdf
words: 797
sentence: 25
flesch: 25
cache: cache/interstices-513.pdf
txt: txt/interstices-513.txt
summary:
  And, finally, a big thank you to all the contributors to Interstices 17! www.interstices.ac.nz Editorial Advisory Board Aotearoa/New Zealand Mike Austin (Unitec Institute of Technology), Dan Fleming (University of Waikato), Robert Jahnke (Massey University), Laurence Simmons (The University of Auckland), A.-Chr. This issue is supported by School of Art + Design, Auckland University of Technology (Institutional Sponsor) and Architectus (Corporate Sponsor) Executive Editors Andrew Douglas (andrew. douglas@aut.ac.nz) and Ross Jenner (r.jenner @auckland.ac.nz) Co-ordinating Editor Susan Hedges Issue Editors Andrew Douglas, Ross Jenner, Sue Hedges Contributors this issue Andrew Douglas, Sue Gallagher, Simon Weir, Sean Pickersgill.


id: interstices-9
author: 18, Interstices
title: Colophon
date: 2017-12-22
pages: 1
extension: .pdf
mime: application/pdf
words: 876
sentence: 24
flesch: 25
cache: cache/interstices-9.pdf
txt: txt/interstices-9.txt
summary:
  This issue is supported by School of Art + Design, Auckland University of Technology, School of Architecture + Planning, University of Auckland (Institutional Sponsor) and Moller Architects, Reverb Consultancy / Bruce Petry, Architectus, Warren and Mahoney, JASMAX (Corporate Sponsors) Executive Editors Andrew Douglas (andrew. douglas@aut.ac.nz) and Ross Jenner (r.jenner@auckland.ac.nz) Co-ordinating Editor Susan Hedges Issue Editors Susan Hedges, Ross Jenner, Tina Engels-Schwarzpaul Contributors this issue Anuradha Chatterjee, Andrew Douglas, Sebastien Galliot, Tina Engels Schwarzpaul, Spyros Papapetros, Tēvita ’Ō. Ka’ili, Joanne Choueiri, Füsun Turetken, John de Manincor, Esther Mecredy, Sean Flannagan, Jonathan Hale, Jan Smitheram Design and typography Catherine Griffiths Typefaces Founders Grotesk, Tiempos Text Klim Type Foundry Production Andrew Douglas, Catherine Griffiths, Susan Hedges, Ross Jenner, Olivia Labattaglia, Joanne Mathers and Tina Engels- Schwarzpaul Web programming Steve Huynh Published by enigma : he aupiki, Auckland, New Zealand December 2017 ISSN 1170-585X (Print) And, finally, a big thank-you to all the contributors to Interstices 18! www.interstices.ac.nz Editorial Advisory Board Aotearoa/New Zealand Mike Austin (Unitec Institute of Technology), Dan Fleming (University of Waikato), Robert Jahnke (Massey University), Laurence Simmons (The University of Auckland), A.-Chr.


id: interstices-510
author: Treadwell, Sarah
date: 2016-12-25
pages: 3
extension: .pdf
mime: application/pdf
words: 1285
sentence: 62
flesch: 56
cache: cache/interstices-510.pdf
txt: txt/interstices-510.txt
title:
  Writing on the Image: Architecture, the City and the Politics of Representation by Mark Dorrian BOOK REVIEW

summary:
  I. B. Tauris, 2015 In Writing on the Image: Architecture, the City and the Politics of Representation, Mark Dorrian brings a specific shaping of language to bear on some memorable and strange urban events and objects (Dorrian, 2015). In some ways, the book is a companion to an earlier and memorable collection of essays on the visual, Seeing from Above: The Aerial View in Visual Culture, which Dorrian edited with Frédéric Pousin (Dorrian and Pousin: 2013).


id: interstices-505
author: Forlano, Penelope; Smith, Dianne
date: 2016-12-25
pages: 5
extension: .pdf
mime: application/pdf
words: 1978
sentence: 124
flesch: 52
cache: cache/interstices-505.pdf
txt: txt/interstices-505.txt
title:
  Resurfacing memories: Mnemonic and tactile representations of family history in the making of new heirlooms

summary:
  Anthropological findings indicate that a significant characteristic of inalienable heirloom objects is that they are emotionally laden and mnemonic of significant life experience, rather than be- ing generated from the object’s physical characteristics (Csikszentmihalyi & Rochberg, Halton 1981; Mugge, et. al., 2006). Mnemonic and tactile representations of family history in the making of new heirlooms The Unforgotten is a functional furniture piece that challenges current con- ventional industry design practices which seek to achieve object longevity and heirloom quality through realising the status of a ‘design classic’.


id: interstices-482
author: Walker, Paul
title: Last Loneliest Loveliest: New Zealand at the Venice Architecture Biennale 2014 (review)
date: 2014-03-18
pages: 3
extension: .pdf
mime: application/pdf
words: 1742
sentence: 60
flesch: 48
cache: cache/interstices-482.pdf
txt: txt/interstices-482.txt
summary:
  It appears indeed to be a fantasy that has been assigned by the international design media to New Zealand architecture to fulfil, just as New Zealand landscapes fulfil a certain role in international film production. Do not these beautiful houses which speak New Zealand for the curatorial team for Last Loneliest Loveliest rather express a kind of in- ternationalised fantasy of the good life – psychological distance and withdrawal – implying all the resources needed to make it viable?


id: interstices-497
author: Douglas, Andrew
title: Introduction: The turn of beginnings
date: 2016-12-25
pages: 7
extension: .pdf
mime: application/pdf
words: 3106
sentence: 126
flesch: 43
cache: cache/interstices-497.pdf
txt: txt/interstices-497.txt
summary:
  In calling for such projects, we offered the same open prompt from which the reviewed papers were selected. I G I N S world-turning navel as Zeus in Greek mythology is said to have enacted at Delphi in his appropriation of chthonic forces from on high (Vernant, 2006: 179, Leatherbarrow, 2004: 124).


id: interstices-477
author: Cottrell, Chris
title: Interior turbulence and the thresholding of atmospheres
date: 2014-03-18
pages: 10
extension: .pdf
mime: application/pdf
words: 4520
sentence: 224
flesch: 49
cache: cache/interstices-477.pdf
txt: txt/interstices-477.txt
summary:
  Spatial turbulence Starting with the first of these two turbulent dynamics, Cloud Sound aimed to collide discrete entities and introduce traces of extraneous forces into a sheltered space. [Photograph of installation project, Bundoora Homestead Art Centre, Victoria, Australia, all images copyright the author] Cloud Sound was developed in 2012 for an exhibition at the Bundoora Homestead Art Centre, a converted Victorian homestead now operating as a regional gallery in greater Melbourne.


id: interstices-683
author: Twose, Simon; Douglas, Carl; Budgett, Jeanette
title: Almost-always-falling-apart
date: 2022-03-21
pages: 8
extension: .pdf
mime: application/pdf
words: 3939
sentence: 174
flesch: 50
cache: cache/interstices-683.pdf
txt: txt/interstices-683.txt
summary:
  Speculative practices may require us to perceive in new ways, and become sen- sitive to new registers of affect, perhaps “‘barely perceptible micro-movements at the cusp of awareness …” in which the subject matter being drawn or de- signed “always remains at the edge of its own explicitness” (Artega, 2017: 259). It is not our aim to launch a polemic or frame a manifesto, merely to pull on threads that sug- gest new ways of practising architecture and its related arts.


id: interstices-701
author: Editor, Issue
title: Interstices Issue 21: Fixing CFP
date: 2022-03-21
pages: 3
extension: .pdf
mime: application/pdf
words: 909
sentence: 69
flesch: 52
cache: cache/interstices-701.pdf
txt: txt/interstices-701.txt
summary:
  By 5 p.m. on Thursday 15 July 2021: Full papers of 5000 words are to be submitted to Julia Gatley julia.gatley@auckland.ac.nz for refereeing. By 5 p.m. on Thursday 30 September 2021: Final papers to be submitted to Julia Gatley julia.gatley@auckland.ac.nz .


id: interstices-435
author: Tawa, Michael
title: Being (in the Midst of) Two: Interstice and deconstitution in cinema and architecture
date: 2012-03-14
pages: 12
extension: .pdf
mime: application/pdf
words: 5533
sentence: 249
flesch: 50
cache: cache/interstices-435.pdf
txt: txt/interstices-435.txt
summary:
  I would like to begin with the be- ginning of architecture, which is also the beginning of the possibility of life–that is, the interval which makes space and time possible, which gives us room to be and to breathe. Whorls of worlds I would like to interpret a sequence from Andrei Tarkovsky’s The Mirror (1979) in line with the main narrative I am relaying, proceeding from the deconstitution of the subject, of space and time through intensification and crisis to emergence and solicitude.1


id: interstices-456
author: Smith, Cathy
title: Labour matters: The politics of materials and making in architecture
date: 2013-03-15
pages: 9
extension: .pdf
mime: application/pdf
words: 5104
sentence: 245
flesch: 35
cache: cache/interstices-456.pdf
txt: txt/interstices-456.txt
summary:
  This concern with architectural materials reinforces, rather than challenges, the traditional focus on the usefulness of materials in architectural form-making and ignores “the cultural and political issues that an engagement with the material might yield” (Lloyd Thomas 2007: 7-8). As such, parameters relating to the deployment of labour could be explicitly considered alongside material capacities.


id: interstices-438
author: Rawes, Peg
title: Spinoza’s Geometric Ecologies
date: 2012-03-14
pages: 10
extension: .pdf
mime: application/pdf
words: 5651
sentence: 233
flesch: 36
cache: cache/interstices-438.pdf
txt: txt/interstices-438.txt
summary:
  Spinoza’s commitment to a technical sense-based ecology firstly therefore enables building new geometric ecologies in the discipline, and consequently, for the so- cieties, and the human and natural environments in which we live and work. So, for Spinoza, geometric relations of, and between, bodies are not constructed by disembodied transcendental laws of reason (i.e. ratio), but out of the everyday, common and transformative expressions of body within its own singular environ- ment or habitat.


id: interstices-671
author: LeBuffe , Michael
title: Citizen and state in the philosophy of Spinoza
date: 2021-11-22
pages: 10
extension: .pdf
mime: application/pdf
words: 5791
sentence: 259
flesch: 69
cache: cache/interstices-671.pdf
txt: txt/interstices-671.txt
summary:
  First, there is the point that for Spinoza genuine religion—as opposed to super- stition—recommends the same actions that reason recommends in society. I N O Z A MICHAEL LEBUFFE Citizen and state in the philosophy of Spinoza Suppose that an intellectualistic theory of human wellbeing is true; that is, that human beings are better off to the extent that they possess knowledge.


id: interstices-511
author: Davis, Michael
date: 2016-12-25
pages: 3
extension: .pdf
mime: application/pdf
words: 1149
sentence: 54
flesch: 49
cache: cache/interstices-511.pdf
txt: txt/interstices-511.txt
title:
  The Architect as Worker: Immaterial Labor, the Creative Class and the Politics of Design by Peggy Deamer BOOK REVIEW

summary:
  Part II, “The Concept of Architectural Labor”, presents ideas on the varying nature of architectural work. His point is that professional accreditation, by holding the schools firm to existing local knowledge, contrib- utes to the under-delivery of architectural education in a rapidly changing global market.


id: interstices-714
author: Holden, Susan ; Daw, Olivia
title: Watershed or whimper? The Australian Year of the Built Environment, 2004
date: 2023-08-16
pages: 11
extension: .pdf
mime: application/pdf
words: 6835
sentence: 285
flesch: 44
cache: cache/interstices-714.pdf
txt: txt/interstices-714.txt
summary:
  Its expansive program of events, exhibitions, and demonstration projects engaged communities and industry as crucial actors in achieving sustainable built environments. The Sustainable Cities Program was a headline initiative, receiving $40 million of funding over five years to “en- sure understanding of, and action for, sustainable Australia.”13


id: interstices-473
author: Tawa, Michael
title: Vaporous circumambience: Towards an architectonics of atmosphere
date: 2014-03-18
pages: 12
extension: .pdf
mime: application/pdf
words: 5949
sentence: 340
flesch: 54
cache: cache/interstices-473.pdf
txt: txt/interstices-473.txt
summary:
  Fourth, a keynote nevertheless emerges; something firm yet provisional and transitional: that at- mosphere is a matter of complexion, colour and tincture; that tincture reveals as it conceals; that the tinge of something or someone or some place is an emergent phenomenon or ekstasis rendering its boundaries indeterminate; that this indeterminacy is produced by multiple senses or systems coexisting without fusing; that this coexistence manifests as a kind of shimmering surfacing or surfactance, ornamenting and embellishing; that the shimmering is also chimerical, evanescent, impermanent – or rather, that it has its own wavering temporality and dilated or aerated spatiality; finally, that this aerated circumambience is the fundamental structure of atmosphere. What we lack therefore is an anatomy of atmosphere; an inventory, codification or classification of atmospheres – aesthetic, certainly, but also metaphysical, political, religious, ethical, communitarian, theoretical, literary, musicological, spatial, temporal, theatrical, performative, environmental, climatic, civic, technological, computational, and so forth.


id: interstices-723
author: Editor, Issue
title: Biographies
date: 2023-08-16
pages: 2
extension: .pdf
mime: application/pdf
words: 1090
sentence: 56
flesch: 49
cache: cache/interstices-723.pdf
txt: txt/interstices-723.txt
summary:
  Samer holds degrees from Birzeit University in Palestine and Newcastle University, UK. SIMON TWOSE Simon Twose is an archi- tect and associate professor at Victoria University of Wellington Te Herenga Waka.


id: interstices-686
author: Budgett, Jeanette
title: Dirt under our fingernails: Daylighting waste at the Dome
date: 2022-03-29
pages: 11
extension: .pdf
mime: application/pdf
words: 5470
sentence: 261
flesch: 52
cache: cache/interstices-686.pdf
txt: txt/interstices-686.txt
summary:
  Water-based sewerage systems facilitate effortless and efficient disappearance of human waste. For example, human waste did not enter into any kind of Māori agricultural economy as manure was strictly tapu (under sa- cred prohibition).


id: interstices-675
author: Lahey Dronsfield, Jonathan
title: What reading Spinoza’s Ethics out loud brings to and takes from the text
date: 2021-11-22
pages: 11
extension: .pdf
mime: application/pdf
words: 7181
sentence: 461
flesch: 76
cache: cache/interstices-675.pdf
txt: txt/interstices-675.txt
summary:
  And affective reading cannot be reduced to immediacy (as is supposed, for instance, by Dan Smith [2008: 2].) They form part of a “book to come”, The Swerve of Freedom After Spinoza (Dronsfield, 2015a).


id: interstices-508
author: Southcombe, Mark
date: 2016-12-25
pages: 3
extension: .pdf
mime: application/pdf
words: 1420
sentence: 54
flesch: 48
cache: cache/interstices-508.pdf
txt: txt/interstices-508.txt
title:
  Vertical living: The Architectural Centre and the Remaking of Wellington by Julia Gatley and Paul Walker BOOK REVIEW

summary:
  Although depiction of the Centre’s more recent projects lacks the elaboration and illustration afforded to the work of earlier years, it shows how the Architectural Centre continues to influence the shape of Wellington City today. The Centre walked the talk from the beginning, establishing a series of summer schools focused on both the training of architects and improving the quality of the Wellington built environment.


id: interstices-514
author: Gatley, Julia
title: From Beaux-Arts to BIM
date: 2018-09-21
pages: 6
extension: .pdf
mime: application/pdf
words: 3042
sentence: 154
flesch: 57
cache: cache/interstices-514.pdf
txt: txt/interstices-514.txt
summary:
  There were three further exhibitions: current stu- dent work (Manfredini & Rieger 2017); library and archive collections across the 100 years (Milojevic & Cox 2017); and a revised edition of the timeline on women in New Zealand architecture, prepared by Architecture + Women New Zealand (2017 [2013]). He was important in broadening the scope of the history and theory teaching in the School, newly introducing modernism, the applied arts, and New Zealand architecture.


id: interstices-489
author: Koutsari, Maria; Antonopoulou, Elena; Chondros, Christos
title: The urban creative factory-creative ecosystems and (im)material design practices
date: 2019-03-18
pages: 7
extension: .pdf
mime: application/pdf
words: 5842
sentence: 364
flesch: 52
cache: cache/interstices-489.pdf
txt: txt/interstices-489.txt
summary:
  Hence the space of economic production, along with “the passage to the hegemony of biopolitical production”, is made to precisely overlap with the space of the city producing in turn what amounts to a “biopolitical city”. In other words, the apparent decline of the factory as a site of production does not mean a decline of the regime and discipline of factory production, but means rather that it is no longer limited to a particular site in society.


id: interstices-458
author: Hill, Jonathan
title: The ruins of the immaterial
date: 2013-03-15
pages: 13
extension: .pdf
mime: application/pdf
words: 8325
sentence: 423
flesch: 52
cache: cache/interstices-458.pdf
txt: txt/interstices-458.txt
summary:
  Expanding its meaning, by the sixteenth century it also 1 Locke 1975: bk. 1, ch. 1, 46. 2 Locke 1975: bk. 2, ch. 1, 104. 3 Tuveson 1960: 11. 4 Shaftesbury 1900: 403. 5 Plato 1929: 121. 6 Shaftesbury 1999: vol. 2, 94-101. 7 Darwin 1996: 109. 83 8 Whately 1771: 1. 9 Bate 2000: 3-5, 11-12. 10 Raphael and Baldassare Castiglione, in Hart & Hicks 2006: 188. referred to a picture of nature and in the eighteenth century it was applied to a prospect of actual nature, which in 1770 Thomas Whately so vehemently stated was “as superior” to a mere “painting, as a reality to a representation”.8 In each of these meanings, “landscape” acknowledges a human intervention, indicating why the prefix “natural” is applied to a landscape that is seemingly unaffected by humanity even though this has been impossible for centuries. In the symbiosis of geography and history in an island nation, Lasdun recognised that British architecture is both interdependent with landscape and a form of landscape architecture, an enduring and evolving tradition from the picturesque and romanticism to modernism in which the genius of the place has been made as much as found, the fusion of new ideas, forms and spaces with those already in place, which were themselves sometimes the result of earlier migrations.36 Architects of history From the Renaissance to the early twentieth century the architect was a histori- an in the sense that an architectural treatise combined design and history, and a building was expected to manifest the character of the time and knowingly refer to earlier historical eras.


id: interstices-718
author: Wanan, Samer
date: 2023-08-16
pages: 2
extension: .pdf
mime: application/pdf
words: 984
sentence: 38
flesch: 40
cache: cache/interstices-718.pdf
txt: txt/interstices-718.txt
title:
  The Routledge Handbook of Architecture, Urban Space and Politics, Volume 1: Violence, Spectacle and Data,ed. Nikolina Bobic and Farzaneh Haghighi

summary:
  The first volume of The Routledge Handbook of Architecture, Urban Space and Politics, edited by Nikolina Bobic and Farzaneh Haghighi, addresses this theme by focusing on the spatial poli- tics of governing and how architecture and urban spaces are deployed as tools to maintain oppressive power relations alongside their violent structures of control, surveillance, and segregation. The volume’s introduction explains the crucial need to re-examine architecture and urban space in relation to politics and power, especially within an oppres- sive environment.


id: interstices-498
author: Weir, Simon
title: On the origin of the architect: Architects and xenía in the ancient Greek theatre
date: 2016-12-25
pages: 7
extension: .pdf
mime: application/pdf
words: 4129
sentence: 240
flesch: 52
cache: cache/interstices-498.pdf
txt: txt/interstices-498.txt
summary:
  Architects of xenía in the theatre: i. Aristophanes’ Trygaeus and Euripides’ Odysseus play architect The other associations between xenía and architecture, beyond accommodation and contemporary conceptions of architecture, occurred in the Athenian theatre. On the origin of the architect: Architects and xenía in the ancient Greek theatre Introduction Seeking precedents for a language to explain architecture’s political and ethical functions, this paper is a historical case study focussed on the earliest ancient Greek records of architecture.


id: interstices-479
author: Kidd, Akari; Smitheram, Jan
title: Designing for affect through affective matter
date: 2014-03-18
pages: 10
extension: .pdf
mime: application/pdf
words: 4841
sentence: 267
flesch: 51
cache: cache/interstices-479.pdf
txt: txt/interstices-479.txt
summary:
  INTERSTICES 15 82 Designing for affect through affective matter Akari Kidd and Jan Smitheram Introduction This paper considers how affect moves us, and specifically, how we can design affective environ- ments rather than use affect as a tool for interpretation, analysis or description of a design project. This ex- ploration of the affect of matter (material affect) and effect of affect (affective materiality) is made possible by a raft of discourses centred on “materiality in-process”, including contemporary feminist and cultural theory (see for example, De Landa 2004; Barad 2001, 2003; Coole & Frost 2010).


id: interstices-459
author: Böhme, Gernot
title: Gernot Böhme
date: 2013-03-15
pages: 6
extension: .pdf
mime: application/pdf
words: 3636
sentence: 177
flesch: 55
cache: cache/interstices-459.pdf
txt: txt/interstices-459.txt
summary:
  This kind of character always affects several senses, and for this reason can be perceived representatively through different senses, or, from the perspective of the object, can be produced through different material qualities: the cold through blue, the repellant through a glossy finish, the shrill through colour contrasts. Material and materiality Considered more closely, neither in the one place nor in the other must the beams carry any load or the steel bridge provide access to something otherwise unreach- able.


id: interstices-688
author: Ujung, Verarisa
title: Interiority of caring relations in the mangokal holi ritual
date: 2022-03-29
pages: 8
extension: .pdf
mime: application/pdf
words: 3533
sentence: 192
flesch: 55
cache: cache/interstices-688.pdf
txt: txt/interstices-688.txt
summary:
  Narratives of lineage are important aspects of Batak social life, promoting fami- ly networks and interactions between Batak and their ancestors. The basic structural feature of Batak tradition involves stories of remembering and acts that fix relations and ways of life according to narra- tive rules and schemata.


id: interstices-491
author: Moujan, Carola
title: Augmenting the bench
date: 2015-03-18
pages: 10
extension: .pdf
mime: application/pdf
words: 11580
sentence: 1109
flesch: 83
cache: cache/interstices-491.pdf
txt: txt/interstices-491.txt
summary:
  i n t e r p r e t a t The problem here seems to be a global advertising overload that citizens are beginning to reject, and the fact that digital urban screens seem to almost inevitably include commercial messages.


